1 00:00:00,160 --> 00:00:03,400 Speaker 1: Can I paint your wife naked? 2 00:00:05,320 --> 00:00:05,680 Speaker 2: Stupid? 3 00:00:05,720 --> 00:00:05,880 Speaker 3: Hey? 4 00:00:05,960 --> 00:00:08,039 Speaker 2: Hey, hey, I'm an artist. I'm an autist. 5 00:00:11,880 --> 00:00:13,160 Speaker 1: Come home, bad dud. 6 00:00:13,400 --> 00:00:13,600 Speaker 3: Yeah? 7 00:00:15,160 --> 00:00:18,599 Speaker 1: Can I paint your wife naked? 8 00:00:19,120 --> 00:00:23,960 Speaker 2: Yeah? Yeah, that's stupid. There, Lord, let me paint. Let's go, candam. 9 00:00:25,079 --> 00:00:31,319 Speaker 4: Hello, Hello, I wish to speak with a mister. Please. Hello, sir. 10 00:00:32,080 --> 00:00:36,479 Speaker 4: My name is Sebastian. I am with the Art Institute 11 00:00:36,920 --> 00:00:40,199 Speaker 4: and I wanted to give you a call about I 12 00:00:40,240 --> 00:00:42,720 Speaker 4: have a huge showing coming up where I'm going to 13 00:00:42,760 --> 00:00:47,320 Speaker 4: be displaying my portfolio and all of my drawings within it. 14 00:00:47,360 --> 00:00:49,280 Speaker 4: But I have one drawing that I am looking to 15 00:00:49,479 --> 00:00:53,040 Speaker 4: display that I have not put on canvas yet, and 16 00:00:53,080 --> 00:00:57,080 Speaker 4: I'm looking to take something of essence to put on canvas, 17 00:00:57,080 --> 00:00:59,400 Speaker 4: and I want to call you about getting commissioned. 18 00:00:59,600 --> 00:01:01,720 Speaker 3: We wait, hold on, dog, just to stop me right now. 19 00:01:01,880 --> 00:01:04,320 Speaker 3: I don't do that. I'm not a model. That's not 20 00:01:04,360 --> 00:01:07,640 Speaker 3: my profession. So you would not waste your time no more, 21 00:01:07,680 --> 00:01:10,880 Speaker 3: you know what I'm saying. Just so, mister, I don't 22 00:01:10,920 --> 00:01:13,880 Speaker 3: think you understand that my showing is going to have 23 00:01:14,000 --> 00:01:17,480 Speaker 3: some very important people there. I am, like I said before, 24 00:01:17,520 --> 00:01:21,880 Speaker 3: with Art Institute. But I said I don't do that. 25 00:01:21,880 --> 00:01:24,840 Speaker 3: That's not me. I mean, I hat you know what was. 26 00:01:24,840 --> 00:01:25,800 Speaker 4: You just calling folks up? 27 00:01:25,920 --> 00:01:28,760 Speaker 3: You a solicitors? I mean y'are just randomly picking out 28 00:01:28,800 --> 00:01:30,640 Speaker 3: folks and trying to trying to get them the model. 29 00:01:30,640 --> 00:01:35,520 Speaker 4: Look, man, mister, no, I'm not just randomly calling people. 30 00:01:36,000 --> 00:01:38,440 Speaker 4: I actually have done research in order to get your number. 31 00:01:38,760 --> 00:01:42,679 Speaker 4: What I'm doing is I'm not calling you as far 32 00:01:43,080 --> 00:01:45,760 Speaker 4: being a model that I'm going to portray on canvas, 33 00:01:46,000 --> 00:01:50,160 Speaker 4: but you have something far more greater visually that I 34 00:01:50,160 --> 00:01:54,360 Speaker 4: would like to behold on canvas. Now you're married to 35 00:01:55,320 --> 00:01:57,160 Speaker 4: your wife? Is am I correct? 36 00:01:57,520 --> 00:01:58,080 Speaker 3: The whole world? 37 00:01:58,120 --> 00:01:58,320 Speaker 4: World? 38 00:01:58,360 --> 00:01:58,840 Speaker 3: Wow? Dog? 39 00:01:59,640 --> 00:01:59,720 Speaker 4: No? 40 00:02:00,240 --> 00:02:03,520 Speaker 3: Who is this seriously good? I can get my number? No, 41 00:02:03,560 --> 00:02:05,320 Speaker 3: I can give my number because you're talking about my 42 00:02:05,360 --> 00:02:07,560 Speaker 3: wife and stuff. Well, I know my wife. 43 00:02:07,800 --> 00:02:12,320 Speaker 4: My name is Sebastian. I am with our institute. What 44 00:02:12,440 --> 00:02:15,560 Speaker 4: I'm trying to do is capture and mortalize the beauty 45 00:02:15,560 --> 00:02:16,800 Speaker 4: of absence on Canda lives. 46 00:02:17,280 --> 00:02:20,280 Speaker 3: Okay yo, for real, though, you just can't. You don't 47 00:02:20,280 --> 00:02:21,480 Speaker 3: talk about my wife all right. 48 00:02:21,720 --> 00:02:26,120 Speaker 4: So I'm not. I'm not calling in a negative manner 49 00:02:26,160 --> 00:02:29,440 Speaker 4: towards your wife. I want to I want to modealize 50 00:02:29,480 --> 00:02:34,000 Speaker 4: her and capture her on canvas, the beauty that she beholds. 51 00:02:34,160 --> 00:02:37,080 Speaker 4: I've seen your wife several times, you guys reside. 52 00:02:36,760 --> 00:02:39,760 Speaker 3: Whoa, whoa, whoa? Do you see my wife? Wait? What 53 00:02:39,800 --> 00:02:40,560 Speaker 3: do you see my wife? 54 00:02:40,560 --> 00:02:40,600 Speaker 2: That? 55 00:02:40,720 --> 00:02:41,280 Speaker 4: What? Why you? 56 00:02:41,360 --> 00:02:41,880 Speaker 3: Why you? 57 00:02:41,919 --> 00:02:44,440 Speaker 4: Why are you watching my wife? I've seen her. She 58 00:02:44,440 --> 00:02:46,640 Speaker 4: she shops one hundred and twenty fifth Street in hallm 59 00:02:46,680 --> 00:02:49,400 Speaker 4: I've seen her so many times there, and she holds 60 00:02:49,440 --> 00:02:51,560 Speaker 4: all the beauty that an artist would like to put 61 00:02:51,600 --> 00:02:54,480 Speaker 4: on kanvas. Like I said before, I have a huge 62 00:02:54,480 --> 00:02:56,720 Speaker 4: showing in May. You're welcome to come out as well. 63 00:02:57,040 --> 00:02:57,200 Speaker 3: There. 64 00:02:57,240 --> 00:02:59,200 Speaker 4: It's going to be so many important people there. But 65 00:02:59,240 --> 00:03:01,679 Speaker 4: I want to to call and get permission from you 66 00:03:01,760 --> 00:03:03,280 Speaker 4: about painting your wife. 67 00:03:03,639 --> 00:03:05,880 Speaker 3: No, you ain't got that permission. Play well, you just can't. 68 00:03:06,080 --> 00:03:09,760 Speaker 3: You just can't go around following my wife and trying 69 00:03:09,800 --> 00:03:11,720 Speaker 3: to motialize or whatever is said. 70 00:03:11,760 --> 00:03:14,680 Speaker 4: All right, So, but I would like to let you 71 00:03:14,720 --> 00:03:18,320 Speaker 4: know I have taken the liberty myself. I have painted 72 00:03:18,880 --> 00:03:19,960 Speaker 4: your wife's head. 73 00:03:20,440 --> 00:03:24,240 Speaker 3: What, Joe, you have lost your mind. You can't be 74 00:03:24,320 --> 00:03:27,400 Speaker 3: just walking around here peinting folks headed. You gotta get 75 00:03:27,440 --> 00:03:30,760 Speaker 3: permission for that. What's wrong with you? If you are crazy? 76 00:03:30,919 --> 00:03:34,200 Speaker 4: You don't understand your wife holds the essence that every 77 00:03:34,280 --> 00:03:35,040 Speaker 4: artist wants. 78 00:03:34,840 --> 00:03:37,080 Speaker 3: To I don't care what she holds. You can't be 79 00:03:37,120 --> 00:03:40,840 Speaker 3: going around peinting folks heads. Wrong with you, sir. 80 00:03:41,080 --> 00:03:43,600 Speaker 4: That's the reason why I'm calling trying to get permission 81 00:03:43,680 --> 00:03:46,680 Speaker 4: from you. All right, Sebastian want to put your wife 82 00:03:46,680 --> 00:03:49,920 Speaker 4: on canvas because she holds the essence that every artist 83 00:03:49,960 --> 00:03:53,360 Speaker 4: wants to behold. She mortalized the beauty of canast. 84 00:03:53,040 --> 00:03:54,960 Speaker 3: Oh wha, whoa hold of the hold of the hold 85 00:03:54,960 --> 00:03:58,400 Speaker 3: of God? You're telling me you walking around following painting 86 00:03:58,480 --> 00:04:04,160 Speaker 3: my wife's head? What earth is that? What are you doing, dude? 87 00:04:04,520 --> 00:04:07,360 Speaker 4: I'm only trying to complete my portfolio. 88 00:04:07,560 --> 00:04:11,400 Speaker 3: No, your portfolio here? Listen it is If I see 89 00:04:11,440 --> 00:04:14,040 Speaker 3: my wife's head anywhere, I don't care new play of magazine, 90 00:04:14,080 --> 00:04:16,400 Speaker 3: I don't care where to Billboy web Yo, I'm gonna 91 00:04:16,400 --> 00:04:18,840 Speaker 3: find your I'm gonna whoop your Do you understand what 92 00:04:18,880 --> 00:04:21,760 Speaker 3: I'm saying to you. I'm gonna sume you. You understand that. 93 00:04:22,120 --> 00:04:24,680 Speaker 4: Sure, I don't want to have a duel with you, sir. 94 00:04:26,400 --> 00:04:31,559 Speaker 3: Is a duel they do what they do? In fact, 95 00:04:31,720 --> 00:04:35,880 Speaker 3: what name is a bastion? Who name is that? A fashi? 96 00:04:36,400 --> 00:04:39,360 Speaker 4: Sure? All I want to do is paint your wife 97 00:04:39,440 --> 00:04:42,880 Speaker 4: and hourrahious and purest. For that's all. 98 00:04:42,960 --> 00:04:46,800 Speaker 3: There's law and purest for me. What the do you want? 99 00:04:46,920 --> 00:04:51,320 Speaker 4: Seriously, I want to paint your wife. I want to 100 00:04:51,360 --> 00:04:53,239 Speaker 4: paint her in the nude. 101 00:04:55,360 --> 00:05:00,320 Speaker 3: Minds not enough, that's what you should do. Tell me 102 00:05:00,360 --> 00:05:02,200 Speaker 3: where you at you want to paint something, I'll give 103 00:05:02,240 --> 00:05:05,040 Speaker 3: you something to pay. Tell me where you at? One 104 00:05:05,160 --> 00:05:08,760 Speaker 3: twenty fifth? Read me one twenty fifth. That's what's up. 105 00:05:09,120 --> 00:05:12,920 Speaker 3: I want to whoop your read me, meet me, paint me, 106 00:05:13,680 --> 00:05:16,599 Speaker 3: paint me? You want your mind so about? You wanna 107 00:05:16,600 --> 00:05:19,000 Speaker 3: paint my wife and the news? It's gonna take them 108 00:05:19,200 --> 00:05:22,800 Speaker 3: brushes to stick them up with your mister, she holds. 109 00:05:22,440 --> 00:05:25,080 Speaker 4: The essence that every person shouldn't. 110 00:05:24,640 --> 00:05:27,200 Speaker 3: Give up what she holds asked, I don't give a 111 00:05:27,760 --> 00:05:30,480 Speaker 3: beat your mind for asturism like that. 112 00:05:30,760 --> 00:05:33,120 Speaker 4: Sure, I must ask you. Do you think that you 113 00:05:33,200 --> 00:05:35,919 Speaker 4: are the only person that has seen your wife in 114 00:05:35,960 --> 00:05:38,200 Speaker 4: the news? Sure that has been men before you that 115 00:05:38,320 --> 00:05:41,640 Speaker 4: have seen her in the next day? For you and 116 00:05:41,839 --> 00:05:43,360 Speaker 4: my wife ain't no more? You call my wife? 117 00:05:43,839 --> 00:05:44,800 Speaker 3: Is that what she's saying? 118 00:05:44,920 --> 00:05:46,039 Speaker 4: Are you calling my wife? 119 00:05:46,040 --> 00:05:47,320 Speaker 5: Of Hugh? 120 00:05:47,600 --> 00:05:49,640 Speaker 4: I want to paint your wife and the beauty that 121 00:05:49,680 --> 00:05:51,400 Speaker 4: she bought canvas. 122 00:05:52,160 --> 00:05:56,200 Speaker 3: Did you not understand? I just said, you know, I 123 00:05:56,320 --> 00:05:59,320 Speaker 3: told you meet me on the corner of one twenty 124 00:05:59,400 --> 00:06:01,240 Speaker 3: fifth and claim Powell. 125 00:06:01,720 --> 00:06:07,680 Speaker 4: I got one more thing. I just like, nephew, come 126 00:06:07,800 --> 00:06:10,840 Speaker 4: me from the Steve harm In Morning Show. You just 127 00:06:11,120 --> 00:06:12,840 Speaker 4: got paint my your boy? 128 00:06:15,000 --> 00:06:17,240 Speaker 3: What what this is? 129 00:06:17,520 --> 00:06:20,000 Speaker 4: This is nephew. There's a nephew till me from the 130 00:06:20,000 --> 00:06:21,200 Speaker 4: Steve Harvey Morning Show. 131 00:06:21,880 --> 00:06:30,080 Speaker 3: No o, oh man, yo, man, yo, yeah, man, I 132 00:06:30,120 --> 00:06:34,640 Speaker 3: would move a Francis be here, dude, Toman, you've got 133 00:06:34,760 --> 00:06:36,320 Speaker 3: me dog oh man? 134 00:06:36,440 --> 00:06:38,279 Speaker 4: Yeah god it was Sebastian. 135 00:06:39,480 --> 00:06:44,480 Speaker 3: Yeah, dude, let you get some bashing. I was about 136 00:06:44,480 --> 00:06:50,200 Speaker 3: to y'all and Sebastian I was to paint brushes and 137 00:06:50,200 --> 00:06:54,680 Speaker 3: now we're about to paint all them with ya. Hey 138 00:06:54,680 --> 00:06:55,719 Speaker 3: he told me, man. 139 00:06:55,560 --> 00:07:02,039 Speaker 4: He said, Man, he's love his wife. I said, let 140 00:07:02,080 --> 00:07:08,320 Speaker 4: me say this right now, loves you. Let me get 141 00:07:08,360 --> 00:07:10,800 Speaker 4: one more pay from you. Man. What is the baddest 142 00:07:10,840 --> 00:07:15,000 Speaker 4: I'm talking about the baddest radio show in balance. 143 00:07:15,440 --> 00:07:18,640 Speaker 3: Yeah man, it's see Hobby in the Morning Show. Baby. 144 00:07:18,960 --> 00:07:24,440 Speaker 1: Yeah, y'all think play too much? Six what y'all think? 145 00:07:24,720 --> 00:07:26,920 Speaker 2: Come on your frank. 146 00:07:30,760 --> 00:07:33,200 Speaker 5: Laid over the holidays, and I just thought about how 147 00:07:33,240 --> 00:07:36,520 Speaker 5: stupid I really am, and what stupid has done and 148 00:07:36,520 --> 00:07:37,760 Speaker 5: what stupid is paid for. 149 00:07:38,000 --> 00:07:40,680 Speaker 2: And I said, you must have been thinking a long time. 150 00:07:45,200 --> 00:07:49,760 Speaker 2: He just said, what all stupid has done? 151 00:07:50,720 --> 00:07:54,760 Speaker 1: You got a migraine from all A lot of good 152 00:07:54,800 --> 00:07:57,440 Speaker 1: things stupid has done for me. That's all saying. You 153 00:07:57,640 --> 00:08:01,680 Speaker 1: look back at one. Yeah, you got over, How stupid 154 00:08:01,720 --> 00:08:02,160 Speaker 1: got old? 155 00:08:03,440 --> 00:08:05,920 Speaker 2: How long was your TV? All that? 156 00:08:12,680 --> 00:08:15,520 Speaker 5: If you're watching Ready to Love, I appreciated the numbers, 157 00:08:15,840 --> 00:08:18,120 Speaker 5: the roof, and I want to say thank you, thank you. 158 00:08:18,280 --> 00:08:21,000 Speaker 5: Keep going Ready to Love Detroit in the building. We're 159 00:08:21,000 --> 00:08:24,200 Speaker 5: still moving strong. So y'all stay tuned this Friday. We 160 00:08:24,240 --> 00:08:25,040 Speaker 5: got more for you. 161 00:08:25,760 --> 00:08:30,520 Speaker 1: You go, Nephew, it's good, Tommy, It is good. 162 00:08:30,600 --> 00:08:35,240 Speaker 2: Detroit going up, going up. 163 00:08:35,600 --> 00:08:42,280 Speaker 1: Shout out to Dominique, keep some boots on. You're listening. 164 00:08:43,360 --> 00:08:44,360 Speaker 1: Hardy Morning Show