WEBVTT - Michael Rosenbaum

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<v Speaker 1>And I went to them, and I remember the agent

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<v Speaker 1>was like, do you have a resume? And I gave

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<v Speaker 1>it to him, Like do you do any voice over work?

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<v Speaker 1>And I go, yeah, of course I didn't, and I

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<v Speaker 1>just went into it. I go. If you like yummy

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<v Speaker 1>things like peach part Fit, come on live a little,

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<v Speaker 1>have a cup of you Band for dessert, you bad.

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<v Speaker 1>The gorgeous coffee You Band taste great. Just think baking

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<v Speaker 1>and eggs for breakfast and dessert, a nice big sandwich

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<v Speaker 1>for lunch and dessert, or how about a strawberry part

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<v Speaker 1>fit and dessert You Band. Hey, I am Michael Rosenbaum.

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<v Speaker 1>I was Lex lutheran Smallville, and I have a really

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<v Speaker 1>fun podcast called Inside of You with Michael Rosenbaum, so

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<v Speaker 1>check it out. I'm happy to be here. Hello, they're friends,

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<v Speaker 1>and welcome back to a brand spanking new episode of

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<v Speaker 1>Off the Beat. As always, I am your host Brian Baumgartner. Today, well,

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<v Speaker 1>I'm talking to my new bestie, Michael Rosenbaum, as you

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<v Speaker 1>just heard. Now. You may know him best as Lex

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<v Speaker 1>Luthor on Smallville, or maybe from his hit podcast Inside

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<v Speaker 1>of You, as he so eloquently writes in his podcast

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<v Speaker 1>bio you may see him and say, oh, that guy

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<v Speaker 1>from that thing. But you know, all seriousness. Michael has

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<v Speaker 1>been in everything. He's an incredible actor, Urban Legends, Justice League,

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<v Speaker 1>Guardians of the Galaxy, and uh he's even the lead

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<v Speaker 1>singer of his band son Spin. I find him so interesting.

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<v Speaker 1>He also has some unique interests. He's a voice actor.

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<v Speaker 1>He's a collector. Actually, why don't you just guess? He collects?

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<v Speaker 1>Is it slinkys, is it anything chicken related? Is it

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<v Speaker 1>horror memorabilia, troll dolls, back scratchers. Yeah, one of those

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<v Speaker 1>things he collects and it fills him with joy. The

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<v Speaker 1>answer will be available in the podcast. I also want

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<v Speaker 1>to mention that not only is Michael on my podcast today,

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<v Speaker 1>but as you just heard, I'm on his So make

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<v Speaker 1>sure to check that out inside of you. Look, I'm

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<v Speaker 1>excited to bring him on. He's a new friend, but

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<v Speaker 1>he's a dear friend that didn't rhyme. Let's just do

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<v Speaker 1>this here. He is Michael Rosenbaum. Bubble and Squeak. I

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<v Speaker 1>love it. Bubble and Squeak on Bubble and Squeaker cookie

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<v Speaker 1>every month left over from the nut before. What's up?

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<v Speaker 1>How are you doing? What's up? My new bestie. Oh,

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<v Speaker 1>you dropped a bomb Gardner on me. Baby, you dropped

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<v Speaker 1>a bomb on me. Dude, Michael, I mean two times

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<v Speaker 1>so close together. This is I mean wow. Now next,

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<v Speaker 1>I promised you when we parted ways that I was

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<v Speaker 1>going to make you some chili. That's going to happen.

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<v Speaker 1>Let me be very clear today I'm moving. So my kitchen,

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<v Speaker 1>my implements. What is that? That's not my utensils. They're

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<v Speaker 1>all packed up. So the implements. If you want implements,

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<v Speaker 1>you know my my implements. Will we'll play golf and

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<v Speaker 1>will eat chili. How does that? I'm very excited about that.

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<v Speaker 1>That sounds amazing. I can't eight to uh be invited

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<v Speaker 1>to your house? Do you usually do this over zoom?

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<v Speaker 1>You don't have people at your house. You don't like

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<v Speaker 1>people at your house? Well, you know, I live in Oklahoma.

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<v Speaker 1>Now that's a hike for me. It's a little. It's

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<v Speaker 1>a little. Although I came to you, I came to

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<v Speaker 1>your house. You did, and it was a bit You're right.

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<v Speaker 1>I remember you saying it was a bit of a hike,

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<v Speaker 1>But you had some other stuff going on that day.

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<v Speaker 1>It wasn't just that. It was no it was just

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<v Speaker 1>for you. It was just for you. That's my story.

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<v Speaker 1>I'm sticking with it, you see. So it's was so

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<v Speaker 1>nice getting to talk to you. Now. I'm i'm I'm

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<v Speaker 1>turning the tables a little bit on you because I

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<v Speaker 1>i've one. I find you incredibly interesting, in addition to

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<v Speaker 1>being incredibly sexy. People like Welling. I don't know why.

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<v Speaker 1>I don't know why people I don't know why people

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<v Speaker 1>like Welling. I've go you've golfed with Welling? I have

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<v Speaker 1>you golfed with Welling? I have a golf with Welling.

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<v Speaker 1>I know you like to golf. I can't believe you

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<v Speaker 1>guys having golf together. Yeah. Well, I just started picking

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<v Speaker 1>it up during COVID. There's nothing else to do. So

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<v Speaker 1>everybody started buying clubs. Everybody started to go to the

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<v Speaker 1>golf course. And I played ice hockey my whole life.

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<v Speaker 1>But I remember what you said on my podcast. You said,

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<v Speaker 1>that's the time where there's no phones, there's no external noise.

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<v Speaker 1>You just, for however many hours focus on that, and

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<v Speaker 1>that for you is therapeutic. So I can understand that.

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<v Speaker 1>I understand that. So when I golf, I try to

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<v Speaker 1>do that as well. I try to just talk with

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<v Speaker 1>my friends, enjoy the atmosphere, and it's help. It's it

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<v Speaker 1>is therapeutic. It's like meditation in a way. Yeah, I

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<v Speaker 1>don't think I knew that you did ice cock hockey.

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<v Speaker 1>You know, that's Correl's game sport. That's really that's what

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<v Speaker 1>he did growing up. Yeah. In fact, he got hurt

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<v Speaker 1>at some point while we were filming playing high He

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<v Speaker 1>played in a like a league in Los angele of us.

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<v Speaker 1>They're like Lee, But yeah, I do. In fact, I

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<v Speaker 1>just ran into someone who played or plays with him.

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<v Speaker 1>I thought he had given it up. Maybe not, but yeah,

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<v Speaker 1>and so he and I have golfed, not a lot,

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<v Speaker 1>but you know, he's got a good swing. He makes

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<v Speaker 1>good contact because yeah, you ice hockey, guys can pound

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<v Speaker 1>the ball um, but he's learning to. And like you said,

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<v Speaker 1>it takes a lot of time. It takes a lot

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<v Speaker 1>of time back back to welling, back to Welling being

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<v Speaker 1>so good looking, because you did you did say that,

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<v Speaker 1>and uh, you know you were. I know I will look.

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<v Speaker 1>I appreciate that. But you know what's funny is I

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<v Speaker 1>always felt when I was on Smallville that I was

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<v Speaker 1>gonna get fired because I wasn't good looking enough. I

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<v Speaker 1>didn't match the crips here. I didn't fit the criteria

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<v Speaker 1>for the w B slash g W whatever model. And

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<v Speaker 1>you had Tom was so beautiful and Kristen, who played

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<v Speaker 1>a lot, was so beautiful, and the beautiful pair. Everyone

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<v Speaker 1>was beautiful. And I'm like, this bald guy got this

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<v Speaker 1>bump on my back of my head. I was never

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<v Speaker 1>popular in high school. I just was really feeling like, um,

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<v Speaker 1>they're gonna let me go. So I felt like I

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<v Speaker 1>had to step up my game and act the ship

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<v Speaker 1>out of those scenes in order to stay on board.

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<v Speaker 1>So I always felt like I was threatened by willing. Yeah,

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<v Speaker 1>I have similar feelings about the w B c W.

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<v Speaker 1>I always felt like any time I would get like

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<v Speaker 1>an appointment to go meet with something, I was like,

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<v Speaker 1>they're not gonna hire me. But now now they hired you.

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<v Speaker 1>So I don't know where the Yeah, yeah, they're in

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<v Speaker 1>the bald guys. Now. You know you have a little

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<v Speaker 1>bit of baldness going, so you they're probably into you now, yeah,

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<v Speaker 1>a little bit. Um. All right, Well, I want to

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<v Speaker 1>talk more about Smallville, but I want to go back first.

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<v Speaker 1>I understand you were born in New York. But who

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<v Speaker 1>ended up being raised in Indiana? Was that a family

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<v Speaker 1>moved to Indiana? Yeah, Dad got a job transfer he

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<v Speaker 1>worked in uh sort of a chemist like and uh

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<v Speaker 1>he brought the whole family to a small town in Newburg, Indiana,

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<v Speaker 1>which had about three thousand, not even three thousand people,

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<v Speaker 1>a lot of corn fields, of burger farm, a Druther's,

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<v Speaker 1>a dairy queen, a tiny Newberg cinema, a pizza king.

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<v Speaker 1>Can't forget that, and the high school was about a

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<v Speaker 1>few miles away. And uh, yeah, we just landed in Newburg, Indiana,

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<v Speaker 1>And thus began my life growing up in the Middlewest. Wow,

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<v Speaker 1>And was that difficult for you? I remember my dad

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<v Speaker 1>was mowing the lawn. You know, it's just blew shit

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<v Speaker 1>all over him, you know, all over his face and

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<v Speaker 1>his body, you know, when he's mowing the lawn, East

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<v Speaker 1>wear goggles. And I remember saying, I don't have any friends.

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<v Speaker 1>He's like, what, I don't have any friends? And he's like, well,

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<v Speaker 1>why don't you go and knock on everybody's door in

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<v Speaker 1>the neighborhood and asked them if they have a kid

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<v Speaker 1>who's eight years old or nine years old you could

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<v Speaker 1>play with and I did, and I went next door. No,

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<v Speaker 1>and finally I got about eight houses down and uh,

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<v Speaker 1>this woman answers Mrs Cutter, and Mrs Cutter. I looks

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<v Speaker 1>at me and go, I go, hey, do you have

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<v Speaker 1>like a nine year old kid that I could play with?

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<v Speaker 1>She goes, you don't look you look too small for nine,

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<v Speaker 1>and I go, well, I am, and then she goes Danny.

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<v Speaker 1>And then Danny became my best friend. And we catch

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<v Speaker 1>fireflies and we tp houses and we play a whiffle ball.

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<v Speaker 1>And I remember when I think back, I said, you know,

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<v Speaker 1>they always say if you're always in in the past,

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<v Speaker 1>you're depressed. It's part of it's depression if you're stuck

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<v Speaker 1>in the past. But I remember I had a dysfunctional family,

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<v Speaker 1>volatility out the ass. But I remember great friends and

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<v Speaker 1>great memories growing up in a small town, or something

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<v Speaker 1>really special about my time in Indiana, and I don't forget.

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<v Speaker 1>And I usually go back once a year. You know,

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<v Speaker 1>I always say I'm gonna move back there, and my

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<v Speaker 1>friends always here say, what are you gonna do? You'll

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<v Speaker 1>get bored there, why would you want to go back?

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<v Speaker 1>But I do miss the Middlewest. I do. It's just

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<v Speaker 1>there's something calm about it when you land. There's something

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<v Speaker 1>just oh man, this is just some them in Indiana,

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<v Speaker 1>you know. Yeah, so it's nice. Now that's great. You know,

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<v Speaker 1>I've said this before. It seems like all the funny

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<v Speaker 1>people that I know are from like Kansas. I don't know,

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<v Speaker 1>there's like this whole group of people. And you think about,

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<v Speaker 1>you know, the potential that you know, there's not enough

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<v Speaker 1>creative outlets. There's just not as many um, you know places.

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<v Speaker 1>But but that environment growing up and truly just using

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<v Speaker 1>your imagination, needing to entertain yourself, you know, with your friends.

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<v Speaker 1>And I don't know, that's that's awesome to hear. I

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<v Speaker 1>hope you I hope you could do go back. It's

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<v Speaker 1>a tough commute to Indiana, it is, but you know, uh,

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<v Speaker 1>I do think I'll go back one day. I mean.

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<v Speaker 1>The only problem is my mom lives there, so I

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<v Speaker 1>don't know. I want. I'm happy her coming to town.

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<v Speaker 1>I'm I flew her. I'm fly her in Thursday for

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<v Speaker 1>her seventy fifth birthday. And uh, she's a handful. She's

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<v Speaker 1>a handful, so i'd have to live. My sister lives

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<v Speaker 1>there still, so I'm thinking about it. We'll see what happens.

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<v Speaker 1>All right. Your mom is a writer, is that right?

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<v Speaker 1>Or is a writer? Yeah? She like writes for small

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<v Speaker 1>town paper, Evansville Courier, the Newberg Register. She doesn't do

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<v Speaker 1>it much anymore, but you know, she's pretty liberal. Not

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<v Speaker 1>to say I'm not liberal at all, but she's really liberal.

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<v Speaker 1>And so she used to write these articles in the papers.

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<v Speaker 1>And it used to piss people off. And I used

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<v Speaker 1>to get harassed in school for the articles that my

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<v Speaker 1>mom would write. And it was just like I used

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<v Speaker 1>to im, like, go, why are you putting my name

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<v Speaker 1>in these interviews? And and we had to put up

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<v Speaker 1>with that, and she was just she would just she's

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<v Speaker 1>sometimes write about baseball players. She'd somehow get these interviews.

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<v Speaker 1>She was her own publicist, so she would call like

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<v Speaker 1>major league outlets and like get interviews with the St.

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<v Speaker 1>Louis Cardinals players. And family would all drive to St.

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<v Speaker 1>Louis and go watch a game and she'd be interviewing

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<v Speaker 1>some baseball player for this little paper, and somehow she

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<v Speaker 1>charmed her way in. She's a very charming, manipulative person.

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<v Speaker 1>Let me just say that it's it's clear. I mean,

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<v Speaker 1>it's been there's been three references in four minutes about

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<v Speaker 1>your mixed feelings about your mom. But I hope you

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<v Speaker 1>have a nice Yeah, I hope so too. Look, I

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<v Speaker 1>love her. She was just you know, she had my

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<v Speaker 1>my my brother when she was sixteen. She had my

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<v Speaker 1>sister when she was seventeen, and she got divorced. She

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<v Speaker 1>married my dad, who was eighteen. Uh, you know, they

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<v Speaker 1>grew up really fast. And well, I think that, you know,

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<v Speaker 1>when you have a child, the child must come first.

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<v Speaker 1>They have to be the center of attention and if not,

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<v Speaker 1>they're gonna be well, uh, tortured. And so I think

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<v Speaker 1>that I became a little tortured as the years grew on,

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<v Speaker 1>but I somehow made it through the fog. And here

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<v Speaker 1>I am. Yeah, well that's good. Uh. You went to

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<v Speaker 1>Western Kentucky, right, and you you studied theater arts. So

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<v Speaker 1>when did you start finding a love of theater or

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<v Speaker 1>of acting? Was that was that early or was that

0:13:28.760 --> 0:13:31.600
<v Speaker 1>just what you decided to go to college for. Well,

0:13:31.720 --> 0:13:33.760
<v Speaker 1>I went to college thinking, you know, I'll take some

0:13:33.840 --> 0:13:36.280
<v Speaker 1>acting classes because I I took one in high school

0:13:36.320 --> 0:13:39.120
<v Speaker 1>and I did a play. But I was really insecure

0:13:39.200 --> 0:13:43.280
<v Speaker 1>and got a lot of confidence and Uh. I remember

0:13:43.559 --> 0:13:47.600
<v Speaker 1>the teacher, Mr Dr Combs, and uh, I was taking

0:13:47.640 --> 0:13:50.559
<v Speaker 1>basic techniques of acting. And I went in there and

0:13:50.600 --> 0:13:53.960
<v Speaker 1>I had this baseball cap and this Mets jersey and

0:13:54.040 --> 0:13:56.640
<v Speaker 1>the teacher says, those of you who are here for

0:13:56.760 --> 0:14:01.880
<v Speaker 1>an easy elective, please raise your hand ends And so

0:14:01.920 --> 0:14:04.360
<v Speaker 1>about seven people in the class raised their hands and

0:14:04.440 --> 0:14:07.040
<v Speaker 1>kind of laughed, and I was so close to raising

0:14:07.120 --> 0:14:10.120
<v Speaker 1>my hand as a joke. And he then looks at

0:14:10.200 --> 0:14:15.000
<v Speaker 1>these kids and says, get out of my class. And

0:14:15.280 --> 0:14:17.680
<v Speaker 1>I was like what. And he made these kids leave

0:14:17.760 --> 0:14:20.760
<v Speaker 1>his class and find another elective. And then he asked

0:14:20.760 --> 0:14:23.960
<v Speaker 1>me at the end of class, Mr Rosenbaum, do you

0:14:24.080 --> 0:14:28.600
<v Speaker 1>really want to be an actor? And I go yeah.

0:14:28.720 --> 0:14:32.680
<v Speaker 1>And it took some time, but as I started to

0:14:32.720 --> 0:14:37.280
<v Speaker 1>do plays the children's theater and then bigger plays, and

0:14:37.360 --> 0:14:42.560
<v Speaker 1>hearing that that instant gratification, that the applause from the audience,

0:14:42.600 --> 0:14:44.760
<v Speaker 1>and like I felt accepted for the first time in

0:14:44.760 --> 0:14:47.240
<v Speaker 1>my life. It was validation that I was doing something

0:14:47.280 --> 0:14:50.040
<v Speaker 1>good for the first time. And I fell in love

0:14:50.120 --> 0:14:56.400
<v Speaker 1>with that feeling, that euphoria, that connection, and I just

0:14:56.600 --> 0:14:59.800
<v Speaker 1>I started getting lead roles and I remember it was

0:14:59.840 --> 0:15:02.000
<v Speaker 1>like the end of my junior year. I looked in

0:15:02.040 --> 0:15:05.280
<v Speaker 1>the mirror and I go, you're an actor, dude, You're

0:15:05.320 --> 0:15:08.240
<v Speaker 1>a fucking actor. You say f on the show, Yeah

0:15:08.320 --> 0:15:11.520
<v Speaker 1>you can, oh And I said, you're an f an actor.

0:15:12.080 --> 0:15:14.720
<v Speaker 1>I didn't that done? And then uh, that was it.

0:15:14.800 --> 0:15:18.840
<v Speaker 1>I just kind of I love being a part of something,

0:15:18.920 --> 0:15:23.360
<v Speaker 1>part of this ensemble and pretending I'm someone I'm not,

0:15:23.800 --> 0:15:28.760
<v Speaker 1>and uh, that was a lot cooler than being me. Yeah. Yeah.

0:15:28.800 --> 0:15:31.960
<v Speaker 1>We talked about that on your podcast and that experience

0:15:32.000 --> 0:15:37.000
<v Speaker 1>and you ultimately uh changed your professor's opinion by the end,

0:15:37.200 --> 0:15:40.400
<v Speaker 1>right by the end, Dr Combs. I remember going to

0:15:40.520 --> 0:15:42.880
<v Speaker 1>his office and I said, I'm thinking about going to

0:15:42.920 --> 0:15:45.560
<v Speaker 1>grad school for you know, for acting, and he goes,

0:15:46.120 --> 0:15:47.640
<v Speaker 1>I think you're ready. I think you should go to

0:15:47.680 --> 0:15:50.840
<v Speaker 1>New York and I just said wow. And I went

0:15:50.880 --> 0:15:52.840
<v Speaker 1>to New York and I had nothing on my back.

0:15:52.960 --> 0:15:55.880
<v Speaker 1>I had an apartment with three people in a one

0:15:55.960 --> 0:15:59.720
<v Speaker 1>bedroom with bunk beds, trying to pay rent. Telemarketing and

0:15:59.760 --> 0:16:02.760
<v Speaker 1>every think sort of kind of came into place. Uh.

0:16:02.880 --> 0:16:05.360
<v Speaker 1>I was having no luck. I did like Dracula at

0:16:05.360 --> 0:16:07.960
<v Speaker 1>the Gross Street Playhouse and some off off Way, the

0:16:07.960 --> 0:16:12.480
<v Speaker 1>hell off Broadway, like New Jersey Broadway and things were

0:16:12.600 --> 0:16:15.840
<v Speaker 1>really working out. And I called Dr Combs and he said,

0:16:15.880 --> 0:16:18.640
<v Speaker 1>let me make a phone call and he called this

0:16:18.800 --> 0:16:23.200
<v Speaker 1>actress Becky Baker and Dylan Baker. They're they're working actors

0:16:23.280 --> 0:16:25.720
<v Speaker 1>and and I went over for dinner and we had

0:16:25.720 --> 0:16:28.400
<v Speaker 1>a great time, and I went back home and I

0:16:28.440 --> 0:16:30.120
<v Speaker 1>waited three days and I didn't know what to do.

0:16:30.200 --> 0:16:32.480
<v Speaker 1>So go, I'm gonna call Becky and thank her for dinner.

0:16:32.760 --> 0:16:34.760
<v Speaker 1>And I called and she's like, Michael, hey, can you

0:16:34.800 --> 0:16:37.680
<v Speaker 1>hold on one second. I said sure. She clicks back

0:16:37.720 --> 0:16:40.320
<v Speaker 1>and she says, hey, can you meet with my agency tomorrow.

0:16:40.560 --> 0:16:42.400
<v Speaker 1>I just was talking to them on the other line

0:16:42.400 --> 0:16:45.920
<v Speaker 1>when you called. And I went to them, and I

0:16:45.920 --> 0:16:48.040
<v Speaker 1>remember the agent was like, do you have a resume?

0:16:48.040 --> 0:16:49.320
<v Speaker 1>And I gave it to him, like do you do

0:16:49.360 --> 0:16:53.000
<v Speaker 1>any voice over work? And I go, yeah, of course

0:16:53.040 --> 0:16:56.520
<v Speaker 1>I didn't, And I just went into it. I go,

0:16:56.680 --> 0:17:00.320
<v Speaker 1>if you like yummy things like peach part fait, come

0:17:00.320 --> 0:17:03.120
<v Speaker 1>on live a little, have a cup of you band

0:17:03.200 --> 0:17:08.000
<v Speaker 1>for dessert. You band, the gorgeous coffee. You band taste great.

0:17:08.400 --> 0:17:11.480
<v Speaker 1>Just think baking an eggs for breakfast and dessert, a

0:17:11.560 --> 0:17:15.040
<v Speaker 1>nice big sandwich for lunch and dessert or how about

0:17:15.040 --> 0:17:21.600
<v Speaker 1>a strawberry parfait and dessert? You band and they started laughing,

0:17:22.119 --> 0:17:25.240
<v Speaker 1>introduced me to the camera department. I don't really tell

0:17:25.280 --> 0:17:28.840
<v Speaker 1>the story, and and they sort of sending me out. Yeah,

0:17:28.880 --> 0:17:32.320
<v Speaker 1>they started sending me out. But really what happened, if

0:17:32.359 --> 0:17:34.879
<v Speaker 1>I can tell you, I was starting to get voice

0:17:34.920 --> 0:17:38.000
<v Speaker 1>over work, nothing on camera. I had these fangs on

0:17:38.040 --> 0:17:40.439
<v Speaker 1>my teeth that later I got fixed. I kind of

0:17:40.480 --> 0:17:44.359
<v Speaker 1>like like a vampire. And I was I was outside

0:17:44.560 --> 0:17:47.520
<v Speaker 1>smoking a cigarette with this girl. I didn't know who

0:17:47.600 --> 0:17:50.199
<v Speaker 1>she was. I was just having a laugh, carrying on,

0:17:50.240 --> 0:17:51.600
<v Speaker 1>and she goes, oh my god, what do you do.

0:17:51.840 --> 0:17:55.680
<v Speaker 1>I go, I'm an actor. And she goes, you're an actor.

0:17:55.720 --> 0:17:58.199
<v Speaker 1>Who's your agency? I go, H S CM and M

0:17:58.240 --> 0:17:59.960
<v Speaker 1>it was the name of the agency back then. She goes,

0:18:00.320 --> 0:18:02.000
<v Speaker 1>oh my god. I worked for them, but I work

0:18:02.040 --> 0:18:04.879
<v Speaker 1>in the young adults department on a different floor and

0:18:04.960 --> 0:18:09.159
<v Speaker 1>we handle like infant through like one with you know,

0:18:09.240 --> 0:18:12.880
<v Speaker 1>for acting, you should come meet with us another by chance.

0:18:13.760 --> 0:18:16.960
<v Speaker 1>It shows you that be kind to everyone. You never

0:18:17.080 --> 0:18:20.640
<v Speaker 1>know who you're talking to. You never know. I went

0:18:20.720 --> 0:18:24.199
<v Speaker 1>up very true. I went upstairs and the woman was

0:18:24.240 --> 0:18:26.080
<v Speaker 1>on the phone. She was busy. Why why I had

0:18:26.160 --> 0:18:30.679
<v Speaker 1>long hair, pleather jacket. And the girl goes, hey, and

0:18:30.920 --> 0:18:33.520
<v Speaker 1>this is Michael. He's with us for commercials and stuff.

0:18:33.680 --> 0:18:34.760
<v Speaker 1>I want you to meet him. She goes, do you

0:18:34.800 --> 0:18:37.080
<v Speaker 1>have a monologue prepared? I go, hell, yeah, let's do it.

0:18:37.640 --> 0:18:39.560
<v Speaker 1>And I just gave her a monologue on the spot

0:18:39.600 --> 0:18:42.119
<v Speaker 1>and she goes, okay, we'll wrap you. And they started

0:18:42.160 --> 0:18:45.800
<v Speaker 1>sending me out and I just I booked a little

0:18:45.840 --> 0:18:48.080
<v Speaker 1>thing here and then I booked a movie called Midnight

0:18:48.119 --> 0:18:51.320
<v Speaker 1>in the Garden of Good and Evil with Clint Eastwood directing.

0:18:51.760 --> 0:18:54.960
<v Speaker 1>It took me out to l A and things just happened.

0:18:55.480 --> 0:18:58.480
<v Speaker 1>I think, if you know, they say when preparation meets

0:18:58.520 --> 0:19:01.160
<v Speaker 1>opportunity or something, if you're prepared when the moment arises,

0:19:01.200 --> 0:19:06.000
<v Speaker 1>it's like, that's luck. I was just so eager, so ambitious,

0:19:06.080 --> 0:19:08.440
<v Speaker 1>so full of life and fun. I don't know where

0:19:08.480 --> 0:19:11.680
<v Speaker 1>that went, but that is what happened. And I sort

0:19:11.680 --> 0:19:15.280
<v Speaker 1>of went to l A and the rest is history

0:19:15.320 --> 0:19:18.040
<v Speaker 1>started just working, you know, here and there. That is

0:19:18.200 --> 0:19:23.359
<v Speaker 1>so awesome. I love to hear that because yes, on

0:19:23.400 --> 0:19:28.520
<v Speaker 1>the surface, right, you get told, oh my gosh, how

0:19:28.600 --> 0:19:31.840
<v Speaker 1>lucky are you? But no, I mean you bring up

0:19:32.400 --> 0:19:37.400
<v Speaker 1>several amazing points in that short story, which is one

0:19:37.640 --> 0:19:41.960
<v Speaker 1>you were just nice to someone too, Let's be honest,

0:19:42.160 --> 0:19:45.600
<v Speaker 1>A big part of this business because of the hours

0:19:45.680 --> 0:19:48.600
<v Speaker 1>upon hours upon hours that you spend with people that

0:19:48.760 --> 0:19:53.360
<v Speaker 1>you want to work with, good people with people that

0:19:53.560 --> 0:19:57.560
<v Speaker 1>are that that you get along with, that you feel

0:19:57.600 --> 0:20:01.360
<v Speaker 1>like are responsible and prepared. And then the fact that

0:20:01.720 --> 0:20:04.960
<v Speaker 1>in both of those two stories that you told one

0:20:05.440 --> 0:20:08.000
<v Speaker 1>someone asked you if you did a voice voiceover. The

0:20:08.040 --> 0:20:11.399
<v Speaker 1>answer was no, but you remember you had that to

0:20:11.520 --> 0:20:15.239
<v Speaker 1>recall in that moment. And then also do you have

0:20:15.280 --> 0:20:18.520
<v Speaker 1>a monologue and you just start doing it, So you

0:20:18.640 --> 0:20:23.880
<v Speaker 1>were prepared and ready, you just needed an opportunity. I

0:20:23.920 --> 0:20:27.760
<v Speaker 1>think that is that is fucking awesome. I love that.

0:20:28.640 --> 0:20:31.520
<v Speaker 1>I think it really you know, I think a lot

0:20:31.560 --> 0:20:33.960
<v Speaker 1>of this is luck. There's so many, as you know,

0:20:35.000 --> 0:20:40.840
<v Speaker 1>tremendously talented actors out there, so many that are undiscovered,

0:20:41.320 --> 0:20:44.960
<v Speaker 1>and it takes a lot of not only not only luck,

0:20:45.000 --> 0:20:47.879
<v Speaker 1>but you really have to put yourself out there. Sometimes

0:20:48.320 --> 0:20:51.080
<v Speaker 1>I'll get a call from uh, you know, Western Kentucky

0:20:51.119 --> 0:20:53.640
<v Speaker 1>and they'll say, we have a student. He's really talented.

0:20:53.640 --> 0:20:56.920
<v Speaker 1>When you meet with him, sure, And sometimes I'll ask

0:20:56.960 --> 0:21:00.159
<v Speaker 1>them this question. I'll say, so, what do you want

0:21:00.160 --> 0:21:01.680
<v Speaker 1>to be an actors? Like, yeah, you know, I figured

0:21:01.680 --> 0:21:04.080
<v Speaker 1>i'd give it a couple of years. I'm like, no, no, no, no, no.

0:21:04.119 --> 0:21:07.600
<v Speaker 1>This is when people start saying that ship like, I'll

0:21:07.600 --> 0:21:09.640
<v Speaker 1>give it a year, give it two years. I don't know.

0:21:11.080 --> 0:21:14.760
<v Speaker 1>I was so like, I was knocking on every door.

0:21:14.840 --> 0:21:16.919
<v Speaker 1>I just this is all I could do. This is

0:21:16.960 --> 0:21:19.320
<v Speaker 1>all I wanted to do. There was just no other

0:21:19.320 --> 0:21:21.959
<v Speaker 1>When people were giving me statistics, you know, odds of

0:21:22.000 --> 0:21:24.080
<v Speaker 1>making it, I was like, not me, you don't know

0:21:24.119 --> 0:21:27.720
<v Speaker 1>who you're talking to. I have got this. I am

0:21:27.800 --> 0:21:31.920
<v Speaker 1>going to be famous. I remember in college, Alexis Combs

0:21:31.920 --> 0:21:35.199
<v Speaker 1>and I after we did uh we did a play,

0:21:35.520 --> 0:21:38.960
<v Speaker 1>and I was on her doorstep. I said, hey, it

0:21:39.040 --> 0:21:40.760
<v Speaker 1>was my senior year, is about to graduate. I said,

0:21:40.760 --> 0:21:43.080
<v Speaker 1>I want you to remember this moment. She goes, what

0:21:43.840 --> 0:21:46.359
<v Speaker 1>I go, I'm gonna make it and I want you

0:21:46.400 --> 0:21:50.560
<v Speaker 1>to remember this moment right here, right now. She goes, Okay,

0:21:50.720 --> 0:21:52.800
<v Speaker 1>I go, I'm serious. I just feel it. It's just

0:21:52.880 --> 0:21:55.240
<v Speaker 1>something that I know is going to happen. I can't

0:21:55.240 --> 0:21:59.160
<v Speaker 1>explain it. It seems egotistical and I'm full of ship,

0:21:59.640 --> 0:22:02.399
<v Speaker 1>but really in my heart. I just feel this like

0:22:02.800 --> 0:22:05.800
<v Speaker 1>you're gonna make it, dude. And she goes, okay, okay,

0:22:05.800 --> 0:22:07.360
<v Speaker 1>and she kind of laughed and she kind of looked

0:22:07.400 --> 0:22:11.880
<v Speaker 1>at me like like he's all right. And she wrote

0:22:11.920 --> 0:22:14.359
<v Speaker 1>me a letter of years later, this beautiful letter and said,

0:22:14.400 --> 0:22:17.560
<v Speaker 1>I just I remember that moment um. It was really nice.

0:22:17.640 --> 0:22:20.200
<v Speaker 1>But yeah, I mean, this is a crazy business. It's

0:22:20.200 --> 0:22:24.159
<v Speaker 1>we're we're lucky to be where we are, and um,

0:22:24.200 --> 0:22:25.879
<v Speaker 1>you know, I I was a lot of times I

0:22:25.920 --> 0:22:28.760
<v Speaker 1>was a replacement. This guy were firing this guy, let's

0:22:28.800 --> 0:22:31.840
<v Speaker 1>hire Rosenbaum. Yeah he's he's responsible, he's good, he'll do

0:22:31.880 --> 0:22:33.960
<v Speaker 1>the job. A lot of times I was that guy.

0:22:34.480 --> 0:22:37.040
<v Speaker 1>And uh, I think small, but was really one of

0:22:37.040 --> 0:22:41.160
<v Speaker 1>the first times where I wasn't a replacement. I had

0:22:41.200 --> 0:22:43.800
<v Speaker 1>to get that part. I had to fight for it.

0:23:02.920 --> 0:23:07.720
<v Speaker 1>I was told that you had a casting submission for

0:23:07.920 --> 0:23:14.600
<v Speaker 1>a pilot called talk Girl, and wow, this was never GREENLT.

0:23:14.640 --> 0:23:20.560
<v Speaker 1>It didn't happen, but it eventually led to the show

0:23:20.720 --> 0:23:25.119
<v Speaker 1>the temp pilot being conceived for you tell me a

0:23:25.160 --> 0:23:29.040
<v Speaker 1>little bit about Well, it's just kind of a short story,

0:23:29.080 --> 0:23:31.760
<v Speaker 1>but uh, it was the one of the first It

0:23:31.880 --> 0:23:33.840
<v Speaker 1>was the first thing that I got the first job,

0:23:34.640 --> 0:23:36.760
<v Speaker 1>and it was for MTV. They were trying to shoot

0:23:36.760 --> 0:23:38.639
<v Speaker 1>a TV show, so they were shooting a pilot and

0:23:38.640 --> 0:23:43.240
<v Speaker 1>it was with Leslie bib and Jackson Brown, Jackson Brown's son,

0:23:43.359 --> 0:23:47.639
<v Speaker 1>Ethan Brown, and me, and I remember for the audition,

0:23:48.160 --> 0:23:50.800
<v Speaker 1>I went in there and my care I had long hair,

0:23:50.840 --> 0:23:53.480
<v Speaker 1>and I was wearing this gas attendant shirt I put on,

0:23:54.000 --> 0:23:56.679
<v Speaker 1>and I just started eating chips while I'm talking to

0:23:56.720 --> 0:23:59.679
<v Speaker 1>the cast and director and reading my lines, eating these

0:23:59.680 --> 0:24:04.560
<v Speaker 1>ships loudly. And she just was like, Okay. They sent

0:24:04.680 --> 0:24:07.400
<v Speaker 1>the tape to whoever they go, we want this kid,

0:24:08.280 --> 0:24:12.080
<v Speaker 1>this is the guy. So I went. I remember I

0:24:12.119 --> 0:24:16.840
<v Speaker 1>got paid five thousand dollars for the pilot. I was rich.

0:24:17.640 --> 0:24:22.680
<v Speaker 1>I was like, five thousand I could pay off nothing. Um.

0:24:22.720 --> 0:24:27.239
<v Speaker 1>So I went and we started filming, and you know,

0:24:27.320 --> 0:24:29.520
<v Speaker 1>I was just always cracking jokes and making the crew

0:24:29.600 --> 0:24:32.960
<v Speaker 1>laugh and everybody was happy. And finally the show didn't

0:24:33.000 --> 0:24:34.560
<v Speaker 1>get picked up, and they said, we'd like to do

0:24:34.600 --> 0:24:37.760
<v Speaker 1>a project with you. And at first they offered me

0:24:37.840 --> 0:24:42.840
<v Speaker 1>a VJ, a video jockey. Like you know, it was

0:24:43.000 --> 0:24:45.000
<v Speaker 1>a lot more money than I was making. It wasn't

0:24:45.040 --> 0:24:47.800
<v Speaker 1>a ton, but it was and I thought. I said

0:24:47.840 --> 0:24:50.439
<v Speaker 1>to my friend Matt, I don't know. He goes, well,

0:24:50.840 --> 0:24:52.520
<v Speaker 1>I go, I don't know, won't that. I want to

0:24:53.119 --> 0:24:54.359
<v Speaker 1>what do you want to do? I go, well, I'm

0:24:54.359 --> 0:24:56.920
<v Speaker 1>gonna be an actor. He's like, then you should stick

0:24:56.960 --> 0:25:00.399
<v Speaker 1>with that because this might take you off the path

0:25:00.520 --> 0:25:03.080
<v Speaker 1>and you might be a presenter and vij and and so.

0:25:03.200 --> 0:25:06.280
<v Speaker 1>I said no, And then they did a special project

0:25:06.359 --> 0:25:08.760
<v Speaker 1>with me. It was called the Michael rosen Bond Project,

0:25:08.760 --> 0:25:12.320
<v Speaker 1>which turned into The Temp and the creators of that

0:25:13.000 --> 0:25:16.639
<v Speaker 1>were Louis Throw. Now, I don't know if you know

0:25:16.680 --> 0:25:20.480
<v Speaker 1>Louis Throw. Do you know he's the one on He's

0:25:20.520 --> 0:25:24.320
<v Speaker 1>the one on TikTok that voice goes the money. Don't jiggle,

0:25:24.400 --> 0:25:27.000
<v Speaker 1>jiggle it fold. I'd like to see you wiggle wiggle

0:25:27.560 --> 0:25:30.720
<v Speaker 1>show makes me money. It went wise spread. Everybody was

0:25:30.760 --> 0:25:34.040
<v Speaker 1>singing it, and the and the and the other guy

0:25:34.240 --> 0:25:37.520
<v Speaker 1>was Kent Alterman, who was the president or the head

0:25:37.560 --> 0:25:42.080
<v Speaker 1>of Comedy Central recently, and those two guys that had

0:25:42.119 --> 0:25:45.360
<v Speaker 1>this idea to do an episode of the show where

0:25:45.359 --> 0:25:48.600
<v Speaker 1>a guy takes over for someone's job. Each week, he

0:25:48.680 --> 0:25:51.280
<v Speaker 1>just takes over. I was a zookeeper for a day

0:25:51.359 --> 0:25:54.440
<v Speaker 1>and then I was in Cats on Broadway. Andrew Lloyd

0:25:54.480 --> 0:25:58.159
<v Speaker 1>Webber allowed me to be a cat on Broadway in

0:25:58.200 --> 0:26:00.960
<v Speaker 1>a real show. I had to take six hours of

0:26:01.040 --> 0:26:05.040
<v Speaker 1>choreography lessons. I really learned it. I had the full

0:26:05.119 --> 0:26:07.760
<v Speaker 1>makeup regalia. I could find it somewhere and post it.

0:26:08.080 --> 0:26:12.080
<v Speaker 1>It is hilarious and the show tested well, and but they,

0:26:12.320 --> 0:26:14.399
<v Speaker 1>I guess it was ahead of its time. Uh, they

0:26:14.400 --> 0:26:17.320
<v Speaker 1>didn't pick it up. And for whatever reason they didn't

0:26:17.320 --> 0:26:19.800
<v Speaker 1>pick it up. And Uh, that was it. Really that

0:26:19.920 --> 0:26:23.359
<v Speaker 1>was it. Then the next thing I I auditioned for

0:26:23.400 --> 0:26:26.320
<v Speaker 1>the Tom Arnold Show. It was called the Tom Show

0:26:26.840 --> 0:26:30.600
<v Speaker 1>way back when, and that was I flew into tests.

0:26:30.680 --> 0:26:35.280
<v Speaker 1>I never flying flown first class. I remember being so

0:26:35.400 --> 0:26:39.400
<v Speaker 1>nervous that I couldn't remember my lines. Tom was there

0:26:39.400 --> 0:26:43.520
<v Speaker 1>in the room and he started improvising with me and

0:26:43.600 --> 0:26:45.960
<v Speaker 1>he goes, Heyboddy, how you doing. I was like, good man.

0:26:46.040 --> 0:26:48.639
<v Speaker 1>He's like, hey, you got a hairy chest. Would you

0:26:48.720 --> 0:26:50.880
<v Speaker 1>shave your chest for the role? I go, I'd shave

0:26:51.000 --> 0:26:54.120
<v Speaker 1>your initials in my chest for the role, buddy. And

0:26:54.240 --> 0:26:57.040
<v Speaker 1>we just kind of hit it off and Tom Arnold

0:26:57.119 --> 0:27:00.560
<v Speaker 1>calls me up and long story longer, Uh, this show

0:27:01.080 --> 0:27:04.879
<v Speaker 1>ended up being the worst show on television. But it

0:27:04.960 --> 0:27:08.520
<v Speaker 1>was my first show, and I was so excited every

0:27:08.600 --> 0:27:11.159
<v Speaker 1>day to play like the sixth lead. I mean, I

0:27:11.200 --> 0:27:14.679
<v Speaker 1>had a few lines, but I worked with Ed McMahon.

0:27:15.200 --> 0:27:17.680
<v Speaker 1>Ed McMahon's trailer was right next to me, and every

0:27:17.760 --> 0:27:20.800
<v Speaker 1>day I'd say good morning Ed. He's like, good morning, sir.

0:27:21.000 --> 0:27:24.040
<v Speaker 1>I go, it was so cold last night, and he go,

0:27:24.160 --> 0:27:25.960
<v Speaker 1>how cold was it? I got it was so cold.

0:27:25.960 --> 0:27:29.280
<v Speaker 1>I saw Robin putting his worm in the microwave, weird

0:27:29.359 --> 0:27:33.040
<v Speaker 1>wound stuff, and we He would just humor me, and

0:27:33.240 --> 0:27:34.960
<v Speaker 1>I had such a blast. I used to go in

0:27:35.000 --> 0:27:39.000
<v Speaker 1>the Universal rides because it was at Universal and I launched,

0:27:39.040 --> 0:27:42.280
<v Speaker 1>I'd ride the rides. I was living the life, living

0:27:42.280 --> 0:27:44.480
<v Speaker 1>in a little apartment, not making a ton of money,

0:27:45.000 --> 0:27:48.200
<v Speaker 1>just so happy. It's funny when I'm bringing this up,

0:27:48.640 --> 0:27:52.280
<v Speaker 1>all these happy feelings come back. Tom was just really

0:27:52.320 --> 0:27:54.600
<v Speaker 1>supportive and the show didn't do very well. And in fact,

0:27:54.640 --> 0:27:58.040
<v Speaker 1>my my grandpa recently died and my dad sent me

0:27:58.119 --> 0:28:02.760
<v Speaker 1>this book of his IRIY now his diary IRV late IRV.

0:28:02.840 --> 0:28:06.159
<v Speaker 1>I love him, he'd write. In nineteen sixty nine, the

0:28:06.200 --> 0:28:08.440
<v Speaker 1>Mets won the World Series, and then he wouldn't write

0:28:08.480 --> 0:28:11.399
<v Speaker 1>till nineteen seventy four, and then he wouldn't write n

0:28:13.480 --> 0:28:16.480
<v Speaker 1>And he has a little chapter about me, and it

0:28:16.560 --> 0:28:21.600
<v Speaker 1>says grandson Mikey, he's uh, he's an actor. He recently

0:28:21.640 --> 0:28:28.720
<v Speaker 1>did the Tom Arnold show UG. Then then then he

0:28:28.840 --> 0:28:30.800
<v Speaker 1>did It's all right, I can read it, and then

0:28:30.800 --> 0:28:34.000
<v Speaker 1>again then his next project was a show called Zoe Duncan,

0:28:34.200 --> 0:28:39.600
<v Speaker 1>Jack and Jane a little less UG. And then then

0:28:39.600 --> 0:28:42.480
<v Speaker 1>he goes on to say I did Smallville. He said,

0:28:42.800 --> 0:28:46.040
<v Speaker 1>you know, our grandson has become a small success. I

0:28:46.160 --> 0:28:49.480
<v Speaker 1>think I was on a fucking hitch show, dude, I

0:28:49.600 --> 0:28:51.400
<v Speaker 1>was on a hit show. And he said I was.

0:28:51.760 --> 0:28:53.480
<v Speaker 1>I just thought it was so funny called me a

0:28:53.520 --> 0:28:57.160
<v Speaker 1>small success. He was always very proud. He was always

0:28:57.240 --> 0:29:00.840
<v Speaker 1>so proud, unconditional love. He is always there for me,

0:29:00.880 --> 0:29:04.000
<v Speaker 1>always wrote me letters, and but I never thought he

0:29:04.080 --> 0:29:07.080
<v Speaker 1>thought of me as a small success. Well, I don't

0:29:07.120 --> 0:29:08.800
<v Speaker 1>know if I agree with him, but I find that

0:29:09.160 --> 0:29:13.600
<v Speaker 1>very funny that your grandpa was refewing in his diary

0:29:13.720 --> 0:29:17.840
<v Speaker 1>that he feels the need to write down basically that

0:29:17.960 --> 0:29:20.760
<v Speaker 1>he believes he's proud that you're in it, or at

0:29:20.840 --> 0:29:23.920
<v Speaker 1>least it's worth being noted after not writing for twenty

0:29:23.960 --> 0:29:26.360
<v Speaker 1>three years in the time, but then he says the

0:29:26.400 --> 0:29:31.400
<v Speaker 1>show is shitty. He also he also he also said

0:29:31.480 --> 0:29:36.280
<v Speaker 1>something like, my grandson Michael is a millionaire. My other grandson,

0:29:36.520 --> 0:29:43.640
<v Speaker 1>Eric is not a millionaire. I was like, well, thank

0:29:43.680 --> 0:29:49.240
<v Speaker 1>you for standing stating the obvious that it was so funny.

0:29:49.280 --> 0:29:54.040
<v Speaker 1>Oh um, yeah, well Smallville, I heard you weren't excited

0:29:54.080 --> 0:29:57.760
<v Speaker 1>about it at first. Yeah, well, at first, you know,

0:29:58.160 --> 0:29:59.760
<v Speaker 1>I was. I'm not putting any shows down, but I

0:29:59.800 --> 0:30:01.720
<v Speaker 1>wasn't a big comic book fan. I was more in

0:30:01.760 --> 0:30:04.400
<v Speaker 1>a horror movie scary movies. When you were at my house,

0:30:04.440 --> 0:30:07.880
<v Speaker 1>you saw the horror movies. Yes, you were. Your room

0:30:07.960 --> 0:30:12.880
<v Speaker 1>where we record our podcast is a very impressive temple

0:30:13.240 --> 0:30:18.960
<v Speaker 1>of memorabilia and posters, signed posters by very impressive people.

0:30:19.440 --> 0:30:24.160
<v Speaker 1>You always loved horror. Yeah, you know when when I

0:30:24.200 --> 0:30:28.040
<v Speaker 1>was eight years old, my mother loved horror movies and

0:30:28.080 --> 0:30:31.560
<v Speaker 1>my father didn't because she would rent like Motel Hell

0:30:32.040 --> 0:30:34.760
<v Speaker 1>and make them die slowly and make this eight year

0:30:34.760 --> 0:30:37.760
<v Speaker 1>old watched them with her, and I was horrified, always scared.

0:30:37.800 --> 0:30:41.680
<v Speaker 1>But I just thus began the infatuation, if you will,

0:30:41.720 --> 0:30:46.280
<v Speaker 1>of of horror and that world. And I remember taking

0:30:46.280 --> 0:30:49.200
<v Speaker 1>their VCR and I take my VCR and I would

0:30:49.280 --> 0:30:51.680
<v Speaker 1>take horror movies that I rented and sit in my

0:30:51.760 --> 0:30:54.920
<v Speaker 1>room before in the morning making copies of them. So

0:30:55.480 --> 0:30:58.760
<v Speaker 1>I just fell in love with horror movies. And I

0:30:58.920 --> 0:31:01.440
<v Speaker 1>used to go to HORRORCN engines before I was ever

0:31:01.520 --> 0:31:05.800
<v Speaker 1>anybody and you know, get autographs and uh. Then I

0:31:05.920 --> 0:31:09.520
<v Speaker 1>ended up fast forward doing a movie called Urban Legend,

0:31:09.520 --> 0:31:12.920
<v Speaker 1>which was my first horror movie, and it was pretty amazing.

0:31:12.960 --> 0:31:16.560
<v Speaker 1>I was working with Robert England, Freddy Krueger and kind

0:31:16.560 --> 0:31:18.600
<v Speaker 1>of living the dream. But I've always loved horror movies.

0:31:18.600 --> 0:31:20.440
<v Speaker 1>I think it's kind of an adrenaline rush for me.

0:31:20.480 --> 0:31:22.560
<v Speaker 1>It's like a like a roller coaster. I like to

0:31:22.600 --> 0:31:25.320
<v Speaker 1>be scared. I don't like the gory necessarily. I like

0:31:25.400 --> 0:31:30.480
<v Speaker 1>more psychological or paranormal. Those could be fun. But yeah,

0:31:30.520 --> 0:31:33.120
<v Speaker 1>I just that's that's what I like. We talked about

0:31:33.520 --> 0:31:37.800
<v Speaker 1>The Shining on your podcast. My love of Jack the

0:31:37.920 --> 0:31:41.640
<v Speaker 1>greatest horror movie ever made. The Shining is is probably

0:31:41.640 --> 0:31:44.800
<v Speaker 1>the greatest movie horror movie, everybody. One of my favorite

0:31:44.840 --> 0:31:46.520
<v Speaker 1>movies of all time. And I told you I think

0:31:46.920 --> 0:31:51.080
<v Speaker 1>my favorite scene is when um Shelley Devall's character comes

0:31:51.160 --> 0:31:56.280
<v Speaker 1>up to him and says, yeah, yeah, Jack, there's someone

0:31:56.360 --> 0:31:59.680
<v Speaker 1>in the town. They heard Danny and he looks at

0:31:59.680 --> 0:32:05.560
<v Speaker 1>her go are you out of your fucking mind? I

0:32:05.640 --> 0:32:08.560
<v Speaker 1>just loved it. I mean that was so creepy. But yeah,

0:32:08.600 --> 0:32:13.840
<v Speaker 1>I love Harmones Nightmare in Elm Street. I love the

0:32:13.840 --> 0:32:15.560
<v Speaker 1>original Nightmare and Elm Street. I got to work with

0:32:15.560 --> 0:32:18.120
<v Speaker 1>West Craven on a movie that wasn't great, called Cursed,

0:32:18.600 --> 0:32:21.120
<v Speaker 1>but we had a great time. And he would he

0:32:21.120 --> 0:32:23.880
<v Speaker 1>would like each take, you'd say, Rosenbaum, do it like

0:32:24.000 --> 0:32:27.720
<v Speaker 1>Christopher Walking. So I'd say my lines like Christopher Walking,

0:32:27.760 --> 0:32:30.920
<v Speaker 1>I'm gonna kill you now, and then you go do

0:32:30.960 --> 0:32:34.120
<v Speaker 1>it like Malcolm It go now what you couldn't possibly know?

0:32:34.760 --> 0:32:36.760
<v Speaker 1>And he goes, okay, now do it like Nicholson and

0:32:36.760 --> 0:32:39.600
<v Speaker 1>I go, well, what's it gonna be? You know? And

0:32:39.680 --> 0:32:41.320
<v Speaker 1>I would do the whole thing and he would just

0:32:41.360 --> 0:32:43.320
<v Speaker 1>like he was so fun. He was like a kid.

0:32:43.680 --> 0:32:47.640
<v Speaker 1>I loved Wes Craven. Oh, that's awesome. To answer your question,

0:32:47.640 --> 0:32:50.280
<v Speaker 1>you said I didn't really want small Ville. Well, you know,

0:32:50.360 --> 0:32:52.080
<v Speaker 1>I thought it was gonna be like a kind of

0:32:52.720 --> 0:32:55.239
<v Speaker 1>silly Lewis and Clark, or it was gonna be like

0:32:55.480 --> 0:33:00.360
<v Speaker 1>kind of goofy. I didn't know, and my agent sure me,

0:33:00.440 --> 0:33:04.120
<v Speaker 1>said hey, listen, this is gonna be dramatic. And they

0:33:04.160 --> 0:33:06.720
<v Speaker 1>wanted to be good and shot like a movie every week.

0:33:06.760 --> 0:33:08.880
<v Speaker 1>And I remember I've told the story, but you know,

0:33:09.000 --> 0:33:13.360
<v Speaker 1>seven hundred actors audition for that part. I had nothing

0:33:13.400 --> 0:33:15.800
<v Speaker 1>to lose. I was like, well, I'm not gonna get it.

0:33:16.080 --> 0:33:19.640
<v Speaker 1>I go ask them this one question, what are seven

0:33:19.720 --> 0:33:22.920
<v Speaker 1>hundred actors doing wrong? And they came back and said,

0:33:22.960 --> 0:33:25.480
<v Speaker 1>we want a sense of danger, we want a sense

0:33:25.480 --> 0:33:29.680
<v Speaker 1>of charisma, we want a sense of intellect. And I

0:33:29.720 --> 0:33:32.720
<v Speaker 1>remember all I had was three pages of dialogue. That's

0:33:32.720 --> 0:33:35.280
<v Speaker 1>all they gave me. So I said, I'm gonna be dangerous.

0:33:35.280 --> 0:33:38.280
<v Speaker 1>I'm gonna be dangerous here, I circled it. I'm gonna

0:33:38.280 --> 0:33:42.360
<v Speaker 1>be charismatic here. I went in with no care in

0:33:42.400 --> 0:33:48.200
<v Speaker 1>the world. And I remember the casting director. She says, Okay,

0:33:48.240 --> 0:33:49.840
<v Speaker 1>you can sit down and go I'm not gonna sit

0:33:50.440 --> 0:33:52.360
<v Speaker 1>She goes, what do you mean. I go, well, I

0:33:52.440 --> 0:33:54.640
<v Speaker 1>want to stand up for this. She goes, we'll have

0:33:54.720 --> 0:33:57.600
<v Speaker 1>to re light the I go, I'm sorry. She goes, well,

0:33:57.640 --> 0:33:59.040
<v Speaker 1>you'll have to go outside for a few minutes while

0:33:59.080 --> 0:34:01.120
<v Speaker 1>I do that. She was really annoyed, and I was like, funk,

0:34:01.160 --> 0:34:03.760
<v Speaker 1>why I rehearse the standing up? I want to I

0:34:03.800 --> 0:34:05.520
<v Speaker 1>want to stand up. I want to show some power.

0:34:06.680 --> 0:34:09.200
<v Speaker 1>And I came back in and I went in there

0:34:09.239 --> 0:34:12.960
<v Speaker 1>and I left thinking, uh wow, I'll never give that

0:34:13.080 --> 0:34:16.040
<v Speaker 1>grade of an audition again. I was in control, I

0:34:16.080 --> 0:34:20.960
<v Speaker 1>was in absolute power. I was Lex Luthor. And about

0:34:21.040 --> 0:34:23.279
<v Speaker 1>a few days later, they said that Michael, they'd like

0:34:23.360 --> 0:34:25.239
<v Speaker 1>Michael to come and test for the network in the

0:34:25.320 --> 0:34:28.840
<v Speaker 1>studio and I don't know what it is and I

0:34:28.840 --> 0:34:32.440
<v Speaker 1>don't recommend this to any actor. I told them, I go,

0:34:32.680 --> 0:34:35.719
<v Speaker 1>I'm not going in there again. I will bomb. I

0:34:35.719 --> 0:34:38.000
<v Speaker 1>will never do as well as I just did. You

0:34:38.080 --> 0:34:43.200
<v Speaker 1>tell them to rewind the tape and I don't know.

0:34:43.320 --> 0:34:46.520
<v Speaker 1>He says, you're probably not gonna get this. And I

0:34:46.560 --> 0:34:48.359
<v Speaker 1>get a call a week later and they said, you're

0:34:48.400 --> 0:34:51.839
<v Speaker 1>Lex Luthor. I wasn't being a dick. I think I

0:34:51.920 --> 0:34:53.640
<v Speaker 1>was just like, I can never be as good as

0:34:53.719 --> 0:34:56.240
<v Speaker 1>I was. Just now, I can't go in there again.

0:34:56.280 --> 0:34:57.759
<v Speaker 1>They have to just look at this tape and no,

0:34:58.400 --> 0:35:01.440
<v Speaker 1>it was crazy. Have you you've ever done that before

0:35:01.680 --> 0:35:05.160
<v Speaker 1>or since? No, I've never done that since. It was

0:35:05.200 --> 0:35:06.960
<v Speaker 1>just one of those things. I don't know why I

0:35:07.000 --> 0:35:09.920
<v Speaker 1>did it, and I haven't. I haven't done that since

0:35:09.920 --> 0:35:13.200
<v Speaker 1>I've walked out of auditions. I was auditioning for this

0:35:13.360 --> 0:35:16.520
<v Speaker 1>movie and I was about to sign my name into

0:35:16.560 --> 0:35:20.759
<v Speaker 1>read for the part, and I said, yeah, I don't

0:35:20.800 --> 0:35:24.800
<v Speaker 1>feel like it, and I just walked out and I left,

0:35:25.239 --> 0:35:27.560
<v Speaker 1>and then I the movie came out and I freaking

0:35:27.640 --> 0:35:30.760
<v Speaker 1>loved it. I loved the movie. I loved the actor

0:35:30.800 --> 0:35:33.560
<v Speaker 1>who did it. It was Dawn of the Dad, the remake.

0:35:34.040 --> 0:35:37.120
<v Speaker 1>I for some reason, I just wasn't feeling it for

0:35:37.200 --> 0:35:40.520
<v Speaker 1>whatever reason, and I just didn't do it. And uh,

0:35:40.640 --> 0:35:43.200
<v Speaker 1>that was one of my only regrets, I guess. But

0:35:43.800 --> 0:35:46.759
<v Speaker 1>you know, I've definitely been I definitely had some auditions

0:35:46.800 --> 0:35:50.640
<v Speaker 1>where I remember auditioning for Saving Private Ryan good Well,

0:35:50.680 --> 0:35:52.879
<v Speaker 1>Hunting I read for. I remember a lot of big

0:35:52.920 --> 0:35:55.600
<v Speaker 1>movies that I read for and didn't get. But you know,

0:35:55.880 --> 0:35:57.960
<v Speaker 1>and have you ever had the experience. I was just

0:35:58.000 --> 0:36:01.600
<v Speaker 1>thinking about this the other day. You know, The Godfather,

0:36:02.120 --> 0:36:07.359
<v Speaker 1>and there's the basically the Frank Sinatra part, right, yeah, yeah, yeah, yeah,

0:36:07.920 --> 0:36:13.279
<v Speaker 1>And he starts crying to the Godfather and he's like,

0:36:13.480 --> 0:36:15.719
<v Speaker 1>I just need this part. This part is going to

0:36:15.880 --> 0:36:18.080
<v Speaker 1>change me. It's going to redefine me. You know, it's

0:36:18.080 --> 0:36:20.120
<v Speaker 1>gonna people are gonna see me in a different way,

0:36:20.160 --> 0:36:22.840
<v Speaker 1>like and trying to you know, and then he Brando

0:36:22.960 --> 0:36:25.840
<v Speaker 1>slaps him and it's like, you know, stop crying. I

0:36:26.000 --> 0:36:30.120
<v Speaker 1>remember that. Have you ever had that feeling on anything

0:36:30.600 --> 0:36:34.320
<v Speaker 1>where you think I have to get this, this is

0:36:34.360 --> 0:36:38.160
<v Speaker 1>gonna change my life, or this is gonna change how

0:36:38.200 --> 0:36:41.120
<v Speaker 1>people see me in the in the business, or like

0:36:41.520 --> 0:36:44.760
<v Speaker 1>this is it. Have you ever had that experience? Well?

0:36:44.840 --> 0:36:47.680
<v Speaker 1>I have had that experience with Roles that I didn't

0:36:47.680 --> 0:36:49.640
<v Speaker 1>think we're gonna make me, but roles that I really

0:36:49.640 --> 0:36:51.680
<v Speaker 1>wanted to get that I felt like I had to get.

0:36:51.760 --> 0:36:54.919
<v Speaker 1>I had to get and they were all against me. Um.

0:36:55.560 --> 0:36:59.520
<v Speaker 1>But Smallville was the first time that when I saw

0:36:59.680 --> 0:37:02.400
<v Speaker 1>the pilot David Nutter, who's one of the most brilliant

0:37:02.440 --> 0:37:04.960
<v Speaker 1>directors there is. He did The Red Wedding, he did

0:37:05.080 --> 0:37:07.719
<v Speaker 1>tons of shows that on TV now. But he came

0:37:07.760 --> 0:37:10.799
<v Speaker 1>in and I did looping for the pilot, you know,

0:37:10.960 --> 0:37:13.160
<v Speaker 1>a d R because some of the sound was good,

0:37:13.480 --> 0:37:16.480
<v Speaker 1>and he showed me the opening and a scene that

0:37:16.560 --> 0:37:19.240
<v Speaker 1>I had mind you, this is this is a guy

0:37:19.560 --> 0:37:23.480
<v Speaker 1>me who I remember calling my father and saying, I'm

0:37:23.480 --> 0:37:26.200
<v Speaker 1>doing this movie and he's like, what movie, who's in it?

0:37:26.600 --> 0:37:29.000
<v Speaker 1>I go, it's an independent movie and he's like, well

0:37:29.160 --> 0:37:33.440
<v Speaker 1>then it's not real. No, no, it's okay. So this

0:37:33.520 --> 0:37:36.279
<v Speaker 1>is the kind of mentality that my parents had and

0:37:36.400 --> 0:37:40.400
<v Speaker 1>not a lot of faith in me, and uh. I

0:37:40.440 --> 0:37:44.120
<v Speaker 1>remember leaving that studio after seeing the opening of Small

0:37:44.239 --> 0:37:47.719
<v Speaker 1>Villa in my my scene where I'm fencing, and I

0:37:47.760 --> 0:37:51.680
<v Speaker 1>called my parents and I said, people are gonna know

0:37:51.680 --> 0:37:54.640
<v Speaker 1>who I am after this role. People are gonna know me.

0:37:55.440 --> 0:37:59.439
<v Speaker 1>I just felt it, and they're like really, I'm like, yes,

0:38:00.080 --> 0:38:04.799
<v Speaker 1>get ready. But I don't know I've chipped away, you know.

0:38:04.920 --> 0:38:07.040
<v Speaker 1>I mean throughout my career, I've kind of done great

0:38:07.080 --> 0:38:10.480
<v Speaker 1>things and shitty things and everything in between. And you know,

0:38:10.560 --> 0:38:13.080
<v Speaker 1>you learned from the shitty things, you learned from the

0:38:13.120 --> 0:38:15.439
<v Speaker 1>great things, and you know you just kind of try

0:38:15.480 --> 0:38:19.000
<v Speaker 1>to keep going. Yeah, and I think ultimately you don't

0:38:19.040 --> 0:38:22.239
<v Speaker 1>ever know. I mean, I I think I've had a

0:38:22.280 --> 0:38:25.879
<v Speaker 1>few of those, even things that I've gotten and then

0:38:25.880 --> 0:38:28.680
<v Speaker 1>it was like, oh, you know, nobody watched or you know,

0:38:29.400 --> 0:38:32.640
<v Speaker 1>got canceled or you know, like whatever. Yeah, I don't know.

0:38:32.680 --> 0:38:35.200
<v Speaker 1>I don't know what made me think of that? But yeah,

0:38:35.239 --> 0:38:39.160
<v Speaker 1>you know what, Brian, not to interrupt, to interrupt, you

0:38:39.200 --> 0:38:43.000
<v Speaker 1>sot to interrupt. I just thought of this. I forgot

0:38:43.440 --> 0:38:46.160
<v Speaker 1>I was doing this show. It was called Zoe, Duncan,

0:38:46.239 --> 0:38:49.040
<v Speaker 1>Jack and Jane. They fired Jeremy Renner and then they

0:38:49.080 --> 0:38:51.320
<v Speaker 1>fired this other guy and they called me into the

0:38:51.400 --> 0:38:54.000
<v Speaker 1>room and I watched the pilot they had shot with

0:38:54.080 --> 0:38:57.080
<v Speaker 1>Jeremy Renner, and I walked into this room of executives

0:38:57.239 --> 0:39:00.440
<v Speaker 1>and I said, why would you fire that? He was

0:39:00.520 --> 0:39:03.960
<v Speaker 1>so great? And they go and they looked at me.

0:39:04.040 --> 0:39:06.160
<v Speaker 1>They go because of you, because of what you're just

0:39:06.200 --> 0:39:10.279
<v Speaker 1>doing right now. And I remember they bought billboards and

0:39:10.520 --> 0:39:13.760
<v Speaker 1>subway things, and they wanted this to be the next Sign, felt,

0:39:13.760 --> 0:39:17.000
<v Speaker 1>the Young Sign felt. They poured money into it, Warner

0:39:17.040 --> 0:39:20.400
<v Speaker 1>Brothers board everywhere you look, you see my face and

0:39:20.480 --> 0:39:23.760
<v Speaker 1>Selma Blair and David Moscow and as You're a sky

0:39:24.040 --> 0:39:27.120
<v Speaker 1>and I thought, Wow, this is going to be big,

0:39:27.160 --> 0:39:31.399
<v Speaker 1>This is gonna be and it just went nowhere. It

0:39:31.480 --> 0:39:36.360
<v Speaker 1>went nowhere. We did two seasons and the ratings weren't

0:39:36.480 --> 0:39:38.920
<v Speaker 1>very good. The writing got worse because I think the

0:39:38.960 --> 0:39:42.640
<v Speaker 1>creators got fired. Uh. And it was a shame he was.

0:39:42.840 --> 0:39:45.200
<v Speaker 1>But you know that's why I think you learn as

0:39:45.239 --> 0:39:48.480
<v Speaker 1>you get older that nothing's a slam dunk. In fact,

0:39:48.760 --> 0:39:52.040
<v Speaker 1>everything's probably gonna not be a slam dunk. You just

0:39:52.239 --> 0:39:54.600
<v Speaker 1>you just gotta go hit your mark, hopefully get paid,

0:39:55.040 --> 0:39:57.160
<v Speaker 1>see what happens, to do the best you can. Ye,

0:40:15.640 --> 0:40:19.120
<v Speaker 1>you get cast in Smallville. You're not a comic book

0:40:19.120 --> 0:40:22.200
<v Speaker 1>guy as you as you said more in Horror. But

0:40:22.440 --> 0:40:26.560
<v Speaker 1>I mean you're aware of of Gene Hackman. You're aware

0:40:26.640 --> 0:40:30.480
<v Speaker 1>of you know. I mean, you're aware of Lex Luthor

0:40:30.520 --> 0:40:33.279
<v Speaker 1>and this is like an iconic role that has been

0:40:33.320 --> 0:40:37.480
<v Speaker 1>played by iconic actors in the past. Is there an

0:40:37.520 --> 0:40:40.600
<v Speaker 1>added pressure or for you? Are you just trying to

0:40:40.680 --> 0:40:43.080
<v Speaker 1>come up with your version? I mean it sounds like

0:40:43.120 --> 0:40:46.200
<v Speaker 1>you felt confident early on that you came up with

0:40:46.320 --> 0:40:49.680
<v Speaker 1>your version and kind of left the rest alone. Well,

0:40:49.800 --> 0:40:52.200
<v Speaker 1>first of all, at a convention of a couple of

0:40:52.239 --> 0:40:55.399
<v Speaker 1>years ago, this guy waits in line to see me,

0:40:55.880 --> 0:40:58.120
<v Speaker 1>and then once he gets up to me, goes, Gene

0:40:58.160 --> 0:41:01.359
<v Speaker 1>Hackman was the best Lex Luthor ever. And I looked

0:41:01.360 --> 0:41:04.080
<v Speaker 1>at him and I go, I agree, And then it

0:41:04.200 --> 0:41:08.160
<v Speaker 1>kind of sucked off. What and I do? I I

0:41:08.239 --> 0:41:11.120
<v Speaker 1>love Gene Hackman. You know. I went in thinking, look,

0:41:11.160 --> 0:41:15.879
<v Speaker 1>I'm an actor, make this reel, make this grounded, make

0:41:15.960 --> 0:41:19.359
<v Speaker 1>this genuine. That's what I read in the audition. Just

0:41:19.600 --> 0:41:23.080
<v Speaker 1>do that. Sure, there was like pressure. I was like,

0:41:23.120 --> 0:41:26.080
<v Speaker 1>how could they be casting me on this goofball? I

0:41:26.120 --> 0:41:29.959
<v Speaker 1>had done silly movies, silly TV shows, and now they're

0:41:30.000 --> 0:41:34.680
<v Speaker 1>casting me as Lex freaking Louther. My friends were like,

0:41:35.280 --> 0:41:37.319
<v Speaker 1>I can't see this. What do you? What do they want?

0:41:38.000 --> 0:41:42.200
<v Speaker 1>What's happening? You have certain friends to ground you. That

0:41:42.280 --> 0:41:44.640
<v Speaker 1>was that, But um, I just did it my way.

0:41:44.760 --> 0:41:46.839
<v Speaker 1>I did it the way that I felt, and and

0:41:47.160 --> 0:41:49.680
<v Speaker 1>the creators always told me this has gotta be real,

0:41:49.719 --> 0:41:54.560
<v Speaker 1>this has gotta be genuine, and um no, no twirling

0:41:54.560 --> 0:41:57.920
<v Speaker 1>of the mustache. No, I'm Lex Luthor and I just

0:41:57.960 --> 0:42:01.719
<v Speaker 1>stuck with that. So um yeah, I don't think I

0:42:01.760 --> 0:42:03.319
<v Speaker 1>had as much pressure as I would if there were

0:42:03.320 --> 0:42:07.240
<v Speaker 1>more social media around that time. Was it your idea

0:42:07.360 --> 0:42:10.160
<v Speaker 1>or was it the creator's idea for him to have

0:42:10.320 --> 0:42:15.040
<v Speaker 1>that complexity and depth and be in a way sympathetic

0:42:15.160 --> 0:42:20.040
<v Speaker 1>and charismatic, likable. What what was the discussion surrounding how

0:42:20.080 --> 0:42:23.520
<v Speaker 1>he would be played? I think what they do? I

0:42:23.600 --> 0:42:27.319
<v Speaker 1>think what creators and writers do is they have an

0:42:27.360 --> 0:42:30.960
<v Speaker 1>idea of something and then the actor plays a part,

0:42:31.800 --> 0:42:34.799
<v Speaker 1>and from that they start to see things that that

0:42:35.000 --> 0:42:38.400
<v Speaker 1>actor is creating and the strengths that he has or

0:42:38.600 --> 0:42:42.520
<v Speaker 1>she has. And I believe that as the show slowly

0:42:42.520 --> 0:42:45.280
<v Speaker 1>went on, they started seeing certain things and they started

0:42:45.320 --> 0:42:48.360
<v Speaker 1>writing for me, writing for what they know I could do,

0:42:48.400 --> 0:42:50.920
<v Speaker 1>what I'm capable of, and they didn't know, you know,

0:42:51.000 --> 0:42:54.120
<v Speaker 1>how explosive I could, because there were times when this

0:42:54.239 --> 0:42:59.279
<v Speaker 1>character just explodes and goes through such hell that um,

0:42:59.320 --> 0:43:01.120
<v Speaker 1>I think it was they were just seeing how it

0:43:01.160 --> 0:43:03.240
<v Speaker 1>would work, and then once they saw that it worked,

0:43:03.239 --> 0:43:07.960
<v Speaker 1>they would continue pushing that envelope. But I felt like

0:43:08.000 --> 0:43:12.440
<v Speaker 1>it was always written to be charming, something behind the eyes,

0:43:12.920 --> 0:43:15.440
<v Speaker 1>something a little dangerous, just like those notes that they

0:43:15.440 --> 0:43:18.000
<v Speaker 1>gave me early on in the audition. They wanted to

0:43:18.040 --> 0:43:20.680
<v Speaker 1>sense all those things at any given time, and I

0:43:20.719 --> 0:43:23.600
<v Speaker 1>always kept that in mind. Yeah, how do you feel

0:43:23.640 --> 0:43:29.120
<v Speaker 1>like Lex's and Superman's relationship was different in Small Field

0:43:29.160 --> 0:43:32.520
<v Speaker 1>than than maybe other shows that we've seen or movies. Well,

0:43:32.560 --> 0:43:35.240
<v Speaker 1>it was the first time that we saw the story.

0:43:35.320 --> 0:43:38.600
<v Speaker 1>Before the story this was Clark Kent on his journey

0:43:38.800 --> 0:43:43.640
<v Speaker 1>from adolescence, you know, and Lex Luthor's these guys become

0:43:43.719 --> 0:43:47.040
<v Speaker 1>friends in the small town and slowly as their friends

0:43:47.080 --> 0:43:50.680
<v Speaker 1>they go separate ways. And so that was an interesting dynamic.

0:43:50.719 --> 0:43:52.120
<v Speaker 1>And how do you do it over the span of

0:43:52.160 --> 0:43:54.520
<v Speaker 1>ten years. I mean, they did the best they could,

0:43:54.560 --> 0:43:56.440
<v Speaker 1>and I think there were some great moments and some

0:43:56.560 --> 0:43:59.760
<v Speaker 1>great arcs. But I found it to be really compelling

0:43:59.760 --> 0:44:03.160
<v Speaker 1>and interesting. You know, you'd feel you'd root for Lex.

0:44:03.640 --> 0:44:05.439
<v Speaker 1>There are people that you would really root for Alex

0:44:05.480 --> 0:44:07.720
<v Speaker 1>because you saw what hell he went through as a child.

0:44:08.239 --> 0:44:09.840
<v Speaker 1>And when you see a villain, I think that's the

0:44:09.840 --> 0:44:13.239
<v Speaker 1>biggest problem with movies or TV now, if you're just

0:44:13.280 --> 0:44:16.839
<v Speaker 1>seeing someone be evil, but if you see why they

0:44:16.880 --> 0:44:20.040
<v Speaker 1>became evil, you see their childhood, the hell of it

0:44:20.160 --> 0:44:23.239
<v Speaker 1>they went through, and how they got here, then you

0:44:23.280 --> 0:44:26.880
<v Speaker 1>start to go, oh, but I understand, he shouldn't do that,

0:44:26.920 --> 0:44:29.719
<v Speaker 1>and he's not good, but I you know, And and

0:44:29.760 --> 0:44:32.040
<v Speaker 1>that's what I did love, because I think a lot

0:44:32.080 --> 0:44:36.960
<v Speaker 1>of people did gravitate towards that character, even though they

0:44:37.040 --> 0:44:41.759
<v Speaker 1>know inevitably will become so dark and um, you know,

0:44:41.920 --> 0:44:44.800
<v Speaker 1>I always make the joke it's Clark Kent's fault that

0:44:44.920 --> 0:44:47.120
<v Speaker 1>Lex became evil because he lied to me. If he

0:44:47.160 --> 0:44:49.839
<v Speaker 1>wouldn't have lied about his secret, we would have been

0:44:50.080 --> 0:44:52.080
<v Speaker 1>they've been best friends. We would have ruled the world together.

0:44:52.200 --> 0:44:56.880
<v Speaker 1>Been great. Right. It's complicated, right because everyone knows and

0:44:56.960 --> 0:45:01.720
<v Speaker 1>identifies already as ex luthor being a villain. In fact,

0:45:01.800 --> 0:45:05.760
<v Speaker 1>you're named one of the sixty Nastiest villains of all time.

0:45:06.480 --> 0:45:08.640
<v Speaker 1>But he is in a lot of ways, has some

0:45:08.760 --> 0:45:13.560
<v Speaker 1>similarity to the great great television of this time, which

0:45:13.640 --> 0:45:16.399
<v Speaker 1>was focused on the anti hero. For me, I mean,

0:45:16.440 --> 0:45:20.839
<v Speaker 1>you talk about Walter White or Tony Soprano, you know,

0:45:21.360 --> 0:45:26.040
<v Speaker 1>amazing characters who are sympathetic and at the same time

0:45:26.120 --> 0:45:32.040
<v Speaker 1>incredibly evil. Really, you are in that line lex slash,

0:45:32.080 --> 0:45:34.880
<v Speaker 1>you as in that line of characters created at this

0:45:34.960 --> 0:45:37.879
<v Speaker 1>time that are sort of in that mold. I never

0:45:37.920 --> 0:45:40.239
<v Speaker 1>thought about that, And that's really interesting when you talk

0:45:40.560 --> 0:45:45.120
<v Speaker 1>about those characters. That's true with Walter White. You see

0:45:45.160 --> 0:45:48.920
<v Speaker 1>that he's he's this science teacher, chemistry teacher, and you

0:45:49.000 --> 0:45:52.359
<v Speaker 1>see that he's flawed and picked on by people, and

0:45:52.880 --> 0:45:54.920
<v Speaker 1>he's just kind of going through the motions and just

0:45:54.960 --> 0:45:57.600
<v Speaker 1>can't get any respect. And like then he finds out

0:45:57.600 --> 0:46:01.080
<v Speaker 1>he has cancer or whatever and just a terrible existence,

0:46:01.200 --> 0:46:05.959
<v Speaker 1>and then everything changes and then he becomes this evil guy,

0:46:06.000 --> 0:46:07.839
<v Speaker 1>but you still kind of you want to like him

0:46:07.840 --> 0:46:09.640
<v Speaker 1>throughout the way because like what he went through and

0:46:09.640 --> 0:46:11.799
<v Speaker 1>like he's doing all these things, but he ends up

0:46:11.800 --> 0:46:14.080
<v Speaker 1>at a point where you're just like, Okay, oh my god,

0:46:14.120 --> 0:46:17.120
<v Speaker 1>he's gone too far, right, Yeah, I do like that.

0:46:17.200 --> 0:46:19.120
<v Speaker 1>I think there needs to be more of that. I

0:46:19.120 --> 0:46:21.080
<v Speaker 1>I you know, I want to root for you know,

0:46:21.120 --> 0:46:23.479
<v Speaker 1>it's great if you if you root for the bad guy,

0:46:23.640 --> 0:46:26.759
<v Speaker 1>if you're in a way, um just you know, if

0:46:26.800 --> 0:46:30.040
<v Speaker 1>you could relate to you know, his past or you

0:46:30.080 --> 0:46:32.239
<v Speaker 1>know what he's gone through. I think that's I think

0:46:32.239 --> 0:46:36.359
<v Speaker 1>that's really interesting. That makes for interesting TV. Well, it's

0:46:36.520 --> 0:46:38.759
<v Speaker 1>I don't know that I've shared this. Maybe maybe I

0:46:38.800 --> 0:46:40.840
<v Speaker 1>have shared this. This is about me and I'm supposed

0:46:40.840 --> 0:46:43.480
<v Speaker 1>to be talking to you. But when I was five,

0:46:44.320 --> 0:46:49.480
<v Speaker 1>I was the Wicked Witch for Halloween. And I think

0:46:49.560 --> 0:46:52.720
<v Speaker 1>that this is the time my dad caught some ship

0:46:52.800 --> 0:46:55.880
<v Speaker 1>for it. I mean he never specifically said, like who

0:46:56.080 --> 0:47:00.400
<v Speaker 1>said what, but that like his son is full green

0:47:01.400 --> 0:47:04.239
<v Speaker 1>make up the Wicked Witch of the West obviously in

0:47:04.280 --> 0:47:07.440
<v Speaker 1>the dress and the pat and the whole deal. And

0:47:07.480 --> 0:47:10.239
<v Speaker 1>it wasn't just that, but even early on as a kid,

0:47:10.320 --> 0:47:14.480
<v Speaker 1>those Disney characters, it was always the bad guys, and

0:47:14.560 --> 0:47:16.520
<v Speaker 1>still to this day. I mean, the Wicked Witch of

0:47:16.560 --> 0:47:19.280
<v Speaker 1>the West is the most interesting character, and the Wizard

0:47:19.320 --> 0:47:22.680
<v Speaker 1>of Oz. Let's be clear, those characters are so compelling

0:47:22.719 --> 0:47:25.640
<v Speaker 1>and complex that I think for me as a kid,

0:47:26.280 --> 0:47:30.640
<v Speaker 1>I gravitated toward them and it didn't you know, gender, bad, whatever,

0:47:30.800 --> 0:47:33.080
<v Speaker 1>didn't even matter. It was like what they were just

0:47:33.160 --> 0:47:37.400
<v Speaker 1>such great characters, right. Yeah, the Wicked Witch of the

0:47:37.400 --> 0:47:40.920
<v Speaker 1>West is one of the scariest characters or villains in

0:47:40.960 --> 0:47:44.840
<v Speaker 1>the history of cinema, hands down. I have a giant

0:47:44.960 --> 0:47:49.279
<v Speaker 1>portrait of her. I think Elmira mulch and h. I

0:47:49.320 --> 0:47:51.520
<v Speaker 1>have it downstairs and still to this day, I I

0:47:51.920 --> 0:47:56.760
<v Speaker 1>she scares me, so I don't see anything wrong with that. Yeah. Um,

0:47:56.880 --> 0:47:59.799
<v Speaker 1>your time on on Smallville comes to an end ten

0:48:00.480 --> 0:48:04.799
<v Speaker 1>ten years. I did seven seven for you. Uh, talk

0:48:04.880 --> 0:48:08.040
<v Speaker 1>to me when you find out it's coming to an end.

0:48:08.040 --> 0:48:10.080
<v Speaker 1>Are you happy at this point? Do you feel like

0:48:10.120 --> 0:48:13.400
<v Speaker 1>your time is done? Yeah? You know, my contract was

0:48:13.440 --> 0:48:16.080
<v Speaker 1>for six years. I signed on for a seventh and

0:48:16.120 --> 0:48:18.759
<v Speaker 1>they wanted me for three more years, and I just

0:48:18.800 --> 0:48:21.719
<v Speaker 1>felt like I had done all that I could, and

0:48:21.760 --> 0:48:24.240
<v Speaker 1>I felt like I was getting bored with the same

0:48:24.360 --> 0:48:28.040
<v Speaker 1>kind of storyline and I've done what I needed to do,

0:48:28.840 --> 0:48:31.759
<v Speaker 1>and so I just decided I'd let them know ahead

0:48:31.760 --> 0:48:34.279
<v Speaker 1>of time that this is my last season. And a

0:48:34.280 --> 0:48:36.440
<v Speaker 1>lot of people thought I quit the show, and I

0:48:36.480 --> 0:48:38.439
<v Speaker 1>was like, no, I actually signed on for another year.

0:48:38.560 --> 0:48:40.279
<v Speaker 1>I just I'm not gonna do ten years of this.

0:48:41.200 --> 0:48:44.520
<v Speaker 1>So it was emotional. In fact, I came back for

0:48:44.880 --> 0:48:48.759
<v Speaker 1>the final episode the series finale, and we did and

0:48:48.840 --> 0:48:50.440
<v Speaker 1>I'm glad I did it. It would kind of like

0:48:50.520 --> 0:48:53.959
<v Speaker 1>put an exclamation point on the end of my run

0:48:54.000 --> 0:48:57.400
<v Speaker 1>on the show and the show itself, but um, it

0:48:57.520 --> 0:49:00.279
<v Speaker 1>was emotional. These people that and you know that us.

0:49:01.160 --> 0:49:04.640
<v Speaker 1>I've spent more time with Natalie, my makeup artist, than

0:49:04.680 --> 0:49:08.160
<v Speaker 1>I have with my mother and my entire life. Right

0:49:08.800 --> 0:49:11.960
<v Speaker 1>in my entire life. I've had more conversations in the

0:49:12.320 --> 0:49:15.120
<v Speaker 1>in two days than I've ever had with my mother.

0:49:15.440 --> 0:49:18.879
<v Speaker 1>She was my mother, she was my family. All these

0:49:18.920 --> 0:49:21.919
<v Speaker 1>the crew, and it was just like, these are people

0:49:21.920 --> 0:49:24.200
<v Speaker 1>that you walk every day. You see, this is your life.

0:49:24.960 --> 0:49:27.480
<v Speaker 1>And so when it ended, it was it was depression.

0:49:27.719 --> 0:49:29.359
<v Speaker 1>I was just like, oh my god, this is an

0:49:29.440 --> 0:49:31.160
<v Speaker 1>end of an era. This is ten months a year

0:49:31.239 --> 0:49:34.879
<v Speaker 1>for seven years. And it took some time to sort

0:49:34.920 --> 0:49:37.480
<v Speaker 1>of like kind of clean that in my system and

0:49:37.480 --> 0:49:40.480
<v Speaker 1>and move on to start directing and do my podcasts

0:49:40.480 --> 0:49:44.160
<v Speaker 1>and do other things, and so, uh, it definitely was

0:49:44.239 --> 0:49:49.120
<v Speaker 1>emotional and um an amazing time of my life. Yeah,

0:49:49.360 --> 0:49:54.120
<v Speaker 1>you talked about having no voice over experience earlier, but

0:49:54.480 --> 0:49:58.399
<v Speaker 1>you do Justice League. How many years of Justice League?

0:49:58.400 --> 0:50:01.239
<v Speaker 1>Are you still doing it? No? I did Justice League

0:50:01.280 --> 0:50:03.640
<v Speaker 1>for three or four years, but then I've done like

0:50:04.040 --> 0:50:08.839
<v Speaker 1>Thornberry's the Jackie Chan Chronicles. Uh, there were tons. I've

0:50:08.880 --> 0:50:11.760
<v Speaker 1>done so much voiceover and all that. But what's funny

0:50:11.880 --> 0:50:14.799
<v Speaker 1>is I was doing so well with voiceover and then

0:50:14.840 --> 0:50:17.200
<v Speaker 1>I got in more into acting. I started doing more

0:50:17.239 --> 0:50:21.400
<v Speaker 1>TV and movies, and I kind of let the voiceover

0:50:21.440 --> 0:50:24.319
<v Speaker 1>stuff go away. And now I'm trying to get back

0:50:24.360 --> 0:50:26.960
<v Speaker 1>into it, and it's like this little click. It's hard

0:50:27.000 --> 0:50:30.400
<v Speaker 1>to get back into. I'm like, they have their guys,

0:50:30.440 --> 0:50:32.400
<v Speaker 1>they don't want me anymore, and people like, yes, that's

0:50:32.440 --> 0:50:34.840
<v Speaker 1>your good voice, but well, what do you want me

0:50:34.880 --> 0:50:37.520
<v Speaker 1>to do about it? So I try to get back

0:50:37.520 --> 0:50:41.280
<v Speaker 1>into it. I'd like to do more ride with ease, Chevrolet.

0:50:42.920 --> 0:50:44.640
<v Speaker 1>I'd like to do a Chevrolet spot. Do you do

0:50:44.680 --> 0:50:48.320
<v Speaker 1>a lot? I do some, I don't do a lot.

0:50:48.520 --> 0:50:51.080
<v Speaker 1>I've gotten quite a bit of projects, but I'm still

0:50:51.120 --> 0:50:53.440
<v Speaker 1>not one of I'm not in that click that you're

0:50:53.480 --> 0:50:55.719
<v Speaker 1>referring to. And for those of you who don't know,

0:50:56.160 --> 0:50:59.640
<v Speaker 1>it's because your face is not seen. There are directors

0:50:59.640 --> 0:51:02.360
<v Speaker 1>and cat thing directors and very talented ones who again

0:51:03.120 --> 0:51:07.319
<v Speaker 1>know who's reliable and who's nice to work with. And

0:51:07.520 --> 0:51:10.040
<v Speaker 1>because it's not about seeing the same face over and

0:51:10.080 --> 0:51:12.080
<v Speaker 1>over and people can change their voice, they just call

0:51:12.160 --> 0:51:15.200
<v Speaker 1>the same people. And so it's very difficult. It's very

0:51:15.200 --> 0:51:18.200
<v Speaker 1>difficult to get on that that speed dial. It is. Yeah,

0:51:18.200 --> 0:51:20.000
<v Speaker 1>I just I want to be in that world again. Though.

0:51:20.280 --> 0:51:23.160
<v Speaker 1>It's a fun world. It's cool people, it's a it's easy,

0:51:23.280 --> 0:51:26.120
<v Speaker 1>it's you know, creative. I just I like you don't

0:51:26.120 --> 0:51:29.640
<v Speaker 1>have to put makeup on to do voiceovers. Talk to

0:51:29.640 --> 0:51:35.440
<v Speaker 1>me just a little bit about Impastor. Oh man, I

0:51:35.480 --> 0:51:38.799
<v Speaker 1>love that show. It was the short lived show. Uh

0:51:39.280 --> 0:51:43.120
<v Speaker 1>TV Land wanted to do something darker. It was about

0:51:43.120 --> 0:51:46.080
<v Speaker 1>a guy who was a criminal who poses as a

0:51:46.200 --> 0:51:49.240
<v Speaker 1>gay pastor in the small town. It was a funny

0:51:49.480 --> 0:51:52.520
<v Speaker 1>quirky little show. You can watch the first two seasons

0:51:52.520 --> 0:51:56.960
<v Speaker 1>on Hulu. People really love the show. It's just it's

0:51:57.040 --> 0:52:00.880
<v Speaker 1>kind of like a fletched sort of character and way, yeah,

0:52:01.000 --> 0:52:06.239
<v Speaker 1>I'm I'm I'm funny, physical comedy, I'm a pot smoking imbecile,

0:52:06.920 --> 0:52:09.320
<v Speaker 1>and just all the trouble that he gets into and

0:52:09.480 --> 0:52:12.280
<v Speaker 1>in the sweet little town working for this church giving

0:52:12.280 --> 0:52:15.560
<v Speaker 1>fake sermons and came out like four or five years ago.

0:52:16.239 --> 0:52:19.160
<v Speaker 1>I love doing it. It was a great job. And uh,

0:52:19.239 --> 0:52:21.919
<v Speaker 1>for whatever reason, they canceled after two seasons. They said

0:52:22.440 --> 0:52:24.800
<v Speaker 1>at the time they just wanted something more female oriented.

0:52:25.520 --> 0:52:28.560
<v Speaker 1>So I was like, well, I guess this isn't it. Well,

0:52:28.600 --> 0:52:31.920
<v Speaker 1>I really enjoyed the show, and uh, I enjoyed the

0:52:31.920 --> 0:52:35.400
<v Speaker 1>show since reading the pilot. Someone sent me the pilot

0:52:35.760 --> 0:52:39.040
<v Speaker 1>to read. Apparently somebody thought someone else would do a

0:52:39.040 --> 0:52:43.759
<v Speaker 1>better job as the as the impastor. I don't know,

0:52:44.320 --> 0:52:50.560
<v Speaker 1>you're a pastor too. I did, Yes, I did, and

0:52:50.600 --> 0:52:53.280
<v Speaker 1>I would have been great in a different way. I

0:52:53.360 --> 0:52:56.920
<v Speaker 1>would have not been you. You would have been you

0:52:56.920 --> 0:52:59.560
<v Speaker 1>would have been you. I would have been me and

0:52:59.600 --> 0:53:02.720
<v Speaker 1>not about you. But I actually I thought the script

0:53:02.840 --> 0:53:06.080
<v Speaker 1>was so great. It was one of those where I

0:53:06.120 --> 0:53:08.960
<v Speaker 1>was like, oh, yeah, I would love to do this.

0:53:09.600 --> 0:53:11.560
<v Speaker 1>I would love because again, it would have been very,

0:53:11.640 --> 0:53:15.160
<v Speaker 1>very different for me. Um, but apparently they went with you.

0:53:15.560 --> 0:53:19.160
<v Speaker 1>That didn't last long. But it was a blast. It

0:53:19.239 --> 0:53:21.800
<v Speaker 1>was a blast, It was a dream job. I wish

0:53:21.840 --> 0:53:23.280
<v Speaker 1>that show would have went on. A lot of people

0:53:23.280 --> 0:53:25.719
<v Speaker 1>wanted that show to continue, and uh, it would have

0:53:25.719 --> 0:53:28.080
<v Speaker 1>been fun. But you know, that's that's life. That's that's

0:53:28.120 --> 0:53:33.360
<v Speaker 1>the industry. That's the industry. I could talk to you forever. Gardens,

0:53:33.520 --> 0:53:37.879
<v Speaker 1>Guardians of the Galaxy. Now you're coming back for part three? Yes,

0:53:38.000 --> 0:53:40.160
<v Speaker 1>some Part three I filmed last year and I also

0:53:40.239 --> 0:53:42.480
<v Speaker 1>filmed this year, So I'm coming back as Martin X,

0:53:42.520 --> 0:53:44.759
<v Speaker 1>who in the comments was one of the original Guardians.

0:53:45.000 --> 0:53:49.640
<v Speaker 1>Now he's a Ravager. I'm I'm sliced alone sidekick coming

0:53:49.640 --> 0:53:52.080
<v Speaker 1>back for Guardians three, which will be out in two

0:53:52.120 --> 0:53:55.200
<v Speaker 1>thousand twenty three. And then I got my podcasts one

0:53:55.239 --> 0:53:57.960
<v Speaker 1>that you were on. I love it. I have been

0:53:57.960 --> 0:54:02.560
<v Speaker 1>going back to listen, favorite favorite interview. Well you Honestly,

0:54:02.520 --> 0:54:04.480
<v Speaker 1>I'm not saying because you're here, but you were fantastic

0:54:04.520 --> 0:54:07.280
<v Speaker 1>when you left. That was like, that was freaking great.

0:54:07.320 --> 0:54:10.719
<v Speaker 1>You're just so charismatic and fun to be around. That's

0:54:10.719 --> 0:54:14.280
<v Speaker 1>why we must eat chili and go golf. And we will,

0:54:14.520 --> 0:54:19.280
<v Speaker 1>we will do that. We will. Besides me though, UM,

0:54:19.320 --> 0:54:23.000
<v Speaker 1>I love Bob oden Kirk, I loved Judd Apatel, I

0:54:23.080 --> 0:54:27.880
<v Speaker 1>loved uh Zach Levy, Stephen M. L from Arrow, I

0:54:27.880 --> 0:54:30.919
<v Speaker 1>love Henry Winkler. Um. I mean there are so many

0:54:31.000 --> 0:54:35.600
<v Speaker 1>great ones that I really love Crispin Glover. Um. But

0:54:35.680 --> 0:54:37.120
<v Speaker 1>it's it's great. You know. What I love about the

0:54:37.120 --> 0:54:40.680
<v Speaker 1>podcast is that we talked about someone's life, but it's

0:54:40.760 --> 0:54:43.800
<v Speaker 1>very candid. It's not very you know, two actors talking,

0:54:43.800 --> 0:54:46.279
<v Speaker 1>but it's more about people and talking about you know,

0:54:46.320 --> 0:54:48.719
<v Speaker 1>mental health and life and how they get by, how

0:54:48.760 --> 0:54:51.400
<v Speaker 1>they face adversity. And so it's called Inside of You

0:54:51.440 --> 0:54:53.520
<v Speaker 1>with micro rosamum. So and you're you're one of my

0:54:53.560 --> 0:54:57.719
<v Speaker 1>favorite guests ever. And uh it was exciting listen. I

0:54:57.800 --> 0:55:00.440
<v Speaker 1>truly I could talk to you all day. We discussed

0:55:01.360 --> 0:55:02.839
<v Speaker 1>we have to keep it to an hour. Maybe they'll

0:55:02.840 --> 0:55:05.480
<v Speaker 1>be apart, maybe there'll be a part two at some point.

0:55:05.480 --> 0:55:09.359
<v Speaker 1>Any anytime I've been known to do that. UM. I

0:55:09.480 --> 0:55:13.680
<v Speaker 1>have so so enjoyed getting to know you both on

0:55:13.680 --> 0:55:16.920
<v Speaker 1>on your podcast and here today, and uh, this is

0:55:16.960 --> 0:55:19.439
<v Speaker 1>the start of a beautiful thing. That's what I said.

0:55:19.480 --> 0:55:22.399
<v Speaker 1>That's what really is to the start of think so too.

0:55:23.360 --> 0:55:26.279
<v Speaker 1>I I adore you, I adore your talent, adore you

0:55:26.440 --> 0:55:28.680
<v Speaker 1>having me on the show. I can't wait to hang

0:55:28.680 --> 0:55:31.720
<v Speaker 1>out with you and your Your producers are very lovely,

0:55:31.800 --> 0:55:36.000
<v Speaker 1>high ladies. Good to see you well. They are amazing. Uh, Michael,

0:55:36.719 --> 0:55:40.440
<v Speaker 1>thank you so much. That was amazing. You know it,

0:55:40.719 --> 0:55:56.200
<v Speaker 1>I know it. Everyone knows it. Thank you, Michael, Thank

0:55:56.239 --> 0:55:59.040
<v Speaker 1>you so much. Great talking to you. Thank you for

0:55:59.080 --> 0:56:03.960
<v Speaker 1>stopping by. Listeners. Make sure you check out his podcast

0:56:04.200 --> 0:56:07.719
<v Speaker 1>Inside of You with Michael Rosenbaum to see what it's

0:56:07.760 --> 0:56:11.719
<v Speaker 1>like when our roles are reversed. I asked him questions,

0:56:12.080 --> 0:56:18.600
<v Speaker 1>he asks me questions. Spoiler alert, It is awesome. While

0:56:18.640 --> 0:56:21.360
<v Speaker 1>you're at it, give us a follow at Off the

0:56:21.400 --> 0:56:26.280
<v Speaker 1>Beat on Instagram. Tell your five closest friends how amazing

0:56:26.320 --> 0:56:29.239
<v Speaker 1>this podcast is. That would be your gift to me.

0:56:29.560 --> 0:56:32.480
<v Speaker 1>Tell five people how much you enjoyed listening to the

0:56:32.520 --> 0:56:37.759
<v Speaker 1>podcast today, and I will consider you my new best friends. Yep,

0:56:37.960 --> 0:56:40.920
<v Speaker 1>that's all. I'll be back next week, same time, but

0:56:41.200 --> 0:56:43.719
<v Speaker 1>with a new guest and a new episode. For your

0:56:44.280 --> 0:56:56.480
<v Speaker 1>well you're listening. Pleasure, We'll see you then. Off the

0:56:56.480 --> 0:57:00.440
<v Speaker 1>Beat is hosted an executive produced by me Brian ba Gartner,

0:57:00.680 --> 0:57:05.840
<v Speaker 1>alongside our executive producer Langley. Our producers are Diego Tapia,

0:57:06.080 --> 0:57:10.320
<v Speaker 1>Liz Hayes, Hannah Harris and Emily Carr. Our talent producer

0:57:10.600 --> 0:57:14.760
<v Speaker 1>is Ryan Papa Zachary, and our intern is Sammy Katz.

0:57:15.160 --> 0:57:18.800
<v Speaker 1>Our theme song Bubble and Squeak, performed by my great

0:57:18.800 --> 0:57:20.200
<v Speaker 1>friend Creed Bratton,