WEBVTT - Superheroes Aren't Real

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<v Speaker 1>ft evaluated. Hi. I'm Abne Moone and I'm Ricked Schwartz

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<v Speaker 1>and we're here from the San Diego Zoo Wildlife Alliance,

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<v Speaker 1>Amazing Wildlife. I'm the I Heart Radio app Apple podcast

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<v Speaker 1>restrictions apply. Hey everyone, it's carvel And before we get

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<v Speaker 1>into this episode, I want to ask you a favor.

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<v Speaker 1>Throughout this series, we've talked a lot about how Fred

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<v Speaker 1>Rogers has helped show us how to make the world

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<v Speaker 1>a kinder place, a better place. But now we want

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<v Speaker 1>to hear from you. We want to hear a story

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<v Speaker 1>about when someone in your life showed you what it

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<v Speaker 1>means to be a helper. Maybe it's someone in your family,

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<v Speaker 1>or someone in your community, or someone that you haven't

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<v Speaker 1>seen since you worry kid, but that you still think

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<v Speaker 1>about something They did to help you, whoever they are,

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<v Speaker 1>wherever they are, however they're helping, we want to hear

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<v Speaker 1>about it. So give us a call at three three

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<v Speaker 1>six five five zero five to nine. Again, that's three

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<v Speaker 1>three six five one five zero five to nine, and

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<v Speaker 1>tell us a story about someone who has shown you

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<v Speaker 1>how to be a helper and we might just play

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<v Speaker 1>it on an upcoming episode. Again that number is three

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<v Speaker 1>three six five one five zero five two nine. Or

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<v Speaker 1>you can tweet your story with the hashtag finding Fred. Okay,

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<v Speaker 1>now let's start the show. Here's a question, did Fred

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<v Speaker 1>Rogers do enough? By He had lived and breathed children's

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<v Speaker 1>television for more than twenty years. He had found kid

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<v Speaker 1>friendly ways to cover death and to sat nation and segregation,

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<v Speaker 1>but also haircuts and doctors visits and moving to a

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<v Speaker 1>new home. And he felt like he'd done enough. He

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<v Speaker 1>felt that he created a library of television visits that

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<v Speaker 1>covered everything a child needed to know about growing up.

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<v Speaker 1>So Mr Rogers decided he was done. In a week

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<v Speaker 1>of episodes slated to be his last, Mr Rogers takes

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<v Speaker 1>us out to his garage, where he shows us a

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<v Speaker 1>big cabinet filled with dozens and dozens of VHS tapes,

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<v Speaker 1>all neatly lined up in rows. You see, those are

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<v Speaker 1>all different visits, television visits that we have on tape,

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<v Speaker 1>share this one. Just as he's about to pop one

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<v Speaker 1>of these tapes into the VCR, Mr McFeeley stops by

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<v Speaker 1>and the two get to talking about how McFeeley has

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<v Speaker 1>changed since his earliest visits to the neighborhood. Huh, I

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<v Speaker 1>remember the days when it was very, very hard for

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<v Speaker 1>you to sit still, Mr mcpheeley. Well, I used to

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<v Speaker 1>talk louder then and talk faster. I'll show you a

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<v Speaker 1>tape on that machine over there and see if you

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<v Speaker 1>remember that visit. I'd like to see that visit. You know,

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<v Speaker 1>my video tape machine over here. See if you remember

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<v Speaker 1>this time when you came to visit me already. Fred

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<v Speaker 1>plays the tape and the two watch what is essentially

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<v Speaker 1>a rerun of a Mr. Rogers Neighborhood segment from a

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<v Speaker 1>few years before. Then, Fred explains, we'll be seeing a

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<v Speaker 1>lot of reruns from now on. Well, next week we'll

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<v Speaker 1>start to show all of these visits so everybody can

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<v Speaker 1>see them the whole way through. Well, I'll look forward

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<v Speaker 1>to that. And with that Mr Rogers signed off, I'm

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<v Speaker 1>Carla Wallace and this is Finding Fred, a podcast about

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<v Speaker 1>Fred Rogers from I Heeart Media and Fatherly in partnership

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<v Speaker 1>with transmit Or Media. Fred Rogers felt like he'd done enough.

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<v Speaker 1>He created an encyclopedia of programs that anticipated the questions

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<v Speaker 1>and anxieties that children have as they grow and learn, like,

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<v Speaker 1>for instance, getting poked and prodded or stuck with a needle.

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<v Speaker 1>Over the years, Fred had made several visits to optometrists,

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<v Speaker 1>barber's doctors. Producer Arthur Greenwald worked with Fred in a

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<v Speaker 1>series of episodes about going to the hospital. He had

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<v Speaker 1>a long time interest in how children are frightened or

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<v Speaker 1>overwhelmed by hospitalization. You know, I was really struck by

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<v Speaker 1>There was this moment where he was talking about X rays.

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<v Speaker 1>He was talking with the physician about X rays and

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<v Speaker 1>the physician was explaining, well, you can we can see

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<v Speaker 1>your bones, and then Fred said, I know some children

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<v Speaker 1>who will wonder if if you can see my bones,

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<v Speaker 1>can you excre my head and see my thoughts? If

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<v Speaker 1>you can see the inside of a hand with X ray,

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<v Speaker 1>could you see the inside of somebody's head and know

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<v Speaker 1>what that person is thinking, No, uh, the X ray

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<v Speaker 1>picture won't show thoughts feelings. Those are things that we

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<v Speaker 1>really can't see a touch. Our thoughts are very own.

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<v Speaker 1>All thoughts are our own. That's good to know. When

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<v Speaker 1>I watched that, I laughed out loud because he was

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<v Speaker 1>a grown man, And but it wasn't like silly. It

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<v Speaker 1>was like kind of phenomenal and magical that he was

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<v Speaker 1>able to capture a very specific, very clear thought of

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<v Speaker 1>a child that was important. And of course some people

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<v Speaker 1>look at you like you're insane, But who said anything

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<v Speaker 1>about an X ray seeing my thoughts and feelings? But

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<v Speaker 1>by god, that is exactly what a preschool was thinking.

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<v Speaker 1>Fred was always working to eliminate misunderstandings, and that was

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<v Speaker 1>a real gift for television audience of toddlers who weren't

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<v Speaker 1>necessary really used to being seen and heard and responded to.

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<v Speaker 1>But this kind of deep focused listening made adults uncomfortable

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<v Speaker 1>because they're socially just not used to people paying attention

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<v Speaker 1>to their every word, and so a lot of the

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<v Speaker 1>things will casually say as a passing joke, Fred would

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<v Speaker 1>pause an interpret it out loud, which would be either

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<v Speaker 1>illuminating or embarrassing, depending on you know how comfortable you

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<v Speaker 1>are with that sort of conversation. It seems like Fred

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<v Speaker 1>was betting on most people being comfortable with that kind

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<v Speaker 1>of thing, because when he left Mr Rogers neighborhood, he

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<v Speaker 1>set out to make a new television program for adults.

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<v Speaker 1>He developed a new show with PBS called Old Friends,

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<v Speaker 1>New Friends. It featured Fred talking with other adults about

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<v Speaker 1>what they're passionate about and where their inspiration comes from.

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<v Speaker 1>That's what he was interested in. This is TV critic

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<v Speaker 1>David b and Cooley. It's like, if you're a musician,

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<v Speaker 1>where does the music come from? You know, what was

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<v Speaker 1>it like that made you become a musician and sort

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<v Speaker 1>of get to the bottom of what what is art

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<v Speaker 1>and what is an artist. The show was documentary style.

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<v Speaker 1>Fred visited different locations around the country. He talked to

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<v Speaker 1>famous and not so famous people about their lives and

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<v Speaker 1>showed them at work. Pittsburgh baseball legend Willie Stargel opened

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<v Speaker 1>up about resilience. Comedian Milton Burrow talked about the rewards

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<v Speaker 1>of fame. Fred visited Robert Frost's daughter and NPR hosts

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<v Speaker 1>Susan Stamberg. Old Friends, New Friends was conversational warm, and

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<v Speaker 1>because this was still Fred Rogers after all, it was slow.

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<v Speaker 1>Responses to the show were mixed. I saw them and

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<v Speaker 1>and I loved what he was doing with them, but

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<v Speaker 1>you have to you have to be open to it

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<v Speaker 1>and be interested. Not everybody loved it. Fred's biographer Max

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<v Speaker 1>King told me he didn't think it was very good.

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<v Speaker 1>I watched a lot of it. It's not particularly compelling.

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<v Speaker 1>The approach that he brought to children's television just didn't

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<v Speaker 1>translate to adult television. Betsy Siemens had worked with Fred

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<v Speaker 1>and Mr Rogers Neighborhood. She later helped produce episodes of

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<v Speaker 1>Old Friends, New Friends. The idea that he was going

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<v Speaker 1>to quit doing the Neighborhood, I thought, good for you,

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<v Speaker 1>you know, I mean, I I found like people move on.

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<v Speaker 1>I mean, I I think I think I was aware

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<v Speaker 1>that it was hard for him because he had been

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<v Speaker 1>doing this other work for so long, and I think,

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<v Speaker 1>you know, it's hard to just really switch gears and

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<v Speaker 1>work for a completely different audience and in a in

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<v Speaker 1>a really profoundly different medium. The show featured extreme close

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<v Speaker 1>ups of people's faces, long silent pauses, deep reflection on

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<v Speaker 1>family history, reason, and many of Fred's signature moves, slow pacing,

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<v Speaker 1>intimate production, emphasis, and emotions, but these didn't necessarily translate

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<v Speaker 1>for most grown ups. Fred's show was illuminating, but many

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<v Speaker 1>viewers found the intimacy embarrassing or even worse on TV boring.

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<v Speaker 1>One New York Times critic wrote that for some viewers,

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<v Speaker 1>This Quiet Man may appear to have taken one volume

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<v Speaker 1>too many. But I watched it the only episode you

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<v Speaker 1>can really find online an interview with concert pianist Lauren Hollander,

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<v Speaker 1>and honestly, I found it brilliant. The intimacy, the patient's

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<v Speaker 1>Fred's willingness to hover over difficult topics with sometimes difficult

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<v Speaker 1>people was transfixing. You're the only pianist who has ever

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<v Speaker 1>communicated to me the feeling that this instrument as a place,

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<v Speaker 1>that it is a country, that it's somewhere that you

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<v Speaker 1>go to say something. And I've felt that today. Poor Beethoven,

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<v Speaker 1>the throwes of his deafness, kept a little chimber pot

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<v Speaker 1>under the keyboard, and he used to keep his head

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<v Speaker 1>pressed here against the wood, and could not leave the

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<v Speaker 1>instrument long enough to take care of his needs. And

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<v Speaker 1>we who grow up here know that it's an answer,

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<v Speaker 1>because it's a way of dealing with that incredibly complex reality.

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<v Speaker 1>When I heard that, it occurred to me that maybe

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<v Speaker 1>that is the case for Fred to that he was

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<v Speaker 1>like Beethoven or Lauren Hollander, and that in a sense,

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<v Speaker 1>the precision and love and kindness of Mr Rogers neighborhood

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<v Speaker 1>was his place, his country where he could deal with

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<v Speaker 1>the incredibly complex reality. And he got to go back

0:12:20.760 --> 0:12:26.160
<v Speaker 1>there when he returned to Mr Rogers neighborhood. More than

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<v Speaker 1>that after a break, teething can be a real nightmare

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<v Speaker 1>A and d S dot com slash kind claims based

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<v Speaker 1>on traditional homeopath a practices, not accept the medical evidence,

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<v Speaker 1>not ft evaluated. Stimulant use disorder is a disease not

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<v Speaker 1>a choice, but getting help for your math CK cocaine

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<v Speaker 1>addiction is Choose treatment and choose Change California. Find proven

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<v Speaker 1>treatment options at choose Change see a dot org. He

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<v Speaker 1>loves me, he loves me not? He loves me, he

0:13:27.920 --> 0:13:31.600
<v Speaker 1>loves me not. He loves me not. So he returned

0:13:31.679 --> 0:13:34.400
<v Speaker 1>me because he had thirty days to do so, which

0:13:34.440 --> 0:13:36.680
<v Speaker 1>is plenty of time to discover you don't love someone

0:13:37.040 --> 0:13:41.600
<v Speaker 1>or in my case something, Because surprise, I'm a CarMax

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<v Speaker 1>car who is now back on the market thirty day

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<v Speaker 1>see Carmacks dot com for details. In Fred Rod just

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<v Speaker 1>wrote himself a note. It's typed neatly on a piece

0:14:03.520 --> 0:14:06.600
<v Speaker 1>of yellow legal paper, the kind Fred used for early

0:14:06.679 --> 0:14:10.880
<v Speaker 1>drafts of his scripts. Am I kidding myself that I'm

0:14:10.920 --> 0:14:14.240
<v Speaker 1>able to write a script again? He wrote? Why don't

0:14:14.240 --> 0:14:20.040
<v Speaker 1>I trust myself? He continues, after all these years, it's

0:14:20.120 --> 0:14:24.360
<v Speaker 1>just as bad as ever. Oh well, the hour cometh

0:14:24.880 --> 0:14:27.280
<v Speaker 1>and now is when I've got to do it. Get

0:14:27.320 --> 0:14:32.760
<v Speaker 1>to it, Fred. Just a few weeks prior, a four

0:14:32.800 --> 0:14:36.400
<v Speaker 1>year old boy named Charles Green died after jumping from

0:14:36.400 --> 0:14:40.720
<v Speaker 1>his grandmother's seventh story apartment in Brooklyn. His mother told

0:14:40.760 --> 0:14:46.560
<v Speaker 1>reporters he'd been trying to fly like Superman. Fred Rogers

0:14:46.560 --> 0:14:49.560
<v Speaker 1>had already started working on new episode to the Neighborhood Program,

0:14:49.600 --> 0:14:52.440
<v Speaker 1>but he was shaken by the story of little Charles Green.

0:14:53.080 --> 0:14:55.880
<v Speaker 1>The kid was trying desperately to be like a hero

0:14:56.080 --> 0:15:00.840
<v Speaker 1>he saw on screen. When Fred left an Neghborhood Program

0:15:00.880 --> 0:15:04.040
<v Speaker 1>five years earlier, he thought he'd said everything there was

0:15:04.080 --> 0:15:08.680
<v Speaker 1>to say, but the world itself had changed. Daycare was

0:15:08.720 --> 0:15:12.119
<v Speaker 1>now a widespread and normal thing, but clearly a terrifying

0:15:12.160 --> 0:15:14.640
<v Speaker 1>thing to a toddler. And what to say to kids

0:15:14.680 --> 0:15:18.320
<v Speaker 1>about divorce as it became more and more prevalent. Television

0:15:18.360 --> 0:15:21.960
<v Speaker 1>itself had evolved, had become a never silent fixture in

0:15:22.080 --> 0:15:25.800
<v Speaker 1>every home, and there were more channels and programs spraying

0:15:25.840 --> 0:15:30.360
<v Speaker 1>all sorts of violence and fantasy at children. So Fred

0:15:30.360 --> 0:15:34.800
<v Speaker 1>did what he knew how to do best. Remember when

0:15:34.840 --> 0:15:37.840
<v Speaker 1>I was a boy, I used to take a sweater

0:15:38.680 --> 0:15:44.680
<v Speaker 1>and put it around my my shoulders like that, hold

0:15:44.680 --> 0:15:48.080
<v Speaker 1>the arms out like that, and pretend that I was flying. Yeah,

0:15:48.520 --> 0:15:53.960
<v Speaker 1>let's go out here. I'll show you what I had.

0:15:54.000 --> 0:15:56.080
<v Speaker 1>A couple of steps there at the porch, and I

0:15:56.120 --> 0:16:01.560
<v Speaker 1>would go like this, but of course I never took off,

0:16:03.400 --> 0:16:10.320
<v Speaker 1>because only birds and bats and bugs can fly. People can't.

0:16:11.880 --> 0:16:16.440
<v Speaker 1>Only birds and bats and bugs can fly. I want

0:16:16.440 --> 0:16:19.760
<v Speaker 1>to sing that with me. Only birds and bats and

0:16:20.080 --> 0:16:27.800
<v Speaker 1>bugs can fly. Sometimes I wish I could fly, but

0:16:28.040 --> 0:16:36.840
<v Speaker 1>only birds and bats and bugs and fly. Fred made

0:16:36.880 --> 0:16:40.360
<v Speaker 1>an entire week of programming about how superheroes aren't real.

0:16:41.120 --> 0:16:44.200
<v Speaker 1>He even visited the Universal Studio sound stage where The

0:16:44.240 --> 0:16:47.520
<v Speaker 1>Incredible Hulk was filmed, and he showed the star looferign

0:16:47.560 --> 0:16:52.040
<v Speaker 1>no putting on and taking off his costume. That's all

0:16:52.080 --> 0:16:56.600
<v Speaker 1>part of his work, all part. And here's the special

0:16:56.640 --> 0:17:00.680
<v Speaker 1>solution that takes the green makeup off. I liked seeing

0:17:00.680 --> 0:17:03.320
<v Speaker 1>the makeup coming off just as well as going on.

0:17:03.560 --> 0:17:05.960
<v Speaker 1>But I was glad to show my television friends that

0:17:06.480 --> 0:17:10.680
<v Speaker 1>because it's important to realize that people just don't change

0:17:10.840 --> 0:17:15.160
<v Speaker 1>shape and change color. That's all just sort of movie business,

0:17:15.280 --> 0:17:20.080
<v Speaker 1>isn't it. It's it's just makeup pretend. Of course, you

0:17:20.760 --> 0:17:24.600
<v Speaker 1>remember the note Fred wrote to himself. A few weeks later,

0:17:24.800 --> 0:17:29.040
<v Speaker 1>he added a handwritten PS. It wasn't easy, but it

0:17:29.119 --> 0:17:35.480
<v Speaker 1>was good. This I must remember. In the sixteen years

0:17:35.520 --> 0:17:39.800
<v Speaker 1>since Fred passed, he's been turned into a TV superhero himself,

0:17:40.200 --> 0:17:43.280
<v Speaker 1>someone who was born with extra powers of intuition and

0:17:43.320 --> 0:17:50.200
<v Speaker 1>communication and self control and love. Fred Rogers wasn't a superhero.

0:17:51.080 --> 0:17:53.720
<v Speaker 1>His biographer told me that Fred himself would be horrified

0:17:53.760 --> 0:17:57.400
<v Speaker 1>that anybody might think he was a saint. But producer

0:17:57.440 --> 0:18:00.679
<v Speaker 1>Margie Whitmer told me that Fred did believe that his

0:18:00.760 --> 0:18:03.840
<v Speaker 1>show mattered. It's hard, I think when you when you

0:18:03.960 --> 0:18:07.239
<v Speaker 1>become famous, there's lots of people who tell you how

0:18:07.280 --> 0:18:09.840
<v Speaker 1>wonderful you are. You know, he had lots of followers.

0:18:10.520 --> 0:18:13.439
<v Speaker 1>You tend to believe that you're making a difference. The

0:18:13.480 --> 0:18:17.800
<v Speaker 1>audience was national, even international. There were enormous lineups to

0:18:17.840 --> 0:18:20.840
<v Speaker 1>meet Mr Rogers when he did public appearances. He was

0:18:20.960 --> 0:18:24.760
<v Speaker 1>Mr Rogers, but the program was bigger than him. I

0:18:24.880 --> 0:18:28.879
<v Speaker 1>just had a letter the other day. It was from

0:18:28.920 --> 0:18:34.720
<v Speaker 1>this woman who said, fourteen years ago, I had a

0:18:34.760 --> 0:18:41.480
<v Speaker 1>baby who was sixteen months old, and I had that

0:18:41.600 --> 0:18:46.399
<v Speaker 1>baby in the backseat of the car and I was

0:18:46.520 --> 0:18:51.120
<v Speaker 1>in such a terrible depression my heart. I didn't even

0:18:51.160 --> 0:18:54.919
<v Speaker 1>know that I had put him back there. And she said,

0:18:54.960 --> 0:18:57.920
<v Speaker 1>I was driving along and I saw this truck coming

0:18:57.960 --> 0:19:01.560
<v Speaker 1>and I thought, I'm just gonna end it all. I'm

0:19:01.600 --> 0:19:06.679
<v Speaker 1>just gonna go straight into the truck because she was desperate.

0:19:08.720 --> 0:19:12.560
<v Speaker 1>And she said, I started turning to the left, and

0:19:12.880 --> 0:19:17.320
<v Speaker 1>all of a sudden, I heard this little voice singing,

0:19:18.080 --> 0:19:21.320
<v Speaker 1>it's a beautiful day in lint it. And she said,

0:19:21.359 --> 0:19:26.119
<v Speaker 1>I veered my car to the right, and I thought

0:19:26.640 --> 0:19:33.840
<v Speaker 1>of life and love. And now it's fourteen years later,

0:19:35.400 --> 0:19:42.520
<v Speaker 1>and I just need to thank you. Well. You know,

0:19:42.720 --> 0:19:48.760
<v Speaker 1>to hear that your works can be used in such

0:19:50.320 --> 0:20:01.960
<v Speaker 1>wonderful ways is a great blessing. When I started interviewing

0:20:01.960 --> 0:20:05.240
<v Speaker 1>people for this project, there were two questions. I asked

0:20:05.280 --> 0:20:09.760
<v Speaker 1>almost everyone who knew Fred, did you think he did enough?

0:20:10.800 --> 0:20:15.440
<v Speaker 1>Do you think Fred thought he did enough? And while

0:20:15.480 --> 0:20:18.159
<v Speaker 1>the responses varied, a lot of people told me the

0:20:18.240 --> 0:20:22.520
<v Speaker 1>same thing. Yes, they think Fred did enough, but he

0:20:22.680 --> 0:20:26.640
<v Speaker 1>always wanted to do more. Fred returned to the Neighborhood

0:20:26.680 --> 0:20:31.119
<v Speaker 1>program in The show ran until two thousand one. He

0:20:31.240 --> 0:20:34.119
<v Speaker 1>kept at it almost three times as long as his

0:20:34.200 --> 0:20:38.720
<v Speaker 1>first run, for decades and for generations of kids. He

0:20:38.840 --> 0:20:42.880
<v Speaker 1>was a voice of comfort, of stability, and of reason.

0:20:44.200 --> 0:20:47.040
<v Speaker 1>He'd made a special episode when Bobby Kennedy was assassinated

0:20:47.200 --> 0:20:49.080
<v Speaker 1>he'd recorded p S A S in the middle of

0:20:49.080 --> 0:20:53.000
<v Speaker 1>the Gulf War. Fred finally retired in two thousand one,

0:20:53.320 --> 0:20:57.520
<v Speaker 1>after nine hundred episodes and thirty years on the air.

0:20:58.640 --> 0:21:01.879
<v Speaker 1>But we don't know if Fred ever actually felt like

0:21:02.480 --> 0:21:06.960
<v Speaker 1>he did enough. We do know that just a few

0:21:06.960 --> 0:21:10.920
<v Speaker 1>weeks later, planes flew into the Twin Towers in New York.

0:21:11.680 --> 0:21:19.400
<v Speaker 1>When nine eleven happened, he was so distraught. I don't

0:21:19.480 --> 0:21:25.040
<v Speaker 1>think that I ever really until that day, I didn't

0:21:26.480 --> 0:21:32.640
<v Speaker 1>think on a real internal level about his mission as

0:21:33.520 --> 0:21:37.000
<v Speaker 1>saving the world. I thought. I think I just thought

0:21:37.000 --> 0:21:41.600
<v Speaker 1>about it in more practical terms, we of helping people

0:21:42.080 --> 0:21:46.600
<v Speaker 1>try and do the best they can. I think it

0:21:46.760 --> 0:21:49.880
<v Speaker 1>really hit home to him when those when the Twin

0:21:49.920 --> 0:21:55.919
<v Speaker 1>Towers got hit that he's not the savior. He can't

0:21:56.000 --> 0:22:01.080
<v Speaker 1>save the world. Some of Fred's producers, including Marky, convinced

0:22:01.119 --> 0:22:06.800
<v Speaker 1>him to send one final message in his office. I

0:22:06.840 --> 0:22:08.399
<v Speaker 1>went up to get him to come down to the

0:22:08.480 --> 0:22:13.440
<v Speaker 1>studio and he was He was a mess. He was said,

0:22:13.520 --> 0:22:15.560
<v Speaker 1>why am I doing these? These aren't going to do

0:22:15.600 --> 0:22:18.560
<v Speaker 1>any good. I said, you have to do them. And

0:22:18.600 --> 0:22:22.600
<v Speaker 1>I said, Fred, people care about you, people listen to you.

0:22:22.600 --> 0:22:25.680
<v Speaker 1>You have got to do these none of us can

0:22:25.720 --> 0:22:27.760
<v Speaker 1>save the road. We can do the best we can do.

0:22:33.080 --> 0:22:35.760
<v Speaker 1>In the p s A Fred recorded after September eleven,

0:22:36.400 --> 0:22:39.359
<v Speaker 1>he repeated his story he'd often told about his mother

0:22:39.720 --> 0:22:43.680
<v Speaker 1>comforting him when he was young. She told him, notice

0:22:43.920 --> 0:22:48.240
<v Speaker 1>the people who are helping during times of crisis. Look

0:22:48.280 --> 0:22:52.840
<v Speaker 1>for the helpers, she said, there's always someone trying to help.

0:22:54.520 --> 0:22:57.880
<v Speaker 1>Look for the helpers has become this sort of stock meme,

0:22:58.400 --> 0:23:00.840
<v Speaker 1>one that gets reposted all over so social media after

0:23:00.880 --> 0:23:05.639
<v Speaker 1>a catastrophe, whether a natural disaster or mass shooting. But

0:23:05.680 --> 0:23:09.360
<v Speaker 1>there's something I want you to notice about Fred's final message.

0:23:09.640 --> 0:23:15.080
<v Speaker 1>Listen closely. Who is he talking to. I'm just so

0:23:15.200 --> 0:23:17.960
<v Speaker 1>proud of all of you who have grown up with us,

0:23:19.119 --> 0:23:22.399
<v Speaker 1>and I know how tough it is some days to

0:23:22.600 --> 0:23:26.920
<v Speaker 1>look with hope and confidence on the months and years ahead.

0:23:28.280 --> 0:23:30.439
<v Speaker 1>But I would like to tell you what I often

0:23:30.560 --> 0:23:34.240
<v Speaker 1>told you when you were much younger. I like you

0:23:34.440 --> 0:23:39.440
<v Speaker 1>just the way you are. And what's more, I'm so

0:23:39.560 --> 0:23:43.199
<v Speaker 1>grateful to you for helping the children in your life

0:23:44.000 --> 0:23:48.120
<v Speaker 1>to know that you'll do everything you can to keep

0:23:48.160 --> 0:23:53.479
<v Speaker 1>them safe and to help them express their feelings in

0:23:53.600 --> 0:23:59.040
<v Speaker 1>ways that will bring healing in many different neighborhoods. It's

0:23:59.080 --> 0:24:02.880
<v Speaker 1>such a good fee linked to know that we're lifelong friends.

0:24:05.680 --> 0:24:11.040
<v Speaker 1>He's talking to us, to the adults in the room.

0:24:11.080 --> 0:24:14.960
<v Speaker 1>His producer, Betsy Siemens says, this is the message of

0:24:15.040 --> 0:24:19.439
<v Speaker 1>friends that we need now. Look for the helper. Was

0:24:19.480 --> 0:24:24.520
<v Speaker 1>advice to children, and we are not children. And I've

0:24:24.520 --> 0:24:26.760
<v Speaker 1>heard a lot of adults saying, oh well, Fred Rogers

0:24:26.760 --> 0:24:28.560
<v Speaker 1>made me feel so much better because he said look

0:24:28.600 --> 0:24:30.720
<v Speaker 1>for the helpers and no, no, that was advice to

0:24:30.840 --> 0:24:35.080
<v Speaker 1>children and that was not advice to the parent. It's

0:24:35.080 --> 0:24:38.480
<v Speaker 1>an interesting distinction though, between the child and the parents

0:24:38.560 --> 0:24:44.040
<v Speaker 1>and the adult. Uh, because the harm that comes to

0:24:44.080 --> 0:24:46.639
<v Speaker 1>many of us in our childhoods. I think this is

0:24:46.680 --> 0:24:51.520
<v Speaker 1>my theory my therapist agrees, is that is that it

0:24:51.720 --> 0:24:54.040
<v Speaker 1>we get frozen in moments in time and we don't

0:24:54.080 --> 0:24:56.720
<v Speaker 1>ever overcome our childhoods in that way, and so we

0:24:56.840 --> 0:24:59.720
<v Speaker 1>constantly have this child in us that is crying out

0:24:59.720 --> 0:25:02.360
<v Speaker 1>for the things that we need as children, crying out

0:25:02.400 --> 0:25:05.840
<v Speaker 1>for safety or for acknowledged manner for because we don't

0:25:05.840 --> 0:25:08.680
<v Speaker 1>get those things as young people. And so I think

0:25:08.680 --> 0:25:11.480
<v Speaker 1>that that may even be we may be experiencing a

0:25:11.520 --> 0:25:15.359
<v Speaker 1>mass level of fact as a country. Maybe it's one

0:25:15.359 --> 0:25:17.640
<v Speaker 1>of my theories. And so when people hear that quote,

0:25:18.160 --> 0:25:21.359
<v Speaker 1>that's the child in them, the unhealed child who's still going,

0:25:21.359 --> 0:25:24.520
<v Speaker 1>oh great, now I know what to do. It's it's

0:25:24.560 --> 0:25:26.280
<v Speaker 1>hard to be an adult, and it's hard to be

0:25:26.280 --> 0:25:33.000
<v Speaker 1>an adult when your own child hasn't been raised. Absolutely, however,

0:25:33.040 --> 0:25:36.960
<v Speaker 1>it is the universal human condition. It's true for all

0:25:37.000 --> 0:25:41.080
<v Speaker 1>of us, and it was true for him, and I

0:25:41.160 --> 0:25:42.919
<v Speaker 1>still think I know that one of the things that

0:25:43.080 --> 0:25:46.840
<v Speaker 1>was very important to him on the program was that

0:25:46.920 --> 0:25:50.359
<v Speaker 1>he always be the adult, the adult who can play

0:25:50.400 --> 0:25:54.000
<v Speaker 1>with children, and I mean he acknowledged all of our

0:25:54.000 --> 0:25:58.800
<v Speaker 1>inner children and his own, but he also understood that

0:25:58.840 --> 0:26:02.040
<v Speaker 1>there comes to time in life when we also have

0:26:02.240 --> 0:26:05.399
<v Speaker 1>to be the adult. And I think that was one

0:26:05.440 --> 0:26:09.760
<v Speaker 1>of the fine points of his work. We're the grown

0:26:09.840 --> 0:26:15.120
<v Speaker 1>ups doing what we can. Doing enough doesn't mean fixing

0:26:15.240 --> 0:26:18.920
<v Speaker 1>a tragedy as massive as nine eleven, but it does

0:26:19.000 --> 0:26:24.040
<v Speaker 1>mean helping. Every one of us has something essential inside

0:26:24.040 --> 0:26:28.000
<v Speaker 1>of us that we can use to help. For Fred,

0:26:28.080 --> 0:26:30.640
<v Speaker 1>that meant sitting at the bedside of a comatose kid,

0:26:30.840 --> 0:26:34.560
<v Speaker 1>or staying on the air for thirty years, helping children

0:26:34.600 --> 0:26:38.080
<v Speaker 1>grow into adults who could help other people. What does

0:26:38.119 --> 0:26:43.400
<v Speaker 1>it mean for you? I think he drove himself very hard,

0:26:43.440 --> 0:26:47.200
<v Speaker 1>and I think his expectations of himself were extraordinary, So

0:26:48.200 --> 0:26:51.440
<v Speaker 1>I would guess that he never thought he did enough.

0:26:52.400 --> 0:26:58.119
<v Speaker 1>Because here's the thing, there is no enough, there is

0:26:58.160 --> 0:27:01.719
<v Speaker 1>no finish line. The problems faced with are so big,

0:27:02.000 --> 0:27:05.360
<v Speaker 1>so many, that no one of us can address them alone.

0:27:06.480 --> 0:27:10.560
<v Speaker 1>It's not easy to keep trying, but it's one good

0:27:10.600 --> 0:27:15.480
<v Speaker 1>way to grow. It's not easy to keep learning, but

0:27:15.760 --> 0:27:20.879
<v Speaker 1>I know that this is so. When you've tried and learned,

0:27:21.080 --> 0:27:26.840
<v Speaker 1>you're bigger inside than you were a day ago. It's

0:27:26.880 --> 0:27:32.520
<v Speaker 1>not easy to keep trying, but it's one way to grow.

0:27:33.359 --> 0:27:39.960
<v Speaker 1>You've got to see every little bit you've got to

0:27:40.119 --> 0:27:43.280
<v Speaker 1>do it. Do it, do it, do it, and when

0:27:43.359 --> 0:27:48.800
<v Speaker 1>you're through, you can know who did it for you

0:27:48.880 --> 0:27:55.040
<v Speaker 1>did it, you did it, You did it. And when

0:27:55.040 --> 0:27:58.359
<v Speaker 1>you've done something that you wanted to do and you've

0:27:58.359 --> 0:28:01.760
<v Speaker 1>done it well, you and get such a good feeling

0:28:01.960 --> 0:28:12.159
<v Speaker 1>from that next time. I think it was the first

0:28:12.200 --> 0:28:18.199
<v Speaker 1>time in my life where I felt seen by an adult,

0:28:19.280 --> 0:28:22.920
<v Speaker 1>like when he got down to my eye level, introduced

0:28:22.960 --> 0:28:25.119
<v Speaker 1>himself and looked me in the eye. Of course, I've

0:28:25.119 --> 0:28:27.679
<v Speaker 1>had adults introduced themselves to me a million times up

0:28:27.680 --> 0:28:29.359
<v Speaker 1>into that point and asked me what my name was.

0:28:30.000 --> 0:28:35.000
<v Speaker 1>But the way that he looked at me, I felt

0:28:35.040 --> 0:28:40.840
<v Speaker 1>like you saw me. Finding Fred is produced by Transmitter Media.

0:28:41.160 --> 0:28:43.880
<v Speaker 1>The team is Dan O'donnald, Jordan Bailey and Maddie Foley.

0:28:44.240 --> 0:28:47.680
<v Speaker 1>Our editor is Sarah Nicks. The executive producer for Transmitter

0:28:47.720 --> 0:28:51.200
<v Speaker 1>Media is Greta Cohne. Executive producers at Fatherly are Simon

0:28:51.280 --> 0:28:53.840
<v Speaker 1>Isaacs and Andrew Berman. Thanks to the team at I

0:28:53.920 --> 0:28:57.480
<v Speaker 1>Heart Media. Fred Rogers interviewed tape courtesy of the Television

0:28:57.520 --> 0:29:01.240
<v Speaker 1>Academy Foundation Interviews. The full interview was available at Television

0:29:01.320 --> 0:29:05.000
<v Speaker 1>Academy dot com slash Interviews. Our show is mixed by

0:29:05.080 --> 0:29:08.520
<v Speaker 1>Rick Kwan, music by Blue Dot Sessions and Alison Layton Brown.

0:29:08.960 --> 0:29:11.680
<v Speaker 1>If you like what you're hearing, rate the show, review

0:29:11.720 --> 0:29:15.440
<v Speaker 1>the show and tell a friend I'm Carvel Wallace. Thanks

0:29:15.440 --> 0:29:33.320
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