1 00:00:10,320 --> 00:00:12,760 Speaker 1: What's up y'all is your girls Ray and the Call 2 00:00:13,000 --> 00:00:15,960 Speaker 1: and LYXP from Poor Minds. And we're here with our 3 00:00:15,960 --> 00:00:19,960 Speaker 1: brother DC from eighty five South Show. And we're here 4 00:00:20,000 --> 00:00:24,280 Speaker 1: at Dreamville twenty twenty five at Backwoods backstage. And y'all 5 00:00:24,320 --> 00:00:27,560 Speaker 1: know I'm from Houston, so I'm always excited to talk 6 00:00:27,600 --> 00:00:30,800 Speaker 1: to a fellow Texan. So we got big X, the 7 00:00:30,880 --> 00:00:32,280 Speaker 1: plug on the couch. 8 00:00:33,720 --> 00:00:37,640 Speaker 2: Jury now, yeah, we gotta get here. Yes, how you 9 00:00:37,680 --> 00:00:38,839 Speaker 2: doing today? Yeah? 10 00:00:39,080 --> 00:00:40,360 Speaker 3: But I'm blessed. I can't complain. 11 00:00:40,560 --> 00:00:44,040 Speaker 2: Yeah. Yeah, So you just dropped a fire fire single. 12 00:00:44,120 --> 00:00:44,479 Speaker 3: Okay. 13 00:00:44,640 --> 00:00:47,360 Speaker 2: I grew up on Shanna Twain and Dixie Chicken Height 14 00:00:47,520 --> 00:00:50,680 Speaker 2: know this? So what made you go country with all 15 00:00:50,720 --> 00:00:51,400 Speaker 2: the way? 16 00:00:51,840 --> 00:00:52,080 Speaker 3: For me? 17 00:00:52,159 --> 00:00:54,960 Speaker 4: I think it was just more of showing, like just 18 00:00:55,040 --> 00:00:58,480 Speaker 4: my artistry. Like in this industry they like to put 19 00:00:58,520 --> 00:01:01,360 Speaker 4: a old you saying like this, so you hip hop, 20 00:01:01,600 --> 00:01:03,600 Speaker 4: you sayd like this, so your R and B. So 21 00:01:03,680 --> 00:01:05,440 Speaker 4: I just felt like, what not showing them I can 22 00:01:05,480 --> 00:01:08,360 Speaker 4: sound like this is do all the motherfuckers. 23 00:01:07,880 --> 00:01:08,720 Speaker 3: Went graves on it. 24 00:01:08,920 --> 00:01:10,679 Speaker 5: Now you're down here in Dreamville, man, This is a 25 00:01:10,680 --> 00:01:12,840 Speaker 5: big festival, man, So how I feel to be down 26 00:01:12,880 --> 00:01:13,680 Speaker 5: here in Dreamville? 27 00:01:13,680 --> 00:01:13,800 Speaker 3: Man? 28 00:01:13,800 --> 00:01:15,360 Speaker 5: You know what I'm saying, perform in front of what 29 00:01:15,440 --> 00:01:17,039 Speaker 5: twenty thirty thousand people out there? 30 00:01:17,480 --> 00:01:24,720 Speaker 3: Deep First off, the Carolina Yeah, love them, yeah, the people, 31 00:01:24,760 --> 00:01:27,479 Speaker 3: the women. I love it out here. Man. 32 00:01:27,520 --> 00:01:29,600 Speaker 4: It's like I feel like I've been in Houston a lot, 33 00:01:30,200 --> 00:01:31,600 Speaker 4: but I think this is like a second. 34 00:01:31,360 --> 00:01:32,440 Speaker 3: Hand mind like that. 35 00:01:32,640 --> 00:01:34,839 Speaker 4: Right, Every tithing of my here is just love every time, 36 00:01:34,920 --> 00:01:38,360 Speaker 4: from from the from the artists, from the regular people 37 00:01:38,440 --> 00:01:38,720 Speaker 4: to it. 38 00:01:38,959 --> 00:01:40,200 Speaker 3: It's just always a good time right. 39 00:01:40,160 --> 00:01:43,760 Speaker 4: Here for surerect this this is this event, man, it's 40 00:01:43,800 --> 00:01:46,400 Speaker 4: just like I said, it's just another blessing, like to 41 00:01:46,400 --> 00:01:48,560 Speaker 4: to do it and too just to see the people reaction. 42 00:01:48,680 --> 00:01:50,480 Speaker 3: You know what I'm saying. It's it's a blessing. 43 00:01:50,800 --> 00:01:53,840 Speaker 2: Yes, sir, we gonna do a little trivial with you 44 00:01:53,960 --> 00:01:56,320 Speaker 2: real quick. Let's see it. 45 00:01:56,600 --> 00:01:58,160 Speaker 3: Let's here we go. 46 00:02:00,040 --> 00:02:00,680 Speaker 5: Ain't that crazy? 47 00:02:02,600 --> 00:02:03,720 Speaker 3: Oh damn? 48 00:02:06,400 --> 00:02:07,040 Speaker 1: Got what got? 49 00:02:07,440 --> 00:02:08,760 Speaker 3: I ain't got no truth to that question. 50 00:02:10,000 --> 00:02:10,800 Speaker 5: I ain't got nothing. 51 00:02:11,560 --> 00:02:13,000 Speaker 2: Let me see do we have any here? 52 00:02:13,200 --> 00:02:14,400 Speaker 3: Ain't okay? 53 00:02:14,440 --> 00:02:16,120 Speaker 2: You know what? Spend it again? Spending again. We don't 54 00:02:16,120 --> 00:02:17,079 Speaker 2: gonna do truth to devise. 55 00:02:17,080 --> 00:02:17,880 Speaker 3: We ain't got no truth to that. 56 00:02:18,040 --> 00:02:19,920 Speaker 2: We don't got no truth to that freaking cash it 57 00:02:20,080 --> 00:02:27,120 Speaker 2: see see Oh it's Larry. Are you good at lyrics? 58 00:02:27,240 --> 00:02:28,480 Speaker 2: Are you a karaoke star? 59 00:02:29,000 --> 00:02:32,400 Speaker 3: Depend? Depend on what is all right? All right? All right? 60 00:02:32,800 --> 00:02:34,120 Speaker 2: Give him some good Drea. 61 00:02:35,240 --> 00:02:36,679 Speaker 3: Okay, I'm trying to find it. 62 00:02:37,240 --> 00:02:43,560 Speaker 2: Okay, I'm gonna give you something easy. I got go ahead. 63 00:02:47,240 --> 00:02:48,359 Speaker 2: I'm a savage. 64 00:02:53,200 --> 00:02:58,119 Speaker 3: Look, I'm right for the rest. That was good thinking 65 00:02:58,120 --> 00:03:10,720 Speaker 3: about webbing. I'm listen. I love Megan, I love I 66 00:03:10,720 --> 00:03:12,320 Speaker 3: love all the women doing the thinking the industry. 67 00:03:13,639 --> 00:03:16,600 Speaker 2: Yeah, I'm not lie. Like when you came on the scene, 68 00:03:16,880 --> 00:03:19,960 Speaker 2: it was very refreshing. Like your voice is unique, your 69 00:03:20,040 --> 00:03:23,880 Speaker 2: sound is unique. You pick the best samples, and I 70 00:03:23,919 --> 00:03:25,720 Speaker 2: know right now a lot of people are like, oh 71 00:03:25,800 --> 00:03:27,840 Speaker 2: my god, sampling is overdone, But I think it's an 72 00:03:27,960 --> 00:03:30,680 Speaker 2: art to pick and sample. What's the process when you 73 00:03:30,800 --> 00:03:32,360 Speaker 2: choose a song that you want to sample? 74 00:03:32,760 --> 00:03:35,000 Speaker 4: I mean, with everything I make, you just gotta you 75 00:03:35,000 --> 00:03:37,000 Speaker 4: gotta feel my soul. Yeah, what I'm saying, So if 76 00:03:37,000 --> 00:03:38,480 Speaker 4: I feel it in my soul, and then it's like 77 00:03:38,480 --> 00:03:41,360 Speaker 4: my me and my producers shut up being played Tony CODs. 78 00:03:41,920 --> 00:03:44,520 Speaker 4: We've been working so long now it's like we got 79 00:03:44,520 --> 00:03:45,200 Speaker 4: the same soul. 80 00:03:45,520 --> 00:03:45,880 Speaker 3: I'm saying. 81 00:03:45,920 --> 00:03:48,840 Speaker 4: So whenever they're making the beat and they feel it. 82 00:03:48,840 --> 00:03:50,600 Speaker 4: It's like they already know. That's why we don't. We 83 00:03:50,960 --> 00:03:57,760 Speaker 4: don't miss you know, we don't miss yeah twines. 84 00:03:58,600 --> 00:04:01,440 Speaker 2: So I know people blowing up your line you don't 85 00:04:01,480 --> 00:04:03,600 Speaker 2: want to work with you, But who is on your 86 00:04:03,640 --> 00:04:05,240 Speaker 2: wish list of somebody you want to work with? 87 00:04:06,440 --> 00:04:06,600 Speaker 5: Uh? 88 00:04:08,400 --> 00:04:10,839 Speaker 4: It's crazy. I've never been like one of those. Oh 89 00:04:11,040 --> 00:04:12,480 Speaker 4: I want to do it, you know what I'm saying 90 00:04:12,560 --> 00:04:15,600 Speaker 4: something with this person. But I mean I feel like 91 00:04:15,720 --> 00:04:20,160 Speaker 4: the obvious, like the Drakes, the Waynes, all the ogs 92 00:04:20,200 --> 00:04:22,640 Speaker 4: on the top dollars right now got. 93 00:04:22,440 --> 00:04:26,560 Speaker 5: To you, especially when they reach out. 94 00:04:26,760 --> 00:04:32,279 Speaker 3: What Yeah, I'm talking about Snoop Dog here Snoopy watching 95 00:04:32,360 --> 00:04:41,279 Speaker 3: not Uncle Snoop. We're gonna we're gonna roll bigger backwoods. Uh, 96 00:04:42,640 --> 00:04:44,520 Speaker 3: and we're gonna get with men. 97 00:04:44,640 --> 00:04:46,239 Speaker 5: Get him about. 98 00:04:47,600 --> 00:04:47,720 Speaker 3: This. 99 00:04:48,120 --> 00:04:50,679 Speaker 4: Look, since you listen, I got a cousin right here smoke, 100 00:04:50,720 --> 00:04:53,000 Speaker 4: he'll drink, he'll do men, he said. The only time 101 00:04:53,040 --> 00:04:55,599 Speaker 4: he ever gonna pick up any type of marijuana is 102 00:04:55,600 --> 00:04:56,880 Speaker 4: if it's other Snoop. 103 00:04:59,560 --> 00:04:59,800 Speaker 3: Snoop. 104 00:04:59,839 --> 00:05:03,440 Speaker 5: He you got a jump of that track, added roll session. 105 00:05:04,880 --> 00:05:05,760 Speaker 3: Man, We appreciate you. 106 00:05:05,839 --> 00:05:10,479 Speaker 5: Bropiate anytime, man, anytime you got something coming out man 107 00:05:10,520 --> 00:05:12,800 Speaker 5: what Poor Mine eighty five sour we got your back, brother, 108 00:05:12,920 --> 00:05:18,760 Speaker 5: No for sure, Well they ain't have it man Batwood backstage, 109 00:05:18,800 --> 00:05:22,240 Speaker 5: Poor Mine, DC, Young Flizzle, your dead big ext plug. 110 00:05:22,320 --> 00:05:23,280 Speaker 3: You know what's having hot