1 00:00:00,480 --> 00:00:02,560 Speaker 1: Wake that ass up in the morning. 2 00:00:02,720 --> 00:00:04,040 Speaker 2: The Breakfast Club. 3 00:00:05,240 --> 00:00:09,160 Speaker 3: Morning, everybody is stee j Envy, Jess hilarious, Charlamage, the guy. 4 00:00:09,240 --> 00:00:11,640 Speaker 3: We are the Breakfast Club. We got a special guest 5 00:00:11,680 --> 00:00:12,400 Speaker 3: in the buildings. 6 00:00:12,440 --> 00:00:16,840 Speaker 4: Indeed, the brother tank something when you know what I'm 7 00:00:16,840 --> 00:00:19,160 Speaker 4: in here, man, look at young every time we see you. 8 00:00:19,400 --> 00:00:22,560 Speaker 5: Yeah, yeah, that's I use a good exfoliant. You know 9 00:00:22,600 --> 00:00:23,080 Speaker 5: what I'm saying. 10 00:00:23,480 --> 00:00:25,160 Speaker 6: What's your routine in the morning. You got a face 11 00:00:25,239 --> 00:00:25,960 Speaker 6: routine in the morning. 12 00:00:27,000 --> 00:00:29,560 Speaker 5: Well, I use my my wife's you know, beauty tools 13 00:00:29,560 --> 00:00:32,000 Speaker 5: and stuff. You know what I'm saying, Xena Foster beauty. 14 00:00:32,440 --> 00:00:35,120 Speaker 5: Get over there. Got to get you, gotta get you. Yeah, 15 00:00:35,280 --> 00:00:37,800 Speaker 5: I get you right. But that's about it. You know 16 00:00:37,840 --> 00:00:38,280 Speaker 5: what I'm saying. 17 00:00:38,280 --> 00:00:39,440 Speaker 6: A little dove there you go. 18 00:00:39,600 --> 00:00:41,440 Speaker 5: You know what I'm saying. I keep it clean. 19 00:00:41,520 --> 00:00:44,920 Speaker 3: Take always happy every time you see Okay, wherever you 20 00:00:44,960 --> 00:00:47,000 Speaker 3: see take if it's a club, if it's out in 21 00:00:47,000 --> 00:00:49,519 Speaker 3: the streets, happy in. 22 00:00:49,520 --> 00:00:50,000 Speaker 1: A good move. 23 00:00:50,120 --> 00:00:52,720 Speaker 5: Listen, she's apparently been listening to my music, So I 24 00:00:52,760 --> 00:00:53,720 Speaker 5: feel good about that. 25 00:00:55,800 --> 00:01:05,640 Speaker 4: Take them just somebody been in there, didn't get out. 26 00:01:07,720 --> 00:01:09,200 Speaker 2: This is serious. 27 00:01:11,440 --> 00:01:13,720 Speaker 5: That's really awesome. I'm really happy for you. 28 00:01:13,760 --> 00:01:15,280 Speaker 6: Do you make your movie, I mean, you make your 29 00:01:15,319 --> 00:01:16,800 Speaker 6: music for those those moments. 30 00:01:18,160 --> 00:01:21,360 Speaker 5: Yeah, yeah, that's I mean that was kind of a 31 00:01:21,400 --> 00:01:24,960 Speaker 5: point in the beginning. You know, like everything we do 32 00:01:25,120 --> 00:01:29,600 Speaker 5: is for the attention of a woman or women for 33 00:01:29,680 --> 00:01:31,440 Speaker 5: that matter, depending on how you play it, you know 34 00:01:31,480 --> 00:01:34,400 Speaker 5: what I'm saying. So for me musically, like, I want 35 00:01:34,400 --> 00:01:37,440 Speaker 5: to be connected to as many of those moments as 36 00:01:37,600 --> 00:01:41,399 Speaker 5: humanly possible. I want to be responsible for bringing life 37 00:01:42,040 --> 00:01:42,920 Speaker 5: into the universe. 38 00:01:43,040 --> 00:01:45,960 Speaker 6: People come up to you and said that the club. 39 00:01:45,760 --> 00:01:50,960 Speaker 5: I've met the kids, Yeah, no, I was born because 40 00:01:51,200 --> 00:01:53,240 Speaker 5: I've met I'm that old now, you know what I'm 41 00:01:53,240 --> 00:01:58,000 Speaker 5: saying to where I've met the children the offspring of 42 00:01:58,040 --> 00:02:00,520 Speaker 5: my music. So I'm really out of that. 43 00:02:00,560 --> 00:02:03,840 Speaker 3: Absolutely, I see it feels like R and B, especially 44 00:02:03,920 --> 00:02:06,880 Speaker 3: the nineties two thousands, R and B has picked up 45 00:02:06,920 --> 00:02:07,440 Speaker 3: a lot more. 46 00:02:07,480 --> 00:02:08,520 Speaker 1: Have you noticed that as well? 47 00:02:08,639 --> 00:02:14,960 Speaker 5: Absolutely, the feeling a right, it's the feeling of it 48 00:02:14,440 --> 00:02:18,480 Speaker 5: is what's back people want to and it's what's crazy 49 00:02:18,560 --> 00:02:20,520 Speaker 5: is that. Of course, I give credit to the women 50 00:02:20,680 --> 00:02:24,320 Speaker 5: for keeping R and B in the mainstream conversation, right, 51 00:02:24,400 --> 00:02:27,640 Speaker 5: they have been kicking ass and taking names, right, But 52 00:02:28,320 --> 00:02:31,799 Speaker 5: I gotta give some credit to hip hop to the 53 00:02:31,919 --> 00:02:37,400 Speaker 5: sampling of all of this old R and B that 54 00:02:37,440 --> 00:02:40,240 Speaker 5: they've been bringing back to the forefront and making people 55 00:02:40,280 --> 00:02:43,919 Speaker 5: take a deep dive into what those samples are and 56 00:02:43,960 --> 00:02:47,480 Speaker 5: rediscovering the original feelings and now desiring those things. 57 00:02:47,480 --> 00:02:49,760 Speaker 6: Give me some examples. 58 00:02:49,840 --> 00:02:56,399 Speaker 5: Shit so much. I was just listening to Doja cat 59 00:02:56,480 --> 00:03:00,040 Speaker 5: those did. She just had record record with the T 60 00:03:00,040 --> 00:03:02,680 Speaker 5: Troop record. I mean it originally Michael Jackson five, but 61 00:03:03,000 --> 00:03:08,360 Speaker 5: I was like, remember the first time you heard true 62 00:03:08,680 --> 00:03:11,600 Speaker 5: shout out to Little Steve and and like Chucky Booker 63 00:03:11,639 --> 00:03:14,480 Speaker 5: and them, like the type of production you don't even 64 00:03:14,520 --> 00:03:17,079 Speaker 5: do that no more. So you have to actually outsource 65 00:03:17,120 --> 00:03:20,120 Speaker 5: it by going to the crates you know what I'm saying, 66 00:03:20,240 --> 00:03:22,880 Speaker 5: and bringing that feeling back and and they don't know 67 00:03:22,919 --> 00:03:26,160 Speaker 5: why it's connecting. We know because we were there, but 68 00:03:26,639 --> 00:03:30,560 Speaker 5: it's it's something about that frequency. It just makes you 69 00:03:30,639 --> 00:03:31,560 Speaker 5: feel good. 70 00:03:32,200 --> 00:03:35,400 Speaker 7: When you like, like your first you did it with yourself, 71 00:03:35,440 --> 00:03:39,760 Speaker 7: with your own music, you recreated I Deserve And was 72 00:03:39,760 --> 00:03:41,920 Speaker 7: it you recreated? 73 00:03:42,640 --> 00:03:45,400 Speaker 5: I did a well one of my own I Deserve. 74 00:03:45,520 --> 00:03:47,160 Speaker 5: I was like, let me sample it for somebody else, 75 00:03:47,160 --> 00:03:49,160 Speaker 5: sample it because they're gonna take all the money. 76 00:03:49,920 --> 00:03:52,360 Speaker 8: Then and then I know it was Night One that 77 00:03:52,400 --> 00:03:52,840 Speaker 8: you did. 78 00:03:52,800 --> 00:03:57,160 Speaker 5: You okay, it was Brian originally Michelle and Decrichello, you 79 00:03:57,200 --> 00:04:00,320 Speaker 5: know what I'm saying. So there there was and I 80 00:04:00,360 --> 00:04:01,720 Speaker 5: was like, you know what, I might as well get 81 00:04:01,720 --> 00:04:04,200 Speaker 5: in on this too, because we rarely do that. And 82 00:04:04,240 --> 00:04:06,080 Speaker 5: I was like, let me just tap into some old 83 00:04:06,120 --> 00:04:07,600 Speaker 5: and of course bribe me to Night you know, one 84 00:04:07,640 --> 00:04:10,360 Speaker 5: of my inspirations growing up, and Michelle and dego Cello 85 00:04:10,440 --> 00:04:13,000 Speaker 5: is absolutely one of my favorites. So I just had 86 00:04:13,040 --> 00:04:13,600 Speaker 5: to get some of that. 87 00:04:13,800 --> 00:04:15,000 Speaker 4: I was gonna ask you, man. That was one of 88 00:04:15,000 --> 00:04:16,760 Speaker 4: my questions I have for you. Is R and B 89 00:04:16,960 --> 00:04:18,960 Speaker 4: music a sound or a feeling? 90 00:04:19,560 --> 00:04:26,800 Speaker 5: It's both. It's both because it's like the feeling is 91 00:04:26,920 --> 00:04:30,960 Speaker 5: express through the sounds, you know what I mean? Like 92 00:04:31,080 --> 00:04:35,279 Speaker 5: you like think about like Davante, like how was he 93 00:04:35,520 --> 00:04:38,760 Speaker 5: feeling when he made that when they were making Joe 94 00:04:38,800 --> 00:04:41,760 Speaker 5: to Sy music? Like what was he on? You know 95 00:04:41,800 --> 00:04:45,039 Speaker 5: what I'm saying? He when? When? When when Casey says, 96 00:04:45,160 --> 00:04:49,719 Speaker 5: take my mother Jesus Christ, my house and my house 97 00:04:49,800 --> 00:04:50,600 Speaker 5: and my car. 98 00:04:53,279 --> 00:04:57,120 Speaker 8: You okay, let him work, let him work. 99 00:04:57,200 --> 00:05:01,200 Speaker 5: You gotta you gotta mean that in order for it 100 00:05:01,320 --> 00:05:06,200 Speaker 5: to resonate, like like, yes, you can take my money, 101 00:05:06,240 --> 00:05:09,039 Speaker 5: my house, in my car for one hit of you. 102 00:05:09,200 --> 00:05:13,080 Speaker 5: I mean them to this day, to this day. I 103 00:05:13,200 --> 00:05:14,160 Speaker 5: mean now, but you. 104 00:05:14,080 --> 00:05:17,039 Speaker 1: Don't hear that now out of that soul and that 105 00:05:17,200 --> 00:05:18,719 Speaker 1: feeling was. 106 00:05:18,720 --> 00:05:20,560 Speaker 6: A slick way you're telling somebody, I'll give you the world. 107 00:05:21,000 --> 00:05:24,839 Speaker 5: Yeah. Yeah, but we moved into this, you know, we 108 00:05:25,040 --> 00:05:28,760 Speaker 5: moved into this kind of you know, samp and all 109 00:05:28,800 --> 00:05:33,000 Speaker 5: of these things. When it comes to taking care of women. 110 00:05:35,200 --> 00:05:37,720 Speaker 5: I just think that men are just they've they've been 111 00:05:37,800 --> 00:05:40,880 Speaker 5: programmed to not be vulnerable. You know what I'm saying. 112 00:05:40,920 --> 00:05:45,320 Speaker 5: They've been programmed to not to not cater. I don't 113 00:05:45,360 --> 00:05:48,000 Speaker 5: know who started that. You know what I'm saying. It 114 00:05:48,040 --> 00:05:50,360 Speaker 5: ain't pimping, It ain't player, you know what I'm saying, 115 00:05:50,360 --> 00:05:52,080 Speaker 5: because all the pems on the players. I grew up 116 00:05:52,680 --> 00:05:54,960 Speaker 5: watching taking care that they women. 117 00:05:55,200 --> 00:05:58,080 Speaker 3: But where did it end? Like what era did it end? 118 00:05:58,120 --> 00:06:01,840 Speaker 3: Because even early Trees was singing his ass off to 119 00:06:01,880 --> 00:06:03,240 Speaker 3: the women, expressing his love. 120 00:06:03,320 --> 00:06:05,279 Speaker 4: I think it was when the RB singers started wanting 121 00:06:05,320 --> 00:06:08,240 Speaker 4: to be rappers, and when a lot of these RB 122 00:06:08,360 --> 00:06:11,680 Speaker 4: singers probably started having sex with. 123 00:06:12,120 --> 00:06:17,120 Speaker 8: I think it's exactly what said, guys are all right, 124 00:06:18,760 --> 00:06:21,360 Speaker 8: But I'm trying to go over there. What you say, 125 00:06:21,640 --> 00:06:22,279 Speaker 8: say it again. 126 00:06:22,120 --> 00:06:23,640 Speaker 6: That's what I think what it was, Say it again. 127 00:06:23,800 --> 00:06:26,159 Speaker 4: I think when the ARMB singers started wanting to be 128 00:06:26,279 --> 00:06:29,120 Speaker 4: rappers and a lot of the RMB singers started sleeping 129 00:06:29,600 --> 00:06:32,880 Speaker 4: with the rapper, I don't even know what that means, 130 00:06:33,120 --> 00:06:35,000 Speaker 4: not saying that, not saying that a man can't make 131 00:06:35,080 --> 00:06:37,200 Speaker 4: songs about another man and it's still be a love song, 132 00:06:37,920 --> 00:06:40,000 Speaker 4: just saying I think that they started loving on each 133 00:06:40,040 --> 00:06:41,839 Speaker 4: other so much that they really was on some f 134 00:06:41,880 --> 00:06:42,560 Speaker 4: the women stuff. 135 00:06:43,080 --> 00:06:45,000 Speaker 1: Yeah, and I think I could have seen tang faces 136 00:06:45,000 --> 00:06:45,760 Speaker 1: like the no. 137 00:06:45,920 --> 00:06:49,039 Speaker 5: But I also think that you know, you know, with 138 00:06:49,040 --> 00:06:51,800 Speaker 5: with the with the wanting to be with With hip 139 00:06:51,839 --> 00:06:57,040 Speaker 5: hop's emergence, right, it became this really cool thing that 140 00:06:57,200 --> 00:07:00,719 Speaker 5: was taking over everything the airwaves, radio, of the clubs 141 00:07:00,760 --> 00:07:03,320 Speaker 5: and all of that. And so as R and B 142 00:07:03,520 --> 00:07:06,400 Speaker 5: artists getting left behind, we're trying to figure out how 143 00:07:06,440 --> 00:07:09,760 Speaker 5: to compete and stay relevant. And so you in the 144 00:07:09,800 --> 00:07:13,400 Speaker 5: club and you you know, you're decently hot artist, but 145 00:07:13,440 --> 00:07:15,680 Speaker 5: none of your songs are being played in here. And 146 00:07:15,760 --> 00:07:18,520 Speaker 5: all the songs are about bottles, and they're about cars, 147 00:07:18,560 --> 00:07:22,040 Speaker 5: and they're about money and it's about it's not about women, 148 00:07:22,080 --> 00:07:25,360 Speaker 5: it's about bitches, and so it's like, shit, I got 149 00:07:25,360 --> 00:07:28,280 Speaker 5: to incorporate some of this into my music if I'm 150 00:07:28,320 --> 00:07:32,880 Speaker 5: going to survive in this new landscape. And so as 151 00:07:33,840 --> 00:07:35,800 Speaker 5: we took that turn, or as R and B took 152 00:07:35,840 --> 00:07:38,000 Speaker 5: that turn and never found its balance. 153 00:07:38,440 --> 00:07:39,720 Speaker 6: I think it's the DJ fault. 154 00:07:40,520 --> 00:07:42,160 Speaker 4: And I tell you why, because there used to be 155 00:07:42,200 --> 00:07:44,640 Speaker 4: a time when we was growing up in the clubs, 156 00:07:44,800 --> 00:07:46,960 Speaker 4: there would be a moment where the slow songs played. 157 00:07:47,040 --> 00:07:47,280 Speaker 6: Yeah. 158 00:07:47,280 --> 00:07:49,840 Speaker 4: Absolutely, but regardless, y'all don't turn down there everybody be 159 00:07:49,880 --> 00:07:50,760 Speaker 4: on too much drugs. 160 00:07:50,880 --> 00:07:53,480 Speaker 3: Well yeah, I mean there was a time, and usually 161 00:07:53,520 --> 00:07:54,680 Speaker 3: it was at the end of the party. But now 162 00:07:54,920 --> 00:07:56,200 Speaker 3: it comes back. Now I have a set in the 163 00:07:56,200 --> 00:07:59,120 Speaker 3: middle of my party where I play R and B music. 164 00:07:59,160 --> 00:08:01,080 Speaker 3: In this set, that's usually the biggest part of it 165 00:08:01,080 --> 00:08:03,720 Speaker 3: because people are singing. They feel that that how it 166 00:08:03,760 --> 00:08:05,440 Speaker 3: felt to be during that time. 167 00:08:05,520 --> 00:08:07,320 Speaker 1: So it does go back. I would say that, but 168 00:08:07,840 --> 00:08:08,640 Speaker 1: I just feel like it. 169 00:08:08,840 --> 00:08:11,440 Speaker 3: Doesn't make it cool anymore. Somebody talks about singing in 170 00:08:11,440 --> 00:08:14,160 Speaker 3: the rain anymore, or talking about the girl hurt their feelings. 171 00:08:14,160 --> 00:08:15,880 Speaker 3: Like I was listening to the Boys the Men record 172 00:08:16,120 --> 00:08:17,679 Speaker 3: and he was telling this girl cheated. 173 00:08:17,720 --> 00:08:19,560 Speaker 1: He was like, it's okay, baby, I just want you back. 174 00:08:19,680 --> 00:08:20,400 Speaker 8: I just didn't care. 175 00:08:20,520 --> 00:08:21,000 Speaker 5: I just didn't. 176 00:08:22,120 --> 00:08:23,840 Speaker 1: But if somebody did that now, they'd be like, look 177 00:08:23,880 --> 00:08:24,680 Speaker 1: at this simp ass. 178 00:08:24,800 --> 00:08:27,920 Speaker 5: You know what I mean. I listen, I still do it. 179 00:08:28,120 --> 00:08:28,720 Speaker 5: I don't care. 180 00:08:29,000 --> 00:08:30,080 Speaker 6: He still what simple? 181 00:08:31,440 --> 00:08:35,880 Speaker 5: If that's what they want to call it, mad if 182 00:08:35,880 --> 00:08:37,720 Speaker 5: I wasn't married, that's That's still. 183 00:08:37,600 --> 00:08:39,560 Speaker 7: What I'm gonna be on, showing that she can be 184 00:08:39,600 --> 00:08:41,719 Speaker 7: vulnerable as a man, like you know, you open it 185 00:08:41,800 --> 00:08:42,960 Speaker 7: up and then I'm. 186 00:08:42,800 --> 00:08:44,600 Speaker 8: Telling you I don't care. That's what I guess. 187 00:08:44,600 --> 00:08:45,880 Speaker 7: I can speak for me, but I can speak for 188 00:08:45,920 --> 00:08:48,240 Speaker 7: a lot of women too, Like that is attractive when 189 00:08:48,280 --> 00:08:52,080 Speaker 7: a man is not only just thinking bottles bitches. 190 00:08:52,160 --> 00:08:53,120 Speaker 8: Yeah, that's what I'm gonna do. 191 00:08:53,520 --> 00:08:55,920 Speaker 7: No, it's you guys speak to my soul and music 192 00:08:55,960 --> 00:08:59,160 Speaker 7: and some like a lot of older R and B 193 00:08:59,320 --> 00:09:00,480 Speaker 7: does that for me. 194 00:09:00,880 --> 00:09:02,120 Speaker 8: I don't hear today. 195 00:09:02,160 --> 00:09:04,280 Speaker 5: But yeah, I don't subscribe to any of that stuff. 196 00:09:04,559 --> 00:09:07,320 Speaker 5: I don't care. I don't care what they do or 197 00:09:07,360 --> 00:09:10,880 Speaker 5: how the tables turn. I do the R and B 198 00:09:11,000 --> 00:09:12,719 Speaker 5: that I love that I fell in love with. You 199 00:09:12,760 --> 00:09:17,040 Speaker 5: know what I'm saying, I watched my older uncles and everybody. 200 00:09:17,080 --> 00:09:19,920 Speaker 5: I still follow their model and I and my job. 201 00:09:20,360 --> 00:09:27,760 Speaker 5: I'm responsible for maintaining the line to where we treasure 202 00:09:27,960 --> 00:09:29,880 Speaker 5: and we cater and we take care of our women. 203 00:09:30,120 --> 00:09:30,400 Speaker 6: That's it. 204 00:09:30,559 --> 00:09:32,320 Speaker 4: And the other thing too. I think the art of 205 00:09:32,480 --> 00:09:35,160 Speaker 4: love making is gone. Like if you listen to you, 206 00:09:35,559 --> 00:09:37,000 Speaker 4: if you listen to like that that you and Jay 207 00:09:37,080 --> 00:09:40,440 Speaker 4: Valentine did and that song slow yeah, you have had 208 00:09:40,480 --> 00:09:45,840 Speaker 4: to have made love in order to truly appreciate that record. 209 00:09:46,440 --> 00:09:52,000 Speaker 4: You no, my face, that's my type of view. 210 00:09:56,760 --> 00:09:59,000 Speaker 2: You have to be listen. 211 00:10:00,480 --> 00:10:03,280 Speaker 5: Men, I want to say this, I want to put 212 00:10:03,320 --> 00:10:05,840 Speaker 5: this out there, and I'm gonna say this. I'm gonna 213 00:10:05,880 --> 00:10:08,080 Speaker 5: say this this way and then we'll and then we'll 214 00:10:08,120 --> 00:10:11,400 Speaker 5: fix it up later. You have to fall back in 215 00:10:11,679 --> 00:10:17,280 Speaker 5: love with pussy. You have to fall back in love 216 00:10:17,480 --> 00:10:20,320 Speaker 5: with the idea. Now let's clean up of making love 217 00:10:20,720 --> 00:10:29,560 Speaker 5: to a woman and and doing it at a high level. 218 00:10:30,360 --> 00:10:35,679 Speaker 5: You have to you have to study a woman. You 219 00:10:35,760 --> 00:10:40,040 Speaker 5: have to ask questions, You have to learn her body 220 00:10:40,400 --> 00:10:45,840 Speaker 5: in order to do this thing the right way. Every 221 00:10:46,000 --> 00:10:49,640 Speaker 5: key does not start. One key doesn't started your cards, right. 222 00:10:52,000 --> 00:10:57,400 Speaker 5: You got to be curious about that thing, right, and 223 00:10:57,880 --> 00:11:01,240 Speaker 5: outside of the curiosity, you have to have an infinity 224 00:11:01,360 --> 00:11:04,120 Speaker 5: for it. You got to have a love for it. 225 00:11:04,559 --> 00:11:10,960 Speaker 5: Enjoy sit it on my face. That's my type of Yes. 226 00:11:11,720 --> 00:11:12,240 Speaker 6: Can I swim? 227 00:11:12,760 --> 00:11:13,559 Speaker 2: Can I swim? 228 00:11:15,600 --> 00:11:19,679 Speaker 8: Come on now about him? 229 00:11:22,440 --> 00:11:24,240 Speaker 6: Don't do it to finish, do it because you love it. 230 00:11:24,440 --> 00:11:25,560 Speaker 2: Listen, listen. 231 00:11:25,640 --> 00:11:29,680 Speaker 5: My wife will tell you just eat it and beat it. 232 00:11:34,400 --> 00:11:35,920 Speaker 2: Talk at a high level. 233 00:11:37,480 --> 00:11:37,680 Speaker 5: Right. 234 00:11:38,760 --> 00:11:40,559 Speaker 2: I treat her like she knew. 235 00:11:42,200 --> 00:11:46,480 Speaker 6: Talking about talk about it. That ain't no about your wife. 236 00:11:47,040 --> 00:11:58,560 Speaker 5: Were facing each other, he was, I don't care when 237 00:11:58,559 --> 00:12:01,160 Speaker 5: I'm you in the I don't care what no other. 238 00:12:01,120 --> 00:12:01,959 Speaker 2: Niggas is doing. 239 00:12:02,400 --> 00:12:03,240 Speaker 5: Right. 240 00:12:04,040 --> 00:12:04,640 Speaker 2: It's listen. 241 00:12:04,760 --> 00:12:06,800 Speaker 5: When we used to be in the club with Jamie Fox, 242 00:12:07,000 --> 00:12:09,320 Speaker 5: and Fox will look around in it sex way. It's 243 00:12:09,320 --> 00:12:14,319 Speaker 5: too many dudes in here. Y'all gotta move. That's where 244 00:12:14,320 --> 00:12:18,679 Speaker 5: I'm from. What are women at That's my. 245 00:12:18,720 --> 00:12:21,959 Speaker 6: Focus And that's not a disc that's just the truth is. 246 00:12:22,120 --> 00:12:23,839 Speaker 5: That's why I got all this nice ship on man 247 00:12:24,640 --> 00:12:25,319 Speaker 5: R and B singers. 248 00:12:25,320 --> 00:12:28,760 Speaker 6: I would assume their muse is women at all times. 249 00:12:28,840 --> 00:12:33,040 Speaker 5: That's the point. That is the point to to have 250 00:12:33,160 --> 00:12:37,520 Speaker 5: some type of spiritual or physical connection with a woman. 251 00:12:38,280 --> 00:12:40,840 Speaker 8: So that's what we're getting in the vault. That's what 252 00:12:40,920 --> 00:12:42,000 Speaker 8: we're getting. 253 00:12:42,440 --> 00:12:45,600 Speaker 5: More of that, more of that feeling. The shout out 254 00:12:45,640 --> 00:12:51,000 Speaker 5: to fab fabulous is when I say stand up brother, absolutely, man, 255 00:12:51,120 --> 00:12:54,600 Speaker 5: I mean pulled up for me, not just on the song. 256 00:12:54,760 --> 00:12:56,840 Speaker 5: And you know sometimes you know, when you're dealing with 257 00:12:56,880 --> 00:13:00,400 Speaker 5: a an artist, you know, with the magnitude of fat like, 258 00:13:01,080 --> 00:13:02,960 Speaker 5: it can take you a good four to six months 259 00:13:02,960 --> 00:13:07,120 Speaker 5: to get that feature. He's moving, he's a dobby, he's 260 00:13:07,200 --> 00:13:09,559 Speaker 5: moving around. This man said, I got you. As soon 261 00:13:09,600 --> 00:13:11,000 Speaker 5: as I get back, I'll be back in the week 262 00:13:11,000 --> 00:13:12,880 Speaker 5: and a half, two weeks. I got you not only 263 00:13:13,000 --> 00:13:15,360 Speaker 5: knocked ou out? Said when's the video when we shoot cool? 264 00:13:15,400 --> 00:13:17,720 Speaker 5: I'm on the way. Then said man, we're the assets, 265 00:13:17,720 --> 00:13:19,040 Speaker 5: so I can promote like. 266 00:13:21,040 --> 00:13:22,040 Speaker 6: Come from a different generation. 267 00:13:22,760 --> 00:13:25,480 Speaker 5: But he's still fab you know what I'm saying. And 268 00:13:25,520 --> 00:13:28,199 Speaker 5: so your access to him, regardless of how cool you are, 269 00:13:28,240 --> 00:13:31,480 Speaker 5: still limited, right because he's doing what he does and 270 00:13:31,520 --> 00:13:35,080 Speaker 5: so for him to make himself available to me and 271 00:13:35,120 --> 00:13:38,480 Speaker 5: for this record, man, which is really really started before 272 00:13:38,520 --> 00:13:41,000 Speaker 5: we get started, and this racist it's in terms of 273 00:13:41,040 --> 00:13:43,960 Speaker 5: climbing the charts, is my fastest record. Why do you 274 00:13:43,960 --> 00:13:48,719 Speaker 5: think that is? Tempo? People have been people have been 275 00:13:48,800 --> 00:13:51,400 Speaker 5: waiting for tempo from me. I got the slow in 276 00:13:51,440 --> 00:13:54,520 Speaker 5: the mid, I got that, but now they don't let 277 00:13:54,520 --> 00:13:57,040 Speaker 5: me get some tempo. Now you've then fucked up. 278 00:13:57,040 --> 00:14:00,440 Speaker 1: So you did this on purpose? You wanted a tempo roight, Absolutely, yeah, 279 00:14:00,440 --> 00:14:01,320 Speaker 1: this is calculated. 280 00:14:01,440 --> 00:14:04,000 Speaker 5: This is on purpose. I needed the right one. My 281 00:14:04,080 --> 00:14:06,120 Speaker 5: guy Dirk sent me this record. I said, you do 282 00:14:06,200 --> 00:14:09,400 Speaker 5: not know what you have just done. You gave tank tempo. 283 00:14:12,120 --> 00:14:14,080 Speaker 4: It's crazy that you're still trying to make new records 284 00:14:14,120 --> 00:14:16,000 Speaker 4: at this point. I'm not saying that you can't have 285 00:14:16,040 --> 00:14:18,480 Speaker 4: such a catalog. You really don't even have to if 286 00:14:18,480 --> 00:14:19,040 Speaker 4: you don't want to. 287 00:14:19,320 --> 00:14:22,760 Speaker 5: I do because I don't remember that last hit record. 288 00:14:24,240 --> 00:14:27,360 Speaker 5: I don't remember it, don't I don't live in it. 289 00:14:27,440 --> 00:14:30,320 Speaker 5: I don't live in that last outfit that I wore. 290 00:14:30,760 --> 00:14:33,200 Speaker 5: You know what I'm saying every day is okay, what's next? 291 00:14:33,480 --> 00:14:35,920 Speaker 5: How can I beat that? That was cool? Because I'm 292 00:14:36,520 --> 00:14:40,560 Speaker 5: watching around me, you know what I'm saying. If need be, 293 00:14:40,120 --> 00:14:43,280 Speaker 5: I'll drive up to CB's house, you know what I'm saying, 294 00:14:43,640 --> 00:14:46,200 Speaker 5: and let him play me a thousand songs. I'm like, shit, 295 00:14:46,320 --> 00:14:49,120 Speaker 5: I got more work to do, you know what I'm saying, 296 00:14:49,400 --> 00:14:51,320 Speaker 5: I'll look at the charts and see who's on there. 297 00:14:51,400 --> 00:14:55,320 Speaker 5: I'm not okay, I got work to do. Yeah, Like 298 00:14:55,880 --> 00:14:59,760 Speaker 5: that's what drives me. Like it's so many new things 299 00:14:59,800 --> 00:15:01,840 Speaker 5: have every day that I'm like this, Oh I got 300 00:15:01,840 --> 00:15:04,320 Speaker 5: to compete with that. I got to fight with that. 301 00:15:04,440 --> 00:15:06,520 Speaker 5: You know what I'm saying, And it gets me up 302 00:15:06,560 --> 00:15:06,880 Speaker 5: for game. 303 00:15:07,400 --> 00:15:10,440 Speaker 3: Now, your health and how you are as far as 304 00:15:11,400 --> 00:15:13,120 Speaker 3: not drinking it and all the things that you do. 305 00:15:13,240 --> 00:15:15,400 Speaker 3: Is that from what place? Is that from a place 306 00:15:15,440 --> 00:15:18,360 Speaker 3: of you seeing people your age doing it and you're like, damn, 307 00:15:18,760 --> 00:15:20,440 Speaker 3: did it'll look as good? Or is it from a 308 00:15:20,760 --> 00:15:22,120 Speaker 3: I just want to be healthy type of place? 309 00:15:22,400 --> 00:15:25,200 Speaker 5: It's really healthy. I mean it's really like. I'm an 310 00:15:25,200 --> 00:15:29,720 Speaker 5: athlete first, so for me, it's very important you know 311 00:15:29,760 --> 00:15:31,640 Speaker 5: what goes into my body because what goes in is 312 00:15:31,640 --> 00:15:34,600 Speaker 5: what comes out. You know what I'm saying. I've often, 313 00:15:35,200 --> 00:15:39,120 Speaker 5: I've often been in the gym and my model to 314 00:15:39,840 --> 00:15:42,680 Speaker 5: myself is what will Floyd do? What would Mayweather? Do? 315 00:15:43,280 --> 00:15:45,600 Speaker 5: You know what I'm saying, Because I've watched him buy 316 00:15:46,040 --> 00:15:48,440 Speaker 5: thirty bottles. You know what I'm saying. I've watched the 317 00:15:48,520 --> 00:15:51,320 Speaker 5: people around him rolling up smoke, and I've watched the 318 00:15:51,360 --> 00:15:54,800 Speaker 5: people around him just indulge. I watched him do none 319 00:15:54,840 --> 00:15:57,640 Speaker 5: of it and then grab his stuff out the back 320 00:15:57,680 --> 00:16:00,320 Speaker 5: of the truck when we leave the club and run home. 321 00:16:01,280 --> 00:16:04,120 Speaker 5: Mm hmm. I said, that's what a billion dollars looks like. 322 00:16:04,960 --> 00:16:07,360 Speaker 5: I want that. So when me and my guy gains 323 00:16:07,400 --> 00:16:10,200 Speaker 5: get in there, like, it's not a game. This part 324 00:16:10,280 --> 00:16:13,120 Speaker 5: of what I do as it correlates to who I 325 00:16:13,160 --> 00:16:15,600 Speaker 5: am as an artist. It's not why I do it. 326 00:16:16,280 --> 00:16:18,760 Speaker 5: I would be doing this anyway, you know what I'm saying, 327 00:16:18,760 --> 00:16:21,880 Speaker 5: Like I want to be one hundred and fifty. You 328 00:16:21,880 --> 00:16:25,760 Speaker 5: know what I'm saying, still pulling up to the breakfast club? Yeah? Yeah, 329 00:16:27,880 --> 00:16:29,400 Speaker 5: And I pray y'all are still here. But if y'all 330 00:16:29,400 --> 00:16:30,240 Speaker 5: know I'm still. 331 00:16:30,080 --> 00:16:31,400 Speaker 6: I think I got one hundred and one. 332 00:16:31,440 --> 00:16:37,560 Speaker 5: You got one hundred and one ice Why can't we fifty? 333 00:16:37,680 --> 00:16:37,960 Speaker 5: Why not? 334 00:16:39,760 --> 00:16:40,120 Speaker 2: Why not? 335 00:16:40,680 --> 00:16:42,080 Speaker 6: I'm not gonna put it. I'm not gonna say we can. 336 00:16:42,160 --> 00:16:43,560 Speaker 6: I'm not gonna put a limitation on it. You know 337 00:16:43,560 --> 00:16:43,840 Speaker 6: what I mean. 338 00:16:44,120 --> 00:16:45,360 Speaker 5: It's all what you're putting in. 339 00:16:45,640 --> 00:16:48,120 Speaker 6: Did what happened with Jamie scare you too? 340 00:16:49,400 --> 00:16:54,520 Speaker 5: Yeah? Absolutely? And you know you just it just goes 341 00:16:55,360 --> 00:16:59,520 Speaker 5: back to the idea of you just never know. You 342 00:16:59,640 --> 00:17:03,040 Speaker 5: just never know, and it's not something you can predict, 343 00:17:03,160 --> 00:17:07,760 Speaker 5: not something you can for his situation prevent, you know 344 00:17:07,800 --> 00:17:12,960 Speaker 5: what I mean. Sometimes your body will just you know, 345 00:17:13,600 --> 00:17:19,760 Speaker 5: the alert is is detrimental, right, your body telling you 346 00:17:19,800 --> 00:17:24,280 Speaker 5: something is wrong. It's sometimes you know, the alarm is 347 00:17:25,400 --> 00:17:28,200 Speaker 5: damned near fatal, you know what I mean. And that's 348 00:17:28,280 --> 00:17:30,879 Speaker 5: just that's just life. And so yeah, it's scary. I 349 00:17:30,880 --> 00:17:33,040 Speaker 5: mean just not just because he's you know, one of 350 00:17:33,040 --> 00:17:35,879 Speaker 5: my best friends, but just like it could have easily 351 00:17:35,880 --> 00:17:36,639 Speaker 5: been either one of us. 352 00:17:36,800 --> 00:17:38,439 Speaker 4: You know what I find interesting about that situation too, 353 00:17:38,440 --> 00:17:40,640 Speaker 4: because you talk about, you know, giving people their flowers 354 00:17:40,640 --> 00:17:44,760 Speaker 4: while they're here, when it seemed like Jamie I don't 355 00:17:44,800 --> 00:17:46,199 Speaker 4: want to say this but may not have made it 356 00:17:46,200 --> 00:17:49,080 Speaker 4: like people didn't know everybody was giving him as flowers 357 00:17:49,320 --> 00:17:50,639 Speaker 4: as soon as he made it. 358 00:17:50,640 --> 00:17:51,960 Speaker 6: It's like all of that kind of just stuff. 359 00:17:52,560 --> 00:17:54,560 Speaker 4: It's like when he was like, we were appreciate that 360 00:17:54,600 --> 00:17:56,440 Speaker 4: Jamie's the greatest of all, he's one of the most 361 00:17:56,480 --> 00:17:57,360 Speaker 4: talented human beings. 362 00:17:57,359 --> 00:17:59,480 Speaker 6: Then soon as than you realize he's okay, it's just 363 00:17:59,480 --> 00:18:00,160 Speaker 6: like all that stuf. 364 00:18:01,560 --> 00:18:04,159 Speaker 5: We I mean, I want to say, our culture We 365 00:18:04,240 --> 00:18:06,199 Speaker 5: have a thing about that, you know what I'm saying, Like, 366 00:18:06,280 --> 00:18:08,600 Speaker 5: you know, somebody passes and then we you know, we 367 00:18:08,760 --> 00:18:10,880 Speaker 5: running music up the charts, you know what I mean? 368 00:18:10,880 --> 00:18:14,080 Speaker 5: We have the thing about our legendary artists that we 369 00:18:14,240 --> 00:18:17,320 Speaker 5: just don't preserve until it's too late, you know what 370 00:18:17,359 --> 00:18:20,960 Speaker 5: I mean. I was having this conversation yesterday about about 371 00:18:21,000 --> 00:18:23,719 Speaker 5: Boys to Men. Right, Boys to Men is the highest 372 00:18:23,760 --> 00:18:27,480 Speaker 5: selling group of all times, not the high selling black group, 373 00:18:28,040 --> 00:18:32,480 Speaker 5: the high selling group really, And I actually remember, I 374 00:18:32,520 --> 00:18:37,720 Speaker 5: actually remember a time where I was sending my sister 375 00:18:37,880 --> 00:18:40,520 Speaker 5: to go see a Boys to Men concert at a 376 00:18:40,600 --> 00:18:44,040 Speaker 5: venue that only hell four hundred people. How is that 377 00:18:44,119 --> 00:18:49,159 Speaker 5: even possible that we let Boys to Men get to that. 378 00:18:49,280 --> 00:18:52,000 Speaker 5: Now they're back now they know they's six seven figures 379 00:18:52,040 --> 00:18:54,600 Speaker 5: to good now, right, But how is it that we 380 00:18:54,760 --> 00:18:58,080 Speaker 5: let that happen? Whereas in the rolling Stones can pop 381 00:18:58,119 --> 00:18:59,919 Speaker 5: out every summer. 382 00:19:00,119 --> 00:19:02,520 Speaker 3: Say that they're not that good, and they should be 383 00:19:02,600 --> 00:19:04,400 Speaker 3: that good if they're the number one telling they should 384 00:19:04,400 --> 00:19:06,960 Speaker 3: be on some rolling stones to do the guarden three times, 385 00:19:07,000 --> 00:19:09,400 Speaker 3: four times, five times in a row every year, you too. 386 00:19:10,400 --> 00:19:13,720 Speaker 5: We can we can run down the list of those 387 00:19:13,880 --> 00:19:18,520 Speaker 5: legendary artists from those other cultures that still get to 388 00:19:18,600 --> 00:19:22,119 Speaker 5: run it up and we just throw our legends away 389 00:19:22,280 --> 00:19:28,960 Speaker 5: so casually like the they didn't build this, that's that's 390 00:19:30,000 --> 00:19:30,800 Speaker 5: we can't. 391 00:19:30,520 --> 00:19:33,480 Speaker 4: Do that said the highest selling group and what category 392 00:19:34,200 --> 00:19:36,240 Speaker 4: R and B? I mean R and B man, I 393 00:19:36,280 --> 00:19:46,600 Speaker 4: don't know, boys men, I'm google that laboratory, but you're right, 394 00:19:46,640 --> 00:19:48,399 Speaker 4: But even think about it, highest selling R and B 395 00:19:48,440 --> 00:19:49,120 Speaker 4: group of all time. 396 00:19:49,520 --> 00:19:51,920 Speaker 3: But even think about it like this, no disrespect to 397 00:19:51,960 --> 00:19:54,760 Speaker 3: Michael Bibbins. Michael Bibbons should be one hundred millionaire. That's 398 00:19:54,800 --> 00:19:56,560 Speaker 3: the case because he founded them and the records it's 399 00:19:56,560 --> 00:19:57,000 Speaker 3: still moving. 400 00:19:57,280 --> 00:20:00,439 Speaker 5: Well. I mean, that's that's business, right. And so you 401 00:20:00,480 --> 00:20:01,920 Speaker 5: know I was in the Boys. I was in a 402 00:20:01,960 --> 00:20:03,800 Speaker 5: new edition story, you know what I'm saying. So how 403 00:20:03,840 --> 00:20:07,359 Speaker 5: all that business came about and what went on behind notes, 404 00:20:07,400 --> 00:20:11,440 Speaker 5: that's something that's a different conversation. But ultimately, yes, you 405 00:20:11,480 --> 00:20:14,200 Speaker 5: know what I'm saying, the conversation should be, Michael Bivens 406 00:20:15,040 --> 00:20:18,600 Speaker 5: pioneered X, Y and Z. Let's make sure that he 407 00:20:18,760 --> 00:20:21,840 Speaker 5: has a job or a high level position curating the 408 00:20:21,880 --> 00:20:24,760 Speaker 5: next generation of You know what I'm saying. When people 409 00:20:24,760 --> 00:20:27,399 Speaker 5: come on my podcast, like I yell at all these people. 410 00:20:27,560 --> 00:20:30,920 Speaker 5: I yell at Sean Garrett, I yell at you know, 411 00:20:31,240 --> 00:20:34,639 Speaker 5: all these pioneers who come on on our problem, Like, 412 00:20:34,680 --> 00:20:38,320 Speaker 5: what are you doing, Mike City, what are you doing? 413 00:20:39,800 --> 00:20:42,359 Speaker 5: You know so much about this game, You've curated so 414 00:20:42,480 --> 00:20:46,280 Speaker 5: many moments, so much music, have blessed so many artists. 415 00:20:46,359 --> 00:20:50,080 Speaker 5: What are you doing? You know this? What are we 416 00:20:50,320 --> 00:20:57,159 Speaker 5: doing to preserve our genre music? And so you know, 417 00:20:57,240 --> 00:20:59,959 Speaker 5: I've challenged everybody and we're taking the challenge on too. 418 00:21:00,119 --> 00:21:01,800 Speaker 5: R and B Money is taking on the challenge with 419 00:21:02,040 --> 00:21:04,119 Speaker 5: R and B Everything, the Army Money. 420 00:21:03,840 --> 00:21:06,000 Speaker 4: Podcast with Tanking J Bobbing on the Black Effect, I 421 00:21:06,040 --> 00:21:08,720 Speaker 4: Heeart Radio podcast network. What is the meaning of the 422 00:21:08,800 --> 00:21:11,520 Speaker 4: R and B Money like, like, why is it your podcast? 423 00:21:11,560 --> 00:21:13,400 Speaker 4: Why is it the albums? What does that mean? 424 00:21:13,440 --> 00:21:15,399 Speaker 6: What does that sound brand mean? R and B Money? 425 00:21:15,920 --> 00:21:21,000 Speaker 5: People love money. People love the idea that something makes 426 00:21:21,040 --> 00:21:25,159 Speaker 5: money that is successful and and and and that is 427 00:21:25,240 --> 00:21:30,720 Speaker 5: just attractive to people. The word money, right, you can't 428 00:21:30,720 --> 00:21:32,800 Speaker 5: get past it, Like as soon as you say, as 429 00:21:32,840 --> 00:21:36,199 Speaker 5: soon as you hurt young money like young, as soon 430 00:21:36,200 --> 00:21:39,920 Speaker 5: as you heard cash money, they money isn't all cash. 431 00:21:40,080 --> 00:21:41,600 Speaker 2: You just love money. 432 00:21:41,840 --> 00:21:44,080 Speaker 5: And so for me it's like associating R and B 433 00:21:44,720 --> 00:21:47,920 Speaker 5: with success. We could we could be deep and put 434 00:21:47,960 --> 00:21:50,040 Speaker 5: some other nuances to it. You know what I'm saying, 435 00:21:50,760 --> 00:21:53,240 Speaker 5: A glamorous R and B or you know what I'm saying, 436 00:21:53,440 --> 00:21:56,320 Speaker 5: or top shelf R and B. No, for simple people, 437 00:21:57,600 --> 00:22:00,840 Speaker 5: R and B money money, This is how we live. 438 00:22:00,880 --> 00:22:03,320 Speaker 5: And all this, you see, came from R and B. 439 00:22:03,440 --> 00:22:05,639 Speaker 4: That makes sense when I listen to a song like 440 00:22:05,680 --> 00:22:08,960 Speaker 4: want of Love is love when it comes. 441 00:22:08,760 --> 00:22:10,800 Speaker 6: To R and B to sound or the feeling, is 442 00:22:10,800 --> 00:22:11,840 Speaker 6: its simply sexual? 443 00:22:12,440 --> 00:22:15,719 Speaker 5: No, no, no, no, it can't be because love is 444 00:22:15,760 --> 00:22:19,920 Speaker 5: not Love is. Love is not those things like we say, 445 00:22:20,000 --> 00:22:23,439 Speaker 5: want to make love like that? It sounds good, you 446 00:22:23,440 --> 00:22:25,359 Speaker 5: know what I'm saying. That's just the physical aspect of it. 447 00:22:25,400 --> 00:22:27,960 Speaker 5: But love is the choice you make about somebody every day. 448 00:22:29,200 --> 00:22:33,800 Speaker 5: It's not an actual feeling. Love is a choice that 449 00:22:33,960 --> 00:22:38,119 Speaker 5: you have to make every day. So I'm rocking with 450 00:22:38,200 --> 00:22:42,359 Speaker 5: you right, good or bad or ugly. Like when we 451 00:22:42,359 --> 00:22:44,800 Speaker 5: were just talking about when he said, I know you 452 00:22:44,840 --> 00:22:49,119 Speaker 5: were seeing that other fella, that's part of it. I 453 00:22:49,720 --> 00:22:54,600 Speaker 5: didn't marry into perfection. I'm married under the idea that 454 00:22:55,160 --> 00:22:57,359 Speaker 5: hey man, whatever it is, we just gonna rock through it. 455 00:22:57,680 --> 00:23:01,640 Speaker 5: I chose you to walk through life with and that 456 00:23:01,800 --> 00:23:04,160 Speaker 5: means whatever comes with. 457 00:23:04,160 --> 00:23:06,240 Speaker 6: That love got to be a feeling though, right. 458 00:23:06,680 --> 00:23:07,919 Speaker 5: No, that's euphoria. 459 00:23:08,720 --> 00:23:11,480 Speaker 6: Really yeah, break that down for me. Take I ain't 460 00:23:11,480 --> 00:23:12,080 Speaker 6: get there yet. 461 00:23:15,720 --> 00:23:19,280 Speaker 5: Love is a choice. It's a choice. Right, as we 462 00:23:19,320 --> 00:23:22,359 Speaker 5: go back, Let's let's say you're Christian. Let's say you're you're, 463 00:23:22,400 --> 00:23:24,959 Speaker 5: You're you're you know, you're a devout Christian, you and 464 00:23:25,000 --> 00:23:27,560 Speaker 5: you're into the Bible. The choice that was made was 465 00:23:27,600 --> 00:23:30,520 Speaker 5: that Jesus said, I'm going to die for you. God 466 00:23:30,560 --> 00:23:34,679 Speaker 5: so loved the world that he sent. It wasn't a feeling. 467 00:23:36,119 --> 00:23:41,320 Speaker 5: He set something in motion, because that's how you show 468 00:23:41,359 --> 00:23:44,960 Speaker 5: the love I'm going to send my son and then 469 00:23:44,960 --> 00:23:47,480 Speaker 5: he's going to die. Another choice that he made. He 470 00:23:47,480 --> 00:23:51,159 Speaker 5: didn't have to die. He could have, he could have 471 00:23:51,240 --> 00:23:52,280 Speaker 5: tore that whole thing down. 472 00:23:52,440 --> 00:23:54,480 Speaker 4: But you only make that choice for things that you 473 00:23:54,560 --> 00:23:56,760 Speaker 4: have to have feelings for, right, Like I don't wake 474 00:23:56,840 --> 00:23:59,080 Speaker 4: up every day and choose to love something that I 475 00:23:59,080 --> 00:23:59,800 Speaker 4: don't have any love for. 476 00:23:59,880 --> 00:24:04,200 Speaker 5: It's a commitment. It's a commitment to your purpose. Right. 477 00:24:04,280 --> 00:24:07,680 Speaker 5: You get good feelings from it, you know what I'm saying, 478 00:24:07,760 --> 00:24:10,520 Speaker 5: Because that's that's just you being that's just you being 479 00:24:10,520 --> 00:24:13,840 Speaker 5: connected to the universe. Things feel good, you know what 480 00:24:13,880 --> 00:24:16,199 Speaker 5: I'm saying. And when you're on a certain path that 481 00:24:16,240 --> 00:24:19,640 Speaker 5: you're connected to, it feels even better because it's connected 482 00:24:19,680 --> 00:24:22,200 Speaker 5: to your purpose or connected to you know, like when 483 00:24:22,240 --> 00:24:24,399 Speaker 5: you when you have deja vu and you're like, I 484 00:24:24,400 --> 00:24:26,040 Speaker 5: feel like I've been here before. I feel like I'm. 485 00:24:25,960 --> 00:24:26,760 Speaker 2: Supposed to be here. 486 00:24:26,840 --> 00:24:31,600 Speaker 5: You feel that, right, But that's just that's just feelings. 487 00:24:32,480 --> 00:24:37,280 Speaker 5: Love is a choice. I have to decide how I 488 00:24:37,400 --> 00:24:40,280 Speaker 5: express that choice, and we just we just call it love. 489 00:24:40,800 --> 00:24:44,960 Speaker 6: War the choice to the war, the choice. You got 490 00:24:44,960 --> 00:24:46,240 Speaker 6: a song on the new album called War. 491 00:24:47,359 --> 00:24:49,639 Speaker 4: It made me say, if you know your behavior is 492 00:24:49,680 --> 00:24:51,720 Speaker 4: going to cause war, why choose it? 493 00:24:51,800 --> 00:24:58,080 Speaker 5: Think? Sometimes you can't help yourself. You cannot help yourself. 494 00:24:59,160 --> 00:25:03,040 Speaker 5: You all you We are not perfect people, we're not. 495 00:25:03,160 --> 00:25:05,200 Speaker 6: But you to be that ten thousand in the club. 496 00:25:06,320 --> 00:25:10,440 Speaker 5: Sometimes you can't help yourself. You ain't never been in 497 00:25:10,480 --> 00:25:13,000 Speaker 5: the club. And it just in the moment just got 498 00:25:13,040 --> 00:25:14,560 Speaker 5: good to you. I just feel like we need three 499 00:25:14,560 --> 00:25:17,560 Speaker 5: more bottles. We need three more bottles, and we need 500 00:25:17,600 --> 00:25:24,200 Speaker 5: five more thousand and ones. No I'm not saying right now, 501 00:25:24,880 --> 00:25:29,400 Speaker 5: I'm just saying, when you started really getting that money, 502 00:25:29,640 --> 00:25:32,600 Speaker 5: what ye like when you like, when you in the 503 00:25:32,600 --> 00:25:33,880 Speaker 5: strip club and you're in a. 504 00:25:34,000 --> 00:25:36,679 Speaker 1: Zone, you're talking to somebody that picks up singles off 505 00:25:36,680 --> 00:25:36,920 Speaker 1: the floor. 506 00:25:37,000 --> 00:25:40,119 Speaker 6: Though that was back in the day. Relaxed myself. 507 00:25:45,680 --> 00:25:47,199 Speaker 5: When you're in the strip club and you get in 508 00:25:47,200 --> 00:25:53,480 Speaker 5: a zone, just bring me more ones. I'll figure it 509 00:25:53,480 --> 00:25:58,320 Speaker 5: out after this. Remember, you could manipulate the uh uh 510 00:25:59,160 --> 00:26:01,720 Speaker 5: the where you gonna get the money from the machine? 511 00:26:01,760 --> 00:26:05,119 Speaker 5: Remember you could manipulate the atm on the weekends. A 512 00:26:05,200 --> 00:26:07,760 Speaker 5: lot of people too young for that, you remember you could? 513 00:26:08,040 --> 00:26:11,879 Speaker 5: You could. You could go to different ATMs and grab 514 00:26:12,040 --> 00:26:15,479 Speaker 5: money out based on the balance that you had on Friday. 515 00:26:15,600 --> 00:26:19,760 Speaker 5: On Friday, and they would catch it until Monday, you'd 516 00:26:19,800 --> 00:26:25,199 Speaker 5: be overdrawn, like like fifteen Jesus. But I had to 517 00:26:25,200 --> 00:26:27,760 Speaker 5: get to the strip club. They needed to see. 518 00:26:27,560 --> 00:26:29,480 Speaker 6: Me, They needed to see see. 519 00:26:31,320 --> 00:26:34,199 Speaker 5: And I couldn't come in empty hand. 520 00:26:35,640 --> 00:26:37,920 Speaker 1: You spent at the strip club? How much you think 521 00:26:37,920 --> 00:26:38,960 Speaker 1: you spent that club? 522 00:26:39,080 --> 00:26:42,800 Speaker 5: I don't know, No, I mean in the most and 523 00:26:42,840 --> 00:26:44,879 Speaker 5: one night maybe not, something like maybe like a little 524 00:26:44,920 --> 00:26:50,440 Speaker 5: forty fifty nothing crazy? Yeah, what's wrong with that? 525 00:26:50,440 --> 00:26:52,320 Speaker 6: That's a lot of money. Fifty thousand dollars. 526 00:26:52,119 --> 00:26:55,919 Speaker 5: A script club in relation to what to what you make. 527 00:26:57,760 --> 00:27:00,920 Speaker 6: Someone who only said, no, I'm acting my wage. I 528 00:27:00,920 --> 00:27:01,600 Speaker 6: don't know about y'all. 529 00:27:04,680 --> 00:27:09,120 Speaker 5: Sometimes you save up for that moment. I've seen real 530 00:27:09,200 --> 00:27:12,440 Speaker 5: money being spent in the club, you know what I'm saying. 531 00:27:12,440 --> 00:27:17,159 Speaker 5: I've been with BMF with real money. That fifty thousand 532 00:27:17,240 --> 00:27:21,119 Speaker 5: I'm talking about it nothing. They were throwing all hundreds 533 00:27:21,160 --> 00:27:24,159 Speaker 5: when I walked in with him, and and like in 534 00:27:24,400 --> 00:27:27,800 Speaker 5: in Charlemagne fashion, I had my shirt out. I need 535 00:27:27,840 --> 00:27:32,439 Speaker 5: to catch some of this. I'm not gonna dance, but 536 00:27:32,480 --> 00:27:35,879 Speaker 5: all this can't hit the floor like I've seen it. 537 00:27:35,920 --> 00:27:37,480 Speaker 6: What the script clubs do? V? R and B singers like? 538 00:27:37,520 --> 00:27:39,280 Speaker 4: We know why rappers go to the script club, like, 539 00:27:39,320 --> 00:27:42,200 Speaker 4: you know, they want to get their music play. 540 00:27:42,160 --> 00:27:44,280 Speaker 5: Because at the time our music was being played in there, 541 00:27:44,760 --> 00:27:46,399 Speaker 5: so you forget my music is being played in the 542 00:27:46,400 --> 00:27:50,639 Speaker 5: strip clubs. Yeah, you know, I hold strip clubs. They 543 00:27:50,720 --> 00:27:52,679 Speaker 5: called me and they played, they played when we they 544 00:27:52,760 --> 00:27:54,879 Speaker 5: played fucking with me, they played, Yeah, I got I 545 00:27:54,920 --> 00:27:55,439 Speaker 5: got ship. 546 00:27:56,440 --> 00:27:59,880 Speaker 8: You do listen home when you got a song when. 547 00:27:59,760 --> 00:28:03,119 Speaker 5: You dance, I got I got shipped. You know what 548 00:28:03,160 --> 00:28:05,439 Speaker 5: I'm Say'm saying, and so when they danced to my 549 00:28:05,640 --> 00:28:09,600 Speaker 5: music that I I have to reward them for that. 550 00:28:10,400 --> 00:28:11,880 Speaker 5: You know what I'm saying. I have to take care 551 00:28:11,960 --> 00:28:12,600 Speaker 5: of them for that. 552 00:28:12,760 --> 00:28:14,439 Speaker 1: And the Strip club for free. The money that you 553 00:28:14,480 --> 00:28:15,880 Speaker 1: make at strip club you get back and just. 554 00:28:15,840 --> 00:28:18,760 Speaker 6: Give it back like um to give program. 555 00:28:18,920 --> 00:28:20,800 Speaker 5: I remember what I host. I was the first artist 556 00:28:20,800 --> 00:28:24,439 Speaker 5: to host King of Diamonds. And I remember when I 557 00:28:24,440 --> 00:28:26,040 Speaker 5: host the King of Diamonds. I think I think I 558 00:28:26,080 --> 00:28:28,040 Speaker 5: might have got like fifteen to twenty thousand for it, 559 00:28:28,760 --> 00:28:31,680 Speaker 5: and and and I foolishly got all that in once. 560 00:28:32,280 --> 00:28:39,200 Speaker 5: M But I had a time. I went back, played basketball, 561 00:28:40,040 --> 00:28:42,080 Speaker 5: had some food. I looked at one time I got 562 00:28:42,040 --> 00:28:46,200 Speaker 5: Aaron Corsar, he was eating steak basketball King of Diamonds. 563 00:28:48,160 --> 00:28:51,680 Speaker 1: Bast leave. 564 00:28:52,640 --> 00:28:54,600 Speaker 5: They had to they had to, They had to soap, 565 00:28:54,840 --> 00:28:57,080 Speaker 5: they had to the sudge, get in a pool like 566 00:28:58,040 --> 00:29:00,360 Speaker 5: I left, like one time seven o'clock in the morning. Wow, 567 00:29:01,000 --> 00:29:04,080 Speaker 5: Well I was walking out the strip, was dressed, walk 568 00:29:04,160 --> 00:29:04,680 Speaker 5: out together. 569 00:29:08,000 --> 00:29:09,640 Speaker 1: That was before you was married though, No. 570 00:29:09,840 --> 00:29:12,840 Speaker 5: Yeah, well but war is war is just a depiction 571 00:29:12,960 --> 00:29:15,000 Speaker 5: of that. You know what I'm saying, This means war. Look, 572 00:29:15,040 --> 00:29:17,320 Speaker 5: I laid him walking in I'm some random club drinking 573 00:29:17,360 --> 00:29:18,000 Speaker 5: with my friends. 574 00:29:18,000 --> 00:29:20,440 Speaker 1: What does your wife said? When when she heard these stories. 575 00:29:24,120 --> 00:29:27,960 Speaker 5: She'd be she's indifferent, you know what I'm saying, because 576 00:29:28,360 --> 00:29:30,800 Speaker 5: you know, she don't like strip clubs at all, and 577 00:29:30,880 --> 00:29:33,920 Speaker 5: she doesn't go with you no, And I'd be like, babe, 578 00:29:33,920 --> 00:29:35,560 Speaker 5: you should go with me. You know what I'm saying. 579 00:29:35,560 --> 00:29:37,360 Speaker 5: We had this rule where I wouldn't go, and then 580 00:29:37,400 --> 00:29:39,640 Speaker 5: I just started breaking the rules and it was like, look, 581 00:29:39,680 --> 00:29:44,800 Speaker 5: I'm going grown ass man where I can't go. But 582 00:29:45,200 --> 00:29:46,719 Speaker 5: you know it was because I would go in there 583 00:29:46,720 --> 00:29:49,000 Speaker 5: and I would kind of be irresponsible, you know what 584 00:29:49,040 --> 00:29:49,400 Speaker 5: I'm saying. 585 00:29:50,280 --> 00:29:52,120 Speaker 1: If you spend in fifty thousands, she probably. 586 00:29:51,800 --> 00:29:54,360 Speaker 5: Like, no, it's that And so there's okay, if you're 587 00:29:54,360 --> 00:29:56,360 Speaker 5: gonna go, you're gonna have a good time, Like, don't forget, 588 00:29:56,520 --> 00:29:59,560 Speaker 5: you know, yeah, family, let's just let's just you know, 589 00:30:00,120 --> 00:30:01,040 Speaker 5: so damn, how. 590 00:30:01,040 --> 00:30:02,480 Speaker 4: Good of a time are you having? You forget you 591 00:30:02,520 --> 00:30:04,720 Speaker 4: have a family. How much of a time you must 592 00:30:04,720 --> 00:30:06,680 Speaker 4: be having a strip club family? 593 00:30:07,000 --> 00:30:09,720 Speaker 5: If she looking at you know, looking at the AMX, 594 00:30:10,080 --> 00:30:11,920 Speaker 5: you know what I'm saying, And then there's just just 595 00:30:12,040 --> 00:30:14,880 Speaker 5: a tab for twelve thousand dollars, Like what are we doing? 596 00:30:15,120 --> 00:30:16,720 Speaker 5: What what are we doing? 597 00:30:16,920 --> 00:30:18,720 Speaker 8: Come on now, you need a white thoat. 598 00:30:19,640 --> 00:30:22,720 Speaker 5: You need it. You need an accountability system. I absolutely 599 00:30:22,800 --> 00:30:25,200 Speaker 5: need that. So that's just that's just kind of our thing. 600 00:30:25,360 --> 00:30:28,160 Speaker 5: But you know, in this song, I just wanted to 601 00:30:28,240 --> 00:30:30,120 Speaker 5: make sure to tell that story because every man goes 602 00:30:30,160 --> 00:30:32,240 Speaker 5: through this, you know what I'm saying, where they just 603 00:30:32,280 --> 00:30:33,640 Speaker 5: want to do what they want to do. They want 604 00:30:33,680 --> 00:30:35,160 Speaker 5: to do their thing. I see you calling me, but 605 00:30:35,240 --> 00:30:39,760 Speaker 5: you I'm rocking right now, and so you know it's 606 00:30:39,880 --> 00:30:42,600 Speaker 5: it's it's it's like you said, it's starting a war. 607 00:30:43,720 --> 00:30:46,120 Speaker 5: You know you're starting a war, but you're like, you know, 608 00:30:47,040 --> 00:30:49,520 Speaker 5: I'll fight that battle when I get home. It is 609 00:30:49,560 --> 00:30:49,880 Speaker 5: what it is. 610 00:30:50,200 --> 00:30:51,520 Speaker 6: It almost got a country field to it. 611 00:30:51,800 --> 00:30:55,760 Speaker 5: It's very country is that it's a very no I 612 00:30:55,840 --> 00:30:59,920 Speaker 5: did this record three years ago, Wow, and I was like, oh, 613 00:31:00,080 --> 00:31:05,200 Speaker 5: y'all finally caught up. Cool. I'll drop it. My guys, 614 00:31:05,280 --> 00:31:07,720 Speaker 5: Javon Co Captains. They produced it, and when they send 615 00:31:07,760 --> 00:31:09,719 Speaker 5: it to me, I was like, bro, this is so different. 616 00:31:10,680 --> 00:31:12,480 Speaker 5: And when I when I wrote it, I was like, Okay, 617 00:31:12,520 --> 00:31:15,600 Speaker 5: let me tell this story because country is Country is 618 00:31:15,640 --> 00:31:17,560 Speaker 5: still a good place where you can tell those stories. 619 00:31:17,920 --> 00:31:21,800 Speaker 5: The best, the best for you, and so that's that's 620 00:31:21,800 --> 00:31:23,719 Speaker 5: where I came from. But I've been there, everybody just now, 621 00:31:23,880 --> 00:31:25,719 Speaker 5: you know, trying to be country, I've been there. 622 00:31:26,240 --> 00:31:27,600 Speaker 7: A lot of these songs are a lot of these 623 00:31:27,640 --> 00:31:29,720 Speaker 7: songs songs that you have been done. I mean, is 624 00:31:29,760 --> 00:31:31,160 Speaker 7: that why it's called the vault because you think of 625 00:31:31,200 --> 00:31:32,920 Speaker 7: a vault and you're like, this is what I had 626 00:31:33,320 --> 00:31:33,760 Speaker 7: been had. 627 00:31:34,000 --> 00:31:36,440 Speaker 5: That one is the only one that I had already. 628 00:31:39,280 --> 00:31:43,680 Speaker 5: What's up them? Come inside? Dang? You know all about 629 00:31:43,720 --> 00:31:57,640 Speaker 5: that that herd a Special Place lived. Yeah, that was 630 00:31:57,680 --> 00:32:04,800 Speaker 5: the Kevin Hart damn and that record when and I 631 00:32:04,920 --> 00:32:07,360 Speaker 5: had that record. But I did that record at uh 632 00:32:08,280 --> 00:32:10,920 Speaker 5: at the Loft camp for Puff for did he in 633 00:32:11,040 --> 00:32:15,000 Speaker 5: his in his album? And when he was going through records, 634 00:32:15,600 --> 00:32:19,320 Speaker 5: this this song didn't make the cut, and you know, 635 00:32:19,720 --> 00:32:21,240 Speaker 5: and I called and I called him. I was like, bro, 636 00:32:21,640 --> 00:32:24,000 Speaker 5: because he was holding all the records and everything was 637 00:32:24,040 --> 00:32:26,520 Speaker 5: done at the camp. He's mine. I paid for the 638 00:32:26,560 --> 00:32:27,840 Speaker 5: you know what I'm saying. I paid for the camp 639 00:32:28,200 --> 00:32:29,920 Speaker 5: and rightfully, so he can do that. You know what 640 00:32:29,920 --> 00:32:32,000 Speaker 5: I'm saying. Whoever paid for that studio term and all that. 641 00:32:32,040 --> 00:32:34,800 Speaker 1: Day camp work, he paid you all the right records 642 00:32:34,800 --> 00:32:35,520 Speaker 1: and he just kept. 643 00:32:35,440 --> 00:32:37,840 Speaker 5: Well, I mean he he created, he created the atmosphere, 644 00:32:37,960 --> 00:32:40,400 Speaker 5: so about the about the studio, set up, the tents, 645 00:32:40,480 --> 00:32:44,280 Speaker 5: like he just did a whole thing. Chef's bar, like 646 00:32:45,440 --> 00:32:49,440 Speaker 5: this was in La fantastic album. That album was a 647 00:32:49,640 --> 00:32:53,040 Speaker 5: great album album, great album, you know. So I wasn't mad. 648 00:32:53,080 --> 00:32:55,000 Speaker 5: I was like, it's some great music on there. I'm 649 00:32:55,000 --> 00:32:56,920 Speaker 5: not mad. JOSSI did her thing on there. It's like 650 00:32:56,920 --> 00:32:59,640 Speaker 5: a crazy album. But you know a lot of times 651 00:32:59,680 --> 00:33:02,520 Speaker 5: when when when artists have these records that you know, 652 00:33:02,560 --> 00:33:04,880 Speaker 5: they hold them until until they need them, they'll use 653 00:33:04,880 --> 00:33:06,800 Speaker 5: them for the next project or whatever. And and I 654 00:33:06,880 --> 00:33:09,520 Speaker 5: hit him, I was like, Dad, I need that record, man, 655 00:33:09,600 --> 00:33:12,520 Speaker 5: can you please please let me get that record? The Playboy? 656 00:33:12,520 --> 00:33:14,440 Speaker 5: I got you king you good man run with it. 657 00:33:14,920 --> 00:33:16,600 Speaker 5: And that was that was love on his part, man, 658 00:33:16,600 --> 00:33:20,280 Speaker 5: because most artists, you know, they don't do that. I 659 00:33:20,320 --> 00:33:23,479 Speaker 5: don't write anyone. Yeah, I mean I submitted a lot, 660 00:33:23,520 --> 00:33:25,280 Speaker 5: I did a lot of work. But for me, like 661 00:33:25,360 --> 00:33:27,800 Speaker 5: it was, I don't really go to camps. You know 662 00:33:27,800 --> 00:33:29,400 Speaker 5: what I'm saying. I don't go to the whole you 663 00:33:29,480 --> 00:33:33,040 Speaker 5: know what I'm saying. Thousand producers, thousand writers. But you know, 664 00:33:33,200 --> 00:33:34,760 Speaker 5: when he hit me, he was like, Bro, you're the 665 00:33:35,000 --> 00:33:37,320 Speaker 5: You're you're the best at it, and I just need you. 666 00:33:37,760 --> 00:33:40,120 Speaker 5: I need you in the building. I need people to 667 00:33:40,240 --> 00:33:43,760 Speaker 5: see that you're here, because that's gonna make people thank here. 668 00:33:44,000 --> 00:33:46,240 Speaker 5: I gotta go hard, I gotta I gotta go crazy, 669 00:33:46,480 --> 00:33:48,520 Speaker 5: And so that was I was there for the energy, 670 00:33:48,640 --> 00:33:52,920 Speaker 5: but also to participate work with you know, Cardiac who's 671 00:33:52,960 --> 00:33:57,920 Speaker 5: super dope, Eric Bellinger, all those guys was up there. 672 00:33:58,080 --> 00:34:00,160 Speaker 5: You know what I'm saying. Like the room, I mean 673 00:34:00,200 --> 00:34:03,840 Speaker 5: when I say it was crazy, it was crazy. Like 674 00:34:04,240 --> 00:34:06,840 Speaker 5: the people that came that showed up the Diddy for 675 00:34:06,920 --> 00:34:11,680 Speaker 5: that camp. It was crazy. It was crazy. So I 676 00:34:11,840 --> 00:34:13,359 Speaker 5: was just I was just happy they'd let me walk 677 00:34:13,480 --> 00:34:15,400 Speaker 5: walk with that record about to go on. 678 00:34:15,600 --> 00:34:17,400 Speaker 8: With another og Carl Thomas. 679 00:34:17,760 --> 00:34:20,440 Speaker 4: Carl Thomas one of the greatest R and B albums 680 00:34:20,480 --> 00:34:23,400 Speaker 4: of all time, not even close. 681 00:34:23,760 --> 00:34:26,839 Speaker 5: And people I've seen people ask me, you know, people 682 00:34:26,920 --> 00:34:29,520 Speaker 5: ask me why you know, why you choose Carl Thomas, 683 00:34:29,560 --> 00:34:31,719 Speaker 5: why you choose Kerry Hillson. I'm like, you don't hear it. 684 00:34:32,920 --> 00:34:35,200 Speaker 4: Emotion was literally one of the greatest RMB albums, Like 685 00:34:35,280 --> 00:34:38,000 Speaker 4: you don't you don't top the bottom, Love Making music. 686 00:34:38,040 --> 00:34:39,239 Speaker 5: You know what I'm saying, Like when we down at 687 00:34:39,239 --> 00:34:41,040 Speaker 5: them do ops with my girl are down and down 688 00:34:41,080 --> 00:34:43,719 Speaker 5: in uh in Miami, and then Carl Thomas records, come on, 689 00:34:44,560 --> 00:34:48,960 Speaker 5: it's a thing. Absolute shit really happens. Play some of 690 00:34:49,000 --> 00:34:52,080 Speaker 5: them carry Hillson records like things happen. Yeah, I say, 691 00:34:52,120 --> 00:34:53,480 Speaker 5: first of all, I want to go into with my friends. 692 00:34:53,520 --> 00:34:55,320 Speaker 5: I want to go in toward people I like. But 693 00:34:55,440 --> 00:34:56,960 Speaker 5: then too, I want to I want to be out 694 00:34:56,960 --> 00:34:58,440 Speaker 5: there is it's an R and B money tour. I 695 00:34:58,520 --> 00:35:02,800 Speaker 5: want the catalog to be expensive. Some expensive catalogs, you know, 696 00:35:03,000 --> 00:35:08,279 Speaker 5: carry got hot one hundreds. Carl Thomas has Timeless R 697 00:35:08,360 --> 00:35:08,560 Speaker 5: and B. 698 00:35:10,160 --> 00:35:13,600 Speaker 8: I'm parties today right now with Summer Rain. 699 00:35:13,719 --> 00:35:16,000 Speaker 7: They play that at the top, in the middle of 700 00:35:16,080 --> 00:35:17,960 Speaker 7: the party, at the end like they bring what And 701 00:35:18,000 --> 00:35:19,279 Speaker 7: I grabbed him like I don't care where I'm at, 702 00:35:19,360 --> 00:35:21,319 Speaker 7: no karaoke even playing. 703 00:35:22,239 --> 00:35:25,839 Speaker 5: Let me give me a little come on, you gotta 704 00:35:25,840 --> 00:35:28,920 Speaker 5: play for that Charlamagne has given us. He's blessed us. 705 00:35:28,880 --> 00:35:36,200 Speaker 8: With his storming. Come on outside when she keeps me home? 706 00:35:36,840 --> 00:35:37,399 Speaker 8: That's my song. 707 00:35:37,520 --> 00:35:41,400 Speaker 2: That was That was. 708 00:35:43,840 --> 00:35:47,160 Speaker 4: My wife and college rocking with car Time, Carl Thomas 709 00:35:47,200 --> 00:35:49,560 Speaker 4: emotional and Joe my name is Joe. 710 00:35:52,920 --> 00:35:55,960 Speaker 5: I gotta I gotta do a tour with Joe too. Yeah, Man, 711 00:35:56,000 --> 00:35:56,839 Speaker 5: the tour and a song. 712 00:35:57,120 --> 00:35:57,560 Speaker 6: I love that. 713 00:35:57,920 --> 00:36:00,160 Speaker 5: People have been wanting that for quite some time. You 714 00:36:00,200 --> 00:36:02,200 Speaker 5: know what I'm saying, I get you know, Joe likes 715 00:36:02,239 --> 00:36:05,359 Speaker 5: to hide until it's time. You know what I'm saying, Like, well, 716 00:36:05,400 --> 00:36:07,279 Speaker 5: you know, I'll I'll be out playboy. You know what 717 00:36:07,280 --> 00:36:08,319 Speaker 5: I'm saying. I'm a pop out of. 718 00:36:09,880 --> 00:36:12,880 Speaker 6: You mentioned everybody with TGT. I ain't no boy, no 719 00:36:12,920 --> 00:36:16,600 Speaker 6: time reason genuine was up with debt. Yeah, but you 720 00:36:16,719 --> 00:36:18,360 Speaker 6: was in the studio when I saw you in the 721 00:36:18,360 --> 00:36:19,799 Speaker 6: studio working on My Beautiful Pain. 722 00:36:20,840 --> 00:36:26,640 Speaker 5: Yeah, yeah, I think you know, I think we we're 723 00:36:26,680 --> 00:36:29,680 Speaker 5: at a great place, man, We're at a great place 724 00:36:29,760 --> 00:36:35,000 Speaker 5: where I think now we all everybody collectively sees the 725 00:36:35,160 --> 00:36:39,400 Speaker 5: value in what we are and what we created. And 726 00:36:40,239 --> 00:36:43,640 Speaker 5: it's again, it's this resurgence of just that feeling of 727 00:36:43,920 --> 00:36:45,960 Speaker 5: R and B. And so you got you got two 728 00:36:46,040 --> 00:36:50,040 Speaker 5: guys from the nineties who got classicalogs. You got me 729 00:36:50,160 --> 00:36:52,600 Speaker 5: coming in from the two thousands, who came came up 730 00:36:52,719 --> 00:36:57,360 Speaker 5: under these guys, and and people are hungry and thirsty 731 00:36:57,440 --> 00:37:00,560 Speaker 5: for that. And so you're going to see h You're 732 00:37:00,600 --> 00:37:04,480 Speaker 5: going to see some T G T you know. Fortunately, 733 00:37:05,320 --> 00:37:08,239 Speaker 5: thank god, you're gonna get that album. No, I don't 734 00:37:08,239 --> 00:37:10,719 Speaker 5: know if we have an album, but we do have 735 00:37:11,040 --> 00:37:13,560 Speaker 5: We do have a couple of moments. Yeah, that that 736 00:37:13,640 --> 00:37:15,800 Speaker 5: we're lining up that are gonna be very special. So 737 00:37:15,920 --> 00:37:18,880 Speaker 5: that's all. That's all I can really really say about that. 738 00:37:19,239 --> 00:37:20,319 Speaker 6: And I saw you the other night. 739 00:37:20,400 --> 00:37:22,120 Speaker 4: Man, I forgot don't know where y'all was at the 740 00:37:22,200 --> 00:37:25,960 Speaker 4: Flavor flav was singing. He was what was so I 741 00:37:26,000 --> 00:37:26,919 Speaker 4: forgot what he was singing? 742 00:37:27,080 --> 00:37:30,160 Speaker 5: Was it we were honoring, they were honoring. I don't 743 00:37:30,160 --> 00:37:33,760 Speaker 5: want to get this wrong to be I don't remember 744 00:37:33,800 --> 00:37:36,000 Speaker 5: be there. I can't, I don't I don't want to 745 00:37:36,040 --> 00:37:38,480 Speaker 5: mess up the name of the organization. Seana hit me. 746 00:37:38,920 --> 00:37:41,120 Speaker 5: It was like, we're honoring Jimmy, jam and Terry Lewis 747 00:37:41,800 --> 00:37:44,719 Speaker 5: and we need you to do what you do. And 748 00:37:44,800 --> 00:37:46,560 Speaker 5: I was like, cool, I'm in. You say, Jimmy, Jaime 749 00:37:46,560 --> 00:37:48,160 Speaker 5: and Terry Lewis, I'm in. I don't. I don't care 750 00:37:48,200 --> 00:37:51,279 Speaker 5: what it is. And so we're honoring them and and 751 00:37:51,640 --> 00:37:55,000 Speaker 5: and Babyface is there, and you know, I don't want 752 00:37:55,040 --> 00:37:59,080 Speaker 5: to pressure baby Face to sing, but he's there, and 753 00:37:59,160 --> 00:38:02,279 Speaker 5: I'm like, Babyface, if you want to sing, you can, 754 00:38:02,520 --> 00:38:05,120 Speaker 5: you don't have to. And they started playing one of 755 00:38:05,160 --> 00:38:07,319 Speaker 5: his songs and we were singing in faces like na, na, 756 00:38:07,400 --> 00:38:10,560 Speaker 5: let me let me handle that. He started singing, just 757 00:38:10,600 --> 00:38:13,720 Speaker 5: Slaver Flavs just came out of nowhere and just started 758 00:38:13,880 --> 00:38:14,799 Speaker 5: and just started singing. 759 00:38:14,960 --> 00:38:16,399 Speaker 6: You look surprised that he could hold a note. 760 00:38:17,719 --> 00:38:20,800 Speaker 5: No, if that wasn't surprise, it was just like that. 761 00:38:20,920 --> 00:38:22,319 Speaker 6: Think about it, like, why did you take the mic 762 00:38:22,360 --> 00:38:23,439 Speaker 6: from Babyface to give it a flavor? 763 00:38:25,840 --> 00:38:30,719 Speaker 5: My thing is Babyface is singing all right, and and 764 00:38:31,000 --> 00:38:36,200 Speaker 5: Flavor Flame has the gall and audacity to take the 765 00:38:36,280 --> 00:38:41,399 Speaker 5: micro to run up and started singing against the baby Face. 766 00:38:44,600 --> 00:38:46,720 Speaker 6: Why didn't you stop it? That's why the game need referees. 767 00:38:46,880 --> 00:38:47,759 Speaker 6: You're supposed to stop that. 768 00:38:47,880 --> 00:38:52,480 Speaker 5: Right then you're big enough to stopping pos at that moment, right, 769 00:38:53,160 --> 00:38:57,399 Speaker 5: It only goes one way. It only looks like disrespect 770 00:38:58,800 --> 00:39:01,480 Speaker 5: in front of that many people. You know what I'm saying, 771 00:39:01,600 --> 00:39:05,320 Speaker 5: Like now it's now it's flavor Flake. He is Flavor Flake. 772 00:39:06,160 --> 00:39:07,319 Speaker 5: Let's not discredit him. 773 00:39:07,360 --> 00:39:08,239 Speaker 6: He is who he is. 774 00:39:08,920 --> 00:39:10,759 Speaker 5: And then I run up on him saying, nigga, baby 775 00:39:10,800 --> 00:39:12,440 Speaker 5: Face singing, hold on right now, nigga, hold on, hold on? 776 00:39:12,640 --> 00:39:14,399 Speaker 6: Didn't he just respect baby facing away? 777 00:39:15,880 --> 00:39:24,319 Speaker 5: Baby Face has to fight that battle. Listen, and don't 778 00:39:24,400 --> 00:39:27,160 Speaker 5: think that if baby Face felt the way, he wouldn't 779 00:39:27,200 --> 00:39:32,160 Speaker 5: have handled it. Babyfaces, listen. The songs are nice and 780 00:39:32,360 --> 00:39:36,279 Speaker 5: soft and meek. Baby Face is not. He's a nice guy, 781 00:39:36,360 --> 00:39:40,080 Speaker 5: but he's nobody sucking. I promise you if he felt 782 00:39:40,160 --> 00:39:42,799 Speaker 5: the way, and he would have and I was kind 783 00:39:42,800 --> 00:39:45,520 Speaker 5: of following his lead, the baby Face would have looked 784 00:39:45,600 --> 00:39:48,560 Speaker 5: like he wasn't feeling it, then we would have handled 785 00:39:48,600 --> 00:39:50,160 Speaker 5: that way. But he was. It was all in good fun. 786 00:39:51,840 --> 00:39:52,120 Speaker 5: R and B. 787 00:39:52,320 --> 00:39:52,600 Speaker 6: Money. 788 00:39:52,680 --> 00:39:55,799 Speaker 1: The vault is out vault again. The vault is out 789 00:39:55,920 --> 00:39:59,000 Speaker 1: right now, and we appreciate you for joining six yes, right. 790 00:39:59,480 --> 00:40:02,919 Speaker 5: Yeah, So what's that right now? Right right now? Okay, 791 00:40:03,320 --> 00:40:04,959 Speaker 5: are you gonna what do you? What are you gonna 792 00:40:05,000 --> 00:40:05,719 Speaker 5: do with this music? 793 00:40:06,239 --> 00:40:07,080 Speaker 8: You already know what I'm doing. 794 00:40:07,080 --> 00:40:08,920 Speaker 7: I got I can't ain't too much I can do 795 00:40:09,000 --> 00:40:10,600 Speaker 7: right now because I can't get pregnant. 796 00:40:10,360 --> 00:40:11,319 Speaker 8: Twice and one. 797 00:40:11,440 --> 00:40:13,080 Speaker 5: You know how far along are you? 798 00:40:14,080 --> 00:40:15,959 Speaker 8: Five months? I'm about to be six five months. 799 00:40:16,120 --> 00:40:17,200 Speaker 5: Yeah, that's a good time. 800 00:40:17,520 --> 00:40:23,879 Speaker 8: Yeah, I'm still I'm still money a good time. I'm 801 00:40:23,880 --> 00:40:25,800 Speaker 8: still moving, toodie. 802 00:40:26,280 --> 00:40:28,720 Speaker 2: Let me tell you something. My wife is pregnant. 803 00:40:28,760 --> 00:40:32,680 Speaker 6: Some of the best, best time, some of the best crazy. 804 00:40:35,480 --> 00:40:39,319 Speaker 2: Oh my god, it's something extra in there. 805 00:40:39,719 --> 00:40:39,920 Speaker 4: It is. 806 00:40:40,080 --> 00:40:41,160 Speaker 6: Can I swim in your ocean? 807 00:40:45,080 --> 00:40:49,920 Speaker 8: That's right. I know people I put on money. It's 808 00:40:49,960 --> 00:40:50,480 Speaker 8: a skip. 809 00:40:50,760 --> 00:40:51,840 Speaker 2: It's like an ointment. 810 00:40:52,840 --> 00:40:56,680 Speaker 3: All right, take about right now, it's take It's the 811 00:40:56,760 --> 00:40:57,480 Speaker 3: Breakfast Club. 812 00:40:57,560 --> 00:40:58,040 Speaker 1: Good morning 813 00:41:00,000 --> 00:41:01,600 Speaker 5: In the morning at the Breakfast Club.