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Speaker 1: Wow, Donald Wow. And on a day when we have

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Speaker 1: Neil Flynn on, like, I'm all excited. I've been pounding

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Speaker 1: energy drinks and here I am. I'm ready to go.

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Speaker 1: And you know, Donald phase on, do you want to

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Speaker 1: tell everyone why you're so late? I made a mistake

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Speaker 1: and tried to download the new Apple whatever it is. Yeah,

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Speaker 1: the software two hours before. This computer it's pretty old.

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Speaker 1: It's a MacBook Pro. But it's an old computer. You know,

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Speaker 1: it's an older model of the MacBook Pro. Right, So

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Speaker 1: I am now twenty minutes later. Yeah, we got Neil Flynn.

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Speaker 1: He's like sitting in a holding room. Yeah, we put

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Speaker 1: him in the holding We put him all in the

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Speaker 1: holding cell. Yeah, we put Neil in a holding cell.

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Speaker 1: And he's just sitting there. He's probably gonna keep, probably

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Speaker 1: gonna walk out soon. I hope Neil doesn't walk out.

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Speaker 1: First of all, how's everybody doing. We were just chatting.

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Speaker 1: We had a great chat waiting for you. What were

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Speaker 1: you chatting about. We were talking about just our lives

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Speaker 1: and what's happening and how Joel has a huge Twitter following.

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Speaker 1: I didn't know about. Yeah, did this just happened because

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Speaker 1: of the podcasts? Are or novels. Joel, Joel, what's your handle?

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Speaker 1: We should we should blow it up even more. Yeah,

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Speaker 1: my handles at Joel Monique on the twitters and the instagrams.

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Speaker 1: And I was a writer before I came to you guys,

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Speaker 1: and I would do a lot of critiquing of like

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Speaker 1: television shows and movies. I think my Watchman interviews are

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Speaker 1: probably when I'm most famous for Toronto International Film Festival.

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Speaker 1: Just retweeted those yesterday. But yeah, come talk to me

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Speaker 1: about nerdy and political things. It's good times. Well, well

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Speaker 1: you're you're you're a Watchman fan? Oh fuck it? From

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Speaker 1: the graphic novel era. The TV show really killed it?

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Speaker 1: Did you not like the movie? The movie was my introduction,

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Speaker 1: and I find that it has some things that are

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Speaker 1: very intriguing and interesting about it, but overall, I don't

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Speaker 1: think it holds up to like the quality that is

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Speaker 1: the original graphic novel. Right, the graphic novel has more.

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Speaker 1: And I love the TV show Man. I thought that

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Speaker 1: was incredible and brilliant. They want a Peabody this morning

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Speaker 1: and so relevant to today when you see these when

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Speaker 1: you see what's a was happening in the news, And

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Speaker 1: also like cops with their face masks on. Um. I

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Speaker 1: can't but help but think of watching The Watchman. I

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Speaker 1: was like, wow, yeah, And I saw someone at an

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Speaker 1: article that was like, um, Watchman was just a few

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Speaker 1: months too early or something like that. Someone. Yeah, they

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Speaker 1: got it right, they got it right, they predicted it. Listen,

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Speaker 1: I would love to banter with you and tell you

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Speaker 1: how much I smell because I forgot to put on

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Speaker 1: deodorant and uh and I'm I'm glad that we're on

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Speaker 1: a zoom call, so you guys aren't offended. But we

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Speaker 1: got Neil Flint sitting all right. Well, then hold on,

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Speaker 1: watch a second. How about this fo six seven eight

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Speaker 1: stories about show? We made about a bunch of nurses

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Speaker 1: stories Yet here, yet here. You know, I don't think

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Speaker 1: that you deserve to five six seven eight when you're

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Speaker 1: this late. I did it already, so I know. But

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Speaker 1: I just want to submit to the to the to

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Speaker 1: the to the to the Scrubs podcast rule book that

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Speaker 1: you are when you're this late. You don't get to

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Speaker 1: five six seven eight, you're punished. When when did we

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Speaker 1: get a rule book? You know, when I was a kid,

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Speaker 1: I'm going to camp. I was so nerdy and this

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Speaker 1: was back in a day when they would let you

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Speaker 1: do this. But on the on the school bus to camp,

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Speaker 1: I would sit in the front seat and as the

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Speaker 1: bus mike. As the bus pulled in for each stop,

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Speaker 1: the bus driver would allow me to operate the mechanism

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Speaker 1: that opened up the school bus door, and I thought

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Speaker 1: I was the coolest mofo in the world as the

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Speaker 1: door operator. Now, this is my point, was that I

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Speaker 1: got in trouble one day at camp and the counselors

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Speaker 1: told the bus driver that I had been bad and

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Speaker 1: I was not allowed to operate rate the door that day,

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Speaker 1: and I was crushed. I was I sat and pounded,

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Speaker 1: and I just feel that that should be something like

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Speaker 1: your punishment. You don't get into five six seven eight

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Speaker 1: when you've been naughty. But I already five six seven eight.

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Speaker 1: I know. Wow, I'm just trying to lay down the rules.

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Speaker 1: Maybe Joel can can start to make like a Bible

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Speaker 1: of sorts of the rules of the show. Okay, how

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Speaker 1: old were you and all of this happened? This was

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Speaker 1: last year, and I'm just no, I don't know day camp.

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Speaker 1: How old you at day camp? Seven eighty? Shit? Well,

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Speaker 1: then yes, I can understand. I was five six seven eight. No,

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Speaker 1: I'm just kidding. All right, Let's bring in Neil Flynn. Dan.

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Speaker 1: Push the button, Ladies and gentlemen give it up. Four. Yeah, Hi,

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Speaker 1: Neil Flynn. How's it going going? Well? Excellent? Are he

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Speaker 1: is there? High? Neil? This is a Joel and I

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Speaker 1: think you met Dan briefly. Yes. I was teaching him

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Speaker 1: about computers and things like that. It's so good to

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Speaker 1: see you, man. It is good to see you too.

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Speaker 1: Donald's literally in the closet, good man, I am literally

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Speaker 1: in the closet. It started. It started Neil because it

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Speaker 1: was it was the best place for sound, because it

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Speaker 1: had all his clothes as a sound dampening thing. And

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Speaker 1: then he realized that he could hide from his family

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Speaker 1: in there. So he goes there sometimes even when we're

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Speaker 1: not recording the podcast, to escape his his children. This

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Speaker 1: is the this is the safest place in my house.

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Speaker 1: My kids don't find my clothes amusing or interesting enough

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Speaker 1: to want to hang out in the closet, so I

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Speaker 1: can't say I ever found my father's clothes amusing. Uh. Well,

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Speaker 1: any of your kids big enough to wear your clothes? Now? No?

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Speaker 1: I no? Thank good? Well, yeah, well, yeah, I have

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Speaker 1: an eighteen year old with us, but he doesn't necessarily

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Speaker 1: like the clothes I wear. He's more into that supreme

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Speaker 1: style and stuff like that. Me personally, I you know,

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Speaker 1: I've dumbed down my gear a little bit and now

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Speaker 1: I'm a golf shirt and shorts kind of guy. And

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Speaker 1: so what you see behind me, there's a bunch of

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Speaker 1: golf shirts and then my shorts are over there. That Neil,

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Speaker 1: that was your probably first and last tour ever of

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Speaker 1: Donald's clothes. Yeah, yeah, well you know you asked, but

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Speaker 1: I do. I do remember. I do remember when my

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Speaker 1: father's clothes became interesting to me and I wanted to

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Speaker 1: wear all of his gear. And I would go into

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Speaker 1: my dad's closet and take his shirts which were oversized

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Speaker 1: for me, which at the time was really cool. And

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Speaker 1: he had like a bunch of designer things that I didn't,

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Speaker 1: you know, he had like back in the day when

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Speaker 1: Jabbow was really popular, or you know, shirts like that.

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Speaker 1: And I remember going in his close Sergio Tacchini. Do

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Speaker 1: you remember those? No? I remember, No, I don't. I

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Speaker 1: was like the sweatsuit sweatsuit, okay, but I remember going

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Speaker 1: in his closet and taking a really expen shirt and

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Speaker 1: wearing it outside and ripping it and being like, oh shit,

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Speaker 1: my dad's gonna kill me. My dad's gonna kill me,

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Speaker 1: and uh having to tell him. And my dad didn't

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Speaker 1: come home all the time, right, So my dad would

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Speaker 1: leave in the morning and then come back maybe you

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Speaker 1: know three four days later. You know, that's just how

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Speaker 1: my dad rolls, um and and and uh. I remember

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Speaker 1: having to wait for him to come home to tell

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Speaker 1: him that I ripped one of his really expensive shirts.

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Speaker 1: And he wasn't too beat up about it, but I

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Speaker 1: remember the fear for three days I had to wait,

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Speaker 1: and you know, my mom being like, he's gonna kick

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Speaker 1: your ass and me being like, oh god. And then

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Speaker 1: like playing playing something stupid, like we were playing in

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Speaker 1: a on a jungle gym and we would play tag

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Speaker 1: where you couldn't touch the ground, and the jungle gym

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Speaker 1: was huge, was big enough for you to jump from

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Speaker 1: you know, the slide to you know, uh one of

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Speaker 1: the houses or wooden houses or something. Shit. You were

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Speaker 1: a kid, Yeah, I was a kid wearing my dad's

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Speaker 1: oversized expensive shirt. What made you think, like, you know what,

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Speaker 1: I'm gonna rock to the Jungle gym today is Dad's

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Speaker 1: expensive shirt. I just, you know, because everybody was wearing jabbow,

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Speaker 1: you know what I mean. And I thought, well, if

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Speaker 1: he has a shirt, I can go outside and I'll

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Speaker 1: have this really crisp and it was like and it

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Speaker 1: was fucked up to the fucked up thing was it

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Speaker 1: was like in plastic and had just come from the

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Speaker 1: cleaners and stuff. Kind of knew. I kind of knew,

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Speaker 1: like dude, right, and I made a mistake. It's one

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Speaker 1: of those things like I watched my kids now do

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Speaker 1: to shit where it's like, what were you thinking, why

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Speaker 1: would why would you even do something like that? And

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Speaker 1: their answers I don't know, And that was my answer too.

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Speaker 1: I don't know, yep, it's just impulsive, impulsive. My sister

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Speaker 1: went I went close shopping. I remember, I was in

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Speaker 1: like fourth grade and it was the height of I

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Speaker 1: don't know if you remember guest jeans. Um it was

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Speaker 1: like the height of guest jeans and for mostly for women.

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Speaker 1: I think at the time, I'm guessing because my sister

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Speaker 1: convinced me and my mom that I should wear guest

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Speaker 1: jeans as well in fourth grade and they were very uh,

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Speaker 1: you could always tell they were guest jeans because they

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Speaker 1: had a triangle on the on the back, on the

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Speaker 1: back jean pocket. So I thought, Okay, you know, I'm

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Speaker 1: not much of a style guy. I'm more of a

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Speaker 1: sweatpants T shirt kid, but you know, okay, I'll try

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Speaker 1: this out for a full day. I was bullied by

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Speaker 1: essentially the entire school. Children of all ages and grades

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Speaker 1: came by to point and laugh at me and my

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Speaker 1: guest jeens because they were considered like girl jeans or

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Speaker 1: a girl a girl and expensive I think they were.

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Speaker 1: They were like remember them being like fifty bucks or

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Speaker 1: maybe a hundred bucks whatever whatever they I mean, it

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Speaker 1: was like too expensive for a kid to have any way,

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Speaker 1: But I think it's fourth I don't know, I don't know.

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Speaker 1: I regret it to this day. I when Donald started

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Speaker 1: talking about his his story, I felt the pain in

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Speaker 1: my heart from literally the It's like it's like it's

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Speaker 1: like what's his name on on the Simpsons going Hey,

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Speaker 1: it was literally that for a full day of school.

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Speaker 1: So then I go home. I go home in tears

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Speaker 1: and I tell my mom, like, I hate these jeans.

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Speaker 1: I'm so everyone made fun of me all day long,

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Speaker 1: and I fucking hate these jeans. And she was like, well,

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Speaker 1: you know we're gonna do Zach. Those stream teens are

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Speaker 1: perfectly fine. We're gonna take my little stitch cutter and

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Speaker 1: we're gonna cut the triangle off off the pocket. Well

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Speaker 1: she did that, and they still had the marking of

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Speaker 1: where the triangle was. Yeah, now you have some sort

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Speaker 1: of knockoffs, Jean. Yeah exactly, but yeah it's worse exactly, Neil.

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Speaker 1: Now I'm wearing black Market guest Team. Well, he'll thank

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Speaker 1: you for coming on. We Donald and I started started

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Speaker 1: doing this silly little thing, and both of us, Um,

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Speaker 1: when we post about it on Instagram and Twitter, I

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Speaker 1: would say that like sixty percent of the comments people

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Speaker 1: are right, right or when are you having Neil Flynn

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Speaker 1: on Um, So you are very beloved by beloved or

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Speaker 1: beloved by either one by the people, either one. It's

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Speaker 1: like divisive and divisive. All of a sudden, divisive became

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Speaker 1: divisive because that's how Barack Obama pronounced it. Really Yeah,

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Speaker 1: people say divisive. I'd never heard it pronounced that way

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Speaker 1: before Obama. Well you know, if Obama said it happened. Yeah.

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Speaker 1: Now I'm switching up. I'm switching a few years. It's

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Speaker 1: a few years late, but I'm changing, switching it up,

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Speaker 1: switching it up. If he starts wearing Jabo shirts, that's

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Speaker 1: what he probably does wear guest jeans, though he's a

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Speaker 1: stylish guy. I don't know if they're still in style anymore.

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Speaker 1: I don't know if. Yeah, I'm not sure how big guessing.

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Speaker 1: I don't think I know somewhere, somebody the CEO of

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Speaker 1: guesses like, we're still at here, We're still We're gonna

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Speaker 1: get Donald and I are going to get send guests

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Speaker 1: Geene in the mail, because sometimes when we mentioned things

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Speaker 1: on here, we get set in the mail. I got

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Speaker 1: a care package from Omission. I have to tell him, Neil,

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Speaker 1: that's really lame in Hollywood to say, but I don't

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Speaker 1: eat gluten, and but I love beer. And so there's

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Speaker 1: a really good pale ale called Omission, which I mentioned

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Speaker 1: because we were all talking about beer. They set me

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Speaker 1: not only a beautiful care package of Omission beer, but

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Speaker 1: an Omission backpack. I've yet to receive any of this.

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Speaker 1: When you come to school in the backpack, I'm going

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Speaker 1: to make fun of you. I've got a Mission backpack.

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Speaker 1: You're gonna be like, Zach, please tell me you're not

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Speaker 1: wearing a gluten free beer backpack. I don't really even

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Speaker 1: know what that is. Gluten, but I think you can

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Speaker 1: get away with not even gluten in Hollywood. Yeah you can.

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Speaker 1: It's just when I this podcast has listened all over

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Speaker 1: the world, whenever I mentioned it, I cringe because I

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Speaker 1: know people are like, oh, what a Hollywood tool. You know.

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Speaker 1: I thought that sparkling water was universal. You go places

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Speaker 1: in like Texas and you'll be like, can I get

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Speaker 1: some sparkling water? And they're like, we don't have that.

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Speaker 1: You can say club soda. Maybe I went to someplace

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Speaker 1: and they were like, we do have club soda. Yes,

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Speaker 1: what's the clubference between club soda and sparkling water? Does

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Speaker 1: anybody know club soda is carbon and sparkling water is sodium?

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Speaker 1: If I if I'm no, no, Neil knows. No, You're right,

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Speaker 1: I have a cat. Okay, And of course they listen

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Speaker 1: when you're saying no, yeah, but he's oh, you were

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Speaker 1: saying no to the cat. I thought you were. I

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Speaker 1: thought you were heavily. I thought you were very clearly

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Speaker 1: opining on Donald's no, no, no no. And then I

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Speaker 1: was waiting for you to go into your explanation, but

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Speaker 1: you never Just no, don't go and try to give

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Speaker 1: me that club soda story. All right, Wait, Joel is

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Speaker 1: letting us know. Club soda is artificially infused with carbon

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Speaker 1: and mineral salts. Similarly, seltzer is artificially carbonated but generally

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Speaker 1: does not contain any added minerals. Sparkling mineral water, on

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Speaker 1: the other hand, is naturally carbonated from a spring or well,

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Speaker 1: how was something naturally carbonated? I don't know, dude, carbon

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Speaker 1: gets into it? I don't know. Yeah, I guess. Well

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Speaker 1: that was a very thorough explanation, but I still don't

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Speaker 1: understand it. I feel like you custom cut and pasted

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Speaker 1: that though from she and just freehand type that she

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Speaker 1: just got it off the web, you know, speaking of

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Speaker 1: places that don't have things. We're in some backwoods plays

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Speaker 1: touring with a show and we stopped it kind of

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Speaker 1: a dairy queen type of thing, but sort of in

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Speaker 1: love a forest for some reason. And one of the

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Speaker 1: girls with us, she's going to get a cheeseburger. She says,

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Speaker 1: what kind of cheese do you have? I think it's

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Speaker 1: somewhere in Michigan. And the person literally goes cheese. It's square,

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Speaker 1: it's orange, and it's fa That person went home and

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Speaker 1: told her family, you wouldn't believe what this girl, I

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Speaker 1: made a kind of cheese. It's it's cheese. So all right, Neil,

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Speaker 1: I was gonna do it. No, you do it, you

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Speaker 1: do it? No, no, no, go ahead. I was just

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Speaker 1: gonna be. I was just gonna be like, I was

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Speaker 1: just gonna say this, Neil, You're one of the few

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Speaker 1: people in the history of television. There's like a handful

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Speaker 1: of people that went from a show that ran for

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Speaker 1: eight years to a show that ran for eleven years.

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Speaker 1: What did the middle eleven nine to a nine year

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Speaker 1: seventeen years? Seventeen years straight on television? Man? And that

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Speaker 1: actually and then actually, Neil, you went onto another show

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Speaker 1: right away, right, So you did eight and then that

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Speaker 1: one didn't last, right, But you did eighteen years in

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Speaker 1: a row on TV. Yeah, yes, that might be a

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Speaker 1: record that You've got to be on a very short list.

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Speaker 1: It has to be baby show. But if they're whatever

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Speaker 1: the list is, however long it is, I am the

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Speaker 1: least famous person on it. That's not true. I disagree.

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Speaker 1: I disagree. No, that's true, but it's just well, you know,

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Speaker 1: I was trying for a long time before Scrubs came along,

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Speaker 1: and then I finally the door opened, you know, and

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Speaker 1: I got let into the party, and luckily enough, I

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Speaker 1: just stayed. Now tell us Neil, that's a good segue

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Speaker 1: into because whenever we have the cast members on, we

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Speaker 1: try and we've all sort of told our stories of

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Speaker 1: how he got on the show, and Bills sold a

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Speaker 1: really funny story about you and which I'll let you

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Speaker 1: tell or your version of it, because he was talking

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Speaker 1: about how you initially read for Cox and and then

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Speaker 1: when he said you wanted to be the janitor, you

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Speaker 1: said something like, but I'll still have a stethoscope, right

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Speaker 1: or something. Yeah, Well, Build tends to doing Belish's story.

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Speaker 1: Oh really yeah, over time. I know if you were

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Speaker 1: to Build, if you've heard a Bill story like at

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Speaker 1: the beginning, and then what it's like in two years,

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Speaker 1: it's it's like the ultimate game of telephone. It's become

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Speaker 1: something exaggerated. But yes, and I thought before, what kind

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Speaker 1: of person just takes his story and changes it improves it?

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Speaker 1: Possibly a comedy writer. It kind of makes sense. But

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Speaker 1: you know what was going on for you before, like

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Speaker 1: what were you up to you before Scrubs? And then

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Speaker 1: how did you come to be on Scrubs? Well, I

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Speaker 1: kind of just say you had done a bunch of

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Speaker 1: movies though in Chicago and stuff like that, small parts, small,

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Speaker 1: nothing of any significance. But the baseball movie that you did.

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Speaker 1: You were one of the key players in that in

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Speaker 1: that movie Rookie of the Years, correct, right right? And yeah,

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Speaker 1: the out part in Major League as well. I was

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Speaker 1: doing baseball movies only, you know, I went into not

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Speaker 1: even read, but years ago whenever they would have made

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Speaker 1: eight men out. I somehow got a chance to be

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Speaker 1: one of the baseball players. And I went in and

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Speaker 1: she said, so do you a baseball I said yeah.

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Speaker 1: She said do you really? You know, like she pushed me.

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Speaker 1: I said, well, it's not like I could have been

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Speaker 1: a pro, you know, And I saw her face fall.

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Speaker 1: She lost interest in media. I'm twenty five years old.

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Speaker 1: If I could have been a pro, i'd be a pro.

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Speaker 1: And then I see the movie and there's the baseball

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Speaker 1: players they're playing catch. Yeah, it sounds like doing the

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Speaker 1: movie growing the ball back and forth. We we only

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Speaker 1: got pros for this, you know, anyway. So I wasn't

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Speaker 1: in that Baseball movie, but I was just doing little

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Speaker 1: little parts of you Can Get I was starting to

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Speaker 1: get star on things a little bit, and uh, and

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Speaker 1: then this came up. I actually, I feel like I've

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Speaker 1: told this story before. It's okay to repeat yourself. Yes, yeah, man,

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Speaker 1: are our fans might not know it, and I'm sure

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Speaker 1: they'll love the story. Okay. I was doing guest stars

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Speaker 1: on things, and where's the first half of my career.

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Speaker 1: I'd been kind of a straight actor, kind of a

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Speaker 1: drama leaning drifted over onto the comedy side, and thank

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Speaker 1: goodness I did, because that's where things opened up. I

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Speaker 1: had done an episode of Drew Carey and Krista Miller

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Speaker 1: was on that show, and shortly afterwards friends of mine

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Speaker 1: said that they're going out to dinner with Chris Miller

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Speaker 1: and her new husband, who turns out was Bill Lawrence.

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Speaker 1: And I said, years ago, I met a Bill Lawrence.

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Speaker 1: We played on the same basketball team out here right

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Speaker 1: before I left and went back to Chicago, and he

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Speaker 1: was the same guy, and so we you know, I

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Speaker 1: went to their house for drinks or whatever. And then

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Speaker 1: within a month or two he had this show that

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Speaker 1: he had created, and so I got called in and

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Speaker 1: I said, thanks for calling me in. He said, I didn't.

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Speaker 1: I didn't give him your name. They because the same

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Speaker 1: people that directed to Drew Carey, I think cast Scrubs. Anyways,

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Speaker 1: So then I read the doctor Cox and he said

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Speaker 1: that was good. You're not going to get this part.

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Speaker 1: I already know who I'm going to give it to.

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Speaker 1: I said, oh, well, that's you know, fair enough, and

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Speaker 1: he says, but you want to read this. He hands

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Speaker 1: me two pages and it's the scene with the janitor

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Speaker 1: and JD at the door, and he goes, good, you

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Speaker 1: want to do that? So sure you know it's a job.

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Speaker 1: As a job, that's all I've been doing. It's five

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Speaker 1: hundred bucks or whatever it is for the day. And

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Speaker 1: and then I think what was significant is between doing

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Speaker 1: the pilot and that's all I was promised the janitor

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Speaker 1: wasn't going to do anything else. Bill came to and

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Speaker 1: saw an imple prov show that I did, and he

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Speaker 1: enjoyed it and learned I don't know that I could

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Speaker 1: think on my feet, and I think this made all

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Speaker 1: the difference that probably the first scene of the next

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Speaker 1: episode when the show got picked up we rehearsed it,

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Speaker 1: he goes, yeah, good, and then if you think of

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Speaker 1: something else, just throw it in, do it, do it?

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Speaker 1: Take that or we would goof around in rehearsal. You

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Speaker 1: would say good, keep that remember. And so that for me,

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Speaker 1: considering it was a pretty small part. That was uh,

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Speaker 1: that made all the difference if I got to have

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Speaker 1: such latitude. What was amazing for for me watching you

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Speaker 1: was Bill's respect for how understandably for how funny you were,

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Speaker 1: because you know, with everyone else, he would, you know,

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Speaker 1: the rule on Scrubs was kind of like, okay, you know,

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Speaker 1: make sure you get it as written, and then if

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Speaker 1: you guys have time, you can you can mess around

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Speaker 1: a little bit. And and and and you know, and

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Speaker 1: and and and we all did that. We all would

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Speaker 1: would come up with stuff. But with Neil, Bill would

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Speaker 1: just be like, all right, Neil, you can make something

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Speaker 1: funnier than this, So what do you what do you

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Speaker 1: want to say? And and and invariably Neil would just

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Speaker 1: come out and sometimes they were long and like and

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Speaker 1: and Bill would put them in, but they were I mean, Neil,

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Speaker 1: I you know, all my stuff was with you the

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Speaker 1: first season, and I just I don't think I ever last. Sorry,

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Speaker 1: that's what I meant to say. I was just I'd

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Speaker 1: never really worked with anyone like that. I never worked

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Speaker 1: I mean, I was so blown away by you because

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Speaker 1: I had never I mean it was my first big job, obviously,

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Speaker 1: but even in my other stuff I had done, I

403
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Speaker 1: had never worked with someone who could think so quickly

404
00:22:03,800 --> 00:22:05,879
Speaker 1: on their feet and would just be adding stuff that was,

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Speaker 1: with all due respect to Bill, even finalier than what

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Speaker 1: was written on the page. And Bill said, if it's

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Speaker 1: funnier than what I wrote, that's fine. People will think

408
00:22:15,119 --> 00:22:18,920
Speaker 1: I wrote it. Yeah, So he was fine with that. Yeah,

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Speaker 1: Well I appreciate that compliment. And it was a I think,

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Speaker 1: very rare a situation that that unfolded the way it did.

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Speaker 1: And when when that show ended and they went on

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Speaker 1: to the middle, I said, well, this is great. The

413
00:22:34,080 --> 00:22:37,240
Speaker 1: only the only bad part will be if they're sticklers

414
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Speaker 1: about the script, because I'm not used to that, and

415
00:22:40,160 --> 00:22:43,359
Speaker 1: they were sticklers about this, and I had a lot

416
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Speaker 1: more to say. That must have been so frustrating for you,

417
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Speaker 1: because I mean, I just can't one thing about Bill.

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Speaker 1: We always joke about his ego and how competitive he is,

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Speaker 1: but he really always he was very open to people contributing.

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Speaker 1: That's not to say, you know, he was the editor ultimately,

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00:22:57,800 --> 00:22:59,400
Speaker 1: and he would decide what was in and what wasn't.

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Speaker 1: And sometimes we thought stuff was hilarious that he wouldn't

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Speaker 1: use it. But he was very open to everybody collaborating.

424
00:23:06,000 --> 00:23:07,639
Speaker 1: And then it's like Neil said, he goes on to

425
00:23:07,880 --> 00:23:10,280
Speaker 1: another show and they're like, great, we just want you

426
00:23:10,320 --> 00:23:13,159
Speaker 1: to say exactly what's written, and you can't. You know,

427
00:23:13,240 --> 00:23:15,200
Speaker 1: if I hear that story and I go, what were

428
00:23:15,200 --> 00:23:19,520
Speaker 1: you thinking? I mean, you you contributed so much to

429
00:23:20,200 --> 00:23:22,560
Speaker 1: the humor of Scrubs. I just can't believe. It's like

430
00:23:22,720 --> 00:23:26,440
Speaker 1: not letting a racehorse run. Well, you know, the difference

431
00:23:26,800 --> 00:23:31,280
Speaker 1: if it's a racehorse is running around and someone says, okay,

432
00:23:31,359 --> 00:23:33,639
Speaker 1: I can see that you're very fast. This is a farm,

433
00:23:35,320 --> 00:23:40,440
Speaker 1: we need you to pull that plot running gets it.

434
00:23:40,960 --> 00:23:44,280
Speaker 1: The difference is the tone of the show. Our Scrubs,

435
00:23:44,320 --> 00:23:46,480
Speaker 1: even though it had it's nice, uh you know, it

436
00:23:46,520 --> 00:23:49,640
Speaker 1: could turn on a dime and be heartfelt and sincere

437
00:23:49,680 --> 00:23:52,040
Speaker 1: in that. Other than that, and much of it, it

438
00:23:52,119 --> 00:23:55,600
Speaker 1: wasn't very grounded. It was well, all the fantasies and stuff.

439
00:23:55,600 --> 00:23:58,639
Speaker 1: I mean it was very and the janitor could have

440
00:23:58,680 --> 00:24:02,080
Speaker 1: turned out to be a Martian. Okay, sure, I guess true.

441
00:24:04,200 --> 00:24:07,120
Speaker 1: I was playing a family man in Indiana. You can't

442
00:24:07,200 --> 00:24:11,679
Speaker 1: just say crazy things right right right where where one

443
00:24:11,720 --> 00:24:14,520
Speaker 1: of your specialties was just I remember that Bill told

444
00:24:14,520 --> 00:24:18,280
Speaker 1: the story about you getting one thing you improved that

445
00:24:18,359 --> 00:24:20,560
Speaker 1: he kept all in about getting into a fight with

446
00:24:20,680 --> 00:24:23,560
Speaker 1: a with a chicken. Do you remember that? Yeah, it

447
00:24:23,680 --> 00:24:26,520
Speaker 1: was a duck, I think, and a duck. I think

448
00:24:26,880 --> 00:24:29,000
Speaker 1: I feel like that was written or partly written or

449
00:24:29,080 --> 00:24:31,080
Speaker 1: mostly written, and I might have gone off a little bit,

450
00:24:31,119 --> 00:24:32,800
Speaker 1: but I think I think the start of it may

451
00:24:32,840 --> 00:24:34,919
Speaker 1: have been. But as I recall you, as you did

452
00:24:35,000 --> 00:24:37,760
Speaker 1: so many times hilariously, would just go off with it.

453
00:24:37,880 --> 00:24:39,440
Speaker 1: And so, you know, a lot of times we'd be like,

454
00:24:39,480 --> 00:24:41,320
Speaker 1: this is hilarious. I don't know if Bill's gonna put

455
00:24:41,359 --> 00:24:42,960
Speaker 1: this in the show or not, but on set we're

456
00:24:42,960 --> 00:24:45,159
Speaker 1: all fucking cracking up. And then and then it almost

457
00:24:45,200 --> 00:24:47,600
Speaker 1: invariably you'd see the episode cut together, it would be

458
00:24:47,680 --> 00:24:49,919
Speaker 1: in there. I remember one of my favorite I mean,

459
00:24:50,000 --> 00:24:51,840
Speaker 1: you and I had some I mean, I'm not just

460
00:24:51,920 --> 00:24:54,320
Speaker 1: saying this because you're here, man, I I genuinely think

461
00:24:54,440 --> 00:24:56,520
Speaker 1: and no offense. Donald, I love you to death, but

462
00:24:56,640 --> 00:24:58,920
Speaker 1: I thought, I genuinely think you You've probably made me

463
00:24:59,000 --> 00:25:03,040
Speaker 1: laugh harder than anyone and else on earth. Well wow, okay,

464
00:25:03,119 --> 00:25:08,040
Speaker 1: then I remember I remember an episode and they wound

465
00:25:08,119 --> 00:25:11,560
Speaker 1: up changing the episode. But the storyline between the two

466
00:25:11,600 --> 00:25:15,040
Speaker 1: of you was about a piece of fruit and that

467
00:25:15,240 --> 00:25:18,040
Speaker 1: you had never tried before, that that the janitor had

468
00:25:18,080 --> 00:25:25,480
Speaker 1: never tried before. And the whole storyline was you finally

469
00:25:25,600 --> 00:25:28,680
Speaker 1: getting this fruit at the end of the show and

470
00:25:29,000 --> 00:25:31,840
Speaker 1: tasting the fruit, and and I don't remember where it

471
00:25:31,920 --> 00:25:34,359
Speaker 1: went after that, but I just remember you doing a

472
00:25:34,480 --> 00:25:38,560
Speaker 1: bunch of really funny things about fruit, and then they

473
00:25:38,640 --> 00:25:40,600
Speaker 1: changed it to like a scooter or some shit like that.

474
00:25:40,840 --> 00:25:43,440
Speaker 1: I don't know what it was. Oh, you know, remember this.

475
00:25:43,560 --> 00:25:47,520
Speaker 1: This reminds me yesterday because Zach sent me an episode

476
00:25:47,520 --> 00:25:51,640
Speaker 1: of this thing to listen to with John McGinley. Yeah,

477
00:25:52,080 --> 00:25:56,960
Speaker 1: and Nick came up, what episode wasn't the Janitor in? Yes? Yeah?

478
00:25:57,960 --> 00:26:01,280
Speaker 1: Was that that episode? It's called what is it? Cups? Yes,

479
00:26:01,800 --> 00:26:03,879
Speaker 1: I think, because there was an outtake of me wiping

480
00:26:03,920 --> 00:26:07,000
Speaker 1: out on a scooter coming in the front door of

481
00:26:07,080 --> 00:26:10,359
Speaker 1: the hospital, but that had never aired because I was

482
00:26:10,520 --> 00:26:12,600
Speaker 1: that was the first season, and I was edited out

483
00:26:12,640 --> 00:26:15,480
Speaker 1: of it. And that's the only time that happened. Yeah,

484
00:26:15,520 --> 00:26:18,159
Speaker 1: I knew it. I knew, I knew, I knew as

485
00:26:18,200 --> 00:26:21,200
Speaker 1: the worst memory in the world, remembered something because I thought,

486
00:26:21,400 --> 00:26:23,600
Speaker 1: I thought the story was so funny. The fruit story

487
00:26:23,760 --> 00:26:26,200
Speaker 1: was so funny, and it was like a peach or

488
00:26:26,280 --> 00:26:29,280
Speaker 1: a p and you kept improvising different fruits when you

489
00:26:29,359 --> 00:26:31,680
Speaker 1: were telling that story. I have and I still have

490
00:26:32,000 --> 00:26:35,600
Speaker 1: no memory whatsoever of a fruit and a plot line

491
00:26:36,119 --> 00:26:40,439
Speaker 1: about fruit because I wasn't in it, so I blocked

492
00:26:40,440 --> 00:26:45,200
Speaker 1: it out of spite, Neil. One of my favorite I

493
00:26:45,280 --> 00:26:49,120
Speaker 1: have two favorite moments that always come into mind when

494
00:26:49,119 --> 00:26:51,719
Speaker 1: I think of laughing with you. The first is um

495
00:26:53,040 --> 00:26:55,320
Speaker 1: in the Wizard of Oz episode when you and I

496
00:26:56,000 --> 00:27:00,359
Speaker 1: did this whole long riff about um about seeing a

497
00:27:00,440 --> 00:27:05,880
Speaker 1: manatee on the hospital and then you said, um, I said,

498
00:27:05,960 --> 00:27:08,280
Speaker 1: is there some sort of underground canal system or something?

499
00:27:08,320 --> 00:27:11,080
Speaker 1: I think I think I saw a manatee And you said,

500
00:27:11,920 --> 00:27:16,480
Speaker 1: was his name Julian? And then I said, I don't know.

501
00:27:16,560 --> 00:27:19,920
Speaker 1: We didn't exchange pleasant tries, and you go, that's Julian.

502
00:27:23,920 --> 00:27:26,239
Speaker 1: That was good, I feel like was the writers, though

503
00:27:26,280 --> 00:27:28,520
Speaker 1: I don't know. No, no, you made that up. That

504
00:27:28,680 --> 00:27:30,560
Speaker 1: was all me and you just being silly again. It

505
00:27:30,640 --> 00:27:32,119
Speaker 1: was one of those things where we were like, I

506
00:27:32,240 --> 00:27:33,880
Speaker 1: don't think this is ever going to be in the show,

507
00:27:33,920 --> 00:27:36,440
Speaker 1: but we were just cracking each other up about there's

508
00:27:36,480 --> 00:27:38,560
Speaker 1: a manatee under the hospital and has a name, and

509
00:27:38,680 --> 00:27:42,440
Speaker 1: you you're familiar with his his social behavior. This is

510
00:27:42,480 --> 00:27:45,920
Speaker 1: what I'm talking about being able to wing it. Yeah.

511
00:27:46,440 --> 00:27:48,639
Speaker 1: I couldn't have thrown that in on the middle. I

512
00:27:48,800 --> 00:27:51,639
Speaker 1: was working on Corey Mike. It was good. There's a

513
00:27:51,680 --> 00:27:58,440
Speaker 1: many lives underground and the other I know, the other

514
00:27:58,480 --> 00:28:01,720
Speaker 1: one that you yeah, you do, go ahead. Uh it's uh,

515
00:28:02,000 --> 00:28:08,959
Speaker 1: it's it's this. It's finger thumb finger if you if

516
00:28:09,000 --> 00:28:10,760
Speaker 1: you guys want to watch on the on the scrubs

517
00:28:10,800 --> 00:28:13,399
Speaker 1: gag reel flipper reel that you can find on YouTube.

518
00:28:13,440 --> 00:28:16,200
Speaker 1: I forgot what season it is. But Neil, the janitor

519
00:28:16,440 --> 00:28:20,160
Speaker 1: as wife had made me scrubs short shorts and um

520
00:28:20,440 --> 00:28:22,400
Speaker 1: and he's like, look, I really want you to wear

521
00:28:22,480 --> 00:28:25,320
Speaker 1: these to work, and I'm like I'm like, I'm I'm

522
00:28:25,359 --> 00:28:28,840
Speaker 1: a I'm a doctor. I can't wear short shorts to work.

523
00:28:30,600 --> 00:28:33,960
Speaker 1: Scrubs cut off really high. Yeah, so high, like my

524
00:28:34,080 --> 00:28:37,520
Speaker 1: balls would have hung out of them. And then Neil goes,

525
00:28:37,640 --> 00:28:41,040
Speaker 1: the good Lord didn't bless my wife with all ten fingers.

526
00:28:41,640 --> 00:28:44,480
Speaker 1: She only has pointer on one hand and thumb pinky

527
00:28:44,640 --> 00:28:49,120
Speaker 1: on the other, meaning that that that that it had

528
00:28:49,160 --> 00:28:50,920
Speaker 1: been really hard for her to make these short shorts,

529
00:28:50,960 --> 00:28:52,959
Speaker 1: and I was disrespecting her if I didn't wear them.

530
00:28:53,080 --> 00:28:55,000
Speaker 1: And I just couldn't make it through. I could not

531
00:28:55,360 --> 00:28:59,360
Speaker 1: make it through with with Neil going pointer and thumb pinky. That's,

532
00:28:59,440 --> 00:29:03,440
Speaker 1: by the way I life. That probably doesn't exist. No, yeah,

533
00:29:03,480 --> 00:29:05,840
Speaker 1: she didn't. She didn't exist because you get married at

534
00:29:05,880 --> 00:29:08,360
Speaker 1: the end of the at the end of this true,

535
00:29:09,280 --> 00:29:12,080
Speaker 1: that's true. And Neil, you know, Neil, we've been joking

536
00:29:12,160 --> 00:29:13,840
Speaker 1: this first season. It's down like, you know, we haven't

537
00:29:13,880 --> 00:29:17,120
Speaker 1: seen these in twenty years, and as I'm sure you haven't.

538
00:29:17,160 --> 00:29:19,600
Speaker 1: And you know Bill, you know one of the Bill

539
00:29:19,760 --> 00:29:21,880
Speaker 1: is ms that he always says is you know, I

540
00:29:22,040 --> 00:29:24,040
Speaker 1: was debating season one if the Janitor was just gonna

541
00:29:24,040 --> 00:29:26,960
Speaker 1: be a figment of JD's imagination. Well, every episode we

542
00:29:27,040 --> 00:29:29,520
Speaker 1: go through, for the most part, we see little moments

543
00:29:29,560 --> 00:29:32,760
Speaker 1: where the Janitor does interact with other people, and and

544
00:29:32,840 --> 00:29:35,080
Speaker 1: every time we bring it up to Bill. We're like, so, yeah,

545
00:29:35,480 --> 00:29:37,480
Speaker 1: you're holding onto that. But you know, you know in

546
00:29:37,560 --> 00:29:40,800
Speaker 1: this episode, the janitor, you know, for example, in this one,

547
00:29:40,840 --> 00:29:45,479
Speaker 1: he offers two baseball tickets. Sorry Franklin, godbetter, who's our

548
00:29:45,520 --> 00:29:47,560
Speaker 1: who is one of our assistant directors is playing the

549
00:29:48,040 --> 00:29:52,600
Speaker 1: the the actor who sees Neil with the two tickets

550
00:29:52,640 --> 00:29:55,000
Speaker 1: and says I'll go and and Neil's like, not you.

551
00:29:55,480 --> 00:29:58,120
Speaker 1: And it's like another example of like, okay, well then

552
00:29:58,160 --> 00:30:03,240
Speaker 1: other people will see the janitor. Bill, I watched that yesterday,

553
00:30:03,360 --> 00:30:05,880
Speaker 1: that that was a moment that was added to the

554
00:30:06,160 --> 00:30:10,200
Speaker 1: script that wasn't in there. Yeah, and that you part

555
00:30:10,280 --> 00:30:12,680
Speaker 1: for Franklin. I think that might be the phone one

556
00:30:12,760 --> 00:30:14,320
Speaker 1: of the only times. I mean you might now he

557
00:30:14,400 --> 00:30:16,720
Speaker 1: dressed up like the bunny. Remember Franklin dressed up like

558
00:30:16,760 --> 00:30:18,920
Speaker 1: a bunny. No, I'm not I'm not saying that Franklin

559
00:30:18,960 --> 00:30:21,400
Speaker 1: wasn't in the show more. I'm saying where it's a

560
00:30:21,440 --> 00:30:24,520
Speaker 1: really funny moment where Neil goes, uh, what what do

561
00:30:24,600 --> 00:30:27,800
Speaker 1: you want to what do you want to go to

562
00:30:27,920 --> 00:30:31,040
Speaker 1: a baseball game and have popcorn? And then Gig walks

563
00:30:31,040 --> 00:30:33,520
Speaker 1: away like stopped messing with me. And then he pulls

564
00:30:33,560 --> 00:30:35,760
Speaker 1: the two tickets out of his shirt. He's like, the

565
00:30:35,840 --> 00:30:39,560
Speaker 1: last time I reach out, and I was laughing out loud, going,

566
00:30:39,640 --> 00:30:42,080
Speaker 1: do you think that's the only time in Scrub's history

567
00:30:42,120 --> 00:30:46,040
Speaker 1: that the janitor river like made a genuine appeal to Jad?

568
00:30:47,440 --> 00:30:50,200
Speaker 1: You know what if watching that, I thought, I don't

569
00:30:50,240 --> 00:30:54,200
Speaker 1: think I played that right because I said it very sarcastically.

570
00:30:54,720 --> 00:30:57,000
Speaker 1: So of course you walked away. You know, we don't

571
00:30:57,000 --> 00:30:58,520
Speaker 1: want to do go to a baseball game and we

572
00:30:58,600 --> 00:31:02,080
Speaker 1: get up, But I probably should have said, well, would

573
00:31:02,080 --> 00:31:03,720
Speaker 1: you like to go to a baseball game with me?

574
00:31:04,360 --> 00:31:07,200
Speaker 1: And we can share popcorn? I mean, it's something that

575
00:31:07,280 --> 00:31:10,200
Speaker 1: sounds a little more sincere, right, But j D had

576
00:31:10,240 --> 00:31:11,920
Speaker 1: to you know, it had to be on the line

577
00:31:11,960 --> 00:31:14,120
Speaker 1: because j D had to be like, stop sucking with me,

578
00:31:14,240 --> 00:31:16,680
Speaker 1: roll his eyes and walk away, right, Or maybe the

579
00:31:16,760 --> 00:31:21,760
Speaker 1: janitor just has no skill that offering an invitation, they

580
00:31:21,840 --> 00:31:24,520
Speaker 1: all come out very shark cast Would you like to

581
00:31:24,600 --> 00:31:30,040
Speaker 1: come to a party with me? I guess would you

582
00:31:30,120 --> 00:31:34,720
Speaker 1: marry me? Please? So what was the troop that you

583
00:31:34,800 --> 00:31:38,800
Speaker 1: were doing improv with Neil that Bill saw you Early

584
00:31:38,920 --> 00:31:42,880
Speaker 1: in the early days, we were called beer shark mice,

585
00:31:43,400 --> 00:31:47,120
Speaker 1: and it was that the Io West, which no longer

586
00:31:47,240 --> 00:31:49,760
Speaker 1: exists a theater, but we must have done it for

587
00:31:50,080 --> 00:31:54,520
Speaker 1: as it turns out, eighteen years something like that. It

588
00:31:54,640 --> 00:31:57,920
Speaker 1: was crazy. Wow you throughout the names real quick. Pete Honey,

589
00:31:58,080 --> 00:32:03,240
Speaker 1: Dave Keckner, Pat Finn, Mike Coleman, Paul Valancourt. I hope

590
00:32:03,280 --> 00:32:07,840
Speaker 1: I didn't forget anybody. Um when I first moved out here,

591
00:32:08,200 --> 00:32:11,880
Speaker 1: removed out here after five years in Chicago. We had

592
00:32:11,880 --> 00:32:13,800
Speaker 1: been doing it out of theater in Chicago, not the

593
00:32:13,840 --> 00:32:19,000
Speaker 1: same group, but all those individuals with difference, and he

594
00:32:19,200 --> 00:32:21,440
Speaker 1: only put just put a group together out here when

595
00:32:21,960 --> 00:32:26,120
Speaker 1: they Sharon, who owns it, opened up a branch out here,

596
00:32:26,920 --> 00:32:28,600
Speaker 1: and we all had a virtually nothing to do. Nobody's

597
00:32:28,680 --> 00:32:31,680
Speaker 1: career was rolling, and so that's what that's what we

598
00:32:31,760 --> 00:32:36,000
Speaker 1: did all the time. That was maybe nine What was that?

599
00:32:36,120 --> 00:32:38,200
Speaker 1: Was there a specific game or that you guys would

600
00:32:38,240 --> 00:32:44,640
Speaker 1: play or structure of your improv Uh no, not really,

601
00:32:45,280 --> 00:32:49,640
Speaker 1: but we didn't do games. That's a different approach. It

602
00:32:49,840 --> 00:32:54,840
Speaker 1: was there's something called a herald that is a long form.

603
00:32:55,640 --> 00:32:57,120
Speaker 1: We would get out there, take his guest and go

604
00:32:57,160 --> 00:33:01,120
Speaker 1: for a half hour, and we didn't do that, but

605
00:33:01,280 --> 00:33:03,280
Speaker 1: it was along those lines to just take a suggestion

606
00:33:03,440 --> 00:33:07,320
Speaker 1: and then the audience has done particular that's amazing. He

607
00:33:07,480 --> 00:33:09,800
Speaker 1: just roll for half hour. It was a good group

608
00:33:09,840 --> 00:33:13,800
Speaker 1: and it was it's not necessarily dead now, but it

609
00:33:13,960 --> 00:33:16,000
Speaker 1: was great fun and a great thing to do, and

610
00:33:18,160 --> 00:33:20,760
Speaker 1: I enjoyed doing it. And then after a while sometimes

611
00:33:20,800 --> 00:33:23,040
Speaker 1: I still want to do do a show and I say,

612
00:33:23,160 --> 00:33:25,560
Speaker 1: you know, I'm closing in at sixty years old. I

613
00:33:25,600 --> 00:33:28,560
Speaker 1: don't think I was twenty five. I wasn't interested in

614
00:33:28,680 --> 00:33:33,000
Speaker 1: saying sixty year olds entertained me in any way. Oh,

615
00:33:33,120 --> 00:33:35,840
Speaker 1: I have no doubt that you would sell out man. People.

616
00:33:36,040 --> 00:33:39,080
Speaker 1: People love seeing you, and you were so good at it.

617
00:33:39,240 --> 00:33:41,080
Speaker 1: I mean I remember thinking that when we're doing Scrubs,

618
00:33:41,120 --> 00:33:44,000
Speaker 1: that that just cracking up at the stuff you would

619
00:33:44,000 --> 00:33:45,840
Speaker 1: come up with and going out. I would love to

620
00:33:45,840 --> 00:33:47,840
Speaker 1: go see one of your IMPROPM shows when we may

621
00:33:47,880 --> 00:33:52,200
Speaker 1: have gone when we were involved or no, just maybe

622
00:33:52,240 --> 00:33:54,280
Speaker 1: he came with when we were doing when we were

623
00:33:54,360 --> 00:33:57,320
Speaker 1: doing scrubs. Were you doing this show too? What are

624
00:33:57,360 --> 00:34:00,720
Speaker 1: you doing the improp show? Okay, I feel like I

625
00:34:00,800 --> 00:34:02,440
Speaker 1: must have come once, but I don't think you did

626
00:34:02,480 --> 00:34:06,360
Speaker 1: because I didn't, you know, feel strongly about this, but

627
00:34:06,560 --> 00:34:10,880
Speaker 1: people had heard that this was going on, and it

628
00:34:11,000 --> 00:34:13,520
Speaker 1: went on for all the years of the Scrubs, and

629
00:34:13,640 --> 00:34:15,920
Speaker 1: so people would often I thought, if they're just striking

630
00:34:15,960 --> 00:34:19,680
Speaker 1: up a conversation or or being you know, they really

631
00:34:19,719 --> 00:34:23,399
Speaker 1: meant it when you do that, show you here's what time.

632
00:34:23,760 --> 00:34:25,840
Speaker 1: And it became like for the literally like for the

633
00:34:25,960 --> 00:34:28,960
Speaker 1: fiftieth time, I'm saying to somebody Saturday and at eight

634
00:34:29,000 --> 00:34:33,080
Speaker 1: o'clock Io Theater, and as far as I recall, no

635
00:34:33,160 --> 00:34:35,840
Speaker 1: one ever came. So I got tired of being asked.

636
00:34:35,880 --> 00:34:37,200
Speaker 1: You know what I mean. I didn't need Yeah, I

637
00:34:37,239 --> 00:34:39,919
Speaker 1: don't need anybody to come, but the house is fault.

638
00:34:40,120 --> 00:34:41,960
Speaker 1: I saw a video or something I saw. Yeah, that's

639
00:34:41,960 --> 00:34:43,520
Speaker 1: what we did. We saw a video. Bill showed us

640
00:34:43,560 --> 00:34:45,400
Speaker 1: a video. Maybe that's what it was. Bill sort of

641
00:34:45,800 --> 00:34:49,239
Speaker 1: was showing us a video of you. And because I

642
00:34:49,280 --> 00:34:52,560
Speaker 1: feel like I have a somewhere in my brain remember yeah,

643
00:34:53,120 --> 00:34:54,920
Speaker 1: and it was you and somebody on stage and it

644
00:34:55,080 --> 00:34:59,680
Speaker 1: was like, uh, where you were a drill not a

645
00:34:59,760 --> 00:35:01,759
Speaker 1: drill sergeant, but something like that, where you were an

646
00:35:01,920 --> 00:35:05,880
Speaker 1: army and I just remember it a long time. It

647
00:35:06,000 --> 00:35:08,680
Speaker 1: was it was you remember that improv from twenty years ago? Right, Yeah,

648
00:35:10,640 --> 00:35:15,440
Speaker 1: that's uh, no one ever. Maybe it's possible, but pretty

649
00:35:15,520 --> 00:35:17,640
Speaker 1: much you never remember seeing you did. Someone will say,

650
00:35:17,640 --> 00:35:19,840
Speaker 1: I sho you guys numbervide once you were a firement

651
00:35:19,920 --> 00:35:25,279
Speaker 1: and I don't. I don't remembering that. Um. Shall we

652
00:35:25,360 --> 00:35:26,960
Speaker 1: get into the show, so, Neil, what we do is

653
00:35:27,040 --> 00:35:29,719
Speaker 1: we just kind of talk through the episode and point

654
00:35:29,760 --> 00:35:32,520
Speaker 1: out things that made us laugh or or or or

655
00:35:32,880 --> 00:35:35,279
Speaker 1: just any thoughts we have. But we should probably take

656
00:35:35,280 --> 00:35:38,680
Speaker 1: a break, right Joel, Alright, a break, Neil. This is

657
00:35:38,680 --> 00:35:40,920
Speaker 1: a real show. We have commercials and shit, I know

658
00:35:41,040 --> 00:35:44,080
Speaker 1: I heard. I'm very impressed. Yes, no joking around when

659
00:35:44,120 --> 00:35:48,719
Speaker 1: it comes to being real, right, Donald, I mean, now

660
00:35:49,000 --> 00:35:50,440
Speaker 1: this is the real deal. This is like a real

661
00:35:50,560 --> 00:35:54,600
Speaker 1: radio show. Well I mean a real podcast, a real podcast. Yeah, yeah,

662
00:35:54,760 --> 00:35:56,200
Speaker 1: that's how you want to all right, tell the people

663
00:35:56,200 --> 00:35:59,319
Speaker 1: will be right back, Donald, you already did. Okay, we'll

664
00:35:59,320 --> 00:36:10,120
Speaker 1: be right back. Alrighty, we're back. We're back back with

665
00:36:10,360 --> 00:36:14,040
Speaker 1: Neil Flynn. Everybody the people spoke, they said Neil Flynn,

666
00:36:14,160 --> 00:36:16,480
Speaker 1: Bring on Neil Flynn, and we got him. Has everybody

667
00:36:16,520 --> 00:36:20,080
Speaker 1: else been here? You are? No, Ken has not been

668
00:36:20,160 --> 00:36:23,479
Speaker 1: on the show, Jenkins, but we've had the other lead

669
00:36:23,640 --> 00:36:27,080
Speaker 1: cast members Yeah, we had Judy on, We've had Johnny on,

670
00:36:27,280 --> 00:36:29,440
Speaker 1: We've had Sarah on. We now have you on. We

671
00:36:29,560 --> 00:36:34,320
Speaker 1: had nil on, Chris Dun you know, speaking of Ken Jenkins,

672
00:36:35,239 --> 00:36:37,440
Speaker 1: I am just but you know when we started the

673
00:36:37,480 --> 00:36:41,080
Speaker 1: show who he was the old guy? Yeah, without you,

674
00:36:41,239 --> 00:36:44,839
Speaker 1: no offense, but clearly Yeah, it's how we thought of him,

675
00:36:44,840 --> 00:36:47,319
Speaker 1: and you even more than I because you're younger than

676
00:36:47,360 --> 00:36:54,120
Speaker 1: I am. I'm almost that age, You're almost the age months. Yes,

677
00:36:54,680 --> 00:36:56,759
Speaker 1: I'm months away. And I think Johnny SE's a little

678
00:36:56,760 --> 00:37:01,160
Speaker 1: older than me, so I think he probably is that age. Yeah. Wow,

679
00:37:01,239 --> 00:37:04,000
Speaker 1: I haven't sense so I haven't seen well. The last

680
00:37:04,000 --> 00:37:05,480
Speaker 1: time I saw him was when we did the uh

681
00:37:06,000 --> 00:37:09,520
Speaker 1: the reunion thing. It looked great and he looked amazing. Yeah,

682
00:37:09,920 --> 00:37:11,040
Speaker 1: I want to get him to come on this. When

683
00:37:11,040 --> 00:37:12,880
Speaker 1: we did some we had some sort of group email

684
00:37:12,920 --> 00:37:14,719
Speaker 1: about hey, do you guys want to do X, Y

685
00:37:14,800 --> 00:37:17,160
Speaker 1: or Z and and everyone was like sure, sure, sure,

686
00:37:17,200 --> 00:37:19,919
Speaker 1: you know, we we almost all always say yes because

687
00:37:19,920 --> 00:37:21,759
Speaker 1: it means we get to all get together and have

688
00:37:21,880 --> 00:37:24,319
Speaker 1: a drink and make each other laugh. And and Ken

689
00:37:24,520 --> 00:37:26,719
Speaker 1: was like, I'm moving. I I've got a lot going on,

690
00:37:27,719 --> 00:37:30,200
Speaker 1: And I was like, my feelings were. I mean, I

691
00:37:30,280 --> 00:37:31,719
Speaker 1: know it wasn't personal, but I was all like, Ken,

692
00:37:32,200 --> 00:37:34,040
Speaker 1: you know you can. You can take a couple hours

693
00:37:34,080 --> 00:37:35,840
Speaker 1: off from moving and comes out hide to us. But

694
00:37:36,160 --> 00:37:38,120
Speaker 1: I got a lot going on. I got ship to do.

695
00:37:39,719 --> 00:37:42,080
Speaker 1: It sounds just sounds like work. I got shipped to do.

696
00:37:42,360 --> 00:37:44,279
Speaker 1: And and it was kind of a Kirk goodbye. It

697
00:37:44,360 --> 00:37:45,680
Speaker 1: was like it was like very Kelso it was like,

698
00:37:46,320 --> 00:37:49,880
Speaker 1: but good to hear from you all. I remember that.

699
00:37:50,080 --> 00:37:52,360
Speaker 1: But I find it interesting that it was an email

700
00:37:53,160 --> 00:38:01,520
Speaker 1: and you've put a voice to it. Of all. The

701
00:38:01,640 --> 00:38:03,520
Speaker 1: funny thing is about like people always ask you, like

702
00:38:03,560 --> 00:38:05,400
Speaker 1: what people what people cast members are like? And I

703
00:38:05,480 --> 00:38:08,320
Speaker 1: said the most different from his character was Ken Jenkins

704
00:38:08,400 --> 00:38:10,279
Speaker 1: because he was the sweetest man you ever met in

705
00:38:10,320 --> 00:38:12,080
Speaker 1: your whole life, and he was playing this you know,

706
00:38:12,760 --> 00:38:16,279
Speaker 1: tough jerk. Yes, And I noticed that on the episode

707
00:38:17,280 --> 00:38:20,080
Speaker 1: that it was early on obviously the first season, and

708
00:38:20,320 --> 00:38:24,439
Speaker 1: everyone was still a little bit one dimensional. I don't

709
00:38:24,440 --> 00:38:27,320
Speaker 1: want to say that's not exactly true, but Ken was.

710
00:38:27,400 --> 00:38:30,160
Speaker 1: I'm like, look how mean Ken is being? Like in

711
00:38:30,239 --> 00:38:32,240
Speaker 1: the pilot when he turned into a demon for a minute,

712
00:38:32,880 --> 00:38:36,000
Speaker 1: he was still in that mode. Yeah, well, I guess

713
00:38:36,080 --> 00:38:41,400
Speaker 1: watch sport nobody cares that sort of thing. By the end,

714
00:38:41,560 --> 00:38:46,320
Speaker 1: he was like this kindly old doddering man having a

715
00:38:46,440 --> 00:38:49,600
Speaker 1: nice muffin. Yeah, and also at the bar in the Bahamas,

716
00:38:49,680 --> 00:38:52,080
Speaker 1: like you know, he became I think Bill finally, like

717
00:38:52,920 --> 00:38:56,360
Speaker 1: Evel one episode early on here in season one, we

718
00:38:56,480 --> 00:38:59,279
Speaker 1: showed that back he back in the day, used to

719
00:38:59,360 --> 00:39:01,480
Speaker 1: write love songs on the guitar to his wife. I

720
00:39:01,560 --> 00:39:04,560
Speaker 1: think Bill was beginning to plant seeds of him having

721
00:39:04,600 --> 00:39:06,520
Speaker 1: a softer side. But you're right by the end of

722
00:39:06,600 --> 00:39:08,640
Speaker 1: the season. By the end of the show, he's he

723
00:39:08,760 --> 00:39:11,799
Speaker 1: was a sweetheart or more of a start and uh

724
00:39:12,600 --> 00:39:15,560
Speaker 1: like Ted was sort of his best friend, wasn't here

725
00:39:16,840 --> 00:39:19,080
Speaker 1: of the show? Yeah, and this one he calls him Ned.

726
00:39:21,920 --> 00:39:24,400
Speaker 1: Finally he's still all these years that we assume that

727
00:39:25,160 --> 00:39:27,920
Speaker 1: that Ted has been working for him, he still doesn't

728
00:39:27,920 --> 00:39:30,279
Speaker 1: know his name. He calls him Ned. Yeah, but that

729
00:39:30,400 --> 00:39:34,200
Speaker 1: went away. I mean, yeah, they became kind of buddies. Yeah.

730
00:39:34,280 --> 00:39:36,960
Speaker 1: I found it very crazy. I thought it was crazy

731
00:39:37,080 --> 00:39:41,040
Speaker 1: that Ted has been plotting against Kelso yeah, so long

732
00:39:41,200 --> 00:39:43,759
Speaker 1: he's hired a hit man. He's hired, right, He's like,

733
00:39:43,800 --> 00:39:45,520
Speaker 1: I know a hit man. Yeah, you and I we

734
00:39:45,560 --> 00:39:47,279
Speaker 1: can do it. That was a really funny part of

735
00:39:47,320 --> 00:39:50,160
Speaker 1: this episode where we have that long, uncomfortable laugh and

736
00:39:50,480 --> 00:39:52,440
Speaker 1: because he mentions that he knows a guy who can

737
00:39:52,600 --> 00:39:55,560
Speaker 1: end it all, and then we have that long, uncomfortable

738
00:39:55,640 --> 00:39:58,120
Speaker 1: laugh and then he's like, no, seriously, just one phone call.

739
00:39:58,200 --> 00:40:01,600
Speaker 1: One phone call. So that means that Sammy as Sam

740
00:40:01,760 --> 00:40:04,440
Speaker 1: ted Ted, has found Ah. He's got a hit man

741
00:40:04,520 --> 00:40:07,080
Speaker 1: ready to go whenever the time is right, right right.

742
00:40:07,160 --> 00:40:09,279
Speaker 1: He just needs somebody to he needs somebody and be like, no,

743
00:40:09,440 --> 00:40:12,120
Speaker 1: you're right, we should kill this fucker. It just means it, yeah,

744
00:40:12,160 --> 00:40:16,560
Speaker 1: someone second, the emotion it was. I hadn't seen Sam's

745
00:40:16,600 --> 00:40:20,400
Speaker 1: face since he passed away, and it was nice, but

746
00:40:20,920 --> 00:40:26,839
Speaker 1: you know, strange, see Sam, Yeah, man, we've been we've

747
00:40:26,880 --> 00:40:30,160
Speaker 1: been talking about that on the podcast and how obviously

748
00:40:30,600 --> 00:40:33,640
Speaker 1: it's caused me to look even closer at his work

749
00:40:33,719 --> 00:40:36,160
Speaker 1: on the show and just how incredibly funny he was.

750
00:40:36,520 --> 00:40:38,600
Speaker 1: We recently just watched an episode where he and Judy.

751
00:40:38,640 --> 00:40:40,120
Speaker 1: I don't know if you remember this one, Neil or

752
00:40:40,680 --> 00:40:44,160
Speaker 1: he and Judy serenade a patient and seeing this beautiful

753
00:40:44,200 --> 00:40:47,440
Speaker 1: harmony together and it was so moving. I mean obviously

754
00:40:49,120 --> 00:40:51,319
Speaker 1: because he passed away, but it just it just really

755
00:40:51,600 --> 00:40:54,360
Speaker 1: it just really just drove it home. How how incredibly

756
00:40:54,760 --> 00:41:00,279
Speaker 1: talented a guy he was. Yeah, that was his character

757
00:41:00,360 --> 00:41:04,120
Speaker 1: added a nice came in handy. You know, the so

758
00:41:04,239 --> 00:41:07,680
Speaker 1: many shows that succeed, I think build a world of

759
00:41:07,800 --> 00:41:11,680
Speaker 1: supporting characters and that you can go to or just

760
00:41:11,840 --> 00:41:14,360
Speaker 1: like probably number one would be The Simpsons. They have

761
00:41:14,440 --> 00:41:17,640
Speaker 1: like a poster and there's two hundred recognizable characters in

762
00:41:17,719 --> 00:41:20,799
Speaker 1: the Yeah. Of course, give me thirty years and maybe

763
00:41:20,800 --> 00:41:23,640
Speaker 1: I could do that too with a TV show. They've

764
00:41:23,640 --> 00:41:27,360
Speaker 1: had a lot of time to characters. But but Scrubbs

765
00:41:27,360 --> 00:41:29,759
Speaker 1: did a good job of that. Yeah, and you know Bill,

766
00:41:29,800 --> 00:41:32,640
Speaker 1: Bill always called him his assassins. Those people like you

767
00:41:32,719 --> 00:41:37,479
Speaker 1: know Bob Clendenen, or Matt Winston or or or Phil

768
00:41:37,600 --> 00:41:42,200
Speaker 1: Lewis who played Hooch who became Rob Mascio who be Kate.

769
00:41:42,239 --> 00:41:43,800
Speaker 1: Well Rob had a bigger part than those guys. But

770
00:41:43,960 --> 00:41:47,040
Speaker 1: I mean just mean, like you know, think about Phil

771
00:41:47,120 --> 00:41:49,080
Speaker 1: Lewis who came on and would do I don't know

772
00:41:49,120 --> 00:41:52,359
Speaker 1: how many episodes he did total, but he's directing now, yeah, yeah,

773
00:41:52,360 --> 00:41:54,680
Speaker 1: he's yeah, he's he's doing very well as a Yeah,

774
00:41:54,680 --> 00:41:57,800
Speaker 1: I mean I don't know if if this happens to you, Donald.

775
00:41:57,880 --> 00:41:59,600
Speaker 1: But I'll be walking down the street and people like, hey,

776
00:41:59,760 --> 00:42:02,360
Speaker 1: love on the show, which is crazy, and it's like

777
00:42:02,520 --> 00:42:05,160
Speaker 1: it's like a little slogan about Phil Lewis's character, and

778
00:42:05,239 --> 00:42:07,040
Speaker 1: he must have done like a handful. I mean, that's

779
00:42:07,040 --> 00:42:09,920
Speaker 1: the amount of influence. Sorry, that's the amount of impact

780
00:42:10,000 --> 00:42:11,920
Speaker 1: he had on fans because they were just like they

781
00:42:11,960 --> 00:42:14,279
Speaker 1: loved him so much. Well, remember it started off as

782
00:42:14,360 --> 00:42:17,399
Speaker 1: Turner and Hooch, where Tom Hanks's brother came on as

783
00:42:17,520 --> 00:42:20,480
Speaker 1: Turner and Phil Lewis played Hooch and they had this

784
00:42:20,560 --> 00:42:23,480
Speaker 1: whole little adventure that they went on together as Turner

785
00:42:23,560 --> 00:42:26,080
Speaker 1: and Hooch in the hospital they got. Yeah, they somehow

786
00:42:26,160 --> 00:42:28,480
Speaker 1: got paired together. One of them was a medical doc

787
00:42:28,520 --> 00:42:30,479
Speaker 1: and one of them was a surgeon, and they would

788
00:42:30,760 --> 00:42:33,920
Speaker 1: tag team a bunch of patients. Right, and if it

789
00:42:34,040 --> 00:42:36,680
Speaker 1: was elaborate way for the writers to get a Turner

790
00:42:36,680 --> 00:42:39,759
Speaker 1: and Hooch joke, right, But they got Tom Hanks's brother

791
00:42:39,880 --> 00:42:43,839
Speaker 1: to play the Turner character just like in the movie. Right,

792
00:42:44,680 --> 00:42:49,279
Speaker 1: And then somehow it turned into this whole story with

793
00:42:49,440 --> 00:42:52,960
Speaker 1: Phil coming back as this crazy ass doctor. But when

794
00:42:52,960 --> 00:42:55,440
Speaker 1: it originally happens, the two of them are you know

795
00:42:55,560 --> 00:42:58,360
Speaker 1: he's not crazy or anything like that. Then it turned

796
00:42:58,400 --> 00:43:01,680
Speaker 1: into it turned into us joking around like, oh, who's

797
00:43:01,719 --> 00:43:04,719
Speaker 1: just crazy? Who's just so crazy? And then by the

798
00:43:04,880 --> 00:43:11,160
Speaker 1: end of it is not who he's genuinely crazy. People

799
00:43:11,360 --> 00:43:13,960
Speaker 1: people love that, but no, no, no, not joking. Who

800
00:43:14,160 --> 00:43:18,239
Speaker 1: is fucking dangerous? Yeah? Like and then and then there

801
00:43:18,280 --> 00:43:20,520
Speaker 1: was an episode where you put like someone was that me?

802
00:43:20,640 --> 00:43:23,799
Speaker 1: Or you put Bully on cubes in the shower head? Yeah, yeah, yeah,

803
00:43:23,800 --> 00:43:26,040
Speaker 1: who who's funny? Y'all put Bully on cost in the

804
00:43:26,120 --> 00:43:30,040
Speaker 1: shower and we're sitting there shy like he's like he's

805
00:43:30,080 --> 00:43:35,200
Speaker 1: like him with him with the crack lighter that goes

806
00:43:35,360 --> 00:43:38,320
Speaker 1: like you know, that's a very popular gift. I always

807
00:43:38,560 --> 00:43:42,279
Speaker 1: use which with like a six inch lighter flame. Yeah.

808
00:43:42,920 --> 00:43:45,439
Speaker 1: By the way, I remember a funny thing about Tom

809
00:43:45,520 --> 00:43:48,200
Speaker 1: Hanks's brother who was on the show. He did the

810
00:43:48,320 --> 00:43:51,759
Speaker 1: voice for one of the toy story things, not not

811
00:43:51,880 --> 00:43:53,600
Speaker 1: the not the movies, but like I don't know if

812
00:43:53,600 --> 00:43:56,960
Speaker 1: it was like a book or or something. Yeah, something

813
00:43:57,000 --> 00:43:58,880
Speaker 1: that Tom Hanks couldn't be bothered to do, and he

814
00:43:59,320 --> 00:44:02,560
Speaker 1: he had a similar voice, so so he would just

815
00:44:02,600 --> 00:44:04,879
Speaker 1: throw him you know, I guess being generous to his brother,

816
00:44:05,040 --> 00:44:07,040
Speaker 1: like here, you do some of this stuff, and uh,

817
00:44:07,080 --> 00:44:08,920
Speaker 1: and I just remember learning for the first time that

818
00:44:09,880 --> 00:44:12,040
Speaker 1: then you know that he that he did some of

819
00:44:12,120 --> 00:44:15,520
Speaker 1: the non movie stuff. That's amazing little trivia for you

820
00:44:15,600 --> 00:44:18,160
Speaker 1: out there, just a little trivia. Elliot is into some

821
00:44:18,280 --> 00:44:20,320
Speaker 1: kinky stuff, right, I mean, I just realized that is

822
00:44:20,360 --> 00:44:23,319
Speaker 1: this a runner through the series. This episode opens up

823
00:44:23,360 --> 00:44:26,959
Speaker 1: with her talking to Scott Folly about um being wanting

824
00:44:26,960 --> 00:44:28,560
Speaker 1: to be called a bad girl, and they're gonna go

825
00:44:28,880 --> 00:44:31,680
Speaker 1: shopping or stop by her house for a schoolgirl outfit.

826
00:44:31,960 --> 00:44:33,760
Speaker 1: And then I still started thinking about all these times

827
00:44:33,840 --> 00:44:36,040
Speaker 1: in the in the series where Elliot's got some some

828
00:44:36,600 --> 00:44:39,200
Speaker 1: some some kink. She likes the role play, Yeah, she

829
00:44:39,600 --> 00:44:41,839
Speaker 1: likes it, the dirty stuff. She like the dirty talk.

830
00:44:43,239 --> 00:44:45,080
Speaker 1: I think that's even one of my lines in the show.

831
00:44:45,360 --> 00:44:49,759
Speaker 1: Oh she like a the dirty Talk episode. No, not

832
00:44:49,920 --> 00:44:52,760
Speaker 1: in this episode, but like later on in the series,

833
00:44:52,840 --> 00:44:54,719
Speaker 1: I know, I say something, and then later on when

834
00:44:54,760 --> 00:44:59,319
Speaker 1: she and Folly are making out, she's like say, um, intercourse,

835
00:44:59,520 --> 00:45:02,960
Speaker 1: like she's got these weird kings. Yeah, yeah, yeah, yeah,

836
00:45:03,960 --> 00:45:08,640
Speaker 1: that's that's that's I Yeah. I remember there was one

837
00:45:08,680 --> 00:45:10,560
Speaker 1: where I was like an apple thief. I had to

838
00:45:10,560 --> 00:45:12,040
Speaker 1: be dressed. I was a part of one of their

839
00:45:12,480 --> 00:45:13,759
Speaker 1: I don't know if that was a fantasy or if

840
00:45:13,760 --> 00:45:15,960
Speaker 1: it was real, but there was one where she climbed

841
00:45:16,040 --> 00:45:17,640
Speaker 1: up on top of me on a on one of

842
00:45:17,680 --> 00:45:20,560
Speaker 1: the table, on a surgical table. Yeah that was fantasy though,

843
00:45:20,640 --> 00:45:23,040
Speaker 1: that was a fantasy. Oh yeah, of course. Yeah. Do

844
00:45:23,120 --> 00:45:28,319
Speaker 1: you remember she had a nurse thing like a Red

845
00:45:28,360 --> 00:45:30,920
Speaker 1: Cross things and they had to in post they had

846
00:45:30,960 --> 00:45:34,440
Speaker 1: to change it to green because no, you don't use

847
00:45:34,480 --> 00:45:39,000
Speaker 1: the Red crosses. Oh that's funny. That's a little bit

848
00:45:39,040 --> 00:45:41,840
Speaker 1: of trivia. Right, you can't have sex on a surgical

849
00:45:41,920 --> 00:45:44,400
Speaker 1: table with the Red Cross album. We're not going to

850
00:45:44,440 --> 00:45:48,200
Speaker 1: approve that. But if you got the Green one, which

851
00:45:48,280 --> 00:45:51,319
Speaker 1: is the medical marijuana one, it's all yeah, it's all good. Now,

852
00:45:52,560 --> 00:45:56,839
Speaker 1: it's funny. The Green Cross in the UK just means

853
00:45:56,920 --> 00:46:00,400
Speaker 1: pharmacy or normal pharmacy. And now that you live in

854
00:46:00,480 --> 00:46:03,480
Speaker 1: we live in California for those of you don't have dispensaries.

855
00:46:03,520 --> 00:46:07,840
Speaker 1: Wherever you are, everywhere there's a medical dispensary, recreational or

856
00:46:08,080 --> 00:46:10,960
Speaker 1: or medical, it's the Green Cross. So it's funny. When

857
00:46:10,960 --> 00:46:13,400
Speaker 1: I first moved and spend some time in London. I

858
00:46:13,480 --> 00:46:15,840
Speaker 1: was like, Wow, they have a lot of dispensaries on

859
00:46:16,000 --> 00:46:20,960
Speaker 1: every corner. I laughed out loud at Alma right bringing Hey,

860
00:46:21,320 --> 00:46:23,080
Speaker 1: I hope let's make this quick. I got tickets to

861
00:46:23,160 --> 00:46:24,960
Speaker 1: Bringing a Noise, Bringing the Funking. I don't want to

862
00:46:24,960 --> 00:46:33,799
Speaker 1: miss the Noise Loma. She had a couple of good

863
00:46:33,840 --> 00:46:38,000
Speaker 1: lines in that episode. Yeah, she really does. She really

864
00:46:38,120 --> 00:46:41,239
Speaker 1: does nail it every time. Now, like you, you're absolutely

865
00:46:41,360 --> 00:46:46,719
Speaker 1: right about the cast of characters that came after the

866
00:46:46,840 --> 00:46:50,000
Speaker 1: Core seven. You know what I mean. It's like everyone

867
00:46:50,480 --> 00:46:52,719
Speaker 1: always seemed to nail their jokes, you know what I mean.

868
00:46:52,800 --> 00:46:55,600
Speaker 1: And and and it's it's a I don't know if

869
00:46:55,640 --> 00:46:57,200
Speaker 1: Bill had a thing where it's like, if you didn't

870
00:46:57,239 --> 00:47:00,480
Speaker 1: nail the jokes, she didn't come back. But that is

871
00:47:00,560 --> 00:47:02,080
Speaker 1: kind of the thing. If you're not funny, you're not

872
00:47:02,160 --> 00:47:04,680
Speaker 1: coming back. I would love to know the people that

873
00:47:04,920 --> 00:47:07,359
Speaker 1: he had. We don't want to we don't want to out. Oh,

874
00:47:07,400 --> 00:47:09,400
Speaker 1: I'm not going to put on this is conversation to

875
00:47:09,520 --> 00:47:14,239
Speaker 1: have with him, no one at another time. But I

876
00:47:14,239 --> 00:47:15,759
Speaker 1: would know. But I mean, you can know in your

877
00:47:15,800 --> 00:47:18,480
Speaker 1: head there were there were people that that could have

878
00:47:18,560 --> 00:47:21,480
Speaker 1: easily what happened with Neil is is the ultimate example.

879
00:47:21,600 --> 00:47:23,279
Speaker 1: Neil Neil was in the pilot and Bill was like,

880
00:47:23,360 --> 00:47:26,839
Speaker 1: I'm making this guy series regular, Whereas whereas there's people

881
00:47:26,880 --> 00:47:28,799
Speaker 1: who did one or two and he's like, all right,

882
00:47:28,840 --> 00:47:33,120
Speaker 1: well it was nice meeting you. Yeah, what about you

883
00:47:33,200 --> 00:47:35,120
Speaker 1: skipped something? And I wanted to talk to you about it?

884
00:47:35,200 --> 00:47:38,600
Speaker 1: When when Judy touches your belly and goes blink and

885
00:47:38,760 --> 00:47:41,760
Speaker 1: who she goes, who's your new friend? I didn't. I didn't.

886
00:47:41,840 --> 00:47:44,000
Speaker 1: I didn't want to that. Oh you wanted to skip that?

887
00:47:44,680 --> 00:47:46,239
Speaker 1: I didn't want to skip it. But you know, I

888
00:47:46,440 --> 00:47:48,080
Speaker 1: when I when I was watching the show, I was like,

889
00:47:48,200 --> 00:47:51,320
Speaker 1: and this is where my eating habits changed, you know

890
00:47:51,320 --> 00:47:53,600
Speaker 1: what I mean? Like, But but I have a question

891
00:47:53,840 --> 00:47:55,719
Speaker 1: because I think it's just a story point. Because when

892
00:47:55,719 --> 00:47:57,600
Speaker 1: they cut to you later running with Johnny C and

893
00:47:57,640 --> 00:48:00,080
Speaker 1: you're in the gym, you look fit as hell. So

894
00:48:00,320 --> 00:48:02,200
Speaker 1: this didn't come out of the writers being like, oh,

895
00:48:02,320 --> 00:48:07,399
Speaker 1: Donald's gained a few did it? Listen? Listen back then?

896
00:48:08,239 --> 00:48:10,800
Speaker 1: I was one hundred and seventy five pounds when we

897
00:48:10,920 --> 00:48:14,000
Speaker 1: started the show, right right, I got up to a

898
00:48:14,239 --> 00:48:18,360
Speaker 1: hundred and ninety pounds, and everybody I could feel the

899
00:48:19,280 --> 00:48:22,040
Speaker 1: you know, where my clothes didn't fit the same and

900
00:48:22,120 --> 00:48:27,320
Speaker 1: everything like that. Yeah, around season one, you know, you

901
00:48:27,400 --> 00:48:29,600
Speaker 1: get comfortable when you're working and stuff like that, and

902
00:48:29,680 --> 00:48:33,560
Speaker 1: I remember thinking, you know, wow, I guess I look

903
00:48:33,640 --> 00:48:37,240
Speaker 1: big on camera now. And you know, I remember dieting

904
00:48:37,320 --> 00:48:40,239
Speaker 1: and doing all of these things right, and at one point, I,

905
00:48:40,480 --> 00:48:45,920
Speaker 1: you know, I guess I gained some weight. But this

906
00:48:46,160 --> 00:48:48,840
Speaker 1: was this became an issue for me as time went on,

907
00:48:48,880 --> 00:48:51,840
Speaker 1: where I didn't think about weight up until Scrubbs, Like,

908
00:48:51,840 --> 00:48:54,000
Speaker 1: I didn't give a shit about how I looked or

909
00:48:54,040 --> 00:48:55,640
Speaker 1: how I was perceived. I didn't, you know, I just

910
00:48:55,840 --> 00:48:58,759
Speaker 1: I ate what I wanted to and you know, I

911
00:48:59,200 --> 00:49:01,040
Speaker 1: worked out a ship ton. But then all of a

912
00:49:01,080 --> 00:49:03,000
Speaker 1: sudden it became okay, no, you have to work to

913
00:49:03,160 --> 00:49:07,360
Speaker 1: maintain this weight for the show or it's gonna be

914
00:49:07,680 --> 00:49:11,879
Speaker 1: in script. And people, wait, So did anyone ever say

915
00:49:11,920 --> 00:49:14,200
Speaker 1: anything to you like you need to lose weight? No?

916
00:49:14,400 --> 00:49:16,719
Speaker 1: But I once heard, and I'm gonna call Sarah out

917
00:49:16,760 --> 00:49:19,279
Speaker 1: on this, but I once heard Sarah. You know, while

918
00:49:19,320 --> 00:49:22,239
Speaker 1: we were filming talking to a bunch of people like yo,

919
00:49:22,560 --> 00:49:25,200
Speaker 1: somebody hit me up on a chat line and was like, yo,

920
00:49:25,600 --> 00:49:28,120
Speaker 1: is Donald Fazon on a Krispy Kreme diet and I

921
00:49:28,280 --> 00:49:32,840
Speaker 1: was like yo, and I remember being like, yeah, I

922
00:49:32,880 --> 00:49:35,279
Speaker 1: am on a Krispy Kreme diet, but it gives a shit, dude.

923
00:49:35,760 --> 00:49:38,879
Speaker 1: It's funny because the story of Turk in the show

924
00:49:39,320 --> 00:49:41,640
Speaker 1: is that doctors get so busy they don't have time

925
00:49:41,640 --> 00:49:45,759
Speaker 1: to exercise, their their stress eating, and it's kind of

926
00:49:46,000 --> 00:49:47,719
Speaker 1: what happened to you as an actor on the show.

927
00:49:47,800 --> 00:49:50,680
Speaker 1: We had crazy hours. There's a giant craft service table

928
00:49:50,760 --> 00:49:53,719
Speaker 1: with donuts, and uh, you know, and I love First

929
00:49:53,719 --> 00:49:56,239
Speaker 1: of all, I love donuts. Let's let's keep it one hundred, like,

930
00:49:56,360 --> 00:49:58,879
Speaker 1: is that your favorite thing? For my birthday, my wife

931
00:49:59,000 --> 00:50:01,719
Speaker 1: bought me a donut machine. Dude. You think I'm fucking bullshitting.

932
00:50:02,040 --> 00:50:04,800
Speaker 1: She went on Amazon and got me a commercial grade

933
00:50:05,320 --> 00:50:10,320
Speaker 1: donut making machine. Dude. And I like the little just

934
00:50:10,520 --> 00:50:12,920
Speaker 1: like a Krispy Kreme and and I was like, you

935
00:50:13,040 --> 00:50:14,480
Speaker 1: got that shit and she was like yeah. I was like,

936
00:50:14,520 --> 00:50:16,200
Speaker 1: we got to look at the dimensions on how big

937
00:50:16,280 --> 00:50:19,200
Speaker 1: this thing is. This just like fifty six inches, Like

938
00:50:19,320 --> 00:50:22,120
Speaker 1: it's like a six foot whatever six feet is. It's

939
00:50:22,120 --> 00:50:26,120
Speaker 1: like a six foot long track and it makes donut.

940
00:50:26,120 --> 00:50:28,200
Speaker 1: It doesn't make like one donut at a time, it

941
00:50:28,320 --> 00:50:31,440
Speaker 1: makes like seven. It makes a dozen donuts at a

942
00:50:31,520 --> 00:50:34,680
Speaker 1: fucking time, dude, And I'm like, holy shit. Even CenTra,

943
00:50:34,800 --> 00:50:36,360
Speaker 1: I was like, baby, is there a way that we

944
00:50:36,400 --> 00:50:39,040
Speaker 1: can return this? And she was like yeah, but it

945
00:50:39,120 --> 00:50:41,839
Speaker 1: has to get here first. Now I know me. Once

946
00:50:41,920 --> 00:50:46,680
Speaker 1: it gets here, I'm gonna make donuts on nuting. Yet

947
00:50:46,880 --> 00:50:48,759
Speaker 1: it hasn't come yet. Oh my god. The way it

948
00:50:48,840 --> 00:50:51,520
Speaker 1: happened was because I'm going through Amazon. And you know

949
00:50:51,600 --> 00:50:55,279
Speaker 1: how once you once you buy something on Amazon, it

950
00:50:55,480 --> 00:50:58,239
Speaker 1: hits you with if you like this, if you since

951
00:50:58,280 --> 00:51:01,400
Speaker 1: you bought this, you know you might like this. And

952
00:51:01,520 --> 00:51:03,440
Speaker 1: I was like, hold up, why are all these donut

953
00:51:03,520 --> 00:51:08,600
Speaker 1: machines showing up? Well, that's not gonna help you, diet bro,

954
00:51:08,680 --> 00:51:10,880
Speaker 1: if you have a donut machine in your house. I've

955
00:51:10,920 --> 00:51:12,600
Speaker 1: come up with a I've come up with an idea

956
00:51:12,600 --> 00:51:14,239
Speaker 1: and what I want to do with this with said

957
00:51:14,280 --> 00:51:19,040
Speaker 1: donut machine, what I Am going to make Donnie's donuts? Okay,

958
00:51:19,280 --> 00:51:22,680
Speaker 1: and I'm gonna sell donuts to the masses. I'm gonna

959
00:51:23,080 --> 00:51:26,320
Speaker 1: I'll sell about you know, it makes like a dozen

960
00:51:26,719 --> 00:51:30,280
Speaker 1: donuts at a time, I'll sell I don't know, maybe

961
00:51:31,200 --> 00:51:34,000
Speaker 1: five dozen donuts a day, okay, out of the out

962
00:51:34,040 --> 00:51:36,480
Speaker 1: of your front door. Not out of the front door.

963
00:51:36,480 --> 00:51:38,759
Speaker 1: I'll do it on sets or something like that where

964
00:51:38,760 --> 00:51:41,160
Speaker 1: i'll you know where I'll you know, if you have

965
00:51:41,360 --> 00:51:43,160
Speaker 1: a you're not gonna have the charity. You're just gonna

966
00:51:43,200 --> 00:51:45,319
Speaker 1: pocket that money, right, this is your side, Like, yeah, man,

967
00:51:45,680 --> 00:51:47,640
Speaker 1: I gotta pay for that donut machine. That shit costs

968
00:51:47,640 --> 00:51:50,759
Speaker 1: a lot of money. I know my wife bought it

969
00:51:50,800 --> 00:51:52,040
Speaker 1: for me, but you know it comes out of my

970
00:51:52,160 --> 00:51:55,120
Speaker 1: motherfucking pocket. Now, buddy, I never realized until now. Is

971
00:51:55,160 --> 00:51:57,279
Speaker 1: like when you have a joint bank account with your

972
00:51:57,320 --> 00:52:00,239
Speaker 1: wife and and or your partner whatever, and they give

973
00:52:00,239 --> 00:52:04,680
Speaker 1: you like a really expensive present, it's part of you like, yeah,

974
00:52:04,719 --> 00:52:10,279
Speaker 1: thank you, but what the fuck? Yeah? I'm sure my

975
00:52:10,360 --> 00:52:12,600
Speaker 1: wife thinks that way too, Like how much the first

976
00:52:12,600 --> 00:52:14,319
Speaker 1: thing she says every time I buy something? How much

977
00:52:14,320 --> 00:52:16,360
Speaker 1: in the costs? Don't worry about it? Don't worry about it,

978
00:52:17,000 --> 00:52:19,719
Speaker 1: you know, don't you worry about it? I looked, I

979
00:52:19,800 --> 00:52:21,759
Speaker 1: got I had the opportunity to see how much the

980
00:52:21,840 --> 00:52:25,520
Speaker 1: donut machine costs, because I can't wait to see the

981
00:52:25,560 --> 00:52:27,880
Speaker 1: commercial doughnut machine in your house when this is all

982
00:52:27,920 --> 00:52:29,520
Speaker 1: said and done, I invite you all over, come over,

983
00:52:29,600 --> 00:52:31,400
Speaker 1: I'll make donut try all right, Well I didn't realize

984
00:52:31,400 --> 00:52:34,320
Speaker 1: it was a sore spot for you and uh so,

985
00:52:34,800 --> 00:52:37,640
Speaker 1: But anyway, it was written in the script that Turk

986
00:52:37,719 --> 00:52:40,480
Speaker 1: has gained some pounds. Yeah. Well it turns out that

987
00:52:40,640 --> 00:52:44,560
Speaker 1: Turk gets diabetes too because of his eating habits, and

988
00:52:44,840 --> 00:52:49,239
Speaker 1: you know, part of meating like yeah, like uh yeah.

989
00:52:49,400 --> 00:52:54,640
Speaker 1: Later on Turk gets diabetes. Literally, my diabetes, my diabetes. Um.

990
00:52:55,480 --> 00:52:58,520
Speaker 1: But I remember thinking, you know, I think your real

991
00:52:58,560 --> 00:53:00,840
Speaker 1: life would somehow wind it like I don't have diabetes,

992
00:53:00,880 --> 00:53:02,640
Speaker 1: but your real life would somehow wind its way up

993
00:53:02,680 --> 00:53:05,320
Speaker 1: into the script, you know what I mean. I remember

994
00:53:05,320 --> 00:53:07,359
Speaker 1: I started I was losing my hair at a very

995
00:53:07,440 --> 00:53:11,000
Speaker 1: young age, and Bill wrote into the script the reason

996
00:53:11,040 --> 00:53:14,200
Speaker 1: why Turk doesn't grow his hair out is because it's patchy.

997
00:53:15,320 --> 00:53:20,520
Speaker 1: And I remember being like, oh, hold on, now, I

998
00:53:20,640 --> 00:53:26,000
Speaker 1: just not so much in the front, not so much

999
00:53:26,040 --> 00:53:28,120
Speaker 1: on the front, but like on the sides. He just

1000
00:53:28,239 --> 00:53:30,520
Speaker 1: has a big, a big receding hairline. But it looks

1001
00:53:30,560 --> 00:53:33,400
Speaker 1: good anyway. I like the way it looks. But he

1002
00:53:33,480 --> 00:53:35,120
Speaker 1: just made me think you could do a mohawk, which

1003
00:53:35,120 --> 00:53:38,040
Speaker 1: would be cool. It would be like really thin in

1004
00:53:38,120 --> 00:53:39,840
Speaker 1: the front and then it would get really thick in

1005
00:53:39,920 --> 00:53:42,640
Speaker 1: the back though, which is not really the dopest mohawk

1006
00:53:42,719 --> 00:53:45,960
Speaker 1: on the pot, but anyway, I remember being I remember

1007
00:53:46,080 --> 00:53:47,960
Speaker 1: him doing that and being like, wait, hold on a second,

1008
00:53:48,320 --> 00:53:51,680
Speaker 1: Bill thinks I can't grow hair, and I not legit.

1009
00:53:51,840 --> 00:53:54,560
Speaker 1: So there's like a there's like six episodes where Turk

1010
00:53:54,680 --> 00:53:57,080
Speaker 1: has a full head of hair just because I was like,

1011
00:53:57,200 --> 00:54:00,080
Speaker 1: there's no way I'm gonna let anybody think that I

1012
00:54:00,320 --> 00:54:02,719
Speaker 1: can't grow Now, like, it became personal at some points,

1013
00:54:02,760 --> 00:54:04,520
Speaker 1: and this was one of those moments with the donut

1014
00:54:04,600 --> 00:54:06,719
Speaker 1: where it was like, when I was watching, I was

1015
00:54:06,760 --> 00:54:08,759
Speaker 1: like in this that I think this is where it

1016
00:54:08,960 --> 00:54:12,160
Speaker 1: all went down where I started to realize, oh, I

1017
00:54:12,280 --> 00:54:14,239
Speaker 1: have to be in a certain shape for things. I

1018
00:54:14,400 --> 00:54:16,680
Speaker 1: have to look a certain way because before that I

1019
00:54:16,719 --> 00:54:19,600
Speaker 1: didn't care about it and I was still working right. Well,

1020
00:54:19,680 --> 00:54:21,400
Speaker 1: don't you feel that way now though? Still when you

1021
00:54:21,520 --> 00:54:23,359
Speaker 1: when you get jobs that like when you did when

1022
00:54:23,360 --> 00:54:25,160
Speaker 1: you run Emergings for a year, or did you feel

1023
00:54:25,200 --> 00:54:27,560
Speaker 1: like that you wanted to be in good shape for

1024
00:54:27,600 --> 00:54:31,040
Speaker 1: the camera. No, I just wanted to look fresh in

1025
00:54:31,280 --> 00:54:33,680
Speaker 1: face for camera, Like these are things that I've like

1026
00:54:33,760 --> 00:54:37,480
Speaker 1: I've learned that my drinking habits and my marijuana habits

1027
00:54:37,520 --> 00:54:40,359
Speaker 1: have made it so that, you know, if I don't

1028
00:54:40,400 --> 00:54:43,000
Speaker 1: take time off from it, you can see it in

1029
00:54:43,080 --> 00:54:44,279
Speaker 1: my face, you know what I mean. I look at

1030
00:54:44,320 --> 00:54:47,040
Speaker 1: pictures at us when we were kids, and we would

1031
00:54:47,080 --> 00:54:48,880
Speaker 1: and when we would go to the parties and everything

1032
00:54:48,960 --> 00:54:50,920
Speaker 1: like that, and we drink at the parties, and you

1033
00:54:51,000 --> 00:54:53,879
Speaker 1: could literally see in our faces and pictures. Yeah, those

1034
00:54:53,920 --> 00:54:57,440
Speaker 1: guys are fucking wasted. Yeah. And as I've gotten older,

1035
00:54:57,640 --> 00:55:02,200
Speaker 1: that's lasted much longer then it. You know what I mean.

1036
00:55:02,239 --> 00:55:05,759
Speaker 1: If I drink on Tuesday, you know, I gotta wait

1037
00:55:05,880 --> 00:55:09,120
Speaker 1: until like Friday, until it's all gone out of my

1038
00:55:09,520 --> 00:55:11,359
Speaker 1: out of my face, or I have, you know, real

1039
00:55:11,440 --> 00:55:13,640
Speaker 1: big bags under my eyes. And same thing with smoking.

1040
00:55:13,680 --> 00:55:15,759
Speaker 1: So when I went and did emergence, I cut out

1041
00:55:15,920 --> 00:55:19,840
Speaker 1: all booze and alcohol for for for a long period

1042
00:55:19,880 --> 00:55:22,880
Speaker 1: of time. I mean booze and marijuana for a long

1043
00:55:22,960 --> 00:55:27,640
Speaker 1: period of time. And what no one I did, No

1044
00:55:27,719 --> 00:55:31,440
Speaker 1: one didn't, No, no one watched it. It didn't emerge,

1045
00:55:32,000 --> 00:55:34,360
Speaker 1: it did. It didn't emerge the way the way I

1046
00:55:34,440 --> 00:55:37,359
Speaker 1: wanted to. You know, Neil, both Donald and I as

1047
00:55:37,440 --> 00:55:39,239
Speaker 1: you know, because you helped me with some press, which

1048
00:55:39,239 --> 00:55:41,600
Speaker 1: I really appreciate. As you know, Donald and I both

1049
00:55:42,040 --> 00:55:45,200
Speaker 1: had ABC shows, um and unlike The Middle, they both

1050
00:55:45,520 --> 00:55:49,160
Speaker 1: completely bombed. Yeah, they didn't make it. Was The Middle

1051
00:55:49,239 --> 00:55:52,400
Speaker 1: was an ABC show? Right? Yeah? Yeah, yeah, it was it.

1052
00:55:52,480 --> 00:55:57,960
Speaker 1: ABC Studios also Wonner Brothers Wanner Brothers for ABC. Wow. Yeah,

1053
00:55:58,080 --> 00:56:01,360
Speaker 1: we were ABC for NBCOR originally an NBC was like, no,

1054
00:56:01,520 --> 00:56:03,799
Speaker 1: we're gonna pass on it, and ABC was like, oh,

1055
00:56:03,840 --> 00:56:06,600
Speaker 1: well we'll pick it up and we went a full season.

1056
00:56:07,719 --> 00:56:11,120
Speaker 1: And uh, are you still sad about it? How are

1057
00:56:11,120 --> 00:56:14,080
Speaker 1: you feeling about it? I'm fine. I you know, how long?

1058
00:56:14,200 --> 00:56:16,359
Speaker 1: How long? Like how long do you pout about something

1059
00:56:16,400 --> 00:56:18,520
Speaker 1: like that? Well, like I have bad news. I think

1060
00:56:18,520 --> 00:56:20,040
Speaker 1: I pouted for like a few days and then I'm like,

1061
00:56:20,080 --> 00:56:23,840
Speaker 1: all right it. Yeah, I didn't pout that long about

1062
00:56:23,920 --> 00:56:25,680
Speaker 1: this one. I loved the show, and I loved the

1063
00:56:25,760 --> 00:56:29,360
Speaker 1: cast members, and I loved working with everyone. But it

1064
00:56:29,440 --> 00:56:32,040
Speaker 1: was in Jersey and not that I have something not

1065
00:56:32,160 --> 00:56:34,319
Speaker 1: that I have something wrong with Jersey, but coming out

1066
00:56:34,320 --> 00:56:37,279
Speaker 1: of a pandemic and going back to work in New

1067
00:56:37,360 --> 00:56:41,239
Speaker 1: Jersey and on behalf of the Garden State, I think

1068
00:56:41,440 --> 00:56:42,800
Speaker 1: the point is that you didn't want to be separated

1069
00:56:42,840 --> 00:56:45,360
Speaker 1: from your family. It wasn't that like let me if you,

1070
00:56:45,560 --> 00:56:48,040
Speaker 1: if you let me finish coming out of a pandemic

1071
00:56:48,239 --> 00:56:51,600
Speaker 1: and going back to Jersey, which I had a great

1072
00:56:51,640 --> 00:56:55,600
Speaker 1: time in Jersey and I loved Jersey and leaving my

1073
00:56:55,760 --> 00:56:59,600
Speaker 1: kids back in Los Angeles again, it would fuck them up,

1074
00:56:59,600 --> 00:57:02,680
Speaker 1: you know what I mean. I understand that I wouldn't.

1075
00:57:05,280 --> 00:57:10,440
Speaker 1: I wouldn't want to uh do a show in another state.

1076
00:57:11,239 --> 00:57:17,400
Speaker 1: Maybe the time will come, but I think I agree Neal.

1077
00:57:17,480 --> 00:57:20,000
Speaker 1: I wouldn't. I would do a film obviously anywhere, but

1078
00:57:20,080 --> 00:57:22,600
Speaker 1: I wouldn't sign on. I don't think, and I mean,

1079
00:57:23,800 --> 00:57:25,880
Speaker 1: mark my words. I'm sure I'll there'll be an occasion

1080
00:57:25,920 --> 00:57:27,880
Speaker 1: where I might change my mind, but right now I

1081
00:57:28,000 --> 00:57:31,200
Speaker 1: think to commit long term to something, it would be

1082
00:57:31,360 --> 00:57:34,040
Speaker 1: New York or LA where where I'm based and I

1083
00:57:34,160 --> 00:57:36,400
Speaker 1: have you know, and I'm unlike Donald, I don't have

1084
00:57:37,160 --> 00:57:39,680
Speaker 1: kids yet. Um, but I'm still in a place where

1085
00:57:39,680 --> 00:57:41,880
Speaker 1: I don't. I don't want to go move to to

1086
00:57:42,040 --> 00:57:48,959
Speaker 1: Stad where I always choose Dood as my random city.

1087
00:57:49,000 --> 00:57:51,560
Speaker 1: It's it's I believe it's a ski town in Switzerland.

1088
00:57:52,240 --> 00:57:57,360
Speaker 1: It's straight out of coming trading places where Dan Ackroyd's

1089
00:57:57,360 --> 00:58:00,040
Speaker 1: at the pawn shop trying to sell the watch, and

1090
00:58:00,080 --> 00:58:02,080
Speaker 1: the dude's like fifty bucks. He's like fifty bucks. No,

1091
00:58:02,280 --> 00:58:06,680
Speaker 1: this isn't such as such. It tells time in New York, London, La,

1092
00:58:06,880 --> 00:58:11,280
Speaker 1: and Stad. I think it's like the aspin of the Alps.

1093
00:58:11,320 --> 00:58:13,800
Speaker 1: It's like a fancy Skei town. Which but by the way,

1094
00:58:13,800 --> 00:58:16,480
Speaker 1: it was a horrible example for my story because I

1095
00:58:16,520 --> 00:58:18,120
Speaker 1: should have picked a place no one wants to live.

1096
00:58:18,200 --> 00:58:19,680
Speaker 1: Maybe I would like to live in the aspen of

1097
00:58:19,720 --> 00:58:22,000
Speaker 1: the Alps. We're gonna tear a quick break and then Neil,

1098
00:58:22,040 --> 00:58:23,840
Speaker 1: we take a guest with the show. Who's gonna have

1099
00:58:23,880 --> 00:58:27,800
Speaker 1: an awesome question for one of us? I'll bet rewatch.

1100
00:58:38,040 --> 00:58:42,840
Speaker 1: I like that theme. By the way, it's very churchy. Yeah, yes, yes,

1101
00:58:43,520 --> 00:58:46,400
Speaker 1: we speaking of churchy. Dude. Do you remember the church

1102
00:58:46,480 --> 00:58:49,440
Speaker 1: episode where we did it in the hospital cafeteria and

1103
00:58:49,560 --> 00:58:52,200
Speaker 1: you had the freaking uh straw hat? What was it?

1104
00:58:52,480 --> 00:58:53,760
Speaker 1: What kind of hat is that where it's like a

1105
00:58:53,800 --> 00:59:01,000
Speaker 1: straw hat? Really? Yeah? I think you had, Neil. I

1106
00:59:01,000 --> 00:59:03,600
Speaker 1: think you had a tambourine. As I recall that could

1107
00:59:03,680 --> 00:59:10,640
Speaker 1: be God Samuel centers in the house. That's Samuel Center, Joel,

1108
00:59:10,680 --> 00:59:12,440
Speaker 1: do you have any special introduction you want to make

1109
00:59:12,520 --> 00:59:14,320
Speaker 1: up Samuel Center or should we just start talking to

1110
00:59:14,360 --> 00:59:19,640
Speaker 1: Samuel Center? Just get right on into it. Hi, Hello, Samuel. Whoa, Oh,

1111
00:59:19,800 --> 00:59:24,760
Speaker 1: beautiful people. This is crazy, it's crazy. You are a professional, dude.

1112
00:59:24,760 --> 00:59:27,120
Speaker 1: You came with the mic popping thing. Donald needs one

1113
00:59:27,120 --> 00:59:29,400
Speaker 1: of those because he spits everywhere. So I have a

1114
00:59:29,480 --> 00:59:32,280
Speaker 1: spit problem. Yeah, Dan, can you get Samuel has for

1115
00:59:32,320 --> 00:59:34,760
Speaker 1: those of you listening, has one of those very fancy

1116
00:59:35,040 --> 00:59:36,800
Speaker 1: circle things you put in front of a mic and

1117
00:59:37,120 --> 00:59:39,120
Speaker 1: uh and Donald needs one of those dances. I have one.

1118
00:59:39,200 --> 00:59:41,240
Speaker 1: I have one. No, well, we need it, We need

1119
00:59:41,280 --> 00:59:44,120
Speaker 1: it now. It's probably called the spit guard or yes,

1120
00:59:44,400 --> 00:59:46,520
Speaker 1: spit spit shield. You know. When I first saw the

1121
00:59:46,560 --> 00:59:49,560
Speaker 1: spit guard was in the We Are the World's music video,

1122
00:59:51,120 --> 00:59:52,760
Speaker 1: and that's where I also sold that you were supposed

1123
00:59:52,800 --> 00:59:55,800
Speaker 1: to hold your headphones like this over one year so

1124
00:59:55,920 --> 00:59:58,080
Speaker 1: you can hear, yeah, to hear the harmonies when you're

1125
00:59:58,160 --> 01:00:02,200
Speaker 1: down and out and see it all if you care.

1126
01:00:03,000 --> 01:00:05,160
Speaker 1: If you think you look better without headphones on your head,

1127
01:00:05,200 --> 01:00:07,760
Speaker 1: I think that's how you hold the headphones, right, Yeah, Mike,

1128
01:00:08,280 --> 01:00:12,080
Speaker 1: Mike didn't want to mess up the freaking right, Neil.

1129
01:00:12,280 --> 01:00:14,080
Speaker 1: All the people that knew they were shooting a video

1130
01:00:14,120 --> 01:00:21,200
Speaker 1: were like, you know what, But if you just believe

1131
01:00:21,520 --> 01:00:23,120
Speaker 1: that we should do a Donald, we should do an

1132
01:00:23,120 --> 01:00:26,560
Speaker 1: episode of this where we recreate the video and we

1133
01:00:26,720 --> 01:00:31,560
Speaker 1: each take turns playing different characters in the song. Yeah, sure, man,

1134
01:00:31,680 --> 01:00:33,480
Speaker 1: I fucking did that as a kid. I used to

1135
01:00:33,520 --> 01:00:34,640
Speaker 1: do that as a kid. I could do it as

1136
01:00:34,640 --> 01:00:36,840
Speaker 1: an adult. I used to love that. I would watch

1137
01:00:36,920 --> 01:00:39,080
Speaker 1: that over and over and over again. Anyway, Sorry, Samuel,

1138
01:00:39,120 --> 01:00:42,760
Speaker 1: where are you called? Samuel? Sent where that's Oprah? Where

1139
01:00:42,760 --> 01:00:45,360
Speaker 1: are you calling from? Samuel? I'm calling from a small

1140
01:00:45,400 --> 01:00:51,280
Speaker 1: town called Cloku in Minnesota. Cloqu minda, we got it

1141
01:00:51,480 --> 01:00:55,000
Speaker 1: the far North. Welcome. You have Neil Flynn with us today.

1142
01:00:55,120 --> 01:00:58,600
Speaker 1: And that's Donald doing his best Oprah? And uh And

1143
01:00:58,680 --> 01:01:01,160
Speaker 1: do you have a question for us anything? Ask us anything?

1144
01:01:01,640 --> 01:01:06,920
Speaker 1: Ask you anything? What happens when we die? Oh? Wow? Wow? No,

1145
01:01:07,080 --> 01:01:13,120
Speaker 1: I'm just I'm just kidding. Don't you coming on? Samuel? Everybody?

1146
01:01:14,200 --> 01:01:17,560
Speaker 1: Can you play the music that drives it off? No?

1147
01:01:17,920 --> 01:01:19,640
Speaker 1: Go ahead, you got a real question? Go ahead, I

1148
01:01:19,680 --> 01:01:21,880
Speaker 1: do I have a real question for you. First of all,

1149
01:01:22,400 --> 01:01:24,600
Speaker 1: thank you for all of the years of entertainment. This

1150
01:01:24,720 --> 01:01:27,360
Speaker 1: is such a thrill to meet you guys. Uh No,

1151
01:01:27,680 --> 01:01:31,520
Speaker 1: it's incredible, Thank you. So in terms of entertainment, you

1152
01:01:31,600 --> 01:01:33,560
Speaker 1: guys have been there for You've been in the business

1153
01:01:33,600 --> 01:01:36,040
Speaker 1: for so long and just seeing how things change, and

1154
01:01:36,080 --> 01:01:38,760
Speaker 1: it feels like people's attention spans are getting shorter and shorter.

1155
01:01:39,320 --> 01:01:43,360
Speaker 1: And uh, mister Flynn h such an improv comedy genius.

1156
01:01:44,040 --> 01:01:47,800
Speaker 1: And Zach you're a writer, and mister Fazon, you just

1157
01:01:47,880 --> 01:01:49,760
Speaker 1: kind of embody what cool is to me. And you've

1158
01:01:49,800 --> 01:01:52,480
Speaker 1: been doing I mean since Clueless. Man. My sister was

1159
01:01:52,520 --> 01:01:54,840
Speaker 1: big into Clueless, And I can't tell you how much

1160
01:01:54,840 --> 01:01:56,600
Speaker 1: I look up to you and have tried to emulate

1161
01:01:56,680 --> 01:01:59,400
Speaker 1: some of the style that you have accepted and received

1162
01:01:59,600 --> 01:02:04,000
Speaker 1: except but as things have changed and people's attention spans

1163
01:02:04,040 --> 01:02:06,520
Speaker 1: have gotten shorter, how do you feel yourselves adapting as entertainers,

1164
01:02:06,600 --> 01:02:09,200
Speaker 1: writers and improv comedy people. Do you feel like you've

1165
01:02:09,240 --> 01:02:11,800
Speaker 1: had to shift the way you approach things or do

1166
01:02:11,840 --> 01:02:13,480
Speaker 1: you feel like you've kept it the same to just

1167
01:02:13,560 --> 01:02:15,880
Speaker 1: stay true to your art or how does that feel

1168
01:02:16,040 --> 01:02:17,800
Speaker 1: on your end? That's a good question. You know, they

1169
01:02:17,840 --> 01:02:20,280
Speaker 1: just came out with this service that as I understand

1170
01:02:20,320 --> 01:02:22,640
Speaker 1: it isn't isn't doing as well as anyone hoped. Called Quibbi,

1171
01:02:22,680 --> 01:02:25,160
Speaker 1: which is basically like ten minute episodes you can watch

1172
01:02:25,200 --> 01:02:27,640
Speaker 1: on your phone, which I would have thought would would

1173
01:02:27,680 --> 01:02:30,360
Speaker 1: do well because people are commuting and they're sitting in

1174
01:02:30,440 --> 01:02:32,400
Speaker 1: a doctor's office, and for all I know it will

1175
01:02:32,520 --> 01:02:34,560
Speaker 1: it will do well one day, but that I was

1176
01:02:34,600 --> 01:02:37,280
Speaker 1: thinking of of that service when you when you said that,

1177
01:02:37,880 --> 01:02:40,640
Speaker 1: the biggest thing I notice is that whenever I do anything,

1178
01:02:40,920 --> 01:02:43,000
Speaker 1: if it's a TV show, if it's a film, if

1179
01:02:43,080 --> 01:02:46,280
Speaker 1: it's a music video, if it's a documentary, everyone writes

1180
01:02:46,360 --> 01:02:51,040
Speaker 1: me on Instagram when second be on Netflix. It's as

1181
01:02:51,080 --> 01:02:55,800
Speaker 1: though it's like the only thing most people watch anymore.

1182
01:02:55,960 --> 01:02:57,960
Speaker 1: So that's always on my mind. When I'm going out

1183
01:02:58,000 --> 01:03:00,919
Speaker 1: and I'm pitching a new idea, I'm always kind of like, wow,

1184
01:03:00,960 --> 01:03:03,360
Speaker 1: I I you know, Netflix has so much content, But

1185
01:03:03,440 --> 01:03:05,800
Speaker 1: in my mind, I'm thinking, like, I kind of want

1186
01:03:05,840 --> 01:03:09,160
Speaker 1: this to be on Netflix because that's what everybody seems

1187
01:03:09,200 --> 01:03:11,440
Speaker 1: to watch these days. Whenever you know, I'll I like.

1188
01:03:11,920 --> 01:03:14,400
Speaker 1: And when we were talking briefly about the ABC show

1189
01:03:14,440 --> 01:03:17,920
Speaker 1: I did um Alex Sinca. It didn't didn't last or

1190
01:03:18,000 --> 01:03:19,960
Speaker 1: work that well, but I remember when I was promoting it.

1191
01:03:20,040 --> 01:03:23,280
Speaker 1: I was just doing anything I could to promote it, anything, anything, anything,

1192
01:03:23,600 --> 01:03:25,400
Speaker 1: And then everyone was like, sounds great, Zach, when's it

1193
01:03:25,440 --> 01:03:28,040
Speaker 1: on Netflix? And I'm like, well, it's not. It's it's

1194
01:03:28,080 --> 01:03:30,840
Speaker 1: on ABC. It's it's not, it's not gonna be on Netflix.

1195
01:03:32,360 --> 01:03:34,280
Speaker 1: But I don't know. That's what I just kept thinking

1196
01:03:34,320 --> 01:03:37,760
Speaker 1: about that. What about you guys. I feel like it's well,

1197
01:03:37,840 --> 01:03:40,760
Speaker 1: you know, I'm while we're in this downtime, I'm trying

1198
01:03:40,800 --> 01:03:43,920
Speaker 1: to you know, I got a couple of other voices,

1199
01:03:44,040 --> 01:03:47,600
Speaker 1: trying to develop something, you know, to do when when

1200
01:03:47,640 --> 01:03:50,200
Speaker 1: we can start to work again. Yeah, And it's really

1201
01:03:51,200 --> 01:03:54,000
Speaker 1: I've never done that before. I've never helped to create

1202
01:03:54,040 --> 01:03:57,320
Speaker 1: a show. But I feel like to start a new

1203
01:03:57,360 --> 01:03:59,920
Speaker 1: show now, I don't think at tension spans are anyhow

1204
01:04:00,080 --> 01:04:03,480
Speaker 1: or necessarily. People are watching stuff. It's just not the

1205
01:04:03,520 --> 01:04:05,680
Speaker 1: same stuff they used to watch. And there's more TV

1206
01:04:05,800 --> 01:04:08,560
Speaker 1: than there ever was, And I feel like, if you're

1207
01:04:08,600 --> 01:04:11,439
Speaker 1: going to start something from the ground up, you can't

1208
01:04:11,520 --> 01:04:20,040
Speaker 1: just do family, living room multi cam. You know, it

1209
01:04:20,080 --> 01:04:23,200
Speaker 1: feels like Guy's gone. There has to be something a

1210
01:04:23,360 --> 01:04:27,120
Speaker 1: hook to the show. Yeah, and whether it's you know,

1211
01:04:27,160 --> 01:04:29,760
Speaker 1: I don't know what really shows are doing a period

1212
01:04:29,840 --> 01:04:33,440
Speaker 1: piece or his you know, real people like I don't know,

1213
01:04:33,480 --> 01:04:36,240
Speaker 1: the Kennedy's or something, or the Queens and Kings or

1214
01:04:36,840 --> 01:04:40,520
Speaker 1: something fantastical or outer space or it just feels like

1215
01:04:40,600 --> 01:04:43,440
Speaker 1: you can't do that. The time has passed. Do the

1216
01:04:43,560 --> 01:04:46,280
Speaker 1: Johnson family. Although although, Neil, you just gave me a

1217
01:04:46,360 --> 01:04:49,200
Speaker 1: genius idea to do a traditional like living room sitcom,

1218
01:04:50,040 --> 01:04:53,919
Speaker 1: but it's kings and queens in a castle. I would

1219
01:04:53,960 --> 01:04:56,600
Speaker 1: do it, except they live on like the set of

1220
01:04:56,640 --> 01:05:00,560
Speaker 1: the Cosby show, the Kings and Queens, but they just

1221
01:05:00,720 --> 01:05:06,560
Speaker 1: have a cow. But they're they're royals and they've been

1222
01:05:06,720 --> 01:05:09,440
Speaker 1: transported from a from another era, but and they don't

1223
01:05:09,480 --> 01:05:11,360
Speaker 1: really know why they're there. But they live in this

1224
01:05:11,800 --> 01:05:16,520
Speaker 1: this you know, suburban house that could work, or that

1225
01:05:16,600 --> 01:05:20,280
Speaker 1: could have worked in nineteen eighty six. You know, come on, man,

1226
01:05:20,320 --> 01:05:24,160
Speaker 1: if ALF could work, I was just gonna say ALF. Yeah.

1227
01:05:24,200 --> 01:05:28,680
Speaker 1: We talked about ALF extensively um in one of these episodes,

1228
01:05:28,760 --> 01:05:31,520
Speaker 1: because I remember as a kid, a child, seeing a

1229
01:05:31,600 --> 01:05:34,720
Speaker 1: commercial for ALF and being like that's so stupid, No

1230
01:05:34,800 --> 01:05:37,440
Speaker 1: one's gonna watch that, and then cut to me like

1231
01:05:37,720 --> 01:05:44,040
Speaker 1: riveted every week like a launching. ALF call that being

1232
01:05:44,160 --> 01:05:45,960
Speaker 1: kind of funny. I think it was kind of a

1233
01:05:46,000 --> 01:05:48,600
Speaker 1: funny show. No, it was genius and Max Wright, who

1234
01:05:48,720 --> 01:05:52,640
Speaker 1: is hilarious, played the father What are you doing? Alf?

1235
01:05:52,800 --> 01:05:55,040
Speaker 1: And he notoriously hated being on a puppet show. He

1236
01:05:55,120 --> 01:06:01,120
Speaker 1: hated every second of it. He hated the puppet. Fuck

1237
01:06:01,240 --> 01:06:07,920
Speaker 1: that I would have woke off this set. Fuck you, Alf, trailer,

1238
01:06:09,040 --> 01:06:12,120
Speaker 1: Fuck you. This is the true story. Alf the puppet

1239
01:06:12,200 --> 01:06:15,520
Speaker 1: was actually my sleep paralysis demon from like age three

1240
01:06:15,600 --> 01:06:22,000
Speaker 1: to ten. WHOA, WHOA, I didn't see sleep paralysis demon?

1241
01:06:22,080 --> 01:06:28,040
Speaker 1: What's it about? I have all their music? Is? What

1242
01:06:28,280 --> 01:06:30,640
Speaker 1: is a sleep paralysis demon? For those of us who

1243
01:06:30,680 --> 01:06:33,000
Speaker 1: don't know? All right, So, sleep paralysis is like this

1244
01:06:33,160 --> 01:06:35,680
Speaker 1: condition where you're you know, dead as sleep and you

1245
01:06:35,880 --> 01:06:37,400
Speaker 1: and if I'm sure you know, if you don't know,

1246
01:06:37,880 --> 01:06:39,960
Speaker 1: there's chemicals in your body that released to paralyze you

1247
01:06:40,000 --> 01:06:41,320
Speaker 1: while you're sleeping so that you don't get up and

1248
01:06:41,400 --> 01:06:44,280
Speaker 1: run while you're dreaming. Right, Um, there's things there's a

1249
01:06:44,360 --> 01:06:47,720
Speaker 1: phenomenon that can happen where you achieve consciousness, but you're

1250
01:06:47,760 --> 01:06:50,240
Speaker 1: still paralyzed by those things that are keeping you sleeping.

1251
01:06:50,920 --> 01:06:53,880
Speaker 1: And h I happen to get that and have since

1252
01:06:53,920 --> 01:06:56,600
Speaker 1: I was a really little kid. And typically, for whatever reason,

1253
01:06:56,720 --> 01:06:59,320
Speaker 1: whatever you want to say about the human coition or whatever,

1254
01:07:00,040 --> 01:07:01,400
Speaker 1: when people are stuck at this, they go to a

1255
01:07:01,520 --> 01:07:04,560
Speaker 1: very dark space and usually they see something really uh

1256
01:07:04,960 --> 01:07:08,040
Speaker 1: ugly or terrifying. And this, I mean, it could be anything.

1257
01:07:08,160 --> 01:07:10,200
Speaker 1: It can be a literal. So so people call them

1258
01:07:10,200 --> 01:07:13,840
Speaker 1: their sleep paralysis demons. And Alf was literally mine. There

1259
01:07:13,920 --> 01:07:17,200
Speaker 1: was a commercial on TV where Alf pressed his face

1260
01:07:17,240 --> 01:07:19,720
Speaker 1: against the glass. It was probably from like the premiere episode.

1261
01:07:20,400 --> 01:07:23,680
Speaker 1: And when I was eight years old, I think specifically,

1262
01:07:23,880 --> 01:07:26,480
Speaker 1: anytime I would get in the sleep paralysis state, there

1263
01:07:26,520 --> 01:07:32,760
Speaker 1: would be Alf at the edge of my oh yeah,

1264
01:07:32,920 --> 01:07:35,480
Speaker 1: yeahs frightening thing and was out saying anything new you

1265
01:07:35,560 --> 01:07:36,920
Speaker 1: or was he was just he was just him up

1266
01:07:36,920 --> 01:07:38,800
Speaker 1: against the glass at the foot of your bed. Yeah,

1267
01:07:38,800 --> 01:07:40,800
Speaker 1: it was just him against the glass. I don't know, man,

1268
01:07:42,000 --> 01:07:47,040
Speaker 1: Do you still have a sleep paralysis a sleep paralysis demon? Now? Yeah?

1269
01:07:47,520 --> 01:07:50,160
Speaker 1: And is it still out? Is it still out? No? Now,

1270
01:07:50,240 --> 01:07:53,920
Speaker 1: it's just uh now, it's just just um. Yeah. I

1271
01:07:54,000 --> 01:07:56,640
Speaker 1: was gonna say something, but I won't. No. Now it's

1272
01:07:56,840 --> 01:08:01,320
Speaker 1: it's actually a guy in a suit. Okay, wow, wow,

1273
01:08:02,000 --> 01:08:05,800
Speaker 1: that's scary. Well, that's very scary. I I that's traumatic.

1274
01:08:06,120 --> 01:08:09,520
Speaker 1: You know, Alf. I didn't haven't that much problems with

1275
01:08:09,600 --> 01:08:13,200
Speaker 1: alf um. We brought it up, we've run it up

1276
01:08:13,240 --> 01:08:15,080
Speaker 1: on the show before. I didn't know. I don't know

1277
01:08:15,080 --> 01:08:17,120
Speaker 1: if this was in your sleep arolysis nightmare. But Alf

1278
01:08:17,200 --> 01:08:21,840
Speaker 1: has a tail um. We learned, Neil because I had

1279
01:08:21,880 --> 01:08:24,559
Speaker 1: the stuffed animal for Alf and I was a child,

1280
01:08:24,600 --> 01:08:25,840
Speaker 1: and what I would do is I would take the

1281
01:08:25,960 --> 01:08:28,439
Speaker 1: alf tail and I would tuck it through his legs

1282
01:08:28,479 --> 01:08:31,160
Speaker 1: and close his legs to give him a giant erect

1283
01:08:31,280 --> 01:08:35,360
Speaker 1: alf penis. Mister Braff, you've changed my life in many ways,

1284
01:08:35,800 --> 01:08:37,479
Speaker 1: and now I want to thank you because now my

1285
01:08:37,520 --> 01:08:39,479
Speaker 1: sleep prolysis Alf is going to have a big old

1286
01:08:39,479 --> 01:08:46,120
Speaker 1: tail penis. Thank you for that now, Sam, I'm gonna

1287
01:08:46,120 --> 01:08:48,800
Speaker 1: feel so bad if it goes back from man and

1288
01:08:48,920 --> 01:08:52,240
Speaker 1: suit to Alf with an alpha erection. I apologize. But

1289
01:08:52,280 --> 01:08:54,040
Speaker 1: maybe you'll be able to laugh at him, just point

1290
01:08:54,080 --> 01:08:56,840
Speaker 1: and laugh at him. Maybe he'll he'll dissipate. I'm not

1291
01:08:56,920 --> 01:08:59,040
Speaker 1: sure I understood the question. I thought you were asking,

1292
01:08:59,160 --> 01:09:01,840
Speaker 1: like how to how he was saying now that in

1293
01:09:01,960 --> 01:09:04,960
Speaker 1: his opinion h and an opinion of others, things are

1294
01:09:04,960 --> 01:09:07,360
Speaker 1: getting shorter and shorter for short attention spans. Do you

1295
01:09:07,400 --> 01:09:10,200
Speaker 1: think there's any way that you have adapted the way

1296
01:09:10,240 --> 01:09:13,600
Speaker 1: you perform or evolved things that you're doing for for

1297
01:09:13,760 --> 01:09:18,280
Speaker 1: a shorter attention span, whether it's anything you do, maybe

1298
01:09:18,320 --> 01:09:20,960
Speaker 1: in your animated videos you you know, I noticed something

1299
01:09:21,120 --> 01:09:23,080
Speaker 1: I'm gonna I'm gonna answer for Donald and Donald you

1300
01:09:23,240 --> 01:09:25,439
Speaker 1: pipe in. You used to post some of your stop

1301
01:09:25,479 --> 01:09:28,920
Speaker 1: motion animation longer clips. Now you're posting very short clips.

1302
01:09:29,439 --> 01:09:32,120
Speaker 1: Do you think that's for human attention span? Absolutely? Because

1303
01:09:32,160 --> 01:09:34,559
Speaker 1: at one point I realized that, thank you very much, Zach.

1304
01:09:34,600 --> 01:09:38,479
Speaker 1: At one point I realized people were not paying attention

1305
01:09:38,680 --> 01:09:40,640
Speaker 1: past a minute, you know what I mean? Fuck that,

1306
01:09:40,920 --> 01:09:45,080
Speaker 1: not paying attention past thirty seconds. And so now when

1307
01:09:45,120 --> 01:09:48,080
Speaker 1: I do when I post animation clips, they're like four

1308
01:09:48,240 --> 01:09:52,960
Speaker 1: seconds or five seconds, because you know, if anything, they'll

1309
01:09:52,960 --> 01:09:54,880
Speaker 1: watch it a couple of times, three or four times

1310
01:09:54,960 --> 01:09:56,960
Speaker 1: before they move on to the next thing to make

1311
01:09:57,040 --> 01:10:02,080
Speaker 1: sure they're uh to just to pick up visually what

1312
01:10:02,280 --> 01:10:03,760
Speaker 1: it was that they saw, you know what I mean.

1313
01:10:03,880 --> 01:10:08,519
Speaker 1: So like with animation, if it doesn't look right, people

1314
01:10:08,600 --> 01:10:11,720
Speaker 1: don't necessarily pay attention to it. And also I have

1315
01:10:12,080 --> 01:10:15,120
Speaker 1: a side question if you're doing animation, Is it better

1316
01:10:15,160 --> 01:10:18,559
Speaker 1: for you to focus on a short do a short

1317
01:10:18,640 --> 01:10:22,280
Speaker 1: little segment really really, really well, rather than do work

1318
01:10:22,320 --> 01:10:25,000
Speaker 1: on a full minute that has mistakes in it. Yeah,

1319
01:10:25,040 --> 01:10:27,120
Speaker 1: it's it's better to do it. In my opinion. If

1320
01:10:27,160 --> 01:10:30,599
Speaker 1: you can do a full minute of perfect animation, you're great.

1321
01:10:30,680 --> 01:10:32,720
Speaker 1: But no movie is like that either though, you know

1322
01:10:32,760 --> 01:10:34,479
Speaker 1: what I mean. There are very few movies that have

1323
01:10:34,720 --> 01:10:38,080
Speaker 1: scenes that are a one or for one minute, you

1324
01:10:38,120 --> 01:10:39,439
Speaker 1: know what I mean. And if they do do that,

1325
01:10:39,600 --> 01:10:43,400
Speaker 1: it's a special shot. And so with animation you try

1326
01:10:43,439 --> 01:10:45,760
Speaker 1: to shoot it just like you would shoot any other

1327
01:10:46,000 --> 01:10:48,160
Speaker 1: project that you put on film, whether it be movie

1328
01:10:48,560 --> 01:10:51,320
Speaker 1: or television. You want to make it quick and keep

1329
01:10:51,400 --> 01:10:54,000
Speaker 1: the cuts coming so that everybody. The faster the pace,

1330
01:10:54,120 --> 01:10:57,200
Speaker 1: the better it is with animation. The slower the slower

1331
01:10:57,280 --> 01:11:00,360
Speaker 1: the pace of the story, the easy it is for

1332
01:11:00,439 --> 01:11:03,200
Speaker 1: people to tune out. Sometimes I send you um clips

1333
01:11:03,240 --> 01:11:05,400
Speaker 1: of animation I think is cool, and you don't even reply,

1334
01:11:05,760 --> 01:11:08,200
Speaker 1: and it hurts my feelings. I'm sorry because I've seen

1335
01:11:08,240 --> 01:11:10,439
Speaker 1: them already, I know. But you could say yes, I've

1336
01:11:10,479 --> 01:11:13,360
Speaker 1: seen this. I could say yes, I've seen this, thank you.

1337
01:11:13,920 --> 01:11:16,599
Speaker 1: It's like when my mom sends me my mom sent

1338
01:11:16,680 --> 01:11:19,920
Speaker 1: me a picture of like a bird, and you know, okay,

1339
01:11:20,120 --> 01:11:21,960
Speaker 1: but I can I still take the time to be

1340
01:11:22,040 --> 01:11:25,160
Speaker 1: like pretty bird mom. You know you could, you might,

1341
01:11:25,320 --> 01:11:27,200
Speaker 1: you know, I might say, hey, exact cool animation, saw

1342
01:11:27,320 --> 01:11:30,400
Speaker 1: this one. You know what, from here on out, because

1343
01:11:30,400 --> 01:11:32,519
Speaker 1: I now know that you are very sensitive when it

1344
01:11:34,040 --> 01:11:37,160
Speaker 1: I am sensitive, I will from here on out I

1345
01:11:37,240 --> 01:11:40,600
Speaker 1: will respond with, oh man, I've seen that already. But

1346
01:11:40,720 --> 01:11:43,280
Speaker 1: thank you. All right, Samuel, give another question. All I

1347
01:11:43,360 --> 01:11:45,280
Speaker 1: got all kinds of questions, but we'll keep it. We'll

1348
01:11:45,360 --> 01:11:48,519
Speaker 1: keep it like uh, just knowing that mister Flint is there,

1349
01:11:48,720 --> 01:11:50,200
Speaker 1: which is so cool. I just have to say, I

1350
01:11:50,280 --> 01:11:53,080
Speaker 1: seriously thank you. One of the funniest people that has

1351
01:11:53,160 --> 01:11:56,639
Speaker 1: ever existed. Especially I told him that too, I saym

1352
01:11:56,720 --> 01:11:59,640
Speaker 1: I agree, It's just totally true. I'm just you know,

1353
01:11:59,800 --> 01:12:02,960
Speaker 1: just freeballing here. Uh let's just say that, yeah, free

1354
01:12:03,000 --> 01:12:05,519
Speaker 1: ball always always. You don't have to tell us what

1355
01:12:05,560 --> 01:12:09,240
Speaker 1: you're under. Situation is sam I said the wrong word

1356
01:12:09,280 --> 01:12:14,920
Speaker 1: on This is why Alph won't leave the foot of

1357
01:12:14,920 --> 01:12:20,640
Speaker 1: your bed. He wants to see those balls. God, oh, Samuel,

1358
01:12:21,200 --> 01:12:25,919
Speaker 1: all right, Samuel, go ahead, free ball away um Janitor

1359
01:12:26,000 --> 01:12:29,000
Speaker 1: spinoff of Scrubs. Let's just say that they brought it back.

1360
01:12:29,400 --> 01:12:31,519
Speaker 1: Let's just say they got mister Braff and mister fayzon

1361
01:12:31,880 --> 01:12:34,240
Speaker 1: Uh signed on his co stars in at least the

1362
01:12:34,640 --> 01:12:38,040
Speaker 1: pilot episode. Where would you want to explore the Janitor's

1363
01:12:38,120 --> 01:12:40,080
Speaker 1: character now? And what would you want the episode so

1364
01:12:40,280 --> 01:12:41,600
Speaker 1: to revolve around? What kind of stuff would you like

1365
01:12:41,600 --> 01:12:46,639
Speaker 1: to be in? It? Outer space? That's where it said,

1366
01:12:47,200 --> 01:12:52,200
Speaker 1: we're marooned in outer space. So it's sort of like

1367
01:12:52,240 --> 01:12:56,160
Speaker 1: a Gilligan's Island type thing. On an island on a planet? Ship?

1368
01:12:56,240 --> 01:12:59,720
Speaker 1: Are we on a ship? Kneel on? Are on a planet? Uh?

1369
01:13:00,560 --> 01:13:02,840
Speaker 1: A ship? And then then like towards the end of

1370
01:13:02,840 --> 01:13:07,320
Speaker 1: the first season, it lands sort of like sort of

1371
01:13:07,400 --> 01:13:11,920
Speaker 1: like Josie and the Pussycats, the Janitor and the and

1372
01:13:12,080 --> 01:13:15,120
Speaker 1: the doctors. Yes, it's very much like Josie and the Pussycats.

1373
01:13:15,160 --> 01:13:17,840
Speaker 1: And yeah, I was hoping you wouldn't notice that I

1374
01:13:18,000 --> 01:13:22,599
Speaker 1: stole up. So the janitor is also in a band. Yeah,

1375
01:13:22,600 --> 01:13:26,360
Speaker 1: we're all musicians. Yeah, Neil, you you joke, but I

1376
01:13:26,439 --> 01:13:29,120
Speaker 1: would watch this show. I mean, Neuron doesn't necessarily steal

1377
01:13:29,160 --> 01:13:32,040
Speaker 1: the character from Scrubs, but you could be your character

1378
01:13:32,160 --> 01:13:34,760
Speaker 1: is a janitor on a on a spaceship, which is

1379
01:13:34,800 --> 01:13:42,400
Speaker 1: a character. You never see who's cleaning? Who's cleaning these spaceships? Yeah, yeah,

1380
01:13:43,200 --> 01:13:45,439
Speaker 1: that's funny. Yes, Donald, you watch so much sci fi?

1381
01:13:45,560 --> 01:13:47,720
Speaker 1: Have you ever seen anyone cleaning up inside any of

1382
01:13:47,720 --> 01:13:51,160
Speaker 1: those ships? No? Never, not even the Millennium Falcon, which

1383
01:13:51,240 --> 01:13:55,800
Speaker 1: is the dirtiest spaceship in the galaxy. No one does

1384
01:13:55,840 --> 01:14:02,519
Speaker 1: any maintenance. Never ever. Maybe Jordi did a little maintenance. Well,

1385
01:14:02,920 --> 01:14:05,639
Speaker 1: but Johnny was like he was an engineer though. Man,

1386
01:14:05,760 --> 01:14:07,639
Speaker 1: he was like, oh that's right. I knew he was working.

1387
01:14:07,800 --> 01:14:09,840
Speaker 1: Never like just like like your character would often be,

1388
01:14:10,040 --> 01:14:11,960
Speaker 1: you know, be doing something. We joke about Neil. We

1389
01:14:12,240 --> 01:14:14,120
Speaker 1: sometimes we're like, you know what, the janitor was actually

1390
01:14:14,120 --> 01:14:17,840
Speaker 1: a good janitor for he was He really worked a lot.

1391
01:14:17,920 --> 01:14:22,400
Speaker 1: He was always doing shit and uh always were actually working.

1392
01:14:23,000 --> 01:14:25,680
Speaker 1: I would have said the opposite that was oftentimes I

1393
01:14:25,720 --> 01:14:28,640
Speaker 1: would say, should I be doing something? I'm constantly just

1394
01:14:28,960 --> 01:14:31,200
Speaker 1: walking around a corner with nothing in my hands. You know,

1395
01:14:32,000 --> 01:14:34,200
Speaker 1: what are you doing? Wasn't there a time when when

1396
01:14:34,280 --> 01:14:37,560
Speaker 1: when someone a director said to mop in the admissions

1397
01:14:37,560 --> 01:14:45,519
Speaker 1: and you're like, there's a carpet, that's funny. I don't

1398
01:14:45,560 --> 01:14:49,519
Speaker 1: remember that. Anyway. I'm very interested, Neil in developing this.

1399
01:14:49,960 --> 01:14:54,040
Speaker 1: You're a janitor on a spaceship series. Okay, yeah, because

1400
01:14:54,080 --> 01:14:57,439
Speaker 1: if it's a it's about three guys that they're marooned,

1401
01:14:57,640 --> 01:15:00,560
Speaker 1: I would in space. Okay, what did they do beforehand?

1402
01:15:00,640 --> 01:15:03,719
Speaker 1: Where they scientists or they were on a mission? Donald

1403
01:15:03,760 --> 01:15:05,920
Speaker 1: and I were, well, two guys were on a mission

1404
01:15:05,960 --> 01:15:08,439
Speaker 1: and one guy was cleaning the ship for them. No, no, no, no, Donald,

1405
01:15:08,920 --> 01:15:13,240
Speaker 1: Donald put the Donald and I are on a mission.

1406
01:15:13,560 --> 01:15:15,519
Speaker 1: And part of this mission. Because there's been a lot

1407
01:15:15,520 --> 01:15:18,120
Speaker 1: of complaints about cleanliness and spaceships, they sent along a

1408
01:15:18,200 --> 01:15:20,479
Speaker 1: member of the janitorial stuff to keep the ship clean

1409
01:15:20,880 --> 01:15:23,360
Speaker 1: while they're on their mission. Right, and then once it,

1410
01:15:23,520 --> 01:15:27,560
Speaker 1: once it crashes or whatever, the status you know, the

1411
01:15:28,400 --> 01:15:34,160
Speaker 1: totem pole is scrambled. Yes, right, yeah, Now, scientists, you know,

1412
01:15:34,800 --> 01:15:37,200
Speaker 1: are scared shitless and the janitor is like, I could

1413
01:15:37,240 --> 01:15:41,400
Speaker 1: handle this, follow my lead. Yeah, the janitor janitor becomes

1414
01:15:41,439 --> 01:15:44,000
Speaker 1: the captain. Yes, and maybe maybe Donald and I are

1415
01:15:44,080 --> 01:15:46,639
Speaker 1: injured so we can't really do much, but the janitor

1416
01:15:46,760 --> 01:15:49,840
Speaker 1: takes over. Well, we don't have to be injured. We

1417
01:15:49,920 --> 01:15:54,400
Speaker 1: just have to be like kind of like not really

1418
01:15:54,479 --> 01:15:57,600
Speaker 1: good with other things other than piloting in science. No

1419
01:15:57,720 --> 01:16:02,400
Speaker 1: survival skills whatsoever, whatsoever, that's good Neil. So Neil's character

1420
01:16:02,760 --> 01:16:05,439
Speaker 1: is like, not only was he working for a custodian staff,

1421
01:16:05,479 --> 01:16:09,000
Speaker 1: but he was an amazing survivalist and diald And I

1422
01:16:09,040 --> 01:16:11,479
Speaker 1: don't know anything about how to survival on this random planet.

1423
01:16:13,040 --> 01:16:15,799
Speaker 1: Our our journey could have been just we were supposed

1424
01:16:15,800 --> 01:16:18,280
Speaker 1: to go to the International Space Station, right, and that's it.

1425
01:16:18,680 --> 01:16:21,759
Speaker 1: And somehow we got knocked off course by some crazy

1426
01:16:21,840 --> 01:16:25,040
Speaker 1: ass Gama wave or some type of micro wave or

1427
01:16:25,120 --> 01:16:28,200
Speaker 1: something like that, and it sends us into a wormhole

1428
01:16:28,400 --> 01:16:30,519
Speaker 1: and we wind up in this fucking galaxy where we

1429
01:16:30,600 --> 01:16:34,000
Speaker 1: don't know shit about anything, right, but and don't know

1430
01:16:34,080 --> 01:16:36,280
Speaker 1: how to survive other than if we were to be,

1431
01:16:36,479 --> 01:16:44,040
Speaker 1: you know, on an International space station. And Neil Flynn Janitor, Hey,

1432
01:16:44,120 --> 01:16:47,000
Speaker 1: you know what I just thought of something. We didn't

1433
01:16:47,000 --> 01:16:50,760
Speaker 1: start trek. They weren't different planets and stuff, right, Yes,

1434
01:16:52,439 --> 01:16:57,759
Speaker 1: they never wore helmets, pursuits. They had oxygen in those belts.

1435
01:16:57,760 --> 01:17:01,439
Speaker 1: All those planets had oxygen. They were all supporting planets, right.

1436
01:17:01,479 --> 01:17:05,920
Speaker 1: Apparently decision early on. Well, I imagine, like you said,

1437
01:17:05,960 --> 01:17:09,080
Speaker 1: with the headphones not looking good. I'm sure that what's

1438
01:17:09,120 --> 01:17:11,040
Speaker 1: his name, Captain Kirk was like, you're not putting a

1439
01:17:11,120 --> 01:17:16,040
Speaker 1: helmet on? This was like, no way, you see this?

1440
01:17:16,600 --> 01:17:20,679
Speaker 1: You see this? No way, Shatner. Yeah, so that's the idea. Joel,

1441
01:17:20,680 --> 01:17:24,040
Speaker 1: will you produce? Joel will produce? Um. Thank you, We're

1442
01:17:24,080 --> 01:17:27,800
Speaker 1: off to the races. Samuel, Samuel for calling in, my friend. Oh,

1443
01:17:27,840 --> 01:17:30,040
Speaker 1: it's such a pleasure to meet everybody. Thank you very much.

1444
01:17:30,280 --> 01:17:33,240
Speaker 1: Thank you, You're awesome, and good luck. And listen, don't

1445
01:17:33,320 --> 01:17:36,479
Speaker 1: let those monsters keep you in bed. Be safe. Now.

1446
01:17:36,520 --> 01:17:38,240
Speaker 1: I'm gonna show them my balls and laugh at him.

1447
01:17:38,240 --> 01:17:42,400
Speaker 1: That's all right, And that's a lesson for everybody out there.

1448
01:17:42,560 --> 01:17:44,800
Speaker 1: If you're ever afraid, show them your balls and just

1449
01:17:45,200 --> 01:17:49,120
Speaker 1: laugh at them. Well, I'll see you in jail. Maybe not.

1450
01:17:50,640 --> 01:17:55,519
Speaker 1: Donald's like, well never mind ever, right ever, be healthy man,

1451
01:17:55,680 --> 01:17:58,000
Speaker 1: take care. Oh my god, I have so many questions

1452
01:17:59,320 --> 01:18:05,960
Speaker 1: back to space, Janitor. I love it. Neil's like furiously

1453
01:18:06,040 --> 01:18:09,120
Speaker 1: taking notes about it. Yes, I am. I wonder if

1454
01:18:09,160 --> 01:18:10,760
Speaker 1: part of it should be a game show, or maybe

1455
01:18:10,760 --> 01:18:12,840
Speaker 1: the whole thing a game show. Just for some reason,

1456
01:18:13,840 --> 01:18:16,600
Speaker 1: we're sticking with this, these these elements that are a

1457
01:18:16,680 --> 01:18:22,519
Speaker 1: Janitor lost in space. Okay, Carter family, what is the

1458
01:18:22,600 --> 01:18:29,719
Speaker 1: capital of Shod for the star Shod? Yeah, and believe

1459
01:18:29,760 --> 01:18:32,360
Speaker 1: it or not, Neil's Shod starts with a G. There's

1460
01:18:32,400 --> 01:18:37,040
Speaker 1: a silent G. Yeah, you know what joelity check is

1461
01:18:37,160 --> 01:18:42,200
Speaker 1: g st a a D If I'm not mistaken, God ahead.

1462
01:18:42,320 --> 01:18:45,000
Speaker 1: That reminds me of Jibooty. I think it's pronounced its

1463
01:18:45,000 --> 01:18:48,280
Speaker 1: episodes with an N. I think a D. Jibooty starts

1464
01:18:48,280 --> 01:18:50,559
Speaker 1: with a D. You're you're right, You're right? Yeah, yeah,

1465
01:18:51,200 --> 01:18:53,720
Speaker 1: But I remember when we used to do the show.

1466
01:18:53,920 --> 01:18:57,439
Speaker 1: Used to do crossword puzzles, did I yeah, I'm going

1467
01:18:57,479 --> 01:19:00,240
Speaker 1: through phases. Yeah, the New York Times probably, yeah, and

1468
01:19:00,280 --> 01:19:05,639
Speaker 1: you would do I remember I never I suck at spelling,

1469
01:19:05,800 --> 01:19:10,040
Speaker 1: and I also suck at crossword puzzles. But um, would

1470
01:19:10,040 --> 01:19:12,040
Speaker 1: you ever get to would you ever get to the

1471
01:19:12,080 --> 01:19:15,080
Speaker 1: Sunday one? Have you ever? You know what I mean?

1472
01:19:15,160 --> 01:19:17,160
Speaker 1: Like I hear the Sunday ones are the real hard ones.

1473
01:19:17,240 --> 01:19:19,920
Speaker 1: Monday it gets easy and then yeah that it goes

1474
01:19:20,040 --> 01:19:23,559
Speaker 1: it gets more difficult. And he could finish the Sunday

1475
01:19:23,640 --> 01:19:25,880
Speaker 1: is what you're asking. I'm asking, I'm asking how deep

1476
01:19:26,080 --> 01:19:28,080
Speaker 1: into the week would you get, because I know there

1477
01:19:28,120 --> 01:19:31,120
Speaker 1: were times where you would. You know, I remember asking

1478
01:19:31,160 --> 01:19:32,360
Speaker 1: you one. You'd be like, oh, this is from like

1479
01:19:32,400 --> 01:19:36,240
Speaker 1: a couple of weeks ago. M oh really, well that's

1480
01:19:36,800 --> 01:19:40,639
Speaker 1: you know, if you don't, it depends on how hard

1481
01:19:40,760 --> 01:19:42,920
Speaker 1: your work. Sometimes you just pick it up for ten

1482
01:19:42,960 --> 01:19:46,000
Speaker 1: minutes and go on about your day. But I haven't

1483
01:19:46,040 --> 01:19:48,600
Speaker 1: done one in a long time. But um yes, I

1484
01:19:48,720 --> 01:19:51,080
Speaker 1: used to completely most of the time the same day,

1485
01:19:51,520 --> 01:19:54,920
Speaker 1: within an hour or two. I was always jealous of

1486
01:19:54,920 --> 01:19:58,040
Speaker 1: people that could. I was. I think, at least what

1487
01:19:58,360 --> 01:20:00,240
Speaker 1: I know to be true, is it actually said Sunday

1488
01:20:00,360 --> 01:20:03,479
Speaker 1: is the hardest day. Sunday's a big puzzle. Sunday's like

1489
01:20:03,600 --> 01:20:07,719
Speaker 1: the supersized puzzle, not necessarily harder, so it builds the Saturday,

1490
01:20:08,080 --> 01:20:10,320
Speaker 1: and then Sunday's a bigger one, and Monday's the easiest.

1491
01:20:10,320 --> 01:20:13,360
Speaker 1: I feel like I have maybe done a Monday. I've

1492
01:20:13,400 --> 01:20:15,800
Speaker 1: never I remember somebody saying that to me and being like, oh, okay,

1493
01:20:15,840 --> 01:20:17,280
Speaker 1: let me get the one on Monday. I just don't know.

1494
01:20:17,400 --> 01:20:19,000
Speaker 1: Then I realized you had to. You had well, you

1495
01:20:19,040 --> 01:20:21,200
Speaker 1: had to read the paper too. That was I didn't

1496
01:20:21,200 --> 01:20:23,000
Speaker 1: know a lot of trivia. I mean, I could do

1497
01:20:23,080 --> 01:20:25,160
Speaker 1: it if it was like, you know, no, you had

1498
01:20:25,160 --> 01:20:39,280
Speaker 1: the three letters star of a sitcom alien puppet. It

1499
01:20:39,400 --> 01:20:41,680
Speaker 1: was a nice, nice callback. Thank you, thank you. It

1500
01:20:41,720 --> 01:20:43,519
Speaker 1: means a lot to me. We barely talked about the episode,

1501
01:20:43,520 --> 01:20:45,400
Speaker 1: but we should talk about the Saint Elsewhere, a cast

1502
01:20:45,479 --> 01:20:47,600
Speaker 1: that was visiting in this. Did you guys, either one

1503
01:20:47,640 --> 01:20:50,200
Speaker 1: of you watch Saint Elsewhere back in the day? I

1504
01:20:50,400 --> 01:20:55,599
Speaker 1: did so in Denzel. Yeah, was it Denzel's first role.

1505
01:20:56,720 --> 01:20:58,080
Speaker 1: I don't know if it was his first role, but

1506
01:20:58,120 --> 01:21:02,360
Speaker 1: I know he was on Saint Elsewhere, him and Howie Mandel. Yeah, yeah,

1507
01:21:02,439 --> 01:21:05,920
Speaker 1: that's right. What's the theme song? Like da da da

1508
01:21:13,760 --> 01:21:22,360
Speaker 1: da da da dad that something like that. Yeah, that

1509
01:21:22,520 --> 01:21:25,280
Speaker 1: sounds very familiar. I visited the set once my parents

1510
01:21:25,360 --> 01:21:28,880
Speaker 1: watched it. I believe it was Bruce Paltrow, um, Gwyneth

1511
01:21:28,960 --> 01:21:32,280
Speaker 1: Paltrow's father, who was a very big showrunner then, who

1512
01:21:32,400 --> 01:21:36,240
Speaker 1: produced it with others, And um, my dad knew someone

1513
01:21:36,280 --> 01:21:37,920
Speaker 1: we were visiting La and my dad knew someone. We

1514
01:21:37,960 --> 01:21:39,479
Speaker 1: got onto the set. It was like the first like

1515
01:21:39,600 --> 01:21:42,439
Speaker 1: real big TV set. Interestingly, I'm thinking about this out loud.

1516
01:21:42,960 --> 01:21:46,000
Speaker 1: The first real set I ever visited was was a

1517
01:21:46,080 --> 01:21:50,120
Speaker 1: hospital set which was Saint Elsewhere. Um, and I think

1518
01:21:50,160 --> 01:21:52,000
Speaker 1: it was beyond my It was too old for me

1519
01:21:52,080 --> 01:21:54,760
Speaker 1: as a child. Um, but I remember my parents really

1520
01:21:54,800 --> 01:21:57,720
Speaker 1: loving it. Joel just told me that Denzel made his

1521
01:21:57,760 --> 01:22:02,519
Speaker 1: feature film debut in the comedy A Carbon Copy and um,

1522
01:22:02,800 --> 01:22:04,560
Speaker 1: and then he was if that was eighty one, and

1523
01:22:04,640 --> 01:22:07,240
Speaker 1: then he was cast in the So it's the second

1524
01:22:07,320 --> 01:22:10,160
Speaker 1: part probably um. Um, and he's on he was on St.

1525
01:22:10,240 --> 01:22:12,120
Speaker 1: Else Where eighty two to eighty eight. That'd be cool

1526
01:22:12,160 --> 01:22:14,320
Speaker 1: to we'll go back and watch a young Denzel on

1527
01:22:14,640 --> 01:22:16,479
Speaker 1: that show. Well he's been. The crazy thing is he's

1528
01:22:16,520 --> 01:22:19,120
Speaker 1: barely on the show, like he was one of the Yeah,

1529
01:22:19,240 --> 01:22:21,760
Speaker 1: you know, they didn't use him a lot on the show, uh,

1530
01:22:22,800 --> 01:22:25,560
Speaker 1: and which was which turned out to be great for

1531
01:22:25,720 --> 01:22:29,880
Speaker 1: him because he would be able to go and do

1532
01:22:30,000 --> 01:22:32,160
Speaker 1: movies instead of you know what I mean. They were like,

1533
01:22:32,240 --> 01:22:33,639
Speaker 1: well you're not on the show this week, and he'd

1534
01:22:33,640 --> 01:22:36,959
Speaker 1: be like, oh, okay, well there's this dude doing this project.

1535
01:22:37,360 --> 01:22:39,280
Speaker 1: You know I'm gonna sign on and do it then.

1536
01:22:39,640 --> 01:22:42,800
Speaker 1: So like I remember Cry Freedom coming out, Remember that movie,

1537
01:22:42,840 --> 01:22:46,120
Speaker 1: you know what I mean? Him and Us an amazing movie.

1538
01:22:46,160 --> 01:22:48,680
Speaker 1: If you haven't seen it, Cry Freedom, Cry Freedom, Him

1539
01:22:48,720 --> 01:22:54,000
Speaker 1: and uh, fish call wander no Fish. It was Kevin Klein. Yeah,

1540
01:22:54,280 --> 01:22:56,840
Speaker 1: and so I remember they did him. I remember that

1541
01:22:57,000 --> 01:22:59,240
Speaker 1: came out and I remember being like, holy cow, the

1542
01:22:59,360 --> 01:23:01,760
Speaker 1: dude from and this is where my parents were like

1543
01:23:01,920 --> 01:23:05,479
Speaker 1: informing me, No, this guy is an amazing actor. He's done.

1544
01:23:05,520 --> 01:23:07,479
Speaker 1: He did theater in New York. You know what I mean,

1545
01:23:07,600 --> 01:23:10,439
Speaker 1: He's now blowing up as an actor. You should really

1546
01:23:10,560 --> 01:23:13,120
Speaker 1: check out, if you because you know, I wanted to

1547
01:23:13,120 --> 01:23:14,680
Speaker 1: be an actor at an early age. They were like

1548
01:23:14,800 --> 01:23:17,479
Speaker 1: Denzel Washington and they showed me Cry Freedom and I

1549
01:23:17,520 --> 01:23:19,679
Speaker 1: remember being like, oh my god, this is the most

1550
01:23:19,720 --> 01:23:23,479
Speaker 1: amazing movie ever. Yeah, that was incredible and uh and

1551
01:23:24,280 --> 01:23:25,880
Speaker 1: I was very young when that came out. I don't know.

1552
01:23:26,080 --> 01:23:29,120
Speaker 1: And then you know, from that Mississippi, Missala and you know,

1553
01:23:29,160 --> 01:23:33,200
Speaker 1: The Mighty Quinn and a bunch of other movies. But yeah,

1554
01:23:33,920 --> 01:23:37,840
Speaker 1: then Glory eventually, of course, Glory. Glory was the one

1555
01:23:37,880 --> 01:23:39,960
Speaker 1: of the first times as a child that I that

1556
01:23:40,120 --> 01:23:43,360
Speaker 1: I knew who he was. And I just never seen

1557
01:23:43,479 --> 01:23:46,200
Speaker 1: a performance better than that performance in Glory. By the

1558
01:23:46,280 --> 01:23:49,240
Speaker 1: time Glory came out, I was well versed in Denzel Washington,

1559
01:23:50,040 --> 01:23:53,920
Speaker 1: William go ahead. I was just gonna say that for me.

1560
01:23:54,240 --> 01:24:00,320
Speaker 1: William Daniels is the voice of Kit. Yeah. And when

1561
01:24:00,560 --> 01:24:04,040
Speaker 1: when William Daniels started speaking in this episode, I had forgotten.

1562
01:24:04,080 --> 01:24:07,240
Speaker 1: I went, oh my god, it's kid. Yeah, will he

1563
01:24:07,400 --> 01:24:11,400
Speaker 1: never was the voice. Oh yeah, you never watched night Rider?

1564
01:24:11,760 --> 01:24:13,320
Speaker 1: Well he's a he's a little bit older than us.

1565
01:24:13,360 --> 01:24:15,240
Speaker 1: So Donald and I were write in the pocket for

1566
01:24:15,479 --> 01:24:18,960
Speaker 1: for a Team and night Rider And did you ever

1567
01:24:19,000 --> 01:24:26,160
Speaker 1: watch a Team? No? Uh? Well, you know, I went

1568
01:24:26,240 --> 01:24:29,759
Speaker 1: to Universal I was a kid. We went to Universal

1569
01:24:29,840 --> 01:24:32,000
Speaker 1: Studios the tour and they had a night Rider car

1570
01:24:32,120 --> 01:24:35,519
Speaker 1: and you could get in it and the car would

1571
01:24:35,560 --> 01:24:38,200
Speaker 1: talk to you, and it was amazing. In hindsight as

1572
01:24:38,200 --> 01:24:40,680
Speaker 1: an adult they obviously had a hidden camera and a

1573
01:24:40,760 --> 01:24:45,639
Speaker 1: guy somewhere, but as a child that was like, holy shit,

1574
01:24:45,960 --> 01:24:48,759
Speaker 1: it's kid. And I just remember thinking he was the coolest.

1575
01:24:48,800 --> 01:24:50,080
Speaker 1: And he would, you know, he would say things to

1576
01:24:50,160 --> 01:24:51,720
Speaker 1: try and show off that he could see. You would

1577
01:24:51,720 --> 01:24:53,759
Speaker 1: be like, I like you, I like your blue shirt

1578
01:24:54,200 --> 01:24:56,559
Speaker 1: and uh and I'd be like, oh my god, kid.

1579
01:24:58,360 --> 01:25:00,439
Speaker 1: But they didn't have it wasn't It wasn't so William

1580
01:25:00,479 --> 01:25:03,840
Speaker 1: Daniels sitting in some room somewhere. Probably No, I don't

1581
01:25:03,880 --> 01:25:06,560
Speaker 1: think they paid his rate. Did he go on to

1582
01:25:06,680 --> 01:25:09,320
Speaker 1: do Boy Meets World after all of that? After Night

1583
01:25:09,439 --> 01:25:11,679
Speaker 1: Rider and everything? Wasn't he like the next door neighbor

1584
01:25:12,120 --> 01:25:15,880
Speaker 1: William Daniels, Yeah, yes, but I don't know about Boy

1585
01:25:15,920 --> 01:25:19,679
Speaker 1: Meets World, but certainly it would have been after Sane elsewhere?

1586
01:25:20,320 --> 01:25:23,479
Speaker 1: Wasn't he I think I'm mixing him up with somebody else.

1587
01:25:23,600 --> 01:25:27,160
Speaker 1: But wasn't he in the graduate? Oh? I don't know.

1588
01:25:28,000 --> 01:25:30,160
Speaker 1: I don't know. That's a good question, Joel. He might

1589
01:25:30,200 --> 01:25:33,800
Speaker 1: have been checking face. Might have been Dustin Hoffman's dad,

1590
01:25:35,439 --> 01:25:37,120
Speaker 1: the one who says plastics? Is he the one who

1591
01:25:37,160 --> 01:25:41,439
Speaker 1: says plastics? No, but that's in their yard, that's right.

1592
01:25:41,479 --> 01:25:43,559
Speaker 1: That's a neighbor, right, or a friend? Yeah? I can

1593
01:25:43,600 --> 01:25:47,200
Speaker 1: picture him saying Benjamin. And if it's not him, it's

1594
01:25:47,240 --> 01:25:50,400
Speaker 1: an actor that Joel's checking reminds her of each other?

1595
01:25:51,680 --> 01:25:54,719
Speaker 1: And then Ed Begley, Ed Begley and um and also

1596
01:25:54,800 --> 01:25:59,400
Speaker 1: Stephen First, who was famously an Animal House. Yeah. Have

1597
01:25:59,520 --> 01:26:02,120
Speaker 1: you seen him house? Donald? I have seen it. Yes,

1598
01:26:02,200 --> 01:26:04,400
Speaker 1: I have seen Animal House. I saw Animal House the

1599
01:26:04,479 --> 01:26:14,120
Speaker 1: night before I left for college. What's college? What's college like? Animal? Not? Well,

1600
01:26:14,200 --> 01:26:16,479
Speaker 1: you know, it wasn't quite the same. But I did

1601
01:26:16,880 --> 01:26:20,760
Speaker 1: join a fraternity, probably influenced by that somewhat. It seemed

1602
01:26:20,760 --> 01:26:24,080
Speaker 1: like they were having fun. Yeah, did you toga? I

1603
01:26:24,120 --> 01:26:26,639
Speaker 1: don't think we ever did a toga thing. That would

1604
01:26:26,640 --> 01:26:28,920
Speaker 1: be a little too on the nose, dude. What's up

1605
01:26:28,960 --> 01:26:31,080
Speaker 1: with the zombie movie? All of a sudden, in the

1606
01:26:31,160 --> 01:26:34,240
Speaker 1: middle of this episode, out of nowhere, it turned into

1607
01:26:34,320 --> 01:26:37,479
Speaker 1: a zombie movie. I know it was Mark Buckland directing.

1608
01:26:37,479 --> 01:26:39,960
Speaker 1: I remember, and I remember it was kind of like

1609
01:26:40,280 --> 01:26:42,840
Speaker 1: a wide angle lens and trying to do all sort

1610
01:26:42,840 --> 01:26:44,599
Speaker 1: of a zombie film. I thought that was weird too.

1611
01:26:45,120 --> 01:26:47,120
Speaker 1: Did you notice that? Sorry, I'm going I'm jumping around,

1612
01:26:47,160 --> 01:26:49,680
Speaker 1: but at seven h three, I don't know if you

1613
01:26:49,800 --> 01:26:51,439
Speaker 1: noticed this, but the score all of a sudden has

1614
01:26:51,479 --> 01:26:53,920
Speaker 1: like record DJ scratching in it. Did you notice that?

1615
01:26:54,280 --> 01:26:56,479
Speaker 1: I didn't notice there's like a score queue, like, all

1616
01:26:56,520 --> 01:27:01,960
Speaker 1: of a sudden, it's like tweet no fun, princip bel Air. Wait,

1617
01:27:02,400 --> 01:27:04,680
Speaker 1: so Joel is saying that Joel, are you saying that

1618
01:27:04,760 --> 01:27:07,479
Speaker 1: he was in the graduate then he was? Indeed, sorry,

1619
01:27:07,560 --> 01:27:10,439
Speaker 1: yes he was in the graduate Neil, You're right, okay,

1620
01:27:10,960 --> 01:27:14,559
Speaker 1: all right, there you go, Dans. So in this episode,

1621
01:27:14,640 --> 01:27:18,040
Speaker 1: you know JD's all word that he UH has gotten

1622
01:27:18,240 --> 01:27:22,120
Speaker 1: sick from UH. And I remember when I was a kid,

1623
01:27:22,160 --> 01:27:24,519
Speaker 1: I just felt invincible, you know what I mean. And

1624
01:27:26,040 --> 01:27:29,479
Speaker 1: you know, even with even with things that I shouldn't

1625
01:27:29,479 --> 01:27:31,599
Speaker 1: have been, even with things that I shouldn't have been doing,

1626
01:27:31,640 --> 01:27:34,840
Speaker 1: where I should have been using protection, I felt like invincible,

1627
01:27:34,920 --> 01:27:39,000
Speaker 1: Like you know, motorcycles, whatever whatever it was, where I

1628
01:27:39,040 --> 01:27:42,160
Speaker 1: should have, you know, wore a helmet. I didn't, you

1629
01:27:42,200 --> 01:27:44,320
Speaker 1: know what I mean. And because of that, I got

1630
01:27:44,320 --> 01:27:48,000
Speaker 1: a lot of kids. But the thing is, um, are

1631
01:27:48,080 --> 01:27:50,439
Speaker 1: you do that way? You are using a cryptic analogy

1632
01:27:50,479 --> 01:27:52,519
Speaker 1: because your daughter is on your lap? Yes, I see,

1633
01:27:53,120 --> 01:27:56,040
Speaker 1: I followed it. Now, Yeah you didn't. You didn't wear

1634
01:27:56,120 --> 01:28:00,400
Speaker 1: a helmet when you were on your motorcycle. Absolutely right.

1635
01:28:01,280 --> 01:28:06,639
Speaker 1: But the fear of disease or hurting myself in any

1636
01:28:06,720 --> 01:28:10,240
Speaker 1: way never came across my mind. You didn't think about

1637
01:28:10,320 --> 01:28:14,640
Speaker 1: things like that. Now I have nothing but fear when

1638
01:28:14,720 --> 01:28:16,200
Speaker 1: it comes to that stuff, you know what I mean.

1639
01:28:17,400 --> 01:28:22,320
Speaker 1: And it's it's a it's I noticed that I've because

1640
01:28:22,360 --> 01:28:25,479
Speaker 1: of the situation that we're in, and you know, because

1641
01:28:25,560 --> 01:28:31,439
Speaker 1: of isolation and quarantine and everything like that, I treat

1642
01:28:31,520 --> 01:28:35,680
Speaker 1: people a lot differently because of that, And Ted the

1643
01:28:35,800 --> 01:28:38,080
Speaker 1: lawyer does that to j D at one point where

1644
01:28:38,120 --> 01:28:41,080
Speaker 1: he's like he's trying to play it off where he is,

1645
01:28:41,840 --> 01:28:45,800
Speaker 1: you know, things will be fine, and then he's like, hey,

1646
01:28:45,880 --> 01:28:47,560
Speaker 1: don't you want your pin back? JD's like, don't you

1647
01:28:47,600 --> 01:28:50,120
Speaker 1: want your pinback? And the little and Ted's like, you know,

1648
01:28:50,360 --> 01:28:53,160
Speaker 1: keep it yeah, And that's kind of how I am now,

1649
01:28:53,280 --> 01:28:57,000
Speaker 1: you know what I mean, Like when when the we

1650
01:28:57,160 --> 01:29:00,120
Speaker 1: get groceries delivered, now they knock on the door, or

1651
01:29:00,400 --> 01:29:02,439
Speaker 1: I'll wait a minute before I go to the door

1652
01:29:02,920 --> 01:29:04,960
Speaker 1: to just to make sure that the air around the

1653
01:29:05,080 --> 01:29:08,439
Speaker 1: door isn't you know, Like if we were in a

1654
01:29:08,560 --> 01:29:10,880
Speaker 1: room right now and Neil you would have coughed like that,

1655
01:29:10,960 --> 01:29:14,920
Speaker 1: I'd been like you, okay, man, I know I was

1656
01:29:15,000 --> 01:29:16,920
Speaker 1: coughing last night and I was like, oh my god,

1657
01:29:16,960 --> 01:29:19,960
Speaker 1: my girlfriend must totally think I'm sick. I don't know

1658
01:29:19,960 --> 01:29:22,120
Speaker 1: if you guys are conscious of that. You're like, now

1659
01:29:22,200 --> 01:29:24,400
Speaker 1: you cough in public and you're like, no, no, I'm fine, No, no, no, no,

1660
01:29:24,479 --> 01:29:27,320
Speaker 1: I'm fine. I'm fine. I'm just in my throat and

1661
01:29:27,640 --> 01:29:32,479
Speaker 1: and that's you know, this episode. You know, everybody needs,

1662
01:29:32,840 --> 01:29:34,840
Speaker 1: first of all, everybody needs to first of all, chill out,

1663
01:29:34,880 --> 01:29:36,280
Speaker 1: you know what I mean. I know that this is

1664
01:29:36,320 --> 01:29:39,439
Speaker 1: a very dangerous and scary time for us and everything

1665
01:29:39,520 --> 01:29:43,400
Speaker 1: like that, but you're you're always jumping to the worst

1666
01:29:43,479 --> 01:29:45,560
Speaker 1: case scenario, you know what I mean. You you have

1667
01:29:45,680 --> 01:29:48,000
Speaker 1: a you have a you know, a feeling in your foot,

1668
01:29:48,240 --> 01:29:50,400
Speaker 1: you jump online and the next thing you know, you've

1669
01:29:50,439 --> 01:29:52,599
Speaker 1: got gerd. You know, you're telling everybody or you've got

1670
01:29:52,640 --> 01:29:54,720
Speaker 1: I've got I've got a gout, you know what I mean,

1671
01:29:54,880 --> 01:29:59,880
Speaker 1: I've got on your toes. You're fucked, Yeah, you're fucked right,

1672
01:30:00,680 --> 01:30:02,040
Speaker 1: But you know what I mean. It's I don't know

1673
01:30:02,080 --> 01:30:03,880
Speaker 1: if everyone's like that. Down You and I might be

1674
01:30:04,160 --> 01:30:07,880
Speaker 1: a neurotic and looking everything up and thinking we've got

1675
01:30:07,960 --> 01:30:10,080
Speaker 1: something bad, whereas other people might be like, you know,

1676
01:30:10,200 --> 01:30:12,519
Speaker 1: I'm fine. I don't know that many people that are

1677
01:30:12,640 --> 01:30:14,200
Speaker 1: that think that way, you know what I mean. I

1678
01:30:15,320 --> 01:30:17,760
Speaker 1: think there's a fear. We talked about this earlier. There's

1679
01:30:17,760 --> 01:30:20,680
Speaker 1: a fear of going to the hospital and finding out

1680
01:30:20,800 --> 01:30:22,519
Speaker 1: that something's wrong. So I think a lot of people

1681
01:30:22,560 --> 01:30:25,000
Speaker 1: when something does come up, they're like, ah, you know what,

1682
01:30:25,080 --> 01:30:26,639
Speaker 1: I'm not going to find out about it. If it's

1683
01:30:26,680 --> 01:30:28,800
Speaker 1: really bad. It'll kick my ass later on and then

1684
01:30:28,840 --> 01:30:30,320
Speaker 1: I'll have to go to the hospital and they'll fix

1685
01:30:30,400 --> 01:30:36,040
Speaker 1: it then. But you know, for Jay, for me personally nowadays,

1686
01:30:36,120 --> 01:30:39,320
Speaker 1: this what this episode did for me when watching it

1687
01:30:39,479 --> 01:30:41,960
Speaker 1: was like and made me realize, I have a real

1688
01:30:42,000 --> 01:30:45,080
Speaker 1: phobia when it comes to germs now, and I have

1689
01:30:45,120 --> 01:30:48,160
Speaker 1: a real phobia when it comes to other people's germs now,

1690
01:30:48,600 --> 01:30:50,280
Speaker 1: and it has a lot to do with what we're

1691
01:30:50,320 --> 01:30:52,519
Speaker 1: going through. But I didn't have that shit when I

1692
01:30:52,640 --> 01:30:54,360
Speaker 1: was a kid. I wasn't afraid of things like this,

1693
01:30:54,800 --> 01:30:57,360
Speaker 1: you know what I mean. There were people that got

1694
01:30:57,479 --> 01:30:59,720
Speaker 1: stuck with me when we were doing the show. There

1695
01:30:59,760 --> 01:31:01,720
Speaker 1: were a couple of people that accidentally got stuck with

1696
01:31:01,840 --> 01:31:04,200
Speaker 1: needles fucking around with the props, you know what I mean,

1697
01:31:04,320 --> 01:31:06,200
Speaker 1: thinking oh this is fake. That would have freaked me

1698
01:31:06,200 --> 01:31:08,720
Speaker 1: out here. I would have lost my ship. Nowadays, I'd

1699
01:31:08,720 --> 01:31:11,040
Speaker 1: be like, I'm dying. I know I'm dead. Sarah was

1700
01:31:11,120 --> 01:31:12,920
Speaker 1: the only person that I knew. Sarah Schalk was the

1701
01:31:13,000 --> 01:31:15,600
Speaker 1: only person that I knew that was like that was

1702
01:31:15,640 --> 01:31:18,439
Speaker 1: like if if if she had if she had the chills,

1703
01:31:19,320 --> 01:31:22,439
Speaker 1: it was it was life for I'm dying. I know

1704
01:31:22,560 --> 01:31:25,120
Speaker 1: I'm dying, you know what I mean, I must be

1705
01:31:25,200 --> 01:31:27,240
Speaker 1: a real thing. I mean, well, how terrifying for for

1706
01:31:27,400 --> 01:31:32,000
Speaker 1: real medical personnel who who get stuck. I'm sure on occasion,

1707
01:31:32,320 --> 01:31:35,080
Speaker 1: um the person had something serious. How how scary that

1708
01:31:35,120 --> 01:31:37,760
Speaker 1: would be. We're walking around the house. Don't get sick,

1709
01:31:37,960 --> 01:31:39,840
Speaker 1: and don't break your leg, don't get hurt, you know

1710
01:31:39,840 --> 01:31:43,760
Speaker 1: what I mean? The kids playing around, like everybody calmed down.

1711
01:31:44,360 --> 01:31:46,080
Speaker 1: We don't want to go to the hospital right now. Now,

1712
01:31:46,120 --> 01:31:48,720
Speaker 1: it's not the time to go to the hospital. Right well,

1713
01:31:48,880 --> 01:31:51,600
Speaker 1: really there's you know, it's never a good time to

1714
01:31:51,640 --> 01:31:54,680
Speaker 1: go to the hospital. But yeah, I thought about that,

1715
01:31:54,840 --> 01:31:58,639
Speaker 1: like if you had a appendix, right, I was exact

1716
01:31:58,680 --> 01:32:04,360
Speaker 1: ass cheek, Yeah, I can have my ashcheek removed. But

1717
01:32:04,479 --> 01:32:07,719
Speaker 1: it was an elective surgery turns out, so I couldn't

1718
01:32:07,760 --> 01:32:11,360
Speaker 1: have that. But yeah, you don't want anything to go wrong.

1719
01:32:11,439 --> 01:32:15,200
Speaker 1: You're you're well, we'll see, you know, in the next

1720
01:32:15,439 --> 01:32:18,479
Speaker 1: week or so if any of this people crowding around

1721
01:32:18,520 --> 01:32:23,479
Speaker 1: each other something I actually have said. I don't. I

1722
01:32:23,960 --> 01:32:25,479
Speaker 1: not to be Debbie down or towards the end of

1723
01:32:25,479 --> 01:32:28,600
Speaker 1: the episode, but that things are spiking back up in

1724
01:32:28,800 --> 01:32:31,120
Speaker 1: La and uh yeah, and no one's talking about it

1725
01:32:31,200 --> 01:32:33,599
Speaker 1: because there's plenty else going on in the news, as

1726
01:32:33,640 --> 01:32:36,559
Speaker 1: we all know. But I read I read some articles

1727
01:32:36,640 --> 01:32:39,000
Speaker 1: like why is no one talking about the new COVID

1728
01:32:39,080 --> 01:32:42,840
Speaker 1: spike in Los Angeles? Um, I think there's spikes in

1729
01:32:42,920 --> 01:32:45,639
Speaker 1: a lot of places, but New York is going down

1730
01:32:45,760 --> 01:32:48,920
Speaker 1: so much that it looks like a flat line. But

1731
01:32:49,120 --> 01:32:52,439
Speaker 1: for the country, we need like the national line. Yeah, yes, yes,

1732
01:32:54,120 --> 01:32:57,599
Speaker 1: well yeah, I fear I fear that that everyone's kind

1733
01:32:57,640 --> 01:32:59,519
Speaker 1: of over it. You know, people are like, all right,

1734
01:32:59,560 --> 01:33:01,000
Speaker 1: we did that, fuck it, we gotta get out of

1735
01:33:01,000 --> 01:33:04,000
Speaker 1: the house now. And and and that might be fine

1736
01:33:04,000 --> 01:33:06,400
Speaker 1: if you live in a place where where this isn't

1737
01:33:06,400 --> 01:33:08,439
Speaker 1: this prevalent, but in LA it does appear to be

1738
01:33:08,560 --> 01:33:11,720
Speaker 1: climbing back up. And the only reason why we're talking

1739
01:33:11,760 --> 01:33:13,200
Speaker 1: about this right now, we know we try to get

1740
01:33:13,200 --> 01:33:17,599
Speaker 1: you away from as listeners, and we try to keep

1741
01:33:17,720 --> 01:33:21,000
Speaker 1: this as a distraction, a distract, as much as a

1742
01:33:21,080 --> 01:33:24,200
Speaker 1: distraction as possible. But this is in the story, yes

1743
01:33:24,560 --> 01:33:26,479
Speaker 1: you know what I mean, And so that's why we

1744
01:33:26,640 --> 01:33:29,160
Speaker 1: that's why, guys, it's in. It's in the episode, and

1745
01:33:29,320 --> 01:33:32,439
Speaker 1: so you know it's about Scott Foley being left. I mean,

1746
01:33:32,720 --> 01:33:36,639
Speaker 1: listen and Joel please weigh in as the only female

1747
01:33:36,720 --> 01:33:40,639
Speaker 1: on the panel. But Scotty Scott Folly being left alone

1748
01:33:40,800 --> 01:33:44,360
Speaker 1: by Sarah standing there with his roses, it just felt

1749
01:33:44,400 --> 01:33:47,360
Speaker 1: a little like just so mean. I mean, with Elliott,

1750
01:33:47,880 --> 01:33:51,360
Speaker 1: she found love and and or not love necessarily, but

1751
01:33:51,400 --> 01:33:53,800
Speaker 1: she really liked this guy. He's as bad as charming

1752
01:33:53,880 --> 01:33:56,639
Speaker 1: as a human being could be. He looks like Scott Foley.

1753
01:33:57,280 --> 01:33:59,760
Speaker 1: She's like, she leaves him, She leaves him with the door.

1754
01:34:00,360 --> 01:34:03,040
Speaker 1: It looks exactly like Scott Vali. She leaves him at

1755
01:34:03,080 --> 01:34:04,439
Speaker 1: the door. I mean, I don't know what are your

1756
01:34:04,479 --> 01:34:06,880
Speaker 1: thoughts on that? Yeah, I think okay. So I didn't

1757
01:34:06,920 --> 01:34:09,240
Speaker 1: get into movies from the seventies until like I was

1758
01:34:09,320 --> 01:34:12,120
Speaker 1: in college. This is sort of my first experience watching

1759
01:34:12,160 --> 01:34:14,240
Speaker 1: a woman be like, listen, I like you, but this

1760
01:34:14,400 --> 01:34:18,280
Speaker 1: career I've invested in is everything to me. So we

1761
01:34:18,320 --> 01:34:20,200
Speaker 1: have to pause because it wasn't even like a solid breakup.

1762
01:34:20,240 --> 01:34:23,080
Speaker 1: She's like, right now, I can't make this work. And like,

1763
01:34:23,200 --> 01:34:26,160
Speaker 1: as a you know, once I'm like twelve, and I

1764
01:34:26,240 --> 01:34:28,120
Speaker 1: was like, you could just leave a dude for work.

1765
01:34:28,520 --> 01:34:32,120
Speaker 1: It was brilliant to still the light boys at that age.

1766
01:34:32,160 --> 01:34:34,120
Speaker 1: And I was like, oh, so tedious and so to

1767
01:34:34,240 --> 01:34:36,080
Speaker 1: her to just be like, I'm gonna work on my stuff.

1768
01:34:36,120 --> 01:34:38,600
Speaker 1: I was like, this is brilliant. Oh my god, I

1769
01:34:38,720 --> 01:34:42,080
Speaker 1: really like this scene. Oh I okay, there you go,

1770
01:34:42,200 --> 01:34:44,040
Speaker 1: there's the answer. I was like, I mean, I was

1771
01:34:44,120 --> 01:34:47,400
Speaker 1: impressed by the character making that choice because the writers

1772
01:34:47,439 --> 01:34:49,519
Speaker 1: really went out of their way to make sure there

1773
01:34:49,640 --> 01:34:52,360
Speaker 1: was absolutely nothing wrong with this guy. I mean, he

1774
01:34:52,520 --> 01:34:55,200
Speaker 1: was as dreamy as it could be. But she was

1775
01:34:55,240 --> 01:34:58,160
Speaker 1: getting distracted from her work and uh and she was like, look,

1776
01:34:58,200 --> 01:35:01,160
Speaker 1: I really am excited about this, but I this is

1777
01:35:01,200 --> 01:35:03,880
Speaker 1: what I've worked my whole life for. So I gotta

1778
01:35:03,920 --> 01:35:06,320
Speaker 1: I gotta push you away. Which he's not gone though,

1779
01:35:06,479 --> 01:35:09,720
Speaker 1: is he. No, he does, he does come back. Yeah.

1780
01:35:09,760 --> 01:35:11,880
Speaker 1: But I don't know that she was distracted. I think

1781
01:35:11,920 --> 01:35:15,160
Speaker 1: it was how the hospital reacted to her and the

1782
01:35:15,240 --> 01:35:17,920
Speaker 1: walk of shame in the beginning of the episode. I

1783
01:35:18,040 --> 01:35:20,120
Speaker 1: think that was more of a reason for her to

1784
01:35:20,200 --> 01:35:23,519
Speaker 1: break up with. You know, Elliott is very worried about

1785
01:35:23,560 --> 01:35:25,760
Speaker 1: what everyone thinks about her. That's what the character, that's

1786
01:35:25,800 --> 01:35:28,360
Speaker 1: how the character is, you know she you know, she

1787
01:35:28,479 --> 01:35:30,479
Speaker 1: even says in the beginning, and ninety nine percent of

1788
01:35:30,600 --> 01:35:33,320
Speaker 1: my life is me trying to impress my dad, you

1789
01:35:33,360 --> 01:35:35,840
Speaker 1: know what I mean. And and so I think when

1790
01:35:36,520 --> 01:35:39,000
Speaker 1: the Walk of Shame thing happened and everyone made fun

1791
01:35:39,040 --> 01:35:41,840
Speaker 1: of her, I think that's that's you know, it sent

1792
01:35:41,880 --> 01:35:45,680
Speaker 1: her down the rabbit hole and she spiraled, and that's why.

1793
01:35:46,280 --> 01:35:48,320
Speaker 1: But he was also it wasn't just that Donald she

1794
01:35:48,640 --> 01:35:50,600
Speaker 1: you know, Kelso's like grilling her and she doesn't know

1795
01:35:50,680 --> 01:35:53,519
Speaker 1: the answers to questions at rounds where she always does,

1796
01:35:54,040 --> 01:35:55,880
Speaker 1: and then she starts getting in her head. At one

1797
01:35:55,920 --> 01:35:58,200
Speaker 1: point she's like she can't think of something, and I like,

1798
01:35:58,320 --> 01:35:59,760
Speaker 1: I turned around, I'm like, come on, you know that

1799
01:36:00,320 --> 01:36:04,479
Speaker 1: she's tired, maybe because she was up all night playing schoolgirl, right,

1800
01:36:04,520 --> 01:36:07,080
Speaker 1: But I think that stems from once again, you know,

1801
01:36:07,360 --> 01:36:11,200
Speaker 1: Kelso seeing her at the at the scrubs machine and

1802
01:36:11,600 --> 01:36:16,439
Speaker 1: giving her shit for not having her her scrubs that day,

1803
01:36:16,720 --> 01:36:18,960
Speaker 1: you know what I mean. I think, I don't know,

1804
01:36:19,000 --> 01:36:20,559
Speaker 1: I could be I don't I don't know. It's probably

1805
01:36:20,600 --> 01:36:22,720
Speaker 1: it's probably both a combination of both. But anyway, we

1806
01:36:22,760 --> 01:36:24,719
Speaker 1: all know, we all know the spoiler alert that Scott

1807
01:36:24,760 --> 01:36:28,960
Speaker 1: Foley comes back. He ends up being a an animal

1808
01:36:29,400 --> 01:36:31,960
Speaker 1: as a marine biologist or an animal trainer at sea

1809
01:36:32,000 --> 01:36:35,559
Speaker 1: world something like that. But what a great scene that was, though,

1810
01:36:35,600 --> 01:36:37,560
Speaker 1: too man where they break up because it looks like

1811
01:36:37,680 --> 01:36:42,400
Speaker 1: it's going one way, you know, and the mist there's

1812
01:36:42,439 --> 01:36:46,519
Speaker 1: a great misdirection, right, you know, she breaks she kind

1813
01:36:46,560 --> 01:36:50,519
Speaker 1: of you see her breaking up with him earlier in

1814
01:36:50,640 --> 01:36:54,320
Speaker 1: the script where he comes to visit her and she's like,

1815
01:36:54,520 --> 01:36:57,639
Speaker 1: and he's doing all the right things, and she's getting

1816
01:36:57,680 --> 01:36:59,720
Speaker 1: pissed off that he's doing all the right things. And

1817
01:37:00,120 --> 01:37:02,280
Speaker 1: she comes out at the end and it seems like

1818
01:37:02,400 --> 01:37:05,160
Speaker 1: she's gotten over all the all of the bs that

1819
01:37:05,280 --> 01:37:08,800
Speaker 1: she was holding onto because of her Walk of Shame situation,

1820
01:37:09,479 --> 01:37:11,479
Speaker 1: and then in the middle of it, she discovers, wait

1821
01:37:11,520 --> 01:37:14,759
Speaker 1: a second, it's not just that I am distracted because

1822
01:37:14,840 --> 01:37:17,360
Speaker 1: of how perfect you are. And now's not the time

1823
01:37:17,439 --> 01:37:19,320
Speaker 1: for me to be distracted. Now's the time for me

1824
01:37:19,400 --> 01:37:23,120
Speaker 1: to be the best I possibly can be, so that

1825
01:37:23,200 --> 01:37:25,320
Speaker 1: in a couple of years, in a few years, I

1826
01:37:25,400 --> 01:37:27,880
Speaker 1: can find another I can find a guy just like

1827
01:37:28,080 --> 01:37:30,840
Speaker 1: you and do it all over again, and this time

1828
01:37:30,960 --> 01:37:35,040
Speaker 1: for Keeps and I feel and the way they both

1829
01:37:35,160 --> 01:37:39,000
Speaker 1: play the scene is perfect because it really does feel

1830
01:37:39,040 --> 01:37:42,880
Speaker 1: like Sean is hit by a mac truck because he

1831
01:37:42,920 --> 01:37:45,040
Speaker 1: doesn't see it coming, you know what I mean. He

1832
01:37:45,240 --> 01:37:47,360
Speaker 1: sees it as Okay, she had a bad day. I'm

1833
01:37:47,400 --> 01:37:49,800
Speaker 1: going to bring her flowers and cheer her up. And

1834
01:37:49,960 --> 01:37:52,880
Speaker 1: now she's walking back into the hospital and I'm standing

1835
01:37:52,920 --> 01:37:55,720
Speaker 1: here with a dozen roses. I felt bad for him.

1836
01:37:55,720 --> 01:37:58,400
Speaker 1: I'm such a sucker for the writers really know how

1837
01:37:58,439 --> 01:38:01,320
Speaker 1: to get me with, you know, love that cannot be.

1838
01:38:01,560 --> 01:38:03,719
Speaker 1: I'm like, oh, this poor guy, he's like crazy about

1839
01:38:03,720 --> 01:38:05,920
Speaker 1: this girl. He's standing here with roses, and he's like,

1840
01:38:06,479 --> 01:38:08,000
Speaker 1: she goes, He goes, I'm gonna be I'm gonna wait

1841
01:38:08,000 --> 01:38:09,479
Speaker 1: here because I know you're gonna change your mind in

1842
01:38:09,520 --> 01:38:12,000
Speaker 1: two minutes. And she's like, I hope so, and then

1843
01:38:12,040 --> 01:38:15,320
Speaker 1: she doesn't. He's just and then he trashes the roses.

1844
01:38:15,320 --> 01:38:16,680
Speaker 1: Well do you think he trashes the roses where he

1845
01:38:16,760 --> 01:38:18,360
Speaker 1: leaves them and people just walk all over him. I

1846
01:38:18,360 --> 01:38:20,240
Speaker 1: couldn't just figure that out. Yeah, I just thought of

1847
01:38:20,280 --> 01:38:22,519
Speaker 1: that when I first saw the roses. I thought, yeah,

1848
01:38:22,600 --> 01:38:25,040
Speaker 1: come on, that's a little bit of a hissy fit. Yeah,

1849
01:38:28,800 --> 01:38:31,559
Speaker 1: like he was jumping up and down on it. Yes, yes, stop.

1850
01:38:32,880 --> 01:38:36,360
Speaker 1: But the only reason I know that he doesn't disappear, well,

1851
01:38:36,640 --> 01:38:39,520
Speaker 1: come to think of it, Oh, no, the last episode

1852
01:38:40,000 --> 01:38:42,720
Speaker 1: I guess of season one is somebody's wedding? Is it

1853
01:38:42,880 --> 01:38:46,920
Speaker 1: Turk and Carlin? No, we don't get married until season three,

1854
01:38:46,960 --> 01:38:50,680
Speaker 1: I think. Well, then at the end of season two

1855
01:38:50,880 --> 01:38:54,760
Speaker 1: when we were shooting that episode, he was there in

1856
01:38:54,880 --> 01:38:59,479
Speaker 1: the last episode of the same your wedding. Yes, was

1857
01:38:59,560 --> 01:39:03,680
Speaker 1: that he had. There's so many fans right now that

1858
01:39:03,760 --> 01:39:05,679
Speaker 1: know this show better than us. They're like, you idiots.

1859
01:39:05,880 --> 01:39:09,080
Speaker 1: He's an episode and this one and this one, this one,

1860
01:39:09,400 --> 01:39:13,559
Speaker 1: but we don't know. Oh yeah, let's let's ask guy.

1861
01:39:13,680 --> 01:39:15,680
Speaker 1: All right, so Nil, we have this guy. His name

1862
01:39:15,800 --> 01:39:19,559
Speaker 1: is um, Trevor Guy, Trevor WICKI, Um, we have a question.

1863
01:39:20,000 --> 01:39:24,160
Speaker 1: How many more episodes is Scott folly in? And was he?

1864
01:39:24,320 --> 01:39:28,400
Speaker 1: Did he attend Donald and Carla's wedding? Hey, guys. Scott

1865
01:39:28,439 --> 01:39:32,120
Speaker 1: fully appears in twelve episodes over seasons one, three, and eight,

1866
01:39:32,520 --> 01:39:35,960
Speaker 1: including Turk and Carla's wedding reception in the season three finale.

1867
01:39:36,720 --> 01:39:38,439
Speaker 1: All right, we gotta wrap this up. Guys, we've been neil.

1868
01:39:38,479 --> 01:39:40,040
Speaker 1: I'm sorry to keep you so long. We've been going

1869
01:39:40,080 --> 01:39:44,080
Speaker 1: an hour and forty five six minutes. It's okay, and

1870
01:39:44,360 --> 01:39:46,320
Speaker 1: I hope you had a good time. Just shooting the

1871
01:39:46,320 --> 01:39:48,639
Speaker 1: ship with us. We miss you. We miss you big time.

1872
01:39:48,680 --> 01:39:50,160
Speaker 1: We'd love to have you back too. If you ever

1873
01:39:50,240 --> 01:39:51,720
Speaker 1: want to come back and hang out with us. Ye

1874
01:39:51,840 --> 01:39:53,880
Speaker 1: give me more than yeah, I will because this was fun.

1875
01:39:53,960 --> 01:39:59,200
Speaker 1: But I thought we would talk about me more that

1876
01:39:59,320 --> 01:40:01,760
Speaker 1: kind of board. Oh, he checked out until we started

1877
01:40:01,800 --> 01:40:06,760
Speaker 1: talking about the night terrors. Guy Alf at the foot

1878
01:40:06,760 --> 01:40:10,479
Speaker 1: of his bed against the glass. By the way, Donald,

1879
01:40:10,520 --> 01:40:12,680
Speaker 1: remember we were speaking about that rap song up, sir,

1880
01:40:12,800 --> 01:40:14,360
Speaker 1: mix a lot. Put him on the glass. Put him

1881
01:40:14,360 --> 01:40:16,719
Speaker 1: on a glass, baby. Yeah, his nightmare is Alf putting

1882
01:40:16,760 --> 01:40:19,560
Speaker 1: him on the glass. Yeah, that would do it for

1883
01:40:19,640 --> 01:40:23,479
Speaker 1: me too. Now I have the visual of Alf putting

1884
01:40:23,520 --> 01:40:26,360
Speaker 1: his breasts on on on glass, or his tail penis

1885
01:40:26,560 --> 01:40:29,400
Speaker 1: or his tail penis on that note. Thank you everybody

1886
01:40:29,439 --> 01:40:34,240
Speaker 1: for listening. We really appreciate it. Um followed Donald and

1887
01:40:34,360 --> 01:40:36,840
Speaker 1: I on Instagram, especially Donald because he doesn't have as

1888
01:40:36,880 --> 01:40:39,000
Speaker 1: many followers as I. He's very upset about it. I

1889
01:40:39,120 --> 01:40:41,200
Speaker 1: am very upset about it. We even talked about it

1890
01:40:41,280 --> 01:40:44,599
Speaker 1: on the podcast. Oh, it hasn't moved. Okay, hasn't moved.

1891
01:40:44,640 --> 01:40:46,280
Speaker 1: Don't yell at people. Donald, It's not a way to

1892
01:40:46,400 --> 01:40:48,920
Speaker 1: end the podcast. I just don't. I think it's disrespectful.

1893
01:40:49,200 --> 01:40:52,559
Speaker 1: I think it's disrespectful. Okay, calm down. I was in clueless,

1894
01:40:52,640 --> 01:40:55,880
Speaker 1: damn it. Oh my god, I was in clueless. Damn it. Uh,

1895
01:40:56,160 --> 01:40:59,160
Speaker 1: you guys followed Donald and also, please rate our podcast.

1896
01:40:59,280 --> 01:41:00,559
Speaker 1: Give us. You know when you get out of an

1897
01:41:00,600 --> 01:41:03,120
Speaker 1: uber and they're like five stars, five stars, Give us

1898
01:41:03,160 --> 01:41:06,479
Speaker 1: five stars because apparently that means something in the podcast world.

1899
01:41:06,880 --> 01:41:09,840
Speaker 1: And tell your friends to subscribe. We're having a blast

1900
01:41:09,920 --> 01:41:11,519
Speaker 1: doing this and we're gonna keep doing it for the

1901
01:41:11,560 --> 01:41:16,439
Speaker 1: foreseeable future. Yes. Yes, it's totally free. You know, we

1902
01:41:16,520 --> 01:41:20,320
Speaker 1: just do this. It's paid for by by advertisers playing ads,

1903
01:41:20,439 --> 01:41:22,800
Speaker 1: and this is you can listen to it anywhere for

1904
01:41:22,920 --> 01:41:24,640
Speaker 1: totally free. Yes, don what were you going to say

1905
01:41:24,640 --> 01:41:27,200
Speaker 1: before you lead us in song? I was gonna say,

1906
01:41:27,560 --> 01:41:30,400
Speaker 1: and you know, we'll have Neil back on and we'll

1907
01:41:30,439 --> 01:41:32,680
Speaker 1: talk about more things. I wanted to get into. I

1908
01:41:32,760 --> 01:41:35,080
Speaker 1: wanted to get into the fugitive. I wanted to save it.

1909
01:41:35,200 --> 01:41:37,040
Speaker 1: That let's save it. Maybe he has one story about

1910
01:41:37,080 --> 01:41:42,800
Speaker 1: Harrison Ford being difficult to save it all right, thanks

1911
01:41:42,800 --> 01:41:45,280
Speaker 1: for listening to worked twice with Harrison Ford. Though he's

1912
01:41:45,280 --> 01:41:50,120
Speaker 1: worked twice with Harrison Ford. The Crystal Skull and and

1913
01:41:50,960 --> 01:41:55,760
Speaker 1: and the Fugitive. Yeah for one day each time? Right, Well,

1914
01:41:55,840 --> 01:41:58,160
Speaker 1: once in you had way more lines than just Kimbo.

1915
01:42:00,400 --> 01:42:02,280
Speaker 1: Is that all it was Kimball? Yeah, it was more

1916
01:42:02,360 --> 01:42:04,240
Speaker 1: in the script, not not much more, but it was.

1917
01:42:04,400 --> 01:42:06,160
Speaker 1: I was wondering which take they would use when I

1918
01:42:06,320 --> 01:42:10,080
Speaker 1: saw the film. We wonder when I'm saying, now, back up,

1919
01:42:10,280 --> 01:42:12,120
Speaker 1: come towards me, let me see your hands, you know

1920
01:42:12,120 --> 01:42:15,759
Speaker 1: all that stuff. And I see the movie and it's Kimball.

1921
01:42:15,800 --> 01:42:24,040
Speaker 1: Bang straight, Neil, you're in. You're in what I consider

1922
01:42:24,080 --> 01:42:26,040
Speaker 1: a classic. So that's just cool to me. And it

1923
01:42:26,200 --> 01:42:28,320
Speaker 1: is a really good movie. It's a great I recently

1924
01:42:28,400 --> 01:42:31,680
Speaker 1: rewatched it and it's so good. Holds up, it holds up,

1925
01:42:32,000 --> 01:42:34,160
Speaker 1: It's so good. All right, Donald lead us in song

1926
01:42:34,240 --> 01:42:35,960
Speaker 1: you Got Mad last time? When I did it, I

1927
01:42:36,040 --> 01:42:38,240
Speaker 1: wanted Neil to do it. Neil, can you just go five, six, seven, eight,

1928
01:42:38,320 --> 01:42:45,880
Speaker 1: real quick? Yeah? Stories about show we made about a

1929
01:42:45,960 --> 01:42:57,760
Speaker 1: bunch of nurses, said stories, so yeah, around here, yeah,

1930
01:42:58,040 --> 01:43:04,200
Speaker 1: around here. He was a visa mm hmmm