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Speaker 1: You're a murderer. I'm not a murderer. Not a murderer.

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Speaker 1: None of us have ever met one of these girls

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Speaker 1: that you've dated. That's by design.

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Speaker 2: Happy Halloween. From Elvis Durant in the Morning Show.

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Speaker 1: Look that is Friday. I love that. I love that.

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Speaker 1: I love looking at my phone and says Friday. Are

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Speaker 1: we all on Friday? Any of us like still on Thursday?

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Speaker 3: A little bit?

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Speaker 1: But your people were up all night last night. They

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Speaker 1: consider this Thursday night.

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Speaker 4: When you say some people who okay, okay.

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Speaker 1: Well today, Good morning Danielle Hi Gandhi producer Sam is

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Speaker 1: here the straight name. Scary scary. There's Diamond, Diamond, Hi morning.

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Speaker 1: Oh there she is, Good morning room. There's a reason

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Speaker 1: I did that. We cannot hear him.

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Speaker 3: Technical difficult.

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Speaker 1: We cannot hear him. So let me tell you something.

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Speaker 1: I want to play that funky music. White boy? Ready

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Speaker 1: for this? Straight? Did you request this? I am a

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Speaker 1: white boy. You are a very white boy. Welcome to Friday.

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Speaker 1: Kids here what a stupid song.

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Speaker 5: Too.

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Speaker 1: So if any city in America could be funky town,

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Speaker 1: which one would it be? I mean, a town that's funking?

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Speaker 1: What would it be?

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Speaker 4: New Orleans? That work in many ways.

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Speaker 1: All right, So Froggy, your micro is working. It is working,

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Speaker 1: thank god. All right, our first caller of the day,

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Speaker 1: still on the hold after that juke box of music. Hey,

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Speaker 1: good morning, Vanessa.

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Speaker 6: Good morning.

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Speaker 1: Oh yeah, yeah, thank god, it's Friday. Are you with

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Speaker 1: the USPS?

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Speaker 7: I am.

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Speaker 6: Yes.

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Speaker 1: We love our postal carriers, male carriers, our favorite people.

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Speaker 6: Yeah, but people forget about us.

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Speaker 1: I don't not at all.

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Speaker 6: Around around Christmas?

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Speaker 1: Is it okay to tip my carrier?

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Speaker 6: Technically no, but if you put the name on it

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Speaker 6: or mailman.

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Speaker 5: Yes.

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Speaker 3: Oh wait, so you're not supposed to, but you still

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Speaker 3: want it. Absolutely, that makes sense. No, that makes I

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Speaker 3: don't know.

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Speaker 1: Daniel makes cash.

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Speaker 8: Maybe that's why people, or you think people forget because

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Speaker 8: they're just following the rules.

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Speaker 1: Maybe no, one just rules rules like wine too. Oh

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Speaker 1: I'm gonna get you all fed up here. Here's hey.

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Speaker 1: So what do you love most about being a male carrier, Vanessa?

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Speaker 6: The freedom of being outside?

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Speaker 9: Now?

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Speaker 1: Do you ever get chased by dogs?

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Speaker 6: I do not, because I love dogs. I carry biscuits

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Speaker 6: and I carry cat tree.

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Speaker 3: You're the kind of carrier we love you.

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Speaker 1: Look, the USPS.

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Speaker 6: A lot of people are scared of the dog.

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Speaker 1: Look, we look. We understand and love and appreciate FedEx

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Speaker 1: and ups and all those, But the United States Postal Service,

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Speaker 1: we love you the most. We love you. Thank you

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Speaker 1: for what you do.

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Speaker 6: Thank you.

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Speaker 1: Hey, so what do we have for our friend Vanessa?

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Speaker 10: Oh?

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Speaker 11: Well, you know when you're doing your route the next time,

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Speaker 11: you can wear the Elvis Strand in the morning show

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Speaker 11: hoodie thanks to Heck and Sack Meritian Health.

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Speaker 6: Thank you very much.

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Speaker 1: I will unofficial USPS ware. She can't.

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Speaker 11: I see them wear stuff all the time, right, I

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Speaker 11: don't think there's an official uniform anymore?

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Speaker 1: Is there is?

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Speaker 6: There is? There is for sure?

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Speaker 1: Does not adhere to some time amount. Man, Now that

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Speaker 1: we're rolling into winter, when can you officially put your

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Speaker 1: shorts on again?

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Speaker 6: I still have my shorts on?

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Speaker 1: I love I love you.

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Speaker 6: Yeah, listen, we don't have like a timeline for that.

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Speaker 1: I thought there was like an official date. Hey, thank

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Speaker 1: you so much for listening to us. You have a

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Speaker 1: great weekend, and thanks for keeping that mail run through.

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Speaker 1: Do you know the line through rain rains set in

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Speaker 1: halle Hal Yeah, yep, what's the rest of it?

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Speaker 6: That's pretty much it.

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Speaker 1: Thank you. Vanessa, Hold on one second. There you go.

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Speaker 1: Now we're off to an official start into the three

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Speaker 1: things we need to know. We do have so much

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Speaker 1: going on today, you want to tell everyone who's coming

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Speaker 1: in today.

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Speaker 11: EJ Do you guys do hear the voice of the

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Speaker 11: singing voice of Roomy k pob demon hunter.

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Speaker 1: I'm kind of nervous about that.

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Speaker 3: She's like royalty right now is royalty?

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Speaker 1: She's not like it. She is excellent. That's later on

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Speaker 1: this morning. Let's get into the three things, Gandhi, what's

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Speaker 1: going on?

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Speaker 10: All right?

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Speaker 4: It's continuing.

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Speaker 8: The Senate is blocking three bills that would have paid

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Speaker 8: federal workers during the government shutdown. Senate Democrats yesterday rejected

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Speaker 8: a Republican bill that would have paid essential workers during

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Speaker 8: the federal shutdown. Then Republicans blocked two Democratic bills that

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Speaker 8: would have paid all federal workers during the shutdown.

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Speaker 4: It's now in day twenty four.

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Speaker 8: Democrats are calling on Republicans to extend Affordable Care Act

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Speaker 8: before they expire at the end of the year. Republicans

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Speaker 8: say they won't negotiate until the shutdown has ended. This

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Speaker 8: was a story that broke yesterday late in this show,

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Speaker 8: and we didn't get to it, but it's pretty fascinating.

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Speaker 8: So far, current and former NBA players and coaches are

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Speaker 8: facing charges in connection with federal investigations into gambling. FBI

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Speaker 8: director Cash Hotel announced investigators uncovered and illegal gambling operation,

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Speaker 8: as well as a sports betting rigging scheme. Miami Heat

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Speaker 8: player Terry Rozier and former coach and player Damon Jones

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Speaker 8: are accused of using inside information to make wagers on games,

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Speaker 8: while Portland Trailblazers coach Chauncey Billups was arrested in connection

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Speaker 8: with a poker scheme involving the mafia.

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Speaker 1: What is the problem? I don't know.

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Speaker 4: So far, I don't hear any issues.

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Speaker 8: More than thirty people are facing charges in connection with

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Speaker 8: the cases. Rozier was released from federal custody after being

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Speaker 8: asked to put his home up as collateral, while Billups

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Speaker 8: appeared in federal court deciding not to make any plea

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Speaker 8: at all. And finally, some good and interesting news for

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Speaker 8: these parts. A new study finds that New Jersey is

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Speaker 8: the safest state for trick or treating. A study by

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Speaker 8: the f l Personnel Injury Firm based its conclusions on

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Speaker 8: how many states fair and how states fared when it

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Speaker 8: comes to drug and narcotic violations. Wyoming was found to

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Speaker 8: be the most dangerous. But here in New Jersey trick

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Speaker 8: or treating a state that's right?

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Speaker 3: Is anyone else excited about the trick Friday?

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Speaker 10: I am.

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Speaker 3: I'm so excited.

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Speaker 1: I'm gonna turn off and hide under the bad.

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Speaker 3: Friday night. They come in their que.

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Speaker 1: Condrushold get.

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Speaker 4: Those are your three things?

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Speaker 1: Thank you you guys, ready for your Friday.

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Speaker 2: Waking up in the morning, Elvis Duran in the Morning Show,

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Speaker 2: America's heroes need your help do good in their honor

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Speaker 2: by donating eleven dollars a month to the Tunnel to

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Speaker 2: Towers Foundation.

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Speaker 1: Go to T two t dot org. That's t the

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Speaker 1: number two T dot org.

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Speaker 3: Well, I'll have to kill you now.

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Speaker 1: They're all creepy.

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Speaker 4: It was upsetting.

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Speaker 10: I don't like it.

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Speaker 1: I've had two dates.

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Speaker 2: Run for your life that morning.

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Speaker 1: I love running around New York City at night. You

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Speaker 1: know everyone's out, they're friends. They're going to bars and restaurants,

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Speaker 1: and they're pouring out into the sidewalk areas and smoking

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Speaker 1: cigarettes and hanging out and beating friends. And I gotta

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Speaker 1: tell you, I think it's Halloween already because I saw

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Speaker 1: some spooky critters last night.

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Speaker 3: Yeah, people have started dirty Elmo in times worse than that.

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Speaker 1: No, I don't think these were people trying to be

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Speaker 1: in costume. They were just naturally uncautious. Okay, New York City.

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Speaker 8: So yesterday, Scary Danielle and I did something fun and

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Speaker 8: we got like this zombie car accident makeup on us,

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Speaker 8: and then we walked over to see MJ the Musical.

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Speaker 8: But I decided I wanted to make it look like

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Speaker 8: they scratched me across my face, like that was it

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Speaker 8: just scratches, And it looks so believable as we're walking

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Speaker 8: through Times Times Square, I feel like it was the

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Speaker 8: first time people actually stopped and we're like.

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Speaker 1: Are you Are you okay for the paramedics showing up.

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Speaker 8: No, but people were definitely doing double takes because it

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Speaker 8: looks so realistic, just right across the face.

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Speaker 3: So we went to see MJ the Musical, right, so

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Speaker 3: we got zombified like Thriller. So Cubby from the other

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Speaker 3: radio station he got he looked like a car I'm

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Speaker 3: not even kidding you, like he was hit by a car.

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Speaker 3: He had bruises on his face and think, and he's

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Speaker 3: walking around the theater and people are looking at him like, dude,

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Speaker 3: you do you right?

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Speaker 12: You're right.

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Speaker 3: Cobby's like, I can't believe it's so funny.

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Speaker 1: That's weird because in New York you can dress up

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Speaker 1: and crazy as you want.

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Speaker 8: And notice I think the blood across the face stops

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Speaker 8: people for a second.

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Speaker 10: Yeah.

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Speaker 1: Okay, so mj When did Michael Jordan get him music? Yeah?

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Speaker 4: It was wild, so many basketballs.

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Speaker 1: It's crazy, great music, so good. Okay, Uh, he had

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Speaker 1: a good night though.

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Speaker 3: Oh we had so much fun.

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Speaker 1: The musical was so much fun.

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Speaker 3: It's so incredible. Thriller is just the best thing ever.

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Speaker 3: People did not stop screaming, screaming, and and then he

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Speaker 3: tried to go on with the show, Michael, and he

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Speaker 3: couldn't because people were still screaming because it was so good.

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Speaker 1: Thriller, I think, is one of my favorite.

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Speaker 5: Look.

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Speaker 1: If you try to give me your favorite Michael Jackson song,

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Speaker 1: yeah you can't do it. I have so many, man

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Speaker 1: in the main, that's.

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Speaker 4: A good one. Yeah, I like the one from Free Willy.

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Speaker 4: Which one is that hole me like the river?

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Speaker 10: Yeah?

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Speaker 1: And then there's way before he was Michael Jackson he

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Speaker 1: was Jackson five Michael.

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Speaker 3: Jackson, Yeah, I think wait, hold on.

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Speaker 1: When he did Ben? You know the song about the rat?

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Speaker 5: Was it?

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Speaker 1: I think he was Michael Jacksonville Ben heard then the

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Speaker 1: two of us and Ben was you?

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Speaker 3: It was really about a rat.

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Speaker 1: It was about a rat. Here it is hold on?

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Speaker 1: Interested you never heard Ben by Michael Jackson or Michael Jordan?

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Speaker 1: Which one is?

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Speaker 5: Here?

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Speaker 6: We go?

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Speaker 1: Ben wasn't in mj the music.

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Speaker 3: Look, I'm gonna love.

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Speaker 5: Here of a snea.

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Speaker 1: No more, it's a rat.

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Speaker 3: We both found the world game board with the brand.

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Speaker 13: Come.

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Speaker 1: You never heard this?

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Speaker 5: No?

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Speaker 3: Why does she say it's a rat? And it's not

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Speaker 3: in the show. By the way, then it's not in

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Speaker 3: the show.

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Speaker 1: I think it is a rat, isn't it.

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Speaker 5: I don't know.

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Speaker 1: You've got a friend in okay? With you got a friend?

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Speaker 9: Oh?

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Speaker 1: Tito Jackson always to the rescue?

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Speaker 6: All right?

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Speaker 4: It is about a boy in his rat.

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Speaker 1: It is. I think it's from a movie, is it not?

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Speaker 1: Ben's okay?

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Speaker 5: This is insane.

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Speaker 1: I never knew any of it was. Hello, where have

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Speaker 1: you people been living?

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Speaker 5: One?

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Speaker 1: It's Ben? I'm sure what scary on the number one billboards?

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Speaker 3: They should have used it Fort Dowey.

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Speaker 11: It was a kill a rat film named Willard. Yes,

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Speaker 11: it was Biller. This is insane, Neighbors, Scott the Weatherman

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Speaker 11: from NBC.

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Speaker 4: Michael Jordan's saying about the Weatherman for NBC is crazy.

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Speaker 1: This is getting wild, so mj the musical contast.

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Speaker 3: Yes, and you know, Man in the Mirror. Man in

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Speaker 3: the Mirror is one of the songs they sing near

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Speaker 3: the end of the show, and it is fabulous. It's

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Speaker 3: really good at the end of the show. Gives me

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Speaker 3: goose bumps.

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Speaker 1: Ernest borgnine was not attractive. Man.

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Speaker 3: Wait, what was the other rat? He was like the

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Speaker 3: white furry one. There was a whole thing on him.

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Speaker 3: There was another movie about a rat. It was no

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Speaker 3: look Up. Oh that was a great book.

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Speaker 1: I love that one. Okay, let's move on because we're

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Speaker 1: going in circles and not making any sense at all

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Speaker 1: for the kids. Producer Sam, who are you doing your

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Speaker 1: horse coupes with you on this Festive Friday?

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Speaker 4: Scotty, please help me?

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Speaker 3: Oh here we get a rat?

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Speaker 1: Not me, I am.

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Speaker 14: If it's your birthday today, you share it with Drake

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Speaker 14: Ray and Dya Scorpio.

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Speaker 4: Daya. Sorry, sorry, I'm just trying to make sure.

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Speaker 1: Google told me it was Dia.

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Speaker 3: No, it's day and Google's wrong.

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Speaker 1: What anyway? So bad Scorpio.

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Speaker 14: Once you start seeing who has been rooting for you

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Speaker 14: quietly all along, keep them close.

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Speaker 15: Your days of nine Sagittarius, you are ready to say

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Speaker 15: yes to something that's scared you good.

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Speaker 3: That's where growth is.

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Speaker 14: Your day's an eight Capricorn. You're finding comfort in routine again.

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Speaker 14: Even structure can feel like love when you built it yourself.

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Speaker 15: Your days of seven, Hey, Aquarius, you are realizing that

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Speaker 15: you can be the stability you are searching for all along.

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Speaker 5: Your days of.

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Speaker 14: Six Pisces, you're hoping out loud for a change, and

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Speaker 14: the universes starting to eavesdrop.

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Speaker 1: Your days of five.

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Speaker 4: Aries, you're exiting the wheel.

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Speaker 10: Oh.

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Speaker 15: You're entering the weekend strong. It's giving, unbothered and untouchable.

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Speaker 1: Your day's an eight Taurus.

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Speaker 14: You're ready to let something beautiful find you, and it will.

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Speaker 14: You don't have to hunt this time. Your day is

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Speaker 14: a nine.

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Speaker 15: Ooh Gemini, you are vibing between connection and chaos and

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Speaker 15: somehow making it look effortless.

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Speaker 1: Your Days of seven Cancer.

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Speaker 14: You're not seeking validation anymore, just reciprocity and you're worth it.

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Speaker 15: Days of nine, Hey, Leo, you're closing the week out

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Speaker 15: with grace and a little bit of drama.

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Speaker 3: Jesse, just make sure it's the fun kind.

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Speaker 5: Your day's a.

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Speaker 14: Ten Virgo, you're relearning what rest actually feels like and

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Speaker 14: it's better than perfection.

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Speaker 1: Your day is a six.

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Speaker 5: Wow.

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Speaker 15: And finally, Libra, you are choosing joy over justice today.

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Speaker 15: Not everything needs to be settled to start healing your

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Speaker 15: days and eight and those are Friday morning horoscopes.

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Speaker 1: Uh, the White Rat movie? Is it? Stuart Little? That's it?

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Speaker 6: Thank you?

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Speaker 1: Thank you texters. What are you have coming up dates?

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Speaker 3: Johnny Deppit Christmas? Carol and Riba hosting the.

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Speaker 2: Christmas Way or something slightly more unhinged than the Morning

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Speaker 2: Show'll kill you els?

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Speaker 1: After party? What is the direction of today's podcast?

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Speaker 4: Podcast?

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Speaker 2: We record daily when the morning show is finished. Listen

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Speaker 2: on the iHeart Radio app or wherever get your podcasts.

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Speaker 1: That's an after party, mister ran.

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Speaker 2: In the Morning Show, Elvis Durand and the Warning Show.

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Speaker 1: Imagine, just imagine your little tootsies in the powdery sand

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Speaker 1: on the beach. Who wouldn't want that? I mean, look,

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Speaker 1: I don't like swimming in the ocean because I get

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Speaker 1: sand in my ass crack.

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Speaker 4: Sometimes that could be fun.

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Speaker 1: I like looking at the ocean. I like sitting on

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Speaker 1: the beach. That's why beaches resorts now part of our family.

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Speaker 1: They are so Caribbean. I mean their family is from

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Speaker 1: the Caribbean. Therefore they know the Caribbean betther than anyone

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Speaker 1: and their family owned. We love beaches resorts all inclusive.

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Speaker 1: That means endless family fun for you and your family.

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Speaker 1: Can you imagine you and your family when your tootsies

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Speaker 1: on the on the sand.

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Speaker 3: And yes, I miss it.

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Speaker 1: Crack Oh family of Sandy ass tracks. That sounds like

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00:14:51,400 --> 00:14:54,520
Speaker 1: a sports caster's name and all sports with sandy ass

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00:14:54,560 --> 00:14:58,520
Speaker 1: cracks it does. Anyway, I want to give you a

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Speaker 1: trip for four to beach resorts in Jamaica and my

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00:15:02,280 --> 00:15:06,840
Speaker 1: favorite Turks and Caicos, including the new Treasure Beach Village

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Speaker 1: opening suit. That's going to be amazing too. If you

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Speaker 1: want to go, of course you do, simply sign up

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Speaker 1: and get the rules at Elvis Duran dot com. The

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Speaker 1: ultimate family playground in the Caribbean. Beaches. I love them.

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Speaker 1: I love them so much. God, we need a beach.

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Speaker 5: We should go there.

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Speaker 1: We were talking to our friend Mario last night about

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Speaker 1: beaches in uh. He's like, I said, where do you

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Speaker 1: go to the beach in New York City? I'll go

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Speaker 1: to Coney Island, I said. The thing about going to

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Speaker 1: a beach in New York City, there's always like a

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Speaker 1: hospital bed floating by in the ocean, but the hospital

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Speaker 1: bed actually has a live person in it with the

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Speaker 1: ivy drip.

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Speaker 4: Some things you see here?

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Speaker 1: Do you know what? Okay, you're not from New York? Gandhi?

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Speaker 1: Do you know what Coney and Whitefish are?

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Speaker 4: No?

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00:15:55,280 --> 00:15:55,400
Speaker 1: Here?

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Speaker 4: Should I look it up?

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Speaker 1: Yeah? Please do? Danielle, so much going on your daniel Report?

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Speaker 1: What do you all right?

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Speaker 11: Well?

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Speaker 3: Johnny Depp is making a comeback in in a little

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Speaker 3: bit of an unexpected way. He is set to start

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Speaker 3: in Ebeneezer a Christmas Carol. I know they're working on

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Speaker 3: two Ebenezer Christmas Carol remakes type thing, so it'll be

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Speaker 3: interesting to see what that's like. November eighth is what

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Speaker 3: I'm hearing. We're getting our Rockefella tree coming to New

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Speaker 3: York City, and Riva has been tapped to host NBC's

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Speaker 3: Christmas and Rockefella sentat I know she's the sweetest. I

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Speaker 3: wonder if we can get her up here when she's

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Speaker 3: in town. That will be awesome.

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Speaker 1: Come on, Nick, yeah something.

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Speaker 3: She was talking to People magazine and Riba said, I

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Speaker 3: am so excited to get to go to New York

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00:16:34,960 --> 00:16:37,400
Speaker 3: in December. I've never been there in December to see

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00:16:37,440 --> 00:16:39,640
Speaker 3: all the Christmas decorations and to get to be part

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00:16:39,680 --> 00:16:41,920
Speaker 3: of the tree lighting ceremony. So she is really honored

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00:16:41,960 --> 00:16:44,480
Speaker 3: and can't wait. And the tree lighting goes down December third,

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Speaker 3: can you believe we're there?

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Speaker 5: We're here.

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Speaker 3: It's insane. It's so crazy.

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Speaker 1: It's still October, I.

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00:16:49,120 --> 00:16:52,200
Speaker 4: Know, but we're gonna blink and we're gonna be merry Christmas.

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Speaker 3: Okay, let's talk about Eminem. So there is a woman

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Speaker 3: claiming she is Eminem's fake wife, and she is dining

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Speaker 3: and dashing. She went into a restaurant the other day.

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Speaker 3: She ordered two entrees, a soda, a chocolate milk, and

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00:17:05,760 --> 00:17:07,760
Speaker 3: she tried to explain to the deputies that covered her.

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00:17:08,040 --> 00:17:10,280
Speaker 3: But em and M's picked up my tam before. He's

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00:17:10,320 --> 00:17:13,040
Speaker 3: my husband. He'll pay for the bill. But he did

393
00:17:13,040 --> 00:17:16,159
Speaker 3: not come in pay for the bill. That did not happen.

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00:17:17,520 --> 00:17:21,080
Speaker 3: So Shaquille O'Neil is seven foot one, so he needs

395
00:17:21,080 --> 00:17:24,320
Speaker 3: everything custom made, from his clothing to his vehicle. So

396
00:17:24,400 --> 00:17:27,639
Speaker 3: he just had a custom made range rover built to

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00:17:27,680 --> 00:17:30,520
Speaker 3: fit his frame stick a price of over one hundred

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Speaker 3: and eighty thousand dollars. Okay, that was before the customization.

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00:17:34,800 --> 00:17:38,240
Speaker 3: After the customization three hundred thousand dollars. But guess what,

400
00:17:39,080 --> 00:17:42,280
Speaker 3: Shack never got the vehicle because what happened was it

401
00:17:42,359 --> 00:17:46,159
Speaker 3: was shipped from Atlanta to Louisiana by the company working

402
00:17:46,160 --> 00:17:48,719
Speaker 3: on it, and it never made it to its destination.

403
00:17:48,920 --> 00:17:51,479
Speaker 3: So they think thieves hacked into the moving company and

404
00:17:51,680 --> 00:17:54,160
Speaker 3: took it to a different place. So somebody right now

405
00:17:54,320 --> 00:17:57,760
Speaker 3: is riding around or they took the parts in Shack's.

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00:17:57,480 --> 00:18:00,280
Speaker 1: Vehicle, so they customized a range rover for him for

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00:18:00,320 --> 00:18:03,240
Speaker 1: his seven foot one frame. Yeah, can they do a

408
00:18:03,359 --> 00:18:07,919
Speaker 1: range over for my fat thighs? I mean, like a

409
00:18:07,960 --> 00:18:09,240
Speaker 1: wider seat anyone?

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00:18:09,359 --> 00:18:09,600
Speaker 3: Maybe?

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00:18:09,640 --> 00:18:11,280
Speaker 4: I imagine they can do it. I just don't think

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Speaker 4: you meet the criteria right.

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00:18:12,680 --> 00:18:14,760
Speaker 1: Oh look have you seen my I think those.

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00:18:14,600 --> 00:18:16,080
Speaker 4: Babies can fit in a regular side.

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00:18:16,080 --> 00:18:18,280
Speaker 1: They're so too Come on here, you crazy gam to

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00:18:18,280 --> 00:18:18,720
Speaker 1: don't Oh.

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Speaker 3: My gosh, NBC will air Wicked on November nineteenth, just

418
00:18:21,600 --> 00:18:23,840
Speaker 3: two days before it's sequel, Wicked for Good hits your

419
00:18:23,880 --> 00:18:26,000
Speaker 3: theaters on November twenty first. And what are we going

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00:18:26,040 --> 00:18:28,480
Speaker 3: to see this weekend? Well, Springsteen delivered me from nowhere,

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00:18:28,840 --> 00:18:31,480
Speaker 3: regretting you all in your theaters. Also, you've got the

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00:18:31,480 --> 00:18:33,560
Speaker 3: World Series. We're kicking that off this weekend with the

423
00:18:33,560 --> 00:18:37,080
Speaker 3: Blue Jays and the Dodgers. We got football and you know,

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00:18:37,119 --> 00:18:38,879
Speaker 3: lots of other things. And that's my Danielle reports.

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00:18:39,160 --> 00:18:41,560
Speaker 1: Hey, Spacy Boone show, what's going on? This is Trazzy

426
00:18:41,640 --> 00:18:42,919
Speaker 1: Tracy and it's is Stemi.

427
00:18:42,720 --> 00:18:44,720
Speaker 3: LeVar with Elvis Duran in the Morning Show.

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00:18:45,000 --> 00:18:47,080
Speaker 1: The home You've worked so hard for is ready to

429
00:18:47,119 --> 00:18:49,320
Speaker 1: work hard for you with a home equity loan from

430
00:18:49,480 --> 00:18:51,879
Speaker 1: Rocket Mortgage. To learn how you can turn your home's

431
00:18:51,880 --> 00:18:55,359
Speaker 1: equity into cash, visit rocket mortgage dot com today.

432
00:18:55,800 --> 00:18:58,840
Speaker 14: Rocket Mortgage LLC licensed in fifty states and MLS Consumer

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00:18:58,880 --> 00:19:00,480
Speaker 14: Access dot Org number three already.

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00:19:00,280 --> 00:19:10,000
Speaker 1: Thirty by the way, good meeting you. Who have you killed?

435
00:19:10,840 --> 00:19:11,560
Speaker 3: This storm?

436
00:19:11,880 --> 00:19:13,000
Speaker 5: And the Morning Show?

437
00:19:13,160 --> 00:19:19,359
Speaker 1: Speaking of being killed, Gandhi is all skippy. She's doing cartwheels. Yeah,

438
00:19:19,480 --> 00:19:21,720
Speaker 1: so excited about her weekend tell everyone what you're doing.

439
00:19:22,000 --> 00:19:25,160
Speaker 8: I am going about two and a half hours upstate

440
00:19:25,240 --> 00:19:27,000
Speaker 8: to the middle of the woods where I got a

441
00:19:27,080 --> 00:19:29,520
Speaker 8: cabin for the weekend, and I'm just gonna hang out and.

442
00:19:29,560 --> 00:19:31,480
Speaker 4: Enjoy the fall foliage and do some hikes.

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00:19:31,200 --> 00:19:33,159
Speaker 1: And love it. Okay, you make it sound so romantic,

444
00:19:33,240 --> 00:19:35,560
Speaker 1: but Danielle and I know what's really gonna happen. Years.

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00:19:35,680 --> 00:19:36,480
Speaker 4: I'm gonna get murdered.

446
00:19:36,600 --> 00:19:38,359
Speaker 1: You're gonna get murdered, and you're the brown girl. You

447
00:19:38,440 --> 00:19:39,119
Speaker 1: will die first.

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00:19:39,160 --> 00:19:39,960
Speaker 3: I will.

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00:19:40,080 --> 00:19:40,199
Speaker 5: Uh.

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00:19:40,359 --> 00:19:43,480
Speaker 1: She just showed us photos of this beautiful, like loggish

451
00:19:43,520 --> 00:19:44,200
Speaker 1: looking cabin.

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00:19:44,400 --> 00:19:45,120
Speaker 3: Yeah.

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00:19:45,160 --> 00:19:48,800
Speaker 1: So there's no like gravel road or concrete road. No,

454
00:19:49,000 --> 00:19:53,280
Speaker 1: it's like two tire prints in grass, yes, for like

455
00:19:53,320 --> 00:19:55,760
Speaker 1: a half a mile. And then you get to this

456
00:19:55,880 --> 00:19:58,680
Speaker 1: cabin that's on a lake. Yes, where a lot of

457
00:19:58,760 --> 00:20:04,520
Speaker 1: murders happen. Maybe it looks like a scene for a murder,

458
00:20:04,520 --> 00:20:04,919
Speaker 1: does it not.

459
00:20:05,119 --> 00:20:06,399
Speaker 3: I think it's fantastic.

460
00:20:06,480 --> 00:20:08,919
Speaker 1: I mean, if I was if I was scouting for

461
00:20:09,000 --> 00:20:12,520
Speaker 1: a great location for a murder movie, I would go

462
00:20:12,560 --> 00:20:15,080
Speaker 1: to where you're going this weekend. I can see that Nate.

463
00:20:16,040 --> 00:20:17,760
Speaker 1: Nate would would you murder someone in this house?

464
00:20:17,800 --> 00:20:18,040
Speaker 13: Well?

465
00:20:18,080 --> 00:20:21,879
Speaker 1: It is rather remote wow. You know. Yeah, they're not

466
00:20:21,880 --> 00:20:22,840
Speaker 1: going to hear your screaming.

467
00:20:23,160 --> 00:20:26,399
Speaker 4: They won't and it's just going to be two single

468
00:20:26,440 --> 00:20:27,600
Speaker 4: girls in a log cast.

469
00:20:27,760 --> 00:20:29,600
Speaker 1: Can you give give everyone the address?

470
00:20:29,760 --> 00:20:30,040
Speaker 3: No?

471
00:20:31,560 --> 00:20:33,360
Speaker 12: Aren't there animals wild animals out there?

472
00:20:33,480 --> 00:20:33,680
Speaker 1: Yeah?

473
00:20:34,119 --> 00:20:35,960
Speaker 12: Yeah, so that's bad for Gandhi too because she wants

474
00:20:35,960 --> 00:20:37,000
Speaker 12: to touch every ball animal.

475
00:20:37,040 --> 00:20:37,959
Speaker 1: Do not touch the animals.

476
00:20:38,000 --> 00:20:39,560
Speaker 4: They can feel my vibe. It's going to be fine.

477
00:20:39,600 --> 00:20:40,960
Speaker 1: But by the way, if you just give us the

478
00:20:40,960 --> 00:20:43,399
Speaker 1: address real quick. You know, there's got to be a

479
00:20:43,480 --> 00:20:45,640
Speaker 1: murderer listening right now. We have a lot of listeners.

480
00:20:45,880 --> 00:20:48,639
Speaker 1: You think in the million something plus listeners we have,

481
00:20:48,800 --> 00:20:49,920
Speaker 1: there's gotta be a murder in there.

482
00:20:50,359 --> 00:20:52,920
Speaker 3: Yeah, there's probably five at least, did you have them?

483
00:20:52,960 --> 00:20:55,160
Speaker 1: Text we have five murderers.

484
00:20:55,359 --> 00:20:56,720
Speaker 4: Text us now if you've murdered someone.

485
00:20:57,200 --> 00:21:00,239
Speaker 1: Yeah, text me now if you've murdered someone if one.

486
00:21:00,680 --> 00:21:03,320
Speaker 3: Is there stuff to do in the area other than hiking?

487
00:21:03,359 --> 00:21:05,720
Speaker 8: Like, is there so much stuff to do running from

488
00:21:05,720 --> 00:21:09,520
Speaker 8: the murderer? Yes, there's like a little town about fifteen

489
00:21:09,560 --> 00:21:13,000
Speaker 8: minutes away. It has a hah I try that has

490
00:21:13,200 --> 00:21:16,480
Speaker 8: really cool restaurants and like little boutique shops. There's amazing

491
00:21:16,560 --> 00:21:18,200
Speaker 8: hiking out there and some waterfalls.

492
00:21:18,240 --> 00:21:20,280
Speaker 4: So that's that's why I wanted to go out there.

493
00:21:21,040 --> 00:21:23,359
Speaker 1: We got to start looking for a replacement for Gandhi.

494
00:21:23,840 --> 00:21:24,560
Speaker 3: She's gonna be fine.

495
00:21:24,600 --> 00:21:26,600
Speaker 1: It's gonna be sad. You know, you'll get over it.

496
00:21:26,640 --> 00:21:28,000
Speaker 3: We will miss you, We'll move on.

497
00:21:28,119 --> 00:21:30,240
Speaker 4: Yeah, just imagine what if it happens. What's going to

498
00:21:30,280 --> 00:21:30,960
Speaker 4: happen to the show.

499
00:21:31,080 --> 00:21:33,880
Speaker 8: It's going to go so wellything will be so smooth after.

500
00:21:34,280 --> 00:21:35,320
Speaker 1: We need to keep her alive.

501
00:21:35,400 --> 00:21:35,600
Speaker 9: Yeah.

502
00:21:35,680 --> 00:21:38,399
Speaker 3: Wait, if if you like it, then I would like

503
00:21:38,440 --> 00:21:39,560
Speaker 3: to go another weekend with you.

504
00:21:39,880 --> 00:21:40,640
Speaker 4: I would love that.

505
00:21:40,840 --> 00:21:42,720
Speaker 1: Hell yes, right now I'm losing both of them.

506
00:21:43,359 --> 00:21:44,600
Speaker 4: Nah, we'd get out of there.

507
00:21:45,480 --> 00:21:47,560
Speaker 1: It sounds like a dream come true. I would love

508
00:21:49,560 --> 00:21:52,760
Speaker 1: with an exception, I would love to go by myself.

509
00:21:52,920 --> 00:21:55,119
Speaker 1: I would go to a place like that by myself.

510
00:21:55,520 --> 00:21:57,560
Speaker 8: So that was my original plan I had booked. It

511
00:21:57,600 --> 00:21:59,000
Speaker 8: was going to just go by myself and have a

512
00:21:59,000 --> 00:22:00,639
Speaker 8: weekend and enjoy it. And I was talking to one

513
00:22:00,680 --> 00:22:01,919
Speaker 8: of my friends. She asked if I wanted to do

514
00:22:02,000 --> 00:22:03,480
Speaker 8: lunch this week, and I told her what I was doing,

515
00:22:03,520 --> 00:22:05,800
Speaker 8: and she said, oh, that sounds amazing.

516
00:22:05,840 --> 00:22:08,240
Speaker 4: Can I come? And I thought, yeah, that does kind

517
00:22:08,240 --> 00:22:09,080
Speaker 4: of decrease my chan.

518
00:22:09,160 --> 00:22:14,400
Speaker 1: She's great though, Yeah, yeah, so all right, I'm I'm jelly,

519
00:22:14,680 --> 00:22:17,919
Speaker 1: I'm excited. A little murder palace in the middle of nowhere.

520
00:22:18,000 --> 00:22:18,560
Speaker 3: It's so cool.

521
00:22:18,920 --> 00:22:19,560
Speaker 4: I listen.

522
00:22:19,680 --> 00:22:21,600
Speaker 8: I know my sister's listening to this right now, because

523
00:22:21,640 --> 00:22:22,680
Speaker 8: I just looked at my phone and they are like

524
00:22:22,720 --> 00:22:24,640
Speaker 8: four text messages from her. Because you guys are talking

525
00:22:24,680 --> 00:22:26,480
Speaker 8: about my death. I can only imagine what she's saying.

526
00:22:27,320 --> 00:22:28,800
Speaker 8: I said no to this trip.

527
00:22:30,280 --> 00:22:30,919
Speaker 1: You're going, and.

528
00:22:30,920 --> 00:22:33,000
Speaker 3: We called Gandhi's sister last night. Gone. He just wanted

529
00:22:33,040 --> 00:22:34,720
Speaker 3: to check in, and right away, Ghandi says it thought,

530
00:22:34,760 --> 00:22:35,240
Speaker 3: what's the matter?

531
00:22:35,480 --> 00:22:35,919
Speaker 5: What happened?

532
00:22:35,960 --> 00:22:36,440
Speaker 1: What's wrong?

533
00:22:36,640 --> 00:22:39,440
Speaker 11: You two are weird? Yes, straight. Got to remember when

534
00:22:39,440 --> 00:22:41,920
Speaker 11: you're in these remote locations, there is no cell service,

535
00:22:42,040 --> 00:22:44,080
Speaker 11: there is no nine to one one. You are not

536
00:22:44,119 --> 00:22:45,120
Speaker 11: going to be able to get in touch.

537
00:22:45,200 --> 00:22:46,919
Speaker 3: Oh how do you know that, Nate me.

538
00:22:47,320 --> 00:22:49,520
Speaker 1: I seriously go out in the middle of nowhere.

539
00:22:49,520 --> 00:22:54,960
Speaker 11: He cannot because that's where he kills them.

540
00:22:55,040 --> 00:22:58,479
Speaker 1: Nate knows. Nate has scoped out all the perfect murder

541
00:22:58,520 --> 00:23:02,359
Speaker 1: scenes in the world. Okay, I've never killed anybody, not

542
00:23:02,480 --> 00:23:05,560
Speaker 1: a murderer. Well you do as a murderer, you lie

543
00:23:05,600 --> 00:23:08,960
Speaker 1: about it. Who's yes, So that's me. I'm a murderer.

544
00:23:09,000 --> 00:23:11,479
Speaker 1: I could do it so easily and get away with it.

545
00:23:12,200 --> 00:23:14,040
Speaker 4: Seriously, everyone thinks that.

546
00:23:14,000 --> 00:23:16,760
Speaker 11: You watch these shows, you see all of the things

547
00:23:16,800 --> 00:23:19,959
Speaker 11: they do wrong. You gotta take notes people, You gotta

548
00:23:20,040 --> 00:23:21,320
Speaker 11: know for what purpose?

549
00:23:23,400 --> 00:23:26,399
Speaker 3: Well, why would you take notes unless you're going to

550
00:23:26,440 --> 00:23:28,439
Speaker 3: go ahead and murder someone?

551
00:23:30,160 --> 00:23:32,880
Speaker 1: I left my phone in record mode in his apartment?

552
00:23:33,080 --> 00:23:34,360
Speaker 1: This is this is a it's apartment.

553
00:23:34,720 --> 00:23:35,200
Speaker 6: I don't know.

554
00:23:36,880 --> 00:23:41,680
Speaker 1: That's the rope. So okay, back to this, why to

555
00:23:41,720 --> 00:23:42,359
Speaker 1: think about it?

556
00:23:42,400 --> 00:23:44,840
Speaker 11: You watch all of these shows. They always make a misstep,

557
00:23:44,880 --> 00:23:47,679
Speaker 11: and they're teaching you how to murder. Essentially, Yes, if

558
00:23:47,720 --> 00:23:50,040
Speaker 11: you're reading between the lines, you can figure out how

559
00:23:50,080 --> 00:23:55,160
Speaker 11: to get away with it. Seriously, he's creeping me out

560
00:23:55,560 --> 00:23:56,159
Speaker 11: just a little.

561
00:23:56,280 --> 00:23:58,600
Speaker 4: The desire to take diligent notes was very weird.

562
00:23:58,960 --> 00:24:01,080
Speaker 11: Not that I'm actually physically doing it, But if you

563
00:24:01,160 --> 00:24:04,480
Speaker 11: pay attention, you can learn from all of these people's mistakes.

564
00:24:04,520 --> 00:24:06,120
Speaker 4: So what would you do differently.

565
00:24:06,520 --> 00:24:09,120
Speaker 11: Well, you can't have anybody in on it. Of course,

566
00:24:09,160 --> 00:24:13,040
Speaker 11: they always they always mention it to somebody. There's always

567
00:24:13,040 --> 00:24:15,840
Speaker 11: a witness. You cannot have anybody be a part of it.

568
00:24:16,119 --> 00:24:18,800
Speaker 11: And you have to scope out that location that nobody

569
00:24:18,840 --> 00:24:21,600
Speaker 11: goes to. That body cannot be found for a solid

570
00:24:21,600 --> 00:24:24,600
Speaker 11: ten years. That's where you're going this weekend.

571
00:24:24,800 --> 00:24:27,480
Speaker 4: Yoh, thanks a lot, Nate, and hold.

572
00:24:27,320 --> 00:24:30,119
Speaker 1: On, hold on, let's tune back into live coverage of

573
00:24:30,240 --> 00:24:34,480
Speaker 1: Nate's apartment. Hold on, and this is when you're at work.

574
00:24:34,560 --> 00:24:37,360
Speaker 1: Yeah the hell are you doing? How much you pay

575
00:24:37,400 --> 00:24:40,040
Speaker 1: for this thing per month? You got to go deal

576
00:24:40,080 --> 00:24:42,840
Speaker 1: on this. A lot going on in there to rent

577
00:24:42,880 --> 00:24:46,400
Speaker 1: control anyway. I can't wait to uh see the photos.

578
00:24:46,400 --> 00:24:48,760
Speaker 1: I know you'll you'll post even though there's no coverage

579
00:24:48,800 --> 00:24:49,280
Speaker 1: out there.

580
00:24:49,440 --> 00:24:51,239
Speaker 4: Maybe maybe not all.

581
00:24:51,240 --> 00:24:53,440
Speaker 8: If you guys have my location, I think so, it'll

582
00:24:53,440 --> 00:24:55,520
Speaker 8: be fine and my sister has it, it's gonna be

583
00:24:55,560 --> 00:24:56,800
Speaker 8: fun great.

584
00:24:56,960 --> 00:24:58,960
Speaker 3: Poor sister is gonna be so worried all weekend.

585
00:24:59,240 --> 00:25:01,680
Speaker 1: She needs a calm down, Froggy. Would you ever ever

586
00:25:01,840 --> 00:25:05,399
Speaker 1: do that, go out to an isolated log cabin on

587
00:25:05,440 --> 00:25:07,440
Speaker 1: a lake by yourself? No?

588
00:25:07,440 --> 00:25:08,880
Speaker 12: No, because I told you I'm afraid of the dark,

589
00:25:08,960 --> 00:25:10,199
Speaker 12: so no I could. I couldn't do that.

590
00:25:11,040 --> 00:25:12,439
Speaker 1: They have lights, you can turn a light on them.

591
00:25:12,440 --> 00:25:13,360
Speaker 4: I'm afraid of dark too.

592
00:25:13,720 --> 00:25:15,960
Speaker 12: I did think about something Nate started this week wanting

593
00:25:16,000 --> 00:25:18,560
Speaker 12: to push you down the stairs. And now he's talking about, like, Nate,

594
00:25:18,600 --> 00:25:19,399
Speaker 12: what is wrong with you?

595
00:25:19,480 --> 00:25:22,040
Speaker 1: He wanted to push me down the stairs, and because

596
00:25:22,040 --> 00:25:26,160
Speaker 1: he thinks he's something in my will, well, Alex didn't

597
00:25:26,160 --> 00:25:27,200
Speaker 1: exactly discourage.

598
00:25:27,240 --> 00:25:32,280
Speaker 16: It's what creeps me out most is the isolation factor. See,

599
00:25:32,280 --> 00:25:35,000
Speaker 16: I want to experience one of these types of houses

600
00:25:35,040 --> 00:25:37,200
Speaker 16: that may be quantit or creepy whatever, but I want

601
00:25:37,240 --> 00:25:39,080
Speaker 16: to be near a city. I want to be able

602
00:25:39,080 --> 00:25:41,200
Speaker 16: to walk out and run out in the middle of everything.

603
00:25:41,280 --> 00:25:43,480
Speaker 16: But you're going to the woods, You're going to no

604
00:25:43,640 --> 00:25:46,240
Speaker 16: cell service land. That is a recipe for disaster.

605
00:25:46,400 --> 00:25:47,680
Speaker 4: Nah, it's going to be amazing.

606
00:25:48,160 --> 00:25:50,720
Speaker 8: I bet more people get murdered right where we are,

607
00:25:50,840 --> 00:25:52,879
Speaker 8: right here every day than in that cabin.

608
00:25:52,920 --> 00:25:53,400
Speaker 3: Probably.

609
00:25:54,840 --> 00:25:59,280
Speaker 1: All right, have a good time. Are you taking food?

610
00:25:59,760 --> 00:26:01,399
Speaker 4: Yeah, we are going to get some food.

611
00:26:01,400 --> 00:26:03,720
Speaker 1: Take some band aids, aids, lacerations.

612
00:26:03,840 --> 00:26:05,680
Speaker 4: We're taking all of our weapons, every weapon we have,

613
00:26:05,800 --> 00:26:06,240
Speaker 4: we're taking it.

614
00:26:06,280 --> 00:26:06,840
Speaker 3: Don't worry.

615
00:26:07,280 --> 00:26:09,280
Speaker 1: So is it funny? And I kind of got this

616
00:26:09,320 --> 00:26:11,960
Speaker 1: from a text that just came through. Usually when you say, hey,

617
00:26:11,960 --> 00:26:13,680
Speaker 1: what's your body count? That means how many people you've

618
00:26:13,680 --> 00:26:16,879
Speaker 1: slept with. Nate, it's like, how many people he's killed?

619
00:26:19,080 --> 00:26:21,560
Speaker 4: I bet it is higher than his other body can probably.

620
00:26:21,680 --> 00:26:24,080
Speaker 2: The Mercedes Benz Interview Lounge.

621
00:26:24,040 --> 00:26:30,879
Speaker 1: The one the only Carol g right here. What you

622
00:26:30,920 --> 00:26:32,440
Speaker 1: actually jumped into the Hudson River?

623
00:26:32,720 --> 00:26:34,920
Speaker 4: Oh yeah, oh my god.

624
00:26:35,040 --> 00:26:41,679
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625
00:26:41,680 --> 00:26:45,240
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626
00:26:45,359 --> 00:26:49,000
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627
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Speaker 1: your local Mercedes Benz dealer.

628
00:26:50,520 --> 00:26:52,960
Speaker 2: Today Elvis Terran in the Morning Show.

629
00:26:55,520 --> 00:26:57,800
Speaker 3: Elvis Terran and the Morning Show.

630
00:26:58,600 --> 00:27:02,280
Speaker 1: Hey, Diamond, there is someone who works here at the

631
00:27:02,320 --> 00:27:07,239
Speaker 1: iHeart Building. Yeah, I don't. I don't know her name.

632
00:27:07,480 --> 00:27:12,080
Speaker 1: I'm sure she's a very nice person, but she never

633
00:27:12,119 --> 00:27:17,720
Speaker 1: remembers Diamond's name. She calls her every black woman employees name.

634
00:27:18,040 --> 00:27:19,919
Speaker 4: Yeah except for Diamond, except for Diamond.

635
00:27:20,080 --> 00:27:22,560
Speaker 10: Yeah, literally every time and every time I see her,

636
00:27:22,560 --> 00:27:24,440
Speaker 10: I'm waiting for her to call me someone else's name.

637
00:27:24,640 --> 00:27:28,840
Speaker 10: And it's a rotation too, Like she's called me other

638
00:27:28,880 --> 00:27:31,119
Speaker 10: people's names, like a few times in a row. I'm like,

639
00:27:31,160 --> 00:27:33,520
Speaker 10: you can remember these other people's names, but I'm mine.

640
00:27:33,600 --> 00:27:35,679
Speaker 10: Come on, and you know what's funny? Your name is

641
00:27:35,720 --> 00:27:37,920
Speaker 10: so like exotic, Like, there's.

642
00:27:37,720 --> 00:27:39,840
Speaker 1: Not a lot of people. It's not a name problem.

643
00:27:39,920 --> 00:27:44,560
Speaker 1: It's probably she doesn't recognize the difference between Do all

644
00:27:44,560 --> 00:27:48,800
Speaker 1: white people look alike? Do some of you? Yeah? I

645
00:27:48,800 --> 00:27:52,000
Speaker 1: gotta be honest. On our show, which two white people

646
00:27:52,320 --> 00:27:53,879
Speaker 1: could you confuse as the same person?

647
00:27:53,960 --> 00:27:54,960
Speaker 5: Oh?

648
00:27:55,320 --> 00:27:58,240
Speaker 3: At first Nate and Scotti?

649
00:27:58,960 --> 00:27:59,320
Speaker 1: Really?

650
00:27:59,400 --> 00:27:59,600
Speaker 9: Yeah?

651
00:27:59,680 --> 00:28:01,960
Speaker 10: Okay, I got a little different now because Gotti is

652
00:28:02,000 --> 00:28:05,280
Speaker 10: all gray.

653
00:28:05,480 --> 00:28:07,720
Speaker 3: I'm not all gray.

654
00:28:08,600 --> 00:28:12,480
Speaker 1: I'm mostly pepper. You're getting on a sultry. I just

655
00:28:12,480 --> 00:28:15,399
Speaker 1: think that's an interesting concept, not being able to tell

656
00:28:15,440 --> 00:28:20,040
Speaker 1: the difference between someone's faces or whatever because you're black

657
00:28:20,160 --> 00:28:24,359
Speaker 1: or white or whatever. I mean, but she, so, what

658
00:28:24,400 --> 00:28:27,560
Speaker 1: do you? What do you say it? She's like, well,

659
00:28:27,560 --> 00:28:30,679
Speaker 1: ho whatever, and like Diamond, I'm.

660
00:28:30,520 --> 00:28:34,439
Speaker 10: Like, ah, Diamond, Like I just stop her because like

661
00:28:35,400 --> 00:28:38,840
Speaker 10: I used to let her just keep talking because I'm like, okay,

662
00:28:38,960 --> 00:28:39,680
Speaker 10: you and whatever.

663
00:28:39,720 --> 00:28:39,960
Speaker 5: Girl.

664
00:28:40,320 --> 00:28:42,800
Speaker 10: But now I'm like, sister, it's been at least a

665
00:28:42,880 --> 00:28:45,120
Speaker 10: year of this, come on, pull it together.

666
00:28:45,320 --> 00:28:46,240
Speaker 4: We see each other.

667
00:28:46,200 --> 00:28:47,920
Speaker 5: At least twice a week. Pullute together.

668
00:28:48,320 --> 00:28:50,960
Speaker 1: Okay, Yeah, I would recognize you.

669
00:28:51,320 --> 00:28:52,760
Speaker 5: I mean, I know, look at this face.

670
00:28:53,640 --> 00:28:59,240
Speaker 1: We love Carol, Carol, Wait, Carol's light of him what's that? Gandhi?

671
00:28:59,360 --> 00:29:01,480
Speaker 8: So when I first started, before I met one of

672
00:29:01,520 --> 00:29:04,600
Speaker 8: our higher up higher ups, he thought, remember, we used

673
00:29:04,600 --> 00:29:05,960
Speaker 8: to have a phone screen named Urrizza.

674
00:29:06,880 --> 00:29:08,800
Speaker 4: He thought Eurritza was me.

675
00:29:09,320 --> 00:29:12,760
Speaker 8: Walked over and introduced himself, and she one had been

676
00:29:12,760 --> 00:29:13,360
Speaker 8: working here.

677
00:29:13,240 --> 00:29:15,360
Speaker 1: For quite a while. She was brown as well.

678
00:29:15,360 --> 00:29:21,800
Speaker 4: She was brown as well, and too. She was like, nah,

679
00:29:20,640 --> 00:29:23,760
Speaker 4: all right, there you go.

680
00:29:23,880 --> 00:29:28,720
Speaker 1: There's that. Well, okay, all good. Do you mean to

681
00:29:28,720 --> 00:29:30,959
Speaker 1: say something to her? Hey, her name is Diamond. I mean,

682
00:29:31,040 --> 00:29:33,560
Speaker 1: just look at her. She's Diamond. There's no other person

683
00:29:33,640 --> 00:29:35,240
Speaker 1: in this building that looks like her.

684
00:29:35,560 --> 00:29:36,200
Speaker 5: Nah, I don't really.

685
00:29:37,000 --> 00:29:40,680
Speaker 10: I think it's funny, okayed off about that.

686
00:29:41,280 --> 00:29:43,920
Speaker 1: So I went to, uh god, one of my favorite

687
00:29:43,920 --> 00:29:46,440
Speaker 1: restaurants of all time, Emilia's Ballado, last night for dinner.

688
00:29:46,600 --> 00:29:48,440
Speaker 1: You know, you can't get into that place, thank oh

689
00:29:48,520 --> 00:29:51,080
Speaker 1: we know someone, right, and so we always go through

690
00:29:51,120 --> 00:29:52,800
Speaker 1: the back door. You go through the back do we

691
00:29:52,840 --> 00:29:56,000
Speaker 1: have to go around the corner to stop it? Froggy.

692
00:29:56,720 --> 00:29:59,080
Speaker 1: You go around the corner to this metal door and

693
00:29:59,120 --> 00:30:01,200
Speaker 1: you walk in and take through the kitchen whatever, and

694
00:30:01,240 --> 00:30:04,440
Speaker 1: you go in. And so the person who was meeting

695
00:30:04,520 --> 00:30:06,800
Speaker 1: last night for dinner just never showed up, and so

696
00:30:07,000 --> 00:30:10,240
Speaker 1: Mario came out and said, you know, your friend's already inside. I'ment, well,

697
00:30:11,320 --> 00:30:12,800
Speaker 1: how did you get in? He said? He went to

698
00:30:12,880 --> 00:30:15,520
Speaker 1: the front door. I went, you have a front door?

699
00:30:16,160 --> 00:30:19,440
Speaker 1: Why did you installed a front door. I've never been

700
00:30:19,480 --> 00:30:20,320
Speaker 1: to the front door ever.

701
00:30:20,520 --> 00:30:23,360
Speaker 4: Oh, the front doors where the scary stuff happens. It

702
00:30:23,400 --> 00:30:24,440
Speaker 4: goes down at the front door.

703
00:30:24,480 --> 00:30:26,120
Speaker 1: The place is a line. I saw it. There's a

704
00:30:26,160 --> 00:30:27,120
Speaker 1: line out there yesterday.

705
00:30:27,120 --> 00:30:27,800
Speaker 3: And it's awesome.

706
00:30:28,000 --> 00:30:29,080
Speaker 5: Yeah, oh god.

707
00:30:29,080 --> 00:30:29,960
Speaker 1: The food is so good.

708
00:30:30,040 --> 00:30:32,080
Speaker 4: It's so good, Danielle, I've never got to go.

709
00:30:33,760 --> 00:30:35,840
Speaker 1: And they just started bringing food out and I was like, okay,

710
00:30:35,920 --> 00:30:41,280
Speaker 1: just keep it coming. Yes, and the pork, the ville Antonio,

711
00:30:41,480 --> 00:30:44,400
Speaker 1: Oh my gosh, the porchop we had the oh god,

712
00:30:44,440 --> 00:30:47,480
Speaker 1: we the chicken wings with all the vinegar and peppers.

713
00:30:47,960 --> 00:30:49,800
Speaker 4: Okay, they're roasted potatoes.

714
00:30:50,200 --> 00:30:55,880
Speaker 1: Oh my god, the roasted potatoes. You can argue all

715
00:30:55,920 --> 00:30:58,240
Speaker 1: you want, and you'll you'll lose if you ever say

716
00:30:58,280 --> 00:31:01,680
Speaker 1: Amelia Amelias is not the best battalion restaurant in New

717
00:31:01,760 --> 00:31:03,600
Speaker 1: York City. And by the way, I didn't get a

718
00:31:03,600 --> 00:31:06,160
Speaker 1: free meal. And then so I'm here to talk about them.

719
00:31:07,360 --> 00:31:07,440
Speaker 10: No.

720
00:31:07,480 --> 00:31:13,200
Speaker 1: I paid heavy. I put that car down. Happily pay

721
00:31:13,240 --> 00:31:16,760
Speaker 1: for that. There's something else I want to talk about.

722
00:31:16,840 --> 00:31:20,800
Speaker 1: It was, Oh, so outside the kitchen down the hall

723
00:31:20,840 --> 00:31:25,920
Speaker 1: where we get our coffee, there's a big, half eaten

724
00:31:26,080 --> 00:31:31,320
Speaker 1: red velvet cake. Apparently there was some sort of celebration

725
00:31:31,800 --> 00:31:36,680
Speaker 1: yesterday and the cake is still there. So God and

726
00:31:36,720 --> 00:31:38,720
Speaker 1: I get together as we do every morning, and we're

727
00:31:38,720 --> 00:31:40,720
Speaker 1: getting our coffee, and I'm like, good God, that cake.

728
00:31:40,800 --> 00:31:45,360
Speaker 1: They should throw that away. That is just it's teaming

729
00:31:45,440 --> 00:31:49,000
Speaker 1: with all sorts of disease, right, And as we said that,

730
00:31:49,600 --> 00:31:50,440
Speaker 1: tell them what happened.

731
00:31:50,760 --> 00:31:53,640
Speaker 4: We're standing there and I see something approach the cake.

732
00:31:53,800 --> 00:31:56,160
Speaker 4: Turn around. It's Nate with a fork.

733
00:31:56,800 --> 00:32:00,360
Speaker 1: He ate some of that red velvet cake. It out

734
00:32:00,440 --> 00:32:03,080
Speaker 1: Since Jimmy Carter was president, and we.

735
00:32:03,240 --> 00:32:05,320
Speaker 8: Know for a fact that in this building, because we've

736
00:32:05,320 --> 00:32:07,080
Speaker 8: seen them with our own two eyes, there are rats

737
00:32:07,120 --> 00:32:10,720
Speaker 8: and roaches. You ate an overnight cake in the rat

738
00:32:10,760 --> 00:32:11,960
Speaker 8: and roach kitchen.

739
00:32:11,720 --> 00:32:15,000
Speaker 11: You did that wouldn't have bothered me. The fact that somebody,

740
00:32:15,080 --> 00:32:18,640
Speaker 11: I believe cut it with a tuna fish knife, That's

741
00:32:18,720 --> 00:32:20,400
Speaker 11: what that was the problem.

742
00:32:20,800 --> 00:32:22,400
Speaker 1: Because I took it.

743
00:32:22,600 --> 00:32:25,520
Speaker 11: I took a bite of the edge, and I did

744
00:32:25,520 --> 00:32:29,040
Speaker 11: not taste red velvet or cream cheese frosting. I tasted

745
00:32:29,080 --> 00:32:29,920
Speaker 11: old tuna fish.

746
00:32:30,080 --> 00:32:30,840
Speaker 3: Yeah, so.

747
00:32:32,480 --> 00:32:34,080
Speaker 1: It wasn't a red velvet cake. It was a red

748
00:32:34,120 --> 00:32:40,480
Speaker 1: snapper cake. Was red snapper? Give me some? Yeah? Danielle,

749
00:32:40,560 --> 00:32:44,720
Speaker 1: Danielle really daniell okay? Oh Daniel's having a fit.

750
00:32:44,880 --> 00:32:49,000
Speaker 3: Oh either way, Oh my gosh, that's so bad.

751
00:32:49,160 --> 00:32:49,920
Speaker 4: I recorded.

752
00:32:51,400 --> 00:32:57,800
Speaker 1: Smell it. But why would you eat off a cake

753
00:32:58,240 --> 00:32:59,680
Speaker 1: that you always been there?

754
00:32:59,720 --> 00:33:02,880
Speaker 11: Since last night is radio? How many times have we

755
00:33:02,920 --> 00:33:05,400
Speaker 11: come in here? There's a slice of pizza and nobody

756
00:33:05,440 --> 00:33:07,960
Speaker 11: knows when it was delivered, nobody knows who ordered.

757
00:33:08,080 --> 00:33:09,000
Speaker 1: I would never.

758
00:33:09,480 --> 00:33:13,120
Speaker 3: Have And you wonder why you're sick in the hospital

759
00:33:13,120 --> 00:33:13,640
Speaker 3: all the time.

760
00:33:13,800 --> 00:33:16,040
Speaker 1: You had two trokes because you eat the red velvet

761
00:33:16,120 --> 00:33:18,400
Speaker 1: cake with tuna water frosted.

762
00:33:19,640 --> 00:33:20,360
Speaker 4: We all do it?

763
00:33:20,560 --> 00:33:24,360
Speaker 1: What we don't all do that? I roll the dice

764
00:33:24,360 --> 00:33:27,240
Speaker 1: on overnight leftovers. It's not a big deal. Don't do that.

765
00:33:27,280 --> 00:33:33,160
Speaker 1: It is, don't you know? It's fried rice syndromes. There

766
00:33:33,160 --> 00:33:37,680
Speaker 1: are people who actually die because if fried rice is

767
00:33:37,720 --> 00:33:40,600
Speaker 1: sitting out like all night and you eat it, it's

768
00:33:40,720 --> 00:33:45,160
Speaker 1: it's teeming with all What are you doing, Garrett Gary?

769
00:33:45,240 --> 00:33:47,760
Speaker 3: Why would your Garret he brought the.

770
00:33:47,800 --> 00:33:50,600
Speaker 1: Tuna cake in What are you doing?

771
00:33:50,800 --> 00:33:51,080
Speaker 5: What do you?

772
00:33:51,120 --> 00:33:52,640
Speaker 1: Why are you bringing the tuna cake in here?

773
00:33:52,720 --> 00:33:55,400
Speaker 7: Well, Nate said he liked it so much, I figured why.

774
00:33:55,320 --> 00:33:57,080
Speaker 1: Not finish it? I stand correct.

775
00:33:57,280 --> 00:33:59,360
Speaker 11: Actually, you know what, if I dug into it away

776
00:33:59,360 --> 00:34:02,640
Speaker 11: from the tuna, I may be able to sniff the knife.

777
00:34:02,680 --> 00:34:07,600
Speaker 1: No, sniff your Get that out of here, Garrett, Gary,

778
00:34:07,640 --> 00:34:16,040
Speaker 1: get that with what Scotty, that's a good idea, Scotty,

779
00:34:16,080 --> 00:34:17,800
Speaker 1: make love to my red velvet cake. What are you

780
00:34:17,880 --> 00:34:21,640
Speaker 1: going to do to it? I'll do it. Taste have

781
00:34:21,800 --> 00:34:25,240
Speaker 1: your way, No, get that, Garrett. Gary's hungry. Now Daniel's

782
00:34:25,239 --> 00:34:28,880
Speaker 1: gonna start vomiting. Daniel not having that cake, and I know,

783
00:34:29,960 --> 00:34:34,400
Speaker 1: get out of here. She's gonna vomit. She's playing that.

784
00:34:34,520 --> 00:34:39,399
Speaker 1: She can't, Garret the ass. I saw that. I'm calling

785
00:34:39,600 --> 00:34:44,399
Speaker 1: h R right now. You kicked Tim Buttoks. Oh here

786
00:34:44,440 --> 00:34:46,799
Speaker 1: she goes? Oh why now? I get out of here.

787
00:34:46,880 --> 00:34:56,600
Speaker 1: Damn it to hell. This is the worst, the worst

788
00:34:56,600 --> 00:35:00,520
Speaker 1: show ever ever. People are gag while.

789
00:35:00,680 --> 00:35:03,359
Speaker 4: You oh so gross. I could not believe he did it.

790
00:35:03,360 --> 00:35:04,960
Speaker 4: We were standing there like, he's not up.

791
00:35:05,160 --> 00:35:07,080
Speaker 11: I would have been totally fine if that tuna knife

792
00:35:07,160 --> 00:35:10,960
Speaker 11: was it used to to disperse the cake, don't eat

793
00:35:11,000 --> 00:35:12,040
Speaker 11: old cakes.

794
00:35:14,000 --> 00:35:16,600
Speaker 8: And immediately threw it up into the trash can, all

795
00:35:16,640 --> 00:35:18,640
Speaker 8: of which was recorded by the way, Oh wait a.

796
00:35:18,600 --> 00:35:22,280
Speaker 11: Minute, you are the you are a guilty party, Duran.

797
00:35:22,840 --> 00:35:26,160
Speaker 11: How many times do you order pizza and you order

798
00:35:26,200 --> 00:35:28,400
Speaker 11: it the night before then you bring it in for us.

799
00:35:28,400 --> 00:35:30,360
Speaker 1: Like, Hey, where was this pizza overnight in your fridge?

800
00:35:30,640 --> 00:35:33,400
Speaker 1: I just left it out on the oven. Let it

801
00:35:33,440 --> 00:35:33,879
Speaker 1: sit out.

802
00:35:34,360 --> 00:35:36,200
Speaker 3: Lots of people eat cold pizza in the morning. Now

803
00:35:36,200 --> 00:35:36,560
Speaker 3: it's left.

804
00:35:37,000 --> 00:35:38,399
Speaker 1: There's been sitting out for twelve hours.

805
00:35:39,600 --> 00:35:41,520
Speaker 3: At least it's at his house, not cake in it

806
00:35:42,760 --> 00:35:43,680
Speaker 3: some roach festival.

807
00:35:44,239 --> 00:35:47,880
Speaker 1: Also, strangers were devouring that cake with their fingers, and

808
00:35:48,120 --> 00:35:49,600
Speaker 1: it's gotta be putting wiener in there.

809
00:35:50,360 --> 00:35:52,920
Speaker 8: Just I think there's a big difference between leaving it

810
00:35:52,920 --> 00:35:56,240
Speaker 8: out at your home and leaving it out here truly

811
00:35:56,280 --> 00:35:58,520
Speaker 8: like the Den of Creatures, because we've seen the people

812
00:35:58,520 --> 00:36:01,200
Speaker 8: who walk around here on the way that they treat things.

813
00:36:02,320 --> 00:36:04,040
Speaker 3: Scotty be have a tunic.

814
00:36:08,040 --> 00:36:10,520
Speaker 1: How did this conversation get to where it is? Someone

815
00:36:10,600 --> 00:36:13,440
Speaker 1: just in a text. It's the same in our teachers lounge.

816
00:36:13,840 --> 00:36:16,200
Speaker 1: No one questions where the food came from or how

817
00:36:16,239 --> 00:36:19,799
Speaker 1: long it's been there. It's people. Come on, we need

818
00:36:19,840 --> 00:36:22,040
Speaker 1: teachers to live. Food is food?

819
00:36:23,000 --> 00:36:25,640
Speaker 11: No, no, it's not. Food's ten thousand years ago. Your

820
00:36:25,680 --> 00:36:28,920
Speaker 11: ancestors were they found a dead carcass somewhere, and they're like, oh,

821
00:36:29,080 --> 00:36:32,120
Speaker 11: most years ago, most carcasses are.

822
00:36:32,000 --> 00:36:33,399
Speaker 3: Dead, not twenty twenty five.

823
00:36:33,560 --> 00:36:35,280
Speaker 1: I was always don't waste food.

824
00:36:36,440 --> 00:36:37,560
Speaker 3: We know that, we can tell.

825
00:36:41,680 --> 00:36:48,120
Speaker 1: Oh, gotta take it, takeing it today. Hold on, let's

826
00:36:48,200 --> 00:36:52,280
Speaker 1: check traffic. To check traffic.

827
00:36:53,719 --> 00:36:59,200
Speaker 3: I'm sorry, sorry, not talking. He's been going to the

828
00:36:59,239 --> 00:37:00,000
Speaker 3: gym five days.

829
00:37:00,200 --> 00:37:03,480
Speaker 1: We have to take a break. It's time.

830
00:37:04,239 --> 00:37:05,800
Speaker 3: I think I feed my fans a little.

831
00:37:07,000 --> 00:37:18,480
Speaker 1: Everyone's lover Lover turned out food of the rall what okay?

832
00:37:18,520 --> 00:37:20,880
Speaker 1: So you know who's coming up in like thirty minutes, right,

833
00:37:21,960 --> 00:37:28,240
Speaker 1: e j e j Uh is a very very special superstar.

834
00:37:28,360 --> 00:37:30,040
Speaker 1: It's Roomy talk about it.

835
00:37:30,120 --> 00:37:33,160
Speaker 3: So she is the singer behind the voice of Roomy,

836
00:37:33,239 --> 00:37:37,240
Speaker 3: not the voice mean in K pop Demon Hunters. And actually,

837
00:37:37,239 --> 00:37:39,680
Speaker 3: you know the song Golden that everyone loves. She wrote

838
00:37:39,719 --> 00:37:41,839
Speaker 3: that song. Oh she did, Yes, she did.

839
00:37:42,200 --> 00:37:45,359
Speaker 1: Oh my god. So she's rolling in the love that

840
00:37:45,400 --> 00:37:48,799
Speaker 1: so ej is coming in. She's singing for us, right.

841
00:37:49,440 --> 00:37:51,760
Speaker 3: Oh sure, if we ask her.

842
00:37:52,160 --> 00:37:52,520
Speaker 1: She's not.

843
00:37:54,080 --> 00:37:54,439
Speaker 4: My god.

844
00:37:55,239 --> 00:37:58,080
Speaker 1: So she has her own single. Even though she's roomy

845
00:37:58,320 --> 00:38:01,120
Speaker 1: or the voice of the singing Roomy, she is a

846
00:38:01,160 --> 00:38:03,279
Speaker 1: single out called in another world. We're going to play that.

847
00:38:03,400 --> 00:38:05,440
Speaker 1: I think she's just an album all the way. So

848
00:38:05,480 --> 00:38:09,239
Speaker 1: ilean and what a big powerful movement. Oh yeah, that

849
00:38:09,320 --> 00:38:11,680
Speaker 1: film is and she's a part of it anyway. So

850
00:38:11,880 --> 00:38:14,279
Speaker 1: Eja is on the way into the Three things we

851
00:38:14,360 --> 00:38:14,880
Speaker 1: need to know.

852
00:38:15,040 --> 00:38:17,480
Speaker 4: Gandhi scandal has hit the NBA.

853
00:38:17,640 --> 00:38:20,560
Speaker 8: Everybody's talking about this story because current and former players

854
00:38:20,560 --> 00:38:24,200
Speaker 8: and coaches are facing charges in connection with federal investigations

855
00:38:24,200 --> 00:38:28,839
Speaker 8: into gambling. Investigators uncovered an illegal gambling operation as well

856
00:38:28,880 --> 00:38:33,279
Speaker 8: as a sports betting rigging scheme. Miami Heat player Terry

857
00:38:33,320 --> 00:38:36,600
Speaker 8: Rozier and former coaching player Damon Jones are accused of

858
00:38:36,680 --> 00:38:40,320
Speaker 8: using inside information to make wagers on games, while Portland

859
00:38:40,320 --> 00:38:43,600
Speaker 8: Trailblazers coach Chauncey Billups was arrested in connection with a

860
00:38:43,640 --> 00:38:47,600
Speaker 8: poker scheme involving the Mafia. More than thirty people are

861
00:38:47,640 --> 00:38:51,400
Speaker 8: facing charges in connection with the cases. Rosier was released

862
00:38:51,400 --> 00:38:54,160
Speaker 8: from federal custody after being asked to put his home

863
00:38:54,239 --> 00:38:56,960
Speaker 8: up as collateral, while Billips appeared in federal court and

864
00:38:57,000 --> 00:39:01,280
Speaker 8: decided not to make any plea. Yet two coral species

865
00:39:01,320 --> 00:39:04,040
Speaker 8: are now functionally extinct off of Florida's coast.

866
00:39:04,440 --> 00:39:05,440
Speaker 4: Very very sad.

867
00:39:05,760 --> 00:39:07,799
Speaker 8: People have been warning about this for a very long time,

868
00:39:07,800 --> 00:39:10,120
Speaker 8: and now it's happening. This is according to a new

869
00:39:10,160 --> 00:39:13,600
Speaker 8: study published in the academic journal Science. The study reveals

870
00:39:13,640 --> 00:39:16,200
Speaker 8: a marine heat wave in twenty twenty three caused two

871
00:39:16,320 --> 00:39:19,120
Speaker 8: of the Florida reef system's most important coral species to

872
00:39:19,280 --> 00:39:24,160
Speaker 8: completely die off. Functional extinction means the species impacted, staghorn

873
00:39:24,200 --> 00:39:27,719
Speaker 8: and elkhorn coral no longer exist in numbers large enough

874
00:39:27,719 --> 00:39:29,560
Speaker 8: to fill their role in the ecosystem.

875
00:39:29,760 --> 00:39:33,520
Speaker 1: So there goes very sad. Planet Earth is just melting away, yes.

876
00:39:33,400 --> 00:39:34,759
Speaker 4: And we are doing it to her.

877
00:39:35,280 --> 00:39:38,120
Speaker 8: And finally, any guesses what the most visited theme park

878
00:39:38,160 --> 00:39:39,160
Speaker 8: in the world is.

879
00:39:40,160 --> 00:39:43,439
Speaker 4: Oh, it's going to be a no brainer. Disney World

880
00:39:43,480 --> 00:39:44,120
Speaker 4: Magic Kingdom.

881
00:39:44,400 --> 00:39:46,800
Speaker 8: Okay, Florida's Magic Kingdom the most visited theme park in

882
00:39:46,840 --> 00:39:48,840
Speaker 8: the entire world, that is, according to the annual T

883
00:39:49,080 --> 00:39:50,360
Speaker 8: Global Experience Index.

884
00:39:50,480 --> 00:39:51,520
Speaker 4: Not only did Magic.

885
00:39:51,360 --> 00:39:54,160
Speaker 8: Kingdom top the list, Disney claimed four of the top

886
00:39:54,239 --> 00:39:57,600
Speaker 8: five spots. The report was put together before Universal's Epic

887
00:39:57,680 --> 00:40:00,399
Speaker 8: Universe theme park opened, but they're thinking that the versual

888
00:40:00,440 --> 00:40:01,920
Speaker 8: hold and those are your three things.

889
00:40:01,960 --> 00:40:04,239
Speaker 1: Thank you, Gandhi. We do have a one thousand dollars

890
00:40:04,239 --> 00:40:05,399
Speaker 1: free money phone tap all the way.

891
00:40:05,640 --> 00:40:08,160
Speaker 2: Another free money phone tap coming up next.

892
00:40:08,360 --> 00:40:11,520
Speaker 17: Don't call me error for the Elvis.

893
00:40:11,360 --> 00:40:13,160
Speaker 2: Duran in the Morning Show Free money phone tap, No

894
00:40:13,320 --> 00:40:16,640
Speaker 2: purchase necessary buid in Montana, New Mexico, Washington. We're prohibited.

895
00:40:16,640 --> 00:40:18,520
Speaker 2: For more info and rules, go to Elvis durand dot

896
00:40:18,560 --> 00:40:28,960
Speaker 2: com slash contest. Elvis Duran in the Morning Show. That

897
00:40:29,160 --> 00:40:30,440
Speaker 2: free money phone.

898
00:40:30,200 --> 00:40:32,480
Speaker 1: Tap, Yeah it is. We had a great week with

899
00:40:32,520 --> 00:40:34,800
Speaker 1: these free money phone taps, thanks to for Breeze Car.

900
00:40:35,040 --> 00:40:36,840
Speaker 1: You're in your car right now driving to work. Do

901
00:40:36,840 --> 00:40:42,640
Speaker 1: a little sniff test. Do the sniff test. Yeah, you

902
00:40:42,680 --> 00:40:45,839
Speaker 1: need for breeze cart. Yeah. You know the thing about

903
00:40:45,840 --> 00:40:50,160
Speaker 1: these for Breeze cart mechanisms, what do you call them?

904
00:40:50,600 --> 00:40:55,960
Speaker 1: Fresh model? They're fabulous. It gives you that just cleaned

905
00:40:55,960 --> 00:40:59,520
Speaker 1: freshness wor up to forty days in your car. You

906
00:40:59,560 --> 00:41:02,800
Speaker 1: can count them down on day forty one. Buy another woman.

907
00:41:03,239 --> 00:41:06,200
Speaker 1: I love for Breeze Car. It comes in forty different sents.

908
00:41:06,280 --> 00:41:09,040
Speaker 1: I mean they thought them all through and It can

909
00:41:09,080 --> 00:41:13,160
Speaker 1: be found in the air freshener and automotive aisles wherever

910
00:41:13,200 --> 00:41:15,799
Speaker 1: you shop. Now they also have this intensity dial, So

911
00:41:15,880 --> 00:41:18,600
Speaker 1: if you don't want like that, they think that is

912
00:41:18,800 --> 00:41:22,360
Speaker 1: very very intense. Turn it down, Danielle, I wish you

913
00:41:22,440 --> 00:41:23,480
Speaker 1: had an intensity dial.

914
00:41:23,600 --> 00:41:26,400
Speaker 3: I know me too. I'm on one hundred all of

915
00:41:26,400 --> 00:41:26,759
Speaker 3: the time.

916
00:41:26,960 --> 00:41:30,360
Speaker 1: Geez, she's out of control. The new intensity dial for

917
00:41:30,840 --> 00:41:33,080
Speaker 1: Breeze Car. It lets you choose your scent level low,

918
00:41:33,200 --> 00:41:36,160
Speaker 1: medium or high and it'll make your right as fresh

919
00:41:36,160 --> 00:41:39,480
Speaker 1: as you want. For Breeze Card delivering forty days of

920
00:41:39,520 --> 00:41:42,640
Speaker 1: consistent freshness. We love that, and thanks to for Breeze Car,

921
00:41:42,680 --> 00:41:44,560
Speaker 1: you're winning one thousand dollars now with a free money

922
00:41:44,560 --> 00:41:47,360
Speaker 1: phone tap. If you're called a one hundred eight hundred

923
00:41:47,440 --> 00:41:49,440
Speaker 1: two four to two zero one hundred.

924
00:41:49,560 --> 00:41:50,680
Speaker 3: Don't answer the phone.

925
00:41:50,840 --> 00:41:53,440
Speaker 2: Elvis Duran the Elvis Duran phone tapp.

926
00:41:53,760 --> 00:41:55,120
Speaker 1: All right, Danielle, what's it all about.

927
00:41:55,280 --> 00:41:58,080
Speaker 3: Well, Ben's girlfriend Jamie is really jealous of a new

928
00:41:58,080 --> 00:42:00,439
Speaker 3: girl at the office that Ben works with, So we said,

929
00:42:00,520 --> 00:42:02,960
Speaker 3: let's call Jamie and say there's a Halloween party at

930
00:42:02,960 --> 00:42:05,880
Speaker 3: the office and the new girl and Ben are going together.

931
00:42:06,080 --> 00:42:07,920
Speaker 3: So I set it up and then I kind of

932
00:42:07,960 --> 00:42:08,880
Speaker 3: let them take a car.

933
00:42:09,080 --> 00:42:09,759
Speaker 1: Yeah can they do?

934
00:42:10,000 --> 00:42:10,120
Speaker 9: Oh?

935
00:42:10,160 --> 00:42:14,080
Speaker 1: Yeah, it's another evil mad phone tap Halloween style. Here

936
00:42:14,160 --> 00:42:14,400
Speaker 1: we go.

937
00:42:16,640 --> 00:42:18,160
Speaker 6: Hello, Hi, may speak with Ben?

938
00:42:18,160 --> 00:42:22,440
Speaker 3: Please? Ben is not here right now? Can you give

939
00:42:22,440 --> 00:42:23,279
Speaker 3: Ben a message for me?

940
00:42:24,600 --> 00:42:25,720
Speaker 17: So, I'm sorry he was this.

941
00:42:25,719 --> 00:42:29,320
Speaker 3: This is Elena from the office. Oh, okay, we're actually

942
00:42:29,400 --> 00:42:32,120
Speaker 3: going to an office Halloween party together. We work at

943
00:42:32,120 --> 00:42:33,840
Speaker 3: the office together. I don't know if you've ever mentioned me.

944
00:42:35,400 --> 00:42:38,040
Speaker 17: Uh oh, I'm sorry you're going to a Halloween party.

945
00:42:38,080 --> 00:42:40,640
Speaker 3: Yeah, there's a Halloween party at the office, and they're

946
00:42:40,680 --> 00:42:42,880
Speaker 3: like pairing us off. So Ben and I are going

947
00:42:42,960 --> 00:42:46,040
Speaker 3: as Hugh Hefner and a playboy bunny. Your boss is

948
00:42:46,120 --> 00:42:49,160
Speaker 3: this Yeah, there's no like hanky panky going on.

949
00:42:50,480 --> 00:42:53,279
Speaker 17: Okay, then why do you pick Hugh Hefner and a

950
00:42:53,320 --> 00:42:55,640
Speaker 17: playboy bunny. I'm sorry, this was a little skanky. Was

951
00:42:55,680 --> 00:42:56,600
Speaker 17: inappropriate for an.

952
00:42:56,480 --> 00:42:58,720
Speaker 3: Office because I look good in the playboy bunny costume,

953
00:42:58,760 --> 00:43:00,320
Speaker 3: That's why, and I want to wear and that I

954
00:43:00,360 --> 00:43:01,320
Speaker 3: feel good and look good in.

955
00:43:01,880 --> 00:43:05,720
Speaker 17: I'm sorry, that's inappropriate and it's disrespectful. Well I'm disrespectful.

956
00:43:05,920 --> 00:43:09,000
Speaker 17: And if it's not disrespectful, because I have a problem

957
00:43:09,040 --> 00:43:11,600
Speaker 17: with that I will call your boss.

958
00:43:11,719 --> 00:43:13,880
Speaker 3: Your boyfriend picked my name out of a hat. I

959
00:43:13,880 --> 00:43:16,440
Speaker 3: don't know if that boyfriend, hey your name.

960
00:43:16,520 --> 00:43:19,799
Speaker 17: Okay, I don't know that that's anfacial thing. He is

961
00:43:19,920 --> 00:43:24,040
Speaker 17: my boyfriend. I'm not having some office skank wick him

962
00:43:24,120 --> 00:43:24,760
Speaker 17: for some party.

963
00:43:25,600 --> 00:43:29,000
Speaker 3: Excuse me, office skank. Okay, you know what, Tell him

964
00:43:29,000 --> 00:43:31,799
Speaker 3: that I have the costume that it doesn't fit very well.

965
00:43:31,800 --> 00:43:35,399
Speaker 3: It's a little tight and short and skimpy, but I'm

966
00:43:35,440 --> 00:43:40,439
Speaker 3: gonna wear it anyway. Okay, goodbye. She is not happy with.

967
00:43:40,360 --> 00:43:41,040
Speaker 4: You right now.

968
00:43:41,719 --> 00:43:43,600
Speaker 5: Oh my god, she's gonna kill me.

969
00:43:43,719 --> 00:43:44,040
Speaker 1: All right.

970
00:43:44,320 --> 00:43:47,239
Speaker 3: She's gonna probably call you any second. So okay, So

971
00:43:47,239 --> 00:43:49,440
Speaker 3: we're gonna confernce her in. This was not your idea.

972
00:43:49,520 --> 00:43:53,160
Speaker 3: This is an office policy thing. Okay, Okay, here we go.

973
00:43:54,960 --> 00:44:00,319
Speaker 17: So I just talked to Elena. Uh yeah, yes, no,

974
00:44:00,440 --> 00:44:03,719
Speaker 17: don't be an idiot. I just talked to Elena, who

975
00:44:03,760 --> 00:44:06,120
Speaker 17: called my house, yelled at me and said that you

976
00:44:06,160 --> 00:44:08,960
Speaker 17: are going with her to some office party as Hugh

977
00:44:09,040 --> 00:44:12,640
Speaker 17: has married a playboy bunny. Oh she had I'm sorry, sorry,

978
00:44:12,680 --> 00:44:14,520
Speaker 17: Oh Ben, she had a little message for you that

979
00:44:14,600 --> 00:44:16,160
Speaker 17: her little outfit is too tight.

980
00:44:17,880 --> 00:44:19,120
Speaker 7: Okay, okay, are you laughing?

981
00:44:19,160 --> 00:44:19,239
Speaker 6: It.

982
00:44:19,520 --> 00:44:20,400
Speaker 17: Are you laughing at it?

983
00:44:20,680 --> 00:44:22,640
Speaker 4: You know what, how are you gonna do that?

984
00:44:24,120 --> 00:44:25,719
Speaker 6: You gotta calm down, You gotta calm down.

985
00:44:25,719 --> 00:44:28,680
Speaker 17: This is no Do not tell me to calm down. Oh, Nea,

986
00:44:28,800 --> 00:44:30,799
Speaker 17: are so full of you know when we walk down

987
00:44:30,840 --> 00:44:32,520
Speaker 17: the street, one guy even looks at me and you

988
00:44:32,520 --> 00:44:34,680
Speaker 17: give me hell. This girl called my house, and I'll

989
00:44:34,680 --> 00:44:35,200
Speaker 17: tell you one thing.

990
00:44:35,239 --> 00:44:36,160
Speaker 3: She was a bitch.

991
00:44:36,400 --> 00:44:38,520
Speaker 17: She got the phone, she was acting, Oh cute, Oh

992
00:44:38,520 --> 00:44:39,040
Speaker 17: where's dad?

993
00:44:39,080 --> 00:44:39,239
Speaker 9: Oh?

994
00:44:39,239 --> 00:44:41,520
Speaker 6: What happened to party? This is some book.

995
00:44:42,560 --> 00:44:45,200
Speaker 17: You're not gonna tell me that were going?

996
00:44:45,800 --> 00:44:46,239
Speaker 3: Who cares?

997
00:44:47,560 --> 00:44:49,160
Speaker 17: Yeah, our own party where you thought it would be

998
00:44:49,320 --> 00:44:52,640
Speaker 17: up to be Shrek and Fiona. I saw the costume.

999
00:44:52,800 --> 00:44:56,000
Speaker 17: I looked like, oh girl, it comes with green makeup.

1000
00:44:56,480 --> 00:44:56,799
Speaker 3: You know what?

1001
00:44:56,880 --> 00:44:58,520
Speaker 17: You can bring one of your boys, dress hm up

1002
00:44:58,520 --> 00:45:01,000
Speaker 17: as little Eddie Murphy Donkey and take him all right,

1003
00:45:01,160 --> 00:45:06,239
Speaker 17: because I'm not going with you as a young girls, Fiona, what.

1004
00:45:07,200 --> 00:45:07,840
Speaker 3: You will cute to me?

1005
00:45:07,920 --> 00:45:08,560
Speaker 6: Oger costumes?

1006
00:45:08,600 --> 00:45:10,680
Speaker 17: Yeah, it's look cuter a little bunny costume. Oh I'm sorry,

1007
00:45:10,680 --> 00:45:12,439
Speaker 17: but that's already taken with your other date.

1008
00:45:12,760 --> 00:45:18,640
Speaker 3: Hello, Hello, Hello, yeah, yeah Jamie, Yeah you actually Miss

1009
00:45:18,680 --> 00:45:20,759
Speaker 3: is Danielle Narrow from Elvis Durant in the morning show.

1010
00:45:20,800 --> 00:45:21,840
Speaker 3: You just got phone tapped.

1011
00:45:23,280 --> 00:45:26,960
Speaker 17: You are I'm gonna kill you?

1012
00:45:27,000 --> 00:45:27,759
Speaker 3: Are you kidding me?

1013
00:45:28,080 --> 00:45:28,279
Speaker 10: Yes?

1014
00:45:30,520 --> 00:45:36,479
Speaker 17: Oh my, I feel like a freaking idiot.

1015
00:45:37,640 --> 00:45:40,640
Speaker 1: And there you go your thousand dollars free money phone tap.

1016
00:45:40,840 --> 00:45:43,840
Speaker 1: Thanks for our friends at Fabreeze Car.

1017
00:45:44,200 --> 00:45:46,479
Speaker 3: We need it in this room. By the way, final car.

1018
00:45:46,600 --> 00:45:52,879
Speaker 1: It smells like Thanksgiving dinner. We have a guess commune. Hey, Deanna, Hey,

1019
00:45:52,520 --> 00:45:56,279
Speaker 1: you're in Covina, California. I mean, yes, I am is?

1020
00:45:56,400 --> 00:45:59,080
Speaker 1: I mean are you up late or up really early?

1021
00:45:59,160 --> 00:46:02,560
Speaker 1: What are you? Because very late early out there?

1022
00:46:03,760 --> 00:46:04,880
Speaker 6: No, I get up early.

1023
00:46:06,680 --> 00:46:10,160
Speaker 1: Wow, you do early, early early. You get it earlier

1024
00:46:10,160 --> 00:46:10,560
Speaker 1: than we do.

1025
00:46:11,400 --> 00:46:13,680
Speaker 6: Well, look, I have to listen to my phone taps

1026
00:46:13,680 --> 00:46:14,200
Speaker 6: in the morning.

1027
00:46:14,400 --> 00:46:16,840
Speaker 1: Oh my gosh, well Deanna, it paid off. You just

1028
00:46:16,840 --> 00:46:18,520
Speaker 1: won one thousand dollars. Look at you.

1029
00:46:20,280 --> 00:46:21,120
Speaker 3: It's amazing.

1030
00:46:21,239 --> 00:46:21,719
Speaker 5: Thank you.

1031
00:46:22,040 --> 00:46:26,799
Speaker 1: Congratulations. My gosh, I'm so excited. So we are too.

1032
00:46:26,880 --> 00:46:30,399
Speaker 1: And you're actually the last of this week's free money

1033
00:46:30,400 --> 00:46:32,520
Speaker 1: phones tat winners from our friends for Breeze Car. By

1034
00:46:32,520 --> 00:46:33,920
Speaker 1: the way, do you have a car? You're in La.

1035
00:46:34,000 --> 00:46:35,960
Speaker 1: I mean you're in California. Surely you have a car.

1036
00:46:36,719 --> 00:46:38,520
Speaker 6: And I do have to breeze in my car.

1037
00:46:38,920 --> 00:46:40,040
Speaker 1: You look at that.

1038
00:46:40,640 --> 00:46:42,319
Speaker 6: I do. I have three kids, so.

1039
00:46:42,400 --> 00:46:46,120
Speaker 1: You know, and kids, stay, let's be honest. Let's be honest. Kids,

1040
00:46:46,520 --> 00:46:47,399
Speaker 1: you know they do.

1041
00:46:47,560 --> 00:46:50,640
Speaker 3: Andrew third grade, they start getting that funky, you know,

1042
00:46:50,760 --> 00:46:51,480
Speaker 3: stuff going on.

1043
00:46:51,840 --> 00:46:55,279
Speaker 18: Yeah, my youngest, my youngest is in fifth grade, so.

1044
00:46:55,280 --> 00:46:55,960
Speaker 10: You know, you know.

1045
00:46:57,440 --> 00:47:01,920
Speaker 1: It's right anyway. Dianna, I'm so glad you're listening to us,

1046
00:47:01,960 --> 00:47:04,160
Speaker 1: no matter what time it is in beautiful California. You

1047
00:47:04,280 --> 00:47:06,200
Speaker 1: just won one thousand dollars. Hold on, we're gonna send

1048
00:47:06,200 --> 00:47:09,440
Speaker 1: it to your asap. Hold on, why you're laughing over there?

1049
00:47:09,960 --> 00:47:11,560
Speaker 11: Well, I was just I was trying to remember my

1050
00:47:12,640 --> 00:47:16,360
Speaker 11: southern California geography. Where is Cofine is off It's like

1051
00:47:16,400 --> 00:47:19,600
Speaker 11: off the ten. It's like if you're going east, but

1052
00:47:19,680 --> 00:47:23,960
Speaker 11: it's nearest San Dimas and it's called San Dimas and

1053
00:47:23,960 --> 00:47:25,760
Speaker 11: we will always call it sand Dumbas.

1054
00:47:27,760 --> 00:47:29,920
Speaker 3: Wos his own show.

1055
00:47:29,719 --> 00:47:32,640
Speaker 1: Going on in the corner, has his own show in

1056
00:47:32,680 --> 00:47:34,719
Speaker 1: his head. That's the sloughs and cut off where you

1057
00:47:34,760 --> 00:47:35,880
Speaker 1: would cut off your slawson.

1058
00:47:37,800 --> 00:47:39,359
Speaker 4: That nasty cake is eating his brain.

1059
00:47:39,520 --> 00:47:43,000
Speaker 1: It is, it's happening. So Deanna, we love you. Thank

1060
00:47:43,040 --> 00:47:44,920
Speaker 1: you for listening and winning your thousand dollars. Shut up,

1061
00:47:44,960 --> 00:47:48,280
Speaker 1: date and thank you to our friends at for Breeze Car.

1062
00:47:48,600 --> 00:47:49,960
Speaker 1: I mean yes, love them.

1063
00:47:50,080 --> 00:47:51,279
Speaker 3: Please bring us on here.

1064
00:47:51,400 --> 00:47:57,160
Speaker 1: That fresh fresh, freshly clean freshness last up to forty days.

1065
00:47:57,160 --> 00:47:59,360
Speaker 1: I love it. So e J's coming, is she hear you?

1066
00:47:59,480 --> 00:47:59,640
Speaker 2: Yes?

1067
00:47:59,680 --> 00:48:01,920
Speaker 3: So how cute is this? So my niece is here

1068
00:48:01,920 --> 00:48:04,239
Speaker 3: to meet her, and she's my niece is in the

1069
00:48:04,280 --> 00:48:06,919
Speaker 3: green room. And so she came into the green room

1070
00:48:06,920 --> 00:48:10,400
Speaker 3: and they said, she is the nicest person ever. She's

1071
00:48:10,480 --> 00:48:12,120
Speaker 3: so sweet and she's so excited.

1072
00:48:12,160 --> 00:48:14,239
Speaker 1: So wait, your niece is here to meet EJ. Yeah,

1073
00:48:14,280 --> 00:48:17,479
Speaker 1: of course, we have a straight rule about people coming

1074
00:48:17,480 --> 00:48:18,279
Speaker 1: to visit our guests.

1075
00:48:18,560 --> 00:48:19,600
Speaker 3: But it's ca Pop demon Hunter.

1076
00:48:20,400 --> 00:48:22,759
Speaker 1: You have to ask her to leave. Your niece to leave.

1077
00:48:22,880 --> 00:48:25,680
Speaker 3: Ever, she's only nine, it's.

1078
00:48:25,520 --> 00:48:27,680
Speaker 1: Easier, goodbye your nine. You give a whole life ahead

1079
00:48:27,680 --> 00:48:27,960
Speaker 1: of you.

1080
00:48:28,080 --> 00:48:30,560
Speaker 3: But they said she's she's very sweet and very Yeah,

1081
00:48:30,600 --> 00:48:31,320
Speaker 3: she's beautiful.

1082
00:48:31,480 --> 00:48:36,279
Speaker 1: So EJ, you've heard her sing? Uh, tell her? Tell

1083
00:48:36,320 --> 00:48:37,640
Speaker 1: her she.

1084
00:48:37,600 --> 00:48:40,120
Speaker 3: Wrote the song Golden from K Pop Demon Hunter. She

1085
00:48:40,120 --> 00:48:42,480
Speaker 3: doesn't sing that, she doesn't sing well, she does sing that. Yeah,

1086
00:48:42,520 --> 00:48:45,440
Speaker 3: she's the she's roomy, she's the singing voice of Roomy

1087
00:48:45,520 --> 00:48:47,880
Speaker 3: and K Pop Demon exactly yeah, and everybody wants to

1088
00:48:47,880 --> 00:48:49,240
Speaker 3: be Roomy for Halloween, so.

1089
00:48:49,360 --> 00:48:52,359
Speaker 1: Oh, I know I do. But she has her own

1090
00:48:52,400 --> 00:48:55,040
Speaker 1: single coming out that's not in the film, so she's

1091
00:48:55,280 --> 00:48:56,640
Speaker 1: gonna be here to talk about that. We're going to

1092
00:48:56,719 --> 00:48:59,280
Speaker 1: play it for her and for you and everyone listening.

1093
00:48:59,400 --> 00:49:02,400
Speaker 1: So hang ONJ, can we get this room to smell

1094
00:49:02,440 --> 00:49:03,160
Speaker 1: better for our guests?

1095
00:49:03,400 --> 00:49:05,760
Speaker 3: To be honest, I think it smells like chicken cutlets.

1096
00:49:05,760 --> 00:49:08,520
Speaker 3: I think it smells good. Makes me want to eat

1097
00:49:08,560 --> 00:49:09,520
Speaker 3: a chicken cutlet.

1098
00:49:10,440 --> 00:49:11,279
Speaker 1: Is that good for guests?

1099
00:49:11,360 --> 00:49:11,759
Speaker 12: I don't know.

1100
00:49:11,920 --> 00:49:15,600
Speaker 1: She smells like a fried chicken in here. Hi you Jay,

1101
00:49:15,600 --> 00:49:18,480
Speaker 1: Welcome to our show. It smells like fried chicken. Maybe

1102
00:49:18,480 --> 00:49:21,440
Speaker 1: she likes I'm the colonel. Anyway, I want you to

1103
00:49:21,440 --> 00:49:24,560
Speaker 1: meet EJ and hear her music coming up. I want

1104
00:49:24,600 --> 00:49:26,879
Speaker 1: to hear all about the weird, wild stories you didn't

1105
00:49:26,920 --> 00:49:29,799
Speaker 1: learn in school. Let my best friend Patty Steele and

1106
00:49:29,840 --> 00:49:33,520
Speaker 1: her podcast The Backstory with Patty Steel be your guide. Patty,

1107
00:49:33,640 --> 00:49:35,800
Speaker 1: what are you exploring next? Well, Elvis.

1108
00:49:35,840 --> 00:49:38,319
Speaker 18: A lot of us expects serial killers to look like

1109
00:49:38,560 --> 00:49:41,919
Speaker 18: deranged creeps from a horror movie. But the scary thing

1110
00:49:42,040 --> 00:49:45,160
Speaker 18: is most of them look like really nice guys that

1111
00:49:45,280 --> 00:49:46,640
Speaker 18: live just down the street.

1112
00:49:47,040 --> 00:49:48,200
Speaker 3: That was John Wayne Gacy.

1113
00:49:48,640 --> 00:49:52,120
Speaker 1: The Backstory with Patty Steele. New episodes every Tuesday and Friday.

1114
00:49:52,400 --> 00:49:55,440
Speaker 1: Listen on the iHeartRadio app or wherever you get your podcast.

1115
00:49:56,920 --> 00:49:59,200
Speaker 1: Born from the tragedy of nine to eleven, the Tunnel

1116
00:49:59,239 --> 00:50:02,280
Speaker 1: to Towers Foundation has been honoring America's heroes ever since.

1117
00:50:02,680 --> 00:50:05,560
Speaker 1: Donate eleven dollars a month at T two t dot org.

1118
00:50:05,920 --> 00:50:11,280
Speaker 1: That's t the number two t dot org. So EJ

1119
00:50:11,480 --> 00:50:13,400
Speaker 1: is coming up next. Tell everyone who EJ is.

1120
00:50:13,520 --> 00:50:16,120
Speaker 3: She is from K pop demon Hunter. She is the

1121
00:50:16,320 --> 00:50:20,240
Speaker 3: singing voice of Rumy. She wrote Golden and she's amazing,

1122
00:50:20,400 --> 00:50:20,920
Speaker 3: and she's.

1123
00:50:20,719 --> 00:50:38,480
Speaker 1: Coming up next. Of course it's Golden. Now remember how

1124
00:50:38,520 --> 00:50:40,360
Speaker 1: mad you got it me, Danielle, And I said, I

1125
00:50:40,400 --> 00:50:42,640
Speaker 1: don't think that voice is real because it's.

1126
00:50:42,480 --> 00:50:44,719
Speaker 3: Too perfect, right, Yes, I remember that.

1127
00:50:45,120 --> 00:50:49,239
Speaker 1: And so the voice, the voice of Rumy, decided to

1128
00:50:49,280 --> 00:50:53,800
Speaker 1: come in and slap me left and right now, you EJ,

1129
00:50:53,960 --> 00:50:59,520
Speaker 1: welcome to our show. Really, look, I've been listening to

1130
00:50:59,560 --> 00:51:02,000
Speaker 1: music for a thousand years because well look I'm old.

1131
00:51:02,680 --> 00:51:06,359
Speaker 1: I've heard every artist in the business. Your voice is

1132
00:51:06,600 --> 00:51:11,000
Speaker 1: just right on. It's so perfect. Every note is so pure.

1133
00:51:11,239 --> 00:51:13,239
Speaker 5: Oh, thank you, I appreciate it.

1134
00:51:13,280 --> 00:51:15,040
Speaker 1: Well, let me say something about EJ. She's like, well,

1135
00:51:15,080 --> 00:51:16,960
Speaker 1: screw that. I want to be a songwriter more than

1136
00:51:16,960 --> 00:51:22,200
Speaker 1: I do a performer. You'd rather write songs than perform.

1137
00:51:22,800 --> 00:51:27,520
Speaker 5: I have stage fright, so really absolutely, Jimmy Fallon, I

1138
00:51:27,520 --> 00:51:29,280
Speaker 5: definitely had like a panic attack before.

1139
00:51:30,560 --> 00:51:32,520
Speaker 1: He's a good friend of ours. He's the nicest guy

1140
00:51:32,520 --> 00:51:35,160
Speaker 1: on their own, so nice. If Jimmy Fallon can't calm

1141
00:51:35,239 --> 00:51:37,439
Speaker 1: you down, maybe maybe you do have some stage fright.

1142
00:51:37,520 --> 00:51:40,000
Speaker 5: Oh but he was so nice, so I just felt

1143
00:51:40,040 --> 00:51:41,040
Speaker 5: feel really comfortable.

1144
00:51:41,200 --> 00:51:43,640
Speaker 3: So wait, so you write the songs for the movie.

1145
00:51:44,200 --> 00:51:46,799
Speaker 3: How do you become like the girl that's singing the

1146
00:51:46,840 --> 00:51:48,960
Speaker 3: songs and now like front and center? Like you could

1147
00:51:49,000 --> 00:51:50,919
Speaker 3: you have said, you know, I'm not singing that, I'll

1148
00:51:50,960 --> 00:51:51,520
Speaker 3: just write it.

1149
00:51:51,760 --> 00:51:54,160
Speaker 5: I was very close to that lie. I'm not gonna lie,

1150
00:51:54,200 --> 00:51:57,719
Speaker 5: but you know, I'm just I love a character. I love,

1151
00:51:57,840 --> 00:51:59,719
Speaker 5: you know, Maggie Chritis. And when they asked me, I

1152
00:51:59,719 --> 00:52:01,760
Speaker 5: was out. I was honored. To be honest, that's an honor.

1153
00:52:02,480 --> 00:52:05,240
Speaker 5: But I was kind of very insecure with my voice

1154
00:52:05,320 --> 00:52:07,680
Speaker 5: because I haven't kind of told during my k pop

1155
00:52:07,719 --> 00:52:10,440
Speaker 5: training days that my voice is too like old sounding.

1156
00:52:10,680 --> 00:52:14,480
Speaker 1: What oh stop it. By the way, a little unknown

1157
00:52:14,560 --> 00:52:22,960
Speaker 1: fact about EJ she is seventy eight years old. Korean

1158
00:52:23,040 --> 00:52:28,840
Speaker 1: skin carry out, Okay, why is that Korean skincare that

1159
00:52:28,960 --> 00:52:33,400
Speaker 1: so good? It's beyond it leaps and bounds beyond other skincare.

1160
00:52:33,480 --> 00:52:34,360
Speaker 1: Why why?

1161
00:52:34,680 --> 00:52:36,040
Speaker 5: I don't know if you put a K on its

1162
00:52:37,640 --> 00:52:41,400
Speaker 5: Korean case food. It's like for Pasta hunters, you know

1163
00:52:41,440 --> 00:52:41,839
Speaker 5: what I mean?

1164
00:52:42,600 --> 00:52:44,799
Speaker 1: For pasta to go to Italy for skincare, I go to.

1165
00:52:46,440 --> 00:52:48,520
Speaker 3: The cooking shows, the Korean cooking shows, like there's that

1166
00:52:48,520 --> 00:52:52,319
Speaker 3: refrigerator one where they bring the refragh yeah, the skit. Yeah.

1167
00:52:52,360 --> 00:52:54,960
Speaker 3: So they go to a celebrities house in Korea and

1168
00:52:55,000 --> 00:52:57,640
Speaker 3: they get a refrigerator that's in their house and they

1169
00:52:57,680 --> 00:53:00,799
Speaker 3: go through the refrigerator and they it's what's in their

1170
00:53:00,840 --> 00:53:05,920
Speaker 3: front so good. And everyone's skin on this show is perfect.

1171
00:53:06,440 --> 00:53:09,080
Speaker 1: So you met Nate, our producer. If you went through

1172
00:53:09,120 --> 00:53:12,120
Speaker 1: his refrigerator, you'd find a head from a woman he

1173
00:53:12,200 --> 00:53:16,160
Speaker 1: killed three weeks ago. I'm so sorry to tell you that.

1174
00:53:16,719 --> 00:53:19,600
Speaker 1: So did you know did you have a feeling did

1175
00:53:19,640 --> 00:53:21,759
Speaker 1: you have a feeling that k Pop Demon Hunters would

1176
00:53:21,800 --> 00:53:24,040
Speaker 1: be as massive as it.

1177
00:53:24,000 --> 00:53:28,160
Speaker 5: Is, definitely not. It was very I mean, we I

1178
00:53:28,360 --> 00:53:30,640
Speaker 5: love a film and I've always thought the storyline was

1179
00:53:30,680 --> 00:53:33,480
Speaker 5: just incredible. When I first received the you know, the

1180
00:53:34,440 --> 00:53:37,279
Speaker 5: just like the offer, and when I heard the story,

1181
00:53:37,320 --> 00:53:39,600
Speaker 5: I was like, Wow, this has potential to be huge,

1182
00:53:39,760 --> 00:53:41,560
Speaker 5: But it's all about the execution. When we saw it

1183
00:53:41,600 --> 00:53:44,080
Speaker 5: at the premiere, I was like, Wow, this is good.

1184
00:53:45,320 --> 00:53:47,879
Speaker 5: But to this level. No, absolutely not.

1185
00:53:48,000 --> 00:53:51,439
Speaker 1: I mean it's insane. It's it's interesting how and it's

1186
00:53:51,440 --> 00:53:53,399
Speaker 1: a movement. I'll just say it's a movement because here

1187
00:53:53,480 --> 00:53:57,719
Speaker 1: from our perspective, we'll play we're playing Golden Right, and

1188
00:53:57,800 --> 00:54:01,880
Speaker 1: we'll have a man, a father call him and say,

1189
00:54:02,360 --> 00:54:06,520
Speaker 1: my daughter and I actually bond over this film, and

1190
00:54:07,000 --> 00:54:09,080
Speaker 1: the only thing I hate about the film is she's

1191
00:54:09,160 --> 00:54:11,080
Speaker 1: forced me to watch it fifty thousand.

1192
00:54:11,200 --> 00:54:13,880
Speaker 10: Yeah, yeah, we love that.

1193
00:54:14,600 --> 00:54:15,200
Speaker 1: Of course you do.

1194
00:54:15,600 --> 00:54:16,239
Speaker 3: Seriously.

1195
00:54:16,719 --> 00:54:17,520
Speaker 4: I just so I know.

1196
00:54:17,560 --> 00:54:19,080
Speaker 8: You said that you get nervous and you have stage fright,

1197
00:54:19,120 --> 00:54:20,960
Speaker 8: which I totally understand. Do these kind of things make

1198
00:54:21,000 --> 00:54:21,360
Speaker 8: you nervous?

1199
00:54:21,440 --> 00:54:21,959
Speaker 4: Like right now?

1200
00:54:22,360 --> 00:54:25,360
Speaker 5: Okay, I love interviews because I feel like talking to people.

1201
00:54:25,400 --> 00:54:28,520
Speaker 5: I love socializing and talking to people, so not as much,

1202
00:54:28,680 --> 00:54:32,680
Speaker 5: not really, when you're singing a really hard song like Golden. Yeah,

1203
00:54:33,000 --> 00:54:34,399
Speaker 5: that definitely makes me scar.

1204
00:54:34,960 --> 00:54:37,960
Speaker 8: I think you've got the perfect career trajectory if I could.

1205
00:54:37,800 --> 00:54:39,640
Speaker 1: Make it, she said. Before you came in, she said,

1206
00:54:39,680 --> 00:54:40,600
Speaker 1: I want that career.

1207
00:54:40,840 --> 00:54:41,560
Speaker 4: That's what I would want.

1208
00:54:41,920 --> 00:54:44,560
Speaker 8: Like famous in your thirties, so you've had a normal upbringing.

1209
00:54:45,080 --> 00:54:48,640
Speaker 8: Oh you understand, like what you have in front of you,

1210
00:54:48,640 --> 00:54:51,640
Speaker 8: your cartoon, so you don't have to worry. I love that,

1211
00:54:51,840 --> 00:54:53,920
Speaker 8: you know, ever being seventy eight or whatever it is,

1212
00:54:54,080 --> 00:54:55,640
Speaker 8: and you get to sing and write music. I mean

1213
00:54:55,920 --> 00:54:58,040
Speaker 8: that would be the dream dream job.

1214
00:54:58,280 --> 00:55:00,439
Speaker 5: Really. I mean honestly, before the K pop even Hunter

1215
00:55:00,560 --> 00:55:03,120
Speaker 5: is like thing ca pop, Like I was a K

1216
00:55:03,160 --> 00:55:05,279
Speaker 5: pop trainee and I you know, I got dropped, but

1217
00:55:05,960 --> 00:55:08,200
Speaker 5: I found out while a songwriting that that's my personal

1218
00:55:08,280 --> 00:55:11,600
Speaker 5: like my personality fits as a songwriter. And then I

1219
00:55:11,680 --> 00:55:13,880
Speaker 5: might I was like to my co writer, I was like,

1220
00:55:13,880 --> 00:55:15,320
Speaker 5: you know, if I ever wrote a debut as a

1221
00:55:15,560 --> 00:55:17,600
Speaker 5: as a singer, I want to be an animated character.

1222
00:55:18,120 --> 00:55:22,520
Speaker 1: And yeah, whoever dropped, I'm an idiot.

1223
00:55:23,400 --> 00:55:25,000
Speaker 3: They might have been fired today.

1224
00:55:25,640 --> 00:55:27,120
Speaker 5: It happens. For it was like what you said, Like

1225
00:55:27,120 --> 00:55:30,120
Speaker 5: in my twenties, I got normal, like amazing, like twenties

1226
00:55:30,560 --> 00:55:33,120
Speaker 5: and then my thirties, my frontal lope is like fully

1227
00:55:33,120 --> 00:55:35,440
Speaker 5: developed like I have, you know.

1228
00:55:35,640 --> 00:55:37,800
Speaker 4: Yeah, you can appreciate it and you're not gonna lose.

1229
00:55:37,840 --> 00:55:42,000
Speaker 5: Scientifically true, you know, yes, like was my mare.

1230
00:55:44,040 --> 00:55:46,520
Speaker 3: To the music? Did you write? Did you write Soda Pop?

1231
00:55:47,000 --> 00:55:49,520
Speaker 5: I wrote half of the songs. I wrote Golden, how

1232
00:55:49,560 --> 00:55:55,280
Speaker 5: It's done, the mantra and your idol and also the

1233
00:55:55,280 --> 00:55:57,120
Speaker 5: parts of what it sounds like as.

1234
00:55:57,480 --> 00:56:00,000
Speaker 1: Wow, okay, I have to go back for a sec.

1235
00:56:00,400 --> 00:56:05,080
Speaker 1: You're a K pop trainee? Yes? What does that mean?

1236
00:56:07,040 --> 00:56:10,799
Speaker 5: Essentially for ten years, for a very long time, since

1237
00:56:10,840 --> 00:56:12,799
Speaker 5: I was eleven, I got casted and then you'd go

1238
00:56:12,880 --> 00:56:15,840
Speaker 5: through this rigorous training system to become a K pop idol,

1239
00:56:16,400 --> 00:56:19,479
Speaker 5: and so that was like eleven until twenty two.

1240
00:56:19,760 --> 00:56:21,960
Speaker 3: What woah? What are they through?

1241
00:56:22,080 --> 00:56:22,120
Speaker 5: Like?

1242
00:56:22,160 --> 00:56:22,759
Speaker 3: What's the camp?

1243
00:56:22,880 --> 00:56:22,960
Speaker 9: Like?

1244
00:56:23,080 --> 00:56:23,239
Speaker 10: Oh?

1245
00:56:23,280 --> 00:56:27,840
Speaker 5: It's like essentially like, uh, you learn Korean? Well crazy? Sorry,

1246
00:56:27,880 --> 00:56:29,640
Speaker 5: Well for me, I had to get better at Korean

1247
00:56:29,719 --> 00:56:34,719
Speaker 5: and then dancing, singing, jazz, dancing, rapping, Chinese, Japanese.

1248
00:56:35,400 --> 00:56:37,040
Speaker 1: Am I too old to do this? Am I too

1249
00:56:37,040 --> 00:56:39,799
Speaker 1: old to be a K pop training No one's ever

1250
00:56:39,840 --> 00:56:47,319
Speaker 1: too old. You free your mind by the way, if

1251
00:56:47,360 --> 00:56:49,440
Speaker 1: you're wondering what's going on, EJ is here, of course,

1252
00:56:49,600 --> 00:56:52,239
Speaker 1: the voice and writer of Golden And I'm going to

1253
00:56:52,280 --> 00:56:55,319
Speaker 1: play a song from you though. Wait wait you you

1254
00:56:55,360 --> 00:56:57,920
Speaker 1: are you? You know what I'm saying. But you have

1255
00:56:57,960 --> 00:57:01,960
Speaker 1: your own album coming out single right now? Yes, well

1256
00:57:02,239 --> 00:57:05,480
Speaker 1: so that's it. Well maybe maybe two songs.

1257
00:57:05,280 --> 00:57:07,880
Speaker 5: Maybe album, yes, but like yeah, essentially.

1258
00:57:09,600 --> 00:57:11,520
Speaker 1: By the way, we are also live on Z one

1259
00:57:11,640 --> 00:57:14,600
Speaker 1: hundred's Instagram at Z one hundred New York. Who gave

1260
00:57:14,640 --> 00:57:18,520
Speaker 1: you authority to do that? EJ? You gotta pay her

1261
00:57:18,600 --> 00:57:23,240
Speaker 1: some residuals, so, Eju. As far as writing music goes,

1262
00:57:23,240 --> 00:57:25,400
Speaker 1: I mean, we have many friends in the music business

1263
00:57:25,440 --> 00:57:29,320
Speaker 1: who are writers. Not to be shallow, but here I go.

1264
00:57:30,680 --> 00:57:32,440
Speaker 1: I mean they walk out to that mailbox every day

1265
00:57:32,480 --> 00:57:37,400
Speaker 1: and the checks just arrive. Man, writing songs, it's it's

1266
00:57:37,440 --> 00:57:40,120
Speaker 1: a business. It's a great business. And people a lot

1267
00:57:40,160 --> 00:57:43,120
Speaker 1: of people think that the performance end is where is

1268
00:57:43,200 --> 00:57:45,920
Speaker 1: where the payoff is, and it is in many ways.

1269
00:57:45,920 --> 00:57:49,440
Speaker 1: But writing these songs, oh my gosh, it's definitely.

1270
00:57:52,680 --> 00:57:54,439
Speaker 3: Is it true you don't have a record deal?

1271
00:57:55,320 --> 00:57:57,360
Speaker 5: Yeah, I don't. I mean I have one, or I

1272
00:57:57,400 --> 00:57:59,120
Speaker 5: do have an independent record.

1273
00:57:58,880 --> 00:58:01,240
Speaker 3: Okay, yes, do you want to major label or do

1274
00:58:01,000 --> 00:58:04,600
Speaker 3: you like, you know, do you need I don't think

1275
00:58:04,600 --> 00:58:04,800
Speaker 3: you do.

1276
00:58:05,000 --> 00:58:09,400
Speaker 1: Let me be your manager. I need cash. I need cash.

1277
00:58:10,520 --> 00:58:13,120
Speaker 1: So EJ. You you live out in You're in New York.

1278
00:58:13,160 --> 00:58:16,160
Speaker 1: You're in New Yorker, Yes I am, but but in Brooklyn, right,

1279
00:58:16,800 --> 00:58:20,040
Speaker 1: and so you know, I'm I'm a Manhattan guy. Through

1280
00:58:20,080 --> 00:58:22,240
Speaker 1: and through. I'm like, Oh, where do you live? Manhattan?

1281
00:58:22,320 --> 00:58:22,480
Speaker 9: Oh?

1282
00:58:22,600 --> 00:58:26,240
Speaker 1: No, Brooklyn? Well did you ever come into our little

1283
00:58:26,480 --> 00:58:30,440
Speaker 1: island cold Manhattan? Yeah? Just East Village exactly.

1284
00:58:30,520 --> 00:58:32,360
Speaker 5: That's was that you quoting me?

1285
00:58:32,600 --> 00:58:37,680
Speaker 1: Yes, that's literally very much true. And then looked at

1286
00:58:37,720 --> 00:58:41,000
Speaker 1: me like, oh where do you live? I said downtown? Oh?

1287
00:58:41,400 --> 00:58:42,600
Speaker 1: Then I was accepted by.

1288
00:58:44,160 --> 00:58:44,840
Speaker 3: Does your skin.

1289
00:58:44,800 --> 00:58:47,000
Speaker 4: Melt a little coming into midtown?

1290
00:58:50,200 --> 00:58:53,280
Speaker 1: What? What? What a life? I'm assuming we're just mad.

1291
00:58:53,320 --> 00:58:55,360
Speaker 1: I'm assuming that you have a great life going.

1292
00:58:56,080 --> 00:58:59,480
Speaker 5: I mean definitely busy. I definitely need some sleep. But

1293
00:58:59,760 --> 00:59:03,800
Speaker 5: do what busy with press and writing, you know, and

1294
00:59:04,280 --> 00:59:07,240
Speaker 5: pressed about being the songwriter, but also actually writing for

1295
00:59:07,320 --> 00:59:10,080
Speaker 5: K pop and pop and then my artist project too.

1296
00:59:10,520 --> 00:59:13,680
Speaker 1: So I mean, how does your writing process works? I mean,

1297
00:59:14,480 --> 00:59:16,880
Speaker 1: of all the songwriters we've met, I mean the sea

1298
00:59:16,960 --> 00:59:19,720
Speaker 1: is and the you name them, they'll they'll bring in

1299
00:59:19,760 --> 00:59:21,800
Speaker 1: their voice notes or they'll bring it. They all have

1300
00:59:21,840 --> 00:59:24,600
Speaker 1: a different process of how they write songs. How do

1301
00:59:24,680 --> 00:59:25,600
Speaker 1: you write songs?

1302
00:59:25,840 --> 00:59:28,560
Speaker 5: Well, first, I think what kind of differentiates me with

1303
00:59:28,640 --> 00:59:32,080
Speaker 5: other writers is I like zoom sessions. I'm very much

1304
00:59:32,200 --> 00:59:34,960
Speaker 5: at home. I like to vocal produce and record myself.

1305
00:59:35,000 --> 00:59:37,560
Speaker 5: So I have my system and my vocal chains that

1306
00:59:37,600 --> 00:59:41,000
Speaker 5: I love so much that he made for me. He yes,

1307
00:59:41,120 --> 00:59:43,760
Speaker 5: my fiance he's also does audio engineering.

1308
00:59:45,000 --> 00:59:48,160
Speaker 1: I didn't know we could refer to he.

1309
00:59:49,400 --> 00:59:53,120
Speaker 5: But he essentially, so basically like what I have my

1310
00:59:53,240 --> 00:59:55,000
Speaker 5: you know, able to open and they would send me

1311
00:59:55,040 --> 00:59:56,600
Speaker 5: a track and I would just lay down a bunch

1312
00:59:56,640 --> 00:59:59,640
Speaker 5: of melodies and with that melody, I kind of have

1313
00:59:59,720 --> 01:00:03,000
Speaker 5: con tips already or you know, or the melody inspires

1314
01:00:03,000 --> 01:00:06,240
Speaker 5: a concept. So for me two important things. Concept has

1315
01:00:06,280 --> 01:00:08,120
Speaker 5: to be really strong and really good melodies.

1316
01:00:08,880 --> 01:00:11,240
Speaker 8: So do you first, I know, I know you just

1317
01:00:11,280 --> 01:00:12,960
Speaker 8: said the concept of the melody, But do you write

1318
01:00:13,000 --> 01:00:15,240
Speaker 8: the song and then pick an artist or do you

1319
01:00:15,280 --> 01:00:17,360
Speaker 8: ever write a song specifically for an artist because you

1320
01:00:17,360 --> 01:00:18,520
Speaker 8: think that voice would be perfect?

1321
01:00:19,080 --> 01:00:22,720
Speaker 5: Definitely, usually out of for like efficiency's sake, like we

1322
01:00:22,800 --> 01:00:25,120
Speaker 5: do keep like an artist in mind, but it goes

1323
01:00:25,240 --> 01:00:27,680
Speaker 5: somewhere else and it's totally fine. But like, yeah, that's

1324
01:00:27,760 --> 01:00:30,000
Speaker 5: usually the case. Yeah for an artist.

1325
01:00:30,280 --> 01:00:34,840
Speaker 1: Well, I'm in awe of what you do. I mean,

1326
01:00:35,000 --> 01:00:37,200
Speaker 1: to be able to write a song, I mean, I

1327
01:00:37,200 --> 01:00:39,320
Speaker 1: can't even draw a sick pure I have no art

1328
01:00:39,400 --> 01:00:40,680
Speaker 1: at all in my mind. I mean, this is an

1329
01:00:40,760 --> 01:00:44,320
Speaker 1: artist right here. Gandhi is an artist, and Daniels, you

1330
01:00:44,320 --> 01:00:46,880
Speaker 1: would easily be a superstar in a Broadway show.

1331
01:00:47,000 --> 01:00:47,680
Speaker 3: Oh thanks.

1332
01:00:48,200 --> 01:00:51,560
Speaker 1: And I'm just having that thing that you were born with,

1333
01:00:52,480 --> 01:00:55,720
Speaker 1: that that God or the universe gave you or bestowed

1334
01:00:55,800 --> 01:00:58,800
Speaker 1: upon you. It's just a magical thing. I mean, do

1335
01:00:58,880 --> 01:01:03,120
Speaker 1: you actually sit down with yourself and go, Okay, I'm

1336
01:01:03,240 --> 01:01:07,560
Speaker 1: very grateful for what's happening here. I mean, what's that?

1337
01:01:07,800 --> 01:01:10,320
Speaker 1: What's that like? Because anyone listening right now, no matter

1338
01:01:10,320 --> 01:01:12,560
Speaker 1: what they're doing in life, they should have those same

1339
01:01:12,600 --> 01:01:13,920
Speaker 1: conversations with themselves.

1340
01:01:14,280 --> 01:01:14,480
Speaker 18: Yeah.

1341
01:01:14,520 --> 01:01:17,800
Speaker 5: I think one thing for sure that I that I wish,

1342
01:01:17,840 --> 01:01:19,960
Speaker 5: I mean I wish, like I think what helped me

1343
01:01:20,240 --> 01:01:23,720
Speaker 5: before this all happened. That helped what I heard, like

1344
01:01:23,880 --> 01:01:27,400
Speaker 5: interviews with writers is that imposter syndrome was really normal.

1345
01:01:27,920 --> 01:01:31,120
Speaker 5: So I am feeling I'm grateful, but imposter syndrome just

1346
01:01:31,160 --> 01:01:35,200
Speaker 5: never goes away. I'm always like this is cool, but like,

1347
01:01:35,680 --> 01:01:37,560
Speaker 5: am I really good? I don't know, Like sometimes I

1348
01:01:37,640 --> 01:01:41,160
Speaker 5: question it still can I keep going? Like can I

1349
01:01:41,160 --> 01:01:43,560
Speaker 5: write another really good song? Like that's always in my head?

1350
01:01:43,640 --> 01:01:45,479
Speaker 5: So like, but I think that's a good thing because

1351
01:01:45,480 --> 01:01:47,400
Speaker 5: it does like push me to like keep getting better.

1352
01:01:47,760 --> 01:01:49,560
Speaker 5: I'm still wanting to get better. I still have a

1353
01:01:49,560 --> 01:01:50,240
Speaker 5: lot to work on.

1354
01:01:50,360 --> 01:01:52,760
Speaker 1: What I think. I think those conversations with yourself can

1355
01:01:52,840 --> 01:01:54,840
Speaker 1: be healthy at some time. I think it is not

1356
01:01:54,880 --> 01:01:56,280
Speaker 1: to the point where it just drags you down.

1357
01:01:59,080 --> 01:02:02,440
Speaker 4: Are you prepared for Halloween and everybody being roomy?

1358
01:02:02,720 --> 01:02:04,880
Speaker 5: I am so excited? Are you don't want to out?

1359
01:02:05,480 --> 01:02:07,080
Speaker 5: Like we have a bet with the other girls, like

1360
01:02:07,080 --> 01:02:10,040
Speaker 5: with Audi and Ray and we're just like I wonder

1361
01:02:10,120 --> 01:02:15,800
Speaker 5: who's which character is gonna be the most popular? Okay,

1362
01:02:15,840 --> 01:02:17,720
Speaker 5: because like I was like maybe Bob because like it's

1363
01:02:17,760 --> 01:02:18,280
Speaker 5: so easy.

1364
01:02:18,720 --> 01:02:22,120
Speaker 4: Now, what's on the line with this bet?

1365
01:02:22,200 --> 01:02:25,280
Speaker 5: Food? Always food?

1366
01:02:25,480 --> 01:02:26,960
Speaker 3: By the way, are those your real eyes?

1367
01:02:27,280 --> 01:02:28,680
Speaker 5: What do you mean gorgeous?

1368
01:02:28,680 --> 01:02:28,960
Speaker 4: You can't?

1369
01:02:28,960 --> 01:02:34,000
Speaker 5: Are those contents my contacts? I always works the real eyes.

1370
01:02:34,640 --> 01:02:35,280
Speaker 5: It's a Korean?

1371
01:02:35,440 --> 01:02:36,040
Speaker 1: Is that a Korean?

1372
01:02:36,040 --> 01:02:39,080
Speaker 5: Thing eye contacts I got?

1373
01:02:39,280 --> 01:02:44,840
Speaker 1: Can I go to Korea get someone else's eyes? I'm

1374
01:02:44,880 --> 01:02:48,640
Speaker 1: gonna go to Turkey get no hairm Korea's good at

1375
01:02:48,680 --> 01:02:51,760
Speaker 1: that too, and splitting you know, Oh my god, but

1376
01:02:51,840 --> 01:02:54,200
Speaker 1: look I got just I need Korean hair right here?

1377
01:02:55,400 --> 01:02:55,840
Speaker 1: Who do you know?

1378
01:02:56,240 --> 01:02:56,400
Speaker 5: Who?

1379
01:02:58,280 --> 01:02:59,600
Speaker 1: Who is this person over here?

1380
01:03:00,040 --> 01:03:00,959
Speaker 3: This is my niece Ella?

1381
01:03:01,680 --> 01:03:03,200
Speaker 1: Come here, come here?

1382
01:03:03,560 --> 01:03:03,920
Speaker 11: Have you met?

1383
01:03:04,040 --> 01:03:05,560
Speaker 1: Did you meet e J? Back in the background?

1384
01:03:05,760 --> 01:03:06,480
Speaker 5: So beautiful?

1385
01:03:08,080 --> 01:03:10,320
Speaker 3: So she she skipped school today just to meet you.

1386
01:03:10,880 --> 01:03:15,560
Speaker 3: I guess she's being for Halloween y. Yeah, talking to

1387
01:03:15,640 --> 01:03:15,880
Speaker 3: the mic.

1388
01:03:16,000 --> 01:03:16,520
Speaker 1: That's so cool.

1389
01:03:16,800 --> 01:03:20,640
Speaker 5: Hi, Hi, got answered for her? Sorry?

1390
01:03:22,480 --> 01:03:25,800
Speaker 1: Do your friends at school know that you're meeting J today?

1391
01:03:26,200 --> 01:03:28,840
Speaker 1: And have they said anything to you about that? And

1392
01:03:30,960 --> 01:03:34,360
Speaker 1: they were just surprised that I'm meeting her. Oh well,

1393
01:03:34,520 --> 01:03:37,560
Speaker 1: you're so beautiful and smart and gorgeous, and I bet

1394
01:03:37,600 --> 01:03:39,440
Speaker 1: they loved you before you met e J. So you

1395
01:03:39,520 --> 01:03:41,720
Speaker 1: guys have going for you? Go ahead?

1396
01:03:41,920 --> 01:03:43,480
Speaker 5: Oh what's your Why do you like me so much?

1397
01:03:43,520 --> 01:03:44,600
Speaker 5: I was just curious, what do you.

1398
01:03:47,240 --> 01:03:51,000
Speaker 1: Because she's the best one.

1399
01:03:51,160 --> 01:03:56,240
Speaker 5: Yeah, that's like the best answer, I mean, the best

1400
01:03:56,360 --> 01:03:57,280
Speaker 5: one to the point.

1401
01:03:57,360 --> 01:03:58,400
Speaker 1: Okay, go sit down, get out of it.

1402
01:04:00,080 --> 01:04:01,880
Speaker 5: She's so cute. Cute.

1403
01:04:02,920 --> 01:04:06,040
Speaker 1: Gosh, when I was a kid, I was never that cute.

1404
01:04:07,840 --> 01:04:10,760
Speaker 1: So I'm going to play you're saying, how you're laughing,

1405
01:04:11,600 --> 01:04:12,520
Speaker 1: don't laugh at failure.

1406
01:04:14,360 --> 01:04:15,680
Speaker 4: All he ever wanted to be was a nine year

1407
01:04:15,680 --> 01:04:16,000
Speaker 4: old girl.

1408
01:04:16,040 --> 01:04:16,320
Speaker 1: That's all.

1409
01:04:18,000 --> 01:04:19,320
Speaker 5: What do you mean, you're so factful?

1410
01:04:20,440 --> 01:04:23,720
Speaker 1: The universe dashed by hope. I want to play your song,

1411
01:04:25,000 --> 01:04:29,080
Speaker 1: and well, you're welcome. And she's more than roomy the

1412
01:04:29,160 --> 01:04:33,720
Speaker 1: voice of Roomy, she's J. She's the voice of J.

1413
01:04:35,160 --> 01:04:38,520
Speaker 1: So talk about this song we're about to play, all right.

1414
01:04:39,320 --> 01:04:44,840
Speaker 5: In another world is a song in another world? And yeah,

1415
01:04:44,920 --> 01:04:47,880
Speaker 5: so in another world it's basically I wrote this song

1416
01:04:47,880 --> 01:04:51,240
Speaker 5: like two years ago at a song camp and the

1417
01:04:51,480 --> 01:04:55,240
Speaker 5: song cam camp, Oh, like it's like a songwriting like week,

1418
01:04:55,520 --> 01:04:59,440
Speaker 5: so you like are with different producers and writers for

1419
01:04:59,520 --> 01:05:02,440
Speaker 5: each day and like, yeah, you just write songs for

1420
01:05:03,080 --> 01:05:05,000
Speaker 5: a purpose. For that one, it was like for sync

1421
01:05:05,240 --> 01:05:08,400
Speaker 5: or for like a movie or something. And it was

1422
01:05:08,440 --> 01:05:10,960
Speaker 5: in Canada and I wrote it with my co writers

1423
01:05:11,360 --> 01:05:18,160
Speaker 5: Teddy and Brie. And essentially, like during that time, my

1424
01:05:18,240 --> 01:05:22,080
Speaker 5: fiance and I had a really healthy break. It was intentional.

1425
01:05:22,200 --> 01:05:23,040
Speaker 1: We were really good, but.

1426
01:05:23,120 --> 01:05:27,640
Speaker 5: We wanted to break so much.

1427
01:05:28,840 --> 01:05:31,000
Speaker 1: Yeah, but like it's always.

1428
01:05:32,440 --> 01:05:35,600
Speaker 5: It's always right, yeah, but like you know, during this time,

1429
01:05:36,160 --> 01:05:39,560
Speaker 5: you know, we were thinking about like you know, I

1430
01:05:39,680 --> 01:05:44,040
Speaker 5: needed some like essentially space to reassess. And it was

1431
01:05:44,160 --> 01:05:46,480
Speaker 5: like if we were to part ways, like what's a

1432
01:05:46,520 --> 01:05:49,040
Speaker 5: way to cope with that? And for me, it was

1433
01:05:49,920 --> 01:05:52,600
Speaker 5: you know, just knowing that maybe just like in this

1434
01:05:52,840 --> 01:05:56,200
Speaker 5: lifetime it was just not meant for us. You know,

1435
01:05:56,440 --> 01:05:59,120
Speaker 5: the trauma and the you know, baggage that we had

1436
01:05:59,200 --> 01:06:01,280
Speaker 5: kind of causers that meant so it's not you or

1437
01:06:01,400 --> 01:06:03,920
Speaker 5: me that's the issue. Is just in this life we

1438
01:06:04,040 --> 01:06:07,160
Speaker 5: had it. So it's like accepting that and the whole

1439
01:06:07,240 --> 01:06:10,920
Speaker 5: idea of like infinite reality is kind of took awful

1440
01:06:10,920 --> 01:06:12,200
Speaker 5: lot of the weight off the pressure.

1441
01:06:12,720 --> 01:06:15,520
Speaker 1: This is a deep song. Yeah, it's deep. I'm not

1442
01:06:15,600 --> 01:06:18,200
Speaker 1: gonna play it. It really is too much for me

1443
01:06:18,240 --> 01:06:18,760
Speaker 1: to comprehend.

1444
01:06:18,760 --> 01:06:20,160
Speaker 4: It's like a fantasy breakup song.

1445
01:06:20,240 --> 01:06:23,120
Speaker 5: But it it's not just like relationships like romantic. It

1446
01:06:23,160 --> 01:06:25,480
Speaker 5: also is like relationship with me and myself as a kid,

1447
01:06:25,600 --> 01:06:27,400
Speaker 5: my dream to become a singer, Like I had to

1448
01:06:27,480 --> 01:06:29,680
Speaker 5: let that go, and the way of like hoping what

1449
01:06:29,800 --> 01:06:31,840
Speaker 5: that was just like accepting the fact that like in

1450
01:06:31,960 --> 01:06:34,320
Speaker 5: this lifetime you know, it's just not meant for it,

1451
01:06:34,480 --> 01:06:35,960
Speaker 5: but you know it's okay. I bet, I bet in

1452
01:06:36,000 --> 01:06:39,920
Speaker 5: another lifetime, like I'm probably killing it. It's okay, vital.

1453
01:06:41,640 --> 01:06:43,480
Speaker 4: You are a singer like I want it or not,

1454
01:06:43,600 --> 01:06:44,080
Speaker 4: it's happening.

1455
01:06:44,160 --> 01:06:46,160
Speaker 5: Yeah, it's kind of weird that in my lifetime right now,

1456
01:06:46,160 --> 01:06:49,640
Speaker 5: it's kind of like two lifetimes happening at once. It's crazy.

1457
01:06:49,800 --> 01:06:53,439
Speaker 1: I'm not using his name even though I know his name.

1458
01:06:53,840 --> 01:06:56,160
Speaker 1: What does he think of this song? Come on? What

1459
01:06:56,240 --> 01:06:57,160
Speaker 1: do you think of this song?

1460
01:06:57,680 --> 01:06:57,880
Speaker 5: Sam?

1461
01:06:58,240 --> 01:07:00,760
Speaker 1: Okay? Sam? I don't know if you want to beautiful?

1462
01:07:01,000 --> 01:07:03,720
Speaker 19: Yeah, I mean it makes me cry, like I mean

1463
01:07:03,840 --> 01:07:07,200
Speaker 19: watching her, like the music video definitely made me cry

1464
01:07:07,480 --> 01:07:08,080
Speaker 19: like instant.

1465
01:07:08,320 --> 01:07:09,120
Speaker 5: He doesn't cry.

1466
01:07:09,480 --> 01:07:09,880
Speaker 1: Yeah, I'm not.

1467
01:07:09,920 --> 01:07:12,280
Speaker 19: I'm not much of a crier, but like I couldn't

1468
01:07:12,320 --> 01:07:15,320
Speaker 19: hold back just watching those little clips of you, like

1469
01:07:15,520 --> 01:07:17,080
Speaker 19: as a kid, like on the piano.

1470
01:07:17,160 --> 01:07:19,240
Speaker 1: Oh my god, you guys should break you should break

1471
01:07:19,320 --> 01:07:23,920
Speaker 1: up more. Yeah, A lot of came up with a

1472
01:07:23,960 --> 01:07:29,080
Speaker 1: really good career of her songs were you know, based

1473
01:07:29,160 --> 01:07:30,120
Speaker 1: on our relationship.

1474
01:07:31,080 --> 01:07:34,000
Speaker 5: Okay with it. My first hit song is called Psycho.

1475
01:07:39,080 --> 01:07:44,800
Speaker 1: I mean, in my perspective, I'm gonna play in another world.

1476
01:07:45,960 --> 01:07:49,640
Speaker 1: I mean, they broke up, temporarily break. They had a break,

1477
01:07:50,280 --> 01:07:52,880
Speaker 1: a good break, and then the song came out of that.

1478
01:07:54,360 --> 01:07:56,600
Speaker 1: Let's see what we think about it about this, this

1479
01:07:56,760 --> 01:08:05,360
Speaker 1: is e J in another world? Wow? Wow Wow, I

1480
01:08:05,480 --> 01:08:07,840
Speaker 1: mean wow beautiful? Is wow a good word?

1481
01:08:08,280 --> 01:08:08,480
Speaker 5: Wow?

1482
01:08:09,800 --> 01:08:12,080
Speaker 1: That was beautiful And I gotta, I gotta, I gotta

1483
01:08:12,160 --> 01:08:14,640
Speaker 1: have to share with everyone listening to us right now

1484
01:08:15,800 --> 01:08:19,920
Speaker 1: watching an artist listen to their song on the radio

1485
01:08:20,000 --> 01:08:25,000
Speaker 1: for the first time. Nothing better. I mean, Chicken parm

1486
01:08:25,040 --> 01:08:27,200
Speaker 1: is number one, and.

1487
01:08:27,320 --> 01:08:29,839
Speaker 3: Even Sam was excited. Did you cry.

1488
01:08:32,520 --> 01:08:37,640
Speaker 1: Like eyes right now? Psycho? Sam's crying. I do have

1489
01:08:37,800 --> 01:08:44,360
Speaker 1: feelings sometimes and the text coming through everyone loves it.

1490
01:08:44,520 --> 01:08:48,400
Speaker 1: Oh my gosh, look at that. Congratulations, Thank you so much.

1491
01:08:49,520 --> 01:08:53,800
Speaker 3: One more question ask Ameleon questions top Demon Hunters too.

1492
01:08:54,600 --> 01:08:59,479
Speaker 5: Mmmm, I would love that too, Okay, I mean probably,

1493
01:09:00,160 --> 01:09:05,679
Speaker 5: let's like be real. Yeah, yeah, that's the dream.

1494
01:09:05,840 --> 01:09:06,040
Speaker 3: Yeah.

1495
01:09:07,160 --> 01:09:10,240
Speaker 4: Is Golden your favorite song from the soundtrack? Yes, it's

1496
01:09:10,320 --> 01:09:11,160
Speaker 4: the one very much so.

1497
01:09:11,400 --> 01:09:14,360
Speaker 5: When I when we wrote that, it's just like when

1498
01:09:14,400 --> 01:09:16,680
Speaker 5: we wrote it it was a last song. It's just

1499
01:09:16,760 --> 01:09:19,479
Speaker 5: everything just like came together so easily for that song,

1500
01:09:19,600 --> 01:09:21,639
Speaker 5: and the moment the melody came out, I was like, wow,

1501
01:09:21,880 --> 01:09:25,000
Speaker 5: like this is pretty awesome. Yeah, it was just like

1502
01:09:25,479 --> 01:09:27,800
Speaker 5: it just felt really good. And as a songwriter, we

1503
01:09:27,880 --> 01:09:29,599
Speaker 5: have those moments and that was that. And I love

1504
01:09:29,680 --> 01:09:34,880
Speaker 5: that your mic is golden. Was that intentional? It's great,

1505
01:09:34,920 --> 01:09:37,559
Speaker 5: It's like the shiniest gold one.

1506
01:09:39,280 --> 01:09:39,479
Speaker 9: Great.

1507
01:09:39,760 --> 01:09:43,680
Speaker 1: I'm a little mad, but hey, I know you are

1508
01:09:43,760 --> 01:09:47,400
Speaker 1: definitely leaning, uh towards the songwriting thing, but your voice

1509
01:09:47,479 --> 01:09:49,519
Speaker 1: is just can't you do both? Why are you gonna

1510
01:09:49,560 --> 01:09:53,400
Speaker 1: be so stingy like that? Can you both? I'll try

1511
01:09:53,479 --> 01:09:54,040
Speaker 1: to come on.

1512
01:09:56,080 --> 01:09:58,640
Speaker 5: Singing is like I love singing and I love like

1513
01:09:58,760 --> 01:10:01,720
Speaker 5: recording as a record artists, I definitely like figured that

1514
01:10:01,840 --> 01:10:05,000
Speaker 5: part out, but like performing is a whole different beast.

1515
01:10:05,160 --> 01:10:07,160
Speaker 5: It's a very different muscle and I'm trying to like

1516
01:10:07,240 --> 01:10:08,000
Speaker 5: work on that part.

1517
01:10:08,560 --> 01:10:10,720
Speaker 8: Is there an artist that you that would make you

1518
01:10:10,840 --> 01:10:12,679
Speaker 8: kind of come out of that stage fright to perform

1519
01:10:12,760 --> 01:10:14,360
Speaker 8: with them because you love this person so much?

1520
01:10:15,360 --> 01:10:16,600
Speaker 5: Julia Michaels.

1521
01:10:18,560 --> 01:10:19,120
Speaker 4: Make that happen.

1522
01:10:19,160 --> 01:10:20,600
Speaker 5: I think you told me your story and I'm like,

1523
01:10:20,640 --> 01:10:23,679
Speaker 5: oh wait, she kind of sounds like what I was going.

1524
01:10:23,520 --> 01:10:26,760
Speaker 1: Through exactly, and then she's she's maneuvering it.

1525
01:10:27,040 --> 01:10:29,639
Speaker 5: Yeah, I love them a different She's such I respect

1526
01:10:29,640 --> 01:10:31,920
Speaker 5: her so much and I like learned she's in inspiration.

1527
01:10:32,200 --> 01:10:34,320
Speaker 3: Didn't Bad Bunny dude the song on s n L

1528
01:10:34,479 --> 01:10:34,960
Speaker 3: the other night?

1529
01:10:35,040 --> 01:10:35,680
Speaker 4: How cool was that?

1530
01:10:35,880 --> 01:10:36,920
Speaker 20: It was so fun?

1531
01:10:37,400 --> 01:10:40,080
Speaker 5: Always says Cans every time. It was amazing.

1532
01:10:41,160 --> 01:10:43,040
Speaker 1: If it doesn't work out with Sam Bad Bunny, I

1533
01:10:43,040 --> 01:10:55,200
Speaker 1: see you, guys. We just played of Course's song in

1534
01:10:55,280 --> 01:10:57,600
Speaker 1: another world. This text is what an amazing song you

1535
01:10:57,720 --> 01:11:01,479
Speaker 1: just played by It's perfect for what I'm going through

1536
01:11:01,600 --> 01:11:03,920
Speaker 1: right now in my marriage with the space between us.

1537
01:11:04,000 --> 01:11:07,479
Speaker 1: I'm in tears. Another text I work in in elementary school,

1538
01:11:07,479 --> 01:11:09,599
Speaker 1: and I can tell you Roomy is winning Halloween.

1539
01:11:10,520 --> 01:11:12,320
Speaker 4: It's just going to pick the most expensive restaurant.

1540
01:11:12,360 --> 01:11:14,160
Speaker 5: We just oh yeah, yeah, let's do that.

1541
01:11:14,320 --> 01:11:17,120
Speaker 1: Thank you for Thank you for waking up early and

1542
01:11:17,280 --> 01:11:19,200
Speaker 1: coming in in the middle of the night to see us.

1543
01:11:19,240 --> 01:11:22,080
Speaker 1: I appreciate it. Thank you for having me all the

1544
01:11:22,080 --> 01:11:29,160
Speaker 1: way from Brooklyn. You must be just so hard, just tired.

1545
01:11:29,960 --> 01:11:31,200
Speaker 1: So what's the rest of your day. You're going to

1546
01:11:31,240 --> 01:11:32,120
Speaker 1: go home and go back to bed.

1547
01:11:32,479 --> 01:11:35,759
Speaker 5: I'm going to go see the billboard in Times Square.

1548
01:11:35,800 --> 01:11:40,640
Speaker 1: You have a billboard Times Square that you post it?

1549
01:11:40,720 --> 01:11:43,960
Speaker 1: Can we see you? You have to do that's are

1550
01:11:44,000 --> 01:11:50,040
Speaker 1: you gonna pull people over. Hey, that's me. I'm like,

1551
01:11:52,200 --> 01:11:57,120
Speaker 1: you go get dirty, Almo, you know, give me.

1552
01:11:58,880 --> 01:12:00,599
Speaker 4: Well, what a morning for you to hear your song

1553
01:12:00,640 --> 01:12:01,960
Speaker 4: on the radio for the first time, and now you're

1554
01:12:01,960 --> 01:12:03,400
Speaker 4: gonna go see your billboard in Times Square.

1555
01:12:03,520 --> 01:12:04,320
Speaker 5: Best morning efter.

1556
01:12:04,920 --> 01:12:09,000
Speaker 1: Thank you guys, Good for you. Congratulations on everything that's

1557
01:12:09,000 --> 01:12:12,479
Speaker 1: happening and everything that is going to happen, because that's

1558
01:12:12,840 --> 01:12:13,960
Speaker 1: that's going to be really exciting.

1559
01:12:14,120 --> 01:12:15,120
Speaker 5: I appreciate you.

1560
01:12:15,240 --> 01:12:18,559
Speaker 1: Better not screw this up, saying I'm trying.

1561
01:12:19,520 --> 01:12:20,479
Speaker 3: We know where you live.

1562
01:12:23,600 --> 01:12:24,679
Speaker 1: You have to be the villain.

1563
01:12:25,240 --> 01:12:27,000
Speaker 4: Sam's never going to approach another radio.

1564
01:12:29,000 --> 01:12:32,160
Speaker 1: Saying it was great heavy you here too. The new single.

1565
01:12:33,680 --> 01:12:37,160
Speaker 1: The new single is in Another World. I asked about

1566
01:12:37,200 --> 01:12:40,560
Speaker 1: the album, not getting an answer. But if you're a

1567
01:12:40,640 --> 01:12:43,600
Speaker 1: songwriter like you are, I'm sure you'll write yourself a

1568
01:12:43,640 --> 01:12:46,200
Speaker 1: couple of little songs. Definitely, EJ. Thanks for coming.

1569
01:12:48,240 --> 01:12:49,760
Speaker 3: I ever wondered what we look like.

1570
01:12:50,400 --> 01:12:51,679
Speaker 1: Do you think I look in bred?

1571
01:12:51,920 --> 01:12:55,519
Speaker 2: I do follow us on Instagram at Elvis Duran Show

1572
01:12:55,920 --> 01:12:57,719
Speaker 2: Elvis Duran in the Morning Show.

1573
01:13:03,960 --> 01:13:06,880
Speaker 1: Straightening. But you're a murderer. I'm not a murderer. Not

1574
01:13:06,960 --> 01:13:13,840
Speaker 1: a murderer, car none of us. Have ever met one

1575
01:13:13,920 --> 01:13:16,599
Speaker 1: of these girls that you've dated. That's by design.

1576
01:13:22,600 --> 01:13:26,280
Speaker 2: Happy Halloween from Elvis Duran and the Morning Show.

1577
01:13:26,439 --> 01:13:29,680
Speaker 1: You know, this industry we've decided to be a part of.

1578
01:13:30,600 --> 01:13:33,040
Speaker 1: Its very interesting. When it comes to artists that roll

1579
01:13:33,120 --> 01:13:37,040
Speaker 1: through here, we meet them when they're just starting. Yeah,

1580
01:13:38,200 --> 01:13:41,080
Speaker 1: and you know, we meet some great, wonderful people and

1581
01:13:41,160 --> 01:13:44,320
Speaker 1: you just hope and pray that you know, everything works

1582
01:13:44,800 --> 01:13:48,200
Speaker 1: in their their way, I mean for them. And you know,

1583
01:13:48,360 --> 01:13:51,559
Speaker 1: e J was great. I want nothing but great, wonderful things.

1584
01:13:51,400 --> 01:13:52,280
Speaker 3: For her, so sweet.

1585
01:13:52,479 --> 01:13:53,519
Speaker 4: I want to be her friend.

1586
01:13:53,840 --> 01:13:55,040
Speaker 3: Yeah, me too.

1587
01:13:55,760 --> 01:13:58,840
Speaker 8: I feel like that's that's my ultimate compliment to someone

1588
01:13:59,160 --> 01:14:01,000
Speaker 8: like I want. I think they're so awesome that I

1589
01:14:01,040 --> 01:14:02,280
Speaker 8: think they'd be cool in real life.

1590
01:14:02,600 --> 01:14:05,840
Speaker 1: But on the other hand, and I'm not speaking of

1591
01:14:05,920 --> 01:14:09,479
Speaker 1: her because I think she's in, she's done, she's in,

1592
01:14:09,680 --> 01:14:12,799
Speaker 1: she's gonna do very well. We meet some incredibly talented

1593
01:14:12,880 --> 01:14:19,240
Speaker 1: people and then they disappeared, and it's not usually because

1594
01:14:19,280 --> 01:14:22,440
Speaker 1: of them, it's because of bad management or bad decisions

1595
01:14:22,640 --> 01:14:26,519
Speaker 1: or whatever. I'll tell you about an artist that used

1596
01:14:26,520 --> 01:14:30,920
Speaker 1: to come here all the time, and she's just a delightful,

1597
01:14:31,360 --> 01:14:36,040
Speaker 1: delightful young lady, very talented. We had her on our

1598
01:14:36,120 --> 01:14:43,479
Speaker 1: show maybe a dozen times, and she just couldn't take off.

1599
01:14:44,200 --> 01:14:48,720
Speaker 1: Her music just never really hit. For whatever reason. We

1600
01:14:48,960 --> 01:14:52,439
Speaker 1: loved all of her music, and then one day she

1601
01:14:52,560 --> 01:14:59,760
Speaker 1: became a superstar. Sabrina Carpenter. Sabrina Carpenter, She's not an

1602
01:14:59,800 --> 01:15:03,840
Speaker 1: over night success at all. She has been busting her

1603
01:15:03,960 --> 01:15:07,200
Speaker 1: ass for years and then here it is and she.

1604
01:15:07,280 --> 01:15:09,360
Speaker 3: Was on Boy Meets World and everything, and that's when

1605
01:15:09,360 --> 01:15:10,880
Speaker 3: I first saw her, and I was like, Wow, this

1606
01:15:11,000 --> 01:15:13,320
Speaker 3: girl's so talented. And then she started visiting us.

1607
01:15:13,400 --> 01:15:14,040
Speaker 5: It was so cool.

1608
01:15:14,160 --> 01:15:16,280
Speaker 8: I remember her walking out of our studio a couple

1609
01:15:16,320 --> 01:15:19,120
Speaker 8: of times and us being like, when is this going

1610
01:15:19,200 --> 01:15:21,160
Speaker 8: to happen? Like one's it going to blow up? Because

1611
01:15:21,240 --> 01:15:23,160
Speaker 8: that's what everybody was kind of waiting for. And then boom,

1612
01:15:23,720 --> 01:15:24,240
Speaker 8: it's wild.

1613
01:15:24,760 --> 01:15:26,599
Speaker 1: It is wild. I mean it was. It was years,

1614
01:15:27,920 --> 01:15:30,880
Speaker 1: just the best and so all of the success we

1615
01:15:31,000 --> 01:15:35,120
Speaker 1: witnessed Sabrina Carpenter enjoying. She worked for it.

1616
01:15:35,840 --> 01:15:36,720
Speaker 9: She is.

1617
01:15:38,240 --> 01:15:42,000
Speaker 1: Getting the payoff now. Good for her. I just I love.

1618
01:15:42,080 --> 01:15:43,600
Speaker 1: That's just one of the many stories that we have.

1619
01:15:44,479 --> 01:15:50,559
Speaker 1: And we've met some artists that were total idiots, were mean, vicious,

1620
01:15:50,920 --> 01:15:53,280
Speaker 1: and I don't see them anymore, okay, Bike.

1621
01:15:53,240 --> 01:15:55,600
Speaker 3: And I always say that I feel like we're the

1622
01:15:55,680 --> 01:15:58,840
Speaker 3: type of show where when you're up and coming and

1623
01:15:58,920 --> 01:16:01,439
Speaker 3: you're nice, we're gonna want you to come in and

1624
01:16:01,520 --> 01:16:04,000
Speaker 3: talk to us and whatever. And if maybe you don't

1625
01:16:04,040 --> 01:16:05,840
Speaker 3: make it, or you make it and then you come

1626
01:16:05,880 --> 01:16:08,080
Speaker 3: back down, we're gonna still have a place for you

1627
01:16:08,240 --> 01:16:10,240
Speaker 3: here as long as you're always a kind person.

1628
01:16:10,320 --> 01:16:13,840
Speaker 1: Absolutely, And that's just how we work, which I love it. Yeah, Yeah,

1629
01:16:13,880 --> 01:16:14,759
Speaker 1: we have our mainstays.

1630
01:16:14,840 --> 01:16:15,000
Speaker 10: Yeah.

1631
01:16:15,320 --> 01:16:21,000
Speaker 1: Anyway, anyway, so EJ was a wonderful, wonderful moment or

1632
01:16:21,040 --> 01:16:23,720
Speaker 1: two we had with her. He's awesome. So let's go

1633
01:16:23,760 --> 01:16:27,559
Speaker 1: around the room. I'm gonna start with Straight Nate. Straight Nate, producer,

1634
01:16:27,680 --> 01:16:31,200
Speaker 1: Senior executive producer of The Illustrated Water Show. He's always

1635
01:16:31,240 --> 01:16:34,680
Speaker 1: the one who's prepared. He has nothing to say on

1636
01:16:34,840 --> 01:16:37,240
Speaker 1: his around the room. I was a bit busy dealing

1637
01:16:37,240 --> 01:16:38,600
Speaker 1: with something else, but I do remember what I was

1638
01:16:38,640 --> 01:16:42,760
Speaker 1: gonna say. I love the fact that you brought it up.

1639
01:16:43,200 --> 01:16:46,200
Speaker 1: She became famous. EJ became famous in her thirties. This

1640
01:16:46,360 --> 01:16:47,880
Speaker 1: is a theory I have right.

1641
01:16:48,560 --> 01:16:50,680
Speaker 11: My theory for my around the room is, if you

1642
01:16:50,840 --> 01:16:54,640
Speaker 11: become famous at an age, especially a young age, you

1643
01:16:54,880 --> 01:16:58,000
Speaker 11: never grow out of that age. So if you're seven

1644
01:16:58,280 --> 01:17:00,720
Speaker 11: and you become famous, you will be a perpetual seven

1645
01:17:00,800 --> 01:17:01,120
Speaker 11: year old.

1646
01:17:01,160 --> 01:17:03,559
Speaker 1: This is my theory. It's kind of a scary theory,

1647
01:17:03,600 --> 01:17:04,280
Speaker 1: to be honest with you.

1648
01:17:04,400 --> 01:17:05,120
Speaker 4: We'll have that theory.

1649
01:17:05,200 --> 01:17:08,640
Speaker 11: Yeah, if you become famous at twelve, you're gonna be

1650
01:17:08,680 --> 01:17:10,240
Speaker 11: a twelve year old for the rest of your life

1651
01:17:10,240 --> 01:17:12,320
Speaker 11: because that's how people are treating you when you become famous,

1652
01:17:12,360 --> 01:17:15,080
Speaker 11: and that's how you associate in a box exactly.

1653
01:17:15,680 --> 01:17:20,599
Speaker 1: So my advice, don't become famous until you're thirty, mid thirty, thirty,

1654
01:17:20,720 --> 01:17:22,719
Speaker 1: mid thirties, or better yet, sixty.

1655
01:17:23,200 --> 01:17:25,559
Speaker 11: Become famous at sixty you'll be the most normal famous

1656
01:17:25,640 --> 01:17:27,080
Speaker 11: person in the universe.

1657
01:17:27,160 --> 01:17:29,880
Speaker 1: I'm in there, you go. I'm gonna Elvis Durant. It's

1658
01:17:29,920 --> 01:17:36,120
Speaker 1: my time to become famous. Age back off, everyone, fame, fame,

1659
01:17:36,560 --> 01:17:40,280
Speaker 1: I'm gonna live for all right, Froggy. What's on your

1660
01:17:40,320 --> 01:17:42,559
Speaker 1: mind today, Froggy.

1661
01:17:42,720 --> 01:17:46,040
Speaker 12: So, having Danielle and Lisa together is definitely going to

1662
01:17:46,120 --> 01:17:47,080
Speaker 12: be a treat this weekend.

1663
01:17:47,120 --> 01:17:50,040
Speaker 1: Till you can I just say, do you bitch and

1664
01:17:50,120 --> 01:17:54,880
Speaker 1: moan about Danielle and your wife Lisa together? Every single week.

1665
01:17:55,000 --> 01:17:56,600
Speaker 3: This is my around the room. Don't steal it.

1666
01:17:56,800 --> 01:17:59,360
Speaker 13: You go ahead, because every time they get together they

1667
01:17:59,400 --> 01:18:01,200
Speaker 13: have to do something dumb, and so they're going to

1668
01:18:01,280 --> 01:18:04,400
Speaker 13: do something stupid this weekend. And last night I got

1669
01:18:04,560 --> 01:18:07,599
Speaker 13: tasked with having to go buy stuff for their whatever

1670
01:18:07,680 --> 01:18:08,479
Speaker 13: this is they're doing.

1671
01:18:08,560 --> 01:18:09,599
Speaker 12: So Danielle go ahead.

1672
01:18:09,600 --> 01:18:11,840
Speaker 3: Then okay, so now this is my around the room. Okay,

1673
01:18:11,880 --> 01:18:14,320
Speaker 3: So if Froggy wants to kill Lisa and I, because

1674
01:18:14,760 --> 01:18:17,200
Speaker 3: Lisa has this idea of this ghost thing that we're

1675
01:18:17,240 --> 01:18:19,320
Speaker 3: going to dress up as and do all this, you know,

1676
01:18:19,560 --> 01:18:21,720
Speaker 3: like make a little video whatever. She saw it on

1677
01:18:21,840 --> 01:18:26,440
Speaker 3: social So poor Froggy last night was running around buying sheets, sunglasses.

1678
01:18:26,680 --> 01:18:28,960
Speaker 3: He's getting ready for his party and doing enough for

1679
01:18:29,080 --> 01:18:31,160
Speaker 3: his party, and she has him running all over the

1680
01:18:31,240 --> 01:18:34,880
Speaker 3: place and he wants to kill us. So yeah, sorry Froggy.

1681
01:18:35,320 --> 01:18:39,759
Speaker 1: So last night I got I don't blame you, Froggy.

1682
01:18:40,439 --> 01:18:42,720
Speaker 1: Lisa's like, do you think this is dumb? I said,

1683
01:18:42,920 --> 01:18:43,920
Speaker 1: Does it make you happy?

1684
01:18:44,080 --> 01:18:46,280
Speaker 12: She said yes, I said, And it's not dumb.

1685
01:18:47,640 --> 01:18:51,280
Speaker 1: That it is a lot of us. A lot of

1686
01:18:51,400 --> 01:18:55,200
Speaker 1: us are flying down to Jacksonville to celebrate Froggy's birthday,

1687
01:18:55,400 --> 01:18:56,680
Speaker 1: and I can't wait to see you. Give you a

1688
01:18:56,720 --> 01:18:59,200
Speaker 1: big old home, wait to see you. Hey, producer Sam,

1689
01:18:59,280 --> 01:18:59,920
Speaker 1: what's up with you to.

1690
01:19:00,280 --> 01:19:02,040
Speaker 15: So there's a lot of reasons I get to mush

1691
01:19:02,120 --> 01:19:05,120
Speaker 15: about my husband William, but I want us all to

1692
01:19:05,200 --> 01:19:07,240
Speaker 15: be a little bit more like William, especially right now

1693
01:19:07,320 --> 01:19:10,240
Speaker 15: when traveling. We were flying about a week ago and

1694
01:19:10,320 --> 01:19:12,960
Speaker 15: while we were going through security, he got the attention

1695
01:19:13,080 --> 01:19:15,360
Speaker 15: of several of the TSA agents with the shutdown that's

1696
01:19:15,400 --> 01:19:17,640
Speaker 15: currently happening and everything, and said, I just want to

1697
01:19:17,680 --> 01:19:19,760
Speaker 15: let you guys know that I really appreciate you being here.

1698
01:19:19,800 --> 01:19:21,680
Speaker 4: I know it's not easy. Thank you so much. And

1699
01:19:21,880 --> 01:19:25,200
Speaker 4: watching all of their faces change was just so nice.

1700
01:19:25,360 --> 01:19:26,559
Speaker 4: It was so sweet.

1701
01:19:26,600 --> 01:19:28,479
Speaker 15: And I could tell they don't they're not hearing it

1702
01:19:28,680 --> 01:19:30,400
Speaker 15: right now. They're having a tough day at work and

1703
01:19:30,439 --> 01:19:33,000
Speaker 15: they're going through what they're going through. Son's paycheck.

1704
01:19:33,080 --> 01:19:33,679
Speaker 3: It just sucks.

1705
01:19:33,720 --> 01:19:36,160
Speaker 15: So please be like William if you're traveling and maybe

1706
01:19:36,400 --> 01:19:38,720
Speaker 15: you know, wish a very sincere give him a very

1707
01:19:38,720 --> 01:19:40,800
Speaker 15: sincere wish of appreciation when you're passing them.

1708
01:19:40,840 --> 01:19:41,439
Speaker 3: It was so nice.

1709
01:19:41,600 --> 01:19:43,920
Speaker 1: It was a pretty sweet of you. We all need

1710
01:19:44,000 --> 01:19:45,840
Speaker 1: to be more like William. I may actually do a

1711
01:19:45,880 --> 01:19:49,679
Speaker 1: sit up today, you scary.

1712
01:19:50,080 --> 01:19:52,760
Speaker 21: So we did go see Mja the musical yesterday and

1713
01:19:52,920 --> 01:19:55,479
Speaker 21: it was an amazing time. And we dressed in all

1714
01:19:55,760 --> 01:19:59,000
Speaker 21: the makeup for thriller, at least I did, and Gandhi

1715
01:19:59,040 --> 01:20:01,320
Speaker 21: and some of us those claw marks on my cheek

1716
01:20:01,439 --> 01:20:03,759
Speaker 21: and as Gandhi and I were walking through Times Square

1717
01:20:04,040 --> 01:20:06,960
Speaker 21: and we were saying, nobody's afraid of us, I was thinking, like,

1718
01:20:07,560 --> 01:20:09,439
Speaker 21: my god, if I could put this kind of makeup

1719
01:20:09,520 --> 01:20:13,040
Speaker 21: on every day, I would feel strength, I would feel power,

1720
01:20:13,120 --> 01:20:14,800
Speaker 21: and I would be fearless no matter where I went

1721
01:20:15,080 --> 01:20:19,360
Speaker 21: because the crazy looks as Gandhi was indicating earlier that we.

1722
01:20:19,520 --> 01:20:22,360
Speaker 1: Got people didn't want anything to do with us.

1723
01:20:22,680 --> 01:20:25,280
Speaker 21: So I felt so sure walking through Times Square, and

1724
01:20:25,640 --> 01:20:27,760
Speaker 21: I should wear that makeup more often wherever I go.

1725
01:20:27,920 --> 01:20:30,320
Speaker 1: I feel like people would fear me. I've always wanted

1726
01:20:30,360 --> 01:20:30,800
Speaker 1: to have that.

1727
01:20:31,080 --> 01:20:35,120
Speaker 4: That moment I thought they were concerned for me. No,

1728
01:20:35,280 --> 01:20:36,880
Speaker 4: I hope this woman is okay. He has a scratch

1729
01:20:36,880 --> 01:20:37,599
Speaker 4: across I love.

1730
01:20:37,760 --> 01:20:41,040
Speaker 1: The difference of opinion is rolling here. You're like, people

1731
01:20:41,080 --> 01:20:44,479
Speaker 1: are concerned for me. Scary wants to be feared scared

1732
01:20:44,520 --> 01:20:47,120
Speaker 1: walking through that place, so I was like, I want

1733
01:20:47,200 --> 01:20:54,719
Speaker 1: to be feared scared. All right, all right, you are scary? Hey, gandhi,

1734
01:20:54,760 --> 01:20:55,120
Speaker 1: what's up?

1735
01:20:55,280 --> 01:20:55,599
Speaker 6: All right?

1736
01:20:55,680 --> 01:20:58,599
Speaker 8: I recently write a theory from a guy named Simon Sinek,

1737
01:20:58,800 --> 01:21:02,080
Speaker 8: and he said that it takes eight minutes of interaction

1738
01:21:02,200 --> 01:21:04,599
Speaker 8: with somebody that you really care about to change your

1739
01:21:04,760 --> 01:21:07,240
Speaker 8: mood completely, to take it from a bad place to

1740
01:21:07,360 --> 01:21:09,200
Speaker 8: a good place. And I think any one of us

1741
01:21:09,240 --> 01:21:11,160
Speaker 8: in a day has eight minutes to spare. So whether

1742
01:21:11,200 --> 01:21:13,240
Speaker 8: you're the person that needs your mood to change, or

1743
01:21:13,320 --> 01:21:15,200
Speaker 8: you're the person that somebody's calling because they're in a

1744
01:21:15,240 --> 01:21:17,519
Speaker 8: bad place, you have eight minutes and that's all it takes.

1745
01:21:17,840 --> 01:21:20,040
Speaker 8: So if you're ever kind of struggling and you need

1746
01:21:20,280 --> 01:21:22,320
Speaker 8: a person to talk to, you always just ask, hey,

1747
01:21:22,360 --> 01:21:23,160
Speaker 8: do you have eight minutes?

1748
01:21:23,320 --> 01:21:25,000
Speaker 4: And that's it and you'll have a better day.

1749
01:21:25,120 --> 01:21:25,800
Speaker 3: Nice deal with it.

1750
01:21:25,880 --> 01:21:28,160
Speaker 1: Okay, Yeah, I would try that this weekend.

1751
01:21:28,200 --> 01:21:29,560
Speaker 4: If I send you a text that says, do you

1752
01:21:29,600 --> 01:21:31,680
Speaker 4: have eight minutes? Please know there's something weighing on me.

1753
01:21:32,479 --> 01:21:35,120
Speaker 1: Okay, oh okay, yeah, that's our signal.

1754
01:21:35,200 --> 01:21:36,839
Speaker 3: That would be the signal, that's the bad signal.

1755
01:21:37,120 --> 01:21:38,680
Speaker 1: And there you go. That's you're around the road.

1756
01:21:39,600 --> 01:21:41,200
Speaker 3: Elvis Duran clap.

1757
01:21:41,280 --> 01:21:48,000
Speaker 1: If you think she should tougher. Elis Dan, I've got

1758
01:21:48,040 --> 01:21:48,599
Speaker 1: some big news.

1759
01:21:48,800 --> 01:21:51,200
Speaker 11: The best five G network wants you to bring in

1760
01:21:51,280 --> 01:21:53,240
Speaker 11: your AT and T or T mobile bill and they'll

1761
01:21:53,280 --> 01:21:56,799
Speaker 11: give you a better deal. If you've thought Verizon is expensive,

1762
01:21:57,040 --> 01:22:00,320
Speaker 11: well think again. Not only does Verizon let you in

1763
01:22:00,400 --> 01:22:03,240
Speaker 11: your low price for three years, but everyone in the

1764
01:22:03,280 --> 01:22:05,599
Speaker 11: family can mix and match their plans with my plan,

1765
01:22:05,960 --> 01:22:09,040
Speaker 11: and they let everyone get the same great phone deals

1766
01:22:09,040 --> 01:22:11,599
Speaker 11: when they trade in an eligible phone in any condition

1767
01:22:12,000 --> 01:22:15,840
Speaker 11: on my plan. That means new and existing customers. That's

1768
01:22:15,920 --> 01:22:18,880
Speaker 11: more reasons to save, more reasons to switch. So bring

1769
01:22:18,960 --> 01:22:20,680
Speaker 11: in your AT and T or T mobile bill to

1770
01:22:20,720 --> 01:22:23,800
Speaker 11: your local Verizon store and they'll give you a better deal.

1771
01:22:24,200 --> 01:22:27,280
Speaker 11: Rankings based on root Metrics RootScore report dated first half

1772
01:22:27,360 --> 01:22:30,080
Speaker 11: twenty twenty five. Your results may vary. Must provide a

1773
01:22:30,120 --> 01:22:33,080
Speaker 11: postpaid consumer mobile bill dated within the past forty five days.

1774
01:22:33,280 --> 01:22:34,880
Speaker 11: Bill must be in the same name as the person

1775
01:22:35,000 --> 01:22:37,679
Speaker 11: redeeming the deal. Three year pricelock applies to then current

1776
01:22:37,720 --> 01:22:40,679
Speaker 11: based monthly rate. Additional terms apply to promotional offers.

1777
01:22:43,439 --> 01:22:46,240
Speaker 2: Happy Halloween from Elvis.

1778
01:22:46,000 --> 01:22:49,559
Speaker 1: To Wren in the Morning show, speaking of huh, We're

1779
01:22:49,560 --> 01:22:53,479
Speaker 1: all getting together at blood manor the Ultimate Hatted House

1780
01:22:53,560 --> 01:22:55,400
Speaker 1: or in New York City for a very special night.

1781
01:22:55,479 --> 01:22:56,280
Speaker 1: This is your third annual.

1782
01:22:56,400 --> 01:22:59,360
Speaker 3: This is our third annual Hollow Scream. It's happening Tuesday,

1783
01:22:59,400 --> 01:23:01,800
Speaker 3: October twenty eight, that's like a couple of days from now,

1784
01:23:02,040 --> 01:23:04,439
Speaker 3: and it's in New York City. All the proceeds go

1785
01:23:04,520 --> 01:23:08,600
Speaker 3: to Saint Jude. And it's I mean, we have a

1786
01:23:08,640 --> 01:23:10,800
Speaker 3: great time. We were actually talking about this yesterday. We

1787
01:23:10,840 --> 01:23:13,040
Speaker 3: can't wait to put on our makeup and go in

1788
01:23:13,120 --> 01:23:14,960
Speaker 3: the house and scare everybody. So we want you to

1789
01:23:15,040 --> 01:23:17,760
Speaker 3: come down. Z one under dot com slash scream for

1790
01:23:17,840 --> 01:23:20,280
Speaker 3: your tickets. Z went under dot com slash scream. We

1791
01:23:20,400 --> 01:23:22,640
Speaker 3: take over the manner and it really is a lot

1792
01:23:22,680 --> 01:23:23,000
Speaker 3: of fun.

1793
01:23:23,800 --> 01:23:27,440
Speaker 1: Look at how gross my fingernail is. Look, that's disgusting.

1794
01:23:27,520 --> 01:23:28,160
Speaker 1: It's disgusting.

1795
01:23:28,240 --> 01:23:29,000
Speaker 4: It's like Halloween.

1796
01:23:29,200 --> 01:23:30,439
Speaker 1: It's about to fall off.

1797
01:23:30,520 --> 01:23:31,120
Speaker 3: Yeah does okay?

1798
01:23:31,160 --> 01:23:33,640
Speaker 1: Okay, So what happened was there's a door closed on

1799
01:23:33,800 --> 01:23:37,519
Speaker 1: my finger nail, but it had a nail in the door,

1800
01:23:37,600 --> 01:23:40,680
Speaker 1: so I nail went through my nail. Oh and then

1801
01:23:40,760 --> 01:23:42,200
Speaker 1: I saw I try to open the door and then

1802
01:23:42,240 --> 01:23:45,679
Speaker 1: my hand with it with it. So now it's turning

1803
01:23:45,720 --> 01:23:48,120
Speaker 1: into this disgusting thing. Look at that.

1804
01:23:48,200 --> 01:23:50,640
Speaker 8: See I think it actually looks way better now than

1805
01:23:50,680 --> 01:23:53,680
Speaker 8: it did initially. I'm surprised that you still have it.

1806
01:23:54,360 --> 01:23:56,880
Speaker 1: Me too. I mean it will it's dying, isn't it.

1807
01:23:57,000 --> 01:23:59,880
Speaker 8: It'll fall apolz under the part where it looks like you.

1808
01:24:00,040 --> 01:24:01,639
Speaker 8: It looks like it's still growing healthfully.

1809
01:24:01,880 --> 01:24:05,880
Speaker 1: Okay, yeah, Oh, I'm letting you know in case you

1810
01:24:05,960 --> 01:24:09,120
Speaker 1: see me this weekend you're like, oh God, you just.

1811
01:24:09,160 --> 01:24:10,800
Speaker 4: Paint your nails. No one will know?

1812
01:24:11,479 --> 01:24:13,679
Speaker 3: Yes, oh yes, season black nail polish.

1813
01:24:13,800 --> 01:24:15,120
Speaker 1: Yeah, which shade do we have today?

1814
01:24:15,479 --> 01:24:15,599
Speaker 9: Well?

1815
01:24:15,600 --> 01:24:17,160
Speaker 4: I actually have some of my backpack I can give

1816
01:24:17,160 --> 01:24:18,960
Speaker 4: you read. I think I've read. I have like a pink,

1817
01:24:19,000 --> 01:24:20,800
Speaker 4: a bunch of that one just one nail.

1818
01:24:21,240 --> 01:24:24,360
Speaker 1: We'll get to that later. Hey, it is new Music Friday,

1819
01:24:24,880 --> 01:24:26,360
Speaker 1: and of course Garrett's here with all of it. What

1820
01:24:26,439 --> 01:24:27,040
Speaker 1: do you have? All right?

1821
01:24:27,120 --> 01:24:30,000
Speaker 7: Let's start with sorry about that. Demi Levado. This is

1822
01:24:30,040 --> 01:24:30,680
Speaker 7: called let you Go.

1823
01:24:33,640 --> 01:24:43,040
Speaker 1: You love her?

1824
01:24:43,880 --> 01:24:46,519
Speaker 7: And speaking of someone else we love Lewis Capaldi, this

1825
01:24:46,640 --> 01:24:47,479
Speaker 7: is called almos.

1826
01:24:47,720 --> 01:25:03,759
Speaker 20: I swear god, I only think the step sauceless question

1827
01:25:04,400 --> 01:25:06,519
Speaker 20: love him too? Yes, mode of love? Sof you know

1828
01:25:06,560 --> 01:25:07,320
Speaker 20: who else you love?

1829
01:25:07,640 --> 01:25:07,760
Speaker 3: Why?

1830
01:25:07,840 --> 01:25:10,600
Speaker 7: One hundred ringle Ball performer MGK. This is called no

1831
01:25:10,760 --> 01:25:11,639
Speaker 7: cell Phones in reap.

1832
01:25:11,880 --> 01:25:22,160
Speaker 1: Love it on the print because the go on last

1833
01:25:22,200 --> 01:25:25,320
Speaker 1: black Way can't wait? Just see him at why one

1834
01:25:25,400 --> 01:25:28,519
Speaker 1: hundred point sevens my chingle Ball? You know they added

1835
01:25:28,560 --> 01:25:30,680
Speaker 1: a point seven of that. Yes, it's always been there,

1836
01:25:30,760 --> 01:25:32,519
Speaker 1: but that was just reminding me, all right.

1837
01:25:32,680 --> 01:25:35,040
Speaker 7: And so Selena Gomez is a part of the soundtrack

1838
01:25:35,080 --> 01:25:35,880
Speaker 7: for Nobody Wants This?

1839
01:25:36,240 --> 01:25:37,559
Speaker 1: Love Her? How Much do You Love?

1840
01:25:37,680 --> 01:25:39,600
Speaker 7: But you know, the the Netflix show Nobody Wants This

1841
01:25:39,680 --> 01:25:42,000
Speaker 7: with Adam Brody and Kristen Bell just came out. There's

1842
01:25:42,280 --> 01:25:44,040
Speaker 7: She's on the soundtrack and this is called in the.

1843
01:25:44,080 --> 01:25:47,040
Speaker 1: Dark Giving Us, Giving You Last Giving.

1844
01:25:48,520 --> 01:25:48,760
Speaker 10: Giving.

1845
01:25:55,720 --> 01:25:58,280
Speaker 1: That sounds awesome, all right.

1846
01:25:58,320 --> 01:26:01,960
Speaker 7: And finally the Bruce Springsteen Delivered Me from Nowhere is

1847
01:26:02,000 --> 01:26:04,679
Speaker 7: in theaters now and I want to compare Jeremy Allen

1848
01:26:04,800 --> 01:26:07,160
Speaker 7: White to Bruce Springsteen. So I'm gonna play the first clip.

1849
01:26:07,400 --> 01:26:09,519
Speaker 7: You guys decide is it Bruce or Jeremy?

1850
01:26:09,880 --> 01:26:13,600
Speaker 9: Wan I did what.

1851
01:26:15,600 --> 01:26:18,519
Speaker 1: Jeremy Jeremy sound Yeah?

1852
01:26:18,720 --> 01:26:21,519
Speaker 7: Now compare it to Bruce Springsteen from the actual Stone.

1853
01:26:21,800 --> 01:26:30,080
Speaker 1: Wow, I did he sounds like Jeremy Now wow?

1854
01:26:30,600 --> 01:26:32,760
Speaker 7: It actually confused Bruce and his family when he heard

1855
01:26:32,800 --> 01:26:33,479
Speaker 7: it for the first time.

1856
01:26:33,960 --> 01:26:37,920
Speaker 1: Wow, So that that film is out this weekend? Right

1857
01:26:38,000 --> 01:26:40,479
Speaker 1: out right now, Yep, I'm in. I'm in, Garrett. You're

1858
01:26:40,479 --> 01:26:42,280
Speaker 1: a good marry Thank you very much, thank you so much.

1859
01:26:43,040 --> 01:26:47,000
Speaker 1: All right, where's my list of things? Shuffle? Shuffle, the

1860
01:26:47,120 --> 01:26:50,679
Speaker 1: show's not over yet. Everyone's like person on shoulder heading

1861
01:26:50,720 --> 01:26:51,400
Speaker 1: towards the access.

1862
01:26:51,560 --> 01:26:53,240
Speaker 3: You are the first one with the person on the

1863
01:26:53,280 --> 01:26:57,599
Speaker 3: shoulder over here, hold.

1864
01:26:57,479 --> 01:27:01,240
Speaker 1: On, say you have this right here? Oh here we go. Oh,

1865
01:27:05,240 --> 01:27:07,559
Speaker 1: oh my gosh. Very busy putting in a show. I'm

1866
01:27:07,680 --> 01:27:11,559
Speaker 1: organizing the show. Okay, No, we need to have higher

1867
01:27:11,640 --> 01:27:13,880
Speaker 1: ratings than the nine oclock hour. What can we talk

1868
01:27:13,880 --> 01:27:14,960
Speaker 1: about to give us rating?

1869
01:27:15,080 --> 01:27:15,240
Speaker 9: Huh?

1870
01:27:16,200 --> 01:27:18,280
Speaker 4: I feel like sex usually does it farts?

1871
01:27:18,439 --> 01:27:20,040
Speaker 1: Today is a National baloney Day?

1872
01:27:20,920 --> 01:27:23,759
Speaker 3: Or that you can cut a hole in the bolooney?

1873
01:27:24,800 --> 01:27:26,680
Speaker 3: What I told you. I had a friend who did

1874
01:27:26,720 --> 01:27:30,880
Speaker 3: that in college. He used to tell us all about it. Yes,

1875
01:27:31,439 --> 01:27:33,160
Speaker 3: he used to tell us that he cut a hole

1876
01:27:33,200 --> 01:27:35,479
Speaker 3: in the balooney. That's all I'm saying.

1877
01:27:35,560 --> 01:27:37,960
Speaker 1: Oh yeah, it wasn't like a slice of blooney. It

1878
01:27:38,040 --> 01:27:38,960
Speaker 1: was like a big bloon.

1879
01:27:39,000 --> 01:27:41,160
Speaker 3: Oh no, it's a piece of baloney and then a

1880
01:27:41,320 --> 01:27:44,479
Speaker 3: piece like a round piece of baloney. Blooney usually round

1881
01:27:44,840 --> 01:27:46,719
Speaker 3: you no baloney comes in Yeah.

1882
01:27:46,600 --> 01:27:48,599
Speaker 1: No no, it's it's like a big wiener like a loaf.

1883
01:27:48,760 --> 01:27:51,559
Speaker 3: But wait, but it was like you know the slice

1884
01:27:51,600 --> 01:27:53,240
Speaker 3: you put on the sandwich, and it's kind of like

1885
01:27:53,960 --> 01:27:57,519
Speaker 3: it's like a rubbery sound. He would cut a hole

1886
01:27:57,760 --> 01:28:03,120
Speaker 3: in that slice and do what to it, and then

1887
01:28:03,200 --> 01:28:05,720
Speaker 3: you could probably fold that slice and.

1888
01:28:06,880 --> 01:28:09,880
Speaker 4: Scott, what are the Scotty, what are the mechanics behind it?

1889
01:28:09,960 --> 01:28:14,400
Speaker 1: Scott? You surely you made love to a bogey only salami.

1890
01:28:14,560 --> 01:28:15,320
Speaker 3: It's the same thing.

1891
01:28:15,520 --> 01:28:20,000
Speaker 1: That's a little harder. Oh my god, Oh I don't

1892
01:28:20,040 --> 01:28:21,920
Speaker 1: want to know this. Don't ask questions.

1893
01:28:22,880 --> 01:28:24,600
Speaker 3: This is what we talked about in college at the

1894
01:28:24,680 --> 01:28:25,640
Speaker 3: theater practices.

1895
01:28:26,760 --> 01:28:28,040
Speaker 4: This is a ratings winner.

1896
01:28:28,160 --> 01:28:30,840
Speaker 3: It is Gandhi and I are right by the way.

1897
01:28:31,120 --> 01:28:34,560
Speaker 1: Yeah, oh god, by the way, you know, speaking of

1898
01:28:34,640 --> 01:28:37,400
Speaker 1: why one we added Sean Paul?

1899
01:28:37,880 --> 01:28:38,599
Speaker 3: Oh hell yeah?

1900
01:28:39,439 --> 01:28:42,920
Speaker 1: What do you want to hear like glue? Like glue?

1901
01:28:43,080 --> 01:28:46,760
Speaker 1: Yeah you want to hear that one? Yeah? Yeah, yeah, yeah, yeah,

1902
01:28:47,240 --> 01:28:51,519
Speaker 1: fear that cha yeah yeah you me.

1903
01:28:51,600 --> 01:28:53,720
Speaker 3: Mercedes Benz Interview Lounge.

1904
01:28:53,600 --> 01:28:57,360
Speaker 1: CARDI me just walked in show the new album. It's

1905
01:28:57,400 --> 01:28:58,560
Speaker 1: about you being outspoken.

1906
01:28:58,680 --> 01:29:03,639
Speaker 3: It's just expressing my old relationship dating again goes down,

1907
01:29:03,960 --> 01:29:05,559
Speaker 3: like are we Gonna.

1908
01:29:05,360 --> 01:29:05,760
Speaker 1: Know the Cruise?

1909
01:29:05,840 --> 01:29:07,120
Speaker 3: Or a song of the album called I Don't Like

1910
01:29:07,200 --> 01:29:09,240
Speaker 3: These Girls named the album.

1911
01:29:09,320 --> 01:29:13,640
Speaker 1: Bet is looking for an exceptional driving experience. Find it

1912
01:29:13,800 --> 01:29:17,719
Speaker 1: behind the wheel of a Mercedes Benz Suv. Experience the power,

1913
01:29:17,840 --> 01:29:21,439
Speaker 1: precision and intelligence of an iconic Mercedes Benz Suv at

1914
01:29:21,479 --> 01:29:23,280
Speaker 1: your local Mercedes Benz dealer Today.

1915
01:29:23,479 --> 01:29:25,160
Speaker 2: Elvis Terran in the Morning Show.

1916
01:29:25,720 --> 01:29:28,000
Speaker 1: Born from the tragedy of nine to eleven, the Tunnel

1917
01:29:28,000 --> 01:29:31,040
Speaker 1: to Towers Foundation has been honoring America's heroes ever since.

1918
01:29:31,479 --> 01:29:34,320
Speaker 1: Donate eleven dollars a month at T two t dot org.

1919
01:29:34,720 --> 01:29:37,040
Speaker 1: That's t the number two t dot org.

1920
01:29:44,080 --> 01:29:46,120
Speaker 3: Elvis Duran in the Morning Show.

1921
01:29:47,800 --> 01:29:49,800
Speaker 1: We never ever dive into the weekend unless we talk

1922
01:29:49,840 --> 01:29:52,040
Speaker 1: to Juju Green about what we're watching in theaters and

1923
01:29:52,200 --> 01:29:56,120
Speaker 1: streaming everywhere. Now, when you're not with this report, Juju,

1924
01:29:56,200 --> 01:29:58,080
Speaker 1: we can put a person on the shoulder and get

1925
01:29:58,080 --> 01:29:59,920
Speaker 1: the hell out of here. So let's go, Juju Green,

1926
01:30:00,040 --> 01:30:01,080
Speaker 1: what do we watch it this week?

1927
01:30:01,840 --> 01:30:04,479
Speaker 9: Just get your recommendations and get the hell out of here.

1928
01:30:04,520 --> 01:30:06,400
Speaker 3: That's what's right, that's what it works.

1929
01:30:06,880 --> 01:30:09,439
Speaker 9: I was saying that we got a couple of movies,

1930
01:30:09,520 --> 01:30:12,200
Speaker 9: one TV show, and then one recommendation that I haven't

1931
01:30:12,200 --> 01:30:14,040
Speaker 9: seen yet, but we'll get into that in a second.

1932
01:30:14,160 --> 01:30:16,960
Speaker 9: But something that was coming out this weekend is Springstein

1933
01:30:17,040 --> 01:30:21,160
Speaker 9: Delivered Me from Nowhere. That is the move via about

1934
01:30:21,200 --> 01:30:24,240
Speaker 9: Bruce Springsteen starring Jeremy Allen White. And you guys know,

1935
01:30:24,360 --> 01:30:27,400
Speaker 9: Jeremy Allen White is amazing and the bear, But I

1936
01:30:27,560 --> 01:30:29,639
Speaker 9: really do think that this one is a heavy OSCAR

1937
01:30:29,680 --> 01:30:33,560
Speaker 9: contender from a performance standpoint. Jeremy Allen White obviously is

1938
01:30:33,600 --> 01:30:36,479
Speaker 9: like one of the best actors like working today. He's

1939
01:30:36,479 --> 01:30:38,400
Speaker 9: sweeping any season, so let's see if he gets a

1940
01:30:38,479 --> 01:30:43,200
Speaker 9: nomination at the Oscars. But it's crazy how like much

1941
01:30:43,280 --> 01:30:46,600
Speaker 9: Jeremy Allen White disappears into that role. He sounds just

1942
01:30:46,800 --> 01:30:48,519
Speaker 9: like him, especially when he's singing to the point where

1943
01:30:48,560 --> 01:30:51,160
Speaker 9: you don't even know if that's like Jeremy or Bruce

1944
01:30:51,240 --> 01:30:53,280
Speaker 9: right there, and so like, I really do feel like

1945
01:30:53,360 --> 01:30:56,680
Speaker 9: that's one of the mandatory music bio picks that we

1946
01:30:56,840 --> 01:30:59,240
Speaker 9: get a year that we all should be checking out

1947
01:30:59,280 --> 01:30:59,519
Speaker 9: right now.

1948
01:30:59,560 --> 01:31:00,120
Speaker 1: So Spring.

1949
01:31:01,720 --> 01:31:05,160
Speaker 3: I'm not a fan of the music either, will I

1950
01:31:05,439 --> 01:31:06,479
Speaker 3: enjoy this anyway.

1951
01:31:07,840 --> 01:31:10,639
Speaker 9: I think if you want to see Jeremy Allen White

1952
01:31:10,680 --> 01:31:13,080
Speaker 9: completely disappear, I think you will enjoy it. If not,

1953
01:31:13,680 --> 01:31:16,559
Speaker 9: it might not be your cup of tea. Uh maybe

1954
01:31:16,880 --> 01:31:19,559
Speaker 9: did you like Timothy shallow May and a Complete Unknown

1955
01:31:19,640 --> 01:31:20,000
Speaker 9: last year?

1956
01:31:20,800 --> 01:31:21,280
Speaker 1: Absolutely?

1957
01:31:22,000 --> 01:31:24,280
Speaker 9: Yeah, then you'll definitely probably like this one, like I

1958
01:31:24,400 --> 01:31:27,400
Speaker 9: feel like the Deep before. I think I think that

1959
01:31:27,560 --> 01:31:30,600
Speaker 9: Timothy might have like a slight edge over the performances.

1960
01:31:30,680 --> 01:31:32,960
Speaker 9: But if you like that type of transformation, I think

1961
01:31:33,000 --> 01:31:33,760
Speaker 9: it's still a good watch.

1962
01:31:34,160 --> 01:31:36,519
Speaker 1: I have to assume that if you're an actor and

1963
01:31:36,640 --> 01:31:40,759
Speaker 1: you want to tackle a real life superstar like Elvis

1964
01:31:40,800 --> 01:31:45,640
Speaker 1: Presley or Timothy doing Bob Dylan or someone doing Springsteen,

1965
01:31:46,479 --> 01:31:51,480
Speaker 1: that takes some courage because if you fail, you fail miserably.

1966
01:31:51,200 --> 01:31:53,759
Speaker 8: You know, especially if that person is still alive. Imagine

1967
01:31:53,760 --> 01:31:54,960
Speaker 8: them watching it and be like, I.

1968
01:31:55,160 --> 01:31:56,240
Speaker 3: Don't yeah, that's not me.

1969
01:31:58,360 --> 01:32:01,479
Speaker 9: I'm pretty sure that so you got that one right.

1970
01:32:02,280 --> 01:32:04,360
Speaker 9: One thing. Now, moving on to streaming a little bit.

1971
01:32:05,160 --> 01:32:07,040
Speaker 9: I don't know if you guys have caught the substance

1972
01:32:07,120 --> 01:32:08,840
Speaker 9: last year, but I found out that that one's on

1973
01:32:09,880 --> 01:32:11,680
Speaker 9: HBO Max right now. I believe they just put that

1974
01:32:11,720 --> 01:32:14,080
Speaker 9: one on there it's number one on the service. And

1975
01:32:14,240 --> 01:32:16,920
Speaker 9: if you're into Bodyhore, if you're into Demi Moore, who

1976
01:32:17,000 --> 01:32:19,040
Speaker 9: I believe should have won an Oscar last year for

1977
01:32:19,200 --> 01:32:23,440
Speaker 9: that performance, that movie is absolutely bonkers.

1978
01:32:23,840 --> 01:32:25,120
Speaker 1: Demi Moore marvel quality.

1979
01:32:25,160 --> 01:32:27,559
Speaker 9: And it's about a woman who is pretty much an

1980
01:32:27,640 --> 01:32:30,160
Speaker 9: aging movie star and I believe, I want to say

1981
01:32:30,200 --> 01:32:32,479
Speaker 9: it's like the nineties or early two thousands or something

1982
01:32:32,520 --> 01:32:36,000
Speaker 9: like that, and she basically starts to slowly get pushed

1983
01:32:36,000 --> 01:32:39,320
Speaker 9: out of Hollywood, and she gets offered this elixir that

1984
01:32:39,360 --> 01:32:42,479
Speaker 9: would effectively split her body into her older self and

1985
01:32:42,560 --> 01:32:45,439
Speaker 9: her younger self, and they have to switch places one

1986
01:32:45,520 --> 01:32:47,360
Speaker 9: by one. They can never exist at the same time.

1987
01:32:47,760 --> 01:32:51,400
Speaker 9: But what happens when the younger version says I think

1988
01:32:51,400 --> 01:32:54,360
Speaker 9: I'm gonna stay. It gets really crazy, It gets really dark,

1989
01:32:54,400 --> 01:32:56,840
Speaker 9: and it gets very gross and disgusting. And if you're

1990
01:32:56,880 --> 01:32:59,240
Speaker 9: into that type of thing, The Substance is a great

1991
01:32:59,280 --> 01:32:59,960
Speaker 9: watch at home as well.

1992
01:33:00,479 --> 01:33:02,280
Speaker 1: You know, when you're watching The Substance, by the way,

1993
01:33:02,680 --> 01:33:05,080
Speaker 1: I hope you don't let the gore and the special

1994
01:33:05,120 --> 01:33:07,479
Speaker 1: effects get in the way of what the message truly

1995
01:33:07,640 --> 01:33:10,519
Speaker 1: is in this film about women in Hollywood? Are women

1996
01:33:10,600 --> 01:33:14,680
Speaker 1: anywhere in the workplace or in society. How you know

1997
01:33:15,080 --> 01:33:17,960
Speaker 1: they have these expectations? Am my man's planning too much?

1998
01:33:18,439 --> 01:33:20,479
Speaker 1: No tell it, Goddy, Danielle, you can talk.

1999
01:33:20,400 --> 01:33:22,160
Speaker 3: Abouse like the new Death becomes Her.

2000
01:33:22,240 --> 01:33:23,240
Speaker 1: I feel like it.

2001
01:33:24,560 --> 01:33:25,880
Speaker 4: I loved this movie so much.

2002
01:33:25,920 --> 01:33:28,800
Speaker 8: I thought the social commentary behind it was incredible. I

2003
01:33:28,880 --> 01:33:31,000
Speaker 8: mean obviously about women and the pressure on women, but

2004
01:33:31,080 --> 01:33:34,040
Speaker 8: even what we do in our younger years and how

2005
01:33:34,080 --> 01:33:36,479
Speaker 8: it ultimately impacts what happens when you're older and you

2006
01:33:36,560 --> 01:33:38,040
Speaker 8: just kind of ignore it because you're having so much

2007
01:33:38,080 --> 01:33:40,960
Speaker 8: fun and you don't think about, oh wow, this is

2008
01:33:40,960 --> 01:33:41,759
Speaker 8: gonna be a problem.

2009
01:33:41,880 --> 01:33:42,320
Speaker 4: It was great.

2010
01:33:42,400 --> 01:33:44,599
Speaker 1: I love you exactly. So even if you're a sexist

2011
01:33:44,600 --> 01:33:46,360
Speaker 1: pig like Scary, you'll find something to love in this

2012
01:33:46,439 --> 01:33:51,000
Speaker 1: film because go to the special effects. It is probably Juji.

2013
01:33:51,080 --> 01:33:52,680
Speaker 1: Tell me if I'm right or wrong. It's probably one

2014
01:33:52,720 --> 01:33:54,720
Speaker 1: of the It can be the grossest film I think

2015
01:33:54,760 --> 01:33:57,519
Speaker 1: I've ever seen one of them. Oh yeah, it definitely.

2016
01:33:57,640 --> 01:33:57,680
Speaker 7: Like.

2017
01:33:57,760 --> 01:33:59,719
Speaker 9: I have a high threshold when it comes to eating

2018
01:34:00,120 --> 01:34:02,880
Speaker 9: while watching Gore, and I usually impress people with how

2019
01:34:03,000 --> 01:34:05,320
Speaker 9: much I can handle with that That one I did

2020
01:34:05,439 --> 01:34:07,800
Speaker 9: kind of like do a double take of my popcorn Like.

2021
01:34:09,439 --> 01:34:10,719
Speaker 1: This, I don't think.

2022
01:34:15,000 --> 01:34:16,840
Speaker 9: You can't eat porn. That's how you know it's serious,

2023
01:34:16,880 --> 01:34:19,640
Speaker 9: because you'll eat popcorn no matter what. But with all

2024
01:34:19,680 --> 01:34:21,760
Speaker 9: that being said, I do think the grossest thing in

2025
01:34:21,840 --> 01:34:23,719
Speaker 9: that movie is Dennis Quaid eating shrimp.

2026
01:34:23,880 --> 01:34:24,600
Speaker 11: So you know.

2027
01:34:28,720 --> 01:34:28,760
Speaker 9: It?

2028
01:34:28,880 --> 01:34:30,599
Speaker 3: So where am I? Where can we watch it now?

2029
01:34:30,720 --> 01:34:34,479
Speaker 9: Finally, yes, you can watch it now on HBO Max do.

2030
01:34:34,600 --> 01:34:36,360
Speaker 1: It, do it, Danie'll do it. You need to watch it.

2031
01:34:36,600 --> 01:34:40,280
Speaker 1: And the shrimp scenees fabulous scene is so good, but

2032
01:34:40,400 --> 01:34:43,400
Speaker 1: it's so nasty, is all right?

2033
01:34:43,560 --> 01:34:45,760
Speaker 9: A TV show that I want you guys to watch

2034
01:34:45,800 --> 01:34:48,680
Speaker 9: if you're not watching it already is English Teacher. It's

2035
01:34:48,760 --> 01:34:52,240
Speaker 9: the FX series and it's an amazing series. If you

2036
01:34:52,360 --> 01:34:56,200
Speaker 9: like Apped Elementary. This one is more of the more adults,

2037
01:34:56,320 --> 01:34:59,960
Speaker 9: more like crude version of that where teachers are teaching.

2038
01:35:00,000 --> 01:35:03,400
Speaker 9: I got at high school and the main character, who

2039
01:35:03,479 --> 01:35:06,360
Speaker 9: is a gay man like continually inserts himself into his

2040
01:35:06,439 --> 01:35:09,519
Speaker 9: friend's lives, his students' lives, and he cares about his students,

2041
01:35:09,560 --> 01:35:12,160
Speaker 9: but he always always goes out of bounce for the

2042
01:35:12,280 --> 01:35:15,479
Speaker 9: love of like teaching. All the characters are great. Everyone

2043
01:35:15,600 --> 01:35:18,799
Speaker 9: has like their own little quirks. The dialogue is amazing.

2044
01:35:18,880 --> 01:35:20,559
Speaker 9: The way they like kind of talk over each other

2045
01:35:20,640 --> 01:35:24,160
Speaker 9: in the situations they find themselves in. It is absolutely

2046
01:35:24,320 --> 01:35:27,639
Speaker 9: a hilarious show. English teacher is like, it's the truth

2047
01:35:27,840 --> 01:35:28,160
Speaker 9: for sure.

2048
01:35:28,439 --> 01:35:32,960
Speaker 1: Wow. Rotten Tomatoes gives it one hundred. It's in season two.

2049
01:35:33,520 --> 01:35:33,760
Speaker 9: Wow.

2050
01:35:33,880 --> 01:35:36,439
Speaker 1: Hello saying here in this article I'm reading it's a

2051
01:35:36,479 --> 01:35:39,400
Speaker 1: little bit nostalgic as well. The credits are scrawling across

2052
01:35:40,360 --> 01:35:44,360
Speaker 1: John Hughes movie background, and it's it reminds you when

2053
01:35:44,360 --> 01:35:46,880
Speaker 1: you're in school, but you know smarter people.

2054
01:35:48,640 --> 01:35:50,920
Speaker 9: And I'm so glad that you mentioned John Hughes because

2055
01:35:51,080 --> 01:35:55,439
Speaker 9: every single episode starts and ends within eighties track that

2056
01:35:55,479 --> 01:36:00,400
Speaker 9: you will hear in a John Hughes Wow. You really

2057
01:36:00,439 --> 01:36:02,240
Speaker 9: get that feel that you're about to watch like a

2058
01:36:02,360 --> 01:36:04,720
Speaker 9: John Hughes like type of thing. You know, when you

2059
01:36:04,760 --> 01:36:07,000
Speaker 9: start a show with this song Iran, You're like, oh great,

2060
01:36:07,000 --> 01:36:08,160
Speaker 9: we're gonna have a great episode.

2061
01:36:08,880 --> 01:36:13,400
Speaker 1: So this week we've learned from Juju Green Springsteen. Is

2062
01:36:13,479 --> 01:36:15,800
Speaker 1: it Deliver Me from Nowhere? Is it what it's called?

2063
01:36:16,400 --> 01:36:16,599
Speaker 9: Yep?

2064
01:36:16,720 --> 01:36:20,000
Speaker 1: That's the one, okay. Also, the substance is out on streaming, Dani,

2065
01:36:20,000 --> 01:36:21,760
Speaker 1: you doon't need to watch it. It is a very

2066
01:36:21,760 --> 01:36:23,800
Speaker 1: important film to watch. Don't get grossed out, don't eat

2067
01:36:23,800 --> 01:36:26,479
Speaker 1: while you're watching it. There's a great storyline going on.

2068
01:36:26,720 --> 01:36:29,360
Speaker 1: And English Teacher on FX, all right, we've got lots

2069
01:36:29,360 --> 01:36:31,920
Speaker 1: to do this weekend. You can always search for straw

2070
01:36:32,040 --> 01:36:35,000
Speaker 1: Hat Goofy on your Socials, Big old podcast doing really

2071
01:36:35,040 --> 01:36:38,080
Speaker 1: well too. On the Elvis dran podcast network, Juju Green

2072
01:36:38,200 --> 01:36:41,040
Speaker 1: every single Friday. Thank you Juju's Today.

2073
01:36:43,560 --> 01:36:45,799
Speaker 2: I want to hear all the crazy stuff that Gandhi

2074
01:36:45,920 --> 01:36:47,799
Speaker 2: can't talk about on the Big Show.

2075
01:36:47,840 --> 01:36:50,080
Speaker 3: So they have to do these secret things like stick

2076
01:36:50,560 --> 01:36:56,520
Speaker 3: shampoo bottles in there, sauce on the side. New episodes

2077
01:36:56,600 --> 01:36:57,440
Speaker 3: every Wednesday.

2078
01:36:57,760 --> 01:37:01,160
Speaker 2: Listen on the iHeartRadio app, Apple Podcasts or wherever you

2079
01:37:01,280 --> 01:37:02,240
Speaker 2: get your podcasts.

2080
01:37:02,439 --> 01:37:03,559
Speaker 4: Until then, say bye, everybody.

2081
01:37:03,720 --> 01:37:04,040
Speaker 1: Bye.

2082
01:37:04,720 --> 01:37:05,720
Speaker 3: Elvis Durrant in the.

2083
01:37:05,760 --> 01:37:10,439
Speaker 1: Morning Show, all right, shows done, let's get out of here.

2084
01:37:10,600 --> 01:37:14,000
Speaker 1: Until next time. Say peace out, everybody, Peace out, everybody.