WEBVTT - Episode 106 w/ THE-DREAM

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<v Speaker 1>And his Drink Chas motherfucking podcast make he's a legendary

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<v Speaker 1>queen's rapper, He's Segre it is your boy in or

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<v Speaker 1>he's a Miami hip hop pioneer one of his DJ

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<v Speaker 1>e FN. Together they drink it up with some of

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<v Speaker 1>the biggest players in the most professional unprofessional podcast. And

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<v Speaker 1>your number one source for drunk fast drink chas motherfucking

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<v Speaker 1>every day is New Year's e That's like, it's time

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<v Speaker 1>for drink Champs, drink up, motherfuck mother and would you

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<v Speaker 1>could be hopefully when you should be it's your boy

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<v Speaker 1>or one of us d j e F and his

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<v Speaker 1>motherfucker drink Champs happy, I would make up. And I

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<v Speaker 1>swear to god, this guy we got in the building tonight,

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<v Speaker 1>I really ceercha and went through his whole catalog and

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<v Speaker 1>I couldn't find okay record. It always was the banging

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<v Speaker 1>this director. He made babies to him. No, no, no, no no, okay,

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<v Speaker 1>I'm gonna get to that. I want to get to that.

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<v Speaker 1>Everybody gotta make a baby behind this guy. But he

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<v Speaker 1>makes he revolutionary. He revolutionary the hip hop to me

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<v Speaker 1>in a way that excuse me r B and hip

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<v Speaker 1>hop because yeah, melodies. He was right, It was almost

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<v Speaker 1>like he was writing it from a rapids perspective. But

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<v Speaker 1>there's one doing no. I think he I think they're

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<v Speaker 1>all his children. So the people don't know Brye. Now

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<v Speaker 1>we are talking to the dream in the building making

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<v Speaker 1>how many babies you think was made to your music?

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<v Speaker 1>Two point five? Yet he's like three million? You may

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<v Speaker 1>for trump Rod me going in so little dream? Right?

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<v Speaker 1>How did you develop that style? Because everybody is kind

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<v Speaker 1>of somewhat memerican what you do? Like, you had melodies

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<v Speaker 1>first in your music? You you appealed. I put it

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<v Speaker 1>like this, I'm gonna be honest, right, I really wasn't

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<v Speaker 1>a big R and B fan, right, but there's certain

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<v Speaker 1>people that certain music. It was like they made it

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<v Speaker 1>for me, not like you know. Like what I mean

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<v Speaker 1>is it was easier for me to understand digested, easier

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<v Speaker 1>for me to digest it. And you're one like I've

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<v Speaker 1>never heard of rap dream record ever? Thank you? Are

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<v Speaker 1>you should maxing most of that? Were you ever? That's

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<v Speaker 1>fired rapper? My question? So yeah, how do so? How

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<v Speaker 1>did you develop that style? How do you think? So?

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<v Speaker 1>Oh man, I think I think I think most um

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<v Speaker 1>rb at the time was more offense. I mean it's

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<v Speaker 1>more defense. I guess I should say, um and my

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<v Speaker 1>and my ship was just more offensive like and that's

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<v Speaker 1>kind of what I feel about rap Like I feel

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<v Speaker 1>like it's just high power offense all the time and

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<v Speaker 1>the repercussions after that. So if you put that in

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<v Speaker 1>football terminologies, it's like, let's have a game like no defense,

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<v Speaker 1>like to say, all the ship you need to say

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<v Speaker 1>and and yeah, you're right. A lot of that just

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<v Speaker 1>came from where I was from West South Atlanta. We

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<v Speaker 1>grew up to be inspiring, you know rappers at the time.

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<v Speaker 1>I came with nineties was my ship, so I should

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<v Speaker 1>put you in too, No, No Georgia exactly. So you

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<v Speaker 1>got outcasts popping exactly. You got good in all and

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<v Speaker 1>everybody's everybody's kind of gravitating towards this um Atlanta scene.

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<v Speaker 1>And at the time, you know, freaking was the biggest thing,

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<v Speaker 1>like period because like it's the center of the culture

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<v Speaker 1>was in Atlanta for me, and I'm his teenager young

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<v Speaker 1>growing up of course I want the champion, so so

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<v Speaker 1>so for me it was easy to see us. Then

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<v Speaker 1>Jamaine do Pre started riding around in Ferraris and ship

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<v Speaker 1>Dallas Austin was getting it at that particular. A lot

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<v Speaker 1>of people don't even know. And when you saw that,

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<v Speaker 1>you know, and being on the Bible belt is where

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<v Speaker 1>the music part comes from, like because you're in a

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<v Speaker 1>place where Baptist churches, you know, like we have singing

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<v Speaker 1>in the ch anyway, I don't I'm gonna say a

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<v Speaker 1>lot of like ill singers. I noticed they started out

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<v Speaker 1>in like church and like quiet and old period. South ahead,

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<v Speaker 1>you can think, that's that's your champagne comes right here,

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<v Speaker 1>so get headed to you. So so so for me,

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<v Speaker 1>it was just more so about let me take a

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<v Speaker 1>sip I gotta get because let's get it right. Let's

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<v Speaker 1>get it right. M m. That's that puff got that

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<v Speaker 1>ship he got it right ahead? Support black o, what

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<v Speaker 1>was that? I'm Atlanta, Atlanta. Seen seen the church choir,

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<v Speaker 1>the church chod, so everybody. So everybody's in the church anyway,

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<v Speaker 1>like if we're having a Ferrari, Yeah, everybody, everybody, because

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<v Speaker 1>because what really happened is l A. Reid came down

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<v Speaker 1>to Atlanta and revolutionized what what the music scene was.

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<v Speaker 1>We don't just he is not from Atlanta, like he's

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<v Speaker 1>some motherfucker's sitting at the player, but some of us

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<v Speaker 1>know what that means. He's from six, He's from six.

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<v Speaker 1>So but he just kind of showed the culture of Atlanta,

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<v Speaker 1>I believe, for me how to get money. That was

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<v Speaker 1>a place. Yes, there was a place because he had

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<v Speaker 1>an infrastructure. There wasn't a place we could just go to.

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<v Speaker 1>You know. At the time of the Face, when he

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<v Speaker 1>opened it up, it was like whole ship. You take

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<v Speaker 1>the records over there. And although I was too young

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<v Speaker 1>to take him there, still it's like a bat signal

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<v Speaker 1>in the sky. It was the only place there. Um

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<v Speaker 1>So for us that was our death jam at the time.

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<v Speaker 1>On the Face, yes, of course that was great. Yeah,

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<v Speaker 1>so everything Atlanta came out originally in the nineties was

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<v Speaker 1>like was like the Face. Yeah, because baby Basis, Baby

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<v Speaker 1>Face is UMAs came out through the face. Outcast came

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<v Speaker 1>out through the face. Goodie mob man you got and

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<v Speaker 1>then you got the people who came after that. You

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<v Speaker 1>got the t S. And I had to get into that,

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<v Speaker 1>me and Tip. But yeah, yeah, so but I'm saying

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<v Speaker 1>in my group that was my influence, you know, looking

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<v Speaker 1>at that, and that's what Tip looked at. You know,

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<v Speaker 1>me and Tip went to elementary school together. So so

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<v Speaker 1>we're watching this ship that's saying, oh, y'all make hold up,

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<v Speaker 1>whoa time out. We didn't know you can make that

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<v Speaker 1>type of money from music. You know, everybody in New

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<v Speaker 1>York knew that already. Everybody in l A knew that.

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<v Speaker 1>Tips seemed like he only went to English class. But

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<v Speaker 1>he he's like school, I'm taking English like that. I

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<v Speaker 1>think I think that try. But New York, you know,

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<v Speaker 1>they had the infrastructures. Hollywood is the same way, you know,

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<v Speaker 1>especially with television and movies. In Atlanta was just this

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<v Speaker 1>you know, young church going cultural black thing happening. And

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<v Speaker 1>we just found out that motherfucker's gonna get ferraris for

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<v Speaker 1>for singing and dance. So let's go. I believe like

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<v Speaker 1>the first time like people got to see your personality,

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<v Speaker 1>like the show that you was Hood was the time

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<v Speaker 1>when you and jay Z accepted that and it was

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<v Speaker 1>like you we walked up there, you were just like man,

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<v Speaker 1>definitely like you hold literally a slight Joe. Oh yeah,

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<v Speaker 1>he was a guy. He gotta be good when he say, um,

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<v Speaker 1>I like to think to swap meat and and that's

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<v Speaker 1>the and that's the crazy thing about like me and

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<v Speaker 1>his relationship. Um that grew, you know, from a certain

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<v Speaker 1>play from from Umbrella, you know, that grew into this

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<v Speaker 1>thing that that it's hard to I think that, you know,

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<v Speaker 1>I'm not really the like this is my guy you

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<v Speaker 1>look on Instagram, not like every time I went jaylesself

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<v Speaker 1>itself every time. You know, I'm not I'm not referred

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<v Speaker 1>to him all the time. So so it's a little

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<v Speaker 1>bit different. So when, of course, when we first said,

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<v Speaker 1>everybody's like, damn you take us bet you like that,

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<v Speaker 1>like that's that's over. Oh yeah exactly. I'm like I

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<v Speaker 1>probably had that coming from like five jokes ago. But

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<v Speaker 1>you know, I've seen hold one day and hope to

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<v Speaker 1>stop me when he came out heads there holds that

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<v Speaker 1>I would ask you how you're doing, but your glasses

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<v Speaker 1>say it all. And I said, that was so funny. Shot.

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<v Speaker 1>I didn't say it as good as he said it,

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<v Speaker 1>but it was like, he's really a funny guy. I

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<v Speaker 1>think you're the humor at the top is there, like

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<v Speaker 1>I think all of us are just you just naturally

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<v Speaker 1>have to gravitate it to a place. You know, ships

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<v Speaker 1>sucked up out of here. So it's like, you know,

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<v Speaker 1>you better have something now and says an album awesome. Man,

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<v Speaker 1>she made me feel bad for every relationship ever did

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<v Speaker 1>in life, Like I just wanted to call people and

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<v Speaker 1>apologize like she when she talked about yes she talking

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<v Speaker 1>about it's like why do you cry? She's like the

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<v Speaker 1>sea she was like the way she was breaking down,

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<v Speaker 1>she like she was hurt, And they just made me

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<v Speaker 1>think of the ship I did in the past, like

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<v Speaker 1>for years ago, and I still just want to say

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<v Speaker 1>I'm sorry, not like all you over that it's army

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<v Speaker 1>because you said earlier defensive, defensive and offensive offenses and offensive,

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<v Speaker 1>So you do you think because like because like it

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<v Speaker 1>was like I remember at one point, like Mary Jay

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<v Speaker 1>Blast for example, Like if soon as you heard her

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<v Speaker 1>go through tragedy, everybody would say I'm gonna be fired.

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<v Speaker 1>Like do an R and B person have to go

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<v Speaker 1>through drama in order for the music to be like that? Man?

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<v Speaker 1>I think speaking for myself as a songwriter, and I

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<v Speaker 1>have to say that, like, um, it doesn't matter which

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<v Speaker 1>genre man, Like it's it's a it's an animal that's

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<v Speaker 1>hard attaining because we constantly need things to fuel that

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<v Speaker 1>you know, inspiration. Yeah, yeah, And it's it's hard because

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<v Speaker 1>you know, on one hand, you're having you know, people

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<v Speaker 1>wanting you to live everyday life the exact same way,

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<v Speaker 1>and then your life changes in multiple ways. First of all,

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<v Speaker 1>you learn things that are that are different. Um, even

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<v Speaker 1>just from one stretch going from oh, when I grew up,

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<v Speaker 1>I was in Baptist Church and now I'm questioning everything,

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<v Speaker 1>everything that everybody does. But that's the writer in me. Like,

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<v Speaker 1>and when you write, you don't you're basically, um, you're

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<v Speaker 1>basically inventing. The words are invented, the scenarios and all

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<v Speaker 1>of the things that you're talking about is being invented.

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<v Speaker 1>So you have to invent those situations to even talk about.

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<v Speaker 1>Or you can talk about some ship that's old, which

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<v Speaker 1>then somebody else's or somebody else's tragedy. Um. But but

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<v Speaker 1>I think it's such a it's such a hard animal,

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<v Speaker 1>you know to tame, like like really, you know, I

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<v Speaker 1>say that with the utmost respect for all the great writers.

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<v Speaker 1>They have to go through. You have to go through something.

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<v Speaker 1>You see these movies, you know it's inspired by something. Yeah,

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<v Speaker 1>well you can't want you know, the heart and soul

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<v Speaker 1>from somebody without them pouring out the best because out

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<v Speaker 1>of pain. Oh of course, how did you write umbrella?

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<v Speaker 1>It was just raining? Man, was like, man, definitely bought

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<v Speaker 1>a light after that. It doesn't never rain. So because

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<v Speaker 1>like that always amazes me. You know, one, I know

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<v Speaker 1>about all the most of the song writer you're doing.

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<v Speaker 1>And for you to step out yourself and jump into

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<v Speaker 1>another artist song not only just any artists of the

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<v Speaker 1>friend sex. How do you do that? Oh? Man? You

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<v Speaker 1>know it's it's I'm like people. My my wife witnesses

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<v Speaker 1>it all the time. I know she doesn't really admit it,

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<v Speaker 1>but I know I can be beyonceved when I wake up,

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<v Speaker 1>I'm real. About three o'clock, I'm Jay and pushing. About

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<v Speaker 1>seven and eight and then nine I'm Celine Dia, then twelve.

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<v Speaker 1>Let's writ you ever call West if you ever went?

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<v Speaker 1>This is Joe everybody. I was trying to you know,

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<v Speaker 1>it didn't work, But Martin brother, So how did you

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<v Speaker 1>get an a zone? Like? What was you doing? I

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<v Speaker 1>think it was just the I think it was just time.

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<v Speaker 1>You know, I had my first daughter at that time,

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<v Speaker 1>and I think it was time for me to start

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<v Speaker 1>sucking sucking around and playing with myself and where I

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<v Speaker 1>needed to go, and I just turned on a different thing.

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<v Speaker 1>You know. It's just like a It's like a switch.

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<v Speaker 1>Just I knew how to do what I needed to do.

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<v Speaker 1>But I've always is um done better with pressure, and

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<v Speaker 1>that song was just out of pure pressure in life

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<v Speaker 1>and not really just about being broken not having certain things.

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<v Speaker 1>You know, I was okay then I had I could

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<v Speaker 1>say that I had a music career at that particular

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<v Speaker 1>one the time I was getting checked out of the game. Yeah,

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<v Speaker 1>as a writer, I was getting checks out of the game.

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<v Speaker 1>I had a publishing deal. But it was just one

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<v Speaker 1>of those things where it clicked and and when you

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<v Speaker 1>can see it, it's almost like having an out of

0:13:26.320 --> 0:13:30.920
<v Speaker 1>body experience. I watched myself walk in and write that record,

0:13:31.200 --> 0:13:35.239
<v Speaker 1>and you wrote it for the record was wrote originally

0:13:35.320 --> 0:13:41.160
<v Speaker 1>for Britney Spears. If anybody remembers the umbrella, isn't it

0:13:41.200 --> 0:13:45.800
<v Speaker 1>tell I think it was. I don't know if she

0:13:45.920 --> 0:13:49.720
<v Speaker 1>was with Britney Spears would have fit on. Nope, know

0:13:49.800 --> 0:13:52.600
<v Speaker 1>who she's gonna put on that kid rock because she

0:13:54.360 --> 0:13:59.599
<v Speaker 1>think about it? It would, but you worked on I

0:13:59.600 --> 0:14:02.280
<v Speaker 1>mean if she oh, that's where it came from I

0:14:02.280 --> 0:14:04.200
<v Speaker 1>worked on a record called Me Against the Music that

0:14:04.240 --> 0:14:09.360
<v Speaker 1>featured Madonna at the time, earlier on, so it's more

0:14:16.000 --> 0:14:19.200
<v Speaker 1>we're so happy for you brother. That's Michael Jackson did

0:14:19.200 --> 0:14:23.680
<v Speaker 1>a boom walk in the session. Hilarious But no, but

0:14:23.680 --> 0:14:27.200
<v Speaker 1>but I was it was already a relationship there. So

0:14:28.120 --> 0:14:30.640
<v Speaker 1>in this game, you know the best chance? How did

0:14:31.880 --> 0:14:34.200
<v Speaker 1>Britney Spears record until we are the record? Oh and

0:14:34.240 --> 0:14:36.760
<v Speaker 1>that's a whole another thing. I sending it in a

0:14:36.840 --> 0:14:38.600
<v Speaker 1>person that's my good friend. Now, I won't throw her

0:14:38.640 --> 0:14:42.000
<v Speaker 1>under the bus, but I sent it to to Brittany

0:14:42.000 --> 0:14:45.000
<v Speaker 1>these people and one of the people who got the

0:14:45.040 --> 0:14:47.080
<v Speaker 1>record actually is a good friend of mine. Now we

0:14:47.160 --> 0:14:49.280
<v Speaker 1>worked really really close. But at that time told me

0:14:49.280 --> 0:14:51.640
<v Speaker 1>it wasn't a hit record. What that was The word

0:14:51.680 --> 0:14:55.320
<v Speaker 1>I got back, wasn't a hit. Yeah, she's not here

0:14:56.000 --> 0:14:57.680
<v Speaker 1>get talking back to this to get his name out

0:14:57.680 --> 0:15:01.240
<v Speaker 1>of there. He's probably gonna get that's my that's my

0:15:01.280 --> 0:15:04.680
<v Speaker 1>boot um and and it just grew on from there.

0:15:04.680 --> 0:15:06.880
<v Speaker 1>I'm like, funk that. I don't know what she's talking about.

0:15:06.920 --> 0:15:09.800
<v Speaker 1>She's smoking something like she's high or she's in fear

0:15:09.840 --> 0:15:11.360
<v Speaker 1>of losing her job. I don't know what it is?

0:15:12.160 --> 0:15:16.600
<v Speaker 1>Um and literally after that the record was heard. It's

0:15:16.760 --> 0:15:18.920
<v Speaker 1>kind of crazy how this story happened. Me and Tricky

0:15:18.960 --> 0:15:22.119
<v Speaker 1>Stewart did the record. But the record got from Atlanta,

0:15:22.680 --> 0:15:25.040
<v Speaker 1>it was just a peep of it and got hurt

0:15:25.080 --> 0:15:29.480
<v Speaker 1>of deaf jam about l a Ree and he sent

0:15:29.600 --> 0:15:31.360
<v Speaker 1>a good friend of mine now her name is Karen

0:15:31.440 --> 0:15:36.360
<v Speaker 1>Kwark down down to retrieve the record. She's like, who

0:15:36.360 --> 0:15:38.920
<v Speaker 1>the fund is writing this ship? Who is it? And

0:15:38.960 --> 0:15:41.360
<v Speaker 1>at the time, you know, the young guy didn't have

0:15:41.400 --> 0:15:43.720
<v Speaker 1>no super big placement, so nobody knew who the funk

0:15:43.760 --> 0:15:46.240
<v Speaker 1>I was, you know, really just people in the city,

0:15:46.280 --> 0:15:48.200
<v Speaker 1>of course, people in the studio where we were working

0:15:48.200 --> 0:15:52.480
<v Speaker 1>at in Atlanta. But that record, of course went from

0:15:52.520 --> 0:15:56.400
<v Speaker 1>there to um l A and Karen saying, you know who,

0:15:56.480 --> 0:16:01.000
<v Speaker 1>this record would be great on Rihanna and the record

0:16:01.080 --> 0:16:03.920
<v Speaker 1>got played and I guess she heard about the record

0:16:04.240 --> 0:16:06.000
<v Speaker 1>at a certain point in time. She's out at the

0:16:06.000 --> 0:16:09.280
<v Speaker 1>Grammys that year earlier in two thousand and seven, and

0:16:09.360 --> 0:16:11.120
<v Speaker 1>she heard about the record. I guess she had heard it,

0:16:11.160 --> 0:16:13.440
<v Speaker 1>but we had not cut the record yet, and she

0:16:13.480 --> 0:16:17.880
<v Speaker 1>walked up to my manager and said, that's my fucking record. No, no, no,

0:16:18.000 --> 0:16:25.960
<v Speaker 1>Rihanna just like that, that's my can you can't all

0:16:25.960 --> 0:16:31.640
<v Speaker 1>give it the West Indian Yeah, just don't do it.

0:16:31.720 --> 0:16:33.720
<v Speaker 1>Of course, when I heard that she said that in

0:16:33.760 --> 0:16:35.560
<v Speaker 1>that way, I was like, Yeah, that's the motherfucker that

0:16:35.560 --> 0:16:40.000
<v Speaker 1>should have had the record attitude, right, you got it?

0:16:40.440 --> 0:16:42.280
<v Speaker 1>And then I was already kind of following her and

0:16:42.360 --> 0:16:44.920
<v Speaker 1>she she already had a couple of records that that

0:16:45.000 --> 0:16:47.880
<v Speaker 1>I felt were great. This record was gonna go with that?

0:16:47.880 --> 0:16:51.360
<v Speaker 1>That how big was going to be? I think, I

0:16:51.440 --> 0:16:54.520
<v Speaker 1>think timing and it's all based on a certain math

0:16:54.640 --> 0:16:57.360
<v Speaker 1>that we can never really solve, you know, lightning in

0:16:57.400 --> 0:16:59.960
<v Speaker 1>the bottle. Things happened for you, and it's a blessing

0:17:00.200 --> 0:17:02.280
<v Speaker 1>those things out of your control. You know. The only

0:17:02.280 --> 0:17:04.959
<v Speaker 1>thing you could do is be prepared. So I was

0:17:05.000 --> 0:17:07.600
<v Speaker 1>prepared for the moment. But to say I knew exactly

0:17:07.600 --> 0:17:09.520
<v Speaker 1>what it would do, I knew what it was, you know,

0:17:09.520 --> 0:17:12.440
<v Speaker 1>I say that it was a good record, and I

0:17:12.520 --> 0:17:14.880
<v Speaker 1>knew it was a better than good record. I knew

0:17:14.880 --> 0:17:17.560
<v Speaker 1>it was a great record. But ship happens, man, People

0:17:17.640 --> 0:17:21.720
<v Speaker 1>ship shot crazy videos to certain songs that I had

0:17:22.119 --> 0:17:24.000
<v Speaker 1>rolled the ship out the ole way, and you're like,

0:17:24.359 --> 0:17:27.080
<v Speaker 1>what the fun you know there's other there's other things

0:17:27.119 --> 0:17:30.520
<v Speaker 1>that other forces that come into black. Yeah, you have

0:17:30.560 --> 0:17:32.399
<v Speaker 1>a wrote a record and it was like, let me

0:17:32.440 --> 0:17:36.800
<v Speaker 1>take my ship back. Wrote a record for somebody because

0:17:36.800 --> 0:17:38.800
<v Speaker 1>I ain't gonn That's why I can't write ship but nobody.

0:17:39.080 --> 0:17:40.960
<v Speaker 1>I'm taking my safe back. I don't say he was

0:17:41.359 --> 0:17:44.840
<v Speaker 1>doing out a hit and I find the reason nothing

0:17:44.880 --> 0:17:51.640
<v Speaker 1>like you ever said before, Like I didn't want to,

0:17:52.280 --> 0:17:53.760
<v Speaker 1>but I didn't want to do it. What the person

0:17:53.840 --> 0:17:57.639
<v Speaker 1>get hit the notes right or song? It wasn't hit

0:17:57.680 --> 0:18:05.159
<v Speaker 1>the notes the notes. I don't know where he took it. Yeah,

0:18:05.680 --> 0:18:08.280
<v Speaker 1>you don't don't wake my gun. I'm trying to trying

0:18:08.320 --> 0:18:11.440
<v Speaker 1>to stay right now to the record. And you wrote

0:18:11.440 --> 0:18:13.760
<v Speaker 1>it for them, and then I wrote it for for him,

0:18:13.920 --> 0:18:16.280
<v Speaker 1>which was Jamie Foxx. At the time, there was a

0:18:16.280 --> 0:18:19.440
<v Speaker 1>record called Rocking that Ship. Rocking that Ship. Yeah, he

0:18:19.880 --> 0:18:22.840
<v Speaker 1>rocked that Ship. So it just turned into one of

0:18:22.840 --> 0:18:24.760
<v Speaker 1>those things where I wrote it for him and he

0:18:24.840 --> 0:18:27.240
<v Speaker 1>was like, I think I did like six records on

0:18:27.280 --> 0:18:31.119
<v Speaker 1>that album. Um. The first single ended up being Blame It,

0:18:31.960 --> 0:18:37.400
<v Speaker 1>which was which was a record that was an interpretation

0:18:37.480 --> 0:18:39.760
<v Speaker 1>of I Love Your Girl, which is my older record

0:18:39.800 --> 0:18:45.200
<v Speaker 1>at the time. So I'm happy either way, like okay,

0:18:45.240 --> 0:18:47.800
<v Speaker 1>and he's like this record is cool, but Dream, I

0:18:47.800 --> 0:18:49.600
<v Speaker 1>need a dream record. I need a dream. I'm like

0:18:49.640 --> 0:18:52.040
<v Speaker 1>this that new ship like do this ship is like

0:18:52.119 --> 0:18:54.680
<v Speaker 1>now I'm good, And so I was kind of happy

0:18:54.680 --> 0:18:56.240
<v Speaker 1>he said now I'm good and that she was my

0:18:56.280 --> 0:18:58.879
<v Speaker 1>first thing to make some noise with Dream being like

0:18:58.920 --> 0:19:04.800
<v Speaker 1>me exactly what I was exactly like as been like, so, um,

0:19:05.119 --> 0:19:11.960
<v Speaker 1>what's inception with Kanye? Um? For me? Pretty pretty tame? Yeah,

0:19:14.720 --> 0:19:19.439
<v Speaker 1>pretty tame is you know, everybody has these and elephants.

0:19:19.960 --> 0:19:23.479
<v Speaker 1>People just have different ideas about people, you know, and

0:19:23.520 --> 0:19:26.159
<v Speaker 1>I think you know some real nigger ship. It's just

0:19:26.200 --> 0:19:29.480
<v Speaker 1>one of the things that when you people, you people,

0:19:29.720 --> 0:19:32.320
<v Speaker 1>you know, everybody has their their ups, there downs and

0:19:32.320 --> 0:19:35.920
<v Speaker 1>ship that they go through. Um. But most of all,

0:19:36.280 --> 0:19:40.360
<v Speaker 1>I think when you're talking about the creators, they're pretty

0:19:40.480 --> 0:19:44.280
<v Speaker 1>they're pretty loved, you know, individuals by all of us

0:19:44.480 --> 0:19:47.280
<v Speaker 1>and it's love coming back, you know, our way. So

0:19:47.320 --> 0:19:50.560
<v Speaker 1>when I'm with Kanye, like, I don't see any thing

0:19:50.680 --> 0:19:53.320
<v Speaker 1>other than greatness, you know, and what he's trying to

0:19:53.359 --> 0:19:55.960
<v Speaker 1>get done. Like, I don't see any other noise, any

0:19:56.000 --> 0:19:58.760
<v Speaker 1>other ship. You know, noise may happen after that. But

0:19:59.200 --> 0:20:03.560
<v Speaker 1>for me, we on one, we locked locks synergy between y'all. Yeah,

0:20:03.640 --> 0:20:06.200
<v Speaker 1>we walk in and ship, we get the ship done,

0:20:06.480 --> 0:20:09.600
<v Speaker 1>you know. And and it's been days are you've been nights,

0:20:09.680 --> 0:20:11.320
<v Speaker 1>been out, flown out to Paris and we didn't do

0:20:11.359 --> 0:20:14.639
<v Speaker 1>ship for like three four days. And I'm just you know,

0:20:14.880 --> 0:20:21.520
<v Speaker 1>that's car exactly. I'm a different type of person in past.

0:20:21.800 --> 0:20:26.439
<v Speaker 1>It's coming out there right now. What he's in Paris, damn,

0:20:28.359 --> 0:20:30.720
<v Speaker 1>And it's fantastic. Next he goes, he's saying he hadn't

0:20:30.760 --> 0:20:38.000
<v Speaker 1>make it so single lays because that's a super girl, right.

0:20:38.040 --> 0:20:45.680
<v Speaker 1>There's what else at that time? This is the easiest one. Yeah,

0:20:46.160 --> 0:20:50.320
<v Speaker 1>what else would Beyonce be singing about to all my

0:20:50.440 --> 0:20:52.280
<v Speaker 1>single days? Is that the way you looked at it?

0:20:52.359 --> 0:20:55.199
<v Speaker 1>And she was in a relationship, y'all. Nobody knew who

0:20:55.320 --> 0:20:57.760
<v Speaker 1>Jay was there. You all to know what it was

0:20:57.920 --> 0:21:00.200
<v Speaker 1>happened to be on tour at the time with Jay

0:21:00.240 --> 0:21:02.040
<v Speaker 1>and Mary. I was opening up for Jay and Mary

0:21:02.080 --> 0:21:06.040
<v Speaker 1>on the tour and and I remember Jay Um coming in.

0:21:06.119 --> 0:21:08.280
<v Speaker 1>He's like, Yo, need you need you doing right with

0:21:08.320 --> 0:21:10.440
<v Speaker 1>my girl? And I was like, all right, cool, bet

0:21:10.960 --> 0:21:14.560
<v Speaker 1>it's nothing. The next thing that popped up is oh cool.

0:21:14.640 --> 0:21:17.680
<v Speaker 1>So you know, you're like an investigator. You're just reporting

0:21:17.680 --> 0:21:20.679
<v Speaker 1>the news, like okay, nobody really knows if you like

0:21:20.720 --> 0:21:22.240
<v Speaker 1>you should have put a ring on the count a

0:21:22.240 --> 0:21:24.520
<v Speaker 1>whole bunch of ship to a lot of people. It's

0:21:24.520 --> 0:21:28.040
<v Speaker 1>a coffee I call it a coffee table conversation. Um.

0:21:28.359 --> 0:21:29.840
<v Speaker 1>It was just one of those things that was an

0:21:29.880 --> 0:21:32.880
<v Speaker 1>obvious thing the right like and you know you didn't

0:21:32.880 --> 0:21:34.760
<v Speaker 1>see the ring into the video. I was just like,

0:21:34.800 --> 0:21:39.040
<v Speaker 1>oh cool, who said all this ship up? And so yeah,

0:21:39.160 --> 0:21:41.639
<v Speaker 1>what a better public way to say, oh yeah, we

0:21:41.680 --> 0:21:45.760
<v Speaker 1>we actually together together. Musical teams is a real moment.

0:21:46.040 --> 0:21:49.800
<v Speaker 1>That is a real moment. That's pretty cool. And you

0:21:49.960 --> 0:21:54.080
<v Speaker 1>just's like it's like Jay just continues to work with

0:21:54.119 --> 0:21:57.440
<v Speaker 1>you like they are like one of the craziest masterminds

0:21:57.440 --> 0:22:02.040
<v Speaker 1>in the world. Knows that you're the master. That's crazy,

0:22:02.119 --> 0:22:05.919
<v Speaker 1>Like not that's that's that's what. That's what kind of

0:22:05.920 --> 0:22:08.639
<v Speaker 1>matters to me. The most type of of what I

0:22:08.720 --> 0:22:11.520
<v Speaker 1>do with the people I respect and that I work

0:22:11.600 --> 0:22:14.080
<v Speaker 1>with is that the greatest people who are doing the

0:22:14.160 --> 0:22:18.680
<v Speaker 1>ship knows like, all right, we think we finished with

0:22:18.760 --> 0:22:21.840
<v Speaker 1>the album. No we're not call that nigger, even if

0:22:21.840 --> 0:22:24.040
<v Speaker 1>you just gotta come listen to it, even if he

0:22:24.119 --> 0:22:26.399
<v Speaker 1>adds four bars or he adds three hooks, so a

0:22:26.520 --> 0:22:29.399
<v Speaker 1>whole song. Make sure we call him. And that's I

0:22:29.440 --> 0:22:32.520
<v Speaker 1>take the most pride in that, because, um, that's that's

0:22:32.560 --> 0:22:36.640
<v Speaker 1>just more more important, you know to me, that the legends. Yeah,

0:22:36.680 --> 0:22:40.640
<v Speaker 1>that's like yo, like that's the guy. Yeah, yeah, that's

0:22:40.720 --> 0:22:43.320
<v Speaker 1>that's way more important than me, you know, And I've

0:22:43.680 --> 0:22:49.040
<v Speaker 1>literally sacrificed um a certain um I guess um we

0:22:49.119 --> 0:22:52.439
<v Speaker 1>can say shimmer on my own armor because of that,

0:22:53.000 --> 0:22:55.960
<v Speaker 1>you know, because I I will take that back seat

0:22:56.040 --> 0:22:58.240
<v Speaker 1>to things that I feel like that are more important

0:22:58.280 --> 0:23:00.160
<v Speaker 1>to me, are more important to the world that they

0:23:00.200 --> 0:23:05.760
<v Speaker 1>get a certain thing out now justin Bieber, Oh yeah,

0:23:06.440 --> 0:23:10.440
<v Speaker 1>for his first single was the ex first thing. No,

0:23:10.680 --> 0:23:13.800
<v Speaker 1>that was not. It wasn't. I was wrong, Okay, but

0:23:13.840 --> 0:23:16.080
<v Speaker 1>I'm glad you feel like it is. I feel like

0:23:16.119 --> 0:23:18.560
<v Speaker 1>that first birth to you. I feel like you birth.

0:23:18.880 --> 0:23:21.040
<v Speaker 1>I'm just giving you the prop scream. Just roll with it, okay,

0:23:21.160 --> 0:23:26.000
<v Speaker 1>before you before we just this is tyger ball, This

0:23:26.080 --> 0:23:28.959
<v Speaker 1>is spoiled soyl sauce, this is any nothing was supposed

0:23:28.960 --> 0:23:31.480
<v Speaker 1>to be drinking right now, This is it's a tradition

0:23:31.560 --> 0:23:33.080
<v Speaker 1>with the show this go go with my ox and

0:23:33.119 --> 0:23:35.879
<v Speaker 1>code on because on I don't think nothing here goes

0:23:35.960 --> 0:23:41.400
<v Speaker 1>with Well, let's try, let's see what happens. Go hold on.

0:23:41.480 --> 0:23:43.800
<v Speaker 1>We got to toast the seth and when you toast

0:23:44.080 --> 0:23:47.119
<v Speaker 1>all night tonight we are celebrating the dream. We respect you.

0:23:47.200 --> 0:23:51.560
<v Speaker 1>You all actually first R and beast by itself because

0:23:51.600 --> 0:23:53.520
<v Speaker 1>we did have Drew Hill right, but they came there.

0:23:53.640 --> 0:23:57.480
<v Speaker 1>It was and that was Hill. It was corrupted, dads.

0:23:57.520 --> 0:23:59.320
<v Speaker 1>We had the last episode to throw Drew Hill and

0:23:59.320 --> 0:24:01.840
<v Speaker 1>it was awkward, but we made it work. But we

0:24:01.920 --> 0:24:05.919
<v Speaker 1>made it work. But tonight we are saluting who I

0:24:05.960 --> 0:24:12.359
<v Speaker 1>consider new R and g King R and listen, I

0:24:12.359 --> 0:24:14.760
<v Speaker 1>consider him the king. I consider them the person that

0:24:14.840 --> 0:24:17.159
<v Speaker 1>shape and move with music sound like today, and we're

0:24:17.160 --> 0:24:19.320
<v Speaker 1>gonna salute that tonight. Let's make some noise to take it.

0:24:24.119 --> 0:24:31.000
<v Speaker 1>He just died. It's hardy did that go? He You're

0:24:31.000 --> 0:24:36.679
<v Speaker 1>gonna write seven songs and now now we're gonna go

0:24:36.680 --> 0:24:39.840
<v Speaker 1>back to and then you go back to Jessie. You

0:24:39.840 --> 0:24:43.120
<v Speaker 1>want back after that. That's some country shipped right here.

0:24:46.320 --> 0:24:50.040
<v Speaker 1>This is a fucking Grits. I'm never like that good

0:24:50.040 --> 0:24:55.399
<v Speaker 1>with pancakes. Let's go good with grits. I've never heard that.

0:24:55.640 --> 0:24:57.840
<v Speaker 1>What did Ambarro say? It takes late? She said, be

0:24:58.000 --> 0:25:03.760
<v Speaker 1>stairs on sa pepper stand girl Like, if that don't

0:25:03.800 --> 0:25:08.840
<v Speaker 1>take later on, we're gonna build up to it. So

0:25:09.160 --> 0:25:11.480
<v Speaker 1>who was your funnest sessions? Have the first see with

0:25:11.520 --> 0:25:16.760
<v Speaker 1>my sexual reaction is first, you gotta gotta go through it.

0:25:16.960 --> 0:25:19.520
<v Speaker 1>What was your favorite session you ever had? Like you

0:25:19.640 --> 0:25:21.919
<v Speaker 1>just walked in and everything was perfect, whether they be

0:25:22.080 --> 0:25:25.400
<v Speaker 1>you producing right in all your own sessions? Oh man,

0:25:25.440 --> 0:25:28.600
<v Speaker 1>the favorite session I walked in was the no Church

0:25:28.640 --> 0:25:32.879
<v Speaker 1>in the Wild session Church. Yeah, that's my favorite s

0:25:33.400 --> 0:25:38.159
<v Speaker 1>No Church. That's the one with Frank Ocean No, No,

0:25:38.280 --> 0:25:40.879
<v Speaker 1>he wrote his own part um. But that was the

0:25:41.080 --> 0:25:43.879
<v Speaker 1>That was the best one that because that was based

0:25:43.880 --> 0:25:46.080
<v Speaker 1>off if you don't know the backstory now, at the time,

0:25:46.080 --> 0:25:47.800
<v Speaker 1>I couldn't say with the fact story was because it's

0:25:47.840 --> 0:25:50.560
<v Speaker 1>a huge deal for what was happening. But at the

0:25:50.720 --> 0:25:54.360
<v Speaker 1>at the time, um Jay and Kanye were finishing up

0:25:55.240 --> 0:25:57.879
<v Speaker 1>watched The Throne and we were listening to it in

0:25:57.920 --> 0:26:03.480
<v Speaker 1>Paris and you know it easy there. Yeah, but we

0:26:03.600 --> 0:26:05.840
<v Speaker 1>kind of threw a monkey rench in that. Um I

0:26:05.960 --> 0:26:08.040
<v Speaker 1>came home because I felt like they had the album

0:26:08.040 --> 0:26:09.560
<v Speaker 1>and they were kind of done with you know what

0:26:09.640 --> 0:26:12.640
<v Speaker 1>it was, And I wrote Holy Grail at the time

0:26:12.640 --> 0:26:21.320
<v Speaker 1>and sending it back to Jake Ye. So I said

0:26:21.080 --> 0:26:24.600
<v Speaker 1>said that back to Jay as they're finishing up, because

0:26:24.600 --> 0:26:26.480
<v Speaker 1>I just wanted to get ahead and just start working

0:26:26.480 --> 0:26:29.159
<v Speaker 1>on what his next ship was. I knew our stones

0:26:29.200 --> 0:26:32.359
<v Speaker 1>Over was with justin timber Lake, right, that was a

0:26:33.200 --> 0:26:39.800
<v Speaker 1>that was okay, okay, okay um, So I said to

0:26:39.800 --> 0:26:41.600
<v Speaker 1>the record Jay, he's in back, yoh man, that's my

0:26:41.640 --> 0:26:44.119
<v Speaker 1>first single named my album That ball balls Like, all right,

0:26:44.160 --> 0:26:46.160
<v Speaker 1>cool beat, let me know when it's time to cut.

0:26:48.080 --> 0:26:52.000
<v Speaker 1>I'm in Newport Beach, California. I got a nice boat

0:26:52.080 --> 0:26:54.560
<v Speaker 1>out there. It feels good. I'm about there writing some ship.

0:26:54.720 --> 0:26:59.520
<v Speaker 1>I feel lovely phones blowing up. I don't know what

0:26:59.640 --> 0:27:01.960
<v Speaker 1>the fun they want on the East Coast. I'm on

0:27:02.320 --> 0:27:04.840
<v Speaker 1>the Sun's and I'm like, nah, dog, ain't got time

0:27:04.920 --> 0:27:07.080
<v Speaker 1>for it right now. I get a call from my

0:27:07.080 --> 0:27:14.000
<v Speaker 1>good friend Shack Gurse. Shaka calls me, I need you

0:27:14.040 --> 0:27:18.639
<v Speaker 1>at the mercer in New York right now. It's like, no,

0:27:19.359 --> 0:27:21.520
<v Speaker 1>we think I'm gonna play golf A six am so

0:27:21.560 --> 0:27:23.360
<v Speaker 1>I'm good. I'm gonna just stay right here. I'm having

0:27:23.359 --> 0:27:31.040
<v Speaker 1>a good time office, make some more. That's that's a movie.

0:27:28.200 --> 0:27:35.520
<v Speaker 1>Get So I don't want to leave, of course, my boogey.

0:27:36.160 --> 0:27:39.720
<v Speaker 1>So so I'm asking what the deal is. She won't

0:27:39.760 --> 0:27:41.560
<v Speaker 1>tell me over the phone, like what's going on? So

0:27:41.560 --> 0:27:44.520
<v Speaker 1>I kind of get a little sideways idea about what's

0:27:44.560 --> 0:27:47.760
<v Speaker 1>going on. It's like Yo J played Kanye Holy Grail

0:27:48.680 --> 0:27:51.720
<v Speaker 1>and asked me to put on wash the Throne. He

0:27:51.800 --> 0:27:56.240
<v Speaker 1>was like, nah, good, I'm gonna keep this old my album.

0:27:56.600 --> 0:27:58.840
<v Speaker 1>You said we was doing the album you know x

0:27:58.960 --> 0:28:02.480
<v Speaker 1>y Z. And so what happened from that is, of

0:28:02.480 --> 0:28:05.560
<v Speaker 1>course I flew into you know, I flew into New

0:28:05.640 --> 0:28:08.720
<v Speaker 1>York and and the main thing was, oh, we need

0:28:08.760 --> 0:28:10.880
<v Speaker 1>you to write another Holy Grill. And Jay's like yeah,

0:28:10.920 --> 0:28:12.399
<v Speaker 1>he's gonna go out to the trunk and get one

0:28:12.440 --> 0:28:15.399
<v Speaker 1>out the trunk and just bringing upstairs for us, and

0:28:15.640 --> 0:28:17.840
<v Speaker 1>even me, as as confident as I am, I was

0:28:17.840 --> 0:28:19.960
<v Speaker 1>thinking the same thing, like, yeah, this ship ain't just

0:28:20.000 --> 0:28:23.120
<v Speaker 1>in my back pocket, Like that's that's that's the one

0:28:23.160 --> 0:28:25.080
<v Speaker 1>that done right there? You want to go back to Westcope.

0:28:25.640 --> 0:28:30.000
<v Speaker 1>So um, short and long story short, I went in

0:28:30.080 --> 0:28:32.560
<v Speaker 1>he was working on No Church In a While. Call

0:28:32.600 --> 0:28:34.280
<v Speaker 1>you was like, Yo, I need you to put something

0:28:34.320 --> 0:28:37.440
<v Speaker 1>on this record. I went in the next room blah

0:28:37.440 --> 0:28:39.480
<v Speaker 1>blah blah blah blah blah. Didn't think nothing of it,

0:28:40.400 --> 0:28:46.560
<v Speaker 1>and me Ja and Leonardo DiCaprio at that time went went, um,

0:28:46.760 --> 0:29:02.719
<v Speaker 1>what's life. It's just I'm sorry that the sides. I'm

0:29:03.000 --> 0:29:07.160
<v Speaker 1>going to grab something to even I never heard about

0:29:07.200 --> 0:29:09.520
<v Speaker 1>the Rector again as I put something on No Church

0:29:09.560 --> 0:29:12.240
<v Speaker 1>in a While at that time, and I get a

0:29:12.240 --> 0:29:15.880
<v Speaker 1>phone call like months later, and Shocking is on the

0:29:15.920 --> 0:29:18.480
<v Speaker 1>phones like, yeah, so you're gonna watch the Throne. I

0:29:18.560 --> 0:29:20.720
<v Speaker 1>was like, no, you're talking about Jay Ship. I was like,

0:29:20.720 --> 0:29:22.480
<v Speaker 1>I'm not. Don't watch the Thrones, Like, but I just

0:29:22.520 --> 0:29:24.760
<v Speaker 1>did listening in New York. You don't watch the Thrones?

0:29:24.840 --> 0:29:28.400
<v Speaker 1>Like no, I'm not, Like no, j just recited Joejo

0:29:28.640 --> 0:29:30.920
<v Speaker 1>verse on No Church in a While. You're definitely on

0:29:31.040 --> 0:29:33.320
<v Speaker 1>watch the Thrones. Like what is he talking about? I

0:29:33.360 --> 0:29:35.440
<v Speaker 1>have a guy that I did this piece of the

0:29:35.440 --> 0:29:39.120
<v Speaker 1>song that Kanye ended up keeping. Just do it and

0:29:39.160 --> 0:29:43.880
<v Speaker 1>forget about it. Um. So initially it wasn't even credit

0:29:43.960 --> 0:29:46.000
<v Speaker 1>on there, like four, It was just it was just

0:29:46.040 --> 0:29:48.840
<v Speaker 1>this part, you know that because everybody was thinking the

0:29:48.840 --> 0:29:51.600
<v Speaker 1>same thing, like no, that's just Kanya and j and

0:29:51.640 --> 0:29:53.960
<v Speaker 1>frank ochan and then you know later on course put

0:29:53.960 --> 0:29:56.680
<v Speaker 1>it together. But that was the best session I walked

0:29:56.720 --> 0:30:01.560
<v Speaker 1>into because it took me about maybe six minutes to

0:30:01.600 --> 0:30:05.360
<v Speaker 1>do that part and I gotta Grammy four. So it's

0:30:05.440 --> 0:30:09.160
<v Speaker 1>like you said, again, six minutes and the Grammy dig

0:30:09.800 --> 0:30:19.800
<v Speaker 1>so the best six minutes, like a good list. I

0:30:19.880 --> 0:30:25.320
<v Speaker 1>spent so much time on the wrong taking all your

0:30:25.400 --> 0:30:28.960
<v Speaker 1>job six minutes, you take all your taking all and

0:30:29.640 --> 0:30:34.320
<v Speaker 1>when he first picking hilarious. No, that's why that's the

0:30:34.360 --> 0:30:38.000
<v Speaker 1>best session in my lifetime to date. It was just

0:30:38.040 --> 0:30:41.120
<v Speaker 1>so easy time to make out over there. I'm like,

0:30:41.120 --> 0:30:43.560
<v Speaker 1>oh cool, we did it, Like this is great. I'm thinking,

0:30:43.600 --> 0:30:45.840
<v Speaker 1>I don't know nothing. Come on, what's like a the

0:30:45.920 --> 0:30:49.400
<v Speaker 1>Caprio doing in that? Probably had no idea? Who the funk?

0:30:49.400 --> 0:30:52.560
<v Speaker 1>I was like, he just get your high fight, Yeah,

0:30:52.600 --> 0:30:56.920
<v Speaker 1>good buddy, James guy. I guess nah, you'd be surprised.

0:30:56.920 --> 0:30:59.600
<v Speaker 1>He'd be surprised. They know who you are doing. I'm

0:30:59.600 --> 0:31:02.640
<v Speaker 1>trying be humble, but are you on drink chance? We

0:31:02.840 --> 0:31:04.920
<v Speaker 1>don't get to be not humble for you? We be

0:31:05.040 --> 0:31:07.400
<v Speaker 1>you up all that. This is what we do over here.

0:31:07.640 --> 0:31:10.360
<v Speaker 1>Other we we like to respect our artists. We look

0:31:10.400 --> 0:31:13.320
<v Speaker 1>at our artists like the superheroes, and we want the

0:31:13.360 --> 0:31:15.960
<v Speaker 1>world to look at look at all artists like superheroes.

0:31:16.080 --> 0:31:19.760
<v Speaker 1>That's true what we do. We sacrifice our life every day.

0:31:20.040 --> 0:31:22.480
<v Speaker 1>You know, you don't stop being an artists. You always

0:31:22.520 --> 0:31:24.560
<v Speaker 1>being an artist every time. So let me ask you.

0:31:24.600 --> 0:31:27.360
<v Speaker 1>With that being said, you have an experience of writing

0:31:27.440 --> 0:31:30.320
<v Speaker 1>and producing. You produced too as well, actually make the

0:31:30.360 --> 0:31:34.080
<v Speaker 1>bj and an artists if you had a chance to

0:31:34.160 --> 0:31:36.840
<v Speaker 1>do it all a little, what's your experience now? Right? Well,

0:31:36.880 --> 0:31:40.360
<v Speaker 1>all the experience. Now you're working with everybody from everybody's everybody,

0:31:40.520 --> 0:31:44.800
<v Speaker 1>and you had a test to do it all, and

0:31:44.840 --> 0:31:53.520
<v Speaker 1>you can pick one writing or like or no, no,

0:31:53.640 --> 0:31:58.120
<v Speaker 1>writing or being an artist? What would you pick? What's

0:31:58.120 --> 0:32:02.680
<v Speaker 1>your biggest high? Writing? Writing more? Didn't be in front

0:32:06.000 --> 0:32:09.640
<v Speaker 1>expressing your own right, No, no, because writing just touches

0:32:09.760 --> 0:32:12.840
<v Speaker 1>more people like. It's like, despite a web of effective

0:32:13.080 --> 0:32:16.360
<v Speaker 1>when you're artists, everything is mostly singular. You have the

0:32:16.480 --> 0:32:19.120
<v Speaker 1>ideas you this is what people think of you, and

0:32:19.160 --> 0:32:21.160
<v Speaker 1>this is how it's just gonna sound when it comes out.

0:32:21.160 --> 0:32:24.160
<v Speaker 1>It's based on you right when I'm writing, I get

0:32:24.200 --> 0:32:26.840
<v Speaker 1>to be Selene one day and I get to be

0:32:26.960 --> 0:32:30.280
<v Speaker 1>somebody else. You know the morpho just said you said

0:32:30.280 --> 0:32:33.320
<v Speaker 1>he could be seleneon yea right, and he didn't even

0:32:33.400 --> 0:32:35.120
<v Speaker 1>hit up with the dion. That's how you know, you know,

0:32:35.480 --> 0:32:40.840
<v Speaker 1>let's make a noise. I don't forget to be and

0:32:40.920 --> 0:32:43.920
<v Speaker 1>now now, so how do you write for Justin b?

0:32:44.120 --> 0:32:45.880
<v Speaker 1>But how do you? How do you because he's a

0:32:45.920 --> 0:32:48.800
<v Speaker 1>kid at the time. Correct, he's kidding his baby baby

0:32:48.880 --> 0:32:56.280
<v Speaker 1>right right, baby? Yeah, my son playing that record so much.

0:32:56.280 --> 0:32:58.920
<v Speaker 1>I probably know the record more than them. So how

0:32:58.920 --> 0:33:01.600
<v Speaker 1>do you get in? That's on like? Because that's what

0:33:01.640 --> 0:33:05.240
<v Speaker 1>I'm saying, that's the psycho part. It was. The record

0:33:05.360 --> 0:33:09.640
<v Speaker 1>was actually record, but it was appropriate for the youth,

0:33:09.840 --> 0:33:12.080
<v Speaker 1>like how could you balance that to be weird? I

0:33:12.120 --> 0:33:13.960
<v Speaker 1>was just trying to figure out how to talk to

0:33:14.320 --> 0:33:16.600
<v Speaker 1>and not figure out. I remember how to talk to

0:33:16.640 --> 0:33:19.239
<v Speaker 1>a girl when I was sixteen. So it was just

0:33:19.360 --> 0:33:22.000
<v Speaker 1>about saying something that I felt like he needed to

0:33:22.040 --> 0:33:26.160
<v Speaker 1>say to be cool and what like. Because there's a

0:33:26.160 --> 0:33:30.080
<v Speaker 1>point where, you know, especially a young accident, they don't

0:33:30.080 --> 0:33:32.680
<v Speaker 1>think about you have to sing this song or if

0:33:32.720 --> 0:33:34.960
<v Speaker 1>you can't do a version of this song ten years

0:33:35.000 --> 0:33:37.320
<v Speaker 1>from that point. And I try to think about that

0:33:37.320 --> 0:33:40.000
<v Speaker 1>when I'm working with with with younger with younger artists,

0:33:40.000 --> 0:33:43.120
<v Speaker 1>like yo, yeah, you're you're eighteen sixteen, but you need

0:33:43.200 --> 0:33:44.840
<v Speaker 1>to be able to sing this song to that audience

0:33:44.840 --> 0:33:46.520
<v Speaker 1>that's gonna grow with you when you're twenty seven. You

0:33:46.560 --> 0:33:48.840
<v Speaker 1>don't need to be the lame superstar at that age

0:33:48.840 --> 0:33:51.080
<v Speaker 1>you can't identify with but you could go back and

0:33:51.120 --> 0:33:53.480
<v Speaker 1>think about yourself at that age and identify with it.

0:33:53.960 --> 0:33:57.320
<v Speaker 1>And so that's the psycho part. So that's a whole

0:33:57.440 --> 0:34:02.440
<v Speaker 1>other that's a blessed that that can be unraveled. That's

0:34:02.480 --> 0:34:06.160
<v Speaker 1>just something that I have, you know, in jumping into

0:34:06.200 --> 0:34:09.840
<v Speaker 1>different spaces times and moments and like even to be

0:34:10.000 --> 0:34:12.880
<v Speaker 1>pushing and like just like okay, let's go like or

0:34:13.040 --> 0:34:17.200
<v Speaker 1>or or even rap battling with j On on on

0:34:17.280 --> 0:34:20.080
<v Speaker 1>text like that's a you know, that's just a whole

0:34:20.120 --> 0:34:22.719
<v Speaker 1>other thing, you know. But I get to beat those

0:34:22.760 --> 0:34:25.200
<v Speaker 1>people and be in that place, and that's kind of

0:34:25.200 --> 0:34:27.640
<v Speaker 1>like why why I love it so much? Right and

0:34:27.760 --> 0:34:29.919
<v Speaker 1>Jay text is funny to hit you with three lines

0:34:29.960 --> 0:34:35.560
<v Speaker 1>and that space, I'll be like, y'all he's like, I'm

0:34:35.560 --> 0:34:37.320
<v Speaker 1>gonna knock all my ship out. Said you don't take me,

0:34:37.320 --> 0:34:39.080
<v Speaker 1>you don't work. I'll be like, this is a rich text.

0:34:39.440 --> 0:34:41.600
<v Speaker 1>I always saw cocon Every time you can talk like

0:34:41.640 --> 0:34:44.239
<v Speaker 1>this is rich text, I'll be having to decipherate. It's

0:34:44.280 --> 0:34:47.879
<v Speaker 1>just not it's just it's really really explain what it's

0:34:47.960 --> 0:34:50.560
<v Speaker 1>like a couple of lines and they've got spaces space

0:34:50.600 --> 0:34:54.080
<v Speaker 1>like then it's more lines than the space. Like it's

0:34:54.120 --> 0:34:57.000
<v Speaker 1>like three conversations. So he will give you like four

0:34:57.080 --> 0:34:59.880
<v Speaker 1>days to answer the questions. This ship. Don't hit me

0:34:59.920 --> 0:35:02.120
<v Speaker 1>the next you know, it's ill. I just want to

0:35:02.120 --> 0:35:06.440
<v Speaker 1>look up. It's like he answered everything. I'm sorry, I

0:35:06.480 --> 0:35:09.200
<v Speaker 1>was down, I was out. So now actually a bunch

0:35:09.239 --> 0:35:12.759
<v Speaker 1>of best studio session or your favorite studio session. Now

0:35:12.840 --> 0:35:15.400
<v Speaker 1>we know I gotta go there. What was your worst?

0:35:16.040 --> 0:35:19.680
<v Speaker 1>Oh man, the whole back Oh man, this wasn't a

0:35:19.719 --> 0:35:24.359
<v Speaker 1>studio session, but the worst with a good friend of mine,

0:35:24.360 --> 0:35:27.640
<v Speaker 1>and you're the worst experience, oh ship. Man. Rio was

0:35:27.719 --> 0:35:30.440
<v Speaker 1>on tour and were just cutting her whole album at

0:35:30.480 --> 0:35:36.400
<v Speaker 1>this particular time, whole album cutting recording people, what that

0:35:37.000 --> 0:35:44.560
<v Speaker 1>Oka was bixing recording. So literally after the concert we

0:35:44.600 --> 0:35:47.920
<v Speaker 1>would go backstage and cut records. She would stay in

0:35:47.920 --> 0:35:50.520
<v Speaker 1>the venue. We would cut records in the venue. That's

0:35:50.560 --> 0:35:53.800
<v Speaker 1>hard up and coming artists out there that thinking this

0:35:53.840 --> 0:35:55.759
<v Speaker 1>ship is easy? Did you hear what he just said?

0:35:56.160 --> 0:35:59.120
<v Speaker 1>After she performed, they were in the back and recorded

0:35:59.200 --> 0:36:02.719
<v Speaker 1>the record and go. That's dedication because me, I thought,

0:36:02.760 --> 0:36:07.120
<v Speaker 1>get on stage, I'm going to sleep. I'm going to sleep.

0:36:07.680 --> 0:36:11.920
<v Speaker 1>So so in return, God decided to uh figure out

0:36:11.960 --> 0:36:14.480
<v Speaker 1>how boogee and weak I had gotten at this particular

0:36:14.520 --> 0:36:16.640
<v Speaker 1>point in my life because at this time, like damn,

0:36:16.840 --> 0:36:19.080
<v Speaker 1>a lot of zeros in my bank account, Like I

0:36:19.120 --> 0:36:22.000
<v Speaker 1>feel good, you need the world, I want to go.

0:36:22.680 --> 0:36:24.719
<v Speaker 1>And then you find yourself on to one of your

0:36:24.719 --> 0:36:28.000
<v Speaker 1>great friends in the middle of fucking Europe, and you're like,

0:36:28.400 --> 0:36:32.600
<v Speaker 1>where are my staying? Man? If you ever stay, you

0:36:32.640 --> 0:36:35.279
<v Speaker 1>stayed at the plasm Man Manhattan, and you know, you

0:36:35.360 --> 0:36:37.960
<v Speaker 1>go from ship like that, You're like, all right, cool,

0:36:38.920 --> 0:36:42.319
<v Speaker 1>I got out there on the road. Man, we got

0:36:42.320 --> 0:36:44.919
<v Speaker 1>in this fucking hotel, motel. I don't need this. She's

0:36:44.960 --> 0:36:49.400
<v Speaker 1>just to tell it wasn't even the more. It's just

0:36:49.440 --> 0:36:56.080
<v Speaker 1>a tell, tell, don't tell. No man, I got in

0:36:56.160 --> 0:36:58.960
<v Speaker 1>this bom I opened up the door. Man, slowing back

0:36:59.000 --> 0:37:05.040
<v Speaker 1>to me coming It was half of a twin size

0:37:05.080 --> 0:37:07.319
<v Speaker 1>there and the heating was at the bottom, so they're

0:37:07.320 --> 0:37:10.440
<v Speaker 1>trying to bury ass up into bat Like, so do

0:37:10.520 --> 0:37:13.040
<v Speaker 1>I cut that on or do what? Man? I sleep

0:37:13.120 --> 0:37:15.719
<v Speaker 1>all the clothes on and had all all the face

0:37:15.800 --> 0:37:19.480
<v Speaker 1>cover it up. You've been through and I've been through that, man,

0:37:21.239 --> 0:37:24.080
<v Speaker 1>man man I sweat man. I was like, oh man,

0:37:24.080 --> 0:37:25.600
<v Speaker 1>I don't turn into a little bit. I used to

0:37:25.640 --> 0:37:27.400
<v Speaker 1>be the used to be that at letter NIG. I

0:37:27.400 --> 0:37:31.239
<v Speaker 1>was like, we don't give a fun, put me anywhere,

0:37:31.280 --> 0:37:33.839
<v Speaker 1>and then go the next morning like look, boom, hey,

0:37:33.880 --> 0:37:36.200
<v Speaker 1>I need you, yell, need you get me a hotel

0:37:36.239 --> 0:37:38.920
<v Speaker 1>room to this and you know she couldn't neck the

0:37:38.960 --> 0:37:42.000
<v Speaker 1>next one. One city over, what was the City Bay

0:37:42.040 --> 0:37:46.960
<v Speaker 1>in Newcastle? The next city over, that's where the continue.

0:37:47.640 --> 0:37:49.800
<v Speaker 1>We got to that spot next after we did a

0:37:49.880 --> 0:37:53.080
<v Speaker 1>show somewhere else before that, and there was two tubs

0:37:53.080 --> 0:37:54.640
<v Speaker 1>in my bath tobar room, and I was like, all right,

0:37:54.719 --> 0:37:59.960
<v Speaker 1>we're back, pitch back. I'm sorry you listen when I'll

0:38:00.000 --> 0:38:02.279
<v Speaker 1>I'll tell you two hotel stories. When I was coming up,

0:38:03.520 --> 0:38:06.120
<v Speaker 1>we all there was no hotels. It was sold out.

0:38:06.480 --> 0:38:08.920
<v Speaker 1>It's probably like one of them freaking type of things.

0:38:09.320 --> 0:38:12.799
<v Speaker 1>So we went to one hotel. It was the only

0:38:12.840 --> 0:38:15.560
<v Speaker 1>hotel and we walked in and it was roaches in

0:38:15.600 --> 0:38:18.520
<v Speaker 1>the hotel and so as hood as he was, it

0:38:18.600 --> 0:38:25.319
<v Speaker 1>was like we gotta late. Right how it was from

0:38:25.360 --> 0:38:29.160
<v Speaker 1>the project, so it was enough. How big were there.

0:38:29.280 --> 0:38:31.040
<v Speaker 1>I ain't gonna even lie to you. I just grind.

0:38:31.040 --> 0:38:32.839
<v Speaker 1>I just left. I was just like, I just can't

0:38:32.880 --> 0:38:34.520
<v Speaker 1>do it. We're getting a little money at the side

0:38:34.520 --> 0:38:37.800
<v Speaker 1>of me and going on over there. So m we

0:38:37.920 --> 0:38:40.680
<v Speaker 1>gold outstairs. We got all our clothes on. That's why

0:38:40.719 --> 0:38:42.880
<v Speaker 1>it reminded me of the story. Put all our tolings, like,

0:38:43.280 --> 0:38:46.200
<v Speaker 1>I ain't even but we still had the shower. It

0:38:46.320 --> 0:38:47.880
<v Speaker 1>was enough. We had no to know, so we had

0:38:47.880 --> 0:38:49.600
<v Speaker 1>to go to sleep, wake up, take the shower, and

0:38:49.640 --> 0:38:51.520
<v Speaker 1>keep it moving. Bro just left in the morning, but

0:38:51.600 --> 0:38:53.320
<v Speaker 1>at night it was that it was the block. It

0:38:53.440 --> 0:38:55.319
<v Speaker 1>was day block. We had to give it to him, right.

0:38:56.080 --> 0:38:59.600
<v Speaker 1>That was one story. Now we're getting money. I'm getting

0:38:59.640 --> 0:39:04.200
<v Speaker 1>money and a promoter. This is my man eating. We're

0:39:04.239 --> 0:39:06.520
<v Speaker 1>in Paris and he tries to show me. He's like,

0:39:06.560 --> 0:39:10.120
<v Speaker 1>I want to show you, dal By, why didn't do

0:39:10.200 --> 0:39:12.880
<v Speaker 1>that ship? But why don't do that ship wanted me

0:39:12.960 --> 0:39:14.920
<v Speaker 1>to cut you up here. I don't haven't see the

0:39:14.960 --> 0:39:20.200
<v Speaker 1>real Donna see ship about the real net like, ain't

0:39:20.239 --> 0:39:22.400
<v Speaker 1>come out lant, I won't show you real and no

0:39:24.320 --> 0:39:30.400
<v Speaker 1>he just listen, don't leave out the three three to seven.

0:39:30.440 --> 0:39:34.440
<v Speaker 1>He good, you know, fun up the hotel. But it

0:39:34.560 --> 0:39:37.399
<v Speaker 1>was Paris, it was culture. This was at the time.

0:39:38.200 --> 0:39:40.759
<v Speaker 1>I walked in and you know, I used the bathroom

0:39:41.120 --> 0:39:44.680
<v Speaker 1>and I heard Butch rob but I knew I was

0:39:44.800 --> 0:39:49.440
<v Speaker 1>on seven. He was on DJ DJ. So I'm like,

0:39:49.640 --> 0:39:52.200
<v Speaker 1>the hell I hear so I'm us in the bathroom

0:39:52.200 --> 0:40:00.680
<v Speaker 1>like your Butch know. I was sick too called to promote.

0:40:00.680 --> 0:40:08.000
<v Speaker 1>I said, this is the past, so I want to Hollywood.

0:40:09.920 --> 0:40:13.359
<v Speaker 1>I went through too much. I was, I've been through

0:40:13.400 --> 0:40:17.000
<v Speaker 1>too much. He said that ship morning, you felt your

0:40:17.040 --> 0:40:20.120
<v Speaker 1>tolly flush in that same time, this one flush for

0:40:20.200 --> 0:40:24.399
<v Speaker 1>the whole mild feel I'm gonna turn every each time.

0:40:24.440 --> 0:40:26.080
<v Speaker 1>And then I was like, this doesn't mean nothing at

0:40:26.120 --> 0:40:30.080
<v Speaker 1>this moment. Now now, I mean I'm crazy, I get

0:40:30.160 --> 0:40:33.120
<v Speaker 1>hit and then it's crazy. Any time when they played music,

0:40:33.120 --> 0:40:37.120
<v Speaker 1>it is like I was dead when I was out.

0:40:37.239 --> 0:40:39.439
<v Speaker 1>But this is the same we went through the clus

0:40:39.640 --> 0:40:41.400
<v Speaker 1>me I didn't. I didn't think I went through the

0:40:41.400 --> 0:40:46.000
<v Speaker 1>ground already been in the ground. O good, I woke up,

0:40:46.080 --> 0:40:48.319
<v Speaker 1>went to school. Damn bodies a creek like, I'm good.

0:40:48.880 --> 0:40:51.239
<v Speaker 1>I was done past. I was passed the ground part.

0:40:51.320 --> 0:40:53.960
<v Speaker 1>And it was just one of those realizations like, yo, man,

0:40:54.280 --> 0:40:56.400
<v Speaker 1>you got a lot of great ship going on. I

0:40:56.440 --> 0:40:58.359
<v Speaker 1>need you to remember where the funk you came from.

0:40:58.440 --> 0:41:00.880
<v Speaker 1>There was just one of those days, and I remember

0:41:00.960 --> 0:41:03.239
<v Speaker 1>that now. I stayed in a luxury sweet today to day.

0:41:03.280 --> 0:41:06.239
<v Speaker 1>You know I was back. I was fine, not in

0:41:06.280 --> 0:41:08.200
<v Speaker 1>my mind. I don't want to see the real nothing

0:41:08.200 --> 0:41:13.400
<v Speaker 1>of nothing like nos just you've already done that even

0:41:13.440 --> 0:41:14.839
<v Speaker 1>when you're there. You don't want to see the real

0:41:14.920 --> 0:41:17.520
<v Speaker 1>ship like I want to see this ship. We grew

0:41:17.520 --> 0:41:20.759
<v Speaker 1>out of that, we grew out of It's like, have

0:41:20.880 --> 0:41:25.120
<v Speaker 1>you epp up? Like met Michael Jackson. No crazy story

0:41:25.160 --> 0:41:28.920
<v Speaker 1>I got for you? Motherfucker's that I got crazy? See

0:41:28.960 --> 0:41:31.560
<v Speaker 1>do a shot before crazy or after? Hold on what

0:41:31.640 --> 0:41:33.080
<v Speaker 1>we've been doing? A shot up? I don't know if

0:41:33.080 --> 0:41:43.200
<v Speaker 1>he's on you. You can do the right couple. You

0:41:43.239 --> 0:41:51.440
<v Speaker 1>don't want to do it. We got a ship at

0:41:51.480 --> 0:41:54.840
<v Speaker 1>that we don't want to do it. Very about to

0:41:54.840 --> 0:41:59.359
<v Speaker 1>do that. Everybody always, everybody need everybody to do that.

0:41:59.400 --> 0:42:03.360
<v Speaker 1>Everybody got do line no, no, no cocaine, that's only message.

0:42:04.160 --> 0:42:15.360
<v Speaker 1>That's when the couple's you do that a little okay, cocagne, Dre,

0:42:15.360 --> 0:42:20.959
<v Speaker 1>you passed me, come back, You're killing that. I can't

0:42:20.960 --> 0:42:25.560
<v Speaker 1>wait a little too lud. Oh my god, can't we

0:42:25.719 --> 0:42:30.560
<v Speaker 1>miam me. I know the dogar's coach right now, drink

0:42:30.600 --> 0:42:33.120
<v Speaker 1>clad Let's do this all the paw the to him.

0:42:35.080 --> 0:42:37.719
<v Speaker 1>So I'm gonna forget the story, but I don't know

0:42:37.800 --> 0:42:40.680
<v Speaker 1>what was the story. Let's not forget Michael Jackson. Michael Jackson,

0:42:41.400 --> 0:42:44.640
<v Speaker 1>Michael Jackson, cocaine read he never met him, but he

0:42:44.760 --> 0:42:51.359
<v Speaker 1>met him. Oh, it's it like the way I think

0:42:51.360 --> 0:42:54.319
<v Speaker 1>I need to Michael Jackson. Yeah, yeah, I need this

0:42:54.320 --> 0:42:59.840
<v Speaker 1>Michael Jackson's story. It's terrible. Now you're drinking Champagne's champagne

0:43:00.040 --> 0:43:07.600
<v Speaker 1>to wash it down. What's this blue pill? Let me know? Yes,

0:43:12.120 --> 0:43:15.680
<v Speaker 1>that helps get the get your sciences right? Yeah, sting

0:43:15.719 --> 0:43:22.680
<v Speaker 1>for the lines. Saw him in Atlanta. Mike is working.

0:43:23.400 --> 0:43:26.440
<v Speaker 1>I started I'm making I May Love Hate in um

0:43:26.880 --> 0:43:29.239
<v Speaker 1>studio in Vegas at the Palms at the time when

0:43:29.239 --> 0:43:33.400
<v Speaker 1>the poems coping and I had a certain type of

0:43:33.440 --> 0:43:36.840
<v Speaker 1>magic there. But Michael Jackson was working in the same studio.

0:43:37.040 --> 0:43:39.440
<v Speaker 1>You know, some people knew, some people didn't or whatever.

0:43:40.360 --> 0:43:43.720
<v Speaker 1>Good friend of mine's Pat Thrall is there with Michael

0:43:43.719 --> 0:43:46.879
<v Speaker 1>cutting the record, just just cutting the record. I don't

0:43:46.920 --> 0:43:51.480
<v Speaker 1>know what the record was. He hits us on the phone. Yeah,

0:43:51.640 --> 0:43:53.640
<v Speaker 1>I mean, I don't know what that story. Yeah, no,

0:43:53.800 --> 0:43:58.319
<v Speaker 1>that's not the part story. So Michael hits us back

0:43:58.320 --> 0:44:00.960
<v Speaker 1>in Atlanta, I mean not Michael throw its us back.

0:44:01.040 --> 0:44:03.680
<v Speaker 1>And I'm like, yo, yo, bro. And if you know

0:44:03.719 --> 0:44:08.319
<v Speaker 1>this guy, such a sweet guy, Yo, bro, bro, Bro,

0:44:09.360 --> 0:44:13.359
<v Speaker 1>guess who the fuck is in here? You're like, well,

0:44:13.480 --> 0:44:18.399
<v Speaker 1>not means so fucking Michael Jackson's and you're right now,

0:44:18.560 --> 0:44:21.320
<v Speaker 1>We're like, well he work at that motherfucker's so cool

0:44:21.400 --> 0:44:25.239
<v Speaker 1>like that even the FaceTime or some ship like it's like, yo, bro,

0:44:25.560 --> 0:44:30.400
<v Speaker 1>he's singing your ship right now listening. Oh this motherfucker

0:44:30.560 --> 0:44:35.960
<v Speaker 1>Mike is in the background singing. Fuck. I'm like my

0:44:36.040 --> 0:44:40.680
<v Speaker 1>new nigga. And I never got a chance to meet him,

0:44:40.680 --> 0:44:46.080
<v Speaker 1>and I was so pissed. I was in Atlanta, okay,

0:44:48.120 --> 0:44:50.480
<v Speaker 1>oh my god, blew my mind. I was like, hold

0:44:50.560 --> 0:44:54.440
<v Speaker 1>this motherfucker's singing. First of all, that nigga, that's one

0:44:54.680 --> 0:45:00.600
<v Speaker 1>ship right, No, no, no, And so like he's there

0:45:00.719 --> 0:45:03.000
<v Speaker 1>dancing this ship in my mind, like you know, he's

0:45:03.080 --> 0:45:12.000
<v Speaker 1>just happening out. I'm like, oh, he's doing all the

0:45:12.000 --> 0:45:14.120
<v Speaker 1>ship to my ship right now. We've been to get

0:45:14.120 --> 0:45:18.560
<v Speaker 1>in for that bitch, you know. But but that was

0:45:18.600 --> 0:45:22.040
<v Speaker 1>one of that. That was a great Michael moment for me,

0:45:22.080 --> 0:45:23.879
<v Speaker 1>even though I didn't get a chance to work with him,

0:45:23.960 --> 0:45:26.760
<v Speaker 1>but that was a great one. You know, my micro story,

0:45:28.160 --> 0:45:29.880
<v Speaker 1>you got a Michaels. I never knew you had a

0:45:29.920 --> 0:45:33.800
<v Speaker 1>Michael story. No, I ain't ever met him. This is

0:45:33.880 --> 0:45:38.279
<v Speaker 1>what happened and for real, first this super thug uh

0:45:38.600 --> 0:45:42.399
<v Speaker 1>my record came out and Michael Jackson called for rel

0:45:43.040 --> 0:45:45.040
<v Speaker 1>and for real made all this R and B ship

0:45:45.200 --> 0:45:47.440
<v Speaker 1>for him. And maybe it's the same guy that you're

0:45:47.440 --> 0:45:50.120
<v Speaker 1>talking about, because when Real called me and said, Joe,

0:45:50.480 --> 0:45:52.880
<v Speaker 1>I just said a whole bunch of beasts to Michael,

0:45:54.080 --> 0:45:56.680
<v Speaker 1>he called, He called us back, His manager called us

0:45:56.719 --> 0:45:59.919
<v Speaker 1>back and said, I don't want this ship. I want

0:46:00.000 --> 0:46:04.399
<v Speaker 1>a super duck ship. Ship said you mean for new

0:46:05.400 --> 0:46:07.360
<v Speaker 1>Row was cool to me, Like, how the fund do

0:46:07.440 --> 0:46:11.399
<v Speaker 1>I makeing ain't the ship. I said, well, that's why

0:46:11.440 --> 0:46:14.520
<v Speaker 1>you're a good producer, and I'm not you with that

0:46:14.719 --> 0:46:18.880
<v Speaker 1>one so one. So if you look at the motherfucker like, no,

0:46:19.040 --> 0:46:20.759
<v Speaker 1>they don't like this type of ship. Oh no, they

0:46:20.880 --> 0:46:24.480
<v Speaker 1>like it, it'd be crazy, Like yeah, it's crazy. So

0:46:24.520 --> 0:46:26.560
<v Speaker 1>now how do you But now you said fun that nigger?

0:46:26.640 --> 0:46:29.040
<v Speaker 1>So how how did you write that? Like what was

0:46:29.080 --> 0:46:32.080
<v Speaker 1>in your mome home? That's the offensive part, Like that's

0:46:32.120 --> 0:46:35.719
<v Speaker 1>just that's pure rap offense. You know that. I think

0:46:35.760 --> 0:46:38.719
<v Speaker 1>that running plays for right now? Like still they're like, okay, cool,

0:46:38.719 --> 0:46:41.360
<v Speaker 1>we just put the melody with this shi fu everybody.

0:46:42.320 --> 0:46:46.319
<v Speaker 1>Um that record wasn't the right That was the last

0:46:46.320 --> 0:46:52.680
<v Speaker 1>record on the album. Actually that record, um yeah I

0:46:52.719 --> 0:46:54.360
<v Speaker 1>love your girl And it was like y'll give me

0:46:54.400 --> 0:46:57.040
<v Speaker 1>one more and that was the one more. But the

0:46:57.080 --> 0:47:01.879
<v Speaker 1>original is is fun that nigger up? Definitely? We'll put

0:47:01.920 --> 0:47:04.520
<v Speaker 1>you in that place all the time. I mean, you

0:47:04.560 --> 0:47:07.160
<v Speaker 1>know when when women look how they look and they man,

0:47:07.239 --> 0:47:08.799
<v Speaker 1>they're doing what they're supposed to be doing, you know,

0:47:08.920 --> 0:47:11.400
<v Speaker 1>coming from that space, you know what it's like. He

0:47:11.520 --> 0:47:14.600
<v Speaker 1>was like, I was just saying, man, you know that

0:47:14.640 --> 0:47:16.799
<v Speaker 1>you had girls flipping on everybody in the club. I

0:47:16.840 --> 0:47:18.520
<v Speaker 1>just want to throw that out there. Of course, like

0:47:18.600 --> 0:47:20.480
<v Speaker 1>every time a girl was mad at they nigging in

0:47:20.560 --> 0:47:26.480
<v Speaker 1>the club, they just kept ship. Came on that. It

0:47:26.640 --> 0:47:30.319
<v Speaker 1>was my last I was thinking about it that way.

0:47:30.600 --> 0:47:33.839
<v Speaker 1>Oh yeah, yeah, you was putting niggers, that's it. Came

0:47:33.880 --> 0:47:35.799
<v Speaker 1>on bad. You see bad in the face getting read.

0:47:35.840 --> 0:47:39.400
<v Speaker 1>You're like, oh this girl, Yeah, she's just going. But

0:47:39.480 --> 0:47:41.080
<v Speaker 1>all the other things that didn't come to their girls

0:47:41.080 --> 0:47:44.800
<v Speaker 1>are like here and the least good good. It's just

0:47:44.920 --> 0:47:47.759
<v Speaker 1>good with their girls. They're holding hands about to see

0:47:47.880 --> 0:47:50.440
<v Speaker 1>the jams, trying to get the check. Yeah, yeah, you

0:47:50.520 --> 0:47:52.279
<v Speaker 1>come down with your girl. Y'all just fouled in the

0:47:52.320 --> 0:47:55.600
<v Speaker 1>car on the way over. Oh you sucked up. Now,

0:47:55.840 --> 0:48:03.640
<v Speaker 1>makeup bag, now you that's you, you like because my

0:48:03.640 --> 0:48:07.960
<v Speaker 1>my wife is a makeup artist, so you may make

0:48:08.040 --> 0:48:13.240
<v Speaker 1>up that. Who was you in the zone? Because girl

0:48:13.520 --> 0:48:18.040
<v Speaker 1>tell us. I think it's just about like being underswept,

0:48:20.040 --> 0:48:22.560
<v Speaker 1>And it's gonna sound crazy, but it's just about that.

0:48:22.560 --> 0:48:27.040
<v Speaker 1>This sounds it's just the idea that at some particular point,

0:48:27.080 --> 0:48:29.080
<v Speaker 1>which is not even never sent the other day, we

0:48:29.200 --> 0:48:32.719
<v Speaker 1>all are hoards for some real particular reason. Like that's

0:48:32.760 --> 0:48:36.040
<v Speaker 1>just what it is. There, there's a there's a I'm

0:48:36.080 --> 0:48:39.440
<v Speaker 1>going to explain there, there's something that you want and

0:48:39.520 --> 0:48:43.719
<v Speaker 1>something that you're giving willing to give up. That's just

0:48:43.840 --> 0:48:46.680
<v Speaker 1>life like period. You can classify a different way all

0:48:46.719 --> 0:48:48.920
<v Speaker 1>you want to, but you know, there's there are certain

0:48:48.960 --> 0:48:51.399
<v Speaker 1>songs that that still haven't came out where where I've

0:48:51.520 --> 0:48:53.759
<v Speaker 1>used that analogy and then where we're just you know,

0:48:53.840 --> 0:48:55.640
<v Speaker 1>all holes were just out here trying to get out

0:48:55.640 --> 0:48:59.600
<v Speaker 1>of you know, get out of ship. But um, being

0:48:59.680 --> 0:49:02.239
<v Speaker 1>pure just isn't a part of it. Like I mean

0:49:02.840 --> 0:49:06.560
<v Speaker 1>the idea that of the makeup bag itself, whether it's

0:49:06.560 --> 0:49:08.400
<v Speaker 1>a Chanel bag, that's bag or whatever it is, that

0:49:08.480 --> 0:49:11.359
<v Speaker 1>wasn't the point. The point was what do you need

0:49:11.440 --> 0:49:12.960
<v Speaker 1>me to do to make it right? Or I can't

0:49:13.000 --> 0:49:15.359
<v Speaker 1>make it right? So we gotta make a choice. Put

0:49:16.200 --> 0:49:18.280
<v Speaker 1>that's all it is. He was out here putting pressure

0:49:18.280 --> 0:49:20.160
<v Speaker 1>on niggas. Your girl had to have a good make

0:49:20.560 --> 0:49:23.520
<v Speaker 1>it always fives tax she had, she had to have

0:49:23.520 --> 0:49:29.040
<v Speaker 1>a great bag, right, just extra, I mean, have a

0:49:29.120 --> 0:49:33.000
<v Speaker 1>make up bag and I hate my knee just now

0:49:33.080 --> 0:49:41.799
<v Speaker 1>after that ship post on this gravy on that Chris

0:49:41.920 --> 0:49:43.320
<v Speaker 1>is then the type of boy I feel like a

0:49:43.360 --> 0:49:48.080
<v Speaker 1>different shot. It ain't three shot time this ship. Then

0:49:48.200 --> 0:49:51.520
<v Speaker 1>start call this ship gravy. When I come back to

0:49:51.600 --> 0:49:59.120
<v Speaker 1>this up the rest of the week, you forget about ship.

0:49:59.200 --> 0:50:03.160
<v Speaker 1>Your t a call. What's going your guys? What's going

0:50:03.239 --> 0:50:11.200
<v Speaker 1>on where you're at? Hello? Hello? Oh he's not the

0:50:11.239 --> 0:50:15.680
<v Speaker 1>CEO of Empire Records. Yeah, yeah, he's a great guy.

0:50:15.880 --> 0:50:19.680
<v Speaker 1>So he's trying to come out here. So, um, you

0:50:19.800 --> 0:50:22.280
<v Speaker 1>just announced the title of your new album, your Ali.

0:50:23.000 --> 0:50:27.200
<v Speaker 1>They called that that quick. He's like, we did, yeah,

0:50:27.320 --> 0:50:30.080
<v Speaker 1>one point, give me the phone backs. I've got my

0:50:30.080 --> 0:50:32.759
<v Speaker 1>my notes on there, so what is the time? What

0:50:32.880 --> 0:50:35.480
<v Speaker 1>is the title? And they had the title that they

0:50:35.520 --> 0:50:39.839
<v Speaker 1>can call Ferris kind of the end of the love

0:50:40.480 --> 0:50:44.040
<v Speaker 1>sequels of full length already made full length. Everybody's been

0:50:44.040 --> 0:50:45.600
<v Speaker 1>mad at me for like six years, and I was

0:50:45.640 --> 0:50:48.399
<v Speaker 1>supposed to release it. Oh yeah, your fans you got

0:50:48.440 --> 0:50:51.000
<v Speaker 1>the drop and Jill, yeah, I was supposed to drop

0:50:51.040 --> 0:50:56.120
<v Speaker 1>in June on two thousand and Toyo are eleven actually,

0:50:56.719 --> 0:50:59.359
<v Speaker 1>and so even though it gave them like about four

0:50:59.440 --> 0:51:02.360
<v Speaker 1>records and then they're just like, no nigger with that

0:51:02.360 --> 0:51:04.440
<v Speaker 1>record that like you realize it's not gonna be the

0:51:04.480 --> 0:51:08.960
<v Speaker 1>same record now. But but but finally I've done it

0:51:09.000 --> 0:51:13.840
<v Speaker 1>and it's about it about to come out. Who's this one? Um?

0:51:13.960 --> 0:51:17.640
<v Speaker 1>What you mean rock Nation or rock Nations rock Nation direct?

0:51:17.680 --> 0:51:20.600
<v Speaker 1>I mean he's rocking the change. Yeah, he looked like

0:51:20.640 --> 0:51:23.000
<v Speaker 1>rock Nation too. I had my roles gold shoot on.

0:51:23.040 --> 0:51:25.960
<v Speaker 1>I should have my roles gold shoot the magic. But no,

0:51:26.160 --> 0:51:27.960
<v Speaker 1>I'm glad I did where my roles gold change the

0:51:28.000 --> 0:51:31.200
<v Speaker 1>mass because you are clearly killing men. Look at it

0:51:31.280 --> 0:51:33.040
<v Speaker 1>like that. No, no, no, that's good. That's okay. I

0:51:33.080 --> 0:51:35.480
<v Speaker 1>love that. I couldn't keep you. I gotta stet my

0:51:35.480 --> 0:51:39.359
<v Speaker 1>shoot up. It's all good, my brother. I am proud

0:51:39.400 --> 0:51:45.200
<v Speaker 1>of everybody doing it. Just makes it. I saw, I

0:51:45.320 --> 0:51:48.200
<v Speaker 1>saw come like you. This is why we gotta make

0:51:48.200 --> 0:51:51.960
<v Speaker 1>a new word. Right, niggas like us. It's boogie right.

0:51:52.000 --> 0:51:54.640
<v Speaker 1>We like to a good rest restom like that. We

0:51:54.760 --> 0:51:57.640
<v Speaker 1>like to, you know, drive nice ship. But we hooked?

0:51:57.840 --> 0:52:03.680
<v Speaker 1>So could we make coogee? Who's she? It's interesting? Let's go.

0:52:03.800 --> 0:52:06.160
<v Speaker 1>Let's call uji. We're gonna make the world up right now.

0:52:06.280 --> 0:52:11.560
<v Speaker 1>I'm your team. Who know you in the team? You

0:52:11.640 --> 0:52:14.840
<v Speaker 1>just got a house. That's what type of events actually

0:52:14.880 --> 0:52:17.520
<v Speaker 1>fit into Hoosie. We gotta make it up right now, dreaming.

0:52:17.520 --> 0:52:19.200
<v Speaker 1>That's what I'm saying, That's what it's what we're doing

0:52:19.280 --> 0:52:21.680
<v Speaker 1>right now. This is this is a collaboration. This is

0:52:21.719 --> 0:52:25.200
<v Speaker 1>actually why right now I'm saying, Look, we gotta make

0:52:25.239 --> 0:52:31.600
<v Speaker 1>up the meaning hoosie right, we spell jogie first because

0:52:31.600 --> 0:52:34.160
<v Speaker 1>I want actually be closing Ray smater than me. I

0:52:34.239 --> 0:52:37.560
<v Speaker 1>was definitely and he's spelling and tea. I was in

0:52:37.640 --> 0:52:42.520
<v Speaker 1>the same English class spelling it. You gotta go whosi

0:52:42.719 --> 0:52:46.480
<v Speaker 1>who is it? H And he's spelling it's it goes

0:52:46.600 --> 0:52:48.400
<v Speaker 1>wherever you want to go. Let's play you in it.

0:52:48.520 --> 0:52:53.000
<v Speaker 1>So let's go h you eat h you haveinitely. We

0:52:53.000 --> 0:52:57.200
<v Speaker 1>gotta show with specs about like coming you okay? Huge?

0:52:58.600 --> 0:53:01.800
<v Speaker 1>So what's hood? And he path from though and color

0:53:02.239 --> 0:53:07.120
<v Speaker 1>and color and gotta because he's hit pop coming on

0:53:07.200 --> 0:53:08.839
<v Speaker 1>the phone. He was the first come here, the first

0:53:08.920 --> 0:53:14.840
<v Speaker 1>rapp ever, he got the first rap video ever, heals

0:53:15.000 --> 0:53:17.399
<v Speaker 1>rap rap video ever. Even though it's been the rap plan,

0:53:18.239 --> 0:53:20.600
<v Speaker 1>it was hip hop nigga thinking about I think you

0:53:20.680 --> 0:53:25.200
<v Speaker 1>just stay h h old j that's too close to

0:53:25.239 --> 0:53:28.680
<v Speaker 1>Hooters and who's your Yeah, that's going to hood, that's true,

0:53:29.160 --> 0:53:31.719
<v Speaker 1>but whole that's a new version of hood. We just

0:53:31.800 --> 0:53:34.480
<v Speaker 1>said we've been the past. It's a nigga saying already

0:53:34.520 --> 0:53:41.040
<v Speaker 1>so beautiful, man, we're making up English. Oh you never know.

0:53:41.280 --> 0:53:43.319
<v Speaker 1>We can make up this word and two hundred years

0:53:43.400 --> 0:53:45.279
<v Speaker 1>from now this could be the No. It's gonna be

0:53:45.360 --> 0:53:50.600
<v Speaker 1>in the guaranteed word. Yeah, exactly. Think it's ain't you easy?

0:53:50.960 --> 0:53:57.120
<v Speaker 1>You are? Ain't you easy? Like? Whois you? E z you?

0:53:59.160 --> 0:54:00.600
<v Speaker 1>You made it like an you made it like a

0:54:00.640 --> 0:54:04.640
<v Speaker 1>foreign Definitely go too on the T shirt. It's not

0:54:04.760 --> 0:54:08.040
<v Speaker 1>gonna work. How do you know it isn't two different

0:54:08.080 --> 0:54:12.480
<v Speaker 1>spellings or not. None of the bees man, that's all.

0:54:13.600 --> 0:54:19.920
<v Speaker 1>Actually appreciate the DJ as an artist. Stupid. Yeah, and

0:54:20.280 --> 0:54:24.439
<v Speaker 1>your freed to like you. If you're making a shirt,

0:54:24.520 --> 0:54:29.080
<v Speaker 1>it would look ill. Dude, who wosy just got a trademark?

0:54:29.160 --> 0:54:33.120
<v Speaker 1>But go ahead, Okay, I gotta first. Okay, damn, we're

0:54:33.160 --> 0:54:35.120
<v Speaker 1>my fault. All right? Cool? You got you got guys?

0:54:35.480 --> 0:54:41.719
<v Speaker 1>What hue that guy got c U I whogi isog?

0:54:42.120 --> 0:54:44.120
<v Speaker 1>And it could be a closer line to That's that's

0:54:44.200 --> 0:54:48.320
<v Speaker 1>my point. You gotta let's good point. Crazy this is

0:54:48.360 --> 0:54:52.759
<v Speaker 1>a corporation. Then we we just did we just did it.

0:54:52.840 --> 0:54:55.279
<v Speaker 1>It's okay, it's okay. I did it listen doing my

0:54:55.480 --> 0:54:58.320
<v Speaker 1>version let that ship in the song. That's because this

0:54:58.440 --> 0:55:00.360
<v Speaker 1>is an old school story from Drake sa and the

0:55:00.400 --> 0:55:02.239
<v Speaker 1>fact that he doesn't agree with my story right now,

0:55:02.280 --> 0:55:04.640
<v Speaker 1>I have to bring it up. I have to figure

0:55:04.640 --> 0:55:06.400
<v Speaker 1>that I'm gonna go take a bath and break right now. No,

0:55:06.520 --> 0:55:08.799
<v Speaker 1>you still gotta stay right here. This is my man.

0:55:09.680 --> 0:55:12.520
<v Speaker 1>I'm petty as where's your man? I'm petty as hell.

0:55:12.680 --> 0:55:14.560
<v Speaker 1>I admit I'm petty right, and it's better not be

0:55:14.680 --> 0:55:20.920
<v Speaker 1>then it's going in. It's going stupid, but I don't know.

0:55:21.120 --> 0:55:24.640
<v Speaker 1>It's gonna be the thought song. Yes, before he tells

0:55:24.719 --> 0:55:25.960
<v Speaker 1>us you would tell a story, how about that? I

0:55:26.000 --> 0:55:29.239
<v Speaker 1>don't tells it wrong, but I'll tell you about he

0:55:29.360 --> 0:55:33.000
<v Speaker 1>tells us. He always kills it. He gets it's okay,

0:55:33.160 --> 0:55:36.880
<v Speaker 1>it's a good he tell here's the basics of the story.

0:55:37.680 --> 0:55:42.799
<v Speaker 1>He's dating a girl. I mean, yes, but the way

0:55:42.800 --> 0:55:46.880
<v Speaker 1>do you tell it? But he just didn't. He's dating

0:55:46.920 --> 0:55:49.520
<v Speaker 1>the girl. I can't believe the services now. No, we

0:55:49.600 --> 0:55:52.719
<v Speaker 1>gotta bring back old ship. Sometimes it's just because this

0:55:52.800 --> 0:55:57.080
<v Speaker 1>is drink the fans want. He's jager girl, all right,

0:55:58.600 --> 0:56:01.879
<v Speaker 1>So the girl. She would take a shot for ye. Yes,

0:56:02.719 --> 0:56:05.800
<v Speaker 1>let's porter shot first. I'm gonna get then drink it afterwards.

0:56:08.480 --> 0:56:14.840
<v Speaker 1>Rits to go with us with you, I want you to.

0:56:15.000 --> 0:56:16.800
<v Speaker 1>I want you to tell me if he's petty or not.

0:56:17.600 --> 0:56:19.840
<v Speaker 1>I know I'm petty. But before you tell him that,

0:56:20.000 --> 0:56:23.480
<v Speaker 1>I hadn't tell my version, say a version first. Let's go.

0:56:23.920 --> 0:56:26.800
<v Speaker 1>I'm ready to person. I want to tell you version

0:56:28.840 --> 0:56:31.080
<v Speaker 1>so I can show how you funk up my person. Okay,

0:56:31.080 --> 0:56:33.160
<v Speaker 1>all right, listen, all right, I'm just making the shortest version.

0:56:33.200 --> 0:56:37.399
<v Speaker 1>After he's dating the girl, she goes to the thong

0:56:37.520 --> 0:56:41.680
<v Speaker 1>song video, he cuts off. She went the big pippin first.

0:56:42.080 --> 0:56:51.160
<v Speaker 1>All this sound, there's stacy. He said, they're right chronic okay,

0:56:52.640 --> 0:56:57.400
<v Speaker 1>artists video. The chronological version is wrong. The only reason

0:56:57.480 --> 0:57:04.560
<v Speaker 1>why he cut it off because she went to it, okay, wrong, terrible.

0:57:05.200 --> 0:57:08.399
<v Speaker 1>I had a girl, he's patty. Just say you go that. Okay,

0:57:08.480 --> 0:57:11.160
<v Speaker 1>let me tell them. Are you going about my version?

0:57:11.320 --> 0:57:14.160
<v Speaker 1>I want you to have my version? Is this my girl?

0:57:14.880 --> 0:57:24.680
<v Speaker 1>She's a spire love he killed. She's an inspire model,

0:57:24.800 --> 0:57:29.280
<v Speaker 1>she wants, and then she tells she's an aspiring model. Yes, okay, yes,

0:57:29.760 --> 0:57:31.800
<v Speaker 1>and she starts getting She tells me, I'm gonna start

0:57:31.840 --> 0:57:35.680
<v Speaker 1>doing video gigs. I'm inspire, I'm a DJ spiring, I'm

0:57:35.680 --> 0:57:37.320
<v Speaker 1>a DJ, I'm working, I'm doing my thing. You know,

0:57:37.400 --> 0:57:40.800
<v Speaker 1>we're going down. I see what's happening. What did you

0:57:40.840 --> 0:57:45.880
<v Speaker 1>mean on filmer in the world of music period? I

0:57:46.000 --> 0:57:48.640
<v Speaker 1>see I've been on video sets, So I said, you

0:57:48.720 --> 0:57:51.720
<v Speaker 1>know what I mean. But already at that point we are.

0:57:51.920 --> 0:57:55.400
<v Speaker 1>We are, We're going to part period. That's how you do,

0:57:55.520 --> 0:58:00.760
<v Speaker 1>That's how you because because gonna tell you right now

0:58:00.880 --> 0:58:04.080
<v Speaker 1>when I say to her, you go pursue your your dreams.

0:58:04.120 --> 0:58:06.400
<v Speaker 1>I'm gonna do my thing. Then it's not gonna be

0:58:06.480 --> 0:58:09.480
<v Speaker 1>that easy if we weren't already going apart. So she

0:58:09.600 --> 0:58:11.360
<v Speaker 1>goes and I'm like, I'm not gonna be with it.

0:58:11.480 --> 0:58:15.760
<v Speaker 1>It's your first video. Do together. Let's do it together,

0:58:15.760 --> 0:58:17.400
<v Speaker 1>because I want to know the first video that you

0:58:17.520 --> 0:58:19.920
<v Speaker 1>said it's a it was it was like something. It

0:58:20.040 --> 0:58:24.720
<v Speaker 1>was ship, it was like that, it was it was real.

0:58:24.920 --> 0:58:32.280
<v Speaker 1>I don't know about Okay, let's go I went down

0:58:32.280 --> 0:58:40.640
<v Speaker 1>the round. Let me relax this no, no, no, it

0:58:40.720 --> 0:58:43.880
<v Speaker 1>was some more champagne that we get him over. We

0:58:43.920 --> 0:58:46.400
<v Speaker 1>got some rocks of Ultra Preum vodka, the best of

0:58:46.440 --> 0:58:50.960
<v Speaker 1>all on the planet. I'm gonna around and throw up

0:58:51.000 --> 0:58:56.439
<v Speaker 1>on the strip of amazing that that so go ahead

0:58:57.840 --> 0:59:01.000
<v Speaker 1>video can keep it real, Like Okay, don't die. Then

0:59:01.040 --> 0:59:05.520
<v Speaker 1>we're down the wrong pipe. So h we just broke up,

0:59:06.480 --> 0:59:11.440
<v Speaker 1>break up where he's wrong. He keeps saying that's it's

0:59:11.480 --> 0:59:16.440
<v Speaker 1>just eventuating the wrong bullshit. We broke up. But immediately

0:59:16.520 --> 0:59:21.360
<v Speaker 1>when we broke up, this is immediate six stape DJ Miami.

0:59:21.480 --> 0:59:26.640
<v Speaker 1>I'm the biggest mixtape DJ Miami. I go the Dong song.

0:59:26.760 --> 0:59:28.360
<v Speaker 1>I think it's the thoughts on remix. I'm not really

0:59:28.440 --> 0:59:32.720
<v Speaker 1>hundred percent. Oh rimon. I got they invited me over there.

0:59:32.720 --> 0:59:34.960
<v Speaker 1>They said, yo, come get freestyle from Red and Matt.

0:59:35.840 --> 0:59:39.560
<v Speaker 1>I'm in the tent that far sponsor the tent I'm getting.

0:59:39.600 --> 0:59:41.760
<v Speaker 1>I got my four track and then I see my

0:59:46.520 --> 0:59:57.040
<v Speaker 1>I was getting there. Just this is the reality that

0:59:57.080 --> 0:59:59.800
<v Speaker 1>you need evidence. You heard my story. This is the reality.

1:00:00.000 --> 1:00:05.000
<v Speaker 1>So we just broke up with it's fresh like like

1:00:05.400 --> 1:00:08.120
<v Speaker 1>like like nine days ago. Damn, this is really the

1:00:09.160 --> 1:00:12.120
<v Speaker 1>cook The cut is still. She's in the Throng song

1:00:12.320 --> 1:00:16.760
<v Speaker 1>video like like you said, but I didn't stop there.

1:00:16.880 --> 1:00:20.680
<v Speaker 1>This is ship and the next video was big. She

1:00:20.880 --> 1:00:30.480
<v Speaker 1>was doing to do this telling video cup with nosing

1:00:30.520 --> 1:00:32.840
<v Speaker 1>them too. Oh, that was one of the worst ones.

1:00:32.920 --> 1:00:37.200
<v Speaker 1>She was inspiration. The cozy is took go down. I

1:00:37.280 --> 1:00:49.800
<v Speaker 1>don't know what he took. So you're like an artist DJ. Yes,

1:00:50.200 --> 1:00:52.200
<v Speaker 1>he's a DJ that he's sitting around seeing what the

1:00:52.280 --> 1:00:54.600
<v Speaker 1>artists do when the artist is wow, because a arts

1:00:54.640 --> 1:00:57.880
<v Speaker 1>ain't wow. He said, the difference between your story my

1:00:58.040 --> 1:01:01.480
<v Speaker 1>story isn't I saw that come. No disrespect to her,

1:01:02.680 --> 1:01:05.880
<v Speaker 1>but I said I can't handle that, like do you

1:01:06.080 --> 1:01:08.520
<v Speaker 1>I'm gonna do me and I'm not telling you that

1:01:08.600 --> 1:01:10.640
<v Speaker 1>she went wild like I don't know. I don't know

1:01:10.720 --> 1:01:13.120
<v Speaker 1>the facts. That's the whole point. I'm just saying, I

1:01:13.240 --> 1:01:19.200
<v Speaker 1>can't handle that. This is I can't held her be

1:01:19.320 --> 1:01:21.840
<v Speaker 1>in the video she was like that, like I know,

1:01:24.160 --> 1:01:28.440
<v Speaker 1>is she working? Okay, that's a great story. But it's

1:01:28.440 --> 1:01:31.840
<v Speaker 1>a great story. I'm understand. But why can't you hand

1:01:32.160 --> 1:01:33.480
<v Speaker 1>because I don't want you to fris this story? But

1:01:33.560 --> 1:01:37.320
<v Speaker 1>this is gonna actually drink? Is he drank? I think

1:01:39.760 --> 1:01:42.560
<v Speaker 1>this is DrAk with me with me? He loves you, Patty?

1:01:42.640 --> 1:01:46.840
<v Speaker 1>Is he is he he got? Don't you think I'm

1:01:46.880 --> 1:01:49.800
<v Speaker 1>Patty for one second, please dream you can be honest.

1:01:50.320 --> 1:01:52.560
<v Speaker 1>This is an honest show. This is an honest show.

1:01:52.680 --> 1:01:54.840
<v Speaker 1>Think of the reality of what I'm talking about. I

1:01:56.160 --> 1:01:58.480
<v Speaker 1>just think that he wasn't willing to outfunk somebody for

1:01:58.560 --> 1:02:03.400
<v Speaker 1>its girl. It's very different respected I was a kid.

1:02:03.640 --> 1:02:05.120
<v Speaker 1>I was a kid. You still got not the funk.

1:02:05.120 --> 1:02:08.800
<v Speaker 1>I'm learning, Okay, I didn't. Okay, you're right A look

1:02:08.840 --> 1:02:15.240
<v Speaker 1>at it like looking whatever you're coming home tonight. I

1:02:15.360 --> 1:02:17.960
<v Speaker 1>bet that coming home to what a kid I'm put

1:02:18.000 --> 1:02:21.560
<v Speaker 1>My mom was older you now before, don't tell what

1:02:21.600 --> 1:02:25.240
<v Speaker 1>I'm at the time. Eighteen seven team man, he you do?

1:02:25.880 --> 1:02:28.440
<v Speaker 1>That was Hennessy Dings. I'm a kid at the top,

1:02:28.760 --> 1:02:32.840
<v Speaker 1>man behind spins authority in my car and my pack.

1:02:32.920 --> 1:02:35.520
<v Speaker 1>You want to react to that situation. You're coming up

1:02:36.200 --> 1:02:38.280
<v Speaker 1>teach and your girl want to go to the dogs

1:02:38.320 --> 1:02:41.960
<v Speaker 1>so on video? Then she wouldn't do Big Pemby wildly.

1:02:42.080 --> 1:02:45.640
<v Speaker 1>Come on, man, you're number one. If you're really think that,

1:02:45.800 --> 1:02:47.720
<v Speaker 1>you would have in my position and be like, hey,

1:02:47.960 --> 1:02:53.640
<v Speaker 1>you got a right dream. I'm not picking up, you're

1:02:53.640 --> 1:02:55.840
<v Speaker 1>not packing your who know what you're doing? You're getting

1:02:55.880 --> 1:02:59.440
<v Speaker 1>the dogs on video? Shoot together? Yeah? Together? Let me together.

1:03:00.400 --> 1:03:05.000
<v Speaker 1>You know, I'm working out. I'm going to work them out.

1:03:06.280 --> 1:03:09.600
<v Speaker 1>I'm gonna go then go ahead that trip for that,

1:03:09.840 --> 1:03:14.240
<v Speaker 1>I got free stuff that ship that honestly for this

1:03:14.480 --> 1:03:16.840
<v Speaker 1>different Could you could you deal with a could you

1:03:16.920 --> 1:03:20.200
<v Speaker 1>deal with something like that with I think I could? Yeah, yeah,

1:03:20.200 --> 1:03:21.880
<v Speaker 1>I think I could. But you weren't doing what I

1:03:22.040 --> 1:03:24.320
<v Speaker 1>was doing. I'm saying the difference is I'm a DJ

1:03:24.600 --> 1:03:26.240
<v Speaker 1>and I'm there and I'm doing what I was doing

1:03:26.320 --> 1:03:29.640
<v Speaker 1>my work. She's gonna do her work. I'm not there

1:03:30.040 --> 1:03:32.560
<v Speaker 1>watching her and enjoying the different body. If I would have,

1:03:32.640 --> 1:03:37.439
<v Speaker 1>damn you what Dame Dass? Listen, Dave Dass, poor dad, Stop,

1:03:37.560 --> 1:03:43.800
<v Speaker 1>but you couldn't be I don't understay wait, Dave dash On,

1:03:45.920 --> 1:03:49.200
<v Speaker 1>She wasn't. It was you know what? Actually a fan show?

1:03:49.320 --> 1:03:52.720
<v Speaker 1>Were just good enough and that wasn't my girl? What

1:03:52.920 --> 1:03:55.760
<v Speaker 1>you doing? Dream? Your girl can't roll? You see this

1:03:55.840 --> 1:03:59.560
<v Speaker 1>is no Instagram but still Nigga's no name was like that, bib.

1:04:02.440 --> 1:04:06.520
<v Speaker 1>I'm just what, could you can handle that? No? Angles

1:04:06.560 --> 1:04:08.240
<v Speaker 1>I can't after that too, But I know that makes

1:04:08.280 --> 1:04:10.640
<v Speaker 1>me petty. That's a difference between me and him. But

1:04:10.840 --> 1:04:14.840
<v Speaker 1>I couldn't handle it. I'm on your side. What I'm

1:04:14.840 --> 1:04:16.720
<v Speaker 1>saying it's petty because you didn't know she did, not

1:04:16.840 --> 1:04:20.000
<v Speaker 1>just because she's at a rap music video. That petty.

1:04:20.200 --> 1:04:22.360
<v Speaker 1>If your petty is that I broke up, like I

1:04:22.440 --> 1:04:26.840
<v Speaker 1>think my patty would start waiting before that for my

1:04:26.880 --> 1:04:29.120
<v Speaker 1>petty was like or some minute like I'm good, like

1:04:29.160 --> 1:04:31.520
<v Speaker 1>I don't give a fun like fun. Well, I can't

1:04:31.840 --> 1:04:36.760
<v Speaker 1>control people. Fucking just people every just bust on a

1:04:39.440 --> 1:04:43.040
<v Speaker 1>cool boy and ship. Just just clean yourself, clean you

1:04:43.080 --> 1:04:49.600
<v Speaker 1>suf hang you know further ward, Like I said, my petty,

1:04:49.680 --> 1:04:52.680
<v Speaker 1>this will start earlier. And the idea that oh I

1:04:52.760 --> 1:04:54.640
<v Speaker 1>gave up with you year out of my league from

1:04:54.680 --> 1:04:57.280
<v Speaker 1>the beginning. She was never out of my league. Yeah,

1:04:57.320 --> 1:05:00.640
<v Speaker 1>if you she definitely was not would dream on this.

1:05:00.720 --> 1:05:02.480
<v Speaker 1>But maybe she was a triple A went bro, but

1:05:02.720 --> 1:05:06.360
<v Speaker 1>you got that bro. I don't know where we went,

1:05:07.080 --> 1:05:12.240
<v Speaker 1>but this is a trip. It's like triple A baseball. Okay,

1:05:12.920 --> 1:05:21.240
<v Speaker 1>She's like, that's what happened. Don't you start adding I

1:05:21.360 --> 1:05:30.720
<v Speaker 1>am prom he's still, he said, because that was the

1:05:30.720 --> 1:05:36.160
<v Speaker 1>petty s you just say, I'll take let me if

1:05:36.240 --> 1:05:41.280
<v Speaker 1>anybody in this room don't think y'all petty, right, I'm

1:05:41.320 --> 1:05:43.959
<v Speaker 1>not petty, but I'm just saying, if you ever looked

1:05:44.000 --> 1:05:48.160
<v Speaker 1>at somebody, you ever like, what's what, what's cool? What?

1:05:49.040 --> 1:05:51.120
<v Speaker 1>You looked at the Graham just to make sure they're

1:05:51.360 --> 1:05:56.600
<v Speaker 1>doing good, not doing not doing good? Horrible? That means

1:05:56.680 --> 1:06:00.400
<v Speaker 1>you petty. Like if you was cool with somebody and

1:06:00.440 --> 1:06:02.240
<v Speaker 1>then you stopped working with him, and you stopped working

1:06:02.280 --> 1:06:05.880
<v Speaker 1>with each other, and then somehow they're Graham, you know,

1:06:06.200 --> 1:06:10.360
<v Speaker 1>tag you and you just look on that they still

1:06:10.520 --> 1:06:16.680
<v Speaker 1>on the block. I'm gonna tell yall something, because everybody

1:06:16.800 --> 1:06:19.000
<v Speaker 1>has somebody, but they look at the ship just to

1:06:19.080 --> 1:06:21.280
<v Speaker 1>make sure they still fuck You know, that's a great

1:06:22.320 --> 1:06:26.080
<v Speaker 1>that's a great, great panty. That's a great, great fucking pity.

1:06:27.200 --> 1:06:30.200
<v Speaker 1>And Yoki Yo Gotti's the song love the fucking death

1:06:30.280 --> 1:06:34.240
<v Speaker 1>shout out to motherfucker, Yo, motherfucker right now he's on

1:06:34.440 --> 1:06:40.200
<v Speaker 1>fucking fire, this motherfucker says. Yo Gotti says, um My

1:06:40.480 --> 1:06:45.320
<v Speaker 1>ex cheated on me. Now she working double shifts, petty

1:06:45.360 --> 1:06:48.840
<v Speaker 1>as funk I love it again his egg cheated on

1:06:48.960 --> 1:06:51.040
<v Speaker 1>him now she was working double ships like so she

1:06:51.240 --> 1:06:54.000
<v Speaker 1>got in the lame the can't work more like, oh

1:06:54.080 --> 1:06:57.520
<v Speaker 1>I'm not working. Do you ever go on your gram

1:06:57.880 --> 1:06:59.560
<v Speaker 1>and just look and make sure she's still doing the

1:06:59.640 --> 1:07:04.280
<v Speaker 1>thunks on video. She's not. Because he's a family. Woman's

1:07:04.320 --> 1:07:07.919
<v Speaker 1>a family she got, she got. I was worried because

1:07:07.960 --> 1:07:09.760
<v Speaker 1>she's a family woman. I was like that she's gonna

1:07:09.800 --> 1:07:12.480
<v Speaker 1>hear this ship. It wasn't not too long ago. What's

1:07:12.520 --> 1:07:20.360
<v Speaker 1>her name never said that you never dream good like

1:07:21.040 --> 1:07:24.920
<v Speaker 1>a you're talking ship? And did you go through a hit?

1:07:25.640 --> 1:07:29.600
<v Speaker 1>Can't you hear me? Never? It was in my mind,

1:07:29.760 --> 1:07:31.680
<v Speaker 1>like you know, I'm on heart side. I felt like

1:07:31.880 --> 1:07:34.320
<v Speaker 1>she was a good girl, just trying to go work.

1:07:34.840 --> 1:07:38.360
<v Speaker 1>That's how I felt she was good. That's why she

1:07:38.640 --> 1:07:45.440
<v Speaker 1>worked too much. But yeah, you got videos and Black Packers,

1:07:45.680 --> 1:07:50.320
<v Speaker 1>it's a Miami group. Actually, yeah, that's why the story

1:07:50.400 --> 1:07:52.640
<v Speaker 1>gets ill right when he was done a hundred episodes

1:07:52.840 --> 1:07:55.160
<v Speaker 1>right of this ship? Right and this is probably like

1:07:55.280 --> 1:07:58.200
<v Speaker 1>twenty right, Okay, but here's why the story gets I

1:07:58.200 --> 1:07:59.760
<v Speaker 1>don't know where you because you too get out on

1:08:00.120 --> 1:08:02.480
<v Speaker 1>pop because I didn't take it out. The girl went

1:08:02.520 --> 1:08:04.400
<v Speaker 1>to a hip hop video song was like a hip

1:08:04.440 --> 1:08:07.600
<v Speaker 1>hop but the only person you had proof of her

1:08:07.760 --> 1:08:11.760
<v Speaker 1>dating was Bell Bib the phone uh one of the

1:08:11.880 --> 1:08:18.120
<v Speaker 1>most now all three he goes up. That was I

1:08:18.680 --> 1:08:22.479
<v Speaker 1>call I'm sorry, which one of the niggas was actually,

1:08:22.479 --> 1:08:24.960
<v Speaker 1>actually you're Anny Bobby ricking of mind. I remember the

1:08:26.200 --> 1:08:30.840
<v Speaker 1>skinny long dude, so actually that you know what, you

1:08:30.880 --> 1:08:33.320
<v Speaker 1>know what's funny? Sorry, sorry, The funny thing is that

1:08:33.439 --> 1:08:35.720
<v Speaker 1>that was the first thing that happened, but that you've

1:08:35.720 --> 1:08:39.280
<v Speaker 1>seen the actually broke and then I went bell baby,

1:08:39.360 --> 1:08:42.400
<v Speaker 1>the more new audition, because that's that's new edition. They

1:08:42.560 --> 1:08:45.439
<v Speaker 1>come but it's different. Errors starting now come up, bro,

1:08:45.479 --> 1:08:50.040
<v Speaker 1>I'm not battl so it's bellas. This just should have

1:08:50.120 --> 1:08:58.280
<v Speaker 1>been fucking diet never read. I'm sorry you're saying stay

1:08:58.320 --> 1:09:02.800
<v Speaker 1>away from that to the car and you know I'm

1:09:02.840 --> 1:09:05.000
<v Speaker 1>not in V people, But who do I see m

1:09:05.000 --> 1:09:08.840
<v Speaker 1>P people? Ex girl with one of those dudes, Ronny.

1:09:08.880 --> 1:09:11.240
<v Speaker 1>I think it was Ronnie. You know what? I just

1:09:11.439 --> 1:09:13.320
<v Speaker 1>actually I think I I got I got to I

1:09:13.520 --> 1:09:17.720
<v Speaker 1>solved it. So it wasn't petty. It wasn't petty. But

1:09:17.840 --> 1:09:23.320
<v Speaker 1>what you did it was emotional, definitely, dream don't it

1:09:23.479 --> 1:09:26.320
<v Speaker 1>was your petty. It wasn't your pet she wouldn't you

1:09:26.320 --> 1:09:28.640
<v Speaker 1>go see all the hip hopters? You got emotional. You're like,

1:09:28.640 --> 1:09:33.760
<v Speaker 1>I ain't listen Okay, now just people dreams. I hear

1:09:33.840 --> 1:09:36.880
<v Speaker 1>he said it wasn't petty after he found out it

1:09:36.960 --> 1:09:40.679
<v Speaker 1>was an arm beating niggers. Arm racing is national West.

1:09:43.760 --> 1:09:48.720
<v Speaker 1>I respect you dream that was. It was emotional. It

1:09:48.840 --> 1:09:51.439
<v Speaker 1>wasn't petty, like it's hip hop. You know, it's the

1:09:51.520 --> 1:09:53.599
<v Speaker 1>coach and he lost something to the culture. We all

1:09:53.720 --> 1:09:57.360
<v Speaker 1>do everything. I didn't lose too. The coach sott, Petty,

1:09:58.000 --> 1:10:01.439
<v Speaker 1>if you have became a Republican right after that, how

1:10:01.439 --> 1:10:06.639
<v Speaker 1>are you gonna shot that's Patty ship. That's Patty Ship.

1:10:07.479 --> 1:10:12.719
<v Speaker 1>Oh you went to eighty hunter, but that I didn't

1:10:12.720 --> 1:10:14.720
<v Speaker 1>go to the club showing the after we broken. And

1:10:14.760 --> 1:10:17.360
<v Speaker 1>that's like you reminded me right now that and I

1:10:17.439 --> 1:10:25.360
<v Speaker 1>look up at the fIF and she's like, rody, I like,

1:10:29.800 --> 1:10:32.720
<v Speaker 1>And then after that was actually the throng song. And

1:10:32.800 --> 1:10:35.360
<v Speaker 1>then after that was what you wanted. And then that

1:10:36.160 --> 1:10:39.160
<v Speaker 1>I was like what you wanted the throng song A

1:10:39.240 --> 1:10:41.840
<v Speaker 1>big pippe. We gotta talk. You gotta being on a

1:10:41.880 --> 1:10:46.519
<v Speaker 1>little biggin like we gotta should heard this story. Back

1:10:46.560 --> 1:10:48.920
<v Speaker 1>then I would have wrote the shout this song. You

1:10:49.080 --> 1:10:51.320
<v Speaker 1>write the song now that's too old. Now that that

1:10:51.360 --> 1:10:55.400
<v Speaker 1>has a great song it's amazing. Right now, we're gonna

1:10:55.400 --> 1:11:04.360
<v Speaker 1>make a country song. All your albums, right when all

1:11:04.439 --> 1:11:07.680
<v Speaker 1>your albums, what was the most one to you that

1:11:07.880 --> 1:11:11.800
<v Speaker 1>meant the most? Wow, the first one love hate Me

1:11:12.040 --> 1:11:17.000
<v Speaker 1>meant the most? Why is that it was first? It

1:11:17.120 --> 1:11:20.599
<v Speaker 1>was first introduced people to me. I was blessed enough

1:11:20.640 --> 1:11:24.160
<v Speaker 1>for people to hear and make my mind up because

1:11:24.280 --> 1:11:26.360
<v Speaker 1>at that time it wasn't about me being an artist

1:11:26.439 --> 1:11:28.080
<v Speaker 1>and want to say, hey man, look at me. It

1:11:28.240 --> 1:11:30.719
<v Speaker 1>was it was a design. It was a design play

1:11:31.240 --> 1:11:35.320
<v Speaker 1>to put my music um on showcase. So it was

1:11:35.760 --> 1:11:40.200
<v Speaker 1>it was the idea overall was as a writer, even

1:11:40.240 --> 1:11:41.560
<v Speaker 1>though you get a record over here, you get a

1:11:41.600 --> 1:11:44.320
<v Speaker 1>record over there, like that's cool, But how are they

1:11:44.400 --> 1:11:46.760
<v Speaker 1>gonna know that you do other ships? How they're gonna

1:11:46.800 --> 1:11:48.840
<v Speaker 1>know how deep? You know it goes because want somebody

1:11:48.840 --> 1:11:50.760
<v Speaker 1>to get something from you. You know, motherfucker want to

1:11:50.800 --> 1:11:53.800
<v Speaker 1>umbrella every time, like you know. So I was able

1:11:53.840 --> 1:11:56.840
<v Speaker 1>to be the canvas for my own art and that's

1:11:56.880 --> 1:12:01.120
<v Speaker 1>what it was about, right that. Let me tell you something.

1:12:01.360 --> 1:12:04.200
<v Speaker 1>That's the crazy ship is what you just said. Is

1:12:06.360 --> 1:12:10.760
<v Speaker 1>the curse about having a hit record is everybody kind

1:12:10.800 --> 1:12:15.080
<v Speaker 1>of want to imitate that record the most, which is

1:12:15.120 --> 1:12:17.479
<v Speaker 1>one of the most records that you wrote produced been

1:12:17.520 --> 1:12:19.880
<v Speaker 1>a part of that. People just kept coming to you

1:12:19.920 --> 1:12:23.160
<v Speaker 1>and it became annoying. Like I remember seeing Pharrell at

1:12:23.200 --> 1:12:27.800
<v Speaker 1>one time and um, we had, uh, what's the record homeboy?

1:12:28.320 --> 1:12:30.720
<v Speaker 1>I came to party. He had to tell me. It

1:12:30.840 --> 1:12:33.080
<v Speaker 1>was like, y'all, I'm tired of everybody telling me to

1:12:33.200 --> 1:12:35.720
<v Speaker 1>give them that same record that I gave you. Nori.

1:12:36.080 --> 1:12:39.080
<v Speaker 1>I think records are production based when they come to that, though,

1:12:39.479 --> 1:12:41.400
<v Speaker 1>I don't think people was more so asking me for

1:12:41.479 --> 1:12:43.439
<v Speaker 1>the same song because at that time I had written

1:12:43.520 --> 1:12:46.680
<v Speaker 1>so many different ones. Yeah. Yeah, so the tracks was,

1:12:47.000 --> 1:12:49.719
<v Speaker 1>you know, never really stayed the same. There was those

1:12:49.760 --> 1:12:52.439
<v Speaker 1>are changing. My lyrics was changing based on the emotional

1:12:53.160 --> 1:12:55.920
<v Speaker 1>melodies or whatever. The tone of the of the actual

1:12:55.960 --> 1:12:59.000
<v Speaker 1>song was who the artist is that singing it? Um?

1:12:59.240 --> 1:13:01.560
<v Speaker 1>Which was the whole other blessing to be able to

1:13:01.600 --> 1:13:04.439
<v Speaker 1>give Rihana something and give be a whole separate thing,

1:13:05.640 --> 1:13:08.040
<v Speaker 1>you know, that's you know, I think that was the

1:13:08.320 --> 1:13:10.639
<v Speaker 1>That was the biggest part of it all because most times,

1:13:10.720 --> 1:13:12.599
<v Speaker 1>you know, somebody could do a song for one person

1:13:13.120 --> 1:13:15.439
<v Speaker 1>and the other song still sounds like, you know, if

1:13:15.479 --> 1:13:17.320
<v Speaker 1>I didn't tell you I did unbrell in single ladies

1:13:17.360 --> 1:13:19.599
<v Speaker 1>like you wouldn't put it together. It doesn't sound the same.

1:13:19.720 --> 1:13:22.479
<v Speaker 1>But you're producing also as well, like like literally the

1:13:23.920 --> 1:13:26.639
<v Speaker 1>how what's the percentage of what you've done that beats

1:13:26.720 --> 1:13:29.320
<v Speaker 1>and lyrics? What what do you mean? Like just and

1:13:29.439 --> 1:13:33.400
<v Speaker 1>you wrote the music. The most people understand writing is

1:13:33.439 --> 1:13:37.120
<v Speaker 1>also the beats. The layman doesn't know that. Yeah, we know,

1:13:37.360 --> 1:13:40.120
<v Speaker 1>so when you're rutting and the beats. So like Holy

1:13:40.160 --> 1:13:42.240
<v Speaker 1>Girl for instance. So it was I did the track

1:13:42.320 --> 1:13:44.000
<v Speaker 1>and rope the hook and then I gave it to

1:13:44.320 --> 1:13:48.320
<v Speaker 1>gave it to Hop and then we brought in Timberland

1:13:48.600 --> 1:13:51.200
<v Speaker 1>to to make the track what it needs to be

1:13:51.320 --> 1:13:54.040
<v Speaker 1>to p Yeah, because my idea of writing is exactly

1:13:54.080 --> 1:13:56.479
<v Speaker 1>what it is in the country world. Like it's you

1:13:56.560 --> 1:13:59.960
<v Speaker 1>know those songs written like it's not a beat produced

1:14:00.120 --> 1:14:02.800
<v Speaker 1>or is the you know, the producer usually has nothing

1:14:02.880 --> 1:14:05.000
<v Speaker 1>to do with the composition like itself, like it has

1:14:05.040 --> 1:14:08.799
<v Speaker 1>nothing to do with the melodies, the top lines, the lyrics,

1:14:08.920 --> 1:14:10.360
<v Speaker 1>like it has nothing to do with that. The writer

1:14:10.479 --> 1:14:12.400
<v Speaker 1>can be the writer and the producer come in after that.

1:14:12.720 --> 1:14:15.280
<v Speaker 1>It's like Quincy Jones, you know some of those he

1:14:15.320 --> 1:14:18.840
<v Speaker 1>didn't do the track. That track ship came from hip hop, right.

1:14:18.920 --> 1:14:20.639
<v Speaker 1>But that's the thing. That's the thing hip hop wise.

1:14:20.920 --> 1:14:22.800
<v Speaker 1>When we think about producer, we think about the beat

1:14:22.800 --> 1:14:25.760
<v Speaker 1>paper he goes like this, right, and then we think

1:14:25.760 --> 1:14:29.120
<v Speaker 1>about the writer. He's writing the lyrics. Right. That's what

1:14:29.160 --> 1:14:31.920
<v Speaker 1>I'm saying. That the difference from you, well, it's I mean,

1:14:32.000 --> 1:14:34.479
<v Speaker 1>it's just a universe. It's it's only in this culture

1:14:34.520 --> 1:14:37.240
<v Speaker 1>where we see that as to you know, two different things.

1:14:37.320 --> 1:14:41.280
<v Speaker 1>For me, producer is actually what has always been. It's

1:14:41.320 --> 1:14:43.479
<v Speaker 1>the motherfucker that you blame at the end when ship

1:14:43.560 --> 1:14:47.160
<v Speaker 1>don't go right. He brings everything together. Yeah, so if

1:14:47.160 --> 1:14:49.200
<v Speaker 1>I don't have to touch of beat, but I'll probably

1:14:49.240 --> 1:14:51.840
<v Speaker 1>still the producer just because you did that ship with me.

1:14:52.000 --> 1:14:54.000
<v Speaker 1>And if the ship ain't right, it's like dream suck

1:14:54.120 --> 1:15:00.240
<v Speaker 1>us up, because to produce means to come up with Now.

1:15:01.200 --> 1:15:03.599
<v Speaker 1>I don't care how you came up with it, come

1:15:03.680 --> 1:15:05.840
<v Speaker 1>up with it ain't right now. They ain't do the

1:15:05.920 --> 1:15:08.519
<v Speaker 1>track I produced it though, I'm good. I got my

1:15:08.600 --> 1:15:12.560
<v Speaker 1>whole little already, but that too, But actually, where is

1:15:12.600 --> 1:15:16.720
<v Speaker 1>my cred joining you got cred? And white girl, that

1:15:16.800 --> 1:15:23.200
<v Speaker 1>crippy weed, creepy weed creeps, creepy weed. If you've been

1:15:23.320 --> 1:15:25.240
<v Speaker 1>coming to Miami for a long time, I don't know,

1:15:29.120 --> 1:15:34.639
<v Speaker 1>they're creepy. White good damn white girls and some people

1:15:34.880 --> 1:15:38.479
<v Speaker 1>the old white girl on a lot of the touch chee.

1:15:43.840 --> 1:15:49.479
<v Speaker 1>Hold on, yeah, no, where you're going, we're gonna cryptocurrency now,

1:15:49.520 --> 1:15:51.720
<v Speaker 1>I got no shot. I'm trying to be trying to

1:15:51.760 --> 1:15:53.479
<v Speaker 1>get better at what I do. Damn, I don't know.

1:15:53.920 --> 1:15:58.320
<v Speaker 1>So when you producing joints, are you using any certain

1:15:59.080 --> 1:16:02.040
<v Speaker 1>like machines. Yeah, it's an NBC. I'm still a little

1:16:02.040 --> 1:16:05.439
<v Speaker 1>lower the NPC three thousand. Um. I am on logic

1:16:05.560 --> 1:16:07.400
<v Speaker 1>and you don't able to knock it. I can move

1:16:07.439 --> 1:16:09.720
<v Speaker 1>around anything I like to. I like to touch ship,

1:16:09.840 --> 1:16:12.360
<v Speaker 1>though I don't like the idea that everything is in

1:16:12.439 --> 1:16:14.080
<v Speaker 1>the computer or whatever it is, Like I'll go to

1:16:14.160 --> 1:16:17.280
<v Speaker 1>a studio just because they have a big at four. Yeah, well,

1:16:17.680 --> 1:16:20.160
<v Speaker 1>I've been playing I started playing trump in like third grade.

1:16:20.800 --> 1:16:25.040
<v Speaker 1>So the whole band theory to me was just second nature,

1:16:25.280 --> 1:16:27.200
<v Speaker 1>like it was just something. It was just something that

1:16:27.320 --> 1:16:30.280
<v Speaker 1>we we did in high school. And then at that time,

1:16:30.800 --> 1:16:33.200
<v Speaker 1>if you're in Atlanta, the cool ship wasn't to be

1:16:33.280 --> 1:16:35.080
<v Speaker 1>on the basketball team and the football team. The cool

1:16:35.080 --> 1:16:37.240
<v Speaker 1>ship was being the marching band because you got to

1:16:37.240 --> 1:16:39.120
<v Speaker 1>show your ass at halftime. Like that was the That

1:16:39.240 --> 1:16:41.360
<v Speaker 1>was literally the ship. And you at that time you

1:16:41.400 --> 1:16:45.639
<v Speaker 1>had Florida marching one hundred Florida and muh, you had Jackson,

1:16:45.800 --> 1:16:47.560
<v Speaker 1>you had all these you know, black colleges, and we

1:16:47.640 --> 1:16:49.920
<v Speaker 1>were like putting tapes in. Me and my actually my

1:16:50.000 --> 1:16:53.360
<v Speaker 1>best friend was like putting tapes in studying like what

1:16:53.479 --> 1:16:55.960
<v Speaker 1>they're doing at halftime, what's the new record that's out,

1:16:56.000 --> 1:16:58.160
<v Speaker 1>and being able to play that at the next football game.

1:16:58.880 --> 1:17:02.320
<v Speaker 1>So for me, it was it wasn't music as a hustle.

1:17:02.479 --> 1:17:05.760
<v Speaker 1>It was I was already doing it before I understood

1:17:05.800 --> 1:17:09.240
<v Speaker 1>that you can make money from it. Now, one of

1:17:09.320 --> 1:17:11.400
<v Speaker 1>the most things I've expected about it, I had to

1:17:11.439 --> 1:17:17.519
<v Speaker 1>have hit my man Rob Mossman, oh more about Drake.

1:17:18.240 --> 1:17:22.519
<v Speaker 1>So we got genius community member shying his question is

1:17:23.160 --> 1:17:25.479
<v Speaker 1>what was it like working with Drake early on his

1:17:25.640 --> 1:17:27.880
<v Speaker 1>career on shut it Down and by having you work

1:17:27.920 --> 1:17:33.720
<v Speaker 1>together since dad is you know, shout out shout out

1:17:33.760 --> 1:17:36.400
<v Speaker 1>to Draking whether he's done his career, like I said before,

1:17:36.560 --> 1:17:39.120
<v Speaker 1>just sort of like a real like student of how

1:17:39.439 --> 1:17:43.639
<v Speaker 1>these things go. And it's and I remember when Drake

1:17:43.720 --> 1:17:45.880
<v Speaker 1>was putting this record together as getting calls at the

1:17:45.960 --> 1:17:47.840
<v Speaker 1>calls at the calls like y'all get on this record,

1:17:47.840 --> 1:17:49.920
<v Speaker 1>get on this record, Like, Yo, get on this record.

1:17:50.200 --> 1:17:51.960
<v Speaker 1>I said, I'm gonna do the record, man, like I'm

1:17:52.000 --> 1:17:53.680
<v Speaker 1>on tour. Let I'm gonna do the record. As soon

1:17:53.680 --> 1:17:55.160
<v Speaker 1>as I get took away something, I'm gonna do it.

1:17:56.040 --> 1:17:58.599
<v Speaker 1>Drake called like, Yo, like this is how I wanted

1:17:58.640 --> 1:18:00.880
<v Speaker 1>to sound, like Drake, I'm gonna do this. Now, I'm

1:18:00.920 --> 1:18:03.600
<v Speaker 1>gonna do it. I'm gonna give it back to you

1:18:03.960 --> 1:18:05.560
<v Speaker 1>the same way you sit there with your first I

1:18:05.800 --> 1:18:07.760
<v Speaker 1>like I'm I'm sending back to you. Was like, okay, cool,

1:18:07.840 --> 1:18:12.000
<v Speaker 1>no problem. And the record came out great. You know,

1:18:12.439 --> 1:18:14.599
<v Speaker 1>I think you know it came came out great when

1:18:14.600 --> 1:18:17.840
<v Speaker 1>a lot of people do. I think when the next

1:18:17.920 --> 1:18:20.400
<v Speaker 1>album came along. Since somebody wants to know why we

1:18:20.479 --> 1:18:23.479
<v Speaker 1>never worked again. I asked him to get on the record,

1:18:24.040 --> 1:18:26.639
<v Speaker 1>and he never got on the record. And so I'm

1:18:26.720 --> 1:18:29.400
<v Speaker 1>only going to ask you once, especially if I've already

1:18:29.479 --> 1:18:33.720
<v Speaker 1>done something for you. So that went through people to

1:18:34.040 --> 1:18:38.160
<v Speaker 1>directulate to him, and whatever that the thing was, didn't

1:18:38.160 --> 1:18:41.080
<v Speaker 1>that was it. So that's the end of the drinking

1:18:41.160 --> 1:18:44.519
<v Speaker 1>dream era of a record. I mean, obviously amazing artist

1:18:44.760 --> 1:18:48.240
<v Speaker 1>you are. He's a great artist for his own right. Um,

1:18:48.479 --> 1:18:51.960
<v Speaker 1>collaborations are nice, and collaborations are great, and sometimes I'll

1:18:52.000 --> 1:18:59.080
<v Speaker 1>just should just be great without you you. Yeah, No,

1:19:02.720 --> 1:19:10.679
<v Speaker 1>that's morals. Yeah, that's like old school morals right there.

1:19:11.560 --> 1:19:16.760
<v Speaker 1>Like I've done so many records with people and then

1:19:17.840 --> 1:19:21.120
<v Speaker 1>they're not reciprocated, could favor back. So it's the it's

1:19:21.200 --> 1:19:23.960
<v Speaker 1>the it's the most treacherous thing that can happen. But

1:19:24.080 --> 1:19:28.280
<v Speaker 1>I forgave them. Oh well of course, but so so

1:19:28.439 --> 1:19:30.960
<v Speaker 1>what what was going through your mind at that moment

1:19:31.040 --> 1:19:33.000
<v Speaker 1>when you Because at the end of the day, sometimes

1:19:33.040 --> 1:19:35.360
<v Speaker 1>you could give a person a wave. That's what that means,

1:19:35.439 --> 1:19:38.560
<v Speaker 1>Like you could be so hot yourself that when you

1:19:38.640 --> 1:19:41.479
<v Speaker 1>get on their record, they can build a whole audience

1:19:41.600 --> 1:19:44.880
<v Speaker 1>around your audience that you helped introduce them to. And

1:19:45.000 --> 1:19:49.439
<v Speaker 1>then that person. I'm an artist, and I didn't look

1:19:49.479 --> 1:19:51.600
<v Speaker 1>at that as a distance drake at all. There's no

1:19:51.720 --> 1:19:54.080
<v Speaker 1>way shape form a fashion. I looked at it as

1:19:54.120 --> 1:19:58.320
<v Speaker 1>a person with morals. So I mean, that's it was.

1:19:58.880 --> 1:20:00.960
<v Speaker 1>I had to go to my grave with like not

1:20:01.160 --> 1:20:04.479
<v Speaker 1>because it's a personal thing, just because I have to

1:20:04.640 --> 1:20:06.800
<v Speaker 1>steal set an example for the ship that I say

1:20:06.840 --> 1:20:09.439
<v Speaker 1>that I'm gonna do, you know, like it's it's a

1:20:09.520 --> 1:20:12.320
<v Speaker 1>lot of if I ain't do some ship that I

1:20:12.360 --> 1:20:14.719
<v Speaker 1>was supposed to call me out, let me know, because

1:20:14.760 --> 1:20:17.160
<v Speaker 1>it made it could have been I forgot it could

1:20:17.160 --> 1:20:18.880
<v Speaker 1>have been you know, whatever it is. It doesn't make

1:20:18.920 --> 1:20:21.040
<v Speaker 1>it right at the end of the day, because that's

1:20:21.080 --> 1:20:23.120
<v Speaker 1>not where I come from. That's not how I was raised.

1:20:23.200 --> 1:20:26.439
<v Speaker 1>That's not how I am, you know, Like my word

1:20:26.560 --> 1:20:28.519
<v Speaker 1>is just just my word. However I need to make

1:20:28.560 --> 1:20:30.519
<v Speaker 1>it up, you know, however, whatever it is that I

1:20:30.640 --> 1:20:34.320
<v Speaker 1>need to do so um And at the time, I mean,

1:20:35.560 --> 1:20:38.240
<v Speaker 1>the whole situation was forgiven because the ship is petty

1:20:38.320 --> 1:20:40.680
<v Speaker 1>like that that would be petty, you know in a

1:20:40.760 --> 1:20:42.840
<v Speaker 1>way to hold that against somebody or whatever it was

1:20:42.920 --> 1:20:45.280
<v Speaker 1>going through and transforming in his own life at the time.

1:20:46.600 --> 1:20:50.920
<v Speaker 1>I just I know, probably as you get older, you

1:20:50.960 --> 1:20:53.040
<v Speaker 1>start to think about things a little bit different though,

1:20:53.400 --> 1:20:57.160
<v Speaker 1>and say, oh ship, now I get why x y Z. Yeah,

1:20:57.439 --> 1:20:59.880
<v Speaker 1>we've seen each other. He's recorded at my studio and

1:21:00.000 --> 1:21:03.720
<v Speaker 1>allowing and and everything like and like yo, what's up?

1:21:03.800 --> 1:21:08.240
<v Speaker 1>Like it's or it's just like literally before that, but

1:21:08.360 --> 1:21:11.080
<v Speaker 1>after after you knew what was what was, what was up?

1:21:11.160 --> 1:21:13.680
<v Speaker 1>Like all our camps, this music business isn't that far

1:21:13.800 --> 1:21:16.080
<v Speaker 1>stretch the fart where nobody doesn't know what is going on.

1:21:16.280 --> 1:21:19.439
<v Speaker 1>Like everybody knows what's going on and for for whatever

1:21:19.560 --> 1:21:22.200
<v Speaker 1>reasons at the end of the day. And nigs know

1:21:22.280 --> 1:21:24.639
<v Speaker 1>how I am not, I'm not. I'm not a build

1:21:24.640 --> 1:21:27.640
<v Speaker 1>of person. I think most things, um, if you can

1:21:27.720 --> 1:21:30.160
<v Speaker 1>control them, control them. What you can't, you don't like,

1:21:30.280 --> 1:21:32.120
<v Speaker 1>don't worry about it. Just just move the funk on.

1:21:32.320 --> 1:21:35.840
<v Speaker 1>So it wasn't it wasn't no no ill faded thing

1:21:35.960 --> 1:21:38.280
<v Speaker 1>about that. It was more so about what my grandfather

1:21:38.400 --> 1:21:41.120
<v Speaker 1>taught me. Like yo, man, he said, you gonna do something,

1:21:41.120 --> 1:21:43.080
<v Speaker 1>you need to do it, and if you don't, you

1:21:43.160 --> 1:21:46.080
<v Speaker 1>need to show somebody you can live without it, you know.

1:21:46.160 --> 1:21:48.800
<v Speaker 1>And that's that's that's just where I am and just

1:21:48.920 --> 1:21:53.040
<v Speaker 1>where I come from. That that was all you know

1:21:53.080 --> 1:21:55.880
<v Speaker 1>what that said, you're the old school warms, you got

1:21:55.920 --> 1:22:00.479
<v Speaker 1>the wars that and it is petty too, but listen

1:22:00.800 --> 1:22:05.360
<v Speaker 1>because when somebody frount on me, I never freaking like

1:22:05.600 --> 1:22:10.160
<v Speaker 1>I almost I'm just being honest. Petty, petty gang. I

1:22:10.280 --> 1:22:13.240
<v Speaker 1>wait to listen. I'm I'm not I'm not really, I'm

1:22:13.960 --> 1:22:17.760
<v Speaker 1>I'm more I'm not really petty, And in none of

1:22:17.840 --> 1:22:20.160
<v Speaker 1>the sense of that, because people go through certain ship

1:22:20.520 --> 1:22:22.920
<v Speaker 1>and everybody doesn't know what you know at the time,

1:22:23.200 --> 1:22:25.080
<v Speaker 1>and everybody doesn't know what you know and how to

1:22:25.160 --> 1:22:27.080
<v Speaker 1>react to what you know at that time. They haven't

1:22:27.120 --> 1:22:29.840
<v Speaker 1>learned it yet. It doesn't make you grown just because

1:22:29.880 --> 1:22:32.920
<v Speaker 1>you have more money than than the other person, or oh,

1:22:32.960 --> 1:22:36.559
<v Speaker 1>I'm more experienced, because like, no motherfucker's I got the experience,

1:22:36.720 --> 1:22:38.760
<v Speaker 1>Like I'm the motherfucker that's an a music business that

1:22:38.840 --> 1:22:41.040
<v Speaker 1>didn't break till he was thirty, and they had a

1:22:41.200 --> 1:22:44.760
<v Speaker 1>regular job with regular people win real traffic and ship.

1:22:44.960 --> 1:22:48.240
<v Speaker 1>So when the when the bigger percentages of the artists

1:22:48.280 --> 1:22:50.360
<v Speaker 1>that work in this business, who were able to drop

1:22:50.439 --> 1:22:53.000
<v Speaker 1>what they did and started working into that sixteen seventeen,

1:22:53.040 --> 1:22:57.240
<v Speaker 1>I'm like, well, fifteen, I lost my mom and in

1:22:57.360 --> 1:23:00.240
<v Speaker 1>nineteen I lost my grandfather. So the parents that raise

1:23:00.280 --> 1:23:03.200
<v Speaker 1>me ain't. I had to go completely to the workforce

1:23:03.800 --> 1:23:06.160
<v Speaker 1>and get here. It wasn't because I knew some niggers

1:23:06.200 --> 1:23:08.160
<v Speaker 1>down the street and I got on you know, that's

1:23:08.160 --> 1:23:10.280
<v Speaker 1>not I had to split that time. I had to

1:23:10.800 --> 1:23:13.960
<v Speaker 1>sleep two hours a day for it for years, like

1:23:14.160 --> 1:23:16.120
<v Speaker 1>only off two hours to the point now I can't

1:23:16.120 --> 1:23:19.519
<v Speaker 1>even go to sleep, you know, so it's going to sleep. Well, no,

1:23:19.680 --> 1:23:23.280
<v Speaker 1>I want to go to But I didn't say I

1:23:23.320 --> 1:23:26.200
<v Speaker 1>didn't trying. This ship just don't work. The difference what

1:23:26.280 --> 1:23:28.720
<v Speaker 1>you're saying and what I'm saying is sometimes you deal

1:23:28.760 --> 1:23:31.040
<v Speaker 1>with an artist management or you deal with and that's

1:23:31.080 --> 1:23:33.640
<v Speaker 1>the problem is it's different, right, and so now I

1:23:33.720 --> 1:23:35.960
<v Speaker 1>can understand that point. But if I ever dealt with

1:23:36.080 --> 1:23:39.040
<v Speaker 1>you directly and there was a phone call with where

1:23:39.120 --> 1:23:41.639
<v Speaker 1>me and you, I do I do take it away

1:23:41.720 --> 1:23:45.400
<v Speaker 1>personal more than I should have, Like you know what

1:23:45.400 --> 1:23:47.679
<v Speaker 1>I'm saying, because I don't care what are I doing?

1:23:47.800 --> 1:23:51.760
<v Speaker 1>Like like if you tell me something and we have

1:23:51.920 --> 1:23:53.320
<v Speaker 1>a ball, and if you don't have a ball, I

1:23:53.360 --> 1:23:55.560
<v Speaker 1>don't give a fun Like I don't care if I

1:23:55.560 --> 1:23:56.880
<v Speaker 1>don't have a ball, But if you give me I

1:23:57.000 --> 1:23:58.680
<v Speaker 1>have a ball and you tell me something that I

1:23:58.800 --> 1:24:01.200
<v Speaker 1>expect you to deliver because I'm an deliver on my part,

1:24:01.280 --> 1:24:04.040
<v Speaker 1>or whatever you ask me. I'm so in love with

1:24:04.439 --> 1:24:08.479
<v Speaker 1>with the idea of knowledge. I'd rather sacrifice myself and

1:24:08.720 --> 1:24:11.360
<v Speaker 1>how I feel about somebody or whether I'm mad at

1:24:11.400 --> 1:24:14.400
<v Speaker 1>them or not. If they were just to learn it

1:24:14.640 --> 1:24:17.000
<v Speaker 1>from whatever aspect they learned it from it, just you know,

1:24:17.120 --> 1:24:19.000
<v Speaker 1>wrap it back around and just say, oh cool, I

1:24:19.120 --> 1:24:21.800
<v Speaker 1>learned that ship that you were saying to me or

1:24:21.920 --> 1:24:24.680
<v Speaker 1>what we went through. I'm more in love with that

1:24:24.920 --> 1:24:27.560
<v Speaker 1>than I am about being hasty and just denimous for

1:24:27.680 --> 1:24:30.479
<v Speaker 1>no reason because it doesn't make any sense. Like, and

1:24:30.600 --> 1:24:33.599
<v Speaker 1>to be in love with knowledge, it's a whole different idea,

1:24:33.960 --> 1:24:38.599
<v Speaker 1>you know. But to watch another person learned something versus

1:24:38.720 --> 1:24:42.160
<v Speaker 1>fighting them, like, I'd rather you just know, Like even

1:24:42.200 --> 1:24:43.360
<v Speaker 1>if you did it to me and I'm like, you

1:24:43.439 --> 1:24:46.640
<v Speaker 1>suck me up because we like forty fuckings, but you

1:24:47.000 --> 1:24:49.080
<v Speaker 1>understand what then happened and you can go on in

1:24:49.200 --> 1:24:51.519
<v Speaker 1>life and do the next ship. Because I'm blessed enough

1:24:51.600 --> 1:24:55.000
<v Speaker 1>to be able to rebound after that. If I wasn't,

1:24:55.040 --> 1:25:00.920
<v Speaker 1>there maybe a different story forgiving. That's blessed. That's someone

1:25:00.960 --> 1:25:05.000
<v Speaker 1>to be able to do that with. Yes, killing something

1:25:06.640 --> 1:25:08.920
<v Speaker 1>you got, you're still thinking about this girl right now.

1:25:08.960 --> 1:25:13.880
<v Speaker 1>I'm just going out there. That's throwing it up. This

1:25:14.000 --> 1:25:15.840
<v Speaker 1>is what we do, man, dream I don't know if

1:25:15.880 --> 1:25:18.760
<v Speaker 1>you understand this is drinking Champce. We've been doing this.

1:25:18.840 --> 1:25:22.960
<v Speaker 1>We shouldly celebrated our hundreds episodes, right, We're still We're

1:25:23.000 --> 1:25:26.040
<v Speaker 1>still celebrating because you know, this is the first time

1:25:26.360 --> 1:25:29.600
<v Speaker 1>people that are a part of the artist street, a

1:25:29.760 --> 1:25:32.679
<v Speaker 1>part of culture, the culture you know from my DJ

1:25:32.920 --> 1:25:36.400
<v Speaker 1>and mixtape DJ regular DJ to an artist and you know,

1:25:36.640 --> 1:25:39.040
<v Speaker 1>I'm searching out and go on. I wanted to control

1:25:39.120 --> 1:25:41.320
<v Speaker 1>all the media. I wanted to keep you know, I

1:25:41.439 --> 1:25:44.320
<v Speaker 1>wanted us to support us, you know what I mean

1:25:44.439 --> 1:25:46.760
<v Speaker 1>when you had, like you know, given the four four

1:25:46.840 --> 1:25:50.759
<v Speaker 1>or four album and you hear um Jay talking about

1:25:50.920 --> 1:25:53.840
<v Speaker 1>like you know, it's like, that's that's what the time

1:25:54.040 --> 1:25:57.040
<v Speaker 1>is for. That's what the time is for. So in

1:25:57.160 --> 1:26:00.240
<v Speaker 1>a in a weird way, you're doing that, like whether

1:26:00.360 --> 1:26:03.160
<v Speaker 1>you was conscious or unconscious of it, I just see

1:26:03.360 --> 1:26:05.960
<v Speaker 1>on the internet Google and that set your album. And

1:26:06.080 --> 1:26:08.760
<v Speaker 1>I'm hopefully this is the first interview that you did.

1:26:09.080 --> 1:26:12.040
<v Speaker 1>You didn't even know that, right, I mean, you won't

1:26:12.080 --> 1:26:14.920
<v Speaker 1>revolte so we you. I mean, you have to provote conference,

1:26:15.000 --> 1:26:17.479
<v Speaker 1>so you know, everything a run around. But this is

1:26:17.560 --> 1:26:20.040
<v Speaker 1>what we do over here. But we also have fun

1:26:20.160 --> 1:26:22.200
<v Speaker 1>with all this right, and we also say that so

1:26:22.320 --> 1:26:25.400
<v Speaker 1>we have to actually dream, just dream, he asked, Oh

1:26:25.479 --> 1:26:35.160
<v Speaker 1>of course, all right, damn answer that good question that

1:26:35.360 --> 1:26:39.360
<v Speaker 1>we here, we ask we're Twitter, Twitter, Twitter, let's come

1:26:39.400 --> 1:26:43.400
<v Speaker 1>over and twin Twitter come over here, because asking you

1:26:43.520 --> 1:26:46.160
<v Speaker 1>the game, just asking the game. Listen, man, he had

1:26:46.280 --> 1:26:47.960
<v Speaker 1>he got into an accident, but he's still out here

1:26:48.400 --> 1:26:49.880
<v Speaker 1>running the things. Come on, ask him me the mike

1:26:49.920 --> 1:26:52.760
<v Speaker 1>set the mic up for him. Ask Paul, this is

1:26:52.920 --> 1:26:54.920
<v Speaker 1>this is this is twin Eddie to ask you. This

1:26:55.000 --> 1:26:56.920
<v Speaker 1>is Eddie to ask you. The student we have we

1:26:57.040 --> 1:26:58.920
<v Speaker 1>have a person on our show called Eddie to ask

1:26:59.000 --> 1:27:04.000
<v Speaker 1>either and he made it today. But this twin tell him,

1:27:04.040 --> 1:27:06.439
<v Speaker 1>tell m to tell him what's going on? You radio

1:27:06.680 --> 1:27:16.519
<v Speaker 1>killers asks as is at the top of the day

1:27:17.040 --> 1:27:20.640
<v Speaker 1>that you with your faces and ask. That's all he

1:27:20.720 --> 1:27:25.439
<v Speaker 1>does that professional, so that you're a professional to tell him. Yeah,

1:27:25.760 --> 1:27:28.080
<v Speaker 1>you gotta to click all that ship at the same time.

1:27:28.120 --> 1:27:34.240
<v Speaker 1>You know what I'm saying while you're eating that damn. Yeah,

1:27:34.240 --> 1:27:37.599
<v Speaker 1>you gotta talk every day man, Yeah, yeah, okay, guys,

1:27:38.360 --> 1:27:41.000
<v Speaker 1>it's a great can. Actually I didn't tell y'all, don't

1:27:41.000 --> 1:27:43.360
<v Speaker 1>have I didn't be motherfucker's ye That's what I'm saying.

1:27:45.560 --> 1:27:48.960
<v Speaker 1>It's a great as. I didn't know you a professional

1:27:49.120 --> 1:27:51.600
<v Speaker 1>ass either. The way you described it, you looked at

1:27:51.680 --> 1:27:57.760
<v Speaker 1>him like course is a ball. Click. That's all I

1:27:57.840 --> 1:28:02.840
<v Speaker 1>got that look. You just rob that. You gotta take

1:28:02.840 --> 1:28:07.240
<v Speaker 1>the shot. Twitter's head come on twenty recently had an accident.

1:28:07.560 --> 1:28:10.000
<v Speaker 1>He's been on drink chances this day one. We love

1:28:10.120 --> 1:28:12.559
<v Speaker 1>this guy. I still got my I'm good, you got

1:28:12.640 --> 1:28:17.760
<v Speaker 1>you know that's still four and you know fifty cent.

1:28:17.880 --> 1:28:20.360
<v Speaker 1>Don't even drink fifty did four. I'm gonna strow that

1:28:20.479 --> 1:28:22.559
<v Speaker 1>out there. We got a represent for the r B world.

1:28:22.640 --> 1:28:24.600
<v Speaker 1>I'm just throwing it out there. They have some r

1:28:24.720 --> 1:28:27.680
<v Speaker 1>V people, so I need eat. Asking like this ain't

1:28:27.720 --> 1:28:33.920
<v Speaker 1>gonna help. No, you don't know. First of all, it's

1:28:33.960 --> 1:28:36.360
<v Speaker 1>too many guys saying this at the same time. Okay,

1:28:38.960 --> 1:28:41.719
<v Speaker 1>anyone else calling the hot roll up? Two more listening

1:28:41.880 --> 1:28:46.000
<v Speaker 1>everybody on their car. He listens. Good. You don't like

1:28:46.080 --> 1:28:48.120
<v Speaker 1>y'all trying to get me fucking drunk to listen to

1:28:49.280 --> 1:28:55.840
<v Speaker 1>you gotta relax, speak y'all from the y'all cool, let's go.

1:28:59.040 --> 1:29:01.559
<v Speaker 1>What's going don't know you white man, you were kind

1:29:01.600 --> 1:29:06.800
<v Speaker 1>of party of this night kind of fucking party? Is

1:29:06.920 --> 1:29:15.680
<v Speaker 1>this get you here right here, right here? Yo? This

1:29:15.880 --> 1:29:21.639
<v Speaker 1>is what twin this right this is the dream twin

1:29:21.760 --> 1:29:25.960
<v Speaker 1>man hashtag first time be dude here right here right yo.

1:29:26.040 --> 1:29:30.720
<v Speaker 1>Go ahead, think it was your a little twin. We

1:29:30.880 --> 1:29:33.479
<v Speaker 1>want you to know that we love you and dream.

1:29:33.800 --> 1:29:35.560
<v Speaker 1>We want you to know that everything you did for

1:29:35.720 --> 1:29:40.000
<v Speaker 1>this culture, every time, you're winning in me women you know,

1:29:40.560 --> 1:29:45.000
<v Speaker 1>love men time. And then look, I'm gonna take this shot,

1:29:45.000 --> 1:29:48.679
<v Speaker 1>and I gotta ask you. Do you killed that vah

1:29:48.760 --> 1:29:52.479
<v Speaker 1>more sign? Ship? You money? Happy? Scared to doing? Hey, dog,

1:29:52.760 --> 1:29:55.479
<v Speaker 1>I feel attended. That's the game, you know. I went

1:29:55.560 --> 1:30:04.840
<v Speaker 1>to another showy man, I'm drunk, I'm looking. We can't

1:30:05.200 --> 1:30:11.160
<v Speaker 1>drink step to your ships take dream? I'm sorry, but look,

1:30:11.720 --> 1:30:14.639
<v Speaker 1>do you take the shot yet? Let's go, Let's go dream,

1:30:15.200 --> 1:30:21.040
<v Speaker 1>Let's go drink ship sloo solo solo. I don't want

1:30:21.040 --> 1:30:24.920
<v Speaker 1>to drink it all right, yo, not drink? Do you

1:30:25.200 --> 1:30:29.599
<v Speaker 1>make love to your own ship? Oh no, that was all.

1:30:29.640 --> 1:30:32.360
<v Speaker 1>I don't know what happen. It's just so bad. I

1:30:32.439 --> 1:30:34.120
<v Speaker 1>just want to see if that fire shiep gonna come

1:30:34.120 --> 1:30:37.880
<v Speaker 1>out of But I need not ship. It's pretty tae

1:30:37.880 --> 1:30:40.680
<v Speaker 1>you know you're very you're very smart. Come on, man,

1:30:40.720 --> 1:30:44.320
<v Speaker 1>you gotta keep up. But listen, listen. Do you make

1:30:44.400 --> 1:30:46.200
<v Speaker 1>love to your own ship? Because that's a that's a

1:30:46.280 --> 1:30:49.640
<v Speaker 1>real ship right there. No, I just played it. I

1:30:49.760 --> 1:30:52.640
<v Speaker 1>just played um de track myself and then single on

1:30:52.760 --> 1:30:56.880
<v Speaker 1>top of Oh you killed that, he killed that kill.

1:30:58.360 --> 1:31:00.800
<v Speaker 1>Oh I'm trying to pet you. That wouldn't work with

1:31:00.880 --> 1:31:06.120
<v Speaker 1>wrapping place. He's like, you get a real Yeah, yeah,

1:31:06.120 --> 1:31:08.599
<v Speaker 1>I got just put the instrumentals and they go from love.

1:31:10.920 --> 1:31:14.320
<v Speaker 1>Always said, what's your go to songs to sing? Go

1:31:14.479 --> 1:31:20.680
<v Speaker 1>to songs and fancy um with Swiss stuff. Oh you

1:31:20.760 --> 1:31:23.960
<v Speaker 1>know all nigger, you're not a fans in there? Got

1:31:24.280 --> 1:31:26.280
<v Speaker 1>can please put me on? I just told you whoshi

1:31:27.160 --> 1:31:30.720
<v Speaker 1>who we just described the Whosi? Please? I need you

1:31:30.800 --> 1:31:34.719
<v Speaker 1>to play fancy now? But cool? Where were that singing

1:31:34.800 --> 1:31:37.880
<v Speaker 1>for us? Please let me singing ship. We don't play

1:31:37.960 --> 1:31:40.559
<v Speaker 1>music on this bapp dream we're doing that. We can't.

1:31:40.760 --> 1:31:42.920
<v Speaker 1>We can't, you know, I want to. I want to

1:31:42.960 --> 1:31:44.880
<v Speaker 1>hear right now. I want to play when we can't

1:31:44.920 --> 1:31:49.680
<v Speaker 1>using it because yeah, yeah, come on, come expensive lake

1:31:49.880 --> 1:31:56.800
<v Speaker 1>my niggers, where so I could please? Sorry that was

1:31:56.800 --> 1:32:06.960
<v Speaker 1>the stall. Don't talk so rich Sacks. Let's here fast

1:32:21.160 --> 1:32:23.360
<v Speaker 1>us like candle. I'm mad at you right now. I'm

1:32:23.400 --> 1:32:26.360
<v Speaker 1>little head, disappoint man in myself as a dream fan.

1:32:27.800 --> 1:32:29.800
<v Speaker 1>But let it, let it drop, go, let it drop first,

1:32:36.439 --> 1:32:44.240
<v Speaker 1>trying at trying to try. Yeah, as a dream fan,

1:32:44.320 --> 1:32:49.439
<v Speaker 1>I'm disappointed. I'm disappointed. I've lived this broad. You got

1:32:49.520 --> 1:33:17.080
<v Speaker 1>a spook blood so they got guys. He was guy, Okay,

1:33:17.120 --> 1:33:26.200
<v Speaker 1>come listen and drinks dream trips to Monica from head

1:33:26.520 --> 1:33:32.000
<v Speaker 1>to give me five man? Where keep going listen? By

1:33:32.040 --> 1:33:35.559
<v Speaker 1>the way, he's about anybody the only guy that When

1:33:35.600 --> 1:33:38.000
<v Speaker 1>they hit me, I said, yo, I want dreaming to

1:33:38.080 --> 1:33:40.639
<v Speaker 1>the podcast, and then they said dreaming to the podcast.

1:33:40.680 --> 1:33:43.760
<v Speaker 1>I said, also want dreaming to a record. You're the

1:33:43.880 --> 1:33:46.280
<v Speaker 1>only thing. If we got a hundred and five episode,

1:33:46.640 --> 1:33:50.479
<v Speaker 1>we had to be aired the kids the episode out

1:33:51.240 --> 1:33:54.320
<v Speaker 1>five mocause you're the only thing. I gotta have a

1:33:54.439 --> 1:33:56.320
<v Speaker 1>dream record. Now, how about how would you do a

1:33:56.400 --> 1:33:59.160
<v Speaker 1>Noriega record? Let's just describe that, right, we got empire

1:33:59.280 --> 1:34:03.280
<v Speaker 1>to build it. Let's how describe with Noriega? SA like

1:34:03.400 --> 1:34:06.720
<v Speaker 1>boy want to do we gotta go, we gotta I

1:34:06.800 --> 1:34:10.200
<v Speaker 1>got too many let me get let me get you

1:34:10.240 --> 1:34:12.240
<v Speaker 1>a nug give you some I got too many male

1:34:12.360 --> 1:34:16.040
<v Speaker 1>facts up crazy, got too many male fans juices right now,

1:34:19.680 --> 1:34:22.000
<v Speaker 1>male fans, tell me your story. Too many male fans.

1:34:22.080 --> 1:34:28.320
<v Speaker 1>It's a problem female fans. I don't know where you're

1:34:28.320 --> 1:34:34.840
<v Speaker 1>going on, like you gotta scratch it, scratch it. It's

1:34:34.840 --> 1:34:37.840
<v Speaker 1>a horrible scratch that was too easy to make. Now

1:34:37.880 --> 1:34:40.200
<v Speaker 1>we're going to club dream work. We're going to club.

1:34:40.760 --> 1:34:42.320
<v Speaker 1>See I can tell you when nig is here. Damn

1:34:42.360 --> 1:34:45.519
<v Speaker 1>too of your dump, Greg about goddamn club. Tell me

1:34:45.600 --> 1:34:47.240
<v Speaker 1>tell me how this will go to Let's just make

1:34:47.280 --> 1:34:51.479
<v Speaker 1>the motherfucker just how you doing up? Like? Who? Just line?

1:34:51.520 --> 1:34:55.679
<v Speaker 1>What's your mom? You're gonna be gonna be gonna go out? Okay?

1:34:55.760 --> 1:34:58.320
<v Speaker 1>Has father? You get ready? Goes through faces to the

1:34:58.400 --> 1:35:00.880
<v Speaker 1>fucking song. This is it. It's We're getting ready to

1:35:00.960 --> 1:35:06.120
<v Speaker 1>go out song, You're out song, Ain't back home song.

1:35:06.840 --> 1:35:09.599
<v Speaker 1>This is a three different songs songs, the RP songs

1:35:09.640 --> 1:35:11.200
<v Speaker 1>at the end, because they're never be one song for

1:35:11.240 --> 1:35:13.680
<v Speaker 1>all of us. This is so genius. It can but

1:35:13.800 --> 1:35:15.720
<v Speaker 1>it's not really you know what I'm saying. You can

1:35:15.960 --> 1:35:17.800
<v Speaker 1>you can kind of smooth one into the other like

1:35:18.200 --> 1:35:20.280
<v Speaker 1>you can, but when you get back to the house.

1:35:20.720 --> 1:35:25.680
<v Speaker 1>That song usually belongs to me turned down and if

1:35:25.720 --> 1:35:28.160
<v Speaker 1>you don't, you last like thirty three seconds. I can't

1:35:28.160 --> 1:35:30.880
<v Speaker 1>do nothing about that, because fancy in six minutes and

1:35:30.920 --> 1:35:34.240
<v Speaker 1>forty seconds, forty seven seconds long. The last time you

1:35:34.280 --> 1:35:37.360
<v Speaker 1>smoke to blood blood blood, I just do. I just

1:35:37.479 --> 1:35:41.560
<v Speaker 1>do the the whites you know right now? Yeah, I

1:35:41.600 --> 1:35:51.320
<v Speaker 1>don't smoke bucks bad, No, don't smoke bugs. Yeah, because

1:35:51.800 --> 1:35:55.639
<v Speaker 1>in my insurance there's a little thing to happen policy

1:35:55.760 --> 1:35:58.200
<v Speaker 1>thing that is sigarettes, which has nothing to do with

1:35:58.240 --> 1:36:01.960
<v Speaker 1>the white paper on to you. But it's tobacco. Yeah, yeah,

1:36:02.000 --> 1:36:04.280
<v Speaker 1>I was. If you know, something happens to me, I

1:36:04.320 --> 1:36:06.120
<v Speaker 1>would love my kids to get that eighty six million,

1:36:06.160 --> 1:36:09.760
<v Speaker 1>all those verses, same tobacco, the same way as it

1:36:09.840 --> 1:36:13.680
<v Speaker 1>takes tests. In school, I had had a system. Yes, no, yes,

1:36:14.320 --> 1:36:19.360
<v Speaker 1>the Christmas yes, you know, I just know there. But

1:36:19.520 --> 1:36:23.120
<v Speaker 1>everybody else I had a system. I was. I was

1:36:23.160 --> 1:36:25.400
<v Speaker 1>a foul guy. I'm sorry. In school it was different.

1:36:25.439 --> 1:36:27.760
<v Speaker 1>I'm sorry you guys. Yeah, you know what they're doing.

1:36:28.560 --> 1:36:32.760
<v Speaker 1>So I show up and together the funeral of ship, Well,

1:36:32.840 --> 1:36:35.720
<v Speaker 1>he was leading a bad life. You're smoking tobacco. We've

1:36:35.720 --> 1:36:40.439
<v Speaker 1>seen him on the show. Everybody, No, I ain't smoke ship. Listen, listen,

1:36:40.479 --> 1:36:42.760
<v Speaker 1>you know why you're gonna live forever because hip hop

1:36:42.840 --> 1:36:46.200
<v Speaker 1>and arm be like you know um and and like

1:36:46.400 --> 1:36:49.600
<v Speaker 1>like the legends. Sometimes we just live forever, like them

1:36:49.680 --> 1:36:52.799
<v Speaker 1>niggas in England, the niggas in England, it's nine hundreds,

1:36:53.600 --> 1:36:58.040
<v Speaker 1>but they all like they're like like the na I

1:36:58.040 --> 1:37:00.720
<v Speaker 1>don't know all the rock boots from England, like and

1:37:00.920 --> 1:37:04.120
<v Speaker 1>like hip hop is like a new Yeah, like he nah,

1:37:05.240 --> 1:37:11.840
<v Speaker 1>not easy. He lived with like nine except didn't make

1:37:11.880 --> 1:37:14.320
<v Speaker 1>it to night hunting. Oh damn. I forgot about him.

1:37:14.600 --> 1:37:18.400
<v Speaker 1>But you you focusing on one person. There's all of

1:37:18.479 --> 1:37:21.040
<v Speaker 1>them other niggas out there, and I've seen that this

1:37:21.120 --> 1:37:23.280
<v Speaker 1>alcohol is affecting you, but no, it's not affecting me

1:37:23.360 --> 1:37:25.760
<v Speaker 1>at all. I really love it. I know, I love

1:37:26.040 --> 1:37:27.559
<v Speaker 1>and I love my job. I just wanted to make

1:37:27.560 --> 1:37:29.800
<v Speaker 1>sure that what it was going to do because no,

1:37:30.200 --> 1:37:32.160
<v Speaker 1>no I was doing with Ultimately, my wife has to

1:37:32.160 --> 1:37:34.840
<v Speaker 1>pay the price for this, but sheo'ld be fine. She's great.

1:37:35.360 --> 1:37:39.280
<v Speaker 1>She's great. And your man, listen you you always handles

1:37:39.520 --> 1:37:46.080
<v Speaker 1>your relationships in public, excellent. See somebody finally saying this

1:37:46.120 --> 1:37:50.840
<v Speaker 1>ship that's like thinking that the time, yo, Like, I

1:37:51.080 --> 1:37:54.600
<v Speaker 1>like you. You ain't petty at all at zero and

1:37:55.040 --> 1:37:57.519
<v Speaker 1>you even just did a record with Todd Dollar songs

1:37:57.560 --> 1:38:00.920
<v Speaker 1>that wait, actually I've done like what records on Wayne's

1:38:00.920 --> 1:38:05.200
<v Speaker 1>new album, The New Quarter five, And that means I'm

1:38:05.240 --> 1:38:10.360
<v Speaker 1>really not a petty for real. Okay, Okay, I understand.

1:38:10.680 --> 1:38:12.479
<v Speaker 1>I think that's the most unpatty is you could be.

1:38:13.280 --> 1:38:20.920
<v Speaker 1>Let's make some other all right, you are, I've undercepted

1:38:20.960 --> 1:38:26.599
<v Speaker 1>you in the petty game, and I gotta release sign

1:38:26.920 --> 1:38:30.800
<v Speaker 1>had to release m sorry, because that is a real

1:38:31.000 --> 1:38:34.439
<v Speaker 1>brown man ship. Like it's like, yo, that you know

1:38:34.600 --> 1:38:37.519
<v Speaker 1>people relationships, got to do relationships you whatever, like and

1:38:38.200 --> 1:38:42.720
<v Speaker 1>you tipped out of that. We're all just people. And

1:38:42.840 --> 1:38:45.200
<v Speaker 1>I think I think the I think in the end,

1:38:45.520 --> 1:38:48.200
<v Speaker 1>especially in this culture, you know, we're not like this.

1:38:48.439 --> 1:38:51.080
<v Speaker 1>This isn't This isn't us. It's not in us to

1:38:51.120 --> 1:38:52.640
<v Speaker 1>be this way. This country has kind of made us

1:38:52.680 --> 1:38:54.840
<v Speaker 1>a certain type of way, but it's just not in

1:38:55.000 --> 1:38:57.519
<v Speaker 1>us to be that way. I think we're giving when

1:38:57.560 --> 1:39:01.160
<v Speaker 1>we can't give, and nobody eyes away from a moment

1:39:01.240 --> 1:39:03.040
<v Speaker 1>to be a hero. It's just less and less of

1:39:03.080 --> 1:39:05.320
<v Speaker 1>those times that we get to become one or that

1:39:05.520 --> 1:39:07.960
<v Speaker 1>is seen or that is celebrated. You know, like nobody

1:39:08.040 --> 1:39:10.240
<v Speaker 1>wakes up if there's a kid in front of a car,

1:39:10.400 --> 1:39:12.080
<v Speaker 1>doesn't want to push the kid out the way, you

1:39:12.160 --> 1:39:14.439
<v Speaker 1>know what, say their life, you know, even if it

1:39:14.520 --> 1:39:18.960
<v Speaker 1>means ending your own. So there's a hero part to it,

1:39:19.240 --> 1:39:21.040
<v Speaker 1>you know that I think exists in the culture. We

1:39:21.160 --> 1:39:23.400
<v Speaker 1>just don't get to prove it often enough, or it's

1:39:23.439 --> 1:39:27.360
<v Speaker 1>not shown often enough. Man, it's not shown true. God damnit,

1:39:27.479 --> 1:39:30.320
<v Speaker 1>dream man. I tried to have to try to compute

1:39:30.320 --> 1:39:32.640
<v Speaker 1>them to the pretty game. He broke out of it,

1:39:33.360 --> 1:39:38.200
<v Speaker 1>broke out, he broke out. Listen, look, Peo, gotta salute

1:39:38.240 --> 1:39:42.360
<v Speaker 1>you more. Dream We got to this culture, not just

1:39:42.520 --> 1:39:45.920
<v Speaker 1>hip hop, R and B. Every it's gotta because you're

1:39:46.000 --> 1:39:49.320
<v Speaker 1>one of the great Do you recognize yourself as one

1:39:49.360 --> 1:39:54.360
<v Speaker 1>of the greats? Not you? Why I got so much more?

1:39:55.680 --> 1:39:59.600
<v Speaker 1>That's a good that's a great answer. So when did

1:40:00.240 --> 1:40:04.200
<v Speaker 1>what do you want to what? His dreams? Ultimately want

1:40:04.280 --> 1:40:06.120
<v Speaker 1>these songs that are right for three minutes and thirty

1:40:06.160 --> 1:40:08.280
<v Speaker 1>seconds to last for about an hour and a half.

1:40:09.000 --> 1:40:12.599
<v Speaker 1>So that's what those goes come on. I'm a dyslexic

1:40:12.920 --> 1:40:18.280
<v Speaker 1>and I was only so I want these songs of

1:40:18.400 --> 1:40:21.680
<v Speaker 1>three minutes and thirty seconds to last four hour and

1:40:21.800 --> 1:40:24.760
<v Speaker 1>thirty minutes. So I just want to take those short stories.

1:40:24.840 --> 1:40:26.559
<v Speaker 1>The hardest thing to do is to put a story

1:40:26.600 --> 1:40:31.960
<v Speaker 1>in a minute and could just be able to elaborate,

1:40:32.400 --> 1:40:35.439
<v Speaker 1>which is easy, and it's it's a treatment. Yeah, it

1:40:35.560 --> 1:40:37.040
<v Speaker 1>was a treatment because you don't have to cut out

1:40:37.080 --> 1:40:39.639
<v Speaker 1>the details. It's like, okay, I get a detail this ship.

1:40:39.720 --> 1:40:41.920
<v Speaker 1>If I was writing a fucking short about me and

1:40:41.960 --> 1:40:44.000
<v Speaker 1>fucking nor right now, I get the details to what

1:40:44.080 --> 1:40:49.760
<v Speaker 1>the funk we're going through today. He leaves these times,

1:40:51.560 --> 1:40:54.160
<v Speaker 1>just keep creating the picture. I love it. You know

1:40:54.280 --> 1:40:56.800
<v Speaker 1>it's here. We wake up, Hey, y'all need we're gonna

1:40:56.840 --> 1:40:58.639
<v Speaker 1>meet at the studio over The truth is we're never

1:40:58.640 --> 1:41:00.479
<v Speaker 1>actually gonna make it to the studio. We spend his

1:41:00.560 --> 1:41:06.320
<v Speaker 1>whole day not to say yeah yeah, so we spend

1:41:06.360 --> 1:41:08.360
<v Speaker 1>this whole day. Ain't go to trying to get to

1:41:08.439 --> 1:41:12.200
<v Speaker 1>the student to do song. Okay, that's never happened, So

1:41:12.880 --> 1:41:23.840
<v Speaker 1>it's okay, it doesn't happen in real life. You know.

1:41:24.000 --> 1:41:27.160
<v Speaker 1>That's kind of deploy the idea of it though. It's

1:41:27.200 --> 1:41:29.960
<v Speaker 1>just trying so hard and when you really try to

1:41:30.040 --> 1:41:32.439
<v Speaker 1>drip tight to do something. The ship devil comes out

1:41:32.560 --> 1:41:35.000
<v Speaker 1>right when you try your hardest to get it right.

1:41:35.160 --> 1:41:37.000
<v Speaker 1>So you started day trying to get the moved right.

1:41:37.320 --> 1:41:40.080
<v Speaker 1>You go buy a pound from so and so over there,

1:41:40.120 --> 1:41:43.519
<v Speaker 1>you get your blood just sh ain't going right? Get poor. No,

1:41:43.640 --> 1:41:46.120
<v Speaker 1>you have to flush your ship. Funk. I gotta go

1:41:46.240 --> 1:41:49.160
<v Speaker 1>back and do this ship. Your day is long, My

1:41:49.320 --> 1:41:51.080
<v Speaker 1>day is long. R and B ship trying to get

1:41:51.080 --> 1:41:53.000
<v Speaker 1>one bit y'all get another bit in, Like, yeah, we're

1:41:53.000 --> 1:41:55.040
<v Speaker 1>gonna meet in the studio. Times already sucked up. We're

1:41:55.040 --> 1:41:57.040
<v Speaker 1>sucking it up, but we're trying too hard to make

1:41:57.080 --> 1:42:01.120
<v Speaker 1>the situation right and make the right record. That's have

1:42:01.240 --> 1:42:02.880
<v Speaker 1>you read the treatment? No, I'm writing it right now.

1:42:02.960 --> 1:42:06.439
<v Speaker 1>That's what I'm saying, like I know you are before. Yes,

1:42:07.680 --> 1:42:10.240
<v Speaker 1>you know what. My next question was, have you ever

1:42:10.479 --> 1:42:13.200
<v Speaker 1>gave somebody a record? And they even came back with

1:42:13.320 --> 1:42:21.519
<v Speaker 1>the worst video treating the people over there too. They

1:42:21.600 --> 1:42:26.439
<v Speaker 1>said they were all down together. He had the visions.

1:42:27.560 --> 1:42:30.240
<v Speaker 1>I just let people, the fans to sign with videos

1:42:30.280 --> 1:42:33.160
<v Speaker 1>there like video you were so mad at you know,

1:42:33.240 --> 1:42:36.080
<v Speaker 1>I'm not telling you that, and I don't want to

1:42:36.560 --> 1:42:41.840
<v Speaker 1>tell me just telling them. Nobody listening. I can't see it.

1:42:42.880 --> 1:42:44.960
<v Speaker 1>But there has been times where you're like, you know

1:42:45.080 --> 1:42:48.600
<v Speaker 1>you have you grow healthy appetite when you humbro is

1:42:48.640 --> 1:42:50.360
<v Speaker 1>the video that comes back on your song and your

1:42:50.400 --> 1:42:52.880
<v Speaker 1>soul is high and you're like, oh funck yes, yeah,

1:42:53.080 --> 1:42:55.040
<v Speaker 1>and then somebody goes down from there. He was all

1:42:55.280 --> 1:42:58.200
<v Speaker 1>fun sun my song up the funk. Why were you

1:42:58.400 --> 1:43:00.760
<v Speaker 1>there in a swamp doing my fun good song? That's

1:43:01.120 --> 1:43:06.640
<v Speaker 1>definitely saying the beach. It's hint clue. That's why I

1:43:06.640 --> 1:43:09.120
<v Speaker 1>said swamp, because they haven't. There's no videos in the swamp.

1:43:09.960 --> 1:43:12.760
<v Speaker 1>There is no clue. He's very swamp. I don't think

1:43:13.479 --> 1:43:16.560
<v Speaker 1>we're not getting them nowhere shots. It's nothing we can do,

1:43:22.400 --> 1:43:24.360
<v Speaker 1>so that would be crazy. That'll be awkward if somebody

1:43:24.439 --> 1:43:26.599
<v Speaker 1>had to be like that. We wouldn't do that. We're

1:43:26.600 --> 1:43:29.000
<v Speaker 1>protecting you over. I appreciate what you got you, I'll

1:43:29.000 --> 1:43:43.760
<v Speaker 1>protecting But he's right outside. They got they got. So Now,

1:43:44.000 --> 1:43:47.360
<v Speaker 1>what's your favorite liquor? This is drink Champs. We drink liquor,

1:43:48.000 --> 1:43:51.479
<v Speaker 1>our favorite liquor to write a hit or anything, or

1:43:51.520 --> 1:43:55.599
<v Speaker 1>the process to write what is it like? But back

1:43:55.640 --> 1:43:58.559
<v Speaker 1>in the day, it was patrol now is Yeah, that's

1:43:58.560 --> 1:44:07.880
<v Speaker 1>a great, let's make some noise and why to see?

1:44:07.920 --> 1:44:11.080
<v Speaker 1>I noticed that people that drink to killer those are

1:44:11.120 --> 1:44:16.240
<v Speaker 1>people you know, you know for people that doesn't drink

1:44:16.320 --> 1:44:19.560
<v Speaker 1>to kill up, that's straight down to the bottom. Like

1:44:19.680 --> 1:44:21.840
<v Speaker 1>it's like because you can't just drink and killer and

1:44:21.960 --> 1:44:25.559
<v Speaker 1>be depends on. So what I'm saying is, how could

1:44:25.600 --> 1:44:29.240
<v Speaker 1>you drink to killer and like write these amazing lirics.

1:44:29.680 --> 1:44:31.719
<v Speaker 1>Oh no, I didn't need to drink to write Arsenal.

1:44:32.760 --> 1:44:35.880
<v Speaker 1>You don't know. This ship is in purely your celebration

1:44:35.920 --> 1:44:39.000
<v Speaker 1>of what then has been done. Yeah, I can't. I'm

1:44:39.080 --> 1:44:41.120
<v Speaker 1>like high already when I wake up, I'm not. I

1:44:41.200 --> 1:44:43.880
<v Speaker 1>don't need anything that that actually just slows me to

1:44:43.920 --> 1:44:49.439
<v Speaker 1>funk down. That's me up. I can't write. I can't

1:44:49.479 --> 1:44:54.639
<v Speaker 1>write ship without the marijuana. Marijuana, I don't. I don't

1:44:54.680 --> 1:44:57.439
<v Speaker 1>you know, I want to drink silber chance. I don't

1:44:58.000 --> 1:45:01.400
<v Speaker 1>late vocals. I don't drink, but when I actually write

1:45:01.439 --> 1:45:03.639
<v Speaker 1>the vocals, I'll drink all day and I'll be I'll

1:45:03.680 --> 1:45:06.519
<v Speaker 1>be like people myself. I don't be around nobody, like

1:45:06.800 --> 1:45:09.640
<v Speaker 1>just sit there but to lay them. I will not

1:45:09.800 --> 1:45:13.479
<v Speaker 1>drink hazard. I don't drink, and sometimes when I drink.

1:45:13.520 --> 1:45:16.040
<v Speaker 1>The reason why when I drink, I gotta lay it back.

1:45:16.160 --> 1:45:18.840
<v Speaker 1>I gotta redo the vocals so many times, and it's

1:45:18.880 --> 1:45:20.560
<v Speaker 1>just not worth it. I just I have all the

1:45:20.600 --> 1:45:24.800
<v Speaker 1>looking in the studios. I'm gonna lie and then I'll

1:45:24.840 --> 1:45:27.639
<v Speaker 1>do it. I'll lay it sober and then we get

1:45:27.720 --> 1:45:30.240
<v Speaker 1>sucked up. Well I didn't. I didn't. I didn't drink

1:45:30.800 --> 1:45:36.800
<v Speaker 1>or smoke until I was thirty. So yeah, drink or smoke. Yeah,

1:45:37.120 --> 1:45:39.880
<v Speaker 1>there was a path that I that I made, you know,

1:45:40.000 --> 1:45:42.559
<v Speaker 1>with myself, and I was just like, I'm not drinking

1:45:42.600 --> 1:45:44.439
<v Speaker 1>a smoke until I got a million dollars. So that's

1:45:44.560 --> 1:45:53.960
<v Speaker 1>when my first son death. For some of us, or smoke,

1:45:54.880 --> 1:45:59.880
<v Speaker 1>they made a man dollars. That it's hard, that is hard.

1:46:00.160 --> 1:46:02.400
<v Speaker 1>I was trying to motivate. I don't even want to

1:46:02.520 --> 1:46:04.160
<v Speaker 1>who I was trying to motivate earlier. I was trying

1:46:04.200 --> 1:46:06.280
<v Speaker 1>to motive. But damn, I should have used something like that.

1:46:08.560 --> 1:46:10.680
<v Speaker 1>That was on you know, yea, I know V he

1:46:10.800 --> 1:46:17.040
<v Speaker 1>still want to fight the system. Yeah, it's not. They

1:46:17.080 --> 1:46:18.760
<v Speaker 1>threw all my case. I said, they threw out their

1:46:18.840 --> 1:46:23.360
<v Speaker 1>case because they think you're crazy. They think you crazy

1:46:23.560 --> 1:46:26.519
<v Speaker 1>you motherfucker like, and he's like, I want to soothe him. Now,

1:46:28.600 --> 1:46:32.080
<v Speaker 1>you're lucky. Don't go back into the swamp with I

1:46:32.240 --> 1:46:37.080
<v Speaker 1>like it. They just were coming, you know, you don't know,

1:46:37.600 --> 1:46:42.240
<v Speaker 1>So what's your favorite moment in music period? All around

1:46:42.439 --> 1:46:47.000
<v Speaker 1>nine MTV Music Awards with my damn god, damn, what

1:46:47.479 --> 1:46:49.679
<v Speaker 1>you do? This is not the first thing. I'm just asking,

1:46:55.000 --> 1:46:57.439
<v Speaker 1>what do you do you? Mike came back and then

1:46:57.439 --> 1:47:01.240
<v Speaker 1>they got damn move walking nine Musical. I'm just for

1:47:01.439 --> 1:47:04.840
<v Speaker 1>listeners that whole fucking mentally, that lasted like forty minutes

1:47:04.840 --> 1:47:06.800
<v Speaker 1>and there I was like, oh, no commercial break again

1:47:06.880 --> 1:47:09.240
<v Speaker 1>for Michael. He had been gone, man, he left. He

1:47:09.320 --> 1:47:11.240
<v Speaker 1>did blood from the dance, Lloyd did all this ship

1:47:11.640 --> 1:47:16.519
<v Speaker 1>he's over in your whatever funk he was doing. And

1:47:16.680 --> 1:47:19.519
<v Speaker 1>after the first time we really saw him come, it's like, yo,

1:47:19.600 --> 1:47:21.640
<v Speaker 1>Michaels to be on. We got ready all week for

1:47:21.720 --> 1:47:24.720
<v Speaker 1>that ship, like, oh ship, Mike finn't come out and

1:47:24.800 --> 1:47:28.040
<v Speaker 1>make it did smooth criminal ship and put criminal and

1:47:28.200 --> 1:47:31.880
<v Speaker 1>he did leave came back. We're like, oh, ship, Mike's

1:47:31.960 --> 1:47:35.799
<v Speaker 1>got crazy. That's the first time to what was induced.

1:47:36.280 --> 1:47:42.120
<v Speaker 1>That's just when he come back. He looked when he

1:47:42.400 --> 1:47:47.040
<v Speaker 1>did it was us. You didn't miss the fucking step

1:47:47.720 --> 1:47:50.760
<v Speaker 1>He didn't missed the fucking step motherfucking Mike Amazing. I've

1:47:50.920 --> 1:47:55.840
<v Speaker 1>been prints no man story with him. Men start with

1:47:56.360 --> 1:47:58.360
<v Speaker 1>you ain't gonna do you ain't gotta press store. Yeah,

1:48:00.320 --> 1:48:02.720
<v Speaker 1>it's a little Prince to death made rest in peace

1:48:02.760 --> 1:48:04.920
<v Speaker 1>for that guy. They get you in. This is a

1:48:04.960 --> 1:48:07.880
<v Speaker 1>good one. It's a good one. So we're doing this

1:48:08.000 --> 1:48:11.960
<v Speaker 1>record with Mary J. Blige and it has that Prince's

1:48:12.040 --> 1:48:14.800
<v Speaker 1>vibe to it. So so at the time, I was

1:48:14.840 --> 1:48:16.559
<v Speaker 1>just like, all right, cool, we're go getting over the Prince,

1:48:16.680 --> 1:48:18.320
<v Speaker 1>you know, like, let me take a stab at and

1:48:18.360 --> 1:48:22.240
<v Speaker 1>do a couple of things that a little bit, you know,

1:48:22.360 --> 1:48:24.600
<v Speaker 1>do the thing. Of course, he's like, yeah, you know,

1:48:24.680 --> 1:48:28.240
<v Speaker 1>I do whatever you'll need me to do. So they

1:48:28.360 --> 1:48:30.120
<v Speaker 1>send the record over to him and Ship, and I'm

1:48:30.200 --> 1:48:33.280
<v Speaker 1>just actually just saying what I think, I think the

1:48:33.320 --> 1:48:36.760
<v Speaker 1>conversation with So send the record the Prince, Princess the

1:48:36.800 --> 1:48:38.920
<v Speaker 1>record back and Ship. He didn't sing none of the

1:48:39.000 --> 1:48:43.360
<v Speaker 1>parts that Mary wanted him to sing, but he he's

1:48:43.400 --> 1:48:45.759
<v Speaker 1>like playing all of the track and Ship going crazy,

1:48:49.000 --> 1:48:51.760
<v Speaker 1>like just going crazy and Ship, but in the prince

1:48:51.840 --> 1:48:55.679
<v Speaker 1>type of way. Death like I said, But so Mary

1:48:55.760 --> 1:49:00.880
<v Speaker 1>gets me. He's like, Yo, man, fucking Prince record man,

1:49:00.960 --> 1:49:03.640
<v Speaker 1>he's just played all over the ship. Man, Like, how

1:49:03.760 --> 1:49:09.120
<v Speaker 1>do I talk to him? I'm like, ship's fucking prints. FU,

1:49:09.280 --> 1:49:11.360
<v Speaker 1>you're gonna say, like you gotta take the hell dout?

1:49:11.520 --> 1:49:16.120
<v Speaker 1>You know parts now, I don't even think we put

1:49:16.200 --> 1:49:20.400
<v Speaker 1>the record. We probably the record. Um so so so

1:49:20.640 --> 1:49:23.400
<v Speaker 1>she she gets she got the cursions like, you know what, dream,

1:49:24.520 --> 1:49:26.559
<v Speaker 1>I'm just gonna call him. I'm gonna call him up.

1:49:26.560 --> 1:49:28.080
<v Speaker 1>I'm gonna call him right now. I call you back.

1:49:29.800 --> 1:49:32.800
<v Speaker 1>Mary's on the phone, me y'all phones. I guess she's

1:49:32.800 --> 1:49:34.960
<v Speaker 1>calling Prinson. This kind of how this ship had to go.

1:49:36.439 --> 1:49:43.880
<v Speaker 1>She's like, um uh, Prince, Yeah, I'm I got the

1:49:43.960 --> 1:49:48.120
<v Speaker 1>I got the record back. But you know the I

1:49:48.240 --> 1:49:49.720
<v Speaker 1>just wanted you to do this one part of me

1:49:49.800 --> 1:49:52.000
<v Speaker 1>and seemed to, you know, just just sing a little

1:49:52.000 --> 1:49:54.080
<v Speaker 1>bit and and just playing a little bit at the end.

1:49:55.479 --> 1:49:59.920
<v Speaker 1>Well you don't like it. No, it's not really the

1:50:00.000 --> 1:50:01.400
<v Speaker 1>and I don't like you know what, I'm just saying,

1:50:01.479 --> 1:50:03.360
<v Speaker 1>how many we because we was overing this bit, jam

1:50:03.479 --> 1:50:06.880
<v Speaker 1>And like a mother definitely was the goodman and this

1:50:06.960 --> 1:50:10.000
<v Speaker 1>bit Jamie like the play your ship in the back

1:50:10.080 --> 1:50:14.840
<v Speaker 1>and it sounds good to them. She told me that ship.

1:50:14.920 --> 1:50:18.280
<v Speaker 1>I just felt the Florida died, like I told you,

1:50:18.479 --> 1:50:22.360
<v Speaker 1>fucking prints like what happened. But yeah I could, I

1:50:22.439 --> 1:50:25.400
<v Speaker 1>could never. Just don't conference, just left, leave below cool.

1:50:25.479 --> 1:50:27.400
<v Speaker 1>Whatever you want to do dogs, we'll just strake that

1:50:27.439 --> 1:50:29.400
<v Speaker 1>ship up later. Now you have had one of those.

1:50:29.479 --> 1:50:32.240
<v Speaker 1>And in the session with you when you worked with somebody,

1:50:32.360 --> 1:50:35.800
<v Speaker 1>you looked up too, and they fucking up. You gotta

1:50:35.880 --> 1:50:40.960
<v Speaker 1>be like, can't you change because me I'll tell you,

1:50:41.000 --> 1:50:46.200
<v Speaker 1>I'm gonna come out like ship good. Just take them

1:50:46.240 --> 1:50:48.120
<v Speaker 1>like I ain't gonna tell him and it ain't good.

1:50:49.479 --> 1:50:54.160
<v Speaker 1>You you you know I mind I been. I don't

1:50:54.160 --> 1:50:58.040
<v Speaker 1>catch your release. I have no idea. She says, you

1:50:58.120 --> 1:51:00.720
<v Speaker 1>came to catch your releases one this when you dump

1:51:00.800 --> 1:51:03.360
<v Speaker 1>and did this ship so long with some motherfucker's that's

1:51:03.520 --> 1:51:07.519
<v Speaker 1>just gifted. Don't tell them nothing wrong they song just no,

1:51:08.200 --> 1:51:11.040
<v Speaker 1>I'm talking about like actually like making a song. Yeah, oh,

1:51:11.120 --> 1:51:14.200
<v Speaker 1>you're making a song even if they're doing something that's

1:51:14.240 --> 1:51:16.920
<v Speaker 1>not to your liking and you're in there with a

1:51:16.960 --> 1:51:24.760
<v Speaker 1>great motherfucker. Don't say ship so not did not? No,

1:51:24.920 --> 1:51:28.439
<v Speaker 1>you just you just how that's how you feel like, oh,

1:51:28.560 --> 1:51:31.360
<v Speaker 1>ship alright cool because they ain't about it being bad. Well,

1:51:31.400 --> 1:51:34.360
<v Speaker 1>motherfucker's great. They're great. Sometimes they just be doing or

1:51:34.400 --> 1:51:37.720
<v Speaker 1>something that's not great. You can you can do this, no,

1:51:37.960 --> 1:51:39.800
<v Speaker 1>not like that, just just in a way maybe a

1:51:39.920 --> 1:51:42.080
<v Speaker 1>delivery or something like you should have been a little

1:51:42.080 --> 1:51:44.599
<v Speaker 1>bit softer on that. But it ain't critique time. As

1:51:44.640 --> 1:51:46.960
<v Speaker 1>soon as they leave, you know, they're just all right, cool,

1:51:47.000 --> 1:51:49.720
<v Speaker 1>I'm gonna go shopping real quick, go to Berry going

1:51:49.760 --> 1:51:51.760
<v Speaker 1>for good and give me a couple of things. Come back.

1:51:52.560 --> 1:51:54.639
<v Speaker 1>By the time you get back, there's so fucking great.

1:51:54.840 --> 1:51:57.880
<v Speaker 1>The great ones are so fucking great. They answered they

1:51:57.960 --> 1:52:01.680
<v Speaker 1>fucking question and you're here. You're like, thank god, and

1:52:01.760 --> 1:52:04.160
<v Speaker 1>he has to bring that ship up and they don't,

1:52:04.880 --> 1:52:07.240
<v Speaker 1>right because they're great. That's how they got that. They

1:52:07.320 --> 1:52:11.000
<v Speaker 1>already they're already picking at themselves at a point and

1:52:11.280 --> 1:52:13.280
<v Speaker 1>in a certain type of way that you can never

1:52:13.720 --> 1:52:16.439
<v Speaker 1>pick the ship apart. You can't tell say something like

1:52:16.840 --> 1:52:19.519
<v Speaker 1>it's fucked up, like she knows what what she knows

1:52:19.600 --> 1:52:21.720
<v Speaker 1>what to do? You know, like so you can't. You

1:52:21.840 --> 1:52:24.120
<v Speaker 1>just have to give them, you know, anybody that time

1:52:24.560 --> 1:52:27.160
<v Speaker 1>that's great and they'll come back to their own ship

1:52:27.240 --> 1:52:30.160
<v Speaker 1>and say, I think I could do that hook like this.

1:52:30.400 --> 1:52:31.920
<v Speaker 1>I think that would be better than in your mind.

1:52:32.080 --> 1:52:34.439
<v Speaker 1>Just like, thank god, I don't have to say nothing

1:52:34.479 --> 1:52:36.320
<v Speaker 1>about that. And when they need your fucking input, there

1:52:36.400 --> 1:52:38.720
<v Speaker 1>asks you the great ones to do. It's the motherfucker's

1:52:38.720 --> 1:52:43.200
<v Speaker 1>in the middle. Can't tell them motherfucker ship and they'll correct.

1:52:43.240 --> 1:52:46.400
<v Speaker 1>Now I think this ship, don't. It's dope enough Number

1:52:46.439 --> 1:52:49.320
<v Speaker 1>one ninety eight on ever got that charge? But whatever

1:52:49.400 --> 1:52:54.439
<v Speaker 1>you say, have you get my money up front? Have

1:52:54.560 --> 1:52:57.680
<v Speaker 1>you ever been wrong? Have you ever gave advice and

1:52:58.160 --> 1:53:01.240
<v Speaker 1>you was wrong? Wrong all the time? Yeah, I'm all

1:53:01.320 --> 1:53:05.880
<v Speaker 1>right and wrong. Don't like what's what's something he was

1:53:05.960 --> 1:53:08.240
<v Speaker 1>wrong on? Like the artists wanted to work with you

1:53:08.479 --> 1:53:10.400
<v Speaker 1>or something or something like, I'm never wrong on that

1:53:10.479 --> 1:53:11.880
<v Speaker 1>type of ship. I was just saying in life in

1:53:11.960 --> 1:53:14.240
<v Speaker 1>general and this music, Ye, I got this. You don't.

1:53:15.160 --> 1:53:22.439
<v Speaker 1>Let's make some looks for that good thing. I'm just in. Okay,

1:53:22.680 --> 1:53:24.960
<v Speaker 1>we're going to a cigarette break in the bathroom break

1:53:25.040 --> 1:53:26.840
<v Speaker 1>real quick. You're cool, and then we get that five

1:53:26.920 --> 1:53:31.080
<v Speaker 1>more minutes. Yeah, I got bathroom breakfast. Yeah we're gonnam.

1:53:31.960 --> 1:53:34.960
<v Speaker 1>I ain't gonna like, that's the city player. And she's like,

1:53:35.040 --> 1:53:42.200
<v Speaker 1>you know, you gotta at least take one bathroom. So

1:53:42.720 --> 1:53:45.120
<v Speaker 1>this is this is like a low part of the

1:53:45.200 --> 1:53:50.000
<v Speaker 1>show that um running by Now, this is you know,

1:53:50.120 --> 1:53:55.360
<v Speaker 1>you'll never run ship by you. They all have conversations,

1:53:55.400 --> 1:53:57.160
<v Speaker 1>but no, this is the part I'm just seeing. This

1:53:57.240 --> 1:54:00.200
<v Speaker 1>is gonna work. I pulled up one of your tweets, right,

1:54:01.600 --> 1:54:05.200
<v Speaker 1>he says, ask your favorites how many times they played

1:54:05.280 --> 1:54:08.600
<v Speaker 1>me before the inspiration kicked in? Then you tagged in

1:54:09.200 --> 1:54:12.360
<v Speaker 1>meat mil and you said it and then you say

1:54:12.840 --> 1:54:17.880
<v Speaker 1>said it best. Jimmy foul Dream. You don't what what

1:54:18.040 --> 1:54:21.200
<v Speaker 1>did that tweet? Me? Me and me and me and

1:54:21.439 --> 1:54:24.559
<v Speaker 1>um my brother Meek just did a record on foul

1:54:24.600 --> 1:54:26.639
<v Speaker 1>and maybe like a month and a half, two months ago.

1:54:28.360 --> 1:54:35.800
<v Speaker 1>Um yo, Black America. And I'm walking in and let's

1:54:35.800 --> 1:54:37.840
<v Speaker 1>just say he has a certain thing that he did.

1:54:37.960 --> 1:54:43.600
<v Speaker 1>He's like, yo, man, I was, you know, I week

1:54:43.600 --> 1:54:45.400
<v Speaker 1>has a certain you know, he has his dream chase,

1:54:45.480 --> 1:54:48.120
<v Speaker 1>his logo and like my log logo which is Radio

1:54:48.160 --> 1:54:52.760
<v Speaker 1>Killer Records, which is the whole roads. And and I

1:54:52.800 --> 1:54:55.080
<v Speaker 1>get ready to walk in and I was like, actually

1:54:55.240 --> 1:54:56.320
<v Speaker 1>his first it out And he was like, but I

1:54:56.360 --> 1:54:59.800
<v Speaker 1>put that ship on blast, so everybody's seen it. It's like,

1:55:00.080 --> 1:55:04.640
<v Speaker 1>not your problem is who says He's like, you know

1:55:04.680 --> 1:55:07.080
<v Speaker 1>what your problem is. It's like you don't put enough

1:55:07.160 --> 1:55:09.680
<v Speaker 1>light on it. Like so when you do ship, nobody

1:55:09.760 --> 1:55:11.520
<v Speaker 1>really knows. He's like, you don't talk about that ship,

1:55:11.640 --> 1:55:13.920
<v Speaker 1>like how you need to talk about it, you know,

1:55:14.400 --> 1:55:17.000
<v Speaker 1>so that motherfucker's know, like that certain ship came from

1:55:17.040 --> 1:55:21.600
<v Speaker 1>you and now stopped for like two seconds. I was like,

1:55:21.680 --> 1:55:26.520
<v Speaker 1>this motherfucker's right, like like you know, and I don't.

1:55:26.640 --> 1:55:29.960
<v Speaker 1>And that's probably it's probably more leaning to the un

1:55:30.120 --> 1:55:35.640
<v Speaker 1>artist part about me, you know. Um, And there's nothing

1:55:35.720 --> 1:55:38.480
<v Speaker 1>that I would change about that particular thing. I mean,

1:55:39.200 --> 1:55:42.280
<v Speaker 1>you know, at this particular point, once you want your famous,

1:55:42.320 --> 1:55:44.400
<v Speaker 1>your famous, Like there's no in between. I don't believe

1:55:44.440 --> 1:55:48.160
<v Speaker 1>in in between, Like you know, take the bullshit as

1:55:48.400 --> 1:55:50.600
<v Speaker 1>as it amounts in dollars, like and and it just

1:55:51.000 --> 1:55:53.160
<v Speaker 1>is what it is, like, but go all the way,

1:55:53.320 --> 1:55:57.240
<v Speaker 1>like don't stop, or don't don't cut something short or

1:55:57.400 --> 1:55:59.760
<v Speaker 1>make something half asked or do it half is it

1:56:00.000 --> 1:56:03.080
<v Speaker 1>to be done? You know, if if you're scared of

1:56:03.160 --> 1:56:04.560
<v Speaker 1>that light, like run all the way to the light

1:56:04.640 --> 1:56:07.000
<v Speaker 1>you started running there in the first place, and that's

1:56:07.200 --> 1:56:11.440
<v Speaker 1>he just in one quick second reminded me O O

1:56:11.640 --> 1:56:15.240
<v Speaker 1>G me, like, yo, you don't put enough light on

1:56:15.320 --> 1:56:18.120
<v Speaker 1>that ship. You guys start talking that ship, you know,

1:56:18.160 --> 1:56:22.160
<v Speaker 1>because I'm good at talking ship. But at certain point,

1:56:23.840 --> 1:56:25.800
<v Speaker 1>at a certain point, it was more so I was

1:56:25.880 --> 1:56:28.280
<v Speaker 1>talking to myself. So when did you adjust after he

1:56:28.360 --> 1:56:30.600
<v Speaker 1>said that? Why did you adjust? I'm just doing a

1:56:30.600 --> 1:56:33.160
<v Speaker 1>certain ships showing certain ship now, like it's it's just

1:56:33.280 --> 1:56:37.960
<v Speaker 1>a it's I'm just gaining a better perspective of um

1:56:41.240 --> 1:56:44.520
<v Speaker 1>inspiring others. And when there's a line that that that

1:56:44.920 --> 1:56:47.840
<v Speaker 1>they both like intersect, it's like, be humble with what

1:56:48.000 --> 1:56:50.480
<v Speaker 1>you have, but also you could be so humble that

1:56:50.560 --> 1:56:55.960
<v Speaker 1>you've seem silent about certain things, you know, versus inspiring

1:56:56.040 --> 1:56:59.080
<v Speaker 1>somebody else to say, you know, because only only gifted

1:56:59.160 --> 1:57:01.240
<v Speaker 1>and motherfucker's that leaving themselves gonna take it the right

1:57:01.280 --> 1:57:04.440
<v Speaker 1>way anyway. So that was just the point of doing

1:57:04.480 --> 1:57:07.720
<v Speaker 1>ship to a certain point that makes somebody say that

1:57:07.840 --> 1:57:10.640
<v Speaker 1>motherfucker's roll around this bitch and that fucking ghosts like

1:57:10.760 --> 1:57:15.480
<v Speaker 1>it ain't nothing you got nine nine calls like and

1:57:15.640 --> 1:57:18.280
<v Speaker 1>feel okay with like it ain't about me not being humble,

1:57:18.360 --> 1:57:20.080
<v Speaker 1>like I know where the funk I came from. I

1:57:20.120 --> 1:57:22.120
<v Speaker 1>don't know where my ancestors came from. I know more

1:57:22.160 --> 1:57:25.000
<v Speaker 1>about my tree and the slave shift that dropped us

1:57:25.040 --> 1:57:27.480
<v Speaker 1>off in South Carolina than anybody like I know about it,

1:57:27.640 --> 1:57:30.480
<v Speaker 1>So I know exactly what it is. So I have

1:57:30.640 --> 1:57:32.840
<v Speaker 1>to I didn't have to convince myself, but I had

1:57:32.920 --> 1:57:35.720
<v Speaker 1>to just believe that and say, whatever you do have

1:57:35.960 --> 1:57:38.920
<v Speaker 1>is in the test a testament of of It's a

1:57:39.000 --> 1:57:42.960
<v Speaker 1>testament to hard work and and being able to to

1:57:43.760 --> 1:57:47.880
<v Speaker 1>persevere through anything. And the real people that feel good

1:57:47.920 --> 1:57:50.600
<v Speaker 1>inside theirselves, they're gonna feel like that. They don't feel

1:57:50.640 --> 1:57:54.440
<v Speaker 1>like yose, you need some more champagne. That was a

1:57:54.480 --> 1:58:01.200
<v Speaker 1>great Champagne calls your perseverance. It's real. It's just champagne. Cup.

1:58:01.240 --> 1:58:03.440
<v Speaker 1>You got champagne, got like nine cups over there, can't

1:58:03.480 --> 1:58:07.080
<v Speaker 1>give it. You're keeping in really drink yo. Listen, RB

1:58:07.240 --> 1:58:10.120
<v Speaker 1>Niggers is never gonna come to Australa. They're gonna try

1:58:10.200 --> 1:58:13.320
<v Speaker 1>to top Dream and they're gonna that's gonna be crazy.

1:58:13.840 --> 1:58:16.360
<v Speaker 1>They're gonna die. It's R and B think it's just

1:58:16.440 --> 1:58:18.840
<v Speaker 1>as tough as hip hop. Niggers old that y'all might

1:58:18.880 --> 1:58:23.520
<v Speaker 1>be even wilder than us. Have to compare, Like, I

1:58:23.600 --> 1:58:25.960
<v Speaker 1>don't think it's it's a got a D M Mexican

1:58:26.080 --> 1:58:28.560
<v Speaker 1>R and B. That's Bobby Brown, right, that's the first time.

1:58:30.360 --> 1:58:33.280
<v Speaker 1>I mean, that's I mean, listen, let's just keep there.

1:58:34.080 --> 1:58:36.440
<v Speaker 1>Let's got so all right, let' let's just compare RB

1:58:36.560 --> 1:58:39.200
<v Speaker 1>Niggers the Raptice right now, right, I don't know, this

1:58:39.360 --> 1:58:42.880
<v Speaker 1>is crazy, Just this a stick of it. Right. Who's

1:58:42.960 --> 1:58:46.480
<v Speaker 1>the whole of rmby because you let the coops, you

1:58:46.600 --> 1:58:49.120
<v Speaker 1>let the quincy, who's the whole of R and B.

1:58:52.920 --> 1:58:55.280
<v Speaker 1>I don't think anybody's really replaced R. Kelly, to be

1:58:55.400 --> 1:58:59.320
<v Speaker 1>honest when it comes to that, except Kelly, you know,

1:58:59.640 --> 1:59:02.920
<v Speaker 1>ain't gonna pistole people. And he's still a man a

1:59:02.960 --> 1:59:06.880
<v Speaker 1>little bit somewhere in the world, you know, Like it's

1:59:06.960 --> 1:59:10.440
<v Speaker 1>hard in the world. As much as as much as

1:59:10.560 --> 1:59:20.160
<v Speaker 1>we want to like marry, marry. The idea that genius

1:59:20.280 --> 1:59:23.160
<v Speaker 1>is in a in a in a conformed world, like

1:59:24.080 --> 1:59:27.640
<v Speaker 1>it's not about forgiving anybody for anything. Ship is just

1:59:27.840 --> 1:59:31.160
<v Speaker 1>different in that mind, like it has to be. And

1:59:31.280 --> 1:59:32.760
<v Speaker 1>you can't get that type of ship out of your

1:59:32.800 --> 1:59:35.040
<v Speaker 1>body if you wanted to the closer you are the

1:59:35.160 --> 1:59:37.280
<v Speaker 1>same as the closer you are to not being gifted.

1:59:39.200 --> 1:59:43.480
<v Speaker 1>So when crazy ship happens, I'm not really like like like,

1:59:43.560 --> 1:59:46.360
<v Speaker 1>oh my god, the world's gonna end. It's like to me,

1:59:49.000 --> 1:59:51.040
<v Speaker 1>there's something that takes a certain type of way in

1:59:51.080 --> 1:59:54.320
<v Speaker 1>an individual, you know, whether it be dark or like

1:59:54.880 --> 1:59:57.160
<v Speaker 1>depending on what we want from them. And when we

1:59:57.240 --> 1:59:59.120
<v Speaker 1>get what we want from them, we're kind of good

1:59:59.240 --> 2:00:03.200
<v Speaker 1>and and and when we don't, we're upset, you know.

2:00:04.640 --> 2:00:07.200
<v Speaker 1>But that's not to say who a victim is or

2:00:07.200 --> 2:00:08.960
<v Speaker 1>who a victim is not. Like, the point is you

2:00:09.040 --> 2:00:11.920
<v Speaker 1>still live in the real world with real people. There

2:00:11.960 --> 2:00:14.640
<v Speaker 1>are rules, they're you know, there are certain things. But

2:00:14.760 --> 2:00:19.640
<v Speaker 1>it also bigs the question the idea of time, God's religion,

2:00:19.880 --> 2:00:24.360
<v Speaker 1>like it bakes a different the question of what's actually real,

2:00:24.640 --> 2:00:26.560
<v Speaker 1>like like what is it you know you come from?

2:00:27.600 --> 2:00:31.680
<v Speaker 1>My great grandmother gave birth at thirteen. It's so full

2:00:31.800 --> 2:00:34.800
<v Speaker 1>past now. But that used to be a thing, like

2:00:34.960 --> 2:00:38.200
<v Speaker 1>for real, it wasn't a law, like, it wasn't a like.

2:00:38.400 --> 2:00:42.240
<v Speaker 1>So so what are we changing overall? And and how

2:00:42.360 --> 2:00:45.200
<v Speaker 1>far is DNA and traits actually playing into that and

2:00:45.280 --> 2:00:47.520
<v Speaker 1>what they don't because most of the times you can

2:00:47.640 --> 2:00:49.600
<v Speaker 1>do some ship just out of habit from what you

2:00:49.720 --> 2:00:55.000
<v Speaker 1>came from. That's just regular fucking science and logic. Like

2:00:55.240 --> 2:00:58.000
<v Speaker 1>you're more like your father and your mother than even

2:00:58.040 --> 2:00:59.680
<v Speaker 1>if you wanted to not be, like, oh, I just

2:00:59.720 --> 2:01:01.600
<v Speaker 1>don't to be like them, Like yeah, but you are.

2:01:02.160 --> 2:01:04.360
<v Speaker 1>You may not be a composive drug user, but you're

2:01:04.360 --> 2:01:06.520
<v Speaker 1>a gambler, Like you ain't not be a gambler, but

2:01:06.640 --> 2:01:09.200
<v Speaker 1>you're a sex you know, you're a sex addict or.

2:01:10.080 --> 2:01:13.480
<v Speaker 1>And with all that being said, then you may be

2:01:13.560 --> 2:01:16.320
<v Speaker 1>a genius and motherfucker that Gon invent did, Like like

2:01:17.440 --> 2:01:19.200
<v Speaker 1>you're the same person that had to dream or be

2:01:19.400 --> 2:01:22.440
<v Speaker 1>stupid and crazy and courageous enough to say, I think

2:01:22.480 --> 2:01:28.160
<v Speaker 1>I know how to make it light this that's something

2:01:28.160 --> 2:01:30.400
<v Speaker 1>that's doing. It's just it's just the idea of that

2:01:30.640 --> 2:01:34.240
<v Speaker 1>we're not anything, you know, well that was just that's

2:01:34.280 --> 2:01:37.120
<v Speaker 1>just dumb ship that people say, like we're just sucking stupid,

2:01:37.240 --> 2:01:41.040
<v Speaker 1>like nobody's condoning anything that's not right, you know, like

2:01:41.320 --> 2:01:44.280
<v Speaker 1>in society or even in your mind, like if you

2:01:44.360 --> 2:01:46.680
<v Speaker 1>need help, get help, Like that's that's that's just some

2:01:46.800 --> 2:01:49.320
<v Speaker 1>whole trickery ass trump ship, Like that ship don't that

2:01:49.360 --> 2:01:54.600
<v Speaker 1>ship doesn't mean anything. Um. The truth is the body

2:01:54.720 --> 2:01:56.800
<v Speaker 1>is just more sophisticated than we want to give it.

2:01:57.120 --> 2:01:59.680
<v Speaker 1>Give it credit for the body to mind, Like what

2:02:00.000 --> 2:02:02.640
<v Speaker 1>you get these things from all the way to the

2:02:02.680 --> 2:02:05.840
<v Speaker 1>point of why we're so distrimental allows to ourselves as

2:02:06.000 --> 2:02:08.600
<v Speaker 1>as a culture and as human beings, Like all of

2:02:08.640 --> 2:02:11.480
<v Speaker 1>those things come down to traits and things that if

2:02:11.560 --> 2:02:14.120
<v Speaker 1>you don't try to understand, you won't understand. Because all

2:02:14.160 --> 2:02:16.400
<v Speaker 1>those days skipping science and ship is the dumb ship.

2:02:17.000 --> 2:02:21.000
<v Speaker 1>You know, you just shouldn't never been science versus religion

2:02:21.080 --> 2:02:23.600
<v Speaker 1>in the first place, because you can't figure out a

2:02:23.680 --> 2:02:28.160
<v Speaker 1>mind like R. Kelly Are or whoever it is. Of

2:02:28.280 --> 2:02:30.200
<v Speaker 1>course we know in the real world, Okay, that's wrong,

2:02:30.360 --> 2:02:32.640
<v Speaker 1>Like you shouldn't do that, like you should have better

2:02:32.760 --> 2:02:36.040
<v Speaker 1>morals or whatever it is. And then on the flip

2:02:36.120 --> 2:02:38.600
<v Speaker 1>side of that, I don't know what's in your body

2:02:38.640 --> 2:02:41.120
<v Speaker 1>and in your mind, Man, I don't I really just

2:02:41.280 --> 2:02:43.680
<v Speaker 1>don't know. And I don't know whether I can say

2:02:44.240 --> 2:02:48.640
<v Speaker 1>completely that an insane person is insane, because the truth is,

2:02:49.400 --> 2:02:53.600
<v Speaker 1>there's just one word that that actually takes you from

2:02:53.640 --> 2:02:57.040
<v Speaker 1>being insane to a genius genius, and that's success. If

2:02:57.080 --> 2:02:59.800
<v Speaker 1>you success, you're a genius. If you're not, you too crazy.

2:02:59.840 --> 2:03:02.000
<v Speaker 1>Well the funk under the bridge there everybody you told,

2:03:02.040 --> 2:03:04.480
<v Speaker 1>you told everybody your ideas and ship just never took off.

2:03:05.240 --> 2:03:07.200
<v Speaker 1>So that means I could be the same in same

2:03:07.280 --> 2:03:10.240
<v Speaker 1>motherfucker or mere could be seeing it with this nigger

2:03:10.280 --> 2:03:12.920
<v Speaker 1>who's a genius is It's like, no, nigga, you're a genius?

2:03:13.360 --> 2:03:16.440
<v Speaker 1>Like why success? That lightning in the bottle? I couldn't

2:03:16.440 --> 2:03:18.360
<v Speaker 1>even control it in the first place. Beyonce didn't have

2:03:18.440 --> 2:03:21.600
<v Speaker 1>to be in my time period of living, or Rihanna

2:03:22.200 --> 2:03:25.160
<v Speaker 1>or Ja or Kanye like all of it. Like that

2:03:25.240 --> 2:03:27.280
<v Speaker 1>ship was divine, that was set up from a different

2:03:27.320 --> 2:03:29.440
<v Speaker 1>thing that I had nothing to do with, you know,

2:03:29.600 --> 2:03:32.480
<v Speaker 1>so I can't really I have to see both out

2:03:32.520 --> 2:03:34.400
<v Speaker 1>of the play the Devil's advocate when it's you're being

2:03:34.440 --> 2:03:37.840
<v Speaker 1>guided by time and in moments like I don't know.

2:03:38.080 --> 2:03:40.640
<v Speaker 1>I think the time ship just helps you become cattle

2:03:40.720 --> 2:03:43.800
<v Speaker 1>and work for society and make money and pay your

2:03:43.840 --> 2:03:46.240
<v Speaker 1>fucking taxes and ship. But if we live by moments,

2:03:46.320 --> 2:03:48.040
<v Speaker 1>then I think people would be better off of them.

2:03:49.960 --> 2:03:55.600
<v Speaker 1>There's no debating people's creativity and and and how genius

2:03:55.680 --> 2:03:58.160
<v Speaker 1>they are. Like r Kelly, but I just wanna make

2:03:58.200 --> 2:04:01.720
<v Speaker 1>sure that when we go over now. I'm sorry, I'm sorry, man,

2:04:02.160 --> 2:04:05.080
<v Speaker 1>I think it's very serious when we're talking and drink,

2:04:05.160 --> 2:04:09.440
<v Speaker 1>chance that nobody could ever violate children or anything like that.

2:04:09.560 --> 2:04:10.920
<v Speaker 1>I mean, I know you're not saying that. I'm just

2:04:11.280 --> 2:04:14.000
<v Speaker 1>I'm just putting out there for myself. Yeah, everybody knows

2:04:14.080 --> 2:04:17.040
<v Speaker 1>that I have children and I love him to do. No, No, absolutely,

2:04:17.080 --> 2:04:20.080
<v Speaker 1>I'm just saying, like, like, I feel awkward because I'm

2:04:20.120 --> 2:04:22.600
<v Speaker 1>a I'm a DJ, and I played Artilly and I

2:04:23.040 --> 2:04:24.760
<v Speaker 1>and I think he's a genius, you know what I'm saying.

2:04:24.800 --> 2:04:27.480
<v Speaker 1>But but I found myself in a crossroads when you

2:04:27.520 --> 2:04:30.240
<v Speaker 1>start to see the things that come out and you're

2:04:30.280 --> 2:04:32.680
<v Speaker 1>just like anybody. I think the cross road is the

2:04:32.800 --> 2:04:36.320
<v Speaker 1>fact that you're surprised, why should I not be anything

2:04:36.400 --> 2:04:38.800
<v Speaker 1>that's on earth? Like, oh no, he definitely not surprised

2:04:38.840 --> 2:04:42.040
<v Speaker 1>that anything that happens in the world. Because when that

2:04:42.160 --> 2:04:45.240
<v Speaker 1>happens when you get older, when when I'm originally playing

2:04:45.320 --> 2:04:47.240
<v Speaker 1>Art Kelly, I'm a child as well, you know what

2:04:47.240 --> 2:04:50.120
<v Speaker 1>I'm saying. So so I'm just saying like, when we

2:04:50.160 --> 2:04:55.080
<v Speaker 1>start to grow up and you realize you're like, that's unacceptable. Well, yeah,

2:04:55.200 --> 2:04:58.920
<v Speaker 1>whatever somebody's accused of whatever we're thinking of, whoever is

2:04:59.400 --> 2:05:01.760
<v Speaker 1>being told old to us. Yeah, I mean if you

2:05:01.800 --> 2:05:04.160
<v Speaker 1>don't know that, that's just that's just back to the

2:05:04.200 --> 2:05:06.680
<v Speaker 1>part of society now, like it's just coming sense at

2:05:06.720 --> 2:05:09.560
<v Speaker 1>this point from where I grew up. But of course

2:05:09.680 --> 2:05:12.920
<v Speaker 1>motherfucker's that's listening or motherfucker's is looking at news and

2:05:13.040 --> 2:05:16.960
<v Speaker 1>having to be told and controlled whatever we know, not

2:05:17.240 --> 2:05:20.080
<v Speaker 1>not you. I'm saying mass people who look to news

2:05:20.200 --> 2:05:23.120
<v Speaker 1>to figure out things. I think that's an important lesson

2:05:23.200 --> 2:05:26.120
<v Speaker 1>and just grazing kids like my my child should know

2:05:26.280 --> 2:05:29.800
<v Speaker 1>coming what coming senses. Coming sense is lacking in the world,

2:05:29.840 --> 2:05:31.840
<v Speaker 1>which which is the point why you're over trying to

2:05:31.920 --> 2:05:34.240
<v Speaker 1>You're trying to over iterate what we mean and like

2:05:34.400 --> 2:05:36.240
<v Speaker 1>what we stand by and what we don't have to

2:05:36.280 --> 2:05:38.600
<v Speaker 1>because yeah, because you feel like you have to because

2:05:39.160 --> 2:05:42.040
<v Speaker 1>it's stupid. Motherfucker's listening right now. That's like that. I

2:05:42.200 --> 2:05:44.960
<v Speaker 1>think they're actually saying that they agree with, like, motherfucker, no,

2:05:45.240 --> 2:05:48.320
<v Speaker 1>you don't from don't say bigger you know, I love

2:05:48.360 --> 2:05:55.960
<v Speaker 1>my stupidness. The whole crowd like stops stupid listeners but

2:05:56.080 --> 2:06:00.080
<v Speaker 1>I'm saying I'm stupid too, Like I understand. I understand this.

2:06:02.960 --> 2:06:05.040
<v Speaker 1>So he's talking about you have to say like, oh yeah,

2:06:05.280 --> 2:06:07.200
<v Speaker 1>as much as I love my kids, I kill every

2:06:07.240 --> 2:06:09.680
<v Speaker 1>one of you for them, Like I have to actually

2:06:09.800 --> 2:06:13.760
<v Speaker 1>say that that's sucking nuts, Like who the fund happened

2:06:13.800 --> 2:06:18.320
<v Speaker 1>to come into a long time ago, but unfortunately but

2:06:18.440 --> 2:06:22.840
<v Speaker 1>now for four four see me? How did that record

2:06:22.920 --> 2:06:25.840
<v Speaker 1>come together? Man? Tell your truth? That's all Jay. And

2:06:25.960 --> 2:06:30.240
<v Speaker 1>Jay had just had this record already and he asked

2:06:30.280 --> 2:06:32.920
<v Speaker 1>me to add live to to certain things or whatever

2:06:33.760 --> 2:06:39.160
<v Speaker 1>UM in the in the song and it was just

2:06:39.280 --> 2:06:42.840
<v Speaker 1>more him being family than anything. It's so yeah, and

2:06:43.120 --> 2:06:44.960
<v Speaker 1>I want you to want you to do these vocals

2:06:45.000 --> 2:06:47.760
<v Speaker 1>on this record. And it wasn't ever about a feature.

2:06:47.800 --> 2:06:49.840
<v Speaker 1>It's about anything. I think it's just the fact that

2:06:51.000 --> 2:06:53.280
<v Speaker 1>oh it's dreams, so it should be a feature or

2:06:53.360 --> 2:06:56.120
<v Speaker 1>whatever it is. But for me it was like oh coo, yeah,

2:06:56.400 --> 2:06:58.960
<v Speaker 1>I do the background. I do so many backgrounds on something,

2:06:59.080 --> 2:07:02.200
<v Speaker 1>so many things period, because my whole point is to

2:07:02.400 --> 2:07:08.360
<v Speaker 1>making sure that UM artists gets their story heard, you know,

2:07:08.440 --> 2:07:10.280
<v Speaker 1>and get their point out. Like it's not about me,

2:07:10.400 --> 2:07:12.320
<v Speaker 1>it's about and I think that's the great part about

2:07:12.320 --> 2:07:15.200
<v Speaker 1>being a songwriter when it's never about you in the

2:07:15.240 --> 2:07:19.000
<v Speaker 1>first place. You don't mind your artists. You're like, oh,

2:07:19.040 --> 2:07:21.800
<v Speaker 1>they didn't put my feature credit on there. You're going crazy.

2:07:21.960 --> 2:07:24.720
<v Speaker 1>That kickship called lawyers and do all kinds of ship.

2:07:24.840 --> 2:07:27.400
<v Speaker 1>That ship. It's like, did you get your point out?

2:07:27.520 --> 2:07:29.879
<v Speaker 1>Did you make a great album? People love it? Awesome

2:07:29.920 --> 2:07:33.480
<v Speaker 1>idea by ship. So now I dream, you know, because

2:07:33.640 --> 2:07:35.640
<v Speaker 1>I have a petty and they're in a good way.

2:07:36.240 --> 2:07:37.840
<v Speaker 1>I just want to throw it out there that I

2:07:37.960 --> 2:07:44.520
<v Speaker 1>need a dream record, like in All You when you at,

2:07:44.560 --> 2:07:46.120
<v Speaker 1>you just tell me whatever you But I fly to

2:07:46.160 --> 2:07:48.200
<v Speaker 1>wherever you're at. I don't give a because I want

2:07:48.200 --> 2:07:49.760
<v Speaker 1>to be at your zone. I want to be like

2:07:49.880 --> 2:07:52.320
<v Speaker 1>I want to get crazy. Whatever you want to do.

2:07:52.480 --> 2:07:54.320
<v Speaker 1>It's like, whatever you want to do, if you want

2:07:54.320 --> 2:07:57.160
<v Speaker 1>to be like going somewhere, I'm a little So if

2:07:57.200 --> 2:07:59.880
<v Speaker 1>I set up too as eating tables, you like, that's

2:08:00.000 --> 2:08:06.680
<v Speaker 1>I'm bad. I watched them, you know, I wasn't think

2:08:06.840 --> 2:08:09.800
<v Speaker 1>like Susie. I was thinking about the wives. I wasn't

2:08:09.840 --> 2:08:12.400
<v Speaker 1>thinking about Oh it would be a dividery ship. So

2:08:12.480 --> 2:08:22.400
<v Speaker 1>you won't see what I'm doing music you want or

2:08:22.440 --> 2:08:28.800
<v Speaker 1>the other thing that was. Now before you get up,

2:08:28.920 --> 2:08:35.360
<v Speaker 1>good your dream, literalitate something. You set the standards for

2:08:36.520 --> 2:08:41.480
<v Speaker 1>the cool rm B. But in real life, I'm saying

2:08:41.520 --> 2:08:43.480
<v Speaker 1>you do that. Then you did that on drink Champs,

2:08:43.800 --> 2:08:46.200
<v Speaker 1>but in real life, which you contributed to the game.

2:08:47.840 --> 2:08:51.600
<v Speaker 1>We have to salute. We have to continue salute as

2:08:51.640 --> 2:08:55.640
<v Speaker 1>a culture. You have to continue to be filled like

2:08:55.800 --> 2:08:58.560
<v Speaker 1>a king and treated like a king, because that's what

2:08:58.840 --> 2:09:02.520
<v Speaker 1>we are. This and this thing of ours. We sacrifice

2:09:02.560 --> 2:09:05.880
<v Speaker 1>and we give our lives to this game. So I

2:09:06.000 --> 2:09:10.560
<v Speaker 1>want you to always know that even other people like

2:09:10.760 --> 2:09:17.040
<v Speaker 1>me and d J E. F N, we know what

2:09:17.160 --> 2:09:19.400
<v Speaker 1>you're sacrifice to be in this game. We know what

2:09:19.560 --> 2:09:24.440
<v Speaker 1>you're doing. We understand, and we're gonna salute that ship

2:09:25.760 --> 2:09:28.360
<v Speaker 1>your figer smell me, Yes, you gotta do that. I

2:09:28.480 --> 2:09:42.240
<v Speaker 1>over smell you say them on. Take your read I properly.

2:09:42.320 --> 2:10:09.960
<v Speaker 1>Gon assists us