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Speaker 1: And his Drink Chas motherfucking podcast make he's a legendary

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Speaker 1: queen's rapper, He's Segre it is your boy in or

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Speaker 1: he's a Miami hip hop pioneer one of his DJ

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Speaker 1: e FN. Together they drink it up with some of

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Speaker 1: the biggest players in the most professional unprofessional podcast. And

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Speaker 1: your number one source for drunk fast drink chas motherfucking

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Speaker 1: every day is New Year's e That's like, it's time

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Speaker 1: for drink Champs, drink up, motherfuck mother and would you

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Speaker 1: could be hopefully when you should be it's your boy

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Speaker 1: or one of us d j e F and his

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Speaker 1: motherfucker drink Champs happy, I would make up. And I

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Speaker 1: swear to god, this guy we got in the building tonight,

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Speaker 1: I really ceercha and went through his whole catalog and

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Speaker 1: I couldn't find okay record. It always was the banging

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Speaker 1: this director. He made babies to him. No, no, no, no no, okay,

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Speaker 1: I'm gonna get to that. I want to get to that.

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Speaker 1: Everybody gotta make a baby behind this guy. But he

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Speaker 1: makes he revolutionary. He revolutionary the hip hop to me

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Speaker 1: in a way that excuse me r B and hip

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Speaker 1: hop because yeah, melodies. He was right, It was almost

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Speaker 1: like he was writing it from a rapids perspective. But

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Speaker 1: there's one doing no. I think he I think they're

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Speaker 1: all his children. So the people don't know Brye. Now

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Speaker 1: we are talking to the dream in the building making

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Speaker 1: how many babies you think was made to your music?

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Speaker 1: Two point five? Yet he's like three million? You may

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Speaker 1: for trump Rod me going in so little dream? Right?

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Speaker 1: How did you develop that style? Because everybody is kind

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Speaker 1: of somewhat memerican what you do? Like, you had melodies

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Speaker 1: first in your music? You you appealed. I put it

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Speaker 1: like this, I'm gonna be honest, right, I really wasn't

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Speaker 1: a big R and B fan, right, but there's certain

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Speaker 1: people that certain music. It was like they made it

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Speaker 1: for me, not like you know. Like what I mean

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Speaker 1: is it was easier for me to understand digested, easier

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Speaker 1: for me to digest it. And you're one like I've

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Speaker 1: never heard of rap dream record ever? Thank you? Are

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Speaker 1: you should maxing most of that? Were you ever? That's

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Speaker 1: fired rapper? My question? So yeah, how do so? How

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Speaker 1: did you develop that style? How do you think? So?

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Speaker 1: Oh man, I think I think I think most um

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Speaker 1: rb at the time was more offense. I mean it's

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Speaker 1: more defense. I guess I should say, um and my

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Speaker 1: and my ship was just more offensive like and that's

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Speaker 1: kind of what I feel about rap Like I feel

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Speaker 1: like it's just high power offense all the time and

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Speaker 1: the repercussions after that. So if you put that in

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Speaker 1: football terminologies, it's like, let's have a game like no defense,

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Speaker 1: like to say, all the ship you need to say

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Speaker 1: and and yeah, you're right. A lot of that just

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Speaker 1: came from where I was from West South Atlanta. We

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Speaker 1: grew up to be inspiring, you know rappers at the time.

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Speaker 1: I came with nineties was my ship, so I should

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Speaker 1: put you in too, No, No Georgia exactly. So you

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Speaker 1: got outcasts popping exactly. You got good in all and

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Speaker 1: everybody's everybody's kind of gravitating towards this um Atlanta scene.

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Speaker 1: And at the time, you know, freaking was the biggest thing,

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Speaker 1: like period because like it's the center of the culture

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Speaker 1: was in Atlanta for me, and I'm his teenager young

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Speaker 1: growing up of course I want the champion, so so

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Speaker 1: so for me it was easy to see us. Then

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Speaker 1: Jamaine do Pre started riding around in Ferraris and ship

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Speaker 1: Dallas Austin was getting it at that particular. A lot

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Speaker 1: of people don't even know. And when you saw that,

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Speaker 1: you know, and being on the Bible belt is where

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Speaker 1: the music part comes from, like because you're in a

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Speaker 1: place where Baptist churches, you know, like we have singing

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Speaker 1: in the ch anyway, I don't I'm gonna say a

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Speaker 1: lot of like ill singers. I noticed they started out

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Speaker 1: in like church and like quiet and old period. South ahead,

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Speaker 1: you can think, that's that's your champagne comes right here,

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Speaker 1: so get headed to you. So so so for me,

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Speaker 1: it was just more so about let me take a

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Speaker 1: sip I gotta get because let's get it right. Let's

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Speaker 1: get it right. M m. That's that puff got that

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Speaker 1: ship he got it right ahead? Support black o, what

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Speaker 1: was that? I'm Atlanta, Atlanta. Seen seen the church choir,

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Speaker 1: the church chod, so everybody. So everybody's in the church anyway,

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Speaker 1: like if we're having a Ferrari, Yeah, everybody, everybody, because

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Speaker 1: because what really happened is l A. Reid came down

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Speaker 1: to Atlanta and revolutionized what what the music scene was.

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Speaker 1: We don't just he is not from Atlanta, like he's

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Speaker 1: some motherfucker's sitting at the player, but some of us

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Speaker 1: know what that means. He's from six, He's from six.

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Speaker 1: So but he just kind of showed the culture of Atlanta,

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Speaker 1: I believe, for me how to get money. That was

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Speaker 1: a place. Yes, there was a place because he had

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Speaker 1: an infrastructure. There wasn't a place we could just go to.

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Speaker 1: You know. At the time of the Face, when he

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Speaker 1: opened it up, it was like whole ship. You take

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Speaker 1: the records over there. And although I was too young

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Speaker 1: to take him there, still it's like a bat signal

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Speaker 1: in the sky. It was the only place there. Um

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Speaker 1: So for us that was our death jam at the time.

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Speaker 1: On the Face, yes, of course that was great. Yeah,

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Speaker 1: so everything Atlanta came out originally in the nineties was

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Speaker 1: like was like the Face. Yeah, because baby Basis, Baby

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Speaker 1: Face is UMAs came out through the face. Outcast came

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Speaker 1: out through the face. Goodie mob man you got and

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Speaker 1: then you got the people who came after that. You

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Speaker 1: got the t S. And I had to get into that,

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Speaker 1: me and Tip. But yeah, yeah, so but I'm saying

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Speaker 1: in my group that was my influence, you know, looking

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Speaker 1: at that, and that's what Tip looked at. You know,

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Speaker 1: me and Tip went to elementary school together. So so

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Speaker 1: we're watching this ship that's saying, oh, y'all make hold up,

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Speaker 1: whoa time out. We didn't know you can make that

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Speaker 1: type of money from music. You know, everybody in New

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Speaker 1: York knew that already. Everybody in l A knew that.

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Speaker 1: Tips seemed like he only went to English class. But

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Speaker 1: he he's like school, I'm taking English like that. I

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Speaker 1: think I think that try. But New York, you know,

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Speaker 1: they had the infrastructures. Hollywood is the same way, you know,

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Speaker 1: especially with television and movies. In Atlanta was just this

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Speaker 1: you know, young church going cultural black thing happening. And

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Speaker 1: we just found out that motherfucker's gonna get ferraris for

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Speaker 1: for singing and dance. So let's go. I believe like

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Speaker 1: the first time like people got to see your personality,

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Speaker 1: like the show that you was Hood was the time

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Speaker 1: when you and jay Z accepted that and it was

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Speaker 1: like you we walked up there, you were just like man,

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Speaker 1: definitely like you hold literally a slight Joe. Oh yeah,

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Speaker 1: he was a guy. He gotta be good when he say, um,

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Speaker 1: I like to think to swap meat and and that's

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Speaker 1: the and that's the crazy thing about like me and

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Speaker 1: his relationship. Um that grew, you know, from a certain

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Speaker 1: play from from Umbrella, you know, that grew into this

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Speaker 1: thing that that it's hard to I think that, you know,

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Speaker 1: I'm not really the like this is my guy you

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Speaker 1: look on Instagram, not like every time I went jaylesself

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Speaker 1: itself every time. You know, I'm not I'm not referred

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Speaker 1: to him all the time. So so it's a little

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Speaker 1: bit different. So when, of course, when we first said,

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Speaker 1: everybody's like, damn you take us bet you like that,

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Speaker 1: like that's that's over. Oh yeah exactly. I'm like I

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Speaker 1: probably had that coming from like five jokes ago. But

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Speaker 1: you know, I've seen hold one day and hope to

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Speaker 1: stop me when he came out heads there holds that

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Speaker 1: I would ask you how you're doing, but your glasses

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Speaker 1: say it all. And I said, that was so funny. Shot.

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Speaker 1: I didn't say it as good as he said it,

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Speaker 1: but it was like, he's really a funny guy. I

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Speaker 1: think you're the humor at the top is there, like

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Speaker 1: I think all of us are just you just naturally

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Speaker 1: have to gravitate it to a place. You know, ships

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Speaker 1: sucked up out of here. So it's like, you know,

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Speaker 1: you better have something now and says an album awesome. Man,

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Speaker 1: she made me feel bad for every relationship ever did

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Speaker 1: in life, Like I just wanted to call people and

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Speaker 1: apologize like she when she talked about yes she talking

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Speaker 1: about it's like why do you cry? She's like the

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Speaker 1: sea she was like the way she was breaking down,

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Speaker 1: she like she was hurt, And they just made me

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Speaker 1: think of the ship I did in the past, like

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Speaker 1: for years ago, and I still just want to say

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Speaker 1: I'm sorry, not like all you over that it's army

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Speaker 1: because you said earlier defensive, defensive and offensive offenses and offensive,

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Speaker 1: So you do you think because like because like it

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Speaker 1: was like I remember at one point, like Mary Jay

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Speaker 1: Blast for example, Like if soon as you heard her

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Speaker 1: go through tragedy, everybody would say I'm gonna be fired.

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Speaker 1: Like do an R and B person have to go

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Speaker 1: through drama in order for the music to be like that? Man?

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Speaker 1: I think speaking for myself as a songwriter, and I

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Speaker 1: have to say that, like, um, it doesn't matter which

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Speaker 1: genre man, Like it's it's a it's an animal that's

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Speaker 1: hard attaining because we constantly need things to fuel that

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Speaker 1: you know, inspiration. Yeah, yeah, And it's it's hard because

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Speaker 1: you know, on one hand, you're having you know, people

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Speaker 1: wanting you to live everyday life the exact same way,

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Speaker 1: and then your life changes in multiple ways. First of all,

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Speaker 1: you learn things that are that are different. Um, even

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Speaker 1: just from one stretch going from oh, when I grew up,

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Speaker 1: I was in Baptist Church and now I'm questioning everything,

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Speaker 1: everything that everybody does. But that's the writer in me. Like,

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Speaker 1: and when you write, you don't you're basically, um, you're

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Speaker 1: basically inventing. The words are invented, the scenarios and all

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Speaker 1: of the things that you're talking about is being invented.

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Speaker 1: So you have to invent those situations to even talk about.

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Speaker 1: Or you can talk about some ship that's old, which

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Speaker 1: then somebody else's or somebody else's tragedy. Um. But but

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Speaker 1: I think it's such a it's such a hard animal,

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Speaker 1: you know to tame, like like really, you know, I

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Speaker 1: say that with the utmost respect for all the great writers.

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Speaker 1: They have to go through. You have to go through something.

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Speaker 1: You see these movies, you know it's inspired by something. Yeah,

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Speaker 1: well you can't want you know, the heart and soul

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Speaker 1: from somebody without them pouring out the best because out

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Speaker 1: of pain. Oh of course, how did you write umbrella?

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Speaker 1: It was just raining? Man, was like, man, definitely bought

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Speaker 1: a light after that. It doesn't never rain. So because

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Speaker 1: like that always amazes me. You know, one, I know

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Speaker 1: about all the most of the song writer you're doing.

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Speaker 1: And for you to step out yourself and jump into

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Speaker 1: another artist song not only just any artists of the

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Speaker 1: friend sex. How do you do that? Oh? Man? You

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Speaker 1: know it's it's I'm like people. My my wife witnesses

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Speaker 1: it all the time. I know she doesn't really admit it,

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Speaker 1: but I know I can be beyonceved when I wake up,

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Speaker 1: I'm real. About three o'clock, I'm Jay and pushing. About

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Speaker 1: seven and eight and then nine I'm Celine Dia, then twelve.

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Speaker 1: Let's writ you ever call West if you ever went?

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Speaker 1: This is Joe everybody. I was trying to you know,

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Speaker 1: it didn't work, But Martin brother, So how did you

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Speaker 1: get an a zone? Like? What was you doing? I

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Speaker 1: think it was just the I think it was just time.

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Speaker 1: You know, I had my first daughter at that time,

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Speaker 1: and I think it was time for me to start

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Speaker 1: sucking sucking around and playing with myself and where I

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Speaker 1: needed to go, and I just turned on a different thing.

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Speaker 1: You know. It's just like a It's like a switch.

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Speaker 1: Just I knew how to do what I needed to do.

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Speaker 1: But I've always is um done better with pressure, and

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Speaker 1: that song was just out of pure pressure in life

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Speaker 1: and not really just about being broken not having certain things.

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Speaker 1: You know, I was okay then I had I could

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Speaker 1: say that I had a music career at that particular

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Speaker 1: one the time I was getting checked out of the game. Yeah,

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Speaker 1: as a writer, I was getting checks out of the game.

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Speaker 1: I had a publishing deal. But it was just one

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Speaker 1: of those things where it clicked and and when you

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Speaker 1: can see it, it's almost like having an out of

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Speaker 1: body experience. I watched myself walk in and write that record,

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Speaker 1: and you wrote it for the record was wrote originally

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Speaker 1: for Britney Spears. If anybody remembers the umbrella, isn't it

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Speaker 1: tell I think it was. I don't know if she

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Speaker 1: was with Britney Spears would have fit on. Nope, know

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Speaker 1: who she's gonna put on that kid rock because she

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Speaker 1: think about it? It would, but you worked on I

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Speaker 1: mean if she oh, that's where it came from I

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Speaker 1: worked on a record called Me Against the Music that

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Speaker 1: featured Madonna at the time, earlier on, so it's more

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Speaker 1: we're so happy for you brother. That's Michael Jackson did

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Speaker 1: a boom walk in the session. Hilarious But no, but

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Speaker 1: but I was it was already a relationship there. So

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Speaker 1: in this game, you know the best chance? How did

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Speaker 1: Britney Spears record until we are the record? Oh and

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Speaker 1: that's a whole another thing. I sending it in a

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Speaker 1: person that's my good friend. Now, I won't throw her

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Speaker 1: under the bus, but I sent it to to Brittany

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Speaker 1: these people and one of the people who got the

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Speaker 1: record actually is a good friend of mine. Now we

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Speaker 1: worked really really close. But at that time told me

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Speaker 1: it wasn't a hit record. What that was The word

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Speaker 1: I got back, wasn't a hit. Yeah, she's not here

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Speaker 1: get talking back to this to get his name out

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Speaker 1: of there. He's probably gonna get that's my that's my

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Speaker 1: boot um and and it just grew on from there.

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Speaker 1: I'm like, funk that. I don't know what she's talking about.

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Speaker 1: She's smoking something like she's high or she's in fear

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Speaker 1: of losing her job. I don't know what it is?

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Speaker 1: Um and literally after that the record was heard. It's

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Speaker 1: kind of crazy how this story happened. Me and Tricky

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Speaker 1: Stewart did the record. But the record got from Atlanta,

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Speaker 1: it was just a peep of it and got hurt

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Speaker 1: of deaf jam about l a Ree and he sent

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Speaker 1: a good friend of mine now her name is Karen

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Speaker 1: Kwark down down to retrieve the record. She's like, who

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Speaker 1: the fund is writing this ship? Who is it? And

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Speaker 1: at the time, you know, the young guy didn't have

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Speaker 1: no super big placement, so nobody knew who the funk

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Speaker 1: I was, you know, really just people in the city,

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Speaker 1: of course, people in the studio where we were working

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Speaker 1: at in Atlanta. But that record, of course went from

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Speaker 1: there to um l A and Karen saying, you know who,

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Speaker 1: this record would be great on Rihanna and the record

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Speaker 1: got played and I guess she heard about the record

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Speaker 1: at a certain point in time. She's out at the

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Speaker 1: Grammys that year earlier in two thousand and seven, and

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Speaker 1: she heard about the record. I guess she had heard it,

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Speaker 1: but we had not cut the record yet, and she

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Speaker 1: walked up to my manager and said, that's my fucking record. No, no, no,

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Speaker 1: Rihanna just like that, that's my can you can't all

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Speaker 1: give it the West Indian Yeah, just don't do it.

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Speaker 1: Of course, when I heard that she said that in

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Speaker 1: that way, I was like, Yeah, that's the motherfucker that

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Speaker 1: should have had the record attitude, right, you got it?

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Speaker 1: And then I was already kind of following her and

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Speaker 1: she she already had a couple of records that that

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Speaker 1: I felt were great. This record was gonna go with that?

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Speaker 1: That how big was going to be? I think, I

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Speaker 1: think timing and it's all based on a certain math

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Speaker 1: that we can never really solve, you know, lightning in

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Speaker 1: the bottle. Things happened for you, and it's a blessing

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Speaker 1: those things out of your control. You know. The only

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Speaker 1: thing you could do is be prepared. So I was

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Speaker 1: prepared for the moment. But to say I knew exactly

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Speaker 1: what it would do, I knew what it was, you know,

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Speaker 1: I say that it was a good record, and I

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Speaker 1: knew it was a better than good record. I knew

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Speaker 1: it was a great record. But ship happens, man, People

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Speaker 1: ship shot crazy videos to certain songs that I had

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Speaker 1: rolled the ship out the ole way, and you're like,

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Speaker 1: what the fun you know there's other there's other things

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Speaker 1: that other forces that come into black. Yeah, you have

296
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Speaker 1: a wrote a record and it was like, let me

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Speaker 1: take my ship back. Wrote a record for somebody because

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Speaker 1: I ain't gonn That's why I can't write ship but nobody.

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Speaker 1: I'm taking my safe back. I don't say he was

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Speaker 1: doing out a hit and I find the reason nothing

301
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Speaker 1: like you ever said before, Like I didn't want to,

302
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Speaker 1: but I didn't want to do it. What the person

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Speaker 1: get hit the notes right or song? It wasn't hit

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Speaker 1: the notes the notes. I don't know where he took it. Yeah,

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Speaker 1: you don't don't wake my gun. I'm trying to trying

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Speaker 1: to stay right now to the record. And you wrote

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Speaker 1: it for them, and then I wrote it for for him,

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Speaker 1: which was Jamie Foxx. At the time, there was a

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Speaker 1: record called Rocking that Ship. Rocking that Ship. Yeah, he

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Speaker 1: rocked that Ship. So it just turned into one of

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Speaker 1: those things where I wrote it for him and he

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Speaker 1: was like, I think I did like six records on

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Speaker 1: that album. Um. The first single ended up being Blame It,

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Speaker 1: which was which was a record that was an interpretation

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Speaker 1: of I Love Your Girl, which is my older record

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Speaker 1: at the time. So I'm happy either way, like okay,

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Speaker 1: and he's like this record is cool, but Dream, I

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Speaker 1: need a dream record. I need a dream. I'm like

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Speaker 1: this that new ship like do this ship is like

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Speaker 1: now I'm good, And so I was kind of happy

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Speaker 1: he said now I'm good and that she was my

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Speaker 1: first thing to make some noise with Dream being like

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Speaker 1: me exactly what I was exactly like as been like, so, um,

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Speaker 1: what's inception with Kanye? Um? For me? Pretty pretty tame? Yeah,

325
00:19:14,720 --> 00:19:19,439
Speaker 1: pretty tame is you know, everybody has these and elephants.

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Speaker 1: People just have different ideas about people, you know, and

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Speaker 1: I think you know some real nigger ship. It's just

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Speaker 1: one of the things that when you people, you people,

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Speaker 1: you know, everybody has their their ups, there downs and

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Speaker 1: ship that they go through. Um. But most of all,

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Speaker 1: I think when you're talking about the creators, they're pretty

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Speaker 1: they're pretty loved, you know, individuals by all of us

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Speaker 1: and it's love coming back, you know, our way. So

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Speaker 1: when I'm with Kanye, like, I don't see any thing

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Speaker 1: other than greatness, you know, and what he's trying to

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Speaker 1: get done. Like, I don't see any other noise, any

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Speaker 1: other ship. You know, noise may happen after that. But

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Speaker 1: for me, we on one, we locked locks synergy between y'all. Yeah,

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00:20:03,640 --> 00:20:06,200
Speaker 1: we walk in and ship, we get the ship done,

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00:20:06,480 --> 00:20:09,600
Speaker 1: you know. And and it's been days are you've been nights,

341
00:20:09,680 --> 00:20:11,320
Speaker 1: been out, flown out to Paris and we didn't do

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Speaker 1: ship for like three four days. And I'm just you know,

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Speaker 1: that's car exactly. I'm a different type of person in past.

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Speaker 1: It's coming out there right now. What he's in Paris, damn,

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Speaker 1: And it's fantastic. Next he goes, he's saying he hadn't

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Speaker 1: make it so single lays because that's a super girl, right.

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Speaker 1: There's what else at that time? This is the easiest one. Yeah,

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Speaker 1: what else would Beyonce be singing about to all my

349
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Speaker 1: single days? Is that the way you looked at it?

350
00:20:52,359 --> 00:20:55,199
Speaker 1: And she was in a relationship, y'all. Nobody knew who

351
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Speaker 1: Jay was there. You all to know what it was

352
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Speaker 1: happened to be on tour at the time with Jay

353
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Speaker 1: and Mary. I was opening up for Jay and Mary

354
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Speaker 1: on the tour and and I remember Jay Um coming in.

355
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Speaker 1: He's like, Yo, need you need you doing right with

356
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Speaker 1: my girl? And I was like, all right, cool, bet

357
00:21:10,960 --> 00:21:14,560
Speaker 1: it's nothing. The next thing that popped up is oh cool.

358
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Speaker 1: So you know, you're like an investigator. You're just reporting

359
00:21:17,680 --> 00:21:20,679
Speaker 1: the news, like okay, nobody really knows if you like

360
00:21:20,720 --> 00:21:22,240
Speaker 1: you should have put a ring on the count a

361
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Speaker 1: whole bunch of ship to a lot of people. It's

362
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Speaker 1: a coffee I call it a coffee table conversation. Um.

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Speaker 1: It was just one of those things that was an

364
00:21:29,880 --> 00:21:32,880
Speaker 1: obvious thing the right like and you know you didn't

365
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Speaker 1: see the ring into the video. I was just like,

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Speaker 1: oh cool, who said all this ship up? And so yeah,

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00:21:39,160 --> 00:21:41,639
Speaker 1: what a better public way to say, oh yeah, we

368
00:21:41,680 --> 00:21:45,760
Speaker 1: we actually together together. Musical teams is a real moment.

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00:21:46,040 --> 00:21:49,800
Speaker 1: That is a real moment. That's pretty cool. And you

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00:21:49,960 --> 00:21:54,080
Speaker 1: just's like it's like Jay just continues to work with

371
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Speaker 1: you like they are like one of the craziest masterminds

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Speaker 1: in the world. Knows that you're the master. That's crazy,

373
00:22:02,119 --> 00:22:05,919
Speaker 1: Like not that's that's that's what. That's what kind of

374
00:22:05,920 --> 00:22:08,639
Speaker 1: matters to me. The most type of of what I

375
00:22:08,720 --> 00:22:11,520
Speaker 1: do with the people I respect and that I work

376
00:22:11,600 --> 00:22:14,080
Speaker 1: with is that the greatest people who are doing the

377
00:22:14,160 --> 00:22:18,680
Speaker 1: ship knows like, all right, we think we finished with

378
00:22:18,760 --> 00:22:21,840
Speaker 1: the album. No we're not call that nigger, even if

379
00:22:21,840 --> 00:22:24,040
Speaker 1: you just gotta come listen to it, even if he

380
00:22:24,119 --> 00:22:26,399
Speaker 1: adds four bars or he adds three hooks, so a

381
00:22:26,520 --> 00:22:29,399
Speaker 1: whole song. Make sure we call him. And that's I

382
00:22:29,440 --> 00:22:32,520
Speaker 1: take the most pride in that, because, um, that's that's

383
00:22:32,560 --> 00:22:36,640
Speaker 1: just more more important, you know to me, that the legends. Yeah,

384
00:22:36,680 --> 00:22:40,640
Speaker 1: that's like yo, like that's the guy. Yeah, yeah, that's

385
00:22:40,720 --> 00:22:43,320
Speaker 1: that's way more important than me, you know, And I've

386
00:22:43,680 --> 00:22:49,040
Speaker 1: literally sacrificed um a certain um I guess um we

387
00:22:49,119 --> 00:22:52,439
Speaker 1: can say shimmer on my own armor because of that,

388
00:22:53,000 --> 00:22:55,960
Speaker 1: you know, because I I will take that back seat

389
00:22:56,040 --> 00:22:58,240
Speaker 1: to things that I feel like that are more important

390
00:22:58,280 --> 00:23:00,160
Speaker 1: to me, are more important to the world that they

391
00:23:00,200 --> 00:23:05,760
Speaker 1: get a certain thing out now justin Bieber, Oh yeah,

392
00:23:06,440 --> 00:23:10,440
Speaker 1: for his first single was the ex first thing. No,

393
00:23:10,680 --> 00:23:13,800
Speaker 1: that was not. It wasn't. I was wrong, Okay, but

394
00:23:13,840 --> 00:23:16,080
Speaker 1: I'm glad you feel like it is. I feel like

395
00:23:16,119 --> 00:23:18,560
Speaker 1: that first birth to you. I feel like you birth.

396
00:23:18,880 --> 00:23:21,040
Speaker 1: I'm just giving you the prop scream. Just roll with it, okay,

397
00:23:21,160 --> 00:23:26,000
Speaker 1: before you before we just this is tyger ball, This

398
00:23:26,080 --> 00:23:28,959
Speaker 1: is spoiled soyl sauce, this is any nothing was supposed

399
00:23:28,960 --> 00:23:31,480
Speaker 1: to be drinking right now, This is it's a tradition

400
00:23:31,560 --> 00:23:33,080
Speaker 1: with the show this go go with my ox and

401
00:23:33,119 --> 00:23:35,879
Speaker 1: code on because on I don't think nothing here goes

402
00:23:35,960 --> 00:23:41,400
Speaker 1: with Well, let's try, let's see what happens. Go hold on.

403
00:23:41,480 --> 00:23:43,800
Speaker 1: We got to toast the seth and when you toast

404
00:23:44,080 --> 00:23:47,119
Speaker 1: all night tonight we are celebrating the dream. We respect you.

405
00:23:47,200 --> 00:23:51,560
Speaker 1: You all actually first R and beast by itself because

406
00:23:51,600 --> 00:23:53,520
Speaker 1: we did have Drew Hill right, but they came there.

407
00:23:53,640 --> 00:23:57,480
Speaker 1: It was and that was Hill. It was corrupted, dads.

408
00:23:57,520 --> 00:23:59,320
Speaker 1: We had the last episode to throw Drew Hill and

409
00:23:59,320 --> 00:24:01,840
Speaker 1: it was awkward, but we made it work. But we

410
00:24:01,920 --> 00:24:05,919
Speaker 1: made it work. But tonight we are saluting who I

411
00:24:05,960 --> 00:24:12,359
Speaker 1: consider new R and g King R and listen, I

412
00:24:12,359 --> 00:24:14,760
Speaker 1: consider him the king. I consider them the person that

413
00:24:14,840 --> 00:24:17,159
Speaker 1: shape and move with music sound like today, and we're

414
00:24:17,160 --> 00:24:19,320
Speaker 1: gonna salute that tonight. Let's make some noise to take it.

415
00:24:24,119 --> 00:24:31,000
Speaker 1: He just died. It's hardy did that go? He You're

416
00:24:31,000 --> 00:24:36,679
Speaker 1: gonna write seven songs and now now we're gonna go

417
00:24:36,680 --> 00:24:39,840
Speaker 1: back to and then you go back to Jessie. You

418
00:24:39,840 --> 00:24:43,120
Speaker 1: want back after that. That's some country shipped right here.

419
00:24:46,320 --> 00:24:50,040
Speaker 1: This is a fucking Grits. I'm never like that good

420
00:24:50,040 --> 00:24:55,399
Speaker 1: with pancakes. Let's go good with grits. I've never heard that.

421
00:24:55,640 --> 00:24:57,840
Speaker 1: What did Ambarro say? It takes late? She said, be

422
00:24:58,000 --> 00:25:03,760
Speaker 1: stairs on sa pepper stand girl Like, if that don't

423
00:25:03,800 --> 00:25:08,840
Speaker 1: take later on, we're gonna build up to it. So

424
00:25:09,160 --> 00:25:11,480
Speaker 1: who was your funnest sessions? Have the first see with

425
00:25:11,520 --> 00:25:16,760
Speaker 1: my sexual reaction is first, you gotta gotta go through it.

426
00:25:16,960 --> 00:25:19,520
Speaker 1: What was your favorite session you ever had? Like you

427
00:25:19,640 --> 00:25:21,919
Speaker 1: just walked in and everything was perfect, whether they be

428
00:25:22,080 --> 00:25:25,400
Speaker 1: you producing right in all your own sessions? Oh man,

429
00:25:25,440 --> 00:25:28,600
Speaker 1: the favorite session I walked in was the no Church

430
00:25:28,640 --> 00:25:32,879
Speaker 1: in the Wild session Church. Yeah, that's my favorite s

431
00:25:33,400 --> 00:25:38,159
Speaker 1: No Church. That's the one with Frank Ocean No, No,

432
00:25:38,280 --> 00:25:40,879
Speaker 1: he wrote his own part um. But that was the

433
00:25:41,080 --> 00:25:43,879
Speaker 1: That was the best one that because that was based

434
00:25:43,880 --> 00:25:46,080
Speaker 1: off if you don't know the backstory now, at the time,

435
00:25:46,080 --> 00:25:47,800
Speaker 1: I couldn't say with the fact story was because it's

436
00:25:47,840 --> 00:25:50,560
Speaker 1: a huge deal for what was happening. But at the

437
00:25:50,720 --> 00:25:54,360
Speaker 1: at the time, um Jay and Kanye were finishing up

438
00:25:55,240 --> 00:25:57,879
Speaker 1: watched The Throne and we were listening to it in

439
00:25:57,920 --> 00:26:03,480
Speaker 1: Paris and you know it easy there. Yeah, but we

440
00:26:03,600 --> 00:26:05,840
Speaker 1: kind of threw a monkey rench in that. Um I

441
00:26:05,960 --> 00:26:08,040
Speaker 1: came home because I felt like they had the album

442
00:26:08,040 --> 00:26:09,560
Speaker 1: and they were kind of done with you know what

443
00:26:09,640 --> 00:26:12,640
Speaker 1: it was, And I wrote Holy Grail at the time

444
00:26:12,640 --> 00:26:21,320
Speaker 1: and sending it back to Jake Ye. So I said

445
00:26:21,080 --> 00:26:24,600
Speaker 1: said that back to Jay as they're finishing up, because

446
00:26:24,600 --> 00:26:26,480
Speaker 1: I just wanted to get ahead and just start working

447
00:26:26,480 --> 00:26:29,159
Speaker 1: on what his next ship was. I knew our stones

448
00:26:29,200 --> 00:26:32,359
Speaker 1: Over was with justin timber Lake, right, that was a

449
00:26:33,200 --> 00:26:39,800
Speaker 1: that was okay, okay, okay um, So I said to

450
00:26:39,800 --> 00:26:41,600
Speaker 1: the record Jay, he's in back, yoh man, that's my

451
00:26:41,640 --> 00:26:44,119
Speaker 1: first single named my album That ball balls Like, all right,

452
00:26:44,160 --> 00:26:46,160
Speaker 1: cool beat, let me know when it's time to cut.

453
00:26:48,080 --> 00:26:52,000
Speaker 1: I'm in Newport Beach, California. I got a nice boat

454
00:26:52,080 --> 00:26:54,560
Speaker 1: out there. It feels good. I'm about there writing some ship.

455
00:26:54,720 --> 00:26:59,520
Speaker 1: I feel lovely phones blowing up. I don't know what

456
00:26:59,640 --> 00:27:01,960
Speaker 1: the fun they want on the East Coast. I'm on

457
00:27:02,320 --> 00:27:04,840
Speaker 1: the Sun's and I'm like, nah, dog, ain't got time

458
00:27:04,920 --> 00:27:07,080
Speaker 1: for it right now. I get a call from my

459
00:27:07,080 --> 00:27:14,000
Speaker 1: good friend Shack Gurse. Shaka calls me, I need you

460
00:27:14,040 --> 00:27:18,639
Speaker 1: at the mercer in New York right now. It's like, no,

461
00:27:19,359 --> 00:27:21,520
Speaker 1: we think I'm gonna play golf A six am so

462
00:27:21,560 --> 00:27:23,360
Speaker 1: I'm good. I'm gonna just stay right here. I'm having

463
00:27:23,359 --> 00:27:31,040
Speaker 1: a good time office, make some more. That's that's a movie.

464
00:27:28,200 --> 00:27:35,520
Speaker 1: Get So I don't want to leave, of course, my boogey.

465
00:27:36,160 --> 00:27:39,720
Speaker 1: So so I'm asking what the deal is. She won't

466
00:27:39,760 --> 00:27:41,560
Speaker 1: tell me over the phone, like what's going on? So

467
00:27:41,560 --> 00:27:44,520
Speaker 1: I kind of get a little sideways idea about what's

468
00:27:44,560 --> 00:27:47,760
Speaker 1: going on. It's like Yo J played Kanye Holy Grail

469
00:27:48,680 --> 00:27:51,720
Speaker 1: and asked me to put on wash the Throne. He

470
00:27:51,800 --> 00:27:56,240
Speaker 1: was like, nah, good, I'm gonna keep this old my album.

471
00:27:56,600 --> 00:27:58,840
Speaker 1: You said we was doing the album you know x

472
00:27:58,960 --> 00:28:02,480
Speaker 1: y Z. And so what happened from that is, of

473
00:28:02,480 --> 00:28:05,560
Speaker 1: course I flew into you know, I flew into New

474
00:28:05,640 --> 00:28:08,720
Speaker 1: York and and the main thing was, oh, we need

475
00:28:08,760 --> 00:28:10,880
Speaker 1: you to write another Holy Grill. And Jay's like yeah,

476
00:28:10,920 --> 00:28:12,399
Speaker 1: he's gonna go out to the trunk and get one

477
00:28:12,440 --> 00:28:15,399
Speaker 1: out the trunk and just bringing upstairs for us, and

478
00:28:15,640 --> 00:28:17,840
Speaker 1: even me, as as confident as I am, I was

479
00:28:17,840 --> 00:28:19,960
Speaker 1: thinking the same thing, like, yeah, this ship ain't just

480
00:28:20,000 --> 00:28:23,120
Speaker 1: in my back pocket, Like that's that's that's the one

481
00:28:23,160 --> 00:28:25,080
Speaker 1: that done right there? You want to go back to Westcope.

482
00:28:25,640 --> 00:28:30,000
Speaker 1: So um, short and long story short, I went in

483
00:28:30,080 --> 00:28:32,560
Speaker 1: he was working on No Church In a While. Call

484
00:28:32,600 --> 00:28:34,280
Speaker 1: you was like, Yo, I need you to put something

485
00:28:34,320 --> 00:28:37,440
Speaker 1: on this record. I went in the next room blah

486
00:28:37,440 --> 00:28:39,480
Speaker 1: blah blah blah blah blah. Didn't think nothing of it,

487
00:28:40,400 --> 00:28:46,560
Speaker 1: and me Ja and Leonardo DiCaprio at that time went went, um,

488
00:28:46,760 --> 00:29:02,719
Speaker 1: what's life. It's just I'm sorry that the sides. I'm

489
00:29:03,000 --> 00:29:07,160
Speaker 1: going to grab something to even I never heard about

490
00:29:07,200 --> 00:29:09,520
Speaker 1: the Rector again as I put something on No Church

491
00:29:09,560 --> 00:29:12,240
Speaker 1: in a While at that time, and I get a

492
00:29:12,240 --> 00:29:15,880
Speaker 1: phone call like months later, and Shocking is on the

493
00:29:15,920 --> 00:29:18,480
Speaker 1: phones like, yeah, so you're gonna watch the Throne. I

494
00:29:18,560 --> 00:29:20,720
Speaker 1: was like, no, you're talking about Jay Ship. I was like,

495
00:29:20,720 --> 00:29:22,480
Speaker 1: I'm not. Don't watch the Thrones, Like, but I just

496
00:29:22,520 --> 00:29:24,760
Speaker 1: did listening in New York. You don't watch the Thrones?

497
00:29:24,840 --> 00:29:28,400
Speaker 1: Like no, I'm not, Like no, j just recited Joejo

498
00:29:28,640 --> 00:29:30,920
Speaker 1: verse on No Church in a While. You're definitely on

499
00:29:31,040 --> 00:29:33,320
Speaker 1: watch the Thrones. Like what is he talking about? I

500
00:29:33,360 --> 00:29:35,440
Speaker 1: have a guy that I did this piece of the

501
00:29:35,440 --> 00:29:39,120
Speaker 1: song that Kanye ended up keeping. Just do it and

502
00:29:39,160 --> 00:29:43,880
Speaker 1: forget about it. Um. So initially it wasn't even credit

503
00:29:43,960 --> 00:29:46,000
Speaker 1: on there, like four, It was just it was just

504
00:29:46,040 --> 00:29:48,840
Speaker 1: this part, you know that because everybody was thinking the

505
00:29:48,840 --> 00:29:51,600
Speaker 1: same thing, like no, that's just Kanya and j and

506
00:29:51,640 --> 00:29:53,960
Speaker 1: frank ochan and then you know later on course put

507
00:29:53,960 --> 00:29:56,680
Speaker 1: it together. But that was the best session I walked

508
00:29:56,720 --> 00:30:01,560
Speaker 1: into because it took me about maybe six minutes to

509
00:30:01,600 --> 00:30:05,360
Speaker 1: do that part and I gotta Grammy four. So it's

510
00:30:05,440 --> 00:30:09,160
Speaker 1: like you said, again, six minutes and the Grammy dig

511
00:30:09,800 --> 00:30:19,800
Speaker 1: so the best six minutes, like a good list. I

512
00:30:19,880 --> 00:30:25,320
Speaker 1: spent so much time on the wrong taking all your

513
00:30:25,400 --> 00:30:28,960
Speaker 1: job six minutes, you take all your taking all and

514
00:30:29,640 --> 00:30:34,320
Speaker 1: when he first picking hilarious. No, that's why that's the

515
00:30:34,360 --> 00:30:38,000
Speaker 1: best session in my lifetime to date. It was just

516
00:30:38,040 --> 00:30:41,120
Speaker 1: so easy time to make out over there. I'm like,

517
00:30:41,120 --> 00:30:43,560
Speaker 1: oh cool, we did it, Like this is great. I'm thinking,

518
00:30:43,600 --> 00:30:45,840
Speaker 1: I don't know nothing. Come on, what's like a the

519
00:30:45,920 --> 00:30:49,400
Speaker 1: Caprio doing in that? Probably had no idea? Who the funk?

520
00:30:49,400 --> 00:30:52,560
Speaker 1: I was like, he just get your high fight, Yeah,

521
00:30:52,600 --> 00:30:56,920
Speaker 1: good buddy, James guy. I guess nah, you'd be surprised.

522
00:30:56,920 --> 00:30:59,600
Speaker 1: He'd be surprised. They know who you are doing. I'm

523
00:30:59,600 --> 00:31:02,640
Speaker 1: trying be humble, but are you on drink chance? We

524
00:31:02,840 --> 00:31:04,920
Speaker 1: don't get to be not humble for you? We be

525
00:31:05,040 --> 00:31:07,400
Speaker 1: you up all that. This is what we do over here.

526
00:31:07,640 --> 00:31:10,360
Speaker 1: Other we we like to respect our artists. We look

527
00:31:10,400 --> 00:31:13,320
Speaker 1: at our artists like the superheroes, and we want the

528
00:31:13,360 --> 00:31:15,960
Speaker 1: world to look at look at all artists like superheroes.

529
00:31:16,080 --> 00:31:19,760
Speaker 1: That's true what we do. We sacrifice our life every day.

530
00:31:20,040 --> 00:31:22,480
Speaker 1: You know, you don't stop being an artists. You always

531
00:31:22,520 --> 00:31:24,560
Speaker 1: being an artist every time. So let me ask you.

532
00:31:24,600 --> 00:31:27,360
Speaker 1: With that being said, you have an experience of writing

533
00:31:27,440 --> 00:31:30,320
Speaker 1: and producing. You produced too as well, actually make the

534
00:31:30,360 --> 00:31:34,080
Speaker 1: bj and an artists if you had a chance to

535
00:31:34,160 --> 00:31:36,840
Speaker 1: do it all a little, what's your experience now? Right? Well,

536
00:31:36,880 --> 00:31:40,360
Speaker 1: all the experience. Now you're working with everybody from everybody's everybody,

537
00:31:40,520 --> 00:31:44,800
Speaker 1: and you had a test to do it all, and

538
00:31:44,840 --> 00:31:53,520
Speaker 1: you can pick one writing or like or no, no,

539
00:31:53,640 --> 00:31:58,120
Speaker 1: writing or being an artist? What would you pick? What's

540
00:31:58,120 --> 00:32:02,680
Speaker 1: your biggest high? Writing? Writing more? Didn't be in front

541
00:32:06,000 --> 00:32:09,640
Speaker 1: expressing your own right, No, no, because writing just touches

542
00:32:09,760 --> 00:32:12,840
Speaker 1: more people like. It's like, despite a web of effective

543
00:32:13,080 --> 00:32:16,360
Speaker 1: when you're artists, everything is mostly singular. You have the

544
00:32:16,480 --> 00:32:19,120
Speaker 1: ideas you this is what people think of you, and

545
00:32:19,160 --> 00:32:21,160
Speaker 1: this is how it's just gonna sound when it comes out.

546
00:32:21,160 --> 00:32:24,160
Speaker 1: It's based on you right when I'm writing, I get

547
00:32:24,200 --> 00:32:26,840
Speaker 1: to be Selene one day and I get to be

548
00:32:26,960 --> 00:32:30,280
Speaker 1: somebody else. You know the morpho just said you said

549
00:32:30,280 --> 00:32:33,320
Speaker 1: he could be seleneon yea right, and he didn't even

550
00:32:33,400 --> 00:32:35,120
Speaker 1: hit up with the dion. That's how you know, you know,

551
00:32:35,480 --> 00:32:40,840
Speaker 1: let's make a noise. I don't forget to be and

552
00:32:40,920 --> 00:32:43,920
Speaker 1: now now, so how do you write for Justin b?

553
00:32:44,120 --> 00:32:45,880
Speaker 1: But how do you? How do you because he's a

554
00:32:45,920 --> 00:32:48,800
Speaker 1: kid at the time. Correct, he's kidding his baby baby

555
00:32:48,880 --> 00:32:56,280
Speaker 1: right right, baby? Yeah, my son playing that record so much.

556
00:32:56,280 --> 00:32:58,920
Speaker 1: I probably know the record more than them. So how

557
00:32:58,920 --> 00:33:01,600
Speaker 1: do you get in? That's on like? Because that's what

558
00:33:01,640 --> 00:33:05,240
Speaker 1: I'm saying, that's the psycho part. It was. The record

559
00:33:05,360 --> 00:33:09,640
Speaker 1: was actually record, but it was appropriate for the youth,

560
00:33:09,840 --> 00:33:12,080
Speaker 1: like how could you balance that to be weird? I

561
00:33:12,120 --> 00:33:13,960
Speaker 1: was just trying to figure out how to talk to

562
00:33:14,320 --> 00:33:16,600
Speaker 1: and not figure out. I remember how to talk to

563
00:33:16,640 --> 00:33:19,239
Speaker 1: a girl when I was sixteen. So it was just

564
00:33:19,360 --> 00:33:22,000
Speaker 1: about saying something that I felt like he needed to

565
00:33:22,040 --> 00:33:26,160
Speaker 1: say to be cool and what like. Because there's a

566
00:33:26,160 --> 00:33:30,080
Speaker 1: point where, you know, especially a young accident, they don't

567
00:33:30,080 --> 00:33:32,680
Speaker 1: think about you have to sing this song or if

568
00:33:32,720 --> 00:33:34,960
Speaker 1: you can't do a version of this song ten years

569
00:33:35,000 --> 00:33:37,320
Speaker 1: from that point. And I try to think about that

570
00:33:37,320 --> 00:33:40,000
Speaker 1: when I'm working with with with younger with younger artists,

571
00:33:40,000 --> 00:33:43,120
Speaker 1: like yo, yeah, you're you're eighteen sixteen, but you need

572
00:33:43,200 --> 00:33:44,840
Speaker 1: to be able to sing this song to that audience

573
00:33:44,840 --> 00:33:46,520
Speaker 1: that's gonna grow with you when you're twenty seven. You

574
00:33:46,560 --> 00:33:48,840
Speaker 1: don't need to be the lame superstar at that age

575
00:33:48,840 --> 00:33:51,080
Speaker 1: you can't identify with but you could go back and

576
00:33:51,120 --> 00:33:53,480
Speaker 1: think about yourself at that age and identify with it.

577
00:33:53,960 --> 00:33:57,320
Speaker 1: And so that's the psycho part. So that's a whole

578
00:33:57,440 --> 00:34:02,440
Speaker 1: other that's a blessed that that can be unraveled. That's

579
00:34:02,480 --> 00:34:06,160
Speaker 1: just something that I have, you know, in jumping into

580
00:34:06,200 --> 00:34:09,840
Speaker 1: different spaces times and moments and like even to be

581
00:34:10,000 --> 00:34:12,880
Speaker 1: pushing and like just like okay, let's go like or

582
00:34:13,040 --> 00:34:17,200
Speaker 1: or or even rap battling with j On on on

583
00:34:17,280 --> 00:34:20,080
Speaker 1: text like that's a you know, that's just a whole

584
00:34:20,120 --> 00:34:22,719
Speaker 1: other thing, you know. But I get to beat those

585
00:34:22,760 --> 00:34:25,200
Speaker 1: people and be in that place, and that's kind of

586
00:34:25,200 --> 00:34:27,640
Speaker 1: like why why I love it so much? Right and

587
00:34:27,760 --> 00:34:29,919
Speaker 1: Jay text is funny to hit you with three lines

588
00:34:29,960 --> 00:34:35,560
Speaker 1: and that space, I'll be like, y'all he's like, I'm

589
00:34:35,560 --> 00:34:37,320
Speaker 1: gonna knock all my ship out. Said you don't take me,

590
00:34:37,320 --> 00:34:39,080
Speaker 1: you don't work. I'll be like, this is a rich text.

591
00:34:39,440 --> 00:34:41,600
Speaker 1: I always saw cocon Every time you can talk like

592
00:34:41,640 --> 00:34:44,239
Speaker 1: this is rich text, I'll be having to decipherate. It's

593
00:34:44,280 --> 00:34:47,879
Speaker 1: just not it's just it's really really explain what it's

594
00:34:47,960 --> 00:34:50,560
Speaker 1: like a couple of lines and they've got spaces space

595
00:34:50,600 --> 00:34:54,080
Speaker 1: like then it's more lines than the space. Like it's

596
00:34:54,120 --> 00:34:57,000
Speaker 1: like three conversations. So he will give you like four

597
00:34:57,080 --> 00:34:59,880
Speaker 1: days to answer the questions. This ship. Don't hit me

598
00:34:59,920 --> 00:35:02,120
Speaker 1: the next you know, it's ill. I just want to

599
00:35:02,120 --> 00:35:06,440
Speaker 1: look up. It's like he answered everything. I'm sorry, I

600
00:35:06,480 --> 00:35:09,200
Speaker 1: was down, I was out. So now actually a bunch

601
00:35:09,239 --> 00:35:12,759
Speaker 1: of best studio session or your favorite studio session. Now

602
00:35:12,840 --> 00:35:15,400
Speaker 1: we know I gotta go there. What was your worst?

603
00:35:16,040 --> 00:35:19,680
Speaker 1: Oh man, the whole back Oh man, this wasn't a

604
00:35:19,719 --> 00:35:24,359
Speaker 1: studio session, but the worst with a good friend of mine,

605
00:35:24,360 --> 00:35:27,640
Speaker 1: and you're the worst experience, oh ship. Man. Rio was

606
00:35:27,719 --> 00:35:30,440
Speaker 1: on tour and were just cutting her whole album at

607
00:35:30,480 --> 00:35:36,400
Speaker 1: this particular time, whole album cutting recording people, what that

608
00:35:37,000 --> 00:35:44,560
Speaker 1: Oka was bixing recording. So literally after the concert we

609
00:35:44,600 --> 00:35:47,920
Speaker 1: would go backstage and cut records. She would stay in

610
00:35:47,920 --> 00:35:50,520
Speaker 1: the venue. We would cut records in the venue. That's

611
00:35:50,560 --> 00:35:53,800
Speaker 1: hard up and coming artists out there that thinking this

612
00:35:53,840 --> 00:35:55,759
Speaker 1: ship is easy? Did you hear what he just said?

613
00:35:56,160 --> 00:35:59,120
Speaker 1: After she performed, they were in the back and recorded

614
00:35:59,200 --> 00:36:02,719
Speaker 1: the record and go. That's dedication because me, I thought,

615
00:36:02,760 --> 00:36:07,120
Speaker 1: get on stage, I'm going to sleep. I'm going to sleep.

616
00:36:07,680 --> 00:36:11,920
Speaker 1: So so in return, God decided to uh figure out

617
00:36:11,960 --> 00:36:14,480
Speaker 1: how boogee and weak I had gotten at this particular

618
00:36:14,520 --> 00:36:16,640
Speaker 1: point in my life because at this time, like damn,

619
00:36:16,840 --> 00:36:19,080
Speaker 1: a lot of zeros in my bank account, Like I

620
00:36:19,120 --> 00:36:22,000
Speaker 1: feel good, you need the world, I want to go.

621
00:36:22,680 --> 00:36:24,719
Speaker 1: And then you find yourself on to one of your

622
00:36:24,719 --> 00:36:28,000
Speaker 1: great friends in the middle of fucking Europe, and you're like,

623
00:36:28,400 --> 00:36:32,600
Speaker 1: where are my staying? Man? If you ever stay, you

624
00:36:32,640 --> 00:36:35,279
Speaker 1: stayed at the plasm Man Manhattan, and you know, you

625
00:36:35,360 --> 00:36:37,960
Speaker 1: go from ship like that, You're like, all right, cool,

626
00:36:38,920 --> 00:36:42,319
Speaker 1: I got out there on the road. Man, we got

627
00:36:42,320 --> 00:36:44,919
Speaker 1: in this fucking hotel, motel. I don't need this. She's

628
00:36:44,960 --> 00:36:49,400
Speaker 1: just to tell it wasn't even the more. It's just

629
00:36:49,440 --> 00:36:56,080
Speaker 1: a tell, tell, don't tell. No man, I got in

630
00:36:56,160 --> 00:36:58,960
Speaker 1: this bom I opened up the door. Man, slowing back

631
00:36:59,000 --> 00:37:05,040
Speaker 1: to me coming It was half of a twin size

632
00:37:05,080 --> 00:37:07,319
Speaker 1: there and the heating was at the bottom, so they're

633
00:37:07,320 --> 00:37:10,440
Speaker 1: trying to bury ass up into bat Like, so do

634
00:37:10,520 --> 00:37:13,040
Speaker 1: I cut that on or do what? Man? I sleep

635
00:37:13,120 --> 00:37:15,719
Speaker 1: all the clothes on and had all all the face

636
00:37:15,800 --> 00:37:19,480
Speaker 1: cover it up. You've been through and I've been through that, man,

637
00:37:21,239 --> 00:37:24,080
Speaker 1: man man I sweat man. I was like, oh man,

638
00:37:24,080 --> 00:37:25,600
Speaker 1: I don't turn into a little bit. I used to

639
00:37:25,640 --> 00:37:27,400
Speaker 1: be the used to be that at letter NIG. I

640
00:37:27,400 --> 00:37:31,239
Speaker 1: was like, we don't give a fun, put me anywhere,

641
00:37:31,280 --> 00:37:33,839
Speaker 1: and then go the next morning like look, boom, hey,

642
00:37:33,880 --> 00:37:36,200
Speaker 1: I need you, yell, need you get me a hotel

643
00:37:36,239 --> 00:37:38,920
Speaker 1: room to this and you know she couldn't neck the

644
00:37:38,960 --> 00:37:42,000
Speaker 1: next one. One city over, what was the City Bay

645
00:37:42,040 --> 00:37:46,960
Speaker 1: in Newcastle? The next city over, that's where the continue.

646
00:37:47,640 --> 00:37:49,800
Speaker 1: We got to that spot next after we did a

647
00:37:49,880 --> 00:37:53,080
Speaker 1: show somewhere else before that, and there was two tubs

648
00:37:53,080 --> 00:37:54,640
Speaker 1: in my bath tobar room, and I was like, all right,

649
00:37:54,719 --> 00:37:59,960
Speaker 1: we're back, pitch back. I'm sorry you listen when I'll

650
00:38:00,000 --> 00:38:02,279
Speaker 1: I'll tell you two hotel stories. When I was coming up,

651
00:38:03,520 --> 00:38:06,120
Speaker 1: we all there was no hotels. It was sold out.

652
00:38:06,480 --> 00:38:08,920
Speaker 1: It's probably like one of them freaking type of things.

653
00:38:09,320 --> 00:38:12,799
Speaker 1: So we went to one hotel. It was the only

654
00:38:12,840 --> 00:38:15,560
Speaker 1: hotel and we walked in and it was roaches in

655
00:38:15,600 --> 00:38:18,520
Speaker 1: the hotel and so as hood as he was, it

656
00:38:18,600 --> 00:38:25,319
Speaker 1: was like we gotta late. Right how it was from

657
00:38:25,360 --> 00:38:29,160
Speaker 1: the project, so it was enough. How big were there.

658
00:38:29,280 --> 00:38:31,040
Speaker 1: I ain't gonna even lie to you. I just grind.

659
00:38:31,040 --> 00:38:32,839
Speaker 1: I just left. I was just like, I just can't

660
00:38:32,880 --> 00:38:34,520
Speaker 1: do it. We're getting a little money at the side

661
00:38:34,520 --> 00:38:37,800
Speaker 1: of me and going on over there. So m we

662
00:38:37,920 --> 00:38:40,680
Speaker 1: gold outstairs. We got all our clothes on. That's why

663
00:38:40,719 --> 00:38:42,880
Speaker 1: it reminded me of the story. Put all our tolings, like,

664
00:38:43,280 --> 00:38:46,200
Speaker 1: I ain't even but we still had the shower. It

665
00:38:46,320 --> 00:38:47,880
Speaker 1: was enough. We had no to know, so we had

666
00:38:47,880 --> 00:38:49,600
Speaker 1: to go to sleep, wake up, take the shower, and

667
00:38:49,640 --> 00:38:51,520
Speaker 1: keep it moving. Bro just left in the morning, but

668
00:38:51,600 --> 00:38:53,320
Speaker 1: at night it was that it was the block. It

669
00:38:53,440 --> 00:38:55,319
Speaker 1: was day block. We had to give it to him, right.

670
00:38:56,080 --> 00:38:59,600
Speaker 1: That was one story. Now we're getting money. I'm getting

671
00:38:59,640 --> 00:39:04,200
Speaker 1: money and a promoter. This is my man eating. We're

672
00:39:04,239 --> 00:39:06,520
Speaker 1: in Paris and he tries to show me. He's like,

673
00:39:06,560 --> 00:39:10,120
Speaker 1: I want to show you, dal By, why didn't do

674
00:39:10,200 --> 00:39:12,880
Speaker 1: that ship? But why don't do that ship wanted me

675
00:39:12,960 --> 00:39:14,920
Speaker 1: to cut you up here. I don't haven't see the

676
00:39:14,960 --> 00:39:20,200
Speaker 1: real Donna see ship about the real net like, ain't

677
00:39:20,239 --> 00:39:22,400
Speaker 1: come out lant, I won't show you real and no

678
00:39:24,320 --> 00:39:30,400
Speaker 1: he just listen, don't leave out the three three to seven.

679
00:39:30,440 --> 00:39:34,440
Speaker 1: He good, you know, fun up the hotel. But it

680
00:39:34,560 --> 00:39:37,399
Speaker 1: was Paris, it was culture. This was at the time.

681
00:39:38,200 --> 00:39:40,759
Speaker 1: I walked in and you know, I used the bathroom

682
00:39:41,120 --> 00:39:44,680
Speaker 1: and I heard Butch rob but I knew I was

683
00:39:44,800 --> 00:39:49,440
Speaker 1: on seven. He was on DJ DJ. So I'm like,

684
00:39:49,640 --> 00:39:52,200
Speaker 1: the hell I hear so I'm us in the bathroom

685
00:39:52,200 --> 00:40:00,680
Speaker 1: like your Butch know. I was sick too called to promote.

686
00:40:00,680 --> 00:40:08,000
Speaker 1: I said, this is the past, so I want to Hollywood.

687
00:40:09,920 --> 00:40:13,359
Speaker 1: I went through too much. I was, I've been through

688
00:40:13,400 --> 00:40:17,000
Speaker 1: too much. He said that ship morning, you felt your

689
00:40:17,040 --> 00:40:20,120
Speaker 1: tolly flush in that same time, this one flush for

690
00:40:20,200 --> 00:40:24,399
Speaker 1: the whole mild feel I'm gonna turn every each time.

691
00:40:24,440 --> 00:40:26,080
Speaker 1: And then I was like, this doesn't mean nothing at

692
00:40:26,120 --> 00:40:30,080
Speaker 1: this moment. Now now, I mean I'm crazy, I get

693
00:40:30,160 --> 00:40:33,120
Speaker 1: hit and then it's crazy. Any time when they played music,

694
00:40:33,120 --> 00:40:37,120
Speaker 1: it is like I was dead when I was out.

695
00:40:37,239 --> 00:40:39,439
Speaker 1: But this is the same we went through the clus

696
00:40:39,640 --> 00:40:41,400
Speaker 1: me I didn't. I didn't think I went through the

697
00:40:41,400 --> 00:40:46,000
Speaker 1: ground already been in the ground. O good, I woke up,

698
00:40:46,080 --> 00:40:48,319
Speaker 1: went to school. Damn bodies a creek like, I'm good.

699
00:40:48,880 --> 00:40:51,239
Speaker 1: I was done past. I was passed the ground part.

700
00:40:51,320 --> 00:40:53,960
Speaker 1: And it was just one of those realizations like, yo, man,

701
00:40:54,280 --> 00:40:56,400
Speaker 1: you got a lot of great ship going on. I

702
00:40:56,440 --> 00:40:58,359
Speaker 1: need you to remember where the funk you came from.

703
00:40:58,440 --> 00:41:00,880
Speaker 1: There was just one of those days, and I remember

704
00:41:00,960 --> 00:41:03,239
Speaker 1: that now. I stayed in a luxury sweet today to day.

705
00:41:03,280 --> 00:41:06,239
Speaker 1: You know I was back. I was fine, not in

706
00:41:06,280 --> 00:41:08,200
Speaker 1: my mind. I don't want to see the real nothing

707
00:41:08,200 --> 00:41:13,400
Speaker 1: of nothing like nos just you've already done that even

708
00:41:13,440 --> 00:41:14,839
Speaker 1: when you're there. You don't want to see the real

709
00:41:14,920 --> 00:41:17,520
Speaker 1: ship like I want to see this ship. We grew

710
00:41:17,520 --> 00:41:20,759
Speaker 1: out of that, we grew out of It's like, have

711
00:41:20,880 --> 00:41:25,120
Speaker 1: you epp up? Like met Michael Jackson. No crazy story

712
00:41:25,160 --> 00:41:28,920
Speaker 1: I got for you? Motherfucker's that I got crazy? See

713
00:41:28,960 --> 00:41:31,560
Speaker 1: do a shot before crazy or after? Hold on what

714
00:41:31,640 --> 00:41:33,080
Speaker 1: we've been doing? A shot up? I don't know if

715
00:41:33,080 --> 00:41:43,200
Speaker 1: he's on you. You can do the right couple. You

716
00:41:43,239 --> 00:41:51,440
Speaker 1: don't want to do it. We got a ship at

717
00:41:51,480 --> 00:41:54,840
Speaker 1: that we don't want to do it. Very about to

718
00:41:54,840 --> 00:41:59,359
Speaker 1: do that. Everybody always, everybody need everybody to do that.

719
00:41:59,400 --> 00:42:03,360
Speaker 1: Everybody got do line no, no, no cocaine, that's only message.

720
00:42:04,160 --> 00:42:15,360
Speaker 1: That's when the couple's you do that a little okay, cocagne, Dre,

721
00:42:15,360 --> 00:42:20,959
Speaker 1: you passed me, come back, You're killing that. I can't

722
00:42:20,960 --> 00:42:25,560
Speaker 1: wait a little too lud. Oh my god, can't we

723
00:42:25,719 --> 00:42:30,560
Speaker 1: miam me. I know the dogar's coach right now, drink

724
00:42:30,600 --> 00:42:33,120
Speaker 1: clad Let's do this all the paw the to him.

725
00:42:35,080 --> 00:42:37,719
Speaker 1: So I'm gonna forget the story, but I don't know

726
00:42:37,800 --> 00:42:40,680
Speaker 1: what was the story. Let's not forget Michael Jackson. Michael Jackson,

727
00:42:41,400 --> 00:42:44,640
Speaker 1: Michael Jackson, cocaine read he never met him, but he

728
00:42:44,760 --> 00:42:51,359
Speaker 1: met him. Oh, it's it like the way I think

729
00:42:51,360 --> 00:42:54,319
Speaker 1: I need to Michael Jackson. Yeah, yeah, I need this

730
00:42:54,320 --> 00:42:59,840
Speaker 1: Michael Jackson's story. It's terrible. Now you're drinking Champagne's champagne

731
00:43:00,040 --> 00:43:07,600
Speaker 1: to wash it down. What's this blue pill? Let me know? Yes,

732
00:43:12,120 --> 00:43:15,680
Speaker 1: that helps get the get your sciences right? Yeah, sting

733
00:43:15,719 --> 00:43:22,680
Speaker 1: for the lines. Saw him in Atlanta. Mike is working.

734
00:43:23,400 --> 00:43:26,440
Speaker 1: I started I'm making I May Love Hate in um

735
00:43:26,880 --> 00:43:29,239
Speaker 1: studio in Vegas at the Palms at the time when

736
00:43:29,239 --> 00:43:33,400
Speaker 1: the poems coping and I had a certain type of

737
00:43:33,440 --> 00:43:36,840
Speaker 1: magic there. But Michael Jackson was working in the same studio.

738
00:43:37,040 --> 00:43:39,440
Speaker 1: You know, some people knew, some people didn't or whatever.

739
00:43:40,360 --> 00:43:43,720
Speaker 1: Good friend of mine's Pat Thrall is there with Michael

740
00:43:43,719 --> 00:43:46,879
Speaker 1: cutting the record, just just cutting the record. I don't

741
00:43:46,920 --> 00:43:51,480
Speaker 1: know what the record was. He hits us on the phone. Yeah,

742
00:43:51,640 --> 00:43:53,640
Speaker 1: I mean, I don't know what that story. Yeah, no,

743
00:43:53,800 --> 00:43:58,319
Speaker 1: that's not the part story. So Michael hits us back

744
00:43:58,320 --> 00:44:00,960
Speaker 1: in Atlanta, I mean not Michael throw its us back.

745
00:44:01,040 --> 00:44:03,680
Speaker 1: And I'm like, yo, yo, bro. And if you know

746
00:44:03,719 --> 00:44:08,319
Speaker 1: this guy, such a sweet guy, Yo, bro, bro, Bro,

747
00:44:09,360 --> 00:44:13,359
Speaker 1: guess who the fuck is in here? You're like, well,

748
00:44:13,480 --> 00:44:18,399
Speaker 1: not means so fucking Michael Jackson's and you're right now,

749
00:44:18,560 --> 00:44:21,320
Speaker 1: We're like, well he work at that motherfucker's so cool

750
00:44:21,400 --> 00:44:25,239
Speaker 1: like that even the FaceTime or some ship like it's like, yo, bro,

751
00:44:25,560 --> 00:44:30,400
Speaker 1: he's singing your ship right now listening. Oh this motherfucker

752
00:44:30,560 --> 00:44:35,960
Speaker 1: Mike is in the background singing. Fuck. I'm like my

753
00:44:36,040 --> 00:44:40,680
Speaker 1: new nigga. And I never got a chance to meet him,

754
00:44:40,680 --> 00:44:46,080
Speaker 1: and I was so pissed. I was in Atlanta, okay,

755
00:44:48,120 --> 00:44:50,480
Speaker 1: oh my god, blew my mind. I was like, hold

756
00:44:50,560 --> 00:44:54,440
Speaker 1: this motherfucker's singing. First of all, that nigga, that's one

757
00:44:54,680 --> 00:45:00,600
Speaker 1: ship right, No, no, no, And so like he's there

758
00:45:00,719 --> 00:45:03,000
Speaker 1: dancing this ship in my mind, like you know, he's

759
00:45:03,080 --> 00:45:12,000
Speaker 1: just happening out. I'm like, oh, he's doing all the

760
00:45:12,000 --> 00:45:14,120
Speaker 1: ship to my ship right now. We've been to get

761
00:45:14,120 --> 00:45:18,560
Speaker 1: in for that bitch, you know. But but that was

762
00:45:18,600 --> 00:45:22,040
Speaker 1: one of that. That was a great Michael moment for me,

763
00:45:22,080 --> 00:45:23,879
Speaker 1: even though I didn't get a chance to work with him,

764
00:45:23,960 --> 00:45:26,760
Speaker 1: but that was a great one. You know, my micro story,

765
00:45:28,160 --> 00:45:29,880
Speaker 1: you got a Michaels. I never knew you had a

766
00:45:29,920 --> 00:45:33,800
Speaker 1: Michael story. No, I ain't ever met him. This is

767
00:45:33,880 --> 00:45:38,279
Speaker 1: what happened and for real, first this super thug uh

768
00:45:38,600 --> 00:45:42,399
Speaker 1: my record came out and Michael Jackson called for rel

769
00:45:43,040 --> 00:45:45,040
Speaker 1: and for real made all this R and B ship

770
00:45:45,200 --> 00:45:47,440
Speaker 1: for him. And maybe it's the same guy that you're

771
00:45:47,440 --> 00:45:50,120
Speaker 1: talking about, because when Real called me and said, Joe,

772
00:45:50,480 --> 00:45:52,880
Speaker 1: I just said a whole bunch of beasts to Michael,

773
00:45:54,080 --> 00:45:56,680
Speaker 1: he called, He called us back, His manager called us

774
00:45:56,719 --> 00:45:59,919
Speaker 1: back and said, I don't want this ship. I want

775
00:46:00,000 --> 00:46:04,399
Speaker 1: a super duck ship. Ship said you mean for new

776
00:46:05,400 --> 00:46:07,360
Speaker 1: Row was cool to me, Like, how the fund do

777
00:46:07,440 --> 00:46:11,399
Speaker 1: I makeing ain't the ship. I said, well, that's why

778
00:46:11,440 --> 00:46:14,520
Speaker 1: you're a good producer, and I'm not you with that

779
00:46:14,719 --> 00:46:18,880
Speaker 1: one so one. So if you look at the motherfucker like, no,

780
00:46:19,040 --> 00:46:20,759
Speaker 1: they don't like this type of ship. Oh no, they

781
00:46:20,880 --> 00:46:24,480
Speaker 1: like it, it'd be crazy, Like yeah, it's crazy. So

782
00:46:24,520 --> 00:46:26,560
Speaker 1: now how do you But now you said fun that nigger?

783
00:46:26,640 --> 00:46:29,040
Speaker 1: So how how did you write that? Like what was

784
00:46:29,080 --> 00:46:32,080
Speaker 1: in your mome home? That's the offensive part, Like that's

785
00:46:32,120 --> 00:46:35,719
Speaker 1: just that's pure rap offense. You know that. I think

786
00:46:35,760 --> 00:46:38,719
Speaker 1: that running plays for right now? Like still they're like, okay, cool,

787
00:46:38,719 --> 00:46:41,360
Speaker 1: we just put the melody with this shi fu everybody.

788
00:46:42,320 --> 00:46:46,319
Speaker 1: Um that record wasn't the right That was the last

789
00:46:46,320 --> 00:46:52,680
Speaker 1: record on the album. Actually that record, um yeah I

790
00:46:52,719 --> 00:46:54,360
Speaker 1: love your girl And it was like y'll give me

791
00:46:54,400 --> 00:46:57,040
Speaker 1: one more and that was the one more. But the

792
00:46:57,080 --> 00:47:01,879
Speaker 1: original is is fun that nigger up? Definitely? We'll put

793
00:47:01,920 --> 00:47:04,520
Speaker 1: you in that place all the time. I mean, you

794
00:47:04,560 --> 00:47:07,160
Speaker 1: know when when women look how they look and they man,

795
00:47:07,239 --> 00:47:08,799
Speaker 1: they're doing what they're supposed to be doing, you know,

796
00:47:08,920 --> 00:47:11,400
Speaker 1: coming from that space, you know what it's like. He

797
00:47:11,520 --> 00:47:14,600
Speaker 1: was like, I was just saying, man, you know that

798
00:47:14,640 --> 00:47:16,799
Speaker 1: you had girls flipping on everybody in the club. I

799
00:47:16,840 --> 00:47:18,520
Speaker 1: just want to throw that out there. Of course, like

800
00:47:18,600 --> 00:47:20,480
Speaker 1: every time a girl was mad at they nigging in

801
00:47:20,560 --> 00:47:26,480
Speaker 1: the club, they just kept ship. Came on that. It

802
00:47:26,640 --> 00:47:30,319
Speaker 1: was my last I was thinking about it that way.

803
00:47:30,600 --> 00:47:33,839
Speaker 1: Oh yeah, yeah, you was putting niggers, that's it. Came

804
00:47:33,880 --> 00:47:35,799
Speaker 1: on bad. You see bad in the face getting read.

805
00:47:35,840 --> 00:47:39,400
Speaker 1: You're like, oh this girl, Yeah, she's just going. But

806
00:47:39,480 --> 00:47:41,080
Speaker 1: all the other things that didn't come to their girls

807
00:47:41,080 --> 00:47:44,800
Speaker 1: are like here and the least good good. It's just

808
00:47:44,920 --> 00:47:47,759
Speaker 1: good with their girls. They're holding hands about to see

809
00:47:47,880 --> 00:47:50,440
Speaker 1: the jams, trying to get the check. Yeah, yeah, you

810
00:47:50,520 --> 00:47:52,279
Speaker 1: come down with your girl. Y'all just fouled in the

811
00:47:52,320 --> 00:47:55,600
Speaker 1: car on the way over. Oh you sucked up. Now,

812
00:47:55,840 --> 00:48:03,640
Speaker 1: makeup bag, now you that's you, you like because my

813
00:48:03,640 --> 00:48:07,960
Speaker 1: my wife is a makeup artist, so you may make

814
00:48:08,040 --> 00:48:13,240
Speaker 1: up that. Who was you in the zone? Because girl

815
00:48:13,520 --> 00:48:18,040
Speaker 1: tell us. I think it's just about like being underswept,

816
00:48:20,040 --> 00:48:22,560
Speaker 1: And it's gonna sound crazy, but it's just about that.

817
00:48:22,560 --> 00:48:27,040
Speaker 1: This sounds it's just the idea that at some particular point,

818
00:48:27,080 --> 00:48:29,080
Speaker 1: which is not even never sent the other day, we

819
00:48:29,200 --> 00:48:32,719
Speaker 1: all are hoards for some real particular reason. Like that's

820
00:48:32,760 --> 00:48:36,040
Speaker 1: just what it is. There, there's a there's a I'm

821
00:48:36,080 --> 00:48:39,440
Speaker 1: going to explain there, there's something that you want and

822
00:48:39,520 --> 00:48:43,719
Speaker 1: something that you're giving willing to give up. That's just

823
00:48:43,840 --> 00:48:46,680
Speaker 1: life like period. You can classify a different way all

824
00:48:46,719 --> 00:48:48,920
Speaker 1: you want to, but you know, there's there are certain

825
00:48:48,960 --> 00:48:51,399
Speaker 1: songs that that still haven't came out where where I've

826
00:48:51,520 --> 00:48:53,759
Speaker 1: used that analogy and then where we're just you know,

827
00:48:53,840 --> 00:48:55,640
Speaker 1: all holes were just out here trying to get out

828
00:48:55,640 --> 00:48:59,600
Speaker 1: of you know, get out of ship. But um, being

829
00:48:59,680 --> 00:49:02,239
Speaker 1: pure just isn't a part of it. Like I mean

830
00:49:02,840 --> 00:49:06,560
Speaker 1: the idea that of the makeup bag itself, whether it's

831
00:49:06,560 --> 00:49:08,400
Speaker 1: a Chanel bag, that's bag or whatever it is, that

832
00:49:08,480 --> 00:49:11,359
Speaker 1: wasn't the point. The point was what do you need

833
00:49:11,440 --> 00:49:12,960
Speaker 1: me to do to make it right? Or I can't

834
00:49:13,000 --> 00:49:15,359
Speaker 1: make it right? So we gotta make a choice. Put

835
00:49:16,200 --> 00:49:18,280
Speaker 1: that's all it is. He was out here putting pressure

836
00:49:18,280 --> 00:49:20,160
Speaker 1: on niggas. Your girl had to have a good make

837
00:49:20,560 --> 00:49:23,520
Speaker 1: it always fives tax she had, she had to have

838
00:49:23,520 --> 00:49:29,040
Speaker 1: a great bag, right, just extra, I mean, have a

839
00:49:29,120 --> 00:49:33,000
Speaker 1: make up bag and I hate my knee just now

840
00:49:33,080 --> 00:49:41,799
Speaker 1: after that ship post on this gravy on that Chris

841
00:49:41,920 --> 00:49:43,320
Speaker 1: is then the type of boy I feel like a

842
00:49:43,360 --> 00:49:48,080
Speaker 1: different shot. It ain't three shot time this ship. Then

843
00:49:48,200 --> 00:49:51,520
Speaker 1: start call this ship gravy. When I come back to

844
00:49:51,600 --> 00:49:59,120
Speaker 1: this up the rest of the week, you forget about ship.

845
00:49:59,200 --> 00:50:03,160
Speaker 1: Your t a call. What's going your guys? What's going

846
00:50:03,239 --> 00:50:11,200
Speaker 1: on where you're at? Hello? Hello? Oh he's not the

847
00:50:11,239 --> 00:50:15,680
Speaker 1: CEO of Empire Records. Yeah, yeah, he's a great guy.

848
00:50:15,880 --> 00:50:19,680
Speaker 1: So he's trying to come out here. So, um, you

849
00:50:19,800 --> 00:50:22,280
Speaker 1: just announced the title of your new album, your Ali.

850
00:50:23,000 --> 00:50:27,200
Speaker 1: They called that that quick. He's like, we did, yeah,

851
00:50:27,320 --> 00:50:30,080
Speaker 1: one point, give me the phone backs. I've got my

852
00:50:30,080 --> 00:50:32,759
Speaker 1: my notes on there, so what is the time? What

853
00:50:32,880 --> 00:50:35,480
Speaker 1: is the title? And they had the title that they

854
00:50:35,520 --> 00:50:39,839
Speaker 1: can call Ferris kind of the end of the love

855
00:50:40,480 --> 00:50:44,040
Speaker 1: sequels of full length already made full length. Everybody's been

856
00:50:44,040 --> 00:50:45,600
Speaker 1: mad at me for like six years, and I was

857
00:50:45,640 --> 00:50:48,399
Speaker 1: supposed to release it. Oh yeah, your fans you got

858
00:50:48,440 --> 00:50:51,000
Speaker 1: the drop and Jill, yeah, I was supposed to drop

859
00:50:51,040 --> 00:50:56,120
Speaker 1: in June on two thousand and Toyo are eleven actually,

860
00:50:56,719 --> 00:50:59,359
Speaker 1: and so even though it gave them like about four

861
00:50:59,440 --> 00:51:02,360
Speaker 1: records and then they're just like, no nigger with that

862
00:51:02,360 --> 00:51:04,440
Speaker 1: record that like you realize it's not gonna be the

863
00:51:04,480 --> 00:51:08,960
Speaker 1: same record now. But but but finally I've done it

864
00:51:09,000 --> 00:51:13,840
Speaker 1: and it's about it about to come out. Who's this one? Um?

865
00:51:13,960 --> 00:51:17,640
Speaker 1: What you mean rock Nation or rock Nations rock Nation direct?

866
00:51:17,680 --> 00:51:20,600
Speaker 1: I mean he's rocking the change. Yeah, he looked like

867
00:51:20,640 --> 00:51:23,000
Speaker 1: rock Nation too. I had my roles gold shoot on.

868
00:51:23,040 --> 00:51:25,960
Speaker 1: I should have my roles gold shoot the magic. But no,

869
00:51:26,160 --> 00:51:27,960
Speaker 1: I'm glad I did where my roles gold change the

870
00:51:28,000 --> 00:51:31,200
Speaker 1: mass because you are clearly killing men. Look at it

871
00:51:31,280 --> 00:51:33,040
Speaker 1: like that. No, no, no, that's good. That's okay. I

872
00:51:33,080 --> 00:51:35,480
Speaker 1: love that. I couldn't keep you. I gotta stet my

873
00:51:35,480 --> 00:51:39,359
Speaker 1: shoot up. It's all good, my brother. I am proud

874
00:51:39,400 --> 00:51:45,200
Speaker 1: of everybody doing it. Just makes it. I saw, I

875
00:51:45,320 --> 00:51:48,200
Speaker 1: saw come like you. This is why we gotta make

876
00:51:48,200 --> 00:51:51,960
Speaker 1: a new word. Right, niggas like us. It's boogie right.

877
00:51:52,000 --> 00:51:54,640
Speaker 1: We like to a good rest restom like that. We

878
00:51:54,760 --> 00:51:57,640
Speaker 1: like to, you know, drive nice ship. But we hooked?

879
00:51:57,840 --> 00:52:03,680
Speaker 1: So could we make coogee? Who's she? It's interesting? Let's go.

880
00:52:03,800 --> 00:52:06,160
Speaker 1: Let's call uji. We're gonna make the world up right now.

881
00:52:06,280 --> 00:52:11,560
Speaker 1: I'm your team. Who know you in the team? You

882
00:52:11,640 --> 00:52:14,840
Speaker 1: just got a house. That's what type of events actually

883
00:52:14,880 --> 00:52:17,520
Speaker 1: fit into Hoosie. We gotta make it up right now, dreaming.

884
00:52:17,520 --> 00:52:19,200
Speaker 1: That's what I'm saying, That's what it's what we're doing

885
00:52:19,280 --> 00:52:21,680
Speaker 1: right now. This is this is a collaboration. This is

886
00:52:21,719 --> 00:52:25,200
Speaker 1: actually why right now I'm saying, Look, we gotta make

887
00:52:25,239 --> 00:52:31,600
Speaker 1: up the meaning hoosie right, we spell jogie first because

888
00:52:31,600 --> 00:52:34,160
Speaker 1: I want actually be closing Ray smater than me. I

889
00:52:34,239 --> 00:52:37,560
Speaker 1: was definitely and he's spelling and tea. I was in

890
00:52:37,640 --> 00:52:42,520
Speaker 1: the same English class spelling it. You gotta go whosi

891
00:52:42,719 --> 00:52:46,480
Speaker 1: who is it? H And he's spelling it's it goes

892
00:52:46,600 --> 00:52:48,400
Speaker 1: wherever you want to go. Let's play you in it.

893
00:52:48,520 --> 00:52:53,000
Speaker 1: So let's go h you eat h you haveinitely. We

894
00:52:53,000 --> 00:52:57,200
Speaker 1: gotta show with specs about like coming you okay? Huge?

895
00:52:58,600 --> 00:53:01,800
Speaker 1: So what's hood? And he path from though and color

896
00:53:02,239 --> 00:53:07,120
Speaker 1: and color and gotta because he's hit pop coming on

897
00:53:07,200 --> 00:53:08,839
Speaker 1: the phone. He was the first come here, the first

898
00:53:08,920 --> 00:53:14,840
Speaker 1: rapp ever, he got the first rap video ever, heals

899
00:53:15,000 --> 00:53:17,399
Speaker 1: rap rap video ever. Even though it's been the rap plan,

900
00:53:18,239 --> 00:53:20,600
Speaker 1: it was hip hop nigga thinking about I think you

901
00:53:20,680 --> 00:53:25,200
Speaker 1: just stay h h old j that's too close to

902
00:53:25,239 --> 00:53:28,680
Speaker 1: Hooters and who's your Yeah, that's going to hood, that's true,

903
00:53:29,160 --> 00:53:31,719
Speaker 1: but whole that's a new version of hood. We just

904
00:53:31,800 --> 00:53:34,480
Speaker 1: said we've been the past. It's a nigga saying already

905
00:53:34,520 --> 00:53:41,040
Speaker 1: so beautiful, man, we're making up English. Oh you never know.

906
00:53:41,280 --> 00:53:43,319
Speaker 1: We can make up this word and two hundred years

907
00:53:43,400 --> 00:53:45,279
Speaker 1: from now this could be the No. It's gonna be

908
00:53:45,360 --> 00:53:50,600
Speaker 1: in the guaranteed word. Yeah, exactly. Think it's ain't you easy?

909
00:53:50,960 --> 00:53:57,120
Speaker 1: You are? Ain't you easy? Like? Whois you? E z you?

910
00:53:59,160 --> 00:54:00,600
Speaker 1: You made it like an you made it like a

911
00:54:00,640 --> 00:54:04,640
Speaker 1: foreign Definitely go too on the T shirt. It's not

912
00:54:04,760 --> 00:54:08,040
Speaker 1: gonna work. How do you know it isn't two different

913
00:54:08,080 --> 00:54:12,480
Speaker 1: spellings or not. None of the bees man, that's all.

914
00:54:13,600 --> 00:54:19,920
Speaker 1: Actually appreciate the DJ as an artist. Stupid. Yeah, and

915
00:54:20,280 --> 00:54:24,439
Speaker 1: your freed to like you. If you're making a shirt,

916
00:54:24,520 --> 00:54:29,080
Speaker 1: it would look ill. Dude, who wosy just got a trademark?

917
00:54:29,160 --> 00:54:33,120
Speaker 1: But go ahead, Okay, I gotta first. Okay, damn, we're

918
00:54:33,160 --> 00:54:35,120
Speaker 1: my fault. All right? Cool? You got you got guys?

919
00:54:35,480 --> 00:54:41,719
Speaker 1: What hue that guy got c U I whogi isog?

920
00:54:42,120 --> 00:54:44,120
Speaker 1: And it could be a closer line to That's that's

921
00:54:44,200 --> 00:54:48,320
Speaker 1: my point. You gotta let's good point. Crazy this is

922
00:54:48,360 --> 00:54:52,759
Speaker 1: a corporation. Then we we just did we just did it.

923
00:54:52,840 --> 00:54:55,279
Speaker 1: It's okay, it's okay. I did it listen doing my

924
00:54:55,480 --> 00:54:58,320
Speaker 1: version let that ship in the song. That's because this

925
00:54:58,440 --> 00:55:00,360
Speaker 1: is an old school story from Drake sa and the

926
00:55:00,400 --> 00:55:02,239
Speaker 1: fact that he doesn't agree with my story right now,

927
00:55:02,280 --> 00:55:04,640
Speaker 1: I have to bring it up. I have to figure

928
00:55:04,640 --> 00:55:06,400
Speaker 1: that I'm gonna go take a bath and break right now. No,

929
00:55:06,520 --> 00:55:08,799
Speaker 1: you still gotta stay right here. This is my man.

930
00:55:09,680 --> 00:55:12,520
Speaker 1: I'm petty as where's your man? I'm petty as hell.

931
00:55:12,680 --> 00:55:14,560
Speaker 1: I admit I'm petty right, and it's better not be

932
00:55:14,680 --> 00:55:20,920
Speaker 1: then it's going in. It's going stupid, but I don't know.

933
00:55:21,120 --> 00:55:24,640
Speaker 1: It's gonna be the thought song. Yes, before he tells

934
00:55:24,719 --> 00:55:25,960
Speaker 1: us you would tell a story, how about that? I

935
00:55:26,000 --> 00:55:29,239
Speaker 1: don't tells it wrong, but I'll tell you about he

936
00:55:29,360 --> 00:55:33,000
Speaker 1: tells us. He always kills it. He gets it's okay,

937
00:55:33,160 --> 00:55:36,880
Speaker 1: it's a good he tell here's the basics of the story.

938
00:55:37,680 --> 00:55:42,799
Speaker 1: He's dating a girl. I mean, yes, but the way

939
00:55:42,800 --> 00:55:46,880
Speaker 1: do you tell it? But he just didn't. He's dating

940
00:55:46,920 --> 00:55:49,520
Speaker 1: the girl. I can't believe the services now. No, we

941
00:55:49,600 --> 00:55:52,719
Speaker 1: gotta bring back old ship. Sometimes it's just because this

942
00:55:52,800 --> 00:55:57,080
Speaker 1: is drink the fans want. He's jager girl, all right,

943
00:55:58,600 --> 00:56:01,879
Speaker 1: So the girl. She would take a shot for ye. Yes,

944
00:56:02,719 --> 00:56:05,800
Speaker 1: let's porter shot first. I'm gonna get then drink it afterwards.

945
00:56:08,480 --> 00:56:14,840
Speaker 1: Rits to go with us with you, I want you to.

946
00:56:15,000 --> 00:56:16,800
Speaker 1: I want you to tell me if he's petty or not.

947
00:56:17,600 --> 00:56:19,840
Speaker 1: I know I'm petty. But before you tell him that,

948
00:56:20,000 --> 00:56:23,480
Speaker 1: I hadn't tell my version, say a version first. Let's go.

949
00:56:23,920 --> 00:56:26,800
Speaker 1: I'm ready to person. I want to tell you version

950
00:56:28,840 --> 00:56:31,080
Speaker 1: so I can show how you funk up my person. Okay,

951
00:56:31,080 --> 00:56:33,160
Speaker 1: all right, listen, all right, I'm just making the shortest version.

952
00:56:33,200 --> 00:56:37,399
Speaker 1: After he's dating the girl, she goes to the thong

953
00:56:37,520 --> 00:56:41,680
Speaker 1: song video, he cuts off. She went the big pippin first.

954
00:56:42,080 --> 00:56:51,160
Speaker 1: All this sound, there's stacy. He said, they're right chronic okay,

955
00:56:52,640 --> 00:56:57,400
Speaker 1: artists video. The chronological version is wrong. The only reason

956
00:56:57,480 --> 00:57:04,560
Speaker 1: why he cut it off because she went to it, okay, wrong, terrible.

957
00:57:05,200 --> 00:57:08,399
Speaker 1: I had a girl, he's patty. Just say you go that. Okay,

958
00:57:08,480 --> 00:57:11,160
Speaker 1: let me tell them. Are you going about my version?

959
00:57:11,320 --> 00:57:14,160
Speaker 1: I want you to have my version? Is this my girl?

960
00:57:14,880 --> 00:57:24,680
Speaker 1: She's a spire love he killed. She's an inspire model,

961
00:57:24,800 --> 00:57:29,280
Speaker 1: she wants, and then she tells she's an aspiring model. Yes, okay, yes,

962
00:57:29,760 --> 00:57:31,800
Speaker 1: and she starts getting She tells me, I'm gonna start

963
00:57:31,840 --> 00:57:35,680
Speaker 1: doing video gigs. I'm inspire, I'm a DJ spiring, I'm

964
00:57:35,680 --> 00:57:37,320
Speaker 1: a DJ, I'm working, I'm doing my thing. You know,

965
00:57:37,400 --> 00:57:40,800
Speaker 1: we're going down. I see what's happening. What did you

966
00:57:40,840 --> 00:57:45,880
Speaker 1: mean on filmer in the world of music period? I

967
00:57:46,000 --> 00:57:48,640
Speaker 1: see I've been on video sets, So I said, you

968
00:57:48,720 --> 00:57:51,720
Speaker 1: know what I mean. But already at that point we are.

969
00:57:51,920 --> 00:57:55,400
Speaker 1: We are, We're going to part period. That's how you do,

970
00:57:55,520 --> 00:58:00,760
Speaker 1: That's how you because because gonna tell you right now

971
00:58:00,880 --> 00:58:04,080
Speaker 1: when I say to her, you go pursue your your dreams.

972
00:58:04,120 --> 00:58:06,400
Speaker 1: I'm gonna do my thing. Then it's not gonna be

973
00:58:06,480 --> 00:58:09,480
Speaker 1: that easy if we weren't already going apart. So she

974
00:58:09,600 --> 00:58:11,360
Speaker 1: goes and I'm like, I'm not gonna be with it.

975
00:58:11,480 --> 00:58:15,760
Speaker 1: It's your first video. Do together. Let's do it together,

976
00:58:15,760 --> 00:58:17,400
Speaker 1: because I want to know the first video that you

977
00:58:17,520 --> 00:58:19,920
Speaker 1: said it's a it was it was like something. It

978
00:58:20,040 --> 00:58:24,720
Speaker 1: was ship, it was like that, it was it was real.

979
00:58:24,920 --> 00:58:32,280
Speaker 1: I don't know about Okay, let's go I went down

980
00:58:32,280 --> 00:58:40,640
Speaker 1: the round. Let me relax this no, no, no, it

981
00:58:40,720 --> 00:58:43,880
Speaker 1: was some more champagne that we get him over. We

982
00:58:43,920 --> 00:58:46,400
Speaker 1: got some rocks of Ultra Preum vodka, the best of

983
00:58:46,440 --> 00:58:50,960
Speaker 1: all on the planet. I'm gonna around and throw up

984
00:58:51,000 --> 00:58:56,439
Speaker 1: on the strip of amazing that that so go ahead

985
00:58:57,840 --> 00:59:01,000
Speaker 1: video can keep it real, Like Okay, don't die. Then

986
00:59:01,040 --> 00:59:05,520
Speaker 1: we're down the wrong pipe. So h we just broke up,

987
00:59:06,480 --> 00:59:11,440
Speaker 1: break up where he's wrong. He keeps saying that's it's

988
00:59:11,480 --> 00:59:16,440
Speaker 1: just eventuating the wrong bullshit. We broke up. But immediately

989
00:59:16,520 --> 00:59:21,360
Speaker 1: when we broke up, this is immediate six stape DJ Miami.

990
00:59:21,480 --> 00:59:26,640
Speaker 1: I'm the biggest mixtape DJ Miami. I go the Dong song.

991
00:59:26,760 --> 00:59:28,360
Speaker 1: I think it's the thoughts on remix. I'm not really

992
00:59:28,440 --> 00:59:32,720
Speaker 1: hundred percent. Oh rimon. I got they invited me over there.

993
00:59:32,720 --> 00:59:34,960
Speaker 1: They said, yo, come get freestyle from Red and Matt.

994
00:59:35,840 --> 00:59:39,560
Speaker 1: I'm in the tent that far sponsor the tent I'm getting.

995
00:59:39,600 --> 00:59:41,760
Speaker 1: I got my four track and then I see my

996
00:59:46,520 --> 00:59:57,040
Speaker 1: I was getting there. Just this is the reality that

997
00:59:57,080 --> 00:59:59,800
Speaker 1: you need evidence. You heard my story. This is the reality.

998
01:00:00,000 --> 01:00:05,000
Speaker 1: So we just broke up with it's fresh like like

999
01:00:05,400 --> 01:00:08,120
Speaker 1: like like nine days ago. Damn, this is really the

1000
01:00:09,160 --> 01:00:12,120
Speaker 1: cook The cut is still. She's in the Throng song

1001
01:00:12,320 --> 01:00:16,760
Speaker 1: video like like you said, but I didn't stop there.

1002
01:00:16,880 --> 01:00:20,680
Speaker 1: This is ship and the next video was big. She

1003
01:00:20,880 --> 01:00:30,480
Speaker 1: was doing to do this telling video cup with nosing

1004
01:00:30,520 --> 01:00:32,840
Speaker 1: them too. Oh, that was one of the worst ones.

1005
01:00:32,920 --> 01:00:37,200
Speaker 1: She was inspiration. The cozy is took go down. I

1006
01:00:37,280 --> 01:00:49,800
Speaker 1: don't know what he took. So you're like an artist DJ. Yes,

1007
01:00:50,200 --> 01:00:52,200
Speaker 1: he's a DJ that he's sitting around seeing what the

1008
01:00:52,280 --> 01:00:54,600
Speaker 1: artists do when the artist is wow, because a arts

1009
01:00:54,640 --> 01:00:57,880
Speaker 1: ain't wow. He said, the difference between your story my

1010
01:00:58,040 --> 01:01:01,480
Speaker 1: story isn't I saw that come. No disrespect to her,

1011
01:01:02,680 --> 01:01:05,880
Speaker 1: but I said I can't handle that, like do you

1012
01:01:06,080 --> 01:01:08,520
Speaker 1: I'm gonna do me and I'm not telling you that

1013
01:01:08,600 --> 01:01:10,640
Speaker 1: she went wild like I don't know. I don't know

1014
01:01:10,720 --> 01:01:13,120
Speaker 1: the facts. That's the whole point. I'm just saying, I

1015
01:01:13,240 --> 01:01:19,200
Speaker 1: can't handle that. This is I can't held her be

1016
01:01:19,320 --> 01:01:21,840
Speaker 1: in the video she was like that, like I know,

1017
01:01:24,160 --> 01:01:28,440
Speaker 1: is she working? Okay, that's a great story. But it's

1018
01:01:28,440 --> 01:01:31,840
Speaker 1: a great story. I'm understand. But why can't you hand

1019
01:01:32,160 --> 01:01:33,480
Speaker 1: because I don't want you to fris this story? But

1020
01:01:33,560 --> 01:01:37,320
Speaker 1: this is gonna actually drink? Is he drank? I think

1021
01:01:39,760 --> 01:01:42,560
Speaker 1: this is DrAk with me with me? He loves you, Patty?

1022
01:01:42,640 --> 01:01:46,840
Speaker 1: Is he is he he got? Don't you think I'm

1023
01:01:46,880 --> 01:01:49,800
Speaker 1: Patty for one second, please dream you can be honest.

1024
01:01:50,320 --> 01:01:52,560
Speaker 1: This is an honest show. This is an honest show.

1025
01:01:52,680 --> 01:01:54,840
Speaker 1: Think of the reality of what I'm talking about. I

1026
01:01:56,160 --> 01:01:58,480
Speaker 1: just think that he wasn't willing to outfunk somebody for

1027
01:01:58,560 --> 01:02:03,400
Speaker 1: its girl. It's very different respected I was a kid.

1028
01:02:03,640 --> 01:02:05,120
Speaker 1: I was a kid. You still got not the funk.

1029
01:02:05,120 --> 01:02:08,800
Speaker 1: I'm learning, Okay, I didn't. Okay, you're right A look

1030
01:02:08,840 --> 01:02:15,240
Speaker 1: at it like looking whatever you're coming home tonight. I

1031
01:02:15,360 --> 01:02:17,960
Speaker 1: bet that coming home to what a kid I'm put

1032
01:02:18,000 --> 01:02:21,560
Speaker 1: My mom was older you now before, don't tell what

1033
01:02:21,600 --> 01:02:25,240
Speaker 1: I'm at the time. Eighteen seven team man, he you do?

1034
01:02:25,880 --> 01:02:28,440
Speaker 1: That was Hennessy Dings. I'm a kid at the top,

1035
01:02:28,760 --> 01:02:32,840
Speaker 1: man behind spins authority in my car and my pack.

1036
01:02:32,920 --> 01:02:35,520
Speaker 1: You want to react to that situation. You're coming up

1037
01:02:36,200 --> 01:02:38,280
Speaker 1: teach and your girl want to go to the dogs

1038
01:02:38,320 --> 01:02:41,960
Speaker 1: so on video? Then she wouldn't do Big Pemby wildly.

1039
01:02:42,080 --> 01:02:45,640
Speaker 1: Come on, man, you're number one. If you're really think that,

1040
01:02:45,800 --> 01:02:47,720
Speaker 1: you would have in my position and be like, hey,

1041
01:02:47,960 --> 01:02:53,640
Speaker 1: you got a right dream. I'm not picking up, you're

1042
01:02:53,640 --> 01:02:55,840
Speaker 1: not packing your who know what you're doing? You're getting

1043
01:02:55,880 --> 01:02:59,440
Speaker 1: the dogs on video? Shoot together? Yeah? Together? Let me together.

1044
01:03:00,400 --> 01:03:05,000
Speaker 1: You know, I'm working out. I'm going to work them out.

1045
01:03:06,280 --> 01:03:09,600
Speaker 1: I'm gonna go then go ahead that trip for that,

1046
01:03:09,840 --> 01:03:14,240
Speaker 1: I got free stuff that ship that honestly for this

1047
01:03:14,480 --> 01:03:16,840
Speaker 1: different Could you could you deal with a could you

1048
01:03:16,920 --> 01:03:20,200
Speaker 1: deal with something like that with I think I could? Yeah, yeah,

1049
01:03:20,200 --> 01:03:21,880
Speaker 1: I think I could. But you weren't doing what I

1050
01:03:22,040 --> 01:03:24,320
Speaker 1: was doing. I'm saying the difference is I'm a DJ

1051
01:03:24,600 --> 01:03:26,240
Speaker 1: and I'm there and I'm doing what I was doing

1052
01:03:26,320 --> 01:03:29,640
Speaker 1: my work. She's gonna do her work. I'm not there

1053
01:03:30,040 --> 01:03:32,560
Speaker 1: watching her and enjoying the different body. If I would have,

1054
01:03:32,640 --> 01:03:37,439
Speaker 1: damn you what Dame Dass? Listen, Dave Dass, poor dad, Stop,

1055
01:03:37,560 --> 01:03:43,800
Speaker 1: but you couldn't be I don't understay wait, Dave dash On,

1056
01:03:45,920 --> 01:03:49,200
Speaker 1: She wasn't. It was you know what? Actually a fan show?

1057
01:03:49,320 --> 01:03:52,720
Speaker 1: Were just good enough and that wasn't my girl? What

1058
01:03:52,920 --> 01:03:55,760
Speaker 1: you doing? Dream? Your girl can't roll? You see this

1059
01:03:55,840 --> 01:03:59,560
Speaker 1: is no Instagram but still Nigga's no name was like that, bib.

1060
01:04:02,440 --> 01:04:06,520
Speaker 1: I'm just what, could you can handle that? No? Angles

1061
01:04:06,560 --> 01:04:08,240
Speaker 1: I can't after that too, But I know that makes

1062
01:04:08,280 --> 01:04:10,640
Speaker 1: me petty. That's a difference between me and him. But

1063
01:04:10,840 --> 01:04:14,840
Speaker 1: I couldn't handle it. I'm on your side. What I'm

1064
01:04:14,840 --> 01:04:16,720
Speaker 1: saying it's petty because you didn't know she did, not

1065
01:04:16,840 --> 01:04:20,000
Speaker 1: just because she's at a rap music video. That petty.

1066
01:04:20,200 --> 01:04:22,360
Speaker 1: If your petty is that I broke up, like I

1067
01:04:22,440 --> 01:04:26,840
Speaker 1: think my patty would start waiting before that for my

1068
01:04:26,880 --> 01:04:29,120
Speaker 1: petty was like or some minute like I'm good, like

1069
01:04:29,160 --> 01:04:31,520
Speaker 1: I don't give a fun like fun. Well, I can't

1070
01:04:31,840 --> 01:04:36,760
Speaker 1: control people. Fucking just people every just bust on a

1071
01:04:39,440 --> 01:04:43,040
Speaker 1: cool boy and ship. Just just clean yourself, clean you

1072
01:04:43,080 --> 01:04:49,600
Speaker 1: suf hang you know further ward, Like I said, my petty,

1073
01:04:49,680 --> 01:04:52,680
Speaker 1: this will start earlier. And the idea that oh I

1074
01:04:52,760 --> 01:04:54,640
Speaker 1: gave up with you year out of my league from

1075
01:04:54,680 --> 01:04:57,280
Speaker 1: the beginning. She was never out of my league. Yeah,

1076
01:04:57,320 --> 01:05:00,640
Speaker 1: if you she definitely was not would dream on this.

1077
01:05:00,720 --> 01:05:02,480
Speaker 1: But maybe she was a triple A went bro, but

1078
01:05:02,720 --> 01:05:06,360
Speaker 1: you got that bro. I don't know where we went,

1079
01:05:07,080 --> 01:05:12,240
Speaker 1: but this is a trip. It's like triple A baseball. Okay,

1080
01:05:12,920 --> 01:05:21,240
Speaker 1: She's like, that's what happened. Don't you start adding I

1081
01:05:21,360 --> 01:05:30,720
Speaker 1: am prom he's still, he said, because that was the

1082
01:05:30,720 --> 01:05:36,160
Speaker 1: petty s you just say, I'll take let me if

1083
01:05:36,240 --> 01:05:41,280
Speaker 1: anybody in this room don't think y'all petty, right, I'm

1084
01:05:41,320 --> 01:05:43,959
Speaker 1: not petty, but I'm just saying, if you ever looked

1085
01:05:44,000 --> 01:05:48,160
Speaker 1: at somebody, you ever like, what's what, what's cool? What?

1086
01:05:49,040 --> 01:05:51,120
Speaker 1: You looked at the Graham just to make sure they're

1087
01:05:51,360 --> 01:05:56,600
Speaker 1: doing good, not doing not doing good? Horrible? That means

1088
01:05:56,680 --> 01:06:00,400
Speaker 1: you petty. Like if you was cool with somebody and

1089
01:06:00,440 --> 01:06:02,240
Speaker 1: then you stopped working with him, and you stopped working

1090
01:06:02,280 --> 01:06:05,880
Speaker 1: with each other, and then somehow they're Graham, you know,

1091
01:06:06,200 --> 01:06:10,360
Speaker 1: tag you and you just look on that they still

1092
01:06:10,520 --> 01:06:16,680
Speaker 1: on the block. I'm gonna tell yall something, because everybody

1093
01:06:16,800 --> 01:06:19,000
Speaker 1: has somebody, but they look at the ship just to

1094
01:06:19,080 --> 01:06:21,280
Speaker 1: make sure they still fuck You know, that's a great

1095
01:06:22,320 --> 01:06:26,080
Speaker 1: that's a great, great panty. That's a great, great fucking pity.

1096
01:06:27,200 --> 01:06:30,200
Speaker 1: And Yoki Yo Gotti's the song love the fucking death

1097
01:06:30,280 --> 01:06:34,240
Speaker 1: shout out to motherfucker, Yo, motherfucker right now he's on

1098
01:06:34,440 --> 01:06:40,200
Speaker 1: fucking fire, this motherfucker says. Yo Gotti says, um My

1099
01:06:40,480 --> 01:06:45,320
Speaker 1: ex cheated on me. Now she working double shifts, petty

1100
01:06:45,360 --> 01:06:48,840
Speaker 1: as funk I love it again his egg cheated on

1101
01:06:48,960 --> 01:06:51,040
Speaker 1: him now she was working double ships like so she

1102
01:06:51,240 --> 01:06:54,000
Speaker 1: got in the lame the can't work more like, oh

1103
01:06:54,080 --> 01:06:57,520
Speaker 1: I'm not working. Do you ever go on your gram

1104
01:06:57,880 --> 01:06:59,560
Speaker 1: and just look and make sure she's still doing the

1105
01:06:59,640 --> 01:07:04,280
Speaker 1: thunks on video. She's not. Because he's a family. Woman's

1106
01:07:04,320 --> 01:07:07,919
Speaker 1: a family she got, she got. I was worried because

1107
01:07:07,960 --> 01:07:09,760
Speaker 1: she's a family woman. I was like that she's gonna

1108
01:07:09,800 --> 01:07:12,480
Speaker 1: hear this ship. It wasn't not too long ago. What's

1109
01:07:12,520 --> 01:07:20,360
Speaker 1: her name never said that you never dream good like

1110
01:07:21,040 --> 01:07:24,920
Speaker 1: a you're talking ship? And did you go through a hit?

1111
01:07:25,640 --> 01:07:29,600
Speaker 1: Can't you hear me? Never? It was in my mind,

1112
01:07:29,760 --> 01:07:31,680
Speaker 1: like you know, I'm on heart side. I felt like

1113
01:07:31,880 --> 01:07:34,320
Speaker 1: she was a good girl, just trying to go work.

1114
01:07:34,840 --> 01:07:38,360
Speaker 1: That's how I felt she was good. That's why she

1115
01:07:38,640 --> 01:07:45,440
Speaker 1: worked too much. But yeah, you got videos and Black Packers,

1116
01:07:45,680 --> 01:07:50,320
Speaker 1: it's a Miami group. Actually, yeah, that's why the story

1117
01:07:50,400 --> 01:07:52,640
Speaker 1: gets ill right when he was done a hundred episodes

1118
01:07:52,840 --> 01:07:55,160
Speaker 1: right of this ship? Right and this is probably like

1119
01:07:55,280 --> 01:07:58,200
Speaker 1: twenty right, Okay, but here's why the story gets I

1120
01:07:58,200 --> 01:07:59,760
Speaker 1: don't know where you because you too get out on

1121
01:08:00,120 --> 01:08:02,480
Speaker 1: pop because I didn't take it out. The girl went

1122
01:08:02,520 --> 01:08:04,400
Speaker 1: to a hip hop video song was like a hip

1123
01:08:04,440 --> 01:08:07,600
Speaker 1: hop but the only person you had proof of her

1124
01:08:07,760 --> 01:08:11,760
Speaker 1: dating was Bell Bib the phone uh one of the

1125
01:08:11,880 --> 01:08:18,120
Speaker 1: most now all three he goes up. That was I

1126
01:08:18,680 --> 01:08:22,479
Speaker 1: call I'm sorry, which one of the niggas was actually,

1127
01:08:22,479 --> 01:08:24,960
Speaker 1: actually you're Anny Bobby ricking of mind. I remember the

1128
01:08:26,200 --> 01:08:30,840
Speaker 1: skinny long dude, so actually that you know what, you

1129
01:08:30,880 --> 01:08:33,320
Speaker 1: know what's funny? Sorry, sorry, The funny thing is that

1130
01:08:33,439 --> 01:08:35,720
Speaker 1: that was the first thing that happened, but that you've

1131
01:08:35,720 --> 01:08:39,280
Speaker 1: seen the actually broke and then I went bell baby,

1132
01:08:39,360 --> 01:08:42,400
Speaker 1: the more new audition, because that's that's new edition. They

1133
01:08:42,560 --> 01:08:45,439
Speaker 1: come but it's different. Errors starting now come up, bro,

1134
01:08:45,479 --> 01:08:50,040
Speaker 1: I'm not battl so it's bellas. This just should have

1135
01:08:50,120 --> 01:08:58,280
Speaker 1: been fucking diet never read. I'm sorry you're saying stay

1136
01:08:58,320 --> 01:09:02,800
Speaker 1: away from that to the car and you know I'm

1137
01:09:02,840 --> 01:09:05,000
Speaker 1: not in V people, But who do I see m

1138
01:09:05,000 --> 01:09:08,840
Speaker 1: P people? Ex girl with one of those dudes, Ronny.

1139
01:09:08,880 --> 01:09:11,240
Speaker 1: I think it was Ronnie. You know what? I just

1140
01:09:11,439 --> 01:09:13,320
Speaker 1: actually I think I I got I got to I

1141
01:09:13,520 --> 01:09:17,720
Speaker 1: solved it. So it wasn't petty. It wasn't petty. But

1142
01:09:17,840 --> 01:09:23,320
Speaker 1: what you did it was emotional, definitely, dream don't it

1143
01:09:23,479 --> 01:09:26,320
Speaker 1: was your petty. It wasn't your pet she wouldn't you

1144
01:09:26,320 --> 01:09:28,640
Speaker 1: go see all the hip hopters? You got emotional. You're like,

1145
01:09:28,640 --> 01:09:33,760
Speaker 1: I ain't listen Okay, now just people dreams. I hear

1146
01:09:33,840 --> 01:09:36,880
Speaker 1: he said it wasn't petty after he found out it

1147
01:09:36,960 --> 01:09:40,679
Speaker 1: was an arm beating niggers. Arm racing is national West.

1148
01:09:43,760 --> 01:09:48,720
Speaker 1: I respect you dream that was. It was emotional. It

1149
01:09:48,840 --> 01:09:51,439
Speaker 1: wasn't petty, like it's hip hop. You know, it's the

1150
01:09:51,520 --> 01:09:53,599
Speaker 1: coach and he lost something to the culture. We all

1151
01:09:53,720 --> 01:09:57,360
Speaker 1: do everything. I didn't lose too. The coach sott, Petty,

1152
01:09:58,000 --> 01:10:01,439
Speaker 1: if you have became a Republican right after that, how

1153
01:10:01,439 --> 01:10:06,639
Speaker 1: are you gonna shot that's Patty ship. That's Patty Ship.

1154
01:10:07,479 --> 01:10:12,719
Speaker 1: Oh you went to eighty hunter, but that I didn't

1155
01:10:12,720 --> 01:10:14,720
Speaker 1: go to the club showing the after we broken. And

1156
01:10:14,760 --> 01:10:17,360
Speaker 1: that's like you reminded me right now that and I

1157
01:10:17,439 --> 01:10:25,360
Speaker 1: look up at the fIF and she's like, rody, I like,

1158
01:10:29,800 --> 01:10:32,720
Speaker 1: And then after that was actually the throng song. And

1159
01:10:32,800 --> 01:10:35,360
Speaker 1: then after that was what you wanted. And then that

1160
01:10:36,160 --> 01:10:39,160
Speaker 1: I was like what you wanted the throng song A

1161
01:10:39,240 --> 01:10:41,840
Speaker 1: big pippe. We gotta talk. You gotta being on a

1162
01:10:41,880 --> 01:10:46,519
Speaker 1: little biggin like we gotta should heard this story. Back

1163
01:10:46,560 --> 01:10:48,920
Speaker 1: then I would have wrote the shout this song. You

1164
01:10:49,080 --> 01:10:51,320
Speaker 1: write the song now that's too old. Now that that

1165
01:10:51,360 --> 01:10:55,400
Speaker 1: has a great song it's amazing. Right now, we're gonna

1166
01:10:55,400 --> 01:11:04,360
Speaker 1: make a country song. All your albums, right when all

1167
01:11:04,439 --> 01:11:07,680
Speaker 1: your albums, what was the most one to you that

1168
01:11:07,880 --> 01:11:11,800
Speaker 1: meant the most? Wow, the first one love hate Me

1169
01:11:12,040 --> 01:11:17,000
Speaker 1: meant the most? Why is that it was first? It

1170
01:11:17,120 --> 01:11:20,599
Speaker 1: was first introduced people to me. I was blessed enough

1171
01:11:20,640 --> 01:11:24,160
Speaker 1: for people to hear and make my mind up because

1172
01:11:24,280 --> 01:11:26,360
Speaker 1: at that time it wasn't about me being an artist

1173
01:11:26,439 --> 01:11:28,080
Speaker 1: and want to say, hey man, look at me. It

1174
01:11:28,240 --> 01:11:30,719
Speaker 1: was it was a design. It was a design play

1175
01:11:31,240 --> 01:11:35,320
Speaker 1: to put my music um on showcase. So it was

1176
01:11:35,760 --> 01:11:40,200
Speaker 1: it was the idea overall was as a writer, even

1177
01:11:40,240 --> 01:11:41,560
Speaker 1: though you get a record over here, you get a

1178
01:11:41,600 --> 01:11:44,320
Speaker 1: record over there, like that's cool, But how are they

1179
01:11:44,400 --> 01:11:46,760
Speaker 1: gonna know that you do other ships? How they're gonna

1180
01:11:46,800 --> 01:11:48,840
Speaker 1: know how deep? You know it goes because want somebody

1181
01:11:48,840 --> 01:11:50,760
Speaker 1: to get something from you. You know, motherfucker want to

1182
01:11:50,800 --> 01:11:53,800
Speaker 1: umbrella every time, like you know. So I was able

1183
01:11:53,840 --> 01:11:56,840
Speaker 1: to be the canvas for my own art and that's

1184
01:11:56,880 --> 01:12:01,120
Speaker 1: what it was about, right that. Let me tell you something.

1185
01:12:01,360 --> 01:12:04,200
Speaker 1: That's the crazy ship is what you just said. Is

1186
01:12:06,360 --> 01:12:10,760
Speaker 1: the curse about having a hit record is everybody kind

1187
01:12:10,800 --> 01:12:15,080
Speaker 1: of want to imitate that record the most, which is

1188
01:12:15,120 --> 01:12:17,479
Speaker 1: one of the most records that you wrote produced been

1189
01:12:17,520 --> 01:12:19,880
Speaker 1: a part of that. People just kept coming to you

1190
01:12:19,920 --> 01:12:23,160
Speaker 1: and it became annoying. Like I remember seeing Pharrell at

1191
01:12:23,200 --> 01:12:27,800
Speaker 1: one time and um, we had, uh, what's the record homeboy?

1192
01:12:28,320 --> 01:12:30,720
Speaker 1: I came to party. He had to tell me. It

1193
01:12:30,840 --> 01:12:33,080
Speaker 1: was like, y'all, I'm tired of everybody telling me to

1194
01:12:33,200 --> 01:12:35,720
Speaker 1: give them that same record that I gave you. Nori.

1195
01:12:36,080 --> 01:12:39,080
Speaker 1: I think records are production based when they come to that, though,

1196
01:12:39,479 --> 01:12:41,400
Speaker 1: I don't think people was more so asking me for

1197
01:12:41,479 --> 01:12:43,439
Speaker 1: the same song because at that time I had written

1198
01:12:43,520 --> 01:12:46,680
Speaker 1: so many different ones. Yeah. Yeah, so the tracks was,

1199
01:12:47,000 --> 01:12:49,719
Speaker 1: you know, never really stayed the same. There was those

1200
01:12:49,760 --> 01:12:52,439
Speaker 1: are changing. My lyrics was changing based on the emotional

1201
01:12:53,160 --> 01:12:55,920
Speaker 1: melodies or whatever. The tone of the of the actual

1202
01:12:55,960 --> 01:12:59,000
Speaker 1: song was who the artist is that singing it? Um?

1203
01:12:59,240 --> 01:13:01,560
Speaker 1: Which was the whole other blessing to be able to

1204
01:13:01,600 --> 01:13:04,439
Speaker 1: give Rihana something and give be a whole separate thing,

1205
01:13:05,640 --> 01:13:08,040
Speaker 1: you know, that's you know, I think that was the

1206
01:13:08,320 --> 01:13:10,639
Speaker 1: That was the biggest part of it all because most times,

1207
01:13:10,720 --> 01:13:12,599
Speaker 1: you know, somebody could do a song for one person

1208
01:13:13,120 --> 01:13:15,439
Speaker 1: and the other song still sounds like, you know, if

1209
01:13:15,479 --> 01:13:17,320
Speaker 1: I didn't tell you I did unbrell in single ladies

1210
01:13:17,360 --> 01:13:19,599
Speaker 1: like you wouldn't put it together. It doesn't sound the same.

1211
01:13:19,720 --> 01:13:22,479
Speaker 1: But you're producing also as well, like like literally the

1212
01:13:23,920 --> 01:13:26,639
Speaker 1: how what's the percentage of what you've done that beats

1213
01:13:26,720 --> 01:13:29,320
Speaker 1: and lyrics? What what do you mean? Like just and

1214
01:13:29,439 --> 01:13:33,400
Speaker 1: you wrote the music. The most people understand writing is

1215
01:13:33,439 --> 01:13:37,120
Speaker 1: also the beats. The layman doesn't know that. Yeah, we know,

1216
01:13:37,360 --> 01:13:40,120
Speaker 1: so when you're rutting and the beats. So like Holy

1217
01:13:40,160 --> 01:13:42,240
Speaker 1: Girl for instance. So it was I did the track

1218
01:13:42,320 --> 01:13:44,000
Speaker 1: and rope the hook and then I gave it to

1219
01:13:44,320 --> 01:13:48,320
Speaker 1: gave it to Hop and then we brought in Timberland

1220
01:13:48,600 --> 01:13:51,200
Speaker 1: to to make the track what it needs to be

1221
01:13:51,320 --> 01:13:54,040
Speaker 1: to p Yeah, because my idea of writing is exactly

1222
01:13:54,080 --> 01:13:56,479
Speaker 1: what it is in the country world. Like it's you

1223
01:13:56,560 --> 01:13:59,960
Speaker 1: know those songs written like it's not a beat produced

1224
01:14:00,120 --> 01:14:02,800
Speaker 1: or is the you know, the producer usually has nothing

1225
01:14:02,880 --> 01:14:05,000
Speaker 1: to do with the composition like itself, like it has

1226
01:14:05,040 --> 01:14:08,799
Speaker 1: nothing to do with the melodies, the top lines, the lyrics,

1227
01:14:08,920 --> 01:14:10,360
Speaker 1: like it has nothing to do with that. The writer

1228
01:14:10,479 --> 01:14:12,400
Speaker 1: can be the writer and the producer come in after that.

1229
01:14:12,720 --> 01:14:15,280
Speaker 1: It's like Quincy Jones, you know some of those he

1230
01:14:15,320 --> 01:14:18,840
Speaker 1: didn't do the track. That track ship came from hip hop, right.

1231
01:14:18,920 --> 01:14:20,639
Speaker 1: But that's the thing. That's the thing hip hop wise.

1232
01:14:20,920 --> 01:14:22,800
Speaker 1: When we think about producer, we think about the beat

1233
01:14:22,800 --> 01:14:25,760
Speaker 1: paper he goes like this, right, and then we think

1234
01:14:25,760 --> 01:14:29,120
Speaker 1: about the writer. He's writing the lyrics. Right. That's what

1235
01:14:29,160 --> 01:14:31,920
Speaker 1: I'm saying. That the difference from you, well, it's I mean,

1236
01:14:32,000 --> 01:14:34,479
Speaker 1: it's just a universe. It's it's only in this culture

1237
01:14:34,520 --> 01:14:37,240
Speaker 1: where we see that as to you know, two different things.

1238
01:14:37,320 --> 01:14:41,280
Speaker 1: For me, producer is actually what has always been. It's

1239
01:14:41,320 --> 01:14:43,479
Speaker 1: the motherfucker that you blame at the end when ship

1240
01:14:43,560 --> 01:14:47,160
Speaker 1: don't go right. He brings everything together. Yeah, so if

1241
01:14:47,160 --> 01:14:49,200
Speaker 1: I don't have to touch of beat, but I'll probably

1242
01:14:49,240 --> 01:14:51,840
Speaker 1: still the producer just because you did that ship with me.

1243
01:14:52,000 --> 01:14:54,000
Speaker 1: And if the ship ain't right, it's like dream suck

1244
01:14:54,120 --> 01:15:00,240
Speaker 1: us up, because to produce means to come up with Now.

1245
01:15:01,200 --> 01:15:03,599
Speaker 1: I don't care how you came up with it, come

1246
01:15:03,680 --> 01:15:05,840
Speaker 1: up with it ain't right now. They ain't do the

1247
01:15:05,920 --> 01:15:08,519
Speaker 1: track I produced it though, I'm good. I got my

1248
01:15:08,600 --> 01:15:12,560
Speaker 1: whole little already, but that too, But actually, where is

1249
01:15:12,600 --> 01:15:16,720
Speaker 1: my cred joining you got cred? And white girl, that

1250
01:15:16,800 --> 01:15:23,200
Speaker 1: crippy weed, creepy weed creeps, creepy weed. If you've been

1251
01:15:23,320 --> 01:15:25,240
Speaker 1: coming to Miami for a long time, I don't know,

1252
01:15:29,120 --> 01:15:34,639
Speaker 1: they're creepy. White good damn white girls and some people

1253
01:15:34,880 --> 01:15:38,479
Speaker 1: the old white girl on a lot of the touch chee.

1254
01:15:43,840 --> 01:15:49,479
Speaker 1: Hold on, yeah, no, where you're going, we're gonna cryptocurrency now,

1255
01:15:49,520 --> 01:15:51,720
Speaker 1: I got no shot. I'm trying to be trying to

1256
01:15:51,760 --> 01:15:53,479
Speaker 1: get better at what I do. Damn, I don't know.

1257
01:15:53,920 --> 01:15:58,320
Speaker 1: So when you producing joints, are you using any certain

1258
01:15:59,080 --> 01:16:02,040
Speaker 1: like machines. Yeah, it's an NBC. I'm still a little

1259
01:16:02,040 --> 01:16:05,439
Speaker 1: lower the NPC three thousand. Um. I am on logic

1260
01:16:05,560 --> 01:16:07,400
Speaker 1: and you don't able to knock it. I can move

1261
01:16:07,439 --> 01:16:09,720
Speaker 1: around anything I like to. I like to touch ship,

1262
01:16:09,840 --> 01:16:12,360
Speaker 1: though I don't like the idea that everything is in

1263
01:16:12,439 --> 01:16:14,080
Speaker 1: the computer or whatever it is, Like I'll go to

1264
01:16:14,160 --> 01:16:17,280
Speaker 1: a studio just because they have a big at four. Yeah, well,

1265
01:16:17,680 --> 01:16:20,160
Speaker 1: I've been playing I started playing trump in like third grade.

1266
01:16:20,800 --> 01:16:25,040
Speaker 1: So the whole band theory to me was just second nature,

1267
01:16:25,280 --> 01:16:27,200
Speaker 1: like it was just something. It was just something that

1268
01:16:27,320 --> 01:16:30,280
Speaker 1: we we did in high school. And then at that time,

1269
01:16:30,800 --> 01:16:33,200
Speaker 1: if you're in Atlanta, the cool ship wasn't to be

1270
01:16:33,280 --> 01:16:35,080
Speaker 1: on the basketball team and the football team. The cool

1271
01:16:35,080 --> 01:16:37,240
Speaker 1: ship was being the marching band because you got to

1272
01:16:37,240 --> 01:16:39,120
Speaker 1: show your ass at halftime. Like that was the That

1273
01:16:39,240 --> 01:16:41,360
Speaker 1: was literally the ship. And you at that time you

1274
01:16:41,400 --> 01:16:45,639
Speaker 1: had Florida marching one hundred Florida and muh, you had Jackson,

1275
01:16:45,800 --> 01:16:47,560
Speaker 1: you had all these you know, black colleges, and we

1276
01:16:47,640 --> 01:16:49,920
Speaker 1: were like putting tapes in. Me and my actually my

1277
01:16:50,000 --> 01:16:53,360
Speaker 1: best friend was like putting tapes in studying like what

1278
01:16:53,479 --> 01:16:55,960
Speaker 1: they're doing at halftime, what's the new record that's out,

1279
01:16:56,000 --> 01:16:58,160
Speaker 1: and being able to play that at the next football game.

1280
01:16:58,880 --> 01:17:02,320
Speaker 1: So for me, it was it wasn't music as a hustle.

1281
01:17:02,479 --> 01:17:05,760
Speaker 1: It was I was already doing it before I understood

1282
01:17:05,800 --> 01:17:09,240
Speaker 1: that you can make money from it. Now, one of

1283
01:17:09,320 --> 01:17:11,400
Speaker 1: the most things I've expected about it, I had to

1284
01:17:11,439 --> 01:17:17,519
Speaker 1: have hit my man Rob Mossman, oh more about Drake.

1285
01:17:18,240 --> 01:17:22,519
Speaker 1: So we got genius community member shying his question is

1286
01:17:23,160 --> 01:17:25,479
Speaker 1: what was it like working with Drake early on his

1287
01:17:25,640 --> 01:17:27,880
Speaker 1: career on shut it Down and by having you work

1288
01:17:27,920 --> 01:17:33,720
Speaker 1: together since dad is you know, shout out shout out

1289
01:17:33,760 --> 01:17:36,400
Speaker 1: to Draking whether he's done his career, like I said before,

1290
01:17:36,560 --> 01:17:39,120
Speaker 1: just sort of like a real like student of how

1291
01:17:39,439 --> 01:17:43,639
Speaker 1: these things go. And it's and I remember when Drake

1292
01:17:43,720 --> 01:17:45,880
Speaker 1: was putting this record together as getting calls at the

1293
01:17:45,960 --> 01:17:47,840
Speaker 1: calls at the calls like y'all get on this record,

1294
01:17:47,840 --> 01:17:49,920
Speaker 1: get on this record, Like, Yo, get on this record.

1295
01:17:50,200 --> 01:17:51,960
Speaker 1: I said, I'm gonna do the record, man, like I'm

1296
01:17:52,000 --> 01:17:53,680
Speaker 1: on tour. Let I'm gonna do the record. As soon

1297
01:17:53,680 --> 01:17:55,160
Speaker 1: as I get took away something, I'm gonna do it.

1298
01:17:56,040 --> 01:17:58,599
Speaker 1: Drake called like, Yo, like this is how I wanted

1299
01:17:58,640 --> 01:18:00,880
Speaker 1: to sound, like Drake, I'm gonna do this. Now, I'm

1300
01:18:00,920 --> 01:18:03,600
Speaker 1: gonna do it. I'm gonna give it back to you

1301
01:18:03,960 --> 01:18:05,560
Speaker 1: the same way you sit there with your first I

1302
01:18:05,800 --> 01:18:07,760
Speaker 1: like I'm I'm sending back to you. Was like, okay, cool,

1303
01:18:07,840 --> 01:18:12,000
Speaker 1: no problem. And the record came out great. You know,

1304
01:18:12,439 --> 01:18:14,599
Speaker 1: I think you know it came came out great when

1305
01:18:14,600 --> 01:18:17,840
Speaker 1: a lot of people do. I think when the next

1306
01:18:17,920 --> 01:18:20,400
Speaker 1: album came along. Since somebody wants to know why we

1307
01:18:20,479 --> 01:18:23,479
Speaker 1: never worked again. I asked him to get on the record,

1308
01:18:24,040 --> 01:18:26,639
Speaker 1: and he never got on the record. And so I'm

1309
01:18:26,720 --> 01:18:29,400
Speaker 1: only going to ask you once, especially if I've already

1310
01:18:29,479 --> 01:18:33,720
Speaker 1: done something for you. So that went through people to

1311
01:18:34,040 --> 01:18:38,160
Speaker 1: directulate to him, and whatever that the thing was, didn't

1312
01:18:38,160 --> 01:18:41,080
Speaker 1: that was it. So that's the end of the drinking

1313
01:18:41,160 --> 01:18:44,519
Speaker 1: dream era of a record. I mean, obviously amazing artist

1314
01:18:44,760 --> 01:18:48,240
Speaker 1: you are. He's a great artist for his own right. Um,

1315
01:18:48,479 --> 01:18:51,960
Speaker 1: collaborations are nice, and collaborations are great, and sometimes I'll

1316
01:18:52,000 --> 01:18:59,080
Speaker 1: just should just be great without you you. Yeah, No,

1317
01:19:02,720 --> 01:19:10,679
Speaker 1: that's morals. Yeah, that's like old school morals right there.

1318
01:19:11,560 --> 01:19:16,760
Speaker 1: Like I've done so many records with people and then

1319
01:19:17,840 --> 01:19:21,120
Speaker 1: they're not reciprocated, could favor back. So it's the it's

1320
01:19:21,200 --> 01:19:23,960
Speaker 1: the it's the most treacherous thing that can happen. But

1321
01:19:24,080 --> 01:19:28,280
Speaker 1: I forgave them. Oh well of course, but so so

1322
01:19:28,439 --> 01:19:30,960
Speaker 1: what what was going through your mind at that moment

1323
01:19:31,040 --> 01:19:33,000
Speaker 1: when you Because at the end of the day, sometimes

1324
01:19:33,040 --> 01:19:35,360
Speaker 1: you could give a person a wave. That's what that means,

1325
01:19:35,439 --> 01:19:38,560
Speaker 1: Like you could be so hot yourself that when you

1326
01:19:38,640 --> 01:19:41,479
Speaker 1: get on their record, they can build a whole audience

1327
01:19:41,600 --> 01:19:44,880
Speaker 1: around your audience that you helped introduce them to. And

1328
01:19:45,000 --> 01:19:49,439
Speaker 1: then that person. I'm an artist, and I didn't look

1329
01:19:49,479 --> 01:19:51,600
Speaker 1: at that as a distance drake at all. There's no

1330
01:19:51,720 --> 01:19:54,080
Speaker 1: way shape form a fashion. I looked at it as

1331
01:19:54,120 --> 01:19:58,320
Speaker 1: a person with morals. So I mean, that's it was.

1332
01:19:58,880 --> 01:20:00,960
Speaker 1: I had to go to my grave with like not

1333
01:20:01,160 --> 01:20:04,479
Speaker 1: because it's a personal thing, just because I have to

1334
01:20:04,640 --> 01:20:06,800
Speaker 1: steal set an example for the ship that I say

1335
01:20:06,840 --> 01:20:09,439
Speaker 1: that I'm gonna do, you know, like it's it's a

1336
01:20:09,520 --> 01:20:12,320
Speaker 1: lot of if I ain't do some ship that I

1337
01:20:12,360 --> 01:20:14,719
Speaker 1: was supposed to call me out, let me know, because

1338
01:20:14,760 --> 01:20:17,160
Speaker 1: it made it could have been I forgot it could

1339
01:20:17,160 --> 01:20:18,880
Speaker 1: have been you know, whatever it is. It doesn't make

1340
01:20:18,920 --> 01:20:21,040
Speaker 1: it right at the end of the day, because that's

1341
01:20:21,080 --> 01:20:23,120
Speaker 1: not where I come from. That's not how I was raised.

1342
01:20:23,200 --> 01:20:26,439
Speaker 1: That's not how I am, you know, Like my word

1343
01:20:26,560 --> 01:20:28,519
Speaker 1: is just just my word. However I need to make

1344
01:20:28,560 --> 01:20:30,519
Speaker 1: it up, you know, however, whatever it is that I

1345
01:20:30,640 --> 01:20:34,320
Speaker 1: need to do so um And at the time, I mean,

1346
01:20:35,560 --> 01:20:38,240
Speaker 1: the whole situation was forgiven because the ship is petty

1347
01:20:38,320 --> 01:20:40,680
Speaker 1: like that that would be petty, you know in a

1348
01:20:40,760 --> 01:20:42,840
Speaker 1: way to hold that against somebody or whatever it was

1349
01:20:42,920 --> 01:20:45,280
Speaker 1: going through and transforming in his own life at the time.

1350
01:20:46,600 --> 01:20:50,920
Speaker 1: I just I know, probably as you get older, you

1351
01:20:50,960 --> 01:20:53,040
Speaker 1: start to think about things a little bit different though,

1352
01:20:53,400 --> 01:20:57,160
Speaker 1: and say, oh ship, now I get why x y Z. Yeah,

1353
01:20:57,439 --> 01:20:59,880
Speaker 1: we've seen each other. He's recorded at my studio and

1354
01:21:00,000 --> 01:21:03,720
Speaker 1: allowing and and everything like and like yo, what's up?

1355
01:21:03,800 --> 01:21:08,240
Speaker 1: Like it's or it's just like literally before that, but

1356
01:21:08,360 --> 01:21:11,080
Speaker 1: after after you knew what was what was, what was up?

1357
01:21:11,160 --> 01:21:13,680
Speaker 1: Like all our camps, this music business isn't that far

1358
01:21:13,800 --> 01:21:16,080
Speaker 1: stretch the fart where nobody doesn't know what is going on.

1359
01:21:16,280 --> 01:21:19,439
Speaker 1: Like everybody knows what's going on and for for whatever

1360
01:21:19,560 --> 01:21:22,200
Speaker 1: reasons at the end of the day. And nigs know

1361
01:21:22,280 --> 01:21:24,639
Speaker 1: how I am not, I'm not. I'm not a build

1362
01:21:24,640 --> 01:21:27,640
Speaker 1: of person. I think most things, um, if you can

1363
01:21:27,720 --> 01:21:30,160
Speaker 1: control them, control them. What you can't, you don't like,

1364
01:21:30,280 --> 01:21:32,120
Speaker 1: don't worry about it. Just just move the funk on.

1365
01:21:32,320 --> 01:21:35,840
Speaker 1: So it wasn't it wasn't no no ill faded thing

1366
01:21:35,960 --> 01:21:38,280
Speaker 1: about that. It was more so about what my grandfather

1367
01:21:38,400 --> 01:21:41,120
Speaker 1: taught me. Like yo, man, he said, you gonna do something,

1368
01:21:41,120 --> 01:21:43,080
Speaker 1: you need to do it, and if you don't, you

1369
01:21:43,160 --> 01:21:46,080
Speaker 1: need to show somebody you can live without it, you know.

1370
01:21:46,160 --> 01:21:48,800
Speaker 1: And that's that's that's just where I am and just

1371
01:21:48,920 --> 01:21:53,040
Speaker 1: where I come from. That that was all you know

1372
01:21:53,080 --> 01:21:55,880
Speaker 1: what that said, you're the old school warms, you got

1373
01:21:55,920 --> 01:22:00,479
Speaker 1: the wars that and it is petty too, but listen

1374
01:22:00,800 --> 01:22:05,360
Speaker 1: because when somebody frount on me, I never freaking like

1375
01:22:05,600 --> 01:22:10,160
Speaker 1: I almost I'm just being honest. Petty, petty gang. I

1376
01:22:10,280 --> 01:22:13,240
Speaker 1: wait to listen. I'm I'm not I'm not really, I'm

1377
01:22:13,960 --> 01:22:17,760
Speaker 1: I'm more I'm not really petty, And in none of

1378
01:22:17,840 --> 01:22:20,160
Speaker 1: the sense of that, because people go through certain ship

1379
01:22:20,520 --> 01:22:22,920
Speaker 1: and everybody doesn't know what you know at the time,

1380
01:22:23,200 --> 01:22:25,080
Speaker 1: and everybody doesn't know what you know and how to

1381
01:22:25,160 --> 01:22:27,080
Speaker 1: react to what you know at that time. They haven't

1382
01:22:27,120 --> 01:22:29,840
Speaker 1: learned it yet. It doesn't make you grown just because

1383
01:22:29,880 --> 01:22:32,920
Speaker 1: you have more money than than the other person, or oh,

1384
01:22:32,960 --> 01:22:36,559
Speaker 1: I'm more experienced, because like, no motherfucker's I got the experience,

1385
01:22:36,720 --> 01:22:38,760
Speaker 1: Like I'm the motherfucker that's an a music business that

1386
01:22:38,840 --> 01:22:41,040
Speaker 1: didn't break till he was thirty, and they had a

1387
01:22:41,200 --> 01:22:44,760
Speaker 1: regular job with regular people win real traffic and ship.

1388
01:22:44,960 --> 01:22:48,240
Speaker 1: So when the when the bigger percentages of the artists

1389
01:22:48,280 --> 01:22:50,360
Speaker 1: that work in this business, who were able to drop

1390
01:22:50,439 --> 01:22:53,000
Speaker 1: what they did and started working into that sixteen seventeen,

1391
01:22:53,040 --> 01:22:57,240
Speaker 1: I'm like, well, fifteen, I lost my mom and in

1392
01:22:57,360 --> 01:23:00,240
Speaker 1: nineteen I lost my grandfather. So the parents that raise

1393
01:23:00,280 --> 01:23:03,200
Speaker 1: me ain't. I had to go completely to the workforce

1394
01:23:03,800 --> 01:23:06,160
Speaker 1: and get here. It wasn't because I knew some niggers

1395
01:23:06,200 --> 01:23:08,160
Speaker 1: down the street and I got on you know, that's

1396
01:23:08,160 --> 01:23:10,280
Speaker 1: not I had to split that time. I had to

1397
01:23:10,800 --> 01:23:13,960
Speaker 1: sleep two hours a day for it for years, like

1398
01:23:14,160 --> 01:23:16,120
Speaker 1: only off two hours to the point now I can't

1399
01:23:16,120 --> 01:23:19,519
Speaker 1: even go to sleep, you know, so it's going to sleep. Well, no,

1400
01:23:19,680 --> 01:23:23,280
Speaker 1: I want to go to But I didn't say I

1401
01:23:23,320 --> 01:23:26,200
Speaker 1: didn't trying. This ship just don't work. The difference what

1402
01:23:26,280 --> 01:23:28,720
Speaker 1: you're saying and what I'm saying is sometimes you deal

1403
01:23:28,760 --> 01:23:31,040
Speaker 1: with an artist management or you deal with and that's

1404
01:23:31,080 --> 01:23:33,640
Speaker 1: the problem is it's different, right, and so now I

1405
01:23:33,720 --> 01:23:35,960
Speaker 1: can understand that point. But if I ever dealt with

1406
01:23:36,080 --> 01:23:39,040
Speaker 1: you directly and there was a phone call with where

1407
01:23:39,120 --> 01:23:41,639
Speaker 1: me and you, I do I do take it away

1408
01:23:41,720 --> 01:23:45,400
Speaker 1: personal more than I should have, Like you know what

1409
01:23:45,400 --> 01:23:47,679
Speaker 1: I'm saying, because I don't care what are I doing?

1410
01:23:47,800 --> 01:23:51,760
Speaker 1: Like like if you tell me something and we have

1411
01:23:51,920 --> 01:23:53,320
Speaker 1: a ball, and if you don't have a ball, I

1412
01:23:53,360 --> 01:23:55,560
Speaker 1: don't give a fun Like I don't care if I

1413
01:23:55,560 --> 01:23:56,880
Speaker 1: don't have a ball, But if you give me I

1414
01:23:57,000 --> 01:23:58,680
Speaker 1: have a ball and you tell me something that I

1415
01:23:58,800 --> 01:24:01,200
Speaker 1: expect you to deliver because I'm an deliver on my part,

1416
01:24:01,280 --> 01:24:04,040
Speaker 1: or whatever you ask me. I'm so in love with

1417
01:24:04,439 --> 01:24:08,479
Speaker 1: with the idea of knowledge. I'd rather sacrifice myself and

1418
01:24:08,720 --> 01:24:11,360
Speaker 1: how I feel about somebody or whether I'm mad at

1419
01:24:11,400 --> 01:24:14,400
Speaker 1: them or not. If they were just to learn it

1420
01:24:14,640 --> 01:24:17,000
Speaker 1: from whatever aspect they learned it from it, just you know,

1421
01:24:17,120 --> 01:24:19,000
Speaker 1: wrap it back around and just say, oh cool, I

1422
01:24:19,120 --> 01:24:21,800
Speaker 1: learned that ship that you were saying to me or

1423
01:24:21,920 --> 01:24:24,680
Speaker 1: what we went through. I'm more in love with that

1424
01:24:24,920 --> 01:24:27,560
Speaker 1: than I am about being hasty and just denimous for

1425
01:24:27,680 --> 01:24:30,479
Speaker 1: no reason because it doesn't make any sense. Like, and

1426
01:24:30,600 --> 01:24:33,599
Speaker 1: to be in love with knowledge, it's a whole different idea,

1427
01:24:33,960 --> 01:24:38,599
Speaker 1: you know. But to watch another person learned something versus

1428
01:24:38,720 --> 01:24:42,160
Speaker 1: fighting them, like, I'd rather you just know, Like even

1429
01:24:42,200 --> 01:24:43,360
Speaker 1: if you did it to me and I'm like, you

1430
01:24:43,439 --> 01:24:46,640
Speaker 1: suck me up because we like forty fuckings, but you

1431
01:24:47,000 --> 01:24:49,080
Speaker 1: understand what then happened and you can go on in

1432
01:24:49,200 --> 01:24:51,519
Speaker 1: life and do the next ship. Because I'm blessed enough

1433
01:24:51,600 --> 01:24:55,000
Speaker 1: to be able to rebound after that. If I wasn't,

1434
01:24:55,040 --> 01:25:00,920
Speaker 1: there maybe a different story forgiving. That's blessed. That's someone

1435
01:25:00,960 --> 01:25:05,000
Speaker 1: to be able to do that with. Yes, killing something

1436
01:25:06,640 --> 01:25:08,920
Speaker 1: you got, you're still thinking about this girl right now.

1437
01:25:08,960 --> 01:25:13,880
Speaker 1: I'm just going out there. That's throwing it up. This

1438
01:25:14,000 --> 01:25:15,840
Speaker 1: is what we do, man, dream I don't know if

1439
01:25:15,880 --> 01:25:18,760
Speaker 1: you understand this is drinking Champce. We've been doing this.

1440
01:25:18,840 --> 01:25:22,960
Speaker 1: We shouldly celebrated our hundreds episodes, right, We're still We're

1441
01:25:23,000 --> 01:25:26,040
Speaker 1: still celebrating because you know, this is the first time

1442
01:25:26,360 --> 01:25:29,600
Speaker 1: people that are a part of the artist street, a

1443
01:25:29,760 --> 01:25:32,679
Speaker 1: part of culture, the culture you know from my DJ

1444
01:25:32,920 --> 01:25:36,400
Speaker 1: and mixtape DJ regular DJ to an artist and you know,

1445
01:25:36,640 --> 01:25:39,040
Speaker 1: I'm searching out and go on. I wanted to control

1446
01:25:39,120 --> 01:25:41,320
Speaker 1: all the media. I wanted to keep you know, I

1447
01:25:41,439 --> 01:25:44,320
Speaker 1: wanted us to support us, you know what I mean

1448
01:25:44,439 --> 01:25:46,760
Speaker 1: when you had, like you know, given the four four

1449
01:25:46,840 --> 01:25:50,759
Speaker 1: or four album and you hear um Jay talking about

1450
01:25:50,920 --> 01:25:53,840
Speaker 1: like you know, it's like, that's that's what the time

1451
01:25:54,040 --> 01:25:57,040
Speaker 1: is for. That's what the time is for. So in

1452
01:25:57,160 --> 01:26:00,240
Speaker 1: a in a weird way, you're doing that, like whether

1453
01:26:00,360 --> 01:26:03,160
Speaker 1: you was conscious or unconscious of it, I just see

1454
01:26:03,360 --> 01:26:05,960
Speaker 1: on the internet Google and that set your album. And

1455
01:26:06,080 --> 01:26:08,760
Speaker 1: I'm hopefully this is the first interview that you did.

1456
01:26:09,080 --> 01:26:12,040
Speaker 1: You didn't even know that, right, I mean, you won't

1457
01:26:12,080 --> 01:26:14,920
Speaker 1: revolte so we you. I mean, you have to provote conference,

1458
01:26:15,000 --> 01:26:17,479
Speaker 1: so you know, everything a run around. But this is

1459
01:26:17,560 --> 01:26:20,040
Speaker 1: what we do over here. But we also have fun

1460
01:26:20,160 --> 01:26:22,200
Speaker 1: with all this right, and we also say that so

1461
01:26:22,320 --> 01:26:25,400
Speaker 1: we have to actually dream, just dream, he asked, Oh

1462
01:26:25,479 --> 01:26:35,160
Speaker 1: of course, all right, damn answer that good question that

1463
01:26:35,360 --> 01:26:39,360
Speaker 1: we here, we ask we're Twitter, Twitter, Twitter, let's come

1464
01:26:39,400 --> 01:26:43,400
Speaker 1: over and twin Twitter come over here, because asking you

1465
01:26:43,520 --> 01:26:46,160
Speaker 1: the game, just asking the game. Listen, man, he had

1466
01:26:46,280 --> 01:26:47,960
Speaker 1: he got into an accident, but he's still out here

1467
01:26:48,400 --> 01:26:49,880
Speaker 1: running the things. Come on, ask him me the mike

1468
01:26:49,920 --> 01:26:52,760
Speaker 1: set the mic up for him. Ask Paul, this is

1469
01:26:52,920 --> 01:26:54,920
Speaker 1: this is this is twin Eddie to ask you. This

1470
01:26:55,000 --> 01:26:56,920
Speaker 1: is Eddie to ask you. The student we have we

1471
01:26:57,040 --> 01:26:58,920
Speaker 1: have a person on our show called Eddie to ask

1472
01:26:59,000 --> 01:27:04,000
Speaker 1: either and he made it today. But this twin tell him,

1473
01:27:04,040 --> 01:27:06,439
Speaker 1: tell m to tell him what's going on? You radio

1474
01:27:06,680 --> 01:27:16,519
Speaker 1: killers asks as is at the top of the day

1475
01:27:17,040 --> 01:27:20,640
Speaker 1: that you with your faces and ask. That's all he

1476
01:27:20,720 --> 01:27:25,439
Speaker 1: does that professional, so that you're a professional to tell him. Yeah,

1477
01:27:25,760 --> 01:27:28,080
Speaker 1: you gotta to click all that ship at the same time.

1478
01:27:28,120 --> 01:27:34,240
Speaker 1: You know what I'm saying while you're eating that damn. Yeah,

1479
01:27:34,240 --> 01:27:37,599
Speaker 1: you gotta talk every day man, Yeah, yeah, okay, guys,

1480
01:27:38,360 --> 01:27:41,000
Speaker 1: it's a great can. Actually I didn't tell y'all, don't

1481
01:27:41,000 --> 01:27:43,360
Speaker 1: have I didn't be motherfucker's ye That's what I'm saying.

1482
01:27:45,560 --> 01:27:48,960
Speaker 1: It's a great as. I didn't know you a professional

1483
01:27:49,120 --> 01:27:51,600
Speaker 1: ass either. The way you described it, you looked at

1484
01:27:51,680 --> 01:27:57,760
Speaker 1: him like course is a ball. Click. That's all I

1485
01:27:57,840 --> 01:28:02,840
Speaker 1: got that look. You just rob that. You gotta take

1486
01:28:02,840 --> 01:28:07,240
Speaker 1: the shot. Twitter's head come on twenty recently had an accident.

1487
01:28:07,560 --> 01:28:10,000
Speaker 1: He's been on drink chances this day one. We love

1488
01:28:10,120 --> 01:28:12,559
Speaker 1: this guy. I still got my I'm good, you got

1489
01:28:12,640 --> 01:28:17,760
Speaker 1: you know that's still four and you know fifty cent.

1490
01:28:17,880 --> 01:28:20,360
Speaker 1: Don't even drink fifty did four. I'm gonna strow that

1491
01:28:20,479 --> 01:28:22,559
Speaker 1: out there. We got a represent for the r B world.

1492
01:28:22,640 --> 01:28:24,600
Speaker 1: I'm just throwing it out there. They have some r

1493
01:28:24,720 --> 01:28:27,680
Speaker 1: V people, so I need eat. Asking like this ain't

1494
01:28:27,720 --> 01:28:33,920
Speaker 1: gonna help. No, you don't know. First of all, it's

1495
01:28:33,960 --> 01:28:36,360
Speaker 1: too many guys saying this at the same time. Okay,

1496
01:28:38,960 --> 01:28:41,719
Speaker 1: anyone else calling the hot roll up? Two more listening

1497
01:28:41,880 --> 01:28:46,000
Speaker 1: everybody on their car. He listens. Good. You don't like

1498
01:28:46,080 --> 01:28:48,120
Speaker 1: y'all trying to get me fucking drunk to listen to

1499
01:28:49,280 --> 01:28:55,840
Speaker 1: you gotta relax, speak y'all from the y'all cool, let's go.

1500
01:28:59,040 --> 01:29:01,559
Speaker 1: What's going don't know you white man, you were kind

1501
01:29:01,600 --> 01:29:06,800
Speaker 1: of party of this night kind of fucking party? Is

1502
01:29:06,920 --> 01:29:15,680
Speaker 1: this get you here right here, right here? Yo? This

1503
01:29:15,880 --> 01:29:21,639
Speaker 1: is what twin this right this is the dream twin

1504
01:29:21,760 --> 01:29:25,960
Speaker 1: man hashtag first time be dude here right here right yo.

1505
01:29:26,040 --> 01:29:30,720
Speaker 1: Go ahead, think it was your a little twin. We

1506
01:29:30,880 --> 01:29:33,479
Speaker 1: want you to know that we love you and dream.

1507
01:29:33,800 --> 01:29:35,560
Speaker 1: We want you to know that everything you did for

1508
01:29:35,720 --> 01:29:40,000
Speaker 1: this culture, every time, you're winning in me women you know,

1509
01:29:40,560 --> 01:29:45,000
Speaker 1: love men time. And then look, I'm gonna take this shot,

1510
01:29:45,000 --> 01:29:48,679
Speaker 1: and I gotta ask you. Do you killed that vah

1511
01:29:48,760 --> 01:29:52,479
Speaker 1: more sign? Ship? You money? Happy? Scared to doing? Hey, dog,

1512
01:29:52,760 --> 01:29:55,479
Speaker 1: I feel attended. That's the game, you know. I went

1513
01:29:55,560 --> 01:30:04,840
Speaker 1: to another showy man, I'm drunk, I'm looking. We can't

1514
01:30:05,200 --> 01:30:11,160
Speaker 1: drink step to your ships take dream? I'm sorry, but look,

1515
01:30:11,720 --> 01:30:14,639
Speaker 1: do you take the shot yet? Let's go, Let's go dream,

1516
01:30:15,200 --> 01:30:21,040
Speaker 1: Let's go drink ship sloo solo solo. I don't want

1517
01:30:21,040 --> 01:30:24,920
Speaker 1: to drink it all right, yo, not drink? Do you

1518
01:30:25,200 --> 01:30:29,599
Speaker 1: make love to your own ship? Oh no, that was all.

1519
01:30:29,640 --> 01:30:32,360
Speaker 1: I don't know what happen. It's just so bad. I

1520
01:30:32,439 --> 01:30:34,120
Speaker 1: just want to see if that fire shiep gonna come

1521
01:30:34,120 --> 01:30:37,880
Speaker 1: out of But I need not ship. It's pretty tae

1522
01:30:37,880 --> 01:30:40,680
Speaker 1: you know you're very you're very smart. Come on, man,

1523
01:30:40,720 --> 01:30:44,320
Speaker 1: you gotta keep up. But listen, listen. Do you make

1524
01:30:44,400 --> 01:30:46,200
Speaker 1: love to your own ship? Because that's a that's a

1525
01:30:46,280 --> 01:30:49,640
Speaker 1: real ship right there. No, I just played it. I

1526
01:30:49,760 --> 01:30:52,640
Speaker 1: just played um de track myself and then single on

1527
01:30:52,760 --> 01:30:56,880
Speaker 1: top of Oh you killed that, he killed that kill.

1528
01:30:58,360 --> 01:31:00,800
Speaker 1: Oh I'm trying to pet you. That wouldn't work with

1529
01:31:00,880 --> 01:31:06,120
Speaker 1: wrapping place. He's like, you get a real Yeah, yeah,

1530
01:31:06,120 --> 01:31:08,599
Speaker 1: I got just put the instrumentals and they go from love.

1531
01:31:10,920 --> 01:31:14,320
Speaker 1: Always said, what's your go to songs to sing? Go

1532
01:31:14,479 --> 01:31:20,680
Speaker 1: to songs and fancy um with Swiss stuff. Oh you

1533
01:31:20,760 --> 01:31:23,960
Speaker 1: know all nigger, you're not a fans in there? Got

1534
01:31:24,280 --> 01:31:26,280
Speaker 1: can please put me on? I just told you whoshi

1535
01:31:27,160 --> 01:31:30,720
Speaker 1: who we just described the Whosi? Please? I need you

1536
01:31:30,800 --> 01:31:34,719
Speaker 1: to play fancy now? But cool? Where were that singing

1537
01:31:34,800 --> 01:31:37,880
Speaker 1: for us? Please let me singing ship. We don't play

1538
01:31:37,960 --> 01:31:40,559
Speaker 1: music on this bapp dream we're doing that. We can't.

1539
01:31:40,760 --> 01:31:42,920
Speaker 1: We can't, you know, I want to. I want to

1540
01:31:42,960 --> 01:31:44,880
Speaker 1: hear right now. I want to play when we can't

1541
01:31:44,920 --> 01:31:49,680
Speaker 1: using it because yeah, yeah, come on, come expensive lake

1542
01:31:49,880 --> 01:31:56,800
Speaker 1: my niggers, where so I could please? Sorry that was

1543
01:31:56,800 --> 01:32:06,960
Speaker 1: the stall. Don't talk so rich Sacks. Let's here fast

1544
01:32:21,160 --> 01:32:23,360
Speaker 1: us like candle. I'm mad at you right now. I'm

1545
01:32:23,400 --> 01:32:26,360
Speaker 1: little head, disappoint man in myself as a dream fan.

1546
01:32:27,800 --> 01:32:29,800
Speaker 1: But let it, let it drop, go, let it drop first,

1547
01:32:36,439 --> 01:32:44,240
Speaker 1: trying at trying to try. Yeah, as a dream fan,

1548
01:32:44,320 --> 01:32:49,439
Speaker 1: I'm disappointed. I'm disappointed. I've lived this broad. You got

1549
01:32:49,520 --> 01:33:17,080
Speaker 1: a spook blood so they got guys. He was guy, Okay,

1550
01:33:17,120 --> 01:33:26,200
Speaker 1: come listen and drinks dream trips to Monica from head

1551
01:33:26,520 --> 01:33:32,000
Speaker 1: to give me five man? Where keep going listen? By

1552
01:33:32,040 --> 01:33:35,559
Speaker 1: the way, he's about anybody the only guy that When

1553
01:33:35,600 --> 01:33:38,000
Speaker 1: they hit me, I said, yo, I want dreaming to

1554
01:33:38,080 --> 01:33:40,639
Speaker 1: the podcast, and then they said dreaming to the podcast.

1555
01:33:40,680 --> 01:33:43,760
Speaker 1: I said, also want dreaming to a record. You're the

1556
01:33:43,880 --> 01:33:46,280
Speaker 1: only thing. If we got a hundred and five episode,

1557
01:33:46,640 --> 01:33:50,479
Speaker 1: we had to be aired the kids the episode out

1558
01:33:51,240 --> 01:33:54,320
Speaker 1: five mocause you're the only thing. I gotta have a

1559
01:33:54,439 --> 01:33:56,320
Speaker 1: dream record. Now, how about how would you do a

1560
01:33:56,400 --> 01:33:59,160
Speaker 1: Noriega record? Let's just describe that, right, we got empire

1561
01:33:59,280 --> 01:34:03,280
Speaker 1: to build it. Let's how describe with Noriega? SA like

1562
01:34:03,400 --> 01:34:06,720
Speaker 1: boy want to do we gotta go, we gotta I

1563
01:34:06,800 --> 01:34:10,200
Speaker 1: got too many let me get let me get you

1564
01:34:10,240 --> 01:34:12,240
Speaker 1: a nug give you some I got too many male

1565
01:34:12,360 --> 01:34:16,040
Speaker 1: facts up crazy, got too many male fans juices right now,

1566
01:34:19,680 --> 01:34:22,000
Speaker 1: male fans, tell me your story. Too many male fans.

1567
01:34:22,080 --> 01:34:28,320
Speaker 1: It's a problem female fans. I don't know where you're

1568
01:34:28,320 --> 01:34:34,840
Speaker 1: going on, like you gotta scratch it, scratch it. It's

1569
01:34:34,840 --> 01:34:37,840
Speaker 1: a horrible scratch that was too easy to make. Now

1570
01:34:37,880 --> 01:34:40,200
Speaker 1: we're going to club dream work. We're going to club.

1571
01:34:40,760 --> 01:34:42,320
Speaker 1: See I can tell you when nig is here. Damn

1572
01:34:42,360 --> 01:34:45,519
Speaker 1: too of your dump, Greg about goddamn club. Tell me

1573
01:34:45,600 --> 01:34:47,240
Speaker 1: tell me how this will go to Let's just make

1574
01:34:47,280 --> 01:34:51,479
Speaker 1: the motherfucker just how you doing up? Like? Who? Just line?

1575
01:34:51,520 --> 01:34:55,679
Speaker 1: What's your mom? You're gonna be gonna be gonna go out? Okay?

1576
01:34:55,760 --> 01:34:58,320
Speaker 1: Has father? You get ready? Goes through faces to the

1577
01:34:58,400 --> 01:35:00,880
Speaker 1: fucking song. This is it. It's We're getting ready to

1578
01:35:00,960 --> 01:35:06,120
Speaker 1: go out song, You're out song, Ain't back home song.

1579
01:35:06,840 --> 01:35:09,599
Speaker 1: This is a three different songs songs, the RP songs

1580
01:35:09,640 --> 01:35:11,200
Speaker 1: at the end, because they're never be one song for

1581
01:35:11,240 --> 01:35:13,680
Speaker 1: all of us. This is so genius. It can but

1582
01:35:13,800 --> 01:35:15,720
Speaker 1: it's not really you know what I'm saying. You can

1583
01:35:15,960 --> 01:35:17,800
Speaker 1: you can kind of smooth one into the other like

1584
01:35:18,200 --> 01:35:20,280
Speaker 1: you can, but when you get back to the house.

1585
01:35:20,720 --> 01:35:25,680
Speaker 1: That song usually belongs to me turned down and if

1586
01:35:25,720 --> 01:35:28,160
Speaker 1: you don't, you last like thirty three seconds. I can't

1587
01:35:28,160 --> 01:35:30,880
Speaker 1: do nothing about that, because fancy in six minutes and

1588
01:35:30,920 --> 01:35:34,240
Speaker 1: forty seconds, forty seven seconds long. The last time you

1589
01:35:34,280 --> 01:35:37,360
Speaker 1: smoke to blood blood blood, I just do. I just

1590
01:35:37,479 --> 01:35:41,560
Speaker 1: do the the whites you know right now? Yeah, I

1591
01:35:41,600 --> 01:35:51,320
Speaker 1: don't smoke bucks bad, No, don't smoke bugs. Yeah, because

1592
01:35:51,800 --> 01:35:55,639
Speaker 1: in my insurance there's a little thing to happen policy

1593
01:35:55,760 --> 01:35:58,200
Speaker 1: thing that is sigarettes, which has nothing to do with

1594
01:35:58,240 --> 01:36:01,960
Speaker 1: the white paper on to you. But it's tobacco. Yeah, yeah,

1595
01:36:02,000 --> 01:36:04,280
Speaker 1: I was. If you know, something happens to me, I

1596
01:36:04,320 --> 01:36:06,120
Speaker 1: would love my kids to get that eighty six million,

1597
01:36:06,160 --> 01:36:09,760
Speaker 1: all those verses, same tobacco, the same way as it

1598
01:36:09,840 --> 01:36:13,680
Speaker 1: takes tests. In school, I had had a system. Yes, no, yes,

1599
01:36:14,320 --> 01:36:19,360
Speaker 1: the Christmas yes, you know, I just know there. But

1600
01:36:19,520 --> 01:36:23,120
Speaker 1: everybody else I had a system. I was. I was

1601
01:36:23,160 --> 01:36:25,400
Speaker 1: a foul guy. I'm sorry. In school it was different.

1602
01:36:25,439 --> 01:36:27,760
Speaker 1: I'm sorry you guys. Yeah, you know what they're doing.

1603
01:36:28,560 --> 01:36:32,760
Speaker 1: So I show up and together the funeral of ship, Well,

1604
01:36:32,840 --> 01:36:35,720
Speaker 1: he was leading a bad life. You're smoking tobacco. We've

1605
01:36:35,720 --> 01:36:40,439
Speaker 1: seen him on the show. Everybody, No, I ain't smoke ship. Listen, listen,

1606
01:36:40,479 --> 01:36:42,760
Speaker 1: you know why you're gonna live forever because hip hop

1607
01:36:42,840 --> 01:36:46,200
Speaker 1: and arm be like you know um and and like

1608
01:36:46,400 --> 01:36:49,600
Speaker 1: like the legends. Sometimes we just live forever, like them

1609
01:36:49,680 --> 01:36:52,799
Speaker 1: niggas in England, the niggas in England, it's nine hundreds,

1610
01:36:53,600 --> 01:36:58,040
Speaker 1: but they all like they're like like the na I

1611
01:36:58,040 --> 01:37:00,720
Speaker 1: don't know all the rock boots from England, like and

1612
01:37:00,920 --> 01:37:04,120
Speaker 1: like hip hop is like a new Yeah, like he nah,

1613
01:37:05,240 --> 01:37:11,840
Speaker 1: not easy. He lived with like nine except didn't make

1614
01:37:11,880 --> 01:37:14,320
Speaker 1: it to night hunting. Oh damn. I forgot about him.

1615
01:37:14,600 --> 01:37:18,400
Speaker 1: But you you focusing on one person. There's all of

1616
01:37:18,479 --> 01:37:21,040
Speaker 1: them other niggas out there, and I've seen that this

1617
01:37:21,120 --> 01:37:23,280
Speaker 1: alcohol is affecting you, but no, it's not affecting me

1618
01:37:23,360 --> 01:37:25,760
Speaker 1: at all. I really love it. I know, I love

1619
01:37:26,040 --> 01:37:27,559
Speaker 1: and I love my job. I just wanted to make

1620
01:37:27,560 --> 01:37:29,800
Speaker 1: sure that what it was going to do because no,

1621
01:37:30,200 --> 01:37:32,160
Speaker 1: no I was doing with Ultimately, my wife has to

1622
01:37:32,160 --> 01:37:34,840
Speaker 1: pay the price for this, but sheo'ld be fine. She's great.

1623
01:37:35,360 --> 01:37:39,280
Speaker 1: She's great. And your man, listen you you always handles

1624
01:37:39,520 --> 01:37:46,080
Speaker 1: your relationships in public, excellent. See somebody finally saying this

1625
01:37:46,120 --> 01:37:50,840
Speaker 1: ship that's like thinking that the time, yo, Like, I

1626
01:37:51,080 --> 01:37:54,600
Speaker 1: like you. You ain't petty at all at zero and

1627
01:37:55,040 --> 01:37:57,519
Speaker 1: you even just did a record with Todd Dollar songs

1628
01:37:57,560 --> 01:38:00,920
Speaker 1: that wait, actually I've done like what records on Wayne's

1629
01:38:00,920 --> 01:38:05,200
Speaker 1: new album, The New Quarter five, And that means I'm

1630
01:38:05,240 --> 01:38:10,360
Speaker 1: really not a petty for real. Okay, Okay, I understand.

1631
01:38:10,680 --> 01:38:12,479
Speaker 1: I think that's the most unpatty is you could be.

1632
01:38:13,280 --> 01:38:20,920
Speaker 1: Let's make some other all right, you are, I've undercepted

1633
01:38:20,960 --> 01:38:26,599
Speaker 1: you in the petty game, and I gotta release sign

1634
01:38:26,920 --> 01:38:30,800
Speaker 1: had to release m sorry, because that is a real

1635
01:38:31,000 --> 01:38:34,439
Speaker 1: brown man ship. Like it's like, yo, that you know

1636
01:38:34,600 --> 01:38:37,519
Speaker 1: people relationships, got to do relationships you whatever, like and

1637
01:38:38,200 --> 01:38:42,720
Speaker 1: you tipped out of that. We're all just people. And

1638
01:38:42,840 --> 01:38:45,200
Speaker 1: I think I think the I think in the end,

1639
01:38:45,520 --> 01:38:48,200
Speaker 1: especially in this culture, you know, we're not like this.

1640
01:38:48,439 --> 01:38:51,080
Speaker 1: This isn't This isn't us. It's not in us to

1641
01:38:51,120 --> 01:38:52,640
Speaker 1: be this way. This country has kind of made us

1642
01:38:52,680 --> 01:38:54,840
Speaker 1: a certain type of way, but it's just not in

1643
01:38:55,000 --> 01:38:57,519
Speaker 1: us to be that way. I think we're giving when

1644
01:38:57,560 --> 01:39:01,160
Speaker 1: we can't give, and nobody eyes away from a moment

1645
01:39:01,240 --> 01:39:03,040
Speaker 1: to be a hero. It's just less and less of

1646
01:39:03,080 --> 01:39:05,320
Speaker 1: those times that we get to become one or that

1647
01:39:05,520 --> 01:39:07,960
Speaker 1: is seen or that is celebrated. You know, like nobody

1648
01:39:08,040 --> 01:39:10,240
Speaker 1: wakes up if there's a kid in front of a car,

1649
01:39:10,400 --> 01:39:12,080
Speaker 1: doesn't want to push the kid out the way, you

1650
01:39:12,160 --> 01:39:14,439
Speaker 1: know what, say their life, you know, even if it

1651
01:39:14,520 --> 01:39:18,960
Speaker 1: means ending your own. So there's a hero part to it,

1652
01:39:19,240 --> 01:39:21,040
Speaker 1: you know that I think exists in the culture. We

1653
01:39:21,160 --> 01:39:23,400
Speaker 1: just don't get to prove it often enough, or it's

1654
01:39:23,439 --> 01:39:27,360
Speaker 1: not shown often enough. Man, it's not shown true. God damnit,

1655
01:39:27,479 --> 01:39:30,320
Speaker 1: dream man. I tried to have to try to compute

1656
01:39:30,320 --> 01:39:32,640
Speaker 1: them to the pretty game. He broke out of it,

1657
01:39:33,360 --> 01:39:38,200
Speaker 1: broke out, he broke out. Listen, look, Peo, gotta salute

1658
01:39:38,240 --> 01:39:42,360
Speaker 1: you more. Dream We got to this culture, not just

1659
01:39:42,520 --> 01:39:45,920
Speaker 1: hip hop, R and B. Every it's gotta because you're

1660
01:39:46,000 --> 01:39:49,320
Speaker 1: one of the great Do you recognize yourself as one

1661
01:39:49,360 --> 01:39:54,360
Speaker 1: of the greats? Not you? Why I got so much more?

1662
01:39:55,680 --> 01:39:59,600
Speaker 1: That's a good that's a great answer. So when did

1663
01:40:00,240 --> 01:40:04,200
Speaker 1: what do you want to what? His dreams? Ultimately want

1664
01:40:04,280 --> 01:40:06,120
Speaker 1: these songs that are right for three minutes and thirty

1665
01:40:06,160 --> 01:40:08,280
Speaker 1: seconds to last for about an hour and a half.

1666
01:40:09,000 --> 01:40:12,599
Speaker 1: So that's what those goes come on. I'm a dyslexic

1667
01:40:12,920 --> 01:40:18,280
Speaker 1: and I was only so I want these songs of

1668
01:40:18,400 --> 01:40:21,680
Speaker 1: three minutes and thirty seconds to last four hour and

1669
01:40:21,800 --> 01:40:24,760
Speaker 1: thirty minutes. So I just want to take those short stories.

1670
01:40:24,840 --> 01:40:26,559
Speaker 1: The hardest thing to do is to put a story

1671
01:40:26,600 --> 01:40:31,960
Speaker 1: in a minute and could just be able to elaborate,

1672
01:40:32,400 --> 01:40:35,439
Speaker 1: which is easy, and it's it's a treatment. Yeah, it

1673
01:40:35,560 --> 01:40:37,040
Speaker 1: was a treatment because you don't have to cut out

1674
01:40:37,080 --> 01:40:39,639
Speaker 1: the details. It's like, okay, I get a detail this ship.

1675
01:40:39,720 --> 01:40:41,920
Speaker 1: If I was writing a fucking short about me and

1676
01:40:41,960 --> 01:40:44,000
Speaker 1: fucking nor right now, I get the details to what

1677
01:40:44,080 --> 01:40:49,760
Speaker 1: the funk we're going through today. He leaves these times,

1678
01:40:51,560 --> 01:40:54,160
Speaker 1: just keep creating the picture. I love it. You know

1679
01:40:54,280 --> 01:40:56,800
Speaker 1: it's here. We wake up, Hey, y'all need we're gonna

1680
01:40:56,840 --> 01:40:58,639
Speaker 1: meet at the studio over The truth is we're never

1681
01:40:58,640 --> 01:41:00,479
Speaker 1: actually gonna make it to the studio. We spend his

1682
01:41:00,560 --> 01:41:06,320
Speaker 1: whole day not to say yeah yeah, so we spend

1683
01:41:06,360 --> 01:41:08,360
Speaker 1: this whole day. Ain't go to trying to get to

1684
01:41:08,439 --> 01:41:12,200
Speaker 1: the student to do song. Okay, that's never happened, So

1685
01:41:12,880 --> 01:41:23,840
Speaker 1: it's okay, it doesn't happen in real life. You know.

1686
01:41:24,000 --> 01:41:27,160
Speaker 1: That's kind of deploy the idea of it though. It's

1687
01:41:27,200 --> 01:41:29,960
Speaker 1: just trying so hard and when you really try to

1688
01:41:30,040 --> 01:41:32,439
Speaker 1: drip tight to do something. The ship devil comes out

1689
01:41:32,560 --> 01:41:35,000
Speaker 1: right when you try your hardest to get it right.

1690
01:41:35,160 --> 01:41:37,000
Speaker 1: So you started day trying to get the moved right.

1691
01:41:37,320 --> 01:41:40,080
Speaker 1: You go buy a pound from so and so over there,

1692
01:41:40,120 --> 01:41:43,519
Speaker 1: you get your blood just sh ain't going right? Get poor. No,

1693
01:41:43,640 --> 01:41:46,120
Speaker 1: you have to flush your ship. Funk. I gotta go

1694
01:41:46,240 --> 01:41:49,160
Speaker 1: back and do this ship. Your day is long, My

1695
01:41:49,320 --> 01:41:51,080
Speaker 1: day is long. R and B ship trying to get

1696
01:41:51,080 --> 01:41:53,000
Speaker 1: one bit y'all get another bit in, Like, yeah, we're

1697
01:41:53,000 --> 01:41:55,040
Speaker 1: gonna meet in the studio. Times already sucked up. We're

1698
01:41:55,040 --> 01:41:57,040
Speaker 1: sucking it up, but we're trying too hard to make

1699
01:41:57,080 --> 01:42:01,120
Speaker 1: the situation right and make the right record. That's have

1700
01:42:01,240 --> 01:42:02,880
Speaker 1: you read the treatment? No, I'm writing it right now.

1701
01:42:02,960 --> 01:42:06,439
Speaker 1: That's what I'm saying, like I know you are before. Yes,

1702
01:42:07,680 --> 01:42:10,240
Speaker 1: you know what. My next question was, have you ever

1703
01:42:10,479 --> 01:42:13,200
Speaker 1: gave somebody a record? And they even came back with

1704
01:42:13,320 --> 01:42:21,519
Speaker 1: the worst video treating the people over there too. They

1705
01:42:21,600 --> 01:42:26,439
Speaker 1: said they were all down together. He had the visions.

1706
01:42:27,560 --> 01:42:30,240
Speaker 1: I just let people, the fans to sign with videos

1707
01:42:30,280 --> 01:42:33,160
Speaker 1: there like video you were so mad at you know,

1708
01:42:33,240 --> 01:42:36,080
Speaker 1: I'm not telling you that, and I don't want to

1709
01:42:36,560 --> 01:42:41,840
Speaker 1: tell me just telling them. Nobody listening. I can't see it.

1710
01:42:42,880 --> 01:42:44,960
Speaker 1: But there has been times where you're like, you know

1711
01:42:45,080 --> 01:42:48,600
Speaker 1: you have you grow healthy appetite when you humbro is

1712
01:42:48,640 --> 01:42:50,360
Speaker 1: the video that comes back on your song and your

1713
01:42:50,400 --> 01:42:52,880
Speaker 1: soul is high and you're like, oh funck yes, yeah,

1714
01:42:53,080 --> 01:42:55,040
Speaker 1: and then somebody goes down from there. He was all

1715
01:42:55,280 --> 01:42:58,200
Speaker 1: fun sun my song up the funk. Why were you

1716
01:42:58,400 --> 01:43:00,760
Speaker 1: there in a swamp doing my fun good song? That's

1717
01:43:01,120 --> 01:43:06,640
Speaker 1: definitely saying the beach. It's hint clue. That's why I

1718
01:43:06,640 --> 01:43:09,120
Speaker 1: said swamp, because they haven't. There's no videos in the swamp.

1719
01:43:09,960 --> 01:43:12,760
Speaker 1: There is no clue. He's very swamp. I don't think

1720
01:43:13,479 --> 01:43:16,560
Speaker 1: we're not getting them nowhere shots. It's nothing we can do,

1721
01:43:22,400 --> 01:43:24,360
Speaker 1: so that would be crazy. That'll be awkward if somebody

1722
01:43:24,439 --> 01:43:26,599
Speaker 1: had to be like that. We wouldn't do that. We're

1723
01:43:26,600 --> 01:43:29,000
Speaker 1: protecting you over. I appreciate what you got you, I'll

1724
01:43:29,000 --> 01:43:43,760
Speaker 1: protecting But he's right outside. They got they got. So Now,

1725
01:43:44,000 --> 01:43:47,360
Speaker 1: what's your favorite liquor? This is drink Champs. We drink liquor,

1726
01:43:48,000 --> 01:43:51,479
Speaker 1: our favorite liquor to write a hit or anything, or

1727
01:43:51,520 --> 01:43:55,599
Speaker 1: the process to write what is it like? But back

1728
01:43:55,640 --> 01:43:58,559
Speaker 1: in the day, it was patrol now is Yeah, that's

1729
01:43:58,560 --> 01:44:07,880
Speaker 1: a great, let's make some noise and why to see?

1730
01:44:07,920 --> 01:44:11,080
Speaker 1: I noticed that people that drink to killer those are

1731
01:44:11,120 --> 01:44:16,240
Speaker 1: people you know, you know for people that doesn't drink

1732
01:44:16,320 --> 01:44:19,560
Speaker 1: to kill up, that's straight down to the bottom. Like

1733
01:44:19,680 --> 01:44:21,840
Speaker 1: it's like because you can't just drink and killer and

1734
01:44:21,960 --> 01:44:25,559
Speaker 1: be depends on. So what I'm saying is, how could

1735
01:44:25,600 --> 01:44:29,240
Speaker 1: you drink to killer and like write these amazing lirics.

1736
01:44:29,680 --> 01:44:31,719
Speaker 1: Oh no, I didn't need to drink to write Arsenal.

1737
01:44:32,760 --> 01:44:35,880
Speaker 1: You don't know. This ship is in purely your celebration

1738
01:44:35,920 --> 01:44:39,000
Speaker 1: of what then has been done. Yeah, I can't. I'm

1739
01:44:39,080 --> 01:44:41,120
Speaker 1: like high already when I wake up, I'm not. I

1740
01:44:41,200 --> 01:44:43,880
Speaker 1: don't need anything that that actually just slows me to

1741
01:44:43,920 --> 01:44:49,439
Speaker 1: funk down. That's me up. I can't write. I can't

1742
01:44:49,479 --> 01:44:54,639
Speaker 1: write ship without the marijuana. Marijuana, I don't. I don't

1743
01:44:54,680 --> 01:44:57,439
Speaker 1: you know, I want to drink silber chance. I don't

1744
01:44:58,000 --> 01:45:01,400
Speaker 1: late vocals. I don't drink, but when I actually write

1745
01:45:01,439 --> 01:45:03,639
Speaker 1: the vocals, I'll drink all day and I'll be I'll

1746
01:45:03,680 --> 01:45:06,519
Speaker 1: be like people myself. I don't be around nobody, like

1747
01:45:06,800 --> 01:45:09,640
Speaker 1: just sit there but to lay them. I will not

1748
01:45:09,800 --> 01:45:13,479
Speaker 1: drink hazard. I don't drink, and sometimes when I drink.

1749
01:45:13,520 --> 01:45:16,040
Speaker 1: The reason why when I drink, I gotta lay it back.

1750
01:45:16,160 --> 01:45:18,840
Speaker 1: I gotta redo the vocals so many times, and it's

1751
01:45:18,880 --> 01:45:20,560
Speaker 1: just not worth it. I just I have all the

1752
01:45:20,600 --> 01:45:24,800
Speaker 1: looking in the studios. I'm gonna lie and then I'll

1753
01:45:24,840 --> 01:45:27,639
Speaker 1: do it. I'll lay it sober and then we get

1754
01:45:27,720 --> 01:45:30,240
Speaker 1: sucked up. Well I didn't. I didn't. I didn't drink

1755
01:45:30,800 --> 01:45:36,800
Speaker 1: or smoke until I was thirty. So yeah, drink or smoke. Yeah,

1756
01:45:37,120 --> 01:45:39,880
Speaker 1: there was a path that I that I made, you know,

1757
01:45:40,000 --> 01:45:42,559
Speaker 1: with myself, and I was just like, I'm not drinking

1758
01:45:42,600 --> 01:45:44,439
Speaker 1: a smoke until I got a million dollars. So that's

1759
01:45:44,560 --> 01:45:53,960
Speaker 1: when my first son death. For some of us, or smoke,

1760
01:45:54,880 --> 01:45:59,880
Speaker 1: they made a man dollars. That it's hard, that is hard.

1761
01:46:00,160 --> 01:46:02,400
Speaker 1: I was trying to motivate. I don't even want to

1762
01:46:02,520 --> 01:46:04,160
Speaker 1: who I was trying to motivate earlier. I was trying

1763
01:46:04,200 --> 01:46:06,280
Speaker 1: to motive. But damn, I should have used something like that.

1764
01:46:08,560 --> 01:46:10,680
Speaker 1: That was on you know, yea, I know V he

1765
01:46:10,800 --> 01:46:17,040
Speaker 1: still want to fight the system. Yeah, it's not. They

1766
01:46:17,080 --> 01:46:18,760
Speaker 1: threw all my case. I said, they threw out their

1767
01:46:18,840 --> 01:46:23,360
Speaker 1: case because they think you're crazy. They think you crazy

1768
01:46:23,560 --> 01:46:26,519
Speaker 1: you motherfucker like, and he's like, I want to soothe him. Now,

1769
01:46:28,600 --> 01:46:32,080
Speaker 1: you're lucky. Don't go back into the swamp with I

1770
01:46:32,240 --> 01:46:37,080
Speaker 1: like it. They just were coming, you know, you don't know,

1771
01:46:37,600 --> 01:46:42,240
Speaker 1: So what's your favorite moment in music period? All around

1772
01:46:42,439 --> 01:46:47,000
Speaker 1: nine MTV Music Awards with my damn god, damn, what

1773
01:46:47,479 --> 01:46:49,679
Speaker 1: you do? This is not the first thing. I'm just asking,

1774
01:46:55,000 --> 01:46:57,439
Speaker 1: what do you do you? Mike came back and then

1775
01:46:57,439 --> 01:47:01,240
Speaker 1: they got damn move walking nine Musical. I'm just for

1776
01:47:01,439 --> 01:47:04,840
Speaker 1: listeners that whole fucking mentally, that lasted like forty minutes

1777
01:47:04,840 --> 01:47:06,800
Speaker 1: and there I was like, oh, no commercial break again

1778
01:47:06,880 --> 01:47:09,240
Speaker 1: for Michael. He had been gone, man, he left. He

1779
01:47:09,320 --> 01:47:11,240
Speaker 1: did blood from the dance, Lloyd did all this ship

1780
01:47:11,640 --> 01:47:16,519
Speaker 1: he's over in your whatever funk he was doing. And

1781
01:47:16,680 --> 01:47:19,519
Speaker 1: after the first time we really saw him come, it's like, yo,

1782
01:47:19,600 --> 01:47:21,640
Speaker 1: Michaels to be on. We got ready all week for

1783
01:47:21,720 --> 01:47:24,720
Speaker 1: that ship, like, oh ship, Mike finn't come out and

1784
01:47:24,800 --> 01:47:28,040
Speaker 1: make it did smooth criminal ship and put criminal and

1785
01:47:28,200 --> 01:47:31,880
Speaker 1: he did leave came back. We're like, oh, ship, Mike's

1786
01:47:31,960 --> 01:47:35,799
Speaker 1: got crazy. That's the first time to what was induced.

1787
01:47:36,280 --> 01:47:42,120
Speaker 1: That's just when he come back. He looked when he

1788
01:47:42,400 --> 01:47:47,040
Speaker 1: did it was us. You didn't miss the fucking step

1789
01:47:47,720 --> 01:47:50,760
Speaker 1: He didn't missed the fucking step motherfucking Mike Amazing. I've

1790
01:47:50,920 --> 01:47:55,840
Speaker 1: been prints no man story with him. Men start with

1791
01:47:56,360 --> 01:47:58,360
Speaker 1: you ain't gonna do you ain't gotta press store. Yeah,

1792
01:48:00,320 --> 01:48:02,720
Speaker 1: it's a little Prince to death made rest in peace

1793
01:48:02,760 --> 01:48:04,920
Speaker 1: for that guy. They get you in. This is a

1794
01:48:04,960 --> 01:48:07,880
Speaker 1: good one. It's a good one. So we're doing this

1795
01:48:08,000 --> 01:48:11,960
Speaker 1: record with Mary J. Blige and it has that Prince's

1796
01:48:12,040 --> 01:48:14,800
Speaker 1: vibe to it. So so at the time, I was

1797
01:48:14,840 --> 01:48:16,559
Speaker 1: just like, all right, cool, we're go getting over the Prince,

1798
01:48:16,680 --> 01:48:18,320
Speaker 1: you know, like, let me take a stab at and

1799
01:48:18,360 --> 01:48:22,240
Speaker 1: do a couple of things that a little bit, you know,

1800
01:48:22,360 --> 01:48:24,600
Speaker 1: do the thing. Of course, he's like, yeah, you know,

1801
01:48:24,680 --> 01:48:28,240
Speaker 1: I do whatever you'll need me to do. So they

1802
01:48:28,360 --> 01:48:30,120
Speaker 1: send the record over to him and Ship, and I'm

1803
01:48:30,200 --> 01:48:33,280
Speaker 1: just actually just saying what I think, I think the

1804
01:48:33,320 --> 01:48:36,760
Speaker 1: conversation with So send the record the Prince, Princess the

1805
01:48:36,800 --> 01:48:38,920
Speaker 1: record back and Ship. He didn't sing none of the

1806
01:48:39,000 --> 01:48:43,360
Speaker 1: parts that Mary wanted him to sing, but he he's

1807
01:48:43,400 --> 01:48:45,759
Speaker 1: like playing all of the track and Ship going crazy,

1808
01:48:49,000 --> 01:48:51,760
Speaker 1: like just going crazy and Ship, but in the prince

1809
01:48:51,840 --> 01:48:55,679
Speaker 1: type of way. Death like I said, But so Mary

1810
01:48:55,760 --> 01:49:00,880
Speaker 1: gets me. He's like, Yo, man, fucking Prince record man,

1811
01:49:00,960 --> 01:49:03,640
Speaker 1: he's just played all over the ship. Man, Like, how

1812
01:49:03,760 --> 01:49:09,120
Speaker 1: do I talk to him? I'm like, ship's fucking prints. FU,

1813
01:49:09,280 --> 01:49:11,360
Speaker 1: you're gonna say, like you gotta take the hell dout?

1814
01:49:11,520 --> 01:49:16,120
Speaker 1: You know parts now, I don't even think we put

1815
01:49:16,200 --> 01:49:20,400
Speaker 1: the record. We probably the record. Um so so so

1816
01:49:20,640 --> 01:49:23,400
Speaker 1: she she gets she got the cursions like, you know what, dream,

1817
01:49:24,520 --> 01:49:26,559
Speaker 1: I'm just gonna call him. I'm gonna call him up.

1818
01:49:26,560 --> 01:49:28,080
Speaker 1: I'm gonna call him right now. I call you back.

1819
01:49:29,800 --> 01:49:32,800
Speaker 1: Mary's on the phone, me y'all phones. I guess she's

1820
01:49:32,800 --> 01:49:34,960
Speaker 1: calling Prinson. This kind of how this ship had to go.

1821
01:49:36,439 --> 01:49:43,880
Speaker 1: She's like, um uh, Prince, Yeah, I'm I got the

1822
01:49:43,960 --> 01:49:48,120
Speaker 1: I got the record back. But you know the I

1823
01:49:48,240 --> 01:49:49,720
Speaker 1: just wanted you to do this one part of me

1824
01:49:49,800 --> 01:49:52,000
Speaker 1: and seemed to, you know, just just sing a little

1825
01:49:52,000 --> 01:49:54,080
Speaker 1: bit and and just playing a little bit at the end.

1826
01:49:55,479 --> 01:49:59,920
Speaker 1: Well you don't like it. No, it's not really the

1827
01:50:00,000 --> 01:50:01,400
Speaker 1: and I don't like you know what, I'm just saying,

1828
01:50:01,479 --> 01:50:03,360
Speaker 1: how many we because we was overing this bit, jam

1829
01:50:03,479 --> 01:50:06,880
Speaker 1: And like a mother definitely was the goodman and this

1830
01:50:06,960 --> 01:50:10,000
Speaker 1: bit Jamie like the play your ship in the back

1831
01:50:10,080 --> 01:50:14,840
Speaker 1: and it sounds good to them. She told me that ship.

1832
01:50:14,920 --> 01:50:18,280
Speaker 1: I just felt the Florida died, like I told you,

1833
01:50:18,479 --> 01:50:22,360
Speaker 1: fucking prints like what happened. But yeah I could, I

1834
01:50:22,439 --> 01:50:25,400
Speaker 1: could never. Just don't conference, just left, leave below cool.

1835
01:50:25,479 --> 01:50:27,400
Speaker 1: Whatever you want to do dogs, we'll just strake that

1836
01:50:27,439 --> 01:50:29,400
Speaker 1: ship up later. Now you have had one of those.

1837
01:50:29,479 --> 01:50:32,240
Speaker 1: And in the session with you when you worked with somebody,

1838
01:50:32,360 --> 01:50:35,800
Speaker 1: you looked up too, and they fucking up. You gotta

1839
01:50:35,880 --> 01:50:40,960
Speaker 1: be like, can't you change because me I'll tell you,

1840
01:50:41,000 --> 01:50:46,200
Speaker 1: I'm gonna come out like ship good. Just take them

1841
01:50:46,240 --> 01:50:48,120
Speaker 1: like I ain't gonna tell him and it ain't good.

1842
01:50:49,479 --> 01:50:54,160
Speaker 1: You you you know I mind I been. I don't

1843
01:50:54,160 --> 01:50:58,040
Speaker 1: catch your release. I have no idea. She says, you

1844
01:50:58,120 --> 01:51:00,720
Speaker 1: came to catch your releases one this when you dump

1845
01:51:00,800 --> 01:51:03,360
Speaker 1: and did this ship so long with some motherfucker's that's

1846
01:51:03,520 --> 01:51:07,519
Speaker 1: just gifted. Don't tell them nothing wrong they song just no,

1847
01:51:08,200 --> 01:51:11,040
Speaker 1: I'm talking about like actually like making a song. Yeah, oh,

1848
01:51:11,120 --> 01:51:14,200
Speaker 1: you're making a song even if they're doing something that's

1849
01:51:14,240 --> 01:51:16,920
Speaker 1: not to your liking and you're in there with a

1850
01:51:16,960 --> 01:51:24,760
Speaker 1: great motherfucker. Don't say ship so not did not? No,

1851
01:51:24,920 --> 01:51:28,439
Speaker 1: you just you just how that's how you feel like, oh,

1852
01:51:28,560 --> 01:51:31,360
Speaker 1: ship alright cool because they ain't about it being bad. Well,

1853
01:51:31,400 --> 01:51:34,360
Speaker 1: motherfucker's great. They're great. Sometimes they just be doing or

1854
01:51:34,400 --> 01:51:37,720
Speaker 1: something that's not great. You can you can do this, no,

1855
01:51:37,960 --> 01:51:39,800
Speaker 1: not like that, just just in a way maybe a

1856
01:51:39,920 --> 01:51:42,080
Speaker 1: delivery or something like you should have been a little

1857
01:51:42,080 --> 01:51:44,599
Speaker 1: bit softer on that. But it ain't critique time. As

1858
01:51:44,640 --> 01:51:46,960
Speaker 1: soon as they leave, you know, they're just all right, cool,

1859
01:51:47,000 --> 01:51:49,720
Speaker 1: I'm gonna go shopping real quick, go to Berry going

1860
01:51:49,760 --> 01:51:51,760
Speaker 1: for good and give me a couple of things. Come back.

1861
01:51:52,560 --> 01:51:54,639
Speaker 1: By the time you get back, there's so fucking great.

1862
01:51:54,840 --> 01:51:57,880
Speaker 1: The great ones are so fucking great. They answered they

1863
01:51:57,960 --> 01:52:01,680
Speaker 1: fucking question and you're here. You're like, thank god, and

1864
01:52:01,760 --> 01:52:04,160
Speaker 1: he has to bring that ship up and they don't,

1865
01:52:04,880 --> 01:52:07,240
Speaker 1: right because they're great. That's how they got that. They

1866
01:52:07,320 --> 01:52:11,000
Speaker 1: already they're already picking at themselves at a point and

1867
01:52:11,280 --> 01:52:13,280
Speaker 1: in a certain type of way that you can never

1868
01:52:13,720 --> 01:52:16,439
Speaker 1: pick the ship apart. You can't tell say something like

1869
01:52:16,840 --> 01:52:19,519
Speaker 1: it's fucked up, like she knows what what she knows

1870
01:52:19,600 --> 01:52:21,720
Speaker 1: what to do? You know, like so you can't. You

1871
01:52:21,840 --> 01:52:24,120
Speaker 1: just have to give them, you know, anybody that time

1872
01:52:24,560 --> 01:52:27,160
Speaker 1: that's great and they'll come back to their own ship

1873
01:52:27,240 --> 01:52:30,160
Speaker 1: and say, I think I could do that hook like this.

1874
01:52:30,400 --> 01:52:31,920
Speaker 1: I think that would be better than in your mind.

1875
01:52:32,080 --> 01:52:34,439
Speaker 1: Just like, thank god, I don't have to say nothing

1876
01:52:34,479 --> 01:52:36,320
Speaker 1: about that. And when they need your fucking input, there

1877
01:52:36,400 --> 01:52:38,720
Speaker 1: asks you the great ones to do. It's the motherfucker's

1878
01:52:38,720 --> 01:52:43,200
Speaker 1: in the middle. Can't tell them motherfucker ship and they'll correct.

1879
01:52:43,240 --> 01:52:46,400
Speaker 1: Now I think this ship, don't. It's dope enough Number

1880
01:52:46,439 --> 01:52:49,320
Speaker 1: one ninety eight on ever got that charge? But whatever

1881
01:52:49,400 --> 01:52:54,439
Speaker 1: you say, have you get my money up front? Have

1882
01:52:54,560 --> 01:52:57,680
Speaker 1: you ever been wrong? Have you ever gave advice and

1883
01:52:58,160 --> 01:53:01,240
Speaker 1: you was wrong? Wrong all the time? Yeah, I'm all

1884
01:53:01,320 --> 01:53:05,880
Speaker 1: right and wrong. Don't like what's what's something he was

1885
01:53:05,960 --> 01:53:08,240
Speaker 1: wrong on? Like the artists wanted to work with you

1886
01:53:08,479 --> 01:53:10,400
Speaker 1: or something or something like, I'm never wrong on that

1887
01:53:10,479 --> 01:53:11,880
Speaker 1: type of ship. I was just saying in life in

1888
01:53:11,960 --> 01:53:14,240
Speaker 1: general and this music, Ye, I got this. You don't.

1889
01:53:15,160 --> 01:53:22,439
Speaker 1: Let's make some looks for that good thing. I'm just in. Okay,

1890
01:53:22,680 --> 01:53:24,960
Speaker 1: we're going to a cigarette break in the bathroom break

1891
01:53:25,040 --> 01:53:26,840
Speaker 1: real quick. You're cool, and then we get that five

1892
01:53:26,920 --> 01:53:31,080
Speaker 1: more minutes. Yeah, I got bathroom breakfast. Yeah we're gonnam.

1893
01:53:31,960 --> 01:53:34,960
Speaker 1: I ain't gonna like, that's the city player. And she's like,

1894
01:53:35,040 --> 01:53:42,200
Speaker 1: you know, you gotta at least take one bathroom. So

1895
01:53:42,720 --> 01:53:45,120
Speaker 1: this is this is like a low part of the

1896
01:53:45,200 --> 01:53:50,000
Speaker 1: show that um running by Now, this is you know,

1897
01:53:50,120 --> 01:53:55,360
Speaker 1: you'll never run ship by you. They all have conversations,

1898
01:53:55,400 --> 01:53:57,160
Speaker 1: but no, this is the part I'm just seeing. This

1899
01:53:57,240 --> 01:54:00,200
Speaker 1: is gonna work. I pulled up one of your tweets, right,

1900
01:54:01,600 --> 01:54:05,200
Speaker 1: he says, ask your favorites how many times they played

1901
01:54:05,280 --> 01:54:08,600
Speaker 1: me before the inspiration kicked in? Then you tagged in

1902
01:54:09,200 --> 01:54:12,360
Speaker 1: meat mil and you said it and then you say

1903
01:54:12,840 --> 01:54:17,880
Speaker 1: said it best. Jimmy foul Dream. You don't what what

1904
01:54:18,040 --> 01:54:21,200
Speaker 1: did that tweet? Me? Me and me and me and

1905
01:54:21,439 --> 01:54:24,559
Speaker 1: um my brother Meek just did a record on foul

1906
01:54:24,600 --> 01:54:26,639
Speaker 1: and maybe like a month and a half, two months ago.

1907
01:54:28,360 --> 01:54:35,800
Speaker 1: Um yo, Black America. And I'm walking in and let's

1908
01:54:35,800 --> 01:54:37,840
Speaker 1: just say he has a certain thing that he did.

1909
01:54:37,960 --> 01:54:43,600
Speaker 1: He's like, yo, man, I was, you know, I week

1910
01:54:43,600 --> 01:54:45,400
Speaker 1: has a certain you know, he has his dream chase,

1911
01:54:45,480 --> 01:54:48,120
Speaker 1: his logo and like my log logo which is Radio

1912
01:54:48,160 --> 01:54:52,760
Speaker 1: Killer Records, which is the whole roads. And and I

1913
01:54:52,800 --> 01:54:55,080
Speaker 1: get ready to walk in and I was like, actually

1914
01:54:55,240 --> 01:54:56,320
Speaker 1: his first it out And he was like, but I

1915
01:54:56,360 --> 01:54:59,800
Speaker 1: put that ship on blast, so everybody's seen it. It's like,

1916
01:55:00,080 --> 01:55:04,640
Speaker 1: not your problem is who says He's like, you know

1917
01:55:04,680 --> 01:55:07,080
Speaker 1: what your problem is. It's like you don't put enough

1918
01:55:07,160 --> 01:55:09,680
Speaker 1: light on it. Like so when you do ship, nobody

1919
01:55:09,760 --> 01:55:11,520
Speaker 1: really knows. He's like, you don't talk about that ship,

1920
01:55:11,640 --> 01:55:13,920
Speaker 1: like how you need to talk about it, you know,

1921
01:55:14,400 --> 01:55:17,000
Speaker 1: so that motherfucker's know, like that certain ship came from

1922
01:55:17,040 --> 01:55:21,600
Speaker 1: you and now stopped for like two seconds. I was like,

1923
01:55:21,680 --> 01:55:26,520
Speaker 1: this motherfucker's right, like like you know, and I don't.

1924
01:55:26,640 --> 01:55:29,960
Speaker 1: And that's probably it's probably more leaning to the un

1925
01:55:30,120 --> 01:55:35,640
Speaker 1: artist part about me, you know. Um, And there's nothing

1926
01:55:35,720 --> 01:55:38,480
Speaker 1: that I would change about that particular thing. I mean,

1927
01:55:39,200 --> 01:55:42,280
Speaker 1: you know, at this particular point, once you want your famous,

1928
01:55:42,320 --> 01:55:44,400
Speaker 1: your famous, Like there's no in between. I don't believe

1929
01:55:44,440 --> 01:55:48,160
Speaker 1: in in between, Like you know, take the bullshit as

1930
01:55:48,400 --> 01:55:50,600
Speaker 1: as it amounts in dollars, like and and it just

1931
01:55:51,000 --> 01:55:53,160
Speaker 1: is what it is, like, but go all the way,

1932
01:55:53,320 --> 01:55:57,240
Speaker 1: like don't stop, or don't don't cut something short or

1933
01:55:57,400 --> 01:55:59,760
Speaker 1: make something half asked or do it half is it

1934
01:56:00,000 --> 01:56:03,080
Speaker 1: to be done? You know, if if you're scared of

1935
01:56:03,160 --> 01:56:04,560
Speaker 1: that light, like run all the way to the light

1936
01:56:04,640 --> 01:56:07,000
Speaker 1: you started running there in the first place, and that's

1937
01:56:07,200 --> 01:56:11,440
Speaker 1: he just in one quick second reminded me O O

1938
01:56:11,640 --> 01:56:15,240
Speaker 1: G me, like, yo, you don't put enough light on

1939
01:56:15,320 --> 01:56:18,120
Speaker 1: that ship. You guys start talking that ship, you know,

1940
01:56:18,160 --> 01:56:22,160
Speaker 1: because I'm good at talking ship. But at certain point,

1941
01:56:23,840 --> 01:56:25,800
Speaker 1: at a certain point, it was more so I was

1942
01:56:25,880 --> 01:56:28,280
Speaker 1: talking to myself. So when did you adjust after he

1943
01:56:28,360 --> 01:56:30,600
Speaker 1: said that? Why did you adjust? I'm just doing a

1944
01:56:30,600 --> 01:56:33,160
Speaker 1: certain ships showing certain ship now, like it's it's just

1945
01:56:33,280 --> 01:56:37,960
Speaker 1: a it's I'm just gaining a better perspective of um

1946
01:56:41,240 --> 01:56:44,520
Speaker 1: inspiring others. And when there's a line that that that

1947
01:56:44,920 --> 01:56:47,840
Speaker 1: they both like intersect, it's like, be humble with what

1948
01:56:48,000 --> 01:56:50,480
Speaker 1: you have, but also you could be so humble that

1949
01:56:50,560 --> 01:56:55,960
Speaker 1: you've seem silent about certain things, you know, versus inspiring

1950
01:56:56,040 --> 01:56:59,080
Speaker 1: somebody else to say, you know, because only only gifted

1951
01:56:59,160 --> 01:57:01,240
Speaker 1: and motherfucker's that leaving themselves gonna take it the right

1952
01:57:01,280 --> 01:57:04,440
Speaker 1: way anyway. So that was just the point of doing

1953
01:57:04,480 --> 01:57:07,720
Speaker 1: ship to a certain point that makes somebody say that

1954
01:57:07,840 --> 01:57:10,640
Speaker 1: motherfucker's roll around this bitch and that fucking ghosts like

1955
01:57:10,760 --> 01:57:15,480
Speaker 1: it ain't nothing you got nine nine calls like and

1956
01:57:15,640 --> 01:57:18,280
Speaker 1: feel okay with like it ain't about me not being humble,

1957
01:57:18,360 --> 01:57:20,080
Speaker 1: like I know where the funk I came from. I

1958
01:57:20,120 --> 01:57:22,120
Speaker 1: don't know where my ancestors came from. I know more

1959
01:57:22,160 --> 01:57:25,000
Speaker 1: about my tree and the slave shift that dropped us

1960
01:57:25,040 --> 01:57:27,480
Speaker 1: off in South Carolina than anybody like I know about it,

1961
01:57:27,640 --> 01:57:30,480
Speaker 1: So I know exactly what it is. So I have

1962
01:57:30,640 --> 01:57:32,840
Speaker 1: to I didn't have to convince myself, but I had

1963
01:57:32,920 --> 01:57:35,720
Speaker 1: to just believe that and say, whatever you do have

1964
01:57:35,960 --> 01:57:38,920
Speaker 1: is in the test a testament of of It's a

1965
01:57:39,000 --> 01:57:42,960
Speaker 1: testament to hard work and and being able to to

1966
01:57:43,760 --> 01:57:47,880
Speaker 1: persevere through anything. And the real people that feel good

1967
01:57:47,920 --> 01:57:50,600
Speaker 1: inside theirselves, they're gonna feel like that. They don't feel

1968
01:57:50,640 --> 01:57:54,440
Speaker 1: like yose, you need some more champagne. That was a

1969
01:57:54,480 --> 01:58:01,200
Speaker 1: great Champagne calls your perseverance. It's real. It's just champagne. Cup.

1970
01:58:01,240 --> 01:58:03,440
Speaker 1: You got champagne, got like nine cups over there, can't

1971
01:58:03,480 --> 01:58:07,080
Speaker 1: give it. You're keeping in really drink yo. Listen, RB

1972
01:58:07,240 --> 01:58:10,120
Speaker 1: Niggers is never gonna come to Australa. They're gonna try

1973
01:58:10,200 --> 01:58:13,320
Speaker 1: to top Dream and they're gonna that's gonna be crazy.

1974
01:58:13,840 --> 01:58:16,360
Speaker 1: They're gonna die. It's R and B think it's just

1975
01:58:16,440 --> 01:58:18,840
Speaker 1: as tough as hip hop. Niggers old that y'all might

1976
01:58:18,880 --> 01:58:23,520
Speaker 1: be even wilder than us. Have to compare, Like, I

1977
01:58:23,600 --> 01:58:25,960
Speaker 1: don't think it's it's a got a D M Mexican

1978
01:58:26,080 --> 01:58:28,560
Speaker 1: R and B. That's Bobby Brown, right, that's the first time.

1979
01:58:30,360 --> 01:58:33,280
Speaker 1: I mean, that's I mean, listen, let's just keep there.

1980
01:58:34,080 --> 01:58:36,440
Speaker 1: Let's got so all right, let' let's just compare RB

1981
01:58:36,560 --> 01:58:39,200
Speaker 1: Niggers the Raptice right now, right, I don't know, this

1982
01:58:39,360 --> 01:58:42,880
Speaker 1: is crazy, Just this a stick of it. Right. Who's

1983
01:58:42,960 --> 01:58:46,480
Speaker 1: the whole of rmby because you let the coops, you

1984
01:58:46,600 --> 01:58:49,120
Speaker 1: let the quincy, who's the whole of R and B.

1985
01:58:52,920 --> 01:58:55,280
Speaker 1: I don't think anybody's really replaced R. Kelly, to be

1986
01:58:55,400 --> 01:58:59,320
Speaker 1: honest when it comes to that, except Kelly, you know,

1987
01:58:59,640 --> 01:59:02,920
Speaker 1: ain't gonna pistole people. And he's still a man a

1988
01:59:02,960 --> 01:59:06,880
Speaker 1: little bit somewhere in the world, you know, Like it's

1989
01:59:06,960 --> 01:59:10,440
Speaker 1: hard in the world. As much as as much as

1990
01:59:10,560 --> 01:59:20,160
Speaker 1: we want to like marry, marry. The idea that genius

1991
01:59:20,280 --> 01:59:23,160
Speaker 1: is in a in a in a conformed world, like

1992
01:59:24,080 --> 01:59:27,640
Speaker 1: it's not about forgiving anybody for anything. Ship is just

1993
01:59:27,840 --> 01:59:31,160
Speaker 1: different in that mind, like it has to be. And

1994
01:59:31,280 --> 01:59:32,760
Speaker 1: you can't get that type of ship out of your

1995
01:59:32,800 --> 01:59:35,040
Speaker 1: body if you wanted to the closer you are the

1996
01:59:35,160 --> 01:59:37,280
Speaker 1: same as the closer you are to not being gifted.

1997
01:59:39,200 --> 01:59:43,480
Speaker 1: So when crazy ship happens, I'm not really like like like,

1998
01:59:43,560 --> 01:59:46,360
Speaker 1: oh my god, the world's gonna end. It's like to me,

1999
01:59:49,000 --> 01:59:51,040
Speaker 1: there's something that takes a certain type of way in

2000
01:59:51,080 --> 01:59:54,320
Speaker 1: an individual, you know, whether it be dark or like

2001
01:59:54,880 --> 01:59:57,160
Speaker 1: depending on what we want from them. And when we

2002
01:59:57,240 --> 01:59:59,120
Speaker 1: get what we want from them, we're kind of good

2003
01:59:59,240 --> 02:00:03,200
Speaker 1: and and and when we don't, we're upset, you know.

2004
02:00:04,640 --> 02:00:07,200
Speaker 1: But that's not to say who a victim is or

2005
02:00:07,200 --> 02:00:08,960
Speaker 1: who a victim is not. Like, the point is you

2006
02:00:09,040 --> 02:00:11,920
Speaker 1: still live in the real world with real people. There

2007
02:00:11,960 --> 02:00:14,640
Speaker 1: are rules, they're you know, there are certain things. But

2008
02:00:14,760 --> 02:00:19,640
Speaker 1: it also bigs the question the idea of time, God's religion,

2009
02:00:19,880 --> 02:00:24,360
Speaker 1: like it bakes a different the question of what's actually real,

2010
02:00:24,640 --> 02:00:26,560
Speaker 1: like like what is it you know you come from?

2011
02:00:27,600 --> 02:00:31,680
Speaker 1: My great grandmother gave birth at thirteen. It's so full

2012
02:00:31,800 --> 02:00:34,800
Speaker 1: past now. But that used to be a thing, like

2013
02:00:34,960 --> 02:00:38,200
Speaker 1: for real, it wasn't a law, like, it wasn't a like.

2014
02:00:38,400 --> 02:00:42,240
Speaker 1: So so what are we changing overall? And and how

2015
02:00:42,360 --> 02:00:45,200
Speaker 1: far is DNA and traits actually playing into that and

2016
02:00:45,280 --> 02:00:47,520
Speaker 1: what they don't because most of the times you can

2017
02:00:47,640 --> 02:00:49,600
Speaker 1: do some ship just out of habit from what you

2018
02:00:49,720 --> 02:00:55,000
Speaker 1: came from. That's just regular fucking science and logic. Like

2019
02:00:55,240 --> 02:00:58,000
Speaker 1: you're more like your father and your mother than even

2020
02:00:58,040 --> 02:00:59,680
Speaker 1: if you wanted to not be, like, oh, I just

2021
02:00:59,720 --> 02:01:01,600
Speaker 1: don't to be like them, Like yeah, but you are.

2022
02:01:02,160 --> 02:01:04,360
Speaker 1: You may not be a composive drug user, but you're

2023
02:01:04,360 --> 02:01:06,520
Speaker 1: a gambler, Like you ain't not be a gambler, but

2024
02:01:06,640 --> 02:01:09,200
Speaker 1: you're a sex you know, you're a sex addict or.

2025
02:01:10,080 --> 02:01:13,480
Speaker 1: And with all that being said, then you may be

2026
02:01:13,560 --> 02:01:16,320
Speaker 1: a genius and motherfucker that Gon invent did, Like like

2027
02:01:17,440 --> 02:01:19,200
Speaker 1: you're the same person that had to dream or be

2028
02:01:19,400 --> 02:01:22,440
Speaker 1: stupid and crazy and courageous enough to say, I think

2029
02:01:22,480 --> 02:01:28,160
Speaker 1: I know how to make it light this that's something

2030
02:01:28,160 --> 02:01:30,400
Speaker 1: that's doing. It's just it's just the idea of that

2031
02:01:30,640 --> 02:01:34,240
Speaker 1: we're not anything, you know, well that was just that's

2032
02:01:34,280 --> 02:01:37,120
Speaker 1: just dumb ship that people say, like we're just sucking stupid,

2033
02:01:37,240 --> 02:01:41,040
Speaker 1: like nobody's condoning anything that's not right, you know, like

2034
02:01:41,320 --> 02:01:44,280
Speaker 1: in society or even in your mind, like if you

2035
02:01:44,360 --> 02:01:46,680
Speaker 1: need help, get help, Like that's that's that's just some

2036
02:01:46,800 --> 02:01:49,320
Speaker 1: whole trickery ass trump ship, Like that ship don't that

2037
02:01:49,360 --> 02:01:54,600
Speaker 1: ship doesn't mean anything. Um. The truth is the body

2038
02:01:54,720 --> 02:01:56,800
Speaker 1: is just more sophisticated than we want to give it.

2039
02:01:57,120 --> 02:01:59,680
Speaker 1: Give it credit for the body to mind, Like what

2040
02:02:00,000 --> 02:02:02,640
Speaker 1: you get these things from all the way to the

2041
02:02:02,680 --> 02:02:05,840
Speaker 1: point of why we're so distrimental allows to ourselves as

2042
02:02:06,000 --> 02:02:08,600
Speaker 1: as a culture and as human beings, Like all of

2043
02:02:08,640 --> 02:02:11,480
Speaker 1: those things come down to traits and things that if

2044
02:02:11,560 --> 02:02:14,120
Speaker 1: you don't try to understand, you won't understand. Because all

2045
02:02:14,160 --> 02:02:16,400
Speaker 1: those days skipping science and ship is the dumb ship.

2046
02:02:17,000 --> 02:02:21,000
Speaker 1: You know, you just shouldn't never been science versus religion

2047
02:02:21,080 --> 02:02:23,600
Speaker 1: in the first place, because you can't figure out a

2048
02:02:23,680 --> 02:02:28,160
Speaker 1: mind like R. Kelly Are or whoever it is. Of

2049
02:02:28,280 --> 02:02:30,200
Speaker 1: course we know in the real world, Okay, that's wrong,

2050
02:02:30,360 --> 02:02:32,640
Speaker 1: Like you shouldn't do that, like you should have better

2051
02:02:32,760 --> 02:02:36,040
Speaker 1: morals or whatever it is. And then on the flip

2052
02:02:36,120 --> 02:02:38,600
Speaker 1: side of that, I don't know what's in your body

2053
02:02:38,640 --> 02:02:41,120
Speaker 1: and in your mind, Man, I don't I really just

2054
02:02:41,280 --> 02:02:43,680
Speaker 1: don't know. And I don't know whether I can say

2055
02:02:44,240 --> 02:02:48,640
Speaker 1: completely that an insane person is insane, because the truth is,

2056
02:02:49,400 --> 02:02:53,600
Speaker 1: there's just one word that that actually takes you from

2057
02:02:53,640 --> 02:02:57,040
Speaker 1: being insane to a genius genius, and that's success. If

2058
02:02:57,080 --> 02:02:59,800
Speaker 1: you success, you're a genius. If you're not, you too crazy.

2059
02:02:59,840 --> 02:03:02,000
Speaker 1: Well the funk under the bridge there everybody you told,

2060
02:03:02,040 --> 02:03:04,480
Speaker 1: you told everybody your ideas and ship just never took off.

2061
02:03:05,240 --> 02:03:07,200
Speaker 1: So that means I could be the same in same

2062
02:03:07,280 --> 02:03:10,240
Speaker 1: motherfucker or mere could be seeing it with this nigger

2063
02:03:10,280 --> 02:03:12,920
Speaker 1: who's a genius is It's like, no, nigga, you're a genius?

2064
02:03:13,360 --> 02:03:16,440
Speaker 1: Like why success? That lightning in the bottle? I couldn't

2065
02:03:16,440 --> 02:03:18,360
Speaker 1: even control it in the first place. Beyonce didn't have

2066
02:03:18,440 --> 02:03:21,600
Speaker 1: to be in my time period of living, or Rihanna

2067
02:03:22,200 --> 02:03:25,160
Speaker 1: or Ja or Kanye like all of it. Like that

2068
02:03:25,240 --> 02:03:27,280
Speaker 1: ship was divine, that was set up from a different

2069
02:03:27,320 --> 02:03:29,440
Speaker 1: thing that I had nothing to do with, you know,

2070
02:03:29,600 --> 02:03:32,480
Speaker 1: so I can't really I have to see both out

2071
02:03:32,520 --> 02:03:34,400
Speaker 1: of the play the Devil's advocate when it's you're being

2072
02:03:34,440 --> 02:03:37,840
Speaker 1: guided by time and in moments like I don't know.

2073
02:03:38,080 --> 02:03:40,640
Speaker 1: I think the time ship just helps you become cattle

2074
02:03:40,720 --> 02:03:43,800
Speaker 1: and work for society and make money and pay your

2075
02:03:43,840 --> 02:03:46,240
Speaker 1: fucking taxes and ship. But if we live by moments,

2076
02:03:46,320 --> 02:03:48,040
Speaker 1: then I think people would be better off of them.

2077
02:03:49,960 --> 02:03:55,600
Speaker 1: There's no debating people's creativity and and and how genius

2078
02:03:55,680 --> 02:03:58,160
Speaker 1: they are. Like r Kelly, but I just wanna make

2079
02:03:58,200 --> 02:04:01,720
Speaker 1: sure that when we go over now. I'm sorry, I'm sorry, man,

2080
02:04:02,160 --> 02:04:05,080
Speaker 1: I think it's very serious when we're talking and drink,

2081
02:04:05,160 --> 02:04:09,440
Speaker 1: chance that nobody could ever violate children or anything like that.

2082
02:04:09,560 --> 02:04:10,920
Speaker 1: I mean, I know you're not saying that. I'm just

2083
02:04:11,280 --> 02:04:14,000
Speaker 1: I'm just putting out there for myself. Yeah, everybody knows

2084
02:04:14,080 --> 02:04:17,040
Speaker 1: that I have children and I love him to do. No, No, absolutely,

2085
02:04:17,080 --> 02:04:20,080
Speaker 1: I'm just saying, like, like, I feel awkward because I'm

2086
02:04:20,120 --> 02:04:22,600
Speaker 1: a I'm a DJ, and I played Artilly and I

2087
02:04:23,040 --> 02:04:24,760
Speaker 1: and I think he's a genius, you know what I'm saying.

2088
02:04:24,800 --> 02:04:27,480
Speaker 1: But but I found myself in a crossroads when you

2089
02:04:27,520 --> 02:04:30,240
Speaker 1: start to see the things that come out and you're

2090
02:04:30,280 --> 02:04:32,680
Speaker 1: just like anybody. I think the cross road is the

2091
02:04:32,800 --> 02:04:36,320
Speaker 1: fact that you're surprised, why should I not be anything

2092
02:04:36,400 --> 02:04:38,800
Speaker 1: that's on earth? Like, oh no, he definitely not surprised

2093
02:04:38,840 --> 02:04:42,040
Speaker 1: that anything that happens in the world. Because when that

2094
02:04:42,160 --> 02:04:45,240
Speaker 1: happens when you get older, when when I'm originally playing

2095
02:04:45,320 --> 02:04:47,240
Speaker 1: Art Kelly, I'm a child as well, you know what

2096
02:04:47,240 --> 02:04:50,120
Speaker 1: I'm saying. So so I'm just saying like, when we

2097
02:04:50,160 --> 02:04:55,080
Speaker 1: start to grow up and you realize you're like, that's unacceptable. Well, yeah,

2098
02:04:55,200 --> 02:04:58,920
Speaker 1: whatever somebody's accused of whatever we're thinking of, whoever is

2099
02:04:59,400 --> 02:05:01,760
Speaker 1: being told old to us. Yeah, I mean if you

2100
02:05:01,800 --> 02:05:04,160
Speaker 1: don't know that, that's just that's just back to the

2101
02:05:04,200 --> 02:05:06,680
Speaker 1: part of society now, like it's just coming sense at

2102
02:05:06,720 --> 02:05:09,560
Speaker 1: this point from where I grew up. But of course

2103
02:05:09,680 --> 02:05:12,920
Speaker 1: motherfucker's that's listening or motherfucker's is looking at news and

2104
02:05:13,040 --> 02:05:16,960
Speaker 1: having to be told and controlled whatever we know, not

2105
02:05:17,240 --> 02:05:20,080
Speaker 1: not you. I'm saying mass people who look to news

2106
02:05:20,200 --> 02:05:23,120
Speaker 1: to figure out things. I think that's an important lesson

2107
02:05:23,200 --> 02:05:26,120
Speaker 1: and just grazing kids like my my child should know

2108
02:05:26,280 --> 02:05:29,800
Speaker 1: coming what coming senses. Coming sense is lacking in the world,

2109
02:05:29,840 --> 02:05:31,840
Speaker 1: which which is the point why you're over trying to

2110
02:05:31,920 --> 02:05:34,240
Speaker 1: You're trying to over iterate what we mean and like

2111
02:05:34,400 --> 02:05:36,240
Speaker 1: what we stand by and what we don't have to

2112
02:05:36,280 --> 02:05:38,600
Speaker 1: because yeah, because you feel like you have to because

2113
02:05:39,160 --> 02:05:42,040
Speaker 1: it's stupid. Motherfucker's listening right now. That's like that. I

2114
02:05:42,200 --> 02:05:44,960
Speaker 1: think they're actually saying that they agree with, like, motherfucker, no,

2115
02:05:45,240 --> 02:05:48,320
Speaker 1: you don't from don't say bigger you know, I love

2116
02:05:48,360 --> 02:05:55,960
Speaker 1: my stupidness. The whole crowd like stops stupid listeners but

2117
02:05:56,080 --> 02:06:00,080
Speaker 1: I'm saying I'm stupid too, Like I understand. I understand this.

2118
02:06:02,960 --> 02:06:05,040
Speaker 1: So he's talking about you have to say like, oh yeah,

2119
02:06:05,280 --> 02:06:07,200
Speaker 1: as much as I love my kids, I kill every

2120
02:06:07,240 --> 02:06:09,680
Speaker 1: one of you for them, Like I have to actually

2121
02:06:09,800 --> 02:06:13,760
Speaker 1: say that that's sucking nuts, Like who the fund happened

2122
02:06:13,800 --> 02:06:18,320
Speaker 1: to come into a long time ago, but unfortunately but

2123
02:06:18,440 --> 02:06:22,840
Speaker 1: now for four four see me? How did that record

2124
02:06:22,920 --> 02:06:25,840
Speaker 1: come together? Man? Tell your truth? That's all Jay. And

2125
02:06:25,960 --> 02:06:30,240
Speaker 1: Jay had just had this record already and he asked

2126
02:06:30,280 --> 02:06:32,920
Speaker 1: me to add live to to certain things or whatever

2127
02:06:33,760 --> 02:06:39,160
Speaker 1: UM in the in the song and it was just

2128
02:06:39,280 --> 02:06:42,840
Speaker 1: more him being family than anything. It's so yeah, and

2129
02:06:43,120 --> 02:06:44,960
Speaker 1: I want you to want you to do these vocals

2130
02:06:45,000 --> 02:06:47,760
Speaker 1: on this record. And it wasn't ever about a feature.

2131
02:06:47,800 --> 02:06:49,840
Speaker 1: It's about anything. I think it's just the fact that

2132
02:06:51,000 --> 02:06:53,280
Speaker 1: oh it's dreams, so it should be a feature or

2133
02:06:53,360 --> 02:06:56,120
Speaker 1: whatever it is. But for me it was like oh coo, yeah,

2134
02:06:56,400 --> 02:06:58,960
Speaker 1: I do the background. I do so many backgrounds on something,

2135
02:06:59,080 --> 02:07:02,200
Speaker 1: so many things period, because my whole point is to

2136
02:07:02,400 --> 02:07:08,360
Speaker 1: making sure that UM artists gets their story heard, you know,

2137
02:07:08,440 --> 02:07:10,280
Speaker 1: and get their point out. Like it's not about me,

2138
02:07:10,400 --> 02:07:12,320
Speaker 1: it's about and I think that's the great part about

2139
02:07:12,320 --> 02:07:15,200
Speaker 1: being a songwriter when it's never about you in the

2140
02:07:15,240 --> 02:07:19,000
Speaker 1: first place. You don't mind your artists. You're like, oh,

2141
02:07:19,040 --> 02:07:21,800
Speaker 1: they didn't put my feature credit on there. You're going crazy.

2142
02:07:21,960 --> 02:07:24,720
Speaker 1: That kickship called lawyers and do all kinds of ship.

2143
02:07:24,840 --> 02:07:27,400
Speaker 1: That ship. It's like, did you get your point out?

2144
02:07:27,520 --> 02:07:29,879
Speaker 1: Did you make a great album? People love it? Awesome

2145
02:07:29,920 --> 02:07:33,480
Speaker 1: idea by ship. So now I dream, you know, because

2146
02:07:33,640 --> 02:07:35,640
Speaker 1: I have a petty and they're in a good way.

2147
02:07:36,240 --> 02:07:37,840
Speaker 1: I just want to throw it out there that I

2148
02:07:37,960 --> 02:07:44,520
Speaker 1: need a dream record, like in All You when you at,

2149
02:07:44,560 --> 02:07:46,120
Speaker 1: you just tell me whatever you But I fly to

2150
02:07:46,160 --> 02:07:48,200
Speaker 1: wherever you're at. I don't give a because I want

2151
02:07:48,200 --> 02:07:49,760
Speaker 1: to be at your zone. I want to be like

2152
02:07:49,880 --> 02:07:52,320
Speaker 1: I want to get crazy. Whatever you want to do.

2153
02:07:52,480 --> 02:07:54,320
Speaker 1: It's like, whatever you want to do, if you want

2154
02:07:54,320 --> 02:07:57,160
Speaker 1: to be like going somewhere, I'm a little So if

2155
02:07:57,200 --> 02:07:59,880
Speaker 1: I set up too as eating tables, you like, that's

2156
02:08:00,000 --> 02:08:06,680
Speaker 1: I'm bad. I watched them, you know, I wasn't think

2157
02:08:06,840 --> 02:08:09,800
Speaker 1: like Susie. I was thinking about the wives. I wasn't

2158
02:08:09,840 --> 02:08:12,400
Speaker 1: thinking about Oh it would be a dividery ship. So

2159
02:08:12,480 --> 02:08:22,400
Speaker 1: you won't see what I'm doing music you want or

2160
02:08:22,440 --> 02:08:28,800
Speaker 1: the other thing that was. Now before you get up,

2161
02:08:28,920 --> 02:08:35,360
Speaker 1: good your dream, literalitate something. You set the standards for

2162
02:08:36,520 --> 02:08:41,480
Speaker 1: the cool rm B. But in real life, I'm saying

2163
02:08:41,520 --> 02:08:43,480
Speaker 1: you do that. Then you did that on drink Champs,

2164
02:08:43,800 --> 02:08:46,200
Speaker 1: but in real life, which you contributed to the game.

2165
02:08:47,840 --> 02:08:51,600
Speaker 1: We have to salute. We have to continue salute as

2166
02:08:51,640 --> 02:08:55,640
Speaker 1: a culture. You have to continue to be filled like

2167
02:08:55,800 --> 02:08:58,560
Speaker 1: a king and treated like a king, because that's what

2168
02:08:58,840 --> 02:09:02,520
Speaker 1: we are. This and this thing of ours. We sacrifice

2169
02:09:02,560 --> 02:09:05,880
Speaker 1: and we give our lives to this game. So I

2170
02:09:06,000 --> 02:09:10,560
Speaker 1: want you to always know that even other people like

2171
02:09:10,760 --> 02:09:17,040
Speaker 1: me and d J E. F N, we know what

2172
02:09:17,160 --> 02:09:19,400
Speaker 1: you're sacrifice to be in this game. We know what

2173
02:09:19,560 --> 02:09:24,440
Speaker 1: you're doing. We understand, and we're gonna salute that ship

2174
02:09:25,760 --> 02:09:28,360
Speaker 1: your figer smell me, Yes, you gotta do that. I

2175
02:09:28,480 --> 02:09:42,240
Speaker 1: over smell you say them on. Take your read I properly.

2176
02:09:42,320 --> 02:10:09,960
Speaker 1: Gon assists us