1 00:00:17,920 --> 00:00:18,000 Speaker 1: What. 2 00:00:18,480 --> 00:00:20,360 Speaker 2: I just notice what it says on your back on 3 00:00:20,400 --> 00:00:23,400 Speaker 2: the back corner. Is it the sea word on the back? 4 00:00:24,760 --> 00:00:24,880 Speaker 1: Oh? 5 00:00:24,960 --> 00:00:26,920 Speaker 2: My fan? Is that what it's on or is it 6 00:00:26,960 --> 00:00:30,319 Speaker 2: a poster. It's a fan. No, it's it's a fan. 7 00:00:30,400 --> 00:00:30,760 Speaker 2: It's there. 8 00:00:30,800 --> 00:00:35,560 Speaker 1: A seaword's there every time. It's there in every interview 9 00:00:35,640 --> 00:00:40,160 Speaker 1: I do. It's been on CNN. Uh, it's my little 10 00:00:40,200 --> 00:00:43,239 Speaker 1: easter egg back there A couple of times. I have 11 00:00:43,479 --> 00:00:47,760 Speaker 1: noticed that, like they've cut in sort of. But yeah, no, 12 00:00:47,880 --> 00:00:50,360 Speaker 1: it's there and I just like to I just like 13 00:00:50,400 --> 00:00:53,400 Speaker 1: to see where it goes and if people notice. It's 14 00:00:53,520 --> 00:00:55,920 Speaker 1: so it's like the Taylor Swift Easter. It's like, oh 15 00:00:55,960 --> 00:01:01,160 Speaker 1: I see Jody's Easter. Yeah. Yeah, Actually it's from Beyonce's 16 00:01:00,440 --> 00:01:03,680 Speaker 1: Renaissance concert when B and I went. 17 00:01:04,160 --> 00:01:05,440 Speaker 2: Because it's a black Man. 18 00:01:05,560 --> 00:01:07,440 Speaker 1: It's like a like the extra Game hand where you 19 00:01:07,480 --> 00:01:10,520 Speaker 1: actually like keep the beat to it. Yeah yeah, so 20 00:01:10,760 --> 00:01:14,039 Speaker 1: it clacked mes amazing. It's so I haven't yeah, I 21 00:01:14,080 --> 00:01:16,319 Speaker 1: can't really see it right now, but when you got 22 00:01:16,400 --> 00:01:19,160 Speaker 1: up to let the dog out, like the light was shone. 23 00:01:19,400 --> 00:01:21,560 Speaker 2: Yeah the light yeah yeah, yeah, it depends on the light. 24 00:01:21,640 --> 00:01:27,040 Speaker 2: How Yeah. Yeah, It's been there for everyone guys sending 25 00:01:27,160 --> 00:01:30,480 Speaker 2: subtle messages. I just you know what I mean, I 26 00:01:30,560 --> 00:01:33,360 Speaker 2: just want to your sometimes you have like subliminal mugs 27 00:01:33,360 --> 00:01:37,440 Speaker 2: of coffee that you want to like, Oh. 28 00:01:37,440 --> 00:01:39,960 Speaker 1: The ship that I was on my shelf. Yes, actually 29 00:01:40,040 --> 00:01:42,160 Speaker 1: there are some great things. There's some, there's some there's 30 00:01:42,160 --> 00:01:43,040 Speaker 1: some fun little. 31 00:01:42,880 --> 00:01:45,760 Speaker 2: Easters to look at. Yeah, whenever I come over, I'm like, oh. 32 00:01:46,360 --> 00:01:49,400 Speaker 1: I'm gonna be gone soon. To want to be And 33 00:01:49,440 --> 00:01:53,240 Speaker 1: I'm very excited. As of recording this. It is just 34 00:01:53,280 --> 00:01:57,720 Speaker 1: before my birthday. It is January fifteenth when we record this. 35 00:01:58,240 --> 00:02:01,400 Speaker 1: My birthday is on the nineteenth, and uh, my wonderful 36 00:02:01,440 --> 00:02:03,520 Speaker 1: husband plans a little trip for us. 37 00:02:03,440 --> 00:02:06,440 Speaker 2: To go to Uh. I'm so excited for you. This 38 00:02:06,640 --> 00:02:08,960 Speaker 2: is going to be relaxing. You're going to get some 39 00:02:09,000 --> 00:02:13,359 Speaker 2: good weather over there. I hope. Oh it's perfect over there. 40 00:02:13,440 --> 00:02:16,919 Speaker 2: Right now. I go get my spray tan this afternoon. 41 00:02:18,000 --> 00:02:21,160 Speaker 1: Yeah, yeah, yeah, nobody's this is this is january'skin. 42 00:02:21,280 --> 00:02:23,200 Speaker 2: Nobody wants to see me tan up pretty quickly, So 43 00:02:23,360 --> 00:02:25,360 Speaker 2: give it a couple of days quickly. 44 00:02:25,400 --> 00:02:29,000 Speaker 1: But I don't I don't need to blind myself upon 45 00:02:29,120 --> 00:02:32,560 Speaker 1: first journey into the by the park. 46 00:02:33,600 --> 00:02:34,640 Speaker 2: But no, I'm very excited. 47 00:02:34,680 --> 00:02:34,840 Speaker 1: Oh. 48 00:02:34,840 --> 00:02:37,040 Speaker 2: I was going to ask, well, maybe this isn't appropriate. 49 00:02:37,120 --> 00:02:38,480 Speaker 2: I was going to ask if you get your spray 50 00:02:38,520 --> 00:02:40,239 Speaker 2: tans in the complete nood or if you leave like 51 00:02:40,320 --> 00:02:45,639 Speaker 2: your little bikini bottoms on. I get That's what I'm thinking. Yeah, 52 00:02:49,240 --> 00:02:51,440 Speaker 2: is this everyone? I'm kind of insecure that this is 53 00:02:51,560 --> 00:02:54,280 Speaker 2: just me or fits everyone. But is there a point 54 00:02:54,320 --> 00:02:57,240 Speaker 2: in the spray tan process where they tell you to 55 00:02:57,320 --> 00:02:59,760 Speaker 2: raise your hands because they have to get your under 56 00:03:00,000 --> 00:03:01,160 Speaker 2: you gotta get back under both o. 57 00:03:01,560 --> 00:03:05,600 Speaker 1: Yeah, otherwise, I mean if you have to. Some people 58 00:03:05,680 --> 00:03:07,400 Speaker 1: don't probably have to raise their art. 59 00:03:08,560 --> 00:03:09,240 Speaker 2: Yeah you do. 60 00:03:11,000 --> 00:03:12,679 Speaker 1: You don't want to lay down and then all of 61 00:03:12,720 --> 00:03:15,800 Speaker 1: a sudden you've got like two little white smiley circles 62 00:03:15,840 --> 00:03:20,320 Speaker 1: under your boobs. I mean, look, with boob sweat alone 63 00:03:20,760 --> 00:03:21,600 Speaker 1: the tanner. 64 00:03:21,600 --> 00:03:24,160 Speaker 2: You get twelve hours and then you've sweat all. 65 00:03:24,480 --> 00:03:27,440 Speaker 1: Right, You're like, oh god, yeah, yes, a paper towelnder 66 00:03:27,440 --> 00:03:30,000 Speaker 1: there until it dries. It's you know, there's there's things 67 00:03:30,000 --> 00:03:33,519 Speaker 1: that certain certain people of uts have to worry about. 68 00:03:33,520 --> 00:03:41,200 Speaker 1: What gets Okay, that's a universal thing. That's not just universal. Okay, No, no, good, 69 00:03:41,240 --> 00:03:44,560 Speaker 1: now feel better? Yeah, think think of me when you 70 00:03:44,640 --> 00:03:46,840 Speaker 1: raise your hands in the spray tan booth tonight and 71 00:03:46,880 --> 00:03:49,600 Speaker 1: just be like, uh, you know what, I weirdly will 72 00:03:50,480 --> 00:03:53,520 Speaker 1: because I've been thinking of you in association with a 73 00:03:53,560 --> 00:03:57,160 Speaker 1: tuna melt for going on forty years now, so I'm 74 00:03:57,200 --> 00:03:59,880 Speaker 1: pretty sure that this strange conversation will all Now I'll 75 00:03:59,920 --> 00:04:04,320 Speaker 1: be like tuna melt and boombras the spray tan boobrays move, 76 00:04:04,400 --> 00:04:05,360 Speaker 1: spray tan boobrays. 77 00:04:05,440 --> 00:04:09,000 Speaker 2: Yeah. Yeah, I'm glad that I remind my next fan 78 00:04:14,760 --> 00:04:17,080 Speaker 2: we've only begun. We've only just begun. 79 00:04:18,360 --> 00:04:21,400 Speaker 1: Oh boy, we've only just begun. Five minutes of which 80 00:04:21,440 --> 00:04:22,839 Speaker 1: were like, we can't put this on the air because 81 00:04:22,839 --> 00:04:27,560 Speaker 1: we're idiots, and then and now we're wondering, uh, what 82 00:04:27,600 --> 00:04:29,359 Speaker 1: you're bob to do when you get a spray can so. 83 00:04:30,960 --> 00:04:36,719 Speaker 2: Julian the room? Wait, man, what about men? And no pressure? Manny, 84 00:04:36,720 --> 00:04:38,680 Speaker 2: who's the only man on this phone call right now? 85 00:04:38,680 --> 00:04:39,360 Speaker 2: No pressure? 86 00:04:39,440 --> 00:04:42,159 Speaker 1: I was gonna say, I'm the right person to answer 87 00:04:42,240 --> 00:04:42,760 Speaker 1: this question. 88 00:04:43,200 --> 00:04:45,880 Speaker 2: What okay when men get a spray tan, are they 89 00:04:46,200 --> 00:04:48,520 Speaker 2: in the news or do they wear like little briefs 90 00:04:48,560 --> 00:04:50,560 Speaker 2: or whatever? And then do they have to do a 91 00:04:50,680 --> 00:04:54,280 Speaker 2: similar like move to the side to get the So 92 00:04:54,320 --> 00:04:59,719 Speaker 2: there's no well, yeah, you gotta do a that's way, 93 00:05:00,120 --> 00:05:00,559 Speaker 2: do you know? 94 00:05:00,600 --> 00:05:03,560 Speaker 1: Otherwise just gonna it'll be like like you know, spring 95 00:05:03,560 --> 00:05:07,920 Speaker 1: a stencil or something. See, he says, summer nude. I'm 96 00:05:07,960 --> 00:05:10,760 Speaker 1: already brown. So he goes fully clothed, that perfect and 97 00:05:10,800 --> 00:05:15,760 Speaker 1: the tan. Yeah looks great. I don't know, I I 98 00:05:15,920 --> 00:05:18,320 Speaker 1: have a and I'm and I don't mean this in 99 00:05:18,360 --> 00:05:22,520 Speaker 1: any way. I just mean this from experience of my 100 00:05:23,520 --> 00:05:27,080 Speaker 1: gay male friends. I would say that the likelihood of 101 00:05:27,200 --> 00:05:32,400 Speaker 1: being all nude is probably higher, yes, in that particular community. 102 00:05:32,600 --> 00:05:33,360 Speaker 2: Well, you know. 103 00:05:33,480 --> 00:05:35,880 Speaker 1: Yeah, because they're like getting there. You know, they're like 104 00:05:35,920 --> 00:05:39,800 Speaker 1: scrow talks and and and screw talks. You can put uh, 105 00:05:39,880 --> 00:05:42,560 Speaker 1: you can put a boattox in white sweet. 106 00:05:42,520 --> 00:05:44,440 Speaker 2: It look to get rid of the wrinkles. Why would you? 107 00:05:45,040 --> 00:05:48,440 Speaker 1: Is this a to just you know, look do your 108 00:05:48,480 --> 00:05:50,159 Speaker 1: booth saying, well, do your things? 109 00:05:50,600 --> 00:05:51,080 Speaker 2: You know what I mean? 110 00:05:51,600 --> 00:05:53,880 Speaker 1: Install this gravity gets us all in the end. 111 00:05:54,000 --> 00:05:56,800 Speaker 2: You know, I didn't know there was a thing. Wow. 112 00:05:57,560 --> 00:06:01,239 Speaker 1: Uh. I know this because uh we do a segment 113 00:06:01,360 --> 00:06:05,240 Speaker 1: on a smoke show where we name ridiculous like beauty, 114 00:06:06,200 --> 00:06:10,240 Speaker 1: uh treatments and uh and then have people guess, like, 115 00:06:10,520 --> 00:06:12,440 Speaker 1: you know, how much would you pay for this? 116 00:06:12,520 --> 00:06:12,960 Speaker 2: Sort of thing. 117 00:06:13,040 --> 00:06:15,760 Speaker 1: So, yeah, scrow Talks was was one of those answers. 118 00:06:15,760 --> 00:06:18,320 Speaker 1: And so now I don't think great phrase like that's 119 00:06:18,360 --> 00:06:20,520 Speaker 1: a great it's descriptive. You know. 120 00:06:21,960 --> 00:06:25,000 Speaker 2: What for a scrow talks like this, what's the going rate? 121 00:06:25,160 --> 00:06:26,400 Speaker 2: Is it like one hundred bucks? 122 00:06:26,440 --> 00:06:30,440 Speaker 1: Two hundred hundred's getting your forehead more than the forehead 123 00:06:30,520 --> 00:06:33,680 Speaker 1: because of the intimate nature of the aras or if 124 00:06:33,680 --> 00:06:36,400 Speaker 1: I was a dog rid charge, I would have charge that, Hey, 125 00:06:36,440 --> 00:06:39,320 Speaker 1: I'm not getting down there unless you double that price. 126 00:06:39,360 --> 00:06:40,760 Speaker 2: You know, I don't know. 127 00:06:42,080 --> 00:06:44,760 Speaker 1: I mean, it depends on I guess what you're getting 128 00:06:44,760 --> 00:06:47,080 Speaker 1: with that scow talks bab, I don't know what are you? 129 00:06:47,200 --> 00:06:48,240 Speaker 1: Are you even implying here? 130 00:06:49,000 --> 00:06:49,520 Speaker 2: I don't know? 131 00:06:50,000 --> 00:06:52,760 Speaker 1: Boy, are fans glad they tuned in? 132 00:06:53,320 --> 00:06:54,679 Speaker 2: This is this? Uh? 133 00:06:54,960 --> 00:06:57,159 Speaker 1: I feel like we should have backed up and said 134 00:06:57,200 --> 00:07:01,479 Speaker 1: about five minutes ago, like, hey, we're gonna really go 135 00:07:01,520 --> 00:07:02,240 Speaker 1: off the rails here. 136 00:07:02,320 --> 00:07:05,640 Speaker 2: So if they're not safe for work, please cover ears. Yeah, 137 00:07:05,640 --> 00:07:06,240 Speaker 2: little ears. 138 00:07:06,400 --> 00:07:08,120 Speaker 1: Well, depends on where you work. I guess if you 139 00:07:08,160 --> 00:07:09,039 Speaker 1: work at a you know. 140 00:07:09,160 --> 00:07:11,640 Speaker 2: At a scar Talk's place, I'm sure that's common. This 141 00:07:11,800 --> 00:07:18,120 Speaker 2: is yeah, that's okay. Rachel said, it's the first x 142 00:07:18,240 --> 00:07:18,840 Speaker 2: rated epp. 143 00:07:19,280 --> 00:07:20,520 Speaker 1: Oh my god, I know. 144 00:07:20,680 --> 00:07:22,240 Speaker 2: This is what I'm being educated. 145 00:07:22,720 --> 00:07:25,920 Speaker 1: I'm busy preparing for comedy stuff and I have really 146 00:07:26,360 --> 00:07:27,920 Speaker 1: my PG thirteen filters. 147 00:07:28,000 --> 00:07:30,440 Speaker 2: I feel like your lack of filter. You know, that's 148 00:07:30,440 --> 00:07:32,040 Speaker 2: one of the reasons I'm still friends with you. It 149 00:07:32,080 --> 00:07:33,320 Speaker 2: is because of your lack of filter. 150 00:07:34,840 --> 00:07:37,400 Speaker 1: But there's but there's obviously a lot of other things 151 00:07:37,400 --> 00:07:38,440 Speaker 1: that are counting against me. 152 00:07:38,560 --> 00:07:39,520 Speaker 2: That's what that felt like. 153 00:07:40,080 --> 00:07:42,760 Speaker 1: You're like, it's one of the reasons I'm still friends 154 00:07:42,800 --> 00:07:45,280 Speaker 1: with you because the other list is kind of long. 155 00:07:45,840 --> 00:07:48,920 Speaker 1: But at least you're funn and you teach me culturally 156 00:07:49,000 --> 00:07:51,560 Speaker 1: relevant things like scrow talks like this is I would 157 00:07:51,560 --> 00:07:57,280 Speaker 1: be lost without you. Why oh my iPad is going now? 158 00:07:58,080 --> 00:08:00,600 Speaker 2: Like not the ghost mic, it's the ghost check. I 159 00:08:00,640 --> 00:08:01,200 Speaker 2: did you guys. 160 00:08:01,240 --> 00:08:06,440 Speaker 1: I'm not touching my hands right just now. It opened up. 161 00:08:07,080 --> 00:08:11,160 Speaker 1: I had it on the drive thing it closed that 162 00:08:11,760 --> 00:08:16,000 Speaker 1: it opened up the news they're breaking news. 163 00:08:17,800 --> 00:08:20,120 Speaker 2: Yeah, it opened up the news, which I don't want 164 00:08:20,120 --> 00:08:22,040 Speaker 2: to see that could really do without. 165 00:08:22,360 --> 00:08:25,480 Speaker 1: And it opened then it opened up my calendar and 166 00:08:25,520 --> 00:08:27,480 Speaker 1: that like it did all of us, Like what is 167 00:08:27,520 --> 00:08:29,920 Speaker 1: because you were talking about Hawaii and so it's like, oh, yes, 168 00:08:30,000 --> 00:08:32,520 Speaker 1: let me pull up those dates. It's like, yeah, yeah, 169 00:08:32,559 --> 00:08:34,320 Speaker 1: here's all the stuff you have to do first. No, 170 00:08:34,400 --> 00:08:36,760 Speaker 1: I don't know, and now it won't listen to me 171 00:08:36,800 --> 00:08:37,720 Speaker 1: and close the calendar. 172 00:08:37,840 --> 00:08:41,600 Speaker 2: No, it's okay, it's okay. I just that's okay. 173 00:08:41,679 --> 00:08:45,520 Speaker 1: I have my iPad has is having some feelings electronics 174 00:08:45,520 --> 00:08:46,160 Speaker 1: in this office. 175 00:08:46,559 --> 00:08:49,320 Speaker 2: See, I think it's haunted. I think your office definitely 176 00:08:49,400 --> 00:08:51,920 Speaker 2: is a ghost. Between the ghost mic, the ghost iPad, 177 00:08:52,720 --> 00:08:55,839 Speaker 2: the dog wandering in and out, the the expletives in 178 00:08:55,880 --> 00:08:58,600 Speaker 2: the background. Like, I think the ghosts have something to say. 179 00:08:58,960 --> 00:08:59,839 Speaker 2: The ghosts are like. 180 00:09:00,040 --> 00:09:05,360 Speaker 1: There's a lot happening, don't we all, Yeah, there's everyone's 181 00:09:05,400 --> 00:09:07,040 Speaker 1: got something to say. 182 00:09:07,160 --> 00:09:09,800 Speaker 2: Yeah, all right, so you are should we Let me. 183 00:09:09,760 --> 00:09:11,920 Speaker 1: See if I can, uh, you know, get back to 184 00:09:12,520 --> 00:09:16,120 Speaker 1: doing right job here and find my drive because it 185 00:09:16,200 --> 00:09:16,960 Speaker 1: closes itself. 186 00:09:18,120 --> 00:09:19,720 Speaker 2: This is a great This is good. This is the 187 00:09:19,720 --> 00:09:21,079 Speaker 2: best pre show Shatter ever. 188 00:09:24,440 --> 00:09:31,200 Speaker 1: Haunted things, tanned things, less wrinkly things. 189 00:09:31,440 --> 00:09:33,800 Speaker 2: This has been This has been a lot. Okay, Well, 190 00:09:33,880 --> 00:09:36,079 Speaker 2: let's all start the show. Well you start to reboot. 191 00:09:36,120 --> 00:09:38,640 Speaker 1: Let's do it before before we never get to do 192 00:09:38,679 --> 00:09:39,559 Speaker 1: another show again. 193 00:09:39,840 --> 00:09:43,520 Speaker 2: Let's let's get into it. We go back to our tantos. 194 00:09:43,920 --> 00:09:48,160 Speaker 1: I'm Andrea Barber and oh boy, am I Jodie Sweeten. 195 00:09:48,440 --> 00:09:54,520 Speaker 2: Today we are finally discussing season six, episode four, Radio Date. Finally, 196 00:09:55,280 --> 00:10:00,000 Speaker 2: meaning was finally out of the pre that extraordinary, excruciating 197 00:10:00,120 --> 00:10:02,800 Speaker 2: pre show chatter and into the recap. That's why I 198 00:10:02,920 --> 00:10:03,680 Speaker 2: got it, got it? 199 00:10:03,720 --> 00:10:05,600 Speaker 1: I thought, I was like, have we been waiting for 200 00:10:05,640 --> 00:10:06,320 Speaker 1: this episode? 201 00:10:06,480 --> 00:10:08,520 Speaker 2: Is this the fanos have been waiting for us to 202 00:10:08,559 --> 00:10:12,640 Speaker 2: get to this part of this podcast episode? But you know, right, 203 00:10:12,679 --> 00:10:14,520 Speaker 2: it's only been thirteen minutes. It feels like it's been 204 00:10:14,520 --> 00:10:19,000 Speaker 2: thirteen years of pre show chatter. So it originally aired 205 00:10:19,120 --> 00:10:22,160 Speaker 2: October thirteenth, nineteen ninety two, and it goes a little 206 00:10:22,200 --> 00:10:25,920 Speaker 2: something like this, Jesse and Joey are offered a job 207 00:10:26,160 --> 00:10:30,200 Speaker 2: as radio DJs. Because of course they are right, it's 208 00:10:30,200 --> 00:10:32,520 Speaker 2: time for the next career. It's been it's been for 209 00:10:32,559 --> 00:10:35,120 Speaker 2: the not even episode this one. They actually leave the 210 00:10:35,160 --> 00:10:38,080 Speaker 2: house for them. Yeah, that's true, that's true. It's a 211 00:10:38,080 --> 00:10:41,520 Speaker 2: good duel. I like this duo together. It was directed 212 00:10:41,520 --> 00:10:47,360 Speaker 2: by Richard Correll. Rich Correll from wife Beth. The other day, 213 00:10:47,360 --> 00:10:50,440 Speaker 2: she texted me she's so sweet and missed them. I 214 00:10:50,559 --> 00:10:54,319 Speaker 2: love them. Yeah, It was written by Tom Bricard and 215 00:10:54,440 --> 00:10:57,440 Speaker 2: we have amazing guest stars this week. We have, yes, 216 00:10:57,480 --> 00:11:02,480 Speaker 2: we do, an other than the legend Adie mcclerk oh 217 00:11:02,559 --> 00:11:06,719 Speaker 2: my goodness as Jungle Jenny. I forgot she was on 218 00:11:06,760 --> 00:11:07,200 Speaker 2: her show. 219 00:11:07,360 --> 00:11:13,920 Speaker 1: This is she is so I My very first show 220 00:11:14,160 --> 00:11:18,280 Speaker 1: with Miller Boyette was Mallory and she was missus Poole, 221 00:11:18,360 --> 00:11:23,320 Speaker 1: the next door neighbor. And in one episode which is 222 00:11:23,320 --> 00:11:28,920 Speaker 1: how I got Philasmia, I played her niece Pamela, and 223 00:11:29,080 --> 00:11:31,800 Speaker 1: she hurts her back and has to bring. 224 00:11:31,840 --> 00:11:35,520 Speaker 2: Me over to the Three Boys to watch. 225 00:11:36,679 --> 00:11:38,440 Speaker 1: Kind of like a it was like a precursor to 226 00:11:38,559 --> 00:11:41,120 Speaker 1: Fort but they have to and they have to figure 227 00:11:41,120 --> 00:11:42,960 Speaker 1: out how to play tea party and how to do 228 00:11:43,000 --> 00:11:43,600 Speaker 1: all the stuff. 229 00:11:44,880 --> 00:11:45,760 Speaker 2: But I work with. 230 00:11:46,480 --> 00:11:51,960 Speaker 1: And she is, like I can still I still remember 231 00:11:52,200 --> 00:11:54,920 Speaker 1: her like taking me by the hand and leading me 232 00:11:55,040 --> 00:11:57,360 Speaker 1: into the set and like how excited I was to 233 00:11:57,480 --> 00:12:01,000 Speaker 1: like be there, and just she was so sweet and 234 00:12:01,080 --> 00:12:03,600 Speaker 1: kind to me. So, I mean, everyone on set was 235 00:12:03,640 --> 00:12:08,800 Speaker 1: really lovely. Jason Bateman was fantastic and yeah, but Eatie 236 00:12:08,840 --> 00:12:10,840 Speaker 1: mcclar was on there, and I forgot she was on 237 00:12:10,840 --> 00:12:12,960 Speaker 1: the show because I didn't have any scenes with her. 238 00:12:13,000 --> 00:12:16,520 Speaker 2: In this episode, I was like, yeah, that's so cool. 239 00:12:17,360 --> 00:12:18,680 Speaker 2: I'm glad to hear is such. 240 00:12:18,520 --> 00:12:22,200 Speaker 1: A character actor, you know, one of those people again 241 00:12:22,240 --> 00:12:23,120 Speaker 1: that's been in. 242 00:12:23,160 --> 00:12:27,600 Speaker 2: Everything, everything, and then the the movies she started are 243 00:12:27,640 --> 00:12:31,240 Speaker 2: like so memorable. Ferris Bueller's Day Off. Yeah, is just 244 00:12:31,679 --> 00:12:36,400 Speaker 2: she's hysterical, planes, trains, and automobiles. She plays the rental 245 00:12:36,480 --> 00:12:40,240 Speaker 2: car agent person yelling at Steve Martin. It's so great. 246 00:12:41,400 --> 00:12:43,240 Speaker 2: What else has she done? She was Lucille on w 247 00:12:43,360 --> 00:12:46,679 Speaker 2: k RP and Cincinnati. She was in a river runs 248 00:12:46,679 --> 00:12:50,320 Speaker 2: through it, Natural Born Killers, like again she just has Yeah, 249 00:12:50,480 --> 00:12:53,480 Speaker 2: I know Redford. 250 00:12:53,880 --> 00:12:57,280 Speaker 1: I was too distracted by Redford. Oh no, I'm thinking 251 00:12:57,320 --> 00:12:58,360 Speaker 1: of Legends of the Fall. 252 00:12:58,480 --> 00:13:01,560 Speaker 2: Oh, I was saying the bad pay. We've talked about 253 00:13:01,600 --> 00:13:05,040 Speaker 2: that on this show. I don't know anyone. 254 00:13:05,040 --> 00:13:07,280 Speaker 1: I don't think so we don't need no, let's not 255 00:13:07,320 --> 00:13:11,079 Speaker 1: get off any more tangents. But yeah, she's not no back. 256 00:13:11,720 --> 00:13:15,000 Speaker 2: Yeah, she is legendary. I really hope we can get 257 00:13:15,040 --> 00:13:17,160 Speaker 2: her on the podcast because I would love to talk 258 00:13:17,200 --> 00:13:20,480 Speaker 2: to her, talk to her, especially in light of you 259 00:13:20,559 --> 00:13:23,480 Speaker 2: doing your first job with her. That's so cool. Yeah, 260 00:13:23,520 --> 00:13:27,400 Speaker 2: my first TV job. I love that. Richard Paul returns 261 00:13:27,440 --> 00:13:32,040 Speaker 2: as mister Strowbridge and love him he's still here. He's 262 00:13:32,040 --> 00:13:35,240 Speaker 2: a very consistent guest character. You know, he's great. I 263 00:13:35,280 --> 00:13:40,280 Speaker 2: love that he's back. And Hillary Shepherd stars as Julie Hartman. 264 00:13:40,840 --> 00:13:43,880 Speaker 2: She was the lead singer and percussionist for the short 265 00:13:43,920 --> 00:13:47,880 Speaker 2: lived all girls group The American Girls, and she's also 266 00:13:48,000 --> 00:13:52,000 Speaker 2: known as for playing the evil pirate Queen Diva Talks 267 00:13:52,040 --> 00:13:58,360 Speaker 2: in Power Rangers Turbo and Turbo a Power Rangers movie. 268 00:13:58,679 --> 00:14:01,400 Speaker 2: Those are two different things, well, I assume one is 269 00:14:01,400 --> 00:14:05,480 Speaker 2: a sequel Power Rangers Turbot. 270 00:14:05,480 --> 00:14:07,280 Speaker 1: I thought you're gonna say a joke about divatas just 271 00:14:07,280 --> 00:14:08,239 Speaker 1: a lot of turbot. 272 00:14:08,880 --> 00:14:11,320 Speaker 2: I was just changed the order of them, and it's 273 00:14:11,360 --> 00:14:13,360 Speaker 2: a new thing. And a lot of talks, a lot 274 00:14:13,400 --> 00:14:17,240 Speaker 2: of Diva talks and scrow talks. There's just so much talk, 275 00:14:17,920 --> 00:14:18,480 Speaker 2: a lot of talks. 276 00:14:21,240 --> 00:14:21,440 Speaker 1: Yeah. 277 00:14:24,000 --> 00:14:27,480 Speaker 2: Uh so, And she appeared on one episode of So 278 00:14:27,600 --> 00:14:30,040 Speaker 2: Little Time, starring the Olsen Twins, So I'm like, who 279 00:14:30,080 --> 00:14:32,320 Speaker 2: did she know? Who does she know? On our show 280 00:14:32,880 --> 00:14:34,760 Speaker 2: that kept putting her in all the time? Is so 281 00:14:35,280 --> 00:14:38,360 Speaker 2: short lived series that the that the girls did, they 282 00:14:38,360 --> 00:14:43,200 Speaker 2: were probably one short lived, yes, very very short lived, 283 00:14:43,240 --> 00:14:46,480 Speaker 2: but uh, you know, that's okay. Oh, and she will 284 00:14:46,480 --> 00:14:50,080 Speaker 2: return in the next episode Lovers and other Tanners. Uh, 285 00:14:50,760 --> 00:14:53,160 Speaker 2: I assume there's more stuff going on at the radio station. 286 00:14:53,280 --> 00:14:57,680 Speaker 2: So she's back. She's very easily amused by Joey. 287 00:14:57,880 --> 00:15:00,680 Speaker 1: I was, well, that's for it's gonna have that's why 288 00:15:00,680 --> 00:15:04,680 Speaker 1: she's going to be a love interest, probably just for 289 00:15:04,800 --> 00:15:07,360 Speaker 1: the next episode, and then it will never work out, right, 290 00:15:07,440 --> 00:15:09,760 Speaker 1: and then and then joys back to yeah, back to 291 00:15:09,920 --> 00:15:10,440 Speaker 1: sleeping with. 292 00:15:11,920 --> 00:15:15,320 Speaker 2: So we start with the teezer in the living room. Becky, 293 00:15:15,360 --> 00:15:18,240 Speaker 2: the twins, and Michelle are sitting on the couch and 294 00:15:18,280 --> 00:15:20,960 Speaker 2: Becky asks Michelle to watch Nikki and Alex while she 295 00:15:21,000 --> 00:15:23,880 Speaker 2: goes and gets them a cookie. To no one's surprise, 296 00:15:23,960 --> 00:15:26,800 Speaker 2: Michelle asks if she can have a cookie too. Becky 297 00:15:26,840 --> 00:15:30,240 Speaker 2: reminds her she already had dessert, and Michelle shrugs, I 298 00:15:30,320 --> 00:15:32,440 Speaker 2: was just checking, Becky laughs. 299 00:15:32,680 --> 00:15:35,360 Speaker 1: Cookie doesn't chemist dessert, that's just an extra Look, yeah, 300 00:15:35,400 --> 00:15:39,160 Speaker 1: cookie is, it's in. I could have eaten a piece 301 00:15:39,200 --> 00:15:40,800 Speaker 1: of cake and then like an hour later. 302 00:15:40,760 --> 00:15:44,720 Speaker 2: Be like, you know, grab me cookie. That's nothing. Especially Michelle, 303 00:15:45,680 --> 00:15:50,520 Speaker 2: she needs sugar like approximately every two hours. So Becky laughs, 304 00:15:50,600 --> 00:15:54,360 Speaker 2: she leaves, and Michelle is alone with the twins, She 305 00:15:54,480 --> 00:15:56,960 Speaker 2: tells the twins that they can play their favorite game. 306 00:15:57,560 --> 00:16:00,560 Speaker 2: So first she asks, where's your tongue, and she grabs 307 00:16:00,560 --> 00:16:03,560 Speaker 2: her own tongue to show them. When they don't copy her, 308 00:16:03,640 --> 00:16:07,280 Speaker 2: she emphasizes, while still holding her tongue, I'm talking about 309 00:16:07,280 --> 00:16:08,280 Speaker 2: the thing in your mouth. 310 00:16:09,200 --> 00:16:14,400 Speaker 1: The twins it's their favorite, say their favorite is looking confused? 311 00:16:15,840 --> 00:16:19,440 Speaker 2: Right right? They love this game. They just sit there 312 00:16:19,440 --> 00:16:22,880 Speaker 2: and go, what this is Michelle? And she's her attempt 313 00:16:22,920 --> 00:16:25,840 Speaker 2: to be Adria later and trying to get the reaction 314 00:16:25,960 --> 00:16:28,520 Speaker 2: out of babies, and they're just like, we're not having it. 315 00:16:29,640 --> 00:16:32,480 Speaker 2: So Michelle continues, where's your nose and she points to 316 00:16:32,520 --> 00:16:35,440 Speaker 2: her nose for emphasis. One of the twins responds by 317 00:16:35,480 --> 00:16:39,080 Speaker 2: touching his nose too, and Michelle takes that as a win, saying, well, 318 00:16:39,240 --> 00:16:50,680 Speaker 2: at least one of you got it and we're out. Next, 319 00:16:50,760 --> 00:16:53,400 Speaker 2: in the kitchen, Danny and Becky are cooking dinner while 320 00:16:53,400 --> 00:16:56,960 Speaker 2: stephan Michelle sit at the table. Stephanie's doing her homework, 321 00:16:57,440 --> 00:17:02,479 Speaker 2: still wearing those cute glasses. Again. I think you look adorable. 322 00:17:04,840 --> 00:17:12,680 Speaker 2: It's you wear them. Well yeah, okay, well whatever, your 323 00:17:12,760 --> 00:17:16,119 Speaker 2: plaid skirt is beautiful. The plaid, the plaid long skirt 324 00:17:16,160 --> 00:17:19,800 Speaker 2: that you're wearing. That I remember this outfit. Ye, little 325 00:17:19,840 --> 00:17:23,720 Speaker 2: skirt and everything. Yeah, so Michelle loved a good swirly skirt. 326 00:17:24,119 --> 00:17:28,719 Speaker 2: Michelle asks Steph if she can help, and Steph responds, sorry, Michelle, 327 00:17:28,720 --> 00:17:31,560 Speaker 2: I'm writing a short story. You can't write, so you 328 00:17:31,600 --> 00:17:35,320 Speaker 2: can't help. Michelle is insistent, I can write. My eyes 329 00:17:35,400 --> 00:17:39,080 Speaker 2: and teas and Stephanie rolls her eyes at this suggestion. Oh, 330 00:17:39,200 --> 00:17:45,040 Speaker 2: great story, it it it it, Michelle pouts, That's what 331 00:17:45,240 --> 00:17:46,200 Speaker 2: was my first thought too. 332 00:17:46,240 --> 00:17:50,560 Speaker 1: It's like, hey, yeah, can go far. 333 00:17:50,720 --> 00:17:54,440 Speaker 2: It can. But Michelle is upset. She says no one 334 00:17:54,520 --> 00:17:59,280 Speaker 2: ever lets her help. Steph dismissively gets up from the table. 335 00:17:59,320 --> 00:18:02,280 Speaker 2: Holding her note book. She announces to Becky and Danny, 336 00:18:02,560 --> 00:18:07,080 Speaker 2: listen to my literary masterpiece, The Potato Bug by Stephanie Tanner. 337 00:18:07,680 --> 00:18:10,720 Speaker 2: She continues with a dramatic reading. The Potato Bug was 338 00:18:10,760 --> 00:18:17,120 Speaker 2: sitting on a leaf, just hanging out, sitting, sitting, sitting, hanging, hanging, hanging. 339 00:18:18,560 --> 00:18:21,400 Speaker 2: Michelle's the one to roll her eyes this time. She comments, 340 00:18:21,720 --> 00:18:25,320 Speaker 2: I liked it better, and she stops out of the kitchen. 341 00:18:26,840 --> 00:18:27,720 Speaker 2: She's very judgy. 342 00:18:27,920 --> 00:18:30,760 Speaker 1: Yeah, have you ever seen a potato bog by the way, 343 00:18:31,320 --> 00:18:33,280 Speaker 1: tell me don't look them up. 344 00:18:33,320 --> 00:18:37,320 Speaker 2: Oh they don't look like just cute little squatty potatoes. 345 00:18:36,920 --> 00:18:38,880 Speaker 1: At least if it's what I'm thinking, because I used 346 00:18:38,880 --> 00:18:40,240 Speaker 1: to We used to get them at a place I 347 00:18:40,280 --> 00:18:42,119 Speaker 1: worked at up in the hills, and you would be like, 348 00:18:42,160 --> 00:18:44,719 Speaker 1: oh my god, what is that thing? And they were like, 349 00:18:44,800 --> 00:18:46,520 Speaker 1: they call them a potato bug. And I seem to 350 00:18:46,560 --> 00:18:48,879 Speaker 1: remember looking it up and they're really is it like 351 00:18:48,880 --> 00:18:53,320 Speaker 1: a water Is that No, it's like a just a 352 00:18:53,359 --> 00:18:55,040 Speaker 1: big like a chockroach. 353 00:18:55,280 --> 00:18:59,200 Speaker 2: They're just he kind of they've got like like they're 354 00:18:59,240 --> 00:19:02,000 Speaker 2: just creepy. I don't I don't like bugs. Yeah, yeah, 355 00:19:02,119 --> 00:19:03,680 Speaker 2: I don't. They're not. 356 00:19:03,960 --> 00:19:06,680 Speaker 1: They're also not a great See, Mattie, I'm throwing out 357 00:19:06,840 --> 00:19:07,480 Speaker 1: so terrifying. 358 00:19:08,160 --> 00:19:09,719 Speaker 2: I'm telling you, I'm going to look up right now. 359 00:19:09,760 --> 00:19:10,679 Speaker 2: I won't wait till. 360 00:19:11,520 --> 00:19:13,600 Speaker 1: Up right now so that I can show you just 361 00:19:13,760 --> 00:19:14,880 Speaker 1: because live reaction. 362 00:19:15,000 --> 00:19:17,479 Speaker 2: Okay, all right, yeah, live reaction. 363 00:19:17,600 --> 00:19:23,800 Speaker 1: Here we show it's also called a Jerusalem cricket, and that. 364 00:19:26,680 --> 00:19:31,840 Speaker 2: Okay, although most bugs were anyway, I don't know why 365 00:19:31,880 --> 00:19:34,080 Speaker 2: you'd be writing about one of those interesting choice for 366 00:19:34,119 --> 00:19:36,639 Speaker 2: slipany Yeah, she's she could write a horror film with 367 00:19:36,760 --> 00:19:38,920 Speaker 2: starring the Potato Bug and it would fit there. 368 00:19:40,240 --> 00:19:42,679 Speaker 1: Yeah, our our fan raddos will go look it up. 369 00:19:42,760 --> 00:19:44,560 Speaker 1: They'll they'll pause and they'll come back and they'll be. 370 00:19:44,600 --> 00:19:48,800 Speaker 2: Like, they give us their opinions, no doubt. So Steph, 371 00:19:48,920 --> 00:19:52,200 Speaker 2: let's out a sigh of defeat, knowing that Michelle is right. 372 00:19:52,800 --> 00:19:55,800 Speaker 2: So Danny gives her some suggestions. No, no, honey, you 373 00:19:55,840 --> 00:19:58,000 Speaker 2: know what it is. I need to know more about 374 00:19:58,000 --> 00:20:01,160 Speaker 2: this potato bug. What are his hobbies, what's his favorite color? 375 00:20:01,400 --> 00:20:05,159 Speaker 2: What sort of fabric softener does he use. Becky plays 376 00:20:05,160 --> 00:20:07,560 Speaker 2: with her hair and tries to console her as well, 377 00:20:07,720 --> 00:20:10,960 Speaker 2: suggesting she write about what she knows with the people 378 00:20:11,040 --> 00:20:15,160 Speaker 2: and the things around her. On cue DJ Stevens Kimmy's 379 00:20:15,160 --> 00:20:18,439 Speaker 2: storm into the kitchen. DJ's in the midst of yelling 380 00:20:18,560 --> 00:20:21,600 Speaker 2: at Steve, I can't believe you gave Kathy Santoni a 381 00:20:21,720 --> 00:20:28,600 Speaker 2: ride home. Kathy, she is causing problems off screen, Kathy. 382 00:20:28,960 --> 00:20:32,280 Speaker 2: I think she's mentioned more times than she actually appears 383 00:20:32,359 --> 00:20:32,840 Speaker 2: in the show. 384 00:20:33,760 --> 00:20:37,200 Speaker 1: She appeared like, but she's she at least well three 385 00:20:37,200 --> 00:20:39,480 Speaker 1: times if you count fuller her Yeah, right, but no, 386 00:20:39,640 --> 00:20:44,720 Speaker 1: she's she's the off camera of the camera villain. Yeah, yeah, yeah, 387 00:20:44,720 --> 00:20:45,720 Speaker 1: she's always being referred to. 388 00:20:45,760 --> 00:20:50,560 Speaker 2: But so Steve defends his actions, saying she was carrying 389 00:20:50,720 --> 00:20:54,480 Speaker 2: too many books and DJ scoffs, yeah, and six pounds 390 00:20:54,480 --> 00:20:58,439 Speaker 2: of makeup. I could see Kathy Santoni doing this on 391 00:20:58,480 --> 00:21:01,480 Speaker 2: purpose to try to break up Steven DJ. She seems 392 00:21:01,560 --> 00:21:03,320 Speaker 2: kind of like that type of person to want to 393 00:21:03,560 --> 00:21:06,960 Speaker 2: meddle with a relationship. But is she scheming or is 394 00:21:07,080 --> 00:21:10,040 Speaker 2: she just ditzy? Though I can't ever question tell the 395 00:21:10,119 --> 00:21:11,840 Speaker 2: comments made, it's not lazy. 396 00:21:11,920 --> 00:21:13,800 Speaker 1: She just doesn't want to walk with all those books. 397 00:21:13,840 --> 00:21:16,240 Speaker 1: She's like, give me a ride. I don't know, right, 398 00:21:16,280 --> 00:21:17,399 Speaker 1: I mean, he is heavy. 399 00:21:18,440 --> 00:21:22,320 Speaker 2: So Kimmy interrupts ding end of round six. She turns 400 00:21:22,320 --> 00:21:25,000 Speaker 2: to the family to update them. So far, I've got 401 00:21:25,040 --> 00:21:26,919 Speaker 2: this fight scored even. 402 00:21:28,520 --> 00:21:33,760 Speaker 1: And continue with fight, continue to sold let me talk. 403 00:21:33,000 --> 00:21:38,160 Speaker 2: And Kimmy's narrating this fight. DJ says she's such a bimbo. 404 00:21:38,440 --> 00:21:41,080 Speaker 2: She signed up for shop class because she thought it 405 00:21:41,160 --> 00:21:45,360 Speaker 2: was taught at the mall. See, I think she's kind 406 00:21:45,359 --> 00:21:49,080 Speaker 2: of an idiot, she's yeah, but so Skimmy's an idiot too, 407 00:21:49,119 --> 00:21:53,920 Speaker 2: So yeah you think that? Why is DJ suddenly anybody 408 00:21:54,600 --> 00:21:57,720 Speaker 2: well yeah, DJs can only be loyal to one idiot 409 00:21:57,760 --> 00:22:00,240 Speaker 2: at a time, so she's loyal to Kimmy. So she 410 00:22:00,280 --> 00:22:01,280 Speaker 2: treats Kimmy bellea. 411 00:22:01,359 --> 00:22:05,720 Speaker 1: I get, I get that you're only friends with being loyled. 412 00:22:05,520 --> 00:22:09,320 Speaker 2: One idiot at a time. Wait, wait, what does that mean? 413 00:22:11,400 --> 00:22:16,320 Speaker 2: Are you talking about who's taking it personally? No? No, 414 00:22:16,840 --> 00:22:22,679 Speaker 2: I've potato bug I'm stuck on that. So where am i? 415 00:22:22,760 --> 00:22:22,960 Speaker 1: Oh? 416 00:22:23,119 --> 00:22:26,919 Speaker 2: So DJ calls Kathy a bimbo. She's very jealous, and 417 00:22:26,960 --> 00:22:30,359 Speaker 2: Steph has a light bulb moment. Hmmm, the young and 418 00:22:30,400 --> 00:22:33,600 Speaker 2: the jealous. She quickly grabs her notebook and heads off 419 00:22:33,600 --> 00:22:37,480 Speaker 2: to write her new short story. Can He takes Steph's 420 00:22:37,480 --> 00:22:41,120 Speaker 2: abandoned seat and casually asks Danny, so, what's for supper, pops. 421 00:22:41,840 --> 00:22:44,440 Speaker 2: Danny gives her a fake smile and responds a home 422 00:22:44,480 --> 00:22:47,280 Speaker 2: cooked meal. Then he nudges her off the stool and says, 423 00:22:47,440 --> 00:22:50,000 Speaker 2: so go home and start cooking, and he escorts her 424 00:22:50,000 --> 00:22:52,240 Speaker 2: out the back door. That was good. That was a 425 00:22:52,240 --> 00:22:57,359 Speaker 2: good burn, Danny. Then Jesse walks in, carrying both twins 426 00:22:57,400 --> 00:23:00,480 Speaker 2: and he announces, Hey, everybody, I got good news. I'm 427 00:23:00,520 --> 00:23:04,040 Speaker 2: going to be on kf LH radio tonight Julie Hartman's 428 00:23:04,080 --> 00:23:07,879 Speaker 2: interviewing me about the benefit concert I'm doing. Danny and 429 00:23:07,920 --> 00:23:11,359 Speaker 2: Becky think this is wonderful and congratulate him on the news. 430 00:23:12,280 --> 00:23:15,879 Speaker 2: Do you have whiplash yet? From all he was just 431 00:23:15,920 --> 00:23:19,399 Speaker 2: in Japan. He turned down the big world tour. 432 00:23:19,560 --> 00:23:21,760 Speaker 1: I'm saying, Wait, I thought he said he wasn't gonna 433 00:23:21,760 --> 00:23:22,160 Speaker 1: do this. 434 00:23:22,320 --> 00:23:24,679 Speaker 2: So maybe he's sticking to local benefits and he's not 435 00:23:25,000 --> 00:23:29,879 Speaker 2: doing the worldwide tour of Asia. I don't know. Yeah, 436 00:23:30,000 --> 00:23:32,480 Speaker 2: I mean the Rippers must have a lot of pull. 437 00:23:32,560 --> 00:23:33,240 Speaker 2: They really do. 438 00:23:33,320 --> 00:23:36,359 Speaker 1: If it's a benefit concert. Yeah, I mean a lot 439 00:23:36,359 --> 00:23:37,200 Speaker 1: of people buying tickets. 440 00:23:37,440 --> 00:23:40,879 Speaker 2: They're pushing those tickets for Jess. So Jesse continues with 441 00:23:40,920 --> 00:23:43,720 Speaker 2: the good news, noting that Nicky's diaper rash has been 442 00:23:43,800 --> 00:23:47,240 Speaker 2: downgraded to a diaper irritation, and then he sets the 443 00:23:47,240 --> 00:23:50,240 Speaker 2: boys at the kiddy table. Becky happily moves to the 444 00:23:50,240 --> 00:23:52,800 Speaker 2: fridge and tells her boys that she has something for them. 445 00:23:53,160 --> 00:23:55,199 Speaker 2: She holds out two cups filled with apple juice and 446 00:23:55,240 --> 00:23:59,040 Speaker 2: points out the fun doofy straws that are sticking out 447 00:23:59,040 --> 00:24:04,160 Speaker 2: of them. Jesse's confused, asking doofy straws, and Becky insists 448 00:24:04,160 --> 00:24:07,720 Speaker 2: that kids love them. Then Joey walks in. I would 449 00:24:07,720 --> 00:24:11,800 Speaker 2: have gone with crazy Strassofy the official name, I didn't think. 450 00:24:11,840 --> 00:24:13,120 Speaker 2: I thought it was Crazy Straws too. 451 00:24:13,160 --> 00:24:16,080 Speaker 1: I would I think, well, it is Crazy Straws. But 452 00:24:16,160 --> 00:24:20,160 Speaker 1: I think to the probably age of the writer's room 453 00:24:21,600 --> 00:24:22,359 Speaker 1: was more of. 454 00:24:22,280 --> 00:24:25,040 Speaker 2: A yeah yeah. I had never heard more of a 455 00:24:25,080 --> 00:24:28,639 Speaker 2: generational sort of doofy? Okay, doofy straw? You do? 456 00:24:29,800 --> 00:24:30,080 Speaker 1: Okay? 457 00:24:30,119 --> 00:24:32,800 Speaker 2: Well it fits. But I was just like, what's I 458 00:24:32,840 --> 00:24:34,840 Speaker 2: thought she was saying goofy at first, but I'm like, 459 00:24:35,040 --> 00:24:36,080 Speaker 2: she wouldn't say right. 460 00:24:36,119 --> 00:24:40,280 Speaker 1: That also would have been a better choice, But okay, doofy. 461 00:24:40,680 --> 00:24:43,600 Speaker 1: Maybe all of those things are are so we had 462 00:24:43,640 --> 00:24:46,879 Speaker 1: to change is a goofy straw is a crazy Straw brand? 463 00:24:46,920 --> 00:24:48,720 Speaker 1: And they were like, what else can we say instead 464 00:24:48,720 --> 00:24:49,120 Speaker 1: of DJ? 465 00:24:49,320 --> 00:24:54,520 Speaker 2: It's PJ. Yeah, let's just slightly on cute. Joey walks 466 00:24:54,520 --> 00:24:58,080 Speaker 2: in and his eyes light up. Hey, doofy straws? I 467 00:24:58,119 --> 00:25:00,280 Speaker 2: love these things, and he grabs one of the ups 468 00:25:00,280 --> 00:25:03,560 Speaker 2: for himself. Jesse snatches it from him and reminds him 469 00:25:03,600 --> 00:25:07,159 Speaker 2: it's for the kids. Then Jesse hops up onto the 470 00:25:07,200 --> 00:25:10,800 Speaker 2: counter to continue his chat with Danny. Danny mentions the 471 00:25:10,840 --> 00:25:13,119 Speaker 2: buzz around town is that k f l ah just 472 00:25:13,160 --> 00:25:16,480 Speaker 2: looking for a new disc jockey. Jesse size, Oh, that'd 473 00:25:16,520 --> 00:25:19,879 Speaker 2: be a perfect job for me. I'm not touring right now. 474 00:25:20,240 --> 00:25:23,320 Speaker 2: My record's off the charts. Since I was a kid, 475 00:25:23,600 --> 00:25:28,840 Speaker 2: I dreamed of being a DJ, in addition to his 476 00:25:28,960 --> 00:25:31,760 Speaker 2: dreams of being a rock star and an Elvis impersonator. 477 00:25:31,800 --> 00:25:35,879 Speaker 1: And yeah, I mean dream big, you know what I mean, 478 00:25:36,000 --> 00:25:40,080 Speaker 1: have lots of dreams. But when he said my record's 479 00:25:40,080 --> 00:25:42,119 Speaker 1: off the charts, I was like, wait, off the charts 480 00:25:42,160 --> 00:25:45,600 Speaker 1: is in? Like? So like doing well? You know, your 481 00:25:45,640 --> 00:25:48,520 Speaker 1: records off the charts. You're not doing the tour? Yeah, 482 00:25:48,560 --> 00:25:51,760 Speaker 1: but you're doing the benefit concert, so you're working. 483 00:25:52,960 --> 00:25:55,080 Speaker 2: He's a hustler. He's a hustler. Now he wants to 484 00:25:55,080 --> 00:25:57,119 Speaker 2: be a I got I personally have whiplash from all 485 00:25:57,160 --> 00:26:00,439 Speaker 2: these different you know, all of his different jobs. But 486 00:26:00,480 --> 00:26:04,600 Speaker 2: that's okay, I've forgot how many jobs? Yeah, Jesse had 487 00:26:04,640 --> 00:26:08,040 Speaker 2: a lot, you know, but especially compared to Danny and 488 00:26:08,200 --> 00:26:12,720 Speaker 2: his consistent work throughout the entire series, including Fuller, he 489 00:26:12,800 --> 00:26:16,320 Speaker 2: was a talk show host. So yeah, yeah, morning show host. 490 00:26:16,359 --> 00:26:20,159 Speaker 2: I guess I should say so, Danny tells Jesse that 491 00:26:20,280 --> 00:26:23,800 Speaker 2: Julie is the program director at the station, and Jesse 492 00:26:23,920 --> 00:26:26,240 Speaker 2: is confident that he can dazzle her with some witty 493 00:26:26,280 --> 00:26:30,639 Speaker 2: banter and impress her with his natural radio voice. He 494 00:26:30,720 --> 00:26:34,440 Speaker 2: happily declares, she'll be begging me to work there. Then, 495 00:26:34,560 --> 00:26:40,000 Speaker 2: Joey jokes while holding fried chicken. Yeah, the chicken, it's back. 496 00:26:40,320 --> 00:26:42,520 Speaker 2: We haven't seen it. It's been a long time. I've 497 00:26:42,560 --> 00:26:45,240 Speaker 2: missed it. I'm glad it's back, and Joey's holding it too, 498 00:26:45,320 --> 00:26:49,840 Speaker 2: like plot twist, right, Yeah, Joey says Jess, if you 499 00:26:49,880 --> 00:26:53,359 Speaker 2: can just get a little bit of self confidence. Becky 500 00:26:53,400 --> 00:26:55,639 Speaker 2: notices the chicken and takes it away because she doesn't 501 00:26:55,680 --> 00:26:58,439 Speaker 2: want him to spoil their spaghetti dinner, and then she 502 00:26:58,560 --> 00:27:02,320 Speaker 2: encourages him to change into a red shirt. Joey shakes 503 00:27:02,359 --> 00:27:04,800 Speaker 2: off the suggestion and tells Becky he's got a big 504 00:27:04,840 --> 00:27:09,080 Speaker 2: meeting at the station. He complains, mister Strobridge is trying 505 00:27:09,119 --> 00:27:11,320 Speaker 2: to stick me with a co host for the Ranger 506 00:27:11,480 --> 00:27:15,280 Speaker 2: Joe Show. Danny chimes in, I remember when they stuck 507 00:27:15,320 --> 00:27:17,639 Speaker 2: me with a co host, and he pouts at the 508 00:27:17,640 --> 00:27:18,200 Speaker 2: thought of it. 509 00:27:19,080 --> 00:27:21,600 Speaker 1: Becky, I feel like Jesse would have taken this really 510 00:27:21,640 --> 00:27:24,000 Speaker 1: personally though, because they got rid of hand because they 511 00:27:24,000 --> 00:27:25,640 Speaker 1: were like, we don't want a co host, but now 512 00:27:25,640 --> 00:27:28,679 Speaker 1: they're like, actually it happened to Lumberjack Jess. That was 513 00:27:28,720 --> 00:27:32,000 Speaker 1: the perfect co host, was a great Jesse. 514 00:27:33,480 --> 00:27:36,679 Speaker 2: He got in favor of the wife. You know, this 515 00:27:36,840 --> 00:27:38,160 Speaker 2: was all It's just nepotism. 516 00:27:38,720 --> 00:27:42,480 Speaker 1: The nepotism is running rampant in San Francisco. I mean 517 00:27:43,200 --> 00:27:48,600 Speaker 1: between mister Strobridge and the Tanner Fuller Canzopolist whatever family, 518 00:27:50,240 --> 00:27:51,320 Speaker 1: nobody else will get a job. 519 00:27:51,359 --> 00:27:54,680 Speaker 2: And Sym Francis it was closed to new applicants because 520 00:27:54,720 --> 00:27:57,879 Speaker 2: it's all mister Strobridge's family members and the Tanner family 521 00:27:57,880 --> 00:28:01,920 Speaker 2: members run this. So Becky's offended. She shoots Danny a 522 00:28:01,960 --> 00:28:04,440 Speaker 2: look and he quickly perks up. Oh and it worked 523 00:28:04,480 --> 00:28:08,119 Speaker 2: out great. Joey doesn't understand why he needs a co host. 524 00:28:08,320 --> 00:28:12,080 Speaker 2: He claims that his ratings are through the roof. Danny, Becky, 525 00:28:12,119 --> 00:28:15,440 Speaker 2: and Jesse raise their eyebrows at that statement, and Joey admits, 526 00:28:15,720 --> 00:28:19,119 Speaker 2: I'm starting to beat those Jonie loves Chotchy reruns and 527 00:28:19,200 --> 00:28:22,159 Speaker 2: he walks out. Jesse and Becky check on the boys 528 00:28:22,160 --> 00:28:25,440 Speaker 2: who are slurping up the apple juice through their doofy straws, 529 00:28:25,920 --> 00:28:30,440 Speaker 2: and they both say in Unison refills and we're out. 530 00:28:31,640 --> 00:28:34,720 Speaker 2: Next r In the hallway outside of DJ's room, Stephanie's 531 00:28:34,760 --> 00:28:37,520 Speaker 2: ear is pressed up to DJ's door in hopes of 532 00:28:37,560 --> 00:28:41,520 Speaker 2: getting more material for her short story. We hear DJ 533 00:28:41,720 --> 00:28:45,360 Speaker 2: asks Steve do you think Kathy Santoni's hair is bouncier 534 00:28:45,400 --> 00:28:51,680 Speaker 2: than mine? DJ like, the insecurities are screaming this episode, right, 535 00:28:52,200 --> 00:28:55,680 Speaker 2: take a lesson from Kimmy. She just own, you know, 536 00:28:55,880 --> 00:29:00,520 Speaker 2: stop thinking about other people. Own your confidence. Steve responds, 537 00:29:00,640 --> 00:29:04,600 Speaker 2: I told you Kathy Santoni means nothing to me. DJ 538 00:29:04,720 --> 00:29:08,040 Speaker 2: finally takes his word and apologizes to him. She walks 539 00:29:08,040 --> 00:29:10,520 Speaker 2: over and kisses him on the cheek, and just like that, 540 00:29:10,720 --> 00:29:14,320 Speaker 2: their problems are solved. She opens a textbook and suggests 541 00:29:14,320 --> 00:29:18,080 Speaker 2: they get back to studying the Taft Hearty Act. Meanwhile, 542 00:29:18,200 --> 00:29:19,840 Speaker 2: Steph is on the other end of the door, looking 543 00:29:20,000 --> 00:29:23,040 Speaker 2: less than pleased as she admits the young and the 544 00:29:23,120 --> 00:29:29,640 Speaker 2: jealous just became the doll and the boring. I love 545 00:29:29,720 --> 00:29:32,760 Speaker 2: being the dolly. You know those are goals to strive 546 00:29:32,880 --> 00:29:35,479 Speaker 2: Forthy's days. The dole and the boring. I am low 547 00:29:35,520 --> 00:29:38,440 Speaker 2: key shocked that Danny allowed DJ to have her boyfriend 548 00:29:38,480 --> 00:29:42,840 Speaker 2: in her room with the door closed. The same thing. 549 00:29:42,160 --> 00:29:45,960 Speaker 2: I don't let my kids have their significant others in 550 00:29:46,000 --> 00:29:49,720 Speaker 2: their rooms with the door closed. I'm just saying. Next 551 00:29:49,720 --> 00:29:53,800 Speaker 2: to the TV studio, Joey walks onto the Ranger Joe 552 00:29:53,800 --> 00:29:57,280 Speaker 2: set and notices the decor has changed a bit. Then 553 00:29:57,320 --> 00:30:02,560 Speaker 2: he sees a random woman with her hand inside mister Woodchuck. Right, 554 00:30:02,640 --> 00:30:08,440 Speaker 2: my gods, yeah, that seems very aggressive. He stalks up 555 00:30:08,480 --> 00:30:10,960 Speaker 2: to this lady in demands, please don't touch my Woodchuck. 556 00:30:11,120 --> 00:30:14,600 Speaker 2: As he snatches the puppet away, she recognizes him as 557 00:30:14,720 --> 00:30:18,760 Speaker 2: Ranger Joe and introduces herself. I'm Jungle Jenny, your new 558 00:30:18,840 --> 00:30:21,280 Speaker 2: co host. I hope you don't mind. I hung up 559 00:30:21,320 --> 00:30:24,880 Speaker 2: a few vines to spruce up the jungle. Joey reminds 560 00:30:24,880 --> 00:30:28,160 Speaker 2: her that Ranger Joe lives in the forest, not the jungle, 561 00:30:28,760 --> 00:30:32,080 Speaker 2: but Jenny brushes him off. There are trees and there 562 00:30:32,120 --> 00:30:36,120 Speaker 2: are leaves. What's the diff Joey winds, there's a world 563 00:30:36,160 --> 00:30:39,959 Speaker 2: of diff and Jenny teases him, Oh, aren't we wound 564 00:30:39,960 --> 00:30:44,440 Speaker 2: tighter than an Amish quilt. He rolls his eyes in response, 565 00:30:45,040 --> 00:30:48,120 Speaker 2: and she excitedly suggests let's get crazy and take the 566 00:30:48,200 --> 00:30:51,480 Speaker 2: kids on a rhino hunt, but Joey insists they would 567 00:30:51,520 --> 00:30:54,800 Speaker 2: never do that. They'd only ever invite a rhino to 568 00:30:54,880 --> 00:30:59,000 Speaker 2: a picnic. She shrugs that rhino hunt would be a picnic, 569 00:30:59,160 --> 00:31:01,640 Speaker 2: but you gotta be careful. Have you ever backed into 570 00:31:01,680 --> 00:31:05,640 Speaker 2: a rhino? She walks away, jumping up and down, yelling whoooo. 571 00:31:07,920 --> 00:31:11,000 Speaker 1: This woman, she didn't seem to be too bothered by 572 00:31:11,040 --> 00:31:13,320 Speaker 1: backing into a rhino. It's all I'm saying, you know 573 00:31:13,360 --> 00:31:15,240 Speaker 1: what I mean? She wasn't slightly delighted by that? 574 00:31:15,400 --> 00:31:18,840 Speaker 2: Yeah? Owl, Yeah, this woman could be like we should 575 00:31:18,840 --> 00:31:20,640 Speaker 2: have cast her as Kimmy's mom, Like she could be 576 00:31:20,760 --> 00:31:22,200 Speaker 2: Missus Gibbler, like she. 577 00:31:22,160 --> 00:31:25,280 Speaker 1: Could have Yes, this is exactly who I would picture. 578 00:31:26,920 --> 00:31:27,920 Speaker 2: Missus Gibbler to be. 579 00:31:28,120 --> 00:31:30,760 Speaker 1: Except she's just loud and offensive and doesn't care about 580 00:31:30,760 --> 00:31:32,800 Speaker 1: anybody else's feelings, right. 581 00:31:33,480 --> 00:31:38,320 Speaker 2: Bull dozing all over Joey. Yeah, definitely Gibbler esque. Then 582 00:31:38,360 --> 00:31:41,280 Speaker 2: mister Strowbridge walks in and greets Joey. Hi, see you 583 00:31:41,360 --> 00:31:44,080 Speaker 2: met your new co host. Joey shakes his head and 584 00:31:44,120 --> 00:31:47,760 Speaker 2: firmly states, mister Strowbridge, Sir, there is no way I 585 00:31:47,760 --> 00:31:51,320 Speaker 2: can work with that woman. She's totally whacked out and obnoxious. 586 00:31:52,080 --> 00:31:56,640 Speaker 2: Mister Strowbridge gasps, she's my wife, and Joey instantly changes 587 00:31:56,680 --> 00:32:00,120 Speaker 2: his tune. She's just what the show needs, sir, and 588 00:32:00,200 --> 00:32:06,160 Speaker 2: mister Strobridge beams at him in response, Oh boy, oh boy, 589 00:32:06,280 --> 00:32:10,680 Speaker 2: poor Joey can't get joy, can tell you, poor Joey No. Next, 590 00:32:10,720 --> 00:32:14,280 Speaker 2: at the radio station, Jesse is watching Jive all night. 591 00:32:14,400 --> 00:32:17,280 Speaker 2: Julie toss it over to commercial and he mouths the 592 00:32:17,360 --> 00:32:20,200 Speaker 2: call let her sign off. Obviously he's a huge fan 593 00:32:20,280 --> 00:32:23,360 Speaker 2: of this segment. Then Joey walks in and Jesse is 594 00:32:23,400 --> 00:32:25,960 Speaker 2: surprised to see him. He asks what he's doing there. 595 00:32:26,480 --> 00:32:28,480 Speaker 2: Joey tells him, oh, I had a quick meeting, so 596 00:32:28,520 --> 00:32:31,440 Speaker 2: I thought i'd come here and watched you make radio history. 597 00:32:32,920 --> 00:32:35,360 Speaker 2: Jesse thanks him before asking how he liked his new 598 00:32:35,400 --> 00:32:39,160 Speaker 2: co host. Joey answers how'd you like your last root canal? 599 00:32:40,120 --> 00:32:42,080 Speaker 2: Then Julie knocks on the window to tell Jesse to 600 00:32:42,120 --> 00:32:46,800 Speaker 2: come on into the studio. Jesse is visibly nervous, telling Joey, okay, 601 00:32:46,840 --> 00:32:50,360 Speaker 2: this is it showtime, man. Wish me luck. I'd die 602 00:32:50,400 --> 00:32:53,080 Speaker 2: to be a DJ at this place. Joey offers him 603 00:32:53,120 --> 00:32:56,360 Speaker 2: words of encouragement as he walks away. Inside the booth, 604 00:32:56,520 --> 00:32:58,920 Speaker 2: Jesse and Julie greet each other before they go live. 605 00:32:59,280 --> 00:33:02,560 Speaker 2: Julie introduced him to her listeners, and he admits how 606 00:33:02,600 --> 00:33:06,400 Speaker 2: excited he is to be there. Julie notices Joey watching 607 00:33:06,440 --> 00:33:09,680 Speaker 2: through the window, and Jesse mentions, Oh, that's my pal Joey. 608 00:33:09,800 --> 00:33:13,520 Speaker 2: He's a really funny guy. Then Julie motions for Joey 609 00:33:13,560 --> 00:33:14,040 Speaker 2: to come. 610 00:33:13,920 --> 00:33:18,600 Speaker 1: In, because why wouldn't you You'd be like, come on, 611 00:33:18,920 --> 00:33:22,040 Speaker 1: rude stranger man that I wasn't planning on having here, 612 00:33:22,200 --> 00:33:24,560 Speaker 1: and that I don't know if is funny or not 613 00:33:24,800 --> 00:33:25,160 Speaker 1: or can. 614 00:33:25,440 --> 00:33:27,720 Speaker 2: Is that rude? That's risky, Like there was so many 615 00:33:27,800 --> 00:33:31,000 Speaker 2: reasons not to do that, Julie, but you know, hey, 616 00:33:31,520 --> 00:33:37,040 Speaker 2: the storyline has to work. Yeah, So Joey is hesitant, 617 00:33:37,320 --> 00:33:39,480 Speaker 2: but he finally gives in and takes a seat next 618 00:33:39,480 --> 00:33:43,600 Speaker 2: to Jesse. Jesse mentions Joey plays Ranger Joe on the 619 00:33:43,680 --> 00:33:45,840 Speaker 2: Ranger Joe Show. You may have seen it. It's on 620 00:33:45,920 --> 00:33:49,520 Speaker 2: in the afternoons, and Julie admits, I'm usually watching Joony 621 00:33:49,640 --> 00:33:54,040 Speaker 2: Loves Chaucy. She continues Jesse's interviewing, asking about the feed 622 00:33:54,080 --> 00:33:57,840 Speaker 2: the Hungry benefit concert that he's performing this Saturday. Then 623 00:33:57,920 --> 00:34:00,760 Speaker 2: Julie brings Joey back into the conversation, asking him if 624 00:34:00,840 --> 00:34:05,520 Speaker 2: Jesse puts on a good show. Joey sarcastically responds, sure, 625 00:34:05,800 --> 00:34:08,840 Speaker 2: as long as it doesn't mess up his hair. Julie 626 00:34:08,920 --> 00:34:11,680 Speaker 2: laughs at the comment and admits to everyone that Jesse 627 00:34:11,880 --> 00:34:15,400 Speaker 2: does have a good head of hair. Jesse tries to 628 00:34:15,400 --> 00:34:18,399 Speaker 2: redeem himself, thinks, I combed it once in the fifth grade, 629 00:34:18,400 --> 00:34:22,200 Speaker 2: and it's been perfect ever since. Nature has been kind. 630 00:34:22,840 --> 00:34:25,920 Speaker 2: Joey scoffs, nature, this guy uses so much hair spray. 631 00:34:26,040 --> 00:34:29,440 Speaker 2: There's a giant hole in the ozone right above his head. 632 00:34:30,239 --> 00:34:32,759 Speaker 2: Jesse puts his arm around Joey and nervously slaps his 633 00:34:32,840 --> 00:34:35,799 Speaker 2: face as he lets out a fake laugh. My god, 634 00:34:35,840 --> 00:34:39,640 Speaker 2: oh gosh, this is this is painful. This is so painful. Yeah, 635 00:34:39,800 --> 00:34:41,239 Speaker 2: it's yeah. 636 00:34:41,440 --> 00:34:43,640 Speaker 1: I don't know who. I don't know who. I'm in 637 00:34:43,760 --> 00:34:44,840 Speaker 1: pain for more. 638 00:34:44,840 --> 00:34:47,200 Speaker 2: All with him. All this is cringe, Like, this is 639 00:34:47,239 --> 00:34:51,600 Speaker 2: so cringe for all of them. Julie is cracking up 640 00:34:51,640 --> 00:34:54,200 Speaker 2: at Joey's remarks. So Jesse admits to the audience that 641 00:34:54,320 --> 00:34:56,680 Speaker 2: he uses a tad bit of hair spray, but it 642 00:34:56,840 --> 00:35:00,560 Speaker 2: is environmentally safe. Joey continues to put fun at him, 643 00:35:00,600 --> 00:35:02,480 Speaker 2: and Julie is getting a kick out of it. She 644 00:35:02,640 --> 00:35:07,400 Speaker 2: asks Jesse who his musical influences are, and Jesse casually 645 00:35:07,400 --> 00:35:10,920 Speaker 2: throws out Elvis's name. Joey sets the record straight and 646 00:35:10,960 --> 00:35:14,480 Speaker 2: tells everyone that he's actually obsessed with Elvis. 647 00:35:15,040 --> 00:35:18,160 Speaker 1: Jesse tries, when has he ever tried to not be 648 00:35:18,200 --> 00:35:19,080 Speaker 1: publicly obsessed? 649 00:35:19,239 --> 00:35:23,640 Speaker 2: He's never been before? Right, they know he was dressing 650 00:35:23,719 --> 00:35:27,000 Speaker 2: like Elvis. He went to Hawaii simply to look for 651 00:35:27,040 --> 00:35:31,400 Speaker 2: all of the Elvis whatever museums memorials. Yeah yeah, so yeah, 652 00:35:31,440 --> 00:35:34,680 Speaker 2: Like why is he coy about it now? Yeah? 653 00:35:34,920 --> 00:35:37,640 Speaker 1: Yeah, he's fine jumping up on a Hawaiian stage I announced, 654 00:35:38,200 --> 00:35:40,040 Speaker 1: or you know, with the Beach Boys. 655 00:35:40,280 --> 00:35:41,560 Speaker 2: Now she gets. 656 00:35:41,320 --> 00:35:44,160 Speaker 1: Nervous on a radio now all of a sudden, You're like, oh, 657 00:35:44,200 --> 00:35:45,640 Speaker 1: I couldn't possibly. 658 00:35:47,560 --> 00:35:51,120 Speaker 2: Uh so, Jesse is trying to downplay it. Joey then 659 00:35:51,200 --> 00:35:56,279 Speaker 2: inquires about his Elvis underwear. Jesse reluctantly tells them he 660 00:35:56,520 --> 00:35:59,240 Speaker 2: only has one pair and that says love Me Tender 661 00:35:59,360 --> 00:36:03,719 Speaker 2: on the back. Julie is thoroughly amused before signing off 662 00:36:03,760 --> 00:36:06,200 Speaker 2: for a commercial break, and once they're off the air. 663 00:36:06,239 --> 00:36:08,720 Speaker 2: She tells the guys that they are very funny together. 664 00:36:10,400 --> 00:36:12,839 Speaker 1: Also, I did have to laugh at her statement of 665 00:36:13,280 --> 00:36:15,600 Speaker 1: you've listened to twenty songs in a row, it won't 666 00:36:15,680 --> 00:36:17,239 Speaker 1: kill you to listen to some commercials. 667 00:36:17,440 --> 00:36:19,400 Speaker 2: And I was like, Julie, you have. 668 00:36:19,320 --> 00:36:21,319 Speaker 1: No idea what twenty twenty five is going to look like, 669 00:36:21,320 --> 00:36:23,800 Speaker 1: because people will lose their mind if they have to 670 00:36:23,840 --> 00:36:25,520 Speaker 1: pause for yes. 671 00:36:25,760 --> 00:36:30,279 Speaker 2: Yes, oh no, that's twenty songs in a row. Yesterday, Yeah, 672 00:36:30,280 --> 00:36:30,759 Speaker 2: that was the thing. 673 00:36:30,800 --> 00:36:32,760 Speaker 1: Twenty songs in a row are like, you know, thirty 674 00:36:32,800 --> 00:36:36,400 Speaker 1: minutes or else you're like, yes, uninterrupted thirty. 675 00:36:36,239 --> 00:36:38,719 Speaker 2: Minute did Yeah. People don't know how good, how good 676 00:36:38,760 --> 00:36:41,840 Speaker 2: they had it back then. So Julie asks them to 677 00:36:41,840 --> 00:36:45,320 Speaker 2: hang back while she checks the phone lines very quickly. Joey, 678 00:36:45,760 --> 00:36:48,799 Speaker 2: because there's no one else where. She's all of it. 679 00:36:48,960 --> 00:36:53,160 Speaker 1: She's checking the phone lines, she's editing, she's doing the. 680 00:36:53,080 --> 00:36:56,640 Speaker 2: Director, she's the case, she's she's the engineer, she's the 681 00:36:56,840 --> 00:37:01,320 Speaker 2: operator on the phone, all of them. Joey happily starts 682 00:37:01,360 --> 00:37:04,320 Speaker 2: to tap the chair that he's sitting on and exclaims, man, 683 00:37:04,600 --> 00:37:08,120 Speaker 2: that was a blast. Jesse turns his head ever so 684 00:37:08,320 --> 00:37:12,000 Speaker 2: slowly to glare at him. He claims Joey just made 685 00:37:12,040 --> 00:37:14,400 Speaker 2: him look like an idiot in front of millions of people, 686 00:37:15,040 --> 00:37:18,160 Speaker 2: and Joey corrects him, saying it was probably only thousands 687 00:37:18,200 --> 00:37:22,000 Speaker 2: of people. Jesse doesn't care. He claims, you blew the 688 00:37:22,040 --> 00:37:23,560 Speaker 2: one shot I had at this job. 689 00:37:24,160 --> 00:37:31,840 Speaker 1: Joey retorts, no, Jesse, You're always gonna get another shot episodes. Jesseportunity, 690 00:37:32,040 --> 00:37:33,840 Speaker 1: You're gonna get everything you want. 691 00:37:33,920 --> 00:37:38,560 Speaker 2: It's fine. Joey retorts, settle down, mister cranky pants. I 692 00:37:38,680 --> 00:37:40,799 Speaker 2: was just having a little bit of fun. It's like 693 00:37:40,840 --> 00:37:44,479 Speaker 2: your hair's your whole life. Jesse snaps back, at least 694 00:37:44,480 --> 00:37:47,120 Speaker 2: cartoons aren't my whole life if you can call that 695 00:37:47,160 --> 00:37:51,359 Speaker 2: a life. Oh it's getting It's gonna below the belt now. 696 00:37:52,440 --> 00:37:55,680 Speaker 2: It's just so mean. Joey storms out, and Jesse mocks 697 00:37:55,760 --> 00:37:59,879 Speaker 2: him by bullwinkle brain, and Joey claps back by dip 698 00:37:59,880 --> 00:38:02,480 Speaker 2: it do head and they go back and forth, and 699 00:38:02,480 --> 00:38:06,680 Speaker 2: then Julie walks back in. Jesse quickly composes himself, and 700 00:38:06,760 --> 00:38:11,399 Speaker 2: Julie reveals that everyone loved that segment. She tells him, 701 00:38:11,600 --> 00:38:14,240 Speaker 2: we've been looking for someone to fill in the afternoon slot. 702 00:38:14,440 --> 00:38:18,560 Speaker 2: Would you be interested? Jesse grins. That would be perfect, 703 00:38:19,000 --> 00:38:21,560 Speaker 2: you know, I'll program my own music and maybe play 704 00:38:21,600 --> 00:38:25,440 Speaker 2: some live stuff Monday. I'll be right here in this chair. 705 00:38:26,239 --> 00:38:29,239 Speaker 2: Julie is all for it and tells him fine, as 706 00:38:29,280 --> 00:38:33,800 Speaker 2: long as Joey is right next to you. Jesse's shocked 707 00:38:33,960 --> 00:38:41,480 Speaker 2: and winces as he mounts Joey don't well, and also 708 00:38:41,760 --> 00:38:43,360 Speaker 2: Joey's do enranger, joe. 709 00:38:45,400 --> 00:38:48,120 Speaker 1: This is I don't unless Jungle Jenny's gonna take over. 710 00:38:48,120 --> 00:38:51,320 Speaker 2: That might oh well yes, and this is the radio 711 00:38:51,320 --> 00:38:53,680 Speaker 2: station that hard up that. They're like one segment you 712 00:38:53,760 --> 00:38:56,919 Speaker 2: both are hired, Like now you have a regular spot. Well, 713 00:38:56,960 --> 00:38:57,960 Speaker 2: there's nobody there. 714 00:38:58,000 --> 00:39:00,520 Speaker 1: Who else would you hire in San Francis go other 715 00:39:00,600 --> 00:39:01,680 Speaker 1: than these six people. 716 00:39:01,960 --> 00:39:04,960 Speaker 2: It's like the city of San Francisco knows, don't apply 717 00:39:05,000 --> 00:39:07,160 Speaker 2: for any jobs because the Tanners are gonna get no. 718 00:39:07,160 --> 00:39:11,000 Speaker 1: No, no, no, no. San Francisco is entirely Uh, it's the 719 00:39:11,040 --> 00:39:15,720 Speaker 1: Truman Show, It's the Tanner Shows. Everything is only for 720 00:39:16,120 --> 00:39:17,279 Speaker 1: their well being. 721 00:39:17,360 --> 00:39:21,200 Speaker 2: The world revolves around the Tanners people. I love it. 722 00:39:22,680 --> 00:39:23,960 Speaker 1: I mean if it didn't would be kind of a 723 00:39:24,040 --> 00:39:26,360 Speaker 1: boring show, you know, being a sitcom. He'd be like, 724 00:39:26,360 --> 00:39:27,879 Speaker 1: well wait, whatever with them? 725 00:39:28,360 --> 00:39:31,239 Speaker 2: So next to Joey's room. Sad music plays as we 726 00:39:31,280 --> 00:39:33,719 Speaker 2: see Joey lying on his bed. Hey Jessey pokes his 727 00:39:33,760 --> 00:39:37,040 Speaker 2: head in and starts rattling off nicknames for him Jojo, 728 00:39:37,680 --> 00:39:41,759 Speaker 2: joj my Man. Jesse decides that they should have a 729 00:39:41,760 --> 00:39:45,359 Speaker 2: little talk like mature adults. Then he proceeds to pull 730 00:39:45,440 --> 00:39:49,160 Speaker 2: something out from behind his back. It's an ice cream Sunday. 731 00:39:49,800 --> 00:39:52,080 Speaker 2: He points out all of the fix scenes to Joey. 732 00:39:52,280 --> 00:39:56,120 Speaker 2: It's a double fudge Sunday whipped cream fruit loops. And 733 00:39:56,160 --> 00:39:58,919 Speaker 2: see that little thing on top, that's a cherry pal. 734 00:40:00,040 --> 00:40:02,680 Speaker 2: Joey throws him a fake smile. Does does he think 735 00:40:02,680 --> 00:40:07,960 Speaker 2: he's never seen us side? That's a Cherry's got a 736 00:40:08,000 --> 00:40:12,560 Speaker 2: standard sorry Sundays? Right, Well, the froot loops were different. 737 00:40:12,800 --> 00:40:15,160 Speaker 2: That must be a Joey you know, and Joey's special. 738 00:40:15,560 --> 00:40:18,600 Speaker 1: Yeah, that was a little a little too much exposition there, 739 00:40:18,680 --> 00:40:21,719 Speaker 1: Jesse's let me describe this hot fudge Sunday for you. 740 00:40:29,400 --> 00:40:32,160 Speaker 2: So Joey throws him a fake smile. Real cute, Jess. 741 00:40:32,320 --> 00:40:34,560 Speaker 2: I'm supposed to forgive you for all the mean stuff 742 00:40:34,600 --> 00:40:37,120 Speaker 2: you said because you brought me an ice cream. In 743 00:40:37,160 --> 00:40:42,160 Speaker 2: case you can't see the height difference. I'm not Michelle. Yeah, 744 00:40:42,200 --> 00:40:46,440 Speaker 2: it totally worked. Yeah, yep, he knows. Joey pauses and 745 00:40:46,520 --> 00:40:49,520 Speaker 2: his demeanor instantly shifts when he asks, did you see 746 00:40:49,520 --> 00:40:52,720 Speaker 2: froot loops? Jesse gives him a knowing grin and points 747 00:40:52,719 --> 00:40:55,360 Speaker 2: out that he took out the yellow ones because he 748 00:40:55,480 --> 00:40:59,319 Speaker 2: knows that Joey hates those. With that, Joey forgives him. 749 00:40:59,440 --> 00:41:01,799 Speaker 2: They shake hand and decide that they are pals again. 750 00:41:02,800 --> 00:41:05,080 Speaker 2: Jesse begins to walk out the door, but decides to 751 00:41:05,120 --> 00:41:08,880 Speaker 2: break the big news to Joey. Now, KFLH wants us 752 00:41:08,920 --> 00:41:10,920 Speaker 2: to team up and do an afternoon radio show, and 753 00:41:10,960 --> 00:41:14,279 Speaker 2: I told them yes, thanks pal. Joey jumps up and 754 00:41:14,280 --> 00:41:17,600 Speaker 2: screams aha. He sets down the ice cream and accuses him, 755 00:41:17,960 --> 00:41:20,520 Speaker 2: you're just being nice to me because you need me now, 756 00:41:21,360 --> 00:41:24,600 Speaker 2: and Jesse doesn't deny it. Instead, he tries to convince him, 757 00:41:24,880 --> 00:41:26,759 Speaker 2: come on, this would be a great job for the 758 00:41:26,760 --> 00:41:29,719 Speaker 2: both of us, but Joey doesn't. He's like, yeah, no, 759 00:41:29,760 --> 00:41:35,239 Speaker 2: I'm totally a manipulative idiot. But he's right, Yeah, let's 760 00:41:35,280 --> 00:41:37,680 Speaker 2: just you know, blow past that and talk about right. 761 00:41:37,840 --> 00:41:39,520 Speaker 1: You're like, yeah, no, I actually you're right. I don't 762 00:41:39,560 --> 00:41:40,759 Speaker 1: want to make up with you. I just want to 763 00:41:40,760 --> 00:41:41,200 Speaker 1: get a jump. 764 00:41:41,239 --> 00:41:43,080 Speaker 2: I just want to pay check. So come on, buddy, 765 00:41:44,239 --> 00:41:47,680 Speaker 2: I mean I get that. So Joey's not thrilled with this. 766 00:41:47,840 --> 00:41:50,719 Speaker 2: He says he cannot work with someone that can't take 767 00:41:50,760 --> 00:41:54,759 Speaker 2: a joke. Jesse argues, here's nothing funny about my hair, 768 00:41:55,360 --> 00:41:58,839 Speaker 2: and Joey responds, no, but there's something darn funny about 769 00:41:58,840 --> 00:42:01,200 Speaker 2: the big moose state and you leave on the couch. 770 00:42:02,560 --> 00:42:04,840 Speaker 2: Jesse decides he isn't doing the show with him anymore, 771 00:42:05,000 --> 00:42:08,560 Speaker 2: and Joey says the same thing back. Then they get 772 00:42:08,600 --> 00:42:11,520 Speaker 2: interrupted by Michelle, who stands in the doorway and offers, 773 00:42:11,800 --> 00:42:15,799 Speaker 2: if you guys are arguing, I could help Joey for three, 774 00:42:16,760 --> 00:42:19,200 Speaker 2: she'll charge him. But yeah, she can't help. Yeah, yeah, 775 00:42:19,719 --> 00:42:23,560 Speaker 2: I mean the therapists gotta make money. Joey shakes his 776 00:42:23,600 --> 00:42:26,400 Speaker 2: head and she reminds him, don't worry. I'm a good helper. 777 00:42:26,960 --> 00:42:29,320 Speaker 2: She walks in between Jesse and Joey, who are facing 778 00:42:29,360 --> 00:42:32,239 Speaker 2: off with one another, and she says, when I count 779 00:42:32,280 --> 00:42:37,600 Speaker 2: to three, say you're sorry. One, two, three. The guys 780 00:42:37,640 --> 00:42:39,719 Speaker 2: just stare at each other without saying a word, So 781 00:42:39,840 --> 00:42:45,520 Speaker 2: Michelle tries four, five, six, but nothing. She comes up 782 00:42:45,560 --> 00:42:48,920 Speaker 2: with another idea and instructs skip the sorry, just hug 783 00:42:49,840 --> 00:42:52,200 Speaker 2: Neither one of the guys moves a muscle, so Michelle 784 00:42:52,239 --> 00:42:55,320 Speaker 2: goes behind Jesse and tries to push him closer to Joey. 785 00:42:56,000 --> 00:42:58,680 Speaker 2: Jesse doesn't budge and tells her to forget it. He 786 00:42:58,800 --> 00:43:02,600 Speaker 2: sharply states I ain't hugging up bullwinkle brain and steps 787 00:43:02,600 --> 00:43:05,200 Speaker 2: out the door. Joey insults him back, calling him a 788 00:43:05,239 --> 00:43:08,879 Speaker 2: dippity dew head one more time. Michelle throws her arms 789 00:43:08,960 --> 00:43:11,640 Speaker 2: up in exhaustion and wonders why do I even bother 790 00:43:12,000 --> 00:43:15,719 Speaker 2: before walking away, But she spots the loaded Sunday on 791 00:43:15,800 --> 00:43:18,120 Speaker 2: her way out, so she sneaks back into the room 792 00:43:18,160 --> 00:43:21,640 Speaker 2: and steals it before leaving again. I was wondering when 793 00:43:21,680 --> 00:43:23,359 Speaker 2: she was going to notice that Sunday. I'm like, that 794 00:43:23,400 --> 00:43:25,439 Speaker 2: is her, right, there's a Sunday in there. 795 00:43:25,640 --> 00:43:27,600 Speaker 1: There's no way that Michelle's not going to be sniffing 796 00:43:27,600 --> 00:43:28,880 Speaker 1: that out. That's probably why she came down the hall 797 00:43:28,880 --> 00:43:29,399 Speaker 1: in the first place. 798 00:43:29,440 --> 00:43:31,480 Speaker 2: She was like, like a bloodhound, Do I think twice 799 00:43:31,480 --> 00:43:35,120 Speaker 2: smells spring? Twy smelled a cherry on top of the Sunday? Yes? Right? 800 00:43:36,080 --> 00:43:38,959 Speaker 2: So uh in the living room, Stephanie's on the couch 801 00:43:39,280 --> 00:43:43,239 Speaker 2: seemingly writing her short story. She overhears DJ and Steve 802 00:43:43,320 --> 00:43:45,920 Speaker 2: getting a snack in the kitchen and her ears perk up. 803 00:43:46,680 --> 00:43:48,680 Speaker 2: She rushes to finish writing on a piece of paper 804 00:43:48,760 --> 00:43:52,160 Speaker 2: and quickly places it in one of their textbooks. Then 805 00:43:52,200 --> 00:43:53,760 Speaker 2: she runs to the back of the room and hides, 806 00:43:53,880 --> 00:43:56,280 Speaker 2: ready to write down the next part of her story. 807 00:43:57,320 --> 00:43:59,800 Speaker 2: DJ and Steve walk in and Steve is boasting a 808 00:44:00,200 --> 00:44:05,200 Speaker 2: his snack bowl. I've got all the basic food groups covered, salt, fat, sugar, 809 00:44:05,520 --> 00:44:08,799 Speaker 2: and nacho cheese. They proceed to sit on the couch 810 00:44:08,840 --> 00:44:11,560 Speaker 2: and open their textbooks, and when Steve opens his, he 811 00:44:11,680 --> 00:44:15,200 Speaker 2: finds a note and he reads it aloud DearS DJ, 812 00:44:15,719 --> 00:44:18,120 Speaker 2: I'll never forget our kiss in the lunch room on 813 00:44:18,320 --> 00:44:24,160 Speaker 2: Macaroni Day, love Henry. Steve abruptly stands up and questions, 814 00:44:24,440 --> 00:44:27,840 Speaker 2: Who's Henry. DJ is just as confused as he is. 815 00:44:28,239 --> 00:44:31,759 Speaker 2: She doesn't know anybody named Henry. Steve asks, then, why 816 00:44:31,840 --> 00:44:35,680 Speaker 2: did you kiss him on Macaroni Day? Meanwhile, Stephanie is 817 00:44:35,800 --> 00:44:39,719 Speaker 2: grinning as she writes down every juicy detail in her notebook, 818 00:44:40,800 --> 00:44:46,279 Speaker 2: just like you were born for this right, Such a 819 00:44:46,320 --> 00:44:49,720 Speaker 2: little sister move. DJ continues to deny it. I didn't 820 00:44:49,800 --> 00:44:53,840 Speaker 2: kiss him on Macaroni Day or fish stick Day or 821 00:44:53,920 --> 00:44:57,080 Speaker 2: any day. Steve crumbles up the note and refuses to 822 00:44:57,160 --> 00:45:00,600 Speaker 2: believe her. He storms upstairs to grab his jacke and leave. 823 00:45:02,120 --> 00:45:04,520 Speaker 2: DJ runs after him, and Stephanie comes out from hiding. 824 00:45:04,800 --> 00:45:08,240 Speaker 2: She smiles to herself and admits this is pure gold. 825 00:45:10,000 --> 00:45:12,320 Speaker 2: Then Danny walks into the living room and asks Steph 826 00:45:12,400 --> 00:45:15,080 Speaker 2: how her story's going. Stuff tells him, oh, it's really 827 00:45:15,160 --> 00:45:17,480 Speaker 2: heating up, and hands him her notebook so he can 828 00:45:17,560 --> 00:45:21,000 Speaker 2: take a peek. He reads aloud. Just when their love 829 00:45:21,040 --> 00:45:25,239 Speaker 2: affair seemed peachy, Cleave found a secret note of Pj's. 830 00:45:25,719 --> 00:45:32,440 Speaker 2: It was from Henry, her Macaroni Day lover. Steph smirks well, 831 00:45:32,520 --> 00:45:36,520 Speaker 2: Danny continues. Fireworks came shooting out of Cleve's ears and nose. 832 00:45:37,239 --> 00:45:40,279 Speaker 2: She asks how does it sound, and Danny jokes like 833 00:45:40,480 --> 00:45:43,440 Speaker 2: Cleeve needs a Kleenex. He laughs at his own joke 834 00:45:43,480 --> 00:45:48,560 Speaker 2: before giving her some honest feedback. Honey, it's wonderful, very creative. 835 00:45:49,360 --> 00:45:52,960 Speaker 2: Stephanie takes the compliment. Thanks. I guess I'm just gifted. 836 00:45:54,680 --> 00:45:57,759 Speaker 2: Not short on confidence, that's for sure. No, yeah, I 837 00:45:57,840 --> 00:46:00,640 Speaker 2: gotta have confidence. Danny forces her back to realc. Well, 838 00:46:00,719 --> 00:46:03,120 Speaker 2: let's see how gifted you are at emptying the dishwasher. 839 00:46:03,400 --> 00:46:06,399 Speaker 2: It's your turn. She heads into the kitchen, but leaves 840 00:46:06,440 --> 00:46:10,279 Speaker 2: her notebook with Danny. That's when Stephen DJ run back downstairs. 841 00:46:10,760 --> 00:46:12,560 Speaker 2: Steve is making a bee line for the door, but 842 00:46:12,719 --> 00:46:15,960 Speaker 2: DJ tries to convince him somebody wrote that note to 843 00:46:16,040 --> 00:46:19,080 Speaker 2: get me in trouble. Steve declares, I'll tell you who's 844 00:46:19,120 --> 00:46:23,520 Speaker 2: in trouble. You're Macaroni man, Henry. Danny overhears this and 845 00:46:23,600 --> 00:46:27,560 Speaker 2: steps in. Did you say Macaroni Man, Henry? You might 846 00:46:27,600 --> 00:46:30,239 Speaker 2: want to take a look at Steph's latest story. He 847 00:46:30,360 --> 00:46:33,479 Speaker 2: hands them the notebook and they read through it. DJ 848 00:46:33,719 --> 00:46:37,160 Speaker 2: is seething and Steve gasps, the same thing happened to us? 849 00:46:39,520 --> 00:46:45,080 Speaker 1: Steve not the brightest, No, yeh. DJ surrounds herself with idiots. Yes, 850 00:46:45,840 --> 00:46:50,800 Speaker 1: she's drawn to idiots. DJ gives her dad an embarrassed 851 00:46:50,840 --> 00:46:53,680 Speaker 1: smile as he glares at Steve in disbelief. 852 00:46:55,560 --> 00:46:58,200 Speaker 2: Next, we're back on the Ranger Joe set. Joey is 853 00:46:58,239 --> 00:47:01,000 Speaker 2: taping an episode of Ranger Joe and he introduces the 854 00:47:01,120 --> 00:47:05,600 Speaker 2: kids to his new friend, Jungle Jenny and I don't 855 00:47:05,600 --> 00:47:08,359 Speaker 2: know who these kids are because like, where's all Michelle's friends, 856 00:47:08,360 --> 00:47:11,440 Speaker 2: Where's Aaron, Bailey and Denise? And like they were right, 857 00:47:11,520 --> 00:47:14,960 Speaker 2: there's only six kids that can be like, who are 858 00:47:15,040 --> 00:47:15,480 Speaker 2: these kids? 859 00:47:16,400 --> 00:47:19,320 Speaker 1: Who are these who these normal San Francisco children? 860 00:47:19,520 --> 00:47:24,680 Speaker 2: Yes, it's amazing, Uh so, Jungle Jenny, they're mistress. 861 00:47:24,760 --> 00:47:26,560 Speaker 1: Maybe they're mister Strobridge's great kids. 862 00:47:26,680 --> 00:47:33,400 Speaker 2: The nepotism continues. Yes, yea, all the grand the grand babies. Yeah, so, 863 00:47:33,640 --> 00:47:36,480 Speaker 2: Jungle Jenny happily trots onto the set, saying how do 864 00:47:36,640 --> 00:47:39,640 Speaker 2: how howdy how and makes her way up to Joey. 865 00:47:40,160 --> 00:47:43,239 Speaker 2: She has a sunflower in her hand and asks him, Hey, 866 00:47:43,400 --> 00:47:46,960 Speaker 2: ranger boy, would you like to sniff my sweet smelling flower. 867 00:47:47,719 --> 00:47:49,680 Speaker 2: Joey leans in to smell it, and she pushes it 868 00:47:49,760 --> 00:47:52,280 Speaker 2: into his face, hard enough to leave a brown mark 869 00:47:52,480 --> 00:47:56,080 Speaker 2: on his nose. The kids burst into laughter and point 870 00:47:56,160 --> 00:47:59,600 Speaker 2: at Joey's face. He asks, come on, what's on my nose? 871 00:48:00,440 --> 00:48:03,000 Speaker 2: Jungle Jenny pulls out a lobster and places it on 872 00:48:03,120 --> 00:48:07,480 Speaker 2: his nose. She what this was? I was like, why, why? 873 00:48:07,680 --> 00:48:12,440 Speaker 2: Why is there there was a really random? This so random? 874 00:48:12,480 --> 00:48:13,320 Speaker 2: I'm super random. 875 00:48:13,360 --> 00:48:15,160 Speaker 1: I mean, I guess that's supposed to be. It is 876 00:48:15,200 --> 00:48:18,080 Speaker 1: that it's she's like annoying and whatever. But I I 877 00:48:18,239 --> 00:48:21,279 Speaker 1: was like Foster. Last thing I would have thought it was, 878 00:48:21,360 --> 00:48:23,239 Speaker 1: you know what if somebody had a plastic lobster and 879 00:48:23,320 --> 00:48:24,239 Speaker 1: can hang it off his nose? 880 00:48:24,320 --> 00:48:26,520 Speaker 2: That right, And that was a very odd of all 881 00:48:26,800 --> 00:48:28,840 Speaker 2: the tricks she could have used, that was that was 882 00:48:28,840 --> 00:48:29,319 Speaker 2: an odd one. 883 00:48:29,400 --> 00:48:33,200 Speaker 1: But visually, you know, visually it worked. I would have 884 00:48:33,239 --> 00:48:34,880 Speaker 1: gone with the can of snakes myself. 885 00:48:35,320 --> 00:48:37,800 Speaker 2: Yeah, that would have been better. Better, a good WHOOPI cushion. 886 00:48:37,880 --> 00:48:41,000 Speaker 2: But the flower that squirts water, isn't that another one? 887 00:48:41,200 --> 00:48:47,200 Speaker 2: But well shared the brown nose? Yeah? Uh so she 888 00:48:47,400 --> 00:48:51,040 Speaker 2: taunts Joey, what's on your nose? A lobster? And the 889 00:48:51,120 --> 00:48:53,879 Speaker 2: kids break out into another round of hysterics. Well, Joey 890 00:48:54,080 --> 00:48:59,160 Speaker 2: just glares at this new co host. Show's going off 891 00:48:59,200 --> 00:48:59,680 Speaker 2: the rails. 892 00:49:00,320 --> 00:49:00,400 Speaker 1: Uh. 893 00:49:00,600 --> 00:49:03,480 Speaker 2: Back in the kitchen, Stuff is reading through her short story. 894 00:49:04,080 --> 00:49:07,799 Speaker 2: Cleve and Pj's romance was on the rocks and DJ 895 00:49:07,920 --> 00:49:11,120 Speaker 2: and Steve quietly enter the room with mischievous looks on 896 00:49:11,200 --> 00:49:15,320 Speaker 2: their faces. DJ begins to complain Steve, this jealousy is 897 00:49:15,400 --> 00:49:19,239 Speaker 2: going to destroy us. Both Steve nods, I know this 898 00:49:19,400 --> 00:49:22,600 Speaker 2: macaroni day incident has made me realize that we can't 899 00:49:22,680 --> 00:49:27,800 Speaker 2: go on like this. Let's get married and step spits 900 00:49:27,840 --> 00:49:31,359 Speaker 2: out all over water all over the table, this insane idea. 901 00:49:31,440 --> 00:49:32,600 Speaker 2: It was such a good spit take. 902 00:49:33,760 --> 00:49:36,560 Speaker 1: I was gonna say, actually, I was really impressed. 903 00:49:36,160 --> 00:49:38,440 Speaker 2: With my spit take, Like that's say it was. I 904 00:49:38,680 --> 00:49:41,399 Speaker 2: was like it was perfect. Yeah, it was well good, 905 00:49:41,640 --> 00:49:44,480 Speaker 2: perfectly timed spit take, perfect amount of water, Like that's 906 00:49:44,520 --> 00:49:46,839 Speaker 2: not easy to do, so you did that very well. 907 00:49:46,880 --> 00:49:47,960 Speaker 2: Oh no, that's the thing. 908 00:49:48,000 --> 00:49:51,359 Speaker 1: It really isn't a good, well timed one that seems there. 909 00:49:51,480 --> 00:49:53,719 Speaker 2: Yeah, I was out of myself for them. That's not 910 00:49:53,880 --> 00:49:54,200 Speaker 2: very good. 911 00:49:55,680 --> 00:49:55,799 Speaker 1: Uh. 912 00:49:56,000 --> 00:49:58,719 Speaker 2: DJ goes along with this. She suggests that they get 913 00:49:58,800 --> 00:50:02,279 Speaker 2: married tomorrow, since it's a half day at school. They 914 00:50:02,360 --> 00:50:05,839 Speaker 2: solidify their plan with a big hug. Then Danny walks 915 00:50:05,880 --> 00:50:08,120 Speaker 2: into the kitchen and DJ tells him, Dad, we have 916 00:50:08,239 --> 00:50:11,040 Speaker 2: to talk. Danny is obviously in on the plan, so 917 00:50:11,160 --> 00:50:14,759 Speaker 2: he tells her that's what dads are for. Stephan pulls 918 00:50:14,800 --> 00:50:17,279 Speaker 2: out a chair for him and suggests you better sit down, 919 00:50:17,960 --> 00:50:20,319 Speaker 2: and then she hands him a towel and insists here 920 00:50:20,800 --> 00:50:26,759 Speaker 2: bite on this. Steve initiates the conversation. Mister Tanner, Sir, Dad, 921 00:50:27,400 --> 00:50:31,920 Speaker 2: I want to marry your daughter. Danny dramatically jumps up 922 00:50:31,960 --> 00:50:35,399 Speaker 2: and throws the towel onto the table. What you've only 923 00:50:35,480 --> 00:50:39,000 Speaker 2: known each other for three months? Stephanie is smiling as 924 00:50:39,120 --> 00:50:43,600 Speaker 2: this is exactly what she expected. But then Danny completely 925 00:50:43,719 --> 00:50:46,759 Speaker 2: changes his tune and hugs Steve, asking what took you 926 00:50:46,920 --> 00:50:51,439 Speaker 2: so long? Son? Stephanie's flabbergasted as she watches him hug 927 00:50:51,560 --> 00:50:53,800 Speaker 2: DJ next, and then the three of them do a 928 00:50:53,920 --> 00:50:58,120 Speaker 2: group hug. You got your sizzler face on, that confused 929 00:50:58,239 --> 00:51:02,320 Speaker 2: sizzley face that I love so much. You know, it 930 00:51:02,360 --> 00:51:04,120 Speaker 2: was funny. I made that face and I was like, oh, 931 00:51:04,160 --> 00:51:06,600 Speaker 2: there's Be like it would like. I'm like, I've seen 932 00:51:06,680 --> 00:51:10,360 Speaker 2: Be make that face. Yes, b does have your face exactly, 933 00:51:10,600 --> 00:51:15,279 Speaker 2: especially at that age. She demands, Dad, you can't be 934 00:51:15,480 --> 00:51:19,080 Speaker 2: serious with his arms around Stephen DJ. He tells her 935 00:51:19,400 --> 00:51:22,359 Speaker 2: why not. It would work out great. They could live 936 00:51:22,640 --> 00:51:27,160 Speaker 2: right here with us. They could take your room. Married 937 00:51:27,200 --> 00:51:32,440 Speaker 2: couples just move on and there's plenty of room. They 938 00:51:32,480 --> 00:51:35,200 Speaker 2: could take your room and Michelle could take DJ's room. 939 00:51:35,960 --> 00:51:38,640 Speaker 2: She questions, well, where am I going to sleep? Danny 940 00:51:38,640 --> 00:51:41,480 Speaker 2: admits he forgot about her, so he half hearted room 941 00:51:42,960 --> 00:51:44,719 Speaker 2: in family. Yeah. 942 00:51:45,080 --> 00:51:46,880 Speaker 1: Oh yeah you, He's like, oh yeah, you, and he 943 00:51:47,440 --> 00:51:48,960 Speaker 1: I've already moved into the bathroom. 944 00:51:49,080 --> 00:51:51,560 Speaker 2: I've moved in, and I've already been shoveling around. 945 00:51:53,400 --> 00:51:53,560 Speaker 1: Yeah. 946 00:51:53,600 --> 00:51:55,920 Speaker 2: He offers you the matt in the laundry room. She 947 00:51:56,040 --> 00:51:58,880 Speaker 2: reminds him, but that's where Calmet sleeps, and he smiles, 948 00:51:59,040 --> 00:52:01,520 Speaker 2: Oh honey, that would be great. You could keep each 949 00:52:01,560 --> 00:52:04,960 Speaker 2: other warm. Stephanie pleads, you can't do this to me, 950 00:52:05,719 --> 00:52:08,200 Speaker 2: and DJ chimes and why not. It would make a 951 00:52:08,280 --> 00:52:12,160 Speaker 2: great ending to your story. Steph lets out a nervous 952 00:52:12,239 --> 00:52:16,040 Speaker 2: chuckle and stammers, my story. You read my story, So 953 00:52:16,239 --> 00:52:19,920 Speaker 2: what'd you think and gives her a sheepish grin. Danny 954 00:52:19,960 --> 00:52:22,799 Speaker 2: sternly tells her, we think you did a pretty rotten thing. 955 00:52:23,239 --> 00:52:26,240 Speaker 2: You can't interrupt people's lives just to make your story 956 00:52:26,480 --> 00:52:31,680 Speaker 2: more interesting. Stephanie apologizes, promising she never meant to hurt anybody. 957 00:52:32,440 --> 00:52:35,320 Speaker 2: She looks at Steve and DJ and beggs, I'm really sorry. 958 00:52:35,600 --> 00:52:38,759 Speaker 2: Can you guys forgive me? Steve puts his hand on 959 00:52:38,880 --> 00:52:44,040 Speaker 2: DJ's shoulder and dramatically sighs, yeah, I guess. DJ smiles, Okay, 960 00:52:44,239 --> 00:52:47,640 Speaker 2: we're even now. Then she turns to Steve. So simple. 961 00:52:47,880 --> 00:52:50,239 Speaker 2: I love this. There's so you know, when you run 962 00:52:50,320 --> 00:52:53,400 Speaker 2: out of time, you resolve things very quite easily. 963 00:52:54,360 --> 00:52:56,560 Speaker 1: I'm gonna tell my kids from now, you've got twenty 964 00:52:56,600 --> 00:52:57,080 Speaker 1: two minutes. 965 00:52:57,200 --> 00:52:59,840 Speaker 2: That's it. Solve it, figure it out before the next commercial. 966 00:53:00,200 --> 00:53:04,359 Speaker 2: You better solve this right. Then DJ turns to Steve 967 00:53:04,440 --> 00:53:07,839 Speaker 2: and admits, actually, all that talk about marriage felt kind 968 00:53:07,880 --> 00:53:18,920 Speaker 2: of right, as later they had no right. Steve grins 969 00:53:18,960 --> 00:53:21,719 Speaker 2: and looks for Danny. Looks at Danny for approval. Yeah, 970 00:53:21,920 --> 00:53:25,600 Speaker 2: what do you say, dad? Danny stares him down. I say, 971 00:53:25,800 --> 00:53:28,080 Speaker 2: why don't you just forget about this marriage thing and 972 00:53:28,160 --> 00:53:31,000 Speaker 2: I'll make you a corn dog. Steve is more than 973 00:53:31,040 --> 00:53:34,120 Speaker 2: happy to accept that offer, and Danny laughs, telling DJ 974 00:53:34,280 --> 00:53:38,759 Speaker 2: that no one can compete with his corn dogs. Well, 975 00:53:38,800 --> 00:53:40,800 Speaker 2: he's got Steve's number, that's for sure. He knows. The 976 00:53:40,840 --> 00:53:44,680 Speaker 2: way is Steve's heart gets through his stomach. Back at 977 00:53:44,719 --> 00:53:47,640 Speaker 2: the studio, at the Ranger Joe set Jungle, Jenny is 978 00:53:47,680 --> 00:53:51,279 Speaker 2: carrying a cardboard hunting rifle while tiptoeing across the set 979 00:53:51,440 --> 00:53:55,000 Speaker 2: with the kids following behind her. She whispers, remember kids, 980 00:53:55,440 --> 00:54:03,120 Speaker 2: sometimes rhinos disguise themselves as uptight rangers. The kids spot Joey, 981 00:54:03,400 --> 00:54:05,920 Speaker 2: who is sitting on a tree trump and pouting, so 982 00:54:06,040 --> 00:54:09,000 Speaker 2: they run up to him and yell, rhino. Wait, wait, wait, 983 00:54:09,000 --> 00:54:11,200 Speaker 2: wait wait a tree trump? Is that what I said? 984 00:54:12,040 --> 00:54:18,040 Speaker 2: Cost tree stump? Forgive me for Miss Speeds, That's why 985 00:54:18,080 --> 00:54:26,920 Speaker 2: I was pouting. Kids, yell Rhino. They tackle him to 986 00:54:27,000 --> 00:54:32,520 Speaker 2: the ground. The kids start beating him. Junkle Jenny Wow 987 00:54:32,640 --> 00:54:36,560 Speaker 2: blows her whistle and they stop their attack. When Joey's 988 00:54:36,600 --> 00:54:39,600 Speaker 2: able to stand back up, Jenny grabs mister woodchuck from 989 00:54:39,680 --> 00:54:42,800 Speaker 2: him and taunts a ranger, joe is this your rodent? 990 00:54:43,840 --> 00:54:47,000 Speaker 2: She don't man handled the wood? Coming in here and 991 00:54:47,200 --> 00:54:50,600 Speaker 2: just like lighten up the host on fire? You know, la, Yes, 992 00:54:51,160 --> 00:54:54,360 Speaker 2: it's like just you can't do comedy at the expense 993 00:54:54,520 --> 00:54:57,920 Speaker 2: of the previous the host. You're coming on his turf. 994 00:54:58,040 --> 00:55:01,040 Speaker 2: Lady just sit down. Well not if she's married to 995 00:55:01,120 --> 00:55:03,560 Speaker 2: miss she can get away with a lot just for 996 00:55:03,840 --> 00:55:06,160 Speaker 2: you know, sleeping in the boss. Tell you what, that's 997 00:55:06,200 --> 00:55:10,960 Speaker 2: an expensive puppet. She needs no clue, no clue none. 998 00:55:11,920 --> 00:55:15,800 Speaker 2: Joey quickly follows after her. Unbeknownst to him, he steps 999 00:55:15,880 --> 00:55:19,640 Speaker 2: on a leafy trap that she had set up. She 1000 00:55:19,760 --> 00:55:22,279 Speaker 2: pulls on a vine and the trap snatches Joey up 1001 00:55:22,320 --> 00:55:25,719 Speaker 2: by his feet, hanging him upside down for everyone to see. 1002 00:55:26,760 --> 00:55:27,160 Speaker 2: The kids. 1003 00:55:27,800 --> 00:55:30,840 Speaker 1: Thank god that stunt went well. These children would have 1004 00:55:30,960 --> 00:55:31,560 Speaker 1: just witnessed. 1005 00:55:32,000 --> 00:55:36,080 Speaker 2: Really, there's no rehearsal here, there's no like this. Jenny 1006 00:55:36,200 --> 00:55:37,919 Speaker 2: is just taking over the whole dang show. 1007 00:55:38,719 --> 00:55:41,840 Speaker 1: She's like, I'm gonna assault you actually, Oh my goodness, 1008 00:55:42,160 --> 00:55:43,640 Speaker 1: Oh it's great, love Uncle Jenny. 1009 00:55:44,200 --> 00:55:47,080 Speaker 2: The kids burst into another fit of laughter while Joey 1010 00:55:47,160 --> 00:55:50,440 Speaker 2: yells get me down, hey, come on, quit it, and 1011 00:55:50,560 --> 00:55:53,520 Speaker 2: he's swinging around the set. The ranger joe. 1012 00:55:53,520 --> 00:55:57,240 Speaker 1: Yeah, and it's totally Dave swinging around the set and definitely. 1013 00:55:56,920 --> 00:55:58,759 Speaker 2: Not at all. No no, no, no, no, not at all. 1014 00:55:59,200 --> 00:56:01,960 Speaker 2: And he doesn't e the lines where he says, come on, 1015 00:56:02,200 --> 00:56:03,640 Speaker 2: put me down. No no, no, no, no no. 1016 00:56:04,080 --> 00:56:07,799 Speaker 1: It sounds like yeah, no, no, he's supposed to sound 1017 00:56:07,840 --> 00:56:09,400 Speaker 1: like he's talking exactly. 1018 00:56:10,400 --> 00:56:13,319 Speaker 2: So the theme song plays and the kids kids watch 1019 00:56:13,440 --> 00:56:16,480 Speaker 2: him with amusement. Jungle Jenny waves goodbye to the kids 1020 00:56:16,640 --> 00:56:19,759 Speaker 2: and they walk off set. Jenny turns to Joey and 1021 00:56:19,880 --> 00:56:23,600 Speaker 2: also bids him goodbye. She mentions, good show partner, I'll 1022 00:56:23,600 --> 00:56:26,359 Speaker 2: see you tomorrow, and then she leaves Joey to hang 1023 00:56:26,480 --> 00:56:30,480 Speaker 2: upside down. She's just like see you. 1024 00:56:31,360 --> 00:56:34,560 Speaker 1: She's like, bye, Yeah, maybe you'll talk after I let 1025 00:56:34,640 --> 00:56:35,040 Speaker 1: you down. 1026 00:56:35,280 --> 00:56:38,359 Speaker 2: If I do, you know, It's like she is ling, 1027 00:56:38,480 --> 00:56:42,399 Speaker 2: Oh my goodness. Then mister Strowbridge walks onto the set 1028 00:56:42,480 --> 00:56:46,520 Speaker 2: and congratulates Jenny on a great show. She responds, I'm 1029 00:56:46,560 --> 00:56:49,200 Speaker 2: gonna go warm up that hot tub, big boy, and 1030 00:56:49,400 --> 00:56:54,560 Speaker 2: kisses him goodbye. More information than I needed about mister Strobridge. 1031 00:56:55,320 --> 00:56:58,680 Speaker 2: Then mister Strobridge directs his attention to Joey, who is 1032 00:56:58,800 --> 00:57:03,760 Speaker 2: still hanging upside down. Strowbridge compliments he and Jenny's chemistry, 1033 00:57:03,880 --> 00:57:07,759 Speaker 2: but Joey's had enough. He demands, with all due respect, sir, 1034 00:57:08,080 --> 00:57:10,520 Speaker 2: I've had it up to here, and he motions above 1035 00:57:10,560 --> 00:57:12,640 Speaker 2: his head, which is actually closer to the floor since 1036 00:57:12,680 --> 00:57:16,640 Speaker 2: he's upside down. Regardless, he continues, it's your choice, sir, 1037 00:57:17,040 --> 00:57:20,400 Speaker 2: it's me or her, and please be quick with your decision. 1038 00:57:20,720 --> 00:57:24,240 Speaker 2: The blood's really rushing to my head. Mister Strobridge doesn't 1039 00:57:24,280 --> 00:57:28,200 Speaker 2: have to think twice. Okay, you're fired, and Joey accepts 1040 00:57:28,280 --> 00:57:28,720 Speaker 2: his fate. 1041 00:57:30,200 --> 00:57:33,080 Speaker 1: Wow, I'm like, I'm pretty sure this is violating like 1042 00:57:33,160 --> 00:57:33,960 Speaker 1: a lot of stay. 1043 00:57:35,480 --> 00:57:36,560 Speaker 2: Just yeah, that's it. You know what. 1044 00:57:36,760 --> 00:57:38,800 Speaker 1: Actually now I'm gonna replace you with my wife. You 1045 00:57:38,840 --> 00:57:39,560 Speaker 1: don't like it, You're. 1046 00:57:39,480 --> 00:57:42,440 Speaker 2: Fired, and he's upside down, like this is so cold, right, 1047 00:57:42,520 --> 00:57:44,640 Speaker 2: But it's okay, though, I think it's gonna work out. 1048 00:57:45,520 --> 00:57:48,160 Speaker 2: Just give it one more scene. Andah, I'm sure. 1049 00:57:48,160 --> 00:57:49,600 Speaker 1: Just give it one more scene. I think it might 1050 00:57:49,680 --> 00:57:50,919 Speaker 1: be okay magically. 1051 00:57:50,640 --> 00:57:54,240 Speaker 2: Just gonna work out just fine. Meanwhile, Michelle is waiting 1052 00:57:54,320 --> 00:57:57,320 Speaker 2: on a nearby stump. She walks up to Joey and 1053 00:57:57,440 --> 00:58:02,040 Speaker 2: tells him this was so fun. Joey doesn't think so. 1054 00:58:02,480 --> 00:58:05,280 Speaker 2: He feels like he was made to look like an idiot. 1055 00:58:06,160 --> 00:58:08,720 Speaker 2: He asks Michelle to find someone to cut him down, 1056 00:58:08,840 --> 00:58:11,680 Speaker 2: so she hurries off to do just that, but then 1057 00:58:11,720 --> 00:58:14,880 Speaker 2: the lights turn off the screen goes totally black. We 1058 00:58:14,920 --> 00:58:19,560 Speaker 2: can hear Joey yelling hello, anybody here, please cut me down. 1059 00:58:20,440 --> 00:58:23,280 Speaker 2: Then we hear a big thud and he weekly responds 1060 00:58:23,600 --> 00:58:28,840 Speaker 2: thank you. Or Joey, this must be a non union. Definitely, 1061 00:58:29,200 --> 00:58:33,880 Speaker 2: they violated so many rules and regulations or Joey. Yeah. 1062 00:58:34,800 --> 00:58:37,640 Speaker 2: Back in the living room, Jesse is strumming his guitar 1063 00:58:37,760 --> 00:58:41,800 Speaker 2: when Joey and Michelle return home from the taping, Michelle 1064 00:58:41,840 --> 00:58:44,320 Speaker 2: runs up to Jesse with excitement, and he asks how 1065 00:58:44,360 --> 00:58:47,560 Speaker 2: the show went. She whispers, don't tell Joey, but it 1066 00:58:47,680 --> 00:58:51,520 Speaker 2: was so funny. Joey walks in holding a brown paper 1067 00:58:51,600 --> 00:58:54,040 Speaker 2: bag and tells Jesse he picked something up on the 1068 00:58:54,120 --> 00:58:58,200 Speaker 2: way home. Jesse sarcastic, like a bottle. It looks like 1069 00:58:59,400 --> 00:59:01,400 Speaker 2: I got some Oh man, you just cauit my job. 1070 00:59:01,880 --> 00:59:03,320 Speaker 1: He's like, yeah, I pick I'm gonna go to the 1071 00:59:03,360 --> 00:59:04,840 Speaker 1: basement now and drown myself. 1072 00:59:04,960 --> 00:59:06,960 Speaker 2: That's exactly what it looks like. It's from. It's a 1073 00:59:07,040 --> 00:59:12,080 Speaker 2: liquor bottle from the liquor store. Uh so, Jesse sarcastically guesses, 1074 00:59:12,280 --> 00:59:15,800 Speaker 2: what a new attitude. Joey opens the bag and hands 1075 00:59:15,880 --> 00:59:20,840 Speaker 2: him a bottle of Elvis car wax. Where the hell 1076 00:59:20,920 --> 00:59:24,960 Speaker 2: are the Elvis merch a novelty store. Wants to go 1077 00:59:25,120 --> 00:59:29,640 Speaker 2: to this store all Elvis all the time. This is 1078 00:59:29,720 --> 00:59:34,120 Speaker 2: a very niche thing to car wax in Elvis theme, like, 1079 00:59:34,360 --> 00:59:38,600 Speaker 2: come on people. Jesse, however, is thrilled. He's been looking 1080 00:59:38,640 --> 00:59:42,640 Speaker 2: for this all over town. Jesse goes to hug him, 1081 00:59:42,680 --> 00:59:45,920 Speaker 2: but he hesitates when he remembers that they have been fighting. 1082 00:59:46,960 --> 00:59:49,680 Speaker 2: Joey asks that they have a talk. So they sit 1083 00:59:49,760 --> 00:59:52,280 Speaker 2: on the couch and he starts off by saying, I 1084 00:59:52,400 --> 00:59:55,560 Speaker 2: want to apologize. Michelle helped me realize that I was 1085 00:59:55,600 --> 00:59:57,280 Speaker 2: wrong yesterday at the radio station. 1086 00:59:58,680 --> 01:00:03,440 Speaker 1: Okay, several intense sessions. Yes, we really discover her breakthrough. 1087 01:00:03,680 --> 01:00:05,880 Speaker 1: If you're looking at some deep things my part in this. 1088 01:00:07,880 --> 01:00:11,680 Speaker 2: Michelle herself is shocked, but she reminds them I told 1089 01:00:11,720 --> 01:00:14,080 Speaker 2: you I was a good helper, and then she pauses 1090 01:00:14,120 --> 01:00:17,800 Speaker 2: and wonders what did I do. Joey explains, you helped 1091 01:00:17,880 --> 01:00:20,880 Speaker 2: me realize it's wrong to make jokes if it's going 1092 01:00:20,960 --> 01:00:25,200 Speaker 2: to hurt someone else's feelings. Mm hmm. I feel like 1093 01:00:28,440 --> 01:00:31,080 Speaker 2: Michelle has no idea that she was capable of all that. 1094 01:00:31,920 --> 01:00:36,920 Speaker 2: Jesse praises her advice, obviously since she's his therapist, and 1095 01:00:37,080 --> 01:00:38,800 Speaker 2: as Michelle walks out of the room with her head 1096 01:00:38,920 --> 01:00:41,919 Speaker 2: held high, she says, if you boys need any more help, 1097 01:00:42,240 --> 01:00:45,280 Speaker 2: you know where my room is. She clocks out for 1098 01:00:45,360 --> 01:00:48,720 Speaker 2: the day. The therapist is in. Joey turns to Jesse 1099 01:00:48,880 --> 01:00:52,040 Speaker 2: and apologizes for making fun of his hair. He explains, 1100 01:00:52,360 --> 01:00:54,600 Speaker 2: I was getting big laughs and I guess I got 1101 01:00:54,640 --> 01:00:57,720 Speaker 2: on a roll. Jesse tells him it's all right, and 1102 01:00:57,840 --> 01:01:00,720 Speaker 2: admits to his faults as well. I was so uptight 1103 01:01:00,760 --> 01:01:03,520 Speaker 2: about getting that job. I was way too sensitive and 1104 01:01:03,640 --> 01:01:08,280 Speaker 2: I overreacted. I'm sorry, Pal. Joey can't deny that they 1105 01:01:08,520 --> 01:01:11,240 Speaker 2: made a good team when they were in advertising, so 1106 01:01:11,400 --> 01:01:13,480 Speaker 2: he thinks that they should give this radio gig a 1107 01:01:13,560 --> 01:01:16,280 Speaker 2: shot with their music and comedy. The best part would 1108 01:01:16,320 --> 01:01:18,480 Speaker 2: be that I'd work every day with a really good friend. 1109 01:01:18,920 --> 01:01:22,600 Speaker 2: So what do you say, Pal? Partners again. He holds 1110 01:01:22,640 --> 01:01:27,160 Speaker 2: out his hand and Joey shakes it. Let's do it. Then, 1111 01:01:27,240 --> 01:01:29,520 Speaker 2: Jesse offers to make him a Sunday and starts walking 1112 01:01:29,560 --> 01:01:32,800 Speaker 2: toward the kitchen, but Joey stops him. I promise when 1113 01:01:32,840 --> 01:01:35,600 Speaker 2: we do the show, no more of those stupid hair jokes. 1114 01:01:36,200 --> 01:01:39,000 Speaker 2: Jesse turns around and says, ah, that's okay, Joey. You 1115 01:01:39,040 --> 01:01:42,120 Speaker 2: can trash my hair all you want, just don't touch it. 1116 01:01:43,040 --> 01:01:46,000 Speaker 2: Joey insists I won't touch it. I might want to 1117 01:01:46,080 --> 01:01:48,520 Speaker 2: drive through it, though my car could use the lube job. 1118 01:01:50,400 --> 01:01:53,680 Speaker 2: Jesse shakes his finger at him and Joey runs away. 1119 01:01:54,040 --> 01:01:56,480 Speaker 2: He runs after him as they call each other bullwinkle, 1120 01:01:56,560 --> 01:02:00,600 Speaker 2: brain and dippity do ahead and that is our show. 1121 01:02:03,200 --> 01:02:06,800 Speaker 2: So Joey never admits that he lost the Ranger Joe 1122 01:02:06,960 --> 01:02:09,400 Speaker 2: job and that's why he's suddenly interested. 1123 01:02:09,080 --> 01:02:11,720 Speaker 1: In the radio job, or that he was hanging upside 1124 01:02:11,760 --> 01:02:13,760 Speaker 1: down and his co host tried to kill him. 1125 01:02:13,800 --> 01:02:16,440 Speaker 2: But that's doesn't matter. Now, that's in the lawsuit he's 1126 01:02:16,480 --> 01:02:20,280 Speaker 2: bringing against the station. Doesn't any of that nothing, that's 1127 01:02:20,400 --> 01:02:22,720 Speaker 2: we'll get to that. We'll get to that. He needed to, 1128 01:02:23,400 --> 01:02:27,160 Speaker 2: uh to tell Michelle thank you for being Yes, yes, 1129 01:02:27,160 --> 01:02:28,720 Speaker 2: he had to give him schell credit for all of this. 1130 01:02:29,080 --> 01:02:35,200 Speaker 1: I mean another episode, another season job Jesse. Yeah, it's 1131 01:02:35,320 --> 01:02:38,960 Speaker 1: just you know, we were asking though when they were 1132 01:02:39,000 --> 01:02:40,760 Speaker 1: going to get to the radio DJ. 1133 01:02:40,920 --> 01:02:44,160 Speaker 2: I didn't realize so now soon, Yeah, it's now, it's 1134 01:02:44,280 --> 01:02:44,920 Speaker 2: it's idiot. 1135 01:02:45,120 --> 01:02:45,280 Speaker 1: Yes. 1136 01:02:45,520 --> 01:02:49,320 Speaker 2: Immediately after the Japan episode, initially I was sad. I'm like, 1137 01:02:49,600 --> 01:02:53,040 Speaker 2: that Ranger Joe show job was so perfect for Joey. 1138 01:02:53,480 --> 01:02:55,000 Speaker 2: So I was initially sad, but I'm like, you know what, 1139 01:02:55,120 --> 01:02:57,200 Speaker 2: he makes a good duo with Jesse, Like, I'm excited 1140 01:02:57,200 --> 01:03:00,840 Speaker 2: about this pairing. It's been a few seasons they worked together. Yeah, 1141 01:03:00,960 --> 01:03:03,480 Speaker 2: you know it'll be interesting. So I'm here for you. 1142 01:03:03,680 --> 01:03:05,600 Speaker 2: I like it. Yeah, I mean they work together as 1143 01:03:06,200 --> 01:03:08,520 Speaker 2: advertising cars, funny that was full of lots of fun, 1144 01:03:09,200 --> 01:03:10,880 Speaker 2: So you give it a shot. 1145 01:03:12,280 --> 01:03:13,720 Speaker 1: No, I think this is going to be fun and 1146 01:03:14,280 --> 01:03:16,880 Speaker 1: maybe it will give Joey a chance to have a 1147 01:03:17,000 --> 01:03:19,840 Speaker 1: bit more of an adult job and be like a 1148 01:03:20,440 --> 01:03:22,680 Speaker 1: you know, fully actualized adult. 1149 01:03:22,760 --> 01:03:24,360 Speaker 2: This is a great opportunity for him. 1150 01:03:24,440 --> 01:03:26,920 Speaker 1: Yes, no cartoon. Michelle can help him with that. You know, 1151 01:03:27,080 --> 01:03:29,040 Speaker 1: she could really get him to, you know, integrate all 1152 01:03:29,080 --> 01:03:30,240 Speaker 1: those parts of himself her. 1153 01:03:30,280 --> 01:03:34,360 Speaker 2: Like her life. Coaching will continue and it is going 1154 01:03:34,440 --> 01:03:36,440 Speaker 2: to do a lot of journaling where he starts this 1155 01:03:36,560 --> 01:03:38,320 Speaker 2: new job. Good for him, Good for him. 1156 01:03:38,560 --> 01:03:41,360 Speaker 1: Well, did you have any uh everywhere to do? I 1157 01:03:41,440 --> 01:03:43,760 Speaker 1: have one other than in office. There's a lot of 1158 01:03:43,800 --> 01:03:46,360 Speaker 1: everywhere he looks in your office in this show. 1159 01:03:47,080 --> 01:03:52,280 Speaker 2: Yes, I noticed that Steve and DJ's text books were 1160 01:03:52,800 --> 01:03:56,520 Speaker 2: covered in those brown paper grocery bags like we used 1161 01:03:56,520 --> 01:03:58,440 Speaker 2: to do back in the day. So you had to 1162 01:03:59,000 --> 01:04:02,360 Speaker 2: you had to cover your book is paper bag and 1163 01:04:02,400 --> 01:04:05,480 Speaker 2: then you could write because we couldn't be trusted to 1164 01:04:05,680 --> 01:04:10,880 Speaker 2: have an unread Because I think I loved wrapping my 1165 01:04:10,960 --> 01:04:13,120 Speaker 2: books at the beginning of every school year. I loved 1166 01:04:13,160 --> 01:04:16,800 Speaker 2: cutting out the grocery bags and taping them together. Oh, 1167 01:04:16,920 --> 01:04:18,760 Speaker 2: I hate such a night. I hated it. 1168 01:04:18,920 --> 01:04:20,840 Speaker 1: I like decorating it. I didn't like the putting it together, 1169 01:04:21,000 --> 01:04:21,800 Speaker 1: like all of it typical. 1170 01:04:21,960 --> 01:04:22,520 Speaker 2: It was so fun. 1171 01:04:22,800 --> 01:04:25,920 Speaker 1: But once the kids were at that point, they had 1172 01:04:25,920 --> 01:04:27,600 Speaker 1: the little stretch the last it's not the same. 1173 01:04:28,000 --> 01:04:29,760 Speaker 2: You just stretch. I was like, oh, this is great, 1174 01:04:29,840 --> 01:04:32,480 Speaker 2: so it's easier. But you know, but you can't decorate it. 1175 01:04:32,960 --> 01:04:35,280 Speaker 2: It's a little less a little, it's a lot less personal. Yeah, 1176 01:04:35,320 --> 01:04:37,600 Speaker 2: I don't I miss I missed them. Sure, paper bags 1177 01:04:37,640 --> 01:04:40,000 Speaker 2: on the books, but that's okay. I love it. It's 1178 01:04:40,040 --> 01:04:42,840 Speaker 2: definitely nineteen ninety two. You could tell that was a relic. Yeah, 1179 01:04:42,840 --> 01:04:44,880 Speaker 2: oh yeah, a total throwback. How about you? 1180 01:04:45,000 --> 01:04:46,600 Speaker 1: Did you have make sure you take your books on 1181 01:04:46,720 --> 01:04:48,400 Speaker 1: because you got your take your books on because there 1182 01:04:48,440 --> 01:04:49,400 Speaker 1: were enough books for everyone? 1183 01:04:50,160 --> 01:04:53,160 Speaker 2: Remember those days when schools had budgets, of those days 1184 01:04:53,200 --> 01:04:54,760 Speaker 2: when everyone in school got a book? 1185 01:04:55,040 --> 01:04:59,880 Speaker 1: Yeah, oh wow, luxuries did you have everybody? Look? 1186 01:05:01,440 --> 01:05:03,960 Speaker 2: I did not have an everywhere you look. I did not. 1187 01:05:04,320 --> 01:05:07,160 Speaker 2: I leader Joe Show, had none of Michelle's friends rather. 1188 01:05:07,120 --> 01:05:11,600 Speaker 1: Than Jungle Jenny and my connection to eating great connection. 1189 01:05:11,880 --> 01:05:15,080 Speaker 2: That's so cool, Amela Pool, that's so great. I got 1190 01:05:15,200 --> 01:05:16,040 Speaker 2: to look up this clip. 1191 01:05:16,120 --> 01:05:18,960 Speaker 1: Hamila Pool, Missus Poole's niece, and she was the wacky 1192 01:05:19,000 --> 01:05:22,040 Speaker 1: neighbor on their show. She was the the older version 1193 01:05:22,080 --> 01:05:23,240 Speaker 1: of you, which is why she would have been a 1194 01:05:23,280 --> 01:05:25,040 Speaker 1: perfect give a perfect gibble. 1195 01:05:24,840 --> 01:05:27,760 Speaker 2: Or tarn it. Wellkay, that's all right. She was lovely 1196 01:05:27,840 --> 01:05:31,640 Speaker 2: as Jungle Jenny. She was, and she was great. She 1197 01:05:31,760 --> 01:05:34,320 Speaker 2: got the hot tub fired up. She is a great 1198 01:05:34,360 --> 01:05:37,360 Speaker 2: match for mister Strowbridge, that's for sure. She's she is. 1199 01:05:37,720 --> 01:05:41,520 Speaker 1: Yeah, and and does she plot? You know, she really 1200 01:05:41,560 --> 01:05:44,560 Speaker 1: had to go to Great Lakes to rig that that. 1201 01:05:44,800 --> 01:05:49,680 Speaker 2: She's She's very creative, that Jungle Jenny. So yes, you know, yes, Well, 1202 01:05:50,040 --> 01:05:53,680 Speaker 2: another great episode. I think that's it for Yeah, it 1203 01:05:53,720 --> 01:05:55,680 Speaker 2: sets up some stuff for later in the season, the 1204 01:05:55,760 --> 01:05:57,640 Speaker 2: Russia Renegade. So that's good. 1205 01:05:58,280 --> 01:06:00,680 Speaker 1: Yep, yep, we're definitely getting in of the like, oh, 1206 01:06:00,920 --> 01:06:02,200 Speaker 1: this is what they're doing. 1207 01:06:02,080 --> 01:06:05,560 Speaker 2: Now a little bit with your your story writing, your 1208 01:06:05,640 --> 01:06:09,080 Speaker 2: creative your creative problem. Yeah that was fun, cute, that 1209 01:06:09,240 --> 01:06:10,960 Speaker 2: was fun. That was a yeah, that was a silly, 1210 01:06:11,160 --> 01:06:19,000 Speaker 2: very funny sister story. But yeah, that's that's what we got, folks. 1211 01:06:19,120 --> 01:06:21,280 Speaker 2: That's uh, that's our show for this week. 1212 01:06:21,360 --> 01:06:23,320 Speaker 1: We hope you enjoyed it, and if you want to 1213 01:06:23,360 --> 01:06:25,400 Speaker 1: find us on Instagram, you can check us out at 1214 01:06:25,480 --> 01:06:28,240 Speaker 1: how Rude Podcast. You can send us an email at 1215 01:06:28,280 --> 01:06:30,480 Speaker 1: Howard Tannerto's at gmail dot com. 1216 01:06:31,680 --> 01:06:32,800 Speaker 2: Let us know your thoughts. 1217 01:06:32,960 --> 01:06:37,720 Speaker 1: You're everybody looks, I don't know, just yeah, yeah, let's 1218 01:06:37,720 --> 01:06:38,600 Speaker 1: submit questions. 1219 01:06:39,120 --> 01:06:42,520 Speaker 2: Yeah, everywhere you looks all kinds of things and uh 1220 01:06:42,640 --> 01:06:45,720 Speaker 2: what else? What else? Visit our merch store, howarudmerch dot com. 1221 01:06:46,520 --> 01:06:48,160 Speaker 2: And that's it, folks. 1222 01:06:48,320 --> 01:06:52,800 Speaker 1: So remember the world is small, but the house is 1223 01:06:52,920 --> 01:06:59,520 Speaker 1: full of macaroni man, just full, just macaroni man. 1224 01:07:00,080 --> 01:07:02,240 Speaker 2: Them just about they've Yeah. 1225 01:07:03,000 --> 01:07:06,720 Speaker 1: They instead of sending flowers, they made macaroni paper plate 1226 01:07:06,760 --> 01:07:10,160 Speaker 1: dart and I always let me tell you there's there 1227 01:07:10,280 --> 01:07:14,560 Speaker 1: is no quicker way to a woman's heart than than 1228 01:07:14,640 --> 01:07:16,280 Speaker 1: a macaroni. 1229 01:07:16,240 --> 01:07:20,520 Speaker 2: With macaroni craft is everywhere the best. Yeah yeah, macaroni craft. 1230 01:07:20,600 --> 01:07:23,440 Speaker 1: Macaroni Man Henry everywhere, just yep. 1231 01:07:23,520 --> 01:07:24,280 Speaker 2: Everywhere you look. 1232 01:07:24,600 --> 01:07:28,000 Speaker 1: Sorry, Steve, you'll get your chance or you'll marry her 1233 01:07:28,040 --> 01:07:28,680 Speaker 1: in thirty years