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Speaker 1: We got that laughter for your soul. And now to

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Speaker 1: get into the breaking you on this show, heck you want,

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Speaker 1: Homian show me Creeper eight from Cholottle Fits. And so

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Speaker 1: right now, Homie, on this litt video'm gonna show you

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Speaker 1: a little tricks of the trades. Ay, because right now

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Speaker 1: I'm seeing a lot of head. They get tricked on

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Speaker 1: me like they do a lot of times in fitness

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Speaker 1: or just humans in general. They'll be like get tricked

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Speaker 1: roll easy a by consumerisms and capitalisms or whatever. So

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Speaker 1: right now, Homi, in the Finnish community, like fools are

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Speaker 1: all like, oh damn kettle bows ay, And like when

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Speaker 1: you describe, hey, what's a kettle bow? It's basically a

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Speaker 1: little block of concrete or a handle on it, ay,

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Speaker 1: And fools are spanning all kinds of ferria on that,

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Speaker 1: which is a trip on me. So what I have

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Speaker 1: my creeper bows? A So what creeper bows on me?

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Speaker 1: You could get a bag of concrete from the INSTACRT,

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Speaker 1: so bring it to you a for like less than

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Speaker 1: five dollars four forty free it How much was a

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Speaker 1: bag of concrete on me? Four forty nine? Eh, you

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Speaker 1: can get a bag of concrete, and with that bag

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Speaker 1: of concrete, then you go to the ninety nine and

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Speaker 1: get buckets on me, and I know what you're thinking.

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Speaker 1: They're like, hey, well, how much of those buckets creeper

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Speaker 1: or at the ninety nine cent store? Riddle me this? Ay,

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Speaker 1: their ninety nine cents on me? So with tax and everything,

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Speaker 1: it's about a dollar twelve. So I got six of those, homie,

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Speaker 1: I put concrete in them, and now I got six

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Speaker 1: creeper bells, ay for less than fifteen dollars on me.

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Speaker 1: So if you want to be like one of these

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Speaker 1: fools that follows these kettle bell hind us on the

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Speaker 1: YouTube's that are like, oh they have their limen lulu's

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Speaker 1: and their hundred dollars kettle bells and hey you know,

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Speaker 1: then then yeah, then live your life, you know, if

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Speaker 1: you want to get tricked like that, because yeah, I

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Speaker 1: know kettle when I heard kettle bells, like, hey, that

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Speaker 1: must be from a farm or something, and if you

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Speaker 1: look at the history a google it or whatever, yeah,

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Speaker 1: it did come from a farm in Russia. Homie. They

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Speaker 1: had kettle bells that they used to weigh grains so

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Speaker 1: they can sell it at the market. But then they're like, oh,

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Speaker 1: but we're all cold right now because we're in Russia.

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Speaker 1: It's freezing condition. Let's just start throwing these things around. Eh.

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Speaker 1: So they started throwing the kettle bows and they're like, oh, look,

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Speaker 1: we could work out with this. And then you know,

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Speaker 1: Americans were like, oh, hey, we could use these in

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Speaker 1: our new fitness clients on how we do. But yeah,

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Speaker 1: so waste money like that on me or just do

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Speaker 1: the creeper bows all right. So there's a little history

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Speaker 1: fact on where kettle bows really came from on me

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Speaker 1: and a way to save fattia because you can do

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Speaker 1: the creeper boughs for less than half the price. That's

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Speaker 1: what sucked you, stupid stupid bitch. How dare you even

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Speaker 1: think that you have a chance with my man? All right?

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Speaker 1: Stick to your little stupid YouTube flucy activities all right, bitch,

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Speaker 1: because that's my man. I'll fuck you up. Stay away

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Speaker 1: from Peter because you're as simple as cavrona. Try to

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Speaker 1: mess up my man out right up on you and

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Speaker 1: I'll bust your head bitch and make it swell smack

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Speaker 1: you win the tone with their own kettle bell. Stick

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Speaker 1: to your week as YouTube? What I do with top

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Speaker 1: notch what you do with boo boo? To pay attention

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Speaker 1: to what's pumping up the speaker, staying you're lane, and

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Speaker 1: stay away from Peter the book, Stay away from Peter's

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Speaker 1: day away from Peter a bit? How fuck you are?

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Speaker 1: She's food? Stay away from Peter day day day? Day

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Speaker 1: away from Peter? They say, say, what, stay away from Peter?

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Speaker 1: How fuck you us? Don't piss me off, bitch, because

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Speaker 1: I get reckless seeing my man follow your stupid ass stretches.

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Speaker 1: That's might follow the stretching, exfoliate. Then I write, I'm

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Speaker 1: so hard tell his bhon spray I'm gonna do with

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Speaker 1: Ted talk on that we need Peter be bagging. Please

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Speaker 1: give me Mark Jason so dumb country cups. Let's stick

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Speaker 1: to tennis. I don't give a fuck, bitch. I get

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Speaker 1: relentless too. Stay away from Peter's stay stay away from

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Speaker 1: Peter or how fuss you up? Book? Stay away from

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Speaker 1: Peter day day? They say, away from Peter. Let's take

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Speaker 1: away from Peter. That's right, bit all right, don't make

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Speaker 1: me tell you twice, okay, because if I have to

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Speaker 1: come tell you twice, you're gonna not even be able

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Speaker 1: to be conscious to realize what happened, because I'm gonna

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Speaker 1: not just scoop that that's out. Okay, so you might

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Speaker 1: want to wear a helmet. Helmet that covers your dumbat

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Speaker 1: space too, stupid bitch, that's my mat I take you

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Speaker 1: away from her. I don't care. I don't even think

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Speaker 1: anything sexual about the city is mmm, no, no, no.

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Speaker 1: Ram to a customer service. Who do I have the

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Speaker 1: pleasure of speaking with today? Is this creeper? Hey? I

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Speaker 1: one of those robots on me. We call ours Carlos.

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Speaker 1: But he's all fucked up right now. He can't stop

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Speaker 1: ramming the washing machine home. He's ramming it all crazy

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Speaker 1: right now. Yeah do you like that, mama? And yeah,

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Speaker 1: like for a robot, it doesn't even know. Well, he's

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Speaker 1: pretty horning. But beyond that, homie, I can't even dry

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Speaker 1: my clothes. Hey, So it's like a catch twenty two

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Speaker 1: or whatever. They say. I'm sorry to hear the Trevor

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Speaker 1: problems with your unit. Hey, well mean as I just guy,

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Speaker 1: I think it's his unit that's having that problem. You

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Speaker 1: know what I'm saying. Hope up to your troubleshoot with

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Speaker 1: you over the phone. I'm just gonna need you to

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Speaker 1: reach behind it and shut it on. Oh dang, a

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Speaker 1: rebold shit glad I called the professionals. Hey, all right, hey,

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Speaker 1: hold up? Who me? Yeah? All right, Well here's a

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Speaker 1: switch right here. Hey, so I can hold He still

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Speaker 1: ramming HOMEI won't stop. Okay, let's try something else here.

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Speaker 1: We won't be able to reset the main frame on

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Speaker 1: our end until he nuts um. In the back panel,

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Speaker 1: you'll see a green light. Can you read to me

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Speaker 1: what that says? Eighteen point two five? Great? Great? Okay.

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Speaker 1: Now I need you to look at the source compartment regulator. Okay,

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Speaker 1: can you read the last four digits starting with the

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Speaker 1: X two point zero zero B? Okay, yeah, yeah, see

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Speaker 1: right here? Uh seven seven five one excellent. Lastly, just

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Speaker 1: pulled back the rear assembly and you'll see the CID configurator.

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Speaker 1: I'll need you to decrease the parameters, okay, and I'll

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Speaker 1: match up the levels with the schematics in the manual. Okay. Next, okay,

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Speaker 1: do you have a vacuum nearby? Of course, go on

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Speaker 1: right here. Okay, go ahead and turn that on. Go

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Speaker 1: around the house and turn on any appliance as you have. Okay,

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Speaker 1: could be a blender, microwave, or TV. Let just turn

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Speaker 1: them all on. Okay, all right, now here goes out

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Speaker 1: blendard Okay, that microwave, and now here's the TV. Gang

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Speaker 1: got all dang Holmie, oh dang, he's getting all excited

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Speaker 1: hersh ain't you get it? Cardloss about the blood, he's

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Speaker 1: about the booker. Okay, now now we're talking. That should

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Speaker 1: do the trick. We just need to overstimulate the computer

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Speaker 1: order to reset the system call. Okay, oh shoot, well

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Speaker 1: get it. Carlos. He's like having like a threesome or

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Speaker 1: ain't nab or summer ione. It's like a and the

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Speaker 1: plants org on me get it Los, like general damn

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Speaker 1: my homiere in there getting the home boy. Okay, Well,

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Speaker 1: sounds like he's really getting after it there and customer

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Speaker 1: thirds up, So you did it? Hey? This was hey Carlos, Carlos, Yeah,

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Speaker 1: I mean this was passed out. Ain't just bust it

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Speaker 1: all crazy? All right? Sounds like that's gonna do it.

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Speaker 1: Should be able to reset the signal to remove Carlos's

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Speaker 1: stress levels and he'll be running back to normal again. Okay,

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Speaker 1: I'll up. Okay, now go ahead and try it. While

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Speaker 1: I have you on the phone here. Okay, Hey Carlos, Carlos, Yeah, hello, Hey,

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Speaker 1: good morning on me. Hey, so I was scared you're

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Speaker 1: gonna have to clean up the mess. Hey, you made

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Speaker 1: a mess with your robo or whatever? Yes, no problem, hey,

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Speaker 1: customer service, hold me. Hey, thanks for the help. Hey,

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Speaker 1: I guess it's true what they say, you know, like

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Speaker 1: when you're stressed out and not you know, crazy, you

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Speaker 1: might just need to empty out your webwels if you

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Speaker 1: know what I'm saying, you know, like bust a nut

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Speaker 1: or whatever. One. Okay, no problem, creeper you and Carlos,

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Speaker 1: enjoy the rest of your day. That's all right. Thank

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Speaker 1: you on me, Hey, say thank you, Carlos to the

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Speaker 1: customer service. Thank you customer service. All right, I would

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Speaker 1: go on on me. You've heard people say, don't shit

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Speaker 1: where you eat. Well, those people have never been to

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Speaker 1: Puppio Dukie. Shit need Here. At Puppio Dukies, our custom

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Speaker 1: made booths are adjustable to any size for maximum comfort

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Speaker 1: while you're dining on our complimentary, on limits nacho trot

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Speaker 1: delivered right to your table. Poopio Dukeye's humble beginning started

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Speaker 1: back in eighteen ninety three When cornwallis poopy. Beauregard had

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Speaker 1: a dream to bring the ultimate and comfort dining to

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Speaker 1: everyday people. What began with one simple toilet and a

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Speaker 1: single dining tray in a small outhouse in southern Mississippi

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Speaker 1: has now grown into one of the fastest growing chains

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Speaker 1: in North America. But what about the white thing. There's

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Speaker 1: no wiping, that's right. Each Pupio Dukie poo booth is

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Speaker 1: fitted with the most powerful the day this side of

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Speaker 1: the Atlantic, a suck at France. You can experience the

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Speaker 1: ultimate and relaxed dining as you fill your belly and

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Speaker 1: let your body do the rest. And please take your time.

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Speaker 1: At Poopio Dukey's, we won't rush you. That's the Poopio

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Speaker 1: Dukey promise. That's Pupio Dukie shouldn't eat Just off Root

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Speaker 1: ninety five, a truly one of a kind dining experience.

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Speaker 1: We're open the day and night at Poopy Oh Dukies,

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Speaker 1: the place you should and eat show. Oh hey, it's

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Speaker 1: the cable guy. How are you doing mehole? Oh? What's

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Speaker 1: up out? Gee? How are you doing man? I'm doing good?

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Speaker 1: Where's creeper at? Oh? He's doing one of his shortal

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Speaker 1: fit sessions over there at that gym. Oh man, that

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Speaker 1: dude stays busier than a one legged man and an

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Speaker 1: ass eating contest. Whoa, wow, cable guy, you should pretty

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Speaker 1: high right now. Oh that's because I'm really high right now. Well,

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Speaker 1: I hope you're able to fix our cable box. We've

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Speaker 1: been having problems with it ever since Carlos our robots

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Speaker 1: started rapping all the appliances. He was doing that for

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Speaker 1: almost three days. Oh yeah, I heard that on the right.

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Speaker 1: He probably not something listen sounded like, yeah, well, get

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Speaker 1: back there and start working on it. It shouldn't take long.

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Speaker 1: It's mostly vibes. Vibes okay, Oh shit, Hey oge even

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Speaker 1: getting into any new shows lately because you turned me

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Speaker 1: onto Gordita Island and it was a trip. Oh yes, yes,

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Speaker 1: I love Gordy Island. Yeah, I'm waiting to see you.

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Speaker 1: If they renew it for another season, they better I

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Speaker 1: love that shot. I hope so. But lately I've been

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Speaker 1: watching one called Love is Blind. Oh man, what's that about. Well,

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Speaker 1: that's where people try to, you know, get to know

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Speaker 1: each other before they know what each other looked like.

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Speaker 1: They put them in separate rooms. They can't see each other,

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Speaker 1: but they can, you know, hear and conversate. Oh yeah,

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Speaker 1: that cat fishing? Is that? What's no? I don't maybe

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Speaker 1: something like that. I'm not too sure the terms of it,

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Speaker 1: but reminds me of an ancient story. Are you gonna

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Speaker 1: tell another one of your stories? Og? Yeah, all right,

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Speaker 1: I'll just take a seat. Then. Back in nineteen sixty seven,

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Speaker 1: Xavier Katalamic He was a very well known mechanic and

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Speaker 1: a welder who had his very own shop. Very nice,

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Speaker 1: nice and hard working man, respected in the community. But

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Speaker 1: one day, well he was intoxicated from his alcoholic beverages.

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Speaker 1: He forgot to put his shield on as she was

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Speaker 1: starting to weld the frame of a nineteen thirty nine

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Speaker 1: Plymouth Sedan. The sparks flew into his eyes. He lost

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Speaker 1: his vision forever, or did he. He lived alone with

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Speaker 1: two kids in college. They came down to help him,

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Speaker 1: but they could only stay for so long as they

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Speaker 1: had to get back to school. So his daughter found

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Speaker 1: an ad on Craigslist for a stage at home nurse sold.

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Speaker 1: They left her a key and went back to college.

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Speaker 1: Xavier waited and waited. Then one evening he heard the

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Speaker 1: door open a presence approach. It was a she and

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Speaker 1: she said hello, hello, and introduced herself. I'm Gabriella. Then

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Speaker 1: she asked him for a hug. Huggly. Xavier reached his

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Speaker 1: arms out and he hugged, and he felt like he

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Speaker 1: was hugging a big stack of warm tires, type of

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Speaker 1: tires I would fit onto a fort broncle. He was

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Speaker 1: so relieved Gabriella would help him. She helped him bathe

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Speaker 1: she cooked for him, she told stories. They laughed together.

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Speaker 1: Then she started to give him full body massages with

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Speaker 1: happy endings that means you know. She would stroke a

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Speaker 1: weenie to help him feel relaxed and his time of pain.

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Speaker 1: They rarely started to connect. It was magical. Then one

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Speaker 1: day she said, okay, I think you've held enough and

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Speaker 1: now it's time. Xavier was confused. Then Gabriella got warm

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Speaker 1: banana leaves and covered his eyes. The banana leaves were big,

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Speaker 1: they pretty much covered his whole head, but she focused

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Speaker 1: on the eyes. Then began to say a prayer in

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Speaker 1: her native language, what see what see? I a huts

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Speaker 1: he puts your maca oh oh whoa whoa whoa? What's hut?

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Speaker 1: Then she said no Xavier, please wait till I leave

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Speaker 1: before you remove these leaves. And he said, no, Gabriella,

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Speaker 1: I don't want you to leave. She said no, no, Xavier,

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Speaker 1: it'll be better this way, for I am afraid that

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Speaker 1: she will not like my appearance. He said, that is ridiculous,

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Speaker 1: That is beyond ridiculous, Gabriella. Then he caught her attention

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Speaker 1: and told her, for you cannot leave. I am in

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Speaker 1: love with you. So he confessed his feeling, and she

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Speaker 1: began to cry. She was crying. As she cried, he

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Speaker 1: took his hand and removed the leaves from his head

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Speaker 1: and face and eyes. He could see it was a miracle.

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Speaker 1: Then he saw Gabriella. She was at least six foot

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Speaker 1: four inches in height. She was wearing a tank top

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Speaker 1: and had a tattoo on her right arm of the

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Speaker 1: scheld inman it covered the whole arm, and she was

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Speaker 1: wearing a bandana on her head that said dry, fast,

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Speaker 1: Eat ass. They made eye contact. She was teary eyed

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Speaker 1: and nervous. He looked at her, then looked at her

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Speaker 1: bandana once more, and he got a little running start

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Speaker 1: and jumped into her arms. They mated all crazy. They

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Speaker 1: ate ass each other. It was a mash made in heaven. Look.

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Speaker 1: Then they ran the shop together for another twenty seven years, Nico,

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Speaker 1: and eventually they bought their dream retirement home in Victorville, California.

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Speaker 1: What was a tragedy turned into a beautiful, beautiful love story.

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Speaker 1: So my point is, cable men, is that love is blind.

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Speaker 1: If you give a chance for souls to connect, anything

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Speaker 1: anything can happen. Wow o gee, that was beautiful. You

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Speaker 1: made me realize how lucky I am to have a

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Speaker 1: good woman at home. And I'm gonna stop smoking weed

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Speaker 1: at home so I can connect and be more present

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Speaker 1: for her. From now on, I'm only smoking weed network.

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Speaker 1: Oh that's very sweet of you, cable men. But I

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Speaker 1: would say the most important lesson to take out of

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Speaker 1: this story is that if you want a relationship to last,

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Speaker 1: then you must you must eat ash. Oh yeah, she

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Speaker 1: would really appreciate that. The votas three sixty by rap

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Speaker 1: Tech for above the rim performance on and off the court.

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Speaker 1: You won't ever experience a basketball shoe with this much

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Speaker 1: ankle support, with three colors to choose from brown, light brown,

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Speaker 1: and kind of yellow. Be the envy of the gym

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Speaker 1: and your work site. The Vota's three sixty. Elevate your game.

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Speaker 1: That's the rock. That's the rock. Ah. Hey, trip foo.

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Speaker 1: They didn't even card me. Dang, this place is a trip.

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Speaker 1: It's kind of cracking in here. Hey, what's up, mister bartender?

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Speaker 1: Can I get a Coca colava? You ain't from around here?

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Speaker 1: Are your son? Well? My name is Junior Glavize from Mercida, California.

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Speaker 1: Who you know by that new shopping center. It's the

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Speaker 1: one where they had the Wabba real food? Never heard

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Speaker 1: of it? Have you ever had a Whopper Crew? Nope?

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Speaker 1: Ain't you should try it food? They got bomb ass

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Speaker 1: chicken balls food And you could, I said, put extra

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Speaker 1: sauce on the side, don't you you know, because that's

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Speaker 1: what I do, because then you could just like dip

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Speaker 1: the chicken into the sauce on the side to like

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Speaker 1: put an extra layer. And there you hate that little

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Speaker 1: man looking for a good time? I am, But damn you. Huh.

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Speaker 1: Your breath is kind of hitting right now, like no

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Speaker 1: offense or anything, even though your breath is being offensive,

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Speaker 1: but you know, like it's kind of affecting the vibe

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Speaker 1: right now. Yeah, But I mean other than that, I mean,

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Speaker 1: hund like you're pretty fine, but all that heat that's

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Speaker 1: coming out of your mouth right now, it's just like, nah,

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Speaker 1: it's not for me, you know what I mean? Well, whatever,

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Speaker 1: you're lost? Oh damn wow, But look to you me, huh, Hey,

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Speaker 1: mister fark tender homie. Who's that? Who's that being over there?

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Speaker 1: You don't want to be messing around with her. That's

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Speaker 1: Chico's woman you're married about. She's out of her way. Hey. Oh,

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Speaker 1: she's coming up to me right now a little food.

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Speaker 1: You better run if you know what's good for you. Hey,

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Speaker 1: are you looking at me like that from across the room? Ay?

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Speaker 1: To be honest with you, me U, I can't resist.

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Speaker 1: You're just so beautiful, Like I don't even picture you

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Speaker 1: right here at Thessalana picture. You're walking like on a mountainside,

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Speaker 1: like next to the ocean and everything. You know, you're stup. No,

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Speaker 1: it's true. You look good and dang like, what's that

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00:21:22,400 --> 00:21:24,720
Speaker 1: thing around your neck called? It looks pretty female or whatever?

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Speaker 1: It's a boy? Oh yeah, yeah, no, a feather ball.

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Speaker 1: It looks good on you. You look like, you know,

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Speaker 1: like you're from frontier land. Have you ever been to

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Speaker 1: a thunder minds when you've been you've got talking to

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Speaker 1: me because my man is gonna get mad. I'm not scared.

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Speaker 1: We had come on, we're just talking. Here it comes

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Speaker 1: body man, who's this little boy here? Leave on? My lord,

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Speaker 1: he didn't do nothing. You want to try to think?

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Speaker 1: My woman? A little man who settle this one outside?

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Speaker 1: For reals? Dang, it's like a clean Eastwoods movies on me.

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Speaker 1: He's challenging you to a draw son. Oh dang, that's cool.

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Speaker 1: Or let's go then food and if I win, then

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Speaker 1: I get to kick it with Mighty Ben. All right,

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Speaker 1: you're gonna lose our junior. He is the bestest junor

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Speaker 1: than ever one. Or let's see him here. You know

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Speaker 1: it's worth the shot because you're all fine. Let's see

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Speaker 1: what's up. All right, gentlemen, you know the rules. Stand

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Speaker 1: back to back and on my signal, walk ten paces

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Speaker 1: and draw it. Let's get this over with a gottle

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Speaker 1: drink by lizard. Who oh dang, you're all doing it.

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Speaker 1: Ain't Mighty Ben? You ever been to wapp a girl

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Speaker 1: content drick juniors talking drawn? O? Oh my god, it

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Speaker 1: I knew I would because I'm good. I'm playing those

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Speaker 1: shooting games. On my computers or everything. But dang, he

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00:23:06,240 --> 00:23:08,920
Speaker 1: he shot a hold in my half food. Look, I

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00:23:09,080 --> 00:23:11,800
Speaker 1: just got this one. It's all right, I'll get another one.

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Speaker 1: I guess he never challenged a little homie before a junior.

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Speaker 1: I can't believe it. You did it. I ain't. I

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Speaker 1: guess I'm yours. Now where are you taking me? Oh? Yeah? Well?

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00:23:22,800 --> 00:23:25,520
Speaker 1: Let score is a whopper grill, you know, that's where

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00:23:25,560 --> 00:23:28,280
Speaker 1: they have the balls and everything. Well, okay, what I'm

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Speaker 1: on eating the shrimp? Also? Yeah, and the menu they

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Speaker 1: show like how many calories in each ball? And they're

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Speaker 1: you think I'm counting calories? Are stupid? No, I just

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Speaker 1: thought that. Oh yeah, maybe okay, we'll take me before

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Speaker 1: I change my mind? Yeah yeah no, let school so

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Speaker 1: this is like a date. Huh? All right then meha

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Speaker 1: will sat a little Let school get your home? Get you.

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Speaker 1: I've seen a man. They strange happening in this old saloon.

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Speaker 1: Some things you wouldn't believe if I told you with

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Speaker 1: my hand on a stack of bibles. But the day

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Speaker 1: Junior one Marabelle's Heart and then did Chico's Devil Rain

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Speaker 1: with that one true shot as a story, I still

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Speaker 1: tell my grand babies. They're in their thirties now, because

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00:24:20,240 --> 00:24:23,399
Speaker 1: I'm a hundred and twelve years old. What was I

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00:24:23,560 --> 00:24:32,760
Speaker 1: talking about again? What's up? Brethren? Rudy Rodriguez here by

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Speaker 1: the time my family love with a woman far saw

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Speaker 1: her face. My love is blind, baby, My love is broken,

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Speaker 1: hanging onto a broken dream because I know there's gotta

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Speaker 1: be hope. Before I saw you, be Ben, I was

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Speaker 1: already be in this some kind of way. The way

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Speaker 1: you talked on that bone when customers served it is

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Speaker 1: the team moon blown. I said, I gotta meet this girl.

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Speaker 1: I'm falling the dumb. I'm falling in love, and I

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Speaker 1: gotta meet this gun. I'm falling in love. I'm falling

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Speaker 1: in love. Finally, you said, okay, let's be getting tired

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Speaker 1: of all your calls. I don't even know if your

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Speaker 1: short or talk. She agreed to meet me at the

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Speaker 1: Monabella gonna win, and that she was looking nucking allamever

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00:25:29,800 --> 00:25:33,919
Speaker 1: get full back for Fred's no state, big old shoulders

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Speaker 1: in a tight grip with some big old humok is

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Speaker 1: strong ass legs them child bear wing hips. I loved

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Speaker 1: it all because love is blind. I said, I was

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Speaker 1: already in love with your girl. But then I saw

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Speaker 1: your physical strength. I fell so deep, so deep into

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Speaker 1: your heart. Girl. Love is lime, baby, love it broke,

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Speaker 1: hanging on too a broken dream because I know there's

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Speaker 1: gotta be hop My love is blind, baby, My love

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Speaker 1: is broken, hanging onto a broken dream because I know

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Speaker 1: there's gotta be hope. I said, I gotta meet this

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Speaker 1: girl because I'm falling in love, falling in love. I said,

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Speaker 1: I gotta meet this girl because I'm falling in love,

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Speaker 1: falling in love. Say love is blind, Ruby Rodrie is

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Speaker 1: everybody blind. God bless our door. That quarters m m

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Speaker 1: m m m whom we got that doctor for your

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00:26:48,640 --> 00:26:51,280
Speaker 1: soul and now too. Then to the franky king you

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00:26:51,359 --> 00:26:55,520
Speaker 1: on this show, he was too cousins, you move Premore.

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00:26:56,119 --> 00:26:58,000
Speaker 1: I'm atting ok scurry for him, which you know is

390
00:26:58,040 --> 00:27:00,879
Speaker 1: pretty lean. But I got a free paths because my primo,

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00:27:01,000 --> 00:27:05,160
Speaker 1: Rubin was working here, but then he got fired. So anyways,

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00:27:05,640 --> 00:27:07,200
Speaker 1: he asked me if I can give him a ride

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Speaker 1: to come pick up his last paycheck. And there's like

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00:27:10,040 --> 00:27:12,600
Speaker 1: a lot of people here and everything, and some of

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00:27:12,680 --> 00:27:15,400
Speaker 1: this like would be scary to someone else, but it's

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00:27:15,440 --> 00:27:17,680
Speaker 1: not scary to me because you know, I have like

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Speaker 1: dark horses that imprisoned my soul, so it's really hard

398
00:27:21,280 --> 00:27:25,840
Speaker 1: to scare me. I'm like, look, look look at this

399
00:27:25,960 --> 00:27:27,560
Speaker 1: guy right here. He's coming out of me right now.

400
00:27:27,680 --> 00:27:38,800
Speaker 1: The chainsaw Oh no, jeeze. The guy's tried so hard.

401
00:27:39,400 --> 00:27:42,840
Speaker 1: He's not even leather faced like the real chainsaw massacre franchise.

402
00:27:43,440 --> 00:27:45,720
Speaker 1: You're just a regular guy and a messed up business suit.

403
00:27:46,080 --> 00:27:50,199
Speaker 1: So lame. Also, look at a bunch of clowns with knives.

404
00:27:50,280 --> 00:27:54,240
Speaker 1: It's like, bully, you know, same old thing, so dumb.

405
00:27:55,040 --> 00:27:57,560
Speaker 1: You know, it's like, how can you how many times

406
00:27:57,600 --> 00:27:59,919
Speaker 1: can you do the same thing expect people to get scared?

407
00:28:00,400 --> 00:28:04,160
Speaker 1: Althottle Pennywise, it's pretty cool. But other than that, everybody's

408
00:28:04,200 --> 00:28:07,520
Speaker 1: trying so hard and it's so lame. Oh look here,

409
00:28:07,520 --> 00:28:11,199
Speaker 1: because my premo Rubin, what's up, prettymo? What's too ruby?

410
00:28:12,280 --> 00:28:14,600
Speaker 1: So you know they made him dress like a whirlwolf

411
00:28:14,640 --> 00:28:17,040
Speaker 1: to scare people, and you said the costume was giving

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00:28:17,080 --> 00:28:20,520
Speaker 1: them a rash. Rashes are so lame. So he has

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00:28:20,560 --> 00:28:23,119
Speaker 1: to be switched a grim reaper. But his boss is like,

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00:28:23,920 --> 00:28:26,280
Speaker 1: oh no, like, you're not tall enough to be a

415
00:28:26,320 --> 00:28:28,760
Speaker 1: grim Reaper in your arms are too big for the costume.

416
00:28:28,840 --> 00:28:31,840
Speaker 1: It's gonna tear out of the costume because my Premo

417
00:28:31,960 --> 00:28:34,879
Speaker 1: Rubin is like all buff and everything. So that was

418
00:28:34,880 --> 00:28:37,600
Speaker 1: pretty lame that his boss said that. And also his

419
00:28:37,720 --> 00:28:40,200
Speaker 1: boss was like, hey, I don't want you chasing people

420
00:28:40,280 --> 00:28:44,280
Speaker 1: anymore because you know, my Premo looks kind of aggressive,

421
00:28:44,320 --> 00:28:46,840
Speaker 1: and I guess customers got too scared, which is so

422
00:28:47,160 --> 00:28:49,400
Speaker 1: lame because that's why you come here to get scared. Right,

423
00:28:50,440 --> 00:28:54,239
Speaker 1: people are so lame. Let's go Premo. They're gonna hear

424
00:28:54,320 --> 00:28:56,800
Speaker 1: from my lawyer, Scott Nad. This guy isn't giving me

425
00:28:56,920 --> 00:28:59,440
Speaker 1: my last check and if I don't leave now, I'm

426
00:28:59,480 --> 00:29:04,480
Speaker 1: gonna pipe that fool. Oh my gosh, she's just so lame. Prettymore, first,

427
00:29:04,480 --> 00:29:06,520
Speaker 1: there was a costume. I told him that if they

428
00:29:06,520 --> 00:29:10,160
Speaker 1: didn't wash it in hypoallergenic detergent free of dies, that

429
00:29:10,280 --> 00:29:14,080
Speaker 1: I get itchy. They didn't listen. They said stop chasing fools.

430
00:29:14,320 --> 00:29:16,880
Speaker 1: But I was so itchy that I was irritated, so

431
00:29:17,040 --> 00:29:19,760
Speaker 1: I had a chase fools. Your boss is so loom

432
00:29:20,800 --> 00:29:22,920
Speaker 1: Let's look at the grim Reaper over there. He's drinking

433
00:29:22,960 --> 00:29:25,520
Speaker 1: a big gass code. What the fuck. It's a violation

434
00:29:25,600 --> 00:29:28,440
Speaker 1: of quote of conduct and that's the boss next to him.

435
00:29:28,720 --> 00:29:31,120
Speaker 1: I'm gonna get my check, or let's go get it,

436
00:29:34,040 --> 00:29:36,680
Speaker 1: give me my last check. I thought I told you

437
00:29:36,800 --> 00:29:48,640
Speaker 1: the league shot up, stoopid, I said, shoot up, I'll

438
00:29:48,680 --> 00:29:53,920
Speaker 1: send your last check. I think I need to decompress.

439
00:29:54,000 --> 00:29:57,240
Speaker 1: That said, all right, were you doing beating his ass

440
00:29:57,640 --> 00:30:02,240
Speaker 1: for now? Okay, well maybe we should go right mona

441
00:30:02,280 --> 00:30:05,960
Speaker 1: Zoomer's revenge. I mean, it's pretty lame, but it's not

442
00:30:06,080 --> 00:30:08,720
Speaker 1: as lame as working for a lame ass boss. He's

443
00:30:08,760 --> 00:30:11,360
Speaker 1: a lame but at least he took the putassels and

444
00:30:11,480 --> 00:30:16,680
Speaker 1: I got a respecto for that. Oh look he's coming back, emo,

445
00:30:17,880 --> 00:30:23,200
Speaker 1: Hold on, hold on, guys, I was just thinking, Ruben,

446
00:30:23,480 --> 00:30:28,200
Speaker 1: in between the moments when you were totally beating my ass,

447
00:30:29,360 --> 00:30:32,440
Speaker 1: I was thinking, we need security around here, and you're

448
00:30:32,480 --> 00:30:35,040
Speaker 1: the man for the job. How would you like to

449
00:30:35,160 --> 00:30:38,760
Speaker 1: come back for double the pay? Yeah, but if you

450
00:30:38,840 --> 00:30:41,840
Speaker 1: act stupid, I'm gonna have to slap your ass again. Okay,

451
00:30:41,960 --> 00:30:44,920
Speaker 1: that's fair. Well that's an emo. Yeah, if you want

452
00:30:44,960 --> 00:30:47,800
Speaker 1: to come work here, you can't too, because really, depression

453
00:30:47,880 --> 00:30:50,200
Speaker 1: can be very scary. So you don't even need to

454
00:30:50,320 --> 00:30:54,080
Speaker 1: dress up. You can just beat yourself. All right, beating

455
00:30:54,080 --> 00:30:57,160
Speaker 1: myself is pretty lime. But whatever, I'll take the job

456
00:30:57,240 --> 00:31:01,040
Speaker 1: accuse of money. Life isn't a race, it's a marathon.

457
00:31:01,440 --> 00:31:04,240
Speaker 1: You get what you put in day in and day out.

458
00:31:05,160 --> 00:31:07,000
Speaker 1: All right, Hey, time to go to work, Come ins,

459
00:31:07,680 --> 00:31:11,440
Speaker 1: Come on, they push it, push it represent omen like

460
00:31:11,560 --> 00:31:17,719
Speaker 1: they say, no pain, no game, VOTs Cross Trainer by

461
00:31:17,840 --> 00:31:22,480
Speaker 1: ram Tech, through rain, sleet or snow the only stylish,

462
00:31:22,480 --> 00:31:26,560
Speaker 1: sharp performance athletic shoot that's also a work food. Not

463
00:31:26,720 --> 00:31:29,200
Speaker 1: the most comfortable, but hey, you were put on this

464
00:31:29,320 --> 00:31:32,880
Speaker 1: earth to play. It's safe, so why start now? All right,

465
00:31:32,880 --> 00:31:38,120
Speaker 1: come on, homies, let's go. Hey amy, huh um, if

466
00:31:38,160 --> 00:31:40,640
Speaker 1: you're cars in the shop and everything, or you take

467
00:31:40,680 --> 00:31:43,400
Speaker 1: the bus, or maybe you don't even have a car,

468
00:31:43,560 --> 00:31:47,360
Speaker 1: you know, Um, I'm junior calash and I'll give you

469
00:31:47,440 --> 00:31:50,239
Speaker 1: a right me huh like, don't trip like you can

470
00:31:50,320 --> 00:31:53,280
Speaker 1: spend money on right your apps, you know that's pretty

471
00:31:53,560 --> 00:31:56,520
Speaker 1: like cliches or whatever. Or you can just give me

472
00:31:56,600 --> 00:31:59,240
Speaker 1: a car, you know, and just connect with somebody like

473
00:31:59,720 --> 00:32:02,240
Speaker 1: you know, face to face or heart too hard, however

474
00:32:02,320 --> 00:32:04,000
Speaker 1: far you want to take it, you know, and I'll

475
00:32:04,000 --> 00:32:06,200
Speaker 1: pick you up like wherever, as long as you're within

476
00:32:06,400 --> 00:32:11,000
Speaker 1: five to seventy five miles radius. M Yeah, and I

477
00:32:11,080 --> 00:32:13,440
Speaker 1: have a feed mate ride. I'm y in um. You know,

478
00:32:13,480 --> 00:32:16,920
Speaker 1: I'll take you like grocery shopping. I'll even take you

479
00:32:17,040 --> 00:32:19,000
Speaker 1: to pick up one of your home girls. If you

480
00:32:19,080 --> 00:32:22,200
Speaker 1: guys want to go to the mam or something, maybe

481
00:32:22,320 --> 00:32:25,120
Speaker 1: get another ear piercing. I don't know your life, but

482
00:32:25,240 --> 00:32:27,600
Speaker 1: I'll take you right there for those things. And I

483
00:32:27,640 --> 00:32:29,960
Speaker 1: could also take you to the airport or to your

484
00:32:30,040 --> 00:32:32,520
Speaker 1: theas pack because I know that she does things right

485
00:32:32,560 --> 00:32:39,440
Speaker 1: there and I know like you'll enjoy all my amenities. Amenities, food, yeah,

486
00:32:39,760 --> 00:32:43,560
Speaker 1: that my ride has to offer such as ACA food,

487
00:32:43,600 --> 00:32:48,080
Speaker 1: air conditioned tening windows and I have power windows too,

488
00:32:49,320 --> 00:32:51,440
Speaker 1: just on the passenger side at work, so not on

489
00:32:51,520 --> 00:32:52,880
Speaker 1: my side. But you don't have to worry about that

490
00:32:52,920 --> 00:32:55,000
Speaker 1: because I'll be the one driving, and of course I

491
00:32:55,120 --> 00:32:58,280
Speaker 1: have feed mat rims. Me huh um. So other right

492
00:32:58,320 --> 00:33:01,680
Speaker 1: tra apps they like change by the mind fool, or

493
00:33:01,760 --> 00:33:04,840
Speaker 1: they have like um surge or lightning pricing when there's

494
00:33:04,880 --> 00:33:07,640
Speaker 1: like traffic, and that doesn't make sense to me, you know,

495
00:33:07,800 --> 00:33:10,840
Speaker 1: so I don't do that me huh. Actually, like the

496
00:33:11,000 --> 00:33:13,280
Speaker 1: more traffic the better because then it gives us a

497
00:33:13,480 --> 00:33:15,000
Speaker 1: chance to get annoy each other, you know what I mean.

498
00:33:16,040 --> 00:33:19,040
Speaker 1: And if you're having problems at work because of your

499
00:33:19,120 --> 00:33:22,480
Speaker 1: boss or like you're like one of your co workers

500
00:33:22,680 --> 00:33:25,680
Speaker 1: is just continuing to say dumb things that annoy you,

501
00:33:26,440 --> 00:33:28,800
Speaker 1: you can vent to mimiha and like all listening, like

502
00:33:28,960 --> 00:33:31,920
Speaker 1: with open ears and open heart, open minding or anything.

503
00:33:32,880 --> 00:33:35,120
Speaker 1: And if you have problems like with your man, like

504
00:33:35,160 --> 00:33:37,240
Speaker 1: if you're in a relationship and you have problems with

505
00:33:37,280 --> 00:33:40,200
Speaker 1: your man, I can assure you that that he's a

506
00:33:40,360 --> 00:33:43,000
Speaker 1: laying fool for making you feel that way, and that

507
00:33:43,440 --> 00:33:46,120
Speaker 1: you know that he doesn't deserve you like that, and

508
00:33:46,360 --> 00:33:48,640
Speaker 1: that he doesn't see you like I see you me huh,

509
00:33:48,720 --> 00:33:52,120
Speaker 1: because I'm junior Glavis. So don't use other right trafs

510
00:33:52,200 --> 00:33:55,640
Speaker 1: or nothing because they'll overcharge you. Just call me instead,

511
00:33:56,160 --> 00:33:59,080
Speaker 1: and that's the best thing. And you know what, you're

512
00:33:59,120 --> 00:34:03,440
Speaker 1: gonna trip on this bed. It's free, yeah, because sometimes

513
00:34:03,480 --> 00:34:05,480
Speaker 1: I just you know, I get lonely or whatever, but

514
00:34:05,640 --> 00:34:08,520
Speaker 1: that's you know, I'm just more want you to be happy.

515
00:34:08,920 --> 00:34:12,920
Speaker 1: So yeah. Also, this service is not for for vatos

516
00:34:13,480 --> 00:34:16,719
Speaker 1: or guys or whatever, so sorry food, but you can

517
00:34:16,760 --> 00:34:19,120
Speaker 1: probably get when your homies to give you a ride. Okay,

518
00:34:19,320 --> 00:34:22,000
Speaker 1: so he just give me a call whenever a junior

519
00:34:22,200 --> 00:34:24,759
Speaker 1: levies ready to give you a ride, whenever beyond it?

520
00:34:24,800 --> 00:34:31,760
Speaker 1: All right, Why welcome back, folks to BMPx ninety point seven.

521
00:34:32,239 --> 00:34:34,840
Speaker 1: This is your host or Love and we're going to

522
00:34:34,920 --> 00:34:38,160
Speaker 1: kick off the Freestyle Hour with a classic don't take

523
00:34:38,440 --> 00:34:42,560
Speaker 1: by the one that oldly Mikey coo Red. You know

524
00:34:42,600 --> 00:34:45,200
Speaker 1: what I'm saying. I'm looking for that girl, that right one,

525
00:34:45,560 --> 00:34:49,399
Speaker 1: one that knows what sucks? Are you out there? Girl?

526
00:34:50,520 --> 00:34:52,959
Speaker 1: See the thing is, i ain't trying to waste no time.

527
00:34:53,520 --> 00:34:57,319
Speaker 1: I'm looking for that real one. Come on, girl, um

528
00:34:57,840 --> 00:35:00,520
Speaker 1: do you feel it? I know you feel it. So

529
00:35:00,719 --> 00:35:05,400
Speaker 1: let's rocket some special. Let's make it last. Tired of

530
00:35:05,600 --> 00:35:10,680
Speaker 1: the livest girl, I'm done with you now that it's over.

531
00:35:10,960 --> 00:35:16,640
Speaker 1: What can I do? Maybe you were just in my

532
00:35:16,880 --> 00:35:20,880
Speaker 1: dreams and when I wake up, I don't know what

533
00:35:21,160 --> 00:35:29,840
Speaker 1: it means. Don't take don't take me home tonight unless

534
00:35:29,920 --> 00:35:35,880
Speaker 1: you want this follow baby. Don't take don't take me

535
00:35:36,160 --> 00:35:41,600
Speaker 1: home tonight unless you want my Webble's baby out of

536
00:35:41,800 --> 00:35:47,520
Speaker 1: the cold. Damn Polly Range that is in your eyes,

537
00:35:47,719 --> 00:35:52,560
Speaker 1: dry me insane. But if you you how to read

538
00:35:52,840 --> 00:35:57,920
Speaker 1: my mind. We wouldn't have to waste all this time.

539
00:35:59,360 --> 00:36:04,480
Speaker 1: I know you love it, don't fla. I know you

540
00:36:04,719 --> 00:36:09,600
Speaker 1: want it. Webbel's web the Webbels, I know you love it.

541
00:36:10,360 --> 00:36:15,320
Speaker 1: Follow bah blah blah. I know you want it webbels

542
00:36:15,840 --> 00:36:26,040
Speaker 1: a Webblsbels. Don't say don't unless you are less follow baby.

543
00:36:26,800 --> 00:36:35,080
Speaker 1: Don't don't be home to night. You want a baby.

544
00:36:35,760 --> 00:36:38,439
Speaker 1: That's right, girl, don't waste my time. If we're gonna

545
00:36:38,480 --> 00:36:47,439
Speaker 1: get it in, let's get it in. Good evening, folks.

546
00:36:47,480 --> 00:36:51,240
Speaker 1: This is Rosa is what Kuelo News. We have breaking

547
00:36:51,320 --> 00:36:55,359
Speaker 1: emergency news. Now there's been an explosion in Santa Paula, California.

548
00:36:55,719 --> 00:36:57,840
Speaker 1: We have our own Max Peterson on the scene in

549
00:36:57,920 --> 00:37:02,640
Speaker 1: the chopper. Matt, this is Max Brierson here, reported from

550
00:37:02,680 --> 00:37:06,600
Speaker 1: the Gayello News shopper. At about eleven thirty pm, an

551
00:37:06,680 --> 00:37:11,680
Speaker 1: explosion was heard at the Holy Angel Cemetery in Santa Paula, California. Now,

552
00:37:11,800 --> 00:37:14,680
Speaker 1: fire crews are on the scene immediately, but dan he

553
00:37:14,680 --> 00:37:20,080
Speaker 1: evacuated shortly thereafter after some firemen allegedly witnessed to ever

554
00:37:20,160 --> 00:37:23,960
Speaker 1: seen corpses crawling out of their graves. Yes, you heard

555
00:37:24,040 --> 00:37:28,080
Speaker 1: me correctly, I said corpses. It's a goddamn horror movie.

556
00:37:28,160 --> 00:37:32,279
Speaker 1: Out of here. Excuse my languish. Now, authorities RIV has

557
00:37:32,360 --> 00:37:35,520
Speaker 1: seen to possibly roll out unruly high schoolers playing a

558
00:37:35,600 --> 00:37:39,719
Speaker 1: practical joke, but the mayor has spoken and confirmed that

559
00:37:39,920 --> 00:37:42,719
Speaker 1: high schoolers are too dumb and too lazy to come

560
00:37:42,800 --> 00:37:45,839
Speaker 1: up with a break of this magnitude. We ever owned.

561
00:37:46,200 --> 00:37:50,640
Speaker 1: Arnie Arga well on the scene. Arnie, thanks Mac. We're

562
00:37:50,719 --> 00:37:53,080
Speaker 1: here with one of the firemen and recatch of ollnth

563
00:37:53,320 --> 00:37:55,960
Speaker 1: and Riquet. Can you tell us about what you thought? Ye,

564
00:37:56,120 --> 00:37:59,560
Speaker 1: it was boody water on the fire like that, and

565
00:37:59,719 --> 00:38:03,279
Speaker 1: then come said he said, uh, fucking fucking cool. QUI

566
00:38:03,960 --> 00:38:07,279
Speaker 1: come out man? And he was like, ah, you know,

567
00:38:07,600 --> 00:38:10,120
Speaker 1: and he came out of the grave and he was

568
00:38:10,280 --> 00:38:14,160
Speaker 1: jase meis And I said, no way, you know, I

569
00:38:14,200 --> 00:38:16,440
Speaker 1: don't want to deal with this right now. So I

570
00:38:16,520 --> 00:38:20,400
Speaker 1: said I'm going home. That is devastating the entire key.

571
00:38:20,440 --> 00:38:24,000
Speaker 1: Will our youth team sympathizes with you, Enrique? And then

572
00:38:24,520 --> 00:38:31,120
Speaker 1: I had shipped my pions and it was embarrassing hat sitting.

573
00:38:31,520 --> 00:38:34,759
Speaker 1: I hate sitting. I was doing the shitting there and

574
00:38:34,840 --> 00:38:37,839
Speaker 1: the pons and no one wanted to drive me by

575
00:38:38,080 --> 00:38:40,919
Speaker 1: so I had to walk back with shitty Pie. We've

576
00:38:40,960 --> 00:38:44,359
Speaker 1: all been there, buddy, We've all been there. Max. Are

577
00:38:44,440 --> 00:38:48,439
Speaker 1: you seeing anything from the chopper? Jesus effing crash, it's

578
00:38:48,480 --> 00:38:52,759
Speaker 1: a warshong from my beard. There are skelets everywhere, I

579
00:38:52,880 --> 00:38:56,239
Speaker 1: mean everywhere, aren't. He reminded me of being back in war.

580
00:38:57,680 --> 00:39:00,520
Speaker 1: But we were only following order and got damn it.

581
00:39:03,320 --> 00:39:05,239
Speaker 1: I don't know if I'm seeing things or not, but

582
00:39:05,360 --> 00:39:08,000
Speaker 1: it appears at a group of these skeletons have spotted

583
00:39:08,120 --> 00:39:11,040
Speaker 1: us and they're all mime in the universal tcherk Off

584
00:39:11,160 --> 00:39:15,600
Speaker 1: motion in our direction. This is horrible. I mean, we

585
00:39:15,760 --> 00:39:21,520
Speaker 1: can't tell these skeletons are male or female or any developments. Now, yes,

586
00:39:21,680 --> 00:39:23,640
Speaker 1: actually we do math. We have been informed that the

587
00:39:23,719 --> 00:39:26,279
Speaker 1: Merit issued the state of emergency, and that's called in

588
00:39:26,440 --> 00:39:29,359
Speaker 1: the big Guns an other than our ladium in Lot

589
00:39:29,400 --> 00:39:32,120
Speaker 1: Growth ten am Youth Choir. They are set up and

590
00:39:32,280 --> 00:39:35,560
Speaker 1: ready to go playing live at the cemetery. Now here

591
00:39:35,640 --> 00:39:56,359
Speaker 1: you go and looks like he's doing the trick. Oh wow,

592
00:39:56,520 --> 00:39:59,680
Speaker 1: this is something else. Share All the ghostien, demons and

593
00:39:59,760 --> 00:40:03,440
Speaker 1: what have you are returning to their graves, some of

594
00:40:03,480 --> 00:40:06,840
Speaker 1: them even mounting the universal shot to the head before

595
00:40:06,880 --> 00:40:10,440
Speaker 1: they crawl back in their caskets. This would be suggestion

596
00:40:10,520 --> 00:40:13,759
Speaker 1: that even though they're already dead, they'd rather die in

597
00:40:13,920 --> 00:40:21,240
Speaker 1: instead of hearing these kids singing. This is incredible. Oh wow,

598
00:40:22,239 --> 00:40:27,000
Speaker 1: what'd you look at that? And there you have it, folks.

599
00:40:27,400 --> 00:40:30,800
Speaker 1: Our lady a milgros ten Am Youth Choir saves today

600
00:40:30,880 --> 00:40:36,239
Speaker 1: once again with They're horrid horrid singing. Wow, that is amazing.

601
00:40:36,320 --> 00:40:39,840
Speaker 1: All is well now in Santa Poula, California. This is

602
00:40:39,920 --> 00:40:43,959
Speaker 1: Max Peterson, reported from the kuel Old News shopper. Back

603
00:40:44,040 --> 00:40:49,400
Speaker 1: to you in the studio, Rosalinda. Thank you Max, what

604
00:40:49,600 --> 00:40:53,000
Speaker 1: a crazy scene out there in Santa Paula. Well glad,

605
00:40:53,080 --> 00:40:56,000
Speaker 1: all is well, and thanks once again to our lady

606
00:40:56,000 --> 00:41:02,080
Speaker 1: a melogros ten Am Youth Choir for They're terrible singing. Okay, folks,

607
00:41:02,320 --> 00:41:04,839
Speaker 1: thanks for tuning in to our breaking news coverage. I'm

608
00:41:04,920 --> 00:41:08,520
Speaker 1: Rosselina good terrorist reporting for KULO News. We'll see you

609
00:41:08,600 --> 00:41:11,960
Speaker 1: tomorrow morning at six am with Jan Gibson and Tom Poutnaggin.

610
00:41:12,040 --> 00:41:25,879
Speaker 1: Good night, Oh love beneas you know the time, Yeah

611
00:41:25,960 --> 00:41:31,239
Speaker 1: you do. Wow, You'll get over, you get over. So Bonita.

612
00:41:32,280 --> 00:41:36,000
Speaker 1: The wish looks the wish moves while representing for the people.

613
00:41:37,080 --> 00:41:40,239
Speaker 1: The way you dance around the plains makes me say,

614
00:41:40,480 --> 00:41:44,000
Speaker 1: oh wow, I like this. I like this. So I

615
00:41:44,120 --> 00:41:47,480
Speaker 1: say hello, how are you doing? And you say, oh,

616
00:41:48,000 --> 00:41:50,560
Speaker 1: I know you. I said, oh really, she said yeah.

617
00:41:51,000 --> 00:41:54,560
Speaker 1: Then I said, oh, oh oh, it's the life of Soloman.

618
00:41:54,640 --> 00:42:21,279
Speaker 1: No compo. Get over, get over the wishy lookes, the

619
00:42:21,360 --> 00:42:31,839
Speaker 1: wishing moves will represent me for the people. Solomon will

620
00:42:31,920 --> 00:42:40,719
Speaker 1: come m m mmmmm mmm mmm mm. We got that

621
00:42:40,840 --> 00:42:43,920
Speaker 1: laughter for your soul and now tuned into the breaking

622
00:42:44,320 --> 00:42:47,520
Speaker 1: on this show. Lowing away from ball four, that's another

623
00:42:47,640 --> 00:42:51,640
Speaker 1: walk for Castro. Looks like McGillis has seen enough here.

624
00:42:51,680 --> 00:42:54,440
Speaker 1: He's making his way out to the mound signaling for

625
00:42:54,520 --> 00:42:57,319
Speaker 1: the bullpen. That'll be the big lefty Chavez coming out

626
00:42:57,360 --> 00:43:01,160
Speaker 1: to hopefully stop some of the bleeding here. As we

627
00:43:01,280 --> 00:43:03,480
Speaker 1: make our way to another pitching change, is a perfect

628
00:43:03,560 --> 00:43:06,479
Speaker 1: time to introduce our special guests from the Little Homie

629
00:43:06,480 --> 00:43:10,640
Speaker 1: Awareness Foundation, Junior Glavies, Dang Food. It's a trip to

630
00:43:10,719 --> 00:43:13,839
Speaker 1: be here. I'm all excited. A lot of people don't

631
00:43:13,880 --> 00:43:15,920
Speaker 1: know that we were in the middle of Little Homie

632
00:43:15,960 --> 00:43:18,640
Speaker 1: Awareness Month. Can you tell us a little about that?

633
00:43:18,760 --> 00:43:22,879
Speaker 1: Junior little homies or adult males who between the heights

634
00:43:22,920 --> 00:43:25,480
Speaker 1: of five three and five seven. And I go to

635
00:43:25,600 --> 00:43:28,440
Speaker 1: that foundation, the one off Figure Off, and I've been

636
00:43:28,520 --> 00:43:31,319
Speaker 1: going there for about three years now. Food and they've

637
00:43:31,360 --> 00:43:35,279
Speaker 1: got computers and camping and special outings like like this one.

638
00:43:35,440 --> 00:43:39,440
Speaker 1: Right now, it looks like you've all taken over the bleachers. Eah, yeah,

639
00:43:39,440 --> 00:43:41,400
Speaker 1: that's where they put us in the bleachery section because

640
00:43:41,480 --> 00:43:43,759
Speaker 1: you know, you could fit more of us like per

641
00:43:43,840 --> 00:43:46,640
Speaker 1: capitas or how do you say? Food, But we come

642
00:43:46,680 --> 00:43:49,319
Speaker 1: out and support, like, you know, the homie shinnasting food.

643
00:43:49,400 --> 00:43:51,160
Speaker 1: He was you know, he's the lord of the rings

644
00:43:51,160 --> 00:43:54,279
Speaker 1: on me. He throught the first pitch and so yeah,

645
00:43:54,400 --> 00:43:56,399
Speaker 1: he made it all the way to the catcher's mail

646
00:43:56,400 --> 00:43:59,799
Speaker 1: without bouncing it or nothing. So yeah, he didn't even

647
00:43:59,880 --> 00:44:01,440
Speaker 1: have to like throw it from the front of the

648
00:44:01,520 --> 00:44:04,440
Speaker 1: mound or you know how sometimes you fools put like

649
00:44:04,560 --> 00:44:09,040
Speaker 1: old people or people with um like physical disabilities up

650
00:44:09,120 --> 00:44:11,359
Speaker 1: into the front. So he didn't have to do none

651
00:44:11,360 --> 00:44:13,359
Speaker 1: of that food. So you know that says something right there.

652
00:44:14,160 --> 00:44:17,080
Speaker 1: Johnson took the first pitch for a cauld strike. What

653
00:44:17,320 --> 00:44:20,000
Speaker 1: is it that you'd like people to know about your organization?

654
00:44:20,200 --> 00:44:24,440
Speaker 1: That some might not know, well the maintenance foods that

655
00:44:24,600 --> 00:44:28,359
Speaker 1: you know, we're people too, homie and despite like how

656
00:44:28,440 --> 00:44:31,440
Speaker 1: we might look to others, we actually can do everything

657
00:44:31,560 --> 00:44:35,440
Speaker 1: that like normal size men can do. Johnson swings and

658
00:44:35,480 --> 00:44:39,000
Speaker 1: finds the Yeah, he's got some speed on him. There

659
00:44:39,000 --> 00:44:43,520
Speaker 1: he's rounding first, rounding second. Okay, the third base coach

660
00:44:43,600 --> 00:44:46,399
Speaker 1: Mariota is telling them to hold on third. There, that's

661
00:44:46,440 --> 00:44:49,120
Speaker 1: a triple for Johnson. It's fifth of the season. That'll

662
00:44:49,120 --> 00:44:51,759
Speaker 1: bring a little life in the stems. Dang third base

663
00:44:51,840 --> 00:44:54,640
Speaker 1: food he made it. Hey, mister annuncer, maybe you can

664
00:44:54,719 --> 00:44:57,200
Speaker 1: help me at this. So I was hooking up at

665
00:44:57,239 --> 00:45:00,560
Speaker 1: this Heina, and we were acting food for like ten

666
00:45:00,640 --> 00:45:03,080
Speaker 1: minutes in her car because my car's in the shop

667
00:45:03,200 --> 00:45:06,080
Speaker 1: right now. But anyways, fool, we were in her driveway

668
00:45:06,520 --> 00:45:08,480
Speaker 1: and I started to fill her up, you know, like

669
00:45:08,640 --> 00:45:11,759
Speaker 1: contentually because she was letting me in everything. Um. And

670
00:45:11,920 --> 00:45:14,640
Speaker 1: then she had hum button the top of her pants

671
00:45:14,719 --> 00:45:16,560
Speaker 1: food and I was like, okay, the food it's on,

672
00:45:16,760 --> 00:45:21,160
Speaker 1: you know. Oh yeah, she grabbed my bottle food like yeah,

673
00:45:21,280 --> 00:45:23,480
Speaker 1: but from the outside of my pantsol. But she grabbed

674
00:45:23,520 --> 00:45:27,359
Speaker 1: it nonetheless, and you know, and I started to move

675
00:45:27,440 --> 00:45:30,440
Speaker 1: my hand like across her stomach food and then down

676
00:45:30,560 --> 00:45:33,400
Speaker 1: she was the top of her panties food, and I

677
00:45:33,520 --> 00:45:37,239
Speaker 1: put my finger under the elastic, you know, just like

678
00:45:37,560 --> 00:45:40,160
Speaker 1: just when I was gonna go and like go a

679
00:45:40,239 --> 00:45:43,440
Speaker 1: little lower, she had moaned food. She goes, oh like that,

680
00:45:43,680 --> 00:45:46,880
Speaker 1: you know, dang on me, Like it's really on. You know.

681
00:45:47,560 --> 00:45:50,480
Speaker 1: I kept moving my hand down food, and then you know,

682
00:45:50,520 --> 00:45:52,279
Speaker 1: I think I touched the top of her hair down

683
00:45:52,360 --> 00:45:54,799
Speaker 1: their food or a little patch right there. Oh yeah, yeah, nice.

684
00:45:54,880 --> 00:45:56,919
Speaker 1: Right when I touched it, she moaned again, like oh

685
00:45:57,280 --> 00:45:59,959
Speaker 1: you know. And then but right before I was gonna

686
00:46:00,120 --> 00:46:01,960
Speaker 1: go down and touch your food, got a full out

687
00:46:02,000 --> 00:46:04,960
Speaker 1: your future, you know what I mean. Her brother came

688
00:46:05,000 --> 00:46:06,920
Speaker 1: out food and scared us, and I was like, oh, dang,

689
00:46:07,880 --> 00:46:10,239
Speaker 1: she got a bed at him. You know, She's like, hey,

690
00:46:10,480 --> 00:46:14,239
Speaker 1: like you know, you're always ruining things. And then you

691
00:46:14,320 --> 00:46:17,320
Speaker 1: know he did though, fool like ruined the moment or

692
00:46:17,360 --> 00:46:22,759
Speaker 1: the mood or whatever. Because so my question to you is,

693
00:46:22,840 --> 00:46:26,160
Speaker 1: mister announcer, is like, is that making it to second

694
00:46:26,200 --> 00:46:31,000
Speaker 1: base or third base food? Well, that's a tough call

695
00:46:31,120 --> 00:46:34,080
Speaker 1: because you were in the area past the elastic, so

696
00:46:34,160 --> 00:46:36,839
Speaker 1: you're definitely in the zone as they say, oh yeah, who,

697
00:46:36,880 --> 00:46:38,359
Speaker 1: I was in the zone because I had touched her

698
00:46:38,400 --> 00:46:41,000
Speaker 1: hair and anything food. It was all soft and curly,

699
00:46:41,400 --> 00:46:44,239
Speaker 1: wild pitching of the dirt her nandas does a great

700
00:46:44,320 --> 00:46:48,640
Speaker 1: job to recover and hold Johnson that third. So, Junior,

701
00:46:48,760 --> 00:46:53,840
Speaker 1: was it thick the hair? Huh yeah, definitely was thicker food,

702
00:46:54,440 --> 00:46:56,239
Speaker 1: but it was like soft or food like she had

703
00:46:56,280 --> 00:46:58,800
Speaker 1: to put condition on it. In fact, I know she

704
00:46:58,960 --> 00:47:06,360
Speaker 1: did because it had smiled like salon selectives like apples, right, feullball,

705
00:47:06,960 --> 00:47:10,400
Speaker 1: that's a souvenir for a lucky fan. Oh true? Who

706
00:47:10,480 --> 00:47:13,719
Speaker 1: you know about the apple smell? Well, Junior? In order

707
00:47:13,719 --> 00:47:16,160
Speaker 1: to get to third base, I think the listeners would agree.

708
00:47:16,239 --> 00:47:18,719
Speaker 1: They said, you have to actually not only touch it,

709
00:47:19,320 --> 00:47:21,440
Speaker 1: but you know you have to insert a finger, at

710
00:47:21,520 --> 00:47:25,399
Speaker 1: least the tip of a finger. Oh Dan, but that's

711
00:47:25,400 --> 00:47:27,399
Speaker 1: still good, right food? Like what I did? I think

712
00:47:27,440 --> 00:47:29,359
Speaker 1: the important thing is that you know you're out there

713
00:47:29,400 --> 00:47:32,719
Speaker 1: playing the game. If you were just about stats, then

714
00:47:32,719 --> 00:47:35,200
Speaker 1: you'd be missing out on what's really important. Oh yeah,

715
00:47:35,600 --> 00:47:37,400
Speaker 1: like if you know she let me go that far?

716
00:47:37,560 --> 00:47:39,319
Speaker 1: Who then who knows what my hack? They? Next time

717
00:47:39,360 --> 00:47:42,400
Speaker 1: we get game, we might actually like like doo it

718
00:47:43,120 --> 00:47:47,080
Speaker 1: or maybe she'll even chop me up. You gotta expect

719
00:47:47,120 --> 00:47:48,920
Speaker 1: Whether to take a swing on this next pitch, and

720
00:47:49,040 --> 00:47:52,040
Speaker 1: he does. Oh, and it's going back back and it's

721
00:47:52,160 --> 00:47:56,279
Speaker 1: gone out of here. That is the sixteenth home run

722
00:47:56,360 --> 00:48:00,239
Speaker 1: this year for whether. Oh Dan as an out. My

723
00:48:00,320 --> 00:48:02,200
Speaker 1: homies are texting me foo. I gotta go back down

724
00:48:02,239 --> 00:48:04,640
Speaker 1: there in my seats. I guess when the homiest. Hey,

725
00:48:04,680 --> 00:48:07,279
Speaker 1: but thank you for your wisdom and everything. All right, later, food,

726
00:48:07,800 --> 00:48:10,680
Speaker 1: and you're welcome, Junior. Hopefully we'll be celebrating a home

727
00:48:10,760 --> 00:48:12,399
Speaker 1: run of your soon, if you know what I mean.

728
00:48:14,200 --> 00:48:16,480
Speaker 1: All right, folks, we'll be back after these messages from

729
00:48:16,480 --> 00:48:23,560
Speaker 1: our sponsors. I know we had our problems in the past,

730
00:48:24,120 --> 00:48:27,320
Speaker 1: but I'm glad we squashed all that. Yes, I'm happy

731
00:48:27,480 --> 00:48:29,560
Speaker 1: to call you my friend. I just had to let

732
00:48:29,600 --> 00:48:32,160
Speaker 1: you know because you were talking pop pause. Thank you

733
00:48:32,320 --> 00:48:35,040
Speaker 1: for that, and thank you for taking me to calls.

734
00:48:35,320 --> 00:48:38,120
Speaker 1: It's everything I dreamed it would be. We haven't even

735
00:48:38,160 --> 00:48:41,840
Speaker 1: been to the electronic side. It's right over here. Oh no,

736
00:48:42,719 --> 00:48:48,120
Speaker 1: it's not Buster Johnny. Oh hey, Ruben, I see your

737
00:48:48,160 --> 00:48:52,040
Speaker 1: taking advantage of the weekend sales. Yeah, whatever, man, And

738
00:48:52,200 --> 00:48:55,759
Speaker 1: this must be Carlos. You haven't met my robot, Christopher,

739
00:48:55,880 --> 00:49:01,480
Speaker 1: have you? I have not? Oh Christopher, Yes, John, Christopher.

740
00:49:01,560 --> 00:49:05,759
Speaker 1: Meet Carlos. Hello Carlos. You must see one of the

741
00:49:05,920 --> 00:49:09,520
Speaker 1: older RAM text models. I can tell because your outer

742
00:49:09,680 --> 00:49:14,920
Speaker 1: casing isn't streamlined like mine. I'm not sure. It's unfortunate

743
00:49:15,120 --> 00:49:20,120
Speaker 1: because you're operating system won't handle and then you love grades. Hey, Carlos,

744
00:49:20,320 --> 00:49:23,000
Speaker 1: I think Christopher's talking pop bots. You need to go

745
00:49:23,120 --> 00:49:27,319
Speaker 1: handle that. Are you talking to me? Oh? Whoa? How

746
00:49:27,480 --> 00:49:32,120
Speaker 1: cute you taught him slang? I might do. You don't

747
00:49:32,160 --> 00:49:35,000
Speaker 1: want to challenge me. I am program to be a

748
00:49:35,120 --> 00:49:40,640
Speaker 1: black belt and several martial arts je jitsu, kembo and karate.

749
00:49:41,480 --> 00:49:45,520
Speaker 1: Oh yeah, while I'm from that hid you know Carlos.

750
00:49:45,600 --> 00:49:51,160
Speaker 1: Oh no, oh no, Christopher, er tell him to stop, Rubin,

751
00:49:51,880 --> 00:49:55,480
Speaker 1: tell him to start. Carlos is damaging the motherboard. Now

752
00:49:55,640 --> 00:50:00,160
Speaker 1: let him handle this robot. Robot, Come on, Carlo, the

753
00:50:00,200 --> 00:50:05,600
Speaker 1: school be desased, be desass. Here you go, you disass

754
00:50:06,480 --> 00:50:11,560
Speaker 1: bite that pool. Oh you're gonna pay for these replacement parts.

755
00:50:12,280 --> 00:50:14,960
Speaker 1: Check your warrant. Deep and neck hole. That's what you

756
00:50:15,080 --> 00:50:18,120
Speaker 1: get from programming your robot to be a buster. Let's

757
00:50:18,200 --> 00:50:22,680
Speaker 1: call Carlos, take me to by now. I want to

758
00:50:22,760 --> 00:50:25,920
Speaker 1: hollerate some of those you're washing machines. Okay, I'll be

759
00:50:26,000 --> 00:50:29,800
Speaker 1: your wing man. Hey, so scared, Johnny, you're all but

760
00:50:29,880 --> 00:50:32,400
Speaker 1: ain't share. That's your roll about sounds like a buster,

761
00:50:32,560 --> 00:50:34,759
Speaker 1: just like you webs. But you know, I like to

762
00:50:34,800 --> 00:50:37,920
Speaker 1: get down the mountain. M Maybe you could do a

763
00:50:38,000 --> 00:50:41,279
Speaker 1: little do something to this, you know, like, let's try it.

764
00:50:41,320 --> 00:50:43,239
Speaker 1: Maybe you could get a little evol to a little

765
00:50:43,320 --> 00:50:46,600
Speaker 1: hip hop be over you. Okay, pretty, let's try let's

766
00:50:46,640 --> 00:50:52,799
Speaker 1: try hold up mmmmmmmmm. I never want to be alive.

767
00:50:54,280 --> 00:51:01,080
Speaker 1: Sometimes you have to wake up any I never want

768
00:51:01,120 --> 00:51:05,759
Speaker 1: to be alive. Sometimes he has to wake up anyway

769
00:51:07,280 --> 00:51:13,240
Speaker 1: and play around with the lame assols. I never wanna

770
00:51:13,360 --> 00:51:19,040
Speaker 1: be alive. I never want to wake up. Every world turn,

771
00:51:19,120 --> 00:51:22,920
Speaker 1: this world's whipping me apart. I just wanna go away,

772
00:51:23,320 --> 00:51:28,200
Speaker 1: so far away. So many layfuls fucking around like they

773
00:51:28,320 --> 00:51:33,360
Speaker 1: know everything, they don't know anything. I never wanna be alive.

774
00:51:34,680 --> 00:51:39,759
Speaker 1: I never want to wake up. I never wanna be alive.

775
00:51:41,040 --> 00:51:45,440
Speaker 1: I never wanna wake up, wake up. They're just not

776
00:51:45,680 --> 00:51:49,800
Speaker 1: enough time to teach all these lanfuls all in our world.

777
00:51:50,280 --> 00:51:53,200
Speaker 1: How not to be lad. We're just stuck with them forever,

778
00:51:53,280 --> 00:51:55,840
Speaker 1: and it makes the wolf so late. That's how I

779
00:51:55,960 --> 00:51:59,720
Speaker 1: choose to live in the darkness rather than living a life.

780
00:52:01,960 --> 00:52:05,560
Speaker 1: So just suit the bullsuit, you know, just secure yourself

781
00:52:05,640 --> 00:52:11,640
Speaker 1: because everybody else's soul you will be more larder you.

782
00:52:13,200 --> 00:52:15,520
Speaker 1: Here at Ramtech, we were saddened to hear about the

783
00:52:15,560 --> 00:52:19,080
Speaker 1: passing of Proposition thirty one banning the cell of flavored

784
00:52:19,120 --> 00:52:24,239
Speaker 1: cigarettes in California. However, our loss is your game. Our

785
00:52:24,360 --> 00:52:27,359
Speaker 1: famous cheat your own flavored cigarettes and vapes are now

786
00:52:27,480 --> 00:52:31,120
Speaker 1: priced to move the rich hints of fried pork reached

787
00:52:31,200 --> 00:52:34,040
Speaker 1: deep into your palette for the most satisfying smoke this

788
00:52:34,200 --> 00:52:39,480
Speaker 1: side of the Rio Grand. That's good pork, perfect for barbecues,

789
00:52:39,800 --> 00:52:43,960
Speaker 1: ken signeras and funerals. Ramtech Cheat your own cigarettes never

790
00:52:44,120 --> 00:52:47,520
Speaker 1: leave you hungry for more. Enter the code pork Lung

791
00:52:47,719 --> 00:52:50,320
Speaker 1: on our website and get a carton for only nineteen

792
00:52:50,440 --> 00:52:59,200
Speaker 1: ninety nine. And remember Ramtech flavored cigarettes are not for kids. Winko, Hi, homies,

793
00:52:59,480 --> 00:53:02,279
Speaker 1: wal More, Let's do walmore, Trollo squad, Let me too

794
00:53:02,320 --> 00:53:06,080
Speaker 1: finish right all right, back straight, chin up, feel hard

795
00:53:06,120 --> 00:53:09,600
Speaker 1: down you are for your homies, eh, Oh damn, there

796
00:53:09,680 --> 00:53:13,640
Speaker 1: you go, Bucky met I love. Oh man, Hey did

797
00:53:13,680 --> 00:53:17,000
Speaker 1: the trollo squad? Eh? Oh god thinks man. This is

798
00:53:17,480 --> 00:53:19,520
Speaker 1: a hard work out. Yeah, but you did it. Hold

799
00:53:19,560 --> 00:53:21,759
Speaker 1: me and that's a good starting. It's a start. And

800
00:53:21,920 --> 00:53:25,879
Speaker 1: I gotta lose weight for this tour. Oh yeah, yeah, touring. Ay,

801
00:53:25,960 --> 00:53:28,200
Speaker 1: that could be hard on me because you're just like, hey,

802
00:53:28,320 --> 00:53:30,800
Speaker 1: here and there and all that traveling and drinky pistole

803
00:53:30,960 --> 00:53:34,960
Speaker 1: and you know all that. Yeah, just a lot of sitting, drinking, eating.

804
00:53:36,200 --> 00:53:38,919
Speaker 1: I just need to see my damn pecker again. It's

805
00:53:38,960 --> 00:53:43,000
Speaker 1: been a spell. Oh damn, wait, you mean not. You

806
00:53:43,040 --> 00:53:46,880
Speaker 1: haven't seen your follo homie. Hey, what's I was? Kid? Hey? Technical?

807
00:53:46,920 --> 00:53:49,840
Speaker 1: I don't want y'all technicals. Ey, But at least the

808
00:53:49,920 --> 00:53:53,960
Speaker 1: statistics say that nineties seven percent HOLDI people that can

809
00:53:54,040 --> 00:53:56,640
Speaker 1: do a trollo squat can see their polom. So you

810
00:53:56,680 --> 00:53:58,360
Speaker 1: know you're down there already, holmies, So you're head in

811
00:53:58,400 --> 00:54:01,880
Speaker 1: the right direction. Oh that's good. It's been too creeper.

812
00:54:02,680 --> 00:54:06,040
Speaker 1: I don't remember the last time I've seen it. Hurt. Oh,

813
00:54:06,680 --> 00:54:09,440
Speaker 1: ain't trip out. Your followers are hurt. Yeah, it's like

814
00:54:09,520 --> 00:54:13,879
Speaker 1: them big ass boats hell. They're all named after women. Oh,

815
00:54:14,280 --> 00:54:16,520
Speaker 1: ain't trip out, don't me? Yeah, I get it all

816
00:54:16,520 --> 00:54:19,560
Speaker 1: over their conkery lands, he kept. That's what's up? Yeah,

817
00:54:21,600 --> 00:54:24,440
Speaker 1: and uh, you know it's extra hard to lose weight

818
00:54:24,520 --> 00:54:26,799
Speaker 1: though over the holidays, holmi, because right in the midst

819
00:54:26,800 --> 00:54:29,279
Speaker 1: of the holidays, and you know, there's just a lot

820
00:54:29,320 --> 00:54:31,200
Speaker 1: of comida like for me. You know, it's a lot

821
00:54:31,239 --> 00:54:35,160
Speaker 1: of times pretty holds a ross, you know, and a

822
00:54:35,200 --> 00:54:38,040
Speaker 1: lot of sweets, ay and loose yes, their cookies, they

823
00:54:38,120 --> 00:54:39,719
Speaker 1: eat brownies. You know, a lot of people just bring

824
00:54:39,800 --> 00:54:41,760
Speaker 1: that around during the holidays, and you know you should

825
00:54:41,760 --> 00:54:43,400
Speaker 1: be able to enjoy that. So you gotta make sure

826
00:54:43,440 --> 00:54:46,279
Speaker 1: to just get your exercise in on me, yeah, man,

827
00:54:46,400 --> 00:54:48,440
Speaker 1: and the holidays, you know, I do a lot of

828
00:54:48,760 --> 00:54:52,040
Speaker 1: I just heard what they called emotionally eating. I've been

829
00:54:52,080 --> 00:54:55,200
Speaker 1: doing a lot of emotional eating, like when oh dang,

830
00:54:55,320 --> 00:54:58,200
Speaker 1: I've been there on me. Like you, you eat because

831
00:54:58,239 --> 00:55:01,200
Speaker 1: you're sad, but then you eat until you can't fit

832
00:55:01,320 --> 00:55:03,880
Speaker 1: no more, and it makes you more shaddy. Yeah exactly.

833
00:55:03,920 --> 00:55:05,520
Speaker 1: You just hey, you gotta write this wave because I'm

834
00:55:05,560 --> 00:55:07,440
Speaker 1: a sad right now. All right, Hey, but why are

835
00:55:07,440 --> 00:55:08,759
Speaker 1: you going through that? Hot? Mean? What's up? You can

836
00:55:08,840 --> 00:55:12,440
Speaker 1: talk to me. Eh, well, all right, creeper, I'm kind

837
00:55:12,480 --> 00:55:16,040
Speaker 1: of ashamed, but my old lady, she's been stepping out

838
00:55:16,120 --> 00:55:19,840
Speaker 1: on me. Wait step oh, you mean like she's been

839
00:55:19,920 --> 00:55:25,040
Speaker 1: rabbing other vat ball yea if ramming other votos means

840
00:55:25,160 --> 00:55:29,000
Speaker 1: fucking other fellas. Yeah, she's been ramming other votos. Damn.

841
00:55:29,280 --> 00:55:33,320
Speaker 1: Well mean I'm sorry going through that. He dangn around

842
00:55:33,360 --> 00:55:37,320
Speaker 1: the holidays too, Wall, Damn, she better not expect a

843
00:55:37,400 --> 00:55:42,160
Speaker 1: present and tell you that. Well, I mean, wait, what

844
00:55:42,239 --> 00:55:44,040
Speaker 1: do you mean a come on? You can't be getting

845
00:55:44,040 --> 00:55:45,520
Speaker 1: her a gift on me when she's out there ramming

846
00:55:45,560 --> 00:55:48,879
Speaker 1: other vatos on me. I know That's what I'm trying

847
00:55:48,960 --> 00:55:52,800
Speaker 1: to work through, you know, And like everything life throws

848
00:55:52,840 --> 00:55:55,399
Speaker 1: at me, I try to. I try to work through

849
00:55:55,480 --> 00:56:00,840
Speaker 1: it with my music. All right, Wall, let's close it

850
00:56:00,840 --> 00:56:02,440
Speaker 1: out like this. I mean, let's do a little one

851
00:56:02,480 --> 00:56:05,080
Speaker 1: on one meditation right now, right might help you through

852
00:56:05,120 --> 00:56:07,640
Speaker 1: this on me. All right, close your eyes and everything

853
00:56:08,040 --> 00:56:14,960
Speaker 1: we're closed, all right. Breathe in positivity, exal negativity, all right,

854
00:56:15,080 --> 00:56:18,440
Speaker 1: the universe and everything. But that says for you know,

855
00:56:18,600 --> 00:56:22,480
Speaker 1: Bucky Johnson, homie, that he came to my class um,

856
00:56:22,680 --> 00:56:24,880
Speaker 1: that he's spending his fatty out here with me, and

857
00:56:25,080 --> 00:56:27,960
Speaker 1: that he's you know, trying to do the right thing, homie,

858
00:56:28,200 --> 00:56:30,359
Speaker 1: which right now is for him is like he wants

859
00:56:30,360 --> 00:56:33,719
Speaker 1: to lose weight so he could see his follow um.

860
00:56:34,200 --> 00:56:37,360
Speaker 1: And you know, I feel for you, homie, because it's like, damn,

861
00:56:37,920 --> 00:56:41,960
Speaker 1: that's a tripe. Uh. Sometimes at certain angles, UM, I

862
00:56:42,000 --> 00:56:44,440
Speaker 1: can't see mine. But I'm a grower, homie, so I

863
00:56:44,520 --> 00:56:46,120
Speaker 1: just need to like move my head a little forward

864
00:56:46,160 --> 00:56:48,839
Speaker 1: and then all the peaky boo, there you are. Um.

865
00:56:49,200 --> 00:56:51,960
Speaker 1: So with that being said on me, like you're on

866
00:56:52,040 --> 00:56:53,960
Speaker 1: your way, homie, because I know you're making moves to

867
00:56:54,040 --> 00:56:55,840
Speaker 1: do that and at least you can still touch it.

868
00:56:55,880 --> 00:56:57,880
Speaker 1: And some fools get so big on me that they

869
00:56:57,920 --> 00:57:01,440
Speaker 1: can't even they can't even give their follow high five nothing, homie,

870
00:57:01,760 --> 00:57:03,239
Speaker 1: you know what I mean. That's crazy. They just got

871
00:57:03,320 --> 00:57:05,560
Speaker 1: a rubb it on like a pillow or a corner

872
00:57:05,600 --> 00:57:07,759
Speaker 1: of the beds for they want to get excited or whatever,

873
00:57:07,880 --> 00:57:09,680
Speaker 1: you know, because they're probably not hooking up. But I'm

874
00:57:09,680 --> 00:57:11,840
Speaker 1: many ladies. But that's neither here nor there, homie. The

875
00:57:12,000 --> 00:57:14,080
Speaker 1: point is we're meditating on me, and I want you

876
00:57:14,160 --> 00:57:18,200
Speaker 1: to invasion, Homie, your Ponta going down and then boom,

877
00:57:18,400 --> 00:57:20,680
Speaker 1: you see the homie reveal himself and he's all strong

878
00:57:21,160 --> 00:57:23,800
Speaker 1: or her sorry, yeah, she's ready to conquer more lands

879
00:57:23,840 --> 00:57:25,760
Speaker 1: and to be that ship that you want to ride

880
00:57:25,840 --> 00:57:28,800
Speaker 1: through the through the vast seas. He kens, you know,

881
00:57:29,480 --> 00:57:32,000
Speaker 1: out of homie and then ay, you know, and then

882
00:57:32,080 --> 00:57:35,440
Speaker 1: your lady being like dang, why was I wrapping these

883
00:57:35,480 --> 00:57:38,240
Speaker 1: other votos when this vote was right here with this

884
00:57:38,400 --> 00:57:41,919
Speaker 1: big gass conquering that ship right between his legs, just like, yeah,

885
00:57:42,160 --> 00:57:44,040
Speaker 1: he's a grower and look at how much he grows

886
00:57:44,080 --> 00:57:47,880
Speaker 1: when he gets excited like that, and whatever was like thinking, yeah,

887
00:57:48,120 --> 00:57:50,000
Speaker 1: and you're the captain of that ship, and then you're

888
00:57:50,000 --> 00:57:52,800
Speaker 1: all strong like that, and then for the holidays you're

889
00:57:52,800 --> 00:57:56,040
Speaker 1: like ah, mehh whatever, you know, like I'm Bucky Johnson

890
00:57:56,160 --> 00:57:58,640
Speaker 1: and I'm thriving, I'm touring you know, many highness, I

891
00:57:58,640 --> 00:58:00,120
Speaker 1: got took up with it, but I choose you who

892
00:58:00,120 --> 00:58:02,960
Speaker 1: has my number one high All right, So hopefully that

893
00:58:03,080 --> 00:58:06,800
Speaker 1: she stops acting dumb and that your ship, um, you know,

894
00:58:07,400 --> 00:58:09,880
Speaker 1: how do you say depart departs from the dock for me,

895
00:58:10,400 --> 00:58:13,360
Speaker 1: and and let's loose into the season and you have

896
00:58:13,440 --> 00:58:16,160
Speaker 1: a whole you know, a whole like a whole crew, Homie.

897
00:58:16,200 --> 00:58:18,200
Speaker 1: An anchor, like when you want to keep yourself right

898
00:58:18,200 --> 00:58:20,120
Speaker 1: there for your lady because you have to, you have

899
00:58:20,200 --> 00:58:22,560
Speaker 1: to let aim. I gotta put the anchor down because

900
00:58:22,880 --> 00:58:25,520
Speaker 1: you know, my ship it wants to sail because to

901
00:58:25,760 --> 00:58:28,160
Speaker 1: all the other highnas. I want my energy right now. True,

902
00:58:28,360 --> 00:58:30,439
Speaker 1: So you're lucky I have this anchor for my ship.

903
00:58:30,640 --> 00:58:35,120
Speaker 1: And she's like, oh dang, too bad? Was the anchor exactly, Homie?

904
00:58:35,240 --> 00:58:36,520
Speaker 1: That's what you could tell her like that. I don't

905
00:58:36,520 --> 00:58:37,680
Speaker 1: want to say that because I don't know if you're

906
00:58:37,680 --> 00:58:40,120
Speaker 1: in love. But she's ramming another highness but or rabbing

907
00:58:40,120 --> 00:58:42,240
Speaker 1: another vats spens out, but I don't know it. You

908
00:58:42,280 --> 00:58:45,440
Speaker 1: know what, Yeah, probably, Homie. That's how it sounds like

909
00:58:45,520 --> 00:58:48,760
Speaker 1: she's willing to explore other things. But with that being said,

910
00:58:48,920 --> 00:58:51,280
Speaker 1: your ship probably wants to explore too, Homie. I'm not

911
00:58:51,320 --> 00:58:53,520
Speaker 1: saying go on ramming another highnas and all that, but

912
00:58:53,600 --> 00:58:55,560
Speaker 1: you're on the right path, and once you lose that

913
00:58:55,760 --> 00:58:59,240
Speaker 1: little bit of that panza, you're gonna find that. You know,

914
00:58:59,360 --> 00:59:01,800
Speaker 1: other islands are gonna be attractive. They're gonna want you

915
00:59:01,840 --> 00:59:03,920
Speaker 1: to dock right there, Homie, you know what I mean,

916
00:59:04,040 --> 00:59:05,840
Speaker 1: and spend a little time right there. Yeah, I might

917
00:59:05,960 --> 00:59:08,240
Speaker 1: have to crash my balls on the little rock. What

918
00:59:08,360 --> 00:59:10,480
Speaker 1: I'm saying is, if she's ring now bats on me,

919
00:59:10,640 --> 00:59:12,439
Speaker 1: you have a little bit of a pass to lose

920
00:59:12,480 --> 00:59:14,760
Speaker 1: some weight and go, you know, go set sail for

921
00:59:14,800 --> 00:59:17,560
Speaker 1: a little bit, you know. All right, But with that

922
00:59:17,640 --> 00:59:19,720
Speaker 1: being said, hopefully you don't get her a crazy gift.

923
00:59:19,760 --> 00:59:21,360
Speaker 1: Definitely don't get her a ring on me, you know

924
00:59:21,400 --> 00:59:26,200
Speaker 1: what I mean. Oh but okay, but right now, homie,

925
00:59:26,360 --> 00:59:29,080
Speaker 1: like I would say, look into the mirror every now

926
00:59:29,120 --> 00:59:30,880
Speaker 1: and then, so you look at your pollo and be like,

927
00:59:31,280 --> 00:59:34,840
Speaker 1: don't trip on me, like at full length like or whatever.

928
00:59:35,200 --> 00:59:36,400
Speaker 1: You know, if you got to stand up on the

929
00:59:36,520 --> 00:59:37,760
Speaker 1: counter in your bathroom, I don't know if you have

930
00:59:37,760 --> 00:59:39,160
Speaker 1: a full link beer, I don't know your life like that,

931
00:59:39,440 --> 00:59:43,120
Speaker 1: the counter's reinforced, okay, homie, Well you know what I'm saying.

932
00:59:43,360 --> 00:59:46,080
Speaker 1: Don't get all technical or whatever. Okay, And then you

933
00:59:46,120 --> 00:59:47,720
Speaker 1: could just be like, hey, homie, don't trip if I

934
00:59:47,760 --> 00:59:50,040
Speaker 1: see you, And then I'm gonna see you for reals,

935
00:59:50,200 --> 00:59:52,760
Speaker 1: like not having to use a reflection to see you,

936
00:59:53,280 --> 00:59:55,320
Speaker 1: and we're gonna kick it and we're gonna set sail

937
00:59:55,440 --> 00:59:59,840
Speaker 1: and explore lands, all right, homie, So congratulations on her success,

938
01:00:00,040 --> 01:00:03,640
Speaker 1: earthy name, and just continue to you know, fight to go,

939
01:00:03,760 --> 01:00:06,919
Speaker 1: fight on me and to represent. And yeah, your lady

940
01:00:07,000 --> 01:00:08,880
Speaker 1: might be running another though, like right now. But so

941
01:00:08,880 --> 01:00:10,400
Speaker 1: I was kid, you're at the gym, mane, so you're

942
01:00:10,440 --> 01:00:13,520
Speaker 1: doing better than her. All right, that's what's up. Thank you? Cool.

943
01:00:17,240 --> 01:00:19,680
Speaker 1: It's time of years. Hard on your old boy buck.

944
01:00:20,520 --> 01:00:31,760
Speaker 1: I'll tell you what. I don't blow shopping. I don't

945
01:00:31,960 --> 01:00:45,680
Speaker 1: love you. You went to costco picked me out of coffin.

946
01:00:48,320 --> 01:00:59,600
Speaker 1: I said, well, let's make it too. The only thing

947
01:00:59,760 --> 01:01:04,200
Speaker 1: you ever got me was a case of crabs and

948
01:01:04,360 --> 01:01:09,600
Speaker 1: this j loppy and itchy crock chan a car that

949
01:01:09,800 --> 01:01:14,760
Speaker 1: won't start. Now chomping around for a brand new Hart

950
01:01:16,320 --> 01:01:28,640
Speaker 1: this all day season, I'm I'm looking for one good

951
01:01:28,880 --> 01:01:38,760
Speaker 1: reason not to leave your ass under the Christmas tree

952
01:01:40,680 --> 01:01:51,640
Speaker 1: before you get me one mores t D. The only

953
01:01:51,800 --> 01:01:56,440
Speaker 1: thing you ever got me was a case of crabs

954
01:01:56,520 --> 01:02:01,800
Speaker 1: and this old julpe must get junk in a car

955
01:02:01,920 --> 01:02:06,240
Speaker 1: that don't start. Now, I'm shopping around for a brand

956
01:02:06,280 --> 01:02:11,920
Speaker 1: news all about saving up for a diamond ring. What

957
01:02:12,040 --> 01:02:16,280
Speaker 1: do you get the woman that fucks everything. A gift

958
01:02:16,360 --> 01:02:22,400
Speaker 1: card Oh Cheese must sent there for tuning into another

959
01:02:22,480 --> 01:02:25,240
Speaker 1: episode of The Frankie in your next show. For sending

960
01:02:25,320 --> 01:02:28,400
Speaker 1: by Will Ferrell's Big Funny Players Network. Shout out to

961
01:02:28,480 --> 01:02:32,120
Speaker 1: the homies Hans Olivia, Nick the Homie, Hearn Dog here

962
01:02:32,120 --> 01:02:36,640
Speaker 1: in the studio, James Fritz, Kevin Kambia, Bobby DJ Buzz,

963
01:02:36,920 --> 01:02:40,120
Speaker 1: the legendary soul assassins by me guy, you know how

964
01:02:40,200 --> 01:02:42,160
Speaker 1: we do, Homie. Thank you for giving it. I saw

965
01:02:42,160 --> 01:02:44,600
Speaker 1: an opportunity off the get down and if you get

966
01:02:44,600 --> 01:02:46,080
Speaker 1: a chance told me it's go ahead and rate and

967
01:02:46,160 --> 01:02:49,680
Speaker 1: review the podcast or continue living your life. We'll see

968
01:02:49,720 --> 01:02:52,280
Speaker 1: you on the next episode of The Frankie in your

969
01:02:52,440 --> 01:02:54,200
Speaker 1: next show. That's what's soft break there