1 00:00:01,280 --> 00:00:03,880 Speaker 1: We got that laughter for your soul and now too 2 00:00:04,000 --> 00:00:08,520 Speaker 1: the into the breaking on the show. Beautiful, No, baby, 3 00:00:08,520 --> 00:00:11,080 Speaker 1: thank you. You always compliment me and everything, and I 4 00:00:11,160 --> 00:00:13,560 Speaker 1: know that you don't say the same compliments to those 5 00:00:13,600 --> 00:00:16,680 Speaker 1: tennis hours that we talked about, like, I mean not 6 00:00:16,800 --> 00:00:19,079 Speaker 1: even I mean no, not unless if they had a 7 00:00:19,160 --> 00:00:21,239 Speaker 1: really good shot, I'll give them a nice compliment, but 8 00:00:21,320 --> 00:00:23,560 Speaker 1: nothing like to the level. No, but not about their 9 00:00:23,600 --> 00:00:26,120 Speaker 1: looks and stuff, because obviously they don't look as good 10 00:00:26,160 --> 00:00:32,479 Speaker 1: as me, you know, yes, and no, it's like, well, 11 00:00:32,520 --> 00:00:37,279 Speaker 1: if they hit a really beautiful back in really extend, No, 12 00:00:37,320 --> 00:00:41,320 Speaker 1: but I was talking about looks, not athletics or tennis 13 00:00:41,360 --> 00:00:42,800 Speaker 1: like that. Well I'll just be like, oh, that was 14 00:00:42,800 --> 00:00:46,640 Speaker 1: a beautiful You look really great doing that swing, because 15 00:00:46,640 --> 00:00:49,279 Speaker 1: they did. They have a nice smooth, fluid motion. They 16 00:00:49,320 --> 00:00:52,199 Speaker 1: really get out. But once again, once again, hey look 17 00:00:52,240 --> 00:00:55,320 Speaker 1: at me, get me once again, we weren't discussing that 18 00:00:55,400 --> 00:00:57,920 Speaker 1: right now where we know. I was talking about looks, 19 00:00:57,920 --> 00:01:00,639 Speaker 1: not how that way she they said that I could 20 00:01:00,680 --> 00:01:03,480 Speaker 1: do that to a you know, but you had just 21 00:01:03,520 --> 00:01:05,600 Speaker 1: told me I look good today. We're not on a 22 00:01:05,680 --> 00:01:08,319 Speaker 1: tennis court. Does this look at a tennis court out there? Okay, 23 00:01:08,400 --> 00:01:11,640 Speaker 1: tennis racket. Keep your risks firm until after contact. Jac. 24 00:01:11,920 --> 00:01:14,840 Speaker 1: Now you're being Now you're acting a certain way like 25 00:01:14,920 --> 00:01:18,800 Speaker 1: you wanna. Do you need more attention than I'm already 26 00:01:18,800 --> 00:01:21,680 Speaker 1: giving you or what? What's the issue right now? Why 27 00:01:21,680 --> 00:01:24,319 Speaker 1: are you throwing jobs? I feel like you're throwing jobs like, hey, 28 00:01:24,480 --> 00:01:28,520 Speaker 1: I'm just being him. Okay, just with all the mics 29 00:01:28,520 --> 00:01:31,240 Speaker 1: and everything. I get excited. Oh you get excited with that? 30 00:01:31,520 --> 00:01:35,319 Speaker 1: You want to turn into a ham sandwich. Uh okay, 31 00:01:36,200 --> 00:01:39,080 Speaker 1: well it's better stop to that and let's keep it moving. Okay, 32 00:01:39,160 --> 00:01:41,680 Speaker 1: ladies and gentlemen, we're here. This is um you know, 33 00:01:42,600 --> 00:01:44,760 Speaker 1: with my men Peter once again on the FRANKI on 34 00:01:44,840 --> 00:01:47,920 Speaker 1: the show podcast. I'm j C. And this is my 35 00:01:47,920 --> 00:01:51,160 Speaker 1: man Peter, who enjoys being around me all that time. 36 00:01:51,280 --> 00:01:53,160 Speaker 1: I love being around you, jay C. I have to 37 00:01:53,200 --> 00:01:57,640 Speaker 1: be that's right. So how you been. I've been good. 38 00:01:57,800 --> 00:02:00,040 Speaker 1: I just was home reading the book. Oh well, what 39 00:02:00,120 --> 00:02:03,640 Speaker 1: are you on? Geckos get goos? Ah? Dagn you see? 40 00:02:03,760 --> 00:02:07,000 Speaker 1: I had it around. Oh actually, yes I did, but 41 00:02:07,080 --> 00:02:10,760 Speaker 1: I thought it was from the clothing company. Oh no, no, 42 00:02:10,800 --> 00:02:14,000 Speaker 1: it was just about geckos. A lot of amphibians in 43 00:02:14,080 --> 00:02:17,000 Speaker 1: there because we remember we went to um where are 44 00:02:17,040 --> 00:02:20,520 Speaker 1: we going to Cabo Lucas? Were we in Cobbosa Lucas 45 00:02:20,560 --> 00:02:23,320 Speaker 1: And we saw that that gets that came into our 46 00:02:23,320 --> 00:02:24,840 Speaker 1: hotel room. I said, I go out on and it 47 00:02:25,040 --> 00:02:28,640 Speaker 1: was they have like the little like the little things 48 00:02:28,639 --> 00:02:30,840 Speaker 1: you get in the marks at the store, the corner machine, 49 00:02:30,880 --> 00:02:33,959 Speaker 1: that little the little jelly hands. They have like that 50 00:02:34,560 --> 00:02:36,720 Speaker 1: on their hands and I you know, they can call 51 00:02:36,760 --> 00:02:40,400 Speaker 1: into the walls like that. I love those. Remember what 52 00:02:40,480 --> 00:02:42,920 Speaker 1: I did when it came in the room. What'd you do? 53 00:02:43,880 --> 00:02:47,880 Speaker 1: I protected you, that's right because I had got skuying 54 00:02:48,760 --> 00:02:50,920 Speaker 1: and then I jumped into your arms like that and 55 00:02:50,960 --> 00:02:54,639 Speaker 1: you said, I it's fine, jay Z because I was 56 00:02:54,680 --> 00:02:58,000 Speaker 1: gonna strike him out on you know, we had I said, hey, 57 00:02:58,040 --> 00:03:00,200 Speaker 1: you know, remember you had your heel on your and 58 00:03:00,200 --> 00:03:02,360 Speaker 1: and you were because I didn't know what it was. 59 00:03:02,520 --> 00:03:04,400 Speaker 1: It was the middle of the night. I was uf 60 00:03:04,440 --> 00:03:07,600 Speaker 1: asleep and I was scared. And I feel like they know, 61 00:03:07,960 --> 00:03:09,960 Speaker 1: you know, if they're going he we know this isn't 62 00:03:09,960 --> 00:03:12,800 Speaker 1: our path right now, like we're sneaking in. You know, 63 00:03:12,880 --> 00:03:14,680 Speaker 1: you told me no, all their harmless. They're just looking 64 00:03:14,720 --> 00:03:18,640 Speaker 1: for bugs they are. And you hit me that with 65 00:03:18,800 --> 00:03:23,119 Speaker 1: the heel. I think you were scared, remember, oh I did, 66 00:03:23,160 --> 00:03:26,000 Speaker 1: But it wasn't And it was because I was jumping back, 67 00:03:26,040 --> 00:03:28,680 Speaker 1: I said, I and I had the heel, I said, I, 68 00:03:29,080 --> 00:03:31,040 Speaker 1: and I jumped for it with a backward motion and 69 00:03:31,040 --> 00:03:34,200 Speaker 1: I had hit you. Like, but I think you liked 70 00:03:34,200 --> 00:03:37,840 Speaker 1: it because you gripped me hard immediately after. Luckily that 71 00:03:38,120 --> 00:03:41,240 Speaker 1: they had a really good um sort of a what 72 00:03:41,280 --> 00:03:43,720 Speaker 1: do you call that a medical center or whatever? That 73 00:03:43,760 --> 00:03:45,800 Speaker 1: girl helped me out that she stitched me up nice 74 00:03:45,840 --> 00:03:49,280 Speaker 1: and nice, and well, what what girl? Did you come 75 00:03:49,320 --> 00:03:52,160 Speaker 1: with me to the hospital. Why are you like so 76 00:03:52,320 --> 00:03:54,280 Speaker 1: willing to go astray in your mind right now with 77 00:03:54,360 --> 00:03:59,080 Speaker 1: these other uh these other floozies and medical floozies and 78 00:03:59,120 --> 00:04:02,920 Speaker 1: tennis horrors? Then like, why are you jumping to that 79 00:04:03,080 --> 00:04:07,600 Speaker 1: right now? I don't know, rally me up for what 80 00:04:07,800 --> 00:04:10,480 Speaker 1: I mean we're doing. We're doing an interview right now, 81 00:04:11,280 --> 00:04:13,400 Speaker 1: and it's like, oh, yeah, they have a good medical 82 00:04:13,440 --> 00:04:16,600 Speaker 1: because the nurse and we weren't even talking about that. 83 00:04:16,680 --> 00:04:18,719 Speaker 1: You said you were reading reading a book about get 84 00:04:18,720 --> 00:04:23,039 Speaker 1: gos okay, so you know, just the story just went there. 85 00:04:23,480 --> 00:04:25,400 Speaker 1: I was talking about getting stitched up. You put some 86 00:04:25,400 --> 00:04:27,039 Speaker 1: gaulls on my head because you hit me in the 87 00:04:27,720 --> 00:04:32,960 Speaker 1: in the head with the heel and is great, great 88 00:04:33,000 --> 00:04:36,560 Speaker 1: medical center. Great, okay, great medical center. We were at 89 00:04:36,600 --> 00:04:40,159 Speaker 1: the resort. It wasn't that that little medical center wasn't 90 00:04:40,160 --> 00:04:42,880 Speaker 1: available for the whole city that right there was that like, hey, 91 00:04:42,880 --> 00:04:45,919 Speaker 1: anybody can come. Okay, let's just start. So you're like 92 00:04:46,000 --> 00:04:50,599 Speaker 1: saying you don't sound like you're like you're educated on it, 93 00:04:50,680 --> 00:04:52,880 Speaker 1: or like you're speaking well or like you know what 94 00:04:52,880 --> 00:04:55,160 Speaker 1: I mean, and you're better than that, you know, to say, oh, 95 00:04:55,200 --> 00:04:57,000 Speaker 1: they have a great medical center and the blanket this 96 00:04:57,000 --> 00:04:58,640 Speaker 1: whole city we were at a resort out on it 97 00:04:59,400 --> 00:05:01,360 Speaker 1: was you know, all you can eat, all you can 98 00:05:01,440 --> 00:05:04,280 Speaker 1: drink right there, and that medical center is not available 99 00:05:04,320 --> 00:05:07,159 Speaker 1: to anybody that goes to Copas and Lucas. So you 100 00:05:07,200 --> 00:05:09,520 Speaker 1: know what I mean, Like, just don't sound dumb like that. 101 00:05:09,520 --> 00:05:11,479 Speaker 1: I'm sorry because and I don't mean to call you that. 102 00:05:11,520 --> 00:05:14,240 Speaker 1: I'm just saying those actions right there that you just 103 00:05:14,279 --> 00:05:16,440 Speaker 1: display that's a little bit like oh, he doesn't know, 104 00:05:16,600 --> 00:05:20,080 Speaker 1: he doesn't know. Yeah, Oh I am sorry. I'm sorry 105 00:05:20,080 --> 00:05:24,600 Speaker 1: to listeners to Okay, so you got gassed up and 106 00:05:24,960 --> 00:05:27,520 Speaker 1: she was touching you and then what happened. I know 107 00:05:27,680 --> 00:05:30,719 Speaker 1: they were just really carrying out on. There was nothing 108 00:05:30,760 --> 00:05:35,520 Speaker 1: to it. But anyways, but we had a good time. 109 00:05:35,600 --> 00:05:39,440 Speaker 1: It was so fun, remember, but that was that was cool. 110 00:05:39,680 --> 00:05:41,520 Speaker 1: That was fun though, because you did have that gas 111 00:05:41,560 --> 00:05:44,359 Speaker 1: on your head and and we remember we started to 112 00:05:44,480 --> 00:05:49,560 Speaker 1: role play like you know, you're that patient. And that's 113 00:05:49,560 --> 00:05:51,320 Speaker 1: why it surprised me he brought up that other nurse 114 00:05:51,360 --> 00:05:54,000 Speaker 1: because then I was playing nurse that night. Yeah, and 115 00:05:54,160 --> 00:05:56,120 Speaker 1: then we're guilt tripping me, like, wow, you did this 116 00:05:56,200 --> 00:05:58,000 Speaker 1: to me, And I said, maybe it was an accident. 117 00:05:58,000 --> 00:06:00,560 Speaker 1: And I saw that get go. But when I saw 118 00:06:00,600 --> 00:06:02,279 Speaker 1: the get go, I you know, if you don't know 119 00:06:02,279 --> 00:06:03,520 Speaker 1: what it is in the middle of the night, they 120 00:06:03,520 --> 00:06:07,679 Speaker 1: could be scary. They're little slimy, like a little bit slimy, 121 00:06:07,839 --> 00:06:10,560 Speaker 1: you know, they're like slimy lizards that can, you know, 122 00:06:11,920 --> 00:06:15,440 Speaker 1: go open to the walls. I sighed, you know, yeah, 123 00:06:15,720 --> 00:06:18,039 Speaker 1: but then remember when you had that little bandage on 124 00:06:18,080 --> 00:06:20,640 Speaker 1: your head and I said, let me balance it out, 125 00:06:20,720 --> 00:06:22,599 Speaker 1: and I was writing you like that. I was just 126 00:06:22,640 --> 00:06:25,360 Speaker 1: a little injured patient you were, and I said, let's 127 00:06:25,360 --> 00:06:28,440 Speaker 1: balance it on night, bang your head on to the headboard. 128 00:06:28,520 --> 00:06:31,240 Speaker 1: Or the other side because I was right boom boom boom. 129 00:06:31,320 --> 00:06:34,480 Speaker 1: Oh yeah yeah, and you were reaching like you were 130 00:06:34,520 --> 00:06:37,280 Speaker 1: looking for more assistance and better not have been that 131 00:06:37,360 --> 00:06:38,919 Speaker 1: other nurse coount, but you were looking for like a 132 00:06:38,960 --> 00:06:41,039 Speaker 1: handlebar or something because I was putting it down. I 133 00:06:41,080 --> 00:06:43,200 Speaker 1: was just trying to grab onto anything because it was 134 00:06:43,240 --> 00:06:47,120 Speaker 1: all you could drink. I got horny. I was definitely really, 135 00:06:47,600 --> 00:06:53,120 Speaker 1: really really horny. M hm. Remember, yes, I remember you 136 00:06:53,160 --> 00:06:56,400 Speaker 1: were all horny, all bandaged up, and there were skeet 137 00:06:56,480 --> 00:06:59,160 Speaker 1: goos and a lot of sexual energy where you kept 138 00:06:59,160 --> 00:07:02,080 Speaker 1: making the edge. I know because I didn't want you 139 00:07:02,120 --> 00:07:03,960 Speaker 1: to busk out on. I wanted to last to night. 140 00:07:04,160 --> 00:07:06,560 Speaker 1: Doesn't last for to night because you told me before, 141 00:07:06,880 --> 00:07:09,200 Speaker 1: like you've been like, oh, let me holl day or 142 00:07:09,279 --> 00:07:11,720 Speaker 1: let me bust or that one time remember I think 143 00:07:11,720 --> 00:07:14,400 Speaker 1: we were in as the Bakersfield or something. I was 144 00:07:14,440 --> 00:07:17,400 Speaker 1: doing a show. No, but they were like, no, I'm 145 00:07:17,400 --> 00:07:19,000 Speaker 1: gonna bus they do I go, just give me ten 146 00:07:19,000 --> 00:07:21,119 Speaker 1: minutes and I'll go more. And then you had nah 147 00:07:21,240 --> 00:07:24,880 Speaker 1: you couldn't you get it? And I was touching your 148 00:07:24,880 --> 00:07:28,280 Speaker 1: places and then nothing out on. You have pizza and 149 00:07:28,320 --> 00:07:31,800 Speaker 1: you went to sleep. So I was like, okay, now 150 00:07:31,840 --> 00:07:35,000 Speaker 1: I know, now, I know, but that doesn't always happen. 151 00:07:35,040 --> 00:07:36,920 Speaker 1: Sometimes I get it gone, well it didn't. It doesn't 152 00:07:36,920 --> 00:07:40,160 Speaker 1: happen when I have you. Edging like that does keep 153 00:07:40,200 --> 00:07:44,120 Speaker 1: me pretty strong. Mm hmm. Do you like that? You know? 154 00:07:44,120 --> 00:07:47,280 Speaker 1: When I get those things? Um? For those who don't 155 00:07:47,280 --> 00:07:50,360 Speaker 1: know what edging is, that's when you know you're about 156 00:07:50,400 --> 00:07:53,400 Speaker 1: to have an orgasm. Better know, you hold it, you 157 00:07:53,480 --> 00:07:57,120 Speaker 1: pull it back. Remember, I'll put up as day. I 158 00:07:57,160 --> 00:08:00,920 Speaker 1: have photos on my phone ready, uh um. I had 159 00:08:00,960 --> 00:08:05,080 Speaker 1: Little Precious from as the Lord of the Rings, a 160 00:08:05,080 --> 00:08:07,800 Speaker 1: little troll. I had a picture of look out on 161 00:08:08,400 --> 00:08:09,880 Speaker 1: and when you're about two bucks, I say no, and 162 00:08:09,920 --> 00:08:13,240 Speaker 1: I put that picture of that. You almost took me 163 00:08:13,280 --> 00:08:15,000 Speaker 1: off the cliff that one day, though. You took me 164 00:08:15,200 --> 00:08:19,240 Speaker 1: right to the where I just was falling over. Your 165 00:08:19,280 --> 00:08:23,200 Speaker 1: legs were shaking. God, you looked very weak, you know, 166 00:08:24,160 --> 00:08:26,880 Speaker 1: like you were like I was out of your control. 167 00:08:27,000 --> 00:08:31,080 Speaker 1: Whatever happens. Yeah, that was you also give me strength, 168 00:08:31,480 --> 00:08:33,760 Speaker 1: I know, because you held it in. You recovered you like, 169 00:08:33,800 --> 00:08:39,080 Speaker 1: oh boom when we went for another to forty seven minutes, 170 00:08:39,120 --> 00:08:45,680 Speaker 1: om boom boom like that boom boom. Yeah, So I 171 00:08:45,720 --> 00:08:48,080 Speaker 1: know what I'm doing is what I'm saying. So I'm 172 00:08:48,280 --> 00:08:50,720 Speaker 1: good thing that you trust me and you're not. You know, 173 00:08:50,960 --> 00:08:53,600 Speaker 1: I have to trust you with everything, my whole heart. 174 00:08:53,640 --> 00:08:55,480 Speaker 1: So what else did you learn about get goes in 175 00:08:55,520 --> 00:08:59,520 Speaker 1: this book? Well, some slither different ways. Yeah, some kind 176 00:08:59,520 --> 00:09:05,240 Speaker 1: of oh, it's kind of okay. So they're like Michael 177 00:09:05,240 --> 00:09:08,400 Speaker 1: feltin it, like yes, yes, that's a very very doing 178 00:09:08,400 --> 00:09:12,960 Speaker 1: that up on the dancing like dancing I ain't and 179 00:09:12,960 --> 00:09:16,480 Speaker 1: then the classic ones kind of the smooth that was 180 00:09:16,520 --> 00:09:21,000 Speaker 1: the one in San Lucas. Yeah, yeah, I will sign okay, Yeah, 181 00:09:21,280 --> 00:09:25,520 Speaker 1: you just slip through the door. Okay. Yeah. They eat crickets, 182 00:09:26,120 --> 00:09:30,680 Speaker 1: eat bugs. Um take some like four hours to digest. 183 00:09:31,640 --> 00:09:34,520 Speaker 1: It's just I just started the book, okay, But if 184 00:09:34,559 --> 00:09:37,320 Speaker 1: you want to read it, your obviously feel no, you 185 00:09:37,360 --> 00:09:39,240 Speaker 1: can read it and then we can talk about it 186 00:09:39,480 --> 00:09:43,040 Speaker 1: and you know, while you're edging, you know, like amphibians, 187 00:09:43,080 --> 00:09:44,760 Speaker 1: so like it. Maybe it'll help you keep you from 188 00:09:44,800 --> 00:09:47,559 Speaker 1: busting too soon if you start telling me about Amphibian. 189 00:09:48,000 --> 00:09:50,320 Speaker 1: It's the fact they thought. So you know, like, dude, 190 00:09:50,360 --> 00:09:52,640 Speaker 1: we'll do a little that could be another technique that 191 00:09:52,640 --> 00:09:54,600 Speaker 1: we could use so I don't have to keep showing 192 00:09:54,679 --> 00:10:00,319 Speaker 1: you that's there. What's his name? No, that's the come on, 193 00:10:00,360 --> 00:10:05,080 Speaker 1: say I'm the precious call them yeah, because call um, 194 00:10:05,440 --> 00:10:07,040 Speaker 1: I need to delete them from my phone. I'm like, 195 00:10:07,120 --> 00:10:16,400 Speaker 1: ye fail, let me edge me cout on. We know 196 00:10:16,480 --> 00:10:19,480 Speaker 1: it's different with women. It's very scary. It's not like 197 00:10:20,640 --> 00:10:23,440 Speaker 1: you know, it's only when I'm really horny, you know 198 00:10:23,520 --> 00:10:27,400 Speaker 1: that I can't bus mustuple of times, you know, or 199 00:10:27,440 --> 00:10:30,320 Speaker 1: when you have your little head better from tennis. You know, 200 00:10:30,320 --> 00:10:31,920 Speaker 1: I don't want to give away too much because you're 201 00:10:31,920 --> 00:10:34,080 Speaker 1: going to use it against me, and you know, I 202 00:10:34,200 --> 00:10:37,680 Speaker 1: need to have the power. But what else when you 203 00:10:37,720 --> 00:10:41,719 Speaker 1: have that little tennis go almost wedding, the red one 204 00:10:41,720 --> 00:10:45,480 Speaker 1: and that red one, because it's like fire, you know. 205 00:10:46,400 --> 00:10:49,920 Speaker 1: But usually it takes me. You know, you're lucky to 206 00:10:50,000 --> 00:10:53,840 Speaker 1: get one from me, you know. Yeah, but usually it's 207 00:10:55,480 --> 00:10:59,400 Speaker 1: that's all you need exactly exactly, it's just well, you 208 00:10:59,400 --> 00:11:03,720 Speaker 1: know how happy Yeah? Yeah, after you know, yeah, afterwards yeah. Yeah, 209 00:11:03,720 --> 00:11:07,480 Speaker 1: that's when I feel like you're getting better at it, 210 00:11:07,480 --> 00:11:08,840 Speaker 1: because you know, when you want to go out with 211 00:11:08,840 --> 00:11:10,640 Speaker 1: your friends or go watch a movie, I don't never 212 00:11:10,720 --> 00:11:12,960 Speaker 1: let you stay for the whole movie. Better when you 213 00:11:13,040 --> 00:11:14,440 Speaker 1: when I want to let you. Okay, you can go 214 00:11:14,480 --> 00:11:17,920 Speaker 1: with your friends for an hour. You know that if 215 00:11:17,960 --> 00:11:21,240 Speaker 1: you make me bust put you down for about an 216 00:11:21,240 --> 00:11:23,440 Speaker 1: hour and like, okay, I don't go, you know, because 217 00:11:23,480 --> 00:11:25,560 Speaker 1: I'm good right now. You know you give me like 218 00:11:25,640 --> 00:11:28,599 Speaker 1: seventy year eighty minutes at one time. Oh that was 219 00:11:28,640 --> 00:11:31,480 Speaker 1: because I yeah, I bust, I had but crazy you 220 00:11:31,520 --> 00:11:33,520 Speaker 1: hit the egg timer and I was back right before 221 00:11:33,559 --> 00:11:40,400 Speaker 1: brain mm hmm. But yeah, you swing, you're swinging flu 222 00:11:41,000 --> 00:11:44,199 Speaker 1: you get pretty violent, aggressive and violent, you know during 223 00:11:44,320 --> 00:11:48,440 Speaker 1: But I mean then you're really funny nice after. Of 224 00:11:48,480 --> 00:11:51,400 Speaker 1: course I'm always a nice You're so sweet. I'm always 225 00:11:51,520 --> 00:11:57,160 Speaker 1: nice to you. To me, yeah, yeah. Sometimes in line 226 00:11:57,280 --> 00:11:59,280 Speaker 1: at like target or something, you can be a little bit, 227 00:12:00,640 --> 00:12:02,200 Speaker 1: am I doing too much? You're looking at me in 228 00:12:02,320 --> 00:12:04,400 Speaker 1: a certain way that says no, no no, no, you're saying 229 00:12:05,880 --> 00:12:07,960 Speaker 1: do you want to know? This is a free platform? 230 00:12:08,040 --> 00:12:09,680 Speaker 1: You said that you turned into a ham when you 231 00:12:09,720 --> 00:12:16,199 Speaker 1: see the microphone, so you know him ham it away? Um. Well, 232 00:12:16,400 --> 00:12:18,640 Speaker 1: just sometimes in target, in the line, in line at 233 00:12:18,640 --> 00:12:21,800 Speaker 1: target or some sort of a story, you can get 234 00:12:21,800 --> 00:12:23,880 Speaker 1: a little impatient and if people in front of you 235 00:12:23,880 --> 00:12:26,920 Speaker 1: are behind you or to the side of us, step 236 00:12:26,960 --> 00:12:29,360 Speaker 1: in a line or say something too loud, or bump 237 00:12:29,400 --> 00:12:31,600 Speaker 1: you or something you can get a little I would 238 00:12:31,640 --> 00:12:35,400 Speaker 1: say ferocious maybe. Well, I mean, you know that's it's 239 00:12:35,480 --> 00:12:39,240 Speaker 1: rude to just bump into people, especially now post pandemics 240 00:12:39,320 --> 00:12:42,760 Speaker 1: or whatever. And people, hey, they don't say excuse me. 241 00:12:42,840 --> 00:12:49,480 Speaker 1: It's just simple manners, you know, etiquette. You know that's true. 242 00:12:50,040 --> 00:12:51,720 Speaker 1: That's why you know when I saw that get go, 243 00:12:51,840 --> 00:12:53,400 Speaker 1: come into the room make I don't you know who 244 00:12:53,440 --> 00:12:56,640 Speaker 1: invited you, who opened the door for you. So I'm 245 00:12:56,679 --> 00:12:58,880 Speaker 1: sorry that I hit you in the head. Am I 246 00:12:59,000 --> 00:13:02,600 Speaker 1: with my heel you know my wedge at all? You 247 00:13:02,640 --> 00:13:08,840 Speaker 1: know it wasn't And you're very welcome or I accept 248 00:13:08,880 --> 00:13:11,760 Speaker 1: your apology, is what I mean for the apology there. 249 00:13:11,800 --> 00:13:16,440 Speaker 1: But you kind of hit me a little bit. It 250 00:13:16,520 --> 00:13:18,280 Speaker 1: wasn't like a reflex to the It was like a 251 00:13:18,280 --> 00:13:21,640 Speaker 1: few seconds after it came in. M Do you remember 252 00:13:21,640 --> 00:13:24,040 Speaker 1: did you notice that? No? I just remember I saw 253 00:13:24,080 --> 00:13:26,760 Speaker 1: they get going. I had jumped back boom like that 254 00:13:26,800 --> 00:13:30,400 Speaker 1: in it. You were there ready to protect me. But 255 00:13:30,480 --> 00:13:32,720 Speaker 1: you said after that you were mad because I didn't 256 00:13:32,720 --> 00:13:36,400 Speaker 1: close the door all the way. So you did curse 257 00:13:36,440 --> 00:13:39,280 Speaker 1: a little bit at me. Do you recall I was 258 00:13:39,320 --> 00:13:41,000 Speaker 1: in a and I feel like when you hit me 259 00:13:41,040 --> 00:13:43,760 Speaker 1: in the head, you actually said something like idiot or something. 260 00:13:44,240 --> 00:13:47,920 Speaker 1: I can't Hi, Peter, why would I call you an 261 00:13:47,960 --> 00:13:50,600 Speaker 1: idiot like that? Sometimes to act no, Obviously you did 262 00:13:50,640 --> 00:13:53,880 Speaker 1: that earlier in this interview when you said, oh, yeah, 263 00:13:53,960 --> 00:13:58,079 Speaker 1: the medical center, and but I wouldn't call you an 264 00:13:58,080 --> 00:14:06,640 Speaker 1: idiot like that? You swear. Yeah, man, Okay, now I'm 265 00:14:06,880 --> 00:14:10,280 Speaker 1: tempting me to too. It's like you want me to 266 00:14:10,360 --> 00:14:13,120 Speaker 1: name call you or something like you're trying to make 267 00:14:13,120 --> 00:14:16,520 Speaker 1: me out to be this monster. You're the sweetest, jac 268 00:14:16,679 --> 00:14:26,640 Speaker 1: You're the sweetest You know what time it isn't relationships 269 00:14:26,680 --> 00:14:29,040 Speaker 1: they always what they seem. You gotta be on the 270 00:14:29,080 --> 00:14:31,960 Speaker 1: same page to fulfill the dream. Talking it out will 271 00:14:32,000 --> 00:14:34,200 Speaker 1: help you realize things you didn't see. That's why it's 272 00:14:34,200 --> 00:14:39,000 Speaker 1: time to call it for advice with j D. Hey, 273 00:14:39,080 --> 00:14:43,200 Speaker 1: what's up? This is j C. Who's the next color? Hey? 274 00:14:43,280 --> 00:14:48,160 Speaker 1: This is Darrell. I'm excited to hear your voice. Oh, 275 00:14:48,480 --> 00:14:51,640 Speaker 1: thank you, Daryl. How are you doing? You know what 276 00:14:51,680 --> 00:14:55,080 Speaker 1: I'm doing fantastic. I just got out of a long 277 00:14:55,240 --> 00:14:59,720 Speaker 1: term relationship for twenty years and just got going through 278 00:14:59,760 --> 00:15:05,040 Speaker 1: some operation whoa. Okay, Well it sounds like you're happy 279 00:15:05,080 --> 00:15:08,440 Speaker 1: to get out of that relationship. Well, you know, some 280 00:15:08,520 --> 00:15:12,080 Speaker 1: people might feel sad, but my therapist told me to 281 00:15:12,600 --> 00:15:15,120 Speaker 1: open up a new chapter, you know. But I got 282 00:15:15,120 --> 00:15:19,840 Speaker 1: a problem though, Oh what's that problem? Well, my problem 283 00:15:19,880 --> 00:15:22,760 Speaker 1: is that I've been out of the dating game for 284 00:15:22,920 --> 00:15:26,720 Speaker 1: years now when I just don't know how to romance 285 00:15:26,720 --> 00:15:29,440 Speaker 1: a girl, you know, and maybe that's part of the problem, 286 00:15:29,520 --> 00:15:33,800 Speaker 1: you know, would lead to the separation. But I'd like 287 00:15:33,920 --> 00:15:37,680 Speaker 1: to know, you know, about taking nine nice young female 288 00:15:37,720 --> 00:15:42,440 Speaker 1: out and uh, what's the ideal date you got there? Well, 289 00:15:42,480 --> 00:15:44,960 Speaker 1: you know, find first of all, all strike a conversation 290 00:15:45,000 --> 00:15:48,440 Speaker 1: with their compliment or maker feel good about herself, you know, 291 00:15:50,360 --> 00:15:53,200 Speaker 1: and then just maybe try to find hints at things 292 00:15:53,240 --> 00:15:56,280 Speaker 1: that she's into, you know, like what kind of called 293 00:15:56,280 --> 00:15:59,480 Speaker 1: me that she likes, you know, or if she likes 294 00:15:59,520 --> 00:16:02,760 Speaker 1: that be each or things like that, or or something 295 00:16:02,880 --> 00:16:07,320 Speaker 1: that they like as the museums or art shows. And 296 00:16:08,000 --> 00:16:10,440 Speaker 1: that's always kind of a cool look, you know, like 297 00:16:10,480 --> 00:16:13,160 Speaker 1: if you I mean, I look like a cool little 298 00:16:13,280 --> 00:16:16,360 Speaker 1: art show, you know, or a or a concert. Concerts 299 00:16:16,360 --> 00:16:18,240 Speaker 1: are good if the musica is good and it's a 300 00:16:18,280 --> 00:16:21,320 Speaker 1: good artist and then you pay for the tickets, because 301 00:16:21,320 --> 00:16:23,400 Speaker 1: then he's like, oh, he has a job, you know, 302 00:16:23,600 --> 00:16:26,000 Speaker 1: So that could lead to a lot of things, just 303 00:16:26,080 --> 00:16:28,800 Speaker 1: knowing that you have a job. But I would say, 304 00:16:28,880 --> 00:16:31,880 Speaker 1: you know, feel around, see what she likes, and don't 305 00:16:31,920 --> 00:16:35,000 Speaker 1: put too much pressure on her or yourself, you know 306 00:16:35,000 --> 00:16:38,000 Speaker 1: what I mean. Just buy it out, hang out, you know, 307 00:16:38,160 --> 00:16:39,880 Speaker 1: and then I don't know if you like to dance 308 00:16:39,960 --> 00:16:42,320 Speaker 1: or if you like music, but that's always a good vibe. 309 00:16:42,320 --> 00:16:45,200 Speaker 1: And that's where you can see if they're sparks involved. 310 00:16:46,160 --> 00:16:51,320 Speaker 1: Oh well, that's that's a testing thank you for you. 311 00:16:52,960 --> 00:16:55,520 Speaker 1: What if I'm not into what she's into, do I 312 00:16:55,680 --> 00:16:59,760 Speaker 1: shake it just to make it? Oh, I see what 313 00:16:59,840 --> 00:17:04,520 Speaker 1: you're saying. So just to to please your sexual appetite, 314 00:17:04,560 --> 00:17:07,000 Speaker 1: you're saying to just lie to her, see, And that's 315 00:17:07,040 --> 00:17:10,320 Speaker 1: probably what led to your separation of your last relationship, 316 00:17:10,640 --> 00:17:13,280 Speaker 1: because you're willing to fake the funk and put on 317 00:17:13,400 --> 00:17:16,760 Speaker 1: up front um to get what you want. And that's 318 00:17:17,080 --> 00:17:19,879 Speaker 1: that's an overall problem with men in general, you know, 319 00:17:19,960 --> 00:17:22,920 Speaker 1: because and I could see that you're a little too thirsty, 320 00:17:22,960 --> 00:17:26,240 Speaker 1: and you did that cheesy little laugh like, oh, should 321 00:17:26,240 --> 00:17:28,679 Speaker 1: I just say what I want to to get what 322 00:17:28,760 --> 00:17:31,640 Speaker 1: I want or make up fake the funk and put 323 00:17:31,680 --> 00:17:35,080 Speaker 1: on up front basically to too, so that you can 324 00:17:35,240 --> 00:17:38,119 Speaker 1: get your follow wet or wherever your intentions are. And 325 00:17:38,160 --> 00:17:40,639 Speaker 1: that's only gonna lead to you just being alone like 326 00:17:40,720 --> 00:17:42,879 Speaker 1: you are now and calling me for advice. You know. 327 00:17:42,920 --> 00:17:45,480 Speaker 1: So my advice is keep it realk out on, you 328 00:17:45,520 --> 00:17:48,480 Speaker 1: know what I mean? Uh, don't play around, because then 329 00:17:48,480 --> 00:17:51,640 Speaker 1: you're gonna be in the same cycle, except this time 330 00:17:51,680 --> 00:17:54,800 Speaker 1: you'll be old and like super old, and you'll be like, oh, 331 00:17:55,000 --> 00:17:57,920 Speaker 1: pretending to be happy that you got out of another relationship, 332 00:17:58,000 --> 00:18:02,960 Speaker 1: but really you're just sad to be alone. Oh I'm 333 00:18:03,000 --> 00:18:06,600 Speaker 1: sorry about that. You saw right through me. I appreciate 334 00:18:06,640 --> 00:18:10,240 Speaker 1: that advice. Okay, well, good luck, Darryl, and hopefully you'll 335 00:18:10,240 --> 00:18:12,240 Speaker 1: find a girl that you don't like to or try 336 00:18:12,240 --> 00:18:14,679 Speaker 1: to fake a funk and maybe just show her that 337 00:18:15,040 --> 00:18:16,720 Speaker 1: I have a job and take her to a nice 338 00:18:16,720 --> 00:18:18,960 Speaker 1: concert and treat her right the way she deserves to 339 00:18:19,000 --> 00:18:27,000 Speaker 1: be treated. Okay, okay, okay, goodbye, Daryl. Mm hmmmmmm mmmmmmmm. 340 00:18:29,920 --> 00:18:32,520 Speaker 1: We got that laughter for your soul and now too, 341 00:18:32,640 --> 00:18:35,479 Speaker 1: then to the breaking on this show. I wouldn't want 342 00:18:35,520 --> 00:18:37,640 Speaker 1: to call you those names, but if you act as such, 343 00:18:39,160 --> 00:18:41,239 Speaker 1: then I would. But I was have a sleep at 344 00:18:41,280 --> 00:18:45,280 Speaker 1: that time, you know, because you're my man. Like that's 345 00:18:45,760 --> 00:18:48,880 Speaker 1: to me. When when couples are in public and they're 346 00:18:48,880 --> 00:18:51,240 Speaker 1: calling each other, hey, you're stupid, or them that looks 347 00:18:51,320 --> 00:18:55,719 Speaker 1: them look dumb, you know, because it's like that's your partner, 348 00:18:55,760 --> 00:18:59,240 Speaker 1: that's your party right there. Then why are you like, hey, 349 00:18:59,280 --> 00:19:02,400 Speaker 1: you idiot it and you're stupid. But then you continue 350 00:19:02,440 --> 00:19:04,240 Speaker 1: to get into the car with them and go to 351 00:19:04,320 --> 00:19:06,480 Speaker 1: live your life with them. How does that make you look? 352 00:19:07,000 --> 00:19:09,359 Speaker 1: It doesn't look good. So for you to get on 353 00:19:09,400 --> 00:19:11,080 Speaker 1: this interview and say, oh, I remember when you come 354 00:19:11,080 --> 00:19:13,200 Speaker 1: in an idiot like you're trying. It's like you're trying 355 00:19:13,240 --> 00:19:15,560 Speaker 1: to make me look some kind of way, and you 356 00:19:15,600 --> 00:19:17,200 Speaker 1: know that it's not I don't take care of you. 357 00:19:17,320 --> 00:19:18,760 Speaker 1: Look at me, Look at me. I don't take care 358 00:19:18,800 --> 00:19:22,520 Speaker 1: of you, okay, And you're saying, oh, when I make 359 00:19:22,560 --> 00:19:25,600 Speaker 1: you edge and you bust the craziest nuts and all that, 360 00:19:26,320 --> 00:19:28,440 Speaker 1: and and then you turn around and tell me all 361 00:19:28,480 --> 00:19:31,560 Speaker 1: but you call me names, and like, like, what's you know? 362 00:19:31,560 --> 00:19:34,120 Speaker 1: What I mean? I don't get it. It's like it's 363 00:19:34,200 --> 00:19:37,359 Speaker 1: like do you you know you say I'm that badst 364 00:19:37,520 --> 00:19:39,199 Speaker 1: you look good, but then you try to make me 365 00:19:39,240 --> 00:19:41,760 Speaker 1: look like this little like hood rat like I call 366 00:19:41,800 --> 00:19:43,600 Speaker 1: my man, And it's just all part of the same 367 00:19:43,800 --> 00:19:50,720 Speaker 1: it's just the same stew, part of the same stew. Yeah, 368 00:19:50,880 --> 00:19:54,920 Speaker 1: it's interesting. Mhm. I need to see what else is 369 00:19:54,960 --> 00:19:59,200 Speaker 1: in that little get Go book that you're reading. It 370 00:19:59,320 --> 00:20:01,960 Speaker 1: seems like they're that little sliminess is kind of getting 371 00:20:01,960 --> 00:20:04,160 Speaker 1: off on you a little. You're you're turning it into 372 00:20:04,200 --> 00:20:06,679 Speaker 1: a little what can I get away with? What can 373 00:20:06,720 --> 00:20:12,720 Speaker 1: I slither into? Calm? No, no, no, no, please, I'm 374 00:20:12,760 --> 00:20:18,840 Speaker 1: no early get goes are mysterious to huh and and 375 00:20:20,119 --> 00:20:27,639 Speaker 1: a little bit wishy washy. Are you okay? No, seriously, Peter, Peter, 376 00:20:27,800 --> 00:20:30,000 Speaker 1: are you okay? No, I'm just wanting to No, I'm 377 00:20:30,040 --> 00:20:31,720 Speaker 1: just Forgrett. I just wish I didn't say all that 378 00:20:31,720 --> 00:20:34,240 Speaker 1: stuff earlier. So you also, I also minute in a 379 00:20:34,280 --> 00:20:36,240 Speaker 1: good way. It's like you hit me because you know 380 00:20:36,080 --> 00:20:39,240 Speaker 1: you love me and we have a good connection and 381 00:20:39,600 --> 00:20:41,760 Speaker 1: you're probably just coming out of a weird dream or something. 382 00:20:43,000 --> 00:20:45,320 Speaker 1: And I was stupid. I left the door screen door open, 383 00:20:45,359 --> 00:20:49,960 Speaker 1: and the lizards slithered in and mm hmm. Yeah, so 384 00:20:50,600 --> 00:20:54,120 Speaker 1: I mean those are you're trying to make. You're trying 385 00:20:54,160 --> 00:20:56,320 Speaker 1: to paint a picture that I was I'm like an abusive, 386 00:20:56,359 --> 00:20:58,000 Speaker 1: violent person. I hit you with my shoe, when in 387 00:20:58,080 --> 00:21:02,000 Speaker 1: fact you left the slider open, get go, got in Illego. 388 00:21:02,119 --> 00:21:03,760 Speaker 1: I I don't know what it is. I was trying 389 00:21:03,800 --> 00:21:07,960 Speaker 1: to protect us, and now you're trying to convey or 390 00:21:08,000 --> 00:21:11,440 Speaker 1: can save that, oh that I call you names and 391 00:21:11,480 --> 00:21:13,439 Speaker 1: I'm hitting you with the show, and you don't you 392 00:21:13,440 --> 00:21:16,560 Speaker 1: want to leave the focus of the story, which was 393 00:21:16,600 --> 00:21:19,440 Speaker 1: I was trying to protect us from this foreign creature, 394 00:21:20,040 --> 00:21:23,800 Speaker 1: and that was moving into our place where we're being 395 00:21:23,920 --> 00:21:26,960 Speaker 1: naked and sexual and feeling that we're supposed to be safe. 396 00:21:27,000 --> 00:21:30,640 Speaker 1: And it's like I was on Lucas Illego, I see 397 00:21:30,640 --> 00:21:32,639 Speaker 1: a thing lurking. Of course, I'm gonna do what I 398 00:21:32,640 --> 00:21:35,639 Speaker 1: can to protect us. And now you're saying, oh, you 399 00:21:35,720 --> 00:21:37,359 Speaker 1: pull a shoe out and hit me and call me 400 00:21:37,400 --> 00:21:39,320 Speaker 1: an idiot. And I was just trying to paint the 401 00:21:39,359 --> 00:21:42,640 Speaker 1: whole picture. But me trusting you with an edge, it's 402 00:21:42,680 --> 00:21:45,320 Speaker 1: like you take me to the My life is in 403 00:21:45,359 --> 00:21:50,200 Speaker 1: your hands when you're edging me. I trust you with everything. 404 00:21:50,560 --> 00:21:52,760 Speaker 1: Of course you do of course you do, because you 405 00:21:52,840 --> 00:21:54,959 Speaker 1: have the best orgasms you've ever had in your life, 406 00:21:55,000 --> 00:21:58,760 Speaker 1: count on, and you know that everybody knows that. Everybody 407 00:21:58,800 --> 00:22:01,439 Speaker 1: knows that make me. They can see it when they 408 00:22:01,440 --> 00:22:05,080 Speaker 1: see us walking around together. People say that they're like, oh, 409 00:22:05,240 --> 00:22:07,680 Speaker 1: she takes she gets in there for sure, because look, 410 00:22:08,000 --> 00:22:11,720 Speaker 1: often have that glow. People know that's right. And your 411 00:22:11,760 --> 00:22:14,960 Speaker 1: skin looks good everything because those all those juices and 412 00:22:15,000 --> 00:22:19,360 Speaker 1: everything are just boom. They're flowing and exiting and rebuilding, 413 00:22:19,680 --> 00:22:21,960 Speaker 1: you know, even a they're honking right now. Yeah, we 414 00:22:22,040 --> 00:22:27,680 Speaker 1: know the energy of it, you know. So if anything, congratulations, 415 00:22:27,800 --> 00:22:30,159 Speaker 1: you know. And you're trying to say that I call 416 00:22:30,200 --> 00:22:32,800 Speaker 1: you names and I and I abuse you, but now 417 00:22:32,800 --> 00:22:36,439 Speaker 1: here you are saying, oh, you know, you know you 418 00:22:36,520 --> 00:22:38,600 Speaker 1: don't call me names. She don't abuse me. You're kidding, 419 00:22:38,600 --> 00:22:40,840 Speaker 1: that's ridiculous. Do you think that you would have a 420 00:22:40,920 --> 00:22:45,760 Speaker 1: life like that and gobbles lucas, edging and and all 421 00:22:45,800 --> 00:22:49,200 Speaker 1: that and buzzing all crazy and having with anybody else, 422 00:22:49,400 --> 00:22:51,960 Speaker 1: you know, with that little nerves at the best medical center, 423 00:22:52,520 --> 00:22:55,280 Speaker 1: your little tennis horse at the at the country club. 424 00:22:55,680 --> 00:22:57,440 Speaker 1: Look at me, and there's no way my life would 425 00:22:57,440 --> 00:23:02,800 Speaker 1: be held without you. Do you see me. You look 426 00:23:02,920 --> 00:23:06,439 Speaker 1: so beautiful right now, by the way, and I'm so 427 00:23:06,520 --> 00:23:08,960 Speaker 1: sorry I made you upset, and I'm so sorry I 428 00:23:08,960 --> 00:23:12,600 Speaker 1: painted a picture that was made you looking flattering in anyway. 429 00:23:12,359 --> 00:23:16,720 Speaker 1: I only think you're just I mean, you're my queen. 430 00:23:18,720 --> 00:23:19,880 Speaker 1: And right now, if you I don't know what I'm 431 00:23:20,840 --> 00:23:23,560 Speaker 1: if you look at my Gecko book and you get 432 00:23:23,640 --> 00:23:25,440 Speaker 1: if you get home before me, that I want you 433 00:23:25,440 --> 00:23:31,800 Speaker 1: to look at the bookmark I'm using as the polaroid 434 00:23:31,840 --> 00:23:34,719 Speaker 1: I took of you. I got on one of those 435 00:23:34,720 --> 00:23:38,440 Speaker 1: little small cube polaroids. Was they wearing the nipple tassels? 436 00:23:39,880 --> 00:23:44,600 Speaker 1: You know what you remember? Oh my god, you look 437 00:23:44,680 --> 00:23:59,879 Speaker 1: so all the way up and all the way h 438 00:24:00,040 --> 00:24:08,320 Speaker 1: who me me? Who me? Me? M sleeping? I love 439 00:24:08,400 --> 00:24:16,840 Speaker 1: you so much. You're my writer. Die huh h always 440 00:24:16,840 --> 00:24:23,240 Speaker 1: always in forever only sweet. Tell me say that those 441 00:24:23,280 --> 00:24:26,120 Speaker 1: little tennis hords have nothing on you, j C. Those 442 00:24:26,160 --> 00:24:30,240 Speaker 1: little tennis hords have nothing on you, Jase, nothing, They're 443 00:24:30,240 --> 00:24:40,840 Speaker 1: just horse Hello, next dollar, what's up? Jase? What's up? Girl? 444 00:24:40,920 --> 00:24:43,320 Speaker 1: Dangn you sound like you're you're just run a marathon 445 00:24:43,440 --> 00:24:49,400 Speaker 1: or something. I need your advice. I it's Michael Madre. 446 00:24:50,880 --> 00:24:54,920 Speaker 1: What happened with your core. You know, she's packed on 447 00:24:55,080 --> 00:25:02,000 Speaker 1: a few pounds, okay, and anybody okay, no, no, we 448 00:25:02,280 --> 00:25:06,160 Speaker 1: just take the holidays, toll of themis and all that. 449 00:25:06,800 --> 00:25:10,399 Speaker 1: I'm all about loving yourself, girl, okay, yes, as you 450 00:25:10,440 --> 00:25:15,680 Speaker 1: should be girl. Yes, yes, she loves to dance. Okay. 451 00:25:16,520 --> 00:25:21,080 Speaker 1: We were at Akinset last weekend. I guess she was 452 00:25:21,240 --> 00:25:25,000 Speaker 1: imagining it that it was her kinset. Okay, she wore 453 00:25:25,040 --> 00:25:28,159 Speaker 1: a white dress. Okay, who is that white dress to at? 454 00:25:28,880 --> 00:25:34,080 Speaker 1: That's not your exactly j C exactly. I said, no, 455 00:25:35,280 --> 00:25:38,879 Speaker 1: it's not your king set. Remember you got pregnant. You 456 00:25:38,960 --> 00:25:44,639 Speaker 1: didn't have a king set. Okay. So there's that deeper 457 00:25:44,680 --> 00:25:50,320 Speaker 1: issue because she missed Turkeen Tech got pregnant. So now 458 00:25:50,400 --> 00:25:54,239 Speaker 1: she's trying to relive it. She's relieving, you know, And 459 00:25:54,280 --> 00:25:59,800 Speaker 1: I said, it's not anymore. Okay. So we go to 460 00:25:59,840 --> 00:26:03,399 Speaker 1: the king said she's got on the white dress, and 461 00:26:03,480 --> 00:26:11,920 Speaker 1: you could tell she had a bikini. Okay, I no, 462 00:26:12,440 --> 00:26:18,960 Speaker 1: and I'm bikini the vikini Okay, okay, that vikini. But 463 00:26:19,200 --> 00:26:23,680 Speaker 1: listen to this. When brick House came on, Oh the 464 00:26:23,800 --> 00:26:30,879 Speaker 1: Commodore's break count Brickhounds, O King all hell broke loose. Okay, 465 00:26:31,200 --> 00:26:36,560 Speaker 1: before my life, those were eaten up and they became 466 00:26:36,640 --> 00:26:43,600 Speaker 1: a tongue. Oh okay, you're not little. So she was 467 00:26:43,680 --> 00:26:48,879 Speaker 1: eating a bikini. She was eating a bin with a nas. 468 00:26:49,480 --> 00:26:53,840 Speaker 1: I said, mother, you're not little little can afford those 469 00:26:53,960 --> 00:26:59,400 Speaker 1: nadias that hold it all? He said. Co compression even 470 00:26:59,480 --> 00:27:02,080 Speaker 1: if you're not you guys are hanging out, It holds 471 00:27:02,119 --> 00:27:05,320 Speaker 1: it all in. Yes, little little, she has that faire 472 00:27:05,440 --> 00:27:08,920 Speaker 1: to have those those compression medias or whatever you call it. 473 00:27:09,320 --> 00:27:14,200 Speaker 1: You can't even afford that media's okay, And she ate 474 00:27:14,320 --> 00:27:19,920 Speaker 1: up the bikinis and I'm like, oh comre, no, no, no, 475 00:27:20,200 --> 00:27:24,159 Speaker 1: you can't. I try to beat General jac It was 476 00:27:24,240 --> 00:27:25,840 Speaker 1: all you can't eat at the game set, but she 477 00:27:25,960 --> 00:27:32,200 Speaker 1: took it the wrong way. I try to be general, 478 00:27:32,359 --> 00:27:36,080 Speaker 1: but she comes bad, you know, with ship like I. 479 00:27:36,359 --> 00:27:41,840 Speaker 1: All the young guys are looking at me. Okay, So 480 00:27:42,040 --> 00:27:56,480 Speaker 1: she's disconnected with reality. No, they're scared. They're scared. She's scared. 481 00:27:56,520 --> 00:28:00,280 Speaker 1: I so that young men are like I, they're there. 482 00:28:00,720 --> 00:28:09,440 Speaker 1: There's yeah to do no more. This is a tough one, girl, okay, 483 00:28:09,960 --> 00:28:14,560 Speaker 1: Because of course you do as you should, as you 484 00:28:14,720 --> 00:28:18,880 Speaker 1: should be at the same time you don't want out 485 00:28:18,880 --> 00:28:20,800 Speaker 1: there eating a bakini with or a not less in 486 00:28:20,840 --> 00:28:26,879 Speaker 1: public like that, a tech like that. I don't know 487 00:28:27,000 --> 00:28:31,199 Speaker 1: what to do. J C. I. I love Michael who. 488 00:28:31,280 --> 00:28:33,399 Speaker 1: I don't want to go to no more parties with her. 489 00:28:33,920 --> 00:28:38,440 Speaker 1: It's gonna tak our relationship, and you know, I don't 490 00:28:38,480 --> 00:28:43,120 Speaker 1: want negativity in our relationship. I want to stay positive 491 00:28:43,160 --> 00:28:46,080 Speaker 1: and I want to stay dancing with her. Yeah, you know, 492 00:28:46,880 --> 00:28:50,400 Speaker 1: you know, girls gone wild and all that. Okay, we 493 00:28:50,560 --> 00:28:53,760 Speaker 1: can relive it like it's nine nine that you're taking 494 00:28:53,800 --> 00:28:57,320 Speaker 1: it too par com it's too far, okay, girl. So 495 00:28:57,480 --> 00:28:59,720 Speaker 1: obviously I don't know if it's a mad life crisis 496 00:29:00,320 --> 00:29:03,080 Speaker 1: or what, but I think that's something that you can 497 00:29:03,160 --> 00:29:07,160 Speaker 1: do and that you can throw her a little surprise 498 00:29:07,280 --> 00:29:12,760 Speaker 1: kinset because obviously there's a hole, there's an emptiness inside 499 00:29:12,800 --> 00:29:15,480 Speaker 1: of her because she had got pregnant when she was 500 00:29:15,600 --> 00:29:18,760 Speaker 1: fourteen or can say, and she had to miss her 501 00:29:18,840 --> 00:29:22,440 Speaker 1: kingset and she's been missing that that having that empty 502 00:29:22,520 --> 00:29:25,200 Speaker 1: hole in her heart. So I think put it better 503 00:29:25,760 --> 00:29:28,800 Speaker 1: better give have an outfit set up for her so 504 00:29:28,960 --> 00:29:31,040 Speaker 1: she's not eating her bakini with or nine glass like 505 00:29:31,080 --> 00:29:33,440 Speaker 1: that in front of and scaring the kids or the 506 00:29:33,560 --> 00:29:36,440 Speaker 1: young man and and you know, and just sit and 507 00:29:36,520 --> 00:29:39,080 Speaker 1: talk with her, a we love you, how you are? 508 00:29:39,800 --> 00:29:43,600 Speaker 1: You know, encourage her to walk, to keep dancing, you know, 509 00:29:43,760 --> 00:29:46,520 Speaker 1: and to just you know, to to to have her 510 00:29:46,680 --> 00:29:49,200 Speaker 1: connect back with reality, you know. And I think the 511 00:29:49,280 --> 00:29:51,640 Speaker 1: way that you can do that is to show her 512 00:29:51,720 --> 00:29:54,600 Speaker 1: love and and show throw her a little king set 513 00:29:54,800 --> 00:30:01,480 Speaker 1: you know for her. That's eight ideas. That is a 514 00:30:01,760 --> 00:30:07,120 Speaker 1: great idea. Yes, I I love Michael mother, and she 515 00:30:07,240 --> 00:30:10,800 Speaker 1: got a little Gordita or a lot you know. I'm 516 00:30:10,840 --> 00:30:16,960 Speaker 1: counds she's still wearing the same vikinnies, you know, and 517 00:30:17,120 --> 00:30:23,360 Speaker 1: I'm like, no, no, you know, it's kind of sad. Now, Okay, 518 00:30:23,760 --> 00:30:27,000 Speaker 1: we'll get her that Johnny is that that fit her 519 00:30:27,120 --> 00:30:30,680 Speaker 1: good and give them to her at that kingcent and 520 00:30:30,880 --> 00:30:32,920 Speaker 1: just and just let her know that she's loved and 521 00:30:33,000 --> 00:30:35,960 Speaker 1: she don't need to be pretending that she's at than that. 522 00:30:36,240 --> 00:30:38,680 Speaker 1: And when she because deep down she knows, girl, she 523 00:30:38,840 --> 00:30:43,440 Speaker 1: knows that she put on those forty pounds. You know. Okay, 524 00:30:43,720 --> 00:30:47,560 Speaker 1: sky so much? Oh no problem, girl, thanks for colling. Okay, 525 00:30:48,720 --> 00:30:52,600 Speaker 1: I love you back, girl, I love you back all day. 526 00:30:52,720 --> 00:30:57,120 Speaker 1: I know. I know that's how I do. Girl, Okay, 527 00:30:57,200 --> 00:31:03,800 Speaker 1: still talk to you next time. Okay, next color. Hello, 528 00:31:05,720 --> 00:31:08,960 Speaker 1: Hey j C. I just started a new job and 529 00:31:09,480 --> 00:31:11,480 Speaker 1: my boss has been making me just feel a little 530 00:31:11,520 --> 00:31:15,880 Speaker 1: bit uncomfortable. Yeah, like the other day he told me 531 00:31:15,960 --> 00:31:18,360 Speaker 1: that I should keep my hair down and smile more. 532 00:31:20,440 --> 00:31:25,960 Speaker 1: Excuse me, you know, yeah, that's a little weird. I 533 00:31:26,000 --> 00:31:28,760 Speaker 1: could see maybe smiling more because if you might have 534 00:31:28,920 --> 00:31:33,680 Speaker 1: resting cavona face, and sometimes when you are resting cavona face, 535 00:31:33,800 --> 00:31:37,000 Speaker 1: it looks like damn, like you know, it creates a vibe. 536 00:31:37,480 --> 00:31:39,560 Speaker 1: But for him to say to leave your hair down, 537 00:31:39,760 --> 00:31:45,080 Speaker 1: that insinuates like like you know, um that that oh 538 00:31:45,320 --> 00:31:48,920 Speaker 1: he wants like a sexual kind of a vibe or 539 00:31:49,040 --> 00:31:51,840 Speaker 1: something like oh, she's not sexy enough for something like that, 540 00:31:52,840 --> 00:31:55,120 Speaker 1: you know, And that's a little weird that that has 541 00:31:55,200 --> 00:31:58,240 Speaker 1: he said any other comments or well, it's just like 542 00:31:58,480 --> 00:32:00,760 Speaker 1: I know I look good, you know, but it's just 543 00:32:00,960 --> 00:32:04,200 Speaker 1: like I don't need to put my hair down. And 544 00:32:04,280 --> 00:32:05,920 Speaker 1: then it was like he was like, oh, I like 545 00:32:06,560 --> 00:32:08,680 Speaker 1: told me I looked so good at dresses. It's like, 546 00:32:09,040 --> 00:32:12,120 Speaker 1: I know, hold on a second, hold on a second, 547 00:32:12,520 --> 00:32:16,920 Speaker 1: red flag. He said, you look so good and dressed. Yeah, 548 00:32:17,000 --> 00:32:20,640 Speaker 1: that's a direct cold Jacy. I mean, I'm just like 549 00:32:20,880 --> 00:32:22,880 Speaker 1: I want to complain to the HR. But this is 550 00:32:22,960 --> 00:32:27,680 Speaker 1: the thing that the HR person is his wife. Oh 551 00:32:27,960 --> 00:32:34,440 Speaker 1: my god. Okay, Okay, we have a little situation here. Okay, 552 00:32:34,520 --> 00:32:38,280 Speaker 1: do you get along with her? I mean yeah, it's 553 00:32:38,360 --> 00:32:43,680 Speaker 1: like whatever, but you know she's not like my best friend, 554 00:32:44,760 --> 00:32:49,600 Speaker 1: right right? Okay? Wow, Okay, Well this is interesting because 555 00:32:49,680 --> 00:32:53,760 Speaker 1: obviously there's some issues here. He shouldn't be telling you, oh, 556 00:32:53,880 --> 00:32:57,920 Speaker 1: you look good and dresses or or you know, leave 557 00:32:57,960 --> 00:33:00,400 Speaker 1: your hair down, and you know who who do you 558 00:33:00,480 --> 00:33:03,040 Speaker 1: think you are? You know what I mean saying like that, 559 00:33:04,120 --> 00:33:05,920 Speaker 1: And I could tell by your energy that you you 560 00:33:06,160 --> 00:33:10,320 Speaker 1: you look good in anyways, regardless wearing sweatpants or whatever. 561 00:33:10,360 --> 00:33:12,440 Speaker 1: I mean, you shouldn't wear sweatpants to work. But you 562 00:33:12,560 --> 00:33:15,600 Speaker 1: know what I'm saying, So it definitely know what you're saying. 563 00:33:15,600 --> 00:33:19,720 Speaker 1: I'm glad it's translating to there's okay. So the wife 564 00:33:19,760 --> 00:33:23,080 Speaker 1: that that does the HR dies, she does she seem 565 00:33:23,160 --> 00:33:26,480 Speaker 1: like a happy person or is she just kind of 566 00:33:26,560 --> 00:33:30,000 Speaker 1: like a robot or I don't know. It's like, honestly, 567 00:33:30,080 --> 00:33:32,600 Speaker 1: like I've seen her lunch every day and I'm just like, 568 00:33:32,800 --> 00:33:36,240 Speaker 1: I don't know if you're you know, ecstatic, bouncing off 569 00:33:36,280 --> 00:33:38,640 Speaker 1: the walls. It's like every day you're just like having 570 00:33:38,760 --> 00:33:41,280 Speaker 1: grapes as a snack, you know, like it's a fine snack, 571 00:33:41,400 --> 00:33:45,120 Speaker 1: but every day I don't know, m Yeah, that is 572 00:33:45,200 --> 00:33:48,600 Speaker 1: the right flag, because grapes are good and delicious, especially 573 00:33:48,640 --> 00:33:52,280 Speaker 1: when they're nice and ripe and juicy. But every day, um, 574 00:33:52,600 --> 00:33:56,320 Speaker 1: it's like monotonous, you know, and that could be a 575 00:33:56,400 --> 00:34:00,120 Speaker 1: red flag, you know. And so what I'm thinking this 576 00:34:01,040 --> 00:34:06,080 Speaker 1: is that she's not getting the sexual attention that she 577 00:34:06,240 --> 00:34:09,680 Speaker 1: needs for her man. So she's always having to have 578 00:34:10,239 --> 00:34:15,680 Speaker 1: something that's circular or in a ball shape, something like grapes, yea, 579 00:34:15,880 --> 00:34:18,800 Speaker 1: to be like, oh see, I'm getting action. And that's that, 580 00:34:19,200 --> 00:34:22,600 Speaker 1: you know. That really is that she's using the grapes 581 00:34:22,719 --> 00:34:26,120 Speaker 1: to replace um, like, you know, like her man's webls 582 00:34:26,280 --> 00:34:29,320 Speaker 1: or a man of her desires webbls, you know, to 583 00:34:29,520 --> 00:34:33,040 Speaker 1: be like, oh look see I'm playing with something um. 584 00:34:33,280 --> 00:34:35,960 Speaker 1: And and that's why. And you know, obviously her man's 585 00:34:36,040 --> 00:34:38,400 Speaker 1: not putting it down because he's over there saying stupid 586 00:34:38,480 --> 00:34:42,960 Speaker 1: things to his employees like oh, you know, smile more, 587 00:34:43,000 --> 00:34:45,800 Speaker 1: you look good at dresses. And you know who does that? 588 00:34:46,080 --> 00:34:50,680 Speaker 1: You know, so I would say, yeah, I would say 589 00:34:51,160 --> 00:34:52,800 Speaker 1: next time, I don't, I don't know, maybe do a 590 00:34:52,840 --> 00:34:56,120 Speaker 1: little undercover work and try to try to set him 591 00:34:56,200 --> 00:34:58,560 Speaker 1: up and record something on your phone and play it 592 00:34:58,680 --> 00:35:01,000 Speaker 1: for her, like looking to how he talks to me. 593 00:35:01,400 --> 00:35:03,279 Speaker 1: But you don't want to create that drop. You don't 594 00:35:03,280 --> 00:35:05,000 Speaker 1: need that in your life, girl, you know what I mean. 595 00:35:05,760 --> 00:35:09,200 Speaker 1: So maybe not at all. Yeah, So, but first of all, 596 00:35:09,320 --> 00:35:12,279 Speaker 1: don't let him tell you things like that anymore, you know, 597 00:35:12,400 --> 00:35:14,359 Speaker 1: even if you have to stay straight up like hey, 598 00:35:14,520 --> 00:35:17,840 Speaker 1: you know, like um, you know, don't don't talk to 599 00:35:17,960 --> 00:35:20,879 Speaker 1: me like that. And maybe concentrate on your wife because 600 00:35:20,920 --> 00:35:24,080 Speaker 1: she's over there and she's about too old and grapes again, 601 00:35:24,280 --> 00:35:27,160 Speaker 1: you know, and I can only take so much to 602 00:35:27,400 --> 00:35:30,279 Speaker 1: witness so much great beating, you know, And so maybe 603 00:35:30,320 --> 00:35:32,680 Speaker 1: you need to pay attention to your wife, brother than 604 00:35:32,760 --> 00:35:36,439 Speaker 1: to make your stupid little comments here, you know. Yeah, 605 00:35:36,800 --> 00:35:42,040 Speaker 1: I'm just jotting that down. I mean, really good stuff. Yeah, 606 00:35:42,160 --> 00:35:44,440 Speaker 1: So the main thing is maybe check on her, because 607 00:35:44,480 --> 00:35:47,200 Speaker 1: she is hr you know, to be like you know, 608 00:35:47,320 --> 00:35:51,719 Speaker 1: she reads all those pamphlets, those little classes that you 609 00:35:51,840 --> 00:35:54,520 Speaker 1: have to take, and maybe she needs to be taken 610 00:35:54,560 --> 00:35:58,120 Speaker 1: through those steps you know, to be like yeah, and 611 00:35:58,280 --> 00:36:00,960 Speaker 1: just you know, check in with her, check in with her, 612 00:36:01,000 --> 00:36:02,840 Speaker 1: and be like, oh, you know, so I see you 613 00:36:02,880 --> 00:36:05,680 Speaker 1: eating grapes every day and you know, I'm not saying 614 00:36:06,280 --> 00:36:09,000 Speaker 1: exactly not even not even sometimes real that they're just 615 00:36:09,200 --> 00:36:12,920 Speaker 1: always read and it's like switch it up. M h. 616 00:36:13,760 --> 00:36:19,640 Speaker 1: You know, yeah, it's just hard. Yeah, because okay, I 617 00:36:19,760 --> 00:36:24,440 Speaker 1: see because she's probably reminiscing when she probably is that 618 00:36:24,560 --> 00:36:27,520 Speaker 1: type two two they maybe they used to get freaky 619 00:36:27,640 --> 00:36:30,279 Speaker 1: and she would slap her men's levels and they would 620 00:36:30,320 --> 00:36:32,759 Speaker 1: turn red. And so she's trying to relive those old 621 00:36:32,840 --> 00:36:36,560 Speaker 1: days and that's that, you know. But but yeah, check 622 00:36:36,600 --> 00:36:38,600 Speaker 1: in with her. How are you doing? Girl? And you know, 623 00:36:38,760 --> 00:36:40,760 Speaker 1: you know you don't want to start drama right away, 624 00:36:41,520 --> 00:36:44,359 Speaker 1: you know, but but first and foremost, don't let him 625 00:36:44,400 --> 00:36:48,600 Speaker 1: talk to you like that anymore. You know. God, thanks Jasey. 626 00:36:48,719 --> 00:36:51,040 Speaker 1: I really needed to hear it. It's like you know that, 627 00:36:51,280 --> 00:36:53,200 Speaker 1: but then just to hear you say it, it just 628 00:36:53,320 --> 00:36:57,040 Speaker 1: sounds different. Yeah, okay, girl, Well I'm always there for 629 00:36:57,160 --> 00:37:02,080 Speaker 1: you always, but you know, maybe yeah, offer her some 630 00:37:02,239 --> 00:37:05,799 Speaker 1: different type types of snacks and then you know, maybe 631 00:37:05,880 --> 00:37:08,000 Speaker 1: talk to her and be like, hey, how's your relationship. 632 00:37:08,120 --> 00:37:10,080 Speaker 1: And it's not your job to even do this, but 633 00:37:10,640 --> 00:37:13,279 Speaker 1: I'm just throwing out different angles that you can take. 634 00:37:13,760 --> 00:37:16,239 Speaker 1: But first and foremost at Coveron needs to stop saying 635 00:37:16,320 --> 00:37:19,040 Speaker 1: stupid things, you know, and I think and the thing is, 636 00:37:19,120 --> 00:37:22,880 Speaker 1: I think she would agree with you. You know, I 637 00:37:23,080 --> 00:37:28,160 Speaker 1: never thought about it like that. Yeah, yeah, okay, girl, 638 00:37:28,200 --> 00:37:31,000 Speaker 1: Well best of luck. And where your where your hair 639 00:37:31,200 --> 00:37:33,960 Speaker 1: up if that's how you do, because I know you 640 00:37:34,080 --> 00:37:36,960 Speaker 1: look good and if you're resting covert on our face 641 00:37:37,000 --> 00:37:40,520 Speaker 1: and so then that's the way it is. Okay, Okay, 642 00:37:41,080 --> 00:37:44,399 Speaker 1: thanks so much. Okay, no problem, girl, have a good day. 643 00:37:48,320 --> 00:37:54,600 Speaker 1: M m m m m mmmmmmm. We got that laughter 644 00:37:54,760 --> 00:37:57,520 Speaker 1: for your soul. And now to the into the Frankick 645 00:37:57,840 --> 00:38:00,640 Speaker 1: on this show. And it's sad to like like when 646 00:38:00,680 --> 00:38:04,840 Speaker 1: I see highs or other girls women they're like, you know, 647 00:38:05,160 --> 00:38:08,320 Speaker 1: like to live like that in like everywhere they go, 648 00:38:08,400 --> 00:38:11,600 Speaker 1: they're going to write aid or consale. They're going, I, oh, 649 00:38:12,200 --> 00:38:14,080 Speaker 1: I'm looking for a man. I need a man. Or 650 00:38:14,480 --> 00:38:16,480 Speaker 1: you can just see it, you know, see it and 651 00:38:16,560 --> 00:38:19,399 Speaker 1: feel it. They try to even always the manager right, 652 00:38:19,480 --> 00:38:22,839 Speaker 1: it's good enough for me, and try to let's see 653 00:38:22,840 --> 00:38:24,560 Speaker 1: about it. And he's like Damn, he's just trying to 654 00:38:24,600 --> 00:38:26,480 Speaker 1: get through his work day. You know, he already has 655 00:38:26,560 --> 00:38:30,919 Speaker 1: a a girl, you know. But there's just I'm just saying, 656 00:38:30,960 --> 00:38:34,840 Speaker 1: they're always praying like that, like they're looking for praying. 657 00:38:34,840 --> 00:38:37,640 Speaker 1: They're they're nasty. They're nasty, little horse they're out there, 658 00:38:38,440 --> 00:38:42,080 Speaker 1: you know, and and you're right there at the tennis courts, 659 00:38:42,160 --> 00:38:44,440 Speaker 1: and so you can see why it bothers me when 660 00:38:44,480 --> 00:38:46,839 Speaker 1: you say, wow, j C. If they do a good movie, 661 00:38:47,239 --> 00:38:50,399 Speaker 1: a good back can or consale, I'm gonna compliment them 662 00:38:50,800 --> 00:38:53,200 Speaker 1: because in your head you're looking at the sport of 663 00:38:53,320 --> 00:38:59,719 Speaker 1: it criticism, but they're looking at I. He likes my technique, 664 00:39:00,600 --> 00:39:04,840 Speaker 1: you know. Check it's a little I tingerle and suthing. 665 00:39:05,239 --> 00:39:07,719 Speaker 1: I see you know under their little horse skirts or 666 00:39:07,760 --> 00:39:10,680 Speaker 1: little tennis skirts that I have it short because that's 667 00:39:10,719 --> 00:39:12,880 Speaker 1: the length for tennis. No, it's because you're trying to, 668 00:39:13,640 --> 00:39:16,120 Speaker 1: you know, get your aromas out there and be a 669 00:39:16,200 --> 00:39:18,960 Speaker 1: little hore that you are, you know, and it's you 670 00:39:19,200 --> 00:39:21,400 Speaker 1: just concern to me that you're in that environment when 671 00:39:21,440 --> 00:39:23,399 Speaker 1: you teach tennis. You know, I'm going to be much 672 00:39:23,440 --> 00:39:28,200 Speaker 1: more responsible with my compliments. Thank you for saying that. 673 00:39:28,320 --> 00:39:31,080 Speaker 1: Thank you for saying that. Just be aware that you're 674 00:39:31,160 --> 00:39:34,040 Speaker 1: looking at it from athletic point of view. They're looking 675 00:39:34,080 --> 00:39:36,680 Speaker 1: at it from they're trying to get your ballot, you know, 676 00:39:37,160 --> 00:39:40,560 Speaker 1: and too. But you don't need that because obviously I 677 00:39:41,000 --> 00:39:42,800 Speaker 1: take care of that with you know, and I edge you, 678 00:39:42,960 --> 00:39:44,560 Speaker 1: and I get you a week and your legs all 679 00:39:44,600 --> 00:39:50,000 Speaker 1: shaking like that, another to thirty seven minutes and then 680 00:39:50,080 --> 00:39:53,200 Speaker 1: I let you bust got on? And how long are 681 00:39:53,239 --> 00:39:57,480 Speaker 1: you satisfied after I do that to you? Minutes especially, yeah, 682 00:39:58,719 --> 00:40:02,279 Speaker 1: fifteen minutes. Come on? Oh do you see if I'm 683 00:40:02,320 --> 00:40:05,200 Speaker 1: around you, I mean, you get me right back going, 684 00:40:05,239 --> 00:40:08,640 Speaker 1: I get refilled up, real question. That's right, that's right, 685 00:40:10,640 --> 00:40:17,479 Speaker 1: that's right, you're clone right now. I have I'm thinking 686 00:40:17,480 --> 00:40:19,840 Speaker 1: about putting on those nipple tests later if you behave 687 00:40:19,880 --> 00:40:27,040 Speaker 1: and stop seeing them things. Got on. I'm getting on. 688 00:40:27,560 --> 00:40:29,160 Speaker 1: When you dressed like a little horr at the house, 689 00:40:30,760 --> 00:40:33,520 Speaker 1: that's for us. That's a more private thing. You got 690 00:40:33,560 --> 00:40:35,360 Speaker 1: a little too excited right now. Now you're letting our 691 00:40:35,440 --> 00:40:40,000 Speaker 1: private You don't call you those names outside of the bedroom. 692 00:40:40,080 --> 00:40:43,600 Speaker 1: I don't. Okay, I understand that's our little secret thing. Understood. Okay, 693 00:40:45,000 --> 00:40:49,720 Speaker 1: you got that. I understand, because I'm excited thinking about 694 00:40:49,760 --> 00:40:52,640 Speaker 1: those things. But we have our private time for that bedroom. 695 00:40:53,280 --> 00:40:55,480 Speaker 1: He looy. Well this which is in the public, there's 696 00:40:55,560 --> 00:40:59,400 Speaker 1: cameras and you know, I get a rational I get corny. 697 00:40:59,840 --> 00:41:01,680 Speaker 1: I know you don't believe me. I know you do. 698 00:41:03,800 --> 00:41:07,080 Speaker 1: It's a heartreak gets going on. Yeah, you're a little 699 00:41:07,160 --> 00:41:09,359 Speaker 1: too excited today and they might need to be tight 700 00:41:09,520 --> 00:41:14,960 Speaker 1: up later, you know, like to be punished. Have you 701 00:41:15,000 --> 00:41:16,719 Speaker 1: seen the avatar I was gonna see if you want 702 00:41:16,760 --> 00:41:18,840 Speaker 1: to go see it, okay, you want to see it 703 00:41:18,920 --> 00:41:22,640 Speaker 1: in three D D. I want to see three Okay, 704 00:41:23,239 --> 00:41:25,879 Speaker 1: you know what. It's like three hours. I'll be able 705 00:41:25,880 --> 00:41:30,839 Speaker 1: to stay awake. Okay, maybe all it's a little bit. 706 00:41:30,920 --> 00:41:33,400 Speaker 1: It turns me on a little when they get you know, 707 00:41:33,560 --> 00:41:40,839 Speaker 1: because just the you know, they're like bigger and they're 708 00:41:40,920 --> 00:41:46,440 Speaker 1: blue and and when they boom boom. Well the new 709 00:41:46,480 --> 00:41:49,960 Speaker 1: one is supposed to have some of those scenes in 710 00:41:50,040 --> 00:41:54,239 Speaker 1: it were all ram crazy. Yeah, I just you know 711 00:41:54,280 --> 00:41:57,000 Speaker 1: what I mean, just to see a big alien cout 712 00:41:57,040 --> 00:41:59,520 Speaker 1: on like that, and with this I am not just bomb. 713 00:42:00,160 --> 00:42:02,520 Speaker 1: It's crazy because they have tail scout on, you know, 714 00:42:03,080 --> 00:42:06,080 Speaker 1: that little avatars or that big but they're bigger. What 715 00:42:06,160 --> 00:42:09,000 Speaker 1: happens to the tail when they're exciting? That's the thing, 716 00:42:10,080 --> 00:42:12,880 Speaker 1: that's what I'm curious about. Oh my god, what can that? 717 00:42:13,080 --> 00:42:14,799 Speaker 1: You know? Where does that tail go? Should we see 718 00:42:14,800 --> 00:42:19,279 Speaker 1: you tonight? Because obviously? Okay that the men they have 719 00:42:19,400 --> 00:42:23,480 Speaker 1: apolos obviously and the alien polos promore. Who knows what 720 00:42:23,640 --> 00:42:29,200 Speaker 1: the hell looks like charged supercharger, alien juices or consala. 721 00:42:30,320 --> 00:42:32,359 Speaker 1: But I imagine you have that tail with them. Yeah, 722 00:42:33,160 --> 00:42:38,719 Speaker 1: so you know different options. I could swing the tail 723 00:42:38,760 --> 00:42:41,799 Speaker 1: around and do something else with it, maybe to play 724 00:42:41,840 --> 00:42:46,839 Speaker 1: with your cool o wile oh sitting the very back. 725 00:42:47,719 --> 00:42:51,000 Speaker 1: Let's go tonight night out on. Yes, we get a 726 00:42:51,040 --> 00:42:54,600 Speaker 1: big popcorn, you get a big soda. See now I 727 00:42:54,680 --> 00:42:56,640 Speaker 1: see where it's coming from. You read the book about 728 00:42:56,680 --> 00:42:59,600 Speaker 1: the get gos there. Some of them are blue and 729 00:42:59,680 --> 00:43:05,040 Speaker 1: slide me now to the avatars, which they can be 730 00:43:05,160 --> 00:43:09,680 Speaker 1: slightly too. Three are I'll be able to stay away 731 00:43:09,719 --> 00:43:12,640 Speaker 1: for the whole thing. Edge me to the finish line. Yeah, well, 732 00:43:12,680 --> 00:43:14,160 Speaker 1: if we get one of those, we can get the 733 00:43:14,239 --> 00:43:17,800 Speaker 1: reclimbing seeds with the three D glasses. Come maybe you're follower, 734 00:43:17,880 --> 00:43:20,440 Speaker 1: look three D eyes jumping at me, stuff like that. 735 00:43:20,719 --> 00:43:23,680 Speaker 1: There's there might be kids, you know, it's PG thirteen. 736 00:43:23,800 --> 00:43:29,359 Speaker 1: I think, m hm. But we'll bring a blanket. We'll 737 00:43:29,400 --> 00:43:32,439 Speaker 1: be that couple. I love the bringing a blanket into 738 00:43:32,480 --> 00:43:36,239 Speaker 1: the theater and you go wear your little tennis man. 739 00:43:38,000 --> 00:43:41,160 Speaker 1: Whether do stretches right there outside before we go into 740 00:43:41,200 --> 00:43:43,120 Speaker 1: the movie. Like I made a look, he's wearing a 741 00:43:43,160 --> 00:43:45,600 Speaker 1: said van. They're doing stretches. They have a blanket. I 742 00:43:45,640 --> 00:43:49,319 Speaker 1: can do cat stretches on stairs. See love that there 743 00:43:49,400 --> 00:43:51,640 Speaker 1: you go. I love when you think, like so now 744 00:43:51,680 --> 00:43:53,920 Speaker 1: you're looking smart. Now this is the side of you 745 00:43:54,080 --> 00:43:57,960 Speaker 1: that I like, you know, backing some mince our happiness 746 00:43:58,040 --> 00:44:02,799 Speaker 1: in those situations. I think that's I can totally keep 747 00:44:02,840 --> 00:44:04,759 Speaker 1: doing that. I cover now. I want to dress you 748 00:44:05,000 --> 00:44:08,279 Speaker 1: up like a little like an avatars get a little 749 00:44:08,360 --> 00:44:13,719 Speaker 1: t Are you gonna paint me? Yeah? We have that. 750 00:44:13,840 --> 00:44:15,960 Speaker 1: We have the part from party City. We have that 751 00:44:16,040 --> 00:44:20,440 Speaker 1: blue blue paint, remember from the gender party from my 752 00:44:21,800 --> 00:44:24,840 Speaker 1: from my Amanitas gender reval party. They thought I was 753 00:44:24,920 --> 00:44:27,400 Speaker 1: gonna be a boy, but then last minute it was 754 00:44:27,480 --> 00:44:29,960 Speaker 1: a girl. So we have a lot of blue paint left. Oh, 755 00:44:30,440 --> 00:44:35,880 Speaker 1: so we can paint you like that? Give me a 756 00:44:36,440 --> 00:44:41,080 Speaker 1: can paint your pollo picture, just like you can see 757 00:44:41,080 --> 00:44:45,080 Speaker 1: it a different color and three D. It's always three D. 758 00:44:45,239 --> 00:44:48,000 Speaker 1: Don't get me wrong, baby, you know because I you 759 00:44:48,120 --> 00:44:51,719 Speaker 1: know your little paints Pete Sampers moves that you do. 760 00:44:51,880 --> 00:44:56,480 Speaker 1: I okay, since you say you said the little names, 761 00:44:56,520 --> 00:44:57,799 Speaker 1: I let you call me in the bedroom. I can 762 00:44:57,880 --> 00:45:00,759 Speaker 1: say what you do when you have when he has this, 763 00:45:01,560 --> 00:45:05,359 Speaker 1: when he has this follow he does it like when 764 00:45:05,400 --> 00:45:08,160 Speaker 1: he has this sallow when it's like you red. He 765 00:45:08,320 --> 00:45:11,239 Speaker 1: pretends that he's in that tennis class. Yet he does 766 00:45:11,280 --> 00:45:13,399 Speaker 1: a little and I'm laying in the bed. He's walking 767 00:45:13,440 --> 00:45:18,000 Speaker 1: around the room. He goes, Piz Sampers. He says, he 768 00:45:18,120 --> 00:45:21,040 Speaker 1: goes one side like that. Oh he goes. It's like 769 00:45:21,640 --> 00:45:23,840 Speaker 1: you told me to do it. I mean say, comeric 770 00:45:23,880 --> 00:45:27,640 Speaker 1: out on, you know, jump into that bad okay baby, 771 00:45:27,719 --> 00:45:31,520 Speaker 1: So damn. We talked about a lot of things. I'm 772 00:45:31,600 --> 00:45:33,600 Speaker 1: excited for you to learn all you have to learn 773 00:45:33,640 --> 00:45:37,480 Speaker 1: about get gos. You how many types of different get 774 00:45:37,520 --> 00:45:39,000 Speaker 1: gos are? Are? You only got to that part. I've 775 00:45:39,040 --> 00:45:41,840 Speaker 1: only gotten about four or five so far, but I 776 00:45:41,880 --> 00:45:45,759 Speaker 1: think there's at least nineteen nineteen different kinds get I think, 777 00:45:45,800 --> 00:45:49,960 Speaker 1: so yeah, I go wrong, you know, I'm excited to 778 00:45:50,080 --> 00:45:52,120 Speaker 1: learn about that because Get Goals. They've been doing good 779 00:45:52,200 --> 00:45:55,919 Speaker 1: lately obviously what Geico and they got a good career going. 780 00:45:56,880 --> 00:46:00,160 Speaker 1: But I said, there's at least nineteen different times say 781 00:46:01,480 --> 00:46:06,439 Speaker 1: oh from all over they all slithered again in different ways. Yeah, wow, 782 00:46:07,360 --> 00:46:09,800 Speaker 1: And is there anything else? Okay, So we're looking forward 783 00:46:09,840 --> 00:46:12,960 Speaker 1: to we'll get a final report on Get Goals. We 784 00:46:13,080 --> 00:46:17,600 Speaker 1: finish that book, and and that's that. You're still teaching classes, 785 00:46:17,680 --> 00:46:19,920 Speaker 1: you want to plug that or if anyone wants any 786 00:46:19,920 --> 00:46:24,520 Speaker 1: tens lessons at Griffith Park, um men or women, Uh, 787 00:46:25,040 --> 00:46:28,239 Speaker 1: don't sleep for them. And if four dollars an hour 788 00:46:28,640 --> 00:46:30,520 Speaker 1: sliding scale, you know forty, If you don't, if you 789 00:46:30,520 --> 00:46:32,040 Speaker 1: can't afford it, you know, just let me know and 790 00:46:32,440 --> 00:46:35,960 Speaker 1: I'll slide you in. And mm hmm you are you 791 00:46:36,000 --> 00:46:38,640 Speaker 1: gonna sometimes you come out and watch, and especially when 792 00:46:38,680 --> 00:46:41,920 Speaker 1: the girls are there, just to support, yeah, but also 793 00:46:42,040 --> 00:46:47,200 Speaker 1: to watch my man make sure he's okay, and uh 794 00:46:47,280 --> 00:46:52,560 Speaker 1: yeah it's Griffith Park and let me know all right, okay, Well, 795 00:46:52,640 --> 00:46:54,840 Speaker 1: thank you Peter for joining me again, baby, I love you. 796 00:46:54,920 --> 00:46:58,480 Speaker 1: Thank you. Forward to watching avatars with you with you. 797 00:46:58,600 --> 00:47:01,640 Speaker 1: Illego painting New blue and all your follow blue and 798 00:47:01,680 --> 00:47:05,080 Speaker 1: putting a little tail and uh, you know, rapping your 799 00:47:05,080 --> 00:47:08,080 Speaker 1: brains out and we're having you edge and addressed as 800 00:47:08,080 --> 00:47:11,600 Speaker 1: an avatar. Little get go book right there. Hey, we're 801 00:47:11,640 --> 00:47:13,640 Speaker 1: getting on slight. I just wanted to say I love 802 00:47:13,680 --> 00:47:19,799 Speaker 1: you Jay, seeing you look as beautiful as ever. You're 803 00:47:19,840 --> 00:47:23,640 Speaker 1: sooth sweet. Okay, thank you guys, I'll see you next thing. 804 00:47:30,239 --> 00:47:32,800 Speaker 1: There for tuning into another episode of the Breaking in 805 00:47:32,960 --> 00:47:36,680 Speaker 1: Your Next Show, presented by Will Ferrell's Big Funny Players Network. 806 00:47:36,920 --> 00:47:40,400 Speaker 1: Shout out to the Homies Times, Olivia Neck, the Homie 807 00:47:40,440 --> 00:47:43,920 Speaker 1: Earn Dog here in the studio, James Fritz, Kevin Kamia, 808 00:47:44,320 --> 00:47:48,120 Speaker 1: Bobby d J Buzz, the legendary soul assassins by me. 809 00:47:48,719 --> 00:47:50,719 Speaker 1: You know how we do, Homie. Thank you for giving 810 00:47:50,719 --> 00:47:53,319 Speaker 1: it as an opportunity of the get Down and if 811 00:47:53,360 --> 00:47:55,000 Speaker 1: you get a chance told me it's going and rank 812 00:47:55,040 --> 00:47:58,520 Speaker 1: and review the podcast or continue living your life. We'll 813 00:47:58,520 --> 00:48:01,839 Speaker 1: see you on the next episode the Frankie Dinone Show. 814 00:48:01,920 --> 00:48:03,200 Speaker 1: That's what soft break There