WEBVTT - Tyrese Part 2

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<v Speaker 1>We are, we are the authority on all things are so.

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<v Speaker 1>I like them girl, M. I like them girls. Was

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<v Speaker 1>a moment in time for both of us. M because

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<v Speaker 1>at the end, you tell him what you did. I

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<v Speaker 1>sang you sung background all know someone else's voices on

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<v Speaker 1>there too. I think. I'm not sure. I'm not. I

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<v Speaker 1>don't know. I don't know. Oh, I don't know. I

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<v Speaker 1>never liked to, you know, jump in front of credit

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<v Speaker 1>because someone else, you know, the internet as a motheruckingybody nigga,

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<v Speaker 1>I sang Harvey was it? Yeah, I don't know. But

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<v Speaker 1>the way reason like to work is He's like, listen,

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<v Speaker 1>the demo is great. I'm just gonna take Jay's lead

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<v Speaker 1>out and keep everything else. I didn't know it was

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<v Speaker 1>an actual feature, which was great. Listen, listen. You know

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<v Speaker 1>when it would come on the radio and say can

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<v Speaker 1>I speak see baby girld on front? No. So. But

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<v Speaker 1>the the backstory to that record, though, is Tyrese Gibson

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<v Speaker 1>has the first ever Underdog record. Underdogs did not exist

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<v Speaker 1>before that record, not as a not as an actual

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<v Speaker 1>production and writing team. It did not exist before that.

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<v Speaker 1>Uh this record. I'm sure you've heard the stories at

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<v Speaker 1>this point. If you have not This record was sold

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<v Speaker 1>three times. No, oh you didn't know that. No, okay,

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<v Speaker 1>well we're gonna we're gonna get in twitch to day

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<v Speaker 1>then fuck it. Um it was sold three terms. Yeah, yeah,

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<v Speaker 1>you were the third buyer, so fucked up. No, it

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<v Speaker 1>wasn't that it was fucked up because the truth of

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<v Speaker 1>the matter is that I liked them girls. Really wasn't

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<v Speaker 1>a Tyree Skipton type of record. If you if you

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<v Speaker 1>go back into your your catalog, yeah, yeah, it pops

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<v Speaker 1>out as something different. And I don't even think when

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<v Speaker 1>I was initially writing, your name had even come up

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<v Speaker 1>for that type of record. The other artists that was

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<v Speaker 1>supposed to Well, come on this R and B money

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<v Speaker 1>pod authority, we're gonna get into it. I wrote that

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<v Speaker 1>record for Usher. You wrote I liked them girls for us,

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<v Speaker 1>particularly for Usher. That's why specifically, no part I don't

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<v Speaker 1>know what's going yet. Did you know this story before

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<v Speaker 1>today that he wrote I liked them girls for Usher? Oh? Absolutely, okay,

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<v Speaker 1>because you acting like you just hand it for the

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<v Speaker 1>first time, like me, this is sposed to do. No,

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<v Speaker 1>we planned this way. You know. That was particular about

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<v Speaker 1>was particular about who's going to as a songwriter, really know,

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<v Speaker 1>because as a songwriter, we have the who we're writing for.

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<v Speaker 1>Why don't people say no cut? So I wrote the

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<v Speaker 1>record for Usher. That's why I say in the verse,

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<v Speaker 1>I'm gonna drive to Porsche. So that r why you

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<v Speaker 1>say it now? Because a Porsche. Okay? So I was writing.

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<v Speaker 1>You gave me Usher's lyrics, the car he was driving,

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<v Speaker 1>the whole ship, the whole thing. Wow. Yeah, So the

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<v Speaker 1>disrespect for the Army Money podcast continues. I know, I

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<v Speaker 1>mean what I'm giving you. So you just told me

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<v Speaker 1>that Usher said he likes it. She likes it in

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<v Speaker 1>my way, so he doesn't finish the story, and and

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<v Speaker 1>I told you, okay, And then now you're saying it

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<v Speaker 1>wasn't a good look because your partner here, Jay Valentine,

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<v Speaker 1>were brought a song. We didn't We didn't even know

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<v Speaker 1>each other yet. So he actually, don't throw him and

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<v Speaker 1>talking about your partners now we are, But wasn't good

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<v Speaker 1>look because she likes it my way. And then Jay

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<v Speaker 1>Valentine says, I liked them girls for the first four

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<v Speaker 1>years of your career. I was kicking your ass, that's

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<v Speaker 1>what he was. Listen, I was beat up. They still

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<v Speaker 1>get Let's be clear. Okay, that bag per Nite on

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<v Speaker 1>that Vegas residency must be serious. Let's stop recording. I

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<v Speaker 1>should stop recording. He had put out a record I

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<v Speaker 1>think it was called like Pop Your Pop your Collar

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<v Speaker 1>what he called a lot of backlash four and you know,

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<v Speaker 1>the Bay area wasn't very happy. Some people weren't very

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<v Speaker 1>happy because he wasn't from the Bay and he's some

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<v Speaker 1>about pop in his collargue and the record just it

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<v Speaker 1>didn't really was that back then? Yeah, video, yeah, and

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<v Speaker 1>it did so from from what was told to us

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<v Speaker 1>was he's just not recording right now. So that's how

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<v Speaker 1>we're sitting. No, no, you still don't get it? Um

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<v Speaker 1>still somebody else? Yeah yeah yeah they so so y'all

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<v Speaker 1>land on it too. So Shaker Stewart calls me my partner,

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<v Speaker 1>my player partner from the town. He calls me, said, Val,

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<v Speaker 1>I need that record. I said, we record. You know what.

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<v Speaker 1>I'm sorry, I'm like, we're just writing songs. I like

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<v Speaker 1>them girls, I said, I said it to y'all already.

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<v Speaker 1>You know, I mean like us. You're not recording. He's saying,

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<v Speaker 1>not for USh, I said, what you mean? The song

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<v Speaker 1>was for us? I wrote it for ushers the Porsche.

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<v Speaker 1>You know the Porsche. Right. He's like, nah, Sam Salter, Okay,

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<v Speaker 1>Sam had the record, uh once my ship. No, No,

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<v Speaker 1>that's that's uncle Sam say. I was okay. I'm like,

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<v Speaker 1>I yes, that broke my heart when I found out.

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<v Speaker 1>I'm like, I'm like, I rock with Sam Salter. All right,

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<v Speaker 1>whatever I said. But let me call Damon Harvey because

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<v Speaker 1>this is also the first song like I said that

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<v Speaker 1>Damon and Harvey and myself have written because at this point,

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<v Speaker 1>this is when Damon, in my mind, has stole Harvey

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<v Speaker 1>away from from Dark Child. And now you know what

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<v Speaker 1>I mean, like, because amen, and Harvey has stole No, no,

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<v Speaker 1>Damon has stole Harvey from dark chowd. Because Harvey was

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<v Speaker 1>Dark Child's engineering pros. Yes, yes, yes, and he came

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<v Speaker 1>to play basketball with us one night, and then he

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<v Speaker 1>showed up by with them, and then he showed up

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<v Speaker 1>the next night by itself without them, with all the sounds.

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<v Speaker 1>The sound. That's why you have That's why you have

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<v Speaker 1>a dark Child Underdog dark Child esque esque record. Record.

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<v Speaker 1>Oh right for I like them girls, yeah, but the

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<v Speaker 1>whole So Sam comes to sing the record has it

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<v Speaker 1>all has the beat always been that, Well, it's a

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<v Speaker 1>sext song song saxt same song it was. It didn't

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<v Speaker 1>change when they went from Usher to Sam Musher. It

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<v Speaker 1>never went to Usher. It never went to Usher, right,

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<v Speaker 1>it didn't go to him, but it went to their building.

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<v Speaker 1>So now their buildings involved. And now he's how about

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<v Speaker 1>song deals and all this other shit and all that that,

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<v Speaker 1>but you know, and now they're pivoting, trying to give

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<v Speaker 1>it to another another artist. Sam comes, he sings it,

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<v Speaker 1>he does it shit, but La don't like it. And

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<v Speaker 1>La over the phone is like, who's singing the demo?

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<v Speaker 1>Harvey puts me on the phone with La. He's like, yo,

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<v Speaker 1>what you're doing. I'm like, I'm a songwriter. I ain't

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<v Speaker 1>trying to He's like, all right, well you know if

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<v Speaker 1>you're singing, what's happening. I was like, no, that ain't

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<v Speaker 1>what I'm trying to do. And life Skan was in

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<v Speaker 1>back listen, leten listen. I've never went out. I've been

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<v Speaker 1>in this thing for a long time. You've known me

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<v Speaker 1>how many years? Twenty five? At this point, steal Me

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<v Speaker 1>not Humble doesn't think it the original ego. Man, no, no, no,

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<v Speaker 1>so we you know, I'm like, but he's like, I

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<v Speaker 1>want you to change a couple of things. At the end,

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<v Speaker 1>La has some suggestions for the record of like the

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<v Speaker 1>pre like the pre out or whatever. I don't even

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<v Speaker 1>to hear the outro um. So we swapped some things out,

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<v Speaker 1>rewrote a couple of little things, and then La was

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<v Speaker 1>just like, I'm cool off the record after like maybe

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<v Speaker 1>a couple of weeks or whatever. I'm not sure if

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<v Speaker 1>you remember this, though, Brandy comes to the studio and

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<v Speaker 1>she's like, I love this record, which makes sense she

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<v Speaker 1>you know, she's coming off of all Dark Shout records.

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<v Speaker 1>It feels like Dark Shout with a different lyric and

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<v Speaker 1>melody to it because me and Lashan were just we

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<v Speaker 1>came from two very different backgrounds. So I'm writing at

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<v Speaker 1>a I'm writing more. I'm writing in a little more aggressive,

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<v Speaker 1>edgier way because I'm not a church guy, right, So

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<v Speaker 1>our songs are different on the same type of music.

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<v Speaker 1>So Brandy's like, can you change that I liked them boys?

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<v Speaker 1>Never heard it sounds it sounds it sounds that don't

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<v Speaker 1>like them boys. I was like, it's just a boy's mine.

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<v Speaker 1>I just like it don't feel right to me, she'll

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<v Speaker 1>give me a copy of it. I'm like, Brandy, then,

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<v Speaker 1>I'm not about to tell Brandy, no, I'm gonna give

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<v Speaker 1>you a copy of I don't. I don't want to

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<v Speaker 1>change the song. But I'm like, I'm not, I'll give

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<v Speaker 1>you a copy of it. From my knowledge, Brandy plays

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<v Speaker 1>that song for you in the car. That's how. That's

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<v Speaker 1>that's what. That's what was told to me. Because next

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<v Speaker 1>thing I know, Tyrese is at the studio, and Tyrese

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<v Speaker 1>loves this record. But Tyrese, obviously you know from the

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<v Speaker 1>artist standpoint, we all know this. We don't know where

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<v Speaker 1>those records have been and where they go. They liked it.

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<v Speaker 1>They like the new girls. They're the new girl you

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<v Speaker 1>met and you ain't asked who she didn't been with yet,

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<v Speaker 1>you just know she pretty wearing That's no, No, it's

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<v Speaker 1>not the jersey. It's the shorts. It's not the jersey,

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<v Speaker 1>it's the job. I've always said any girl I date like, yo, man,

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<v Speaker 1>could you just tell me if what you smash any

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<v Speaker 1>one of these NBA, NFL Naggers, because if I go

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<v Speaker 1>to the game, I don't want to be wearing this jersey. Yeah,

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<v Speaker 1>you definitely can't wear any you know, like just let

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<v Speaker 1>me know, because you know, as long as I know,

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<v Speaker 1>you an't touch as many as listen, I've only wrong

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<v Speaker 1>were throwback, so she knocked down doctor Jay. Shit, I

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<v Speaker 1>just got into as long as I know. I mean,

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<v Speaker 1>if it's a player, I really like, you're gonna wear

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<v Speaker 1>the jersey anyway, I can't do it. I know you smash.

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<v Speaker 1>The handshake is different. Everything about how we need the shortness.

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<v Speaker 1>You know when you run into the nigga. You know

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<v Speaker 1>y'all used to no more like yeah, what up? Why mine? Now? Kid? Anyway,

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<v Speaker 1>I've never cried when Genuine took a girl from me.

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<v Speaker 1>Let's talk about what's it about? He was Genuine tank?

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<v Speaker 1>I need that die all right? Want your girl room

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<v Speaker 1>seven or eight? He wants, he wants to talk to you. Incredible.

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<v Speaker 1>You just got chocolate up. Hold on the flip phone

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<v Speaker 1>at the time. Hello, I need that die. Oh how

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<v Speaker 1>you looking? You're talking? Yeah? She warn't Yeah, yeah the

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<v Speaker 1>one with the pink go ahead be Januine on Campra.

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<v Speaker 1>Yeah No, I said I need that die. Um seven

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<v Speaker 1>or two dostement Okay, all right, all right, I let

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<v Speaker 1>you that flip phone. You should get dreshed. You gotta go. Nope,

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<v Speaker 1>how did it go? It wasn't me, you too, okay.

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<v Speaker 1>He was excited to give them. I felt good about it. Okay.

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<v Speaker 1>So I was still on my job. So you got

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<v Speaker 1>off the phone, and then what happened action Genuine he

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<v Speaker 1>saw you and he want to talk to you. The

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<v Speaker 1>girls like this where you wearing that? He's uh, I

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<v Speaker 1>was about to get you this bussy. I really didn't

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<v Speaker 1>want to be He's something. When we take your's, you

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<v Speaker 1>donna get to be with Genuine. I'm gonna sprinkles. Huh oh, Yeah,

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<v Speaker 1>we right up there together. Why she baby? She was?

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<v Speaker 1>I bagged your for man. I highlight y'all. I see

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<v Speaker 1>y'all later, man, fall in line, soldier, that's wild. These

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<v Speaker 1>ain't your spoils, m they're not because you were torn

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<v Speaker 1>with him. Carried the back residual, sing the backgrounds and

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<v Speaker 1>carried the back residual. Should do I had to wait

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<v Speaker 1>to see to see what was left on the plate. Yeah,

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<v Speaker 1>whatever was left on the plate, then I could eat.

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<v Speaker 1>That's what Biggie said in his rap. He said something.

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<v Speaker 1>He said, they are all his holes. Go to my

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<v Speaker 1>flow some a little sea. He was rabbing, you know,

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<v Speaker 1>the young Humbi you know, but all his they gotta

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<v Speaker 1>they gotta tap in. They gotta pass inspection. First hmm,

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<v Speaker 1>first rid, first rider, refusals with that sample plate, first

0:13:25.559 --> 0:13:28.920
<v Speaker 1>ride of refusal. That's that's that's that's that's all. That's

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<v Speaker 1>a that's an ill scenario. I've never been in that

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<v Speaker 1>scenario before. No nah, And I've never asked nothing of

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<v Speaker 1>the little houmbies for what they work, neither though I

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<v Speaker 1>need either way. Either way one you no, no muscle,

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<v Speaker 1>no no phone call with the Let me get that

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<v Speaker 1>she laying in the bed baby oil primed up, you

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<v Speaker 1>fresh out the shower and you're about to go knock

0:13:48.440 --> 0:13:51.920
<v Speaker 1>her head off, and genuine jump in from the iCloud

0:13:51.960 --> 0:13:58.000
<v Speaker 1>and say, let me get that cloud. I could always say,

0:13:58.600 --> 0:14:02.839
<v Speaker 1>get that die, get that guy. Than what you're doing

0:14:02.880 --> 0:14:07.640
<v Speaker 1>with that guy, the question of what you doing with it?

0:14:08.200 --> 0:14:12.240
<v Speaker 1>What you're doing with that? You know, that's me that

0:14:17.040 --> 0:14:21.880
<v Speaker 1>it is kind of you, It is kind of more

0:14:21.920 --> 0:14:28.280
<v Speaker 1>you than Yeah, it is yo in your whole area

0:14:28.400 --> 0:14:31.440
<v Speaker 1>right now. You know what I'm saying, yea, And then

0:14:31.480 --> 0:14:36.600
<v Speaker 1>I have to beat the streets get back to anything

0:14:36.800 --> 0:14:48.680
<v Speaker 1>left you Wow you oh, that's crazy. I love it.

0:14:49.400 --> 0:14:51.520
<v Speaker 1>You know what though, That's why y'all still close to

0:14:51.600 --> 0:14:54.320
<v Speaker 1>this day, because there's an understanding that was in place. No,

0:14:54.480 --> 0:14:56.280
<v Speaker 1>I mean, I just as as a kid, I just

0:14:56.400 --> 0:14:58.520
<v Speaker 1>understood that there was a pecking order, you know what

0:14:58.560 --> 0:15:01.200
<v Speaker 1>I'm saying, and so you know, but there was a

0:15:01.280 --> 0:15:06.040
<v Speaker 1>packing order he established though for me he didn't have to.

0:15:06.120 --> 0:15:08.920
<v Speaker 1>He never had to establish it. Got you, I knew

0:15:08.960 --> 0:15:12.640
<v Speaker 1>coming on the road, it's his show. Anything any benefits

0:15:12.680 --> 0:15:16.640
<v Speaker 1>of that, it's his. If I'm lucky enough to build

0:15:16.680 --> 0:15:18.760
<v Speaker 1>a relationship with him or lucky enough to carry the

0:15:18.840 --> 0:15:21.840
<v Speaker 1>bags playing that role heavy. Wow. I used to get

0:15:21.840 --> 0:15:24.720
<v Speaker 1>accused of doing too much, but he's doing too much anytimes.

0:15:24.720 --> 0:15:25.840
<v Speaker 1>And you want to ask you to do something, you

0:15:25.920 --> 0:15:28.280
<v Speaker 1>just you just up and moving up. And you know,

0:15:28.360 --> 0:15:30.360
<v Speaker 1>it's so crazy. That was Luk and Q with me.

0:15:31.120 --> 0:15:34.760
<v Speaker 1>Luke and Q, you took their work, No, took him

0:15:34.800 --> 0:15:38.520
<v Speaker 1>on tour backgrounds, But did you take their work? No?

0:15:39.080 --> 0:15:42.120
<v Speaker 1>All right, man, I never did that to them. Maybe

0:15:42.160 --> 0:15:50.160
<v Speaker 1>I did, yeah, yeah, yeah, yeah, yeah, boy came through. No,

0:15:50.320 --> 0:15:54.120
<v Speaker 1>I don't, I just remember, I remember. I don't know.

0:15:54.280 --> 0:15:56.920
<v Speaker 1>There's one. Maybe it's a capitcorn thing, but we definitely

0:15:57.720 --> 0:16:01.320
<v Speaker 1>make people pay that dudes. And because at the end

0:16:01.360 --> 0:16:04.320
<v Speaker 1>of the day, people always when you get on with

0:16:04.480 --> 0:16:08.120
<v Speaker 1>somebody that's already on you automatically cutting the line off top.

0:16:08.560 --> 0:16:11.920
<v Speaker 1>Doesn't matter what type of grunt and hustle you you

0:16:12.080 --> 0:16:14.800
<v Speaker 1>create for them while they're grinding then working with you

0:16:15.080 --> 0:16:19.000
<v Speaker 1>around you, it's still you're on already. It's not like

0:16:19.160 --> 0:16:21.960
<v Speaker 1>you can go back to you know, I'm in the hood.

0:16:22.000 --> 0:16:23.800
<v Speaker 1>I just met you, So let me rewind the clock.

0:16:23.920 --> 0:16:26.160
<v Speaker 1>Be back in the hood where a struggle and then

0:16:26.440 --> 0:16:28.400
<v Speaker 1>once you pay your dues and show me you down

0:16:28.520 --> 0:16:31.000
<v Speaker 1>for the cause, then you get to be on tour

0:16:31.120 --> 0:16:35.360
<v Speaker 1>buses and arenas. Doesn't work that way. So yeah, Luke

0:16:35.400 --> 0:16:41.600
<v Speaker 1>and Q tour with me, Kenyon tour with me. Isa.

0:16:42.200 --> 0:16:45.640
<v Speaker 1>I had a lot of people for many many years touring,

0:16:46.400 --> 0:16:49.640
<v Speaker 1>and I remember the running joke with Luke and Q

0:16:49.960 --> 0:16:52.800
<v Speaker 1>was me, you know, making them carry my bags and

0:16:52.920 --> 0:16:55.800
<v Speaker 1>do all that. Yeah, but see, genuine was more of

0:16:56.960 --> 0:16:59.960
<v Speaker 1>for me. It was an offering, you know what I'm saying.

0:17:00.120 --> 0:17:01.840
<v Speaker 1>For me, it was like this the guy, you know

0:17:01.880 --> 0:17:05.520
<v Speaker 1>what I'm saying, I'm like preventative before he left the bag.

0:17:05.560 --> 0:17:08.000
<v Speaker 1>I left the bag when a hand the bag over

0:17:08.000 --> 0:17:09.880
<v Speaker 1>the counter for foot locker. Give me that. I got that. Yeah,

0:17:09.920 --> 0:17:11.520
<v Speaker 1>but that's what I'm saying. That's what they did. But

0:17:11.640 --> 0:17:15.200
<v Speaker 1>like you, you're more of like, yeah, go get those No,

0:17:15.400 --> 0:17:19.480
<v Speaker 1>that's not true. No, we've watched you. That's not true

0:17:19.480 --> 0:17:23.040
<v Speaker 1>at all. There is no says you was coming here to.

0:17:24.160 --> 0:17:25.920
<v Speaker 1>I'm not listen. If that's the way you feel, that's

0:17:25.920 --> 0:17:27.639
<v Speaker 1>the way you feel. I can't stop talking about what

0:17:27.800 --> 0:17:30.640
<v Speaker 1>I feel. I'm talking about what I think. You've never

0:17:30.760 --> 0:17:33.560
<v Speaker 1>seen that ever in your life. Yeah, make sure y'all

0:17:33.600 --> 0:17:36.000
<v Speaker 1>get those bags. Get those bags in your trunk. I

0:17:36.080 --> 0:17:39.240
<v Speaker 1>am put them in the excursion. I'm militant, and then

0:17:39.359 --> 0:17:41.920
<v Speaker 1>go build my line. Put him in the put put

0:17:42.960 --> 0:17:46.920
<v Speaker 1>in the excursionfication. But are you condescending? I don't treat

0:17:47.000 --> 0:17:49.480
<v Speaker 1>nobody like slaves. I don't do none of that. That's

0:17:49.520 --> 0:17:51.760
<v Speaker 1>not true. I didn't say you treat people like slaves.

0:17:52.040 --> 0:17:55.080
<v Speaker 1>What I said was with genuine It was an offering

0:17:55.160 --> 0:17:59.520
<v Speaker 1>for me. With you, it's got a little requirement vibe

0:17:59.560 --> 0:18:02.920
<v Speaker 1>on it. It's definitely paying your dues and paying the

0:18:03.040 --> 0:18:06.200
<v Speaker 1>dudes with me does come with a particular pressure, you know.

0:18:06.840 --> 0:18:08.920
<v Speaker 1>I like to put I tell people all the time,

0:18:09.320 --> 0:18:12.760
<v Speaker 1>the crazy things I heard this saying before I embraced

0:18:12.800 --> 0:18:14.920
<v Speaker 1>the saying, they said, Man, if you can make it

0:18:15.040 --> 0:18:18.720
<v Speaker 1>through the level of grunt and grind and hustle and

0:18:18.880 --> 0:18:21.920
<v Speaker 1>the impulses of everything in and around my life, that

0:18:22.000 --> 0:18:24.199
<v Speaker 1>happened as fast as they do. If you can make

0:18:24.280 --> 0:18:27.719
<v Speaker 1>it and we become successful, you can make it anywhere.

0:18:28.440 --> 0:18:33.480
<v Speaker 1>And the amount of directors, writers, producers, singers producers writers

0:18:34.280 --> 0:18:38.800
<v Speaker 1>meaning movie producers versus music producers, both all across the board. Man,

0:18:38.880 --> 0:18:40.960
<v Speaker 1>I mean I would be here for the next you know,

0:18:41.320 --> 0:18:46.920
<v Speaker 1>one hundred hours just mentioning every conversation, every moment, somebody

0:18:47.119 --> 0:18:51.480
<v Speaker 1>some way who ended up, you know, being connected with me,

0:18:51.760 --> 0:18:54.560
<v Speaker 1>and we ended up figuring out how we can dance

0:18:54.960 --> 0:18:58.840
<v Speaker 1>and take the journey. And they'll say, man, for those

0:18:58.920 --> 0:19:01.000
<v Speaker 1>four years, of those five years that I work with

0:19:01.119 --> 0:19:04.080
<v Speaker 1>you without me even knowing, it prepared me for all

0:19:04.160 --> 0:19:07.880
<v Speaker 1>that I ended up doing. So Um, yeah, it's it's

0:19:07.960 --> 0:19:14.760
<v Speaker 1>definitely an aggressive environment that I purposely create. Um, there

0:19:14.920 --> 0:19:18.080
<v Speaker 1>is no relaxing lacks of days ago. You know, you

0:19:18.200 --> 0:19:20.320
<v Speaker 1>got it, So I got it. No, this is mine

0:19:21.359 --> 0:19:23.840
<v Speaker 1>and when you get here, you gotta work, You gotta grind,

0:19:23.880 --> 0:19:26.399
<v Speaker 1>you gotta hustle. You gotta really get in there and

0:19:26.480 --> 0:19:28.920
<v Speaker 1>do the work, because ultimately, I can't go back and

0:19:29.040 --> 0:19:32.280
<v Speaker 1>say I'm in a two door hunt their court. No

0:19:32.440 --> 0:19:35.040
<v Speaker 1>disrespecting hunter the court. But that's not when I drive.

0:19:36.080 --> 0:19:45.240
<v Speaker 1>When I drive. How are you gonna act like that?

0:19:47.440 --> 0:19:50.320
<v Speaker 1>Your rocket ship? You don't act like that. How are

0:19:50.320 --> 0:19:54.479
<v Speaker 1>you gonna act like that? Hey, Eric Dawkins, Eric Dawkins,

0:19:54.880 --> 0:19:59.680
<v Speaker 1>all the background again. I remember you took me I

0:19:59.760 --> 0:20:02.639
<v Speaker 1>can't to your show. I came to your show at

0:20:02.640 --> 0:20:07.080
<v Speaker 1>the House of Blues and you introduced me to Damon Thomas.

0:20:07.520 --> 0:20:09.600
<v Speaker 1>I don't remember that. That's wild and that started my

0:20:09.680 --> 0:20:12.080
<v Speaker 1>underdog Jackie. See, so I'm gonna do something and I'm

0:20:12.080 --> 0:20:14.240
<v Speaker 1>gonna connect something that you wouldn't do. No, no, no, no,

0:20:14.359 --> 0:20:16.560
<v Speaker 1>you be quiet, said no, no, no. You be quiet

0:20:16.880 --> 0:20:22.560
<v Speaker 1>when you so No, you are when you indirectly. Indirectly,

0:20:22.680 --> 0:20:25.480
<v Speaker 1>you are the reason that R and B money exists.

0:20:26.280 --> 0:20:32.040
<v Speaker 1>You know why because you introducing Tank to Damon Thomas

0:20:32.359 --> 0:20:35.240
<v Speaker 1>and Tank having me come by the studio to meet

0:20:35.280 --> 0:20:37.560
<v Speaker 1>I mean Damon Thomas having me come by the students

0:20:37.560 --> 0:20:42.440
<v Speaker 1>to meet Tank starts off our friendship, which ultimately turns

0:20:42.480 --> 0:20:45.600
<v Speaker 1>into our brotherhood and our partnership in this music thing.

0:20:45.960 --> 0:20:48.639
<v Speaker 1>So you want to kick me out of the I

0:20:48.720 --> 0:20:51.440
<v Speaker 1>didn't help you read for the movie. I ain't a

0:20:51.520 --> 0:20:55.320
<v Speaker 1>part of that. It's fine. I'm gonna give you your credit, though,

0:20:55.680 --> 0:20:58.680
<v Speaker 1>of your indirect connections to this whole R and B

0:20:58.880 --> 0:21:01.840
<v Speaker 1>money than because that's what we do around here. We

0:21:01.880 --> 0:21:04.600
<v Speaker 1>get flowers, we get flowers, and I appreciate you for that,

0:21:05.160 --> 0:21:07.680
<v Speaker 1>for introducing him to dam It, which you don't remember

0:21:07.680 --> 0:21:10.719
<v Speaker 1>because you've just done so many amazing teams. You love him,

0:21:16.520 --> 0:21:21.320
<v Speaker 1>blah blah blah. I'm gonna give your credit because credit

0:21:21.480 --> 0:21:23.639
<v Speaker 1>is due, even if you didn't know what you are,

0:21:27.000 --> 0:21:35.160
<v Speaker 1>like Anti, I didn't even know it. I was gonna say,

0:21:36.280 --> 0:21:39.879
<v Speaker 1>I received that, didn't know that happened, But I received it.

0:21:40.080 --> 0:21:44.360
<v Speaker 1>And I was saying again, when I think about hit Boy,

0:21:45.320 --> 0:21:48.359
<v Speaker 1>they were to hit boys when I discover them, Change Leroy,

0:21:48.440 --> 0:21:51.320
<v Speaker 1>the whole fifteen Hunty Click. I had them all on

0:21:51.480 --> 0:21:55.560
<v Speaker 1>my second floor in the Edmunds building. Sees one astrocity,

0:21:55.720 --> 0:21:59.040
<v Speaker 1>ken Yon I believe and who I believe in. And

0:22:00.480 --> 0:22:03.240
<v Speaker 1>when I see hit Boy out here running around with nas,

0:22:04.160 --> 0:22:07.280
<v Speaker 1>when I met him, we tried to well. They were

0:22:07.960 --> 0:22:12.320
<v Speaker 1>with the new underdogs because it was a duo and

0:22:12.440 --> 0:22:14.040
<v Speaker 1>they were doing nothing but R and B. He did

0:22:14.160 --> 0:22:15.840
<v Speaker 1>nothing that I had to do with hip hop. So

0:22:16.280 --> 0:22:19.560
<v Speaker 1>James and hip boy were together brow I remebody, all

0:22:20.840 --> 0:22:25.280
<v Speaker 1>all of them. Let me tell you a story about

0:22:25.359 --> 0:22:29.600
<v Speaker 1>James font Leroy so proud of this. So at a

0:22:29.640 --> 0:22:32.560
<v Speaker 1>certain point, I was trying to sign Glenn Lewis to

0:22:32.720 --> 0:22:35.439
<v Speaker 1>my company at the time, Headquarter Entertainment. He was always

0:22:35.480 --> 0:22:39.480
<v Speaker 1>on the second floor. I brought him out and Glenn

0:22:39.600 --> 0:22:44.080
<v Speaker 1>Lewis and James font Leroy were writing all of these

0:22:44.160 --> 0:22:51.560
<v Speaker 1>dope ass songs. Yeah, yeah, good, I needed st Yeah

0:22:52.600 --> 0:22:54.680
<v Speaker 1>I know that song still got into my phone. So

0:22:56.040 --> 0:22:59.880
<v Speaker 1>they were doing all of these records, the whole fit

0:23:00.040 --> 0:23:04.920
<v Speaker 1>teen Hunted, faunt Leroy, hit Boys, see Monstrosity. Who I'll

0:23:05.000 --> 0:23:09.960
<v Speaker 1>say it today. Everybody who come from my original crew

0:23:10.040 --> 0:23:14.840
<v Speaker 1>of producers and writers, everybody knows Siege is the problem

0:23:15.359 --> 0:23:18.920
<v Speaker 1>waiting to happen. Most people would say, let's just hope

0:23:18.960 --> 0:23:22.160
<v Speaker 1>that nigga never get on because it's gonna be lights

0:23:22.160 --> 0:23:24.520
<v Speaker 1>out for a whole lot of people. It's always been

0:23:24.640 --> 0:23:29.040
<v Speaker 1>that way. And I'm just going on record because Beef

0:23:29.080 --> 0:23:38.119
<v Speaker 1>beat Too, I set sees monstrosity is a savage is

0:23:39.000 --> 0:23:42.280
<v Speaker 1>and that's just it. So he's wait. He's been patiently

0:23:42.320 --> 0:23:45.439
<v Speaker 1>waiting on his time. But when it happens, nobody who

0:23:45.560 --> 0:23:48.080
<v Speaker 1>knows Siege is going to be surprised. He's a fucking monster.

0:23:49.240 --> 0:23:52.840
<v Speaker 1>So James and the whole team is writing all these

0:23:52.880 --> 0:23:57.159
<v Speaker 1>songs for Glenn Lewis, Damon and Harvey, who was on

0:23:57.280 --> 0:24:00.960
<v Speaker 1>the third floor at the Edmonds building. They called my

0:24:01.080 --> 0:24:05.600
<v Speaker 1>phone and they say, yo, Tie, you got a kid

0:24:05.720 --> 0:24:10.680
<v Speaker 1>down there named James. Yeah, yeah, James Fontleroy, Yeah, man,

0:24:10.960 --> 0:24:14.000
<v Speaker 1>we just heard a couple of songs. He did, and

0:24:14.119 --> 0:24:15.680
<v Speaker 1>I was like, hold on, hold on, hold on. I

0:24:16.119 --> 0:24:18.280
<v Speaker 1>got the phone call in my office at the front

0:24:18.320 --> 0:24:22.240
<v Speaker 1>desk by the elevator, and James font Leroy with Glenn

0:24:22.320 --> 0:24:25.840
<v Speaker 1>Lewis and Rands and Mars and all that was in

0:24:25.960 --> 0:24:29.840
<v Speaker 1>the studio. So I walked in and I had Harvey

0:24:29.880 --> 0:24:35.000
<v Speaker 1>Mason on speaker phone and I said tell him, I said,

0:24:35.320 --> 0:24:40.119
<v Speaker 1>and I said, it's Harvey Mason and James Win, you know,

0:24:40.400 --> 0:24:42.760
<v Speaker 1>And then I was like, Harvey, what did you just say?

0:24:43.480 --> 0:24:47.680
<v Speaker 1>He said, Hey, man, I was just calling you Reese

0:24:47.760 --> 0:24:50.960
<v Speaker 1>to ask you would you be okay with us working

0:24:51.320 --> 0:24:53.800
<v Speaker 1>with James font Leroy because we heard a couple of

0:24:53.920 --> 0:24:58.239
<v Speaker 1>his melodies and his lyrics and we think he's incredible. Bro,

0:24:58.520 --> 0:25:02.680
<v Speaker 1>James James started crying and then he grabbed my hand

0:25:02.840 --> 0:25:04.600
<v Speaker 1>while I was still on the phone with Harvey. I

0:25:04.680 --> 0:25:06.439
<v Speaker 1>never forget. I don't remember a lot, but I remember

0:25:06.480 --> 0:25:09.160
<v Speaker 1>this because it was so beautiful. He grabbed my hand.

0:25:09.200 --> 0:25:11.560
<v Speaker 1>He said, Bro, that's my chest, that's my chests. Harvey

0:25:11.640 --> 0:25:14.960
<v Speaker 1>was still on my home. I mean his heart was

0:25:15.040 --> 0:25:19.520
<v Speaker 1>beaten like crazy, and and then he went upstairs to

0:25:19.640 --> 0:25:22.879
<v Speaker 1>the third floor and started working with the Underdogs. And

0:25:23.040 --> 0:25:28.320
<v Speaker 1>obviously the rest is history. Hissed when I first this

0:25:28.520 --> 0:25:32.480
<v Speaker 1>is what's crazy. For some reason, I wasn't really focused

0:25:32.520 --> 0:25:38.080
<v Speaker 1>on singers and songwriters on that level compared to just

0:25:38.440 --> 0:25:44.000
<v Speaker 1>producing and producers. So my R and B hip hop, no, sorry,

0:25:44.080 --> 0:25:50.120
<v Speaker 1>my hip hop. They were called the Frontline Boys. James Rands, Mars, Siege,

0:25:50.600 --> 0:25:52.840
<v Speaker 1>everybody I had. It was a bunch of other folks.

0:25:52.920 --> 0:25:55.719
<v Speaker 1>I can't even think of their name, but they were

0:25:55.760 --> 0:25:58.880
<v Speaker 1>all called the front Line Boys. That's why I says,

0:25:59.359 --> 0:26:03.040
<v Speaker 1>when you got off the elevator said welcome to Headquarter Entertainment,

0:26:03.400 --> 0:26:06.879
<v Speaker 1>home of the front Line Boys. So even though they

0:26:06.960 --> 0:26:10.119
<v Speaker 1>had their individual clicks fifteen hundred, they were still fifteen hundred.

0:26:10.359 --> 0:26:14.119
<v Speaker 1>They were all under the frontline boys umbrella, all of them,

0:26:14.960 --> 0:26:19.520
<v Speaker 1>and so I just never I'll never forget. Man. When

0:26:19.560 --> 0:26:22.280
<v Speaker 1>I first mate met James font Leroy, I gotta tell

0:26:22.359 --> 0:26:24.520
<v Speaker 1>this story. It wasn't the day that we got the

0:26:24.600 --> 0:26:28.520
<v Speaker 1>call James font Leroy. I somehow got a hold of

0:26:28.600 --> 0:26:31.720
<v Speaker 1>a CD and I was just like, Yo, what the fuck?

0:26:31.920 --> 0:26:34.359
<v Speaker 1>What is going on? Because I've always had ears, you know,

0:26:34.520 --> 0:26:37.320
<v Speaker 1>rather I dropped albums every year or not, that doesn't matter.

0:26:37.400 --> 0:26:42.840
<v Speaker 1>I've always had ears for production, for songwriters, for rappers, shits.

0:26:42.840 --> 0:26:45.160
<v Speaker 1>I got ears, you know, It's my gift. I said, man, God,

0:26:45.359 --> 0:26:47.320
<v Speaker 1>if you don't do anything, don't ever take away my

0:26:47.440 --> 0:26:51.760
<v Speaker 1>ears to hear music when it's magic. So never heard

0:26:51.800 --> 0:26:55.200
<v Speaker 1>of James in my life. I had James to meet

0:26:55.280 --> 0:26:59.159
<v Speaker 1>me at a restaurant that closed down now, which is

0:26:59.200 --> 0:27:03.800
<v Speaker 1>called Cape mattter leanis Beverly Hills. I was there with

0:27:03.920 --> 0:27:08.080
<v Speaker 1>my agent and I went outside and James font Leroy

0:27:08.320 --> 0:27:11.840
<v Speaker 1>was there. I pulled him in my car. I listened

0:27:11.840 --> 0:27:14.879
<v Speaker 1>to like ten other records that he had, and I said, Bro,

0:27:15.040 --> 0:27:18.479
<v Speaker 1>you're fucking incredible. What are you doing? He said, bro.

0:27:18.680 --> 0:27:21.280
<v Speaker 1>You know, he's very sarcast He's like, hey man, listen,

0:27:22.080 --> 0:27:24.800
<v Speaker 1>I'm just out here, you know, doing what I do,

0:27:24.920 --> 0:27:27.159
<v Speaker 1>and you know whatever his words, it was very like,

0:27:28.040 --> 0:27:30.560
<v Speaker 1>I'm fucked up. I know I'm fucked up, but I

0:27:30.680 --> 0:27:34.840
<v Speaker 1>have I'm not gonna give you no energy about whatever.

0:27:34.920 --> 0:27:37.119
<v Speaker 1>I'm about to go back to whatever hood I live in,

0:27:37.240 --> 0:27:40.200
<v Speaker 1>wherever my bank account is north of or south of,

0:27:40.840 --> 0:27:42.399
<v Speaker 1>I'm not going to give you none of that. I

0:27:42.520 --> 0:27:46.040
<v Speaker 1>believe in myself. I'm talented, and I belong. I belong

0:27:46.200 --> 0:27:49.000
<v Speaker 1>here type of energy he had right, which I appreciate.

0:27:49.840 --> 0:27:53.439
<v Speaker 1>So then I was like, man, you're super dope. Bro.

0:27:53.560 --> 0:27:56.480
<v Speaker 1>I fucking love y'all. Believe in you, man, like you're incredible.

0:27:57.359 --> 0:28:01.800
<v Speaker 1>And and then I went back to my car, right

0:28:02.119 --> 0:28:07.080
<v Speaker 1>and then I got a call, Hey man, my car

0:28:07.240 --> 0:28:11.159
<v Speaker 1>just broke down and I need some gas money. So

0:28:12.320 --> 0:28:16.080
<v Speaker 1>I came back through the alley and I did whatever

0:28:16.119 --> 0:28:18.000
<v Speaker 1>it took to get him to the house. When I

0:28:18.200 --> 0:28:25.200
<v Speaker 1>think about all of the people that I loved, believed

0:28:25.280 --> 0:28:31.520
<v Speaker 1>in and created a sanctuary, a creative, safe sanctuary, and

0:28:32.160 --> 0:28:34.480
<v Speaker 1>I look at these guys have won Grammys before me.

0:28:36.000 --> 0:28:39.600
<v Speaker 1>You know, I know James wrote multiple full albums for

0:28:39.720 --> 0:28:42.400
<v Speaker 1>Justin Timberlake, you name it. Now, these guys were not

0:28:42.920 --> 0:28:45.760
<v Speaker 1>These guys were not signing, and I was not a businessman.

0:28:48.120 --> 0:28:51.640
<v Speaker 1>I had Headquarter Entertainment and the frontline boys, but I

0:28:51.680 --> 0:28:54.000
<v Speaker 1>didn't have none of my frontline boys signed to me,

0:28:56.160 --> 0:28:58.360
<v Speaker 1>which I kicked myself in the ass to this day.

0:28:58.560 --> 0:29:03.280
<v Speaker 1>But at the same time, that wasn't my agenda. I

0:29:03.440 --> 0:29:05.640
<v Speaker 1>wasn't on that. You know, I'm gonna sign everybody, I'm

0:29:05.640 --> 0:29:08.080
<v Speaker 1>gonna take your publishing. I wasn't on none of that.

0:29:08.800 --> 0:29:12.680
<v Speaker 1>It was just literally like the heavens of creating and

0:29:12.800 --> 0:29:15.720
<v Speaker 1>making music for me was all I wanted to live

0:29:15.760 --> 0:29:19.360
<v Speaker 1>and experience every day. So they slept at the studio.

0:29:20.040 --> 0:29:23.320
<v Speaker 1>They never missed a meal. They were working day and night.

0:29:23.440 --> 0:29:27.880
<v Speaker 1>I spent hundreds and hundreds of thousands of dollars at

0:29:27.920 --> 0:29:31.400
<v Speaker 1>the Good Tar Center because I would always call Tracy

0:29:31.560 --> 0:29:35.880
<v Speaker 1>Edmonds because her and Baby Face had divorced, and so

0:29:36.160 --> 0:29:39.800
<v Speaker 1>Tracy and moms rest in peace. Jack and mccorn they

0:29:39.840 --> 0:29:42.320
<v Speaker 1>were running the building and had all the tenants that

0:29:42.400 --> 0:29:45.240
<v Speaker 1>they were collecting rent from. I said, can I get

0:29:45.280 --> 0:29:47.400
<v Speaker 1>this room? Can I get this other room? And my

0:29:47.560 --> 0:29:50.200
<v Speaker 1>rent just kept getting bigger and bigger and bigger. My

0:29:50.320 --> 0:29:54.640
<v Speaker 1>lease because I just wanted to keep this creative sanctuary

0:29:54.760 --> 0:29:58.760
<v Speaker 1>of all of these producers, singers and songwriters working twenty

0:29:58.840 --> 0:30:02.640
<v Speaker 1>four hours, seven days week in my office. And as

0:30:02.680 --> 0:30:05.840
<v Speaker 1>I look at everything that these guys have done, you

0:30:05.920 --> 0:30:09.120
<v Speaker 1>don't even understand what that has done for my confidence.

0:30:09.240 --> 0:30:12.280
<v Speaker 1>Even Luke James, like, what what it has all done

0:30:12.360 --> 0:30:14.440
<v Speaker 1>for my confidence? Bro? Like, I feel like if it

0:30:14.560 --> 0:30:19.560
<v Speaker 1>all ended tomorrow, I had the gift of seeing something

0:30:19.680 --> 0:30:23.120
<v Speaker 1>in their talent and believing in them and putting them

0:30:23.200 --> 0:30:25.880
<v Speaker 1>in a place, in a space and environment that they

0:30:25.960 --> 0:30:28.479
<v Speaker 1>can do whatever it is they're going to do, did

0:30:28.600 --> 0:30:31.520
<v Speaker 1>not lock them down with publishing and try and take

0:30:31.560 --> 0:30:35.160
<v Speaker 1>anything from them, and that they are offline, And I'm

0:30:35.320 --> 0:30:39.760
<v Speaker 1>I'm I'm coming to the present just so you can

0:30:41.440 --> 0:30:44.320
<v Speaker 1>use that as motivation so I can leave. I've been

0:30:44.360 --> 0:30:48.240
<v Speaker 1>here long enough. No, I'm coming to the present. Seeing

0:30:48.280 --> 0:30:50.160
<v Speaker 1>that guy pass, How you act like that we're gonna

0:30:50.160 --> 0:30:54.440
<v Speaker 1>be another three hours go ahead, That's how he feels.

0:30:55.400 --> 0:31:03.120
<v Speaker 1>So I know, I know, I do. So, yeah, we

0:31:03.240 --> 0:31:06.480
<v Speaker 1>still have ninety seven. You'll get to do it two

0:31:06.640 --> 0:31:09.720
<v Speaker 1>three because because because I want to get to something

0:31:10.520 --> 0:31:17.080
<v Speaker 1>that I know you knows as you spoke spoke on earlier,

0:31:18.840 --> 0:31:23.960
<v Speaker 1>you love to pour in and a lot, if not

0:31:24.120 --> 0:31:27.520
<v Speaker 1>all of what you pour I mean, you've been around

0:31:27.520 --> 0:31:30.000
<v Speaker 1>some great people, You've heard some great things. You've You've

0:31:30.080 --> 0:31:32.360
<v Speaker 1>heard some great sayings and heard some great stories and

0:31:32.840 --> 0:31:36.960
<v Speaker 1>things that you're able to um connect to everyday life

0:31:37.240 --> 0:31:41.720
<v Speaker 1>even for others. But you know that is are things

0:31:41.760 --> 0:31:47.200
<v Speaker 1>that you've experienced. And I feel like what I just

0:31:47.400 --> 0:31:52.960
<v Speaker 1>heard musically from you and in pieces before, but now

0:31:53.080 --> 0:31:57.880
<v Speaker 1>this project that you have now, beautiful Pain, feels like

0:31:58.400 --> 0:32:03.400
<v Speaker 1>a journey, a hell of a journey that you've taken

0:32:03.960 --> 0:32:08.280
<v Speaker 1>from your first wife, if I can say, to whatever

0:32:08.400 --> 0:32:13.320
<v Speaker 1>that ended up being to your second wife, to even

0:32:13.360 --> 0:32:17.440
<v Speaker 1>the moment you had online where it was like, you know,

0:32:18.560 --> 0:32:22.120
<v Speaker 1>have we lost Tyrese in all of this to now

0:32:22.840 --> 0:32:28.360
<v Speaker 1>it manifesting itself into some of the craziest music that

0:32:28.560 --> 0:32:33.720
<v Speaker 1>I've ever heard you make ever. And I just kind

0:32:33.760 --> 0:32:35.600
<v Speaker 1>of want you to, you know, as much as you can,

0:32:35.720 --> 0:32:41.840
<v Speaker 1>are willing to speak to the journeys that sometimes are

0:32:42.000 --> 0:32:46.720
<v Speaker 1>tough to audit are tough to go through in order

0:32:46.880 --> 0:32:52.040
<v Speaker 1>to create the art that ends up being beautiful paint

0:32:53.480 --> 0:32:56.280
<v Speaker 1>um Well, thank you for that. Man. That means a

0:32:56.360 --> 0:33:00.640
<v Speaker 1>lot to just hear because you've said it to me privately.

0:33:00.760 --> 0:33:06.280
<v Speaker 1>You said it on Instagram when we were on IG Live,

0:33:06.480 --> 0:33:11.240
<v Speaker 1>which broke this record, and you're saying it again. And

0:33:11.520 --> 0:33:13.880
<v Speaker 1>you already know how much I love you and respect

0:33:14.000 --> 0:33:20.680
<v Speaker 1>you musically, vocally, songwriting, pen all the above. So to

0:33:20.840 --> 0:33:23.760
<v Speaker 1>hear that from your loved ones that you really rock

0:33:23.880 --> 0:33:26.880
<v Speaker 1>with for real and look up to and respect means

0:33:26.920 --> 0:33:31.560
<v Speaker 1>the world, you know, So thank you for that truth

0:33:31.680 --> 0:33:34.920
<v Speaker 1>be told. Man. I was in New Jersey working on

0:33:35.000 --> 0:33:40.680
<v Speaker 1>the movie. I was all over Instagram. We were way

0:33:40.760 --> 0:33:43.160
<v Speaker 1>on the other side of the crying video to psych

0:33:43.280 --> 0:33:48.080
<v Speaker 1>mads to break down, waking up to those accusations and

0:33:48.360 --> 0:33:51.440
<v Speaker 1>everything that me and Samantha had dealt with at the time,

0:33:52.560 --> 0:33:55.160
<v Speaker 1>which if I if I say fuck me and get

0:33:55.200 --> 0:33:57.800
<v Speaker 1>away from me and look at everything through her lens.

0:33:58.480 --> 0:34:02.200
<v Speaker 1>There was nothing about what she lived or had to

0:34:02.280 --> 0:34:07.000
<v Speaker 1>experience that was okay and was cool. It was all

0:34:07.280 --> 0:34:10.799
<v Speaker 1>extremely uncomfortable for me, and I know it was for her.

0:34:11.800 --> 0:34:14.400
<v Speaker 1>Our first full year being married was like we were

0:34:14.480 --> 0:34:16.560
<v Speaker 1>up there with the care Bears. It was like a

0:34:16.760 --> 0:34:22.239
<v Speaker 1>never ending honeymoon for us because we became everything that

0:34:22.320 --> 0:34:25.160
<v Speaker 1>we thought we were missing in each other's lives. So

0:34:25.320 --> 0:34:28.960
<v Speaker 1>as soon as September eleventh, of all days hit and

0:34:29.080 --> 0:34:35.160
<v Speaker 1>we woke up to those accusations. Then everything beefing with

0:34:35.280 --> 0:34:39.520
<v Speaker 1>the rock, the psych mads, the meltdown online with the

0:34:39.600 --> 0:34:42.600
<v Speaker 1>tears and the crying what more do you want from me? Like,

0:34:42.840 --> 0:34:46.600
<v Speaker 1>everything just went crazy and there was no one that

0:34:46.719 --> 0:34:48.879
<v Speaker 1>was around me twenty four hour, seven days a week

0:34:49.000 --> 0:34:55.360
<v Speaker 1>like Sam. So fast forward, I got custody of my

0:34:55.520 --> 0:34:57.480
<v Speaker 1>child that they tried to take away from me. They

0:34:57.520 --> 0:35:01.560
<v Speaker 1>took my daughter, no cause, no attack, over accusations for

0:35:01.640 --> 0:35:05.880
<v Speaker 1>one hundred days. And then when I finally got custody

0:35:05.880 --> 0:35:09.040
<v Speaker 1>of my daughter back, there was about two months of

0:35:09.239 --> 0:35:13.040
<v Speaker 1>monitored visits where I could not see my child without

0:35:13.120 --> 0:35:16.520
<v Speaker 1>someone from the courts. They're monitoring me, and I was like, so,

0:35:17.520 --> 0:35:21.880
<v Speaker 1>I'm confused. You found out that everything she accused me

0:35:21.960 --> 0:35:25.480
<v Speaker 1>of was not true? Why the fuck you ain't monitoring her? Right?

0:35:28.200 --> 0:35:31.399
<v Speaker 1>So me and Sam experiencing all of this, So then

0:35:31.520 --> 0:35:35.200
<v Speaker 1>COVID hit. So now we're at home. We got about

0:35:35.280 --> 0:35:38.880
<v Speaker 1>six people on staff supposed to be going home or

0:35:39.000 --> 0:35:41.040
<v Speaker 1>the stand. We got some people from Atlanta that came

0:35:41.080 --> 0:35:44.280
<v Speaker 1>to LA and We're all stuck like the whole world

0:35:44.480 --> 0:35:48.560
<v Speaker 1>in quarantine. And then I said, you know what, Sam,

0:35:49.560 --> 0:35:53.759
<v Speaker 1>Let's try and use this moment to inspire people. And

0:35:53.920 --> 0:35:57.480
<v Speaker 1>I said, there's no flights, there's no shows, there's no calls.

0:35:58.080 --> 0:36:01.040
<v Speaker 1>We're not going nowhere. We literally cannot physically leave the house.

0:36:01.120 --> 0:36:04.919
<v Speaker 1>California's locked down. So we started doing these things called

0:36:05.000 --> 0:36:10.120
<v Speaker 1>date night on Instagram. We had Jonathan McReynolds to physically

0:36:10.200 --> 0:36:12.919
<v Speaker 1>come to the house and surprise her. We had Mia

0:36:13.760 --> 0:36:17.279
<v Speaker 1>Tamiya and Eric Banet to redo spend my life with

0:36:17.400 --> 0:36:19.400
<v Speaker 1>you because that was our first dance at our wedding.

0:36:20.960 --> 0:36:25.920
<v Speaker 1>And then after I don't know nine ten months abandon

0:36:26.000 --> 0:36:30.480
<v Speaker 1>quarantine and scared to fly because of obvious reasons, we

0:36:30.600 --> 0:36:34.960
<v Speaker 1>get back to Atlanta. I landed six am Father's Day.

0:36:36.200 --> 0:36:38.560
<v Speaker 1>I ended up shooting two music videos in a row,

0:36:39.080 --> 0:36:46.080
<v Speaker 1>and so everything about casting, location, scouting, editing day and night, recording,

0:36:46.320 --> 0:36:50.480
<v Speaker 1>everything that I was doing. Samantha had never experienced me

0:36:50.719 --> 0:36:52.840
<v Speaker 1>and how much of a savage in my work ethic

0:36:53.560 --> 0:36:59.239
<v Speaker 1>when it comes to working on an out so as

0:36:59.320 --> 0:37:02.759
<v Speaker 1>I'm everybody's sleeping in every room, we're editing that I'm

0:37:02.800 --> 0:37:04.840
<v Speaker 1>doing every you know me I'm a machine like I

0:37:05.000 --> 0:37:07.880
<v Speaker 1>cooked day and night. We're gonna handle all things, not

0:37:08.040 --> 0:37:10.880
<v Speaker 1>just a label. Just I'm an all inclusive, hands on

0:37:11.080 --> 0:37:14.200
<v Speaker 1>person with every aspect of everything. And instead of being

0:37:14.320 --> 0:37:16.359
<v Speaker 1>on location to work on this, I did it all

0:37:16.400 --> 0:37:19.680
<v Speaker 1>at the house because we were all COVID free. So

0:37:19.840 --> 0:37:22.040
<v Speaker 1>as I'm walking through the kitchen on my way to

0:37:22.160 --> 0:37:26.360
<v Speaker 1>another meeting downstairs in the basement, she said to me,

0:37:27.280 --> 0:37:30.560
<v Speaker 1>are you not attracted to me anymore? So? I'm in

0:37:30.680 --> 0:37:33.080
<v Speaker 1>my zone right now. You know I'm a singer. You

0:37:33.200 --> 0:37:35.280
<v Speaker 1>met me as a singer. You know I'm an actor.

0:37:35.800 --> 0:37:38.360
<v Speaker 1>I'm grinding, I'm focused, I'm doing my thing. I just

0:37:38.520 --> 0:37:42.040
<v Speaker 1>gave you ten full months of uninterrupted time date night,

0:37:42.480 --> 0:37:45.640
<v Speaker 1>all every day, and independent of the fifteen minutes I

0:37:45.680 --> 0:37:50.520
<v Speaker 1>gave niggas on Instagram, those date nights were turning into

0:37:50.560 --> 0:37:55.719
<v Speaker 1>five six hours. Me and Sam so I left town

0:37:56.000 --> 0:37:59.640
<v Speaker 1>to do a movie after I finished shooting them videos.

0:38:00.640 --> 0:38:04.120
<v Speaker 1>We are going going back and forth about how busy

0:38:04.280 --> 0:38:07.880
<v Speaker 1>I have been since I got back to Atlanta. She said,

0:38:08.719 --> 0:38:12.960
<v Speaker 1>I'm out. I was like, okay. I literally jumped on

0:38:13.040 --> 0:38:14.799
<v Speaker 1>the plane. I left the set two and a half

0:38:14.880 --> 0:38:17.360
<v Speaker 1>hours early. They tried to find me seven hundred and

0:38:17.440 --> 0:38:21.360
<v Speaker 1>fifty thousand for leaving because I had more scenes to do.

0:38:22.560 --> 0:38:25.000
<v Speaker 1>I jumped on the plane, which was the last one

0:38:25.040 --> 0:38:28.239
<v Speaker 1>out to take me straight from Jersey to Atlanta. She

0:38:28.480 --> 0:38:31.719
<v Speaker 1>somehow found out I was coming home. She put a

0:38:31.880 --> 0:38:35.399
<v Speaker 1>COVID mask on top of the rain camera. She had

0:38:35.480 --> 0:38:39.880
<v Speaker 1>like six or seven people, her mama, I'm sorry, her mother, stepfather,

0:38:40.560 --> 0:38:44.560
<v Speaker 1>best friends, homies, trainer, whoever was available. They grabbed a

0:38:44.640 --> 0:38:48.359
<v Speaker 1>van with a trailer on the back. They loaded up

0:38:48.400 --> 0:38:52.359
<v Speaker 1>fifty boxes, and she left me and never came back.

0:39:01.760 --> 0:39:05.040
<v Speaker 1>So I was fucked up through. I gave ten four

0:39:05.120 --> 0:39:10.680
<v Speaker 1>months uninterrupted time pouring into that woman. Busy, controversy, shit

0:39:10.840 --> 0:39:14.239
<v Speaker 1>was all over the place. I got it so beautiful pain.

0:39:16.080 --> 0:39:22.600
<v Speaker 1>It's exactly that. It's beautiful pain. And I'm not even

0:39:22.640 --> 0:39:25.000
<v Speaker 1>gonna tell y'all who she started dating right after me.

0:39:25.680 --> 0:39:28.279
<v Speaker 1>I can't get out of way. I'm gonna save that

0:39:28.400 --> 0:39:30.759
<v Speaker 1>from when the album dropped. It's gonna fuck everybody in

0:39:30.800 --> 0:39:35.880
<v Speaker 1>this room. You don't have to like me. This beautiful

0:39:35.920 --> 0:39:40.640
<v Speaker 1>pain is my truth. It's everything that I'm still carrying

0:39:40.680 --> 0:39:43.160
<v Speaker 1>and feeling to this day. How is it possible to

0:39:43.239 --> 0:39:46.439
<v Speaker 1>be in a relationship with a woman, and you're still

0:39:46.520 --> 0:39:48.799
<v Speaker 1>affected by the woman that left you. I'll tell you why.

0:39:49.680 --> 0:39:52.560
<v Speaker 1>It's not in everybody's cards to be alone when they're

0:39:52.600 --> 0:39:57.359
<v Speaker 1>at home sad, confused, depressed, and fucked up. You may

0:39:57.480 --> 0:39:59.680
<v Speaker 1>make that choice, but that's not a choice that I

0:39:59.719 --> 0:40:03.960
<v Speaker 1>should have ever made. And I love Zelli. If I

0:40:04.080 --> 0:40:06.560
<v Speaker 1>had one hundred million dollars, i'd probably give her forty

0:40:07.200 --> 0:40:10.320
<v Speaker 1>for all that she's done for me, loving on me,

0:40:10.800 --> 0:40:15.160
<v Speaker 1>laughter jokes, good energy, loving me in my mess. I

0:40:15.239 --> 0:40:18.279
<v Speaker 1>could associate that to the hands of God. And at

0:40:18.320 --> 0:40:20.719
<v Speaker 1>the same time, I can say I was a very

0:40:20.840 --> 0:40:24.680
<v Speaker 1>married man, and I gave my wife my last name

0:40:25.000 --> 0:40:28.520
<v Speaker 1>with our child, Gibson. And when I took my wedding

0:40:28.600 --> 0:40:31.239
<v Speaker 1>band off, my finger was fucking life skinned because I

0:40:31.360 --> 0:40:35.279
<v Speaker 1>never took it off, never cheated, never physically harmed that woman.

0:40:35.680 --> 0:40:39.120
<v Speaker 1>And there's nothing that our marriage went through while I

0:40:39.239 --> 0:40:42.160
<v Speaker 1>was working on music and recording day and night that

0:40:42.280 --> 0:40:44.680
<v Speaker 1>we couldn't figure out that our marriage shouldn't have survived.

0:40:45.719 --> 0:40:48.480
<v Speaker 1>I called every first lady of every church I can

0:40:48.600 --> 0:40:54.040
<v Speaker 1>think of, Tammy Franklin, Taffy Dollar, Creflo Dollar, Kirk Franklin,

0:40:54.360 --> 0:40:59.280
<v Speaker 1>Avanter Gray, pastor John Gray, a woman named pastor Kim everybody.

0:40:59.360 --> 0:41:01.480
<v Speaker 1>You can think. If she's not willing to listen to me,

0:41:01.600 --> 0:41:04.120
<v Speaker 1>can y'all go get her to listen to you. Please

0:41:04.200 --> 0:41:06.640
<v Speaker 1>get my wife to come home. And she never came.

0:41:07.560 --> 0:41:11.239
<v Speaker 1>So this beautiful paying album, my first single. I don't

0:41:11.320 --> 0:41:13.440
<v Speaker 1>think you ever loved me. That ain't a song, bro,

0:41:14.080 --> 0:41:16.360
<v Speaker 1>That's my truth. And I got you to thank t

0:41:17.000 --> 0:41:19.239
<v Speaker 1>You came to my house, you heard my album. You

0:41:19.360 --> 0:41:22.440
<v Speaker 1>was in Atlanta. That moment that happened on Instagram that

0:41:22.560 --> 0:41:26.640
<v Speaker 1>went viral. My song is top ten now it will

0:41:26.719 --> 0:41:30.440
<v Speaker 1>be number one in Jesus name. I hope, and I

0:41:30.480 --> 0:41:33.399
<v Speaker 1>don't want it to win because I'm winning. I wanted

0:41:33.480 --> 0:41:35.919
<v Speaker 1>to win because, as you said, it's time to pull

0:41:35.960 --> 0:41:39.040
<v Speaker 1>them instruments. Back out the fact that David Foster produce

0:41:39.160 --> 0:41:42.680
<v Speaker 1>my second single coming after this one. I don't know

0:41:42.800 --> 0:41:45.560
<v Speaker 1>what's going on. Shout out the band Brandon. I love you, bro.

0:41:45.920 --> 0:41:47.879
<v Speaker 1>He was at my house, camped out for a whole

0:41:48.000 --> 0:41:51.360
<v Speaker 1>year and brought the guitar Center to my house and

0:41:51.520 --> 0:41:54.320
<v Speaker 1>played every instrument on his album. And I met Brandon

0:41:54.360 --> 0:41:57.600
<v Speaker 1>because of you. And now this song has been launched

0:41:57.640 --> 0:42:00.560
<v Speaker 1>all over the internet because of you. I give God

0:42:00.640 --> 0:42:04.400
<v Speaker 1>all the glory. But he used you. He used you

0:42:05.200 --> 0:42:09.520
<v Speaker 1>in my house on Instagram Live to throw that song

0:42:09.680 --> 0:42:12.280
<v Speaker 1>out there. And you didn't cost me a lot of money, Nigga,

0:42:12.680 --> 0:42:14.360
<v Speaker 1>you didn't cost me a lot of buddy, since you

0:42:14.480 --> 0:42:21.399
<v Speaker 1>left up what you cost me a lot of money, Tank,

0:42:21.520 --> 0:42:25.520
<v Speaker 1>I'm not talking about radio promo, Bro. The amount of

0:42:25.600 --> 0:42:28.879
<v Speaker 1>money I've spent since I've been in La getting all

0:42:28.960 --> 0:42:31.759
<v Speaker 1>of this shit in place is unbelievable. I was doing

0:42:31.920 --> 0:42:33.960
<v Speaker 1>just fine in my quarter sac in that lane. You

0:42:34.080 --> 0:42:37.120
<v Speaker 1>came to the house and all of this happened. And

0:42:37.280 --> 0:42:40.840
<v Speaker 1>I give the Lord Jesus Christ all the credit because

0:42:40.880 --> 0:42:43.839
<v Speaker 1>he used you, Bro. It was a move from God.

0:42:44.600 --> 0:42:47.120
<v Speaker 1>And I want to tell you right here on the

0:42:47.320 --> 0:42:49.320
<v Speaker 1>R and B Money Podcast, this is going to be

0:42:49.400 --> 0:42:53.160
<v Speaker 1>the highest viewed podcast. This is gonna be a very

0:42:53.239 --> 0:42:57.640
<v Speaker 1>successful podcast. All of the sponsorships, imagine the boys coming

0:42:58.719 --> 0:43:01.520
<v Speaker 1>and the level of guests y'all got coming. If you

0:43:01.600 --> 0:43:03.840
<v Speaker 1>don't see to it yourself, I'm gonna see to it

0:43:04.800 --> 0:43:07.680
<v Speaker 1>that anybody I know that y'all may not know or

0:43:07.800 --> 0:43:09.719
<v Speaker 1>may not have access to them, they're gonna be sitting

0:43:09.800 --> 0:43:12.200
<v Speaker 1>right here on this couch. This is the best podcast

0:43:12.280 --> 0:43:15.000
<v Speaker 1>out there, period as soon as I've seen the first episode,

0:43:15.080 --> 0:43:17.239
<v Speaker 1>I said, this is brilliant. I text both of y'all

0:43:17.280 --> 0:43:21.160
<v Speaker 1>in my line, I invited myself on this show. You

0:43:21.239 --> 0:43:23.680
<v Speaker 1>called me from London. I called you from London while

0:43:23.719 --> 0:43:26.799
<v Speaker 1>I was shooting Fast ten. Yeah, and I said, Bro,

0:43:27.280 --> 0:43:31.120
<v Speaker 1>this is the best shit ever. Yeah, you do. This

0:43:31.360 --> 0:43:34.560
<v Speaker 1>is exactly what y'all should be doing. This is brilliant.

0:43:35.000 --> 0:43:37.240
<v Speaker 1>I said, I gotta pull up. And I've been wanting

0:43:37.280 --> 0:43:39.160
<v Speaker 1>to be on this show since y'all brought the ship

0:43:39.239 --> 0:43:42.520
<v Speaker 1>off the ground episode number one. I've been looking to

0:43:42.600 --> 0:43:44.359
<v Speaker 1>sit right here on this guy. I can't believe him

0:43:44.360 --> 0:43:49.200
<v Speaker 1>in this wrong. So I'm just proud of y'all man.

0:43:49.280 --> 0:43:51.640
<v Speaker 1>And however, met, y'all, met, I know you're saying, I

0:43:53.840 --> 0:43:55.960
<v Speaker 1>I just I thank god, man. I don't want to

0:43:56.000 --> 0:43:58.040
<v Speaker 1>say to the world man, because we've been here talking.

0:43:58.080 --> 0:44:00.200
<v Speaker 1>This is probably episode three by now, but I wanted

0:44:00.239 --> 0:44:07.279
<v Speaker 1>to tell y'all I love, I love everybody. Proud of you. Jay.

0:44:07.680 --> 0:44:10.160
<v Speaker 1>You're sounding incredible on your song Man, that y'all did

0:44:10.239 --> 0:44:14.040
<v Speaker 1>together fucking incredible. I'm not surprised, but you sound incredible.

0:44:14.920 --> 0:44:18.560
<v Speaker 1>And you know, the beautiful thing about being a creative

0:44:19.360 --> 0:44:23.880
<v Speaker 1>is that there's no rules. Absolutely nope. Right, So the

0:44:24.080 --> 0:44:27.040
<v Speaker 1>dinosaurs say, if you don't do this, if you don't

0:44:27.080 --> 0:44:28.799
<v Speaker 1>wear that, if you don't say that, if you don't

0:44:28.840 --> 0:44:31.600
<v Speaker 1>go about it like that, then you ain't gonna produce that.

0:44:32.800 --> 0:44:35.480
<v Speaker 1>There's nothing about anything that y'all have done since y'all

0:44:35.560 --> 0:44:38.640
<v Speaker 1>met each other, how we met, whoever met introduced, nothing

0:44:38.680 --> 0:44:42.279
<v Speaker 1>about anything that I've connected to on any level that's

0:44:42.320 --> 0:44:47.120
<v Speaker 1>ever been traditional or conventional. And I tell niggas all

0:44:47.160 --> 0:44:49.680
<v Speaker 1>the time all that they are trying to sit you

0:44:49.800 --> 0:44:52.080
<v Speaker 1>down and then stealing you about what song, what you

0:44:52.239 --> 0:44:54.439
<v Speaker 1>need to be wearing, what you need to be doing. Man,

0:44:54.520 --> 0:44:59.160
<v Speaker 1>fuck all that do you? I piss people off every

0:44:59.280 --> 0:45:04.080
<v Speaker 1>single day because I am unapologetic about my walk with Christ.

0:45:04.920 --> 0:45:07.800
<v Speaker 1>I'm unapologetic about me and knowing my value of my

0:45:07.920 --> 0:45:11.279
<v Speaker 1>self worth. And I'm also unapologetic about going above and

0:45:11.360 --> 0:45:14.600
<v Speaker 1>beyond the poor into people and make whatever connection I

0:45:14.719 --> 0:45:17.480
<v Speaker 1>can to know that whatever you tank is doing with

0:45:17.640 --> 0:45:21.080
<v Speaker 1>Jay Valentine and vice versa, it ain't got nothing to

0:45:21.120 --> 0:45:23.799
<v Speaker 1>do with me. I couldn't do any of the things

0:45:23.840 --> 0:45:27.279
<v Speaker 1>that y'all doing together. But look what happens when y'all

0:45:27.320 --> 0:45:31.080
<v Speaker 1>get together. That's fifteen hundreds Academy. That's his idea. He

0:45:31.160 --> 0:45:33.680
<v Speaker 1>found a location, he put his whole crew together. They

0:45:33.760 --> 0:45:36.279
<v Speaker 1>do it all the work. Everybody I made reference to,

0:45:36.960 --> 0:45:40.600
<v Speaker 1>I'm not being belittering, condescending. I'm not saying anybody owes

0:45:40.680 --> 0:45:43.360
<v Speaker 1>me anything. I'm not name dropping. I'm not trying to

0:45:43.400 --> 0:45:46.080
<v Speaker 1>give myself more credibility than why are they have. I'm

0:45:46.120 --> 0:45:48.719
<v Speaker 1>just fine, And I don't even expect none of these

0:45:48.760 --> 0:45:51.960
<v Speaker 1>people to either confirm or deny anything I'm saying today.

0:45:52.239 --> 0:45:55.040
<v Speaker 1>But we know what happened, and I feel I sleep

0:45:55.120 --> 0:45:58.040
<v Speaker 1>good at night knowing that I have been used in

0:45:58.239 --> 0:46:02.600
<v Speaker 1>any capacity to create a ship in anybody's life, because

0:46:02.640 --> 0:46:04.839
<v Speaker 1>I just want to empty myself of everything I am

0:46:04.920 --> 0:46:08.919
<v Speaker 1>before it's all over. And so yeah, I don't think

0:46:09.000 --> 0:46:14.719
<v Speaker 1>you ever loved me. Featuring Lenny Kravitz, Wow and Leandrea

0:46:14.840 --> 0:46:19.560
<v Speaker 1>Johnson Wow again. It's for real. Yes, This Beautiful Pain

0:46:19.800 --> 0:46:24.719
<v Speaker 1>is a double album. It's twenty songs, and I'll say

0:46:24.840 --> 0:46:27.120
<v Speaker 1>no disrespect to the R and B kings up in here.

0:46:28.360 --> 0:46:30.960
<v Speaker 1>I believe that I have the only album that belongs

0:46:31.040 --> 0:46:34.960
<v Speaker 1>on vinyl. Because you will press play on this album

0:46:35.400 --> 0:46:39.560
<v Speaker 1>is a vinyl album. You will never skip anything. It's

0:46:39.600 --> 0:46:42.520
<v Speaker 1>the proudest thing I've ever done, but it's also the

0:46:42.640 --> 0:46:45.120
<v Speaker 1>most painful thing I've ever done in my life. I

0:46:45.280 --> 0:46:49.359
<v Speaker 1>wish this album with somebody else's Are you doing vinyl? Yeah?

0:46:50.000 --> 0:46:52.640
<v Speaker 1>I need one, you will get one. You got my

0:46:52.680 --> 0:46:57.960
<v Speaker 1>word both, I got when. I love when artists make vinyl.

0:46:58.480 --> 0:47:00.640
<v Speaker 1>The packages ain't gonna stop. Thank you. It's your fault.

0:47:03.920 --> 0:47:07.560
<v Speaker 1>I just I just really wanted to, you know, I

0:47:07.640 --> 0:47:12.400
<v Speaker 1>think that people don't really understand what goes into this,

0:47:13.680 --> 0:47:19.560
<v Speaker 1>and yeah, it's so far beyond money and marketing and

0:47:20.239 --> 0:47:24.920
<v Speaker 1>all of these things. Your life, your life takes me

0:47:25.040 --> 0:47:28.200
<v Speaker 1>seven days at a time to do one song because

0:47:28.200 --> 0:47:32.400
<v Speaker 1>I gotta literally walk away because I cannot believe. For

0:47:32.520 --> 0:47:36.239
<v Speaker 1>these are my actual feelings, these are my vulnerabilities, these

0:47:36.280 --> 0:47:40.080
<v Speaker 1>are my experiences. I can't believe that she's just off

0:47:40.200 --> 0:47:43.840
<v Speaker 1>somewhere doing something and just left her husband and her

0:47:43.920 --> 0:47:47.520
<v Speaker 1>family and all over the internet playing victim, trying to

0:47:47.640 --> 0:47:50.120
<v Speaker 1>encourage women to leave when they not in it. No

0:47:50.239 --> 0:47:52.560
<v Speaker 1>more leave do what you know that ain't a move

0:47:52.640 --> 0:47:57.080
<v Speaker 1>from God. God said to thicken thing for better for worse,

0:47:57.480 --> 0:48:01.440
<v Speaker 1>to death, do his part. Neither one of us. You

0:48:01.600 --> 0:48:05.520
<v Speaker 1>left me, But no explanation. I still don't know what

0:48:05.719 --> 0:48:08.920
<v Speaker 1>I said and did to this day. So although this

0:48:09.160 --> 0:48:11.839
<v Speaker 1>album is very special, it is the hardest thing I've

0:48:11.880 --> 0:48:14.640
<v Speaker 1>ever done in my life. And Tank, you know that

0:48:14.760 --> 0:48:16.440
<v Speaker 1>if you didn't come to my house and make me

0:48:16.560 --> 0:48:19.560
<v Speaker 1>press play on instant came out, this ship would have

0:48:19.640 --> 0:48:23.040
<v Speaker 1>never seen a lot. I'm telling you sitting there, Beautiful Pain,

0:48:23.400 --> 0:48:26.920
<v Speaker 1>I'm not blinking on my plan, Beautiful Pain. The album

0:48:27.440 --> 0:48:31.320
<v Speaker 1>would have never seen the light of day because it

0:48:31.400 --> 0:48:34.120
<v Speaker 1>has been the hardest thing I've ever had to do

0:48:34.680 --> 0:48:37.880
<v Speaker 1>in my fucking life. And the craziest thing that you

0:48:38.000 --> 0:48:41.200
<v Speaker 1>just said is that even with all that you were

0:48:41.280 --> 0:48:48.040
<v Speaker 1>able to pour into this, it's still no closure. I'm

0:48:48.160 --> 0:48:51.560
<v Speaker 1>on fire right now. If you put on a pair

0:48:51.600 --> 0:48:54.719
<v Speaker 1>of three D glasses, I'm sitting there with a red

0:48:54.840 --> 0:48:59.719
<v Speaker 1>jacket on on fire. I don't want her, I don't

0:48:59.760 --> 0:49:03.880
<v Speaker 1>want her to want me. I wish her well. But

0:49:04.040 --> 0:49:09.799
<v Speaker 1>she fucked me up, bro, and that's it. You can

0:49:09.880 --> 0:49:13.359
<v Speaker 1>tell whatever version of the story you want. You left

0:49:13.440 --> 0:49:16.920
<v Speaker 1>me on the porch with some wings and pulled the

0:49:17.000 --> 0:49:19.200
<v Speaker 1>fuck off in the truck I bought you and left

0:49:19.280 --> 0:49:23.239
<v Speaker 1>me in the suburbs at the heights of Racism, yeah,

0:49:23.360 --> 0:49:28.320
<v Speaker 1>Savage Wings. I hope she goes viral for it. Savage

0:49:29.400 --> 0:49:32.720
<v Speaker 1>can ask what kind of he tell me Wing stuff?

0:49:33.440 --> 0:49:37.400
<v Speaker 1>I don't think so it was bootleg lemon pepper bootleg

0:49:37.520 --> 0:49:39.920
<v Speaker 1>bootleg because you know what happens to some of those situations,

0:49:39.960 --> 0:49:42.520
<v Speaker 1>situations with where food is connected to it. You can't

0:49:42.520 --> 0:49:47.200
<v Speaker 1>eat that. More was definitely left on the porch. No,

0:49:47.320 --> 0:49:51.279
<v Speaker 1>I'm saying forever. Yeah, yeah, yeah, yeah. The Wing have

0:49:51.400 --> 0:50:04.800
<v Speaker 1>a trauma triggering. It's triggering. Yeah. Man, I think I

0:50:04.920 --> 0:50:08.640
<v Speaker 1>gave y'all my soul today. Yeah, and I know they're

0:50:08.680 --> 0:50:11.839
<v Speaker 1>comfortable doing it, So I appreciate y'all. Man. I wish

0:50:11.880 --> 0:50:14.279
<v Speaker 1>y'all the very best. Man. Were you closing out like

0:50:14.480 --> 0:50:16.320
<v Speaker 1>like like you ain't got most ship to do? You

0:50:16.400 --> 0:50:18.400
<v Speaker 1>got you got? Yeah, we're not letting you leave now.

0:50:18.520 --> 0:50:20.560
<v Speaker 1>First you held that's houses. Now we're gonna hold you house.

0:50:21.040 --> 0:50:23.359
<v Speaker 1>Yeah yeah, because it's it's some other ship. So Reese,

0:50:23.400 --> 0:50:28.680
<v Speaker 1>with all of your vulnerability and the beauty and all

0:50:28.719 --> 0:50:32.799
<v Speaker 1>your pain, the real R and B you, you you've

0:50:32.880 --> 0:50:40.919
<v Speaker 1>come across some music m that's made you feel away

0:50:40.960 --> 0:50:46.560
<v Speaker 1>over time, some music that has inspired you to do

0:50:46.719 --> 0:50:49.160
<v Speaker 1>what you do and be who you are m H

0:50:49.440 --> 0:50:54.400
<v Speaker 1>speak on it. So what we want to know from

0:50:54.440 --> 0:51:07.720
<v Speaker 1>you is top fuck your top five, Reese's Time five,

0:51:10.680 --> 0:51:19.640
<v Speaker 1>it's Top five, R and Be Easy, RB song, y'all,

0:51:20.400 --> 0:51:33.600
<v Speaker 1>y'all Zy Rees, Top Breezy, Reefy, tops By, top By

0:51:33.760 --> 0:51:41.800
<v Speaker 1>really tough. I know, yes, I know you got it.

0:51:43.320 --> 0:51:57.200
<v Speaker 1>Tress Time five place so beautiful, don't you agree? Boy? Good?

0:51:59.200 --> 0:52:04.680
<v Speaker 1>Teresa True? Top five R and B singers, R Kelly

0:52:04.920 --> 0:52:09.120
<v Speaker 1>number one start to start there, then R and B

0:52:09.600 --> 0:52:14.880
<v Speaker 1>singers start there. Say what you want to say? Nothing,

0:52:15.840 --> 0:52:19.680
<v Speaker 1>it's choices. When he's going through, he's the greatest. How

0:52:19.760 --> 0:52:23.120
<v Speaker 1>you have to explain nothing to me? R and B singer, writer, producer.

0:52:23.120 --> 0:52:25.520
<v Speaker 1>He's probably giving away more hits than he's got for himself.

0:52:26.200 --> 0:52:30.719
<v Speaker 1>The greatest to ever do it, Robert Kelly, Donny Hathaway,

0:52:31.960 --> 0:52:43.120
<v Speaker 1>Stevie Wonder, Teddy Pendergrass Wow and Brandy Yeah, great list man,

0:52:43.360 --> 0:52:47.759
<v Speaker 1>Great list. Okay, okay um. I don't think it's fair

0:52:47.840 --> 0:52:52.160
<v Speaker 1>to just do top five. I mean Luther vandros Anita Baker.

0:52:54.280 --> 0:52:56.919
<v Speaker 1>You know, it's it's so many people I pull from,

0:52:57.120 --> 0:53:01.160
<v Speaker 1>you know, Patty LaBelle. I'm mean, it's it's like there's

0:53:01.239 --> 0:53:10.560
<v Speaker 1>Al Green, top Beliven five Top baby two. Okay, so

0:53:13.480 --> 0:53:19.040
<v Speaker 1>look like, okay, here we go your top five R

0:53:19.080 --> 0:53:25.440
<v Speaker 1>and B songs. Um, I believe I can fly m

0:53:26.200 --> 0:53:40.960
<v Speaker 1>R Kelly Um um probably m hmmm. I would say, uh,

0:53:43.640 --> 0:53:51.480
<v Speaker 1>Donnie Hathaway singing this song for you, um Stevie wonder

0:53:51.560 --> 0:53:57.719
<v Speaker 1>all is fair in love? Mm and um it's got

0:53:57.840 --> 0:54:00.960
<v Speaker 1>baby Face all over it. But yeah, I think one

0:54:01.000 --> 0:54:03.120
<v Speaker 1>of my favorites is like, I'll make love to you

0:54:03.360 --> 0:54:07.959
<v Speaker 1>water runs Dry, like baby Face is, Like his level

0:54:08.000 --> 0:54:12.840
<v Speaker 1>of pen and pedigree is is second to none. I

0:54:12.960 --> 0:54:21.719
<v Speaker 1>think he's Um, I think he's definitely changed our world musically, lyrically, sonically. Um,

0:54:23.120 --> 0:54:26.120
<v Speaker 1>baby Face is gonna live and die and never be

0:54:26.200 --> 0:54:29.240
<v Speaker 1>able to shake hands of everyone's life who he's affected

0:54:29.280 --> 0:54:33.560
<v Speaker 1>through his pen and he's not dying anytime soon. But yeah,

0:54:33.680 --> 0:54:37.520
<v Speaker 1>he's whatever still right, Yeah he is still But he

0:54:37.560 --> 0:54:42.719
<v Speaker 1>said to a baby Face voice to man water Runs Dry,

0:54:44.000 --> 0:54:47.799
<v Speaker 1>which was written by a baby Face. But yeah, yeah,

0:54:47.840 --> 0:54:53.120
<v Speaker 1>I'll make love to you. He can. Uh. You know

0:54:53.239 --> 0:54:55.120
<v Speaker 1>a lot about Voltron. A lot of people that come

0:54:55.200 --> 0:54:58.160
<v Speaker 1>on this show don't know about Voltron because they weren't

0:54:58.200 --> 0:55:01.120
<v Speaker 1>alive when Voltron was had. I don't understand the five

0:55:01.239 --> 0:55:04.880
<v Speaker 1>lines coming together to phone Voltron to beat off the

0:55:05.040 --> 0:55:08.880
<v Speaker 1>evil nemesis in space. You know what I'm saying, you

0:55:09.120 --> 0:55:11.719
<v Speaker 1>really you are. You are the vot You bought that

0:55:11.840 --> 0:55:13.719
<v Speaker 1>Voltron and I know you can meet me where I

0:55:13.800 --> 0:55:15.840
<v Speaker 1>met when I say this, we're gonna form your R

0:55:15.880 --> 0:55:19.120
<v Speaker 1>and B Voltron where you're getting the vocals from. Shout

0:55:19.160 --> 0:55:21.960
<v Speaker 1>out to Lorentz, Tate and Ludicrous. By the way, because

0:55:22.840 --> 0:55:26.640
<v Speaker 1>we were the original Voltron. Whenever we would link up,

0:55:26.680 --> 0:55:29.200
<v Speaker 1>the running joke was y'all nigga less form volt trying

0:55:29.239 --> 0:55:31.360
<v Speaker 1>to go out hit these streets. Thinking we would always

0:55:31.400 --> 0:55:35.280
<v Speaker 1>say that. So once I ended up forming that actual

0:55:35.360 --> 0:55:39.800
<v Speaker 1>company and running with Voltron that actually came from me, Lorentz,

0:55:39.880 --> 0:55:46.080
<v Speaker 1>Tate and Ludicrous just throwing in the former Voltron without

0:55:46.600 --> 0:55:48.920
<v Speaker 1>just throw them in there without me. Yeah, and thank you.

0:55:53.120 --> 0:56:08.880
<v Speaker 1>There many take honoraryyat like your doctorate. Other people earned

0:56:08.960 --> 0:56:13.720
<v Speaker 1>the doctorate. Tank was handed a doctor. No, No, he's

0:56:13.760 --> 0:56:18.640
<v Speaker 1>earned it in the doctor. I earned my doctorate. All

0:56:18.640 --> 0:56:20.719
<v Speaker 1>those we're gonna stop this ship right now. Oh, we're

0:56:20.719 --> 0:56:26.239
<v Speaker 1>gonna get to you. God damn volt trunk. And we

0:56:26.320 --> 0:56:32.640
<v Speaker 1>had no one there. He jumped over the time my

0:56:32.880 --> 0:56:43.040
<v Speaker 1>doctorate is based on years of studies and accomplishments in

0:56:43.200 --> 0:56:49.520
<v Speaker 1>the actual field. Not studying the book on how to

0:56:49.640 --> 0:56:52.960
<v Speaker 1>get to be in the book. Not in the book

0:56:53.280 --> 0:56:58.560
<v Speaker 1>hoping to get to it, nah, not wishing him playing Okay,

0:56:59.320 --> 0:57:03.600
<v Speaker 1>yeah on the turf, come on, because in the dirt.

0:57:03.920 --> 0:57:07.400
<v Speaker 1>Yeah yeah, you got it from the mud, living it, Yeah,

0:57:08.160 --> 0:57:16.280
<v Speaker 1>done in it and coming back to life again. Lifestyle nigga,

0:57:20.040 --> 0:57:26.640
<v Speaker 1>that's why nobody gonna get you one. Let's get to

0:57:26.720 --> 0:57:32.120
<v Speaker 1>your damn voltrun. You can't was hanging and I came

0:57:32.200 --> 0:57:38.280
<v Speaker 1>out of that thing right on time. What who you're getting? Okay,

0:57:38.360 --> 0:57:39.440
<v Speaker 1>let me tell you what you Who you're got the

0:57:39.480 --> 0:57:42.680
<v Speaker 1>vocal from performance style, from styling, from in passion. Let's

0:57:42.680 --> 0:57:45.080
<v Speaker 1>start with the vocal. Whose vocal you putting on that voltrun?

0:57:49.880 --> 0:57:54.760
<v Speaker 1>Teddy pendergrass m getting aggressive early? Yeah, turn them on?

0:57:55.120 --> 0:58:01.120
<v Speaker 1>The performance style cows m M random music, you're build

0:58:01.200 --> 0:58:07.560
<v Speaker 1>a man? Uh styling? Who put the drip on? Who

0:58:07.680 --> 0:58:16.520
<v Speaker 1>get fly? Sure m hmm. Okay. He's been consistently killing

0:58:16.600 --> 0:58:20.000
<v Speaker 1>him in the fashion space, especially look in that first

0:58:20.160 --> 0:58:24.360
<v Speaker 1>video when he was killing you. I mean, who you're

0:58:24.360 --> 0:58:31.680
<v Speaker 1>gonna get? The passion? He man? We never do. You're

0:58:31.720 --> 0:58:42.200
<v Speaker 1>not gonna get she said, she likes it my way.

0:58:44.160 --> 0:58:45.880
<v Speaker 1>Who are you getting the passion of the artists from

0:58:46.000 --> 0:58:52.520
<v Speaker 1>the heart of the artists Stevie mhmm, yeah, you feel everything,

0:58:53.320 --> 0:58:56.000
<v Speaker 1>you can feel it everything everything. He's the level of

0:58:56.080 --> 0:59:02.200
<v Speaker 1>conviction out of controver Stevie ist yeah, true, true, true, great,

0:59:02.240 --> 0:59:04.320
<v Speaker 1>that's a great voltron. And it was four things so

0:59:04.560 --> 0:59:10.720
<v Speaker 1>that things like you a little, the rands brands intact.

0:59:10.800 --> 0:59:15.720
<v Speaker 1>So so y'all, y'all made the four vote troma. I'm

0:59:15.760 --> 0:59:22.280
<v Speaker 1>trying to give him, bro. Yeah, maybe he can play

0:59:22.280 --> 0:59:27.720
<v Speaker 1>the piano field. We got one more thing for that,

0:59:27.840 --> 0:59:32.800
<v Speaker 1>one more shade, more thing for shouldn't go ahead and

0:59:33.360 --> 0:59:40.840
<v Speaker 1>you're no rabbit. M we ain't nigga. What's gonna you

0:59:40.920 --> 0:59:42.400
<v Speaker 1>gonna do? Is you gonna tell us a story? But

0:59:42.520 --> 0:59:44.680
<v Speaker 1>what you ain't gonna do is I ain't saying no names.

0:59:45.160 --> 0:59:50.160
<v Speaker 1>I ain't saying no names, saying no names. Where you was,

0:59:52.720 --> 1:00:07.360
<v Speaker 1>what you did? Don't say I ain't saying no yeah

1:00:07.840 --> 1:00:12.680
<v Speaker 1>yeah yeah yeah. So right now, so, right now, right now,

1:00:13.080 --> 1:00:18.320
<v Speaker 1>right now, we are getting into Tyrese Gibson a k A.

1:00:18.720 --> 1:00:23.400
<v Speaker 1>Black Tie. Don't talk about him. Listen, tap into the

1:00:23.440 --> 1:00:25.480
<v Speaker 1>black Tie. The nigga was rapping and ship. He met

1:00:25.480 --> 1:00:27.960
<v Speaker 1>a lot of cool producers and had him. It's only

1:00:27.960 --> 1:00:34.960
<v Speaker 1>two rappers on him and problem black Tie, the franchise himself,

1:00:35.040 --> 1:00:37.960
<v Speaker 1>the franchise tim Billy Billy. I don't know no other

1:00:38.000 --> 1:00:41.960
<v Speaker 1>nigga got tim Billy at At. I heard about him.

1:00:42.000 --> 1:00:44.520
<v Speaker 1>I don't know any of us. It ain't too many

1:00:44.600 --> 1:00:48.600
<v Speaker 1>of them. See you see you see him here? Yeah,

1:00:48.600 --> 1:00:51.160
<v Speaker 1>you see him here. Believe it. And what he's about

1:00:51.160 --> 1:00:55.760
<v Speaker 1>to do give us a story. Funnier fucked up. Are

1:00:55.840 --> 1:01:00.680
<v Speaker 1>funny and fucked up. The only rule to this game

1:01:01.520 --> 1:01:07.240
<v Speaker 1>is he can't say no names. This is Tyrese Tyree.

1:01:09.880 --> 1:01:12.040
<v Speaker 1>I got one, no one, I got one. I ain't

1:01:12.040 --> 1:01:18.240
<v Speaker 1>saying names, all right. So back when I did Two Fast,

1:01:18.320 --> 1:01:26.120
<v Speaker 1>Too Furious um in Miami. This was the second movie

1:01:26.280 --> 1:01:29.520
<v Speaker 1>after Baby Boy only I did Baby Boy Too Fast.

1:01:29.760 --> 1:01:34.560
<v Speaker 1>I was one and two in Miami. We're going crazy.

1:01:35.400 --> 1:01:37.760
<v Speaker 1>I made one hundred and fifty thousand for Baby Boy,

1:01:38.280 --> 1:01:40.560
<v Speaker 1>most money I've ever seen in my life. I made

1:01:40.640 --> 1:01:44.280
<v Speaker 1>one point three million for Two Fast, Too Furious. So

1:01:44.360 --> 1:01:47.760
<v Speaker 1>I was out of control. We party and we're turning up.

1:01:47.800 --> 1:01:51.160
<v Speaker 1>We're going big. Were in Miami, never go to a club,

1:01:51.320 --> 1:01:54.840
<v Speaker 1>never see the same woman. Were just out there going crazy.

1:01:55.720 --> 1:02:01.040
<v Speaker 1>So there's this girl that ended up being on the

1:02:01.120 --> 1:02:07.160
<v Speaker 1>movie set, and me and Paul Walker were both like

1:02:08.240 --> 1:02:11.800
<v Speaker 1>flirting with this girl. She was actually the stand in

1:02:12.320 --> 1:02:17.360
<v Speaker 1>for Eva Mendez. No, no, the side side. It's cool.

1:02:17.520 --> 1:02:22.320
<v Speaker 1>I'm gonna tell you something after you finished rolling. Uh. So, yeah,

1:02:22.440 --> 1:02:25.320
<v Speaker 1>we're both given this girl all these compliments because again

1:02:25.560 --> 1:02:28.080
<v Speaker 1>on the movie set, first team is the actual star

1:02:28.200 --> 1:02:31.600
<v Speaker 1>in the movie. You're stand in that's helping with the camera,

1:02:31.720 --> 1:02:34.240
<v Speaker 1>the lighting and everything that they're doing. They call them

1:02:34.320 --> 1:02:39.640
<v Speaker 1>second team. Um, not a stunt double second team. So

1:02:40.760 --> 1:02:44.919
<v Speaker 1>she's sexy, she's beautiful, and me and Paul just kept

1:02:45.000 --> 1:02:48.520
<v Speaker 1>complimenting this girl every day. Didn't make any moves, but

1:02:49.000 --> 1:02:54.920
<v Speaker 1>it's complimenting. So fast forward, Um, the movie is about

1:02:54.960 --> 1:02:59.760
<v Speaker 1>the rap and then um end up running into this girl.

1:03:00.040 --> 1:03:02.760
<v Speaker 1>You know, I had already started hanging out with her,

1:03:03.600 --> 1:03:07.720
<v Speaker 1>knocking her down. It was fun times. And then we

1:03:07.920 --> 1:03:13.080
<v Speaker 1>found out we were smashing the same girl. And I

1:03:13.200 --> 1:03:15.240
<v Speaker 1>know you're not supposed to mention no names, but I

1:03:15.360 --> 1:03:20.680
<v Speaker 1>just have to tell y'all that Paul quickly became one

1:03:20.720 --> 1:03:25.280
<v Speaker 1>of my favorite people because the whole time both of

1:03:25.400 --> 1:03:28.720
<v Speaker 1>us were smashing the same girl, and we never told

1:03:28.760 --> 1:03:32.360
<v Speaker 1>each other that we were smashing. We just kept complimenting

1:03:32.440 --> 1:03:36.919
<v Speaker 1>the girl to each other. And we'll be in the car.

1:03:40.160 --> 1:03:45.760
<v Speaker 1>I'm looking at Paul like, yo, look, no bro, like

1:03:45.880 --> 1:03:49.520
<v Speaker 1>he gonna playing the game with me the whole time.

1:03:49.640 --> 1:03:51.600
<v Speaker 1>So rest in peace to my brother. Man. He was

1:03:51.680 --> 1:03:54.640
<v Speaker 1>one of my favorite humans. No one's supposed to drop

1:03:54.840 --> 1:03:56.560
<v Speaker 1>no name, but there's no rules because we found it.

1:03:57.080 --> 1:04:01.200
<v Speaker 1>But yeah, man, me and Paul for months were smashing

1:04:01.280 --> 1:04:06.000
<v Speaker 1>the same girl. Uh. It was crazy and uh And

1:04:06.200 --> 1:04:09.720
<v Speaker 1>then for me, when I look back and I reflect

1:04:09.880 --> 1:04:13.560
<v Speaker 1>on the conversations that we were having, giving this girl

1:04:13.640 --> 1:04:17.040
<v Speaker 1>all these compliments and all this love, and the fact

1:04:17.120 --> 1:04:19.400
<v Speaker 1>that for whatever reason, we just did not want to

1:04:19.480 --> 1:04:22.040
<v Speaker 1>tell each other that we had already been taking it down,

1:04:22.840 --> 1:04:25.240
<v Speaker 1>it was the funniest shit ever to then find out

1:04:25.440 --> 1:04:29.280
<v Speaker 1>that we both were smashing while acting as if we wasn't,

1:04:29.800 --> 1:04:32.240
<v Speaker 1>and it was only me and him that did all

1:04:32.280 --> 1:04:35.200
<v Speaker 1>these scenes. Again, it was obviously the whole cast of Fast.

1:04:35.280 --> 1:04:38.360
<v Speaker 1>But yeah, it was crazy. That's great. Yeah, so that

1:04:38.600 --> 1:04:42.960
<v Speaker 1>Nigga said all the names that he's a disruptor. He no, no, listen, listen,

1:04:43.000 --> 1:04:45.760
<v Speaker 1>it's my game. It's not your game. You are a

1:04:45.840 --> 1:04:50.920
<v Speaker 1>disrupted Brothers, but I love you, but I have to

1:04:51.000 --> 1:04:57.000
<v Speaker 1>tell you that. But your corporate no, you cannot. I

1:04:57.160 --> 1:05:00.440
<v Speaker 1>said names, but the names just made this story. Wade

1:05:00.520 --> 1:05:04.280
<v Speaker 1>juice here then keeping the names out, Ladies, you think

1:05:04.320 --> 1:05:05.960
<v Speaker 1>I want hold on? First of all? Do you think

1:05:06.000 --> 1:05:08.840
<v Speaker 1>I want niggas walking up to me everywhere I go

1:05:09.000 --> 1:05:11.600
<v Speaker 1>to say, yoh, who was the I don't want nobody

1:05:11.640 --> 1:05:14.560
<v Speaker 1>ask me no questions about what was happening in Miami

1:05:14.760 --> 1:05:17.440
<v Speaker 1>on the set. I'm gonna tell y'all the name, So

1:05:17.600 --> 1:05:20.880
<v Speaker 1>nobody welcome to me asking me the name, ladies and gentlemen. Sorry,

1:05:21.080 --> 1:05:23.760
<v Speaker 1>Jay Valentine, ladies and gentleman, my name is tak He

1:05:23.880 --> 1:05:32.440
<v Speaker 1>just said my name. I'm Jay Valentine. And this is

1:05:32.480 --> 1:05:38.080
<v Speaker 1>the everybody podcasting yeah, on all things R and B.

1:05:38.920 --> 1:05:40.880
<v Speaker 1>I don't even know what to say. Man, I love

1:05:40.920 --> 1:05:43.880
<v Speaker 1>your brother. I love you too, bro. Beautiful pain is coming,

1:05:43.960 --> 1:05:46.960
<v Speaker 1>Beautiful paint is coming. Asn't dropped. Let me apologize in

1:05:47.000 --> 1:05:51.120
<v Speaker 1>the fast hardest. I will go to the house, drive

1:05:51.560 --> 1:05:54.240
<v Speaker 1>and put the shit out myself. Lady, thank you, this

1:05:54.440 --> 1:06:03.040
<v Speaker 1>has been Can I go home now? Money. R and

1:06:03.080 --> 1:06:06.120
<v Speaker 1>B Money is a production of the Black Effect Podcast Network.

1:06:06.480 --> 1:06:11.920
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:06:12.080 --> 1:06:15.280
<v Speaker 1>or wherever you listen to your favorite shows. Don't forget

1:06:15.320 --> 1:06:18.120
<v Speaker 1>to subscribe to and rate our show, and you can

1:06:18.160 --> 1:06:21.560
<v Speaker 1>connect with us on social media at Jay Valentine and

1:06:21.720 --> 1:06:25.480
<v Speaker 1>at the Real Tank. For the extended episode, subscribe to

1:06:25.680 --> 1:06:29.280
<v Speaker 1>YouTube dot com, forward Slash, R and B Money