WEBVTT - ROC SOLID Replay: Young Guru 

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<v Speaker 1>What up, y'all? This your main man Memphis Bleak right here.

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<v Speaker 2>Welcome to Rock Solid, a production of iHeartRadio and the

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<v Speaker 2>Black Effect Network in partnership with my guys over at

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<v Speaker 2>Drink Champs.

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<v Speaker 1>What it do, y'all? You already know.

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<v Speaker 2>We back with another exclusive live episode of Rock Solid here.

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<v Speaker 2>Got my motherfucking brother in the building, my ace boom coom.

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<v Speaker 2>You know, everybody know Hov is my guy, but if

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<v Speaker 2>it's ever anybody that's close to Hov in that position,

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<v Speaker 2>it's this guy right here. My brother, Young Goo, welcome

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<v Speaker 2>to the show. You know you more than Rock Solid,

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<v Speaker 2>my G.

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<v Speaker 1>My G. You know what I mean?

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<v Speaker 3>Good to see you. Good to see you.

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<v Speaker 2>How you been, man? I know you've been all over

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<v Speaker 2>the world. Beyonce tour, Jay-Z secretly recording. You know what

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<v Speaker 2>I'm saying? There's a lot of shit going on with

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<v Speaker 2>my man, yo, Goof.

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<v Speaker 3>You know what it is. You know what it is, Bleak.

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<v Speaker 2>Then you got the Roc Nation School. Yo, they don't

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<v Speaker 2>even know my guy, a principal in these streets, man.

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<v Speaker 1>Yo, you be sitting... Yo, Lord. Yo, they be sitting...

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<v Speaker 1>They get to the dean office, man. You got to...

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<v Speaker 1>I'm the director.

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<v Speaker 3>I'm the director, so.

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<v Speaker 3>You know what I'm saying? The same thing is like

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<v Speaker 3>we always giving back. You know what I'm saying? So

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<v Speaker 3>we put everything that we do underneath for Roc Nation,

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<v Speaker 3>we put it basically in Long Island University in Brooklyn,

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<v Speaker 3>right across the street from Junior's.

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<v Speaker 1>Yep, yep. Shout out Junior's. Shout out BK.

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<v Speaker 2>That used to be the LIU University.

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<v Speaker 1>Shout out Ho for too much fucking money.

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<v Speaker 3>Nah, but we put three different majors in there. You

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<v Speaker 3>know what I'm saying? So I'm in charge of music, technology, entrepreneurship, productions.

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<v Speaker 3>It's called MTEP, right? It's a track that we got. Basically,

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<v Speaker 3>when you come to the school, it's still going to LIU.

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<v Speaker 3>It's still going to college. You get a bachelor's degree.

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<v Speaker 1>Oh, okay. It's still LIU. Hov just partnered up. Okay.

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<v Speaker 3>You know what I'm saying? Same thing as if, like,

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<v Speaker 3>say you went for nursing. You know what I'm saying?

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<v Speaker 3>You would go to LIU, but your school would be nursing.

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<v Speaker 3>This is the same thing. You go to LIU, but

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<v Speaker 3>your school is Roc Nation. You know what I'm saying?

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<v Speaker 3>So we got the music. We got a vocal track.

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<v Speaker 3>So vocal performance. And we also got, you know, the

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<v Speaker 3>same thing we do with the management. So we have

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<v Speaker 3>a sports management and the sports management actually has a

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<v Speaker 3>bachelor's and a master's.

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<v Speaker 2>Y'all hear that, man? Y'all kids, man, coming out of

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<v Speaker 2>high school, the Roc Nation school. Hit up my man, Goo.

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<v Speaker 1>You know what I mean? Principal Goo. You know what

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<v Speaker 1>I'm saying?

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<v Speaker 2>If y'all seen Lean On Me, that's how he walk

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<v Speaker 2>in the halls.

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<v Speaker 1>It really is. It really is.

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<v Speaker 2>But we going to dive into all of that. I

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<v Speaker 2>want to really get started this one off because you

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<v Speaker 2>my bro. And we've been through, pardon me, we've been

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<v Speaker 2>through so much, man. Let's talk about how we first

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<v Speaker 2>linked up, how this brotherhood. You know, I want to

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<v Speaker 2>give a big thanks to my girl, L'Oreal. You know

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<v Speaker 2>what I'm saying?

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<v Speaker 1>If it wasn't for her, I wouldn't even know my

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<v Speaker 1>brother right here.

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<v Speaker 3>You know what I'm saying? That's a key factor. Like, L'Oreal,

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<v Speaker 3>you know what I'm saying, changed my life.

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<v Speaker 1>Crazy, bro. And I remember how it happened. Shout out B. Stanley.

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<v Speaker 1>You know what I'm saying?

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<v Speaker 2>He was the engineer. He had something popping off that day,

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<v Speaker 2>and he called out. And I remember L'Oreal running in.

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<v Speaker 2>She like, Bleak, I got another engineer. He from Delaware,

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<v Speaker 2>but he in D.C. right now and all that. He

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<v Speaker 2>ready to pull up. I think he was at Daddy's

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<v Speaker 2>house at the time, at Puff's studio. And I was like, yo,

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<v Speaker 2>all right, cool. Do he roll up?

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<v Speaker 1>Do he smoke? She like, I believe so. I'm like,

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<v Speaker 1>all right, well, tell him to pull up.

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<v Speaker 2>And Goo came through, man, and it changed my life.

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<v Speaker 2>It changed the history and.

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<v Speaker 1>Trajectory of Rockefeller, bro.

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<v Speaker 3>It's crazy that you say that because it's like, I

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<v Speaker 3>always wanted to ask you, I always say that in interviews,

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<v Speaker 3>you know what I'm saying? Like, it's no secret, you

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<v Speaker 3>changed my life, bro. You know what I'm saying? I

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<v Speaker 3>appreciate that, man. Same, vice versa, because.

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<v Speaker 2>You made me understand being the more professional in the studio,

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<v Speaker 2>you know what I mean? Like, you, Shang, rest in peace, Kamel,

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<v Speaker 2>you know what I'm saying? Like, that, That trilogy and baseline, man,

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<v Speaker 2>y'all carved the way of how I go to the

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<v Speaker 2>studio today and record.

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<v Speaker 1>I don't know what.

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<v Speaker 3>It was, but I always tell people, I was like, man,

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<v Speaker 3>my man was, I don't know what it was. He

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<v Speaker 3>was sick or he was having a baby or something

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<v Speaker 3>like that. And when me and you got together on

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<v Speaker 3>that first session, I was just like, We just clicked.

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<v Speaker 1>Yep. Super.

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<v Speaker 3>And you basically saying, I'm going to call Goo back.

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<v Speaker 3>I want him again. You know what I'm saying?

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<v Speaker 2>Yep.

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<v Speaker 1>Every day. And then Hov stole you. You know what

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<v Speaker 1>I'm saying? Hov stole my plug. You know what I'm saying?

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<v Speaker 1>Now he Hov engineer. It's all good.

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<v Speaker 2>That's my bro. But yo, from there, we went on tours.

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<v Speaker 2>We did, yo bro, we done did a million countless sessions, man.

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<v Speaker 2>Like to the point I remember when we... When we

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<v Speaker 2>found out we were spending too much money at baseline.

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<v Speaker 3>Yeah.

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<v Speaker 2>When we finally went over the numbers. Nah, but listen,

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<v Speaker 2>it be hard sometimes.

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<v Speaker 1>Pause.

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<v Speaker 3>You know what I'm saying? It be crazy sometimes when

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<v Speaker 3>you go to the A &amp; R meeting and it

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<v Speaker 3>was a real story.

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<v Speaker 1>Yeah.

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<v Speaker 3>Where, you know, I'm sitting in front of Jay. I'm

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<v Speaker 3>sitting in front of L.A. And they like, yo, Goo,

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<v Speaker 3>you spent this amount. How I'm getting my money back?

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<v Speaker 1>Exactly.

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<v Speaker 3>And that's when I was like, oh, man. Like, yo,

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<v Speaker 3>I came straight to you. Like, yo, you got to

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<v Speaker 3>come to my house.

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<v Speaker 2>Yep, we got to tighten up. So we moved the session,

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<v Speaker 2>everything to Goo House. He had the studio just like

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<v Speaker 2>this studio set up in the crib and the shed.

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<v Speaker 2>I remember all the kids young coming in. My G

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<v Speaker 2>had to go out, change diapers, make bottles in the

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<v Speaker 2>middle of the sessions. But we were so ahead of time,

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<v Speaker 2>you know, because a lot of these artists now record themselves.

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<v Speaker 2>We was doing this 20 years ago almost now. You

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<v Speaker 2>know what I'm saying?

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<v Speaker 1>And I remember we thought that we were going to

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<v Speaker 1>get the budget.

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<v Speaker 2>Yeah.

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<v Speaker 1>We did everything.

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<v Speaker 2>We calculated all the money, how much we spent, featured artists, everything.

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<v Speaker 1>Me and Goo sitting there like, yeah. I think it

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<v Speaker 1>was still Rockefeller at the time. Yeah.

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<v Speaker 2>They owe us X, Y, Z. Goo brings the invoice

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<v Speaker 2>to Hove.

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<v Speaker 1>They booked us.

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<v Speaker 2>End of the story is they robbed us with no gun.

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<v Speaker 2>Them niggas said, y'all ain't got no LLC. Yeah, I

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<v Speaker 2>ain't got this.

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<v Speaker 3>We was young. We didn't really know what it was,

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<v Speaker 3>but it was crazy just putting that together and the

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<v Speaker 3>history that we did. Yo, bro. That was the crazy part.

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<v Speaker 2>Unbelievable.

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<v Speaker 3>Baseline, to the crib. To the crib, to.

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<v Speaker 1>Rock the mic. Yeah.

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<v Speaker 2>To everywhere. We done recorded everywhere, my G. Like, but

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<v Speaker 2>just think, we gave them a free album, bro.

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<v Speaker 3>Yeah.

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<v Speaker 2>534. So they talking about where the money coming from,

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<v Speaker 2>how they going to get their money back.

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<v Speaker 1>Y'all recouped the first day and hit the stores.

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<v Speaker 3>Yeah.

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<v Speaker 2>They ain't spend no money. Like, yo, that was one

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<v Speaker 2>of the illest things. Then me and my G, I

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<v Speaker 2>remember when we first got our money. We in Miami.

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<v Speaker 2>I think this is when Jay first met B. We

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<v Speaker 2>was having an all-white party. We let everybody shop in.

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<v Speaker 2>This is the real Miami, not the Miami.

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<v Speaker 3>No, no, no. You got to tell the whole story

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<v Speaker 3>because it was like people think we get the— invites

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<v Speaker 3>10 days early.

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<v Speaker 1>Oh, no, we got the invites that morning.

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<v Speaker 3>So that morning, Hove, and specifically through Carlene, was like, yo,

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<v Speaker 3>we having an all-white party tonight. I was like, we

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<v Speaker 3>in Miami, I don't got no all-white.

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<v Speaker 1>Exactly.

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<v Speaker 3>So I had to go out.

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<v Speaker 1>And remember.

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<v Speaker 3>Figure out the outfit.

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<v Speaker 1>There was no stores in Miami like there is today.

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<v Speaker 2>This is when Miami just was one Ralph Lauren store

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<v Speaker 2>on the corner and by the... The Lowe's Hotel, they

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<v Speaker 2>just had, I think it was KFC.

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<v Speaker 1>That was it.

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<v Speaker 2>Then you had to go way out to Dolphin Mall

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<v Speaker 2>or the Swap Meet. I think we all went to

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<v Speaker 2>the Purple Label Store.

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<v Speaker 3>Nah, it was crazy. So I went out, you know

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<v Speaker 3>what I'm saying? We get the shoe. But you can't

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<v Speaker 3>just get white pants. You got to get the linen.

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<v Speaker 3>You know what I'm saying?

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<v Speaker 1>It's Miami. Scarface.

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<v Speaker 3>But I'm 6'5.

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<v Speaker 1>They don't got all that in my G-sides. You know

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<v Speaker 1>what I'm saying? We had to improvise. So you do

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<v Speaker 1>what you do. That's right.

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<v Speaker 3>That night, it was crazy because it was like, yo,

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<v Speaker 3>we started at one spot.

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<v Speaker 1>Went to a.

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<v Speaker 3>Right? And it was like.

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<v Speaker 1>God, we partied in two different spots. Hold on.

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<v Speaker 3>But we walked in. They had everything on trays. They

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<v Speaker 3>was like, yo, you know, you want to drink? You

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<v Speaker 3>want to smoke? You want to... Whatever it was. We

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<v Speaker 3>was chilling. We had, you know what I'm saying, a

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<v Speaker 3>little spot. Then Jay LeBron get up.

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<v Speaker 1>Yeah.

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<v Speaker 3>And was like, yo, we're going to go to the club.

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<v Speaker 1>Yep. This LeBron rookie year.

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<v Speaker 3>Rookie year. We walk down the street. It's 75 people.

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<v Speaker 3>We're all white on.

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<v Speaker 1>All white.

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<v Speaker 3>So we get to the front of the club. And

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<v Speaker 3>the promoter was like, who with y'all? Everybody in all white.

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<v Speaker 3>Everybody in all white. Yo, we went in there, shut

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<v Speaker 3>it down. Skane even was there. Clue, everybody, man.

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<v Speaker 2>But I'm just thinking about before the day even started

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<v Speaker 2>when we was looking for our outfits. I remember me

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<v Speaker 2>and you, this is like our first time touching some

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<v Speaker 2>real paper. And I remember we all chilling, walking through,

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<v Speaker 2>and we bought them dumbass Lockmans.

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<v Speaker 1>Yo, my G. Like, we literally went in the store

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<v Speaker 1>and like, fuck it. Let's grab these. I don't know

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<v Speaker 1>what it was.

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<v Speaker 3>It was just like, I'm with you. I'm with the crew.

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<v Speaker 1>Yep. Free. Everybody was there. Beans.

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<v Speaker 3>And we was getting it. So it was just like, yo,

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<v Speaker 3>what you want? Five, ten for this watch?

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<v Speaker 1>It's nothing. It's nothing. We was like swiping. We good.

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<v Speaker 1>Everybody bought a watch. It was nothing. Me, you, freeway.

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<v Speaker 3>All in the same day.

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<v Speaker 1>I even believe Petey Crack even bought one that day.

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<v Speaker 3>All in the same day.

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<v Speaker 2>Yo, everybody bought a Lachman, and I believe that watch

0:09:54.780 --> 0:09:56.550
<v Speaker 2>went out of style as soon as we brought it.

0:09:56.610 --> 0:09:56.850
<v Speaker 3>Yeah, no.

0:09:56.929 --> 0:09:58.830
<v Speaker 1>As soon as we walked out of store, the Lachman

0:09:58.850 --> 0:09:59.949
<v Speaker 1>went out of business, I believe.

0:10:00.240 --> 0:10:01.520
<v Speaker 3>That was the fun we was having, man.

0:10:01.600 --> 0:10:04.120
<v Speaker 1>Word up. We was just wilding, man.

0:10:04.179 --> 0:10:06.360
<v Speaker 3>The Miami trips, you know what I'm saying? Like that,

0:10:06.920 --> 0:10:11.780
<v Speaker 3>the month we spent in Miami, that was a brotherhood

0:10:11.820 --> 0:10:13.800
<v Speaker 3>that was like, we couldn't, you know what I'm saying?

0:10:13.820 --> 0:10:14.840
<v Speaker 3>We can't replace that.

0:10:14.960 --> 0:10:20.329
<v Speaker 2>Yo, but now that is a budget we blew. We

0:10:20.370 --> 0:10:22.550
<v Speaker 2>blew that budget because we went to Miami for the

0:10:22.610 --> 0:10:23.790
<v Speaker 2>Beans and Bleak album.

0:10:24.770 --> 0:10:28.100
<v Speaker 1>Okay, so slow up, though. Slow up, slow up, slow up.

0:10:28.120 --> 0:10:28.410
<v Speaker 2>Oh, Lord.

0:10:28.429 --> 0:10:31.099
<v Speaker 3>Because I always tell people this. Because I'll be like, yo,

0:10:31.380 --> 0:10:35.040
<v Speaker 3>the Miami trip started. It really started with.

0:10:35.100 --> 0:10:36.340
<v Speaker 1>The party. No, hold on.

0:10:36.440 --> 0:10:38.960
<v Speaker 3>It started with your brother getting hurt. Oh, yeah.

0:10:39.059 --> 0:10:41.050
<v Speaker 1>Yes, yes, yes. Shout out Dre.

0:10:41.150 --> 0:10:43.170
<v Speaker 3>Yes. And then we said, yo, we're going to move

0:10:43.210 --> 0:10:45.670
<v Speaker 3>everything down to Miami. And we're going to go to

0:10:45.730 --> 0:10:48.990
<v Speaker 3>Circle House. And we locked out Circle House for 30 days.

0:10:49.050 --> 0:10:49.829
<v Speaker 1>That was the worst.

0:10:50.530 --> 0:10:53.770
<v Speaker 2>It's the worst and the best studio ever invented at

0:10:53.840 --> 0:10:56.860
<v Speaker 2>the same time. If you have your worst place and

0:10:56.960 --> 0:10:59.180
<v Speaker 2>best place be in the same place.

0:10:59.240 --> 0:11:00.220
<v Speaker 3>Shout out to a BB.

0:11:00.480 --> 0:11:05.210
<v Speaker 2>Shout out BB. Because that studio spoil you does. Bro,

0:11:05.230 --> 0:11:09.840
<v Speaker 2>remember in Baseline, only Hov had the studio budget. where

0:11:09.860 --> 0:11:12.670
<v Speaker 2>they got the bottles of Chris or whatever they drinking.

0:11:12.690 --> 0:11:14.450
<v Speaker 3>You're saying the worst because it was too crazy.

0:11:14.470 --> 0:11:16.089
<v Speaker 1>It was too luxury.

0:11:16.490 --> 0:11:18.730
<v Speaker 2>We didn't know what, like, we come to the studio,

0:11:18.750 --> 0:11:22.740
<v Speaker 2>y'all got chefs, this the pool, the jacuzzi, we young, we.

0:11:22.630 --> 0:11:26.760
<v Speaker 1>Got young females breezing through all day. They just, like, record.

0:11:26.780 --> 0:11:27.280
<v Speaker 3>Right, right.

0:11:27.320 --> 0:11:29.880
<v Speaker 1>Nah, we down there Rockefeller porn at this point.

0:11:29.920 --> 0:11:36.250
<v Speaker 2>Right. Like, we ain't trying to make no records. I

0:11:36.290 --> 0:11:37.640
<v Speaker 2>might need them to holler at us.

0:11:37.640 --> 0:11:38.460
<v Speaker 3>That's crazy.

0:11:38.760 --> 0:11:43.120
<v Speaker 2>So, we basically blew the budget. But one thing I

0:11:43.160 --> 0:11:47.740
<v Speaker 2>got to say, I always said this. Freeway took full

0:11:47.940 --> 0:11:49.220
<v Speaker 2>fucking advantage.

0:11:49.240 --> 0:11:55.020
<v Speaker 3>Right. Yo. What was crazy was, we was down there and...

0:11:55.830 --> 0:11:58.730
<v Speaker 3>you was working, Beans was working, but y'all was working

0:11:58.830 --> 0:12:00.170
<v Speaker 3>at opposite times.

0:12:00.190 --> 0:12:02.550
<v Speaker 1>Because Beans at night out. Because you, like, you were

0:12:02.590 --> 0:12:05.410
<v Speaker 1>super early, wake up, 7 in the morning, 8 in the.

0:12:05.370 --> 0:12:07.730
<v Speaker 3>Morning, get my money, you know what I'm saying? And

0:12:07.860 --> 0:12:10.540
<v Speaker 3>I would tell people, like, Bleak would be at Baseline

0:12:10.580 --> 0:12:11.380
<v Speaker 3>by like 9 in the morning.

0:12:11.400 --> 0:12:12.460
<v Speaker 1>That's right, 9 o'clock.

0:12:12.480 --> 0:12:15.900
<v Speaker 3>Beans would call me at like 11, 12 at night.

0:12:16.400 --> 0:12:18.880
<v Speaker 3>And be like, yo, yeah, yeah, I'm coming from Philly,

0:12:18.920 --> 0:12:20.560
<v Speaker 3>you know what I'm saying? And be there too.

0:12:20.820 --> 0:12:21.320
<v Speaker 1>All night.

0:12:21.340 --> 0:12:25.179
<v Speaker 3>So that was like, we seen it in Miami. So

0:12:25.200 --> 0:12:29.179
<v Speaker 3>then Freeway was like, after three, four days, he look

0:12:29.220 --> 0:12:32.210
<v Speaker 3>at Justin and be like, yo, like, you giving all

0:12:32.250 --> 0:12:35.160
<v Speaker 3>the beats to Beans and Bleak? I can't get nothing?

0:12:35.610 --> 0:12:37.729
<v Speaker 3>So we was on our way to the strip club.

0:12:39.429 --> 0:12:41.609
<v Speaker 1>I remember. We used to dance all we do. That's

0:12:41.630 --> 0:12:42.250
<v Speaker 1>what we did.

0:12:42.290 --> 0:12:43.830
<v Speaker 3>We was in Miami. We on our way to the

0:12:43.850 --> 0:12:48.250
<v Speaker 3>strip club. And Freeway was like, yo, come on, Justin. Like,

0:12:48.650 --> 0:12:51.390
<v Speaker 3>let me get something. And he cooked up, rocked the mic.

0:12:51.950 --> 0:12:55.680
<v Speaker 3>And that's when it flipped to... becoming a state property album.

0:12:55.700 --> 0:12:58.280
<v Speaker 1>Yep. Free came back with them smokers because the only

0:12:58.360 --> 0:13:00.220
<v Speaker 1>record me and Beans did was Hypnotic.

0:13:00.280 --> 0:13:02.720
<v Speaker 3>Yeah, but that's still, still, we got records done.

0:13:02.920 --> 0:13:03.160
<v Speaker 1>Yeah.

0:13:03.179 --> 0:13:05.620
<v Speaker 3>Y'all did more than that. They just never came out.

0:13:05.640 --> 0:13:08.179
<v Speaker 2>We got a couple unreleased Beans and Bleak records that

0:13:08.220 --> 0:13:09.160
<v Speaker 2>just never came out.

0:13:09.200 --> 0:13:12.120
<v Speaker 1>We just never dropped it. We never finished the project. Nothing.

0:13:12.450 --> 0:13:14.750
<v Speaker 3>But you made me argue you into hypnotic.

0:13:15.030 --> 0:13:17.870
<v Speaker 1>Yes, because, yo, that's the illest, because I didn't even

0:13:17.890 --> 0:13:18.410
<v Speaker 1>want to do that.

0:13:18.429 --> 0:13:20.880
<v Speaker 3>Yeah, you didn't want to do the beat.

0:13:20.890 --> 0:13:23.500
<v Speaker 2>That's another beat that I was like, yo, bleep, you

0:13:23.530 --> 0:13:26.040
<v Speaker 2>got to do this beat. Yep, it wasn't until Beans

0:13:26.080 --> 0:13:28.740
<v Speaker 2>set the whole tone. Remember, Beans had the studio dark,

0:13:28.780 --> 0:13:31.640
<v Speaker 2>candles burning. I come in there, everything hypnotic.

0:13:31.700 --> 0:13:34.540
<v Speaker 1>I'm like, oh, wait a minute. Now I feel the vibe.

0:13:34.559 --> 0:13:35.059
<v Speaker 1>Let's go.

0:13:35.559 --> 0:13:37.760
<v Speaker 2>And I did my verse, and then when Hov came in,

0:13:37.820 --> 0:13:39.900
<v Speaker 2>he heard it. He like, I got to get on this.

0:13:39.940 --> 0:13:42.330
<v Speaker 2>Y'all think this is bugging. I need PC of this.

0:13:42.620 --> 0:13:45.410
<v Speaker 3>Now, that was the first time, that trip, too, when

0:13:45.450 --> 0:13:48.150
<v Speaker 3>he came down, was the first, because we were shooting

0:13:48.190 --> 0:13:51.770
<v Speaker 3>a video for Beans. I forget which record it was.

0:13:52.510 --> 0:13:55.960
<v Speaker 3>But that was the first time, like, because he was

0:13:56.000 --> 0:13:59.870
<v Speaker 3>starting a meeting, and he was like, trying to ask

0:13:59.990 --> 0:14:03.630
<v Speaker 3>why you and B's album wasn't done.

0:14:03.929 --> 0:14:05.270
<v Speaker 1>He wasn't doing no records.

0:14:05.309 --> 0:14:07.450
<v Speaker 3>So he didn't start the meeting until I got there.

0:14:08.670 --> 0:14:09.850
<v Speaker 3>He was like, yo, what's going on?

0:14:10.630 --> 0:14:13.790
<v Speaker 2>They don't know, man. We spent so much money in

0:14:13.830 --> 0:14:16.589
<v Speaker 2>that studio, man, Circle House. I think y'all done came

0:14:16.690 --> 0:14:18.590
<v Speaker 2>up off us, man. Y'all might owe us a free

0:14:18.650 --> 0:14:19.750
<v Speaker 2>session at this point.

0:14:19.890 --> 0:14:23.210
<v Speaker 1>One on the house. Like, come on, man. Yo, then, right.

0:14:23.250 --> 0:14:23.970
<v Speaker 1>They showed us love.

0:14:23.990 --> 0:14:24.230
<v Speaker 2>B.B.

0:14:24.270 --> 0:14:28.770
<v Speaker 3>Showed us love. Major love. And what's crazy is that

0:14:29.600 --> 0:14:34.460
<v Speaker 3>The last day of our organized session, like say you

0:14:34.480 --> 0:14:37.080
<v Speaker 3>paid for 30 days, was 9-11.

0:14:38.080 --> 0:14:40.500
<v Speaker 1>Damn, that's crazy. Because I went home that day. You

0:14:40.700 --> 0:14:42.960
<v Speaker 1>ain't fucking lying, goo.

0:14:43.360 --> 0:14:45.320
<v Speaker 3>I flew home that day. We just was trapped in

0:14:45.340 --> 0:14:48.160
<v Speaker 3>the studio. And the BB let us stay there for

0:14:48.200 --> 0:14:50.160
<v Speaker 3>like another two weeks because we couldn't get a plane.

0:14:50.180 --> 0:14:53.080
<v Speaker 2>We couldn't get a train. I flew home that morning.

0:14:53.140 --> 0:14:57.220
<v Speaker 2>And they shut everything down. That's crazy, goo. God damn,

0:14:57.240 --> 0:14:58.920
<v Speaker 2>you blew my head off with that one.

0:14:59.740 --> 0:15:00.420
<v Speaker 1>Damn.

0:15:00.740 --> 0:15:02.000
<v Speaker 3>Last day was 9-11, bro.

0:15:02.620 --> 0:15:06.340
<v Speaker 2>Now, I had a real question that Nori, he always

0:15:06.380 --> 0:15:08.540
<v Speaker 2>texts me. He's like, yo, I don't care who from Rockefeller.

0:15:08.570 --> 0:15:11.110
<v Speaker 2>You got to ask this question. But before we get

0:15:11.150 --> 0:15:13.510
<v Speaker 2>to that question, I got a question of my own.

0:15:14.170 --> 0:15:18.250
<v Speaker 2>Out of all the artists, of course, not exclude Hov,

0:15:18.850 --> 0:15:23.030
<v Speaker 2>exclude me. Because that's like bias. You came in with me,

0:15:23.150 --> 0:15:24.150
<v Speaker 2>so I don't want you to be like.

0:15:24.190 --> 0:15:24.670
<v Speaker 1>Yeah, you.

0:15:25.930 --> 0:15:30.230
<v Speaker 2>Out of all the artists, I'm talking about everybody, M.O.P., Emil,

0:15:30.630 --> 0:15:33.010
<v Speaker 2>fucking Rel, you know what I'm saying?

0:15:33.130 --> 0:15:37.640
<v Speaker 1>Beans, Free, Petey Crack, fucking shit.

0:15:38.260 --> 0:15:39.100
<v Speaker 3>Young Guns.

0:15:39.160 --> 0:15:42.100
<v Speaker 1>Young Guns, definitely. Fucking O and Sparks.

0:15:42.260 --> 0:15:46.960
<v Speaker 2>Yes. Who would you say was the easiest and the

0:15:47.040 --> 0:15:51.020
<v Speaker 2>hardest artist to work with? Like, you know, one that

0:15:51.040 --> 0:15:53.120
<v Speaker 2>you ain't got to say nothing to. He just get

0:15:53.160 --> 0:15:54.830
<v Speaker 2>in there and do his thing. And then the one

0:15:54.850 --> 0:15:57.890
<v Speaker 2>person that's like, yo, fam, I told you seven times,

0:15:58.250 --> 0:15:59.370
<v Speaker 2>spit that word over.

0:16:00.250 --> 0:16:03.050
<v Speaker 3>Nah, that's hard to say. That's hard to say because

0:16:03.070 --> 0:16:05.930
<v Speaker 3>it's like, I don't know you.

0:16:06.290 --> 0:16:08.100
<v Speaker 1>Because I remember.

0:16:08.300 --> 0:16:11.520
<v Speaker 3>It'd be like, and I'm going to say it. It's

0:16:11.560 --> 0:16:14.300
<v Speaker 3>me and you so the people will understand, right? So

0:16:14.360 --> 0:16:15.940
<v Speaker 3>it's like almost like your kids.

0:16:16.500 --> 0:16:16.740
<v Speaker 2>Mm-hmm.

0:16:17.310 --> 0:16:20.410
<v Speaker 3>So, I love all my kids, but they different. You

0:16:20.430 --> 0:16:20.890
<v Speaker 3>know what I'm saying?

0:16:20.910 --> 0:16:21.130
<v Speaker 2>Yes.

0:16:21.390 --> 0:16:23.990
<v Speaker 3>So, like, my oldest daughter and the way that she is,

0:16:24.050 --> 0:16:26.070
<v Speaker 3>my second daughter, my twins, you know.

0:16:26.000 --> 0:16:27.080
<v Speaker 1>What I'm saying? No, no. They're all different.

0:16:27.100 --> 0:16:28.200
<v Speaker 2>I ain't trying to get you to shit on a

0:16:28.200 --> 0:16:30.400
<v Speaker 2>nigga so a nigga don't call him for a session.

0:16:30.460 --> 0:16:32.100
<v Speaker 3>It ain't about shitting on him. No, it ain't about

0:16:32.140 --> 0:16:32.580
<v Speaker 3>shitting on him.

0:16:32.600 --> 0:16:34.960
<v Speaker 1>I don't want niggas to not get called for a session.

0:16:35.400 --> 0:16:37.770
<v Speaker 3>Let me explain to you what I'm saying. It be

0:16:37.830 --> 0:16:40.190
<v Speaker 3>different emotions. You know what I'm saying?

0:16:40.210 --> 0:16:40.630
<v Speaker 1>Yes, yes.

0:16:40.650 --> 0:16:44.400
<v Speaker 3>So, Hov is going to, like, sit there and figure

0:16:44.440 --> 0:16:47.100
<v Speaker 3>out the rhyme and, like, say, good, this makes sense,

0:16:47.140 --> 0:16:49.450
<v Speaker 3>and boom, boom, boom. Me and you is on a, like,

0:16:49.810 --> 0:16:52.290
<v Speaker 3>is on a, like, this my brother. I'm making joints

0:16:52.330 --> 0:16:53.290
<v Speaker 3>with him. You know what I'm saying?

0:16:53.430 --> 0:16:54.550
<v Speaker 1>Yo, but, yo, I ain't gonna front. You used to

0:16:54.570 --> 0:16:55.790
<v Speaker 1>have me frustrated sometimes.

0:16:55.810 --> 0:16:56.310
<v Speaker 3>No, I know.

0:16:56.330 --> 0:16:58.290
<v Speaker 2>Because I'd write a rhyme, Goo would be like, yo,

0:16:58.330 --> 0:16:58.590
<v Speaker 2>you said that.

0:16:58.610 --> 0:16:59.750
<v Speaker 3>And I ain't gonna let you say no bullshit.

0:16:59.810 --> 0:17:02.250
<v Speaker 1>Yo, you said that word three times already. Come on.

0:17:02.350 --> 0:17:05.460
<v Speaker 1>We gonna put that word all through the rhyme? You serious?

0:17:05.500 --> 0:17:05.720
<v Speaker 2>Word.

0:17:05.740 --> 0:17:08.870
<v Speaker 1>Word. Word. Word up.

0:17:08.890 --> 0:17:11.490
<v Speaker 3>Because I'm trying to be like, yo, like.

0:17:11.790 --> 0:17:14.570
<v Speaker 2>And then when Jeezy came out repeating whole sentences, I

0:17:14.609 --> 0:17:16.710
<v Speaker 2>used to be like, boo, I would have been the first.

0:17:19.170 --> 0:17:20.730
<v Speaker 3>We was trying to make the best rhyme.

0:17:20.910 --> 0:17:23.669
<v Speaker 1>Word up. You know what I'm saying? I used to

0:17:23.690 --> 0:17:26.000
<v Speaker 1>be like, goo, and trust me, go.

0:17:26.040 --> 0:17:29.600
<v Speaker 3>But look, even that, when you're saying that, that's the

0:17:29.640 --> 0:17:31.240
<v Speaker 3>fact that me and you could like, you know what

0:17:31.260 --> 0:17:34.470
<v Speaker 3>I'm saying? Yeah. It ain't no like. yo, he trying

0:17:34.510 --> 0:17:36.130
<v Speaker 3>to play me or this or this and that. You

0:17:36.150 --> 0:17:37.170
<v Speaker 3>know what I'm saying?

0:17:37.190 --> 0:17:40.400
<v Speaker 1>We brothers. That's right. Yo, bro, come on. I never

0:17:40.440 --> 0:17:42.140
<v Speaker 1>took nothing personal all the days.

0:17:42.160 --> 0:17:44.659
<v Speaker 2>We making the best records. We did everything, man. I

0:17:45.060 --> 0:17:47.820
<v Speaker 2>remember me and Goo in the crib recording, man. And

0:17:47.859 --> 0:17:51.080
<v Speaker 2>we hit a block. We didn't know what to do.

0:17:51.140 --> 0:17:52.639
<v Speaker 2>So me and Goo like, fuck it. Let's go to

0:17:52.660 --> 0:17:55.420
<v Speaker 2>the store, get some back. We smoking backwards, yeah. We like,

0:17:55.480 --> 0:17:58.240
<v Speaker 2>let's get some backwards. And we run into a nigga

0:17:58.480 --> 0:17:59.240
<v Speaker 2>in the store.

0:17:59.700 --> 0:18:02.490
<v Speaker 1>Like, yo, Bleak, what up? Yo, Goo, I make beats. Yo,

0:18:02.550 --> 0:18:03.470
<v Speaker 1>I live out here in Newark.

0:18:03.790 --> 0:18:05.670
<v Speaker 2>And Goo like, all right, yo, I know the homie

0:18:05.690 --> 0:18:06.310
<v Speaker 2>from the block.

0:18:06.670 --> 0:18:07.510
<v Speaker 1>Come to the crib.

0:18:08.010 --> 0:18:09.870
<v Speaker 2>Right. And we end up, he come to the crib,

0:18:09.890 --> 0:18:12.129
<v Speaker 2>played us some heat. We end up doing Hater Free

0:18:12.150 --> 0:18:15.470
<v Speaker 2>that night. Yeah. And fucking, he turned out to be

0:18:15.520 --> 0:18:20.359
<v Speaker 2>Shea Taylor. Now out here producing for Beyonce. Out here moving. Shea,

0:18:20.380 --> 0:18:24.100
<v Speaker 2>you owe me a beat. Because if I never bought Backwoods,

0:18:24.220 --> 0:18:26.060
<v Speaker 2>you heard? Mm-hmm.

0:18:27.050 --> 0:18:29.550
<v Speaker 1>We did, yo, me and Gudum been through it all, man.

0:18:29.590 --> 0:18:33.050
<v Speaker 2>But one thing I got to set up, because Timberland

0:18:33.530 --> 0:18:38.910
<v Speaker 2>and Swiss, they got verses. I got my own verses.

0:18:38.990 --> 0:18:41.810
<v Speaker 2>We going to do this one. And if anybody steal

0:18:41.830 --> 0:18:46.170
<v Speaker 2>this idea, somebody sue them for me. Because this, you

0:18:46.210 --> 0:18:50.050
<v Speaker 2>heard it here first. We need a DJ verses. And

0:18:50.070 --> 0:18:54.570
<v Speaker 2>the first two people, all my DJ verses is my bro,

0:18:55.330 --> 0:18:57.369
<v Speaker 2>It just fucking blazed.

0:18:57.710 --> 0:18:58.570
<v Speaker 3>Oh, you're going to go there.

0:18:58.609 --> 0:18:58.830
<v Speaker 1>Yo.

0:19:00.369 --> 0:19:02.150
<v Speaker 3>You're going to go there.

0:19:02.190 --> 0:19:05.650
<v Speaker 1>Yo, listen. Yo, I don't know. All right.

0:19:05.690 --> 0:19:06.410
<v Speaker 3>You're going to go there.

0:19:06.450 --> 0:19:08.740
<v Speaker 1>Yo, Goo is a major nice DJ.

0:19:09.060 --> 0:19:11.419
<v Speaker 2>But one thing I can say about my brother, it's

0:19:11.500 --> 0:19:13.020
<v Speaker 2>almost like he from Marcy.

0:19:13.180 --> 0:19:17.649
<v Speaker 1>Because you're a competitive motherfucker, yo. And I'm the same way.

0:19:17.780 --> 0:19:18.800
<v Speaker 3>It's only certain things.

0:19:19.400 --> 0:19:23.340
<v Speaker 2>That I take super serious like we could do whatever

0:19:23.359 --> 0:19:25.940
<v Speaker 2>you know what I'm saying competitive and I lose and

0:19:26.000 --> 0:19:29.260
<v Speaker 2>I be like alright cool but it's certain things that

0:19:29.300 --> 0:19:33.179
<v Speaker 2>I take super serious one of them is basketball and

0:19:33.300 --> 0:19:35.320
<v Speaker 2>one of them is DJing I think that's the only

0:19:35.380 --> 0:19:38.590
<v Speaker 2>time I ever saw you like that upset like usually

0:19:38.609 --> 0:19:40.850
<v Speaker 2>you know you upset but you composed it's over some

0:19:40.910 --> 0:19:43.149
<v Speaker 2>family show this happened nigga bullshit.

0:19:42.930 --> 0:19:45.430
<v Speaker 3>Nah what happened was what happened was nah I'ma tell

0:19:45.450 --> 0:19:52.520
<v Speaker 3>you I'ma tell you the whole story so it was

0:19:52.540 --> 0:19:56.429
<v Speaker 3>it was the day that we was doing um the

0:19:56.530 --> 0:20:00.080
<v Speaker 3>EPMD record over with you and Beans yup so what

0:20:00.119 --> 0:20:02.380
<v Speaker 3>you're saying so we was happy because we was like

0:20:02.400 --> 0:20:04.520
<v Speaker 3>yo we're gonna get DJ Scratch to come in and

0:20:04.540 --> 0:20:07.140
<v Speaker 3>do the Scratches live you know what I'm saying so

0:20:07.160 --> 0:20:08.880
<v Speaker 3>we set up we rented see I didn't even know

0:20:08.920 --> 0:20:11.900
<v Speaker 3>that part yeah yeah nah we got Scratch to do

0:20:11.960 --> 0:20:16.500
<v Speaker 3>it over so we had the turntable set you know

0:20:16.540 --> 0:20:17.740
<v Speaker 3>me and Just is like you know what.

0:20:17.680 --> 0:20:20.100
<v Speaker 2>I'm saying Scratch is Scratch is me you and Just

0:20:20.200 --> 0:20:23.419
<v Speaker 2>Scratch is a legend so it's like us trying to

0:20:23.460 --> 0:20:25.780
<v Speaker 2>set it up for him so that he's comfortable when

0:20:25.820 --> 0:20:27.800
<v Speaker 2>he come in and be like yo it's already set

0:20:27.859 --> 0:20:29.090
<v Speaker 2>up you ain't gotta you know what I'm saying mess

0:20:29.109 --> 0:20:30.340
<v Speaker 2>with nothing Boom, boom, boom.

0:20:30.359 --> 0:20:32.580
<v Speaker 3>So we had everything set up, two turntables, the mix

0:20:32.619 --> 0:20:35.610
<v Speaker 3>in the middle. Everything was weighted perfectly. Me and Justin,

0:20:35.619 --> 0:20:37.450
<v Speaker 3>you know, everything. For Scratch.

0:20:37.710 --> 0:20:37.910
<v Speaker 1>Yep.

0:20:38.850 --> 0:20:41.859
<v Speaker 2>So then afterwards... It was just y'all in there beating it.

0:20:41.859 --> 0:20:44.399
<v Speaker 2>The shit popping, you know what I'm saying? Start in

0:20:44.420 --> 0:20:47.879
<v Speaker 2>the studio. And I just so happened to walk in

0:20:47.920 --> 0:20:49.180
<v Speaker 2>the room, and they talking shit.

0:20:49.200 --> 0:20:52.240
<v Speaker 1>Goo like, well, I smoked you on these tables. Just

0:20:52.300 --> 0:20:53.520
<v Speaker 1>like what? Set it off.

0:20:53.880 --> 0:20:57.780
<v Speaker 2>So you know me, Marcy Instigator, y'all niggas, let me

0:20:57.859 --> 0:20:59.240
<v Speaker 2>see this battle go down.

0:20:59.580 --> 0:21:01.080
<v Speaker 1>And the battle went down.

0:21:01.400 --> 0:21:03.380
<v Speaker 2>I ain't going to say who won.

0:21:03.400 --> 0:21:04.600
<v Speaker 1>Ain't nobody win.

0:21:04.980 --> 0:21:09.399
<v Speaker 2>But all I know is my man Goo wanted to fight.

0:21:10.130 --> 0:21:12.910
<v Speaker 1>And I was sitting there like, no way.

0:21:13.030 --> 0:21:15.710
<v Speaker 2>And just, you know, he wanted to get back to Zelda,

0:21:15.750 --> 0:21:16.930
<v Speaker 2>but he wanted to fight too.

0:21:16.970 --> 0:21:19.810
<v Speaker 1>And I'm looking at him like, no way.

0:21:19.869 --> 0:21:21.730
<v Speaker 3>No, you say what it is. Like, I don't like

0:21:21.770 --> 0:21:24.590
<v Speaker 3>that when people battle and like they lose and they

0:21:24.609 --> 0:21:26.040
<v Speaker 3>don't want to say they lost.

0:21:26.080 --> 0:21:28.180
<v Speaker 1>Nah, because it's got to be on TV. Nah, you

0:21:28.320 --> 0:21:29.379
<v Speaker 1>ain't have your.

0:21:29.400 --> 0:21:32.480
<v Speaker 3>No, no, I'm into reggae battles. I'm into all types

0:21:32.520 --> 0:21:36.940
<v Speaker 3>of battles. So, if you come out and you lose

0:21:36.960 --> 0:21:38.740
<v Speaker 3>that night, you got to say you lost.

0:21:38.760 --> 0:21:39.379
<v Speaker 1>I ain't doing this.

0:21:39.400 --> 0:21:42.500
<v Speaker 3>So, that night, no, that night, I was like, Just

0:21:42.520 --> 0:21:44.010
<v Speaker 3>was scratching. He was killing it, right?

0:21:44.070 --> 0:21:45.470
<v Speaker 1>Yo, he was going hard.

0:21:46.450 --> 0:21:49.109
<v Speaker 3>So, I'm trying to beat juggle, and the shit was

0:21:49.130 --> 0:21:51.810
<v Speaker 3>skipping on me, and I lost. And I was like,

0:21:51.890 --> 0:21:53.270
<v Speaker 3>but I was so heated.

0:21:53.290 --> 0:21:55.830
<v Speaker 2>You had never seen me in that vein before where

0:21:55.890 --> 0:21:56.830
<v Speaker 2>I was like, yo, I was so mad.

0:21:56.850 --> 0:21:58.010
<v Speaker 1>I was like, what the fuck?

0:21:58.470 --> 0:22:02.970
<v Speaker 3>That I had lost that night. In front of everybody, yeah,

0:22:02.990 --> 0:22:05.070
<v Speaker 3>I was ready to fight. I was like, yo. It

0:22:05.109 --> 0:22:09.050
<v Speaker 3>was like the night, it was like, okay, Just is

0:22:09.090 --> 0:22:13.210
<v Speaker 3>the video game king in Baseline, right? Yo. He's the

0:22:13.230 --> 0:22:14.030
<v Speaker 3>video game king.

0:22:14.090 --> 0:22:15.550
<v Speaker 1>Nobody beat him in 2K.

0:22:15.650 --> 0:22:17.830
<v Speaker 3>No, no, but the one, I'm relaying this to the

0:22:17.850 --> 0:22:20.630
<v Speaker 3>story you just told. So the one night that I

0:22:20.670 --> 0:22:22.670
<v Speaker 3>beat Just in a video game, I don't even remember

0:22:22.690 --> 0:22:24.710
<v Speaker 3>what it was. He was on the same type set.

0:22:24.880 --> 0:22:27.840
<v Speaker 2>I was there for that, too. I was there for that.

0:22:28.140 --> 0:22:31.840
<v Speaker 2>That wasn't, I think it was NBA Live because it

0:22:31.880 --> 0:22:35.419
<v Speaker 2>wasn't 2K then. It was NBA Live on Madden, and

0:22:35.460 --> 0:22:37.860
<v Speaker 2>you whooped him in the room right there. And see,

0:22:37.880 --> 0:22:39.960
<v Speaker 2>that's like video games is something I don't care about.

0:22:40.040 --> 0:22:42.060
<v Speaker 1>Yeah, but he broke the controller and everything. I was

0:22:42.080 --> 0:22:45.090
<v Speaker 1>there for that, too. Video games is something I don't

0:22:45.290 --> 0:22:47.790
<v Speaker 1>care about. Yo, listen, these two niggas got secret trouble.

0:22:48.840 --> 0:22:49.860
<v Speaker 1>They love each other.

0:22:49.880 --> 0:22:50.360
<v Speaker 3>He's ready to go.

0:22:50.380 --> 0:22:52.500
<v Speaker 2>But they got major competitive beef.

0:22:52.820 --> 0:22:53.480
<v Speaker 1>And I love it.

0:22:53.480 --> 0:22:55.140
<v Speaker 2>And I just so happen to have been there for

0:22:55.220 --> 0:22:59.889
<v Speaker 2>both of y'all competitions. But another thing, Goo, and I

0:22:59.930 --> 0:23:03.870
<v Speaker 2>ain't going to lie. I done seen the book of Hov. Shit,

0:23:03.930 --> 0:23:05.150
<v Speaker 2>I done seen the book of Eli.

0:23:05.170 --> 0:23:08.870
<v Speaker 3>That was really dope. How you feel like you can't

0:23:09.170 --> 0:23:15.199
<v Speaker 3>skip over that. So, first of all, everybody got to

0:23:15.240 --> 0:23:18.020
<v Speaker 3>realize that we kept that a secret from Hov.

0:23:18.900 --> 0:23:19.320
<v Speaker 1>I know.

0:23:19.780 --> 0:23:24.000
<v Speaker 3>We kept it a super secret from Hov. So it

0:23:24.040 --> 0:23:27.520
<v Speaker 3>was like, you know, something monumental to be like, yo, 50th,

0:23:27.600 --> 0:23:29.119
<v Speaker 3>you know what I'm saying, hip hop.

0:23:30.900 --> 0:23:33.960
<v Speaker 2>What I would like to get out there or what

0:23:34.350 --> 0:23:37.970
<v Speaker 2>people don't really realize is the museum was doing fine.

0:23:38.650 --> 0:23:40.350
<v Speaker 3>The library wasn't.

0:23:40.369 --> 0:23:41.070
<v Speaker 1>That's right.

0:23:41.910 --> 0:23:46.429
<v Speaker 3>And so with Hov stepping in, making this exhibit, It

0:23:46.470 --> 0:23:48.429
<v Speaker 3>brings the library to a certain point, you know what

0:23:48.450 --> 0:23:52.030
<v Speaker 3>I'm saying, where people are now getting library cards, you

0:23:52.050 --> 0:23:53.130
<v Speaker 3>know what I'm saying?

0:23:53.590 --> 0:23:55.790
<v Speaker 1>Basically, you know, kept the library going.

0:23:55.990 --> 0:23:58.610
<v Speaker 3>For your hometown, you know what I'm saying?

0:23:58.630 --> 0:24:01.780
<v Speaker 1>That's a staple. That Brooklyn library been there since, man,

0:24:01.820 --> 0:24:02.949
<v Speaker 1>I can remember.

0:24:03.060 --> 0:24:04.780
<v Speaker 2>We tried to keep it a secret until they, like,

0:24:04.859 --> 0:24:07.200
<v Speaker 2>wrapped the whole front with the lyrics.

0:24:07.240 --> 0:24:10.400
<v Speaker 1>You know what I mean? Everybody on there. And my

0:24:10.420 --> 0:24:11.520
<v Speaker 1>man Meek Mill, too.

0:24:11.820 --> 0:24:17.280
<v Speaker 2>Shout out, Meek. That's my bro. He sent the direct flare. But, yeah,

0:24:17.300 --> 0:24:18.960
<v Speaker 2>the Book of Hov, I ain't going to front. That

0:24:19.020 --> 0:24:21.060
<v Speaker 2>blew my mind. Just to be in a museum, like,

0:24:21.140 --> 0:24:24.199
<v Speaker 2>I'm born and raised there. You know, my grandma's is

0:24:24.240 --> 0:24:25.180
<v Speaker 2>from Ebbetsville.

0:24:25.530 --> 0:24:26.160
<v Speaker 1>You know what I'm saying?

0:24:26.200 --> 0:24:29.050
<v Speaker 2>So I walked past that library my whole life going

0:24:29.070 --> 0:24:31.990
<v Speaker 2>to Prospect Park. So to walk in the library, bring

0:24:32.030 --> 0:24:33.890
<v Speaker 2>my kids there, and they be able to see me,

0:24:33.950 --> 0:24:38.030
<v Speaker 2>the history that we accomplished together is.

0:24:37.930 --> 0:24:38.820
<v Speaker 1>Remarkable, man.

0:24:38.930 --> 0:24:41.359
<v Speaker 2>Like, there's no words to put to that. But I

0:24:41.400 --> 0:24:45.800
<v Speaker 2>was saying that because... You got to make your book, Guru.

0:24:46.200 --> 0:24:46.820
<v Speaker 1>Seriously.

0:24:47.320 --> 0:24:49.580
<v Speaker 2>I think it's time for you to release your book.

0:24:50.119 --> 0:24:55.560
<v Speaker 2>Because Baseline didn't roll without Guru. When Guru said, I

0:24:55.580 --> 0:24:58.220
<v Speaker 2>got to go home. I'm going to take a shower.

0:24:58.560 --> 0:25:02.379
<v Speaker 2>The studio basically was closed. Everybody just sitting in there

0:25:02.400 --> 0:25:05.209
<v Speaker 2>playing dice on the pool table. Niggas just sitting there

0:25:05.230 --> 0:25:08.570
<v Speaker 2>watching YouTube. Niggas is bullshitting in the studio.

0:25:09.030 --> 0:25:09.550
<v Speaker 3>It was a super.

0:25:11.780 --> 0:25:20.320
<v Speaker 2>It was an intuitive, broken-down, everything, step-by-step, basically, Pro Tools

0:25:20.380 --> 0:25:23.100
<v Speaker 2>book for dummies. Like, they have the crash course for

0:25:23.140 --> 0:25:25.300
<v Speaker 2>people who don't know, you know? And I feel like

0:25:25.380 --> 0:25:29.050
<v Speaker 2>that book taught me Pro Tools for the nights that

0:25:29.109 --> 0:25:31.450
<v Speaker 2>you used to leave. And I'd be like, damn, Shane,

0:25:31.470 --> 0:25:33.170
<v Speaker 2>where the book at? And Shane would show me the book.

0:25:33.210 --> 0:25:35.930
<v Speaker 2>I'd be like, this wire go here, this plug-in go here.

0:25:36.290 --> 0:25:38.209
<v Speaker 2>We hit this button, Shane hit that button. I'm going

0:25:38.230 --> 0:25:40.310
<v Speaker 2>to run in the booth and do this verse. And

0:25:40.369 --> 0:25:44.050
<v Speaker 2>from there, I bought a laptop, bought an M-Box. And, bro,

0:25:44.130 --> 0:25:47.070
<v Speaker 2>I used to record shit. I did the record with M.O.P.

0:25:47.109 --> 0:25:48.090
<v Speaker 2>in my hotel room.

0:25:48.210 --> 0:25:48.570
<v Speaker 1>Yeah, man.

0:25:48.609 --> 0:25:51.310
<v Speaker 2>Like, you heard the fame on the record like, damn,

0:25:51.330 --> 0:25:53.970
<v Speaker 2>y'all don't take the mic in the bathroom or nothing? Like,

0:25:54.350 --> 0:25:56.590
<v Speaker 2>so that's all for you. So I feel like that

0:25:56.730 --> 0:26:00.520
<v Speaker 2>book is pivotal. Like, people will want a copy of

0:26:00.580 --> 0:26:04.660
<v Speaker 2>that and learn from that. Because what these kids doing today, man,

0:26:05.140 --> 0:26:06.320
<v Speaker 2>is not what we learned.

0:26:06.420 --> 0:26:07.100
<v Speaker 1>Trust me.

0:26:07.200 --> 0:26:12.210
<v Speaker 3>I get it. It was just, you know. People don't

0:26:12.270 --> 0:26:14.550
<v Speaker 3>realize I was there for four days straight. You know

0:26:14.570 --> 0:26:14.869
<v Speaker 3>what I'm saying?

0:26:14.910 --> 0:26:17.170
<v Speaker 1>I'm like, yo, I got to go take a shower. Yep.

0:26:17.359 --> 0:26:21.880
<v Speaker 3>So while I'm gone, here's how you work everything in here.

0:26:22.180 --> 0:26:24.399
<v Speaker 3>You know what I'm saying? So that the work don't

0:26:24.420 --> 0:26:24.940
<v Speaker 3>have to stop.

0:26:25.000 --> 0:26:29.149
<v Speaker 2>But that's... I take time to break down. You see

0:26:29.170 --> 0:26:31.090
<v Speaker 2>how you walked in here? You like, yo, these plugins

0:26:31.109 --> 0:26:34.740
<v Speaker 2>don't have no compressor. Yo, they bugging 90,000 for the board.

0:26:34.800 --> 0:26:37.220
<v Speaker 2>It's not one compressor. I tell people all the time,

0:26:37.280 --> 0:26:39.640
<v Speaker 2>Goo is the oracle of this shit. He will walk

0:26:39.680 --> 0:26:42.270
<v Speaker 2>in your studio and tell you, Yo, it's not right.

0:26:42.510 --> 0:26:44.730
<v Speaker 2>Everything is off. Everything is wrong. It's just like how

0:26:44.750 --> 0:26:46.530
<v Speaker 2>a painter walk in and know. Yeah.

0:26:46.670 --> 0:26:49.530
<v Speaker 1>The painter's not right, bro. Like, it's not smooth here.

0:26:49.550 --> 0:26:50.130
<v Speaker 1>It's lumpy.

0:26:50.390 --> 0:26:50.660
<v Speaker 3>Yeah.

0:26:50.820 --> 0:26:52.659
<v Speaker 1>You know what I'm saying? And that's how you are.

0:26:52.720 --> 0:26:54.919
<v Speaker 3>That's what Baseline was like. You know what I'm saying?

0:26:54.940 --> 0:26:55.010
<v Speaker 2>Yes.

0:26:55.080 --> 0:26:57.879
<v Speaker 3>We had it the way we wanted it and... You

0:26:57.900 --> 0:26:59.240
<v Speaker 3>didn't have to worry about the equipment.

0:26:59.500 --> 0:26:59.820
<v Speaker 1>No.

0:26:59.880 --> 0:27:00.359
<v Speaker 3>You know what I'm saying?

0:27:00.460 --> 0:27:00.840
<v Speaker 1>At all.

0:27:00.900 --> 0:27:04.110
<v Speaker 2>Now you go to studios, equipment ain't right. OG Ward

0:27:04.170 --> 0:27:07.810
<v Speaker 2>spent that grip. He made sure everything was A1, and

0:27:07.869 --> 0:27:08.210
<v Speaker 2>if it.

0:27:08.190 --> 0:27:09.409
<v Speaker 1>Broke, we bought a new one.

0:27:09.609 --> 0:27:12.159
<v Speaker 3>And it was comfortable, and it was like multiple rooms,

0:27:12.180 --> 0:27:14.620
<v Speaker 3>and it was like, you know what I'm saying, the vibe.

0:27:14.320 --> 0:27:18.230
<v Speaker 1>That we had. Why all these dudes... That got studios

0:27:18.250 --> 0:27:19.409
<v Speaker 1>with multiple rooms. This is a good.

0:27:19.430 --> 0:27:21.730
<v Speaker 2>Because you said it was multiple rooms, and we never

0:27:21.830 --> 0:27:24.190
<v Speaker 2>had this problem. And I know you know what I'm

0:27:24.210 --> 0:27:26.470
<v Speaker 2>about to say. You go in all these studios, the

0:27:26.650 --> 0:27:29.450
<v Speaker 2>A room got AC, but the B room don't. What

0:27:29.490 --> 0:27:33.050
<v Speaker 2>the fuck is that about? Like, everybody B room just hot.

0:27:33.570 --> 0:27:34.570
<v Speaker 1>Like, yo.

0:27:34.890 --> 0:27:40.650
<v Speaker 3>Nah, it's difficult nowadays because people don't really realize what

0:27:40.710 --> 0:27:42.270
<v Speaker 3>it mean when they say the studio.

0:27:42.490 --> 0:27:42.910
<v Speaker 1>Yeah.

0:27:43.130 --> 0:27:45.780
<v Speaker 3>You know what I'm saying? So people think, like, setting

0:27:45.859 --> 0:27:50.450
<v Speaker 3>up a computer... And a couple little things is a studio,

0:27:50.550 --> 0:27:52.710
<v Speaker 3>and it's not really. You know what I'm saying? That's right.

0:27:52.760 --> 0:27:55.460
<v Speaker 3>So to the point of building a room inside of

0:27:55.520 --> 0:28:00.919
<v Speaker 3>a room and different design techniques and things that you

0:28:00.960 --> 0:28:02.660
<v Speaker 3>don't got to worry about because it was like, yo,

0:28:02.720 --> 0:28:05.580
<v Speaker 3>goo know about it. You know what I'm saying? So

0:28:05.720 --> 0:28:13.169
<v Speaker 3>it's not really about the quality of what's good enough

0:28:14.170 --> 0:28:18.390
<v Speaker 3>matters now. Not great. Not perfect. You know what I'm saying?

0:28:18.430 --> 0:28:19.270
<v Speaker 3>It's just good enough.

0:28:19.350 --> 0:28:22.050
<v Speaker 1>It's like in the 65 on the test map. Yeah,

0:28:22.090 --> 0:28:23.800
<v Speaker 1>it's like in the 65. Yeah, I don't want 100.

0:28:23.790 --> 0:28:26.770
<v Speaker 1>I passed. Yeah, I'm good. Yeah, I passed. And you're right.

0:28:26.830 --> 0:28:29.290
<v Speaker 1>That's what's going on today. It's just good enough. It's

0:28:29.310 --> 0:28:29.750
<v Speaker 1>not great.

0:28:29.770 --> 0:28:32.669
<v Speaker 2>These kids not perfecting and not taking any time to

0:28:32.730 --> 0:28:36.250
<v Speaker 2>learn the craft. You know what I'm saying? That's one thing.

0:28:36.310 --> 0:28:40.400
<v Speaker 2>And I know being around you. See, I'm not familiar

0:28:40.440 --> 0:28:43.090
<v Speaker 2>with this guy's music, but I got familiar with it

0:28:43.230 --> 0:28:47.290
<v Speaker 2>through you, two people. So this is a two-part question

0:28:47.330 --> 0:28:50.380
<v Speaker 2>for me because I learned about these two individuals through you.

0:28:51.060 --> 0:28:53.400
<v Speaker 1>One, both, rest in peace. Damn, God, you know what

0:28:53.420 --> 0:28:54.420
<v Speaker 1>I mean? God bless. God bless.

0:28:55.300 --> 0:28:59.380
<v Speaker 2>J Dilla had a major influence on you I hear

0:28:59.420 --> 0:29:03.120
<v Speaker 2>like it's not a studio session go by that that

0:29:03.280 --> 0:29:08.610
<v Speaker 2>name don't come up and then MF Doom I would

0:29:08.650 --> 0:29:11.330
<v Speaker 2>have not known who the hell that was if it

0:29:11.390 --> 0:29:14.030
<v Speaker 2>wasn't for Goo he used to make sure y'all niggas

0:29:14.070 --> 0:29:16.510
<v Speaker 2>gonna know what this underground sound like.

0:29:16.590 --> 0:29:18.910
<v Speaker 3>I do it you know what I'm saying backwards but

0:29:18.970 --> 0:29:26.130
<v Speaker 3>Doom was like my man Ben Big Ben. You know

0:29:26.150 --> 0:29:28.610
<v Speaker 3>what I'm saying? Rap, rap, bring us all together.

0:29:28.910 --> 0:29:29.090
<v Speaker 2>Right?

0:29:29.110 --> 0:29:31.890
<v Speaker 3>So my man Big Ben was a hype man. They

0:29:31.950 --> 0:29:34.630
<v Speaker 3>used to call him Big Ben the Klingon in the Doom,

0:29:34.790 --> 0:29:38.010
<v Speaker 3>you know what I'm saying, world. He was one of

0:29:38.030 --> 0:29:40.260
<v Speaker 3>my dudes they used to come down you know when

0:29:40.320 --> 0:29:42.760
<v Speaker 3>I was at Howard he was a Howard student and

0:29:42.780 --> 0:29:52.170
<v Speaker 3>he would bring like Lord Sear Curious George all of

0:29:52.210 --> 0:29:54.090
<v Speaker 3>them you know what I'm saying be rhyming against my

0:29:54.130 --> 0:29:58.810
<v Speaker 3>dudes and that's how I met MF Doom was through

0:29:58.850 --> 0:30:04.590
<v Speaker 3>Big Ben But Dune was just like, the rhyme patterns and,

0:30:04.610 --> 0:30:06.110
<v Speaker 3>you know what I'm saying? Like, it was different from

0:30:06.130 --> 0:30:06.550
<v Speaker 3>what we was doing.

0:30:06.570 --> 0:30:07.370
<v Speaker 1>Yes, yes.

0:30:07.710 --> 0:30:10.470
<v Speaker 2>He was super nice. Yeah, he was dumb nice. Super nice,

0:30:10.520 --> 0:30:10.820
<v Speaker 2>super nice.

0:30:10.880 --> 0:30:15.080
<v Speaker 3>And then Dilla was, the Dilla thing was like, I

0:30:15.120 --> 0:30:19.080
<v Speaker 3>had never heard nobody chop records like that and make,

0:30:19.100 --> 0:30:21.360
<v Speaker 3>you know what I'm saying, the drum patterns so loose.

0:30:21.480 --> 0:30:26.740
<v Speaker 3>And then the ill part was early, early on, he

0:30:26.780 --> 0:30:31.490
<v Speaker 3>was messing with B-Hot. You know what I'm saying? No way. Yeah, yeah, yeah.

0:30:31.750 --> 0:30:34.230
<v Speaker 3>And he was, like, you know, like, helping them in

0:30:34.270 --> 0:30:38.030
<v Speaker 3>New York. Like, not managing them, but, like, helping them.

0:30:38.070 --> 0:30:39.270
<v Speaker 3>You know what I'm saying? Like, yo, I'll try to

0:30:39.290 --> 0:30:40.210
<v Speaker 3>get you some... Yeah, yeah, yeah.

0:30:40.310 --> 0:30:41.450
<v Speaker 1>That's crazy. I never met him.

0:30:41.490 --> 0:30:45.050
<v Speaker 3>No, no. And the crazy part is I said to him,

0:30:45.110 --> 0:30:47.020
<v Speaker 3>I was like, yo, just give me a session with him. Like,

0:30:47.040 --> 0:30:49.390
<v Speaker 3>I just want to see if it's real. Like, way early.

0:30:51.040 --> 0:30:52.920
<v Speaker 3>And he got me a session. He got me... Yeah,

0:30:52.940 --> 0:30:54.460
<v Speaker 3>he got me a session. You know what I'm saying?

0:30:54.500 --> 0:30:56.000
<v Speaker 3>For people that don't know, that's Jay Cousin. You know

0:30:56.020 --> 0:30:58.970
<v Speaker 3>what I'm saying? And he got me a session. And

0:30:59.020 --> 0:31:00.680
<v Speaker 3>I sat there with Dilla, and me and him just

0:31:00.740 --> 0:31:02.700
<v Speaker 3>rolled up all day, smoked. You know what I'm saying?

0:31:02.740 --> 0:31:05.400
<v Speaker 3>He was making joints. And I was just.

0:31:05.300 --> 0:31:06.540
<v Speaker 1>Like, yo, this dude nice.

0:31:07.620 --> 0:31:08.400
<v Speaker 3>Like, dumb nice.

0:31:09.120 --> 0:31:09.380
<v Speaker 1>Yeah.

0:31:09.600 --> 0:31:12.410
<v Speaker 2>You know what I'm saying? Every producer. Yeah, he was

0:31:12.450 --> 0:31:14.630
<v Speaker 2>dumb nice. Every producer pays homage to J.

0:31:14.670 --> 0:31:15.010
<v Speaker 1>Dilla.

0:31:15.050 --> 0:31:18.630
<v Speaker 3>Because his swing, you know what I'm saying? And the

0:31:18.710 --> 0:31:21.390
<v Speaker 3>looseness of his beats was just like, and the way

0:31:21.410 --> 0:31:23.580
<v Speaker 3>he chopped samples was crazy. You know, that's what we

0:31:23.600 --> 0:31:24.360
<v Speaker 3>was on every day.

0:31:24.450 --> 0:31:25.360
<v Speaker 1>Yeah, all day.

0:31:25.700 --> 0:31:29.050
<v Speaker 2>Yo, talking about that chopping samples, this wasn't even something.

0:31:29.990 --> 0:31:30.750
<v Speaker 1>How you feel?

0:31:31.370 --> 0:31:33.710
<v Speaker 2>I'm going to have my homie up here, too, because

0:31:33.870 --> 0:31:36.530
<v Speaker 2>I want to ask him. But yo, tell niggas, man,

0:31:36.890 --> 0:31:39.630
<v Speaker 2>was it real in the studio with the Big and

0:31:39.670 --> 0:31:44.130
<v Speaker 2>the Just Blaze shit, my G? Like, bro, it's like

0:31:44.170 --> 0:31:46.060
<v Speaker 2>we had to keep these dudes separated.

0:31:46.700 --> 0:31:50.180
<v Speaker 3>Well, I'm the person, and I can say this proudly,

0:31:50.960 --> 0:31:54.740
<v Speaker 3>who has always tried to mend that particular.

0:31:55.310 --> 0:31:57.770
<v Speaker 1>Relationship, yeah, because it's like.

0:31:58.210 --> 0:32:01.560
<v Speaker 2>Nobody in the world can say that they have tried

0:32:01.620 --> 0:32:05.520
<v Speaker 2>harder than me to mend that particular thing.

0:32:05.820 --> 0:32:07.800
<v Speaker 1>I feel if we would have kept them, if them

0:32:07.880 --> 0:32:10.940
<v Speaker 1>two would have stayed in the studio, A and B room,

0:32:11.420 --> 0:32:13.360
<v Speaker 1>I don't think Rockefeller would have saw a day it

0:32:13.380 --> 0:32:13.720
<v Speaker 1>could end.

0:32:13.740 --> 0:32:19.420
<v Speaker 2>You know, again... Because.

0:32:17.900 --> 0:32:19.430
<v Speaker 1>When Big left, that's what Boyeo.

0:32:19.570 --> 0:32:21.350
<v Speaker 3>I could only have my, you know what I'm saying,

0:32:22.150 --> 0:32:27.370
<v Speaker 3>my way of saying... How can I broke a piece thing?

0:32:27.590 --> 0:32:30.690
<v Speaker 2>Because when Bink left, that's when Ye came around harder.

0:32:30.710 --> 0:32:34.070
<v Speaker 2>And Ye filled that B room. Because it was Bink

0:32:34.110 --> 0:32:36.270
<v Speaker 2>in the A room first and Justin.

0:32:35.850 --> 0:32:36.790
<v Speaker 1>In the B room. Oh, no, no.

0:32:36.830 --> 0:32:39.510
<v Speaker 3>Bink was definitely... For the history, Bink was definitely the

0:32:39.530 --> 0:32:40.630
<v Speaker 3>first person at Baseline.

0:32:40.650 --> 0:32:43.370
<v Speaker 2>First person. Like, a lot of people think, you know,

0:32:43.470 --> 0:32:46.320
<v Speaker 2>Justin did a lot of the records. But they don't understand.

0:32:46.400 --> 0:32:48.220
<v Speaker 2>Bink did a lot of our records.

0:32:48.240 --> 0:32:52.890
<v Speaker 3>But then it's like, I don't want them to... Both

0:32:52.950 --> 0:32:55.930
<v Speaker 3>of them are part of a history. That's right. That

0:32:56.910 --> 0:32:58.250
<v Speaker 3>is magnificent.

0:32:58.330 --> 0:33:01.590
<v Speaker 1>And it's bigger than life. Y'all, the reason why is history.

0:33:01.950 --> 0:33:04.280
<v Speaker 2>And that's why I want them together because it's like,

0:33:04.300 --> 0:33:06.320
<v Speaker 2>you stronger together than apart.

0:33:07.160 --> 0:33:09.580
<v Speaker 1>Especially in the team, man. You know what I'm saying?

0:33:09.620 --> 0:33:12.320
<v Speaker 2>Like Hov say, when the family is no, nobody wins

0:33:12.340 --> 0:33:13.400
<v Speaker 2>when the family fumes.

0:33:13.440 --> 0:33:16.340
<v Speaker 3>Yeah, I would just, you know, want it on record

0:33:16.360 --> 0:33:20.710
<v Speaker 3>that like, you know, I've definitely over the years tried

0:33:20.750 --> 0:33:23.520
<v Speaker 3>to put, even up to now, have tried to be like,

0:33:23.860 --> 0:33:25.560
<v Speaker 3>how do I, you know what I'm saying, make it

0:33:25.620 --> 0:33:28.640
<v Speaker 3>a peace thing between that particular thing.

0:33:28.860 --> 0:33:30.750
<v Speaker 1>We might have to have a versus. Fuck it. Don't

0:33:30.770 --> 0:33:31.410
<v Speaker 1>niggas play the record.

0:33:31.430 --> 0:33:33.729
<v Speaker 3>Nah, not even that. Not even that. Like, just on

0:33:33.750 --> 0:33:35.250
<v Speaker 3>some real, like, you know.

0:33:36.010 --> 0:33:39.170
<v Speaker 1>Yo, fuck it. Swizz, holla at me. I got producer versus.

0:33:39.190 --> 0:33:42.980
<v Speaker 3>I'm dead serious. I'm just like on some real, I

0:33:43.020 --> 0:33:43.620
<v Speaker 3>want that.

0:33:44.080 --> 0:33:45.020
<v Speaker 1>Yeah, I know. To be.

0:33:46.230 --> 0:33:48.900
<v Speaker 3>No tension, no nothing.

0:33:49.000 --> 0:33:51.480
<v Speaker 1>Because they both two are the greatest producers I ever

0:33:51.500 --> 0:33:51.740
<v Speaker 1>worked with.

0:33:51.780 --> 0:33:52.040
<v Speaker 2>Ever, ever.

0:33:52.220 --> 0:33:53.620
<v Speaker 1>Like that I ever worked with.

0:33:53.940 --> 0:33:56.200
<v Speaker 2>I can honestly say there's not a record or a

0:33:56.280 --> 0:33:58.860
<v Speaker 2>beat Bink played me that I was like, nah, go

0:33:58.900 --> 0:34:00.980
<v Speaker 2>to that one. It's not a record or a beat

0:34:01.020 --> 0:34:04.200
<v Speaker 2>that Just Blaze played that I was like, nah.

0:34:04.540 --> 0:34:08.230
<v Speaker 1>I made Just give me round here. Remember, he didn't

0:34:08.270 --> 0:34:09.590
<v Speaker 1>even want to give me the beat. Like, nah, this

0:34:09.610 --> 0:34:09.850
<v Speaker 1>is bullshit.

0:34:09.870 --> 0:34:11.350
<v Speaker 3>I give you a lot of credit for round here, too.

0:34:11.390 --> 0:34:12.049
<v Speaker 1>Yeah, because he.

0:34:12.170 --> 0:34:16.270
<v Speaker 3>Because back then, Just made the beat. You know what

0:34:16.290 --> 0:34:21.109
<v Speaker 3>I'm saying? Obviously, it's in a certain vein, but you

0:34:21.150 --> 0:34:26.169
<v Speaker 3>was always the person that way before then was always

0:34:26.230 --> 0:34:31.969
<v Speaker 3>on the South, like Southern records and just... putting us

0:34:32.070 --> 0:34:34.290
<v Speaker 3>up on Southern, you know what I'm saying? I was like,

0:34:34.310 --> 0:34:35.730
<v Speaker 3>Bleak is the Southern connect.

0:34:35.830 --> 0:34:36.529
<v Speaker 1>They don't know that.

0:34:36.550 --> 0:34:39.850
<v Speaker 3>So, yeah, even for around here where it was like, yo,

0:34:40.489 --> 0:34:43.790
<v Speaker 3>for you, I think it was just like, oh, T.I.

0:34:43.830 --> 0:34:45.799
<v Speaker 3>popping right now in the South? Like, let me get T.I.

0:34:45.800 --> 0:34:46.589
<v Speaker 3>You know what I'm saying?

0:34:46.660 --> 0:34:51.319
<v Speaker 2>I remember Hov saying, why we paying T.I.? Like, and yo,

0:34:51.340 --> 0:34:53.660
<v Speaker 2>shout out T.I. because he only charged me five grand

0:34:53.700 --> 0:34:56.279
<v Speaker 2>for that verse. That's probably like a hundred racks right

0:34:56.300 --> 0:34:57.200
<v Speaker 2>now for a T.I.

0:34:57.260 --> 0:34:57.540
<v Speaker 1>Verse.

0:34:58.040 --> 0:35:00.400
<v Speaker 2>But Hov was like, why we giving this, who the

0:35:00.420 --> 0:35:03.399
<v Speaker 2>fuck is T.I.? Why we giving him five grand? Man,

0:35:03.420 --> 0:35:06.930
<v Speaker 2>we got Beanie Siegel, he'll do it for free. And

0:35:06.989 --> 0:35:09.930
<v Speaker 2>I'm like, yeah, but everybody know Beans down, man. Like,

0:35:10.010 --> 0:35:11.090
<v Speaker 2>I need a new nigga.

0:35:11.270 --> 0:35:16.080
<v Speaker 3>Nah, the round here was definitely a, it was like a,

0:35:16.150 --> 0:35:19.440
<v Speaker 3>it was a perfect, like, you record. A lot of

0:35:19.480 --> 0:35:22.710
<v Speaker 3>times people don't know Where it be like your personality.

0:35:22.730 --> 0:35:24.890
<v Speaker 3>You know what I'm saying? So to me, round here

0:35:24.910 --> 0:35:27.710
<v Speaker 3>was just like a perfect you because you always been,

0:35:28.070 --> 0:35:30.150
<v Speaker 3>and I mean everybody from the South.

0:35:30.469 --> 0:35:32.109
<v Speaker 1>You always been on Southern music.

0:35:32.190 --> 0:35:35.470
<v Speaker 2>A lot of people don't know that BG album, all

0:35:35.550 --> 0:35:36.590
<v Speaker 2>Trick Daddy albums.

0:35:36.640 --> 0:35:39.080
<v Speaker 1>Come on, man. All of them. That Book of Thugs.

0:35:39.140 --> 0:35:42.439
<v Speaker 1>Come on. That still get rotation. You know what I'm saying?

0:35:42.500 --> 0:35:47.500
<v Speaker 2>Mystical before all the other shit. The Mystical where he

0:35:47.540 --> 0:35:48.880
<v Speaker 2>was the James Brown. Yeah.

0:35:50.900 --> 0:35:51.680
<v Speaker 1>You know what I'm saying?

0:35:51.700 --> 0:35:53.009
<v Speaker 3>I used to play a lot of that shit in

0:35:53.050 --> 0:35:53.550
<v Speaker 3>the studio.

0:35:53.570 --> 0:35:56.670
<v Speaker 1>Yo, I was on the South, man. No Limit, Cash Money, Hard,

0:35:56.730 --> 0:35:58.730
<v Speaker 1>you know what I mean? 8-Ball, MJG.

0:35:59.370 --> 0:36:02.850
<v Speaker 2>Man, fucking kidding me? I was riding dirty out here

0:36:02.870 --> 0:36:05.430
<v Speaker 2>in New York. Y'all have no understanding, boy.

0:36:05.739 --> 0:36:09.359
<v Speaker 1>So, of course, a lot of people would definitely want

0:36:09.380 --> 0:36:10.560
<v Speaker 1>to know. I know.

0:36:10.780 --> 0:36:13.219
<v Speaker 2>So this ain't a question from me. This is, like

0:36:13.280 --> 0:36:15.819
<v Speaker 2>I said, I tweeted out, yo, any questions y'all got

0:36:15.860 --> 0:36:19.950
<v Speaker 2>for Goo? Niggas like, yeah, ask Goo. What a session

0:36:19.989 --> 0:36:21.090
<v Speaker 2>with Hov is like.

0:36:22.430 --> 0:36:23.370
<v Speaker 3>What they mean with us like?

0:36:24.270 --> 0:36:27.910
<v Speaker 1>I guess they mean like how is it working with Hov?

0:36:27.930 --> 0:36:29.589
<v Speaker 3>It's the same as like me and you. You know

0:36:29.610 --> 0:36:34.070
<v Speaker 3>what I'm saying? Like we sit down, we listen to music,

0:36:35.430 --> 0:36:37.330
<v Speaker 3>we pick a beat. You know what I'm saying? And

0:36:37.370 --> 0:36:42.609
<v Speaker 3>that's part of my, what I do. I can't tell

0:36:42.650 --> 0:36:43.469
<v Speaker 3>you or speak to you.

0:36:44.120 --> 0:36:44.319
<v Speaker 1>No.

0:36:44.510 --> 0:36:47.110
<v Speaker 3>So I'm going to bring you what I think is good.

0:36:47.250 --> 0:36:47.570
<v Speaker 1>Yes.

0:36:47.650 --> 0:36:49.810
<v Speaker 3>You know what I'm saying? And then what speaks to you,

0:36:50.230 --> 0:36:52.650
<v Speaker 3>then I'm going to say, what is this saying? And

0:36:52.690 --> 0:36:55.790
<v Speaker 3>then you start coming with a concept and spitting ideas,

0:36:55.830 --> 0:36:58.279
<v Speaker 3>and I don't ever want somebody to think, like, I

0:36:58.340 --> 0:37:00.799
<v Speaker 3>ever wrote one of yours. You know what I'm saying?

0:37:00.820 --> 0:37:00.880
<v Speaker 2>No.

0:37:00.880 --> 0:37:02.980
<v Speaker 3>When you're sitting there and you're like, yo, this beat

0:37:03.040 --> 0:37:05.100
<v Speaker 3>is saying this, and this might be the hook, or

0:37:05.540 --> 0:37:08.660
<v Speaker 3>this is the verse, then I start going, okay, take

0:37:08.719 --> 0:37:10.210
<v Speaker 3>the thes and the its out.

0:37:10.570 --> 0:37:11.830
<v Speaker 1>Yep, that's the one.

0:37:11.890 --> 0:37:13.190
<v Speaker 3>You know what I'm saying? Take the beat.

0:37:13.210 --> 0:37:17.290
<v Speaker 1>You know what I'm saying? Thug for everything, bleak. Yo,

0:37:17.370 --> 0:37:20.810
<v Speaker 1>you bugging. How many it's in there? Like, chill. Change

0:37:20.830 --> 0:37:21.240
<v Speaker 1>that up.

0:37:21.250 --> 0:37:23.149
<v Speaker 3>But the flow could be better. You know what I'm saying?

0:37:23.170 --> 0:37:25.980
<v Speaker 3>But it's not like, that's what vocal coaching, people would

0:37:26.000 --> 0:37:28.580
<v Speaker 3>say vocal coaching. You know what I'm saying? It's not necessarily,

0:37:28.640 --> 0:37:30.020
<v Speaker 3>I'm not telling you what to say.

0:37:30.040 --> 0:37:30.750
<v Speaker 1>But how to say it.

0:37:30.800 --> 0:37:33.120
<v Speaker 3>Yeah, just when you write, I'm there with you while

0:37:33.160 --> 0:37:33.700
<v Speaker 3>you're writing it.

0:37:33.700 --> 0:37:35.000
<v Speaker 1>It was definitely the A &amp; R.

0:37:35.840 --> 0:37:38.740
<v Speaker 2>Slash engineer. You wasn't just no engineer in the studio

0:37:38.760 --> 0:37:39.690
<v Speaker 2>that just pressed record.

0:37:39.710 --> 0:37:41.770
<v Speaker 3>So that's what it be like with Hov. You know

0:37:41.810 --> 0:37:43.810
<v Speaker 3>what I'm saying? With Hov, you know the rhyme gonna

0:37:43.830 --> 0:37:45.910
<v Speaker 3>be good. You know what I'm saying? Is it the

0:37:45.969 --> 0:37:48.590
<v Speaker 3>right thing that we supposed to be saying at the

0:37:48.630 --> 0:37:51.830
<v Speaker 3>given time? Did you... Go ahead.

0:37:51.930 --> 0:37:52.890
<v Speaker 1>That's the thing too.

0:37:52.930 --> 0:37:54.840
<v Speaker 2>That's where my train of thought was at when I

0:37:54.880 --> 0:37:56.940
<v Speaker 2>said I lost my train of thought. One thing I

0:37:57.040 --> 0:37:59.919
<v Speaker 2>always wanted to clear up, and you the perfect guy

0:37:59.940 --> 0:38:03.180
<v Speaker 2>who can help me clear this up. Because for so long,

0:38:03.910 --> 0:38:08.049
<v Speaker 2>In my career, people believe Ho was in the studio

0:38:08.110 --> 0:38:08.650
<v Speaker 2>with us.

0:38:08.670 --> 0:38:11.490
<v Speaker 1>Remember, you did, after coming to Age Album.

0:38:11.550 --> 0:38:13.250
<v Speaker 3>They think he wrote your rhyme.

0:38:13.270 --> 0:38:15.850
<v Speaker 1>Yes, he was in the studio with me writing.

0:38:15.890 --> 0:38:18.870
<v Speaker 3>He wrote one rhyme. Exactly. In the very beginning as

0:38:18.969 --> 0:38:19.710
<v Speaker 3>a teenager.

0:38:19.950 --> 0:38:20.640
<v Speaker 1>Exactly.

0:38:21.030 --> 0:38:23.520
<v Speaker 2>I was 14 when I got it. I didn't even

0:38:23.540 --> 0:38:25.520
<v Speaker 2>know what equilibrium was.

0:38:25.640 --> 0:38:26.620
<v Speaker 1>It meant nothing.

0:38:26.840 --> 0:38:30.440
<v Speaker 3>I'm a testament to it that the rest of your career,

0:38:30.460 --> 0:38:34.850
<v Speaker 3>because I come in on the second album, is you

0:38:35.230 --> 0:38:36.270
<v Speaker 3>writing all those rhymes.

0:38:36.489 --> 0:38:37.089
<v Speaker 1>Exactly.

0:38:37.610 --> 0:38:41.149
<v Speaker 2>Because when we was going to do the verses with Santana,

0:38:41.250 --> 0:38:45.719
<v Speaker 2>one thing Santana said was, is I, you can't, if

0:38:45.760 --> 0:38:48.219
<v Speaker 2>you're going to do the verses, you can't play none

0:38:48.280 --> 0:38:49.660
<v Speaker 2>of the songs that Hov wrote.

0:38:50.040 --> 0:38:51.919
<v Speaker 1>And I said, all right, cool. I wasn't playing Coming

0:38:51.940 --> 0:38:52.520
<v Speaker 1>of Age anyway.

0:38:52.560 --> 0:38:53.640
<v Speaker 3>Yeah, it's one song.

0:38:53.680 --> 0:38:56.439
<v Speaker 2>So you got a fucking problem, my man. You better

0:38:56.480 --> 0:39:01.360
<v Speaker 2>rethink that. But you got to think, you got to think, too. Okay,

0:39:01.500 --> 0:39:04.380
<v Speaker 2>let's say a young kid. No, no, just think about it.

0:39:04.460 --> 0:39:08.360
<v Speaker 2>A young kid, you're getting on in the game. Hov

0:39:08.719 --> 0:39:11.390
<v Speaker 2>gives you this paper and says, memorize this. Mm-hmm.

0:39:11.719 --> 0:39:12.880
<v Speaker 3>And as soon as you can do this, you can

0:39:12.920 --> 0:39:16.540
<v Speaker 3>get on. But let's just think of Coming of Age 2.

0:39:16.540 --> 0:39:20.000
<v Speaker 3>So you wrote Coming of Age 2. And you got

0:39:20.020 --> 0:39:24.690
<v Speaker 3>to realize that Coming of Age 2 is a mental sport.

0:39:25.610 --> 0:39:29.210
<v Speaker 3>The whole thing is that the verses are all in

0:39:29.250 --> 0:39:32.020
<v Speaker 3>somebody's head. and y'all really throughout the whole song if

0:39:32.040 --> 0:39:35.060
<v Speaker 3>you listen to it y'all only said yo what up

0:39:35.440 --> 0:39:36.080
<v Speaker 3>one time.

0:39:36.580 --> 0:39:39.900
<v Speaker 2>It's all what we think it's all the thought process

0:39:39.980 --> 0:39:43.899
<v Speaker 2>it's all thought the whole thing is what's up that's

0:39:44.080 --> 0:39:45.710
<v Speaker 2>it I.

0:39:45.640 --> 0:39:48.049
<v Speaker 1>Told little homie, what's up? That's it.

0:39:48.330 --> 0:39:51.190
<v Speaker 2>You never supposed, what he thinking, I'm thinking, and I'm thinking,

0:39:51.250 --> 0:39:55.700
<v Speaker 2>he's thinking. Like, that song, if you really dissect that record, man,

0:39:55.719 --> 0:39:58.919
<v Speaker 2>that shit, that's why I say, man, back then, you took,

0:39:58.940 --> 0:40:01.410
<v Speaker 2>like you said, you couldn't be good.

0:40:01.810 --> 0:40:02.830
<v Speaker 1>You had to be great.

0:40:02.890 --> 0:40:06.740
<v Speaker 2>Mm-hmm. And when I came out, it was no dudes

0:40:06.780 --> 0:40:09.060
<v Speaker 2>my age. Like, of course you had Ja Rule. Ja

0:40:09.100 --> 0:40:13.080
<v Speaker 2>Rule is a fucking next level phenomenon out there. Keep

0:40:13.120 --> 0:40:15.260
<v Speaker 2>telling him, let me hold three muscles, I'll be good.

0:40:15.900 --> 0:40:19.000
<v Speaker 2>He was just next level writing all kind of big records.

0:40:19.260 --> 0:40:26.150
<v Speaker 3>What was dope though was like the thing of like

0:40:26.770 --> 0:40:33.950
<v Speaker 3>being at Baseline, making records, knowing what that meant Because

0:40:33.989 --> 0:40:36.649
<v Speaker 3>we had a perfect trifecta.

0:40:36.830 --> 0:40:37.110
<v Speaker 1>Yep.

0:40:37.650 --> 0:40:39.950
<v Speaker 3>So it was like me and Hop is going to

0:40:39.969 --> 0:40:41.830
<v Speaker 3>be in the studio with y'all making records. You know

0:40:41.850 --> 0:40:44.950
<v Speaker 3>what I'm saying? So then Lenny is going to be

0:40:44.989 --> 0:40:47.250
<v Speaker 3>in the office. Lenny going to be the fly. You

0:40:47.750 --> 0:40:49.690
<v Speaker 3>know what I'm saying? Fresh every day.

0:40:49.730 --> 0:40:50.230
<v Speaker 1>It was like a relay.

0:40:50.250 --> 0:40:53.870
<v Speaker 3>Boom, boom, boom. And everybody loved Lenny. And then it's

0:40:53.890 --> 0:40:55.669
<v Speaker 3>going to be G. And G going to go around

0:40:55.710 --> 0:40:57.710
<v Speaker 3>and kiss the babies. You know what I'm saying? Get

0:40:57.730 --> 0:41:00.509
<v Speaker 3>the thing signed. He going to do that. G doing that.

0:41:00.830 --> 0:41:02.590
<v Speaker 1>And then Bobby Dash hitting the radio.

0:41:02.770 --> 0:41:06.890
<v Speaker 3>Radio. Yep. So all of that worked together.

0:41:06.910 --> 0:41:11.510
<v Speaker 1>Yep. It was all cohesive. Everybody moving as one unit.

0:41:11.660 --> 0:41:11.839
<v Speaker 3>Right.

0:41:11.860 --> 0:41:14.700
<v Speaker 2>And that's what made Rockefeller so great at that time.

0:41:14.739 --> 0:41:18.219
<v Speaker 2>And I always say that was the best time of

0:41:18.280 --> 0:41:20.120
<v Speaker 2>my life because I didn't have to do nothing. All

0:41:20.140 --> 0:41:21.780
<v Speaker 2>I had to do was go in the studio and rhyme.

0:41:22.020 --> 0:41:25.160
<v Speaker 2>The next day, Flex, Clue, and them playing it. It's like, oh, shit.

0:41:25.489 --> 0:41:27.450
<v Speaker 2>I didn't even know they got the record. That's because

0:41:27.489 --> 0:41:29.990
<v Speaker 2>Bobby Dash took that record and took it to the radio.

0:41:30.050 --> 0:41:31.950
<v Speaker 3>But a lot of artists don't realize that where it

0:41:31.969 --> 0:41:37.259
<v Speaker 3>was like, that's the part that you're missing. Yes. As

0:41:37.300 --> 0:41:38.760
<v Speaker 3>to why your record ain't popping.

0:41:38.880 --> 0:41:39.220
<v Speaker 1>Yes.

0:41:39.540 --> 0:41:40.420
<v Speaker 3>You know what I'm saying?

0:41:40.460 --> 0:41:43.060
<v Speaker 2>You need that guy that's going, Bobby used to be

0:41:43.100 --> 0:41:46.160
<v Speaker 2>up there bright and early all day, hanging in Hot 97,

0:41:46.160 --> 0:41:48.440
<v Speaker 2>hanging in 105. Be like, Bobby, where you was at?

0:41:48.450 --> 0:41:49.969
<v Speaker 2>He's like, yo, I was at the radio all day.

0:41:50.250 --> 0:41:53.029
<v Speaker 2>I'm in Baltimore tomorrow. I'm on these guys. We was

0:41:53.110 --> 0:41:53.910
<v Speaker 2>on everybody.

0:41:53.989 --> 0:41:56.569
<v Speaker 3>What was crazy to me was like, one time when

0:41:56.610 --> 0:41:59.920
<v Speaker 3>you called me, you was like, Goo, I see everything

0:41:59.960 --> 0:42:03.049
<v Speaker 3>y'all was doing that I ain't understand. You know what

0:42:03.150 --> 0:42:04.410
<v Speaker 3>I'm saying? Word up.

0:42:04.469 --> 0:42:07.290
<v Speaker 1>Yo, that's when I got the seat of the warehouse play.

0:42:07.330 --> 0:42:07.590
<v Speaker 3>Yeah, yeah.

0:42:07.630 --> 0:42:09.950
<v Speaker 2>Because being from the artist side, you know, you just

0:42:10.010 --> 0:42:12.990
<v Speaker 2>in the studio writing rhymes. And I call you and

0:42:13.090 --> 0:42:15.680
<v Speaker 2>Jay when I got this chair of, you know, trying

0:42:15.700 --> 0:42:17.400
<v Speaker 2>to be the CEO, run my own company.

0:42:17.420 --> 0:42:18.920
<v Speaker 1>And you start figuring.

0:42:18.600 --> 0:42:21.200
<v Speaker 2>Out, like, hold on, you paying this, it costs this.

0:42:21.600 --> 0:42:22.899
<v Speaker 1>You need this person for that.

0:42:22.920 --> 0:42:25.660
<v Speaker 2>It's like, wait a minute, Goo was doing seven of

0:42:25.680 --> 0:42:28.800
<v Speaker 2>those things and then Jay handled all of this. Man,

0:42:28.820 --> 0:42:30.620
<v Speaker 2>I got to call these niggas and thank them because

0:42:30.700 --> 0:42:33.990
<v Speaker 2>I didn't even know it was this much work into

0:42:34.050 --> 0:42:36.950
<v Speaker 2>putting out a project, man. Like, I just thought, write

0:42:36.989 --> 0:42:39.690
<v Speaker 2>the rhymes, you pick the beat, next thing you know,

0:42:39.730 --> 0:42:42.149
<v Speaker 2>it's on the radio, but it's a, it's, It take

0:42:42.190 --> 0:42:42.690
<v Speaker 2>a lot, man.

0:42:42.750 --> 0:42:45.110
<v Speaker 1>It take money. It's more than money. It's more than raps.

0:42:45.150 --> 0:42:47.140
<v Speaker 3>Yeah, it's more than money. And that's the other part.

0:42:47.180 --> 0:42:49.700
<v Speaker 3>You know what I mean? Let people know. Because people

0:42:49.719 --> 0:42:52.530
<v Speaker 3>think you can just put money into it and buy it.

0:42:52.900 --> 0:42:53.080
<v Speaker 1>No.

0:42:53.100 --> 0:42:55.100
<v Speaker 3>And it's not that. Because then the richest people will

0:42:55.140 --> 0:42:56.160
<v Speaker 3>have all the hit records.

0:42:56.180 --> 0:42:56.620
<v Speaker 1>That's right.

0:42:56.660 --> 0:42:57.960
<v Speaker 3>You know what I'm saying? It don't make sense.

0:42:57.980 --> 0:43:00.100
<v Speaker 1>You can't buy a Grammy. You can't buy a hit record.

0:43:00.140 --> 0:43:03.009
<v Speaker 3>It don't make sense. But you do need the team.

0:43:03.320 --> 0:43:06.580
<v Speaker 3>yes where everybody believe and everybody is like on one

0:43:06.620 --> 0:43:10.310
<v Speaker 3>accord and everybody you know i'm saying is moving like

0:43:10.469 --> 0:43:13.169
<v Speaker 3>okay this is the decision whether or not and that's

0:43:13.210 --> 0:43:15.310
<v Speaker 3>one of the things of soldiering you know i'm saying

0:43:15.710 --> 0:43:20.250
<v Speaker 3>so if you want a team and your opinion is

0:43:20.290 --> 0:43:24.530
<v Speaker 3>heard it may you may not agree with the decision

0:43:24.550 --> 0:43:27.930
<v Speaker 3>that everybody made but you want a team that's right

0:43:28.050 --> 0:43:29.790
<v Speaker 3>so go with the decisions.

0:43:33.380 --> 0:43:36.820
<v Speaker 2>Like, that's how it happened going back around here. Remember,

0:43:36.920 --> 0:43:39.140
<v Speaker 2>Jay and Lior didn't want that record to come out.

0:43:39.180 --> 0:43:39.620
<v Speaker 1>No, no.

0:43:39.700 --> 0:43:42.000
<v Speaker 2>It's plenty of records, bro. They thought that wasn't going

0:43:42.040 --> 0:43:45.700
<v Speaker 2>to be their first single. And again, here's where the

0:43:45.719 --> 0:43:51.050
<v Speaker 2>people mess up. You can't take it as like, Jay

0:43:51.310 --> 0:43:53.390
<v Speaker 2>and Lior didn't mean you no harm.

0:43:53.469 --> 0:43:53.890
<v Speaker 1>No, no.

0:43:53.969 --> 0:43:56.430
<v Speaker 3>They doing what they think is the best thing for

0:43:56.469 --> 0:43:57.310
<v Speaker 3>your career.

0:43:57.350 --> 0:44:00.750
<v Speaker 1>That's right. So what? Let's say they was wrong.

0:44:01.150 --> 0:44:02.090
<v Speaker 3>Let's say they was wrong.

0:44:03.590 --> 0:44:03.860
<v Speaker 2>Cool.

0:44:05.410 --> 0:44:10.110
<v Speaker 3>They still got the wisdom. So we don't have to

0:44:10.170 --> 0:44:11.730
<v Speaker 3>sit there and be like, yo, you was wrong a

0:44:11.770 --> 0:44:12.370
<v Speaker 3>million times.

0:44:12.410 --> 0:44:12.649
<v Speaker 1>No.

0:44:12.830 --> 0:44:13.590
<v Speaker 3>Let me get some of that.

0:44:14.890 --> 0:44:15.109
<v Speaker 1>Right?

0:44:15.390 --> 0:44:17.670
<v Speaker 3>We just be like, yo, it worked. The same thing

0:44:17.690 --> 0:44:19.549
<v Speaker 3>they told me for what we do.

0:44:20.130 --> 0:44:20.490
<v Speaker 1>Goo.

0:44:20.650 --> 0:44:21.489
<v Speaker 3>It don't have no hook.

0:44:22.630 --> 0:44:23.009
<v Speaker 1>And look.

0:44:23.110 --> 0:44:25.970
<v Speaker 3>That was the joke. They immediately said to me, goo.

0:44:26.450 --> 0:44:28.609
<v Speaker 3>Me and Hop was like, yo, this is the one.

0:44:30.410 --> 0:44:31.670
<v Speaker 3>And they was like, goo, it don't have no hook.

0:44:33.610 --> 0:44:34.330
<v Speaker 3>For what we do.

0:44:34.590 --> 0:44:37.739
<v Speaker 1>Yo, I never even noticed that. Yo, you know I

0:44:37.739 --> 0:44:39.880
<v Speaker 1>never noticed that, bro, that that record, you right. It

0:44:39.900 --> 0:44:40.500
<v Speaker 1>don't have no hook.

0:44:40.860 --> 0:44:43.280
<v Speaker 2>And I say to people all the time, yo, radio

0:44:43.300 --> 0:44:45.259
<v Speaker 2>don't play records without a hook. That's what they used

0:44:45.280 --> 0:44:48.810
<v Speaker 2>to tell me. But God damn, what we do is wrong.

0:44:48.870 --> 0:44:51.210
<v Speaker 2>It's a fucking phenomenal record.

0:44:51.810 --> 0:44:53.870
<v Speaker 3>But I don't even look at it like that. That's

0:44:53.890 --> 0:44:56.270
<v Speaker 3>what I'm saying. When I say look at it like that,

0:44:56.330 --> 0:44:59.399
<v Speaker 3>like as if they messed up. They doing what they

0:44:59.460 --> 0:45:00.080
<v Speaker 3>think is right.

0:45:00.100 --> 0:45:00.600
<v Speaker 1>That's right.

0:45:01.000 --> 0:45:03.660
<v Speaker 3>You know what I'm saying? Even as a parent, you

0:45:03.680 --> 0:45:07.799
<v Speaker 3>know what I'm saying? Like sometimes as a parent, we

0:45:07.840 --> 0:45:09.660
<v Speaker 3>come in and we teach our kids based off of

0:45:09.700 --> 0:45:12.319
<v Speaker 3>what we think is right in our time period. That's

0:45:12.340 --> 0:45:12.460
<v Speaker 3>a fact.

0:45:12.500 --> 0:45:15.080
<v Speaker 2>It may be different for their time period. I had

0:45:15.219 --> 0:45:18.360
<v Speaker 2>a conversation like that with Dez. I remember when Jay,

0:45:18.420 --> 0:45:20.660
<v Speaker 2>when we first talked about this, when Dusey first was

0:45:20.680 --> 0:45:22.880
<v Speaker 2>getting launched and Jay like, yeah, I'm bringing you on

0:45:22.900 --> 0:45:26.319
<v Speaker 2>the Dusey move. And Dad was like, you don't know

0:45:26.380 --> 0:45:27.240
<v Speaker 2>nothing about no liquor.

0:45:27.550 --> 0:45:29.710
<v Speaker 1>I said, you right. We all ain't know nothing about

0:45:29.770 --> 0:45:31.890
<v Speaker 1>none of this shit, but we doing it. Right. You

0:45:31.930 --> 0:45:34.250
<v Speaker 1>don't know what you know until it's time to know it, man.

0:45:34.330 --> 0:45:35.170
<v Speaker 1>You got to get out there.

0:45:35.330 --> 0:45:39.320
<v Speaker 3>That's the beauty of the thing is, like, imagine if

0:45:39.360 --> 0:45:45.240
<v Speaker 3>somebody told you in 1993 that this kid from Marcy

0:45:45.280 --> 0:45:47.520
<v Speaker 3>Projects is going to be a billionaire.

0:45:48.739 --> 0:45:49.000
<v Speaker 1>Goose.

0:45:49.700 --> 0:45:51.640
<v Speaker 2>I'd have been on the Latin's carpet right next to her.

0:45:51.660 --> 0:45:53.700
<v Speaker 2>I'd have been like the little monkey on the carpet

0:45:53.760 --> 0:45:56.520
<v Speaker 2>right with him and the girl. Now, that's just the

0:45:56.560 --> 0:46:01.290
<v Speaker 2>story of it, right? That's just the story. You're like, okay, cool. Now,

0:46:02.550 --> 0:46:05.350
<v Speaker 2>break down the odds that you actually know that person.

0:46:06.650 --> 0:46:06.910
<v Speaker 1>Okay.

0:46:07.710 --> 0:46:10.120
<v Speaker 3>That's a bunch of people that you know from Marcy. Now,

0:46:10.440 --> 0:46:13.960
<v Speaker 3>break down the odds that my mom and his sister

0:46:14.000 --> 0:46:14.740
<v Speaker 3>is best friends.

0:46:14.760 --> 0:46:14.830
<v Speaker 1>Yes.

0:46:17.250 --> 0:46:20.700
<v Speaker 2>Yo, I got a story for that one, man. Because

0:46:21.140 --> 0:46:23.500
<v Speaker 2>I remember asking my mom. This probably was like two

0:46:23.540 --> 0:46:25.480
<v Speaker 2>years ago. And I'm like, I asked my mom, yo,

0:46:25.840 --> 0:46:29.040
<v Speaker 2>what made you move to Marcy? Because we originally from Brownsville. Like,

0:46:29.100 --> 0:46:32.129
<v Speaker 2>my mom's was born and raised in Rockaway Projects, Brownsville.

0:46:32.430 --> 0:46:35.410
<v Speaker 1>You know what I mean? Sutter Avenue, Rockaway, Dumont. That's

0:46:35.450 --> 0:46:35.670
<v Speaker 1>my son.

0:46:35.710 --> 0:46:37.489
<v Speaker 3>Yo, it bugged me out when I found out she

0:46:37.530 --> 0:46:38.709
<v Speaker 3>was related to Duck Down.

0:46:38.770 --> 0:46:41.690
<v Speaker 1>That's right. Sean Price, my cousin. Yeah. Rest in peace.

0:46:42.110 --> 0:46:45.690
<v Speaker 2>Still, Smith and Wesson, you know, shout out Buckshot. The

0:46:45.730 --> 0:46:48.310
<v Speaker 2>whole Louisville, the whole Duck Down, man. That's my family.

0:46:48.390 --> 0:46:50.950
<v Speaker 2>I grew up with them guys, man, putting in work

0:46:50.989 --> 0:46:54.200
<v Speaker 2>in the Ville, watching them come grinding to what they

0:46:54.260 --> 0:46:57.520
<v Speaker 2>became mega, mega, mega successful. You know what I'm saying?

0:46:57.560 --> 0:47:00.680
<v Speaker 2>So I saw both sides, the underground, and then I

0:47:00.719 --> 0:47:04.109
<v Speaker 2>was with Hov and Marcy. And it was like, that

0:47:04.150 --> 0:47:06.430
<v Speaker 2>was kind of tough, juggling. Because it was like, damn,

0:47:06.469 --> 0:47:08.509
<v Speaker 2>do I fuck with my fam? Do I fuck with

0:47:08.550 --> 0:47:09.910
<v Speaker 2>my man from my building?

0:47:10.210 --> 0:47:11.029
<v Speaker 1>How do you go?

0:47:11.050 --> 0:47:13.160
<v Speaker 3>So y'all ain't messing with each other back in the day?

0:47:13.210 --> 0:47:15.089
<v Speaker 1>No, we did. I used to try to get on

0:47:15.130 --> 0:47:15.469
<v Speaker 1>with them.

0:47:15.510 --> 0:47:17.730
<v Speaker 2>But them niggas, I remember Sean Price used to always

0:47:17.770 --> 0:47:19.390
<v Speaker 2>tell me, him and my cousin T-White.

0:47:19.830 --> 0:47:22.290
<v Speaker 1>Niggas used to be like, man, you got to come up, man.

0:47:22.330 --> 0:47:24.470
<v Speaker 1>You ain't that good, bleak. You got to get better.

0:47:24.850 --> 0:47:26.330
<v Speaker 1>So I used to be like, all right, I'm working.

0:47:26.390 --> 0:47:27.290
<v Speaker 1>I'm writing. I'm writing.

0:47:27.310 --> 0:47:29.450
<v Speaker 2>Then I used to go be around Steel. This is

0:47:29.489 --> 0:47:31.450
<v Speaker 2>back when they was super wild because they was all

0:47:31.510 --> 0:47:33.910
<v Speaker 2>in D-Seps. So, still used to be like, nigga, you

0:47:33.930 --> 0:47:36.140
<v Speaker 2>too little. You can't be fucking with me. It's wild

0:47:36.239 --> 0:47:36.500
<v Speaker 2>out here.

0:47:36.520 --> 0:47:37.080
<v Speaker 1>Get out of here.

0:47:37.420 --> 0:47:40.239
<v Speaker 2>So, you know, he used to shit on me until we,

0:47:40.260 --> 0:47:42.040
<v Speaker 2>you know what I mean, made records and hit these

0:47:42.080 --> 0:47:43.220
<v Speaker 2>streets and started moving.

0:47:43.300 --> 0:47:46.800
<v Speaker 3>What's wild is I ain't never go to Brooklyn until

0:47:46.820 --> 0:47:48.240
<v Speaker 3>me and you went to Marcy together.

0:47:48.800 --> 0:47:49.340
<v Speaker 1>No way.

0:47:49.640 --> 0:47:50.920
<v Speaker 3>Nah, I was always with Bronx.

0:47:51.340 --> 0:47:51.960
<v Speaker 1>That's crazy.

0:47:52.060 --> 0:47:55.040
<v Speaker 2>And nigga, I don't know nothing about the Bronx. That's

0:47:55.180 --> 0:47:57.540
<v Speaker 2>one thing. Brooklyn niggas don't go to the Bronx and

0:47:57.600 --> 0:47:59.960
<v Speaker 2>Bronx niggas don't go to Brooklyn. And I don't think

0:48:00.000 --> 0:48:04.100
<v Speaker 2>it's because we too wild. Is that shit too far? Yeah,

0:48:04.140 --> 0:48:07.020
<v Speaker 2>that shit too far. That shit number trains. We like, nigga,

0:48:07.040 --> 0:48:10.469
<v Speaker 2>I don't know where I'm going. All of my Howard dudes, right?

0:48:10.590 --> 0:48:12.350
<v Speaker 1>All my Howard. That's right, Howard U.

0:48:12.450 --> 0:48:14.649
<v Speaker 3>Yeah, all of my Howard dudes is Bronx dudes, so

0:48:14.690 --> 0:48:18.390
<v Speaker 3>that's Jackson Avenue. St. Mary's Projects, the two and the five.

0:48:18.430 --> 0:48:19.070
<v Speaker 1>Yep, yep.

0:48:19.090 --> 0:48:20.610
<v Speaker 3>Take the two and the five from the 34th, you

0:48:20.650 --> 0:48:23.690
<v Speaker 3>know what I'm saying? So I had never went, and

0:48:23.710 --> 0:48:25.750
<v Speaker 3>then me and you went one day. I forget what

0:48:25.810 --> 0:48:27.370
<v Speaker 3>it was. I don't know if it was Marcy Day

0:48:27.390 --> 0:48:29.170
<v Speaker 3>or something, but me and you went to Marcy, and

0:48:29.190 --> 0:48:31.170
<v Speaker 3>that was the first time I'd ever been in Brooklyn.

0:48:31.310 --> 0:48:34.870
<v Speaker 2>That's crazy. Yeah, nah, the Bronx, we definitely, I don't

0:48:34.890 --> 0:48:37.410
<v Speaker 2>know shit about the BX. All I know is Fat Joe.

0:48:37.820 --> 0:48:39.840
<v Speaker 2>And Big Pun. You know what I'm saying?

0:48:39.920 --> 0:48:40.680
<v Speaker 3>Remi. That's my fam.

0:48:40.700 --> 0:48:42.380
<v Speaker 1>You know what I'm saying? Now Ice Spice.

0:48:42.400 --> 0:48:43.120
<v Speaker 3>Jackson Ave.

0:48:43.180 --> 0:48:48.060
<v Speaker 1>Jackson Ave. You know what I'm saying? Oh, my God.

0:48:48.080 --> 0:48:51.750
<v Speaker 2>I can't forget my guy A Boogie with the motherfucking hoodie.

0:48:51.770 --> 0:48:53.549
<v Speaker 1>You know what I'm saying? That's all I know about

0:48:53.570 --> 0:48:59.529
<v Speaker 1>the Bronx High Bridge. That's it. You ask me anything else,

0:48:59.590 --> 0:48:59.969
<v Speaker 1>I'm lost, blood.

0:48:59.989 --> 0:49:01.430
<v Speaker 3>Mad BX Love. Yeah, I'm lost.

0:49:01.469 --> 0:49:04.910
<v Speaker 1>You know what I'm saying? Fucking....

0:49:05.810 --> 0:49:07.570
<v Speaker 2>I'm glad we cleared that up because a lot of

0:49:07.610 --> 0:49:10.069
<v Speaker 2>people thought, you know, Hov is out here penning the

0:49:10.130 --> 0:49:12.990
<v Speaker 2>God verses. But let's, yo, you know one of the

0:49:12.989 --> 0:49:16.259
<v Speaker 2>illest sessions I ever had with you? And I woke

0:49:16.260 --> 0:49:17.940
<v Speaker 2>you up for this session.

0:49:17.940 --> 0:49:19.660
<v Speaker 3>But hold on hold on before you even go there

0:49:20.980 --> 0:49:23.120
<v Speaker 3>do you feel like I put too much pressure on

0:49:23.180 --> 0:49:26.600
<v Speaker 3>you in terms of like when it was flipping and

0:49:26.620 --> 0:49:28.779
<v Speaker 3>it was like people was just saying anything and I

0:49:28.800 --> 0:49:30.569
<v Speaker 3>was just like nah I believe you can't just say

0:49:30.620 --> 0:49:34.230
<v Speaker 3>anything nah and then you used to argue a lot

0:49:34.290 --> 0:49:35.190
<v Speaker 3>you know what I'm.

0:49:35.170 --> 0:49:38.370
<v Speaker 2>Saying nah thank you for that hell no nah man Like,

0:49:38.410 --> 0:49:40.110
<v Speaker 2>the anything rappers, they gone.

0:49:40.550 --> 0:49:42.890
<v Speaker 1>I'm still, you know, I'm still here.

0:49:42.640 --> 0:49:45.180
<v Speaker 2>Because you ain't let me say anything. Right, right. Niggas

0:49:45.200 --> 0:49:48.280
<v Speaker 2>would have flushed me down the toilet. Spin cycle one time.

0:49:48.300 --> 0:49:49.120
<v Speaker 2>Get them out of here.

0:49:49.239 --> 0:49:51.860
<v Speaker 1>Flush them. Yeah, nah, I get it. I get it.

0:49:52.080 --> 0:49:53.779
<v Speaker 3>But I used to be, I used to be like,

0:49:53.800 --> 0:49:55.060
<v Speaker 3>you know what I'm saying, super critic.

0:49:55.239 --> 0:49:57.510
<v Speaker 1>Yes, hell yeah. Goo was the major critic.

0:49:57.610 --> 0:50:00.270
<v Speaker 2>So, I don't know how y'all think I wasn't getting

0:50:00.310 --> 0:50:02.870
<v Speaker 2>busy because my man made sure we got busy.

0:50:02.890 --> 0:50:05.450
<v Speaker 1>You kidding me? I remember when he first bought 9th

0:50:05.510 --> 0:50:07.589
<v Speaker 1>Wonder around, man. Yeah, yeah.

0:50:08.130 --> 0:50:11.759
<v Speaker 2>Ninth, now ninth to me, just as one of the

0:50:11.820 --> 0:50:15.839
<v Speaker 2>greatest chopper, right? He could chop. That nigga chop some

0:50:15.860 --> 0:50:17.840
<v Speaker 2>shit up. You don't even know what the record was.

0:50:18.540 --> 0:50:20.040
<v Speaker 2>Ninth is the greatest flipper.

0:50:20.580 --> 0:50:26.200
<v Speaker 3>Yeah, ninth flip joints. So that was like me and

0:50:26.260 --> 0:50:29.890
<v Speaker 3>Hop was in the studio. And, you know, same thing.

0:50:30.190 --> 0:50:32.630
<v Speaker 3>We have our ears to the underground. We was listening

0:50:32.650 --> 0:50:34.810
<v Speaker 3>to the OK Player joints. We was hearing the little

0:50:34.850 --> 0:50:38.430
<v Speaker 3>barber joints. And then they came with this joint called Speed.

0:50:38.530 --> 0:50:41.489
<v Speaker 3>And I was just like, yo, what is this? And

0:50:41.530 --> 0:50:48.380
<v Speaker 3>then this kid named T, he ended up being the

0:50:48.440 --> 0:50:51.080
<v Speaker 3>dude that was filming the behind the scenes for Fade

0:50:51.100 --> 0:50:55.200
<v Speaker 3>to Black. So I was like, oh, shit. He was like,

0:50:55.760 --> 0:50:57.799
<v Speaker 3>me and Hop was listening to the joint. He was like,

0:50:57.820 --> 0:51:00.400
<v Speaker 3>I know the kid that produced that. And I was like, who?

0:51:01.020 --> 0:51:03.830
<v Speaker 3>He was like, this kid named Knife Wonder. And I

0:51:03.870 --> 0:51:06.710
<v Speaker 3>was like, word? You know what I'm saying? I'm calling

0:51:06.730 --> 0:51:07.790
<v Speaker 3>this bluff. You know what I'm saying?

0:51:07.810 --> 0:51:12.450
<v Speaker 1>I'm like, yo, call him. That's how you put it

0:51:12.510 --> 0:51:14.589
<v Speaker 1>in on the spot. You know, call him.

0:51:14.830 --> 0:51:16.370
<v Speaker 3>Call him.

0:51:16.430 --> 0:51:16.669
<v Speaker 1>Right?

0:51:17.190 --> 0:51:23.470
<v Speaker 3>So he called Knife. I'm like, yo, I'm hearing this. Yo,

0:51:23.489 --> 0:51:24.819
<v Speaker 3>you got to come, you know what I'm saying, play

0:51:24.840 --> 0:51:28.239
<v Speaker 3>some joints for the fan. And that's how me and

0:51:28.280 --> 0:51:30.380
<v Speaker 3>Knife got, it was through the dude T who was

0:51:30.460 --> 0:51:33.109
<v Speaker 3>filming the behind the scenes. So for all that, Like,

0:51:33.160 --> 0:51:35.480
<v Speaker 3>behind the scenes, you see a fade to black, that's

0:51:35.500 --> 0:51:37.620
<v Speaker 3>the homie T. Like, that's my man now. Wow, that's crazy.

0:51:37.640 --> 0:51:38.440
<v Speaker 3>You know what I'm saying?

0:51:38.460 --> 0:51:39.040
<v Speaker 1>That's crazy.

0:51:39.080 --> 0:51:40.120
<v Speaker 3>That's when we first met.

0:51:40.400 --> 0:51:43.739
<v Speaker 2>Yo, that's ill, my nigga. That's how I feel about...

0:51:43.760 --> 0:51:46.550
<v Speaker 2>Shout out your artist, Ruben Vincent. Of course, 9th Wonder,

0:51:46.570 --> 0:51:48.630
<v Speaker 2>y'all got the joint jam on the records, man.

0:51:48.650 --> 0:51:51.110
<v Speaker 3>He became, like, one of my best friends in the world.

0:51:51.570 --> 0:51:52.810
<v Speaker 3>That's dope, man. If not my best friend.

0:51:52.950 --> 0:51:54.009
<v Speaker 1>Yeah, man, that's dope.

0:51:54.050 --> 0:51:57.379
<v Speaker 3>So it was like us coming together with the music,

0:51:57.450 --> 0:52:01.970
<v Speaker 3>and I was like, I don't know... When a Jedi

0:52:01.989 --> 0:52:02.750
<v Speaker 3>meet a Jedi.

0:52:03.410 --> 0:52:04.910
<v Speaker 1>You know what I'm saying?

0:52:05.050 --> 0:52:06.390
<v Speaker 3>It's like, yo, we family.

0:52:06.410 --> 0:52:09.480
<v Speaker 2>Yo, but 9th is a different kind of guy. I

0:52:09.540 --> 0:52:11.900
<v Speaker 2>just was in Raleigh, right? Not too long ago, me

0:52:11.940 --> 0:52:14.580
<v Speaker 2>and Freeway had a party out there. So I hit 9th.

0:52:14.840 --> 0:52:17.000
<v Speaker 2>That nigga hit me back, who this? So I hit

0:52:17.020 --> 0:52:19.609
<v Speaker 2>him back, yo, this Bleak. He like, Bleak, what the fuck, man? Oh, shit,

0:52:19.620 --> 0:52:20.490
<v Speaker 2>I ain't have your number.

0:52:20.730 --> 0:52:22.529
<v Speaker 1>What you doing out here? So I'm like, yo, I'm

0:52:22.550 --> 0:52:24.050
<v Speaker 1>out here for a party. I'm just chilling.

0:52:24.330 --> 0:52:26.610
<v Speaker 2>He like, yo, come by the studio. I'm having a cookout.

0:52:27.270 --> 0:52:30.870
<v Speaker 2>So I'm saying to myself, I is lit. So I

0:52:30.890 --> 0:52:33.310
<v Speaker 2>get dressed. Like, usually somebody invites you to a cookout.

0:52:33.350 --> 0:52:34.070
<v Speaker 1>You go regular.

0:52:34.090 --> 0:52:36.129
<v Speaker 2>You know, it's just some regular hood shit. But this

0:52:36.190 --> 0:52:38.859
<v Speaker 2>is Raleigh. I never been to a cookout at Raleigh.

0:52:39.180 --> 0:52:41.080
<v Speaker 2>I ain't been there forever. So I'm like, I'm not

0:52:41.120 --> 0:52:42.060
<v Speaker 2>going to pull up in the block.

0:52:42.080 --> 0:52:43.660
<v Speaker 3>First thing they're going to do in North Carolina is

0:52:43.700 --> 0:52:44.080
<v Speaker 3>feed you.

0:52:44.540 --> 0:52:46.200
<v Speaker 2>Yeah, so I'm like, they're not going to see Blizz

0:52:46.219 --> 0:52:48.890
<v Speaker 2>who looking crazy. So I get all dressed. We jeweled up.

0:52:48.950 --> 0:52:50.710
<v Speaker 2>I tell the team, get dressed. We going to cookout.

0:52:51.590 --> 0:52:54.720
<v Speaker 2>Knife left out one major part of this cookout, that

0:52:54.760 --> 0:52:56.080
<v Speaker 2>the cookout just was for him.

0:52:56.840 --> 0:53:00.000
<v Speaker 1>It was nobody there. We were the only people there.

0:53:00.100 --> 0:53:05.479
<v Speaker 2>Like, this nigga had mad food everywhere. And I'm like, yo,

0:53:05.540 --> 0:53:07.239
<v Speaker 2>what the fuck? Knife, you told me you were having

0:53:07.260 --> 0:53:09.719
<v Speaker 2>a cookout. He said, yeah, I do this shit every Thursday, bleep.

0:53:09.780 --> 0:53:11.700
<v Speaker 2>I don't care if people here. I do it just

0:53:11.719 --> 0:53:14.100
<v Speaker 2>for myself because I fucking like cookout food.

0:53:14.140 --> 0:53:16.260
<v Speaker 3>Yeah, we're going to feed you.

0:53:16.280 --> 0:53:16.660
<v Speaker 1>Yo, Knife.

0:53:17.280 --> 0:53:19.839
<v Speaker 2>It's ill my G for that I'm like yo my

0:53:19.900 --> 0:53:22.660
<v Speaker 2>nigga every Thursday I'm pulling up like it's free lunch

0:53:22.719 --> 0:53:23.290
<v Speaker 2>again you.

0:53:23.219 --> 0:53:26.770
<v Speaker 3>Heard nah he he you know it's just like my

0:53:26.810 --> 0:53:30.469
<v Speaker 3>brother um during the whole pandemic like he started his

0:53:30.510 --> 0:53:34.670
<v Speaker 3>thing Fast Auntie Lounge um you know we seen a

0:53:34.690 --> 0:53:38.850
<v Speaker 3>bunch of people that won off of during the pandemic

0:53:38.870 --> 0:53:42.870
<v Speaker 3>that's right excuse me so like D-Nice you know what

0:53:42.890 --> 0:53:45.469
<v Speaker 3>I'm saying we see what he did he murdered them

0:53:45.530 --> 0:53:48.460
<v Speaker 3>yeah And 9th did the same thing with his Fast

0:53:48.580 --> 0:53:51.440
<v Speaker 3>Auntie Lounge. And so it's just like, you know, it's

0:53:51.520 --> 0:53:55.380
<v Speaker 3>like us. Like, those of us that don't, I.

0:53:55.300 --> 0:54:01.660
<v Speaker 2>Teach 18, 19, 20, 21, 22-year-olds every single day.

0:54:02.780 --> 0:54:06.260
<v Speaker 3>I'm not hating on them. It's just the Fast Auntie

0:54:06.280 --> 0:54:08.590
<v Speaker 3>Lounge is for us. You know what I'm saying? Like,

0:54:08.680 --> 0:54:11.890
<v Speaker 3>let us have our vibe. You know what I'm saying?

0:54:12.070 --> 0:54:14.870
<v Speaker 1>Y'all can get it later. That's right. Y'all can get

0:54:14.930 --> 0:54:15.350
<v Speaker 1>it later.

0:54:15.370 --> 0:54:16.950
<v Speaker 3>And I don't be hating on the kids. I don't

0:54:16.969 --> 0:54:19.770
<v Speaker 3>like the old school, the hate on the kids. Like,

0:54:19.810 --> 0:54:20.630
<v Speaker 3>that don't make sense.

0:54:20.670 --> 0:54:21.010
<v Speaker 1>Yeah.

0:54:21.469 --> 0:54:24.230
<v Speaker 3>You know what it was like when we was running around.

0:54:24.390 --> 0:54:27.250
<v Speaker 1>They hated it. Like, the old school hated on us. Literally.

0:54:27.390 --> 0:54:27.710
<v Speaker 1>Hold on.

0:54:28.130 --> 0:54:32.609
<v Speaker 3>This is what the thing is. You at your age,

0:54:32.790 --> 0:54:35.129
<v Speaker 3>if a young boy look at you and be like, yo,

0:54:35.150 --> 0:54:40.480
<v Speaker 3>you doing this, blah, blah, blah. You only own a barbershop. No,

0:54:41.360 --> 0:54:42.200
<v Speaker 3>this is where we at.

0:54:42.320 --> 0:54:42.850
<v Speaker 1>That's right.

0:54:42.969 --> 0:54:45.669
<v Speaker 3>Because he going to look at you and be like,

0:54:46.550 --> 0:54:48.730
<v Speaker 3>if I listen to you and you've been out here

0:54:48.770 --> 0:54:53.010
<v Speaker 3>for 30 years and you ain't graduated from.

0:54:52.910 --> 0:54:56.320
<v Speaker 2>The barbershop or nothing. Why am I taking advice from you?

0:54:56.330 --> 0:54:57.390
<v Speaker 2>Why am I taking advice from you?

0:54:57.530 --> 0:55:01.010
<v Speaker 1>Exactly. I would have been that kid looking like that. Yeah.

0:55:01.310 --> 0:55:01.910
<v Speaker 1>It's normal.

0:55:01.950 --> 0:55:05.129
<v Speaker 2>Like, don't give me advice that you didn't succeed with.

0:55:05.210 --> 0:55:06.710
<v Speaker 2>You understand what I'm saying?

0:55:06.730 --> 0:55:09.350
<v Speaker 1>Yeah. I'm 100% still that old man that taking that. Yeah.

0:55:09.630 --> 0:55:11.870
<v Speaker 3>Everybody tell you how to do it. They never done it.

0:55:11.870 --> 0:55:12.150
<v Speaker 1>Done it.

0:55:12.290 --> 0:55:14.799
<v Speaker 2>That's a fact, bro. Everybody got their advice how to

0:55:14.840 --> 0:55:17.820
<v Speaker 2>win that never won. Because to win is no advice.

0:55:17.840 --> 0:55:19.080
<v Speaker 2>You just go win.

0:55:19.160 --> 0:55:22.180
<v Speaker 3>I'm telling you about somebody who is in there every

0:55:22.239 --> 0:55:27.250
<v Speaker 3>day with kids on a corner. to kids in college.

0:55:28.290 --> 0:55:31.589
<v Speaker 3>If you have not produced nothing in your life, don't

0:55:31.730 --> 0:55:32.839
<v Speaker 3>talk to these young men.

0:55:32.860 --> 0:55:36.419
<v Speaker 1>That's crazy. That's a fact, though.

0:55:36.540 --> 0:55:37.180
<v Speaker 3>You understand what I'm saying?

0:55:37.200 --> 0:55:37.800
<v Speaker 1>That's a fact.

0:55:37.840 --> 0:55:39.799
<v Speaker 3>You shouldn't be talking to them. You got to come

0:55:39.820 --> 0:55:41.420
<v Speaker 3>to them with facts.

0:55:41.880 --> 0:55:42.140
<v Speaker 1>Yep.

0:55:42.520 --> 0:55:47.350
<v Speaker 3>Not theoretical facts. Get them the facts first.

0:55:47.930 --> 0:55:48.129
<v Speaker 1>Yes.

0:55:48.150 --> 0:55:50.029
<v Speaker 3>Then give them the theoretical of what it could be.

0:55:51.469 --> 0:55:53.109
<v Speaker 3>But give them the facts first on how to eat.

0:55:53.290 --> 0:55:53.790
<v Speaker 1>That's right.

0:55:53.830 --> 0:55:54.990
<v Speaker 3>You got it. He's hungry.

0:55:55.130 --> 0:55:59.010
<v Speaker 1>That's right. Now. They don't want to hear what could be.

0:55:59.239 --> 0:56:00.700
<v Speaker 1>They want to hear what's going to be.

0:56:00.739 --> 0:56:03.000
<v Speaker 3>After you feed them, you know what I'm saying?

0:56:03.020 --> 0:56:03.180
<v Speaker 2>Yeah.

0:56:03.200 --> 0:56:06.359
<v Speaker 3>But they say, you know, feed him a fish, he'll

0:56:06.400 --> 0:56:08.799
<v Speaker 3>eat for the day. Teach him to fish, he'll eat

0:56:08.840 --> 0:56:11.440
<v Speaker 3>for tomorrow. But guess what? I got to feed him

0:56:11.719 --> 0:56:13.140
<v Speaker 3>for me to teach him how to fish.

0:56:13.340 --> 0:56:15.130
<v Speaker 2>That's right, because they're not even going to listen to you.

0:56:15.530 --> 0:56:17.009
<v Speaker 2>If you don't feed them, they're not even going to

0:56:17.030 --> 0:56:18.210
<v Speaker 2>know where the meal coming from.

0:56:18.540 --> 0:56:19.160
<v Speaker 1>They don't care.

0:56:19.280 --> 0:56:19.720
<v Speaker 3>He hungry.

0:56:19.820 --> 0:56:20.440
<v Speaker 1>Nah, that's a fact.

0:56:20.460 --> 0:56:22.719
<v Speaker 3>I got to feed him to teach him how to fish.

0:56:22.760 --> 0:56:23.819
<v Speaker 3>That might take me a week. That's some ill shit.

0:56:23.860 --> 0:56:24.739
<v Speaker 3>That might take me a week.

0:56:25.200 --> 0:56:27.910
<v Speaker 1>Man, that's ill. And these kids done grew lazy, man.

0:56:27.969 --> 0:56:28.770
<v Speaker 1>I know.

0:56:29.150 --> 0:56:32.110
<v Speaker 3>Now, you know what it is, Bleak? And here's another one.

0:56:32.150 --> 0:56:34.830
<v Speaker 3>You know what I'm saying? And I want to make

0:56:34.870 --> 0:56:41.109
<v Speaker 3>this clear. Because we talking hypotheticals and we be doing our, like,

0:56:41.950 --> 0:56:44.129
<v Speaker 3>and I don't want it to be a thing where, like,

0:56:44.290 --> 0:56:47.739
<v Speaker 3>your podcast get, you know what I'm saying, attacked. I

0:56:47.800 --> 0:56:51.940
<v Speaker 3>love the thing of like us when we was young,

0:56:52.340 --> 0:56:55.240
<v Speaker 3>a thing of therapy and all that. It didn't exist.

0:56:55.300 --> 0:56:58.140
<v Speaker 3>It didn't exist. It didn't exist. I love that. I

0:56:58.160 --> 0:57:00.580
<v Speaker 3>love that for us to be able to be like, yo,

0:57:00.820 --> 0:57:02.640
<v Speaker 3>you know what? I may need to go talk to somebody.

0:57:02.660 --> 0:57:03.200
<v Speaker 3>You know what I'm saying?

0:57:03.380 --> 0:57:03.879
<v Speaker 1>That's cool.

0:57:04.960 --> 0:57:09.560
<v Speaker 2>The other side of it is that nobody want to

0:57:09.580 --> 0:57:18.250
<v Speaker 2>tell these kids that they soft. I'm trying to tell you.

0:57:18.290 --> 0:57:21.930
<v Speaker 1>But that's the truth. No, but hold on. Hold on.

0:57:23.510 --> 0:57:24.130
<v Speaker 1>Hold on.

0:57:24.530 --> 0:57:29.669
<v Speaker 3>I'm with him every day. So at the same time,

0:57:29.730 --> 0:57:35.930
<v Speaker 3>you can have somebody that's empathetic and understand real generational trauma.

0:57:36.380 --> 0:57:39.560
<v Speaker 3>Real trauma that comes from so many different angles. I'm

0:57:39.600 --> 0:57:40.400
<v Speaker 3>with them every day.

0:57:40.640 --> 0:57:41.740
<v Speaker 1>But you know what happens?

0:57:42.660 --> 0:57:46.980
<v Speaker 2>I get a 19-year-old that the little amount of discomfort...

0:57:47.160 --> 0:57:47.740
<v Speaker 2>It's traumatized.

0:57:47.760 --> 0:57:50.100
<v Speaker 3>It's traumatized. No, you're uncomfortable.

0:57:50.160 --> 0:57:50.500
<v Speaker 1>Yes.

0:57:51.000 --> 0:57:53.240
<v Speaker 2>I deal with it. No, you got to bust through

0:57:53.260 --> 0:57:56.200
<v Speaker 2>the uncomfortable. I got a son, so I see it, man.

0:57:56.220 --> 0:57:59.560
<v Speaker 3>That's not trauma. The uncomfortable is not trauma.

0:57:59.600 --> 0:58:01.860
<v Speaker 1>No, man. It's just you're uncomfortable, man.

0:58:01.940 --> 0:58:03.110
<v Speaker 3>And it make them soft.

0:58:03.470 --> 0:58:03.660
<v Speaker 1>Right.

0:58:04.110 --> 0:58:04.170
<v Speaker 2>And.

0:58:05.620 --> 0:58:07.000
<v Speaker 3>And nobody don't want to say that.

0:58:07.020 --> 0:58:09.020
<v Speaker 2>And I ain't going to lie, man. It's really because

0:58:09.100 --> 0:58:12.560
<v Speaker 2>it's a lot of absentee fathers, man. I blame the dads, man.

0:58:12.580 --> 0:58:15.180
<v Speaker 2>It's a lot of like, I'm a person that grew

0:58:15.240 --> 0:58:17.910
<v Speaker 2>up without a father. So I know the impact of

0:58:17.990 --> 0:58:21.410
<v Speaker 2>not having a father in the household. Because my mom

0:58:21.470 --> 0:58:24.490
<v Speaker 2>had to be both. And it grew to a point where, Ma,

0:58:24.830 --> 0:58:28.570
<v Speaker 2>you can't tell me nothing. You're a woman. The fuck

0:58:28.590 --> 0:58:30.970
<v Speaker 2>you going to tell me? So I had to learn

0:58:31.290 --> 0:58:34.390
<v Speaker 2>in the street. And it wasn't until me having a son.

0:58:35.080 --> 0:58:38.459
<v Speaker 2>knowing what the Jews or son needed. Because I couldn't

0:58:38.540 --> 0:58:41.610
<v Speaker 2>imagine leaving my kid out here without the proper knowledge

0:58:41.660 --> 0:58:42.110
<v Speaker 2>or proper tools.

0:58:42.140 --> 0:58:43.270
<v Speaker 3>The crazy part is.

0:58:43.290 --> 0:58:48.670
<v Speaker 2>It's ill that, like, I had the exact opposite.

0:58:48.910 --> 0:58:52.050
<v Speaker 3>Yeah. So my father's the head, not only the head

0:58:52.070 --> 0:58:56.470
<v Speaker 3>of my household, but the head of my family. So

0:58:56.510 --> 0:59:01.960
<v Speaker 3>the cousins, my dad's the, like, of all of it.

0:59:01.970 --> 0:59:06.160
<v Speaker 3>That's right, yeah. You know what I'm saying? I remember

0:59:07.220 --> 0:59:12.800
<v Speaker 3>when the 40-40 opened. how many ties I had to

0:59:12.940 --> 0:59:14.520
<v Speaker 3>tie in the front of baseline.

0:59:14.540 --> 0:59:17.860
<v Speaker 1>Mine, too. Mine, you tied my joint. Nobody knew how

0:59:17.880 --> 0:59:20.000
<v Speaker 1>to tie a tie. That's a fact.

0:59:20.240 --> 0:59:20.520
<v Speaker 3>Nobody.

0:59:20.560 --> 0:59:21.840
<v Speaker 1>How many ties?

0:59:22.220 --> 0:59:23.720
<v Speaker 3>I was like, yo, you don't know how to tie?

0:59:23.980 --> 0:59:24.220
<v Speaker 2>Goal.

0:59:24.930 --> 0:59:25.970
<v Speaker 3>I ain't never tired of time.

0:59:26.010 --> 0:59:26.090
<v Speaker 2>Nope.

0:59:26.110 --> 0:59:28.320
<v Speaker 3>I ain't never been on a job. Yo, yo, what's

0:59:28.360 --> 0:59:32.480
<v Speaker 3>crazy is I said, you realize Bleak ain't never been

0:59:32.560 --> 0:59:33.610
<v Speaker 3>on a job interview?

0:59:34.210 --> 0:59:37.930
<v Speaker 2>Yo. Yo, chill, because my man Fred C, my man

0:59:37.950 --> 0:59:40.520
<v Speaker 2>Fred C said all the time, like, bleep, man, how

0:59:40.540 --> 0:59:42.100
<v Speaker 2>the fuck, that don't even sound right.

0:59:42.360 --> 0:59:45.020
<v Speaker 1>How the fuck you never been, you never had a job?

0:59:45.720 --> 0:59:48.540
<v Speaker 2>Or, nah, but because you got to, like, literally at

0:59:48.580 --> 0:59:52.120
<v Speaker 2>the age of 15, 16 years old, you got older Gs.

0:59:52.550 --> 0:59:56.390
<v Speaker 3>Like, yo, saying to a promoter, I know he's 16

0:59:56.390 --> 0:59:57.750
<v Speaker 3>years old, but he's on this record.

0:59:57.870 --> 0:59:58.890
<v Speaker 1>That's right.

0:59:59.110 --> 1:00:01.890
<v Speaker 2>Hov used to pay $ 1, 000 to get me at every

1:00:01.930 --> 1:00:04.110
<v Speaker 2>club to perform. He used to have to pay one

1:00:04.160 --> 1:00:07.680
<v Speaker 2>of the bouncers $ 1, 000. Like, I don't K-16. He got

1:00:07.700 --> 1:00:09.780
<v Speaker 2>to get in his club. He got to wreck it out.

1:00:10.200 --> 1:00:12.870
<v Speaker 2>And that's a fact, yo. So I know Bow Wow

1:00:12.910 --> 1:00:14.230
<v Speaker 2>had drama out there.

1:00:14.290 --> 1:00:14.850
<v Speaker 3>Yeah, no.

1:00:14.970 --> 1:00:17.630
<v Speaker 1>It's real. Bow Wow probably missed major bags.

1:00:17.650 --> 1:00:20.550
<v Speaker 2>But you got to realize how lucky that is.

1:00:20.780 --> 1:00:24.300
<v Speaker 3>And you be like, yo, like. I had my father

1:00:24.480 --> 1:00:25.660
<v Speaker 3>and my mother. Yeah, no.

1:00:25.700 --> 1:00:27.760
<v Speaker 2>My moms, when they used to send that blue card

1:00:27.800 --> 1:00:30.680
<v Speaker 2>from school to go on the trip, my mom had to.

1:00:30.660 --> 1:00:33.680
<v Speaker 1>Fill out both sections. Mom and father.

1:00:33.700 --> 1:00:36.700
<v Speaker 3>I had the moms that taught special ed. So my

1:00:36.760 --> 1:00:41.410
<v Speaker 3>moms knew all the hookups in the hood. You can get.

1:00:41.770 --> 1:00:45.260
<v Speaker 3>Free this here. Free lessons here. Free music here. Free

1:00:45.280 --> 1:00:47.940
<v Speaker 3>this here. My mom's taught special ed. Yeah. And all

1:00:47.960 --> 1:00:50.140
<v Speaker 3>the thugs, you know what I'm saying? My mom taught them.

1:00:50.300 --> 1:00:53.960
<v Speaker 2>It's so crazy that me, my hustle as a kid,

1:00:54.520 --> 1:00:57.100
<v Speaker 2>I used to get paid for taking J-Nephews to school

1:00:57.160 --> 1:01:00.530
<v Speaker 2>and picking them up. That was like my first hustle.

1:01:00.550 --> 1:01:03.310
<v Speaker 2>I used to get $ 100 a week. So be like, yeah, well,

1:01:03.350 --> 1:01:05.550
<v Speaker 2>I'm going to get... How many times a week y'all

1:01:05.570 --> 1:01:07.970
<v Speaker 2>need me to get them? I'll be there every day.

1:01:08.230 --> 1:01:09.610
<v Speaker 2>So that's my only job.

1:01:09.690 --> 1:01:10.140
<v Speaker 1>I never.

1:01:10.700 --> 1:01:12.500
<v Speaker 2>And I don't take pride in saying, yo, I never

1:01:12.560 --> 1:01:14.380
<v Speaker 2>work because I work for everything I got.

1:01:14.520 --> 1:01:17.860
<v Speaker 1>But they scooped me off the block at 14.

1:01:17.840 --> 1:01:19.740
<v Speaker 3>So now you definitely work. You definitely work.

1:01:19.760 --> 1:01:21.600
<v Speaker 1>There was no job out there for me.

1:01:21.680 --> 1:01:27.459
<v Speaker 2>But that's why when Rockefeller was over, when Hov talked about, yo,

1:01:27.820 --> 1:01:30.380
<v Speaker 2>this shit over, I'm looking at him like, nigga, what

1:01:30.720 --> 1:01:34.050
<v Speaker 2>am I going to do? And I remember Hov looking

1:01:34.090 --> 1:01:37.760
<v Speaker 2>at me like, nigga, yo, I spoiled you your whole life. Like,

1:01:37.820 --> 1:01:39.600
<v Speaker 2>I had the red carpet out for you. It's time

1:01:39.620 --> 1:01:41.360
<v Speaker 2>for you to figure it out. You got to fly,

1:01:41.400 --> 1:01:44.020
<v Speaker 2>young man. And I hit the ground running, man. You know,

1:01:44.080 --> 1:01:47.040
<v Speaker 2>Duse popped off. I remember they thought I couldn't do it.

1:01:47.860 --> 1:01:49.400
<v Speaker 1>Here we are, baby. Yeah, do what you want. You

1:01:49.420 --> 1:01:52.070
<v Speaker 1>know what I'm saying? They know what that Duse is.

1:01:52.110 --> 1:01:55.170
<v Speaker 2>Shout out my G-Rugs out there putting that foot on

1:01:55.190 --> 1:01:55.770
<v Speaker 2>their neck.

1:01:55.830 --> 1:01:56.230
<v Speaker 3>You know what I mean?

1:01:56.250 --> 1:01:59.250
<v Speaker 1>Do what you want. That's exactly what we did, Goof.

1:01:59.310 --> 1:02:00.190
<v Speaker 3>In my will somewhere.

1:02:04.720 --> 1:02:07.580
<v Speaker 1>But that's the bugged out part because people think that, Bleak.

1:02:07.980 --> 1:02:11.340
<v Speaker 3>They be like, oh, Goo, you good. Bleak, you good.

1:02:11.860 --> 1:02:15.160
<v Speaker 2>And I be like, no, that is a break glass

1:02:15.510 --> 1:02:17.170
<v Speaker 2>in case of emergency.

1:02:17.330 --> 1:02:18.510
<v Speaker 1>And it's not an emergency.

1:02:19.250 --> 1:02:22.709
<v Speaker 2>Not while you still got two working hands and breath

1:02:22.790 --> 1:02:23.990
<v Speaker 2>in your lungs.

1:02:24.190 --> 1:02:28.980
<v Speaker 3>But also, too, you want to do it. Like, okay,

1:02:29.020 --> 1:02:30.660
<v Speaker 3>this is the thing I'm interested in. This is the

1:02:30.700 --> 1:02:32.640
<v Speaker 3>thing I'm interested in. Okay, let me go do this.

1:02:32.680 --> 1:02:34.640
<v Speaker 1>Boom, boom, boom, boom. Yes.

1:02:35.880 --> 1:02:37.820
<v Speaker 3>For the first time in your life, you were like, yo,

1:02:38.300 --> 1:02:39.730
<v Speaker 3>if it get all the way.

1:02:39.530 --> 1:02:44.510
<v Speaker 2>To where I ain't got nothing, then I'll break that

1:02:44.570 --> 1:02:46.390
<v Speaker 2>glass in case of emergency.

1:02:46.490 --> 1:02:49.150
<v Speaker 1>Other than that, we out here grinding, man.

1:02:49.170 --> 1:02:52.970
<v Speaker 3>No, no, because this is somebody you love.

1:02:53.150 --> 1:02:53.730
<v Speaker 1>That's right.

1:02:53.830 --> 1:02:58.590
<v Speaker 3>So the point of view becomes This person already has

1:02:58.630 --> 1:03:01.670
<v Speaker 3>to deal with a whole lot of stress. A whole

1:03:01.710 --> 1:03:04.440
<v Speaker 3>lot of people trying to talk to you, boom, boom.

1:03:04.740 --> 1:03:07.000
<v Speaker 3>Why would I add on to that if I really

1:03:07.080 --> 1:03:07.460
<v Speaker 3>love you?

1:03:07.720 --> 1:03:07.919
<v Speaker 1>Exactly.

1:03:07.940 --> 1:03:11.870
<v Speaker 3>It's the same thing of, you know, I'm going to

1:03:11.910 --> 1:03:14.150
<v Speaker 3>keep it funky. I'll be trying to, like, you know,

1:03:14.470 --> 1:03:18.890
<v Speaker 3>protect everybody, but... It's like you saying, yo, Carlene didn't

1:03:18.910 --> 1:03:20.640
<v Speaker 3>give me these amount of tickets.

1:03:21.220 --> 1:03:22.450
<v Speaker 1>Oh, yo, I can't wait to get Carlene.

1:03:22.490 --> 1:03:25.410
<v Speaker 2>We gave you seven. We gave you seven first. We

1:03:25.430 --> 1:03:26.810
<v Speaker 2>gave you seven tickets first.

1:03:26.850 --> 1:03:29.730
<v Speaker 1>And you wanted more. Yeah, Carlene, that's my girl.

1:03:29.810 --> 1:03:32.170
<v Speaker 2>So she said on top of that, I could give

1:03:32.190 --> 1:03:35.230
<v Speaker 2>you two. You ain't say that part. You ain't say

1:03:35.250 --> 1:03:35.690
<v Speaker 2>that part.

1:03:36.070 --> 1:03:36.510
<v Speaker 3>It's cool.

1:03:37.450 --> 1:03:42.050
<v Speaker 2>But that's my point. On a show day, I'm never

1:03:42.130 --> 1:03:45.250
<v Speaker 2>going to stress Carlene. No, not on a show day.

1:03:45.910 --> 1:03:47.870
<v Speaker 2>It's no, she barely got it. Thank God she answered

1:03:47.890 --> 1:03:50.910
<v Speaker 2>that phone. That's like me on a show day. Around

1:03:50.910 --> 1:03:53.690
<v Speaker 2>4 or 5 o'clock, I'm going to turn my phone off.

1:03:53.730 --> 1:03:54.330
<v Speaker 1>That's right.

1:03:54.370 --> 1:03:58.390
<v Speaker 3>Because as much as this is a thing of like, yo,

1:03:58.670 --> 1:04:00.030
<v Speaker 3>I'm going to come watch the Jay show.

1:04:00.130 --> 1:04:02.780
<v Speaker 1>I got to perform. And I got to be on

1:04:02.880 --> 1:04:03.440
<v Speaker 1>point on time.

1:04:03.450 --> 1:04:04.220
<v Speaker 3>I got to be on point.

1:04:04.240 --> 1:04:06.260
<v Speaker 1>And lose my fucking job. Yes.

1:04:06.460 --> 1:04:08.680
<v Speaker 3>If I'm not on point completely.

1:04:09.280 --> 1:04:09.850
<v Speaker 1>Straight up.

1:04:09.900 --> 1:04:12.200
<v Speaker 3>You know what I'm saying? That's what I mean. So

1:04:12.300 --> 1:04:16.250
<v Speaker 3>I'm never going to stress my people. On those particular days.

1:04:16.550 --> 1:04:17.610
<v Speaker 3>I already know what that is.

1:04:17.710 --> 1:04:18.230
<v Speaker 1>That's right.

1:04:18.250 --> 1:04:23.920
<v Speaker 2>They don't know how hard it is. First of all,

1:04:24.260 --> 1:04:29.820
<v Speaker 2>them Jay-Z, Beyonce, those M Show tickets, man. This is

1:04:29.890 --> 1:04:32.550
<v Speaker 2>why I love my G's, man. Y'all think it's easy

1:04:32.590 --> 1:04:34.750
<v Speaker 2>like me and Google just sit here. Yo, we need

1:04:34.750 --> 1:04:38.910
<v Speaker 2>10 tickets. We pulling up. Yeah, you better have 10

1:04:38.910 --> 1:04:43.260
<v Speaker 2>cashed out tickets because every seat with every ass is

1:04:43.340 --> 1:04:44.560
<v Speaker 2>a paid seat.

1:04:44.980 --> 1:04:48.540
<v Speaker 1>There is no free ass and no free seats out there.

1:04:48.560 --> 1:04:52.620
<v Speaker 3>That's like me saying, no, listen, listen. That's like me

1:04:52.680 --> 1:04:55.250
<v Speaker 3>coming to you and being like, yo, you my man.

1:04:56.990 --> 1:05:00.090
<v Speaker 3>Your wife work at Circuit City. Yeah, I need mad TVs.

1:05:00.130 --> 1:05:02.250
<v Speaker 1>I need mad TVs for free.

1:05:02.310 --> 1:05:06.010
<v Speaker 2>Yeah, plug me. Put me on. Hook me up. Wifey

1:05:06.070 --> 1:05:08.250
<v Speaker 2>in there. I need all the TVs in the back.

1:05:08.290 --> 1:05:09.190
<v Speaker 3>Not a discount.

1:05:09.530 --> 1:05:10.310
<v Speaker 1>I need them free.

1:05:10.350 --> 1:05:11.070
<v Speaker 3>I need them free.

1:05:11.250 --> 1:05:15.050
<v Speaker 2>Yeah, you don't even want the friends and family, form, price, nothing.

1:05:15.090 --> 1:05:16.220
<v Speaker 2>I just need them free.

1:05:16.980 --> 1:05:22.640
<v Speaker 3>I said, yo, fam, I don't work. I work for Jay-Z.

1:05:22.720 --> 1:05:23.240
<v Speaker 1>That's right.

1:05:23.600 --> 1:05:25.270
<v Speaker 3>I call goo. I do not work for you.

1:05:25.390 --> 1:05:28.910
<v Speaker 2>Listen, for the Beyonce shit, I even call goo. That

1:05:28.950 --> 1:05:30.250
<v Speaker 2>nigga goo like bleak now.

1:05:30.290 --> 1:05:32.310
<v Speaker 3>You know. You know.

1:05:32.330 --> 1:05:33.310
<v Speaker 1>I don't got.

1:05:33.210 --> 1:05:33.990
<v Speaker 3>No plug over there.

1:05:34.010 --> 1:05:36.450
<v Speaker 2>There's only one person you can ask for that. You

1:05:36.470 --> 1:05:37.720
<v Speaker 2>got to call big dog.

1:05:37.840 --> 1:05:41.080
<v Speaker 3>I don't feel like I'm supposed to be the person

1:05:41.120 --> 1:05:45.180
<v Speaker 3>that's supposed to add on to the amount of stress already,

1:05:45.640 --> 1:05:49.680
<v Speaker 3>no matter what city you in. it's a superstar in

1:05:49.700 --> 1:05:50.120
<v Speaker 3>that city.

1:05:50.360 --> 1:05:50.740
<v Speaker 2>Mm-hmm.

1:05:51.300 --> 1:05:53.490
<v Speaker 3>And they expect to get a free ticket.

1:05:53.650 --> 1:05:54.370
<v Speaker 1>That's a fact.

1:05:54.430 --> 1:05:56.750
<v Speaker 3>They expect to be well taken care of. That's a fact.

1:05:56.770 --> 1:05:59.540
<v Speaker 3>They expect to, like, even talk to, and I'll be like,

1:06:00.220 --> 1:06:02.380
<v Speaker 3>If she even, you know what I'm saying?

1:06:02.840 --> 1:06:05.160
<v Speaker 1>I seen them tell certain people, get out of here.

1:06:05.180 --> 1:06:08.100
<v Speaker 3>But just listen. You still got to be super on

1:06:08.220 --> 1:06:11.850
<v Speaker 3>point with the dances, with the outfit changes, with the lighting,

1:06:12.210 --> 1:06:12.470
<v Speaker 3>with the.

1:06:13.150 --> 1:06:17.470
<v Speaker 1>Yo, yo, Goo, chill. You was in Africa with us, right? Yes.

1:06:17.510 --> 1:06:19.229
<v Speaker 2>Were you like, yo, you got to be on point.

1:06:19.270 --> 1:06:22.280
<v Speaker 2>You just brought back a memory. Yo, you almost died

1:06:22.340 --> 1:06:25.560
<v Speaker 2>in Gabon, my G. And I love my African people.

1:06:26.000 --> 1:06:33.940
<v Speaker 2>I fucking love Africa. Listen, Tanzania, Gabon, Cape Town, Nigeria, Ghana,

1:06:34.940 --> 1:06:37.750
<v Speaker 2>fucking Joburg.

1:06:37.810 --> 1:06:39.110
<v Speaker 1>We done been everywhere.

1:06:39.470 --> 1:06:41.610
<v Speaker 3>You talking about when electricity gave out?

1:06:41.870 --> 1:06:45.230
<v Speaker 2>No, that was at the hotel. I'm talking about the

1:06:45.310 --> 1:06:49.050
<v Speaker 2>club where we performed that. Remember, we did stadiums the

1:06:49.110 --> 1:06:53.060
<v Speaker 2>whole Africa. We did stadiums. And there's one particular spot

1:06:53.080 --> 1:06:55.840
<v Speaker 2>in Gabon I fucking almost died.

1:06:55.880 --> 1:06:56.540
<v Speaker 1>Yeah.

1:06:56.560 --> 1:06:58.700
<v Speaker 2>Because I don't think y'all came with me. I went

1:06:58.760 --> 1:07:03.980
<v Speaker 2>with Randy to the show before y'all came. And we

1:07:04.020 --> 1:07:07.340
<v Speaker 2>getting through, so all the people bum-rushed the car. So

1:07:07.430 --> 1:07:10.410
<v Speaker 2>Randy telling the people, yo, y'all got to clear that gate.

1:07:10.730 --> 1:07:12.570
<v Speaker 2>Hov never going to pull up to the show. Y'all

1:07:12.610 --> 1:07:15.490
<v Speaker 2>got to clear the fence. So me, I'm just sitting back,

1:07:15.510 --> 1:07:18.150
<v Speaker 2>not talking, just watching. So I'm like, all right, I

1:07:18.190 --> 1:07:19.800
<v Speaker 2>want to see how they going to clear, because it's

1:07:19.840 --> 1:07:22.880
<v Speaker 2>about 10,000 Africans in front of the gate.

1:07:22.920 --> 1:07:24.820
<v Speaker 1>So I'm like, How are they going to clear this game?

1:07:25.760 --> 1:07:27.540
<v Speaker 1>So I'm saying to myself, what the fuck are they

1:07:27.580 --> 1:07:27.890
<v Speaker 1>going to do?

1:07:28.260 --> 1:07:32.730
<v Speaker 2>These niggas pulled up a box truck, opened the back

1:07:32.750 --> 1:07:37.310
<v Speaker 2>of the box truck, and let out like 20 dogs.

1:07:37.970 --> 1:07:39.470
<v Speaker 2>And they had, you know how in New York we

1:07:39.490 --> 1:07:41.950
<v Speaker 2>got the batons, the shit they pull out? No, they

1:07:41.990 --> 1:07:45.860
<v Speaker 2>had tree limbs, like bark from the tree, as like

1:07:45.920 --> 1:07:46.480
<v Speaker 2>a weapon.

1:07:47.100 --> 1:07:49.160
<v Speaker 1>And they told them, yo, you got to clear the fence.

1:07:50.410 --> 1:07:52.820
<v Speaker 2>They put so much blood in front of that fence, bro,

1:07:52.840 --> 1:07:55.920
<v Speaker 2>that I literally had to tell them, yo, chill. Hov

1:07:55.980 --> 1:07:59.180
<v Speaker 2>don't want y'all clearing the fence like this. Y'all got

1:07:59.200 --> 1:08:03.020
<v Speaker 2>to chill. Y'all violating. Just tell people to move. You

1:08:03.040 --> 1:08:06.260
<v Speaker 2>don't have to bust everybody's head to get them to move.

1:08:06.320 --> 1:08:07.120
<v Speaker 1>Like, chill.

1:08:07.640 --> 1:08:09.360
<v Speaker 2>So that's what had me thrown off.

1:08:09.380 --> 1:08:14.310
<v Speaker 3>My takeaway was, like, I had to meet y'all in Taipei, Taiwan.

1:08:14.330 --> 1:08:18.429
<v Speaker 3>I don't know if you remember this. In Taipei.

1:08:18.490 --> 1:08:21.150
<v Speaker 2>I remember we was in Taiwan. We was in Taipei.

1:08:22.560 --> 1:08:26.720
<v Speaker 2>And we had to get, um, which album was it done?

1:08:26.740 --> 1:08:29.820
<v Speaker 2>I'm trying to remember which album it was. And I

1:08:29.860 --> 1:08:34.559
<v Speaker 2>had to bust through the front to get to y'all

1:08:34.810 --> 1:08:35.660
<v Speaker 2>in Taipei, Taiwan.

1:08:35.780 --> 1:08:37.890
<v Speaker 3>It was crazy. We had so many tour stories, yo.

1:08:37.950 --> 1:08:41.110
<v Speaker 2>Yo. Like, And Ho was the foulest, man, because you know, Goo,

1:08:41.189 --> 1:08:42.990
<v Speaker 2>I used to hit the street, go get the weed

1:08:43.030 --> 1:08:43.400
<v Speaker 2>for us.

1:08:43.720 --> 1:08:45.660
<v Speaker 1>Remember, I felt the weed in Japan.

1:08:45.680 --> 1:08:46.040
<v Speaker 3>Yeah, no, no, no.

1:08:46.040 --> 1:08:47.260
<v Speaker 1>That nigga. Hold on, hold on, hold on.

1:08:47.300 --> 1:08:47.420
<v Speaker 3>Yo.

1:08:47.479 --> 1:08:47.679
<v Speaker 1>What?

1:08:48.380 --> 1:08:50.260
<v Speaker 3>I'm going to tell you.

1:08:50.280 --> 1:08:51.240
<v Speaker 1>Yo.

1:08:51.640 --> 1:08:53.690
<v Speaker 3>The best steak I ever had in my life.

1:08:53.700 --> 1:08:54.010
<v Speaker 1>Oh, my God.

1:08:54.020 --> 1:08:55.229
<v Speaker 3>I'm going to tell you. I'm going to tell you.

1:08:55.270 --> 1:08:57.750
<v Speaker 3>The best steak I ever had in my life was

1:08:57.810 --> 1:08:59.710
<v Speaker 3>in Japan. That's right. With you.

1:09:00.130 --> 1:09:03.250
<v Speaker 2>Bro nick yamazaka out there you know i mean big

1:09:03.590 --> 1:09:05.980
<v Speaker 2>this my guy poker stars he won all the money

1:09:06.030 --> 1:09:08.309
<v Speaker 2>he got all the money you're out there spending all

1:09:08.350 --> 1:09:10.000
<v Speaker 2>the money richard millie's for just.

1:09:09.860 --> 1:09:11.960
<v Speaker 1>Wednesday you know that's how you do it.

1:09:12.300 --> 1:09:15.320
<v Speaker 2>But yeah we now we went to the joint yo

1:09:15.700 --> 1:09:18.700
<v Speaker 2>and it was like yo yo we went we went

1:09:18.800 --> 1:09:24.420
<v Speaker 2>in a in a room And they brought this steak

1:09:24.439 --> 1:09:28.970
<v Speaker 2>that I've never tasted ever again in life. And it

1:09:28.990 --> 1:09:32.229
<v Speaker 2>was almost perfect because the dude was, like, standing outside

1:09:32.270 --> 1:09:32.710
<v Speaker 2>the room.

1:09:33.310 --> 1:09:35.470
<v Speaker 3>But then every time, like, you put your fork down,

1:09:35.510 --> 1:09:36.139
<v Speaker 3>he'd come in.

1:09:36.150 --> 1:09:38.790
<v Speaker 1>You remember they brought the shrimp alive?

1:09:38.810 --> 1:09:39.530
<v Speaker 3>Oh, my God.

1:09:39.560 --> 1:09:40.950
<v Speaker 1>And, yo, listen, they put.

1:09:40.820 --> 1:09:43.900
<v Speaker 2>The shrimp on the grill. The shrimp was alive. They

1:09:43.939 --> 1:09:48.260
<v Speaker 2>put the shrimp on the grill. Them shits started screaming.

1:09:48.280 --> 1:09:51.460
<v Speaker 1>Them shits like, eee! Yo, I looked at Goo like,

1:09:51.479 --> 1:09:54.440
<v Speaker 1>I'm getting the fuck out of here. That nigga Goo like, what? Yo,

1:09:54.560 --> 1:09:56.889
<v Speaker 1>eat that. It's the best part. You mug it. They

1:09:56.939 --> 1:09:58.170
<v Speaker 1>squished the face down.

1:09:58.290 --> 1:10:01.270
<v Speaker 2>All that nigga Goo was in there on his African shit,

1:10:01.850 --> 1:10:03.670
<v Speaker 2>eating the face, everything.

1:10:03.990 --> 1:10:06.310
<v Speaker 1>I'm like, yo, I don't even know who this dude

1:10:06.370 --> 1:10:10.309
<v Speaker 1>is no more. He turned Japanese on me. Yo.

1:10:11.590 --> 1:10:12.930
<v Speaker 3>Yo, we had some times, man.

1:10:12.950 --> 1:10:13.010
<v Speaker 2>Yo.

1:10:13.010 --> 1:10:16.690
<v Speaker 1>We had some times. I forgot about that Japanese trip, yo.

1:10:16.710 --> 1:10:20.210
<v Speaker 1>We had some times, yo. Yo, Japan. No, nothing is

1:10:20.250 --> 1:10:21.560
<v Speaker 1>worse than China, though, man.

1:10:21.610 --> 1:10:23.280
<v Speaker 2>China, them niggas will walk up to you in the

1:10:23.320 --> 1:10:26.019
<v Speaker 2>middle of the street with a chocolate centipede.

1:10:25.439 --> 1:10:26.200
<v Speaker 1>Like, you want?

1:10:26.660 --> 1:10:28.299
<v Speaker 3>Fuck you mean I want?

1:10:28.640 --> 1:10:29.760
<v Speaker 1>Hell no.

1:10:30.000 --> 1:10:33.040
<v Speaker 3>I took a picture, right? Because it was a sign

1:10:33.720 --> 1:10:36.820
<v Speaker 3>that was like, ROC, Republic of China.

1:10:37.189 --> 1:10:40.870
<v Speaker 2>Any trafficking drugs through here, subject to death.

1:10:42.689 --> 1:10:44.470
<v Speaker 1>Subject to death.

1:10:44.610 --> 1:10:47.970
<v Speaker 2>So, hold on. Hold on, hold on. So, you got

1:10:47.990 --> 1:10:50.840
<v Speaker 2>to understand. So, as we travel the world.

1:10:51.920 --> 1:10:53.900
<v Speaker 1>We get the blood everywhere. Everywhere.

1:10:53.979 --> 1:10:58.070
<v Speaker 2>So, it be certain places where I be like, yo...

1:10:59.050 --> 1:11:01.349
<v Speaker 2>If Bleak got to be without weed for like three days.

1:11:01.560 --> 1:11:03.920
<v Speaker 1>I'm going to die. I'm going to die. Yo, I'm

1:11:03.939 --> 1:11:04.479
<v Speaker 1>going to die.

1:11:04.520 --> 1:11:07.180
<v Speaker 2>I died in Korea. Yo, I died in Korea. I

1:11:07.180 --> 1:11:09.040
<v Speaker 2>left a part of my life out there. They don't

1:11:09.080 --> 1:11:10.120
<v Speaker 2>even know Korea.

1:11:10.479 --> 1:11:13.759
<v Speaker 1>It's Seoul, Korea. It's a part of Bleak there.

1:11:13.840 --> 1:11:14.720
<v Speaker 3>They don't understand.

1:11:14.900 --> 1:11:15.349
<v Speaker 1>Hold on.

1:11:15.360 --> 1:11:18.030
<v Speaker 3>I'm really looking at the calendar. I'm like, yo, so

1:11:18.070 --> 1:11:21.250
<v Speaker 3>Bleak got to be without weed for like four days

1:11:21.650 --> 1:11:22.929
<v Speaker 3>on this part of the thing.

1:11:23.530 --> 1:11:24.010
<v Speaker 1>Hold on.

1:11:24.410 --> 1:11:27.610
<v Speaker 3>So it's like already, and this might have been like

1:11:27.670 --> 1:11:32.550
<v Speaker 3>Blueprint 3. Where it was like already 10 people in J-Band.

1:11:33.070 --> 1:11:35.630
<v Speaker 3>Then Bleak had him and his people with him. You

1:11:35.650 --> 1:11:39.610
<v Speaker 3>know what I'm saying? So people get this confused. There's

1:11:39.670 --> 1:11:44.809
<v Speaker 3>a B-Ha and a B-I. There's a B-Ha that's J's cousin.

1:11:44.890 --> 1:11:47.950
<v Speaker 3>There's a B-I. That's my man. That's Bleak man.

1:11:48.189 --> 1:11:53.490
<v Speaker 1>And they grew up in the same building. Right. Yeah,

1:11:53.510 --> 1:11:54.970
<v Speaker 1>they both from the same building.

1:11:56.430 --> 1:11:59.519
<v Speaker 3>Right? So hold on. So we all on the bus,

1:11:59.720 --> 1:12:02.639
<v Speaker 3>and this is like, yo, it's a day where I'm like, yo,

1:12:02.780 --> 1:12:04.790
<v Speaker 3>it's going to be like four days where this dude

1:12:04.830 --> 1:12:05.769
<v Speaker 3>don't have no weed.

1:12:07.170 --> 1:12:07.430
<v Speaker 1>Joe.

1:12:07.950 --> 1:12:11.550
<v Speaker 3>Understand, Bleak is the coolest person in the world. He's

1:12:11.590 --> 1:12:16.309
<v Speaker 3>my brother. Do not be around this man when he

1:12:16.330 --> 1:12:20.429
<v Speaker 3>ain't got no trees. Yeah, you're going to meet full-fledged Malik. Oh, yo,

1:12:20.490 --> 1:12:23.130
<v Speaker 3>my bro B.I., he always say, yeah, you Memphis Bleak.

1:12:23.430 --> 1:12:25.410
<v Speaker 3>A lot of people don't know who Malik is. When

1:12:25.430 --> 1:12:27.679
<v Speaker 3>they meet Malik, they like, fuck that nigga.

1:12:27.689 --> 1:12:34.640
<v Speaker 1>I don't like him. Bring Bleak back. Yo, word up.

1:12:34.660 --> 1:12:37.040
<v Speaker 3>Yo, I was doing my best. Yo. I was doing

1:12:37.060 --> 1:12:40.040
<v Speaker 3>my best. Yo, listen. To try to find this man

1:12:40.400 --> 1:12:44.400
<v Speaker 3>some trees. But four days went by, and I swear

1:12:44.430 --> 1:12:48.470
<v Speaker 3>to God, if it wasn't my man, he was like

1:12:48.550 --> 1:12:49.970
<v Speaker 3>at the point where it was like.

1:12:50.950 --> 1:12:54.550
<v Speaker 2>I'm telling you. I asked the promoter. Yeah, yo, fam,

1:12:54.830 --> 1:12:55.790
<v Speaker 2>where can I get the bud?

1:12:55.830 --> 1:13:01.019
<v Speaker 1>That nigga was like. I'm like, what you mean? No,

1:13:01.120 --> 1:13:03.260
<v Speaker 1>where we get the weed? Like, no weed out here.

1:13:03.540 --> 1:13:07.070
<v Speaker 2>I can get you anything else. They don't do no

1:13:07.130 --> 1:13:09.990
<v Speaker 2>drug that slow you down. You want drugs that keep

1:13:10.030 --> 1:13:12.860
<v Speaker 2>you up working? I got that all day. But if

1:13:12.939 --> 1:13:15.480
<v Speaker 2>it's going to slow you down, we're going to send

1:13:15.500 --> 1:13:16.059
<v Speaker 2>you to jail.

1:13:16.080 --> 1:13:18.880
<v Speaker 3>So a lot of people don't really understand. A lot

1:13:18.920 --> 1:13:22.240
<v Speaker 3>of my career been also like trying to keep this

1:13:22.300 --> 1:13:23.040
<v Speaker 3>nigga out of jail.

1:13:24.260 --> 1:13:24.480
<v Speaker 1>Right?

1:13:25.280 --> 1:13:32.410
<v Speaker 3>So we go to this joint. It's downtown. We walk

1:13:32.470 --> 1:13:35.650
<v Speaker 3>in there. It's us. It's MOP, Fab. It's a bunch

1:13:35.670 --> 1:13:39.559
<v Speaker 3>of people. The VIP's so packed that I'm like, all right,

1:13:39.700 --> 1:13:42.300
<v Speaker 3>it's uncomfortable in here. Let me get out the VIP.

1:13:46.000 --> 1:13:48.320
<v Speaker 3>I don't know what the fuck happened. I'm in the

1:13:48.400 --> 1:13:52.889
<v Speaker 3>front of the VIP talking to Lays from M.O.P., right?

1:13:52.950 --> 1:13:55.689
<v Speaker 3>So it's, you know, it's M.O.P., it's Fox, it's Lays,

1:13:55.750 --> 1:13:58.390
<v Speaker 3>it's all of them. So I'm talking to Lays. Me

1:13:58.430 --> 1:14:01.189
<v Speaker 3>and Lays is kicking it. All I hear is a ruckus.

1:14:02.310 --> 1:14:04.170
<v Speaker 3>Just start in the VIP.

1:14:04.189 --> 1:14:06.059
<v Speaker 2>Dude.

1:14:06.760 --> 1:14:09.620
<v Speaker 3>And I'm like, oh, shit, this us.

1:14:13.760 --> 1:14:16.720
<v Speaker 1>So I'm like, I turn around. Yo.

1:14:17.000 --> 1:14:20.320
<v Speaker 3>Yo. And I look and I see Bleak gone. Now

1:14:20.340 --> 1:14:21.939
<v Speaker 3>that Bleak gone, I got to come up there.

1:14:21.960 --> 1:14:22.220
<v Speaker 1>Yep.

1:14:22.680 --> 1:14:23.420
<v Speaker 3>It was on.

1:14:23.460 --> 1:14:24.240
<v Speaker 1>Yeah, it was on.

1:14:24.439 --> 1:14:26.600
<v Speaker 3>It was on. So when the cops come in.

1:14:26.620 --> 1:14:29.320
<v Speaker 1>They locked us in the club that day.

1:14:29.340 --> 1:14:31.839
<v Speaker 3>They locked Bleak and Leaky.

1:14:32.380 --> 1:14:33.800
<v Speaker 1>Yep. Right.

1:14:34.370 --> 1:14:35.310
<v Speaker 3>But we downtown.

1:14:35.330 --> 1:14:36.590
<v Speaker 1>Oh, man, yup, me and Sheik, yup.

1:14:36.630 --> 1:14:38.450
<v Speaker 3>Yeah, we downtown. They took us down.

1:14:38.810 --> 1:14:39.070
<v Speaker 1>Right?

1:14:39.350 --> 1:14:43.110
<v Speaker 3>We downtown. So I'm trying to talk to the police

1:14:43.189 --> 1:14:45.300
<v Speaker 3>officer to tell him, like, you know what I'm saying?

1:14:45.340 --> 1:14:47.260
<v Speaker 3>First of all, I'm trying to play the Memphis Bleak card.

1:14:47.320 --> 1:14:49.920
<v Speaker 3>You know what I'm saying? Early with the police officer.

1:14:49.939 --> 1:14:52.059
<v Speaker 2>They like, nah, they going through. Yeah, they going down.

1:14:52.280 --> 1:14:55.740
<v Speaker 2>They going down. Nothing you can do. They going down. Word.

1:14:55.760 --> 1:14:57.940
<v Speaker 3>Try to play that early. I try to play the

1:14:57.960 --> 1:15:01.050
<v Speaker 3>Young Guru card. That ain't work. I try to play the,

1:15:01.070 --> 1:15:03.110
<v Speaker 3>you know what I'm saying? I know the promoter card.

1:15:03.130 --> 1:15:05.549
<v Speaker 3>That ain't work. You know what I'm saying?

1:15:05.630 --> 1:15:08.210
<v Speaker 2>Hov is the goat for that, too. Because the next

1:15:08.250 --> 1:15:09.929
<v Speaker 2>day they had us in court, right? Yeah.

1:15:10.150 --> 1:15:12.750
<v Speaker 1>He had Carlene in court with the envelope.

1:15:12.790 --> 1:15:14.930
<v Speaker 3>No, but hold on. Before you even get to the

1:15:14.970 --> 1:15:18.189
<v Speaker 3>next day with Carlene. So these two niggas, you know

1:15:18.210 --> 1:15:20.330
<v Speaker 3>what I'm saying? This is like 2 o'clock in the morning. Yep.

1:15:20.450 --> 1:15:21.210
<v Speaker 3>We go through.

1:15:21.229 --> 1:15:21.309
<v Speaker 2>Cool.

1:15:21.810 --> 1:15:26.370
<v Speaker 3>All right. So I call Carlene. I'm like, yo, Bleach

1:15:26.390 --> 1:15:29.679
<v Speaker 3>just got arrested. Don't tell Hov.

1:15:31.229 --> 1:15:33.470
<v Speaker 1>Yep. Lock this up.

1:15:33.790 --> 1:15:34.050
<v Speaker 2>Right?

1:15:35.110 --> 1:15:38.830
<v Speaker 3>So, we go down there, and these two niggas is

1:15:38.910 --> 1:15:43.210
<v Speaker 3>in the pen on some gangster shit, making it worse.

1:15:44.790 --> 1:15:45.189
<v Speaker 1>Yes.

1:15:45.630 --> 1:15:47.830
<v Speaker 3>Throwing shit, fighting it. I'm like, yo.

1:15:47.850 --> 1:15:50.290
<v Speaker 2>We have to make room, B. We need that bitch.

1:15:50.330 --> 1:15:52.809
<v Speaker 2>We ain't sitting on no floor. We need that bitch.

1:15:52.850 --> 1:15:55.410
<v Speaker 2>Niggas got to move. They know how to fucking get.

1:15:55.910 --> 1:15:57.930
<v Speaker 3>Forget all that gangster shit. I'm trying to get you

1:15:58.010 --> 1:15:58.310
<v Speaker 3>out of here.

1:15:58.350 --> 1:16:02.019
<v Speaker 1>Word up. We ain't sitting on no floor while they

1:16:02.060 --> 1:16:03.760
<v Speaker 1>can cheat, no. Trying to get you out of here.

1:16:03.800 --> 1:16:04.580
<v Speaker 1>Trying to get you out of here.

1:16:05.540 --> 1:16:08.429
<v Speaker 2>Yo, but yeah, home sent Carlene to court the next day.

1:16:08.470 --> 1:16:10.129
<v Speaker 2>She had a hundred grand in the envelope.

1:16:10.470 --> 1:16:11.590
<v Speaker 3>Call the lawyers, Carlene.

1:16:11.630 --> 1:16:13.710
<v Speaker 2>Yep, just in case. I got to bail you out.

1:16:13.729 --> 1:16:15.570
<v Speaker 2>But yeah, me and Sheik had to go to trial

1:16:15.590 --> 1:16:19.600
<v Speaker 2>for that. For that bullshit, man. Shout out Stacey Richardson, too,

1:16:19.640 --> 1:16:20.740
<v Speaker 2>because she beat the case.

1:16:21.140 --> 1:16:23.460
<v Speaker 1>I had on a white suit, man, and she was like.

1:16:24.260 --> 1:16:27.059
<v Speaker 2>Yo, if y'all beat this kid up this bad, broke

1:16:27.100 --> 1:16:29.550
<v Speaker 2>his jaw, did all of this, and you got on

1:16:29.620 --> 1:16:30.270
<v Speaker 2>a white.

1:16:30.100 --> 1:16:32.590
<v Speaker 1>Suit, how come ain't no blood get on you? Like,

1:16:32.770 --> 1:16:34.890
<v Speaker 1>I don't know, girl. She was like, well, we going

1:16:34.910 --> 1:16:36.089
<v Speaker 1>to put this suit in court.

1:16:36.110 --> 1:16:38.530
<v Speaker 3>This was a normal night going out with Memphis Bleak.

1:16:38.850 --> 1:16:40.090
<v Speaker 3>This was a normal night.

1:16:40.530 --> 1:16:42.130
<v Speaker 1>Regular shit, my G.

1:16:42.450 --> 1:16:47.600
<v Speaker 3>That or it's plenty of nights. Again, back at that time,

1:16:47.610 --> 1:16:49.680
<v Speaker 3>we was like running up and down the whole East

1:16:49.720 --> 1:16:52.650
<v Speaker 3>Coast getting bags. You know what I'm saying? Going crazy.

1:16:52.810 --> 1:16:57.780
<v Speaker 3>If it's north of D.C., Bleak is going to go

1:16:58.860 --> 1:17:00.400
<v Speaker 3>tell the turtle top to go to A.C.

1:17:00.560 --> 1:17:04.210
<v Speaker 1>That's right. You're on our way to A.C., baby. Shout

1:17:04.290 --> 1:17:05.530
<v Speaker 1>out my nigga A.I.

1:17:05.870 --> 1:17:08.309
<v Speaker 2>Used to see Allen Iverson in there all the time

1:17:08.390 --> 1:17:10.110
<v Speaker 2>at the three-car poker table.

1:17:10.600 --> 1:17:12.000
<v Speaker 1>I'm trying to tell you.

1:17:12.939 --> 1:17:15.110
<v Speaker 3>If it's north of D.C.

1:17:15.470 --> 1:17:16.010
<v Speaker 1>We out.

1:17:16.170 --> 1:17:19.010
<v Speaker 2>Bleak is going to go at 2 o'clock in the morning.

1:17:19.229 --> 1:17:19.809
<v Speaker 1>A.C.

1:17:20.050 --> 1:17:21.750
<v Speaker 3>He's going to go, yo. Yo.

1:17:21.770 --> 1:17:24.019
<v Speaker 1>Let's go to A.C. That's a fact, yo.

1:17:24.040 --> 1:17:26.640
<v Speaker 3>So I would take out a certain amount of money.

1:17:27.660 --> 1:17:31.040
<v Speaker 3>And if I lose this. I'm done. I'm done. These

1:17:31.080 --> 1:17:34.009
<v Speaker 3>niggas will be in there until like 6 in the morning.

1:17:34.070 --> 1:17:35.240
<v Speaker 1>Until the sun come up.

1:17:36.150 --> 1:17:37.540
<v Speaker 3>We used to be that motherfucker.

1:17:37.560 --> 1:17:40.760
<v Speaker 1>The sun came, the sun up. We driving back down

1:17:41.000 --> 1:17:41.620
<v Speaker 1>to Jersey.

1:17:42.240 --> 1:17:44.260
<v Speaker 3>Yo. You dropped me off at my house.

1:17:44.680 --> 1:17:46.740
<v Speaker 1>Yeah, we used to be on some ill shit, man.

1:17:47.120 --> 1:17:49.540
<v Speaker 2>One of the illest days that we had, though, that

1:17:49.580 --> 1:17:52.600
<v Speaker 2>turned out to be one of the best sessions was

1:17:52.640 --> 1:17:54.680
<v Speaker 2>the day we, remember we was in the studio and

1:17:54.840 --> 1:17:56.320
<v Speaker 2>I forgot what studio, I think we was in Rock

1:17:56.350 --> 1:17:56.700
<v Speaker 2>the Mic.

1:17:58.090 --> 1:18:00.350
<v Speaker 1>And we was waiting. I think you went to sleep, too.

1:18:00.650 --> 1:18:03.370
<v Speaker 1>Because I caught, no, you was in the studio. I

1:18:03.410 --> 1:18:04.030
<v Speaker 1>was home.

1:18:04.630 --> 1:18:07.689
<v Speaker 2>And Swizz called me. It was like, Bleak, I got it.

1:18:07.710 --> 1:18:10.559
<v Speaker 2>It was like 5 in the morning. I pulled up

1:18:10.600 --> 1:18:13.180
<v Speaker 2>to the studio, picked Goo up. We went right to

1:18:13.320 --> 1:18:16.580
<v Speaker 2>Swizz's studio. That nigga like, I got the record. Goo like,

1:18:16.640 --> 1:18:17.060
<v Speaker 2>play it.

1:18:17.540 --> 1:18:18.900
<v Speaker 1>Nigga played like that.

1:18:19.500 --> 1:18:23.050
<v Speaker 2>We recorded that record right there on the spot, 5

1:18:23.050 --> 1:18:28.070
<v Speaker 2>in the morning. By 9 a.m., we are at Rockefeller

1:18:28.150 --> 1:18:32.500
<v Speaker 2>Def Jam playing that record. This is the single. They

1:18:32.520 --> 1:18:33.639
<v Speaker 2>looking at us like.

1:18:35.600 --> 1:18:36.889
<v Speaker 1>Where y'all made this record at?

1:18:36.950 --> 1:18:37.750
<v Speaker 3>Yeah, last night.

1:18:37.960 --> 1:18:41.420
<v Speaker 1>Them niggas sent the young guns right to Swiss, too.

1:18:41.460 --> 1:18:42.200
<v Speaker 3>That's true, too.

1:18:42.680 --> 1:18:45.320
<v Speaker 2>Them niggas took our swag. They like Swiss over there

1:18:45.350 --> 1:18:48.630
<v Speaker 2>making shit like this. All right, send the gunners over there, baby.

1:18:48.670 --> 1:18:50.920
<v Speaker 3>We be one of those, too. Swiss was on fire.

1:18:51.160 --> 1:18:52.040
<v Speaker 3>Swiss was on fire.

1:18:52.060 --> 1:18:53.960
<v Speaker 1>Swiss was on fire.

1:18:54.000 --> 1:18:57.560
<v Speaker 3>That like that was different. That's one of them joints

1:18:58.120 --> 1:18:59.580
<v Speaker 3>that when I play in Dubai.

1:18:59.960 --> 1:19:03.009
<v Speaker 1>Yeah, it's still green. I can play anywhere.

1:19:03.110 --> 1:19:04.910
<v Speaker 2>I remember we got off the plane to Africa when

1:19:04.950 --> 1:19:06.830
<v Speaker 2>we went on the Africa tour, the Water for Life.

1:19:06.870 --> 1:19:09.610
<v Speaker 2>That shit was on the radio. The first song, we

1:19:09.650 --> 1:19:12.610
<v Speaker 2>all jumped off the plane getting in the car. Nigga Hov,

1:19:12.630 --> 1:19:15.120
<v Speaker 2>everybody jump in the car, turn on the radio. That's

1:19:15.160 --> 1:19:19.460
<v Speaker 2>the song on the radio like that. We was bugging like, oh, shit.

1:19:20.200 --> 1:19:20.729
<v Speaker 1>Word, man.

1:19:20.800 --> 1:19:23.680
<v Speaker 3>That was crazy. I was definitely sleeping bass line. No,

1:19:23.720 --> 1:19:24.240
<v Speaker 3>rock the mic.

1:19:24.439 --> 1:19:28.000
<v Speaker 2>Yeah, it was rock the mic then, man. That's crazy, man.

1:19:28.100 --> 1:19:30.260
<v Speaker 2>Fucking like that session. Shout out, Swiss.

1:19:30.500 --> 1:19:33.809
<v Speaker 1>It's crazy. DJ Enough was in the studio with us, too. Yeah.

1:19:34.090 --> 1:19:36.650
<v Speaker 2>I don't think I got 1,500 spins from you enough.

1:19:38.070 --> 1:19:40.089
<v Speaker 2>Probably owe me like 60 spins.

1:19:42.010 --> 1:19:43.349
<v Speaker 3>This nigga bleak is crazy.

1:19:43.430 --> 1:19:46.849
<v Speaker 2>He probably owe me like 60 spins, E.

1:19:47.950 --> 1:19:51.540
<v Speaker 3>You know what it is now? It's like, it ain't

1:19:51.560 --> 1:19:55.180
<v Speaker 3>even about the spins. It ain't even about playlists. It's

1:19:55.220 --> 1:19:58.260
<v Speaker 3>about culture. It's about, like, you know what I'm saying?

1:19:58.280 --> 1:19:58.729
<v Speaker 1>That's it, man.

1:19:58.840 --> 1:20:02.690
<v Speaker 3>It's about culture. That's it. That's it. That's all you

1:20:02.700 --> 1:20:07.470
<v Speaker 3>got to do. Like, people getting tired of the normal formula.

1:20:07.810 --> 1:20:11.730
<v Speaker 3>It's just about culture, man. Like, that's it.

1:20:12.030 --> 1:20:16.729
<v Speaker 1>Culture, integrity, staying true, you know, and believe what you believe.

1:20:16.750 --> 1:20:17.750
<v Speaker 1>Don't be a follower.

1:20:18.110 --> 1:20:21.910
<v Speaker 3>Like, I think that's the one thing. The thing that's

1:20:21.930 --> 1:20:24.070
<v Speaker 3>going on today. No, but that's the one thing.

1:20:24.350 --> 1:20:28.059
<v Speaker 2>If you was to look up loyalty in a dictionary,

1:20:28.100 --> 1:20:30.040
<v Speaker 2>your face is like next to it.

1:20:30.060 --> 1:20:34.140
<v Speaker 1>Yeah, I should definitely. Me, Yayo, you know, Jungle, our

1:20:34.280 --> 1:20:34.860
<v Speaker 1>face should.

1:20:34.720 --> 1:20:37.620
<v Speaker 3>Definitely be there. Your face is definitely next to loyalty.

1:20:37.800 --> 1:20:39.580
<v Speaker 3>Definitely should be there.

1:20:40.380 --> 1:20:42.940
<v Speaker 2>But I definitely, like, I just want to say these

1:20:42.979 --> 1:20:45.820
<v Speaker 2>young kids today, man, before we, you know, sign off

1:20:45.840 --> 1:20:49.220
<v Speaker 2>or anything, Stay true to yourself, man.

1:20:49.240 --> 1:20:49.860
<v Speaker 1>Integrity.

1:20:49.880 --> 1:20:52.719
<v Speaker 2>Stop being followers. Because, like I said, I own Warehouse

1:20:52.780 --> 1:20:55.420
<v Speaker 2>Music Group, and we steady looking for talent. And people

1:20:55.460 --> 1:20:57.720
<v Speaker 2>always say, yo, Bleak, why you don't sign niggas from

1:20:57.780 --> 1:21:00.580
<v Speaker 2>New York? And it's like, all y'all niggas, if it

1:21:00.640 --> 1:21:03.740
<v Speaker 2>ain't A Boogie, y'all niggas is Chef G and Sleepy

1:21:03.780 --> 1:21:05.050
<v Speaker 2>Hollow sound-alikes.

1:21:05.090 --> 1:21:08.730
<v Speaker 1>And it's like, bro, they have they lane. Artists, you

1:21:08.790 --> 1:21:09.990
<v Speaker 1>have to do what you do.

1:21:10.330 --> 1:21:14.349
<v Speaker 2>I couldn't imagine in our era me trying to sound

1:21:14.370 --> 1:21:19.220
<v Speaker 2>like Jadakiss, Styles, or Sheik. or Lil' C's, or Ja Rule. Like,

1:21:19.540 --> 1:21:21.939
<v Speaker 2>it would be, like, blasphemy. Angus would have had my

1:21:22.000 --> 1:21:23.460
<v Speaker 2>head on a chopping block.

1:21:23.860 --> 1:21:26.719
<v Speaker 3>People seeing that, with the decline in, like, the sales

1:21:27.100 --> 1:21:30.820
<v Speaker 3>of hip-hop music, people seeing that, and I think it's

1:21:31.320 --> 1:21:35.930
<v Speaker 3>a bunch of young, like, New York cats, and females,

1:21:36.070 --> 1:21:38.250
<v Speaker 3>you know what I'm saying, that's killing it.

1:21:38.470 --> 1:21:38.770
<v Speaker 1>Yes.

1:21:38.870 --> 1:21:42.929
<v Speaker 3>It's going to take a next generation of executives. So,

1:21:43.110 --> 1:21:49.099
<v Speaker 3>my dream, my dream, Bleak, is, like, The next executives

1:21:49.120 --> 1:21:52.170
<v Speaker 3>are supposed to be 22 years old. Yes. You know

1:21:52.189 --> 1:21:54.290
<v Speaker 3>what I'm saying? If you think back to how young

1:21:54.370 --> 1:22:00.049
<v Speaker 3>we was when we was doing it, that next... Irv Gotti,

1:22:00.090 --> 1:22:03.730
<v Speaker 3>that next Dame Dash, that next Jay-Z, that next, you

1:22:03.750 --> 1:22:04.189
<v Speaker 3>know what I'm saying?

1:22:04.229 --> 1:22:06.010
<v Speaker 1>They the young boys. You got to give the young

1:22:06.030 --> 1:22:07.210
<v Speaker 1>boys a shot. It got to be the next, yeah.

1:22:07.290 --> 1:22:09.570
<v Speaker 2>And they can't, of course, it ain't the music. Like,

1:22:09.630 --> 1:22:12.820
<v Speaker 2>I'm not, never knocking the music, the drill sound, whatever these.

1:22:12.680 --> 1:22:13.500
<v Speaker 3>Kids is into.

1:22:13.580 --> 1:22:14.580
<v Speaker 1>I love it. I like it.

1:22:14.680 --> 1:22:16.900
<v Speaker 3>It's so many sounds in New York right now.

1:22:17.240 --> 1:22:20.420
<v Speaker 2>Yes. That's what I see. It's too many similar. That's

1:22:20.460 --> 1:22:22.320
<v Speaker 2>the only thing I don't agree with.

1:22:22.439 --> 1:22:23.200
<v Speaker 3>On the radio.

1:22:23.360 --> 1:22:24.980
<v Speaker 1>I just heard a dude send me a song and

1:22:25.020 --> 1:22:25.910
<v Speaker 1>he was rhyming.

1:22:25.650 --> 1:22:28.670
<v Speaker 2>Like Ice Spice and I was like, fam, like for real,

1:22:29.330 --> 1:22:32.430
<v Speaker 2>Ice Spice, my nigga, like, this is a girl.

1:22:32.510 --> 1:22:33.010
<v Speaker 3>It's a lot of.

1:22:33.050 --> 1:22:35.290
<v Speaker 1>It's like, I never heard a nigga in my era

1:22:35.330 --> 1:22:36.309
<v Speaker 1>rhyme like Lil' Kim.

1:22:36.350 --> 1:22:39.720
<v Speaker 3>I'm telling you, I'm in tune with these young boys.

1:22:39.740 --> 1:22:42.100
<v Speaker 1>This shit is getting fucking spooky out here. It's a

1:22:42.100 --> 1:22:44.719
<v Speaker 1>lot of different things. Niggas did not want to be Lil' Kim.

1:22:45.120 --> 1:22:47.220
<v Speaker 2>These niggas out here want to be Ice Spice.

1:22:47.260 --> 1:22:51.009
<v Speaker 1>This shit is crazy. And she winning, winning, winning.

1:22:51.670 --> 1:22:56.630
<v Speaker 2>Between her, Lola Brooks, fucking, of course, Nicki, Cardi.

1:22:56.930 --> 1:22:57.750
<v Speaker 1>They the staple.

1:22:57.770 --> 1:23:01.400
<v Speaker 2>But the new young girls out here winning, the girls

1:23:01.450 --> 1:23:04.300
<v Speaker 2>is applying pressure. And I knew this was coming because

1:23:04.360 --> 1:23:06.420
<v Speaker 2>I used to say Eve was making it hard for

1:23:06.439 --> 1:23:08.460
<v Speaker 2>these niggas. She used to go in the booth and

1:23:08.500 --> 1:23:12.290
<v Speaker 2>bully these niggas. You got Remy been bullying niggas. You

1:23:12.450 --> 1:23:15.429
<v Speaker 2>know what I'm saying? And now the girls is like, fuck.

1:23:15.650 --> 1:23:17.630
<v Speaker 3>It only makes sense. You know what I'm saying? Like.

1:23:18.260 --> 1:23:19.900
<v Speaker 3>I've been saying that for years. Like, if you think

1:23:19.920 --> 1:23:22.340
<v Speaker 3>about my whole career, it's through women. You know what

1:23:22.420 --> 1:23:24.059
<v Speaker 3>I'm saying? So from Narshalon.

1:23:24.080 --> 1:23:26.040
<v Speaker 1>Yeah, y'all got Rhapsody. Rhapsody.

1:23:26.160 --> 1:23:26.960
<v Speaker 3>You know what I'm saying?

1:23:26.979 --> 1:23:28.460
<v Speaker 1>Narshalon was a beast.

1:23:28.540 --> 1:23:32.099
<v Speaker 3>Like, that whole thing. But the thing about it is

1:23:32.160 --> 1:23:35.700
<v Speaker 3>it's just like they got to let them be them.

1:23:35.939 --> 1:23:39.360
<v Speaker 3>That's right. You know what I'm saying? And not put

1:23:39.390 --> 1:23:39.870
<v Speaker 3>them in a.

1:23:41.400 --> 1:23:43.460
<v Speaker 3>A box that we have. That's right.

1:23:43.540 --> 1:23:47.519
<v Speaker 1>And y'all new artists, don't be them. Let them be them. Right.

1:23:47.660 --> 1:23:50.809
<v Speaker 1>You don't be them. Right. Okay, you be you. Let

1:23:50.860 --> 1:23:53.610
<v Speaker 1>them be them. Please.

1:23:54.030 --> 1:23:57.110
<v Speaker 2>Because that's the advice. I remember being a young dude, right?

1:23:57.530 --> 1:24:01.610
<v Speaker 2>Before Jay, Jazzo, I remember Jay used to be coming

1:24:01.630 --> 1:24:03.930
<v Speaker 2>through the hood with Jazzo. Before they even gave me

1:24:03.970 --> 1:24:07.050
<v Speaker 2>an opportunity, I used to always ask them, yo, what's

1:24:07.070 --> 1:24:09.509
<v Speaker 2>the advice for You would give me, like, I remember

1:24:09.530 --> 1:24:12.620
<v Speaker 2>telling Jazz, yo, bro, I have troubles writing hooks.

1:24:12.640 --> 1:24:14.240
<v Speaker 1>I don't know how to write a hook. And that

1:24:14.260 --> 1:24:17.120
<v Speaker 1>nigga was like, just keep writing. It'll come to you.

1:24:17.760 --> 1:24:20.620
<v Speaker 1>Just keep writing. That was always his answer. Hov, too. Yo, Hov,

1:24:20.700 --> 1:24:22.120
<v Speaker 1>how I do this? How you make a signal? Yo,

1:24:22.140 --> 1:24:22.840
<v Speaker 1>just keep writing.

1:24:23.229 --> 1:24:25.210
<v Speaker 2>You'll get it. So that's what I give. You got

1:24:25.250 --> 1:24:28.650
<v Speaker 2>to develop your own sound by just keep writing. Turn,

1:24:28.729 --> 1:24:31.090
<v Speaker 2>tune everything out and do you, man.

1:24:31.189 --> 1:24:31.690
<v Speaker 1>Trust me.

1:24:32.110 --> 1:24:34.470
<v Speaker 2>If you great, we going to figure it out and

1:24:34.510 --> 1:24:37.670
<v Speaker 2>we going to know this. And that's what it is, baby.

1:24:37.729 --> 1:24:38.530
<v Speaker 2>You know what it is.

1:24:38.850 --> 1:24:42.269
<v Speaker 1>We here. Rock solid. Before we sign off, though.

1:24:42.490 --> 1:24:42.769
<v Speaker 3>Wait.

1:24:43.710 --> 1:24:43.990
<v Speaker 1>Goo.

1:24:46.260 --> 1:24:52.260
<v Speaker 2>How did you feel when Beans came at the crew? Like,

1:24:52.520 --> 1:24:56.340
<v Speaker 2>when Beans went that hove. Like, I know me. Then

1:24:56.420 --> 1:24:59.000
<v Speaker 2>it shattered my heart. Like, that's my bro. You know,

1:24:59.020 --> 1:25:03.580
<v Speaker 2>we passed that now. But what was your mind state

1:25:03.640 --> 1:25:04.240
<v Speaker 2>at that time?

1:25:04.760 --> 1:25:06.120
<v Speaker 3>It's always been elevations.

1:25:06.840 --> 1:25:07.240
<v Speaker 1>Mm-hmm.

1:25:08.080 --> 1:25:10.280
<v Speaker 3>You know, everybody feel how they feel at a certain point.

1:25:11.270 --> 1:25:11.519
<v Speaker 1>And I.

1:25:13.470 --> 1:25:15.550
<v Speaker 3>Just be like, I just be wanting to have conversations.

1:25:15.750 --> 1:25:16.809
<v Speaker 3>That's it. You know what I'm saying?

1:25:16.830 --> 1:25:18.750
<v Speaker 1>I feel like conversations.

1:25:19.530 --> 1:25:22.189
<v Speaker 2>Can be the solution to all problems, but some people

1:25:22.330 --> 1:25:24.110
<v Speaker 2>always got a problem for every solution.

1:25:24.290 --> 1:25:26.429
<v Speaker 1>Yeah. Not my God's secret.

1:25:26.450 --> 1:25:33.120
<v Speaker 3>But still, but still, it don't matter. Like, there's nothing

1:25:33.979 --> 1:25:39.550
<v Speaker 3>that can't be talked out There's nothing that can't be addressed.

1:25:40.490 --> 1:25:45.110
<v Speaker 3>There's nothing I feel as though like as elder statesmen.

1:25:46.189 --> 1:25:46.720
<v Speaker 1>That's right.

1:25:46.880 --> 1:25:52.280
<v Speaker 3>And especially people that have been through it. Even if

1:25:52.340 --> 1:25:56.820
<v Speaker 3>it's not just an example for a younger generation, there's

1:25:57.020 --> 1:25:58.610
<v Speaker 3>nothing that nobody can't talk to.

1:25:58.990 --> 1:26:01.130
<v Speaker 1>That's right, and can't get to the bottom of, man. Yeah,

1:26:01.150 --> 1:26:01.430
<v Speaker 1>that's it.

1:26:01.590 --> 1:26:03.570
<v Speaker 2>And you know I'm glad we passed that. You know

1:26:03.670 --> 1:26:07.480
<v Speaker 2>it was a dark era for our crew, man. And

1:26:07.520 --> 1:26:10.520
<v Speaker 2>my last question, before we get out of here, you

1:26:10.560 --> 1:26:12.719
<v Speaker 2>think it'll ever be a Rockefeller reunion tour?

1:26:13.100 --> 1:26:13.919
<v Speaker 1>You think it's possible?

1:26:14.120 --> 1:26:14.840
<v Speaker 3>No, absolutely.

1:26:15.220 --> 1:26:19.600
<v Speaker 1>Ooh, you heard it here first, baby. Absolutely. Rock solid.

1:26:19.640 --> 1:26:21.640
<v Speaker 1>You know what it is. We remain.

1:26:21.979 --> 1:26:22.459
<v Speaker 3>Absolutely.

1:26:22.560 --> 1:26:22.820
<v Speaker 1>Boom.

1:26:26.939 --> 1:26:32.180
<v Speaker 2>For more podcasts from iHeartRadio, visit iHeartRadio app, Apple Podcasts,

1:26:32.220 --> 1:26:34.720
<v Speaker 2>or wherever you listen to your favorite shows at. And

1:26:34.760 --> 1:26:37.840
<v Speaker 2>you can follow me on any social media platform under

1:26:37.860 --> 1:26:38.939
<v Speaker 2>the name Memphis Bleak.

1:26:39.140 --> 1:26:41.260
<v Speaker 1>You see anybody fronting, flag them.