WEBVTT - Paddington 2: Delightful & Marmalade

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Hi, I'm Sienna Jacob and I'm Leanna Holsten.

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<v Speaker 1>And welcome to Toss Popcorn, the podcast where two idiots

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<v Speaker 1>watched every film on the a fi's one hundred Greatest

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<v Speaker 1>American Movies of All Time? Mate, Rest in Peace. The

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<v Speaker 1>very slightly less racist tenth anniversary edition, Oh my God?

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<v Speaker 2>Are you sick? Surprise? How did that?

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<v Speaker 1>How was that hidden from me until the second m.

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<v Speaker 2>And are now watching.

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<v Speaker 1>Oh my God, and are now watching films of our

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<v Speaker 1>own and listeners choosing this podcast is a safe.

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<v Speaker 2>Steam train for people who don't know anything about movies. Today,

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<v Speaker 2>we're watching Paddington II.

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<v Speaker 3>Whoa, Oh, it's all right, mister Brown. This is my

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<v Speaker 3>friend Knuckles, go ahead, and this is Fibbs good a spoon,

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<v Speaker 3>Gimmy the Snitch, al right, t boone, watch the Professor,

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<v Speaker 3>Squeaky Pete, Double Bass bother or Farmer Jack, mad Dog,

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<v Speaker 3>Johnny cashboyn catching So, Jeffrey Wilcos, I hope I can

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<v Speaker 3>rely on your vote and Charlie.

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<v Speaker 2>Rumble because the world needs a little more kindness and

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<v Speaker 2>politeness right now. Warning there will be spoilers about this

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<v Speaker 2>whimsical film.

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<v Speaker 1>Yes, I am very glad. This is the movie we

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<v Speaker 1>had to watch.

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<v Speaker 2>Did you say verry glad?

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<v Speaker 1>No?

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<v Speaker 2>I didn't.

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<v Speaker 4>I said very I should have said Arry Barry yay.

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<v Speaker 1>Oh my gosh, I wouldn't. Is it from stress?

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<v Speaker 2>What would that? Is it from society? We can't know,

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<v Speaker 2>I guess Sienna. Could I please hear your prediction? It's

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<v Speaker 2>really depressing. I'm really sorry. Well, you know, so as

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<v Speaker 2>being alive.

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<v Speaker 5>Okay, Hi Leanna, Hey, I'm.

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<v Speaker 6>About to watch Paddington I yes, I'm wearing my retainers.

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<v Speaker 2>Oh plural boy.

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<v Speaker 6>I remember this movie being so delightful, and you know

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<v Speaker 6>it's so crazy is that Donald Trump was elected. It's

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<v Speaker 6>the next president of the United States of America. Anyway,

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<v Speaker 6>I remember it was like a cute scene in jail ironic.

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<v Speaker 2>Yeah, I don't.

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<v Speaker 6>I don't remember the first one really, but I love

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<v Speaker 6>this movie the one time I saw it, Marmalade, cutie bear.

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<v Speaker 2>I'm really excited.

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<v Speaker 6>To watch it. I think it's good timing. Yeah, everything

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<v Speaker 6>is surreal.

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<v Speaker 2>Mm hmmm, what is it all?

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<v Speaker 1>All right?

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<v Speaker 4>I love you?

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<v Speaker 2>Goodbye, Welcome back to SIENA process that was me processing.

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<v Speaker 1>In real time, and I'm sorry for all of you

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<v Speaker 1>who are on the podcast to escape there will be

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<v Speaker 1>plenty of that.

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<v Speaker 2>But yeah, but we can't escape life, can we Beana?

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<v Speaker 2>I'd love to hear your prediction. You're much short of

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<v Speaker 2>prediction for period in too ready paddingdal Hi, Sienna, it's Leanna.

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<v Speaker 2>I'm about to watch Paddington too. Oh my gosh. Oh sorry,

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<v Speaker 2>I've seen this before. I predict a little bear and

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<v Speaker 2>doing marmalade and in prison with the Gleason. Yeah there, yep,

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<v Speaker 2>and then Hugh Grant does a wonderful musical number at

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<v Speaker 2>the end, which is nice. Yep. But I do have

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<v Speaker 2>to be honest. This bear stresses me out, really, so

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<v Speaker 2>I predict I might also be stressed in the watching

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<v Speaker 2>Love You Bye Bye Bye.

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<v Speaker 1>What stresses you out about Padington That he's always making mistakes?

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<v Speaker 2>Yeah, now, don't read into this.

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<v Speaker 1>That he's doing his best and worst cute coats and

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<v Speaker 1>has always making mistakes.

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<v Speaker 2>I don't read into this at all. No, He's an

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<v Speaker 2>agent of chaos and mainly I forgot like watching it

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<v Speaker 2>this time. I was like, oh, but it's all very

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<v Speaker 2>like lighthearted, It's okay. I remembered being just like my

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<v Speaker 2>god man, and like just stay on your feet.

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<v Speaker 1>You remember it as a much darker experience, Yeah, much

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<v Speaker 1>more dark.

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<v Speaker 2>Stressed by him, but I think there's so much else

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<v Speaker 2>to be stressed by. Uh huh now that this, in

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<v Speaker 2>comparison was small potatoes.

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<v Speaker 1>Yeah yeah, Well, Leanna, should we do a little hay girl?

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<v Speaker 2>I you know, should we Let's just do a quick one?

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<v Speaker 2>Hey girl?

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<v Speaker 1>You are a girl and last time we heard from you,

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<v Speaker 1>you needed to mount a one woman show.

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<v Speaker 2>Updates on that front. There's updates on that front. The

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<v Speaker 2>twenty first of November. I am mounting a one woman show.

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<v Speaker 2>I need two reviewers for it. I currently have zero

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<v Speaker 2>reviewers for it. I've emailed forty reviewers for it. I

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<v Speaker 2>currently have zero reviewers for it. Okay, if anyone knows

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<v Speaker 2>London reviewers, this will come out two days before the

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<v Speaker 2>show is happening. So you called me, you call me

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<v Speaker 2>right up? Well, you call them first and use all them.

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<v Speaker 2>That comes to the Museum of Comedy at eight thirty

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<v Speaker 2>pm on the twenty first of November to watch me

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<v Speaker 2>do something.

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<v Speaker 1>One thing we gotta say about Leanna, she really gets

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<v Speaker 1>her done. Ah when something is necessary.

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<v Speaker 2>Thank you. I seem to put myself in spaces or

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<v Speaker 2>life positions in which there's no other choice, but it

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<v Speaker 2>must get done.

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<v Speaker 1>She's very efficient because she somehow ends up in situations

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<v Speaker 1>where there's.

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<v Speaker 2>No other choice. There's no other choice and there's no

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<v Speaker 2>other time. Yeah, there's almost arguably some many would say

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<v Speaker 2>no time at all. Yeah, some would say don't do this,

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<v Speaker 2>and I'd say fair enough. Unfortunately I have to Hey girl,

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<v Speaker 2>I mean, do you Is that enough? I don't know.

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<v Speaker 2>It was a terrible week, you know. It was the

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<v Speaker 2>week of the election. I didn't go into work. I

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<v Speaker 2>could not be around people who are not in different

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<v Speaker 2>per se but not American. It's different. It felt insane

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<v Speaker 2>being in a different country. It felt insane being on

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<v Speaker 2>a work call. Wow. The day the election was called,

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<v Speaker 2>everything was horrible and continues to be. Yeah, that's crazy

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<v Speaker 2>and I'm ale yep, I you know. Yeah, but I

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<v Speaker 2>had an amazing trace. Letcha's cake today?

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<v Speaker 1>Oh I didn't even know they had that there.

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<v Speaker 2>Me neither good has tastes still.

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<v Speaker 1>Yeah, similar vibe. Sorry to all this trying to escape again.

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<v Speaker 1>There will be plenty of time for that, but we

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<v Speaker 1>have to process at this time, which is that Donald

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<v Speaker 1>Trump was elected to be our forty seventh president. It

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<v Speaker 1>was up between him and an incredible woman of color,

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<v Speaker 1>and it's incredibly disappointing.

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<v Speaker 2>For many many reasons. Feels people a different last time.

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<v Speaker 2>People are fully gonna die because of this. This is

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<v Speaker 2>the the like sadness across the board of all of

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<v Speaker 2>my everyone. I know, Yeah, because I.

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<v Speaker 1>Feel like, I mean, yeah, we can't. I won't get

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<v Speaker 1>into the whole thing, but like last time, it was

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<v Speaker 1>really a like, Wow, the Libs didn't expect this, and.

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<v Speaker 2>Now it's just like shut up. Everybody was just hoping that.

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<v Speaker 1>We were all like I think that a lot of

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<v Speaker 1>people weren't even processing that the election was about to happen.

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<v Speaker 1>Like we all just like voted and we're like okay, okay, okay, okay,

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<v Speaker 1>we can't think beyond that. Yeah, because we all had

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<v Speaker 1>hope because there's four crucial years for the environment like

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<v Speaker 1>these it's four years to easily overturn everything that the

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<v Speaker 1>US has worked for. M It's one of those things

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<v Speaker 1>where it feels dramatic because I mean, it doesn't even

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<v Speaker 1>feel dramatic enough, because I think we're all just aware of,

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<v Speaker 1>like there's some really ugly forces that are about to

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<v Speaker 1>get to have their time in the sun, and it's

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<v Speaker 1>it's very upsetting.

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<v Speaker 2>And so anyway, we just went to we went to

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<v Speaker 2>the library.

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<v Speaker 1>I checked out so many books, the searching for answers. Yeah,

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<v Speaker 1>I'm gonna get the ones you recommended to. This sounds

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<v Speaker 1>amazing and I'm just going to enter my reading era.

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<v Speaker 2>Yes, mama, let's research, but mama, let's research. But fun.

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<v Speaker 1>And then we went to a park and we ate

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<v Speaker 1>a sandwich and we just like sat and let it

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<v Speaker 1>just be m hm shitty.

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<v Speaker 2>Oh my gosh. My flatmate and I went and got

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<v Speaker 2>day drunk.

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<v Speaker 1>Oh.

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<v Speaker 2>I love that. I took a day and a half

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<v Speaker 2>of compassionate leave off of work. I love. And we

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<v Speaker 2>used the voucher that the office gave me from the

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<v Speaker 2>office move and we spent one hundred and twenty that

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<v Speaker 2>so much. I love that so much. Yes, we all

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<v Speaker 2>have agency in this life. I don't know what's going

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<v Speaker 2>to happen.

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<v Speaker 1>I can have hope that a lot of horrible things

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<v Speaker 1>don't happen. But I'm ready to act and support whoever

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<v Speaker 1>needs my support in the.

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<v Speaker 2>Next four years. Community.

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<v Speaker 1>I lucky to be in places where there's a lot

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<v Speaker 1>of interested minds and a lot of community and we'll

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<v Speaker 1>just all band together and see what happens. Anyway, so

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<v Speaker 1>we're all actively processing. I know a lot of other

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<v Speaker 1>generations listen to the podcast, so maybe you'll be interested

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<v Speaker 1>to hear all of how we're all feeling.

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<v Speaker 2>Pretty much. I saw okay, I saw two tiktoks that

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<v Speaker 2>made me go like yeah. One was a TikTok of

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<v Speaker 2>like being a millennial the day after the election and

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<v Speaker 2>you're on like a zoom work meeting call, and it

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<v Speaker 2>was like Millennials are like, oh, got to get through this,

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<v Speaker 2>and boomers are like, oh, tough day, and then like

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<v Speaker 2>Jen whatever is above, Boomers were like, oh yeah called early.

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<v Speaker 2>You got to go straight to sleep, and gen Z

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<v Speaker 2>is not even on the call. I was like hello.

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<v Speaker 2>And then the other TikTok that I saw was do

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<v Speaker 2>you know how boring you have to be to be

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<v Speaker 2>a demographic that's not going to be impacted by this?

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<v Speaker 1>So funny, Yes, we're gonna become an escaping and podcast

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<v Speaker 1>once again.

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<v Speaker 2>Yes, here we go speaking of demographics, and by demographics

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<v Speaker 2>I mean geographic locations such as London and Peru Siena.

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<v Speaker 2>Could you please give us a synopsis of Paddington.

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<v Speaker 1>I absolutely I didn't talk about either of those places

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<v Speaker 1>in this. Okay, Paddington too, Oh yeah, Paddington all added.

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<v Speaker 1>In Paddington, a little bear living in London who is

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<v Speaker 1>from Peru, yes, wants to get a pop up book

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<v Speaker 1>for his aunt's birthday.

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<v Speaker 2>His aunt is still living in Peru, but he.

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<v Speaker 1>Gets framed for its kidnapping, for its thievery, for the stealing.

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<v Speaker 2>Of this of this theft, for its theft, for the

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<v Speaker 2>stealing of this.

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<v Speaker 1>Pop up book, when cunning actor and master of disguise,

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<v Speaker 1>You Grant seals it instead. Paddington is put in prison,

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<v Speaker 1>where he experiences gags and eventually befriends the inmates, all

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<v Speaker 1>while his family tries to clear his name from the

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<v Speaker 1>outside and prove that Hugh Grant is the villain. Mm hmm.

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<v Speaker 5>Picture marmalade recipes, Uh pink uh pink dyed prison outfits.

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<v Speaker 2>Uh and uh eccentric neighborhood characters. That's the vibe. Yeah,

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<v Speaker 2>it is very charming m hm. And he eventually is unframed.

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<v Speaker 1>Yay, yay, my god, this was a delight.

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<v Speaker 2>I'm so glad we watched this one. What a little bear?

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<v Speaker 1>What a little little Oh he's so when he is

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<v Speaker 1>too light to wash the windows, I was to realize

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<v Speaker 1>that he was just so incredibly light.

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<v Speaker 2>As a feather. He's just a little guy. And then

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<v Speaker 2>he picks up a potted plant and it's enough to

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<v Speaker 2>counterbalance the bucket. But then he puts it down and

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<v Speaker 2>he gets taken back up.

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<v Speaker 1>He works so hard, Leanna, you've said I cannot.

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<v Speaker 2>Oh yeah, okay, let's get into our phone notes. Oh

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<v Speaker 2>she's in there. Okay, Oh my god, we're in our

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<v Speaker 2>phone notes. Hello. Everyone, Welcome to phone Notes, the section

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<v Speaker 2>of the podcast where we read the notes that the

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<v Speaker 2>others took the other puss. So the other puss took.

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<v Speaker 1>That's what we're gonna have to start talking about each other,

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<v Speaker 1>my fellow puss.

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<v Speaker 2>Hey puss the other person took on their phone while

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<v Speaker 2>watching the film.

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<v Speaker 1>Leona, your first notice, I cannot deal with animals in distress. Okay,

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<v Speaker 1>is Paddington one of them? Yes?

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<v Speaker 2>What do you mean? I don't know what I do

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<v Speaker 2>you mean by that question and that tone?

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<v Speaker 1>I don't know what I meant after I asked any

0:14:05.679 --> 0:14:08.560
<v Speaker 1>what hmmm? Because the other animal I'm imagining is the

0:14:08.600 --> 0:14:10.240
<v Speaker 1>dog who I can't think was ever in distress.

0:14:10.280 --> 0:14:12.440
<v Speaker 2>Well, well, you know, the dog's okay. Thank you, thank you

0:14:12.480 --> 0:14:13.760
<v Speaker 2>for seeing that there was a dog.

0:14:13.960 --> 0:14:16.120
<v Speaker 1>I was proud of myself and I thought you'd be

0:14:16.160 --> 0:14:17.400
<v Speaker 1>happy because there are a few times I saw that

0:14:17.400 --> 0:14:18.080
<v Speaker 1>and I said.

0:14:17.960 --> 0:14:20.120
<v Speaker 2>That dog is good. Oh wow.

0:14:20.440 --> 0:14:22.640
<v Speaker 1>I think dogs don't like a wolf pound. I do

0:14:22.760 --> 0:14:24.920
<v Speaker 1>like a wolf pound. And also, you know how people

0:14:24.960 --> 0:14:27.160
<v Speaker 1>will like get a soft spot for like babies as

0:14:27.160 --> 0:14:30.040
<v Speaker 1>they get older. I think that's well, people do it.

0:14:32.520 --> 0:14:36.000
<v Speaker 1>People do it, lots of people. I think that's me

0:14:36.200 --> 0:14:39.760
<v Speaker 1>and dogs specifically. I'm starting to really understand why it's

0:14:39.760 --> 0:14:41.520
<v Speaker 1>so great that they're always in such a good mood.

0:14:42.120 --> 0:14:45.720
<v Speaker 1>Oh yeah, you proved it. You pointed that out to

0:14:45.720 --> 0:14:47.360
<v Speaker 1>me one time, and now I'm like, they are in

0:14:47.400 --> 0:14:48.000
<v Speaker 1>a good mood.

0:14:49.880 --> 0:14:51.680
<v Speaker 2>It could be another time to repost that video of

0:14:51.720 --> 0:14:55.800
<v Speaker 2>you just not understand that a corgize who was smiling

0:14:55.840 --> 0:14:58.000
<v Speaker 2>at you. Corgies. I still don't get they're barely a dog,

0:14:58.040 --> 0:15:01.000
<v Speaker 2>But you shut up right, we've lost all the ground

0:15:01.040 --> 0:15:01.680
<v Speaker 2>that we had gained.

0:15:03.920 --> 0:15:06.160
<v Speaker 1>If you'll excuse me, I accidentally just shaved the back

0:15:06.200 --> 0:15:08.040
<v Speaker 1>of a judge's head and I need to find a

0:15:08.040 --> 0:15:09.320
<v Speaker 1>way to stick the hair back on.

0:15:09.600 --> 0:15:12.000
<v Speaker 2>I'm thinking marmalade. We'll be right back.

0:15:22.240 --> 0:15:22.440
<v Speaker 1>See.

0:15:22.480 --> 0:15:27.080
<v Speaker 2>I mean, oh, your first question and note is do

0:15:27.160 --> 0:15:28.119
<v Speaker 2>you like marmalade?

0:15:28.200 --> 0:15:28.360
<v Speaker 1>Yeah?

0:15:28.360 --> 0:15:33.360
<v Speaker 2>Where do you fall? I am? I am hesitant to

0:15:33.400 --> 0:15:39.400
<v Speaker 2>say this, but no, Wow, I always find it very

0:15:39.760 --> 0:15:43.000
<v Speaker 2>too bitter. There's something about it that I don't like.

0:15:43.000 --> 0:15:43.920
<v Speaker 2>The mouth peel.

0:15:44.360 --> 0:15:46.640
<v Speaker 1>Oh yeah, and you're a texture person. It has it

0:15:46.680 --> 0:15:49.480
<v Speaker 1>has weird bite. There's just something there's a bite to it.

0:15:49.760 --> 0:15:54.440
<v Speaker 1>I love a raspberry jam or preserve, like a bone

0:15:54.440 --> 0:15:56.360
<v Speaker 1>mamal jar.

0:15:58.680 --> 0:16:05.880
<v Speaker 2>Bone, Mama lemo. But they like orange marmalade. No, you

0:16:05.920 --> 0:16:11.520
<v Speaker 2>know they have a jam out with the jam. This

0:16:11.520 --> 0:16:14.880
<v Speaker 2>podcast is brought to you by I do know that.

0:16:15.600 --> 0:16:19.120
<v Speaker 2>But no, I don't like marmalade. Do you I do?

0:16:19.840 --> 0:16:21.720
<v Speaker 1>And I didn't discover this till a couple of years ago.

0:16:21.920 --> 0:16:26.240
<v Speaker 1>A couple of years ago, I was helping with stage

0:16:26.600 --> 0:16:32.720
<v Speaker 1>uh dressing with like dressing uh for with the set?

0:16:33.560 --> 0:16:36.040
<v Speaker 2>Yeah, set dressing on in a play? A stage play?

0:16:37.000 --> 0:16:40.080
<v Speaker 2>And is that not a term? No, it's just so

0:16:40.160 --> 0:16:41.960
<v Speaker 2>funny how how many words it took.

0:16:42.120 --> 0:16:44.120
<v Speaker 1>I don't actually know how to say it outside of

0:16:44.160 --> 0:16:46.560
<v Speaker 1>the film world, Like what is it called on a

0:16:46.760 --> 0:16:47.040
<v Speaker 1>in a.

0:16:47.000 --> 0:16:48.800
<v Speaker 2>Play like set design scene.

0:16:49.160 --> 0:16:52.320
<v Speaker 1>Yeah, I was just I was helping to actually just

0:16:52.360 --> 0:16:55.120
<v Speaker 1>be one of the assists on build the set. Yeah,

0:16:55.760 --> 0:16:57.880
<v Speaker 1>setting the set, I don't know what to say. Goodness,

0:17:00.200 --> 0:17:02.640
<v Speaker 1>set dressing and one of the things we had to

0:17:02.640 --> 0:17:05.840
<v Speaker 1>put out toast and marmalade, and then I would get

0:17:05.840 --> 0:17:09.440
<v Speaker 1>to like get the leftovers. Oh h Like I got

0:17:09.480 --> 0:17:12.679
<v Speaker 1>to take the extra jars of marmalade at the end

0:17:12.760 --> 0:17:15.159
<v Speaker 1>of the run, and I really enjoyed it. I had

0:17:15.160 --> 0:17:16.560
<v Speaker 1>never had it before, and I went, oh, my gosh,

0:17:16.600 --> 0:17:18.359
<v Speaker 1>I see what Pattinson's talking about.

0:17:18.840 --> 0:17:20.200
<v Speaker 2>Yeah, I love it. A little bit of peel.

0:17:20.320 --> 0:17:22.320
<v Speaker 1>It's not too tart, it's not too sweet, it's not

0:17:22.320 --> 0:17:22.879
<v Speaker 1>it's perfect.

0:17:22.960 --> 0:17:25.919
<v Speaker 2>I love it anyway. I'm a stand.

0:17:26.240 --> 0:17:27.840
<v Speaker 1>It was nice because last time I watched this movie,

0:17:27.880 --> 0:17:29.159
<v Speaker 1>I was like, what are they talking about? And this

0:17:29.200 --> 0:17:31.800
<v Speaker 1>time I was like, yeah, huh, you better work.

0:17:31.720 --> 0:17:35.879
<v Speaker 2>Uh huh. And I get it, Like, even though I

0:17:35.880 --> 0:17:38.919
<v Speaker 2>don't like marmalade, I really understand what they're trying to

0:17:38.960 --> 0:17:41.440
<v Speaker 2>communicate in this film because if you do like marm

0:17:41.560 --> 0:17:46.600
<v Speaker 2>like if those sandwiches were filled with raspberry preserves a la, yeah,

0:17:46.640 --> 0:17:50.919
<v Speaker 2>I would be all over that totally. Leanna, you've said, omg,

0:17:51.040 --> 0:17:51.760
<v Speaker 2>the steam Fair.

0:17:52.160 --> 0:17:54.160
<v Speaker 1>My parents and I learned about this in York.

0:17:54.320 --> 0:17:59.960
<v Speaker 2>What, Oh my gosh, so that my parents and I.

0:18:00.000 --> 0:18:05.160
<v Speaker 2>I went to York with your parents. That's nice. Yeah

0:18:05.600 --> 0:18:07.000
<v Speaker 2>you do, Yes.

0:18:06.880 --> 0:18:07.240
<v Speaker 6>I do.

0:18:07.920 --> 0:18:10.000
<v Speaker 2>We went to dinner with a little time. It was wonderful.

0:18:10.400 --> 0:18:12.720
<v Speaker 2>They loved it. They were they really ate that up.

0:18:13.000 --> 0:18:17.280
<v Speaker 2>Oh my gosh. They speak about it often. Well I

0:18:17.320 --> 0:18:19.280
<v Speaker 2>love that, shouts out. I'll see them in a few weeks.

0:18:19.280 --> 0:18:22.640
<v Speaker 2>I'll let them know. They're probably listening. I'm sure they are.

0:18:23.640 --> 0:18:25.879
<v Speaker 2>I So we went to York and we went to

0:18:25.920 --> 0:18:30.040
<v Speaker 2>the railway, the rail Museum because my dad really wanted to.

0:18:30.560 --> 0:18:34.480
<v Speaker 2>And there was this steam train that every sign in

0:18:34.520 --> 0:18:37.000
<v Speaker 2>the museum was talking about called like the Flying Dutchman.

0:18:37.520 --> 0:18:42.639
<v Speaker 2>It wasn't called that because I think that's Blackbeard's ship

0:18:42.840 --> 0:18:47.439
<v Speaker 2>from piracy, but some the Flying Scotsman that's what it was.

0:18:48.040 --> 0:18:50.959
<v Speaker 2>And we were like, where is this train? And we

0:18:51.000 --> 0:18:52.800
<v Speaker 2>asked somebody at the museum, like, hey, is this train

0:18:52.880 --> 0:18:54.720
<v Speaker 2>on display because everything is talking about it, but I

0:18:54.760 --> 0:18:57.440
<v Speaker 2>don't think we've actually seen it, and they were like, no,

0:18:58.040 --> 0:19:00.639
<v Speaker 2>it's on tour and no one knows where it is

0:19:00.680 --> 0:19:03.200
<v Speaker 2>at any given time. Because when it came out, it

0:19:03.240 --> 0:19:06.159
<v Speaker 2>did a world tour and people got so excited that

0:19:06.200 --> 0:19:09.920
<v Speaker 2>there were riots in the town, like people would set

0:19:09.920 --> 0:19:12.080
<v Speaker 2>things on fire. So it has to be honest, trample

0:19:12.080 --> 0:19:14.400
<v Speaker 2>others to go see the train, so it'll like pop

0:19:14.480 --> 0:19:17.920
<v Speaker 2>up in your town. Sorry, it'll appear like the dragoon

0:19:18.000 --> 0:19:21.480
<v Speaker 2>in Kirby Air Ride or like a random pillar in

0:19:21.560 --> 0:19:22.399
<v Speaker 2>Kirby Air Ride.

0:19:22.520 --> 0:19:25.280
<v Speaker 1>Okay, first of all, that is amazing and incredible and

0:19:25.359 --> 0:19:27.879
<v Speaker 1>magic is still alive in our world of knowledge, of

0:19:28.200 --> 0:19:32.679
<v Speaker 1>too much knowledge. And second of all, what year was

0:19:32.680 --> 0:19:34.919
<v Speaker 1>this that people were lighting fires over a train?

0:19:35.880 --> 0:19:36.119
<v Speaker 4>You know?

0:19:36.600 --> 0:19:39.680
<v Speaker 2>I think it came out in the early nineteen hundreds,

0:19:40.119 --> 0:19:43.480
<v Speaker 2>that makes sense then, but it kept touring and it

0:19:43.600 --> 0:19:50.080
<v Speaker 2>was like recent decades, people were like clamoring, like people

0:19:50.160 --> 0:19:53.480
<v Speaker 2>throw ass so hard for this one train. What makes

0:19:53.480 --> 0:19:56.679
<v Speaker 2>it so great as a train? I don't know. We

0:19:56.880 --> 0:20:00.960
<v Speaker 2>could not really figure that out. It's I love it that.

0:20:01.000 --> 0:20:03.199
<v Speaker 2>I think it was the first train to go one

0:20:03.280 --> 0:20:07.160
<v Speaker 2>hundred miles per hour, which is like, okay, sleigh, But

0:20:07.240 --> 0:20:10.360
<v Speaker 2>the thing is like every train can do that now,

0:20:11.240 --> 0:20:13.760
<v Speaker 2>So I personally would not set fire to see that.

0:20:14.359 --> 0:20:16.159
<v Speaker 2>I love that. What do you think is something you

0:20:16.160 --> 0:20:20.439
<v Speaker 2>would set fire in order to see.

0:20:20.920 --> 0:20:21.679
<v Speaker 1>It's not people.

0:20:21.800 --> 0:20:25.200
<v Speaker 2>That's like an like, you would commit Arsony Arson to

0:20:25.320 --> 0:20:28.080
<v Speaker 2>see this thing? Yeah, I think so that.

0:20:28.119 --> 0:20:30.359
<v Speaker 1>I would set things on fire. The thing is you

0:20:30.359 --> 0:20:32.680
<v Speaker 1>can see almost everything on your phone now.

0:20:32.720 --> 0:20:35.920
<v Speaker 2>But in you you see it in person. It can

0:20:35.960 --> 0:20:37.960
<v Speaker 2>be something that like moves or has some sort of

0:20:38.000 --> 0:20:51.200
<v Speaker 2>like special capacity. This is a great question. Like Gonzo

0:20:52.880 --> 0:21:00.600
<v Speaker 2>the Muppet, you would destroy property. It's okay. You know.

0:21:00.840 --> 0:21:03.120
<v Speaker 1>The reason I'm even thinking of Gonzo is because I'm

0:21:03.160 --> 0:21:05.320
<v Speaker 1>thinking of I wanted I could only think of people,

0:21:05.359 --> 0:21:07.120
<v Speaker 1>and I'm like, what's the person that's an object?

0:21:08.040 --> 0:21:10.040
<v Speaker 2>About it? Maybe some like.

0:21:12.480 --> 0:21:14.520
<v Speaker 1>It doesn't sound that interesting to go look at an object.

0:21:14.560 --> 0:21:16.000
<v Speaker 1>I'm not that enticed by that.

0:21:16.080 --> 0:21:18.040
<v Speaker 2>I know, I get that, I think and this is

0:21:18.119 --> 0:21:20.440
<v Speaker 2>kind of a workaround, but I think I would commit

0:21:20.520 --> 0:21:24.000
<v Speaker 2>Arson to go to puppy yoga. Oh okay, well that's good.

0:21:24.600 --> 0:21:27.439
<v Speaker 1>Yeah, if you knew you can only go to puppy

0:21:27.520 --> 0:21:31.920
<v Speaker 1>yoga by committing Arson. Yeah, now that's interesting.

0:21:32.080 --> 0:21:36.040
<v Speaker 2>And nobody would get harmed, right, only like minor. But

0:21:36.119 --> 0:21:37.840
<v Speaker 2>you'd be like, da, I'm gonna do it. I gotta

0:21:37.880 --> 0:21:39.720
<v Speaker 2>do it. I would absolutely set something on fire in

0:21:39.840 --> 0:21:41.200
<v Speaker 2>order to go to puppy yoga.

0:21:41.640 --> 0:21:45.240
<v Speaker 1>Okay, Well, if we're talking experiences, there's a lot more. Yeah, yeah, yeah, yeah,

0:21:45.320 --> 0:21:46.400
<v Speaker 1>I can't think of them.

0:21:46.560 --> 0:21:46.960
<v Speaker 2>Oh yeah.

0:21:47.200 --> 0:21:49.320
<v Speaker 1>Also, I would not see that set fire to see Gonzo.

0:21:49.359 --> 0:21:50.760
<v Speaker 1>I'll be honest, I can see it on TV.

0:21:51.000 --> 0:21:54.680
<v Speaker 2>I would set fire too, Gonzo, and I know you would,

0:21:56.680 --> 0:21:57.960
<v Speaker 2>and you would.

0:22:00.320 --> 0:22:00.639
<v Speaker 6>Sanna.

0:22:00.720 --> 0:22:04.359
<v Speaker 2>Okay, kind of speaking of you've written what Paddington is

0:22:04.400 --> 0:22:07.800
<v Speaker 2>doing to this man's head is exactly how I felt

0:22:07.960 --> 0:22:09.840
<v Speaker 2>trying to get T shirts made.

0:22:10.560 --> 0:22:12.879
<v Speaker 1>I didn't even go into this because so much happened

0:22:12.920 --> 0:22:14.879
<v Speaker 1>this last week, but I had to get T shirts

0:22:14.880 --> 0:22:15.800
<v Speaker 1>made for a festival.

0:22:16.359 --> 0:22:17.680
<v Speaker 2>We work with this theater a lot.

0:22:17.760 --> 0:22:20.400
<v Speaker 1>I already designed the logo for the festival, so I'm like, yeah,

0:22:20.440 --> 0:22:22.760
<v Speaker 1>we can make them into T shirts. But it became

0:22:22.800 --> 0:22:25.399
<v Speaker 1>a horrible situation where like they decided they didn't want

0:22:25.400 --> 0:22:27.119
<v Speaker 1>the T shirts because they probably won't sell, and then

0:22:27.119 --> 0:22:28.800
<v Speaker 1>they decided to get it again, and suddenly it was

0:22:28.840 --> 0:22:31.440
<v Speaker 1>a super rushed situation. So I was like, oh my god,

0:22:31.560 --> 0:22:33.760
<v Speaker 1>I had to find somebody to do it, and it

0:22:33.920 --> 0:22:37.359
<v Speaker 1>just became a situation that kept getting worse and worse.

0:22:37.720 --> 0:22:40.080
<v Speaker 1>Similar to Paddington shaving this man's head and being like,

0:22:40.240 --> 0:22:44.160
<v Speaker 1>h I'll put marmalade on it. Yeah, I'm at I'm

0:22:44.200 --> 0:22:46.160
<v Speaker 1>working on this set. And then I get a text

0:22:46.240 --> 0:22:48.280
<v Speaker 1>being like, hey, can we see if those T shirts

0:22:48.320 --> 0:22:50.199
<v Speaker 1>will be done soon? And I go and I took

0:22:50.359 --> 0:22:51.720
<v Speaker 1>the person who's supposed to get him, and I'm like,

0:22:51.720 --> 0:22:53.159
<v Speaker 1>can you please get him done? And he's like I

0:22:53.160 --> 0:22:54.800
<v Speaker 1>can't get him done that fast, and I'm like, well,

0:22:54.800 --> 0:22:56.159
<v Speaker 1>bring you the T shirts. And I get somebody to

0:22:56.160 --> 0:22:57.800
<v Speaker 1>bring him T shirts. One of my friends did it,

0:22:58.440 --> 0:23:01.480
<v Speaker 1>like thank god, and I have to send him the logo.

0:23:01.480 --> 0:23:02.919
<v Speaker 1>But the logo isn't good enough. They need to be

0:23:03.000 --> 0:23:05.399
<v Speaker 1>like thicker, and so I have to go make it thicker.

0:23:05.400 --> 0:23:08.159
<v Speaker 1>And I'm like and it's this whole thing, and I

0:23:08.240 --> 0:23:09.600
<v Speaker 1>change the colors and people don't like the colors, and

0:23:09.600 --> 0:23:10.800
<v Speaker 1>the colors aren't gonna work on the T shirt, so

0:23:10.800 --> 0:23:12.640
<v Speaker 1>I changed the colors again and I end up changing

0:23:12.680 --> 0:23:14.320
<v Speaker 1>them to light purple and yellow and it looks cute

0:23:14.359 --> 0:23:15.600
<v Speaker 1>and I send it off and it's all good, and

0:23:15.680 --> 0:23:20.320
<v Speaker 1>we get them back two days ago, and this person

0:23:20.400 --> 0:23:23.080
<v Speaker 1>didn't alert me that they didn't have the right color purple,

0:23:23.359 --> 0:23:26.439
<v Speaker 1>so they just used a dark grape purple, and it

0:23:26.520 --> 0:23:33.520
<v Speaker 1>just looks like brown. It looks horrible, horrible, and I

0:23:33.600 --> 0:23:35.240
<v Speaker 1>was just staring at it the way that Paddington was

0:23:35.280 --> 0:23:37.600
<v Speaker 1>staring at this man's bald head. And I was just like,

0:23:38.240 --> 0:23:42.200
<v Speaker 1>all of this that I did and somehow it looks

0:23:42.240 --> 0:23:42.520
<v Speaker 1>like this.

0:23:42.760 --> 0:23:45.879
<v Speaker 2>And anyway, it's been like I didn't even talk about it.

0:23:45.880 --> 0:23:47.280
<v Speaker 1>In Hay Girl, but it's been like my last four

0:23:47.359 --> 0:23:48.680
<v Speaker 1>days has been this little thing.

0:23:49.520 --> 0:23:49.879
<v Speaker 6>Yeah.

0:23:49.920 --> 0:23:52.120
<v Speaker 1>Anyway, we all have situations like that that just keep

0:23:52.160 --> 0:23:54.359
<v Speaker 1>getting worse and worse and worse, and you look at

0:23:54.359 --> 0:23:57.760
<v Speaker 1>them and you go, well, I've made an enemy. I

0:23:57.800 --> 0:24:00.080
<v Speaker 1>now have several enemies who are eyeing me the way

0:24:00.119 --> 0:24:00.400
<v Speaker 1>that this.

0:24:00.400 --> 0:24:06.879
<v Speaker 2>Judge was, Well, I've made an enemy.

0:24:06.960 --> 0:24:09.399
<v Speaker 1>I loved this judge by the way. He was so funny,

0:24:09.480 --> 0:24:10.680
<v Speaker 1>Oh my gosh.

0:24:11.040 --> 0:24:14.040
<v Speaker 2>Later he was the perfect grumpy old British man. He's

0:24:14.080 --> 0:24:14.600
<v Speaker 2>so grumpy.

0:24:14.600 --> 0:24:16.960
<v Speaker 1>He ends up being the judge in his case when

0:24:17.000 --> 0:24:21.200
<v Speaker 1>he gets convicted, and later he sees he sees Paddington

0:24:21.240 --> 0:24:23.879
<v Speaker 1>on the train. I loved when the guy offered this

0:24:23.960 --> 0:24:27.240
<v Speaker 1>judge and his wife some champagne and the judge.

0:24:27.000 --> 0:24:32.200
<v Speaker 2>Goes yes, very civilized, okay. I love before that where

0:24:32.200 --> 0:24:34.800
<v Speaker 2>he jumps when the server comes out and looks like

0:24:34.880 --> 0:24:40.639
<v Speaker 2>disgruntled and uh yeah, like who the server has like

0:24:40.680 --> 0:24:43.440
<v Speaker 2>made his day worse just by I'm going to offer

0:24:43.480 --> 0:24:45.879
<v Speaker 2>you champagne. Yes, they're one.

0:24:46.480 --> 0:24:50.000
<v Speaker 1>Are people like that, like grumpy old British people? Absolutely

0:24:50.560 --> 0:24:51.400
<v Speaker 1>stiff up her lip?

0:24:52.000 --> 0:24:56.560
<v Speaker 2>Oh please? Yes? Mm hmmm, Leanna. Okay, some notes from Leanna.

0:24:56.640 --> 0:25:00.919
<v Speaker 2>You've said his little ears, which is true. He was

0:25:01.000 --> 0:25:03.919
<v Speaker 2>so cute. You've seen the embodiment of if not friend,

0:25:03.960 --> 0:25:06.480
<v Speaker 2>why friend shaped when it comes to bears.

0:25:06.880 --> 0:25:10.919
<v Speaker 1>He's so cute, you said, og the shard? Is that

0:25:10.960 --> 0:25:12.200
<v Speaker 1>the building shard?

0:25:12.680 --> 0:25:15.479
<v Speaker 2>Yes, that's the big sky scrape see twice. And I

0:25:15.520 --> 0:25:17.320
<v Speaker 2>love the shard so much. I point to it every

0:25:17.359 --> 0:25:18.320
<v Speaker 2>time I see it.

0:25:18.359 --> 0:25:20.480
<v Speaker 1>Is it like which skyscraper?

0:25:20.480 --> 0:25:22.320
<v Speaker 2>Is it the one he's cleaning or is it like

0:25:22.359 --> 0:25:24.879
<v Speaker 2>the iron Okay, it's the one he's cleaning. And then

0:25:24.920 --> 0:25:26.840
<v Speaker 2>later when they're escaping from prison in their hot air

0:25:26.880 --> 0:25:28.080
<v Speaker 2>balloon they fly past it.

0:25:28.400 --> 0:25:30.359
<v Speaker 1>Oh oh, is there a picture of you with it

0:25:30.400 --> 0:25:31.479
<v Speaker 1>on your Instagram somewhere?

0:25:31.880 --> 0:25:36.000
<v Speaker 2>Absolutely? Yeah, okay, I've seen it. Then there's probably multiple.

0:25:36.359 --> 0:25:37.719
<v Speaker 2>I love the shard, Leonna.

0:25:37.840 --> 0:25:40.159
<v Speaker 1>I love the sentence from you. You've said, this is

0:25:40.240 --> 0:25:42.560
<v Speaker 1>such accurate swan behavior.

0:25:43.200 --> 0:25:49.240
<v Speaker 2>And what when he's pursuing Hugh Grant on the wolfhound

0:25:49.960 --> 0:25:51.560
<v Speaker 2>and then he gets kind of like flung over the

0:25:51.600 --> 0:25:53.280
<v Speaker 2>river and he catches on to the feet of a

0:25:53.320 --> 0:25:56.399
<v Speaker 2>swan and the swan looks down at him and harasses

0:25:56.480 --> 0:26:00.359
<v Speaker 2>him and pecks him until he leaves. Do you counter

0:26:00.400 --> 0:26:02.439
<v Speaker 2>a lot of swans? Why is this so close to

0:26:02.560 --> 0:26:06.159
<v Speaker 2>there's a lot of swans in parks? Also fun and

0:26:06.240 --> 0:26:10.280
<v Speaker 2>stupid fact, every swan in England is owned by the king.

0:26:17.200 --> 0:26:20.240
<v Speaker 2>You can't do anything to a swan because it's the

0:26:20.320 --> 0:26:23.320
<v Speaker 2>king's property. And I'm not saying I would kick a

0:26:23.359 --> 0:26:26.320
<v Speaker 2>swan if they weren't owned by the king. I'm not

0:26:26.320 --> 0:26:31.040
<v Speaker 2>not saying that. So funny. Swans are turds. They're evil,

0:26:33.280 --> 0:26:37.439
<v Speaker 2>They're such a holes. Yeah, every single swan. God, that

0:26:37.520 --> 0:26:39.800
<v Speaker 2>country is insane, so goofy.

0:26:39.880 --> 0:26:41.640
<v Speaker 1>How can they take themselves seriously? I guess they don't.

0:26:41.640 --> 0:26:43.320
<v Speaker 1>I guess that's why they have a lot good comedy,

0:26:43.359 --> 0:26:46.480
<v Speaker 1>because they're like true.

0:26:46.040 --> 0:26:54.280
<v Speaker 2>I know, yeah, yeah, I know, we don't know.

0:26:54.359 --> 0:26:56.120
<v Speaker 1>You guys have problems, but at least you have silly

0:26:56.160 --> 0:26:56.960
<v Speaker 1>whimsical stuff.

0:26:56.960 --> 0:26:59.520
<v Speaker 2>We do have silly whimsical Did you know have we

0:26:59.560 --> 0:27:02.679
<v Speaker 2>talked about the neighborhood called Tooting? I think so, yeah.

0:27:02.840 --> 0:27:06.920
<v Speaker 2>I bring it up often. There's also a tube stop

0:27:06.960 --> 0:27:10.080
<v Speaker 2>called Googe Street. Uh huh, I can't get over there

0:27:11.200 --> 0:27:13.720
<v Speaker 2>Googe Street, go going to Goode.

0:27:14.240 --> 0:27:17.359
<v Speaker 1>Leanna, you said, shouldn't Paddington have been tried as a minor?

0:27:17.440 --> 0:27:17.800
<v Speaker 2>That's true.

0:27:17.840 --> 0:27:21.000
<v Speaker 1>He's so young, he's what age is this guy? I

0:27:21.040 --> 0:27:23.600
<v Speaker 1>don't know because his bear aunt is one hundred.

0:27:24.560 --> 0:27:27.119
<v Speaker 2>Yeah, but I imagine she was like ninety when she plucked

0:27:27.160 --> 0:27:28.480
<v Speaker 2>him out of that river. I don't know if that's

0:27:28.520 --> 0:27:31.359
<v Speaker 2>true at all. They say he's a very small cub,

0:27:31.400 --> 0:27:33.400
<v Speaker 2>but then he's still a small bear yeah, and.

0:27:33.359 --> 0:27:35.280
<v Speaker 1>He talks about being a cub like in the past,

0:27:35.440 --> 0:27:37.760
<v Speaker 1>and so it's like, what are you true? Sometimes this

0:27:37.840 --> 0:27:40.560
<v Speaker 1>movie is not It's like there are a lot of

0:27:40.560 --> 0:27:46.040
<v Speaker 1>plot holes. Leanna, you've said, Hugh Grant in a robe

0:27:46.080 --> 0:27:49.280
<v Speaker 1>and a wig cap is healing my soul. O. Hugh

0:27:49.280 --> 0:27:51.240
<v Speaker 1>Grant was so funny in this movie.

0:27:51.320 --> 0:27:54.680
<v Speaker 2>I adore him in this movie. He's having so much

0:27:54.720 --> 0:27:58.080
<v Speaker 2>fun and it makes him so handsome and so fun

0:27:58.280 --> 0:28:00.399
<v Speaker 2>is really really really fun funny.

0:28:01.000 --> 0:28:03.400
<v Speaker 1>It's fun sometimes when British actors pull out the fact

0:28:03.400 --> 0:28:06.439
<v Speaker 1>that they are like very, very trained actors, so like

0:28:06.560 --> 0:28:08.440
<v Speaker 1>even when he has to play all these goofy characters,

0:28:08.440 --> 0:28:13.240
<v Speaker 1>like he can really do it. Yeah, and especially since

0:28:13.280 --> 0:28:15.560
<v Speaker 1>he's like a movie star Hollywood type. It's fun when

0:28:15.560 --> 0:28:17.960
<v Speaker 1>you're like, oh right, they were trained, they're actually.

0:28:17.760 --> 0:28:19.359
<v Speaker 2>Yeah, octor.

0:28:20.040 --> 0:28:25.919
<v Speaker 1>I loved when the guy from Ghosts is talking about

0:28:25.960 --> 0:28:27.800
<v Speaker 1>how he was such an attractive nun.

0:28:28.080 --> 0:28:31.320
<v Speaker 2>Yes, a very attractive nun.

0:28:31.480 --> 0:28:33.120
<v Speaker 1>Yes, one of the more attractive women.

0:28:33.160 --> 0:28:39.320
<v Speaker 2>I've ever seen, an unusually attractive nun. Oh Ci, I

0:28:39.400 --> 0:28:42.640
<v Speaker 2>know you wrote the greatest one man show the West

0:28:42.760 --> 0:28:46.400
<v Speaker 2>End has ever seen. At Leanna, I'm sorry.

0:28:46.840 --> 0:28:49.160
<v Speaker 1>I just keep thinking about your one woman show and

0:28:49.280 --> 0:28:52.280
<v Speaker 1>when you think about yourself that or were you completely

0:28:52.320 --> 0:28:53.800
<v Speaker 1>not thinking about your fate.

0:28:54.600 --> 0:28:56.680
<v Speaker 2>I was trying not to think about my fate in

0:28:56.680 --> 0:29:00.280
<v Speaker 2>that moment that he's like, I'm going, I know what

0:29:00.280 --> 0:29:00.600
<v Speaker 2>I'll do.

0:29:00.760 --> 0:29:04.720
<v Speaker 1>I'll mount the greatest one man show that the West

0:29:04.840 --> 0:29:08.160
<v Speaker 1>End has ever seen. Like, this is literally what it's

0:29:08.160 --> 0:29:10.040
<v Speaker 1>like to be in England. This is what I'm seeing

0:29:10.080 --> 0:29:12.880
<v Speaker 1>my friend do. She's doing that right now. This is

0:29:12.920 --> 0:29:16.640
<v Speaker 1>everyone's experience in England. Everyone has to mount the greatest

0:29:16.680 --> 0:29:19.280
<v Speaker 1>one man show the way you're looking for money to

0:29:19.400 --> 0:29:21.840
<v Speaker 1>fund that one woman show, then all you have to

0:29:21.880 --> 0:29:23.800
<v Speaker 1>do is steal a pop up book from a bear.

0:29:23.920 --> 0:29:30.440
<v Speaker 2>Yeah, ah, Siena, you wrote tb ah, of course you did,

0:29:30.640 --> 0:29:32.840
<v Speaker 2>you said, tbh. The gruel looks kind of good.

0:29:33.320 --> 0:29:34.680
<v Speaker 1>The groul looked kind of good.

0:29:34.840 --> 0:29:37.280
<v Speaker 2>No, it didn't. There was a feather in it. He

0:29:37.400 --> 0:29:38.840
<v Speaker 2>pulled a feather out of his mouth.

0:29:40.640 --> 0:29:42.240
<v Speaker 1>I didn't see the feather. I just saw the oats.

0:29:42.280 --> 0:29:43.920
<v Speaker 1>It looked like barley or something like. It was like

0:29:44.000 --> 0:29:45.400
<v Speaker 1>it was like nutritious.

0:29:45.440 --> 0:29:48.760
<v Speaker 2>It wasn't just gross. Oh my god. But I do

0:29:48.800 --> 0:29:53.600
<v Speaker 2>love gruel a little bit, you do, Leona. I also

0:29:53.880 --> 0:29:59.120
<v Speaker 2>learn many forms. I wondered. I'm eating vegemite toast right now.

0:30:00.240 --> 0:30:05.520
<v Speaker 1>Oh, Leonna, you've said a radical new future for prisoner rehabilitation.

0:30:05.920 --> 0:30:09.440
<v Speaker 2>So true, so true. That was I think my flatmate

0:30:09.520 --> 0:30:13.520
<v Speaker 2>definitely said that, and it is accurate. I mean, what

0:30:13.560 --> 0:30:17.680
<v Speaker 2>a reimagining of the prison system. Yeah, if not this

0:30:19.080 --> 0:30:22.360
<v Speaker 2>when they put flower boxes out on all the railings

0:30:23.000 --> 0:30:26.920
<v Speaker 2>and bunting, and they changed the mess hall from picnic

0:30:26.920 --> 0:30:31.520
<v Speaker 2>tables and benches to little like cabaret seating, so cute.

0:30:31.880 --> 0:30:33.400
<v Speaker 2>Did you see that they put up a sign that

0:30:33.480 --> 0:30:38.600
<v Speaker 2>said Aunt Lucy's Tea Room in the mess hall. They

0:30:38.640 --> 0:30:41.080
<v Speaker 2>renamed it to Aunt Lucy's Tea Room.

0:30:41.440 --> 0:30:44.360
<v Speaker 1>So cute. They don't even know aunt Lucy, I know.

0:30:45.400 --> 0:30:47.080
<v Speaker 2>I said to my flatmate while watching this, I was like,

0:30:47.120 --> 0:30:51.520
<v Speaker 2>what is it about this movie that it can make

0:30:51.600 --> 0:30:55.479
<v Speaker 2>me cry at literally any moment? How is it? What

0:30:55.560 --> 0:30:57.360
<v Speaker 2>is it about it?

0:30:57.360 --> 0:31:04.600
<v Speaker 1>It has the sincerity of a dog. This movie's kind

0:31:04.600 --> 0:31:14.120
<v Speaker 1>of like a dog, I said it. Yeah, a lot

0:31:14.240 --> 0:31:15.560
<v Speaker 1>like a dog, I guess.

0:31:15.680 --> 0:31:15.840
<v Speaker 3>So.

0:31:16.360 --> 0:31:20.920
<v Speaker 2>I think it is like stands dogs. It's cute and sincere.

0:31:23.080 --> 0:31:28.400
<v Speaker 2>Every dog is very sincere, I see what you mean.

0:31:28.840 --> 0:31:32.320
<v Speaker 2>And Paddington is a very small and cute, like fuzzy guy,

0:31:32.480 --> 0:31:37.400
<v Speaker 2>like fuzzy little being. And if ever he's upset, you're upset.

0:31:38.280 --> 0:31:40.680
<v Speaker 2>And he just loves his aunt so much. Yeah, I

0:31:40.720 --> 0:31:42.560
<v Speaker 2>don't know that. There's something about it though, where I'm

0:31:42.560 --> 0:31:45.480
<v Speaker 2>always like on the brink of just a second away

0:31:45.560 --> 0:31:46.840
<v Speaker 2>from welling up.

0:31:47.080 --> 0:31:50.680
<v Speaker 1>It seems effortless in its style and everything, but it

0:31:50.720 --> 0:31:54.959
<v Speaker 1>really strikes a really specifically a specific tone which is

0:31:55.040 --> 0:31:59.120
<v Speaker 1>both quirky and almost a little bit of edge in

0:31:59.160 --> 0:32:03.600
<v Speaker 1>its quirkiness. But that makes you not get kind of

0:32:03.600 --> 0:32:06.040
<v Speaker 1>because I can get really grossed out by stuff that's

0:32:06.080 --> 0:32:09.920
<v Speaker 1>too sweet, you know. Yeah, but it's it's extremely extremely

0:32:09.920 --> 0:32:13.680
<v Speaker 1>sweet and sincere. But it's still interesting.

0:32:14.320 --> 0:32:17.320
<v Speaker 2>Oh my god, it's marmalade.

0:32:17.560 --> 0:32:20.280
<v Speaker 1>What it's got a little bite, but it's sweet as

0:32:20.320 --> 0:32:23.360
<v Speaker 1>can be. Uh, there's a little something extra in there.

0:32:23.400 --> 0:32:25.720
<v Speaker 1>It makes it a little different than the other sweet jams.

0:32:25.880 --> 0:32:26.440
<v Speaker 2>Wow.

0:32:27.080 --> 0:32:32.440
<v Speaker 1>Wow, it's got some more texture. Yeah, it is super

0:32:32.480 --> 0:32:35.080
<v Speaker 1>sweet though it is so charming. It's not afraid of

0:32:35.120 --> 0:32:37.760
<v Speaker 1>being charming. It says, we're gonna charm your little pants off.

0:32:37.800 --> 0:32:41.440
<v Speaker 2>What if every part of the world was delightful and

0:32:41.480 --> 0:32:45.880
<v Speaker 2>you say, you know what, yes, what if are you

0:32:46.000 --> 0:32:51.240
<v Speaker 2>deciding between dressing up as a soldier, a nun macbeth,

0:32:52.000 --> 0:32:58.440
<v Speaker 2>a bald guy with side yeah, or you grant guess

0:32:58.440 --> 0:33:01.520
<v Speaker 2>what you can be all of those things. Yes, you've

0:33:01.560 --> 0:33:12.760
<v Speaker 2>got three minutes. We'll see you becoming irate. When Paddington

0:33:12.880 --> 0:33:14.600
<v Speaker 2>is crying, and there.

0:33:14.520 --> 0:33:18.080
<v Speaker 1>Are two moments that are absolutely disgusting. Function up, when

0:33:18.120 --> 0:33:20.040
<v Speaker 1>he cries in his cell and then when they think

0:33:20.160 --> 0:33:20.400
<v Speaker 1>when he.

0:33:20.560 --> 0:33:24.840
<v Speaker 2>Almost dies, when he's drowning, look the eyes and they're like,

0:33:25.080 --> 0:33:30.480
<v Speaker 2>let it go, well goodbye. I was I was so angry.

0:33:30.520 --> 0:33:33.440
<v Speaker 2>I was appalled. I was. It was abhorrent.

0:33:35.920 --> 0:33:39.200
<v Speaker 1>Leanna, You've said, don't shush me, Gertrude. I have just

0:33:39.280 --> 0:33:43.920
<v Speaker 1>been spilled upon by chilled liquid. I love this little

0:33:44.760 --> 0:33:45.600
<v Speaker 1>He's so funny.

0:33:46.280 --> 0:33:51.600
<v Speaker 2>Very shoot me, Gertrude just been spilled upon by chilled liquid.

0:33:52.640 --> 0:33:57.360
<v Speaker 2>So silly. I want you to shush Leanna.

0:33:57.600 --> 0:33:59.640
<v Speaker 1>Your last two notes are the very last note is

0:33:59.720 --> 0:34:01.920
<v Speaker 1>Hugh Grant is excellent in this, which is so so true.

0:34:02.040 --> 0:34:03.760
<v Speaker 1>And then you also just before that said we are

0:34:03.760 --> 0:34:04.720
<v Speaker 1>crying so much.

0:34:05.120 --> 0:34:10.840
<v Speaker 2>Oh my god. By which rings? When the bell rings

0:34:10.880 --> 0:34:14.320
<v Speaker 2>and it's Aunt Lucy. Yeah, they brought her to London.

0:34:19.239 --> 0:34:23.840
<v Speaker 2>Oh my god, I will say. I mean, you were

0:34:23.840 --> 0:34:26.240
<v Speaker 2>talking about plot holes. Why can't she just be in London?

0:34:27.000 --> 0:34:27.400
<v Speaker 2>I don't know.

0:34:29.280 --> 0:34:32.360
<v Speaker 1>She really had to go get her from Peru, a

0:34:32.480 --> 0:34:36.560
<v Speaker 1>really specific little bear spot also Home for Bears.

0:34:36.719 --> 0:34:39.759
<v Speaker 2>Did the uncle pass away? I think that happens in

0:34:39.800 --> 0:34:42.080
<v Speaker 2>the first movie, and I think I've blocked it out. Yeah,

0:34:42.080 --> 0:34:43.799
<v Speaker 2>I don't remember the first movie at all. I think

0:34:43.800 --> 0:34:47.920
<v Speaker 2>there's some sort of reason why he comes to London

0:34:47.960 --> 0:34:51.520
<v Speaker 2>and she stays in Peru at the Home for Retired

0:34:51.520 --> 0:34:54.000
<v Speaker 2>Bears or whatever the title of it is. And I

0:34:54.040 --> 0:34:57.200
<v Speaker 2>think it's because the uncle has passed, and she's like,

0:34:57.200 --> 0:34:58.520
<v Speaker 2>I don't want you to have to spend your whole

0:34:58.520 --> 0:35:02.120
<v Speaker 2>life looking after me. My god, but I could be wrong,

0:35:03.719 --> 0:35:08.680
<v Speaker 2>but I think that's right. Yeah. Well you haven't bolded this,

0:35:08.719 --> 0:35:10.400
<v Speaker 2>but one of your final notes is and this is

0:35:10.480 --> 0:35:11.040
<v Speaker 2>just so true.

0:35:11.719 --> 0:35:21.799
<v Speaker 1>Ah, so cute. Yeah, well you gonna show you move

0:35:21.800 --> 0:35:23.319
<v Speaker 1>on to badges and trages talk a little more.

0:35:24.719 --> 0:35:27.520
<v Speaker 2>Yeah, I have so many badges. Oh my gosh, fantastic.

0:35:27.600 --> 0:35:30.600
<v Speaker 1>Well, uh, next, we're going to move on to badges

0:35:30.600 --> 0:35:36.120
<v Speaker 1>and trages where we give badges for bears and trages.

0:35:36.120 --> 0:35:44.040
<v Speaker 2>For trained actors who deceive. You can't trust an actor, No,

0:35:44.120 --> 0:35:53.000
<v Speaker 2>you can't for a living. That was so funny and true, Leanna,

0:35:53.040 --> 0:35:56.680
<v Speaker 2>you go ahead. Oh, a badge for such creative animation,

0:35:57.320 --> 0:36:00.160
<v Speaker 2>the sequence where he's imagining him and Aunt Lucy in

0:36:00.200 --> 0:36:03.040
<v Speaker 2>London but going through the pop up book. Yeah, so cute.

0:36:03.120 --> 0:36:07.000
<v Speaker 2>I loved that, so cute. We're not getting animation like that,

0:36:08.320 --> 0:36:08.920
<v Speaker 2>not really.

0:36:09.480 --> 0:36:11.800
<v Speaker 1>My first badge is for his bedroom, so cute. I

0:36:11.840 --> 0:36:14.360
<v Speaker 1>love a little upstairs, lofty bedroom.

0:36:14.480 --> 0:36:17.760
<v Speaker 2>Yeah, yeah, such a dream. A badge for this fair

0:36:18.719 --> 0:36:21.480
<v Speaker 2>It looked so fun to go to, so fun.

0:36:23.000 --> 0:36:28.360
<v Speaker 1>Badge for Hugh Grant as this villain actur. He continued

0:36:28.360 --> 0:36:32.480
<v Speaker 1>to be like Macbeth, shut up, Macbeth, don't say that,

0:36:32.719 --> 0:36:35.680
<v Speaker 1>and like he's a master of disguise.

0:36:36.360 --> 0:36:36.520
<v Speaker 6>Oh.

0:36:36.560 --> 0:36:37.920
<v Speaker 2>I loved him so much.

0:36:38.080 --> 0:36:44.360
<v Speaker 1>Oh and I see that this villain has beautiful blue eyes. Yeah,

0:36:44.400 --> 0:36:47.319
<v Speaker 1>he was really good Percy. I'm glad he's at the

0:36:47.320 --> 0:36:48.719
<v Speaker 1>point of his career where he just gets to be

0:36:48.840 --> 0:36:49.600
<v Speaker 1>funny villains.

0:36:49.680 --> 0:36:54.160
<v Speaker 2>He's just having fun, so talented, So good. Badge for

0:36:54.360 --> 0:36:57.480
<v Speaker 2>the newspaper that Brendan Gleeston is reading while Paddington prepares

0:36:57.480 --> 0:37:00.640
<v Speaker 2>the marmalade. It's called The Hard Times and then all

0:37:00.680 --> 0:37:04.120
<v Speaker 2>of it's punny headline, So fun.

0:37:07.520 --> 0:37:09.719
<v Speaker 1>Badge for a little nook by a window when he's sat.

0:37:09.760 --> 0:37:12.200
<v Speaker 1>He crawls up to a little nook by the window

0:37:12.280 --> 0:37:14.839
<v Speaker 1>and looks out the window in his little cell and

0:37:14.880 --> 0:37:16.800
<v Speaker 1>he can fit there.

0:37:18.920 --> 0:37:24.080
<v Speaker 2>Whenever we saw his round little butt, I got really emotional.

0:37:28.360 --> 0:37:34.600
<v Speaker 2>He's just so small. Round badge for crocs. Brendan Gleason

0:37:34.680 --> 0:37:37.600
<v Speaker 2>aka Knuckles McGinty, the chef is wearing crocs. He was

0:37:37.719 --> 0:37:39.839
<v Speaker 2>very funny in this. I love him in this. He's

0:37:39.880 --> 0:37:43.400
<v Speaker 2>so good. Everybody does such a great job yeah. Yeah,

0:37:43.440 --> 0:37:45.280
<v Speaker 2>I don't do nothing for no one for nothing.

0:37:45.680 --> 0:37:49.560
<v Speaker 1>Those actors over there across the pond, they give it

0:37:49.600 --> 0:37:53.440
<v Speaker 1>there all. They are clearly trained in school to leave

0:37:53.480 --> 0:37:54.080
<v Speaker 1>it all.

0:37:53.880 --> 0:37:56.920
<v Speaker 2>On the floor. Oh yeah, leave it all on the court.

0:37:58.360 --> 0:38:00.759
<v Speaker 1>It's the floor, the right thing. I don't think it is, Okay, well, I.

0:38:03.200 --> 0:38:05.040
<v Speaker 2>Think actually the stage.

0:38:05.719 --> 0:38:09.239
<v Speaker 1>On the stage, okay, yeah, not on the floor. Sorry,

0:38:09.280 --> 0:38:17.880
<v Speaker 1>I'm from America. Uh badge for the dessert sequence. After

0:38:17.960 --> 0:38:19.960
<v Speaker 1>first of all, there's the marmalade, and then they're all like, oh,

0:38:20.040 --> 0:38:21.160
<v Speaker 1>we can all make our desserts.

0:38:21.200 --> 0:38:24.440
<v Speaker 2>I remember my my dessert recipe, and they all make

0:38:24.480 --> 0:38:27.719
<v Speaker 2>desserts and they're stunning. It was a dream. It was

0:38:27.719 --> 0:38:31.200
<v Speaker 2>a dream. It genuinely is so dreamy. Yep.

0:38:31.400 --> 0:38:35.560
<v Speaker 1>My partner Kelsey, has started to realize that most movies

0:38:35.640 --> 0:38:38.000
<v Speaker 1>or pieces of entertainment that I enjoy are ones that

0:38:38.040 --> 0:38:39.120
<v Speaker 1>feature food in them.

0:38:39.320 --> 0:38:39.680
<v Speaker 6>Yeah.

0:38:39.760 --> 0:38:43.279
<v Speaker 2>I also am starting to realize that I do. I

0:38:43.400 --> 0:38:47.200
<v Speaker 2>love food. I love seeing it on TV. Is rat

0:38:47.200 --> 0:38:49.520
<v Speaker 2>a two wee on our list? I don't know. We

0:38:49.560 --> 0:38:51.520
<v Speaker 2>should watch rat a twee next week? We should? Okay,

0:38:51.600 --> 0:38:54.320
<v Speaker 2>let's do it. We're following our id. I was gonna

0:38:54.320 --> 0:38:56.600
<v Speaker 2>propose that from now until forever we only watch movies

0:38:56.600 --> 0:38:59.040
<v Speaker 2>directed by women. But I think also we should watch

0:38:59.120 --> 0:39:07.120
<v Speaker 2>Ratity directed by What a Woman Wants directed by a rat.

0:39:11.200 --> 0:39:14.279
<v Speaker 1>I love Ratitude because it's an important film directed by

0:39:14.320 --> 0:39:16.480
<v Speaker 1>a rat representation man.

0:39:18.360 --> 0:39:21.320
<v Speaker 2>Oh A badge for Paddington's chef's hat is also pink

0:39:22.920 --> 0:39:24.600
<v Speaker 2>pink uniforms, so cute.

0:39:27.560 --> 0:39:30.759
<v Speaker 1>A badge for the scene where the inmates introduce themselves

0:39:31.040 --> 0:39:33.680
<v Speaker 1>and they all pop out of the sides, specifically when

0:39:33.680 --> 0:39:35.120
<v Speaker 1>the guy was like mad dog.

0:39:40.640 --> 0:39:43.000
<v Speaker 2>I love the politician character who's like, yeah, I hope

0:39:43.000 --> 0:39:45.680
<v Speaker 2>I can count on that vote, and later he's like,

0:39:45.719 --> 0:39:47.160
<v Speaker 2>I couldn't possibly, I couldn't.

0:39:46.880 --> 0:39:47.880
<v Speaker 1>Possibly call it.

0:39:49.239 --> 0:39:55.360
<v Speaker 2>That's just funny. Whatever happened to just being funny?

0:39:56.400 --> 0:39:56.560
<v Speaker 6>Oh.

0:39:56.640 --> 0:40:00.960
<v Speaker 2>A badge for Simon Farnabee's character he's a guard at St.

0:40:01.000 --> 0:40:05.040
<v Speaker 2>Paul's Cathedral when he sees none Hugh Grant across the rotunda.

0:40:05.120 --> 0:40:11.279
<v Speaker 2>The way that he says OI is like, Oi, it's

0:40:11.400 --> 0:40:13.880
<v Speaker 2>so good. I want to go rewatch that. After this,

0:40:14.640 --> 0:40:18.080
<v Speaker 2>I rewound to see it again when it happened. He's

0:40:18.160 --> 0:40:20.120
<v Speaker 2>just funny, you know what.

0:40:20.200 --> 0:40:23.520
<v Speaker 1>This movie has some examples of of of men doing

0:40:23.520 --> 0:40:26.719
<v Speaker 1>the correct thing, which is making me laugh.

0:40:29.520 --> 0:40:31.799
<v Speaker 2>And the humor in it is so silly, like it's

0:40:31.880 --> 0:40:35.280
<v Speaker 2>just fun and it's so lighthearted. Yeah.

0:40:35.400 --> 0:40:37.880
<v Speaker 1>Or when Paddington turns around and he's like, mister Gruber,

0:40:37.920 --> 0:40:39.600
<v Speaker 1>please be serious, be serious.

0:40:40.160 --> 0:40:42.480
<v Speaker 2>Yeah, and he's wearing it. When the dad does the

0:40:42.560 --> 0:40:44.120
<v Speaker 2>splits between the two training.

0:40:44.600 --> 0:40:47.439
<v Speaker 1>I that badge for that. You know what I'm gonna

0:40:47.440 --> 0:40:49.040
<v Speaker 1>make this badge for when he does the splits and

0:40:49.080 --> 0:40:52.680
<v Speaker 1>he remembers his his training training whatever I forget his

0:40:52.719 --> 0:40:55.880
<v Speaker 1>special yoga class was called. Yeah, he remembers his training

0:40:55.920 --> 0:40:59.800
<v Speaker 1>and he he locks in and he does the splits.

0:41:00.400 --> 0:41:03.440
<v Speaker 2>He does he goes full Jean Claude Vendam, so silly,

0:41:03.440 --> 0:41:06.360
<v Speaker 2>it's beautiful. That was my badge, so you're next. My

0:41:06.440 --> 0:41:08.640
<v Speaker 2>badge is basically that it's for mister Brown is so

0:41:08.800 --> 0:41:10.640
<v Speaker 2>funny in this. I think that actor is so great

0:41:10.680 --> 0:41:13.399
<v Speaker 2>and so fun and all of his little micro expressions

0:41:13.600 --> 0:41:16.000
<v Speaker 2>are so fun to watch, like the double take he

0:41:16.040 --> 0:41:20.000
<v Speaker 2>does when Paddington is cleaning his office window. Great a

0:41:20.160 --> 0:41:23.280
<v Speaker 2>badge for the moments in the credits of Puns again,

0:41:23.560 --> 0:41:25.400
<v Speaker 2>like the little scrap book of their day in London.

0:41:25.400 --> 0:41:28.759
<v Speaker 2>They go to see a play and it's mcbear's and

0:41:28.800 --> 0:41:31.160
<v Speaker 2>then Knuckles opens the sandwich shop and it's called Knuckles

0:41:31.160 --> 0:41:40.200
<v Speaker 2>Sandwiches a on. So cute, so funny. I love Macbeth mcbearth.

0:41:42.000 --> 0:41:45.040
<v Speaker 1>Badge for the judge actor was really making me laugh

0:41:45.080 --> 0:41:48.840
<v Speaker 1>by the end.

0:41:49.520 --> 0:41:52.200
<v Speaker 2>My final badge is Hugh Grant's line during the musical

0:41:52.280 --> 0:41:54.640
<v Speaker 2>number where he's like, it turns out I didn't need

0:41:54.640 --> 0:41:58.040
<v Speaker 2>a West End stage at all, just a captive audience.

0:41:58.400 --> 0:42:01.600
<v Speaker 2>What am I like? Guards? Lock me up? Oh you

0:42:01.640 --> 0:42:05.840
<v Speaker 2>already did my My final badges for the post credits

0:42:05.880 --> 0:42:11.320
<v Speaker 2>scene of of Hugh Grant's big musical scene.

0:42:11.360 --> 0:42:15.000
<v Speaker 1>It was so funny, so charming. I love that they

0:42:15.080 --> 0:42:16.400
<v Speaker 1>knew that wouldn't go in the movie. They knew that

0:42:16.400 --> 0:42:18.440
<v Speaker 1>would go post credits, and I love that they decided

0:42:18.440 --> 0:42:19.200
<v Speaker 1>to do the whole thing.

0:42:19.719 --> 0:42:22.319
<v Speaker 2>Oh and everyone's enjoying it.

0:42:22.360 --> 0:42:25.799
<v Speaker 1>Everyone's so happy that he's bringing his Also that what

0:42:25.840 --> 0:42:27.080
<v Speaker 1>was that from what they were singing?

0:42:27.680 --> 0:42:31.959
<v Speaker 2>Bit bit bet? I thought it was an original, Maybe

0:42:31.960 --> 0:42:32.279
<v Speaker 2>it is.

0:42:32.480 --> 0:42:39.439
<v Speaker 1>I loved it. Oh hear the rain going? I could

0:42:39.440 --> 0:42:44.600
<v Speaker 1>watch that forever so good. Oh oh, I'm sorry. I

0:42:44.680 --> 0:42:46.200
<v Speaker 1>have one more badge that I forgot, which is the

0:42:46.200 --> 0:42:47.600
<v Speaker 1>neighborhood panic level.

0:42:48.600 --> 0:42:52.880
<v Speaker 2>Oh my god. Chart there's that one anxious name, doctor

0:42:53.120 --> 0:42:54.440
<v Speaker 2>us Peter Capaldi.

0:42:54.800 --> 0:42:57.760
<v Speaker 1>I have I have now set the neighborhood panic level

0:42:57.920 --> 0:43:01.640
<v Speaker 1>to I forget what it was too, something like whatever

0:43:01.640 --> 0:43:03.440
<v Speaker 1>whatever the maxims, which was incredibly funny.

0:43:03.440 --> 0:43:05.960
<v Speaker 2>But I love that. It's not like that. It's the

0:43:06.000 --> 0:43:10.440
<v Speaker 2>panic level chart. How much should neighborhood be panicking? It's

0:43:10.440 --> 0:43:12.839
<v Speaker 2>not like fire danger high today, it's like panic level

0:43:12.840 --> 0:43:19.280
<v Speaker 2>of maximum. That's just true trages, trages.

0:43:19.440 --> 0:43:22.840
<v Speaker 1>I only have two tragis me too. My first trage

0:43:22.840 --> 0:43:24.759
<v Speaker 1>is for sad Paddington.

0:43:24.280 --> 0:43:28.200
<v Speaker 2>Why are you going to That's one of my trages

0:43:28.239 --> 0:43:31.040
<v Speaker 2>is a trage for oh my god, it gets really

0:43:31.080 --> 0:43:34.160
<v Speaker 2>real sometimes, which is like Paddington getting sentenced to ten

0:43:34.200 --> 0:43:38.880
<v Speaker 2>years in prison. Yeah, Paddington confronting mortality and he almost

0:43:38.960 --> 0:43:42.759
<v Speaker 2>drowns and they both seedless. So I looked away. I said,

0:43:42.800 --> 0:43:44.560
<v Speaker 2>I've seen this once before. I'm not watching that again

0:43:44.640 --> 0:43:48.400
<v Speaker 2>too much. But when he cries specifically, I said, so sad,

0:43:49.040 --> 0:43:51.799
<v Speaker 2>that is not acceptable. And when he's a little cub

0:43:51.840 --> 0:43:55.279
<v Speaker 2>who's about to die going a little waterfall at the beginning, uh,

0:43:55.320 --> 0:43:57.279
<v Speaker 2>too much. I don't need to think about that.

0:43:58.520 --> 0:44:01.040
<v Speaker 1>My final traged is for I want to live in

0:44:01.120 --> 0:44:04.480
<v Speaker 1>this world where everyone is friends and they're all cute,

0:44:04.560 --> 0:44:08.319
<v Speaker 1>and there's Paddington's life, and right now I.

0:44:08.239 --> 0:44:12.239
<v Speaker 2>Could really use that. My other tradge is a white

0:44:12.239 --> 0:44:16.640
<v Speaker 2>person with dreadlocks. Oh my god, where was that. It's

0:44:16.680 --> 0:44:20.600
<v Speaker 2>like the great granddaughter at the fair who tells the

0:44:20.719 --> 0:44:25.840
<v Speaker 2>mom the lore behind the flip book, you know, the

0:44:25.880 --> 0:44:29.200
<v Speaker 2>pop up book. Yeah, well the honor.

0:44:29.200 --> 0:44:30.680
<v Speaker 1>Should we move on to our next segment, which is,

0:44:30.680 --> 0:44:32.880
<v Speaker 1>of course, how to pretend you've seen this film? This

0:44:32.960 --> 0:44:37.359
<v Speaker 1>is for You are at the steam event what is it.

0:44:37.280 --> 0:44:45.080
<v Speaker 2>Called the steam Fair? The steam Fair?

0:44:47.800 --> 0:44:49.799
<v Speaker 1>You are at the Steam Fair which has rolled into

0:44:49.840 --> 0:44:50.880
<v Speaker 1>town surprisingly, and you go.

0:44:50.920 --> 0:44:53.640
<v Speaker 2>Oh, huh, overnight the Flying Scotsman has appeared.

0:44:53.680 --> 0:44:55.440
<v Speaker 1>Flying Scotsman has appeared and you go to see it,

0:44:55.560 --> 0:44:59.080
<v Speaker 1>and uh, what's who Grant's name in this?

0:44:59.520 --> 0:45:07.160
<v Speaker 2>Oh it's like Phoenix pickle, Yes, what I knew. It

0:45:07.200 --> 0:45:07.800
<v Speaker 2>started with a p.

0:45:08.440 --> 0:45:11.000
<v Speaker 1>Phoenix has lit something on fire to see the train,

0:45:11.040 --> 0:45:13.000
<v Speaker 1>and you go, you didn't need to commit arsony, it's

0:45:13.040 --> 0:45:14.120
<v Speaker 1>here already.

0:45:13.760 --> 0:45:18.200
<v Speaker 2>All that very civilizers. And he puts on a fake

0:45:18.280 --> 0:45:21.240
<v Speaker 2>mustache and glasses and he goes, you did he speaking

0:45:21.239 --> 0:45:23.480
<v Speaker 2>to you? More and more disguises come to come on

0:45:23.520 --> 0:45:25.440
<v Speaker 2>to him with each line, which we'll discover over the

0:45:25.480 --> 0:45:29.200
<v Speaker 2>course of this segment, and he says, Wow, putting on

0:45:29.239 --> 0:45:32.640
<v Speaker 2>a disguise and seeing a steam train really makes me

0:45:32.880 --> 0:45:38.680
<v Speaker 2>puts me in character, much like my favorite man in film.

0:45:39.320 --> 0:45:42.560
<v Speaker 2>Of course, Phoenix. What's his ass Hugh Grant in Paddington

0:45:42.719 --> 0:45:46.000
<v Speaker 2>I I bet you haven't seen it, and I bet

0:45:46.440 --> 0:45:48.760
<v Speaker 2>you don't know how delightful it is. And I will

0:45:48.760 --> 0:45:50.719
<v Speaker 2>definitely fill you in and not take away from that

0:45:50.760 --> 0:45:54.799
<v Speaker 2>delight with this spiel, which I'm going to begin in

0:45:54.920 --> 0:45:56.160
<v Speaker 2>three two.

0:45:57.120 --> 0:46:01.319
<v Speaker 1>And in order to stop Phoenix from monologuing at you

0:46:01.560 --> 0:46:05.879
<v Speaker 1>about about Paddington too, or about this film, we will

0:46:05.920 --> 0:46:08.960
<v Speaker 1>give you a few things that you can say to

0:46:09.000 --> 0:46:12.080
<v Speaker 1>pretend you've seen the film Paddington two mm.

0:46:13.120 --> 0:46:16.520
<v Speaker 2>Phoenix draws on a beauty mole as I'm saying this

0:46:16.640 --> 0:46:20.080
<v Speaker 2>to him to add to his disguise, and I say,

0:46:20.200 --> 0:46:22.799
<v Speaker 2>oh my god, Phoenix, of course I've seen Paddington two.

0:46:23.360 --> 0:46:25.439
<v Speaker 2>All there is to say from you is, I mean, really,

0:46:25.480 --> 0:46:31.239
<v Speaker 2>you're stealing my joy at this steamfair right now? Stop thief, thief.

0:46:35.400 --> 0:46:41.600
<v Speaker 1>Yes, here's some trivia about the film. Yes, uh, Phoenix,

0:46:41.680 --> 0:46:45.719
<v Speaker 1>I have seen the film Paddington two. Fun fact Hugh

0:46:45.760 --> 0:46:48.880
<v Speaker 1>Grant's favorite costume in this movie was the nun outfit.

0:46:49.040 --> 0:46:59.000
<v Speaker 2>Yes, m a. As I'm speaking to him, Phoenix is

0:46:59.040 --> 0:47:04.640
<v Speaker 2>putting on a a pretty slay bob wig. Actually, I say,

0:47:04.640 --> 0:47:06.960
<v Speaker 2>oh my gosh, that's actually a great look, Phoenix. Yes,

0:47:07.040 --> 0:47:10.600
<v Speaker 2>I've seen Paddington two. And if you don't keep speaking

0:47:10.640 --> 0:47:13.600
<v Speaker 2>to me, I'm gonna kill you. And one of the

0:47:13.600 --> 0:47:16.759
<v Speaker 2>guards that the steam fair goes forget the medic better

0:47:16.840 --> 0:47:18.719
<v Speaker 2>send a priest. I loved that.

0:47:18.719 --> 0:47:21.439
<v Speaker 1>That was so funny, so fun Yes, as I'm talking

0:47:21.480 --> 0:47:23.640
<v Speaker 1>to Phoenix, he puts on a pair of cat ears

0:47:23.680 --> 0:47:25.239
<v Speaker 1>and I go, well, we all know that you're not that,

0:47:27.480 --> 0:47:29.280
<v Speaker 1>but it's still very slay. Goes well with a bob

0:47:29.360 --> 0:47:32.320
<v Speaker 1>And then I say to Phoenix, I say, yes, Phoenix,

0:47:32.320 --> 0:47:33.919
<v Speaker 1>I have seen the film Paddington too.

0:47:34.160 --> 0:47:34.760
<v Speaker 2>Fun fact.

0:47:35.080 --> 0:47:37.120
<v Speaker 1>This film did even better than the first film. It's

0:47:37.120 --> 0:47:40.600
<v Speaker 1>known for being one of the better sequels, earning seven

0:47:40.640 --> 0:47:42.759
<v Speaker 1>point nine stars versus the first one, which got seven

0:47:42.760 --> 0:47:46.879
<v Speaker 1>point two. I think it deserves ten. Also fun fact,

0:47:47.120 --> 0:47:49.480
<v Speaker 1>Nicole Kidman wanted to be in this film, to which

0:47:49.520 --> 0:47:54.400
<v Speaker 1>I say, girl, take a break. She was in the

0:47:54.440 --> 0:47:54.879
<v Speaker 1>first one.

0:47:55.000 --> 0:47:57.560
<v Speaker 2>She does so much. Oh, she was, Yeah, she's get

0:47:57.640 --> 0:47:59.680
<v Speaker 2>in the first one wig.

0:48:00.120 --> 0:48:02.600
<v Speaker 1>She she is too many places. I'm sorry, I see

0:48:02.600 --> 0:48:04.960
<v Speaker 1>her too much in every day she is working and

0:48:05.000 --> 0:48:11.800
<v Speaker 1>everything she's booked. Phoenix adds a really slay cloak, almost

0:48:11.800 --> 0:48:14.200
<v Speaker 1>like he's in like the Phantom of the Opera or something,

0:48:14.239 --> 0:48:15.560
<v Speaker 1>and he puts the hood on, and I say, well,

0:48:15.640 --> 0:48:18.279
<v Speaker 1>this is kind of really you're looking great, Phoenix, but

0:48:18.280 --> 0:48:20.239
<v Speaker 1>stop speaking to me about film. Of course, I've seen

0:48:20.280 --> 0:48:24.439
<v Speaker 1>Paddington too. I'm not gonna keep speaking with you about it.

0:48:24.800 --> 0:48:28.160
<v Speaker 1>Why I don't do nothing for no one for nothing?

0:48:31.120 --> 0:48:43.240
<v Speaker 2>Oh? I love watching you learn. It's so cute. Uh yeah.

0:48:43.280 --> 0:48:50.439
<v Speaker 1>And then Phoenix puts on a ghost costume and I go, whoa,

0:48:51.239 --> 0:48:53.200
<v Speaker 1>yes Phoenix, And I say, yes, Phoenix, I have seen

0:48:53.239 --> 0:48:58.880
<v Speaker 1>the film Paddington too. Some more fun facts about this film.

0:48:58.920 --> 0:49:02.439
<v Speaker 1>Sally Hawkins, who was in Shape of Water, flew one

0:49:02.520 --> 0:49:04.560
<v Speaker 1>day after filming The Shape of Water.

0:49:04.760 --> 0:49:09.160
<v Speaker 2>She flew in honestly it shows it was one day.

0:49:09.000 --> 0:49:11.360
<v Speaker 1>After her underwater scenes in the Shape of Water.

0:49:11.640 --> 0:49:16.359
<v Speaker 2>She pops, right, what do you mean? There's just an

0:49:16.480 --> 0:49:18.600
<v Speaker 2>energy to her in every movie that's like you fucked

0:49:18.600 --> 0:49:26.200
<v Speaker 2>a fish. Yes, there is actually mm hmm. I mean

0:49:26.200 --> 0:49:27.880
<v Speaker 2>in this one, she wants to swim the channel and

0:49:27.960 --> 0:49:32.000
<v Speaker 2>he gets why. I just really got to see that channel.

0:49:32.840 --> 0:49:35.640
<v Speaker 2>No reason I would find it really satisfying to swim

0:49:35.680 --> 0:49:36.120
<v Speaker 2>the channel.

0:49:37.160 --> 0:49:39.840
<v Speaker 1>And then also, fun fact, this is Hugh Grant's favorite

0:49:39.920 --> 0:49:43.319
<v Speaker 1>movie he made, which makes sense. This was probably so

0:49:43.560 --> 0:49:44.920
<v Speaker 1>fun for him to be and he got to just

0:49:45.040 --> 0:49:48.400
<v Speaker 1>pop off. Yeah, like as an atler, he gets you

0:49:48.480 --> 0:49:50.160
<v Speaker 1>all these things. They make you a heart throb for

0:49:50.200 --> 0:49:52.759
<v Speaker 1>your life whatever, you're like, a celebrity whatnot. And then

0:49:52.760 --> 0:49:55.120
<v Speaker 1>you finally just get to be a goofy villain guy who's.

0:49:54.880 --> 0:49:59.640
<v Speaker 2>Like a scamming and eating.

0:50:00.719 --> 0:50:11.040
<v Speaker 1>Yeah, he really slayed. He slaid ass. He slaid ass.

0:50:11.440 --> 0:50:14.040
<v Speaker 2>And with that, Phoenix takes out a little thing in

0:50:14.080 --> 0:50:16.040
<v Speaker 2>his hands and he throws it on the ground and

0:50:16.080 --> 0:50:19.640
<v Speaker 2>he disappears in a puff of smoke. Thank god. And

0:50:19.680 --> 0:50:22.800
<v Speaker 2>we bored the steam train into our next segment should

0:50:22.800 --> 0:50:25.440
<v Speaker 2>you watch this or in which we tell you if

0:50:25.440 --> 0:50:27.840
<v Speaker 2>we think you should watch this movie or if you

0:50:27.840 --> 0:50:34.719
<v Speaker 2>should do something else with your sentence with you, I

0:50:34.760 --> 0:50:39.160
<v Speaker 2>just remember that his great great relative was the magician

0:50:39.280 --> 0:50:43.680
<v Speaker 2>who killed yeah, his grandfather. Mm hmmm, I guess that

0:50:43.760 --> 0:50:47.000
<v Speaker 2>was relevant. Well, the hoto. What do you think? Oh

0:50:47.000 --> 0:50:53.640
<v Speaker 2>my gosh, yes, yes, you should watch Paddington too. Oh great,

0:50:53.840 --> 0:50:57.480
<v Speaker 2>I don't Yeah, I love that. I would say, yes,

0:50:57.640 --> 0:51:01.279
<v Speaker 2>you should watch Paddington too. Yeah, it was a delightful time.

0:51:01.520 --> 0:51:03.600
<v Speaker 2>It was not too much of anything.

0:51:03.640 --> 0:51:06.800
<v Speaker 1>It was just really really nice and everything is crazy

0:51:06.880 --> 0:51:08.480
<v Speaker 1>right now, and it was actually.

0:51:09.239 --> 0:51:15.360
<v Speaker 2>It was wonderful. It's diverting need needfully. It's soothing necessarily. Yeah,

0:51:16.120 --> 0:51:18.520
<v Speaker 2>it was nice. It was nice. They did a good

0:51:18.600 --> 0:51:27.000
<v Speaker 2>job Paddington too. I would give Paddington to five marmalade sandwiches,

0:51:27.000 --> 0:51:32.680
<v Speaker 2>but preferably with Bonam Raspberry preserve out of five. I

0:51:32.760 --> 0:51:35.760
<v Speaker 2>love it. It's got pretty much every it's got a dog,

0:51:36.320 --> 0:51:41.400
<v Speaker 2>it's got a musical number, it's got whimsical silly humor.

0:51:42.760 --> 0:51:46.880
<v Speaker 2>It's got sparkles. Yep, I love it. How about you,

0:51:46.920 --> 0:51:48.040
<v Speaker 2>Sienna Me?

0:51:49.120 --> 0:51:58.000
<v Speaker 1>I would give this film uh five neighborhood morning traditions

0:51:58.320 --> 0:52:01.520
<v Speaker 1>out of five. It's a light would recommend. They did

0:52:01.520 --> 0:52:03.759
<v Speaker 1>a really good job. It's just very funny and very

0:52:03.760 --> 0:52:05.160
<v Speaker 1>cute and I.

0:52:05.120 --> 0:52:07.439
<v Speaker 2>Can watch it a million times. The actors are really

0:52:07.480 --> 0:52:11.719
<v Speaker 2>really good. Can I give a meta badge to society

0:52:12.280 --> 0:52:15.160
<v Speaker 2>for having acknowledged that this is pretty much a perfect feling.

0:52:15.239 --> 0:52:15.520
<v Speaker 1>Yeah.

0:52:15.560 --> 0:52:16.399
<v Speaker 2>I felt that way too.

0:52:17.000 --> 0:52:19.120
<v Speaker 1>It's like everyone was into this, and I see why.

0:52:19.600 --> 0:52:21.600
<v Speaker 2>I love that. So many people are like, my favorite

0:52:21.600 --> 0:52:26.720
<v Speaker 2>movie is Paddington Too. They just nailed it, and you're like, yeah, well, Leanna,

0:52:26.800 --> 0:52:29.560
<v Speaker 2>we've watched Paddington too and it was wonderful and.

0:52:29.480 --> 0:52:32.240
<v Speaker 1>I'm gonna go watch that part where he says oil.

0:52:34.800 --> 0:52:37.360
<v Speaker 2>Oid.

0:52:38.840 --> 0:52:40.840
<v Speaker 1>Thank you so much for listening. We are Toss Popcorn.

0:52:40.880 --> 0:52:43.400
<v Speaker 1>You can find us at Toss Popcorn on Instagram. We

0:52:43.560 --> 0:52:47.359
<v Speaker 1>posted delightful memes, et cetera, and you can follow us

0:52:47.440 --> 0:52:49.440
<v Speaker 1>on patreon dot com slash toss Popcorn if you want

0:52:49.440 --> 0:52:49.920
<v Speaker 1>to support us.

0:52:49.920 --> 0:52:51.120
<v Speaker 2>We appreciate it so much.

0:52:51.160 --> 0:52:53.480
<v Speaker 1>It really helps. Thank you for everybody who's already supporting.

0:52:53.800 --> 0:52:57.960
<v Speaker 1>And you can join us next week when we will

0:52:58.000 --> 0:52:58.839
<v Speaker 1>be watching.

0:53:00.239 --> 0:53:03.680
<v Speaker 2>I mean, do we want to just do ratitudey and

0:53:03.719 --> 0:53:04.880
<v Speaker 2>then films by women.

0:53:06.360 --> 0:53:08.720
<v Speaker 1>We're doing what we want and we're gonna watch ratatue

0:53:08.840 --> 0:53:10.640
<v Speaker 1>because we like a little guy and food right.

0:53:10.640 --> 0:53:15.200
<v Speaker 2>Now, a little guy see what the world needs. Thank you,

0:53:15.560 --> 0:53:16.160
<v Speaker 2>We love you.

0:53:23.719 --> 0:53:26.239
<v Speaker 1>We can find us on Instagram as at Sienna Jaco

0:53:26.360 --> 0:53:29.120
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:53:29.160 --> 0:53:32.320
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:53:32.360 --> 0:53:34.600
<v Speaker 1>so make sure to subscribe so that you don't miss

0:53:34.640 --> 0:53:38.160
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

0:53:38.239 --> 0:53:41.200
<v Speaker 1>more podcasts from My Heart Radio, check the iHeartRadio app.

0:53:46.320 --> 0:53:46.759
<v Speaker 4>Mm hmm.

0:53:47.800 --> 0:53:51.200
<v Speaker 2>I shocked you so much with that. I was like,

0:53:51.239 --> 0:53:53.000
<v Speaker 2>what's she gonna say? I could see you were you

0:53:53.040 --> 0:53:56.480
<v Speaker 2>were gearing up for something. Is it gonna be like bear?

0:53:56.960 --> 0:53:59.440
<v Speaker 2>What is it? Bone? Mam