1 00:00:02,840 --> 00:00:08,640 Speaker 1: What would you talk about on your on your podcast, 2 00:00:08,720 --> 00:00:20,040 Speaker 1: Elvis Presents Morning Show. Make it stop? Okay, guys, my 3 00:00:20,200 --> 00:00:23,400 Speaker 1: phone is going off like crazy. Somebody added me to 4 00:00:23,520 --> 00:00:26,720 Speaker 1: a group text and there must have been about nine 5 00:00:26,720 --> 00:00:29,040 Speaker 1: people in this freaking thing, and my phone has to 6 00:00:29,120 --> 00:00:32,960 Speaker 1: stop vibrating. In the last seven minutes, it's been non stopped. 7 00:00:33,760 --> 00:00:36,120 Speaker 1: But the problem is the subject matter is a little 8 00:00:36,120 --> 00:00:39,080 Speaker 1: serious because our friend is recovering in the hospital. So 9 00:00:39,120 --> 00:00:43,159 Speaker 1: I don't want to know totally no no no no, no, 10 00:00:43,400 --> 00:00:46,279 Speaker 1: all I get I just totally called that wrong. No no, no, no, no, 11 00:00:46,280 --> 00:00:48,680 Speaker 1: no no no no. See, here's the problem. It's kind 12 00:00:48,680 --> 00:00:51,720 Speaker 1: of it's a dilemma. A front of ours are recovering 13 00:00:51,720 --> 00:00:55,120 Speaker 1: in the hospital, and then everyone is tracking the progress 14 00:00:55,960 --> 00:00:59,920 Speaker 1: from surgery. Yeah, and everyone is in there saying, Siri 15 00:01:00,080 --> 00:01:02,280 Speaker 1: use things about how he's recovering because it was a 16 00:01:02,360 --> 00:01:05,200 Speaker 1: very serious surgery. Oh my god, I'm glad he's okay, 17 00:01:05,520 --> 00:01:08,199 Speaker 1: Thanks for the update. Will you fillish in later. The 18 00:01:08,240 --> 00:01:10,160 Speaker 1: problem is I don't want to be the dick to 19 00:01:10,240 --> 00:01:12,880 Speaker 1: leave the conversation because then it looks like I didn't care. 20 00:01:13,120 --> 00:01:16,680 Speaker 1: You see what I'm saying. Don't give a ship, you know, well, 21 00:01:16,720 --> 00:01:19,160 Speaker 1: what you can say is, you know what, guys, sorry, 22 00:01:19,520 --> 00:01:21,000 Speaker 1: I have to mute this for a second because I'm 23 00:01:21,040 --> 00:01:23,240 Speaker 1: at work and my phone keeps buzzing. But they should 24 00:01:23,240 --> 00:01:25,319 Speaker 1: know that already, right, well they but they clearly don't. 25 00:01:25,360 --> 00:01:27,880 Speaker 1: So tell them and then leave the conversation. You know 26 00:01:27,880 --> 00:01:31,800 Speaker 1: what I'm saying. Why do you get this is an issue? 27 00:01:32,080 --> 00:01:35,600 Speaker 1: That is I feel bad for you do right, I'm 28 00:01:35,640 --> 00:01:37,800 Speaker 1: kind of stuck with this now a terrible person, because 29 00:01:37,840 --> 00:01:41,960 Speaker 1: I wouldn't feel guilty leaving that conversation if you tell them, like, hey, guys, 30 00:01:42,160 --> 00:01:43,440 Speaker 1: I'm so glad to hear so, and so I have 31 00:01:43,520 --> 00:01:45,399 Speaker 1: to jump back into this later. It's just buzzing a 32 00:01:45,400 --> 00:01:48,760 Speaker 1: lot at work. You work in the audio medium. But look, 33 00:01:48,800 --> 00:01:53,480 Speaker 1: then they'll never include me in on texts. I have 34 00:01:53,520 --> 00:01:56,600 Speaker 1: a question. I'm not an iPhone user, so can you 35 00:01:56,800 --> 00:01:59,880 Speaker 1: can you manually take yourself out of the conversation? You 36 00:02:00,000 --> 00:02:02,640 Speaker 1: can take yourself out? But then they see that, like 37 00:02:02,760 --> 00:02:05,400 Speaker 1: and then there were six, It will say scary Jones 38 00:02:05,440 --> 00:02:08,800 Speaker 1: removed himself. Oh yeah, glad, I have an android. You 39 00:02:08,840 --> 00:02:11,560 Speaker 1: know what I do? All? Uh? All, what do they 40 00:02:11,560 --> 00:02:15,959 Speaker 1: call it? Mute the conversations? Doesn't? Doesn't that also show 41 00:02:16,000 --> 00:02:18,080 Speaker 1: up or now, I don't think so, because that's what 42 00:02:18,120 --> 00:02:23,280 Speaker 1: I do for any text involving Greg t I'm not 43 00:02:23,360 --> 00:02:27,040 Speaker 1: even kidding he does now if he's listening, which I 44 00:02:27,080 --> 00:02:30,680 Speaker 1: know he won't, but um no, it's do not disturb 45 00:02:30,800 --> 00:02:33,520 Speaker 1: feature because you know how Greg Tea is. When he 46 00:02:33,520 --> 00:02:37,240 Speaker 1: starts texting you, it will be a string of texts. 47 00:02:37,320 --> 00:02:39,440 Speaker 1: But that should be by the way. They should be emails. 48 00:02:39,760 --> 00:02:43,320 Speaker 1: They they're they're five pages long, and he says, nobody 49 00:02:43,360 --> 00:02:45,360 Speaker 1: reads emails. I don't want to email, but but you 50 00:02:45,400 --> 00:02:48,360 Speaker 1: can't put an email length text in a But what 51 00:02:48,440 --> 00:02:52,520 Speaker 1: he'll do is one word for each word message, right, 52 00:02:52,520 --> 00:02:57,880 Speaker 1: It's like, bro, this is funny. You gotta check this out. 53 00:02:59,360 --> 00:03:02,880 Speaker 1: He hit this send key like I'm not defending him, 54 00:03:02,919 --> 00:03:05,600 Speaker 1: but I can. I can reason why he sends so 55 00:03:05,639 --> 00:03:09,320 Speaker 1: many text messages because the text on his screen is 56 00:03:09,360 --> 00:03:12,079 Speaker 1: like a font of twenty is like a twenty font, 57 00:03:12,240 --> 00:03:15,040 Speaker 1: So on his phone it looks like he's sending a 58 00:03:15,080 --> 00:03:18,280 Speaker 1: small message when he's typing it, but in reality, he's 59 00:03:18,280 --> 00:03:21,519 Speaker 1: sending several thousands. To play here, he's trying to get 60 00:03:21,600 --> 00:03:24,600 Speaker 1: Nate's attention because aside from that, yeah, with an eye 61 00:03:24,639 --> 00:03:28,480 Speaker 1: message for iPhones. If you just put your thoughts into 62 00:03:28,520 --> 00:03:31,000 Speaker 1: one and hit send, your phone only goes off once 63 00:03:31,120 --> 00:03:34,400 Speaker 1: or chances are right. But if you if you decide 64 00:03:34,440 --> 00:03:36,800 Speaker 1: to to to put like one word at a time, 65 00:03:37,160 --> 00:03:39,360 Speaker 1: it's that's a vibrate with every time you hit that 66 00:03:39,480 --> 00:03:42,280 Speaker 1: enter button. Here's okay, here's the lights, here's the less string. 67 00:03:42,720 --> 00:03:47,400 Speaker 1: Say in the way that he wrote it, we're trying 68 00:03:47,440 --> 00:03:50,520 Speaker 1: to arrange. We were trying to arrange. Actually give me 69 00:03:50,520 --> 00:03:54,640 Speaker 1: the bell, yeah, hear me something after text ends every 70 00:03:54,640 --> 00:03:57,240 Speaker 1: time the text came in. Yeah, ready, alright, here we go. 71 00:03:57,440 --> 00:03:59,240 Speaker 1: So this we were trying to arrange a call in 72 00:03:59,320 --> 00:04:04,440 Speaker 1: on the show. I say, call in? What else would 73 00:04:04,480 --> 00:04:09,120 Speaker 1: you need? Okay, here's the next one. I can go 74 00:04:10,400 --> 00:04:17,520 Speaker 1: or stay or whatever. It's up to you, guys. If 75 00:04:17,560 --> 00:04:21,400 Speaker 1: you want someone, I need a bit more of a 76 00:04:21,480 --> 00:04:28,360 Speaker 1: timeline and then I can set it up. Hold on. 77 00:04:29,839 --> 00:04:32,920 Speaker 1: They It may be that he can't think that far ahead. 78 00:04:35,200 --> 00:04:37,560 Speaker 1: He hasn't actually thought of the next two words, and 79 00:04:37,600 --> 00:04:39,279 Speaker 1: there's not a lot of room in there. So he 80 00:04:39,320 --> 00:04:41,880 Speaker 1: gets the two words out, thinks about the next thing, 81 00:04:41,880 --> 00:04:46,200 Speaker 1: and then Texas he's he's trying to badger you. Absolutely, 82 00:04:47,960 --> 00:04:53,200 Speaker 1: I called talk to Casey, he is in love with 83 00:04:53,240 --> 00:04:57,719 Speaker 1: my idea. We'll get back to you. I have a 84 00:04:57,760 --> 00:05:02,120 Speaker 1: list of stations. He all, I mean this is seriously, 85 00:05:02,800 --> 00:05:05,960 Speaker 1: It's like he's reading off a teleprompter that isn't moving quickly. 86 00:05:06,360 --> 00:05:12,400 Speaker 1: Here's what give me the bell a string from this morning? Uh? 87 00:05:12,560 --> 00:05:18,200 Speaker 1: He goes, all right, American Girl, Play American Girl, the 88 00:05:18,279 --> 00:05:21,720 Speaker 1: Tom Petty song. Everyone knows. I said, I know, t 89 00:05:21,920 --> 00:05:27,240 Speaker 1: I just pointed to it. This nose, it's there. Play it. Oh, 90 00:05:27,320 --> 00:05:42,200 Speaker 1: I'm I'm your girls must ask him again? Yeah, text time, 91 00:05:43,800 --> 00:05:46,080 Speaker 1: I want the bell next day. This is actually from 92 00:05:46,120 --> 00:05:49,080 Speaker 1: a really long time ago. But he texted me, do 93 00:05:49,120 --> 00:05:52,120 Speaker 1: you remember when I used to endorse compete It was 94 00:05:52,200 --> 00:06:00,040 Speaker 1: like those callous things that amazing. They're so good and 95 00:06:00,120 --> 00:06:01,640 Speaker 1: they don't even pay me to say that. They used to, 96 00:06:01,760 --> 00:06:03,599 Speaker 1: but they don't because I use them anyway, it doesn't matter. 97 00:06:03,720 --> 00:06:07,200 Speaker 1: But he tried them and then he texted me. Did 98 00:06:07,279 --> 00:06:09,960 Speaker 1: he have a greg gasm over text? He dead? He said, 99 00:06:10,480 --> 00:06:16,000 Speaker 1: oh m G O MG. Seriously, Bethany, oh MG, I 100 00:06:16,160 --> 00:06:18,600 Speaker 1: just tried those things, those things you said about on 101 00:06:18,680 --> 00:06:21,960 Speaker 1: the air for my feet. I was running, I was 102 00:06:22,040 --> 00:06:25,760 Speaker 1: running and I have a callous It was incredible. O MG. 103 00:06:25,960 --> 00:06:28,400 Speaker 1: I'm not even just saying that because you endorsed them. 104 00:06:28,480 --> 00:06:36,400 Speaker 1: These things are amazing. These things are serious. I know 105 00:06:36,560 --> 00:06:49,160 Speaker 1: you think I'm nuts, but these are really amazing. Reply, okay, text, 106 00:06:49,480 --> 00:06:52,400 Speaker 1: I replied to it. I replied to a tweet, and 107 00:06:52,600 --> 00:06:54,760 Speaker 1: he didn't apparently think that he's coming. By the way, 108 00:06:54,800 --> 00:06:58,279 Speaker 1: he didn't think the tweet was a real person, Brody, 109 00:06:58,360 --> 00:07:01,320 Speaker 1: did you see it? The tweet? The tweet I'm talking 110 00:07:01,360 --> 00:07:04,240 Speaker 1: about is the one you replied to. You said something 111 00:07:04,320 --> 00:07:06,600 Speaker 1: important to them, But I don't think they're real. I 112 00:07:06,720 --> 00:07:10,080 Speaker 1: think that's a doll. By doll, I mean robot. You 113 00:07:10,160 --> 00:07:13,080 Speaker 1: know what a robot is, right, Brody, This person I 114 00:07:13,160 --> 00:07:16,520 Speaker 1: don't believe. I don't believe that real. I think it's 115 00:07:16,560 --> 00:07:19,880 Speaker 1: a bot. A bot is somebody that isn't real. On Twitter. 116 00:07:21,120 --> 00:07:24,160 Speaker 1: You replied to them. That's the tweet I'm talking about. 117 00:07:25,640 --> 00:07:28,920 Speaker 1: Here's a screenshot up the tweet I'm talking about. See 118 00:07:29,360 --> 00:07:36,640 Speaker 1: I think I said doll. But all right, So this 119 00:07:36,880 --> 00:07:40,800 Speaker 1: is this is Friday night. Greg t is coming home 120 00:07:40,920 --> 00:07:44,440 Speaker 1: from an appearance on so he takes the boat from 121 00:07:44,480 --> 00:07:48,680 Speaker 1: his appearance back to his house. So he was just 122 00:07:48,880 --> 00:07:51,960 Speaker 1: texting me and he goes what up, bro, I go, 123 00:07:53,000 --> 00:07:56,560 Speaker 1: I'm on your boat? Where what the fund? For real? 124 00:07:57,080 --> 00:07:59,880 Speaker 1: Where are you? Tell me where you are? I'm looking 125 00:08:00,040 --> 00:08:04,120 Speaker 1: for you. Are you seriously on my boat? I'm on 126 00:08:04,200 --> 00:08:06,480 Speaker 1: the other side of the river right now, going going 127 00:08:06,560 --> 00:08:09,200 Speaker 1: to Jersey. He goes, Oh, I was gonna look for you. 128 00:08:09,400 --> 00:08:15,240 Speaker 1: Ha ha ha. Golf you me, Tommy, please hit me up. 129 00:08:21,680 --> 00:08:30,680 Speaker 1: We're talking about what to do for Elvis's birthday. I'm 130 00:08:30,720 --> 00:08:35,400 Speaker 1: glad I save alright, righty, this is great bearing mind. 131 00:08:35,480 --> 00:08:40,360 Speaker 1: No response for me. Oh, bringing a cake? My cake 132 00:08:40,440 --> 00:08:45,520 Speaker 1: will suck. Then Bobby will come in, Bobby Flay, alright, 133 00:08:45,640 --> 00:08:51,240 Speaker 1: t Bobby will say, move out of the way. Incomes Bobby, 134 00:08:51,920 --> 00:08:56,640 Speaker 1: Bobby Flay with his great cake. Good idea. I will 135 00:08:56,679 --> 00:09:01,319 Speaker 1: walk in. My cake will suck. Bobby will say what 136 00:09:01,520 --> 00:09:09,800 Speaker 1: is this cake? Elvis will say, this cake sucks? Give 137 00:09:09,840 --> 00:09:16,760 Speaker 1: me another one, Brodie, Did you listen to it yet? 138 00:09:17,320 --> 00:09:20,720 Speaker 1: Listen to what That radio station, The Boss, The one 139 00:09:20,760 --> 00:09:22,680 Speaker 1: I told you about, the one I told you about 140 00:09:22,679 --> 00:09:24,800 Speaker 1: playing all the bands I know you like. They play 141 00:09:24,840 --> 00:09:31,199 Speaker 1: you too, def Leppard, White Snake, Kiss, Iron Maiden. That 142 00:09:31,400 --> 00:09:34,439 Speaker 1: station you like, bro, you gotta listen to it. It's 143 00:09:34,480 --> 00:09:36,520 Speaker 1: called the Boss. You might not be able to get 144 00:09:36,559 --> 00:09:39,400 Speaker 1: it where you live because of the signal. Dude, listen 145 00:09:39,440 --> 00:09:41,760 Speaker 1: to it and let me know. Did you listen? Did 146 00:09:41,800 --> 00:09:44,880 Speaker 1: you like it? Did you hear it? Bro? You gotta 147 00:09:44,920 --> 00:09:47,880 Speaker 1: listen to the Boss. They play everything you like. Hit 148 00:09:47,960 --> 00:09:54,360 Speaker 1: me up when you hear it. You know, if this 149 00:09:54,559 --> 00:09:57,559 Speaker 1: was still a world where you paid pertext would be 150 00:09:58,120 --> 00:10:01,160 Speaker 1: by one. On today's show, Elma asked everyone a question 151 00:10:01,480 --> 00:10:03,360 Speaker 1: who gets talked about the most when they're not in 152 00:10:03,400 --> 00:10:07,760 Speaker 1: the room. This is from we had our summer bash 153 00:10:07,960 --> 00:10:09,320 Speaker 1: and it was Gregg T and I and we were 154 00:10:09,400 --> 00:10:12,800 Speaker 1: left to close the show, right, So I said, hey, T, 155 00:10:13,040 --> 00:10:15,360 Speaker 1: me and you have to close the show where you at? 156 00:10:15,800 --> 00:10:21,160 Speaker 1: And he goes, for real, I'm coming. Hold on, I'm backstage, Hello, 157 00:10:21,720 --> 00:10:29,559 Speaker 1: back stage? Where are you? Hello? For real? And then 158 00:10:30,000 --> 00:10:33,360 Speaker 1: the next three from them that following morning, hann cheese 159 00:10:33,400 --> 00:10:37,120 Speaker 1: on a roll please and a bag order the fucking breakfast. 160 00:10:38,600 --> 00:10:46,320 Speaker 1: I beg that that was obviously continued on the next 161 00:10:46,400 --> 00:10:51,439 Speaker 1: morning when we were breakfast off the air. But we 162 00:10:51,520 --> 00:10:56,240 Speaker 1: all love them though. Hilarious guys. I think eleven minutes 163 00:10:56,280 --> 00:11:01,960 Speaker 1: is perfect. Eleven minutes out of Danielle, Danielle, Hurry, hurry, 164 00:11:02,240 --> 00:11:07,960 Speaker 1: before Gregg gets in here string of text messages from 165 00:11:07,960 --> 00:11:10,839 Speaker 1: Greg T where you don't reply, you don't respond, and 166 00:11:10,920 --> 00:11:13,280 Speaker 1: it's just like a sea of text messages where he 167 00:11:13,400 --> 00:11:17,319 Speaker 1: has individual thoughts or even individual words per text because 168 00:11:17,360 --> 00:11:21,880 Speaker 1: he can't string a SENTI did somebody do an example 169 00:11:22,040 --> 00:11:24,480 Speaker 1: for her? Because she hasn't been paying attention. So let 170 00:11:24,520 --> 00:11:26,160 Speaker 1: me see if I can find one. Here. You every 171 00:11:26,200 --> 00:11:28,600 Speaker 1: time he texts you hit the bell and then then 172 00:11:28,679 --> 00:11:31,280 Speaker 1: to the next text, and then he says like, Hi, Danielle, 173 00:11:32,400 --> 00:11:36,080 Speaker 1: what are you up to? Yeah, give the rollback, scroll 174 00:11:36,160 --> 00:11:39,560 Speaker 1: back as far as you can. Ye, I'll do one. 175 00:11:39,559 --> 00:11:43,240 Speaker 1: I'll do an example the bell. So we were talking 176 00:11:43,280 --> 00:11:49,240 Speaker 1: about Greg T going to Uncle Johnny's to surprise him. Okay, 177 00:11:50,000 --> 00:11:53,320 Speaker 1: got you, that's the plan. I will knock on door. 178 00:11:54,080 --> 00:11:57,040 Speaker 1: Uncle Johnny will ask who is it, then he will 179 00:11:57,120 --> 00:12:00,880 Speaker 1: unlock door. Does he recognize me? Does he know I'm there? 180 00:12:01,520 --> 00:12:05,079 Speaker 1: Do I know it's Uncle Johnny's place? All with no 181 00:12:05,240 --> 00:12:08,160 Speaker 1: response from me. That was all in a row. Yeah, 182 00:12:11,800 --> 00:12:15,679 Speaker 1: I guess what I hold on, hold on, hold on, 183 00:12:16,240 --> 00:12:18,680 Speaker 1: there's gotta be there. Sometimes when you're away from your 184 00:12:18,679 --> 00:12:25,000 Speaker 1: phone and he just goes off. Okay, hit the belly. Ready, Ready, 185 00:12:25,559 --> 00:12:29,079 Speaker 1: I do it. Get off my bleep I'm Dunkin Donuts, 186 00:12:30,800 --> 00:12:34,079 Speaker 1: Greg bleep in tan, I hate you. Get off my 187 00:12:34,160 --> 00:12:37,400 Speaker 1: Dunking Donuts account. I do that, I do, I do, 188 00:12:37,520 --> 00:12:40,960 Speaker 1: I didn't get off. What is well coming up here? 189 00:12:43,679 --> 00:12:51,800 Speaker 1: Please stop? And just I mentioned helluch, I love Dunkin 190 00:12:51,840 --> 00:12:54,240 Speaker 1: Donuts on the air or something that I had gone 191 00:12:54,240 --> 00:12:55,719 Speaker 1: in together. I think it was their new peach tea 192 00:12:55,800 --> 00:12:58,040 Speaker 1: or something, and he thought I was trying to steal 193 00:12:58,120 --> 00:13:00,600 Speaker 1: his account. I didn't even know he did. He does 194 00:13:00,600 --> 00:13:04,319 Speaker 1: the commercials. No, I was just telling I really went 195 00:13:04,360 --> 00:13:06,760 Speaker 1: in there and I loved the tea. And he freaked 196 00:13:06,800 --> 00:13:15,400 Speaker 1: out on me. Don't saying, oh my god, I am spent. 197 00:13:16,080 --> 00:13:17,800 Speaker 1: You know a twelve minutes ago, we didn't know what 198 00:13:17,840 --> 00:13:21,000 Speaker 1: we're gonna talk about. Apparently, all you gotta do is 199 00:13:21,440 --> 00:13:23,480 Speaker 1: a thread with great tea and you gotta hope and show. 200 00:13:25,120 --> 00:13:28,959 Speaker 1: I needed that. I've been stressed out this morning. Producer 201 00:13:29,040 --> 00:13:31,360 Speaker 1: Sam just texted me and said, my my boobs have 202 00:13:31,440 --> 00:13:33,880 Speaker 1: the perfect amount of bounds today and that also made 203 00:13:33,920 --> 00:13:39,959 Speaker 1: my day. She said, oh, hand me the bell. Producer 204 00:13:40,000 --> 00:13:41,959 Speaker 1: Sam texted this is she texted me during the show. 205 00:13:42,040 --> 00:13:43,400 Speaker 1: But I can't always get back to her because it's 206 00:13:43,400 --> 00:13:47,000 Speaker 1: the show. She says that office quote. Yes, I'm smiling 207 00:13:47,080 --> 00:13:49,360 Speaker 1: so big. By the way, I haven't meeting to tell 208 00:13:49,400 --> 00:13:51,800 Speaker 1: you something. Don't take this the wrong way. But your 209 00:13:51,840 --> 00:13:54,240 Speaker 1: boobs they have the perfect amount of bounds today. I 210 00:13:54,360 --> 00:13:56,440 Speaker 1: hope you don't take that the wrong way. And I said, 211 00:13:56,480 --> 00:13:59,160 Speaker 1: ha ha, I'm right. So she writes that way too. Yeah, 212 00:13:59,480 --> 00:14:02,600 Speaker 1: I forgot yesterday. Yeah. Sam does that all the time. Sam. 213 00:14:03,080 --> 00:14:05,199 Speaker 1: Sam is good with pressing you on like how you 214 00:14:05,280 --> 00:14:07,360 Speaker 1: feel during the day. Like she'll tell you your ass 215 00:14:07,440 --> 00:14:10,120 Speaker 1: looks great? Jaboob's look great? Can I come grab you? 216 00:14:10,280 --> 00:14:14,200 Speaker 1: It really makes you feel cook. Okay, So yesterday Tom 217 00:14:14,280 --> 00:14:16,800 Speaker 1: Petty died, but he hadn't been dead yet, and so 218 00:14:17,000 --> 00:14:18,880 Speaker 1: people weren't sure if he was dead. He was brain dead. 219 00:14:19,200 --> 00:14:22,080 Speaker 1: This is t Tom Petty may not be dead. It's 220 00:14:22,120 --> 00:14:24,760 Speaker 1: on Twitter. No for real, he's not dead. Ha ha 221 00:14:25,760 --> 00:14:30,120 Speaker 1: for real ha No dead or not? Brody? Is he 222 00:14:30,160 --> 00:14:31,920 Speaker 1: dead or not? For real? Is he dead or not? 223 00:14:32,680 --> 00:14:36,560 Speaker 1: I'm counting on you. So is he alive? Unreal? What 224 00:14:36,680 --> 00:14:40,160 Speaker 1: a day? Is he dead? I'm dead? Is he dead? 225 00:14:40,520 --> 00:14:43,120 Speaker 1: People are asking should I download his music? I don't 226 00:14:43,120 --> 00:14:53,120 Speaker 1: know if he's dead? Oh my God, I'm gonna listen 227 00:14:53,160 --> 00:14:57,040 Speaker 1: to this one. I'm just don't tell what we're talking about. 228 00:14:58,320 --> 00:14:59,800 Speaker 1: Fifteen minute morning show