WEBVTT - Dream Season 4 Tour

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 3>Welcome to you, and that's where you were in this podcast.

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<v Speaker 1>You guys, buckle the f up because this is epic.

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<v Speaker 1>This is the dream season for tour list. And who

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<v Speaker 1>do we have, Kevin?

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<v Speaker 2>We have the one and only glicon No, all right,

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<v Speaker 2>I don't.

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<v Speaker 3>I loved it. I loved it.

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<v Speaker 2>Andrew from Gleek of the Week podcast, Wow Wow does

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<v Speaker 2>he come through? Yeah? He is presenting his tour season

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<v Speaker 2>four tour setlist and we're gonna workshop it. We're going

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<v Speaker 2>to talk it out, see what his vision is, and

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<v Speaker 2>see if we have any suggestions of our own.

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<v Speaker 1>There's not a lot to say, but just buckle up.

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<v Speaker 1>I can't wait for you guys to hear his set

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<v Speaker 1>list and all the songs that we try to get

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<v Speaker 1>in that.

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<v Speaker 2>This is Andrew. Hi, Hi, see you I do. How

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<v Speaker 2>about yourselves?

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<v Speaker 3>Good things?

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<v Speaker 2>Congratulations are in order for both of you. I feel thanks.

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<v Speaker 2>I'm thrilled for the both of you.

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<v Speaker 3>Thank you, thank you.

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<v Speaker 2>I have my tickets.

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<v Speaker 1>Oh oh, I'm so jealous that you get to go.

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<v Speaker 1>Oh my god.

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<v Speaker 2>Well hope, all right, you're going to be great, It's

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<v Speaker 2>gonna be amazing.

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<v Speaker 1>It's gonna be fun. Such a fun show, all star cast.

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<v Speaker 1>Great show.

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<v Speaker 2>Yeah. I have not been to d C since like

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<v Speaker 2>a middle school trip. So it's like, are you planning

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<v Speaker 2>like other things to do? Are you going to see something?

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<v Speaker 2>I just going for like one singular night and so

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<v Speaker 2>if you have any recommendations, let me know. I don't.

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<v Speaker 2>I really don't know the area that.

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<v Speaker 3>Has good food too.

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<v Speaker 2>It does have some good gay bars, that's all I've

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<v Speaker 2>ever been good food at bars.

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<v Speaker 3>Great, you love that.

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<v Speaker 2>I don't know. Don't really go for the food. Yeah.

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<v Speaker 1>Okay, So we have Andrew here and we're going to

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<v Speaker 1>do the Dream Season four tour set.

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<v Speaker 2>List because we did this last time and we sort

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<v Speaker 2>of were like, I don't know what this looks like,

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<v Speaker 2>but we can't do this again without having the King

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<v Speaker 2>of the Glee music the Brackets. Yeah, like, we have

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<v Speaker 2>to have you do this, Like we need to know

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<v Speaker 2>you're the director. You know I'm saying the glacket is

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<v Speaker 2>taking me out. That's oh my god to be perceived here.

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<v Speaker 1>Yeah, well, thanks for coming and joining us. Yes, we're

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<v Speaker 1>happy to let you take the lead on this. I

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<v Speaker 1>know you had some ideas, but we also have some

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<v Speaker 1>of our picks and favorite songs as well, So we're

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<v Speaker 1>happy to let you take the lead and then we

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<v Speaker 1>can we can kind of banter.

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<v Speaker 2>Okay, So I mean I have this entire thing from

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<v Speaker 2>start to finish? Are we just are we doing it

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<v Speaker 2>right now? Tour director? Tour director, do you have a

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<v Speaker 2>vision of like is there a storyline? Is there a narrative,

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<v Speaker 2>narrative arc that you're portraying, or like what is is

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<v Speaker 2>there a theme?

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<v Speaker 3>Tell us?

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<v Speaker 2>Okay, so I mean I did just go see Adela Munich. Wow,

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<v Speaker 2>I'm like, okay, it's all downhill from here. Yeah. Yeah,

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<v Speaker 2>but she did have like an entire theme park attached

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<v Speaker 2>to the stadium eighty thousand people, by the way, which

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<v Speaker 2>I'm sure would be the same for a Glee Live. Sure. Yeah,

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<v Speaker 2>so I'm thinking a Glee themed maybe amusement park attached,

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<v Speaker 2>I don't know, things at the wall.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, she had a Ferris spiel was crazy. But you

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<v Speaker 2>guys never did you have an opener?

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<v Speaker 3>We did?

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<v Speaker 2>Okay, we did. Who was it.

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<v Speaker 1>LXD on our second tour? Okay, you know it was

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<v Speaker 1>like Christopher Scott who choreographs Rover. So you think you dance,

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<v Speaker 1>and it has done a ton of things. Harry was

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<v Speaker 1>a big part of their crew, Shelby the whole dance.

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<v Speaker 3>It's a dance crew. Yeah, that we love fun.

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<v Speaker 2>I think they did both tours, didn't they.

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<v Speaker 3>Yes, I think you're right.

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<v Speaker 1>Yeah.

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<v Speaker 3>And then.

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<v Speaker 1>Sometimes Jane and Matt would or like special guests who

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<v Speaker 1>weren't touring with us from the show would come out

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<v Speaker 1>and do a little stone So in New York Jane

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<v Speaker 1>and Matt did it, and or in la I can't remember,

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<v Speaker 1>but yeah, they would have like little special openings sometimes

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<v Speaker 1>depending on the city.

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<v Speaker 2>So you want an opening act. I'm thinking along that

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<v Speaker 2>lines of because you know, Vanessa doesn't really have any

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<v Speaker 2>songs to her name. You know, she goes out there

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<v Speaker 2>the entire show, she's funding it, she's the MC for

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<v Speaker 2>the entire evening. She does some sugar stand up. You know,

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<v Speaker 2>this is why, this is why this is great. You

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<v Speaker 2>everything else was put on pause this past week. I

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<v Speaker 2>Sam gave me this assignment. I was like, okay, well

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<v Speaker 2>nothing and a lot. We're very very thankful that you

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<v Speaker 2>put so much thought. Oh no, I was when I

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<v Speaker 2>got that text message, I was like, oh I am

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<v Speaker 2>I'm there. Yeah, brilliant.

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<v Speaker 3>I love this to start, Okay.

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<v Speaker 2>So she opens it. She does some stand up. I

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<v Speaker 2>don't know, it's improv whatever she wants to do. It's thing,

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<v Speaker 2>do your thing, and and I feel like this is

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<v Speaker 2>like such a boring and obvious choice. But like it

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<v Speaker 2>starts with it's time. It's time to begin, isn't it.

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<v Speaker 2>Blaine comes out there with the rest of the new directions,

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<v Speaker 2>goes into some nights, and then y'all start singing I know, okay,

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<v Speaker 2>immediately you're gonna be like, no Gangdam style. Hear me out.

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<v Speaker 2>I'm a fan. I on ironically stream Jenna, you ate

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<v Speaker 2>it up.

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<v Speaker 1>I can't talk about it, Okay, Okay, it's okay, it's okay.

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<v Speaker 2>We can have different opinions.

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<v Speaker 3>Remember, yeah, exactly, okay, okay.

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<v Speaker 2>But then you stop in like in the middle of

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<v Speaker 2>the song Gandham style, and then you're like, no, I

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<v Speaker 2>am true a true Tina form. She was. She's like, hey,

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<v Speaker 2>like my one song was cut from the movie last

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<v Speaker 2>time around, Like, I this is gonna be my one song.

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<v Speaker 2>It's time for some Tina co and Chang respect go

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<v Speaker 2>into hung up. Yes, yeah, can we do this tour?

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<v Speaker 2>I have chills and so then everyone's like, wow that

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<v Speaker 2>what what a diva moment. What a moment? Go into

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<v Speaker 2>Diva Uh. Then Miss Diva Rachel Barry herself comes out

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<v Speaker 2>on the other stage. You had those two stages, and

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<v Speaker 2>she and Marley sing apart from each other. New York

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<v Speaker 2>state of Mind. Then comes this Nada uh set where

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<v Speaker 2>Kate Hudson is just there. Yeah, yeah, she's she's along

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<v Speaker 2>for the ride, and she's like okay, like we're in

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<v Speaker 2>dance class, shwimmer or whatever, all that jazz. Yeah, great,

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<v Speaker 2>quinnin Santana come out. It's time for love Song. I know, Devin,

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<v Speaker 2>you newly found this this one. I'm so glad that

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<v Speaker 2>you love this one than ever I guess. Oh yeah, no, Lord,

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<v Speaker 2>we've been new but yeah, yeah, no, I'm We're glad.

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<v Speaker 2>I have no excuses. I have no excuses. It's all good.

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<v Speaker 2>Thank you for welcoming me in. I've seen the light

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<v Speaker 2>arms the love Song community will have you. And then

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<v Speaker 2>time for another trio. Three on the stools. It's great,

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<v Speaker 2>and then another Brittany number Boy's boyfriend with you and

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<v Speaker 2>Darren and then they're like, okay, Brittany, maybe like Brittany

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<v Speaker 2>do you want to do some Brittany And Brittany's like, oh,

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<v Speaker 2>I'm not really feeling Brittany right now. I'm feeling a

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<v Speaker 2>little bit down. She sings the cut song dancing on

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<v Speaker 2>my own. We see the pledge performance, finally having light

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<v Speaker 2>of day, dancing on my own, and then Santana shows

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<v Speaker 2>back up and she's Nutbush City Limits with Brittany. It's great.

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<v Speaker 2>That needs to be like a moment, and especially Brittany's

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<v Speaker 2>in it. I think make that like a full make

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<v Speaker 2>it happen super.

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<v Speaker 3>Deepro on high like it.

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<v Speaker 1>It was like one of those numbers in the tour

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<v Speaker 1>that like stopped the show for second.

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<v Speaker 2>Oh it's so good.

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<v Speaker 1>Yeah, okay, okay, thank you.

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<v Speaker 2>I seek your approval. And then Bitch's back dress you

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<v Speaker 2>up next. One of those songs that how do you

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<v Speaker 2>feel about this one? I like what you're doing with

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<v Speaker 2>some of these like theatrical moments, and I feel like

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<v Speaker 2>in vain of acting, there are things happening. I don't

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<v Speaker 2>hate it, okay, because I thought that there was like

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<v Speaker 2>a little bit tepid response when you talked about it

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<v Speaker 2>in an episode and I was like, hmmm, but I

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<v Speaker 2>think live is a different thing sure, Alex fighting vocals. Yeah, yeah,

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<v Speaker 2>like I don't just give Alex anything and it works

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<v Speaker 2>like no, absolutely, send that bitch out on stage, just go.

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<v Speaker 1>Yeah, my temperature is cool about this number. I think

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<v Speaker 1>they're both the performance wise.

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<v Speaker 3>I don't think that.

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<v Speaker 1>It's one of my favorite songs in general. So it

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<v Speaker 1>was just I was like, okay, I can I can

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<v Speaker 1>do with this or without this, but I see what

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<v Speaker 1>you're doing here.

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<v Speaker 2>Okay, Okay, I see what you're doing. I see the

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<v Speaker 2>picture you're painting, and I'm into it. Yes, all right.

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<v Speaker 2>I just that was the follow up that I needed.

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<v Speaker 3>Got it fair enough, getting your questions answered?

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<v Speaker 2>Yeah, getting married today is next? With Jaima running through

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<v Speaker 2>the aisles of the stadium, the exact same thought. Okay,

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<v Speaker 2>almost like a changeover type thing where something is I

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<v Speaker 2>don't know what's coming next, but I feel like it's

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<v Speaker 2>a good sort of distraction to something that's being built

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<v Speaker 2>on the stage or a big number of people are

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<v Speaker 2>doing quick changes, right, And it could even be someone

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<v Speaker 2>dressed up as jama because it could just be like

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<v Speaker 2>this frantic sort of like gag of someone running through

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<v Speaker 2>and doing that number. Yeah, with Amber on stage doing

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<v Speaker 2>those crazy notes. This absolutely I think she can. She

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<v Speaker 2>just be like somewhere in the arena like and then

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<v Speaker 2>like hits her and she's just like in some random

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<v Speaker 2>section hitting these crazy Oh yeah, absolutely, this is why

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<v Speaker 2>we workshop. So after getting married today, we're kind of like,

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<v Speaker 2>we're okay, I guess she's not getting married today. We're

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<v Speaker 2>a little bit down about it. So this is like

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<v Speaker 2>the sad set, starting off with Chasing Pavements with Marley

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<v Speaker 2>on lead with the new directions, and then comes this

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<v Speaker 2>this breakup set of songs starting yeah Don't Speak with

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<v Speaker 2>Finchal and Klane on stage, and then Britanna and Wemma

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<v Speaker 2>come out of the stage for the scientists. They just

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<v Speaker 2>go up like a Destiny's child and yeah you see. Yeah.

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<v Speaker 2>So then so entist is over. Blaine walks over to

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<v Speaker 2>the piano on stage obviously does Teenage Dreams stripped down version,

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<v Speaker 2>and then to bring us back up with our spirits,

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<v Speaker 2>we hear the opening of super Pace and outcomes Jane

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<v Speaker 2>Lynch dressed as Nicki Minaj and her and Blaine do Space.

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<v Speaker 2>There we go amazing, thank you wow, And then this

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<v Speaker 2>was a big swing. I'm not sure okay, so Spice Girls.

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<v Speaker 2>You only did one Spice Girls song and it was

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<v Speaker 2>the easiest choice too. It's like, okay, we needed we

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<v Speaker 2>needed more. So there's like a Spice Girls medley of

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<v Speaker 2>like starting with want to Be going to say You'll

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<v Speaker 2>be there and Spicy Life to Become One, whatever you

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<v Speaker 2>want to throw in there, but we just needed more

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<v Speaker 2>of that one. Also like revealing new Glee versions show

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<v Speaker 2>come to the show to get exclusive Yeah, and then

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<v Speaker 2>we go into Stevie Wonder, starting with I Wish with Jake,

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<v Speaker 2>Superstition with Marley and Mercedes. I mean in that episode,

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<v Speaker 2>I was thinking about this, like if we were doing tour,

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<v Speaker 2>how would because all of those songs I feel like

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<v Speaker 2>are such good tour numbers. Yeah, yeah, yeah, and then

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<v Speaker 2>obviously ending this Stevie Wonder set with for Once in

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<v Speaker 2>My Life Kevin Spotlight Moment Honored.

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<v Speaker 1>We need that one.

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<v Speaker 2>Last three numbers starting with the Alumni homeward Bound Home.

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<v Speaker 2>They all just like come out of different directions of

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<v Speaker 2>the stadium doing that number. Uh, and then new directions

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<v Speaker 2>come in and they sing, uh, don't dream It's over.

0:13:49.800 --> 0:13:53.400
<v Speaker 2>And then Kirk gets a call. He's like, oh sorry,

0:13:53.720 --> 0:13:58.360
<v Speaker 2>I'm getting a call. Everybody it's Sarah Tis like Parker, Yes, hey,

0:13:58.400 --> 0:14:01.640
<v Speaker 2>I'm calling you back. Oh, She's gonna bitch tonight, and

0:14:01.840 --> 0:14:04.839
<v Speaker 2>they do. Let's have a Kiki Turkey Lurkey time drag.

0:14:04.920 --> 0:14:09.760
<v Speaker 2>Queen's storm the stage like on foot and like a

0:14:09.800 --> 0:14:14.440
<v Speaker 2>Pink show where they're just being like thrown at the stage.

0:14:14.760 --> 0:14:19.440
<v Speaker 2>End of show, encore starting with don't stop me now

0:14:19.480 --> 0:14:21.600
<v Speaker 2>because you know you can't stop them. You can't stop

0:14:21.600 --> 0:14:26.800
<v Speaker 2>me out. Yeah, yeah right, it's it's there. I'm taking it,

0:14:27.720 --> 0:14:30.800
<v Speaker 2>and then goes into another Queen number, Somebody to Love

0:14:31.160 --> 0:14:36.120
<v Speaker 2>ending the show Don't stop leaving. Wow, that's what I

0:14:36.200 --> 0:14:37.080
<v Speaker 2>prepared for you.

0:14:37.280 --> 0:14:42.440
<v Speaker 1>Wow, imagined to be honest.

0:14:42.680 --> 0:14:46.680
<v Speaker 2>You do we have worked out. When Vanessa comes back

0:14:46.680 --> 0:14:50.160
<v Speaker 2>in as sort of the MC, I feel like she's

0:14:50.200 --> 0:14:54.440
<v Speaker 2>just like omnipresent. I don't have that. Where where are

0:14:54.440 --> 0:14:58.240
<v Speaker 2>you thinking that she could fit in? Well, you have

0:14:58.440 --> 0:15:03.360
<v Speaker 2>naturally obviously built into diferent sets going on, and so

0:15:03.440 --> 0:15:06.360
<v Speaker 2>I do feel like if maybe Amber and the audience

0:15:06.400 --> 0:15:09.520
<v Speaker 2>singing high notes is unrealistic, but Vanessa and the audience

0:15:10.720 --> 0:15:15.440
<v Speaker 2>like we could see some incredible performance and everyone just like,

0:15:15.480 --> 0:15:17.560
<v Speaker 2>oh that was great. Clappy clappy clap. We got the

0:15:17.640 --> 0:15:22.000
<v Speaker 2>Vanessa a sugar and she's just like, ah, I could

0:15:22.000 --> 0:15:25.560
<v Speaker 2>have done better, and then she somehow segues. So I

0:15:25.600 --> 0:15:28.080
<v Speaker 2>feel like we can just like you said, like sprinkle

0:15:28.120 --> 0:15:32.160
<v Speaker 2>her throughout, yeah, because I think we need her to

0:15:32.280 --> 0:15:33.760
<v Speaker 2>kind of string it all together.

0:15:34.560 --> 0:15:39.400
<v Speaker 1>I have a couple of substitution recommendations that you can

0:15:39.640 --> 0:15:43.920
<v Speaker 1>yay your nay, okay, okay, sure, oh yeah, no, no,

0:15:44.000 --> 0:15:47.360
<v Speaker 1>it's fine if you had. You have this very clear vision,

0:15:47.520 --> 0:15:49.640
<v Speaker 1>and I have a lot of songs that I love

0:15:50.360 --> 0:15:53.560
<v Speaker 1>and I'm thinking, I'm like, okay, I could swab out

0:15:53.560 --> 0:15:55.400
<v Speaker 1>a few, so I just want to I want to

0:15:55.440 --> 0:15:58.320
<v Speaker 1>propose those to you and you can yah your name.

0:15:59.000 --> 0:16:00.960
<v Speaker 2>Can we also talk about how you would do them,

0:16:01.320 --> 0:16:02.640
<v Speaker 2>like what your vision for them is?

0:16:02.680 --> 0:16:05.880
<v Speaker 1>Well, yeah, so well let's let me let me go

0:16:05.960 --> 0:16:08.800
<v Speaker 1>there and then you can chime in. So in the

0:16:08.880 --> 0:16:14.360
<v Speaker 1>Nyanda section, I actually would prefer Americano dance again instead

0:16:14.400 --> 0:16:15.160
<v Speaker 1>of all that jazz.

0:16:16.240 --> 0:16:19.080
<v Speaker 2>Well, what's a reason. Do you have a reason being

0:16:19.400 --> 0:16:20.640
<v Speaker 2>or just preference?

0:16:21.680 --> 0:16:26.840
<v Speaker 1>I just I think the more up tempo pop numbers

0:16:27.680 --> 0:16:32.040
<v Speaker 1>really get the crowd going, and I think it showcases

0:16:32.160 --> 0:16:32.680
<v Speaker 1>Kate Moore.

0:16:33.440 --> 0:16:37.000
<v Speaker 2>Yeah, that's true because when I look back at the

0:16:37.040 --> 0:16:39.640
<v Speaker 2>setlist of the two tours that you did, there was

0:16:39.720 --> 0:16:43.800
<v Speaker 2>like very few, if at all, were there any musical number,

0:16:43.920 --> 0:16:46.040
<v Speaker 2>like songs from musical you did?

0:16:46.560 --> 0:16:49.600
<v Speaker 3>I think, do we do have to find gravity there?

0:16:49.680 --> 0:16:53.760
<v Speaker 1>Or I can't remember the first tour we did, so

0:16:53.760 --> 0:16:56.760
<v Speaker 1>we did define gravity first tour, but I agree with you,

0:16:57.000 --> 0:16:59.000
<v Speaker 1>we didn't get a lot of musical theater.

0:17:00.800 --> 0:17:02.760
<v Speaker 3>Okay, that's just my that's my first one.

0:17:02.960 --> 0:17:03.560
<v Speaker 2>Good note.

0:17:03.920 --> 0:17:09.360
<v Speaker 1>My next one is an addition. Somewhere in here has

0:17:09.400 --> 0:17:11.760
<v Speaker 1>to be dark Side. We have to put the dark

0:17:11.760 --> 0:17:13.919
<v Speaker 1>Side in there. And I don't care where it is

0:17:13.960 --> 0:17:17.280
<v Speaker 1>because there's obviously not enough for a Warbler's section in

0:17:17.359 --> 0:17:20.639
<v Speaker 1>this whole tour. But I do think they deserve to

0:17:20.680 --> 0:17:23.679
<v Speaker 1>do this number because it was my top in my

0:17:23.760 --> 0:17:24.880
<v Speaker 1>top three of two four.

0:17:25.320 --> 0:17:29.160
<v Speaker 2>That's a hot take. Not too many people are rising

0:17:29.240 --> 0:17:29.960
<v Speaker 2>for that number.

0:17:30.040 --> 0:17:34.280
<v Speaker 3>But I don't understand. I'm controversial clearly.

0:17:33.920 --> 0:17:36.600
<v Speaker 1>Like Run Joey Run is not my favorite, and like

0:17:36.720 --> 0:17:38.160
<v Speaker 1>but I love dark Side.

0:17:38.240 --> 0:17:39.640
<v Speaker 3>It was like sleeper hit.

0:17:39.920 --> 0:17:42.399
<v Speaker 2>They have so many good numbers that maybe it's a

0:17:42.440 --> 0:17:45.080
<v Speaker 2>little later people aren't thinking about it, but I agree,

0:17:45.119 --> 0:17:46.879
<v Speaker 2>And also Sugar could just throw to them, being like

0:17:46.960 --> 0:17:48.560
<v Speaker 2>I need gay boys and they come out and do

0:17:48.560 --> 0:17:49.160
<v Speaker 2>a number.

0:17:49.480 --> 0:17:54.639
<v Speaker 1>You're like after Teenage Dream or between like teenage stream stuberbase.

0:17:54.720 --> 0:17:56.560
<v Speaker 1>I still believe like it could be a Darren set,

0:17:56.720 --> 0:17:57.360
<v Speaker 1>you know what I mean?

0:17:57.760 --> 0:17:58.119
<v Speaker 2>Got it?

0:17:58.880 --> 0:17:59.920
<v Speaker 3>We throw that in there.

0:18:01.200 --> 0:18:05.280
<v Speaker 1>Okay, I'm jumping a little bit, but I think in

0:18:05.359 --> 0:18:10.400
<v Speaker 1>this in your Stevie segment, I love Superstition, but I

0:18:10.440 --> 0:18:14.719
<v Speaker 1>also love Higher Ground. Could we do could we swap?

0:18:14.800 --> 0:18:17.320
<v Speaker 1>Could we do a mashout? Could we half and half it?

0:18:18.840 --> 0:18:19.760
<v Speaker 2>We need that?

0:18:20.040 --> 0:18:23.600
<v Speaker 3>Yeah, I'm gonna you're naying that one.

0:18:24.160 --> 0:18:27.600
<v Speaker 2>Oh yeah, I'm so. Higher Ground is one of those

0:18:27.880 --> 0:18:31.120
<v Speaker 2>mar solos as we refer to them, It's a Marcelo

0:18:31.240 --> 0:18:34.320
<v Speaker 2>that really doesn't do for you because I feel like

0:18:34.400 --> 0:18:37.080
<v Speaker 2>it's it came at so like so late in the

0:18:37.119 --> 0:18:40.520
<v Speaker 2>season that like Ryan or whoever, was like, oh my god,

0:18:40.960 --> 0:18:46.120
<v Speaker 2>Ambert hasn't sang a single song to herself this entire cure,

0:18:46.840 --> 0:18:50.600
<v Speaker 2>and Higher Ground was like great, but like it's not.

0:18:50.760 --> 0:18:52.760
<v Speaker 2>It's not ranking high on my mar solo's list.

0:18:52.840 --> 0:18:55.639
<v Speaker 1>Okay, fair enough, that's fine. This is this is your vision.

0:18:55.680 --> 0:18:58.639
<v Speaker 1>I'm just I'm putting I have my I have input.

0:18:58.680 --> 0:19:02.040
<v Speaker 2>Okay, we can add, but we can have both make everybody.

0:19:01.640 --> 0:19:03.320
<v Speaker 3>I see, I see where you're going though at this,

0:19:03.400 --> 0:19:04.080
<v Speaker 3>and I get it.

0:19:04.119 --> 0:19:06.400
<v Speaker 2>I respect maybe do a little Maybe it can be

0:19:06.560 --> 0:19:09.040
<v Speaker 2>a combo, because maybe just get a touch of higher

0:19:09.040 --> 0:19:11.640
<v Speaker 2>grounds to give me just a little more. I agree.

0:19:11.840 --> 0:19:15.560
<v Speaker 3>I have two to three other songs that I don't

0:19:15.720 --> 0:19:19.800
<v Speaker 3>fully know where exactly they would go, but I offer

0:19:19.880 --> 0:19:24.359
<v Speaker 3>them to you as because we can make this as

0:19:24.400 --> 0:19:27.679
<v Speaker 3>long as we want. Yeah, let me love you. That

0:19:27.840 --> 0:19:30.240
<v Speaker 3>was a song that was like, I don't know where

0:19:30.280 --> 0:19:33.560
<v Speaker 3>to put this. I literally had the same thought, Yeah,

0:19:33.720 --> 0:19:35.399
<v Speaker 3>that would be fun, right.

0:19:35.400 --> 0:19:37.040
<v Speaker 1>Like to slow it down and then we speed it

0:19:37.080 --> 0:19:39.359
<v Speaker 1>back up again kind of thing. I don't know, or

0:19:39.440 --> 0:19:42.480
<v Speaker 1>like kick it off, but I think it deserves to

0:19:42.560 --> 0:19:43.120
<v Speaker 1>be in there.

0:19:43.119 --> 0:19:43.880
<v Speaker 3>It is so good.

0:19:43.920 --> 0:19:46.720
<v Speaker 1>It was so memorable for us, and I think the

0:19:46.760 --> 0:19:48.080
<v Speaker 1>fans like this one, right.

0:19:48.000 --> 0:19:50.840
<v Speaker 2>Oh yeah, yeah, yeah, okay, okay, But you know, I

0:19:50.880 --> 0:19:55.000
<v Speaker 2>think there might be like a we've always I mean

0:19:55.160 --> 0:19:57.359
<v Speaker 2>the two we always put in the two tours, there

0:19:57.440 --> 0:20:00.560
<v Speaker 2>was always a choir room section, and I I feel

0:20:00.600 --> 0:20:03.800
<v Speaker 2>like we could do that. One of these sections could

0:20:03.800 --> 0:20:07.240
<v Speaker 2>be a choir room section and put because I think

0:20:07.280 --> 0:20:09.760
<v Speaker 2>we need to be up there watching him and just

0:20:10.520 --> 0:20:13.520
<v Speaker 2>cheering him on, all of him and cheering him on. Yeah,

0:20:13.600 --> 0:20:18.840
<v Speaker 2>I see him on the Ain't No Way stage? Yes, yeah, yeah.

0:20:18.920 --> 0:20:22.080
<v Speaker 1>Well, and it doesn't necessarily have to mimic the choir

0:20:22.160 --> 0:20:26.359
<v Speaker 1>room like in our second tour they literally did, like

0:20:26.400 --> 0:20:30.600
<v Speaker 1>an electronic digital they like recreated the back wall of

0:20:30.640 --> 0:20:34.280
<v Speaker 1>the choireroom. Right, looks fun. We don't need to do that,

0:20:34.400 --> 0:20:39.840
<v Speaker 1>because here's my other offering. Looks fun, looks it looks fun.

0:20:40.680 --> 0:20:42.800
<v Speaker 1>This is my other offering is there's a few group

0:20:42.920 --> 0:20:45.359
<v Speaker 1>numbers from the newer class that didn't make it into

0:20:45.400 --> 0:20:48.040
<v Speaker 1>your set list that I would offer because I did.

0:20:48.520 --> 0:20:50.639
<v Speaker 3>And maybe it's just because I enjoyed doing them so

0:20:50.800 --> 0:20:55.000
<v Speaker 3>much and like filming them. But some of them are

0:20:55.280 --> 0:20:56.240
<v Speaker 3>holding out for a hero.

0:20:57.840 --> 0:20:59.920
<v Speaker 2>I don't know where she went. She was in one

0:21:00.119 --> 0:21:03.840
<v Speaker 2>raft and then suddenly, so let's.

0:21:03.680 --> 0:21:05.240
<v Speaker 1>Put her reckon there. Let's put her back in there.

0:21:06.119 --> 0:21:09.560
<v Speaker 1>This is the New Year. Yes, I thought it was sweet.

0:21:10.960 --> 0:21:15.960
<v Speaker 3>It's no Kevin. Okay, I think it works on the show. Okay, fine,

0:21:16.440 --> 0:21:17.399
<v Speaker 3>Mama Mia.

0:21:18.280 --> 0:21:22.360
<v Speaker 2>Oh but wait, Jedta are you advocating for Mamma Mia.

0:21:22.400 --> 0:21:25.720
<v Speaker 2>I thought you were. She came around.

0:21:26.240 --> 0:21:29.879
<v Speaker 1>I have come fully around for Abba and for the

0:21:29.920 --> 0:21:35.359
<v Speaker 1>Glee version Journey Come around, Yes, and I was wrong.

0:21:35.920 --> 0:21:39.239
<v Speaker 1>I was wrong, and I do enjoy Abba now and

0:21:39.320 --> 0:21:43.760
<v Speaker 1>I did enjoy this. And I remember Grimacing doing this

0:21:43.880 --> 0:21:47.760
<v Speaker 1>number partially because it was like a hard day on set,

0:21:48.080 --> 0:21:50.480
<v Speaker 1>and then additionally it was Abba, So I was like,

0:21:50.680 --> 0:21:53.600
<v Speaker 1>this is just stupid. But when you watch it, like

0:21:53.640 --> 0:21:56.159
<v Speaker 1>when I watched it recently, I was like, Wow, this

0:21:56.240 --> 0:21:56.680
<v Speaker 1>is good.

0:21:57.040 --> 0:22:01.160
<v Speaker 2>This is really the looks too, I mean like all

0:22:01.200 --> 0:22:02.080
<v Speaker 2>the hair I love.

0:22:02.200 --> 0:22:03.520
<v Speaker 3>Yes, it was ridiculous.

0:22:04.000 --> 0:22:06.640
<v Speaker 2>I think that one would work really well live too. Yeah,

0:22:06.880 --> 0:22:10.359
<v Speaker 2>it's a fan favorite. Yes, I mean it's ABA in general.

0:22:11.920 --> 0:22:18.480
<v Speaker 1>And then my last offering to you is if there's

0:22:18.480 --> 0:22:23.360
<v Speaker 1>an s JP moment I did love at the ballet.

0:22:23.680 --> 0:22:26.280
<v Speaker 1>I don't know if this is a tour worthy number.

0:22:26.640 --> 0:22:29.040
<v Speaker 2>No, I was going to advocate for at the ballet. No,

0:22:29.160 --> 0:22:32.119
<v Speaker 2>let's talk about it. I would be so curious to

0:22:32.160 --> 0:22:35.080
<v Speaker 2>hear your thoughts on at the ballet. I love it.

0:22:35.280 --> 0:22:40.919
<v Speaker 2>So many Greeks don't test it. I think it's like

0:22:40.960 --> 0:22:44.000
<v Speaker 2>they think that it's like boring and long, and I'm.

0:22:43.920 --> 0:22:45.240
<v Speaker 3>Just like, it is a full version.

0:22:46.280 --> 0:22:48.920
<v Speaker 2>They spared nothing and they did not. They did not.

0:22:49.680 --> 0:22:52.040
<v Speaker 3>That's so interesting. Kevin and I loved it.

0:22:52.119 --> 0:22:55.520
<v Speaker 2>Oh, thank you, yeah, because I think I also had

0:22:55.560 --> 0:22:59.080
<v Speaker 2>I because I've now come around to the musical theater light.

0:22:59.720 --> 0:23:02.840
<v Speaker 2>I now know that song better and appreciate that song.

0:23:03.720 --> 0:23:07.639
<v Speaker 2>I think if you don't know that song and maybe

0:23:07.680 --> 0:23:13.560
<v Speaker 2>harder to appreciate can I And like having the four

0:23:13.600 --> 0:23:18.119
<v Speaker 2>who did it? Do that number? The way it was shot? Like,

0:23:18.280 --> 0:23:20.560
<v Speaker 2>I just think you that would look incredible in a

0:23:20.600 --> 0:23:23.119
<v Speaker 2>live show. I agree. I mean, obviously it works in

0:23:23.119 --> 0:23:26.000
<v Speaker 2>a live show. It's from a live show, but doing

0:23:27.240 --> 0:23:30.479
<v Speaker 2>the lighting how it was done, and just like giving in,

0:23:30.560 --> 0:23:32.080
<v Speaker 2>I agree with you. I think there should be more

0:23:32.119 --> 0:23:35.000
<v Speaker 2>musical theater numbers and so like to fully give in

0:23:35.720 --> 0:23:37.840
<v Speaker 2>the Sure it's not gonna work for everybody, but that's

0:23:37.840 --> 0:23:39.560
<v Speaker 2>why there's eighty songs in a set list.

0:23:40.080 --> 0:23:41.120
<v Speaker 3>Yeah yeah, yeah, And.

0:23:41.080 --> 0:23:44.040
<v Speaker 2>They had the ballerinas like go around them. Oh, it

0:23:44.040 --> 0:23:47.120
<v Speaker 2>would be stunning. If we already have drag queens flying,

0:23:47.160 --> 0:23:50.040
<v Speaker 2>we might as well have balerina's flying yeah double cast

0:23:50.200 --> 0:23:51.960
<v Speaker 2>yeah yeah yeah.

0:23:52.040 --> 0:23:54.280
<v Speaker 3>Oh and I lied, I have one more offering for you.

0:23:55.720 --> 0:23:59.480
<v Speaker 2>Girl on Fire, Girl on Fire, Okay, okay, where are

0:23:59.480 --> 0:24:00.280
<v Speaker 2>you seeing her?

0:24:00.960 --> 0:24:04.720
<v Speaker 1>I know this is early in the set list, but

0:24:04.880 --> 0:24:10.680
<v Speaker 1>after New York State of Mind because she does she's

0:24:10.680 --> 0:24:13.600
<v Speaker 1>going to New York. Maybe it's like a New York

0:24:13.640 --> 0:24:16.720
<v Speaker 1>state of mind into Girl on Fire and she transitions

0:24:16.720 --> 0:24:18.080
<v Speaker 1>this set into Niata.

0:24:18.680 --> 0:24:25.840
<v Speaker 2>I love that. That's amazing. I remember a Girl on Fire. Okay,

0:24:25.880 --> 0:24:31.000
<v Speaker 2>So Alison, who you've mets come on multiple times? So

0:24:31.160 --> 0:24:34.040
<v Speaker 2>the summer that we met, this summer twenty thirteen in

0:24:34.119 --> 0:24:37.120
<v Speaker 2>New York, every time that we would come out of

0:24:37.359 --> 0:24:40.760
<v Speaker 2>a New York City subway, we would be like Girl

0:24:40.800 --> 0:24:48.000
<v Speaker 2>on Fire because like that is the subway. Yes, so

0:24:48.080 --> 0:24:50.359
<v Speaker 2>that is that song sparks so much joy.

0:24:50.440 --> 0:24:52.959
<v Speaker 1>Yeah, I was shot on a on Paramount, and I

0:24:53.040 --> 0:24:56.560
<v Speaker 1>remember watching her shoot this getting out of the cab.

0:24:57.240 --> 0:25:00.560
<v Speaker 1>I very vividly remember watching her shoot this. But yeah,

0:25:00.600 --> 0:25:05.720
<v Speaker 1>that was good Paramount. Okay, okay, yeah we can we

0:25:05.720 --> 0:25:06.320
<v Speaker 1>can make it work.

0:25:06.440 --> 0:25:07.120
<v Speaker 2>Yeah, okay, cool.

0:25:08.440 --> 0:25:10.800
<v Speaker 1>I love this. I love the set list. Thanks for

0:25:10.880 --> 0:25:13.600
<v Speaker 1>taking my my offerings. I appreciate it.

0:25:17.119 --> 0:25:19.400
<v Speaker 2>This is a good one. I mean it's really it's

0:25:19.440 --> 0:25:21.800
<v Speaker 2>hard to find holes in the set list. I'm trying

0:25:21.840 --> 0:25:23.240
<v Speaker 2>to see, like what else we can add in there,

0:25:23.240 --> 0:25:24.640
<v Speaker 2>because it's pretty damn solid.

0:25:25.000 --> 0:25:28.399
<v Speaker 3>Oh I know this. You really came in here swing in.

0:25:38.240 --> 0:25:44.640
<v Speaker 2>Are there any numbers in here that like you didn't

0:25:44.680 --> 0:25:47.760
<v Speaker 2>get into in terms of like what you really see

0:25:47.800 --> 0:25:51.399
<v Speaker 2>for how they would be performed, Like what do you like,

0:25:51.440 --> 0:25:57.040
<v Speaker 2>what is unlimited budget? What are somebody's looking like, Oh

0:25:57.280 --> 0:26:00.320
<v Speaker 2>I well unlimited budget. There it's it is the Glee

0:26:00.400 --> 0:26:03.439
<v Speaker 2>Amusement Park. It is the like the drag Queens in

0:26:03.480 --> 0:26:06.399
<v Speaker 2>the air. You know, it is all of these things.

0:26:06.720 --> 0:26:10.080
<v Speaker 2>Because at first, like when when Sam first proposed this

0:26:10.200 --> 0:26:12.800
<v Speaker 2>idea to me, I was like, I can go one

0:26:12.800 --> 0:26:15.840
<v Speaker 2>of two ways, Like it can be like a realistic

0:26:15.880 --> 0:26:19.840
<v Speaker 2>thing where it's like I'm pulling what the first two

0:26:19.880 --> 0:26:23.560
<v Speaker 2>tours look like and how those are structured, and it's like, okay,

0:26:24.200 --> 0:26:28.120
<v Speaker 2>trying to satisfy a Mercedes number and a Mercedes Santana

0:26:28.160 --> 0:26:32.240
<v Speaker 2>duet and a Rachel solo, you know, all of these things.

0:26:32.440 --> 0:26:36.360
<v Speaker 2>And so I feel like this is this version is

0:26:36.440 --> 0:26:42.159
<v Speaker 2>like the chaotic, fully fledged, no expense barred version.

0:26:42.480 --> 0:26:46.680
<v Speaker 1>So now do you want to see these numbers where

0:26:48.440 --> 0:26:54.760
<v Speaker 1>they're recreated like we did on the tours? Often some

0:26:54.840 --> 0:26:57.479
<v Speaker 1>of them were like reworked, like ver deeep. Obviously they

0:26:57.520 --> 0:27:01.720
<v Speaker 1>added dancers and things, and they added more choreography and

0:27:01.840 --> 0:27:04.960
<v Speaker 1>you know, hoopla. But do you want to see them,

0:27:05.400 --> 0:27:08.199
<v Speaker 1>all of them like recreated as you saw them on

0:27:08.240 --> 0:27:08.760
<v Speaker 1>the show.

0:27:09.760 --> 0:27:12.320
<v Speaker 2>Not necessarily I mean like not necessarily, I mean like

0:27:12.560 --> 0:27:14.840
<v Speaker 2>with a Knubbush City Limits in particular, It's like I

0:27:14.840 --> 0:27:16.920
<v Speaker 2>think it would be the only thing that that could

0:27:16.960 --> 0:27:21.280
<v Speaker 2>elevate the number from the television version is to just

0:27:21.320 --> 0:27:22.520
<v Speaker 2>throw Bernie in there and.

0:27:22.520 --> 0:27:25.120
<v Speaker 1>So totally okay, what God.

0:27:24.960 --> 0:27:28.320
<v Speaker 2>I love to see to see happen. I think that

0:27:28.359 --> 0:27:31.480
<v Speaker 2>there's so much room to yeah, to just like amp

0:27:31.600 --> 0:27:34.440
<v Speaker 2>these up and just like make them larger than life.

0:27:34.560 --> 0:27:36.280
<v Speaker 1>Yeah, agreed, agreed.

0:27:37.200 --> 0:27:40.480
<v Speaker 2>I have some suggestions. Okay, I know we already have

0:27:40.520 --> 0:27:46.760
<v Speaker 2>a long set list, but I kind of would love

0:27:47.920 --> 0:27:52.920
<v Speaker 2>I'm not tooting my own horn here, gokay, but no

0:27:53.040 --> 0:27:57.399
<v Speaker 2>scrubs and yeah, I hear that, you know what I

0:27:57.440 --> 0:27:58.520
<v Speaker 2>mean and locked out of Heaven.

0:28:00.119 --> 0:28:02.160
<v Speaker 3>Uh oh, that's right, you love that one.

0:28:02.520 --> 0:28:07.560
<v Speaker 2>I do. I didn't include any boys numbers and in

0:28:07.600 --> 0:28:09.840
<v Speaker 2>this set list, so I think no scrubs is definitely

0:28:09.920 --> 0:28:13.119
<v Speaker 2>the one to add. I think doing like a little

0:28:13.200 --> 0:28:16.720
<v Speaker 2>boys versus girls thing quickly or just how it was

0:28:16.760 --> 0:28:19.040
<v Speaker 2>you know in the show, like we can just have so.

0:28:19.000 --> 0:28:20.480
<v Speaker 1>If you have want to be and the girls doing

0:28:20.560 --> 0:28:22.520
<v Speaker 1>all of the spice girls, you could then throw in

0:28:22.560 --> 0:28:24.680
<v Speaker 1>a boy's kind of no scrubs thing.

0:28:24.760 --> 0:28:27.720
<v Speaker 2>Mm hmmm, that's very true. How do you feel about

0:28:27.760 --> 0:28:30.960
<v Speaker 2>like because I didn't I didn't want to open the

0:28:31.000 --> 0:28:35.600
<v Speaker 2>possibility of like having songs from previous seasons apart from

0:28:35.640 --> 0:28:37.879
<v Speaker 2>like the encore of Somebody to Love and Don't Stop Believing,

0:28:37.880 --> 0:28:42.560
<v Speaker 2>which I feel need to be included. But like, how

0:28:42.840 --> 0:28:45.680
<v Speaker 2>like for this tour in particular, or are you feeling

0:28:46.360 --> 0:28:48.840
<v Speaker 2>like remiss of any of those performance is.

0:28:51.280 --> 0:28:51.480
<v Speaker 1>You know?

0:28:51.520 --> 0:28:51.880
<v Speaker 2>I don't.

0:28:52.080 --> 0:28:54.680
<v Speaker 1>I don't feel that way because it's such a different

0:28:54.720 --> 0:28:59.360
<v Speaker 1>season in its own right with Nyada and the cast

0:28:59.440 --> 0:29:02.640
<v Speaker 1>being stepped for it, and there's new kids and a

0:29:02.680 --> 0:29:06.840
<v Speaker 1>new cast coming in. I don't feel like we need

0:29:06.880 --> 0:29:10.120
<v Speaker 1>to because the group's all the gang's all here, like

0:29:10.440 --> 0:29:14.160
<v Speaker 1>like last season, like we did this for season three,

0:29:14.200 --> 0:29:17.240
<v Speaker 1>I would say, yeah, maybe we need to incorporate some

0:29:17.680 --> 0:29:20.280
<v Speaker 1>you know, some of the iconic ones, But for this one,

0:29:20.320 --> 0:29:23.640
<v Speaker 1>I don't feel as and there's so much good music

0:29:23.680 --> 0:29:24.200
<v Speaker 1>this season.

0:29:24.600 --> 0:29:26.760
<v Speaker 2>There's a lot of music, and like looking back at

0:29:26.760 --> 0:29:30.280
<v Speaker 2>the prior set list, yeah, they feel current to that

0:29:30.320 --> 0:29:33.960
<v Speaker 2>season obviously, but they they do feel a little I

0:29:34.000 --> 0:29:37.280
<v Speaker 2>think out of place. I mean It's like, sure, I

0:29:37.320 --> 0:29:39.400
<v Speaker 2>love true colors. What you're getting hung up? Hung up

0:29:39.480 --> 0:29:41.120
<v Speaker 2>is a great number?

0:29:41.560 --> 0:29:43.400
<v Speaker 3>Yeah, I wouldn't. It would feel little?

0:29:43.880 --> 0:29:48.960
<v Speaker 2>Yeah, wrong? Now does Leah? What is Leah's big number

0:29:48.960 --> 0:29:52.600
<v Speaker 2>in this? What is Rachel doing for the set list

0:29:52.640 --> 0:29:56.120
<v Speaker 2>that I have? Yes? I have? So it's a New

0:29:56.200 --> 0:29:59.280
<v Speaker 2>York state of mind. All that jazz love song are.

0:30:00.120 --> 0:30:02.040
<v Speaker 3>Three we can imagine parceline song.

0:30:02.200 --> 0:30:05.800
<v Speaker 2>I think, yeah, okay, to love you More, to Love

0:30:05.840 --> 0:30:06.080
<v Speaker 2>you More?

0:30:06.160 --> 0:30:08.400
<v Speaker 1>Yeah, we could do that one. That's right on my list.

0:30:08.480 --> 0:30:10.760
<v Speaker 1>You read my mind, Jenna, Yeah, I'm with you on

0:30:10.800 --> 0:30:11.280
<v Speaker 1>that one.

0:30:11.640 --> 0:30:17.280
<v Speaker 2>What else? What else? I you know, if this was

0:30:17.480 --> 0:30:21.160
<v Speaker 2>like actually happening, what would happen? And discussing with Ryan

0:30:21.160 --> 0:30:23.320
<v Speaker 2>about like what the encore would be, he would throw out,

0:30:24.560 --> 0:30:27.440
<v Speaker 2>I love, I love when Core does Copa Cabana. He

0:30:27.520 --> 0:30:29.200
<v Speaker 2>has to do co Cavana. I love.

0:30:29.240 --> 0:30:32.200
<v Speaker 1>It could be there could be a skit like You're

0:30:32.200 --> 0:30:34.440
<v Speaker 1>not even with Sugar, like where you could have little

0:30:34.480 --> 0:30:36.160
<v Speaker 1>moments like my cup could come back?

0:30:36.560 --> 0:30:39.120
<v Speaker 2>Sure right right? Yeah, you know, Brittany, I'm not saying

0:30:39.120 --> 0:30:41.800
<v Speaker 2>we should do CoA Cabana. I do not think we should.

0:30:41.920 --> 0:30:45.000
<v Speaker 1>However, it could be a good could be there could

0:30:45.040 --> 0:30:47.360
<v Speaker 1>be a funny moment where like mister Sue is still

0:30:47.360 --> 0:30:51.280
<v Speaker 1>trying to figure out what the next theme is for

0:30:52.240 --> 0:30:56.200
<v Speaker 1>sectionals or for regionals or whatever, and through those segments

0:30:56.560 --> 0:30:59.680
<v Speaker 1>it changes and it's and then that leads into our

0:30:59.720 --> 0:31:02.840
<v Speaker 1>next segment just because he's constantly changing it.

0:31:02.920 --> 0:31:03.520
<v Speaker 3>But I don't know.

0:31:03.600 --> 0:31:05.040
<v Speaker 1>I'm just spitballing with you.

0:31:05.760 --> 0:31:09.440
<v Speaker 2>I also there's a couple of things with the new

0:31:09.520 --> 0:31:14.480
<v Speaker 2>kids that I well, Okay, I don't know if this

0:31:14.600 --> 0:31:17.560
<v Speaker 2>works live, but let's just talk it out real quick,

0:31:18.960 --> 0:31:25.600
<v Speaker 2>unchained melody. Okay, I'm not beautiful vocals. Beautiful vocals, and

0:31:25.640 --> 0:31:29.960
<v Speaker 2>I personally selfishly would love to hear them live. I'm

0:31:29.960 --> 0:31:33.880
<v Speaker 2>not saying we need Clay on stage to mold I

0:31:33.920 --> 0:31:38.840
<v Speaker 2>thought you were talking about Achin like we do. We do,

0:31:38.920 --> 0:31:43.719
<v Speaker 2>in fact need Clay A state righting him. Yes, yeah,

0:31:43.920 --> 0:31:46.080
<v Speaker 2>I don't. I don't know what it looks like. I

0:31:46.120 --> 0:31:49.000
<v Speaker 2>don't know. I don't necessarily have a vision for it.

0:31:49.040 --> 0:31:50.920
<v Speaker 2>I would just really like to hear it, because they're

0:31:51.640 --> 0:31:55.000
<v Speaker 2>saying their faces off. I don't think we need it.

0:31:55.280 --> 0:31:58.040
<v Speaker 1>No, okay, I like it. I don't think we need it.

0:31:58.160 --> 0:32:00.640
<v Speaker 1>Like I feel like this is a long list works

0:32:00.680 --> 0:32:03.960
<v Speaker 1>better cinematically. Maybe this is a really long list.

0:32:04.080 --> 0:32:09.000
<v Speaker 3>Okay, what about Footloose that was higher on my list too?

0:32:09.240 --> 0:32:10.040
<v Speaker 2>Oh, we don't need it.

0:32:11.560 --> 0:32:14.000
<v Speaker 3>Well, I would say, you either put mom and.

0:32:13.960 --> 0:32:14.560
<v Speaker 1>Me in or.

0:32:17.920 --> 0:32:21.720
<v Speaker 2>Yeah, mommmy is wedding every time, So sorry. I know

0:32:21.800 --> 0:32:24.120
<v Speaker 2>that you provide some vocals on No No, no, No, it's

0:32:24.160 --> 0:32:26.560
<v Speaker 2>about what's no No. I see what you're saying.

0:32:26.720 --> 0:32:28.920
<v Speaker 3>I enjoy that one. I enjoyed that one.

0:32:29.040 --> 0:32:32.400
<v Speaker 2>Okay, Well, I don't love how we do the boy

0:32:32.440 --> 0:32:36.560
<v Speaker 2>band section on the show. Like I obviously am obsessed

0:32:36.560 --> 0:32:37.760
<v Speaker 2>with by Bye Bye, and I want it that way.

0:32:37.800 --> 0:32:40.240
<v Speaker 2>I don't necessarily love what we did. Is there a

0:32:40.280 --> 0:32:44.640
<v Speaker 2>way to maybe expand on that? Yes, if the girls

0:32:44.680 --> 0:32:48.600
<v Speaker 2>are doing a spice Girl's moment? Oh, is there a

0:32:48.640 --> 0:32:52.080
<v Speaker 2>boys in sync Backstreet moment? We didn't love the mashup.

0:32:52.200 --> 0:32:55.360
<v Speaker 2>We felt like we lost both songs in the mashup

0:32:55.480 --> 0:32:59.360
<v Speaker 2>for this one. So could we extend the songs and

0:32:59.400 --> 0:33:03.680
<v Speaker 2>mash them up lass and have the boys instead of

0:33:03.680 --> 0:33:06.959
<v Speaker 2>a mash And I think that the choreography for that

0:33:07.080 --> 0:33:10.880
<v Speaker 2>number in particular really lends itself to a live performance,

0:33:10.920 --> 0:33:12.360
<v Speaker 2>which I think is very, very fun.

0:33:12.440 --> 0:33:14.720
<v Speaker 1>I agree down on the strings.

0:33:14.720 --> 0:33:21.160
<v Speaker 2>Yeah, Okay, what about Come what May? Are you advocating

0:33:21.200 --> 0:33:21.560
<v Speaker 2>for it?

0:33:21.960 --> 0:33:25.040
<v Speaker 1>No, I don't think we need it.

0:33:25.120 --> 0:33:31.080
<v Speaker 2>Kevin, I was opening the floor. Okay, No, it's it's

0:33:31.120 --> 0:33:32.320
<v Speaker 2>a no for me dog. Okay.

0:33:33.200 --> 0:33:34.880
<v Speaker 3>Do the fans like may?

0:33:35.360 --> 0:33:45.840
<v Speaker 2>I think the cleaners do. Okay, okay, yeah, do you

0:33:45.920 --> 0:33:46.120
<v Speaker 2>like it?

0:33:46.200 --> 0:33:46.480
<v Speaker 1>Given?

0:33:49.120 --> 0:33:51.440
<v Speaker 2>I just I just love that song again. I'm just

0:33:51.480 --> 0:33:54.480
<v Speaker 2>thinking of things. I think that like come what May?

0:33:54.880 --> 0:33:54.960
<v Speaker 1>Like?

0:33:55.040 --> 0:33:57.520
<v Speaker 2>The way that some gleeks respond to like at the

0:33:57.560 --> 0:34:02.400
<v Speaker 2>Ballet is how I'm responding to Come what May? If

0:34:02.440 --> 0:34:05.320
<v Speaker 2>that's lot is present, it's going to at the ballet? Right,

0:34:05.440 --> 0:34:08.440
<v Speaker 2>absolutely great. I will punch somebody for that. I will

0:34:08.480 --> 0:34:09.040
<v Speaker 2>choose physical.

0:34:09.480 --> 0:34:10.680
<v Speaker 3>Yeah, yeah, for sure.

0:34:10.960 --> 0:34:15.280
<v Speaker 2>I never thought look at me fighting for at the ballet.

0:34:15.320 --> 0:34:18.440
<v Speaker 2>The most musical theater number to musical theater in a

0:34:18.440 --> 0:34:23.080
<v Speaker 2>Glee tour? Wow, sevenfol How long is it's? Seven? Six?

0:34:23.200 --> 0:34:25.520
<v Speaker 2>I don't know, it's it's long. Yeah. I mean, okay,

0:34:25.520 --> 0:34:26.879
<v Speaker 2>we can do a TV edit.

0:34:28.160 --> 0:34:29.640
<v Speaker 1>No, you can definitely do a TV but I don't

0:34:29.680 --> 0:34:31.480
<v Speaker 1>think we need to. This is our this is your

0:34:31.680 --> 0:34:32.240
<v Speaker 1>our list.

0:34:32.680 --> 0:34:33.120
<v Speaker 2>We can do it.

0:34:33.200 --> 0:34:33.399
<v Speaker 1>Okay.

0:34:33.480 --> 0:34:37.080
<v Speaker 2>I'm trying to like punch holes in this list and I.

0:34:36.840 --> 0:34:37.479
<v Speaker 3>Can I can't.

0:34:38.000 --> 0:34:41.400
<v Speaker 2>I think this is a really okay what about I

0:34:41.440 --> 0:34:44.040
<v Speaker 2>do not think this is a huge smash. It might

0:34:44.120 --> 0:34:47.240
<v Speaker 2>work well. No, because it might work well in concert,

0:34:47.920 --> 0:34:49.560
<v Speaker 2>it was a huge smash in real life. I don't

0:34:49.560 --> 0:34:52.360
<v Speaker 2>think the Glee cast version was a huge smash.

0:34:52.960 --> 0:34:53.799
<v Speaker 3>Okay, just say it.

0:34:54.239 --> 0:34:55.840
<v Speaker 2>I feel back. They keep saying songs on I'm on,

0:34:56.080 --> 0:35:00.160
<v Speaker 2>just say it. Anything could happen. I love that one that, Oh,

0:35:00.480 --> 0:35:02.799
<v Speaker 2>that's so good. I really do like that one.

0:35:02.960 --> 0:35:04.239
<v Speaker 3>It is a good one, and.

0:35:04.200 --> 0:35:05.920
<v Speaker 2>I think that's fun with the balloons.

0:35:06.760 --> 0:35:09.040
<v Speaker 3>I come on, okay, we can add that one in.

0:35:09.600 --> 0:35:10.359
<v Speaker 3>I'm down for it.

0:35:10.680 --> 0:35:15.880
<v Speaker 2>Rachel checking her pregnancy tests live. Yeah, on the stick,

0:35:18.440 --> 0:35:25.600
<v Speaker 2>it's a really immersive experience. Yeah, at the box right.

0:35:32.280 --> 0:35:36.880
<v Speaker 1>I'm curious about your feelings about our upcoming watch of

0:35:36.880 --> 0:35:40.560
<v Speaker 1>season five because we are you know, we're done, so

0:35:40.600 --> 0:35:41.359
<v Speaker 1>we're headed there.

0:35:41.400 --> 0:35:42.680
<v Speaker 3>And people told.

0:35:42.440 --> 0:35:47.239
<v Speaker 1>Us be wary of four because it's not as good,

0:35:47.600 --> 0:35:51.080
<v Speaker 1>and I really enjoyed it, So I'm justus, I'm curious

0:35:51.080 --> 0:35:53.160
<v Speaker 1>what you think of five where we're going.

0:35:53.640 --> 0:35:58.440
<v Speaker 2>I mean, yeah, I four in recent years I like

0:35:58.520 --> 0:36:00.800
<v Speaker 2>even more. I feel the same way about like five

0:36:00.920 --> 0:36:06.040
<v Speaker 2>two that like watching it live, I wasn't the biggest fan,

0:36:07.360 --> 0:36:11.120
<v Speaker 2>especially the early season five episodes where I felt it

0:36:11.200 --> 0:36:16.279
<v Speaker 2>was like tonally shifted for obvious reasons totally that it

0:36:16.320 --> 0:36:19.680
<v Speaker 2>felt almost like a cartoon that was like, oh, we're

0:36:19.840 --> 0:36:21.400
<v Speaker 2>checking out Leon cartoon Network.

0:36:21.960 --> 0:36:24.200
<v Speaker 1>So interesting, okay okay.

0:36:24.320 --> 0:36:28.200
<v Speaker 2>Where like the episodes would feel so compact that it

0:36:28.280 --> 0:36:31.200
<v Speaker 2>was like, Okay, that was that episode and nothing is,

0:36:31.239 --> 0:36:36.120
<v Speaker 2>like there's no overarching plot, and I didn't like that

0:36:36.120 --> 0:36:38.560
<v Speaker 2>at the time. Recent years, I think it's fun. I

0:36:38.600 --> 0:36:41.840
<v Speaker 2>think the Katie Gaga episode very stupid, very fun, like

0:36:41.880 --> 0:36:47.200
<v Speaker 2>stupid and the best, like, yeah, it's a fun one.

0:36:47.560 --> 0:36:51.879
<v Speaker 2>Yeah yeah, And then you get into New York later

0:36:51.920 --> 0:36:55.040
<v Speaker 2>in the season and again that crazy tonal shift where

0:36:55.040 --> 0:36:59.640
<v Speaker 2>it's like the Mercedes plot line is rooted in drama.

0:36:59.760 --> 0:37:02.680
<v Speaker 3>Yeah, yeah, oh my gosh, okayah, I think you.

0:37:02.760 --> 0:37:04.480
<v Speaker 2>Can have fun? Is that also the I feel like

0:37:04.520 --> 0:37:06.839
<v Speaker 2>there was a point where the show sort of left

0:37:07.239 --> 0:37:11.000
<v Speaker 2>the satire behind and we started be like we became

0:37:11.120 --> 0:37:15.680
<v Speaker 2>the thing we were making fun of, Like we took it,

0:37:15.880 --> 0:37:20.879
<v Speaker 2>we took ourselves a little seriously. Yes, still feels tongue

0:37:20.920 --> 0:37:25.319
<v Speaker 2>in cheek satire. It's borderline five. I'm wondering if that's

0:37:25.360 --> 0:37:27.920
<v Speaker 2>because I remember filming it. I'm like, I don't know

0:37:27.920 --> 0:37:31.680
<v Speaker 2>if this feels totally quite different. Yeah, then later have

0:37:31.719 --> 0:37:33.680
<v Speaker 2>a five year saying I'm not sure. At some point

0:37:33.719 --> 0:37:37.080
<v Speaker 2>in five I don't know. You'll probably know better than me. No, no, no,

0:37:37.360 --> 0:37:39.880
<v Speaker 2>it does feel like almost like like a like a

0:37:39.920 --> 0:37:41.799
<v Speaker 2>gossip girl a little bit like where it's like ye

0:37:41.960 --> 0:37:43.799
<v Speaker 2>like in the ind this it's like more adult, which

0:37:43.840 --> 0:37:46.400
<v Speaker 2>I which I do like that. It's like growing with

0:37:46.520 --> 0:37:50.080
<v Speaker 2>the audience too, that it's like, Okay, these are the

0:37:50.719 --> 0:37:54.759
<v Speaker 2>high school audience members are now advancing as well with

0:37:54.880 --> 0:37:57.239
<v Speaker 2>the show, and so now they're you know, in New

0:37:57.320 --> 0:37:59.520
<v Speaker 2>York and the big city and they're doing a big

0:37:59.560 --> 0:38:06.839
<v Speaker 2>girl thing, you know, and so yeah, yeah, before we

0:38:07.480 --> 0:38:09.920
<v Speaker 2>have a couple more tour questions, just to button it up,

0:38:10.000 --> 0:38:16.680
<v Speaker 2>because please where Okay, you saw this is perfect? You

0:38:16.680 --> 0:38:19.320
<v Speaker 2>saw Adele because that was an outdoor venue they built

0:38:19.640 --> 0:38:23.600
<v Speaker 2>specifically for Adele with the largest like led screen ever built.

0:38:24.440 --> 0:38:30.000
<v Speaker 2>Oh it was. It was stupid like Carnival Adele Carnival

0:38:30.080 --> 0:38:33.560
<v Speaker 2>next to it, and people could just fly from all

0:38:33.560 --> 0:38:35.839
<v Speaker 2>over the world like you did to go see it.

0:38:37.280 --> 0:38:40.759
<v Speaker 2>What do we think is the ideal situation here? Is

0:38:40.800 --> 0:38:44.319
<v Speaker 2>the Glee tour going on tour. Are we going to

0:38:44.360 --> 0:38:48.439
<v Speaker 2>different countries? Is it just what is the venue? Look?

0:38:48.440 --> 0:38:54.840
<v Speaker 2>Are we doing stadium? In my entire stadium? But maybe

0:38:54.880 --> 0:38:58.280
<v Speaker 2>in like for example, like if we did a show

0:38:58.360 --> 0:39:04.640
<v Speaker 2>in Brazil, maybe we could do a stadium, right Yeah? Yeah.

0:39:04.719 --> 0:39:08.000
<v Speaker 2>Initially I'm like, Okay, is Sarah Disica Parker and Kate

0:39:08.040 --> 0:39:12.440
<v Speaker 2>Hudson and company and everybody getting on this bus on

0:39:12.480 --> 0:39:15.120
<v Speaker 2>this plane. You know, we could have rotating numbers like

0:39:15.200 --> 0:39:17.440
<v Speaker 2>we had things. If someone can show.

0:39:17.320 --> 0:39:19.759
<v Speaker 3>Up shop for forget you and we would do it

0:39:19.760 --> 0:39:20.120
<v Speaker 3>without her.

0:39:20.800 --> 0:39:25.959
<v Speaker 2>Yeah, I think I like this idea of it's like, hey,

0:39:26.320 --> 0:39:29.080
<v Speaker 2>we're doing it here. If you want to see it,

0:39:29.440 --> 0:39:35.280
<v Speaker 2>you need to fly to Brazil and see the Glee

0:39:35.520 --> 0:39:41.200
<v Speaker 2>Stadium show. I love that idea. Interesting with the entire

0:39:41.320 --> 0:39:45.239
<v Speaker 2>amusement park attack, Maybe we just camp on different continents.

0:39:45.640 --> 0:39:48.799
<v Speaker 2>Maybe we do like a South American setup in one

0:39:48.880 --> 0:39:52.319
<v Speaker 2>city and everyone comes there, every everyone there. Maybe that

0:39:52.360 --> 0:39:53.920
<v Speaker 2>in Europe, do that in Asia?

0:39:54.640 --> 0:39:54.920
<v Speaker 3>Yeah?

0:39:55.160 --> 0:39:55.640
<v Speaker 2>In the US.

0:39:56.520 --> 0:39:56.960
<v Speaker 1>I like that.

0:39:57.480 --> 0:39:59.600
<v Speaker 2>The more we talk about the nitty gritty of it,

0:39:59.719 --> 0:40:01.839
<v Speaker 2>the more where I'm like, okay, wait, so is this

0:40:01.880 --> 0:40:09.320
<v Speaker 2>actually happening? Yeah, you have to come on tour. Oh

0:40:09.680 --> 0:40:12.319
<v Speaker 2>I'm there. If you had to make a writer, which

0:40:12.360 --> 0:40:14.640
<v Speaker 2>is like some of the like the most fun thing,

0:40:16.000 --> 0:40:18.759
<v Speaker 2>like right, like the pre the prep stuff for tour.

0:40:18.960 --> 0:40:20.919
<v Speaker 2>You get asked what you want in the dressing room

0:40:20.960 --> 0:40:23.960
<v Speaker 2>and it feels very famous. You're like, oh my god,

0:40:24.080 --> 0:40:26.040
<v Speaker 2>someone's just gonna have this waiting for me. Do you

0:40:26.120 --> 0:40:29.120
<v Speaker 2>have anything that you like? Do you want all like

0:40:29.200 --> 0:40:35.319
<v Speaker 2>green M and m's like that sort of thing? Oh gosh, not,

0:40:35.920 --> 0:40:38.200
<v Speaker 2>Oh god, how could I even prepare for this question?

0:40:41.840 --> 0:40:44.239
<v Speaker 2>What do you need to make you feel at home?

0:40:44.320 --> 0:40:48.040
<v Speaker 2>If you are we are in Tokyo for two weeks.

0:40:48.120 --> 0:40:52.279
<v Speaker 2>What is going to make you feel great backstage? You know,

0:40:52.320 --> 0:40:54.960
<v Speaker 2>I feel very I feel kind of like sponsored by

0:40:54.960 --> 0:40:58.800
<v Speaker 2>Celsius nowadays. Okay, Celsius, will you know get me through

0:40:59.080 --> 0:41:02.800
<v Speaker 2>my hardest states? Yeah, you can have an entire stocked,

0:41:02.960 --> 0:41:07.839
<v Speaker 2>unlimited fridge. Okay, wait, what's in What's in your writer?

0:41:12.160 --> 0:41:15.120
<v Speaker 2>When we originally did it, I threw in some things

0:41:15.200 --> 0:41:17.080
<v Speaker 2>just to see if they would actually get them.

0:41:17.320 --> 0:41:18.120
<v Speaker 3>What did you throw in?

0:41:18.400 --> 0:41:22.960
<v Speaker 2>I threw an a parchment and quill. No, And we

0:41:23.000 --> 0:41:26.960
<v Speaker 2>got on Elstenko the plane and it was there sitting

0:41:26.960 --> 0:41:33.359
<v Speaker 2>on my seat. It was and I was like, are

0:41:33.360 --> 0:41:36.960
<v Speaker 2>you kidding? Me, Yeah, Angie did it. I think now

0:41:36.960 --> 0:41:41.760
<v Speaker 2>it would just be like diet coke and some healthy

0:41:41.920 --> 0:41:44.640
<v Speaker 2>snacks and I don't know, probably a lot of like

0:41:44.719 --> 0:41:49.320
<v Speaker 2>vocal things, steamers, a lot of tea and Manuka honey

0:41:49.600 --> 0:41:54.240
<v Speaker 2>that's probably boring. Nothing really crazy peanut Eminem's.

0:41:56.120 --> 0:41:56.319
<v Speaker 1>Yeah.

0:41:56.320 --> 0:41:57.960
<v Speaker 3>I think we requested tequila.

0:41:58.400 --> 0:42:02.799
<v Speaker 1>I think we were requested like they always had like

0:42:02.840 --> 0:42:06.640
<v Speaker 1>a snack that was like the town or cities, like

0:42:06.920 --> 0:42:10.040
<v Speaker 1>Staple when we were John, like Tilly she stays at

0:42:10.040 --> 0:42:14.320
<v Speaker 1>the end of the show, things like that. The guys

0:42:14.400 --> 0:42:17.839
<v Speaker 1>actually had to have a video game console that they

0:42:18.200 --> 0:42:21.759
<v Speaker 1>traveled in a big, huge, like life sized trunk and

0:42:21.800 --> 0:42:23.799
<v Speaker 1>they just close it up and then they plug it

0:42:23.800 --> 0:42:25.080
<v Speaker 1>in whenever they get there.

0:42:25.120 --> 0:42:26.640
<v Speaker 3>The girls didn't have anything like that.

0:42:26.680 --> 0:42:28.680
<v Speaker 1>We literally were like, can we have some pillows to nap?

0:42:29.120 --> 0:42:32.400
<v Speaker 1>I think I had gotten a trunk from my dressing

0:42:32.480 --> 0:42:34.560
<v Speaker 1>room where I put some of my own things in

0:42:34.600 --> 0:42:38.239
<v Speaker 1>that showed up in my dressing room each each at

0:42:38.239 --> 0:42:41.560
<v Speaker 1>each venue, and one of those things was like a

0:42:41.640 --> 0:42:46.400
<v Speaker 1>humidifier or like a steam personal steamer. But like we

0:42:46.400 --> 0:42:49.040
<v Speaker 1>weren't really singing live all that much as much as

0:42:49.080 --> 0:42:50.680
<v Speaker 1>I thought we would, so like I never.

0:42:50.640 --> 0:42:54.799
<v Speaker 2>Used excuse me live as much as we thought we were.

0:42:56.640 --> 0:43:01.279
<v Speaker 1>Well, I wasn't singing as many live songs as I thought.

0:43:01.040 --> 0:43:04.600
<v Speaker 2>I would Tinico and Chang respect no, because we were

0:43:04.719 --> 0:43:06.279
<v Speaker 2>we were not seeing the backgrounds live.

0:43:07.760 --> 0:43:08.719
<v Speaker 3>Yeah, that's what I mean.

0:43:08.880 --> 0:43:11.880
<v Speaker 1>Like I thought we were going to be like completely live,

0:43:12.600 --> 0:43:15.360
<v Speaker 1>all the lives, the lead vocals were live.

0:43:17.760 --> 0:43:19.560
<v Speaker 3>Again, Tina's songa cut.

0:43:19.320 --> 0:43:21.440
<v Speaker 1>And I only had one real song in it, so

0:43:21.520 --> 0:43:23.520
<v Speaker 1>I wasn't really singing as much as I thought I

0:43:23.520 --> 0:43:27.560
<v Speaker 1>would be. Yeah, it's sick the Tinico and Chang perspective.

0:43:27.760 --> 0:43:30.400
<v Speaker 2>Yeah, did you find out like where when did you

0:43:30.440 --> 0:43:31.560
<v Speaker 2>find out that it was cut?

0:43:32.200 --> 0:43:32.960
<v Speaker 3>At the premiere?

0:43:33.120 --> 0:43:34.160
<v Speaker 2>That's sick. Yeah.

0:43:34.239 --> 0:43:34.439
<v Speaker 1>Yeah.

0:43:34.480 --> 0:43:35.760
<v Speaker 3>It was really not great.

0:43:36.640 --> 0:43:39.600
<v Speaker 2>No, absolutely not great. And I think like the movie

0:43:39.640 --> 0:43:41.840
<v Speaker 2>was like not to put salt in the wound. Movie

0:43:41.920 --> 0:43:44.239
<v Speaker 2>was like quite literally eighty minutes long, you.

0:43:44.200 --> 0:43:46.719
<v Speaker 1>Know what it was, though there actually wasn't enough footage

0:43:46.800 --> 0:43:49.600
<v Speaker 1>because people walked off set that to get ready to

0:43:49.600 --> 0:43:51.759
<v Speaker 1>start getting ready for the show. It was so jam

0:43:51.840 --> 0:43:55.240
<v Speaker 1>packed the way we shot the film. It was like, literally,

0:43:55.239 --> 0:43:58.200
<v Speaker 1>we have twenty five minutes to an hour to shoot

0:43:58.239 --> 0:44:00.239
<v Speaker 1>dog days before you have to go get ready for

0:44:00.280 --> 0:44:03.840
<v Speaker 1>your real live show and so there was these cameras

0:44:03.840 --> 0:44:06.839
<v Speaker 1>that were trying to get everything done. And I remember

0:44:06.960 --> 0:44:08.920
<v Speaker 1>when we were shooting Dog Days, people were like, we

0:44:09.000 --> 0:44:10.440
<v Speaker 1>have to go get ready for the show. We got

0:44:10.480 --> 0:44:13.640
<v Speaker 1>to go. This is crazy, and I remember thinking, we're

0:44:13.680 --> 0:44:16.239
<v Speaker 1>never going to get this number. We're never going to

0:44:16.320 --> 0:44:19.760
<v Speaker 1>get this number. And lo and behold it was cut.

0:44:20.000 --> 0:44:22.840
<v Speaker 1>And she's always right. Somebody was supposed to call me

0:44:23.120 --> 0:44:25.719
<v Speaker 1>and tell me that it was being cut because I

0:44:25.719 --> 0:44:28.919
<v Speaker 1>didn't have enough footage to do it. But they did

0:44:28.920 --> 0:44:32.160
<v Speaker 1>have eno footage because it's in the extra the extra. Hello,

0:44:32.760 --> 0:44:36.520
<v Speaker 1>Yeah it's there. But whatever, it's fine. They can say.

0:44:36.560 --> 0:44:37.440
<v Speaker 1>Everybody can say.

0:44:37.320 --> 0:44:39.799
<v Speaker 2>Whatever they want. Then maybe we had that back into

0:44:39.800 --> 0:44:42.759
<v Speaker 2>the tour setlists.

0:44:45.680 --> 0:44:49.800
<v Speaker 3>Yeah, anyway, it's great.

0:44:50.640 --> 0:44:53.120
<v Speaker 2>I was just thinking about what else we can have

0:44:53.200 --> 0:44:56.560
<v Speaker 2>on the writer, Oh my god stops.

0:44:58.000 --> 0:44:59.520
<v Speaker 3>What well?

0:44:59.560 --> 0:44:59.839
<v Speaker 2>We did?

0:45:00.000 --> 0:45:02.960
<v Speaker 1>I have some massages we did sometimes set up for us,

0:45:03.560 --> 0:45:08.680
<v Speaker 1>and food and snacks and maybe a therapist. Yeah, maybe

0:45:08.880 --> 0:45:11.280
<v Speaker 1>that would have been good. Andrew, do you have anything

0:45:11.280 --> 0:45:13.920
<v Speaker 1>else to add to this tour list? Because you really

0:45:14.040 --> 0:45:16.920
<v Speaker 1>came and I feel really good about it, but we're

0:45:17.280 --> 0:45:18.759
<v Speaker 1>you know, before we let you go, we just wanted

0:45:18.800 --> 0:45:19.960
<v Speaker 1>any lest I really.

0:45:19.760 --> 0:45:23.959
<v Speaker 2>Need to see flying through the air and lasting into

0:45:23.960 --> 0:45:26.680
<v Speaker 2>showing up I want a dream. Yeah, yeah, I mean

0:45:26.719 --> 0:45:28.759
<v Speaker 2>I am curious. I mean like you brought up like

0:45:28.800 --> 0:45:32.040
<v Speaker 2>the Copacabana of it all with like Ryan's perspective. Is

0:45:32.080 --> 0:45:35.279
<v Speaker 2>there anything I already have all the songs that I need, right,

0:45:35.440 --> 0:45:37.520
<v Speaker 2>is there any like what other ones do you think

0:45:37.560 --> 0:45:41.400
<v Speaker 2>that Ryan would be like adamant about, including do you

0:45:41.400 --> 0:45:44.719
<v Speaker 2>feel he might be adamant about at the ballet, Like

0:45:44.800 --> 0:45:46.960
<v Speaker 2>that might be one of the ones where he's like

0:45:47.120 --> 0:45:51.160
<v Speaker 2>that has to go in and I don't care if anybody. Yeah,

0:45:51.200 --> 0:45:55.319
<v Speaker 2>he has sometimes like left field of like this was

0:45:55.360 --> 0:45:56.960
<v Speaker 2>his favorite and you're like what.

0:45:57.400 --> 0:45:59.399
<v Speaker 1>I feel like he would have been one of those. Yeah,

0:45:59.440 --> 0:46:00.839
<v Speaker 1>we know he would have.

0:46:00.760 --> 0:46:04.200
<v Speaker 2>Been one of those that's so fascinating. So how often

0:46:04.360 --> 0:46:08.400
<v Speaker 2>this is like a collateral question, how often would you

0:46:08.520 --> 0:46:11.800
<v Speaker 2>know that he like he was the one selecting these songs.

0:46:13.400 --> 0:46:15.920
<v Speaker 1>It wasn't abundantly clear all the time, but when it

0:46:15.960 --> 0:46:17.680
<v Speaker 1>was clear, like he would come to set and be

0:46:17.800 --> 0:46:21.160
<v Speaker 1>like when it was shooting, if he felt really strongly

0:46:21.200 --> 0:46:24.600
<v Speaker 1>about it, or if like SJP was in it, you'd

0:46:24.640 --> 0:46:27.160
<v Speaker 1>have like one of the you know, one of the

0:46:27.200 --> 0:46:28.160
<v Speaker 1>creators there.

0:46:28.760 --> 0:46:31.960
<v Speaker 2>Earlier in the seasons when he and Ryan, I mean

0:46:31.960 --> 0:46:33.880
<v Speaker 2>and Ian were writing it. You can tell.

0:46:34.160 --> 0:46:36.560
<v Speaker 1>I mean he picked almost all the music by himself

0:46:36.640 --> 0:46:40.640
<v Speaker 1>the first two years, Like getting married today, you know

0:46:40.680 --> 0:46:41.200
<v Speaker 1>that's Ryan?

0:46:41.680 --> 0:46:43.040
<v Speaker 2>Yeah, yeah, do you know what I mean?

0:46:43.080 --> 0:46:47.440
<v Speaker 1>There's some that are just really obvious too obviously right.

0:46:47.280 --> 0:46:49.560
<v Speaker 2>That's interesting, But like the cobad Comana when you mentioned

0:46:49.560 --> 0:46:51.960
<v Speaker 2>that earlier, I was like, Oh, that's fascinating, but he's

0:46:52.080 --> 0:46:54.480
<v Speaker 2>I don't know if you would love that. But it's

0:46:55.080 --> 0:46:57.959
<v Speaker 2>theoretical because it seems like like the amount of times

0:46:58.239 --> 0:47:00.560
<v Speaker 2>went around him and he would mention in a song

0:47:00.600 --> 0:47:06.799
<v Speaker 2>where like what, yeah, he's a fan of of that? Yeah, okay.

0:47:07.360 --> 0:47:11.160
<v Speaker 1>You know there might also been push for some any

0:47:11.360 --> 0:47:14.160
<v Speaker 1>maybe one of their original songs that Marley wrote that

0:47:14.280 --> 0:47:16.200
<v Speaker 1>also might have been a push. And that might have

0:47:16.280 --> 0:47:17.640
<v Speaker 1>just been a Fox push. But do you know what

0:47:17.640 --> 0:47:19.680
<v Speaker 1>I mean, like a Sony Columbia push.

0:47:19.760 --> 0:47:25.400
<v Speaker 2>We would have thought that do you have to do

0:47:25.480 --> 0:47:30.319
<v Speaker 2>loser like me? I think loser like me? Hang it up,

0:47:32.080 --> 0:47:34.799
<v Speaker 2>I you know what you guys have a loser like me?

0:47:35.200 --> 0:47:37.359
<v Speaker 2>I think that if you were if you're doing don't

0:47:37.360 --> 0:47:39.239
<v Speaker 2>stop believing in somebody love, if you were going to

0:47:39.280 --> 0:47:42.160
<v Speaker 2>add another kind of like encore song. I think the

0:47:42.200 --> 0:47:44.319
<v Speaker 2>next one kind of would be a loser like me,

0:47:44.440 --> 0:47:48.759
<v Speaker 2>because like that's y'all's song, right, and it's like you

0:47:48.880 --> 0:47:50.440
<v Speaker 2>got it, you know how to do it. That's the

0:47:50.480 --> 0:47:54.759
<v Speaker 2>other one. Yeah. Yeah, So maybe if s J. P

0:47:55.840 --> 0:47:58.080
<v Speaker 2>or Kate Hudson doesn't show up and we have to

0:47:58.320 --> 0:48:00.600
<v Speaker 2>add a song and we could add it. I will

0:48:00.600 --> 0:48:04.640
<v Speaker 2>say that I do love the the stripped down version

0:48:04.800 --> 0:48:05.440
<v Speaker 2>that y'all do.

0:48:06.160 --> 0:48:06.839
<v Speaker 1>I love that one.

0:48:07.040 --> 0:48:07.840
<v Speaker 3>I love that one.

0:48:08.360 --> 0:48:14.400
<v Speaker 2>Do we love humbly singing those lyrics is so funny

0:48:14.440 --> 0:48:19.759
<v Speaker 2>to me. I feel like I'm on drugs every time

0:48:19.840 --> 0:48:21.920
<v Speaker 2>I listen to it, and I'm like, vocally, the arrangement

0:48:21.960 --> 0:48:28.680
<v Speaker 2>of it is so beautiful, Car. Yeah, Like pushing up

0:48:28.680 --> 0:48:32.560
<v Speaker 2>against the locker seriously is.

0:48:31.719 --> 0:48:34.560
<v Speaker 1>Slowly, like there's enough time to think about what you're

0:48:34.560 --> 0:48:38.400
<v Speaker 1>saying versus body every single time. Yeah, yeah, but I

0:48:38.520 --> 0:48:41.640
<v Speaker 1>like that arrangement. I love that arrangement. Yeah, my nieces

0:48:41.680 --> 0:48:46.000
<v Speaker 1>love that one. All right, Andrew, we are so lucky

0:48:46.200 --> 0:48:49.400
<v Speaker 1>that you came in with this genius car.

0:48:50.000 --> 0:48:52.120
<v Speaker 3>Oh my gosh, we're so grateful.

0:48:52.680 --> 0:48:54.680
<v Speaker 2>I'm so happy to be here. When I was listening

0:48:54.680 --> 0:48:56.840
<v Speaker 2>to the season three one I was like, oh, I

0:48:56.880 --> 0:48:59.719
<v Speaker 2>got some ideas and me and Sam talked about it,

0:48:59.760 --> 0:49:00.359
<v Speaker 2>and so she.

0:49:00.360 --> 0:49:03.440
<v Speaker 3>Followed up, this was so good. This is so good.

0:49:03.520 --> 0:49:07.440
<v Speaker 2>Appreciate so much vision, your attention to detail, thinking this through.

0:49:07.640 --> 0:49:12.120
<v Speaker 2>It means a lot, true effort, really good. No, you

0:49:12.160 --> 0:49:14.480
<v Speaker 2>didn't really really need the collaboration. You got it.

0:49:15.320 --> 0:49:16.680
<v Speaker 3>I just fought you on things.

0:49:17.719 --> 0:49:19.919
<v Speaker 1>Thank you so much again for joining us, and we'll

0:49:20.360 --> 0:49:21.160
<v Speaker 1>sure we'll see you.

0:49:21.719 --> 0:49:23.680
<v Speaker 2>Thank you. I would love to have you back on

0:49:23.719 --> 0:49:29.120
<v Speaker 2>the c of the weeks. Y Oh, it's brutal. It's

0:49:29.800 --> 0:49:33.400
<v Speaker 2>we are we are sending these songs to the grave

0:49:33.600 --> 0:49:38.360
<v Speaker 2>week after week. And recently it was U it was

0:49:38.480 --> 0:49:41.920
<v Speaker 2>to serve with love versus mine, a competition that should

0:49:42.000 --> 0:49:48.120
<v Speaker 2>not be taking place. But you know we had the conversation. Yeah,

0:49:48.239 --> 0:49:50.400
<v Speaker 2>and only one song can come out of that competition,

0:49:50.520 --> 0:49:54.400
<v Speaker 2>and so it's it's this is what I signed up for.

0:49:54.640 --> 0:49:56.319
<v Speaker 3>Yeah, that is that's right.

0:49:57.000 --> 0:49:58.080
<v Speaker 2>Appreciate your service.

0:49:58.200 --> 0:49:59.080
<v Speaker 3>We love to see it.

0:49:59.320 --> 0:50:01.919
<v Speaker 2>Oh yeah, somebody needs to do it all right. Thank

0:50:01.920 --> 0:50:04.759
<v Speaker 2>you so much again, and everyone listen to if you're

0:50:04.800 --> 0:50:07.080
<v Speaker 2>not already listening to Gleik of the week, like you

0:50:07.160 --> 0:50:10.040
<v Speaker 2>gotta you gotta do it, and just the best, and

0:50:10.040 --> 0:50:12.319
<v Speaker 2>I like the social media content you make for it.

0:50:12.320 --> 0:50:15.000
<v Speaker 2>It's just phenomenal everything you're doing. It's so well thought

0:50:15.040 --> 0:50:17.520
<v Speaker 2>out and the attention to detail, the time you clearly

0:50:17.520 --> 0:50:23.480
<v Speaker 2>put into it is remarkable. Being perceived. That's again insane, insane.

0:50:23.800 --> 0:50:28.680
<v Speaker 3>Thank you, thank you you too.

0:50:29.239 --> 0:50:33.480
<v Speaker 2>Bye bye bye. I guess we're going on tour, Jenna.

0:50:34.640 --> 0:50:37.240
<v Speaker 2>I mean, this is a good where we go. Let's

0:50:37.280 --> 0:50:37.680
<v Speaker 2>do it.

0:50:37.920 --> 0:50:40.000
<v Speaker 1>If you guys want to see this tour, start to

0:50:40.040 --> 0:50:43.200
<v Speaker 1>go fund me let us know we'll see you in Europe.

0:50:44.040 --> 0:50:45.960
<v Speaker 1>I hope you guys enjoyed that. Thank you again to

0:50:46.040 --> 0:50:51.360
<v Speaker 1>Andrew for coming up with the most brilliant season four

0:50:51.920 --> 0:50:56.200
<v Speaker 1>set list. We're so grateful. Let us know if you

0:50:56.320 --> 0:51:00.800
<v Speaker 1>like it, and that's what you really wanst bye.

0:51:00.800 --> 0:51:03.960
<v Speaker 2>Thanks for listening and follow us on Instagram at and

0:51:04.040 --> 0:51:06.279
<v Speaker 2>that's what you really miss pod. Make sure to write

0:51:06.320 --> 0:51:08.560
<v Speaker 2>us a review and leave us five stars. See you

0:51:08.640 --> 0:51:09.040
<v Speaker 2>next time.