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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 3: Welcome to you, and that's where you were in this podcast.

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Speaker 1: You guys, buckle the f up because this is epic.

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Speaker 1: This is the dream season for tour list. And who

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Speaker 1: do we have, Kevin?

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Speaker 2: We have the one and only glicon No, all right,

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Speaker 2: I don't.

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Speaker 3: I loved it. I loved it.

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Speaker 2: Andrew from Gleek of the Week podcast, Wow Wow does

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Speaker 2: he come through? Yeah? He is presenting his tour season

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Speaker 2: four tour setlist and we're gonna workshop it. We're going

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Speaker 2: to talk it out, see what his vision is, and

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Speaker 2: see if we have any suggestions of our own.

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Speaker 1: There's not a lot to say, but just buckle up.

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Speaker 1: I can't wait for you guys to hear his set

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Speaker 1: list and all the songs that we try to get

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Speaker 1: in that.

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Speaker 2: This is Andrew. Hi, Hi, see you I do. How

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Speaker 2: about yourselves?

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Speaker 3: Good things?

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Speaker 2: Congratulations are in order for both of you. I feel thanks.

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Speaker 2: I'm thrilled for the both of you.

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Speaker 3: Thank you, thank you.

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Speaker 2: I have my tickets.

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Speaker 1: Oh oh, I'm so jealous that you get to go.

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Speaker 1: Oh my god.

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Speaker 2: Well hope, all right, you're going to be great, It's

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Speaker 2: gonna be amazing.

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Speaker 1: It's gonna be fun. Such a fun show, all star cast.

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Speaker 1: Great show.

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Speaker 2: Yeah. I have not been to d C since like

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Speaker 2: a middle school trip. So it's like, are you planning

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Speaker 2: like other things to do? Are you going to see something?

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Speaker 2: I just going for like one singular night and so

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Speaker 2: if you have any recommendations, let me know. I don't.

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Speaker 2: I really don't know the area that.

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Speaker 3: Has good food too.

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Speaker 2: It does have some good gay bars, that's all I've

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Speaker 2: ever been good food at bars.

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Speaker 3: Great, you love that.

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Speaker 2: I don't know. Don't really go for the food. Yeah.

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Speaker 1: Okay, So we have Andrew here and we're going to

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Speaker 1: do the Dream Season four tour set.

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Speaker 2: List because we did this last time and we sort

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Speaker 2: of were like, I don't know what this looks like,

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Speaker 2: but we can't do this again without having the King

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Speaker 2: of the Glee music the Brackets. Yeah, like, we have

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Speaker 2: to have you do this, Like we need to know

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Speaker 2: you're the director. You know I'm saying the glacket is

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Speaker 2: taking me out. That's oh my god to be perceived here.

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Speaker 1: Yeah, well, thanks for coming and joining us. Yes, we're

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Speaker 1: happy to let you take the lead on this. I

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Speaker 1: know you had some ideas, but we also have some

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Speaker 1: of our picks and favorite songs as well, So we're

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Speaker 1: happy to let you take the lead and then we

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Speaker 1: can we can kind of banter.

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Speaker 2: Okay, So I mean I have this entire thing from

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Speaker 2: start to finish? Are we just are we doing it

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Speaker 2: right now? Tour director? Tour director, do you have a

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Speaker 2: vision of like is there a storyline? Is there a narrative,

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Speaker 2: narrative arc that you're portraying, or like what is is

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Speaker 2: there a theme?

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Speaker 3: Tell us?

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Speaker 2: Okay, so I mean I did just go see Adela Munich. Wow,

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Speaker 2: I'm like, okay, it's all downhill from here. Yeah. Yeah,

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Speaker 2: but she did have like an entire theme park attached

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Speaker 2: to the stadium eighty thousand people, by the way, which

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Speaker 2: I'm sure would be the same for a Glee Live. Sure. Yeah,

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Speaker 2: so I'm thinking a Glee themed maybe amusement park attached,

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Speaker 2: I don't know, things at the wall.

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Speaker 3: Yeah.

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Speaker 2: Yeah, she had a Ferris spiel was crazy. But you

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Speaker 2: guys never did you have an opener?

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Speaker 3: We did?

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Speaker 2: Okay, we did. Who was it.

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Speaker 1: LXD on our second tour? Okay, you know it was

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Speaker 1: like Christopher Scott who choreographs Rover. So you think you dance,

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Speaker 1: and it has done a ton of things. Harry was

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Speaker 1: a big part of their crew, Shelby the whole dance.

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Speaker 3: It's a dance crew. Yeah, that we love fun.

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Speaker 2: I think they did both tours, didn't they.

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Speaker 3: Yes, I think you're right.

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Speaker 1: Yeah.

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Speaker 3: And then.

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Speaker 1: Sometimes Jane and Matt would or like special guests who

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Speaker 1: weren't touring with us from the show would come out

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Speaker 1: and do a little stone So in New York Jane

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Speaker 1: and Matt did it, and or in la I can't remember,

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Speaker 1: but yeah, they would have like little special openings sometimes

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Speaker 1: depending on the city.

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Speaker 2: So you want an opening act. I'm thinking along that

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Speaker 2: lines of because you know, Vanessa doesn't really have any

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Speaker 2: songs to her name. You know, she goes out there

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Speaker 2: the entire show, she's funding it, she's the MC for

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Speaker 2: the entire evening. She does some sugar stand up. You know,

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Speaker 2: this is why, this is why this is great. You

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Speaker 2: everything else was put on pause this past week. I

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Speaker 2: Sam gave me this assignment. I was like, okay, well

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Speaker 2: nothing and a lot. We're very very thankful that you

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Speaker 2: put so much thought. Oh no, I was when I

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Speaker 2: got that text message, I was like, oh I am

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Speaker 2: I'm there. Yeah, brilliant.

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Speaker 3: I love this to start, Okay.

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Speaker 2: So she opens it. She does some stand up. I

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Speaker 2: don't know, it's improv whatever she wants to do. It's thing,

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Speaker 2: do your thing, and and I feel like this is

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Speaker 2: like such a boring and obvious choice. But like it

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Speaker 2: starts with it's time. It's time to begin, isn't it.

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Speaker 2: Blaine comes out there with the rest of the new directions,

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Speaker 2: goes into some nights, and then y'all start singing I know, okay,

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Speaker 2: immediately you're gonna be like, no Gangdam style. Hear me out.

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Speaker 2: I'm a fan. I on ironically stream Jenna, you ate

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Speaker 2: it up.

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Speaker 1: I can't talk about it, Okay, Okay, it's okay, it's okay.

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Speaker 2: We can have different opinions.

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Speaker 3: Remember, yeah, exactly, okay, okay.

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Speaker 2: But then you stop in like in the middle of

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Speaker 2: the song Gandham style, and then you're like, no, I

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Speaker 2: am true a true Tina form. She was. She's like, hey,

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Speaker 2: like my one song was cut from the movie last

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Speaker 2: time around, Like, I this is gonna be my one song.

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Speaker 2: It's time for some Tina co and Chang respect go

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Speaker 2: into hung up. Yes, yeah, can we do this tour?

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Speaker 2: I have chills and so then everyone's like, wow that

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Speaker 2: what what a diva moment. What a moment? Go into

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Speaker 2: Diva Uh. Then Miss Diva Rachel Barry herself comes out

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Speaker 2: on the other stage. You had those two stages, and

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Speaker 2: she and Marley sing apart from each other. New York

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Speaker 2: state of Mind. Then comes this Nada uh set where

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Speaker 2: Kate Hudson is just there. Yeah, yeah, she's she's along

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Speaker 2: for the ride, and she's like okay, like we're in

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Speaker 2: dance class, shwimmer or whatever, all that jazz. Yeah, great,

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Speaker 2: quinnin Santana come out. It's time for love Song. I know, Devin,

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Speaker 2: you newly found this this one. I'm so glad that

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Speaker 2: you love this one than ever I guess. Oh yeah, no, Lord,

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Speaker 2: we've been new but yeah, yeah, no, I'm We're glad.

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Speaker 2: I have no excuses. I have no excuses. It's all good.

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Speaker 2: Thank you for welcoming me in. I've seen the light

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Speaker 2: arms the love Song community will have you. And then

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Speaker 2: time for another trio. Three on the stools. It's great,

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Speaker 2: and then another Brittany number Boy's boyfriend with you and

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Speaker 2: Darren and then they're like, okay, Brittany, maybe like Brittany

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Speaker 2: do you want to do some Brittany And Brittany's like, oh,

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Speaker 2: I'm not really feeling Brittany right now. I'm feeling a

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Speaker 2: little bit down. She sings the cut song dancing on

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Speaker 2: my own. We see the pledge performance, finally having light

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Speaker 2: of day, dancing on my own, and then Santana shows

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Speaker 2: back up and she's Nutbush City Limits with Brittany. It's great.

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Speaker 2: That needs to be like a moment, and especially Brittany's

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Speaker 2: in it. I think make that like a full make

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Speaker 2: it happen super.

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Speaker 3: Deepro on high like it.

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Speaker 1: It was like one of those numbers in the tour

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Speaker 1: that like stopped the show for second.

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Speaker 2: Oh it's so good.

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Speaker 1: Yeah, okay, okay, thank you.

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Speaker 2: I seek your approval. And then Bitch's back dress you

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Speaker 2: up next. One of those songs that how do you

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Speaker 2: feel about this one? I like what you're doing with

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Speaker 2: some of these like theatrical moments, and I feel like

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Speaker 2: in vain of acting, there are things happening. I don't

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Speaker 2: hate it, okay, because I thought that there was like

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Speaker 2: a little bit tepid response when you talked about it

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Speaker 2: in an episode and I was like, hmmm, but I

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Speaker 2: think live is a different thing sure, Alex fighting vocals. Yeah, yeah,

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Speaker 2: like I don't just give Alex anything and it works

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Speaker 2: like no, absolutely, send that bitch out on stage, just go.

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Speaker 1: Yeah, my temperature is cool about this number. I think

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Speaker 1: they're both the performance wise.

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Speaker 3: I don't think that.

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Speaker 1: It's one of my favorite songs in general. So it

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Speaker 1: was just I was like, okay, I can I can

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Speaker 1: do with this or without this, but I see what

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Speaker 1: you're doing here.

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Speaker 2: Okay, Okay, I see what you're doing. I see the

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Speaker 2: picture you're painting, and I'm into it. Yes, all right.

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Speaker 2: I just that was the follow up that I needed.

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Speaker 3: Got it fair enough, getting your questions answered?

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Speaker 2: Yeah, getting married today is next? With Jaima running through

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Speaker 2: the aisles of the stadium, the exact same thought. Okay,

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Speaker 2: almost like a changeover type thing where something is I

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Speaker 2: don't know what's coming next, but I feel like it's

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Speaker 2: a good sort of distraction to something that's being built

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Speaker 2: on the stage or a big number of people are

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Speaker 2: doing quick changes, right, And it could even be someone

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Speaker 2: dressed up as jama because it could just be like

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Speaker 2: this frantic sort of like gag of someone running through

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Speaker 2: and doing that number. Yeah, with Amber on stage doing

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Speaker 2: those crazy notes. This absolutely I think she can. She

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Speaker 2: just be like somewhere in the arena like and then

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Speaker 2: like hits her and she's just like in some random

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Speaker 2: section hitting these crazy Oh yeah, absolutely, this is why

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Speaker 2: we workshop. So after getting married today, we're kind of like,

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Speaker 2: we're okay, I guess she's not getting married today. We're

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Speaker 2: a little bit down about it. So this is like

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Speaker 2: the sad set, starting off with Chasing Pavements with Marley

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Speaker 2: on lead with the new directions, and then comes this

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Speaker 2: this breakup set of songs starting yeah Don't Speak with

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Speaker 2: Finchal and Klane on stage, and then Britanna and Wemma

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Speaker 2: come out of the stage for the scientists. They just

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Speaker 2: go up like a Destiny's child and yeah you see. Yeah.

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Speaker 2: So then so entist is over. Blaine walks over to

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Speaker 2: the piano on stage obviously does Teenage Dreams stripped down version,

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Speaker 2: and then to bring us back up with our spirits,

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Speaker 2: we hear the opening of super Pace and outcomes Jane

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Speaker 2: Lynch dressed as Nicki Minaj and her and Blaine do Space.

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Speaker 2: There we go amazing, thank you wow, And then this

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Speaker 2: was a big swing. I'm not sure okay, so Spice Girls.

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Speaker 2: You only did one Spice Girls song and it was

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Speaker 2: the easiest choice too. It's like, okay, we needed we

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Speaker 2: needed more. So there's like a Spice Girls medley of

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Speaker 2: like starting with want to Be going to say You'll

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Speaker 2: be there and Spicy Life to Become One, whatever you

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Speaker 2: want to throw in there, but we just needed more

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Speaker 2: of that one. Also like revealing new Glee versions show

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Speaker 2: come to the show to get exclusive Yeah, and then

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Speaker 2: we go into Stevie Wonder, starting with I Wish with Jake,

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Speaker 2: Superstition with Marley and Mercedes. I mean in that episode,

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Speaker 2: I was thinking about this, like if we were doing tour,

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Speaker 2: how would because all of those songs I feel like

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Speaker 2: are such good tour numbers. Yeah, yeah, yeah, and then

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Speaker 2: obviously ending this Stevie Wonder set with for Once in

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Speaker 2: My Life Kevin Spotlight Moment Honored.

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Speaker 1: We need that one.

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Speaker 2: Last three numbers starting with the Alumni homeward Bound Home.

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Speaker 2: They all just like come out of different directions of

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Speaker 2: the stadium doing that number. Uh, and then new directions

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Speaker 2: come in and they sing, uh, don't dream It's over.

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Speaker 2: And then Kirk gets a call. He's like, oh sorry,

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Speaker 2: I'm getting a call. Everybody it's Sarah Tis like Parker, Yes, hey,

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Speaker 2: I'm calling you back. Oh, She's gonna bitch tonight, and

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Speaker 2: they do. Let's have a Kiki Turkey Lurkey time drag.

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Speaker 2: Queen's storm the stage like on foot and like a

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Speaker 2: Pink show where they're just being like thrown at the stage.

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Speaker 2: End of show, encore starting with don't stop me now

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Speaker 2: because you know you can't stop them. You can't stop

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Speaker 2: me out. Yeah, yeah right, it's it's there. I'm taking it,

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Speaker 2: and then goes into another Queen number, Somebody to Love

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Speaker 2: ending the show Don't stop leaving. Wow, that's what I

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Speaker 2: prepared for you.

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Speaker 1: Wow, imagined to be honest.

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Speaker 2: You do we have worked out. When Vanessa comes back

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Speaker 2: in as sort of the MC, I feel like she's

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Speaker 2: just like omnipresent. I don't have that. Where where are

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Speaker 2: you thinking that she could fit in? Well, you have

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Speaker 2: naturally obviously built into diferent sets going on, and so

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Speaker 2: I do feel like if maybe Amber and the audience

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Speaker 2: singing high notes is unrealistic, but Vanessa and the audience

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Speaker 2: like we could see some incredible performance and everyone just like,

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Speaker 2: oh that was great. Clappy clappy clap. We got the

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Speaker 2: Vanessa a sugar and she's just like, ah, I could

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Speaker 2: have done better, and then she somehow segues. So I

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Speaker 2: feel like we can just like you said, like sprinkle

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Speaker 2: her throughout, yeah, because I think we need her to

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Speaker 2: kind of string it all together.

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Speaker 1: I have a couple of substitution recommendations that you can

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Speaker 1: yay your nay, okay, okay, sure, oh yeah, no, no,

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Speaker 1: it's fine if you had. You have this very clear vision,

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Speaker 1: and I have a lot of songs that I love

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Speaker 1: and I'm thinking, I'm like, okay, I could swab out

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Speaker 1: a few, so I just want to I want to

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Speaker 1: propose those to you and you can yah your name.

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Speaker 2: Can we also talk about how you would do them,

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Speaker 2: like what your vision for them is?

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Speaker 1: Well, yeah, so well let's let me let me go

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Speaker 1: there and then you can chime in. So in the

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Speaker 1: Nyanda section, I actually would prefer Americano dance again instead

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Speaker 1: of all that jazz.

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Speaker 2: Well, what's a reason. Do you have a reason being

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Speaker 2: or just preference?

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Speaker 1: I just I think the more up tempo pop numbers

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Speaker 1: really get the crowd going, and I think it showcases

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Speaker 1: Kate Moore.

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Speaker 2: Yeah, that's true because when I look back at the

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Speaker 2: setlist of the two tours that you did, there was

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Speaker 2: like very few, if at all, were there any musical number,

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Speaker 2: like songs from musical you did?

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Speaker 3: I think, do we do have to find gravity there?

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Speaker 1: Or I can't remember the first tour we did, so

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Speaker 1: we did define gravity first tour, but I agree with you,

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Speaker 1: we didn't get a lot of musical theater.

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Speaker 3: Okay, that's just my that's my first one.

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Speaker 2: Good note.

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Speaker 1: My next one is an addition. Somewhere in here has

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Speaker 1: to be dark Side. We have to put the dark

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Speaker 1: Side in there. And I don't care where it is

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Speaker 1: because there's obviously not enough for a Warbler's section in

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Speaker 1: this whole tour. But I do think they deserve to

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Speaker 1: do this number because it was my top in my

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Speaker 1: top three of two four.

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Speaker 2: That's a hot take. Not too many people are rising

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Speaker 2: for that number.

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Speaker 3: But I don't understand. I'm controversial clearly.

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Speaker 1: Like Run Joey Run is not my favorite, and like

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Speaker 1: but I love dark Side.

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Speaker 3: It was like sleeper hit.

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Speaker 2: They have so many good numbers that maybe it's a

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Speaker 2: little later people aren't thinking about it, but I agree,

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Speaker 2: And also Sugar could just throw to them, being like

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Speaker 2: I need gay boys and they come out and do

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Speaker 2: a number.

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Speaker 1: You're like after Teenage Dream or between like teenage stream stuberbase.

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Speaker 1: I still believe like it could be a Darren set,

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Speaker 1: you know what I mean?

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Speaker 2: Got it?

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Speaker 3: We throw that in there.

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Speaker 1: Okay, I'm jumping a little bit, but I think in

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Speaker 1: this in your Stevie segment, I love Superstition, but I

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Speaker 1: also love Higher Ground. Could we do could we swap?

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Speaker 1: Could we do a mashout? Could we half and half it?

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Speaker 2: We need that?

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Speaker 3: Yeah, I'm gonna you're naying that one.

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Speaker 2: Oh yeah, I'm so. Higher Ground is one of those

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Speaker 2: mar solos as we refer to them, It's a Marcelo

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Speaker 2: that really doesn't do for you because I feel like

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Speaker 2: it's it came at so like so late in the

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Speaker 2: season that like Ryan or whoever, was like, oh my god,

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Speaker 2: Ambert hasn't sang a single song to herself this entire cure,

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Speaker 2: and Higher Ground was like great, but like it's not.

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Speaker 2: It's not ranking high on my mar solo's list.

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Speaker 1: Okay, fair enough, that's fine. This is this is your vision.

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Speaker 1: I'm just I'm putting I have my I have input.

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Speaker 2: Okay, we can add, but we can have both make everybody.

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Speaker 3: I see, I see where you're going though at this,

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Speaker 3: and I get it.

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Speaker 2: I respect maybe do a little Maybe it can be

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Speaker 2: a combo, because maybe just get a touch of higher

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Speaker 2: grounds to give me just a little more. I agree.

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Speaker 3: I have two to three other songs that I don't

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Speaker 3: fully know where exactly they would go, but I offer

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Speaker 3: them to you as because we can make this as

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Speaker 3: long as we want. Yeah, let me love you. That

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Speaker 3: was a song that was like, I don't know where

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Speaker 3: to put this. I literally had the same thought, Yeah,

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Speaker 3: that would be fun, right.

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Speaker 1: Like to slow it down and then we speed it

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Speaker 1: back up again kind of thing. I don't know, or

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Speaker 1: like kick it off, but I think it deserves to

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Speaker 1: be in there.

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Speaker 3: It is so good.

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Speaker 1: It was so memorable for us, and I think the

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Speaker 1: fans like this one, right.

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Speaker 2: Oh yeah, yeah, yeah, okay, okay, But you know, I

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Speaker 2: think there might be like a we've always I mean

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Speaker 2: the two we always put in the two tours, there

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Speaker 2: was always a choir room section, and I I feel

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Speaker 2: like we could do that. One of these sections could

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Speaker 2: be a choir room section and put because I think

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Speaker 2: we need to be up there watching him and just

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Speaker 2: cheering him on, all of him and cheering him on. Yeah,

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Speaker 2: I see him on the Ain't No Way stage? Yes, yeah, yeah.

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Speaker 1: Well, and it doesn't necessarily have to mimic the choir

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Speaker 1: room like in our second tour they literally did, like

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Speaker 1: an electronic digital they like recreated the back wall of

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Speaker 1: the choireroom. Right, looks fun. We don't need to do that,

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Speaker 1: because here's my other offering. Looks fun, looks it looks fun.

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Speaker 1: This is my other offering is there's a few group

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Speaker 1: numbers from the newer class that didn't make it into

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Speaker 1: your set list that I would offer because I did.

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Speaker 3: And maybe it's just because I enjoyed doing them so

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Speaker 3: much and like filming them. But some of them are

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Speaker 3: holding out for a hero.

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Speaker 2: I don't know where she went. She was in one

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Speaker 2: raft and then suddenly, so let's.

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Speaker 1: Put her reckon there. Let's put her back in there.

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Speaker 1: This is the New Year. Yes, I thought it was sweet.

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Speaker 3: It's no Kevin. Okay, I think it works on the show. Okay, fine,

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Speaker 3: Mama Mia.

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Speaker 2: Oh but wait, Jedta are you advocating for Mamma Mia.

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Speaker 2: I thought you were. She came around.

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Speaker 1: I have come fully around for Abba and for the

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Speaker 1: Glee version Journey Come around, Yes, and I was wrong.

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Speaker 1: I was wrong, and I do enjoy Abba now and

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Speaker 1: I did enjoy this. And I remember Grimacing doing this

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Speaker 1: number partially because it was like a hard day on set,

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Speaker 1: and then additionally it was Abba, So I was like,

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Speaker 1: this is just stupid. But when you watch it, like

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Speaker 1: when I watched it recently, I was like, Wow, this

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Speaker 1: is good.

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Speaker 2: This is really the looks too, I mean like all

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Speaker 2: the hair I love.

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Speaker 3: Yes, it was ridiculous.

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Speaker 2: I think that one would work really well live too. Yeah,

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Speaker 2: it's a fan favorite. Yes, I mean it's ABA in general.

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Speaker 1: And then my last offering to you is if there's

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Speaker 1: an s JP moment I did love at the ballet.

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Speaker 1: I don't know if this is a tour worthy number.

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Speaker 2: No, I was going to advocate for at the ballet. No,

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Speaker 2: let's talk about it. I would be so curious to

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Speaker 2: hear your thoughts on at the ballet. I love it.

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Speaker 2: So many Greeks don't test it. I think it's like

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Speaker 2: they think that it's like boring and long, and I'm.

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Speaker 3: Just like, it is a full version.

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Speaker 2: They spared nothing and they did not. They did not.

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Speaker 3: That's so interesting. Kevin and I loved it.

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Speaker 2: Oh, thank you, yeah, because I think I also had

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Speaker 2: I because I've now come around to the musical theater light.

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Speaker 2: I now know that song better and appreciate that song.

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Speaker 2: I think if you don't know that song and maybe

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Speaker 2: harder to appreciate can I And like having the four

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Speaker 2: who did it? Do that number? The way it was shot? Like,

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Speaker 2: I just think you that would look incredible in a

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Speaker 2: live show. I agree. I mean, obviously it works in

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Speaker 2: a live show. It's from a live show, but doing

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Speaker 2: the lighting how it was done, and just like giving in,

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Speaker 2: I agree with you. I think there should be more

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Speaker 2: musical theater numbers and so like to fully give in

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Speaker 2: the Sure it's not gonna work for everybody, but that's

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Speaker 2: why there's eighty songs in a set list.

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Speaker 3: Yeah yeah, yeah, And.

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Speaker 2: They had the ballerinas like go around them. Oh, it

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Speaker 2: would be stunning. If we already have drag queens flying,

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Speaker 2: we might as well have balerina's flying yeah double cast

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Speaker 2: yeah yeah yeah.

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Speaker 3: Oh and I lied, I have one more offering for you.

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Speaker 2: Girl on Fire, Girl on Fire, Okay, okay, where are

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Speaker 2: you seeing her?

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Speaker 1: I know this is early in the set list, but

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Speaker 1: after New York State of Mind because she does she's

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Speaker 1: going to New York. Maybe it's like a New York

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Speaker 1: state of mind into Girl on Fire and she transitions

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Speaker 1: this set into Niata.

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Speaker 2: I love that. That's amazing. I remember a Girl on Fire. Okay,

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Speaker 2: So Alison, who you've mets come on multiple times? So

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Speaker 2: the summer that we met, this summer twenty thirteen in

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Speaker 2: New York, every time that we would come out of

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Speaker 2: a New York City subway, we would be like Girl

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Speaker 2: on Fire because like that is the subway. Yes, so

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Speaker 2: that is that song sparks so much joy.

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Speaker 1: Yeah, I was shot on a on Paramount, and I

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Speaker 1: remember watching her shoot this getting out of the cab.

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Speaker 1: I very vividly remember watching her shoot this. But yeah,

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Speaker 1: that was good Paramount. Okay, okay, yeah we can we

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Speaker 1: can make it work.

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Speaker 2: Yeah, okay, cool.

437
00:25:08,440 --> 00:25:10,800
Speaker 1: I love this. I love the set list. Thanks for

438
00:25:10,880 --> 00:25:13,600
Speaker 1: taking my my offerings. I appreciate it.

439
00:25:17,119 --> 00:25:19,400
Speaker 2: This is a good one. I mean it's really it's

440
00:25:19,440 --> 00:25:21,800
Speaker 2: hard to find holes in the set list. I'm trying

441
00:25:21,840 --> 00:25:23,240
Speaker 2: to see, like what else we can add in there,

442
00:25:23,240 --> 00:25:24,640
Speaker 2: because it's pretty damn solid.

443
00:25:25,000 --> 00:25:28,399
Speaker 3: Oh I know this. You really came in here swing in.

444
00:25:38,240 --> 00:25:44,640
Speaker 2: Are there any numbers in here that like you didn't

445
00:25:44,680 --> 00:25:47,760
Speaker 2: get into in terms of like what you really see

446
00:25:47,800 --> 00:25:51,399
Speaker 2: for how they would be performed, Like what do you like,

447
00:25:51,440 --> 00:25:57,040
Speaker 2: what is unlimited budget? What are somebody's looking like, Oh

448
00:25:57,280 --> 00:26:00,320
Speaker 2: I well unlimited budget. There it's it is the Glee

449
00:26:00,400 --> 00:26:03,439
Speaker 2: Amusement Park. It is the like the drag Queens in

450
00:26:03,480 --> 00:26:06,399
Speaker 2: the air. You know, it is all of these things.

451
00:26:06,720 --> 00:26:10,080
Speaker 2: Because at first, like when when Sam first proposed this

452
00:26:10,200 --> 00:26:12,800
Speaker 2: idea to me, I was like, I can go one

453
00:26:12,800 --> 00:26:15,840
Speaker 2: of two ways, Like it can be like a realistic

454
00:26:15,880 --> 00:26:19,840
Speaker 2: thing where it's like I'm pulling what the first two

455
00:26:19,880 --> 00:26:23,560
Speaker 2: tours look like and how those are structured, and it's like, okay,

456
00:26:24,200 --> 00:26:28,120
Speaker 2: trying to satisfy a Mercedes number and a Mercedes Santana

457
00:26:28,160 --> 00:26:32,240
Speaker 2: duet and a Rachel solo, you know, all of these things.

458
00:26:32,440 --> 00:26:36,360
Speaker 2: And so I feel like this is this version is

459
00:26:36,440 --> 00:26:42,159
Speaker 2: like the chaotic, fully fledged, no expense barred version.

460
00:26:42,480 --> 00:26:46,680
Speaker 1: So now do you want to see these numbers where

461
00:26:48,440 --> 00:26:54,760
Speaker 1: they're recreated like we did on the tours? Often some

462
00:26:54,840 --> 00:26:57,479
Speaker 1: of them were like reworked, like ver deeep. Obviously they

463
00:26:57,520 --> 00:27:01,720
Speaker 1: added dancers and things, and they added more choreography and

464
00:27:01,840 --> 00:27:04,960
Speaker 1: you know, hoopla. But do you want to see them,

465
00:27:05,400 --> 00:27:08,199
Speaker 1: all of them like recreated as you saw them on

466
00:27:08,240 --> 00:27:08,760
Speaker 1: the show.

467
00:27:09,760 --> 00:27:12,320
Speaker 2: Not necessarily I mean like not necessarily, I mean like

468
00:27:12,560 --> 00:27:14,840
Speaker 2: with a Knubbush City Limits in particular, It's like I

469
00:27:14,840 --> 00:27:16,920
Speaker 2: think it would be the only thing that that could

470
00:27:16,960 --> 00:27:21,280
Speaker 2: elevate the number from the television version is to just

471
00:27:21,320 --> 00:27:22,520
Speaker 2: throw Bernie in there and.

472
00:27:22,520 --> 00:27:25,120
Speaker 1: So totally okay, what God.

473
00:27:24,960 --> 00:27:28,320
Speaker 2: I love to see to see happen. I think that

474
00:27:28,359 --> 00:27:31,480
Speaker 2: there's so much room to yeah, to just like amp

475
00:27:31,600 --> 00:27:34,440
Speaker 2: these up and just like make them larger than life.

476
00:27:34,560 --> 00:27:36,280
Speaker 1: Yeah, agreed, agreed.

477
00:27:37,200 --> 00:27:40,480
Speaker 2: I have some suggestions. Okay, I know we already have

478
00:27:40,520 --> 00:27:46,760
Speaker 2: a long set list, but I kind of would love

479
00:27:47,920 --> 00:27:52,920
Speaker 2: I'm not tooting my own horn here, gokay, but no

480
00:27:53,040 --> 00:27:57,399
Speaker 2: scrubs and yeah, I hear that, you know what I

481
00:27:57,440 --> 00:27:58,520
Speaker 2: mean and locked out of Heaven.

482
00:28:00,119 --> 00:28:02,160
Speaker 3: Uh oh, that's right, you love that one.

483
00:28:02,520 --> 00:28:07,560
Speaker 2: I do. I didn't include any boys numbers and in

484
00:28:07,600 --> 00:28:09,840
Speaker 2: this set list, so I think no scrubs is definitely

485
00:28:09,920 --> 00:28:13,119
Speaker 2: the one to add. I think doing like a little

486
00:28:13,200 --> 00:28:16,720
Speaker 2: boys versus girls thing quickly or just how it was

487
00:28:16,760 --> 00:28:19,040
Speaker 2: you know in the show, like we can just have so.

488
00:28:19,000 --> 00:28:20,480
Speaker 1: If you have want to be and the girls doing

489
00:28:20,560 --> 00:28:22,520
Speaker 1: all of the spice girls, you could then throw in

490
00:28:22,560 --> 00:28:24,680
Speaker 1: a boy's kind of no scrubs thing.

491
00:28:24,760 --> 00:28:27,720
Speaker 2: Mm hmmm, that's very true. How do you feel about

492
00:28:27,760 --> 00:28:30,960
Speaker 2: like because I didn't I didn't want to open the

493
00:28:31,000 --> 00:28:35,600
Speaker 2: possibility of like having songs from previous seasons apart from

494
00:28:35,640 --> 00:28:37,879
Speaker 2: like the encore of Somebody to Love and Don't Stop Believing,

495
00:28:37,880 --> 00:28:42,560
Speaker 2: which I feel need to be included. But like, how

496
00:28:42,840 --> 00:28:45,680
Speaker 2: like for this tour in particular, or are you feeling

497
00:28:46,360 --> 00:28:48,840
Speaker 2: like remiss of any of those performance is.

498
00:28:51,280 --> 00:28:51,480
Speaker 1: You know?

499
00:28:51,520 --> 00:28:51,880
Speaker 2: I don't.

500
00:28:52,080 --> 00:28:54,680
Speaker 1: I don't feel that way because it's such a different

501
00:28:54,720 --> 00:28:59,360
Speaker 1: season in its own right with Nyada and the cast

502
00:28:59,440 --> 00:29:02,640
Speaker 1: being stepped for it, and there's new kids and a

503
00:29:02,680 --> 00:29:06,840
Speaker 1: new cast coming in. I don't feel like we need

504
00:29:06,880 --> 00:29:10,120
Speaker 1: to because the group's all the gang's all here, like

505
00:29:10,440 --> 00:29:14,160
Speaker 1: like last season, like we did this for season three,

506
00:29:14,200 --> 00:29:17,240
Speaker 1: I would say, yeah, maybe we need to incorporate some

507
00:29:17,680 --> 00:29:20,280
Speaker 1: you know, some of the iconic ones, But for this one,

508
00:29:20,320 --> 00:29:23,640
Speaker 1: I don't feel as and there's so much good music

509
00:29:23,680 --> 00:29:24,200
Speaker 1: this season.

510
00:29:24,600 --> 00:29:26,760
Speaker 2: There's a lot of music, and like looking back at

511
00:29:26,760 --> 00:29:30,280
Speaker 2: the prior set list, yeah, they feel current to that

512
00:29:30,320 --> 00:29:33,960
Speaker 2: season obviously, but they they do feel a little I

513
00:29:34,000 --> 00:29:37,280
Speaker 2: think out of place. I mean It's like, sure, I

514
00:29:37,320 --> 00:29:39,400
Speaker 2: love true colors. What you're getting hung up? Hung up

515
00:29:39,480 --> 00:29:41,120
Speaker 2: is a great number?

516
00:29:41,560 --> 00:29:43,400
Speaker 3: Yeah, I wouldn't. It would feel little?

517
00:29:43,880 --> 00:29:48,960
Speaker 2: Yeah, wrong? Now does Leah? What is Leah's big number

518
00:29:48,960 --> 00:29:52,600
Speaker 2: in this? What is Rachel doing for the set list

519
00:29:52,640 --> 00:29:56,120
Speaker 2: that I have? Yes? I have? So it's a New

520
00:29:56,200 --> 00:29:59,280
Speaker 2: York state of mind. All that jazz love song are.

521
00:30:00,120 --> 00:30:02,040
Speaker 3: Three we can imagine parceline song.

522
00:30:02,200 --> 00:30:05,800
Speaker 2: I think, yeah, okay, to love you More, to Love

523
00:30:05,840 --> 00:30:06,080
Speaker 2: you More?

524
00:30:06,160 --> 00:30:08,400
Speaker 1: Yeah, we could do that one. That's right on my list.

525
00:30:08,480 --> 00:30:10,760
Speaker 1: You read my mind, Jenna, Yeah, I'm with you on

526
00:30:10,800 --> 00:30:11,280
Speaker 1: that one.

527
00:30:11,640 --> 00:30:17,280
Speaker 2: What else? What else? I you know, if this was

528
00:30:17,480 --> 00:30:21,160
Speaker 2: like actually happening, what would happen? And discussing with Ryan

529
00:30:21,160 --> 00:30:23,320
Speaker 2: about like what the encore would be, he would throw out,

530
00:30:24,560 --> 00:30:27,440
Speaker 2: I love, I love when Core does Copa Cabana. He

531
00:30:27,520 --> 00:30:29,200
Speaker 2: has to do co Cavana. I love.

532
00:30:29,240 --> 00:30:32,200
Speaker 1: It could be there could be a skit like You're

533
00:30:32,200 --> 00:30:34,440
Speaker 1: not even with Sugar, like where you could have little

534
00:30:34,480 --> 00:30:36,160
Speaker 1: moments like my cup could come back?

535
00:30:36,560 --> 00:30:39,120
Speaker 2: Sure right right? Yeah, you know, Brittany, I'm not saying

536
00:30:39,120 --> 00:30:41,800
Speaker 2: we should do CoA Cabana. I do not think we should.

537
00:30:41,920 --> 00:30:45,000
Speaker 1: However, it could be a good could be there could

538
00:30:45,040 --> 00:30:47,360
Speaker 1: be a funny moment where like mister Sue is still

539
00:30:47,360 --> 00:30:51,280
Speaker 1: trying to figure out what the next theme is for

540
00:30:52,240 --> 00:30:56,200
Speaker 1: sectionals or for regionals or whatever, and through those segments

541
00:30:56,560 --> 00:30:59,680
Speaker 1: it changes and it's and then that leads into our

542
00:30:59,720 --> 00:31:02,840
Speaker 1: next segment just because he's constantly changing it.

543
00:31:02,920 --> 00:31:03,520
Speaker 3: But I don't know.

544
00:31:03,600 --> 00:31:05,040
Speaker 1: I'm just spitballing with you.

545
00:31:05,760 --> 00:31:09,440
Speaker 2: I also there's a couple of things with the new

546
00:31:09,520 --> 00:31:14,480
Speaker 2: kids that I well, Okay, I don't know if this

547
00:31:14,600 --> 00:31:17,560
Speaker 2: works live, but let's just talk it out real quick,

548
00:31:18,960 --> 00:31:25,600
Speaker 2: unchained melody. Okay, I'm not beautiful vocals. Beautiful vocals, and

549
00:31:25,640 --> 00:31:29,960
Speaker 2: I personally selfishly would love to hear them live. I'm

550
00:31:29,960 --> 00:31:33,880
Speaker 2: not saying we need Clay on stage to mold I

551
00:31:33,920 --> 00:31:38,840
Speaker 2: thought you were talking about Achin like we do. We do,

552
00:31:38,920 --> 00:31:43,719
Speaker 2: in fact need Clay A state righting him. Yes, yeah,

553
00:31:43,920 --> 00:31:46,080
Speaker 2: I don't. I don't know what it looks like. I

554
00:31:46,120 --> 00:31:49,000
Speaker 2: don't know. I don't necessarily have a vision for it.

555
00:31:49,040 --> 00:31:50,920
Speaker 2: I would just really like to hear it, because they're

556
00:31:51,640 --> 00:31:55,000
Speaker 2: saying their faces off. I don't think we need it.

557
00:31:55,280 --> 00:31:58,040
Speaker 1: No, okay, I like it. I don't think we need it.

558
00:31:58,160 --> 00:32:00,640
Speaker 1: Like I feel like this is a long list works

559
00:32:00,680 --> 00:32:03,960
Speaker 1: better cinematically. Maybe this is a really long list.

560
00:32:04,080 --> 00:32:09,000
Speaker 3: Okay, what about Footloose that was higher on my list too?

561
00:32:09,240 --> 00:32:10,040
Speaker 2: Oh, we don't need it.

562
00:32:11,560 --> 00:32:14,000
Speaker 3: Well, I would say, you either put mom and.

563
00:32:13,960 --> 00:32:14,560
Speaker 1: Me in or.

564
00:32:17,920 --> 00:32:21,720
Speaker 2: Yeah, mommmy is wedding every time, So sorry. I know

565
00:32:21,800 --> 00:32:24,120
Speaker 2: that you provide some vocals on No No, no, No, it's

566
00:32:24,160 --> 00:32:26,560
Speaker 2: about what's no No. I see what you're saying.

567
00:32:26,720 --> 00:32:28,920
Speaker 3: I enjoy that one. I enjoyed that one.

568
00:32:29,040 --> 00:32:32,400
Speaker 2: Okay, Well, I don't love how we do the boy

569
00:32:32,440 --> 00:32:36,560
Speaker 2: band section on the show. Like I obviously am obsessed

570
00:32:36,560 --> 00:32:37,760
Speaker 2: with by Bye Bye, and I want it that way.

571
00:32:37,800 --> 00:32:40,240
Speaker 2: I don't necessarily love what we did. Is there a

572
00:32:40,280 --> 00:32:44,640
Speaker 2: way to maybe expand on that? Yes, if the girls

573
00:32:44,680 --> 00:32:48,600
Speaker 2: are doing a spice Girl's moment? Oh, is there a

574
00:32:48,640 --> 00:32:52,080
Speaker 2: boys in sync Backstreet moment? We didn't love the mashup.

575
00:32:52,200 --> 00:32:55,360
Speaker 2: We felt like we lost both songs in the mashup

576
00:32:55,480 --> 00:32:59,360
Speaker 2: for this one. So could we extend the songs and

577
00:32:59,400 --> 00:33:03,680
Speaker 2: mash them up lass and have the boys instead of

578
00:33:03,680 --> 00:33:06,959
Speaker 2: a mash And I think that the choreography for that

579
00:33:07,080 --> 00:33:10,880
Speaker 2: number in particular really lends itself to a live performance,

580
00:33:10,920 --> 00:33:12,360
Speaker 2: which I think is very, very fun.

581
00:33:12,440 --> 00:33:14,720
Speaker 1: I agree down on the strings.

582
00:33:14,720 --> 00:33:21,160
Speaker 2: Yeah, Okay, what about Come what May? Are you advocating

583
00:33:21,200 --> 00:33:21,560
Speaker 2: for it?

584
00:33:21,960 --> 00:33:25,040
Speaker 1: No, I don't think we need it.

585
00:33:25,120 --> 00:33:31,080
Speaker 2: Kevin, I was opening the floor. Okay, No, it's it's

586
00:33:31,120 --> 00:33:32,320
Speaker 2: a no for me dog. Okay.

587
00:33:33,200 --> 00:33:34,880
Speaker 3: Do the fans like may?

588
00:33:35,360 --> 00:33:45,840
Speaker 2: I think the cleaners do. Okay, okay, yeah, do you

589
00:33:45,920 --> 00:33:46,120
Speaker 2: like it?

590
00:33:46,200 --> 00:33:46,480
Speaker 1: Given?

591
00:33:49,120 --> 00:33:51,440
Speaker 2: I just I just love that song again. I'm just

592
00:33:51,480 --> 00:33:54,480
Speaker 2: thinking of things. I think that like come what May?

593
00:33:54,880 --> 00:33:54,960
Speaker 1: Like?

594
00:33:55,040 --> 00:33:57,520
Speaker 2: The way that some gleeks respond to like at the

595
00:33:57,560 --> 00:34:02,400
Speaker 2: Ballet is how I'm responding to Come what May? If

596
00:34:02,440 --> 00:34:05,320
Speaker 2: that's lot is present, it's going to at the ballet? Right,

597
00:34:05,440 --> 00:34:08,440
Speaker 2: absolutely great. I will punch somebody for that. I will

598
00:34:08,480 --> 00:34:09,040
Speaker 2: choose physical.

599
00:34:09,480 --> 00:34:10,680
Speaker 3: Yeah, yeah, for sure.

600
00:34:10,960 --> 00:34:15,280
Speaker 2: I never thought look at me fighting for at the ballet.

601
00:34:15,320 --> 00:34:18,440
Speaker 2: The most musical theater number to musical theater in a

602
00:34:18,440 --> 00:34:23,080
Speaker 2: Glee tour? Wow, sevenfol How long is it's? Seven? Six?

603
00:34:23,200 --> 00:34:25,520
Speaker 2: I don't know, it's it's long. Yeah. I mean, okay,

604
00:34:25,520 --> 00:34:26,879
Speaker 2: we can do a TV edit.

605
00:34:28,160 --> 00:34:29,640
Speaker 1: No, you can definitely do a TV but I don't

606
00:34:29,680 --> 00:34:31,480
Speaker 1: think we need to. This is our this is your

607
00:34:31,680 --> 00:34:32,240
Speaker 1: our list.

608
00:34:32,680 --> 00:34:33,120
Speaker 2: We can do it.

609
00:34:33,200 --> 00:34:33,399
Speaker 1: Okay.

610
00:34:33,480 --> 00:34:37,080
Speaker 2: I'm trying to like punch holes in this list and I.

611
00:34:36,840 --> 00:34:37,479
Speaker 3: Can I can't.

612
00:34:38,000 --> 00:34:41,400
Speaker 2: I think this is a really okay what about I

613
00:34:41,440 --> 00:34:44,040
Speaker 2: do not think this is a huge smash. It might

614
00:34:44,120 --> 00:34:47,240
Speaker 2: work well. No, because it might work well in concert,

615
00:34:47,920 --> 00:34:49,560
Speaker 2: it was a huge smash in real life. I don't

616
00:34:49,560 --> 00:34:52,360
Speaker 2: think the Glee cast version was a huge smash.

617
00:34:52,960 --> 00:34:53,799
Speaker 3: Okay, just say it.

618
00:34:54,239 --> 00:34:55,840
Speaker 2: I feel back. They keep saying songs on I'm on,

619
00:34:56,080 --> 00:35:00,160
Speaker 2: just say it. Anything could happen. I love that one that, Oh,

620
00:35:00,480 --> 00:35:02,799
Speaker 2: that's so good. I really do like that one.

621
00:35:02,960 --> 00:35:04,239
Speaker 3: It is a good one, and.

622
00:35:04,200 --> 00:35:05,920
Speaker 2: I think that's fun with the balloons.

623
00:35:06,760 --> 00:35:09,040
Speaker 3: I come on, okay, we can add that one in.

624
00:35:09,600 --> 00:35:10,359
Speaker 3: I'm down for it.

625
00:35:10,680 --> 00:35:15,880
Speaker 2: Rachel checking her pregnancy tests live. Yeah, on the stick,

626
00:35:18,440 --> 00:35:25,600
Speaker 2: it's a really immersive experience. Yeah, at the box right.

627
00:35:32,280 --> 00:35:36,880
Speaker 1: I'm curious about your feelings about our upcoming watch of

628
00:35:36,880 --> 00:35:40,560
Speaker 1: season five because we are you know, we're done, so

629
00:35:40,600 --> 00:35:41,359
Speaker 1: we're headed there.

630
00:35:41,400 --> 00:35:42,680
Speaker 3: And people told.

631
00:35:42,440 --> 00:35:47,239
Speaker 1: Us be wary of four because it's not as good,

632
00:35:47,600 --> 00:35:51,080
Speaker 1: and I really enjoyed it, So I'm justus, I'm curious

633
00:35:51,080 --> 00:35:53,160
Speaker 1: what you think of five where we're going.

634
00:35:53,640 --> 00:35:58,440
Speaker 2: I mean, yeah, I four in recent years I like

635
00:35:58,520 --> 00:36:00,800
Speaker 2: even more. I feel the same way about like five

636
00:36:00,920 --> 00:36:06,040
Speaker 2: two that like watching it live, I wasn't the biggest fan,

637
00:36:07,360 --> 00:36:11,120
Speaker 2: especially the early season five episodes where I felt it

638
00:36:11,200 --> 00:36:16,279
Speaker 2: was like tonally shifted for obvious reasons totally that it

639
00:36:16,320 --> 00:36:19,680
Speaker 2: felt almost like a cartoon that was like, oh, we're

640
00:36:19,840 --> 00:36:21,400
Speaker 2: checking out Leon cartoon Network.

641
00:36:21,960 --> 00:36:24,200
Speaker 1: So interesting, okay okay.

642
00:36:24,320 --> 00:36:28,200
Speaker 2: Where like the episodes would feel so compact that it

643
00:36:28,280 --> 00:36:31,200
Speaker 2: was like, Okay, that was that episode and nothing is,

644
00:36:31,239 --> 00:36:36,120
Speaker 2: like there's no overarching plot, and I didn't like that

645
00:36:36,120 --> 00:36:38,560
Speaker 2: at the time. Recent years, I think it's fun. I

646
00:36:38,600 --> 00:36:41,840
Speaker 2: think the Katie Gaga episode very stupid, very fun, like

647
00:36:41,880 --> 00:36:47,200
Speaker 2: stupid and the best, like, yeah, it's a fun one.

648
00:36:47,560 --> 00:36:51,879
Speaker 2: Yeah yeah, And then you get into New York later

649
00:36:51,920 --> 00:36:55,040
Speaker 2: in the season and again that crazy tonal shift where

650
00:36:55,040 --> 00:36:59,640
Speaker 2: it's like the Mercedes plot line is rooted in drama.

651
00:36:59,760 --> 00:37:02,680
Speaker 3: Yeah, yeah, oh my gosh, okayah, I think you.

652
00:37:02,760 --> 00:37:04,480
Speaker 2: Can have fun? Is that also the I feel like

653
00:37:04,520 --> 00:37:06,839
Speaker 2: there was a point where the show sort of left

654
00:37:07,239 --> 00:37:11,000
Speaker 2: the satire behind and we started be like we became

655
00:37:11,120 --> 00:37:15,680
Speaker 2: the thing we were making fun of, Like we took it,

656
00:37:15,880 --> 00:37:20,879
Speaker 2: we took ourselves a little seriously. Yes, still feels tongue

657
00:37:20,920 --> 00:37:25,319
Speaker 2: in cheek satire. It's borderline five. I'm wondering if that's

658
00:37:25,360 --> 00:37:27,920
Speaker 2: because I remember filming it. I'm like, I don't know

659
00:37:27,920 --> 00:37:31,680
Speaker 2: if this feels totally quite different. Yeah, then later have

660
00:37:31,719 --> 00:37:33,680
Speaker 2: a five year saying I'm not sure. At some point

661
00:37:33,719 --> 00:37:37,080
Speaker 2: in five I don't know. You'll probably know better than me. No, no, no,

662
00:37:37,360 --> 00:37:39,880
Speaker 2: it does feel like almost like like a like a

663
00:37:39,920 --> 00:37:41,799
Speaker 2: gossip girl a little bit like where it's like ye

664
00:37:41,960 --> 00:37:43,799
Speaker 2: like in the ind this it's like more adult, which

665
00:37:43,840 --> 00:37:46,400
Speaker 2: I which I do like that. It's like growing with

666
00:37:46,520 --> 00:37:50,080
Speaker 2: the audience too, that it's like, Okay, these are the

667
00:37:50,719 --> 00:37:54,759
Speaker 2: high school audience members are now advancing as well with

668
00:37:54,880 --> 00:37:57,239
Speaker 2: the show, and so now they're you know, in New

669
00:37:57,320 --> 00:37:59,520
Speaker 2: York and the big city and they're doing a big

670
00:37:59,560 --> 00:38:06,839
Speaker 2: girl thing, you know, and so yeah, yeah, before we

671
00:38:07,480 --> 00:38:09,920
Speaker 2: have a couple more tour questions, just to button it up,

672
00:38:10,000 --> 00:38:16,680
Speaker 2: because please where Okay, you saw this is perfect? You

673
00:38:16,680 --> 00:38:19,320
Speaker 2: saw Adele because that was an outdoor venue they built

674
00:38:19,640 --> 00:38:23,600
Speaker 2: specifically for Adele with the largest like led screen ever built.

675
00:38:24,440 --> 00:38:30,000
Speaker 2: Oh it was. It was stupid like Carnival Adele Carnival

676
00:38:30,080 --> 00:38:33,560
Speaker 2: next to it, and people could just fly from all

677
00:38:33,560 --> 00:38:35,839
Speaker 2: over the world like you did to go see it.

678
00:38:37,280 --> 00:38:40,759
Speaker 2: What do we think is the ideal situation here? Is

679
00:38:40,800 --> 00:38:44,319
Speaker 2: the Glee tour going on tour. Are we going to

680
00:38:44,360 --> 00:38:48,439
Speaker 2: different countries? Is it just what is the venue? Look?

681
00:38:48,440 --> 00:38:54,840
Speaker 2: Are we doing stadium? In my entire stadium? But maybe

682
00:38:54,880 --> 00:38:58,280
Speaker 2: in like for example, like if we did a show

683
00:38:58,360 --> 00:39:04,640
Speaker 2: in Brazil, maybe we could do a stadium, right Yeah? Yeah.

684
00:39:04,719 --> 00:39:08,000
Speaker 2: Initially I'm like, Okay, is Sarah Disica Parker and Kate

685
00:39:08,040 --> 00:39:12,440
Speaker 2: Hudson and company and everybody getting on this bus on

686
00:39:12,480 --> 00:39:15,120
Speaker 2: this plane. You know, we could have rotating numbers like

687
00:39:15,200 --> 00:39:17,440
Speaker 2: we had things. If someone can show.

688
00:39:17,320 --> 00:39:19,759
Speaker 3: Up shop for forget you and we would do it

689
00:39:19,760 --> 00:39:20,120
Speaker 3: without her.

690
00:39:20,800 --> 00:39:25,959
Speaker 2: Yeah, I think I like this idea of it's like, hey,

691
00:39:26,320 --> 00:39:29,080
Speaker 2: we're doing it here. If you want to see it,

692
00:39:29,440 --> 00:39:35,280
Speaker 2: you need to fly to Brazil and see the Glee

693
00:39:35,520 --> 00:39:41,200
Speaker 2: Stadium show. I love that idea. Interesting with the entire

694
00:39:41,320 --> 00:39:45,239
Speaker 2: amusement park attack, Maybe we just camp on different continents.

695
00:39:45,640 --> 00:39:48,799
Speaker 2: Maybe we do like a South American setup in one

696
00:39:48,880 --> 00:39:52,319
Speaker 2: city and everyone comes there, every everyone there. Maybe that

697
00:39:52,360 --> 00:39:53,920
Speaker 2: in Europe, do that in Asia?

698
00:39:54,640 --> 00:39:54,920
Speaker 3: Yeah?

699
00:39:55,160 --> 00:39:55,640
Speaker 2: In the US.

700
00:39:56,520 --> 00:39:56,960
Speaker 1: I like that.

701
00:39:57,480 --> 00:39:59,600
Speaker 2: The more we talk about the nitty gritty of it,

702
00:39:59,719 --> 00:40:01,839
Speaker 2: the more where I'm like, okay, wait, so is this

703
00:40:01,880 --> 00:40:09,320
Speaker 2: actually happening? Yeah, you have to come on tour. Oh

704
00:40:09,680 --> 00:40:12,319
Speaker 2: I'm there. If you had to make a writer, which

705
00:40:12,360 --> 00:40:14,640
Speaker 2: is like some of the like the most fun thing,

706
00:40:16,000 --> 00:40:18,759
Speaker 2: like right, like the pre the prep stuff for tour.

707
00:40:18,960 --> 00:40:20,919
Speaker 2: You get asked what you want in the dressing room

708
00:40:20,960 --> 00:40:23,960
Speaker 2: and it feels very famous. You're like, oh my god,

709
00:40:24,080 --> 00:40:26,040
Speaker 2: someone's just gonna have this waiting for me. Do you

710
00:40:26,120 --> 00:40:29,120
Speaker 2: have anything that you like? Do you want all like

711
00:40:29,200 --> 00:40:35,319
Speaker 2: green M and m's like that sort of thing? Oh gosh, not,

712
00:40:35,920 --> 00:40:38,200
Speaker 2: Oh god, how could I even prepare for this question?

713
00:40:41,840 --> 00:40:44,239
Speaker 2: What do you need to make you feel at home?

714
00:40:44,320 --> 00:40:48,040
Speaker 2: If you are we are in Tokyo for two weeks.

715
00:40:48,120 --> 00:40:52,279
Speaker 2: What is going to make you feel great backstage? You know,

716
00:40:52,320 --> 00:40:54,960
Speaker 2: I feel very I feel kind of like sponsored by

717
00:40:54,960 --> 00:40:58,800
Speaker 2: Celsius nowadays. Okay, Celsius, will you know get me through

718
00:40:59,080 --> 00:41:02,800
Speaker 2: my hardest states? Yeah, you can have an entire stocked,

719
00:41:02,960 --> 00:41:07,839
Speaker 2: unlimited fridge. Okay, wait, what's in What's in your writer?

720
00:41:12,160 --> 00:41:15,120
Speaker 2: When we originally did it, I threw in some things

721
00:41:15,200 --> 00:41:17,080
Speaker 2: just to see if they would actually get them.

722
00:41:17,320 --> 00:41:18,120
Speaker 3: What did you throw in?

723
00:41:18,400 --> 00:41:22,960
Speaker 2: I threw an a parchment and quill. No, And we

724
00:41:23,000 --> 00:41:26,960
Speaker 2: got on Elstenko the plane and it was there sitting

725
00:41:26,960 --> 00:41:33,359
Speaker 2: on my seat. It was and I was like, are

726
00:41:33,360 --> 00:41:36,960
Speaker 2: you kidding? Me, Yeah, Angie did it. I think now

727
00:41:36,960 --> 00:41:41,760
Speaker 2: it would just be like diet coke and some healthy

728
00:41:41,920 --> 00:41:44,640
Speaker 2: snacks and I don't know, probably a lot of like

729
00:41:44,719 --> 00:41:49,320
Speaker 2: vocal things, steamers, a lot of tea and Manuka honey

730
00:41:49,600 --> 00:41:54,240
Speaker 2: that's probably boring. Nothing really crazy peanut Eminem's.

731
00:41:56,120 --> 00:41:56,319
Speaker 1: Yeah.

732
00:41:56,320 --> 00:41:57,960
Speaker 3: I think we requested tequila.

733
00:41:58,400 --> 00:42:02,799
Speaker 1: I think we were requested like they always had like

734
00:42:02,840 --> 00:42:06,640
Speaker 1: a snack that was like the town or cities, like

735
00:42:06,920 --> 00:42:10,040
Speaker 1: Staple when we were John, like Tilly she stays at

736
00:42:10,040 --> 00:42:14,320
Speaker 1: the end of the show, things like that. The guys

737
00:42:14,400 --> 00:42:17,839
Speaker 1: actually had to have a video game console that they

738
00:42:18,200 --> 00:42:21,759
Speaker 1: traveled in a big, huge, like life sized trunk and

739
00:42:21,800 --> 00:42:23,799
Speaker 1: they just close it up and then they plug it

740
00:42:23,800 --> 00:42:25,080
Speaker 1: in whenever they get there.

741
00:42:25,120 --> 00:42:26,640
Speaker 3: The girls didn't have anything like that.

742
00:42:26,680 --> 00:42:28,680
Speaker 1: We literally were like, can we have some pillows to nap?

743
00:42:29,120 --> 00:42:32,400
Speaker 1: I think I had gotten a trunk from my dressing

744
00:42:32,480 --> 00:42:34,560
Speaker 1: room where I put some of my own things in

745
00:42:34,600 --> 00:42:38,239
Speaker 1: that showed up in my dressing room each each at

746
00:42:38,239 --> 00:42:41,560
Speaker 1: each venue, and one of those things was like a

747
00:42:41,640 --> 00:42:46,400
Speaker 1: humidifier or like a steam personal steamer. But like we

748
00:42:46,400 --> 00:42:49,040
Speaker 1: weren't really singing live all that much as much as

749
00:42:49,080 --> 00:42:50,680
Speaker 1: I thought we would, so like I never.

750
00:42:50,640 --> 00:42:54,799
Speaker 2: Used excuse me live as much as we thought we were.

751
00:42:56,640 --> 00:43:01,279
Speaker 1: Well, I wasn't singing as many live songs as I thought.

752
00:43:01,040 --> 00:43:04,600
Speaker 2: I would Tinico and Chang respect no, because we were

753
00:43:04,719 --> 00:43:06,279
Speaker 2: we were not seeing the backgrounds live.

754
00:43:07,760 --> 00:43:08,719
Speaker 3: Yeah, that's what I mean.

755
00:43:08,880 --> 00:43:11,880
Speaker 1: Like I thought we were going to be like completely live,

756
00:43:12,600 --> 00:43:15,360
Speaker 1: all the lives, the lead vocals were live.

757
00:43:17,760 --> 00:43:19,560
Speaker 3: Again, Tina's songa cut.

758
00:43:19,320 --> 00:43:21,440
Speaker 1: And I only had one real song in it, so

759
00:43:21,520 --> 00:43:23,520
Speaker 1: I wasn't really singing as much as I thought I

760
00:43:23,520 --> 00:43:27,560
Speaker 1: would be. Yeah, it's sick the Tinico and Chang perspective.

761
00:43:27,760 --> 00:43:30,400
Speaker 2: Yeah, did you find out like where when did you

762
00:43:30,440 --> 00:43:31,560
Speaker 2: find out that it was cut?

763
00:43:32,200 --> 00:43:32,960
Speaker 3: At the premiere?

764
00:43:33,120 --> 00:43:34,160
Speaker 2: That's sick. Yeah.

765
00:43:34,239 --> 00:43:34,439
Speaker 1: Yeah.

766
00:43:34,480 --> 00:43:35,760
Speaker 3: It was really not great.

767
00:43:36,640 --> 00:43:39,600
Speaker 2: No, absolutely not great. And I think like the movie

768
00:43:39,640 --> 00:43:41,840
Speaker 2: was like not to put salt in the wound. Movie

769
00:43:41,920 --> 00:43:44,239
Speaker 2: was like quite literally eighty minutes long, you.

770
00:43:44,200 --> 00:43:46,719
Speaker 1: Know what it was, though there actually wasn't enough footage

771
00:43:46,800 --> 00:43:49,600
Speaker 1: because people walked off set that to get ready to

772
00:43:49,600 --> 00:43:51,759
Speaker 1: start getting ready for the show. It was so jam

773
00:43:51,840 --> 00:43:55,240
Speaker 1: packed the way we shot the film. It was like, literally,

774
00:43:55,239 --> 00:43:58,200
Speaker 1: we have twenty five minutes to an hour to shoot

775
00:43:58,239 --> 00:44:00,239
Speaker 1: dog days before you have to go get ready for

776
00:44:00,280 --> 00:44:03,840
Speaker 1: your real live show and so there was these cameras

777
00:44:03,840 --> 00:44:06,839
Speaker 1: that were trying to get everything done. And I remember

778
00:44:06,960 --> 00:44:08,920
Speaker 1: when we were shooting Dog Days, people were like, we

779
00:44:09,000 --> 00:44:10,440
Speaker 1: have to go get ready for the show. We got

780
00:44:10,480 --> 00:44:13,640
Speaker 1: to go. This is crazy, and I remember thinking, we're

781
00:44:13,680 --> 00:44:16,239
Speaker 1: never going to get this number. We're never going to

782
00:44:16,320 --> 00:44:19,760
Speaker 1: get this number. And lo and behold it was cut.

783
00:44:20,000 --> 00:44:22,840
Speaker 1: And she's always right. Somebody was supposed to call me

784
00:44:23,120 --> 00:44:25,719
Speaker 1: and tell me that it was being cut because I

785
00:44:25,719 --> 00:44:28,919
Speaker 1: didn't have enough footage to do it. But they did

786
00:44:28,920 --> 00:44:32,160
Speaker 1: have eno footage because it's in the extra the extra. Hello,

787
00:44:32,760 --> 00:44:36,520
Speaker 1: Yeah it's there. But whatever, it's fine. They can say.

788
00:44:36,560 --> 00:44:37,440
Speaker 1: Everybody can say.

789
00:44:37,320 --> 00:44:39,799
Speaker 2: Whatever they want. Then maybe we had that back into

790
00:44:39,800 --> 00:44:42,759
Speaker 2: the tour setlists.

791
00:44:45,680 --> 00:44:49,800
Speaker 3: Yeah, anyway, it's great.

792
00:44:50,640 --> 00:44:53,120
Speaker 2: I was just thinking about what else we can have

793
00:44:53,200 --> 00:44:56,560
Speaker 2: on the writer, Oh my god stops.

794
00:44:58,000 --> 00:44:59,520
Speaker 3: What well?

795
00:44:59,560 --> 00:44:59,839
Speaker 2: We did?

796
00:45:00,000 --> 00:45:02,960
Speaker 1: I have some massages we did sometimes set up for us,

797
00:45:03,560 --> 00:45:08,680
Speaker 1: and food and snacks and maybe a therapist. Yeah, maybe

798
00:45:08,880 --> 00:45:11,280
Speaker 1: that would have been good. Andrew, do you have anything

799
00:45:11,280 --> 00:45:13,920
Speaker 1: else to add to this tour list? Because you really

800
00:45:14,040 --> 00:45:16,920
Speaker 1: came and I feel really good about it, but we're

801
00:45:17,280 --> 00:45:18,759
Speaker 1: you know, before we let you go, we just wanted

802
00:45:18,800 --> 00:45:19,960
Speaker 1: any lest I really.

803
00:45:19,760 --> 00:45:23,959
Speaker 2: Need to see flying through the air and lasting into

804
00:45:23,960 --> 00:45:26,680
Speaker 2: showing up I want a dream. Yeah, yeah, I mean

805
00:45:26,719 --> 00:45:28,759
Speaker 2: I am curious. I mean like you brought up like

806
00:45:28,800 --> 00:45:32,040
Speaker 2: the Copacabana of it all with like Ryan's perspective. Is

807
00:45:32,080 --> 00:45:35,279
Speaker 2: there anything I already have all the songs that I need, right,

808
00:45:35,440 --> 00:45:37,520
Speaker 2: is there any like what other ones do you think

809
00:45:37,560 --> 00:45:41,400
Speaker 2: that Ryan would be like adamant about, including do you

810
00:45:41,400 --> 00:45:44,719
Speaker 2: feel he might be adamant about at the ballet, Like

811
00:45:44,800 --> 00:45:46,960
Speaker 2: that might be one of the ones where he's like

812
00:45:47,120 --> 00:45:51,160
Speaker 2: that has to go in and I don't care if anybody. Yeah,

813
00:45:51,200 --> 00:45:55,319
Speaker 2: he has sometimes like left field of like this was

814
00:45:55,360 --> 00:45:56,960
Speaker 2: his favorite and you're like what.

815
00:45:57,400 --> 00:45:59,399
Speaker 1: I feel like he would have been one of those. Yeah,

816
00:45:59,440 --> 00:46:00,839
Speaker 1: we know he would have.

817
00:46:00,760 --> 00:46:04,200
Speaker 2: Been one of those that's so fascinating. So how often

818
00:46:04,360 --> 00:46:08,400
Speaker 2: this is like a collateral question, how often would you

819
00:46:08,520 --> 00:46:11,800
Speaker 2: know that he like he was the one selecting these songs.

820
00:46:13,400 --> 00:46:15,920
Speaker 1: It wasn't abundantly clear all the time, but when it

821
00:46:15,960 --> 00:46:17,680
Speaker 1: was clear, like he would come to set and be

822
00:46:17,800 --> 00:46:21,160
Speaker 1: like when it was shooting, if he felt really strongly

823
00:46:21,200 --> 00:46:24,600
Speaker 1: about it, or if like SJP was in it, you'd

824
00:46:24,640 --> 00:46:27,160
Speaker 1: have like one of the you know, one of the

825
00:46:27,200 --> 00:46:28,160
Speaker 1: creators there.

826
00:46:28,760 --> 00:46:31,960
Speaker 2: Earlier in the seasons when he and Ryan, I mean

827
00:46:31,960 --> 00:46:33,880
Speaker 2: and Ian were writing it. You can tell.

828
00:46:34,160 --> 00:46:36,560
Speaker 1: I mean he picked almost all the music by himself

829
00:46:36,640 --> 00:46:40,640
Speaker 1: the first two years, Like getting married today, you know

830
00:46:40,680 --> 00:46:41,200
Speaker 1: that's Ryan?

831
00:46:41,680 --> 00:46:43,040
Speaker 2: Yeah, yeah, do you know what I mean?

832
00:46:43,080 --> 00:46:47,440
Speaker 1: There's some that are just really obvious too obviously right.

833
00:46:47,280 --> 00:46:49,560
Speaker 2: That's interesting, But like the cobad Comana when you mentioned

834
00:46:49,560 --> 00:46:51,960
Speaker 2: that earlier, I was like, Oh, that's fascinating, but he's

835
00:46:52,080 --> 00:46:54,480
Speaker 2: I don't know if you would love that. But it's

836
00:46:55,080 --> 00:46:57,959
Speaker 2: theoretical because it seems like like the amount of times

837
00:46:58,239 --> 00:47:00,560
Speaker 2: went around him and he would mention in a song

838
00:47:00,600 --> 00:47:06,799
Speaker 2: where like what, yeah, he's a fan of of that? Yeah, okay.

839
00:47:07,360 --> 00:47:11,160
Speaker 1: You know there might also been push for some any

840
00:47:11,360 --> 00:47:14,160
Speaker 1: maybe one of their original songs that Marley wrote that

841
00:47:14,280 --> 00:47:16,200
Speaker 1: also might have been a push. And that might have

842
00:47:16,280 --> 00:47:17,640
Speaker 1: just been a Fox push. But do you know what

843
00:47:17,640 --> 00:47:19,680
Speaker 1: I mean, like a Sony Columbia push.

844
00:47:19,760 --> 00:47:25,400
Speaker 2: We would have thought that do you have to do

845
00:47:25,480 --> 00:47:30,319
Speaker 2: loser like me? I think loser like me? Hang it up,

846
00:47:32,080 --> 00:47:34,799
Speaker 2: I you know what you guys have a loser like me?

847
00:47:35,200 --> 00:47:37,359
Speaker 2: I think that if you were if you're doing don't

848
00:47:37,360 --> 00:47:39,239
Speaker 2: stop believing in somebody love, if you were going to

849
00:47:39,280 --> 00:47:42,160
Speaker 2: add another kind of like encore song. I think the

850
00:47:42,200 --> 00:47:44,319
Speaker 2: next one kind of would be a loser like me,

851
00:47:44,440 --> 00:47:48,759
Speaker 2: because like that's y'all's song, right, and it's like you

852
00:47:48,880 --> 00:47:50,440
Speaker 2: got it, you know how to do it. That's the

853
00:47:50,480 --> 00:47:54,759
Speaker 2: other one. Yeah. Yeah, So maybe if s J. P

854
00:47:55,840 --> 00:47:58,080
Speaker 2: or Kate Hudson doesn't show up and we have to

855
00:47:58,320 --> 00:48:00,600
Speaker 2: add a song and we could add it. I will

856
00:48:00,600 --> 00:48:04,640
Speaker 2: say that I do love the the stripped down version

857
00:48:04,800 --> 00:48:05,440
Speaker 2: that y'all do.

858
00:48:06,160 --> 00:48:06,839
Speaker 1: I love that one.

859
00:48:07,040 --> 00:48:07,840
Speaker 3: I love that one.

860
00:48:08,360 --> 00:48:14,400
Speaker 2: Do we love humbly singing those lyrics is so funny

861
00:48:14,440 --> 00:48:19,759
Speaker 2: to me. I feel like I'm on drugs every time

862
00:48:19,840 --> 00:48:21,920
Speaker 2: I listen to it, and I'm like, vocally, the arrangement

863
00:48:21,960 --> 00:48:28,680
Speaker 2: of it is so beautiful, Car. Yeah, Like pushing up

864
00:48:28,680 --> 00:48:32,560
Speaker 2: against the locker seriously is.

865
00:48:31,719 --> 00:48:34,560
Speaker 1: Slowly, like there's enough time to think about what you're

866
00:48:34,560 --> 00:48:38,400
Speaker 1: saying versus body every single time. Yeah, yeah, but I

867
00:48:38,520 --> 00:48:41,640
Speaker 1: like that arrangement. I love that arrangement. Yeah, my nieces

868
00:48:41,680 --> 00:48:46,000
Speaker 1: love that one. All right, Andrew, we are so lucky

869
00:48:46,200 --> 00:48:49,400
Speaker 1: that you came in with this genius car.

870
00:48:50,000 --> 00:48:52,120
Speaker 3: Oh my gosh, we're so grateful.

871
00:48:52,680 --> 00:48:54,680
Speaker 2: I'm so happy to be here. When I was listening

872
00:48:54,680 --> 00:48:56,840
Speaker 2: to the season three one I was like, oh, I

873
00:48:56,880 --> 00:48:59,719
Speaker 2: got some ideas and me and Sam talked about it,

874
00:48:59,760 --> 00:49:00,359
Speaker 2: and so she.

875
00:49:00,360 --> 00:49:03,440
Speaker 3: Followed up, this was so good. This is so good.

876
00:49:03,520 --> 00:49:07,440
Speaker 2: Appreciate so much vision, your attention to detail, thinking this through.

877
00:49:07,640 --> 00:49:12,120
Speaker 2: It means a lot, true effort, really good. No, you

878
00:49:12,160 --> 00:49:14,480
Speaker 2: didn't really really need the collaboration. You got it.

879
00:49:15,320 --> 00:49:16,680
Speaker 3: I just fought you on things.

880
00:49:17,719 --> 00:49:19,919
Speaker 1: Thank you so much again for joining us, and we'll

881
00:49:20,360 --> 00:49:21,160
Speaker 1: sure we'll see you.

882
00:49:21,719 --> 00:49:23,680
Speaker 2: Thank you. I would love to have you back on

883
00:49:23,719 --> 00:49:29,120
Speaker 2: the c of the weeks. Y Oh, it's brutal. It's

884
00:49:29,800 --> 00:49:33,400
Speaker 2: we are we are sending these songs to the grave

885
00:49:33,600 --> 00:49:38,360
Speaker 2: week after week. And recently it was U it was

886
00:49:38,480 --> 00:49:41,920
Speaker 2: to serve with love versus mine, a competition that should

887
00:49:42,000 --> 00:49:48,120
Speaker 2: not be taking place. But you know we had the conversation. Yeah,

888
00:49:48,239 --> 00:49:50,400
Speaker 2: and only one song can come out of that competition,

889
00:49:50,520 --> 00:49:54,400
Speaker 2: and so it's it's this is what I signed up for.

890
00:49:54,640 --> 00:49:56,319
Speaker 3: Yeah, that is that's right.

891
00:49:57,000 --> 00:49:58,080
Speaker 2: Appreciate your service.

892
00:49:58,200 --> 00:49:59,080
Speaker 3: We love to see it.

893
00:49:59,320 --> 00:50:01,919
Speaker 2: Oh yeah, somebody needs to do it all right. Thank

894
00:50:01,920 --> 00:50:04,759
Speaker 2: you so much again, and everyone listen to if you're

895
00:50:04,800 --> 00:50:07,080
Speaker 2: not already listening to Gleik of the week, like you

896
00:50:07,160 --> 00:50:10,040
Speaker 2: gotta you gotta do it, and just the best, and

897
00:50:10,040 --> 00:50:12,319
Speaker 2: I like the social media content you make for it.

898
00:50:12,320 --> 00:50:15,000
Speaker 2: It's just phenomenal everything you're doing. It's so well thought

899
00:50:15,040 --> 00:50:17,520
Speaker 2: out and the attention to detail, the time you clearly

900
00:50:17,520 --> 00:50:23,480
Speaker 2: put into it is remarkable. Being perceived. That's again insane, insane.

901
00:50:23,800 --> 00:50:28,680
Speaker 3: Thank you, thank you you too.

902
00:50:29,239 --> 00:50:33,480
Speaker 2: Bye bye bye. I guess we're going on tour, Jenna.

903
00:50:34,640 --> 00:50:37,240
Speaker 2: I mean, this is a good where we go. Let's

904
00:50:37,280 --> 00:50:37,680
Speaker 2: do it.

905
00:50:37,920 --> 00:50:40,000
Speaker 1: If you guys want to see this tour, start to

906
00:50:40,040 --> 00:50:43,200
Speaker 1: go fund me let us know we'll see you in Europe.

907
00:50:44,040 --> 00:50:45,960
Speaker 1: I hope you guys enjoyed that. Thank you again to

908
00:50:46,040 --> 00:50:51,360
Speaker 1: Andrew for coming up with the most brilliant season four

909
00:50:51,920 --> 00:50:56,200
Speaker 1: set list. We're so grateful. Let us know if you

910
00:50:56,320 --> 00:51:00,800
Speaker 1: like it, and that's what you really wanst bye.

911
00:51:00,800 --> 00:51:03,960
Speaker 2: Thanks for listening and follow us on Instagram at and

912
00:51:04,040 --> 00:51:06,279
Speaker 2: that's what you really miss pod. Make sure to write

913
00:51:06,320 --> 00:51:08,560
Speaker 2: us a review and leave us five stars. See you

914
00:51:08,640 --> 00:51:09,040
Speaker 2: next time.