WEBVTT - 8-24: Bobby Cast Ep. 4 (Kelleigh Bannen)

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<v Speaker 1>All right. Episode four, Episode four of the Bobby Casts.

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<v Speaker 1>Welcome everyone. I'm your host, Bobby Bones, and Kelly Bannon

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<v Speaker 1>is here and as always know how to do anything.

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<v Speaker 1>She is. She too odd, I feel a little loud.

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<v Speaker 1>All right, you're good. Mike Destro is our producer. Mike

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<v Speaker 1>you good, good. All right. So the first time we

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<v Speaker 1>have like a real guest. We've had people in here,

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<v Speaker 1>but we haven't had anyone long form yet. So it's you.

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<v Speaker 1>Kelly Bannon's here. Her name is spelled funny. If you

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<v Speaker 1>do look it up, it's like k E L L

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<v Speaker 1>E I g h p p l's like that. Yeah.

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<v Speaker 1>So here's here's some of Kelly song landlocked here. Maybe

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<v Speaker 1>you've heard it on the show before. We might be

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<v Speaker 1>it might be damn Hi, we can build a sax

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<v Speaker 1>in the back, pick up, chucking up, don't get get off,

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<v Speaker 1>stop everybody on the So. Kelly walked up to my house,

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<v Speaker 1>which has been flooded for a while, and so, I mean,

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<v Speaker 1>I talked about how it's a war zone. It's bad.

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<v Speaker 1>It's like that's really bad. And I was telling you,

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<v Speaker 1>like my house is all torn up right now, and

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<v Speaker 1>it's it's not it's very dramatic here, like if all

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<v Speaker 1>the hallway is like there's nothing at all, it's hot.

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<v Speaker 1>It's really hot. Not to be deva. It was like,

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<v Speaker 1>it's okay, it's this is because I've been here one

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<v Speaker 1>other time and it's kind of a swanky place. Yeah,

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<v Speaker 1>it's it's swanky for an older building. I think it's

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<v Speaker 1>a cool, lofty building. And so it's hot in my bedroom,

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<v Speaker 1>which I'm not able to move in yet because they

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<v Speaker 1>have heaters and dehydrators and defibrillators. I don't know what

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<v Speaker 1>they have in that room. So I have heat coming

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<v Speaker 1>up into the room and then I have the heat

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<v Speaker 1>coming from the side because all the hall is torn up.

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<v Speaker 1>So I wake up like I had the flu. I

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<v Speaker 1>wake up and night sweats and or it feels like

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<v Speaker 1>a pie the bed, like one of the two every

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<v Speaker 1>time I wake up at night. So I'm sorry I

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<v Speaker 1>had to walk through that. But to counter that, you

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<v Speaker 1>do look like crap. So yeah, you know, not not

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<v Speaker 1>your face. I'm just saying you obviously just came from

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<v Speaker 1>marking out. Just the rest of you looks like crap.

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<v Speaker 1>That means you didn't feel any pressure that that here's

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<v Speaker 1>the thing, Like, Okay, so this is what girls think about?

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<v Speaker 1>Do you want to do you want to know what

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<v Speaker 1>girls think about? Why don't you tell me what I

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<v Speaker 1>think about? You probably do know. I was all the

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<v Speaker 1>time like, literally so this, I didn't have anything today

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<v Speaker 1>that I needed to look like an artist for which

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<v Speaker 1>means I didn't shower and I worked out this morning

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<v Speaker 1>early with my trainer, and then I had just like

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<v Speaker 1>a bunch of meetings but not anything where I needed

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<v Speaker 1>to like look pretty. And so I was like, if

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<v Speaker 1>I'm going to literally only shower for Bobby, wasn't what

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<v Speaker 1>the only show? Because No? Here's why though, because that's

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<v Speaker 1>like kind of like I feel weird if I like

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<v Speaker 1>feel like I'm trying too hard. And I was like,

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<v Speaker 1>I think makeup, and it would have been like only

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<v Speaker 1>for you, which would have been like I would have

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<v Speaker 1>felt awkward, felt like a first date except kind of awkward. Right,

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<v Speaker 1>So I just rolled up in here. Yeah, Kelly Bannon,

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<v Speaker 1>nasty Mike. We'll start with Mike's three questions Mike. Every

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<v Speaker 1>time we've had a guest in, Mike, leave to three

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<v Speaker 1>questions Mike. Question number one for Kelly Bannon, go ahead,

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<v Speaker 1>Question number one, favorite Snapchat filter, Favorite oh, like, there

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<v Speaker 1>he's bringing the hard stuff. Okay, I like truthfully, I

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<v Speaker 1>like the advertising ones a lot of times, you know,

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<v Speaker 1>like you know, the ones that are like the ones

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<v Speaker 1>that are like they've they've paid for them for like

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<v Speaker 1>a promotional purpose. Because here's the problem with the Snapchat filters.

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<v Speaker 1>If you do like one of the like breaths that

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<v Speaker 1>the girls are all into, like the flower crown or

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<v Speaker 1>the butterflies, then you know, you people know you need

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<v Speaker 1>to look pretty, And if you do like the puppy,

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<v Speaker 1>you could put one of those on both of us. Now. Actually,

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<v Speaker 1>I do like the bee, though the bee makes me

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<v Speaker 1>crack of didn't makes you Yeah, you can just be stupid.

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<v Speaker 1>Oh well, the one I don't like is the one

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<v Speaker 1>that looked just like me and has like the glasses

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<v Speaker 1>in the braces and they too. Question to last TV

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<v Speaker 1>show you watched? Oh gosh, oh okay. We live with

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<v Speaker 1>my mom right now because we're not in our house

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<v Speaker 1>and my mom has Fox News on all day, so

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<v Speaker 1>I haven't really it's not I haven't watched, but it's

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<v Speaker 1>like it's just Fox News all the time in the

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<v Speaker 1>background on I haven't watched the TV show in a minute, though,

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<v Speaker 1>last question, Mike d Our, producer, and your favorite boy

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<v Speaker 1>band in sync always really yeah, bactually started it that

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<v Speaker 1>whole phase in scene kind of took it home. They

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<v Speaker 1>finished it like they closed it out. See I I

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<v Speaker 1>feel like it's like the best sing me your favorite

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<v Speaker 1>Backstreet Boys song? Then? What what would be your favorite

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<v Speaker 1>Backstreet Boys song? Okay, well, okay, now that is good.

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<v Speaker 1>It's a good one. Wait what was that one New

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<v Speaker 1>Kids on the New Kids on the Block that was

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<v Speaker 1>like when at least like I was in early middle

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<v Speaker 1>school and it was soretty young for you, Mike, but

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<v Speaker 1>for us. But Backstreet Boys best song probably I don't

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<v Speaker 1>know what he does to make you cray, but obvious

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<v Speaker 1>make you smile. I don't have no fancy cup. Yeah

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<v Speaker 1>to get to you, I walk a thousand? What is

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<v Speaker 1>that gonna called? All I have to give? But the

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<v Speaker 1>best Backstree Boys song does not hold up to Gone

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<v Speaker 1>from in Sync and Gone wasn't even their biggest song.

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<v Speaker 1>But wait, you cover something? I've seen you cover something

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<v Speaker 1>from What do you cover or did you? Um? I

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<v Speaker 1>don't know. We come, We kind of come to everything

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<v Speaker 1>as we go. But like bye bye bye is better

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<v Speaker 1>than anything that that Baxter Boys put out. It's gonna

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<v Speaker 1>be me. That's better than anything to Backstreet Boys. But

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<v Speaker 1>you're crazy, Yeah, even like pop pop. I mean, that's

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<v Speaker 1>a girlfriend with nell A too friends. I mean, and

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<v Speaker 1>then their best song, and it wasn't even their biggest song.

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<v Speaker 1>But I think Gone was like the coolest song. It

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<v Speaker 1>was all black and white. Remember the music video video.

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<v Speaker 1>I actually don't remember that video. You know, the song

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<v Speaker 1>like the circus needs to clown. I'm not sure that

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<v Speaker 1>I do like a mind. Oh, this is the greatest

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<v Speaker 1>then Sink song ever, and you guys are totally missed.

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<v Speaker 1>You missed it. I don't want to. I don't think

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<v Speaker 1>I know it. It was late in sync. I'm gonna

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<v Speaker 1>break off a little bit. This is instinct Gone, by

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<v Speaker 1>the way, Kelly Bannon's here, there's a thousand said that.

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<v Speaker 1>Oh yeah, this is such a great melody too. You know,

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<v Speaker 1>what are you talking about so long? Like this is

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<v Speaker 1>like justin Timberlake solo career, right before it was justin

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<v Speaker 1>Timberlake solo career. But he does sound like a baby though.

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<v Speaker 1>To me, you acting so strange, acting so strange. Maybe

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<v Speaker 1>I was too blood to chee that you needed a change. Well,

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<v Speaker 1>is it something the ship to make it turn away,

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<v Speaker 1>make you walk out? Andy me cold fucking just found

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<v Speaker 1>me to make it so that you all right here,

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<v Speaker 1>here we go, Mike Bissing, get you off my march

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<v Speaker 1>of my hardest to bee the man and be strong,

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<v Speaker 1>draw myself and say true read made you go, God

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<v Speaker 1>baby go, oh you go baby girl. Man, that was

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<v Speaker 1>a damn and I'm glad you did that that. I'm like, okay,

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<v Speaker 1>I want to go back and listen. There's more than

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<v Speaker 1>bye bye bye great like in stinc is great in

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<v Speaker 1>order of our lifetime and sink at one boy new

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<v Speaker 1>Gets on the block was that was such a big deal?

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<v Speaker 1>I was. We were so young though, I like, I

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<v Speaker 1>don't think we got to experience you remember girls like

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<v Speaker 1>like and sleep over Party is having like the VHS

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<v Speaker 1>of their video and like sleeping with like the video. Yeah, yeah,

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<v Speaker 1>vhs you have? How do you? Okay? Um, that's a tape.

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<v Speaker 1>It's one of those rectangled things and used to put

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<v Speaker 1>in like this big monster that a hole in it

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<v Speaker 1>and it would suck it in and then play it

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<v Speaker 1>on your TV. He's crazy, don't worry about Yeah, we'll

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<v Speaker 1>google it later. Backstreet in Sync, New Kids, probably Backstreet.

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<v Speaker 1>I don't know if you consider Boys the men a

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<v Speaker 1>boy band, because then they get into the whole Joe

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<v Speaker 1>to see. I'm gonna say boys and not a boy band.

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<v Speaker 1>I'm gonna say they're there because they didn't dance. To

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<v Speaker 1>be a boy band, you have to be put on

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<v Speaker 1>a lot of dance too. With the singing boys them

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<v Speaker 1>in they were good because they sang really well. Like

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<v Speaker 1>the package of a boy band has to be. You

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<v Speaker 1>have to be young vocalists and do a lot of dances,

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<v Speaker 1>a lot of dancing. So okay, I go in Sync,

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<v Speaker 1>New Kids, Backstreet Boys. I mean, like I was going

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<v Speaker 1>to ask you that those guys are really good musicians,

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<v Speaker 1>so I wouldn't put him in a boy band group

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<v Speaker 1>like I loved oh Town, who was the guy that

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<v Speaker 1>just died that was like somebody's major manager, and so

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<v Speaker 1>he was. He created all these groups, Backstreet, in Sync,

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<v Speaker 1>oh Town. And he also and there are allegations against

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<v Speaker 1>him for doing improper things. He created LFO like that

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<v Speaker 1>was his thing. But he got in trouble for a

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<v Speaker 1>Ponzi scheme that was even bigger than the one that

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<v Speaker 1>the Bernie Madoff had. You know what does not make

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<v Speaker 1>sense to me about that is like think about what

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<v Speaker 1>he was making back then, with the kind of record

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<v Speaker 1>stills they had, Like why would you do that? Because

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<v Speaker 1>never get enough? Period? Like ever, the richest people I

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<v Speaker 1>know are still out. It doesn't matter with money, No

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<v Speaker 1>one's ever just contend. I don't know anyone who just like,

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<v Speaker 1>I'm good to where I am. Do you know anybody

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<v Speaker 1>who like, Okay, you're right, You're right. Everybody's like at

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<v Speaker 1>the same time, just think about me a little bit.

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<v Speaker 1>What's like what people say about when the people win

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<v Speaker 1>the lottery, Like their happiness goes down because they don't

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<v Speaker 1>know what to do and they start to see the

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<v Speaker 1>relationships that they have and don't have and what they meet. Yeah,

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<v Speaker 1>but I don't know anybody that goes let me just

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<v Speaker 1>get it look a little poor better. It's a little poor.

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<v Speaker 1>It's always let me just start to get a little richer.

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<v Speaker 1>Even you know the richest billionaires is they do that.

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<v Speaker 1>But with that, I play you one of the best

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<v Speaker 1>boy band songs of all time, But this one right here,

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<v Speaker 1>All or Nothing from Otown Top five boy band songs,

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<v Speaker 1>even though they're not one of the talk three or

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<v Speaker 1>four boy bands. I went and hung out. I hung

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<v Speaker 1>out with them in Portland for like a whole night.

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<v Speaker 1>Once they weren't nice to Jacob. He was one of

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<v Speaker 1>the guys in the band. Is a whole story. But

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<v Speaker 1>then's the champ. Yeah, these guys had what was that chorus? Though?

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<v Speaker 1>I know I know that Okay god, okay, yeah, thank you?

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<v Speaker 1>Oh yeah that was a jam. Uh so that was fun.

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<v Speaker 1>Kelly Bannon's here. You have a new website that's up

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<v Speaker 1>and it's called This Nationale Life. Yes, it's like a blog,

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<v Speaker 1>I know, roll your eyes. That's where everything. No, no,

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<v Speaker 1>it's not that everything is going there, but it's just

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<v Speaker 1>hard to cut through because everybody has one. But everybody's

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<v Speaker 1>going there, and everyone has one, and there will be

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<v Speaker 1>those that thrive huge, but most won't. It's like all

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<v Speaker 1>of it. It's all the whole thing. It's like artists

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<v Speaker 1>of music and artists of of in radio and artists

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<v Speaker 1>of whatever. The really good ones will cut through and

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<v Speaker 1>go to the top. One thing that I have learned

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<v Speaker 1>through my lifetime is the cream always rises. Eventually, the

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<v Speaker 1>cream always rises. It might take a little longer for

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<v Speaker 1>the cream to rise because of scenarios or circumstances. But

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<v Speaker 1>early do I see somebody that's so good and they

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<v Speaker 1>have a healthy head, and they don't make it unless

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<v Speaker 1>they quit, you know what I mean. If you you quit,

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<v Speaker 1>you didn't really want it anymore. So the cream always rises.

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<v Speaker 1>And the same thing with blogs and the same thing

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<v Speaker 1>with with podcasts. Like you see guys like Joe Rogan

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<v Speaker 1>and guys that have been at it for a long

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<v Speaker 1>time and have huge followings and because they're just good, compelling,

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<v Speaker 1>um and so yours. It's called this national life called Naville.

0:13:28.840 --> 0:13:31.000
<v Speaker 1>There's a blog and there's a podcast that actually started

0:13:31.000 --> 0:13:34.000
<v Speaker 1>to do yeah. Um, so there was. I had no

0:13:34.120 --> 0:13:35.840
<v Speaker 1>idea and I was like, hey, why don't you come up.

0:13:35.840 --> 0:13:37.440
<v Speaker 1>I didn't know she was in a media tour today

0:13:40.200 --> 0:13:42.160
<v Speaker 1>yesterday and I was like, hey, come by the house

0:13:42.160 --> 0:13:44.640
<v Speaker 1>and do that. So what's the blog about? The blog? Okay?

0:13:44.679 --> 0:13:46.839
<v Speaker 1>So I was in like I was in my record

0:13:46.880 --> 0:13:50.160
<v Speaker 1>deal and music wasn't coming out, and oh man, that

0:13:50.320 --> 0:13:52.640
<v Speaker 1>was like that was awesome. What car was that used

0:13:52.679 --> 0:13:54.240
<v Speaker 1>to do? What was that? The thing you heard was

0:13:54.280 --> 0:13:57.760
<v Speaker 1>a NASCAR hood that had my name on it that

0:13:57.840 --> 0:14:00.280
<v Speaker 1>we have propped up against The wallet fell? Why what's

0:14:00.320 --> 0:14:11.160
<v Speaker 1>the tape about? Okay, so, um so this national life

0:14:11.200 --> 0:14:14.040
<v Speaker 1>the bog started just because well, one, I think there's

0:14:14.040 --> 0:14:15.960
<v Speaker 1>a lot of really fun, cool things that go along

0:14:15.960 --> 0:14:18.400
<v Speaker 1>with being an artist, like especially for girls, Like there's

0:14:18.400 --> 0:14:21.280
<v Speaker 1>the glamy stuff in the fashion and like you get

0:14:21.320 --> 0:14:23.200
<v Speaker 1>to do cool stuff, you know, we get to meet

0:14:23.200 --> 0:14:26.120
<v Speaker 1>really neat people. And so part of me was like,

0:14:26.120 --> 0:14:28.280
<v Speaker 1>like there's some neat stories to be told and fans

0:14:28.360 --> 0:14:29.600
<v Speaker 1>want to know about it. And I wasn't able to

0:14:29.640 --> 0:14:31.240
<v Speaker 1>put music out because I was you know, it was

0:14:31.280 --> 0:14:33.640
<v Speaker 1>just kind of we were between sort of we were

0:14:33.640 --> 0:14:38.000
<v Speaker 1>still at Universal and trying to find that next single

0:14:38.560 --> 0:14:42.000
<v Speaker 1>record label. Yeah yeah, And I just was trying to

0:14:42.040 --> 0:14:44.440
<v Speaker 1>look for a way to connect with fans. And I

0:14:44.480 --> 0:14:46.920
<v Speaker 1>wanted to take my story back a little bit too,

0:14:46.960 --> 0:14:49.520
<v Speaker 1>and um, not in like a bad way, just in

0:14:49.640 --> 0:14:52.560
<v Speaker 1>like I wanted to be the person telling my story.

0:14:52.840 --> 0:14:56.160
<v Speaker 1>And I also feel like like I've I'm not super young,

0:14:56.320 --> 0:14:58.440
<v Speaker 1>Like I have a lot of experiences and I've had

0:14:58.440 --> 0:15:00.520
<v Speaker 1>a lot of heartache, and I just like I can

0:15:00.520 --> 0:15:03.240
<v Speaker 1>tell like, I think there's a gift in telling your

0:15:03.280 --> 0:15:04.960
<v Speaker 1>story and sharing it with I think that's what you

0:15:05.040 --> 0:15:08.600
<v Speaker 1>do so incredibly well too. It's like you don't give everything,

0:15:08.720 --> 0:15:11.080
<v Speaker 1>you can't be vulnerable about every single thing. But when

0:15:11.120 --> 0:15:12.920
<v Speaker 1>you can be vulnerable about something like it can be

0:15:12.960 --> 0:15:15.320
<v Speaker 1>a real gift to other people. I love boy bands.

0:15:15.360 --> 0:15:20.440
<v Speaker 1>You know you're vulnerable than that. So this Nashville Life

0:15:20.520 --> 0:15:22.720
<v Speaker 1>will talk more about that in a minute. Yeah, I

0:15:22.760 --> 0:15:24.200
<v Speaker 1>want to ask you about like a record deal that

0:15:24.280 --> 0:15:26.160
<v Speaker 1>we talked about, the records and stuff. How old were

0:15:26.160 --> 0:15:28.480
<v Speaker 1>you when you get your first record deal? So that's

0:15:28.520 --> 0:15:31.080
<v Speaker 1>kind of old actually already for a female, it is

0:15:31.120 --> 0:15:33.840
<v Speaker 1>older ish to get a first record deal. Yeah, And

0:15:33.880 --> 0:15:36.200
<v Speaker 1>when we talk in terms here of age, we talk

0:15:36.280 --> 0:15:38.480
<v Speaker 1>in artists terms. There's the thing on the show where

0:15:38.480 --> 0:15:41.960
<v Speaker 1>we talk when you compare celebrity guys and girls on looks.

0:15:42.200 --> 0:15:44.720
<v Speaker 1>There's the celebrity scale and there's the normal. I went

0:15:44.800 --> 0:15:46.560
<v Speaker 1>telling the truth about do you want I can give

0:15:46.560 --> 0:15:48.520
<v Speaker 1>you my artist age, then we can back that up.

0:15:48.560 --> 0:15:51.000
<v Speaker 1>I got signed in to my record deal at twenty four,

0:15:51.840 --> 0:15:55.480
<v Speaker 1>so you were active. I'm with twenty eight when I

0:15:55.480 --> 0:15:59.120
<v Speaker 1>got signed and they knew it and yeah, older than Yeah,

0:15:59.160 --> 0:16:03.200
<v Speaker 1>a lot of the like you not, you know, probably

0:16:03.320 --> 0:16:05.600
<v Speaker 1>I got more hung up on that than they ever did.

0:16:05.640 --> 0:16:07.600
<v Speaker 1>I mean, they don't. They're not going to be like

0:16:07.720 --> 0:16:10.680
<v Speaker 1>she's thirty who you know? But like I think as

0:16:10.680 --> 0:16:13.040
<v Speaker 1>long as I looked pretty good and like I didn't

0:16:13.080 --> 0:16:16.080
<v Speaker 1>look super old. So if you're twenty eight and you

0:16:16.080 --> 0:16:17.720
<v Speaker 1>get signed, how that? How did it happen? Where you

0:16:17.760 --> 0:16:19.600
<v Speaker 1>get a deal? Do you go out and do you

0:16:19.920 --> 0:16:21.640
<v Speaker 1>I think a lot of listeners would like to know

0:16:21.680 --> 0:16:23.720
<v Speaker 1>how this works. Do you go and say I will

0:16:23.760 --> 0:16:25.880
<v Speaker 1>be playing at this bar. Anyone who wants to come

0:16:25.880 --> 0:16:27.360
<v Speaker 1>and watch me can come watch me, and anyone has

0:16:27.400 --> 0:16:29.960
<v Speaker 1>to sign me can sign me. Well, you know, nowadays

0:16:30.000 --> 0:16:33.800
<v Speaker 1>it's different, but like then, okay to to this day,

0:16:33.800 --> 0:16:37.280
<v Speaker 1>they still do this thing called artist pitches, where like, okay,

0:16:37.400 --> 0:16:40.160
<v Speaker 1>let's say you let's say you're a manager, you're a producer,

0:16:40.160 --> 0:16:42.000
<v Speaker 1>and you have and you're working with the Raging Idiots.

0:16:42.000 --> 0:16:43.880
<v Speaker 1>I know this isn't how this happened for the Raging Idiots.

0:16:43.880 --> 0:16:47.040
<v Speaker 1>I don't think that, but like, so, okay, we've got

0:16:47.040 --> 0:16:49.720
<v Speaker 1>this band, like they they're really cool, We've got some side,

0:16:49.760 --> 0:16:52.160
<v Speaker 1>we've got some songs, some recordings of them, and like

0:16:52.280 --> 0:16:55.200
<v Speaker 1>you set meetings with an r that's like who signs

0:16:55.240 --> 0:16:57.880
<v Speaker 1>people at record labels and you go in there like

0:16:58.200 --> 0:17:00.840
<v Speaker 1>almost like a conference room performance, like you play for them?

0:17:01.200 --> 0:17:05.000
<v Speaker 1>How did you? That's what I found had a manager. No,

0:17:05.200 --> 0:17:08.280
<v Speaker 1>Actually the way I got found was I did this

0:17:08.320 --> 0:17:11.040
<v Speaker 1>tour in two thousand nine called ninety Gigs and ninety

0:17:11.119 --> 0:17:14.760
<v Speaker 1>Days and how to Recovery tie in. It was like

0:17:14.800 --> 0:17:18.399
<v Speaker 1>to honor um, like the one year anniversary of my

0:17:18.600 --> 0:17:20.439
<v Speaker 1>younger brother passing away, and I just didn't know what

0:17:20.480 --> 0:17:21.840
<v Speaker 1>to do with that anniversary. So I was like, I'm

0:17:21.840 --> 0:17:24.600
<v Speaker 1>gonna go play a bunch of shows. And it's like

0:17:24.720 --> 0:17:28.280
<v Speaker 1>main national News and Paul Worley, who's a really famous

0:17:28.280 --> 0:17:30.679
<v Speaker 1>producer here in town. He produced the Dixie Chicks and

0:17:30.720 --> 0:17:36.199
<v Speaker 1>Sarah Evans, Martin McBride, Lady Anabelle um Um. He like,

0:17:36.280 --> 0:17:37.919
<v Speaker 1>I think he just read about me and he was

0:17:37.960 --> 0:17:40.720
<v Speaker 1>like she's just crazy enough, like I'll take a meeting

0:17:40.720 --> 0:17:42.280
<v Speaker 1>with her. And I just went and played for him,

0:17:42.760 --> 0:17:46.280
<v Speaker 1>just me and my guitar. I'm saying, like you know

0:17:46.359 --> 0:17:48.679
<v Speaker 1>these So I mean, I wasn't even writing in in

0:17:48.840 --> 0:17:51.120
<v Speaker 1>mainstream music row at that time. I was writing by

0:17:51.160 --> 0:17:54.240
<v Speaker 1>myself and with like a couple other people. Yeah my song.

0:17:54.400 --> 0:17:56.560
<v Speaker 1>So I was singing in front of this guy, singing

0:17:56.560 --> 0:17:59.199
<v Speaker 1>in front this guy in his office, and he his

0:17:59.320 --> 0:18:01.200
<v Speaker 1>job would be if he likes if he said yes

0:18:01.280 --> 0:18:05.600
<v Speaker 1>to manage, you know, to produced, yes to make Okay,

0:18:05.960 --> 0:18:07.879
<v Speaker 1>so you're going to play an he likes you, and

0:18:07.880 --> 0:18:10.080
<v Speaker 1>he's like you okay, we're gonna He was really, I mean,

0:18:10.119 --> 0:18:11.840
<v Speaker 1>Paul is a huge part of my story, but he

0:18:11.960 --> 0:18:14.639
<v Speaker 1>was like okay, cool, Like this is happening in the meeting.

0:18:15.040 --> 0:18:18.560
<v Speaker 1>He's like, uh, we're going to make a record together.

0:18:18.920 --> 0:18:20.679
<v Speaker 1>Now you need to go write the songs. And I

0:18:20.720 --> 0:18:23.120
<v Speaker 1>have a lot of connections and tell him obviously, so

0:18:23.440 --> 0:18:25.880
<v Speaker 1>I'm gonna help you get in with songwriters. He said

0:18:25.880 --> 0:18:27.920
<v Speaker 1>he had the connections. I mean, he's just like, I'm

0:18:27.920 --> 0:18:30.080
<v Speaker 1>going to help you get those co writes and you're

0:18:30.080 --> 0:18:32.440
<v Speaker 1>gonna go write your record and we're gonna, we're gonna,

0:18:32.480 --> 0:18:35.119
<v Speaker 1>we're gonna make music together. So you made a record

0:18:35.160 --> 0:18:37.480
<v Speaker 1>before you got a deal. We did like half a record.

0:18:38.080 --> 0:18:40.480
<v Speaker 1>And so do you take the music to different record

0:18:40.520 --> 0:18:43.159
<v Speaker 1>companies and you say, here's what it sounds like. And

0:18:43.160 --> 0:18:47.200
<v Speaker 1>so who signed you? Mike Dungan and Autumn House at

0:18:47.320 --> 0:18:50.879
<v Speaker 1>what was then Capitol Records but it is now Universal Records. Okay,

0:18:50.880 --> 0:18:53.440
<v Speaker 1>so they signed you under the pretense of you're gonna

0:18:53.440 --> 0:18:55.119
<v Speaker 1>be an artist, they tell you what kind of artists

0:18:55.119 --> 0:18:57.400
<v Speaker 1>you needed to be. They actually signed me to something

0:18:57.400 --> 0:18:59.760
<v Speaker 1>that doesn't happen anymore, which is called a development deal.

0:19:00.520 --> 0:19:02.760
<v Speaker 1>But it was like, yeah, we really love what you're doing.

0:19:03.200 --> 0:19:06.480
<v Speaker 1>And like other other record labels had passed on me too,

0:19:06.520 --> 0:19:09.399
<v Speaker 1>Like we were pitching a couple different places, but and

0:19:09.440 --> 0:19:11.399
<v Speaker 1>then one was still like in the conversation, but and

0:19:11.480 --> 0:19:13.440
<v Speaker 1>I really loved them over there. They had so many

0:19:13.520 --> 0:19:15.840
<v Speaker 1>artists that I really admired. I was like, oh, like

0:19:15.880 --> 0:19:17.440
<v Speaker 1>what I want to be a part of what they're doing.

0:19:17.480 --> 0:19:20.520
<v Speaker 1>And yeah, so they are like essentially they're like you

0:19:20.560 --> 0:19:22.800
<v Speaker 1>gotta go right, Yeah, you gotta go right that right,

0:19:22.880 --> 0:19:27.800
<v Speaker 1>that hit right those right, that first single right, that album? Um, yeah,

0:19:27.960 --> 0:19:29.800
<v Speaker 1>so you go and you get a record deal. People

0:19:29.800 --> 0:19:30.960
<v Speaker 1>think you get a record deal, so you make a

0:19:31.000 --> 0:19:33.560
<v Speaker 1>lot of money immediately. I mean, you do get a

0:19:33.560 --> 0:19:36.400
<v Speaker 1>little bit of a signing bonus, but like, what's what's

0:19:36.400 --> 0:19:38.439
<v Speaker 1>a little bit of a signing bonus. I think at

0:19:38.440 --> 0:19:41.720
<v Speaker 1>the end of the day, my signing bonus was forty

0:19:42.160 --> 0:19:44.400
<v Speaker 1>dollars or fifty thousand dollars. That's not nothing. Just needs

0:19:44.440 --> 0:19:46.800
<v Speaker 1>at But then I had probably twenty thousand and legal

0:19:46.800 --> 0:19:50.919
<v Speaker 1>fees fifteen or twenty thousand and legal fees, And that's

0:19:51.000 --> 0:19:53.359
<v Speaker 1>the that's the first check you get from the record label,

0:19:53.520 --> 0:19:55.840
<v Speaker 1>and you don't get another check from the record label

0:19:56.440 --> 0:19:59.560
<v Speaker 1>until you've made back all the money that they spend

0:19:59.600 --> 0:20:03.240
<v Speaker 1>on you, essentially, or you're making your or they put

0:20:03.240 --> 0:20:05.399
<v Speaker 1>out an album and then you make another album, and

0:20:05.440 --> 0:20:07.520
<v Speaker 1>they advance you money, usually at the front end of

0:20:07.520 --> 0:20:09.800
<v Speaker 1>each album cycle, so it's called like a recoup. So

0:20:10.080 --> 0:20:12.399
<v Speaker 1>for example, if it takes ten dollars to make a

0:20:12.440 --> 0:20:16.080
<v Speaker 1>record and the record makes thirteen dollars, you don't even

0:20:16.119 --> 0:20:18.200
<v Speaker 1>start to get paid until the extra three dollars comes

0:20:18.440 --> 0:20:20.320
<v Speaker 1>and you only get a fraction of the three dollars,

0:20:20.320 --> 0:20:24.480
<v Speaker 1>which is very small. So, and people don't buy records,

0:20:24.480 --> 0:20:26.720
<v Speaker 1>and people don't they really people don't buy music, and

0:20:26.720 --> 0:20:28.600
<v Speaker 1>and and in five years, people just don't get to

0:20:28.600 --> 0:20:32.159
<v Speaker 1>buy music, like it's not convenient. The making of music

0:20:32.200 --> 0:20:34.640
<v Speaker 1>to be bought is not going to be a thing

0:20:34.720 --> 0:20:38.600
<v Speaker 1>in five to ten years, it'll be a boutique thing.

0:20:39.160 --> 0:20:41.040
<v Speaker 1>But where it's going to go as people are gonna

0:20:41.040 --> 0:20:43.000
<v Speaker 1>have an artists are gonna have to find ways to

0:20:43.160 --> 0:20:46.000
<v Speaker 1>monetize their music in different ways, and you know touring

0:20:46.040 --> 0:20:50.600
<v Speaker 1>obviously and in merchandise obviously, but do you do special

0:20:50.680 --> 0:20:54.240
<v Speaker 1>Facebook live shows? Do you fan experience? That's where the

0:20:54.359 --> 0:20:55.639
<v Speaker 1>that's where the money is going to have to come,

0:20:55.680 --> 0:20:57.920
<v Speaker 1>because you're already seeing no money come from music and

0:20:57.960 --> 0:20:59.800
<v Speaker 1>so labels are trying to figure it out artists or

0:20:59.800 --> 0:21:03.200
<v Speaker 1>trying to figure it out. And so you're with Universal

0:21:03.320 --> 0:21:05.000
<v Speaker 1>and you decided to put out a single. What was

0:21:05.040 --> 0:21:07.199
<v Speaker 1>the first single? The first single was called Sorry on

0:21:07.240 --> 0:21:10.000
<v Speaker 1>the Rocks, and it actually got to thirty six, so

0:21:10.040 --> 0:21:12.520
<v Speaker 1>it was my highest charting song. It wasn't like the

0:21:12.560 --> 0:21:15.000
<v Speaker 1>highest selling, but it was the highest charting song that

0:21:15.040 --> 0:21:21.520
<v Speaker 1>we put Clearly, he didn't I wasn't in the format

0:21:21.560 --> 0:21:24.760
<v Speaker 1>you weren't. I don't know when when did you come? Yeah?

0:21:24.840 --> 0:21:27.760
<v Speaker 1>It was two thou twelve here Sorry on the Rocks.

0:21:28.240 --> 0:21:29.919
<v Speaker 1>So you have the song. Do you feel like it's

0:21:29.920 --> 0:21:34.200
<v Speaker 1>going to be a huge hit? I mean I did?

0:21:35.160 --> 0:21:40.000
<v Speaker 1>I did? I did? I mean, yeah, what are you

0:21:40.240 --> 0:21:47.080
<v Speaker 1>talking about? I don't really want to do this on

0:21:47.160 --> 0:21:51.840
<v Speaker 1>the I can get to the chorus, get to the chorus,

0:21:51.880 --> 0:21:59.359
<v Speaker 1>gone listen. You finably have a nice studio here, it's

0:21:59.440 --> 0:22:08.240
<v Speaker 1>too full, and you all say, I'm sorry, you've been

0:22:08.359 --> 0:22:27.200
<v Speaker 1>checking all right, and now shag it's Magan worstool, I'm sorry,

0:22:27.720 --> 0:22:30.200
<v Speaker 1>very single, and you're excited and you're a new artist,

0:22:30.240 --> 0:22:32.720
<v Speaker 1>and I'm sure the labels behind you like crazy. Well

0:22:32.760 --> 0:22:37.159
<v Speaker 1>actually it was. It was total mayhem because the label

0:22:37.200 --> 0:22:39.880
<v Speaker 1>head had just left, like I get signed, We're about

0:22:39.920 --> 0:22:42.520
<v Speaker 1>to come out with this first single, and the label

0:22:42.560 --> 0:22:45.199
<v Speaker 1>head leaves to go to another label. Because there's all

0:22:45.200 --> 0:22:47.560
<v Speaker 1>this Cris is like totally inside baseball. So I don't

0:22:47.600 --> 0:22:51.159
<v Speaker 1>want to bore you guys, but like I'll tell you

0:22:49.280 --> 0:22:53.639
<v Speaker 1>it's boring. But we had we went out on our

0:22:53.720 --> 0:22:56.000
<v Speaker 1>radio tour and that wasn't even a single we were promoting.

0:22:56.040 --> 0:22:57.720
<v Speaker 1>So then they're like, wait, we think this should be

0:22:57.800 --> 0:23:01.119
<v Speaker 1>the single. It just felt like really chaotic. So and

0:23:01.160 --> 0:23:04.199
<v Speaker 1>I've been in that situation to where I had a

0:23:04.320 --> 0:23:08.600
<v Speaker 1>CEO and right in the middle of them deciding what

0:23:08.640 --> 0:23:11.520
<v Speaker 1>they were going to want me to do and let

0:23:11.520 --> 0:23:14.280
<v Speaker 1>me figure out how I wanted to do. They switched

0:23:14.880 --> 0:23:17.720
<v Speaker 1>and I got I got really lucky and had someone

0:23:17.720 --> 0:23:20.520
<v Speaker 1>who came in and was like because that my original

0:23:20.600 --> 0:23:24.320
<v Speaker 1>CEO was like you we want you to do something huge.

0:23:24.440 --> 0:23:26.720
<v Speaker 1>We were they're offering me different jobs, but then the

0:23:26.760 --> 0:23:28.359
<v Speaker 1>new when Bob Pittman came in, I was like, not

0:23:28.400 --> 0:23:30.800
<v Speaker 1>only want you to do this, like we really want

0:23:30.880 --> 0:23:32.560
<v Speaker 1>you to do all of this, where it could have

0:23:32.600 --> 0:23:34.159
<v Speaker 1>been that so many of my friends it happens to

0:23:34.680 --> 0:23:36.920
<v Speaker 1>and they want to bring in their own people totally,

0:23:37.240 --> 0:23:39.639
<v Speaker 1>and I honestly it did not go as badly as

0:23:39.680 --> 0:23:41.479
<v Speaker 1>it could have, and we ended up these two companies

0:23:41.520 --> 0:23:43.240
<v Speaker 1>merged back together and so we're all back under the

0:23:43.280 --> 0:23:45.359
<v Speaker 1>same leadership. But there were like eight months where it

0:23:45.400 --> 0:23:47.920
<v Speaker 1>was like lose in charge and like what's going to

0:23:48.000 --> 0:23:50.439
<v Speaker 1>happen and everything they support you or you that you

0:23:50.440 --> 0:23:53.600
<v Speaker 1>they didn't find about you, right, that's human nature. Like,

0:23:53.920 --> 0:23:58.159
<v Speaker 1>so that song goes to thirty nine or something right

0:23:58.240 --> 0:24:00.360
<v Speaker 1>under top top forty, you get when do you get

0:24:00.359 --> 0:24:03.640
<v Speaker 1>the call that goes, okay, the song is dead? Were actually,

0:24:03.800 --> 0:24:05.800
<v Speaker 1>you know, my manager Carry and I didn't have a

0:24:05.800 --> 0:24:08.200
<v Speaker 1>manager when I honestly, I didn't have a manager until

0:24:08.200 --> 0:24:10.359
<v Speaker 1>like halfway through that because I didn't have a manager

0:24:10.359 --> 0:24:13.280
<v Speaker 1>when I got signed, and like Carry called me and

0:24:13.720 --> 0:24:16.040
<v Speaker 1>she was just like, you know, it's like it's over

0:24:16.160 --> 0:24:19.400
<v Speaker 1>and I don't It's very like our world, and your

0:24:19.480 --> 0:24:22.760
<v Speaker 1>world especially is so these numbers, like it is math

0:24:22.840 --> 0:24:24.720
<v Speaker 1>the way that songs make it up the charts. It

0:24:24.800 --> 0:24:27.560
<v Speaker 1>is literally math. And so what had happened is we'd

0:24:27.560 --> 0:24:30.600
<v Speaker 1>break we'd broken into the top forty, which means you

0:24:30.640 --> 0:24:33.159
<v Speaker 1>get all this like count downing stuff. You guys have

0:24:33.160 --> 0:24:37.119
<v Speaker 1>heard countdowns. Sorry, I'm sure you do have to countdown.

0:24:37.320 --> 0:24:42.240
<v Speaker 1>I've never heard this song before, but I have the

0:24:42.280 --> 0:24:45.520
<v Speaker 1>biggest countdown in America, by the way, for the record,

0:24:45.520 --> 0:24:51.679
<v Speaker 1>the country is the largest national countdown in country music. Like,

0:24:51.760 --> 0:24:55.720
<v Speaker 1>I don't care, but I'm sure it's awesome. It's it's fine.

0:24:55.760 --> 0:24:59.359
<v Speaker 1>It's a countdown that easy, the easiest. So um, So

0:24:59.400 --> 0:25:01.879
<v Speaker 1>what happens is like, so you get all these extra

0:25:01.960 --> 0:25:04.159
<v Speaker 1>plays on your song because it's in the countdown and

0:25:04.200 --> 0:25:07.280
<v Speaker 1>all these stations are playing it, if that makes sense,

0:25:07.320 --> 0:25:10.040
<v Speaker 1>and then you have to keep that forward momentum. I

0:25:10.040 --> 0:25:12.080
<v Speaker 1>think like a couple of big superstars put songs out

0:25:12.280 --> 0:25:14.040
<v Speaker 1>and they like jumped me in the charts, and we

0:25:14.080 --> 0:25:17.600
<v Speaker 1>got knocked out of the forties. And you you can

0:25:17.600 --> 0:25:20.800
<v Speaker 1>not go forward. If you stopped climbing a ladder, it's

0:25:20.840 --> 0:25:24.760
<v Speaker 1>hard to reclimb it. That what happened, and like, I

0:25:24.760 --> 0:25:26.560
<v Speaker 1>don't know. Should the song have been a hit? I

0:25:26.600 --> 0:25:30.000
<v Speaker 1>don't know, probably not, but you know I didn't hate it.

0:25:30.240 --> 0:25:33.240
<v Speaker 1>Thanks you yea? So okay, then what do you put on?

0:25:33.480 --> 0:25:36.040
<v Speaker 1>So then we put out famous? Okay, this one. I

0:25:36.160 --> 0:25:40.680
<v Speaker 1>was just into the format here, so I know this song.

0:25:40.800 --> 0:25:43.360
<v Speaker 1>And so this is Kelly Bannon. This song is called

0:25:43.400 --> 0:25:46.600
<v Speaker 1>famous because I'm gonna make like, yeah, you sing it.

0:25:46.880 --> 0:25:55.159
<v Speaker 1>I'm good, I'm really good. This was the one agree on.

0:25:55.400 --> 0:25:59.000
<v Speaker 1>It's so like a hundred and fifty thou singles. Yeah, okay,

0:25:59.040 --> 0:26:01.919
<v Speaker 1>here's famous. You swipped me off my things from the

0:26:02.040 --> 0:26:05.679
<v Speaker 1>moment I met you good. I want to lucky baby.

0:26:05.800 --> 0:26:11.360
<v Speaker 1>I'll let you in my heart and my heart fast

0:26:11.400 --> 0:26:19.240
<v Speaker 1>forward of the course. Just yet. I'm gonna make you

0:26:19.359 --> 0:26:22.960
<v Speaker 1>famous about you? You know, I know what your name

0:26:23.200 --> 0:26:28.600
<v Speaker 1>is this town. I'm gonna make you famous to don't

0:26:28.640 --> 0:26:32.480
<v Speaker 1>you know what those around? Yeah, I'm gonna make your

0:26:32.520 --> 0:26:38.280
<v Speaker 1>famous famous. So you put out famous. And I remember

0:26:38.320 --> 0:26:40.760
<v Speaker 1>liking that song and where did it? Where did it

0:26:40.800 --> 0:26:45.520
<v Speaker 1>pick up the char chartedby? It never charted? I think

0:26:45.560 --> 0:26:48.520
<v Speaker 1>people were Okay, it's poppy. You guys just heard it.

0:26:48.520 --> 0:26:51.919
<v Speaker 1>It is poppy, But now I mean it was, and

0:26:51.920 --> 0:26:53.919
<v Speaker 1>it was before a lot of the other stuff that happened.

0:26:53.960 --> 0:26:57.199
<v Speaker 1>That is poppy, But I just believe me. Are you poppy?

0:26:58.119 --> 0:27:02.160
<v Speaker 1>Yeah you have changed things? Yeah you okay, But like

0:27:03.000 --> 0:27:05.199
<v Speaker 1>we I just felt like, okay, yes, people are going

0:27:05.240 --> 0:27:07.119
<v Speaker 1>to be like, it's poppy, but I felt like it was.

0:27:07.560 --> 0:27:09.680
<v Speaker 1>It would be. We wouldn't have put out the best

0:27:09.800 --> 0:27:11.920
<v Speaker 1>version of the song if we'd gone back and tried

0:27:11.960 --> 0:27:14.600
<v Speaker 1>to make it country or in some It just was.

0:27:14.760 --> 0:27:16.880
<v Speaker 1>That was the recording, and I believed in that recording,

0:27:16.920 --> 0:27:19.520
<v Speaker 1>and I thought fans would love it, and they did actually,

0:27:19.560 --> 0:27:21.879
<v Speaker 1>like they bought it, and they watched the video a million,

0:27:22.000 --> 0:27:25.199
<v Speaker 1>well like two and a half million times. And but

0:27:25.320 --> 0:27:28.440
<v Speaker 1>like radio, it was just two different. I don't know,

0:27:28.560 --> 0:27:32.120
<v Speaker 1>I don't know what it was like. It's different now

0:27:32.160 --> 0:27:34.919
<v Speaker 1>it's like totally not. It actually makes me kind of

0:27:35.880 --> 0:27:38.680
<v Speaker 1>I don't know. It's slowly catching up. I got in trouble.

0:27:38.840 --> 0:27:41.680
<v Speaker 1>Rolling of the format was twenty years behind. I got

0:27:42.000 --> 0:27:44.480
<v Speaker 1>everybody's been saying that though in town for a million years,

0:27:44.520 --> 0:27:47.960
<v Speaker 1>like that's not did you get a little hand slap?

0:27:48.160 --> 0:27:50.440
<v Speaker 1>I don't get hand slaps, I get, but I was

0:27:50.680 --> 0:27:54.159
<v Speaker 1>really disliked in town for what I was doing with

0:27:54.200 --> 0:27:55.800
<v Speaker 1>the radio show for about a year and a half

0:27:55.880 --> 0:27:59.119
<v Speaker 1>until it was like, wow, okay, he's an artist advocate. Yeah,

0:27:59.400 --> 0:28:02.240
<v Speaker 1>you weren't just liked by artists, though you were disliked

0:28:02.280 --> 0:28:05.120
<v Speaker 1>by peep. Artists really liked you. I don't know they

0:28:05.160 --> 0:28:07.600
<v Speaker 1>liked me, but I think they appreciated that I was

0:28:07.680 --> 0:28:11.199
<v Speaker 1>going out on limbs because I don't know. It's not

0:28:11.240 --> 0:28:13.360
<v Speaker 1>like I'm but you know, I don't. I'm not sort

0:28:13.359 --> 0:28:15.719
<v Speaker 1>of like the Nashville buddy hood. You're not and you're not,

0:28:15.760 --> 0:28:19.960
<v Speaker 1>but you're personable like I do think they are. I mean,

0:28:20.000 --> 0:28:24.719
<v Speaker 1>let's real nice. I think you're a nice person. Um,

0:28:24.960 --> 0:28:28.199
<v Speaker 1>your best song to me was Smoke when I Drink. Really,

0:28:28.320 --> 0:28:30.440
<v Speaker 1>I don't know. I didn't know that I play. I

0:28:30.480 --> 0:28:31.600
<v Speaker 1>used to play in the dance party, and when I

0:28:31.600 --> 0:28:33.240
<v Speaker 1>play songs in the dance party, I picked the song,

0:28:33.800 --> 0:28:35.720
<v Speaker 1>you know what. So we asked, so what happened is

0:28:36.520 --> 0:28:39.880
<v Speaker 1>I mean, we asked them to put take this to

0:28:39.960 --> 0:28:41.720
<v Speaker 1>radio and they were like, you can't say smoke and

0:28:41.800 --> 0:28:45.680
<v Speaker 1>drink and I've played bottom, So we just we just

0:28:45.720 --> 0:28:47.280
<v Speaker 1>put it out digitally because I was on tour with

0:28:47.320 --> 0:28:51.720
<v Speaker 1>Cole and I had to have music out. Yeah, No,

0:28:51.800 --> 0:28:53.920
<v Speaker 1>I wasn't meaning that like a name drop. I was

0:28:53.920 --> 0:29:00.360
<v Speaker 1>on the road with Darth Rooks. You know you did, yes,

0:29:00.480 --> 0:29:02.440
<v Speaker 1>but does this smoke when I drinks? I think was

0:29:02.480 --> 0:29:08.880
<v Speaker 1>your best song and they wouldn't play out Nicotina shooting

0:29:09.520 --> 0:29:13.600
<v Speaker 1>turn on down, see it only smong one a drinking

0:29:13.760 --> 0:29:16.960
<v Speaker 1>only smoke one A drinking stage moment. Keep it coming, baby,

0:29:17.080 --> 0:29:23.080
<v Speaker 1>when you feel all right, I'm tuning up the giants.

0:29:23.120 --> 0:29:29.240
<v Speaker 1>Turn you back Bay, keep telling my silver only smoke

0:29:29.320 --> 0:29:33.760
<v Speaker 1>when I drink A tempo fun listen. I mean, smoking

0:29:33.800 --> 0:29:36.160
<v Speaker 1>is gross. I don't care. The song was I don't smoke,

0:29:36.440 --> 0:29:39.479
<v Speaker 1>and it's a metaphor, and I kind of just didn't care,

0:29:39.560 --> 0:29:41.239
<v Speaker 1>like I don't, I didn't care. I thought this song

0:29:41.360 --> 0:29:44.440
<v Speaker 1>was so cool. I didn't care, like sometimes you're you're

0:29:44.480 --> 0:29:46.960
<v Speaker 1>just like you're as an artist and you know this

0:29:47.160 --> 0:29:50.800
<v Speaker 1>like you are, you are a lot of who you

0:29:50.880 --> 0:29:52.960
<v Speaker 1>are on stage, but you're not only who you are

0:29:53.040 --> 0:29:56.200
<v Speaker 1>on stage, and so like to me, I loved so

0:29:56.440 --> 0:29:59.840
<v Speaker 1>much about that song. I loved I love the writing

0:30:00.000 --> 0:30:03.600
<v Speaker 1>on it. Um it was cool. I loved our recording

0:30:03.640 --> 0:30:06.120
<v Speaker 1>of I was so proud of Jason, my producer. I

0:30:06.280 --> 0:30:08.400
<v Speaker 1>just I love the way it came together, and yeah,

0:30:08.520 --> 0:30:10.480
<v Speaker 1>it is a little rowdier. I what I do is

0:30:10.520 --> 0:30:13.360
<v Speaker 1>a little rowdier. Probably, it's probably a little rowdier than

0:30:13.560 --> 0:30:16.760
<v Speaker 1>I truly. My personality is I'm not super crazy like

0:30:17.200 --> 0:30:20.640
<v Speaker 1>I do like bourbon. But you know, I just I

0:30:20.840 --> 0:30:22.520
<v Speaker 1>loved that song and I thought it was a smash

0:30:22.720 --> 0:30:25.040
<v Speaker 1>and yeah, no, it was also like do you remember

0:30:25.080 --> 0:30:26.920
<v Speaker 1>that song smoking and Drinking that Mariana put out? It

0:30:27.000 --> 0:30:29.640
<v Speaker 1>was right around that time and that didn't do well either.

0:30:29.760 --> 0:30:33.840
<v Speaker 1>But so no, man, okay, that was my favorite song. Thanks,

0:30:34.000 --> 0:30:36.000
<v Speaker 1>that's nice. I didn't know that you liked that. So

0:30:36.280 --> 0:30:41.080
<v Speaker 1>then you get dropped from your label st you know,

0:30:41.360 --> 0:30:43.880
<v Speaker 1>it was here's the thing, and you and I did

0:30:43.960 --> 0:30:47.240
<v Speaker 1>have a really frank conversation about it, like don't it

0:30:47.320 --> 0:30:50.520
<v Speaker 1>don't I have nothing to do with well no, no, no, no,

0:30:50.640 --> 0:30:52.920
<v Speaker 1>I didn't mean that at all. I just mean, like, okay,

0:30:53.640 --> 0:30:56.760
<v Speaker 1>you know, when you're a priority somewhere, And they didn't

0:30:56.920 --> 0:30:59.080
<v Speaker 1>They were awesome, they didn't drop me, but I don't

0:30:59.080 --> 0:31:01.280
<v Speaker 1>know if they were going too. It was like it

0:31:01.480 --> 0:31:03.440
<v Speaker 1>was like, you know, like you've been with your boyfriend

0:31:03.520 --> 0:31:05.360
<v Speaker 1>for forever, it's like your high school boyfriend, and like

0:31:05.400 --> 0:31:07.840
<v Speaker 1>somebody's got to break up with somebody. It's like somebody's

0:31:07.840 --> 0:31:10.000
<v Speaker 1>got to Nobody wants to break up, but you want

0:31:10.040 --> 0:31:12.040
<v Speaker 1>to break up. Nobody wants to do the breaking Yeah, so,

0:31:12.320 --> 0:31:15.560
<v Speaker 1>I so, I mean, honestly, we almost It was mid

0:31:15.680 --> 0:31:18.800
<v Speaker 1>May when we finally decided we were going to put

0:31:18.880 --> 0:31:21.800
<v Speaker 1>cheap sunglasses out the EP by ourselves, because but we

0:31:21.960 --> 0:31:24.480
<v Speaker 1>also knew that the passion wasn't there anymore. And I

0:31:24.520 --> 0:31:26.800
<v Speaker 1>don't mean that as a critical thing. It's just human nature,

0:31:26.920 --> 0:31:30.719
<v Speaker 1>like you're not new to somebody anymore. You're not you're

0:31:30.760 --> 0:31:33.360
<v Speaker 1>not the shiny new thing, and you had your minute

0:31:33.360 --> 0:31:36.280
<v Speaker 1>to be the shiny toy. You were it didn't work out.

0:31:36.400 --> 0:31:38.040
<v Speaker 1>So to them it's like, let's find the next shine.

0:31:38.080 --> 0:31:40.120
<v Speaker 1>And it's not them, it's everyone. This is the nature

0:31:40.160 --> 0:31:43.960
<v Speaker 1>of the business. Humative businesses, all creative businesses. Everybody likes

0:31:44.040 --> 0:31:46.160
<v Speaker 1>the shiny toy. Doesn't matter if it's on TV, the

0:31:46.280 --> 0:31:49.280
<v Speaker 1>movie's music, radio. Everybody likes the shiny toy. And the

0:31:49.320 --> 0:31:52.040
<v Speaker 1>goal is to stay shiny. Yeah it's hard, it's yeah,

0:31:52.080 --> 0:31:54.680
<v Speaker 1>I mean it's it's almost impossible. And when you don't

0:31:54.720 --> 0:31:57.440
<v Speaker 1>become shiny, you have to re shine yourself or someone

0:31:57.480 --> 0:31:59.040
<v Speaker 1>else is going to come in a movie inside and

0:31:59.120 --> 0:32:02.520
<v Speaker 1>that's in a a field. That's always the case, and

0:32:02.600 --> 0:32:05.240
<v Speaker 1>it will always be the case from now until forever.

0:32:05.680 --> 0:32:08.520
<v Speaker 1>So this isn't new, and it will be something that

0:32:08.560 --> 0:32:12.600
<v Speaker 1>happens with every artist of every If you're a painter,

0:32:12.840 --> 0:32:15.720
<v Speaker 1>it's the same thing. Art's tough because there isn't there

0:32:15.720 --> 0:32:23.120
<v Speaker 1>aren't definitions. I have a friend who was, uh, I

0:32:23.200 --> 0:32:25.760
<v Speaker 1>have a friend that was you know, it was an artist. Okay,

0:32:26.120 --> 0:32:28.320
<v Speaker 1>I have to be careful just because I don't care.

0:32:28.360 --> 0:32:30.360
<v Speaker 1>I would tell the whole story. But my thing is

0:32:30.400 --> 0:32:32.719
<v Speaker 1>I don't put other people stories out there unless unless

0:32:33.000 --> 0:32:35.480
<v Speaker 1>I'm allowed to, or it's about me. Those are my

0:32:36.160 --> 0:32:39.720
<v Speaker 1>So this friend sends me music and at one point

0:32:39.800 --> 0:32:42.880
<v Speaker 1>this friend was a big artist and they quit being

0:32:42.880 --> 0:32:46.280
<v Speaker 1>an artist for a bit, and uh, so they sent

0:32:46.360 --> 0:32:48.440
<v Speaker 1>me some music and they're like, hey, listen to what

0:32:48.560 --> 0:32:52.520
<v Speaker 1>you think. And so I just was frank and was

0:32:52.560 --> 0:32:54.800
<v Speaker 1>honest about it, and and I sent it back and

0:32:54.800 --> 0:32:56.320
<v Speaker 1>I said, listen, but I'll tell you all of this.

0:32:56.480 --> 0:32:58.640
<v Speaker 1>But none of what I say or what anyone says matters,

0:32:58.680 --> 0:33:04.520
<v Speaker 1>because with or anything creative, you just don't know. It's so.

0:33:05.880 --> 0:33:08.480
<v Speaker 1>And if anyone ever tells you that they do, they're

0:33:08.680 --> 0:33:12.560
<v Speaker 1>they're wrong. Anyone that's for sure about anything creative is

0:33:12.680 --> 0:33:18.400
<v Speaker 1>wrong because you don't know. You can have every structurally

0:33:18.480 --> 0:33:20.520
<v Speaker 1>perfect song and then all of a sudden, who let

0:33:20.600 --> 0:33:24.560
<v Speaker 1>the dogs outcomes out? I mean it's a right, I

0:33:24.600 --> 0:33:27.240
<v Speaker 1>mean really that that that's the rule of all. So,

0:33:27.600 --> 0:33:28.800
<v Speaker 1>you know, I send this note back and I'm like,

0:33:28.880 --> 0:33:30.560
<v Speaker 1>I don't think this, this is this. I like this,

0:33:31.200 --> 0:33:33.160
<v Speaker 1>but I said, but all of this advice, or any

0:33:33.200 --> 0:33:36.560
<v Speaker 1>advice one person gives you, it's not right. The only

0:33:36.600 --> 0:33:39.240
<v Speaker 1>advice that's real is yours, and you have to follow

0:33:39.280 --> 0:33:41.280
<v Speaker 1>your gut, and then if it doesn't work, okay, then

0:33:41.320 --> 0:33:44.040
<v Speaker 1>follow your gut again until you decide it it's not

0:33:44.160 --> 0:33:46.720
<v Speaker 1>for you. Yeah, I don't think that's actually great advice.

0:33:46.960 --> 0:33:49.080
<v Speaker 1>And so it was just like just you have to

0:33:49.320 --> 0:33:52.080
<v Speaker 1>surround yourself people you trust, surround yourself for people that

0:33:52.280 --> 0:33:56.360
<v Speaker 1>aren't yes people, and then once they pile in all

0:33:56.440 --> 0:33:59.400
<v Speaker 1>of their advice, then you make your own decision and

0:33:59.400 --> 0:34:01.680
<v Speaker 1>it has to be your decision. So it's it's tough.

0:34:01.720 --> 0:34:03.720
<v Speaker 1>So okay, you go and you don't have a record

0:34:03.800 --> 0:34:06.479
<v Speaker 1>label anymore, so do you pay for By the way,

0:34:06.560 --> 0:34:08.560
<v Speaker 1>Kelly Bannon has a it's called Cheap Sunglasses, and you

0:34:08.560 --> 0:34:10.720
<v Speaker 1>can download it, you can stream. I would say download

0:34:10.719 --> 0:34:13.640
<v Speaker 1>it because you stream, it's staying and pay and true.

0:34:13.760 --> 0:34:17.160
<v Speaker 1>But I stream but and I download but whatever, But

0:34:17.280 --> 0:34:19.160
<v Speaker 1>it's out there cheap sunglasses. Did you do that with

0:34:19.160 --> 0:34:21.360
<v Speaker 1>your own money? Yeah? Well that was what's crazy is

0:34:21.400 --> 0:34:24.600
<v Speaker 1>I was still signed and I just was like, freak this,

0:34:24.800 --> 0:34:26.759
<v Speaker 1>I gotta I've gotta go make my I've got to

0:34:26.800 --> 0:34:28.279
<v Speaker 1>go make music. Ro I'm gonna go crazy. So I

0:34:28.440 --> 0:34:30.600
<v Speaker 1>just kind of disappeared and made it and paid for it,

0:34:31.040 --> 0:34:34.120
<v Speaker 1>paid for it yourself. Yeah. So actually, not only that

0:34:34.400 --> 0:34:38.520
<v Speaker 1>I borrowed money from my parents. That sucks, man, it's hard.

0:34:39.560 --> 0:34:41.719
<v Speaker 1>I mean, I feel really fortunate that they loaned me

0:34:41.800 --> 0:34:45.600
<v Speaker 1>a little money. But yeah, a minute, I got to

0:34:45.600 --> 0:34:48.520
<v Speaker 1>say multiple thanks. Firing off, Mike. What am I doing? Oh?

0:34:48.560 --> 0:34:50.440
<v Speaker 1>I still hear smoke when I drink? Okay, this is

0:34:50.480 --> 0:34:56.000
<v Speaker 1>a montage. They don't go together. Apparently we might be

0:34:58.120 --> 0:35:02.360
<v Speaker 1>might be. Damn. We can feel the same to the

0:35:02.520 --> 0:35:05.719
<v Speaker 1>back to pick up. So that's on there, Mike. How

0:35:05.800 --> 0:35:08.960
<v Speaker 1>long will be in? So far? We're good, We're we're good.

0:35:08.960 --> 0:35:11.319
<v Speaker 1>We've got plenty of time. Cheap sunglasses is the name

0:35:11.360 --> 0:35:18.360
<v Speaker 1>of it. Here's cheap sunglasses, cheap sun glass. Just just

0:35:18.680 --> 0:35:25.359
<v Speaker 1>my thing palls out of fast so he didn't bike

0:35:25.760 --> 0:35:29.320
<v Speaker 1>just so away. Well, I'm a made a plastic I

0:35:29.400 --> 0:35:36.600
<v Speaker 1>don't want to be cheap sunless. You picked that song

0:35:36.640 --> 0:35:39.200
<v Speaker 1>as the title of the whole record? Why, Um, I

0:35:39.360 --> 0:35:43.960
<v Speaker 1>wrote it about leaving your label and just like making

0:35:44.000 --> 0:35:47.320
<v Speaker 1>the decision and like where I was then, and like,

0:35:47.440 --> 0:35:49.400
<v Speaker 1>I think this is for me writing that song, like

0:35:50.480 --> 0:35:53.000
<v Speaker 1>as a as a girl, as a woman in like

0:35:53.160 --> 0:35:55.520
<v Speaker 1>and I think in any entertainment business or like, you

0:35:55.640 --> 0:35:57.520
<v Speaker 1>want to be fun and you want to be pretty,

0:35:57.640 --> 0:35:59.320
<v Speaker 1>and you like want to be those things, but you

0:35:59.440 --> 0:36:01.560
<v Speaker 1>also want to be more than those things, right, Like

0:36:01.680 --> 0:36:03.600
<v Speaker 1>you don't just want to be the pretty girl along

0:36:03.640 --> 0:36:06.560
<v Speaker 1>for the ride. But so it's like that that song.

0:36:06.640 --> 0:36:08.560
<v Speaker 1>I felt like we actually did a pretty good job

0:36:08.640 --> 0:36:11.600
<v Speaker 1>of like kind of navigating that Like, yeah, I want

0:36:11.640 --> 0:36:12.920
<v Speaker 1>I want to be that girl. I don't want to

0:36:12.960 --> 0:36:15.480
<v Speaker 1>be that girl, but I also want, like I want

0:36:15.520 --> 0:36:22.399
<v Speaker 1>more than that too. Do you feel because I'm five, okay,

0:36:22.520 --> 0:36:25.719
<v Speaker 1>do you feel at thirty five? And never I've never

0:36:25.880 --> 0:36:29.080
<v Speaker 1>said that publicly, you know what I think? Kelly honestly,

0:36:29.440 --> 0:36:30.839
<v Speaker 1>and again I would just tell you the choice because

0:36:32.040 --> 0:36:37.680
<v Speaker 1>uh that I think that's an advantage now really I do, okay,

0:36:37.880 --> 0:36:39.759
<v Speaker 1>because first I don't need to go get botox because

0:36:39.760 --> 0:36:45.360
<v Speaker 1>I'm first. No, forever it was a disadvantage to be

0:36:45.920 --> 0:36:49.280
<v Speaker 1>older than twenty three. It's just not about it's becoming

0:36:49.400 --> 0:36:54.600
<v Speaker 1>more about the actual product than it is just what

0:36:55.000 --> 0:36:58.440
<v Speaker 1>is supposed to fit. Yeah, and so the fact that

0:36:58.560 --> 0:37:02.920
<v Speaker 1>you're on it and again in at thirty two, girl,

0:37:02.960 --> 0:37:04.440
<v Speaker 1>I know girls are like, as it's not for me,

0:37:05.080 --> 0:37:06.560
<v Speaker 1>and they're artists. I know they're in the thirties. Now

0:37:06.560 --> 0:37:07.680
<v Speaker 1>they're like, I don't know if I can do. And

0:37:07.680 --> 0:37:10.440
<v Speaker 1>I'm like, because this is because there aren't any like

0:37:10.600 --> 0:37:13.120
<v Speaker 1>real life human adult female artist right now. You're a

0:37:13.160 --> 0:37:16.680
<v Speaker 1>real life human female in a land where there are none.

0:37:17.320 --> 0:37:21.399
<v Speaker 1>There are none like you're You're a real life You're

0:37:21.480 --> 0:37:24.839
<v Speaker 1>not Martina McBride, someone who was a big artist back

0:37:24.880 --> 0:37:27.680
<v Speaker 1>when we were kids. You're in an area where no

0:37:27.760 --> 0:37:30.280
<v Speaker 1>other artists are. You're a real life growing up female.

0:37:30.400 --> 0:37:33.799
<v Speaker 1>You're not a teen, you're not an early twenties. You're

0:37:33.800 --> 0:37:37.279
<v Speaker 1>an adult, and there's no one in that. There's nobody there.

0:37:37.760 --> 0:37:39.040
<v Speaker 1>So as some people look at it and I just

0:37:39.080 --> 0:37:42.400
<v Speaker 1>get frustrated at at because of what it's always been.

0:37:42.440 --> 0:37:44.680
<v Speaker 1>That's what it's always supposed to be, and I just

0:37:44.760 --> 0:37:47.680
<v Speaker 1>don't think that is what I think it is anymore.

0:37:48.480 --> 0:37:51.040
<v Speaker 1>And so to me, I would rather be thirty five

0:37:51.120 --> 0:37:57.160
<v Speaker 1>than twenty eight right now, totally, even as an artist. Like, yes,

0:37:58.040 --> 0:38:00.160
<v Speaker 1>I mean if I could be my thirty five year

0:38:00.200 --> 0:38:06.600
<v Speaker 1>old self in my twenties, yeah no, yeah no, there's

0:38:06.640 --> 0:38:08.719
<v Speaker 1>no comparison. Like I couldn't go back and do that again.

0:38:08.760 --> 0:38:10.440
<v Speaker 1>I couldn't go back and do high school. I couldn't

0:38:10.440 --> 0:38:11.719
<v Speaker 1>go back and do middle school. And I would not

0:38:11.800 --> 0:38:14.239
<v Speaker 1>go back and do my mid twenties. It was it

0:38:14.360 --> 0:38:17.120
<v Speaker 1>was hard. Yeah, I like, my last three months have

0:38:17.160 --> 0:38:20.600
<v Speaker 1>been pretty good. Other than that, you know, I mean,

0:38:21.080 --> 0:38:28.040
<v Speaker 1>that's the book before that. So, um, Kelly Bannon is here,

0:38:28.239 --> 0:38:30.279
<v Speaker 1>and so she has a record out. She has a

0:38:30.840 --> 0:38:33.560
<v Speaker 1>blog on a website called This Nashville Life, and you

0:38:33.600 --> 0:38:35.960
<v Speaker 1>can check it out, and she writes and she talks

0:38:36.160 --> 0:38:38.160
<v Speaker 1>and she does all of this and you're gonna see

0:38:38.400 --> 0:38:42.759
<v Speaker 1>it's you know, it's my advice to you. You have

0:38:43.040 --> 0:38:49.080
<v Speaker 1>to and listen to Kelly's podcast. I haven't yet listen

0:38:49.080 --> 0:38:51.600
<v Speaker 1>to one that you sent me. You did you did

0:38:51.680 --> 0:38:54.040
<v Speaker 1>listen to I told you I was going to. Well,

0:38:54.160 --> 0:38:56.000
<v Speaker 1>I just think you. I assume you like, don't have

0:38:56.120 --> 0:38:58.480
<v Speaker 1>time for the I don't. But unless I say I'm

0:38:58.520 --> 0:39:01.759
<v Speaker 1>going to do it my rule live, I don't have

0:39:01.880 --> 0:39:06.960
<v Speaker 1>time because I mean my schedule one thing against the next. However,

0:39:07.760 --> 0:39:09.680
<v Speaker 1>I put things in there are important and I said

0:39:09.719 --> 0:39:11.160
<v Speaker 1>I'm going to listen to this. And I listened to it,

0:39:11.239 --> 0:39:12.640
<v Speaker 1>and I said, I think it's good, but I think

0:39:12.640 --> 0:39:15.319
<v Speaker 1>it's too long. And that was what I came back

0:39:15.400 --> 0:39:18.560
<v Speaker 1>to you with. It's almost impossible to develop following until

0:39:18.600 --> 0:39:21.560
<v Speaker 1>you do. And you have to do it so consistently.

0:39:21.880 --> 0:39:23.200
<v Speaker 1>And this is that anybody who wants to do a

0:39:23.239 --> 0:39:25.640
<v Speaker 1>podcast or a blog, you have to do it so

0:39:25.840 --> 0:39:30.279
<v Speaker 1>consistent all the time and let people every time into you.

0:39:30.400 --> 0:39:33.040
<v Speaker 1>You feel like you're beating it to death that people

0:39:33.080 --> 0:39:36.960
<v Speaker 1>are just now discovering it. For example, we do a segment,

0:39:37.000 --> 0:39:39.120
<v Speaker 1>it's our highest rated segment on our show, tell Me

0:39:39.200 --> 0:39:43.359
<v Speaker 1>Something Good. We do it every day twice a day,

0:39:43.880 --> 0:39:46.000
<v Speaker 1>and I feel like, man, how are people not tirer

0:39:46.040 --> 0:39:50.120
<v Speaker 1>of this? Every day twice a day. I'm just like,

0:39:50.280 --> 0:39:52.080
<v Speaker 1>how are And some people and people come up to

0:39:52.120 --> 0:39:53.960
<v Speaker 1>me and they're like, that's my favorite segment, Like I

0:39:54.120 --> 0:39:56.719
<v Speaker 1>listened to that segment and I'm just like, I love that.

0:39:57.480 --> 0:40:01.280
<v Speaker 1>And frankly, that segment has changed the culture of radio

0:40:01.360 --> 0:40:03.960
<v Speaker 1>in general. And that's a whole back story of how

0:40:04.040 --> 0:40:06.680
<v Speaker 1>we started it. Twelve years ago. Research said it worked

0:40:06.680 --> 0:40:08.880
<v Speaker 1>to other stations started doing it, so other stations so

0:40:09.000 --> 0:40:12.160
<v Speaker 1>now everybody does it. But for me, it's the same

0:40:12.160 --> 0:40:13.239
<v Speaker 1>thing with the podcast, like you have to do it

0:40:13.280 --> 0:40:15.440
<v Speaker 1>where you feel like you're beating it to death, and

0:40:15.560 --> 0:40:17.920
<v Speaker 1>when you're like, oh, I just don't want to do

0:40:17.960 --> 0:40:19.880
<v Speaker 1>another one, you have to do what you're thinking right now,

0:40:20.000 --> 0:40:22.719
<v Speaker 1>three more you no, why am I hearing not at all?

0:40:23.320 --> 0:40:26.719
<v Speaker 1>I want to see you succeed. And that's the key,

0:40:26.840 --> 0:40:31.000
<v Speaker 1>is just repetition and when you're tired of yourself. People

0:40:31.040 --> 0:40:33.520
<v Speaker 1>are just now discovering it. You know. That is a

0:40:33.600 --> 0:40:36.040
<v Speaker 1>creepy part of our job. Like we had video content,

0:40:36.160 --> 0:40:38.879
<v Speaker 1>like we had essentially like a music video for each

0:40:38.960 --> 0:40:41.600
<v Speaker 1>song on the on the EP, and some of them

0:40:41.640 --> 0:40:43.960
<v Speaker 1>were like more involved, like real official music videos, and

0:40:44.000 --> 0:40:46.480
<v Speaker 1>some of them were less involved. But I got to

0:40:46.560 --> 0:40:48.920
<v Speaker 1>the point where I was like, oh my gosh, people

0:40:49.239 --> 0:40:51.920
<v Speaker 1>must hate me, like I am so sick of my

0:40:52.040 --> 0:40:55.000
<v Speaker 1>face and my stuff, you know, And I get sick

0:40:55.040 --> 0:40:57.040
<v Speaker 1>of me more than anybody. Yeah, I was super sick

0:40:57.080 --> 0:40:59.200
<v Speaker 1>of myself. I get to like I don't want to.

0:40:59.600 --> 0:41:01.280
<v Speaker 1>I can't some of myself. I can't look at myself.

0:41:01.560 --> 0:41:03.680
<v Speaker 1>But again, if I'm tweeting all day, people might see

0:41:03.719 --> 0:41:07.040
<v Speaker 1>three tweets. They might see three tweets if I put

0:41:07.080 --> 0:41:10.880
<v Speaker 1>out forty tweets and and they follow me. Everyone is

0:41:11.000 --> 0:41:13.160
<v Speaker 1>so and this is everyone. Everyone is so wrapped up

0:41:13.160 --> 0:41:17.560
<v Speaker 1>in themselves that we think everyone sees what we see,

0:41:18.560 --> 0:41:20.840
<v Speaker 1>and they don't because everyone so wrapped up in themselves

0:41:21.160 --> 0:41:24.279
<v Speaker 1>that they only catch peripherally the other things. So you

0:41:24.400 --> 0:41:25.960
<v Speaker 1>just have to hit it and hit it and hit it.

0:41:25.960 --> 0:41:28.359
<v Speaker 1>Anybody creative, You have to hit it over and over again,

0:41:29.080 --> 0:41:31.719
<v Speaker 1>and it won't work seventy two times, and in the

0:41:31.800 --> 0:41:35.840
<v Speaker 1>seventy third time you'll get lucky. And all it is

0:41:35.960 --> 0:41:39.080
<v Speaker 1>is you've worked so hard to get lucky. Yeah, my

0:41:39.200 --> 0:41:40.960
<v Speaker 1>dad used to say that the harder I work, the

0:41:41.040 --> 0:41:45.120
<v Speaker 1>luckier I get. It's my career, Like I'm an overnight success,

0:41:45.480 --> 0:41:47.440
<v Speaker 1>except I've been doing this for in the mornings for

0:41:47.560 --> 0:41:53.080
<v Speaker 1>fourteen freaking years. Yeah, whit hell am I so? Yeah?

0:41:53.120 --> 0:41:55.720
<v Speaker 1>Fourteen years. I've been doing mornings like and it's a grind.

0:41:55.920 --> 0:42:02.000
<v Speaker 1>Been tired for years, for fourteen years. So you know,

0:42:03.200 --> 0:42:05.279
<v Speaker 1>I like what you're doing, and I hope you do

0:42:05.440 --> 0:42:08.160
<v Speaker 1>it consistently. Thank you. It's hard to do it consistently.

0:42:09.000 --> 0:42:12.799
<v Speaker 1>But nothing. It's you know, if if it was easy,

0:42:12.840 --> 0:42:15.960
<v Speaker 1>everybody would do it and everybody would be successful, and

0:42:16.120 --> 0:42:18.880
<v Speaker 1>and hardly anyone is. Kelly Bannon is here, by the

0:42:18.920 --> 0:42:21.600
<v Speaker 1>way in Cheap Sunglasses is the record. This is again

0:42:21.880 --> 0:42:34.600
<v Speaker 1>the song Cheap Sunglasses sust I don't like, do you

0:42:34.640 --> 0:42:36.320
<v Speaker 1>have a negative feeling about being thirty five? Like? To

0:42:36.400 --> 0:42:39.360
<v Speaker 1>me that that really sets me wrong, because you shouldn't.

0:42:40.040 --> 0:42:43.560
<v Speaker 1>I guess it's because I think you know, you've been

0:42:43.600 --> 0:42:46.799
<v Speaker 1>conditioned by this town, in this industry to think thirty

0:42:46.840 --> 0:42:49.040
<v Speaker 1>five years older, the female artist is old. You've been

0:42:49.080 --> 0:42:50.960
<v Speaker 1>conditioned to think that, and I'm telling you now it

0:42:51.120 --> 0:42:53.560
<v Speaker 1>is not old. Like I cannot wait for new show

0:42:53.680 --> 0:42:57.200
<v Speaker 1>chrome music in country like. It doesn't matter to me

0:42:57.239 --> 0:42:59.000
<v Speaker 1>if the artist is good. I don't care how old

0:42:59.120 --> 0:43:01.040
<v Speaker 1>they are. I don't care young they are. I don't

0:43:01.080 --> 0:43:04.200
<v Speaker 1>care if they're sixteen. Make a great soul, but you've

0:43:04.239 --> 0:43:06.800
<v Speaker 1>been conditioned. And I don't think that way about other people,

0:43:07.000 --> 0:43:09.440
<v Speaker 1>but I do feel I think, but it's probably back

0:43:09.480 --> 0:43:11.840
<v Speaker 1>to what you were saying. It's like you think everyone's

0:43:11.840 --> 0:43:14.120
<v Speaker 1>obsessed with you the way he CRUs with yourself, and

0:43:14.239 --> 0:43:17.879
<v Speaker 1>no one actually gives us unless you're Sam Hunt. Nobody cares,

0:43:18.400 --> 0:43:22.680
<v Speaker 1>but cares, and even I'm like, dang Sam like that Instagram.

0:43:23.120 --> 0:43:28.120
<v Speaker 1>But even that because like Sam Vogan and that here's

0:43:28.120 --> 0:43:30.960
<v Speaker 1>the frustrating part for me as a show. It's like

0:43:31.800 --> 0:43:34.960
<v Speaker 1>I don't have and Mike knows me well because Mike

0:43:35.000 --> 0:43:37.000
<v Speaker 1>and I spend most of our days together outside of

0:43:37.000 --> 0:43:39.920
<v Speaker 1>the show. Like I don't hang out with anybody, but

0:43:40.040 --> 0:43:42.920
<v Speaker 1>I know everybody and I know I know the good guys.

0:43:43.040 --> 0:43:46.520
<v Speaker 1>I know the guys that I would never hang out

0:43:46.600 --> 0:43:50.960
<v Speaker 1>within a million years, um, but that's just human nature.

0:43:51.640 --> 0:43:53.879
<v Speaker 1>And like Sam's a good dude. Like I like Sam

0:43:53.920 --> 0:43:56.200
<v Speaker 1>a lot, and I know stuff it like I saw

0:43:56.239 --> 0:43:58.440
<v Speaker 1>the interimbody. I knew that was immediately, and it's still

0:43:58.440 --> 0:44:01.279
<v Speaker 1>a lot that like people are arguing about it, and

0:44:01.360 --> 0:44:04.920
<v Speaker 1>I could go on the show comments that fine line

0:44:05.040 --> 0:44:08.600
<v Speaker 1>of like I know Sam, I know who that girl is.

0:44:09.920 --> 0:44:14.879
<v Speaker 1>I just there's a part of my human nous that's

0:44:14.920 --> 0:44:16.960
<v Speaker 1>like unless I talk to Sam and he's like, go

0:44:17.120 --> 0:44:19.600
<v Speaker 1>for it, I'm not gonna do it. I can't do it.

0:44:20.200 --> 0:44:22.480
<v Speaker 1>Have you always known where that line is? Because that

0:44:22.640 --> 0:44:24.560
<v Speaker 1>I still don't know where the okay, It's like, honestly,

0:44:24.600 --> 0:44:27.200
<v Speaker 1>I don't. And I think what's my biggest weakness is

0:44:27.280 --> 0:44:31.120
<v Speaker 1>my biggest strength is that I just say what I

0:44:31.280 --> 0:44:34.239
<v Speaker 1>feel like I should say, and seven percent of the

0:44:34.280 --> 0:44:36.320
<v Speaker 1>time it's right. It's a thirteen percent of time that

0:44:36.360 --> 0:44:39.759
<v Speaker 1>gets me in trouble. Has the percentage gone up? I

0:44:39.840 --> 0:44:42.120
<v Speaker 1>think I've got a little smarter and at times I've

0:44:42.160 --> 0:44:44.360
<v Speaker 1>gotten a little bolder because I know and I know

0:44:44.480 --> 0:44:47.120
<v Speaker 1>when it gets I'll do things sometimes but sometimes it's wrong,

0:44:47.320 --> 0:44:50.000
<v Speaker 1>but it's like the it is the right move. I'll

0:44:50.000 --> 0:44:52.719
<v Speaker 1>tell you an example is and I was talking about

0:44:52.760 --> 0:44:54.880
<v Speaker 1>it this morning. I did interview with Rolling Stone and

0:44:55.520 --> 0:44:58.080
<v Speaker 1>they were talking about the show and the Raging Idiots

0:44:58.120 --> 0:45:00.759
<v Speaker 1>and the comedy and the a lot of stuff, and

0:45:01.680 --> 0:45:03.440
<v Speaker 1>they were asking me what the success of the show was.

0:45:03.480 --> 0:45:05.520
<v Speaker 1>I said, listen, I am the best interviewer in radio

0:45:05.560 --> 0:45:08.880
<v Speaker 1>except for Howard Stern. Like artists come in and they

0:45:08.920 --> 0:45:11.640
<v Speaker 1>I'm appeared to them instead of And I said it

0:45:11.760 --> 0:45:13.960
<v Speaker 1>so boldly, and I knew it was going to be

0:45:14.239 --> 0:45:16.360
<v Speaker 1>one of the heads. And if I wanted them, I

0:45:16.360 --> 0:45:17.920
<v Speaker 1>would have put it up there as the head. And

0:45:18.040 --> 0:45:20.600
<v Speaker 1>I only did it for real. Do I believe it though? Yeah,

0:45:21.120 --> 0:45:22.800
<v Speaker 1>But I also put it up there as a standard

0:45:22.840 --> 0:45:24.160
<v Speaker 1>that I feel like I have to achieve. Like I

0:45:24.200 --> 0:45:27.239
<v Speaker 1>said that now I have to keep. It's also a goal.

0:45:27.320 --> 0:45:29.200
<v Speaker 1>It's like I'm pinning it up on my board and

0:45:29.280 --> 0:45:31.239
<v Speaker 1>I walk out every day and it's like slap it

0:45:31.360 --> 0:45:33.359
<v Speaker 1>because every day you got to live up to it. Well,

0:45:33.440 --> 0:45:35.239
<v Speaker 1>that's the thing too, if it's your giftedness, like I

0:45:35.320 --> 0:45:37.279
<v Speaker 1>feel like that about even just like singing, like I

0:45:37.400 --> 0:45:39.440
<v Speaker 1>do think I'm a really really good singer, but that

0:45:39.640 --> 0:45:41.120
<v Speaker 1>doesn't mean like I still have to go out and

0:45:41.160 --> 0:45:46.120
<v Speaker 1>prove it and at night after day, like I Babe

0:45:46.160 --> 0:45:48.360
<v Speaker 1>RhoD said, the home runs you hit yesterday don't win

0:45:48.440 --> 0:45:51.480
<v Speaker 1>the games today. And so I'm full of things. But

0:45:53.400 --> 0:45:55.839
<v Speaker 1>my grandma and like books, like I love to read,

0:45:56.160 --> 0:45:58.799
<v Speaker 1>and I love read about people too, like I'm fascinated

0:45:58.840 --> 0:46:03.080
<v Speaker 1>with successful people and how they build success and the

0:46:03.200 --> 0:46:05.920
<v Speaker 1>tools that they used to be Like I'm fascinated with it,

0:46:06.360 --> 0:46:07.880
<v Speaker 1>and so that's why I do. I love people. I

0:46:07.960 --> 0:46:10.759
<v Speaker 1>love reading about people and people that I love the

0:46:10.840 --> 0:46:15.520
<v Speaker 1>faults of people and the faults or what really make humans. Well,

0:46:15.600 --> 0:46:17.480
<v Speaker 1>it's what you just said that the fault is usually

0:46:17.560 --> 0:46:19.680
<v Speaker 1>the other side of the coin to like whatever that

0:46:19.800 --> 0:46:23.239
<v Speaker 1>really unique giftednesses or like that's really really them, you know,

0:46:23.400 --> 0:46:26.759
<v Speaker 1>like that's and crazy crazy too, So let's well there's

0:46:26.800 --> 0:46:31.040
<v Speaker 1>that also. Um, well, okay, so people can hear your podcast.

0:46:31.040 --> 0:46:33.040
<v Speaker 1>What are you talking about on the podcast? Well, I'm

0:46:33.040 --> 0:46:35.200
<v Speaker 1>actually I'm really proud of it, Like, well, the first

0:46:35.280 --> 0:46:37.799
<v Speaker 1>one that came out today is called The Radio Game,

0:46:37.880 --> 0:46:39.640
<v Speaker 1>and we just sort of talk about what happened with

0:46:39.719 --> 0:46:42.000
<v Speaker 1>famous and then we also interview someone like from a

0:46:42.200 --> 0:46:44.239
<v Speaker 1>from a label that explains like how songs make it

0:46:44.320 --> 0:46:47.439
<v Speaker 1>up the charts. This there's an episode that's called That's

0:46:47.480 --> 0:46:50.040
<v Speaker 1>Not Country. That's about why we love to hate on

0:46:50.160 --> 0:46:52.719
<v Speaker 1>things that aren't our definition of country, Like what is

0:46:52.760 --> 0:46:56.520
<v Speaker 1>that culture about? That's what's gonna be with Shane McNally. Um,

0:46:57.080 --> 0:46:59.600
<v Speaker 1>there's an episode called Get Hot or Go Home. You've

0:46:59.600 --> 0:47:02.600
<v Speaker 1>already take all these just know we're releasing them every

0:47:02.640 --> 0:47:04.880
<v Speaker 1>two weeks where we've got to go more than that,

0:47:05.400 --> 0:47:08.760
<v Speaker 1>you know, I know you have to go, but I can't.

0:47:09.160 --> 0:47:11.720
<v Speaker 1>I kind of can't afford because there is a production

0:47:12.120 --> 0:47:15.200
<v Speaker 1>your parents. That's always You're right. I don't have any parents,

0:47:15.280 --> 0:47:16.880
<v Speaker 1>but if I did, I borrowed from them if they

0:47:16.920 --> 0:47:19.279
<v Speaker 1>were living right now, I'm living with my mom. I mean,

0:47:19.400 --> 0:47:22.560
<v Speaker 1>it's just really it's the five has been a bit,

0:47:23.120 --> 0:47:26.920
<v Speaker 1>but I've done my age. Like I'm like, not in

0:47:27.040 --> 0:47:32.799
<v Speaker 1>my house right now. Yeah, I know, I think you're right.

0:47:32.800 --> 0:47:34.239
<v Speaker 1>I mean, we kind of. I just because of my

0:47:34.320 --> 0:47:37.319
<v Speaker 1>schedule and working, I just I can't. And it's a high.

0:47:37.600 --> 0:47:39.799
<v Speaker 1>I don't say those two words. You can't say those words. Okay,

0:47:39.880 --> 0:47:42.480
<v Speaker 1>I know that what I know your schedule is crazy.

0:47:42.560 --> 0:47:46.000
<v Speaker 1>But what my podcast is it is a different format

0:47:46.040 --> 0:47:48.480
<v Speaker 1>than what you're doing right now, and it's just it.

0:47:48.640 --> 0:47:50.160
<v Speaker 1>I don't have the time to do it the way

0:47:50.239 --> 0:47:52.200
<v Speaker 1>that I want to any quicker than every two weeks.

0:47:52.560 --> 0:47:54.680
<v Speaker 1>I personally the way, you know what, I lose your

0:47:54.719 --> 0:47:58.520
<v Speaker 1>talk when someone tells me I can't I go. You

0:47:58.640 --> 0:48:02.200
<v Speaker 1>could if you really want to. I wanted to. You

0:48:02.239 --> 0:48:04.920
<v Speaker 1>know what, I am a super perfectionist and super competitive,

0:48:05.000 --> 0:48:07.600
<v Speaker 1>but I do think like there is a point where

0:48:07.640 --> 0:48:10.800
<v Speaker 1>you said, like, I cannot do everything. I thought I

0:48:10.840 --> 0:48:13.200
<v Speaker 1>could do everything forever you're talking to the guy. I

0:48:13.239 --> 0:48:15.239
<v Speaker 1>thought you could do everything too, and you can't. But

0:48:15.400 --> 0:48:17.120
<v Speaker 1>you have to like know and you like, I mean,

0:48:17.239 --> 0:48:19.399
<v Speaker 1>you have people that help you with some of your

0:48:19.480 --> 0:48:21.400
<v Speaker 1>stuff and have what I call a babysitter. It's a

0:48:21.440 --> 0:48:24.640
<v Speaker 1>manager in but I have a babysitter and she is

0:48:24.719 --> 0:48:27.600
<v Speaker 1>over everything that I do. Like she's not over the

0:48:27.680 --> 0:48:31.239
<v Speaker 1>radio show, but the idiots, the comedy, the books, the

0:48:31.800 --> 0:48:39.960
<v Speaker 1>um porno you know. Yeah, so there are there were

0:48:39.960 --> 0:48:43.200
<v Speaker 1>the port account, the cat, my computer h twice in

0:48:43.280 --> 0:48:46.000
<v Speaker 1>the past week. Are they hacking my Twitter? But so

0:48:46.200 --> 0:48:48.000
<v Speaker 1>you know, I have like six projects going at once.

0:48:48.040 --> 0:48:53.160
<v Speaker 1>It's a TV show, um, all these things. We have

0:48:53.280 --> 0:48:55.200
<v Speaker 1>to have people in our lives to do this. But

0:48:55.280 --> 0:48:57.680
<v Speaker 1>I'm much more. I mean I have I do have

0:48:58.080 --> 0:49:00.200
<v Speaker 1>a team that's helping me, but I don't have the

0:49:00.280 --> 0:49:02.560
<v Speaker 1>same sort of structor. I'm really in a lot of ways,

0:49:02.640 --> 0:49:05.120
<v Speaker 1>And I mean I am creating the content myself by

0:49:05.200 --> 0:49:08.279
<v Speaker 1>myself a lot of it. So yeah, I'm trying to

0:49:08.360 --> 0:49:10.480
<v Speaker 1>do that balance of like I still want to believe

0:49:10.520 --> 0:49:15.279
<v Speaker 1>that like I need to. I'm just telling you have

0:49:15.360 --> 0:49:17.360
<v Speaker 1>to feed the people or they're just gonna go like

0:49:17.480 --> 0:49:20.880
<v Speaker 1>a what's next? Ye, there's a reason shows come on

0:49:21.080 --> 0:49:25.160
<v Speaker 1>every week. Okay. I know it's tough, and it doesn't

0:49:25.200 --> 0:49:26.560
<v Speaker 1>have to be well, just because I want it to

0:49:26.640 --> 0:49:30.760
<v Speaker 1>be really, really great. Nobody cares. Give them something compelling.

0:49:30.920 --> 0:49:33.720
<v Speaker 1>Nobody cares how perfect something is. As long as it's compelling,

0:49:37.520 --> 0:49:39.480
<v Speaker 1>you should work for me. It's even worse. I now,

0:49:39.520 --> 0:49:41.200
<v Speaker 1>I'm like, shoot, I thought I was maybe going to

0:49:41.239 --> 0:49:44.239
<v Speaker 1>go to sleep tonight, and I'm like, no, I can't

0:49:44.280 --> 0:49:47.400
<v Speaker 1>go to sleep tonight. Yeah, you know what happened today? No, No,

0:49:47.600 --> 0:49:48.840
<v Speaker 1>this whole thing. We come in and we heard this

0:49:48.920 --> 0:49:54.320
<v Speaker 1>whole thing here, and it's like whatever. But you also

0:49:54.520 --> 0:49:58.840
<v Speaker 1>like being compelled. It's all the key with songs with

0:49:59.360 --> 0:50:02.320
<v Speaker 1>me talking with you just have to be compelling. That's it.

0:50:03.360 --> 0:50:07.040
<v Speaker 1>At the end of story, you have a perfect if

0:50:07.080 --> 0:50:09.480
<v Speaker 1>it's about perfect speaking that is. That is a real

0:50:09.560 --> 0:50:13.800
<v Speaker 1>problem for me, for sure. I mean, like I believe

0:50:13.920 --> 0:50:16.560
<v Speaker 1>if I if I make it perfect, it will do better.

0:50:16.920 --> 0:50:19.080
<v Speaker 1>And that actually isn't It is rarely true. If you

0:50:19.160 --> 0:50:22.640
<v Speaker 1>take it down a notch in quality and add up

0:50:22.680 --> 0:50:27.160
<v Speaker 1>to notches and quantity, it will be better, and I'm

0:50:27.160 --> 0:50:31.200
<v Speaker 1>now even like I'm a tail here podcast from nothing

0:50:31.840 --> 0:50:33.880
<v Speaker 1>he had one had no fault, nothing, and he started

0:50:33.880 --> 0:50:36.520
<v Speaker 1>doing a punk rock podcast I think turned into like

0:50:36.600 --> 0:50:38.439
<v Speaker 1>a punk rock it would be a message board something.

0:50:38.480 --> 0:50:41.719
<v Speaker 1>Oh my gosh, you guys are stressing me out. Now

0:50:41.760 --> 0:50:47.480
<v Speaker 1>I go home. Winners stress loser's rest. There you go.

0:50:47.880 --> 0:50:49.320
<v Speaker 1>I just made that one up. Write that one that

0:50:50.080 --> 0:50:53.320
<v Speaker 1>that was quoted to me. All right, listen Kelly Bannons,

0:50:53.360 --> 0:50:56.360
<v Speaker 1>Oh my gosh, you can check out her blog and

0:50:56.520 --> 0:50:59.160
<v Speaker 1>her her once she did a podcast every six months

0:50:59.160 --> 0:51:01.000
<v Speaker 1>since I was able to. Could you don't have to

0:51:01.040 --> 0:51:04.319
<v Speaker 1>drink such a jerk about it? I do kind of Um,

0:51:05.560 --> 0:51:08.279
<v Speaker 1>I want the best for you. Do you know that's

0:51:08.320 --> 0:51:11.400
<v Speaker 1>really nice? Like I do. Think that's why I say that,

0:51:11.920 --> 0:51:16.000
<v Speaker 1>Kelly Bannon k E L L E I g H.

0:51:16.840 --> 0:51:19.839
<v Speaker 1>That's how you spell it. Um. So you can find

0:51:19.920 --> 0:51:22.839
<v Speaker 1>cheap sunglasses in the record. You can download it. You can.

0:51:23.200 --> 0:51:26.759
<v Speaker 1>You're out playing shows them. I wish I was playing

0:51:26.800 --> 0:51:30.160
<v Speaker 1>more shows, but I am. I am out playing a

0:51:30.280 --> 0:51:32.560
<v Speaker 1>decent amount of shows. I don't even know how we met,

0:51:32.680 --> 0:51:34.560
<v Speaker 1>how do we meet? We met? Actually, I have a

0:51:34.640 --> 0:51:37.000
<v Speaker 1>really vivid memory of meeting you, which I hope it

0:51:37.040 --> 0:51:39.200
<v Speaker 1>doesn't freak you out, but um, like I know what

0:51:39.280 --> 0:51:41.279
<v Speaker 1>I was wearing. I had. That was a really vivid

0:51:41.360 --> 0:51:44.080
<v Speaker 1>day for me. It was CRS. Do you remember how

0:51:44.160 --> 0:51:45.920
<v Speaker 1>you think about you? Though it's just an example of

0:51:46.000 --> 0:51:50.480
<v Speaker 1>us going back, but I remember. I mean I actually

0:51:50.520 --> 0:51:52.719
<v Speaker 1>think you were dressed up, which isn't like how I

0:51:52.800 --> 0:51:56.640
<v Speaker 1>think of you normally. I kind of want to think

0:51:56.640 --> 0:51:58.839
<v Speaker 1>you were in like a suit or something. Maybe maybe

0:51:58.880 --> 0:52:04.120
<v Speaker 1>I was like, No, it was CRS is like a

0:52:04.239 --> 0:52:07.279
<v Speaker 1>radio convention. Yeah, and it was that that the fan

0:52:07.440 --> 0:52:09.160
<v Speaker 1>part where it's not a fan part, it's like where

0:52:09.200 --> 0:52:12.840
<v Speaker 1>you go and just sign you know. No, I was

0:52:12.960 --> 0:52:16.319
<v Speaker 1>signing and you were probably coming from a signing and um,

0:52:16.480 --> 0:52:18.759
<v Speaker 1>like I think probably like promo. My promo team was

0:52:18.800 --> 0:52:22.399
<v Speaker 1>like introducing me, but I had already heard the show. Um,

0:52:22.960 --> 0:52:27.000
<v Speaker 1>because it's your show started on my birthday. And that's

0:52:27.040 --> 0:52:28.560
<v Speaker 1>like a really symbolic day for me for a lot

0:52:28.640 --> 0:52:33.759
<v Speaker 1>of reasons, obviously, like I was bestie because of your show. Um,

0:52:33.840 --> 0:52:35.320
<v Speaker 1>I didn't want to take it like too heavy, so

0:52:35.400 --> 0:52:37.360
<v Speaker 1>I was like I'm backtracking now, I'm like, oh, shoot,

0:52:37.400 --> 0:52:41.280
<v Speaker 1>I shouldn't have that. But you but we met Okay,

0:52:41.560 --> 0:52:45.080
<v Speaker 1>So we met and I just like, I, I don't know,

0:52:45.239 --> 0:52:47.520
<v Speaker 1>I just had that left an impression on me that moment,

0:52:47.640 --> 0:52:52.320
<v Speaker 1>that that moment, that conversation. It did jerk. No, I wasn't.

0:52:52.640 --> 0:52:54.239
<v Speaker 1>I mean, I don't know why you like to think that.

0:52:54.320 --> 0:52:57.120
<v Speaker 1>People think that about everybody is annoyed with me all

0:52:57.160 --> 0:52:59.120
<v Speaker 1>the time. I think that now I think everybody I

0:52:59.160 --> 0:53:02.520
<v Speaker 1>think I'm super annoy and I might be. I'll tell

0:53:02.560 --> 0:53:06.200
<v Speaker 1>you a story. This is an awful story has happened,

0:53:06.239 --> 0:53:11.040
<v Speaker 1>like last week is awful. And so I get an

0:53:11.120 --> 0:53:14.360
<v Speaker 1>email and the truth about emails. I can't keep up

0:53:14.400 --> 0:53:16.920
<v Speaker 1>with my email, my workingmi. I can't keep up with Twitter,

0:53:17.000 --> 0:53:19.120
<v Speaker 1>and I see every tweet sent to me. I see.

0:53:19.560 --> 0:53:22.120
<v Speaker 1>I make that a priority. I see most of Instagram.

0:53:22.360 --> 0:53:24.120
<v Speaker 1>I don't look at Facebook a whole lot because that's

0:53:24.160 --> 0:53:27.480
<v Speaker 1>just fighting ground and it makes me feel negative. So

0:53:27.600 --> 0:53:32.120
<v Speaker 1>the comments on Facebook, I'll go over Facebook is it's

0:53:32.160 --> 0:53:34.920
<v Speaker 1>like the bad part of town. You know, you only

0:53:34.920 --> 0:53:36.400
<v Speaker 1>go into bad part time daylight. So I look in

0:53:36.440 --> 0:53:39.120
<v Speaker 1>the Facebook comments wonder like, hey, to tell me something

0:53:39.200 --> 0:53:43.040
<v Speaker 1>good story. Otherwise again, you don't go into bad part time, don't. Yeah,

0:53:43.280 --> 0:53:47.440
<v Speaker 1>And the people so just don't ever read the comments

0:53:47.480 --> 0:53:50.080
<v Speaker 1>on any YouTube video. Is my advice to you people

0:53:50.120 --> 0:53:52.759
<v Speaker 1>if you want to not be sad, are amazing behind

0:53:52.800 --> 0:53:55.440
<v Speaker 1>the computer, amazing critics and amazing at what they do.

0:53:55.600 --> 0:53:58.680
<v Speaker 1>So anyway, um, and so I try to read many

0:53:58.680 --> 0:54:00.319
<v Speaker 1>emails as possible. I sit in my room, I'm reading

0:54:00.320 --> 0:54:03.040
<v Speaker 1>email out through email and a listener says, hey, you

0:54:03.120 --> 0:54:04.839
<v Speaker 1>didn't say hi to me. You were a complete jerk.

0:54:04.880 --> 0:54:08.320
<v Speaker 1>And I was like, man, I've never in my life

0:54:08.440 --> 0:54:11.640
<v Speaker 1>that I know of like blown someone off. Ever, not

0:54:12.000 --> 0:54:15.160
<v Speaker 1>one time in my life have I ever that I

0:54:15.320 --> 0:54:19.360
<v Speaker 1>know of blown someone off like to to find like

0:54:19.600 --> 0:54:21.160
<v Speaker 1>you see them and you would go the other way,

0:54:21.239 --> 0:54:22.680
<v Speaker 1>or you don't say hi on purposes that what you

0:54:22.719 --> 0:54:24.560
<v Speaker 1>mean by blowing or if somebody comes he goes hey Bobby.

0:54:25.120 --> 0:54:29.000
<v Speaker 1>I never like my show would not exist if it

0:54:29.080 --> 0:54:30.719
<v Speaker 1>weren't for the people listening to it. And I know

0:54:30.840 --> 0:54:33.560
<v Speaker 1>where my bread is buttered, and it's the people that

0:54:33.640 --> 0:54:37.960
<v Speaker 1>listen to the show every day. Like so she says, hey,

0:54:37.960 --> 0:54:39.520
<v Speaker 1>you didn't say hi to me. Actually you were a

0:54:39.560 --> 0:54:42.200
<v Speaker 1>total jerk. And I was like, let me read this

0:54:42.320 --> 0:54:44.319
<v Speaker 1>more into this, And so I replied back to her

0:54:44.360 --> 0:54:46.200
<v Speaker 1>and said, hey, where because I was curious as to

0:54:46.200 --> 0:54:49.440
<v Speaker 1>where I was a jerk was it wasn't. But she

0:54:49.560 --> 0:54:52.960
<v Speaker 1>never came up to me. She saw me in the

0:54:53.080 --> 0:54:56.680
<v Speaker 1>same room and I'm gonna tell you I'm not Mr Gagarris.

0:54:56.760 --> 0:54:59.440
<v Speaker 1>I'm not talking to everybody because I feel like, oh,

0:54:59.440 --> 0:55:02.480
<v Speaker 1>I'm annoying. So she she didn't come up to me

0:55:02.520 --> 0:55:04.440
<v Speaker 1>and say hi, and she sent me an email of

0:55:04.440 --> 0:55:06.759
<v Speaker 1>the house. Since I wasn't walking around the room saying

0:55:06.800 --> 0:55:08.600
<v Speaker 1>hid everybody. I was a complete I think dick was

0:55:08.640 --> 0:55:12.520
<v Speaker 1>the word she used. And so she was like, uh,

0:55:12.840 --> 0:55:14.680
<v Speaker 1>you really let me down. And so I said where

0:55:14.719 --> 0:55:16.480
<v Speaker 1>did we meet? What we didn't meet? I just saw

0:55:16.520 --> 0:55:18.640
<v Speaker 1>you across the room, and so I replied back, I

0:55:18.760 --> 0:55:20.719
<v Speaker 1>was like, oh, sorry about that. And my my cousin

0:55:20.800 --> 0:55:28.640
<v Speaker 1>just died, So you didn't sorry, you really said this.

0:55:29.040 --> 0:55:30.680
<v Speaker 1>I just wanted to make it kind of feel like

0:55:30.760 --> 0:55:34.279
<v Speaker 1>she made me feel that's okay. Yeah, And then I

0:55:34.360 --> 0:55:36.400
<v Speaker 1>replied back, I was like, Okay, I didn't die, but

0:55:36.480 --> 0:55:38.759
<v Speaker 1>you didn't meet me. So I didn't think it was fair.

0:55:39.320 --> 0:55:40.680
<v Speaker 1>But I let her sit on that because I died

0:55:40.719 --> 0:55:45.720
<v Speaker 1>email for like twenty minutes. Did I did? But that's interesting,

0:55:45.800 --> 0:55:50.279
<v Speaker 1>like fan culture like they expected like and I'm not

0:55:50.320 --> 0:55:52.279
<v Speaker 1>trying to be mean, but she thought you should have

0:55:52.360 --> 0:55:54.560
<v Speaker 1>worked the room. I don't. I don't work room like

0:55:54.680 --> 0:55:56.759
<v Speaker 1>that's hard. It's actually really hard to do that, like

0:55:58.080 --> 0:56:00.680
<v Speaker 1>you know, work their own problems. But it's feels awkward,

0:56:00.840 --> 0:56:02.200
<v Speaker 1>like you don't know that they want to meet you.

0:56:02.680 --> 0:56:05.399
<v Speaker 1>That's the thing most people don't. Most people don't care.

0:56:05.560 --> 0:56:08.879
<v Speaker 1>They're like the guy on the radio who cares Hey

0:56:09.080 --> 0:56:11.160
<v Speaker 1>and Bobby Bobby ponies in the radio. Would you like

0:56:11.200 --> 0:56:13.080
<v Speaker 1>to meet me and get a picture? I would never

0:56:13.280 --> 0:56:16.560
<v Speaker 1>do that, it's so awesome. Could you please do that?

0:56:17.160 --> 0:56:19.279
<v Speaker 1>But I did. I would sent her a nice note

0:56:19.320 --> 0:56:21.160
<v Speaker 1>after I let that one sit for a minute. I

0:56:21.160 --> 0:56:23.080
<v Speaker 1>didn't think it was fun. I did laugh because I'm

0:56:23.160 --> 0:56:26.800
<v Speaker 1>twisted and I know, I know, but it was me

0:56:26.920 --> 0:56:28.839
<v Speaker 1>for anyway. It's getting hot in this room too, because

0:56:28.840 --> 0:56:31.520
<v Speaker 1>it's like my house a hundred degrees. But I no no,

0:56:31.600 --> 0:56:33.160
<v Speaker 1>I say, hey, listen, I'm really sorry to happen. But

0:56:33.160 --> 0:56:34.400
<v Speaker 1>if you would to hide to me next time, I

0:56:34.400 --> 0:56:36.840
<v Speaker 1>would love to say hi and talk and take pictures

0:56:36.960 --> 0:56:40.239
<v Speaker 1>or whatever whatever you want, like I don't anyway. Um,

0:56:40.600 --> 0:56:47.160
<v Speaker 1>that's well, makes for the whole email about your cousin dying. Yeah. Yeah,

0:56:47.520 --> 0:56:51.080
<v Speaker 1>I mean I didn't drink anybody. They didn't really die. Um,

0:56:51.400 --> 0:56:52.800
<v Speaker 1>that's it. Mike. Is there anything that you've heard that

0:56:52.800 --> 0:56:55.839
<v Speaker 1>you want to follow up on? No, I'm good. Yeah. Yeah.

0:56:55.920 --> 0:56:57.839
<v Speaker 1>I was just gonna say, like, if I wouldn't guess

0:56:57.840 --> 0:57:00.160
<v Speaker 1>how old you were, I would say, oh my, I've

0:57:00.160 --> 0:57:07.000
<v Speaker 1>never known you all my love forever. Yeah, you tell them,

0:57:07.040 --> 0:57:09.719
<v Speaker 1>you'd be like, okay, thirty four. I would have got four.

0:57:10.080 --> 0:57:12.800
<v Speaker 1>I hadn't I didn't know how old you were. I

0:57:12.920 --> 0:57:15.359
<v Speaker 1>probably would have put it at about thirty one. Yeah,

0:57:15.760 --> 0:57:19.720
<v Speaker 1>probably because I'm so wise. Yeah, you're like Gandoff from

0:57:19.960 --> 0:57:24.200
<v Speaker 1>What the Game with? No, Yeah, you're like Gandalf from

0:57:24.200 --> 0:57:27.840
<v Speaker 1>Lord of the Rings one point five million dollars to

0:57:27.920 --> 0:57:30.840
<v Speaker 1>be in the Facebook guy's wedding just to stand there,

0:57:31.040 --> 0:57:32.840
<v Speaker 1>and he turned it down. All they asked because they

0:57:32.880 --> 0:57:36.560
<v Speaker 1>did a theme and they offered the guy that plays

0:57:36.600 --> 0:57:39.720
<v Speaker 1>Gandoff what you know, his name, sir Ian McClellan or whatever,

0:57:40.200 --> 0:57:42.680
<v Speaker 1>one point five million dollars just to stand in costume,

0:57:42.680 --> 0:57:45.480
<v Speaker 1>and he said, no, you don't want to do it. Wow.

0:57:46.080 --> 0:57:48.840
<v Speaker 1>That is kind of like, Wow, you must have a

0:57:48.920 --> 0:57:50.240
<v Speaker 1>lot of money if you can say no to a

0:57:50.320 --> 0:57:53.400
<v Speaker 1>million dollars or you're just old and don't care, or yeah,

0:57:54.160 --> 0:57:58.360
<v Speaker 1>but he's probably both. Got Mike, is are what where

0:57:58.440 --> 0:58:01.840
<v Speaker 1>we at? On time? Almost an hour? Okay, Kelly Bannett,

0:58:01.840 --> 0:58:05.520
<v Speaker 1>thank you for hanging today. Thank you this Nashville life.

0:58:05.640 --> 0:58:08.520
<v Speaker 1>You can look at pictures and words, and you can

0:58:08.640 --> 0:58:11.320
<v Speaker 1>listen to her podcast and really like check out the

0:58:11.360 --> 0:58:13.920
<v Speaker 1>album and however you check it out and stream it,

0:58:13.920 --> 0:58:17.000
<v Speaker 1>download it whatever, because in reality, you're gonna do whatever

0:58:17.040 --> 0:58:20.080
<v Speaker 1>you're gonna do anyway out there listening. This is a landlock,

0:58:21.840 --> 0:58:25.360
<v Speaker 1>my damn. And this is Cheap Sunglasses, which is the

0:58:25.400 --> 0:58:36.800
<v Speaker 1>title track Cheap Sunless. I feel like we gotta go

0:58:36.840 --> 0:58:39.720
<v Speaker 1>honest talk to you. I thank you. I do too.

0:58:39.920 --> 0:58:41.320
<v Speaker 1>That was I think you kinda need to be a

0:58:41.400 --> 0:58:45.520
<v Speaker 1>little more um more confident with yourself. God. You know what,

0:58:45.640 --> 0:58:47.680
<v Speaker 1>you're the second person that told me that today. Yeah,

0:58:47.720 --> 0:58:49.720
<v Speaker 1>I also probably wouldn't say that. Back to that comment,

0:58:51.640 --> 0:58:57.560
<v Speaker 1>you're you're well, no, well, you know what it's because

0:58:57.640 --> 0:59:00.320
<v Speaker 1>it's the person that said it is like, you're, like,

0:59:00.560 --> 0:59:02.400
<v Speaker 1>I think of Nada as so similar to you in

0:59:02.440 --> 0:59:05.080
<v Speaker 1>a lot of what she said that to me earlier,

0:59:06.000 --> 0:59:07.840
<v Speaker 1>because we were but we were having like serious talk

0:59:07.880 --> 0:59:09.400
<v Speaker 1>and I was like baring my soul and she was like,

0:59:09.520 --> 0:59:11.320
<v Speaker 1>you need to be more confident. That will also cut you,

0:59:12.280 --> 0:59:15.320
<v Speaker 1>like not as the closest thing to me. Like no,

0:59:15.640 --> 0:59:19.440
<v Speaker 1>I think y'all are super similar and that's why when

0:59:19.520 --> 0:59:21.240
<v Speaker 1>we fight, it's we can also wipe it away in

0:59:21.280 --> 0:59:25.120
<v Speaker 1>like one second, it's like and then it's like, all right,

0:59:25.440 --> 0:59:28.840
<v Speaker 1>we're we're nuts. Uh. There's also a cool um cover

0:59:29.040 --> 0:59:32.200
<v Speaker 1>that Kelly did. Let it go, James Bay, come on

0:59:39.360 --> 0:59:46.520
<v Speaker 1>you And I didn't know until I saw it again.

0:59:46.560 --> 0:59:52.479
<v Speaker 1>You want to Pip and Joy hat and they was I, yeah, good,

0:59:52.720 --> 0:59:55.800
<v Speaker 1>I like my Pimp and Joy hat. Thank you, Kelly,

0:59:56.440 --> 0:59:58.800
<v Speaker 1>thank you. I hope everything goes awesome for you. Let

0:59:58.840 --> 1:00:00.360
<v Speaker 1>me throw it over to our announcer and out who's

1:00:00.360 --> 1:00:02.880
<v Speaker 1>standing by ready to act. I'm ready to get us

1:00:02.920 --> 1:00:05.280
<v Speaker 1>out of here. All right now it's back over to

1:00:05.360 --> 1:00:08.640
<v Speaker 1>you all. Thanks Bobby. That's it for this week. What

1:00:08.760 --> 1:00:12.040
<v Speaker 1>episode We're happened for the episode four other Bobby guests

1:00:12.440 --> 1:00:15.600
<v Speaker 1>from Bobby's House. A guest today has been Kelly Bannon,

1:00:17.240 --> 1:00:21.000
<v Speaker 1>your producers always, Mike d At, Mike d stro D,

1:00:21.240 --> 1:00:24.720
<v Speaker 1>E E. S. T r oh on all of them. Hey, Kelly,

1:00:24.760 --> 1:00:27.200
<v Speaker 1>what's your name on all your stuff? Kelly Vannon. She

1:00:27.240 --> 1:00:29.840
<v Speaker 1>spelled it so funny, though, I know my mom did

1:00:29.920 --> 1:00:32.800
<v Speaker 1>that at K E L L E I G H

1:00:33.040 --> 1:00:38.400
<v Speaker 1>B A N N E N oh my don't, my goodness.

1:00:38.560 --> 1:00:41.200
<v Speaker 1>And then uh, I'm your host. He was your host,

1:00:41.280 --> 1:00:44.160
<v Speaker 1>Bobby Bollings and thanks to our sponsor no one yet.

1:00:44.440 --> 1:00:47.880
<v Speaker 1>All right, we'll see you next week on the Bobby Cast. Goodbye, everyone,