WEBVTT - Steelo Brim

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<v Speaker 1>Money. Well, val we are the authority on all things

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<v Speaker 1>and what up is your point? Tank And I'm Ja

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<v Speaker 1>Valentine and this is the RB Money Podcast, the authority

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<v Speaker 1>on all things, all things R and B. Sometimes we

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<v Speaker 1>bring some special people in the building. Yeah you know

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<v Speaker 1>what I'm saying that to that want to live to

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<v Speaker 1>R and B, like who lives who lives in? Yeah,

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<v Speaker 1>listen it shakes his own yea on this side. Okay,

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<v Speaker 1>I'm saying the pulses around his neck. I'm saying I

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<v Speaker 1>don't look expensive, but it's expensive. Get down, make some

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<v Speaker 1>noise here in the podcast RB Money Podcast. We got

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<v Speaker 1>my brother's right that. Yeah, thank you for having me.

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<v Speaker 1>Man come on my podcast. It was only right. Is

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<v Speaker 1>my brother right here? Right came? Who came? Like right now?

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<v Speaker 1>I don't do that. You do the same movie, the

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<v Speaker 1>same movie, and you can never stop. You do the

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<v Speaker 1>same You do the same one to cross back. I

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<v Speaker 1>might's that bag of something you know to up. My

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<v Speaker 1>guy wants to get it. He's gonna get it. Jump

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<v Speaker 1>he doesn't want to. He's gonna shoot it will be

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<v Speaker 1>here else will not be here. It's got like a

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<v Speaker 1>double clutch in it. I get it. It depends on

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<v Speaker 1>the defender. It does it? Does you know? And Kyrie

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<v Speaker 1>was that I was handing out buckets a little bit. Wow, Yeah,

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<v Speaker 1>that's the name you're gonna as a name dry But

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<v Speaker 1>it felt real though, you know what. I was on

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<v Speaker 1>the court. I was like, I belong out here for sure.

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<v Speaker 1>I'm gonna take it. Listen, you were on the floor

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<v Speaker 1>with Kyrie, was gonna take a drink of that man

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<v Speaker 1>the baltizes on the juice class. He's not going with

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<v Speaker 1>us being inappropriate. The dirt. This dispensive, for sure, This

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<v Speaker 1>day is really good. So ste Low, our pod man

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<v Speaker 1>is very informative. Yes, you know what I'm saying. And

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<v Speaker 1>so we want to get your journey to this place

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<v Speaker 1>that we call Hollywood, this this entertainment space where you've

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<v Speaker 1>done very well. Yeah, you've done well. You know, you

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<v Speaker 1>know very rightly yourself. You you sent you sent out

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<v Speaker 1>a picture to the bros of a seven million dollar house,

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<v Speaker 1>and you did. You just posed the question should I

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<v Speaker 1>get this not that is very leisurely that should I get? Okay?

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<v Speaker 1>Should I get this one? You think this one's good enough?

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<v Speaker 1>I don't know, stew I don't know is this one's

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<v Speaker 1>gonna do what I think, never get any visitors. You

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<v Speaker 1>never pulled up on me at all. You told me

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<v Speaker 1>to get the house and it never came over. You

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<v Speaker 1>haven't pulled up on me either. But we'll go back

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<v Speaker 1>to that. You you came here when I wasn't here,

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<v Speaker 1>you know, because the only person don't invite mee was

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<v Speaker 1>my wife. Yeah, this iss well is going on, bro

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<v Speaker 1>take us from the beginning, right, so it's music, it's entertainment.

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<v Speaker 1>All these things part of the family are your first generation.

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<v Speaker 1>Let's go back to the shoy and and and pick

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<v Speaker 1>up from the very beginning and and get you here

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<v Speaker 1>sitting in the seat. For sure. I love that now,

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<v Speaker 1>first generation for sure. You know, being from Chicago, being

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<v Speaker 1>from the West side of Chicago, UM, going and raised. UM.

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<v Speaker 1>My parents would always tell us that, h just because

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<v Speaker 1>we were from somewhere, that mean we have to be

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<v Speaker 1>up that place. So I constantly told myself it was more.

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<v Speaker 1>It was more out There was more out there. So

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<v Speaker 1>I think I've done with high school. I went and

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<v Speaker 1>I went to Morgan State for my freshman year. You know,

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<v Speaker 1>shout the Morgan say yeah, you know, yeah, you're going

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<v Speaker 1>straight to high school. What do you mean you want

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<v Speaker 1>to know? How did you feel high school? I was wing.

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<v Speaker 1>It's a legendary movie. You just go do that. I

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<v Speaker 1>am not. I forget about this movie because because listen,

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<v Speaker 1>because listen, there is a debate. Yea. The debate is

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<v Speaker 1>probably just me, yeah, yeah, yeah, if you a baby

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<v Speaker 1>or not. That's only he's been the only person was

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<v Speaker 1>presented this to me non stop, and I'm telling him

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<v Speaker 1>not stop. Nor I wasn't Hardball. Was in a movie

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<v Speaker 1>Hardball when I was classic movie. Bro, you can't come classic,

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<v Speaker 1>Come on classic. I was not in there as an actor.

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<v Speaker 1>If I was, you know, aspiring to entertainment that shoot

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<v Speaker 1>you down. In the project, I was ranked in the

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<v Speaker 1>state for baseball, so they brought me in my my

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<v Speaker 1>my school actually had auditions for the movie. My principal

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<v Speaker 1>during the summer called me, I'm thinking I'm in trouble.

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<v Speaker 1>During sometimes she called me like, yo, you have an audition.

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<v Speaker 1>It's an audition up here for a baseball movie. A

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<v Speaker 1>baseball man. I'm gonna pull up. I pull up. They

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<v Speaker 1>loved me horrible, went through yere and as I met

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<v Speaker 1>Mike and all those dudes. Um, but that was my

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<v Speaker 1>first glimpse I guess of being an entertainment, But I

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<v Speaker 1>never had really wanted to be like in front of

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<v Speaker 1>the camera or like that wasn't really what I was

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<v Speaker 1>aspiring to do. Is that why you didn't talk in

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<v Speaker 1>the movie? No, I didn't talk because I wasn't casting

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<v Speaker 1>for that any when I was there. You know what

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<v Speaker 1>I'm saying. I end up getting paid. I end up

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<v Speaker 1>getting paid more than most of the actors though, because

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<v Speaker 1>of Illinois state labor laws stated that if I were

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<v Speaker 1>I was on the main team. So if you worked

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<v Speaker 1>the same amount of time, you got paid the same amount.

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<v Speaker 1>And then I didn't have an agent or manager, so

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<v Speaker 1>actually was being paid more and low key. They hated it,

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<v Speaker 1>the kids to the audition, but the movie I hated

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<v Speaker 1>so like it was a weird but me and speaking,

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<v Speaker 1>I'm over here accounting money and y'all keep that up.

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<v Speaker 1>Uh No, but that was my first time being in

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<v Speaker 1>a part of the industry, a glimpse of the industry.

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<v Speaker 1>I thought it was cooling things, you know what I'm saying.

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<v Speaker 1>I always heard you have a big personality, you should

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<v Speaker 1>do things, But I never really aspired for that. Uh

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<v Speaker 1>Speeding back up after high school, went to Morgan State.

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<v Speaker 1>Was there for a year. Was like around music. There

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<v Speaker 1>was a dude now no no, baseball was trying to

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<v Speaker 1>be played basketball. I wasn't really hooping like that either.

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<v Speaker 1>Was more focused in music. Was seeing different There's different

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<v Speaker 1>things around me. I'm a hustle person. Just always my

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<v Speaker 1>wake up in the morning a D H D kick seeing.

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<v Speaker 1>I just want to hustle and do things and make

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<v Speaker 1>things move. So for me being in school was sitting

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<v Speaker 1>still and I was like, you know what, I could

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<v Speaker 1>be helping people do different things. There was Brandon Hines

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<v Speaker 1>who was a singer and Howard Um. I had linked

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<v Speaker 1>up with Troy Taylor and I had told him, Hey,

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<v Speaker 1>do I want to actually A and R? That's my dream.

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<v Speaker 1>I want to be A and R and Troy. You know,

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<v Speaker 1>Troy wants to take you through t t U to

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<v Speaker 1>all of this R and b uh University. I want

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<v Speaker 1>to work in business. Did some serious ship going on

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<v Speaker 1>for one thousands like no no, like wanted to development

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<v Speaker 1>production all that. Call him a mentor of mine, like

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<v Speaker 1>wanted to do still to this day, I'll tell Troy

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<v Speaker 1>like as much as we may bump his first business,

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<v Speaker 1>Troy taught me things I could never learn from anybody

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<v Speaker 1>else within the industry. So I respect him for sure,

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<v Speaker 1>and I wanted to really like work in the in

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<v Speaker 1>the in the space. So like for me, I wanted

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<v Speaker 1>to show I was hungry and show him that. So

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<v Speaker 1>I remember, I ain't had that much money, but I

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<v Speaker 1>had got these from hardball, having a little money sailor

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<v Speaker 1>from hardball, and that also couldn't touch a certain amounts.

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<v Speaker 1>I was eighteen, so I had a little money saved

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<v Speaker 1>up as well. For that, I wanted to prove to

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<v Speaker 1>him that I was a hustler. Just have printed out

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<v Speaker 1>all these flyers and different things that had really passed

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<v Speaker 1>out all these Brandon highs my space, you are O

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<v Speaker 1>flying us for that on on Morgan State's campus on

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<v Speaker 1>thousands campus on then travels to it was one of

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<v Speaker 1>the different colleges around and Trey and hit me like yo,

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<v Speaker 1>I see a spike and then what you what are

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<v Speaker 1>you doing that? I'm all I had baldy like, I

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<v Speaker 1>don't spend your own money, but I love the hustle

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<v Speaker 1>of t nasty And like for me, I was reading

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<v Speaker 1>the book Making Happen as Well, which was Kevin Low's book.

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<v Speaker 1>Were only went to Morgan State for full semester, and

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<v Speaker 1>I was already up for to semesters. So I'm like,

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<v Speaker 1>yo for what I want to do. And all the

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<v Speaker 1>people I was like looking up to aspiring to be

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<v Speaker 1>like they were doing music and didn't necessarily have a degree.

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<v Speaker 1>I'm not saying people shouldn't get a degree, but they

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<v Speaker 1>didn't necessarily have one. So for me, uh from Hardball

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<v Speaker 1>and me and Mike Jordian Head became best friends. He

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<v Speaker 1>was moving to l A full time. He was already

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<v Speaker 1>like in and out of an apartment out here, but

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<v Speaker 1>he was like, y'all moving full time, you should just

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<v Speaker 1>ditch you after your firstman or come out here. I'm like,

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<v Speaker 1>say left, I'm not really fluen, she told drop out.

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<v Speaker 1>He influenced me to drop out. You get to blame Mike, Yeah,

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<v Speaker 1>influence me to dropout. I came out here for the

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<v Speaker 1>first six months, I didn't have no plan, I didn't

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<v Speaker 1>have no money. End up having to move back home

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<v Speaker 1>to Chicago because I could not afford it at all.

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<v Speaker 1>I was just trying to keep up, was really hustling,

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<v Speaker 1>couch to couch, all that type of ship. And then

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<v Speaker 1>when it made a little small plan back home in

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<v Speaker 1>Chicago for myself so I can get back out here,

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<v Speaker 1>and got back out here and just hustle, hustle when

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<v Speaker 1>I was first older you at this point, when I

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<v Speaker 1>first moved here in nine then when I like really

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<v Speaker 1>started to like at least be able to provide for

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<v Speaker 1>myself out here, maybe twenty one, Like my first two

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<v Speaker 1>years out here, didn't have a car. It's like really

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<v Speaker 1>like hustling, like just you know, I would work a

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<v Speaker 1>room and ship. People thought like I had more going

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<v Speaker 1>on to me than I did, but I definitely didn't.

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<v Speaker 1>That's that's the thing too write, because we have these

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<v Speaker 1>conversations about the grind and about because everybody thinks, like

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<v Speaker 1>I'm just gonna move there. It's gonna be cracking as

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<v Speaker 1>soon as I get there. They're gonna see my talent.

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<v Speaker 1>And you walk in the room and everybody's talented for sure,

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<v Speaker 1>and everybody already knows each other and everybody has their

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<v Speaker 1>their relationships, and you kind of gotta play catch up

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<v Speaker 1>in that in that whole process. And people don't understand

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<v Speaker 1>the moving back home. Some people never come back at all. Right,

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<v Speaker 1>it's a different type of it's a different type of

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<v Speaker 1>humility to sleep on someone's couch, for sure, when you're

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<v Speaker 1>just trying to be in that room and trying to

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<v Speaker 1>figure it out because you're you're so focused on your career.

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<v Speaker 1>And I think that part gets bypassed so much in

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<v Speaker 1>the conversations that people have about the journey, about what

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<v Speaker 1>it took to get to these spaces. If you want

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<v Speaker 1>to speak about R and B. I was out here

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<v Speaker 1>for lage. You know what I'm saying. I was out here. Yeah, yeah, yeah,

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<v Speaker 1>the couches, yeah, for sure, that's just facts. So a

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<v Speaker 1>little while make the money, don't have the money, make

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<v Speaker 1>you okay? Selling my life the girl? Ever tell you

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<v Speaker 1>uber's waiting? No, not let you stay. Let me say

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<v Speaker 1>I would put myself on the couch and work my

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<v Speaker 1>way to the big room. I was tellings to keep

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<v Speaker 1>you smooth, I should sleep on the couch. I never

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<v Speaker 1>I was never comforable on the couch, right. I made

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<v Speaker 1>my game everything alright? There? Did you hear that? I

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<v Speaker 1>heard the noise? Just checking on you. Listen my my

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<v Speaker 1>move back, which is funny. My move back was moving

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<v Speaker 1>to Rancho Cucamonga. Yeah, that was, you know what I'm saying,

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<v Speaker 1>Because I was like, I'm not going home not And

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<v Speaker 1>this is after a hit record, Yeah for sure. You

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<v Speaker 1>know what I'm saying. This is after being CEOs with baby.

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<v Speaker 1>You know what I'm saying. So people can understand how

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<v Speaker 1>far is that from Hollywood? Rancho Cucamonga and traffic about

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<v Speaker 1>an hour and a half. Uncle he was the king,

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<v Speaker 1>He was the king before I got there. He was

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<v Speaker 1>the caing before I got there. His his vibe kind

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<v Speaker 1>of dwindled down. And I kind of went in there

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<v Speaker 1>and and and took over. But I had to get

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<v Speaker 1>I had to get to an affordable space, for sure,

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<v Speaker 1>because my my paper had ran out and I didn't

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<v Speaker 1>have a car, so I didn't have a car that

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<v Speaker 1>you know, carry went bad on me. So I had

0:12:45.400 --> 0:12:50.079
<v Speaker 1>rented a Lincoln town Car. And then money was getting real,

0:12:50.160 --> 0:12:51.520
<v Speaker 1>real lough. So it was to the point where I

0:12:51.880 --> 0:12:54.960
<v Speaker 1>was putting gas in the tank from changing the ash

0:12:55.040 --> 0:12:58.560
<v Speaker 1>tray while they were looking for their rental car. Hey man,

0:12:58.600 --> 0:13:02.600
<v Speaker 1>when you're gonna bring that back, I'm gonna hole at you. Okay,

0:13:04.080 --> 0:13:05.679
<v Speaker 1>so we need that car back. He thought it was

0:13:05.720 --> 0:13:12.960
<v Speaker 1>a library, But you have a dolphin rental. Come find me, actually,

0:13:14.679 --> 0:13:18.199
<v Speaker 1>come find me if you want. They never did, never did,

0:13:18.400 --> 0:13:20.559
<v Speaker 1>because I rented it out. I rented it out this

0:13:20.679 --> 0:13:22.760
<v Speaker 1>way and we took it to ranch. That's all you

0:13:22.800 --> 0:13:27.240
<v Speaker 1>gotta do. He stole a car, he didn't still, I

0:13:27.280 --> 0:13:29.199
<v Speaker 1>eventually gave it back. I followed it, and then the

0:13:29.320 --> 0:13:32.440
<v Speaker 1>old street deal Um and Wane of the Fast cousins

0:13:32.480 --> 0:13:34.840
<v Speaker 1>and got me a uh and got me an escalad

0:13:35.080 --> 0:13:37.800
<v Speaker 1>x T. And then and then my my uncle who

0:13:37.880 --> 0:13:39.839
<v Speaker 1>was fresh out of prison. I moved him into and

0:13:39.920 --> 0:13:42.439
<v Speaker 1>he stole. It's a lot of stuff that goes into that.

0:13:42.559 --> 0:13:45.000
<v Speaker 1>But all this to say is the move back is

0:13:45.080 --> 0:13:47.360
<v Speaker 1>real when you're trying to figure it out. And I

0:13:47.440 --> 0:13:48.920
<v Speaker 1>thought about that. You know, when we firstly out here,

0:13:48.960 --> 0:13:51.640
<v Speaker 1>we were in like to Pango with Naka area, which

0:13:51.800 --> 0:13:54.079
<v Speaker 1>was no car out there. Y'all didn't have a car.

0:13:54.200 --> 0:13:56.360
<v Speaker 1>I didn't have a car. Mike didn't either. Mike had

0:13:57.280 --> 0:14:03.439
<v Speaker 1>Mike had a three series BMW. I was definitely she

0:14:03.480 --> 0:14:07.000
<v Speaker 1>was embarrassed the car. He definitely had a car. They

0:14:07.080 --> 0:14:09.439
<v Speaker 1>had cars, at least, believe me, because I was envious niggers.

0:14:09.440 --> 0:14:11.760
<v Speaker 1>I had no car. I was like, these niggas can

0:14:11.800 --> 0:14:16.920
<v Speaker 1>go places. This is crazy. Yeah. Then when I came

0:14:16.960 --> 0:14:20.680
<v Speaker 1>back out here though, end up putting together a plan. Um.

0:14:21.280 --> 0:14:25.160
<v Speaker 1>I was working randomly, like I have so many random

0:14:25.920 --> 0:14:28.800
<v Speaker 1>like connections with my life and degrees or some I

0:14:28.880 --> 0:14:33.320
<v Speaker 1>was working readily with Joe Simpson his yeah, his Jessica

0:14:33.360 --> 0:14:36.640
<v Speaker 1>Simpsons dad. Yeah. I was working with them, and Ryan

0:14:36.720 --> 0:14:39.920
<v Speaker 1>Cabrera and our as I was managing named Chris Alas

0:14:39.960 --> 0:14:41.840
<v Speaker 1>at the time, and all these different people working out

0:14:41.880 --> 0:14:43.520
<v Speaker 1>this house and kind of working with them. And that's

0:14:43.520 --> 0:14:47.000
<v Speaker 1>where I met Drama, who was Rob's cousin m and

0:14:47.240 --> 0:14:51.320
<v Speaker 1>he was trying to do a production company. But Rob,

0:14:51.960 --> 0:15:02.640
<v Speaker 1>I do a show. Yeah, but yeah Rob here that

0:15:03.040 --> 0:15:05.800
<v Speaker 1>uh from you know, the show Ridiculousness, and Robin bid

0:15:06.760 --> 0:15:09.520
<v Speaker 1>over that fantasy if I don't skip over that. Yeah,

0:15:10.360 --> 0:15:13.080
<v Speaker 1>has done great things. Yeah, yeah, he's done amazing things.

0:15:13.400 --> 0:15:15.800
<v Speaker 1>Uh but yeah he he ended up I ended up

0:15:15.840 --> 0:15:18.480
<v Speaker 1>helping Drama put together his publishing and production company was

0:15:18.520 --> 0:15:21.120
<v Speaker 1>in the studios. He was a producer, he was trying

0:15:21.160 --> 0:15:25.000
<v Speaker 1>to produce. Yeah, he was, you know, he producers producers

0:15:25.120 --> 0:15:26.800
<v Speaker 1>under him that were gonna be under it. So that

0:15:26.920 --> 0:15:32.280
<v Speaker 1>was like C four and Bondo and and there was

0:15:32.320 --> 0:15:33.760
<v Speaker 1>to do Cam Wallace. I don't know if you guys,

0:15:34.040 --> 0:15:36.440
<v Speaker 1>Cam Wallace, but had he didn't produce under him and

0:15:36.480 --> 0:15:39.240
<v Speaker 1>stuff and Rod had just came like two studio sessions

0:15:39.880 --> 0:15:43.120
<v Speaker 1>randomly and it was just like asking. He talked to

0:15:43.160 --> 0:15:45.840
<v Speaker 1>me after the second studio you don't know. I don't

0:15:45.840 --> 0:15:47.600
<v Speaker 1>know him from my whole world. I know, of course

0:15:47.640 --> 0:15:53.240
<v Speaker 1>we're in his building fans because a studio, I don't Yeah,

0:15:53.240 --> 0:15:55.280
<v Speaker 1>I don't know him at all. They knew I knew

0:15:55.280 --> 0:15:57.480
<v Speaker 1>a lot of people already because one of the things

0:15:57.520 --> 0:16:00.080
<v Speaker 1>I did take from Troy Taylor was nurturing relationships. He

0:16:00.080 --> 0:16:02.680
<v Speaker 1>would always say me, you gotta nurture relationships, Like did

0:16:02.760 --> 0:16:09.720
<v Speaker 1>you invite me down there? Yeah? Yeah, yeah, yeah I invited.

0:16:09.800 --> 0:16:13.160
<v Speaker 1>Like you know what's funny, I I've have lived multiple

0:16:13.200 --> 0:16:15.640
<v Speaker 1>lives that I've invited people and had people who I've

0:16:15.800 --> 0:16:18.920
<v Speaker 1>had connection with the music who didn't even remember me

0:16:19.480 --> 0:16:23.480
<v Speaker 1>from music. They remember me as steel Utle Brown from

0:16:24.120 --> 0:16:26.760
<v Speaker 1>Me and Dallas, Like me and Dallas. I've known da

0:16:26.880 --> 0:16:28.760
<v Speaker 1>Was for years and when we reconnected, he you know,

0:16:28.880 --> 0:16:31.200
<v Speaker 1>I was at his office one day actually playing him

0:16:31.200 --> 0:16:33.960
<v Speaker 1>some records from cboards other people, and he was like, Nigga,

0:16:34.280 --> 0:16:36.040
<v Speaker 1>you know I've been watching this show. It's this dude

0:16:36.040 --> 0:16:40.200
<v Speaker 1>who looked just like on that ship. I was like, word,

0:16:40.280 --> 0:16:42.000
<v Speaker 1>what show and he was like, it's a new one

0:16:42.040 --> 0:16:45.080
<v Speaker 1>called Ridiculousness. I said. He was like, but his name

0:16:45.080 --> 0:16:48.160
<v Speaker 1>is Steel because my name is And I was like, Nigga,

0:16:48.200 --> 0:16:49.720
<v Speaker 1>that is me. What are you talking about? He was

0:16:49.760 --> 0:16:54.200
<v Speaker 1>like Nigga, I thought, But I didn't know for sure.

0:16:54.240 --> 0:16:55.960
<v Speaker 1>So it's just always like, you know, interesting to see

0:16:55.960 --> 0:16:59.800
<v Speaker 1>people like not connected to But yeah, Rob had just

0:17:00.000 --> 0:17:01.400
<v Speaker 1>want me to the side and was like, hey man,

0:17:02.000 --> 0:17:04.160
<v Speaker 1>you're funny as hell. We should do a show together,

0:17:04.760 --> 0:17:09.240
<v Speaker 1>just like that on on something like yeah, if he

0:17:09.359 --> 0:17:10.919
<v Speaker 1>was out there, you could be on my show man,

0:17:11.240 --> 0:17:13.359
<v Speaker 1>And I was like, and I was like cool. I

0:17:13.440 --> 0:17:15.320
<v Speaker 1>didn't believe him at this point. Does he have Robert

0:17:15.880 --> 0:17:19.560
<v Speaker 1>Robert big is already out in Fantasy Factor already, you know,

0:17:19.640 --> 0:17:21.440
<v Speaker 1>you have another show already out, so I know that

0:17:21.560 --> 0:17:24.040
<v Speaker 1>he is capable. I don't know his set up is.

0:17:24.080 --> 0:17:25.800
<v Speaker 1>I don't know if he already got a deal for

0:17:25.880 --> 0:17:27.800
<v Speaker 1>another show. I don't know if he's just going to

0:17:27.880 --> 0:17:30.840
<v Speaker 1>pitch himself. He's just believing this is gonna happen. And

0:17:30.920 --> 0:17:32.240
<v Speaker 1>I didn't know him. You know what I'm saying. He

0:17:32.280 --> 0:17:33.920
<v Speaker 1>could just say as to everybody that walking through. I

0:17:33.920 --> 0:17:37.919
<v Speaker 1>don't know, but three months went by. I had told

0:17:38.000 --> 0:17:39.920
<v Speaker 1>him when to do the show? Was interested cool? Three

0:17:40.000 --> 0:17:43.280
<v Speaker 1>months went by, I didn't again, didn't know him. I

0:17:43.320 --> 0:17:45.440
<v Speaker 1>got a call from a random number and he's like, yeah,

0:17:46.119 --> 0:17:50.879
<v Speaker 1>it's like calls everybody. Yeah, He's like, yeah, this is

0:17:51.040 --> 0:17:54.800
<v Speaker 1>robbed daredak things aboudy playing my phone like all right, cool,

0:17:55.000 --> 0:17:57.640
<v Speaker 1>what is this for real? It's just Rob that show

0:17:57.800 --> 0:17:59.480
<v Speaker 1>I mentioned that you I thought he said that. I

0:17:59.560 --> 0:18:01.000
<v Speaker 1>knew it was him. He was like that show I

0:18:01.080 --> 0:18:03.399
<v Speaker 1>mentioned to you. We started tomorrow at ten am. Can

0:18:03.480 --> 0:18:09.120
<v Speaker 1>you be there? I swear? And I was like, uh, yeah,

0:18:09.280 --> 0:18:11.840
<v Speaker 1>I'll be there tomorrow to them, and I went into

0:18:11.920 --> 0:18:14.520
<v Speaker 1>the pilot. We shot the pilot. I was horrible, and

0:18:14.680 --> 0:18:16.760
<v Speaker 1>uh there was an order of speaking because it was him,

0:18:16.840 --> 0:18:18.600
<v Speaker 1>and there was drama that was Chanelle and they were

0:18:18.600 --> 0:18:21.200
<v Speaker 1>already on television and I'm only black dude, So I'm like,

0:18:21.200 --> 0:18:22.760
<v Speaker 1>I'm gonna just shut up. I don't know what y'all

0:18:22.760 --> 0:18:25.600
<v Speaker 1>was set up this here. Uh, but I was like

0:18:25.720 --> 0:18:28.480
<v Speaker 1>letting them talk about the videos and different things. I

0:18:28.640 --> 0:18:31.360
<v Speaker 1>wasn't amazing on the pilot. MTV even told Rout like, hey,

0:18:31.880 --> 0:18:34.040
<v Speaker 1>he wasn't that good, Like this is dude, you brought

0:18:34.080 --> 0:18:36.560
<v Speaker 1>it in and he was like, trust me, I gotta

0:18:36.680 --> 0:18:38.840
<v Speaker 1>like let him know that this is his show just

0:18:38.880 --> 0:18:40.880
<v Speaker 1>as much as mine, and we're gonna work this out

0:18:40.920 --> 0:18:43.520
<v Speaker 1>because he's hilarious. You just don't know. It really vouched

0:18:43.520 --> 0:18:45.560
<v Speaker 1>for me, which ain't none but God, because I didn't know.

0:18:45.800 --> 0:18:50.359
<v Speaker 1>I didn't know Homey at all, and being black saved me.

0:18:50.359 --> 0:18:52.760
<v Speaker 1>You know what I'm saying. They already had big big Black,

0:18:52.920 --> 0:18:59.480
<v Speaker 1>wasn't around him, needed to black dude, but that that

0:18:59.560 --> 0:19:01.879
<v Speaker 1>definitely helped that lot. And now we knocked it out

0:19:01.920 --> 0:19:05.359
<v Speaker 1>and now we're a thousand, over a thousand episodes in.

0:19:05.680 --> 0:19:09.080
<v Speaker 1>That's crazy. Season twenty nine is being filmed right now.

0:19:09.960 --> 0:19:13.679
<v Speaker 1>We're looking to go for many more thousands. I can

0:19:13.720 --> 0:19:16.840
<v Speaker 1>say that the record. Yeah, we're trying to, you know,

0:19:17.200 --> 0:19:26.000
<v Speaker 1>do what we die. I guess keep hearing keeping money

0:19:26.840 --> 0:19:29.240
<v Speaker 1>radio and broadcast. But you're just not on the show.

0:19:29.920 --> 0:19:32.960
<v Speaker 1>On the show. I'm producing a producer on this, Yeah, man,

0:19:33.480 --> 0:19:35.360
<v Speaker 1>you know I'm trying to swack too much on Yeah,

0:19:35.359 --> 0:19:40.440
<v Speaker 1>I'm pc it is. I've been producing this season two.

0:19:41.160 --> 0:19:44.480
<v Speaker 1>Come on, I ain't trying to You got pros that

0:19:44.560 --> 0:19:47.520
<v Speaker 1>are sparkly pros. No, no, no, they have diamonds drilled

0:19:47.560 --> 0:19:50.200
<v Speaker 1>inside of them. Niggas ain't really never seen diamonds inside

0:19:50.240 --> 0:19:52.320
<v Speaker 1>pearls like that. So if we're gonna stop, we're gonna start.

0:19:52.880 --> 0:19:55.280
<v Speaker 1>I desided myself, me and reg you know this is crazy,

0:19:55.640 --> 0:19:58.879
<v Speaker 1>but yeah, like you said, though, yeah, it's a lot

0:19:58.920 --> 0:20:02.199
<v Speaker 1>of episodes, and we ain't trying to stop. Man, diamonds

0:20:02.240 --> 0:20:05.680
<v Speaker 1>and pearls, diamonds and pearls. You know what. I don't

0:20:05.680 --> 0:20:12.080
<v Speaker 1>have no drink, but ye for I don't know m

0:20:13.480 --> 0:20:15.159
<v Speaker 1>but here we are. Man dropped my R and B

0:20:15.240 --> 0:20:23.480
<v Speaker 1>album soon made that up right now, you've done more

0:20:23.720 --> 0:20:26.360
<v Speaker 1>in R and B though you've done working I've done

0:20:26.359 --> 0:20:28.840
<v Speaker 1>working with R and B producers. I ended up working

0:20:28.880 --> 0:20:32.440
<v Speaker 1>with C four. You did did uh um did some

0:20:33.280 --> 0:20:39.080
<v Speaker 1>next breath? Next Breath? Yea, yeah, for sure, Sammy playing

0:20:39.240 --> 0:20:41.760
<v Speaker 1>was on that. I've worked there with with C four

0:20:41.880 --> 0:20:44.399
<v Speaker 1>obviously with you ever trace songs, and I've worked for

0:20:44.440 --> 0:20:46.240
<v Speaker 1>a lot of R and B people in the past.

0:20:46.320 --> 0:20:51.240
<v Speaker 1>For sure, EP Create Too soundtrack the other year. That

0:20:51.280 --> 0:20:54.240
<v Speaker 1>was the last I had really dove into music before

0:20:54.280 --> 0:20:56.280
<v Speaker 1>I just dove again. But music is something that like

0:20:56.480 --> 0:20:59.359
<v Speaker 1>I love man, it's like the reason I moved out here.

0:20:59.359 --> 0:21:01.840
<v Speaker 1>You know, I'm something today, so it's not one to revisit,

0:21:01.960 --> 0:21:05.280
<v Speaker 1>didn't know how, But just being around R and B.

0:21:05.720 --> 0:21:08.159
<v Speaker 1>For me, I come from a place where R and

0:21:08.200 --> 0:21:12.840
<v Speaker 1>B is cherished. Chicago is super People don't notice. I noticed. Yea,

0:21:13.200 --> 0:21:15.240
<v Speaker 1>your mother is a preacher. She is a preacher. So

0:21:15.359 --> 0:21:17.560
<v Speaker 1>that's R and B is a get Yeah. Yeah, for

0:21:17.680 --> 0:21:22.439
<v Speaker 1>sure in the pot it starts there, so I mean,

0:21:22.720 --> 0:21:26.239
<v Speaker 1>you know, growing up in that type of household, it's

0:21:26.320 --> 0:21:28.480
<v Speaker 1>kind of you get back to that at some point

0:21:28.840 --> 0:21:31.119
<v Speaker 1>for sure. I mean when you think about vocalists, when

0:21:31.160 --> 0:21:33.240
<v Speaker 1>you think about R and B, like I think about,

0:21:33.480 --> 0:21:35.440
<v Speaker 1>it starts in the church. I think about some of

0:21:35.480 --> 0:21:37.680
<v Speaker 1>the best vocalists in the world, people I really think

0:21:37.760 --> 0:21:41.240
<v Speaker 1>are the criminal crop come from the church. So for me, yeah,

0:21:41.359 --> 0:21:44.280
<v Speaker 1>coming from that, I think you're just around real musicality,

0:21:44.400 --> 0:21:46.320
<v Speaker 1>around real life things that you're like cool. And then

0:21:46.440 --> 0:21:50.080
<v Speaker 1>also being from Chicago again, you know it's the home

0:21:50.200 --> 0:21:54.760
<v Speaker 1>of rob Um, but also you know Twister anybody else

0:21:54.840 --> 0:21:58.399
<v Speaker 1>that comes from there and their DNA anything in that DNA,

0:21:58.520 --> 0:22:00.080
<v Speaker 1>that music is gonna be RB. It's gonna be so

0:22:00.280 --> 0:22:03.080
<v Speaker 1>it's gonna start with that, do you feel like and

0:22:03.280 --> 0:22:06.040
<v Speaker 1>because the church connection, I mean I have the same

0:22:06.119 --> 0:22:10.880
<v Speaker 1>church connection. How did your mother receive like your movements?

0:22:11.440 --> 0:22:12.959
<v Speaker 1>You know what I mean in terms of you being

0:22:13.000 --> 0:22:17.000
<v Speaker 1>out here in Hollywood and and the steps and you know,

0:22:17.080 --> 0:22:19.040
<v Speaker 1>because there's a lot of access, there are a lot

0:22:19.080 --> 0:22:21.280
<v Speaker 1>of things that are a lot of moving parts. I

0:22:21.359 --> 0:22:24.680
<v Speaker 1>think everybody's parents can act the same until you t

0:22:24.720 --> 0:22:26.520
<v Speaker 1>have all of it, until you make a little money

0:22:26.560 --> 0:22:28.000
<v Speaker 1>and you tive off the money and they're like, oh,

0:22:28.040 --> 0:22:35.760
<v Speaker 1>you made a little money until you time you you

0:22:35.840 --> 0:22:38.680
<v Speaker 1>know what the Lord is really using you out? I

0:22:38.760 --> 0:22:55.040
<v Speaker 1>can tell of course my mom, you know she parents

0:22:55.119 --> 0:22:58.119
<v Speaker 1>don't necessarily ever really understand. We all go through our

0:22:58.160 --> 0:23:00.600
<v Speaker 1>different journeys. By the time that it is time for

0:23:00.800 --> 0:23:04.320
<v Speaker 1>them to understand, the journeys have changed for each generation,

0:23:04.480 --> 0:23:06.680
<v Speaker 1>you know, So like, you know, me wanting to go

0:23:06.800 --> 0:23:08.680
<v Speaker 1>after this, my mom didn't. I was on a full

0:23:08.800 --> 0:23:11.600
<v Speaker 1>ride at Morgan staid as well, my school is paying

0:23:11.640 --> 0:23:13.760
<v Speaker 1>for my school is paid for you, and they were

0:23:13.800 --> 0:23:16.640
<v Speaker 1>just like, what do you do to market? Morgan State

0:23:16.800 --> 0:23:20.320
<v Speaker 1>is like the home of the dropout that becomes successful.

0:23:20.760 --> 0:23:25.719
<v Speaker 1>I mean, that's that's that's three right, And I had

0:23:25.760 --> 0:23:28.200
<v Speaker 1>a full right. Dctor Carter gave me a world renowned Dr.

0:23:28.240 --> 0:23:30.840
<v Speaker 1>Carter Scholarship. Damn, I need to go back to you

0:23:31.800 --> 0:23:41.080
<v Speaker 1>can I think you are out around here. I'm here.

0:23:42.720 --> 0:23:44.760
<v Speaker 1>I want to go back to the to the create

0:23:44.840 --> 0:23:50.160
<v Speaker 1>to soundtrack, because you know, a soundtrack is a real process.

0:23:50.920 --> 0:23:54.240
<v Speaker 1>Scoring the movie is a real problem. Don't understanding. Oh

0:23:54.320 --> 0:23:58.959
<v Speaker 1>my god, that music for film. It's a whole another

0:23:59.080 --> 0:24:02.680
<v Speaker 1>place to muse for the regular the public and the

0:24:02.760 --> 0:24:05.480
<v Speaker 1>people that just love records on the radio. Like you're

0:24:05.520 --> 0:24:07.359
<v Speaker 1>trying to figure out how to make it connect to

0:24:07.400 --> 0:24:11.159
<v Speaker 1>this movie. You dealing with people who don't normally do music,

0:24:13.080 --> 0:24:15.760
<v Speaker 1>you know what I mean, these licensing people, these sink people,

0:24:15.880 --> 0:24:19.480
<v Speaker 1>and oh we have this scene, can you play it

0:24:19.560 --> 0:24:23.359
<v Speaker 1>like this? Blessed to work with lou will give it up,

0:24:23.440 --> 0:24:27.959
<v Speaker 1>give it up for you know, Black Panther. He's done

0:24:28.000 --> 0:24:29.760
<v Speaker 1>a lot of child and being no stuff. He's just

0:24:29.840 --> 0:24:31.800
<v Speaker 1>produced for everybody, does a lot of scoring. Now at

0:24:31.840 --> 0:24:33.960
<v Speaker 1>this point he's looking like one of them go to

0:24:34.200 --> 0:24:37.520
<v Speaker 1>in that field. Um so he was doing most of

0:24:37.560 --> 0:24:39.320
<v Speaker 1>the scoring. We were brought in kind of to do

0:24:39.520 --> 0:24:42.680
<v Speaker 1>the soundtrack and some'm scoring last minute too. We didn't

0:24:42.720 --> 0:24:44.960
<v Speaker 1>really have a lot of time, so I just thought

0:24:45.000 --> 0:24:47.000
<v Speaker 1>it was best it was me and fam who are

0:24:47.000 --> 0:24:48.520
<v Speaker 1>working on the project. I thought it was best to

0:24:48.600 --> 0:24:51.320
<v Speaker 1>like bringing someone who could bring us all of those

0:24:51.440 --> 0:24:53.360
<v Speaker 1>names and the same way that I kind of work

0:24:53.440 --> 0:24:54.920
<v Speaker 1>my relationships to work different things. I was like, we

0:24:54.960 --> 0:24:58.239
<v Speaker 1>don't have time, Let's bring in somebody that has an

0:24:58.320 --> 0:25:01.600
<v Speaker 1>umbrella of network that can bring in different things. So

0:25:01.680 --> 0:25:04.080
<v Speaker 1>I tapped into Mike Will, who you know DJs the

0:25:04.119 --> 0:25:06.359
<v Speaker 1>homie tell them to Mike Will and doing the project.

0:25:06.480 --> 0:25:10.439
<v Speaker 1>Mike Will got to actually um produced the full creative

0:25:10.520 --> 0:25:12.720
<v Speaker 1>soundtrack and we had we had everybody from Kendrick to

0:25:12.800 --> 0:25:15.680
<v Speaker 1>Nicki Minaj to any name you can name was on

0:25:15.800 --> 0:25:18.120
<v Speaker 1>the Farrell was on the project. So it was something

0:25:18.160 --> 0:25:20.480
<v Speaker 1>I definitely was proud of for the time period that

0:25:20.520 --> 0:25:24.680
<v Speaker 1>we had as well to get it done. That's you know,

0:25:24.800 --> 0:25:28.200
<v Speaker 1>we weren't on there. Yeah he said, he said, and

0:25:28.240 --> 0:25:34.280
<v Speaker 1>didn't he nothing, that's not even First of all, the

0:25:34.320 --> 0:25:37.359
<v Speaker 1>little dog tried to attack me and somebody. You know

0:25:37.400 --> 0:25:45.399
<v Speaker 1>what I'm saying, Nucky, that's a little name. Get me

0:25:45.440 --> 0:25:48.800
<v Speaker 1>there about the whole soundtrack, I'm like, man, this is

0:25:48.880 --> 0:25:51.760
<v Speaker 1>so cool. Wow, that's amazing. We're gonna be on it.

0:25:52.080 --> 0:25:56.280
<v Speaker 1>We're not on it, but I mean it's so many

0:25:56.359 --> 0:25:58.760
<v Speaker 1>more days for us to work and so many Yeah,

0:25:59.000 --> 0:26:04.440
<v Speaker 1>I mean, I don't hit me for nothing. Show we're

0:26:04.520 --> 0:26:16.879
<v Speaker 1>going there. I'm just saying, family, my sister already know

0:26:16.960 --> 0:26:22.240
<v Speaker 1>what's going on. She hit me like, yeah, look she

0:26:22.359 --> 0:26:25.120
<v Speaker 1>kicked she kicked it off like that. Just know whenever

0:26:25.200 --> 0:26:28.360
<v Speaker 1>she called me and say, brother, how much you need?

0:26:29.600 --> 0:26:32.240
<v Speaker 1>How much you need? I like, your sister, bro, your mom,

0:26:32.400 --> 0:26:35.240
<v Speaker 1>your pop is your brothers bro, Like, I'm fully locked in.

0:26:35.400 --> 0:26:37.879
<v Speaker 1>So whatever they need. When we in Chicago, we always

0:26:37.880 --> 0:26:42.600
<v Speaker 1>say now and my sister is biggest fan, is scary

0:26:43.040 --> 0:26:48.800
<v Speaker 1>how much she loves you? Um so yeah you are.

0:26:49.119 --> 0:26:54.840
<v Speaker 1>That's a nigga's sisters. Yeah, she a thug nigger. And

0:26:54.920 --> 0:26:57.920
<v Speaker 1>she'd be like, I love take. I've never seen you

0:26:58.080 --> 0:27:03.320
<v Speaker 1>so saw on phone. I love have you? Have you

0:27:03.400 --> 0:27:07.639
<v Speaker 1>seen my earlier photographs? I've seen you, brom you. I'm

0:27:07.680 --> 0:27:10.520
<v Speaker 1>a big fan. I appealed to. I'm a big fan

0:27:10.800 --> 0:27:12.560
<v Speaker 1>to you know what I'm saying to the goons, to

0:27:12.640 --> 0:27:14.960
<v Speaker 1>the church people like all of those things in one

0:27:16.440 --> 0:27:20.159
<v Speaker 1>since that's the segway for it, though, what what you

0:27:20.400 --> 0:27:22.960
<v Speaker 1>funk with in this R and B space because Tank,

0:27:23.080 --> 0:27:25.080
<v Speaker 1>come on, man, you got your you got your you

0:27:25.160 --> 0:27:28.080
<v Speaker 1>got your segment. Well you you know you're asked him

0:27:28.119 --> 0:27:30.320
<v Speaker 1>real R and B questions. He's been around a lot

0:27:30.400 --> 0:27:33.320
<v Speaker 1>of great R and B. Yeah, you know a lot

0:27:33.359 --> 0:27:35.480
<v Speaker 1>of great R and B. We've all been in the

0:27:35.600 --> 0:27:38.480
<v Speaker 1>rooms together. Yeah, for sure. So very cool. You you

0:27:39.000 --> 0:27:43.040
<v Speaker 1>have opinions, you have thoughts, you have musicality running through

0:27:43.040 --> 0:27:45.880
<v Speaker 1>your veins. You eat, you know, you eat it the private,

0:27:45.920 --> 0:27:48.080
<v Speaker 1>in the private like back kitchen at the Lita, right

0:27:48.080 --> 0:27:50.280
<v Speaker 1>like you don't eat with the people. The people don't

0:27:50.280 --> 0:27:58.440
<v Speaker 1>we talk private? Very here we go talk, go ahead.

0:27:58.600 --> 0:28:02.640
<v Speaker 1>That room's not public to everybody. I'm joking. I brought

0:28:02.680 --> 0:28:08.359
<v Speaker 1>it back in diamonds, drilled in diamonds to the pearls.

0:28:09.320 --> 0:28:10.800
<v Speaker 1>I don't know if y'all hurt. I don't even know

0:28:10.840 --> 0:28:13.359
<v Speaker 1>if Prince had that. The diamonds are drilled in the

0:28:13.600 --> 0:28:21.479
<v Speaker 1>black pearls. You know you got to coordinate. Okay, um,

0:28:22.480 --> 0:28:25.760
<v Speaker 1>top five R and B artists, and this is from us.

0:28:27.440 --> 0:28:30.840
<v Speaker 1>I can ask that what okay? Is there is there

0:28:30.880 --> 0:28:34.160
<v Speaker 1>an error? You coog who? I just want to ask

0:28:34.200 --> 0:28:36.840
<v Speaker 1>a couple of questions. I answer this ship, do you

0:28:36.960 --> 0:28:40.040
<v Speaker 1>mean this is Is this just from like vocally or

0:28:40.040 --> 0:28:43.160
<v Speaker 1>are you saying this is from numbers? This is if

0:28:43.200 --> 0:28:45.200
<v Speaker 1>you were putting, if you were grabbing some seat, let's

0:28:45.200 --> 0:28:49.640
<v Speaker 1>save you a CD Star Star use a if you

0:28:49.720 --> 0:28:55.200
<v Speaker 1>were Tower the Tower records you need to and you're

0:28:55.200 --> 0:28:59.040
<v Speaker 1>about to grab your top five R and B c ds.

0:28:59.680 --> 0:29:05.920
<v Speaker 1>You got George Daniel spot Yeah. I don't stand about

0:29:06.000 --> 0:29:07.960
<v Speaker 1>kills at all, but R Kelly is one of the

0:29:08.080 --> 0:29:10.560
<v Speaker 1>top R and B niggers of all time. And I'm

0:29:10.560 --> 0:29:13.680
<v Speaker 1>for Chicago, so I gotta say that. Um, he's the guy.

0:29:13.920 --> 0:29:16.080
<v Speaker 1>All that rape stuff is not my thing, but the

0:29:16.600 --> 0:29:21.080
<v Speaker 1>R and B amazing. I'm trying to think of who

0:29:21.240 --> 0:29:30.520
<v Speaker 1>oh top uh you know Teddy if he can if

0:29:30.560 --> 0:29:38.480
<v Speaker 1>you want to, you want we got love R and

0:29:38.520 --> 0:29:42.160
<v Speaker 1>B way too much to even answer you. Yeah, but

0:29:42.320 --> 0:29:47.840
<v Speaker 1>like yeah, Rushmore do only get you far? Okay, So

0:29:48.000 --> 0:29:53.640
<v Speaker 1>he's got Teddy, then we got we got Luthor. Um,

0:29:54.080 --> 0:29:56.080
<v Speaker 1>then I'm I'm getting sexist. I don't know why I'm

0:29:56.080 --> 0:29:59.360
<v Speaker 1>doing that, because because Witney you can, you can go

0:29:59.440 --> 0:30:01.600
<v Speaker 1>Whitney to Like, why would I even play that game?

0:30:02.920 --> 0:30:05.200
<v Speaker 1>It's so many people. This is I don't like this

0:30:05.920 --> 0:30:08.560
<v Speaker 1>list I made the list. Don't like like it's a

0:30:08.640 --> 0:30:12.640
<v Speaker 1>good list, but I don't respect it. It's too many people,

0:30:16.560 --> 0:30:18.880
<v Speaker 1>Like I think there are so many people one you

0:30:18.960 --> 0:30:23.040
<v Speaker 1>got one last place on the list work throw is

0:30:23.080 --> 0:30:27.280
<v Speaker 1>it for us? The list is favo moving. It's never

0:30:28.720 --> 0:30:31.600
<v Speaker 1>it is. There's so many people I really like and

0:30:33.000 --> 0:30:39.000
<v Speaker 1>I am keep my job. No, your show is called ridiculous.

0:30:39.040 --> 0:30:43.600
<v Speaker 1>It's called ridiculousness. Ridiculous. I'm trying to Okay, I wouldn't

0:30:43.600 --> 0:30:45.360
<v Speaker 1>normally go USh. I'm trying to think, is that really?

0:30:46.280 --> 0:30:48.240
<v Speaker 1>You know who I used to really funk with, like

0:30:48.480 --> 0:30:50.760
<v Speaker 1>all the way before he came a Target artist, was

0:30:50.920 --> 0:30:54.960
<v Speaker 1>on John Legend. I used to really love John. A

0:30:55.040 --> 0:30:58.360
<v Speaker 1>target artist, that's when your album at the front of Target,

0:30:58.400 --> 0:31:03.880
<v Speaker 1>when you're checking out in your albums, Like, No, it's

0:31:03.920 --> 0:31:06.920
<v Speaker 1>just like saying, like I'm making music for the masses,

0:31:07.520 --> 0:31:11.360
<v Speaker 1>for the man. I'm not saying the bad bigger I'm not.

0:31:11.480 --> 0:31:14.920
<v Speaker 1>Don't get a confused, Listen, I've never heard that term

0:31:15.240 --> 0:31:17.440
<v Speaker 1>a target artist. I've never heard I made it up

0:31:17.520 --> 0:31:19.880
<v Speaker 1>all of my albums. I also made it up. But

0:31:21.080 --> 0:31:27.200
<v Speaker 1>my album comes out and Target check out check out

0:31:27.320 --> 0:31:29.640
<v Speaker 1>the front to check out the front with with a

0:31:29.760 --> 0:31:34.960
<v Speaker 1>thing with a whole check out check your names, but

0:31:35.040 --> 0:31:40.680
<v Speaker 1>it's Knig is John Legend is Jennifer Husband. Don't make

0:31:40.760 --> 0:31:42.800
<v Speaker 1>me name the checkout artists take I love you, but

0:31:42.920 --> 0:31:46.720
<v Speaker 1>you're not a checkout artist. They said check this out,

0:31:47.440 --> 0:31:53.200
<v Speaker 1>but then check out artists is the thing is Christmas

0:31:53.240 --> 0:31:57.920
<v Speaker 1>album here in July? Check out it's not good. I'm

0:31:57.920 --> 0:32:03.200
<v Speaker 1>not saying. I'm not saying about checkout safe? Yeah safe?

0:32:03.320 --> 0:32:05.560
<v Speaker 1>Why can't you don't want to be I've been at

0:32:05.600 --> 0:32:08.160
<v Speaker 1>the front of Target before, like three times. Check out though,

0:32:08.320 --> 0:32:12.480
<v Speaker 1>to checkout is different. Whatever top five R and B

0:32:12.840 --> 0:32:17.280
<v Speaker 1>songs or albums you can you can interest songs or

0:32:18.160 --> 0:32:20.800
<v Speaker 1>you can interest album my Gray's inspiration from ted DV.

0:32:21.560 --> 0:32:26.360
<v Speaker 1>Let's go back there. Um so my inspiration inspiration, that's

0:32:26.360 --> 0:32:35.360
<v Speaker 1>the record, that's the one record albums Uh why loving

0:32:35.400 --> 0:32:43.760
<v Speaker 1>pain my ship? Nothing? Started saying, I'm saying that's my

0:32:43.920 --> 0:32:47.400
<v Speaker 1>dog for sure. Ye out here, man, that's that's my

0:32:47.600 --> 0:32:50.400
<v Speaker 1>that's my album, right's there. It's never at the checkout though,

0:32:51.440 --> 0:32:54.720
<v Speaker 1>check because you don't have no shirts. Niggers with no

0:32:54.840 --> 0:32:57.600
<v Speaker 1>shirts are not at the checkout field. And you ain't

0:32:57.640 --> 0:32:59.880
<v Speaker 1>never had an album cover with a shirt. He did

0:33:00.680 --> 0:33:13.600
<v Speaker 1>it was a mistake. I told I don't know, I

0:33:13.720 --> 0:33:19.080
<v Speaker 1>told it was cool. Everybody got it was mostly my fault,

0:33:19.240 --> 0:33:27.360
<v Speaker 1>but everybody he was like, told me, you only want

0:33:27.400 --> 0:33:35.160
<v Speaker 1>to told me okay, okay, Uh, you know I ain't

0:33:35.160 --> 0:33:37.120
<v Speaker 1>got to keep in with the Slammers on but TP

0:33:37.280 --> 0:33:43.040
<v Speaker 1>two Uh these yeah, these are like these projects for me,

0:33:43.280 --> 0:33:46.160
<v Speaker 1>Like you know, Confessions is like as much as its hype,

0:33:46.200 --> 0:33:49.640
<v Speaker 1>it's it's Confessions. Like it's like, what are we talking about? Confessions?

0:33:49.920 --> 0:33:55.479
<v Speaker 1>The greatest period I love. I'd be like liking, uh,

0:33:55.800 --> 0:33:59.920
<v Speaker 1>is it? Is it? In my own words, I'm trying

0:34:00.160 --> 0:34:03.840
<v Speaker 1>think Neo's album, the first one? What was that ship?

0:34:04.000 --> 0:34:06.560
<v Speaker 1>What was it called? Yes, it's something very similar to

0:34:06.720 --> 0:34:08.320
<v Speaker 1>my own words, in my words or something like that,

0:34:09.560 --> 0:34:11.760
<v Speaker 1>my own words, it might be first album is amazing,

0:34:11.960 --> 0:34:13.759
<v Speaker 1>but it's certain. I mean those are still those are

0:34:13.800 --> 0:34:17.640
<v Speaker 1>not necessarily you know, throughout history for me, albums for

0:34:17.840 --> 0:34:20.560
<v Speaker 1>me like, yeah, it used to really be like this

0:34:20.719 --> 0:34:24.800
<v Speaker 1>album is incredible. Yeah, like this album isn't. Yeah, it

0:34:24.880 --> 0:34:26.839
<v Speaker 1>makes you feel something for sure. I can go back

0:34:26.880 --> 0:34:29.440
<v Speaker 1>to all those albums too and still play. That's important.

0:34:29.640 --> 0:34:31.520
<v Speaker 1>It's very important. And I think with R and B

0:34:31.719 --> 0:34:33.759
<v Speaker 1>because R and B is so timeless a rap, you know,

0:34:33.840 --> 0:34:35.359
<v Speaker 1>it kind of goes up in the air here and there.

0:34:35.440 --> 0:34:38.080
<v Speaker 1>Sometimes they're like really going back and playing some ship.

0:34:38.440 --> 0:34:41.640
<v Speaker 1>But at R and B, like, I believe you should

0:34:41.680 --> 0:34:43.600
<v Speaker 1>be able. It is the core of so many other

0:34:44.080 --> 0:34:46.040
<v Speaker 1>genres that I believe you should be able to go

0:34:46.200 --> 0:34:49.160
<v Speaker 1>back and still listen and be like this shill. I

0:34:49.200 --> 0:34:53.000
<v Speaker 1>mean I listened to old Yeah records. You're like, yea

0:34:53.080 --> 0:34:56.239
<v Speaker 1>from this still go still feel good. Yeah, we're gonna

0:34:56.280 --> 0:34:57.560
<v Speaker 1>get to that too, because we want to get to

0:34:57.920 --> 0:35:02.040
<v Speaker 1>something I heard earlier. Um, are be vote Trump? If

0:35:02.040 --> 0:35:06.120
<v Speaker 1>you're putting in the ultimate R and B artist together,

0:35:06.560 --> 0:35:09.840
<v Speaker 1>like you're on two K building the place? What pieces

0:35:09.920 --> 0:35:12.919
<v Speaker 1>do you take to build one mail? Build a mail?

0:35:13.440 --> 0:35:16.360
<v Speaker 1>But I'm not like building them like a real transformed

0:35:16.640 --> 0:35:19.840
<v Speaker 1>like this person for their hands, No, you know, I

0:35:19.960 --> 0:35:26.560
<v Speaker 1>like her fingers, but they like a vocalist. But I

0:35:26.640 --> 0:35:31.560
<v Speaker 1>kind of want to go with you. Who are you

0:35:31.719 --> 0:35:33.719
<v Speaker 1>babbing the vocal from? Matter of fact, I'll help you

0:35:33.719 --> 0:35:37.040
<v Speaker 1>who you grabbing the vocal from? That is so like

0:35:38.200 --> 0:35:40.440
<v Speaker 1>it is tough because there's so many different tones and

0:35:40.520 --> 0:35:44.520
<v Speaker 1>different reasons you like different tones, and like you've been

0:35:44.520 --> 0:35:50.359
<v Speaker 1>in that Teddy p bag. Like I'm trying to think

0:35:50.920 --> 0:35:55.200
<v Speaker 1>who like, Yeah, it's different, like vocalists do different things

0:35:55.360 --> 0:35:58.759
<v Speaker 1>that I just be like, like like you building yours? Yeah,

0:35:59.280 --> 0:36:05.719
<v Speaker 1>yeah artist. Okay, Brandy is a vocalist. I really fun. Yeah,

0:36:06.080 --> 0:36:11.960
<v Speaker 1>I just don't getting Brandy and shout out lean let

0:36:12.000 --> 0:36:14.759
<v Speaker 1>me let me do Brandy on there as a vocalist. Uh,

0:36:15.160 --> 0:36:19.720
<v Speaker 1>what else are you doing? Who would you performance? Value?

0:36:20.239 --> 0:36:26.520
<v Speaker 1>Stage president? Okay? Oh, I mean you cb is. I

0:36:26.560 --> 0:36:29.960
<v Speaker 1>mean I don't think necessarily that I'm making an artist

0:36:30.080 --> 0:36:32.319
<v Speaker 1>that I'm like, these are gonna be all the things

0:36:32.719 --> 0:36:35.560
<v Speaker 1>you can check. This is a superhero. Okay, as long

0:36:35.600 --> 0:36:44.400
<v Speaker 1>as we are, what are we talking about? Is cbe? Uh?

0:36:45.000 --> 0:36:53.560
<v Speaker 1>Is style? Oh? Style? You gotta have to market this artist? Yeah? Yeah,

0:36:53.760 --> 0:36:56.839
<v Speaker 1>because i'd be I'd be keen on style too. I'm

0:36:56.960 --> 0:37:01.600
<v Speaker 1>dressed by me right now. But trust pretty normally I'm

0:37:01.600 --> 0:37:04.000
<v Speaker 1>trying to think it was style. I'm like, yo, be

0:37:04.040 --> 0:37:11.960
<v Speaker 1>getting fits off from any area? Yeah, Marvin gat a

0:37:12.080 --> 0:37:16.480
<v Speaker 1>slick style classic and it's like my type of ship

0:37:16.760 --> 0:37:19.040
<v Speaker 1>wasn't like he smoked a whole bunch of just put

0:37:19.120 --> 0:37:23.520
<v Speaker 1>some ship together and he's just a fly nigger. Yeah. Yeah,

0:37:23.640 --> 0:37:26.600
<v Speaker 1>just what the is that he went a fish net.

0:37:28.120 --> 0:37:32.880
<v Speaker 1>It's gorgeous, you know, like yeah, yeah, so Marvin Gaye

0:37:32.920 --> 0:37:36.839
<v Speaker 1>style for sure, it was fly um and then where

0:37:36.840 --> 0:37:38.960
<v Speaker 1>else we were used to style, we got vocalists, we

0:37:39.080 --> 0:37:46.399
<v Speaker 1>got performance. Uh that those three races s yeah, brandy artists, Randy,

0:37:46.520 --> 0:37:53.560
<v Speaker 1>Chris Brown, Yeah, Marvin Marvin Yeah, yeah, that's decent. You

0:37:53.600 --> 0:37:59.239
<v Speaker 1>know what I'm saying. Yeah says let me still that

0:37:59.320 --> 0:38:05.279
<v Speaker 1>there's got to put inflection on any other Okay, um,

0:38:06.000 --> 0:38:11.000
<v Speaker 1>what aren't you listen to you right now? M right

0:38:11.120 --> 0:38:18.360
<v Speaker 1>now in this moment. Uh, the Blast record, I'm forgetting

0:38:18.440 --> 0:38:22.520
<v Speaker 1>names with huh Blast dopest. But I mean I love you.

0:38:22.600 --> 0:38:25.200
<v Speaker 1>I love some of these dudes up be dropping shot

0:38:25.239 --> 0:38:28.919
<v Speaker 1>by these names. It's nice, yeah for sure, for sure.

0:38:29.680 --> 0:38:31.279
<v Speaker 1>I think that's probably I'm trying to think. Is it

0:38:31.360 --> 0:38:33.960
<v Speaker 1>something I'm really like? I mean, I don't want to

0:38:34.080 --> 0:38:38.239
<v Speaker 1>seem cliche. Break my soul really makes my soul feel rich.

0:38:39.120 --> 0:38:42.319
<v Speaker 1>It feels amazing. I love to hear. I mean, how

0:38:42.360 --> 0:38:46.600
<v Speaker 1>it started in Chicago, How it started in Chicago, How

0:38:46.600 --> 0:38:48.800
<v Speaker 1>it started in Chicago? You know what I'm saying? And

0:38:48.920 --> 0:38:54.839
<v Speaker 1>like the what you hate that so much? The rain

0:38:55.000 --> 0:39:01.640
<v Speaker 1>dance that it looks like, and what's when y'all getting there?

0:39:11.280 --> 0:39:16.879
<v Speaker 1>That's not that's something totally different now dancing on somebody. Okay,

0:39:16.920 --> 0:39:20.239
<v Speaker 1>so Chicago, right, yeah, now we're here, Yeah, we're here,

0:39:20.800 --> 0:39:26.000
<v Speaker 1>give us the juke scene the footwork like right, because

0:39:26.040 --> 0:39:29.880
<v Speaker 1>every now it's like everybody who taps into Chicago that

0:39:30.080 --> 0:39:35.440
<v Speaker 1>don't know just everybody thinks it's just drill music. But

0:39:35.600 --> 0:39:40.880
<v Speaker 1>that's you know, now it's drill people that really know

0:39:41.040 --> 0:39:44.160
<v Speaker 1>Chicago is like the taste of Chicago, the food, right,

0:39:44.560 --> 0:39:49.239
<v Speaker 1>But then the dancing, right, I had to experience it

0:39:49.320 --> 0:39:51.680
<v Speaker 1>myself and see it. Always make jokes about it because

0:39:51.680 --> 0:39:53.800
<v Speaker 1>I can't do it. Yeah, it's the funniest in the

0:39:53.840 --> 0:39:55.600
<v Speaker 1>world to me, but I can't do the ship right.

0:39:56.960 --> 0:39:59.040
<v Speaker 1>Break that down to it though, because Jack, like Tank,

0:39:59.320 --> 0:40:04.560
<v Speaker 1>we both juking and footworking pretty the same thing. I Mean,

0:40:04.920 --> 0:40:06.520
<v Speaker 1>you could be like, I'm going to a juke party,

0:40:06.600 --> 0:40:09.960
<v Speaker 1>but juke in itself was like when a girl was

0:40:10.120 --> 0:40:13.600
<v Speaker 1>dancing on you, she juking on you, and that well,

0:40:13.680 --> 0:40:17.719
<v Speaker 1>that ship just juking. That party of juke. That just

0:40:17.800 --> 0:40:20.440
<v Speaker 1>means like a certain dance as a certain dance, footworking

0:40:20.560 --> 0:40:23.239
<v Speaker 1>is completely different. It's moving your feet, then you got

0:40:23.400 --> 0:40:27.000
<v Speaker 1>like um bobbing. It's a whole bunch of different dances.

0:40:27.320 --> 0:40:31.040
<v Speaker 1>I think. Also what people not realizing is that the

0:40:31.239 --> 0:40:34.880
<v Speaker 1>biggest rap dance record of all times comes from Chicago,

0:40:35.960 --> 0:40:43.200
<v Speaker 1>of all time, Slide from cash Man, uh he from Chicago.

0:40:43.600 --> 0:40:46.520
<v Speaker 1>Cass was one of the original rap like innovators and

0:40:46.600 --> 0:40:49.040
<v Speaker 1>stuff like during the African and bottom days. He was

0:40:49.120 --> 0:40:51.839
<v Speaker 1>an early rap pie and then for Chicago and then

0:40:51.960 --> 0:40:54.080
<v Speaker 1>yeah he you know, he has a little movement and

0:40:54.160 --> 0:40:57.120
<v Speaker 1>stuff back in the day, but his biggest record, obviously

0:40:58.560 --> 0:41:01.719
<v Speaker 1>Cass was like yea, So like yeah, dance itself has

0:41:01.800 --> 0:41:04.760
<v Speaker 1>always been within the culture. Like you go to different

0:41:04.800 --> 0:41:08.040
<v Speaker 1>cities and everybody not necessarily dancing every city you go

0:41:08.120 --> 0:41:10.000
<v Speaker 1>to or different you know what I'm saying. Bottimore got

0:41:10.080 --> 0:41:13.720
<v Speaker 1>some good club music, New Jersey, New York, different places

0:41:13.760 --> 0:41:15.880
<v Speaker 1>you go. It might be the Oakland might be dancing,

0:41:16.320 --> 0:41:20.080
<v Speaker 1>but like certain other places, you know, people just be

0:41:20.200 --> 0:41:23.120
<v Speaker 1>chilling the walls or be in the club scene. In Chicago.

0:41:23.400 --> 0:41:27.279
<v Speaker 1>Choice cities that actually have dancing places, right like the

0:41:27.320 --> 0:41:29.279
<v Speaker 1>Bay like you said, we got we got the hype

0:41:29.400 --> 0:41:33.240
<v Speaker 1>movement that l a. There's more towards the gang culture,

0:41:33.440 --> 0:41:35.719
<v Speaker 1>but it's still dancing, you know what I mean, Like

0:41:35.800 --> 0:41:38.960
<v Speaker 1>it's it's still that in Chicago. Has so is that

0:41:39.080 --> 0:41:41.440
<v Speaker 1>connected to the streets like that too, dars? No, is

0:41:41.480 --> 0:41:44.880
<v Speaker 1>it just now you could like it was probably if anything,

0:41:45.000 --> 0:41:46.680
<v Speaker 1>like you had your groups like house rest is probably

0:41:46.719 --> 0:41:48.239
<v Speaker 1>a way to stay out of the streets. Gonna be

0:41:48.239 --> 0:41:50.680
<v Speaker 1>a buck with you. Like dancing were just parties. You

0:41:50.719 --> 0:41:52.520
<v Speaker 1>would go to basing parties and stuff and everybody to

0:41:52.560 --> 0:41:54.920
<v Speaker 1>be dancing. Street ning is definitely dance because well, I

0:41:55.000 --> 0:41:57.920
<v Speaker 1>think it's funny in certain cities you could definitely be around.

0:41:58.920 --> 0:42:03.360
<v Speaker 1>Definitely did. Yeah. Also in New York train things at

0:42:03.360 --> 0:42:14.799
<v Speaker 1>the best knees right now in the world. That's the ship.

0:42:17.600 --> 0:42:22.240
<v Speaker 1>It's not getting started, yea. Yeah. But it's like also

0:42:22.400 --> 0:42:26.920
<v Speaker 1>like the thought of Nigga's doing a full hearing that

0:42:27.000 --> 0:42:33.640
<v Speaker 1>bit out beyond me. Yeah, but I mean the dance,

0:42:33.920 --> 0:42:36.520
<v Speaker 1>the whole dance was crazy. Me and my brother's definitely

0:42:36.560 --> 0:42:39.680
<v Speaker 1>full work. Definitely, that was something that was the way

0:42:39.719 --> 0:42:41.640
<v Speaker 1>I was like a mouthpiece almost, like you go to

0:42:42.000 --> 0:42:44.800
<v Speaker 1>parties and if you can dance, if you would do that,

0:42:45.080 --> 0:42:47.760
<v Speaker 1>like I wanted that attention of like let me dance,

0:42:48.160 --> 0:42:50.200
<v Speaker 1>that was your way of picking up chicks for sure.

0:42:50.400 --> 0:42:56.839
<v Speaker 1>That's the like when you talk about dance, what you're

0:42:56.880 --> 0:42:59.759
<v Speaker 1>doing right now, the nigga marries a dancer, and now

0:43:00.040 --> 0:43:03.040
<v Speaker 1>in his mom it's not it's not it's not it's

0:43:03.080 --> 0:43:05.239
<v Speaker 1>not in my it's not in my mind. See in

0:43:05.320 --> 0:43:09.359
<v Speaker 1>eighth grade, Okay, we're going back eighth grade. Eighth grade

0:43:09.400 --> 0:43:12.759
<v Speaker 1>prom I won that dance contest. Okay, who else is

0:43:12.800 --> 0:43:15.160
<v Speaker 1>going to get me? Who was going against all the

0:43:15.239 --> 0:43:18.160
<v Speaker 1>kids from the hood? Everybody, nobody, everybody wanted you remember

0:43:18.200 --> 0:43:20.560
<v Speaker 1>nobody name. I mean nobody was a good dancing. The

0:43:20.680 --> 0:43:23.880
<v Speaker 1>only thing in my head is songs, lyrics and melodies

0:43:23.920 --> 0:43:26.840
<v Speaker 1>that all this left. We was dancing to everything. I

0:43:26.920 --> 0:43:29.160
<v Speaker 1>was eighth grade. What was that? Was Bobby Brown doing

0:43:29.239 --> 0:43:32.040
<v Speaker 1>something back then? Okay he was really danced. No, I

0:43:32.120 --> 0:43:36.200
<v Speaker 1>was really dance, just really running, man was passion. It

0:43:36.360 --> 0:43:38.600
<v Speaker 1>was really it was really flipping. I was the first CB.

0:43:38.800 --> 0:43:40.200
<v Speaker 1>You know what I'm saying. I did a summer salt

0:43:40.280 --> 0:43:42.560
<v Speaker 1>on beach. That was me. Know what I'm saying in

0:43:42.640 --> 0:43:45.320
<v Speaker 1>hard bottoms, He's the first Chris Brown. Yeah, I don't know.

0:43:45.360 --> 0:43:49.640
<v Speaker 1>I'm just saying. I'm just saying I did to flip

0:43:49.760 --> 0:43:53.719
<v Speaker 1>on beat like listening to this music. It was it

0:43:53.840 --> 0:43:57.000
<v Speaker 1>was dad, so they allowed it. And then you know

0:43:57.000 --> 0:44:00.040
<v Speaker 1>what I'm saying, cut to my my first single. Know

0:44:00.080 --> 0:44:04.200
<v Speaker 1>what I'm saying, you did dance? No, I don't know.

0:44:06.840 --> 0:44:09.840
<v Speaker 1>What I'm trying to allude to is that I was.

0:44:10.080 --> 0:44:12.799
<v Speaker 1>I danced in that video and I danced very well.

0:44:13.000 --> 0:44:16.680
<v Speaker 1>Now that's the part I'm what did do? That's not

0:44:16.760 --> 0:44:20.480
<v Speaker 1>what we what we're talking about the song. Yeah, the

0:44:20.560 --> 0:44:24.040
<v Speaker 1>song had a different effect, but it wasn't about my dance.

0:44:24.120 --> 0:44:26.120
<v Speaker 1>My dance, you know what I'm saying, was my gift

0:44:26.200 --> 0:44:28.200
<v Speaker 1>and they saw that. Cut to you know what I'm

0:44:28.200 --> 0:44:33.239
<v Speaker 1>saying another song where I danced in Um You're My Star.

0:44:33.960 --> 0:44:36.960
<v Speaker 1>I'm starting to see a correlation between me dan song,

0:44:53.440 --> 0:45:00.920
<v Speaker 1>but the whole rap every time he is my dance.

0:45:02.840 --> 0:45:05.239
<v Speaker 1>I can dance. Can you dance? Yes? I can dance?

0:45:05.280 --> 0:45:10.920
<v Speaker 1>You still like do a move each show? I can

0:45:11.040 --> 0:45:17.400
<v Speaker 1>do choreography. It just looks strange. It's no, No, surely

0:45:18.040 --> 0:45:20.240
<v Speaker 1>your burden of dance has just been the mic stand

0:45:24.040 --> 0:45:29.520
<v Speaker 1>just like I guess I think it should has buzzles

0:45:32.520 --> 0:45:41.600
<v Speaker 1>this brew. But if that's what a man I can dance,

0:45:41.680 --> 0:45:45.480
<v Speaker 1>I can do choreography. People can do stuff that. I mean,

0:45:45.520 --> 0:45:48.880
<v Speaker 1>they should do it. No, no, and it's like everybody

0:45:48.960 --> 0:45:53.040
<v Speaker 1>like people have a voice, but like that mean you

0:45:53.080 --> 0:45:55.040
<v Speaker 1>should like always use it, you know what I'm saying,

0:45:55.080 --> 0:45:57.279
<v Speaker 1>Like you could probably dance. I just don't know if

0:45:57.320 --> 0:46:01.840
<v Speaker 1>people necessarily want to see it. You know, you have

0:46:01.960 --> 0:46:06.520
<v Speaker 1>a record that I just heard, Yeah, you have a record.

0:46:06.640 --> 0:46:08.800
<v Speaker 1>No do it. No, I'm not it's gonna do it. No,

0:46:08.960 --> 0:46:15.319
<v Speaker 1>I'm no, I'm not, No, I'm not. What I'm saying

0:46:15.400 --> 0:46:17.200
<v Speaker 1>is that the record I heard, As you said, you

0:46:17.200 --> 0:46:19.040
<v Speaker 1>should be able to go back to R and B

0:46:19.200 --> 0:46:22.320
<v Speaker 1>moments and they should be able to um you know,

0:46:22.440 --> 0:46:25.600
<v Speaker 1>standing the test of time and that Avant record that

0:46:25.760 --> 0:46:32.440
<v Speaker 1>you sample it's absolutely you know. And then Avanti Kiki

0:46:33.000 --> 0:46:36.600
<v Speaker 1>and now you sample it, sampled it, um and and

0:46:36.920 --> 0:46:40.480
<v Speaker 1>she sounds dope. Yeah. I was listening to some ship

0:46:40.600 --> 0:46:42.560
<v Speaker 1>today like from a different artist, and it was a

0:46:42.600 --> 0:46:44.800
<v Speaker 1>cool like a dope R and B sample. I was like,

0:46:44.880 --> 0:46:47.520
<v Speaker 1>damn and use as super dope And I was just

0:46:47.640 --> 0:46:50.680
<v Speaker 1>like yo, just time as R and B is like,

0:46:51.320 --> 0:46:53.520
<v Speaker 1>you know, I think we did our job on that

0:46:53.640 --> 0:46:55.680
<v Speaker 1>record on My Love with Me and Buddy and Aaron

0:46:55.760 --> 0:46:57.800
<v Speaker 1>ray out to them. But in the same brother, I'm like,

0:46:58.160 --> 0:47:02.200
<v Speaker 1>very cold that record, thank you that record, though I'm

0:47:02.239 --> 0:47:07.319
<v Speaker 1>still like, that's that's just R and B classic. There's

0:47:07.360 --> 0:47:11.279
<v Speaker 1>certain things, yeah, you like even you know, you don't

0:47:11.320 --> 0:47:14.400
<v Speaker 1>always as a kid, you would hear hit records sometimes

0:47:14.920 --> 0:47:18.400
<v Speaker 1>and you'd be like really good and wouldn't know there

0:47:18.480 --> 0:47:21.279
<v Speaker 1>was a sample and there or that there was that

0:47:21.400 --> 0:47:27.400
<v Speaker 1>your parents took and was like this because timeless and

0:47:27.480 --> 0:47:30.600
<v Speaker 1>classic music just don't fucking go nowhere. So like we

0:47:30.920 --> 0:47:33.080
<v Speaker 1>like when I heard that beat, I was just like,

0:47:33.280 --> 0:47:36.520
<v Speaker 1>what this is a pinner from me? Rob Holiday? Dud

0:47:37.000 --> 0:47:42.560
<v Speaker 1>shout to Rob Holiday. Yeah for sure, yea at your

0:47:42.560 --> 0:47:47.719
<v Speaker 1>cup you need no, no, we can't. But yeah that

0:47:48.000 --> 0:47:52.600
<v Speaker 1>so for you the music side, right, the artist artist side,

0:47:53.600 --> 0:47:55.920
<v Speaker 1>is that just purely a passion thing for you where

0:47:55.960 --> 0:47:58.640
<v Speaker 1>you just like, you know what, I got these thoughts

0:47:59.400 --> 0:48:01.440
<v Speaker 1>I want to do something? Or is it are you

0:48:02.440 --> 0:48:04.919
<v Speaker 1>from your from your point of view? Are you looking

0:48:04.960 --> 0:48:07.920
<v Speaker 1>at it like I'm trying to compete. I'm about to

0:48:07.960 --> 0:48:11.080
<v Speaker 1>go all out. I'm about to be doing radio at

0:48:11.120 --> 0:48:13.480
<v Speaker 1>six in the morning, I'm about to be flying too

0:48:13.640 --> 0:48:15.879
<v Speaker 1>cities I didn't even know existed in the country here.

0:48:16.320 --> 0:48:18.800
<v Speaker 1>Or is it just like you know whatnot. I just

0:48:18.880 --> 0:48:21.040
<v Speaker 1>feel good about some music. I want to put it out.

0:48:21.120 --> 0:48:23.600
<v Speaker 1>I want to just vibe. I think there's a balance.

0:48:23.840 --> 0:48:27.600
<v Speaker 1>I think like honestly, it's it's the first one. It's

0:48:27.640 --> 0:48:29.640
<v Speaker 1>me really want to put music out and wanted to

0:48:29.800 --> 0:48:34.960
<v Speaker 1>create um for myself before creatives in the sense of, like,

0:48:35.880 --> 0:48:37.600
<v Speaker 1>you know, people project on you so much and tell

0:48:37.640 --> 0:48:39.680
<v Speaker 1>you what you can and can't do. Whatever I makes

0:48:39.719 --> 0:48:42.560
<v Speaker 1>sense for you, what you can do that, because that's

0:48:42.560 --> 0:48:46.680
<v Speaker 1>gonna disturb this this I've wanted to put out music again,

0:48:46.719 --> 0:48:48.800
<v Speaker 1>whether it be me behind the scenes in front of

0:48:48.880 --> 0:48:51.200
<v Speaker 1>whatever it was. I wanted to dibble and dab, will

0:48:51.239 --> 0:48:53.759
<v Speaker 1>have my hands in music. So I like went about

0:48:53.840 --> 0:48:57.280
<v Speaker 1>this project. It was really just me doing it because

0:48:57.320 --> 0:49:00.480
<v Speaker 1>my my my therapist told me to, like, yo, just

0:49:00.520 --> 0:49:02.640
<v Speaker 1>do something to help you release something that you never

0:49:02.719 --> 0:49:05.680
<v Speaker 1>completely before. I was like black man in therapy, Yeah

0:49:05.800 --> 0:49:09.480
<v Speaker 1>for sure, I love that shout out to get in

0:49:09.600 --> 0:49:15.280
<v Speaker 1>touch with your feelings. Yeah, and we get we're getting stronger.

0:49:16.680 --> 0:49:19.200
<v Speaker 1>He's week I'm getting stronger. But as black men, you

0:49:19.360 --> 0:49:22.480
<v Speaker 1>just touched on something that we we kind of go

0:49:22.600 --> 0:49:25.960
<v Speaker 1>around in our culture right as far as you know,

0:49:26.239 --> 0:49:31.480
<v Speaker 1>going to therapy, finding outlets to get these things off

0:49:31.560 --> 0:49:35.360
<v Speaker 1>our mind. You know, someone just someone telling you you

0:49:35.440 --> 0:49:40.120
<v Speaker 1>should try this, addressing the traumas man, because you know,

0:49:40.239 --> 0:49:44.200
<v Speaker 1>we we come from brokenness, you know what I'm saying.

0:49:44.239 --> 0:49:46.840
<v Speaker 1>That's the origin of us even being here in the

0:49:46.920 --> 0:49:51.440
<v Speaker 1>first place, and so unconsciously, you know what I mean,

0:49:51.560 --> 0:49:54.640
<v Speaker 1>things have been passed down, you know, from whether it

0:49:54.719 --> 0:49:57.719
<v Speaker 1>be whether it be traits or just practices, you know

0:49:57.760 --> 0:50:00.600
<v Speaker 1>what I mean, that just played us just because Yeah,

0:50:00.600 --> 0:50:03.239
<v Speaker 1>I have an argument that the latter might be a

0:50:03.320 --> 0:50:07.160
<v Speaker 1>little hard to argue, but I argue that any black

0:50:07.239 --> 0:50:10.759
<v Speaker 1>person here in America is duple therapy just from living

0:50:10.840 --> 0:50:13.440
<v Speaker 1>here in America. Uh. And then on top of that,

0:50:13.480 --> 0:50:15.640
<v Speaker 1>I would even argue, as much as this sounds like,

0:50:16.040 --> 0:50:20.120
<v Speaker 1>uh my Christian side and being forgiving it all the times,

0:50:20.640 --> 0:50:22.640
<v Speaker 1>that every white person should be in therapy as well,

0:50:23.239 --> 0:50:26.160
<v Speaker 1>for for them living here in America. Like, We've went

0:50:26.239 --> 0:50:30.080
<v Speaker 1>through so many things here that are not even within

0:50:30.280 --> 0:50:33.320
<v Speaker 1>your household, not even with that, just you know, just

0:50:33.480 --> 0:50:37.440
<v Speaker 1>from surviving here that you know you either talk through

0:50:37.680 --> 0:50:40.080
<v Speaker 1>or understand or be able to break down and be like, well,

0:50:40.120 --> 0:50:42.480
<v Speaker 1>why is this thing making me feel this way? Or

0:50:42.560 --> 0:50:45.040
<v Speaker 1>look at this thing, this way. So I try to

0:50:45.080 --> 0:50:48.040
<v Speaker 1>definitely go to therapy. It's made me nothing but a

0:50:48.120 --> 0:50:50.799
<v Speaker 1>better person for sure. For you, I'm gonna hang out

0:50:51.200 --> 0:50:54.560
<v Speaker 1>hang out with you what not even know I'm in therapy, No,

0:50:54.760 --> 0:50:58.160
<v Speaker 1>you justson, I do think I'm a better person. I

0:50:58.480 --> 0:51:04.080
<v Speaker 1>try to be ship. Yeah, I appreciate that. I try

0:51:04.120 --> 0:51:09.000
<v Speaker 1>to make sure that like I'm really um leaving something behind,

0:51:09.120 --> 0:51:10.560
<v Speaker 1>you know, if nothing else. You know what I'm saying,

0:51:12.200 --> 0:51:25.160
<v Speaker 1>it's a sweet tweaked. Some nig is definitely be tweaking.

0:51:25.160 --> 0:51:26.880
<v Speaker 1>You know what I'm saying. It depends on what they're smoking,

0:51:26.920 --> 0:51:29.160
<v Speaker 1>for sure. But now I'll be trying to like really

0:51:29.480 --> 0:51:31.239
<v Speaker 1>look at life that way and be like, what am

0:51:31.280 --> 0:51:35.359
<v Speaker 1>I leaving behind? What legacy? So even when UM thinking

0:51:35.400 --> 0:51:37.480
<v Speaker 1>about that from the music standpoint, it's not even that

0:51:37.560 --> 0:51:39.040
<v Speaker 1>I was like, this is a part of my legacy.

0:51:39.520 --> 0:51:41.640
<v Speaker 1>But I'd be damned if I live a life well,

0:51:41.640 --> 0:51:43.840
<v Speaker 1>I didn't do things I wanted to do just because

0:51:44.320 --> 0:51:48.080
<v Speaker 1>of side somebody else told me that I shouldn't do it. Look,

0:51:48.360 --> 0:51:51.279
<v Speaker 1>I could have easily dropped the music project and everybody said,

0:51:51.400 --> 0:51:55.520
<v Speaker 1>please fucking never do that again. Luckily for me, nobody

0:51:55.600 --> 0:51:59.240
<v Speaker 1>said that I've gotten nothing but good responses, positive feedback,

0:51:59.440 --> 0:52:00.759
<v Speaker 1>and then on top that I did it for me,

0:52:00.880 --> 0:52:03.160
<v Speaker 1>so I feel, you know, success. You know, have I

0:52:04.000 --> 0:52:06.600
<v Speaker 1>died into any project? I asked myself what success looks

0:52:06.640 --> 0:52:08.759
<v Speaker 1>like one at the end, what am I doing this for?

0:52:08.920 --> 0:52:12.240
<v Speaker 1>What am I so? For me? I'd already achieved success

0:52:12.320 --> 0:52:15.239
<v Speaker 1>by just getting my thoughts out and just doing this

0:52:15.280 --> 0:52:18.160
<v Speaker 1>ship because it was scary as hell being like, hey man,

0:52:18.880 --> 0:52:22.319
<v Speaker 1>you do this completely different thing you television or you've

0:52:22.360 --> 0:52:25.239
<v Speaker 1>done this thing over here now people that you know,

0:52:25.400 --> 0:52:28.040
<v Speaker 1>most my most relationships I've had in music are from

0:52:28.120 --> 0:52:31.160
<v Speaker 1>me being a manager, of me being this thing now

0:52:31.280 --> 0:52:33.400
<v Speaker 1>to hit people up and be like, hey, can you

0:52:33.480 --> 0:52:38.719
<v Speaker 1>send me some being with me? Nigga? What first? When

0:52:38.760 --> 0:52:41.080
<v Speaker 1>I first started my project, I was line in this.

0:52:41.320 --> 0:52:43.799
<v Speaker 1>I was being like, Yo, send me some bes. I'm

0:52:43.840 --> 0:52:47.600
<v Speaker 1>working on a secret project on working on and Nika

0:52:47.719 --> 0:52:50.040
<v Speaker 1>just like, send me stuff because you know, relationship with

0:52:50.080 --> 0:52:51.920
<v Speaker 1>me and you know I ain't never hears up with

0:52:51.960 --> 0:52:54.000
<v Speaker 1>a bull, so maybe it's gonna be all right. It

0:52:54.160 --> 0:52:58.239
<v Speaker 1>was for me, all me. It was all for me.

0:53:01.560 --> 0:53:04.480
<v Speaker 1>But you know, as the project is came out and

0:53:04.520 --> 0:53:07.359
<v Speaker 1>people were like, yo, honestly, it's it's it's good as

0:53:07.400 --> 0:53:10.719
<v Speaker 1>that I've I've I've enjoyed it, and I've been I've

0:53:10.760 --> 0:53:12.520
<v Speaker 1>been cooking up a little more. You know what I'm saying.

0:53:12.560 --> 0:53:14.680
<v Speaker 1>It's again, it's still for me, it's still I'm not

0:53:14.840 --> 0:53:18.439
<v Speaker 1>expecting to be the biggest ropper of the biggest artists

0:53:18.440 --> 0:53:20.719
<v Speaker 1>in the world. That's not what I'm here for. I've

0:53:20.760 --> 0:53:23.480
<v Speaker 1>been blessed enough to, I guess, get these dreams out.

0:53:23.640 --> 0:53:26.640
<v Speaker 1>Dreams are expensive as fun. So for me to be

0:53:26.719 --> 0:53:29.000
<v Speaker 1>able to even do this as a is a luxury.

0:53:29.080 --> 0:53:32.279
<v Speaker 1>It's a blessing by God. But for me also to

0:53:32.320 --> 0:53:34.359
<v Speaker 1>get it out, it's a form of therapy as well.

0:53:34.480 --> 0:53:37.720
<v Speaker 1>For me just to continue to to to to release

0:53:37.800 --> 0:53:41.520
<v Speaker 1>and create a d As I wake up each morning,

0:53:41.600 --> 0:53:43.680
<v Speaker 1>I just want to create. So this is one of

0:53:43.760 --> 0:53:46.239
<v Speaker 1>the outlets I've gotten. It allows me a layer of

0:53:46.320 --> 0:53:49.400
<v Speaker 1>myself as I dive into different different things. It just

0:53:49.440 --> 0:53:51.279
<v Speaker 1>allows people to keep looking at you being like, we

0:53:51.440 --> 0:53:55.000
<v Speaker 1>don't know what this nigga can do. M And they

0:53:55.000 --> 0:53:59.839
<v Speaker 1>shouldn't know everything. You should be able to continue to surprise. Yeah,

0:54:00.280 --> 0:54:01.960
<v Speaker 1>especially if you can do the work and you do

0:54:02.160 --> 0:54:04.719
<v Speaker 1>it at a high level. Right, So shout out to

0:54:04.840 --> 0:54:08.360
<v Speaker 1>the el Dorado Excursion. I appreciate that, man, I appreciate

0:54:08.400 --> 0:54:11.879
<v Speaker 1>you know, we have this very important part of the show,

0:54:12.560 --> 0:54:15.400
<v Speaker 1>very very important part. I know he can do it.

0:54:16.200 --> 0:54:23.600
<v Speaker 1>I know. I'm scared. I listen. I'm I'm a bet.

0:54:23.600 --> 0:54:26.359
<v Speaker 1>I'm gonna bet myself something to go ahead, Okay, I'm

0:54:26.400 --> 0:54:28.920
<v Speaker 1>gonna bet myself. So the part of the show is

0:54:29.000 --> 0:54:32.520
<v Speaker 1>called I ain't saying no names. M will you tell us?

0:54:32.880 --> 0:54:42.960
<v Speaker 1>You tell us? Yeah, these niggas is sick? Yeah, somebody

0:54:45.600 --> 0:54:50.520
<v Speaker 1>that's crazy? Right. The story can need to be funny

0:54:50.760 --> 0:54:56.040
<v Speaker 1>or funked up or both. Okay, damn, I don't know.

0:54:57.680 --> 0:55:03.920
<v Speaker 1>I was with you, man, But also like what story

0:55:04.000 --> 0:55:14.680
<v Speaker 1>belongs to the one I know? The only rule I'm

0:55:14.719 --> 0:55:19.640
<v Speaker 1>trying to think. Damn. Oh, I'm trying to think of

0:55:19.719 --> 0:55:24.879
<v Speaker 1>a good story, like no bullshit. I have so many

0:55:25.040 --> 0:55:28.799
<v Speaker 1>stories just over the years of just being around. Um,

0:55:31.920 --> 0:55:34.400
<v Speaker 1>this should be R and B based, it should be

0:55:35.360 --> 0:55:42.240
<v Speaker 1>a story. This story might not have a hit. Fuck

0:55:42.840 --> 0:55:46.839
<v Speaker 1>if this story don't hit them, be sad because it's

0:55:46.880 --> 0:55:49.800
<v Speaker 1>a story. We know you, we know you're funny. You've

0:55:49.800 --> 0:55:56.000
<v Speaker 1>been funny about that. It's uh, go back. I could

0:55:56.000 --> 0:55:58.040
<v Speaker 1>say some names don't need to it's me. It's just me.

0:55:58.800 --> 0:56:01.120
<v Speaker 1>The story is about men saying that you can't say

0:56:01.440 --> 0:56:04.279
<v Speaker 1>nobody names. I didn't do nothing like that, man, you

0:56:04.400 --> 0:56:08.719
<v Speaker 1>can't myself. All right, let me let me think then,

0:56:08.719 --> 0:56:11.120
<v Speaker 1>because if you didn't incriminated that story, I kind of

0:56:11.120 --> 0:56:13.359
<v Speaker 1>think of a better story because that story I had

0:56:13.480 --> 0:56:19.239
<v Speaker 1>was just about being a broken nigger. That was it. Um. Yeah,

0:56:19.640 --> 0:56:25.120
<v Speaker 1>I trying to think because the other story and thinking

0:56:25.120 --> 0:56:38.160
<v Speaker 1>about that's come out y'all got you on that? What it? No,

0:56:41.719 --> 0:56:44.120
<v Speaker 1>I'm trying to think of like a story that's don't

0:56:44.120 --> 0:56:53.520
<v Speaker 1>feel light, but it's like that's funny. Uh yeah yeah uh.

0:56:54.880 --> 0:56:58.960
<v Speaker 1>This thing is face because he's just thinking like, yeah,

0:56:59.080 --> 0:57:03.000
<v Speaker 1>whatever you're thinking about that now, that's the one. Don't

0:57:03.040 --> 0:57:12.920
<v Speaker 1>overthink it. Oh, I got a story. I see all them.

0:57:12.960 --> 0:57:16.400
<v Speaker 1>That story either doesn't involved some other things I know,

0:57:18.560 --> 0:57:21.680
<v Speaker 1>I know, but like that, these stories are like the

0:57:21.760 --> 0:57:24.800
<v Speaker 1>stories that they're funny to me, but they're not necessarily

0:57:24.920 --> 0:57:28.240
<v Speaker 1>like it was a nigga. It was I went to

0:57:28.360 --> 0:57:30.760
<v Speaker 1>the show one time, right, my boy hit me, like,

0:57:30.920 --> 0:57:33.520
<v Speaker 1>YO put up to this show. I'm not the show

0:57:34.040 --> 0:57:39.480
<v Speaker 1>at this venue out here in l a uh and

0:57:39.560 --> 0:57:41.520
<v Speaker 1>I only be going to this venue because like the

0:57:41.840 --> 0:57:44.680
<v Speaker 1>kind of venue it is, I'd be like, it's gonna

0:57:44.720 --> 0:57:46.320
<v Speaker 1>be up in the l type of nick is gonna

0:57:46.320 --> 0:57:48.440
<v Speaker 1>be there, the type of whole vibe is gonna be

0:57:48.640 --> 0:57:51.160
<v Speaker 1>or we set up correctly, whatever, But my boy having

0:57:51.200 --> 0:57:53.280
<v Speaker 1>the show, So I'm like gonna be supported. I'm a

0:57:53.360 --> 0:57:55.840
<v Speaker 1>good friend here I am, So I pull up, I

0:57:55.960 --> 0:57:59.000
<v Speaker 1>get there earlier to everybody else. Right, cool whatever they

0:57:59.080 --> 0:58:00.520
<v Speaker 1>tell me that that put to the back there, like, no,

0:58:00.680 --> 0:58:02.000
<v Speaker 1>you can go through this where we're gonna put you

0:58:02.000 --> 0:58:03.760
<v Speaker 1>in the vr plere gonna set you up. So I'm

0:58:03.800 --> 0:58:06.720
<v Speaker 1>feeling like cool at the time. And ship, I'm popping

0:58:06.760 --> 0:58:09.040
<v Speaker 1>a little bit more in my head and like Mr Brown,

0:58:09.120 --> 0:58:12.360
<v Speaker 1>we got you all that good ship. So we go

0:58:12.440 --> 0:58:16.240
<v Speaker 1>up to the section and uh, I can't think a

0:58:16.320 --> 0:58:21.160
<v Speaker 1>face looking this thinking so funny. But he gives me

0:58:21.240 --> 0:58:25.880
<v Speaker 1>the section and it's this nigga that like, this nigga

0:58:25.960 --> 0:58:29.720
<v Speaker 1>is like waving me, waving, waving at me from outside

0:58:29.960 --> 0:58:32.640
<v Speaker 1>the club. Thought, just like in this little door area

0:58:33.080 --> 0:58:36.360
<v Speaker 1>that's in the back of the club slash venue, and

0:58:36.440 --> 0:58:38.560
<v Speaker 1>this nigga waving me down. I'm looking like it's this

0:58:38.640 --> 0:58:40.680
<v Speaker 1>nigga waving at me. This is like weird. I an't

0:58:40.680 --> 0:58:44.200
<v Speaker 1>know this nigga. So then I'm like, I'm ignored. Security

0:58:44.320 --> 0:58:47.120
<v Speaker 1>comes over to me and they're like, hey, this nigga

0:58:47.200 --> 0:58:51.920
<v Speaker 1>back there say he knows you. I'm like, who the

0:58:52.040 --> 0:58:55.280
<v Speaker 1>nigga said, nigga back there, I say, I don't know

0:58:55.400 --> 0:58:57.800
<v Speaker 1>anybody back there from like I'm just here at the

0:58:57.840 --> 0:59:01.040
<v Speaker 1>club chilling to my homies. Girl letting get off. The

0:59:01.160 --> 0:59:05.600
<v Speaker 1>security things. That's smart to turn around right in that moment, No, nigga,

0:59:05.600 --> 0:59:09.960
<v Speaker 1>he said he don't know, not even like walking it over.

0:59:10.240 --> 0:59:15.000
<v Speaker 1>Very dangerous. I don't even know this. And he even

0:59:15.080 --> 0:59:18.040
<v Speaker 1>walking over and was like hey man, they said, They're

0:59:18.080 --> 0:59:19.800
<v Speaker 1>like when you don't know who it came from, it's

0:59:19.880 --> 0:59:24.600
<v Speaker 1>me and him talking. Basically, this nigga right here said

0:59:24.680 --> 0:59:27.160
<v Speaker 1>you ain't good him and starts hitting him with this.

0:59:27.360 --> 0:59:30.640
<v Speaker 1>I'm like, yo, fam like I say to him in

0:59:30.760 --> 0:59:33.440
<v Speaker 1>that same moment, hey nigga, I don't know that nigga.

0:59:33.720 --> 0:59:37.120
<v Speaker 1>It could be craziest, could be all type doing that ship.

0:59:37.160 --> 0:59:38.840
<v Speaker 1>He was like, my bad members like him. No, he

0:59:38.880 --> 0:59:41.160
<v Speaker 1>said he knew, you know. I was like, all right, cool.

0:59:42.520 --> 0:59:47.960
<v Speaker 1>We fucking fast forward. The nigga asked crazy gets in

0:59:48.160 --> 0:59:51.800
<v Speaker 1>the in the club is crazy. Niggas always find that way,

0:59:51.840 --> 0:59:54.960
<v Speaker 1>not only the club, but n v I P. So

0:59:55.320 --> 0:59:59.040
<v Speaker 1>this this nigga gets in the club and not gets

0:59:59.120 --> 1:00:01.640
<v Speaker 1>only the club, he gets in v I P. He

1:00:01.760 --> 1:00:04.280
<v Speaker 1>comes over to me and says, hey, Nikka, I was

1:00:04.360 --> 1:00:07.320
<v Speaker 1>the one way and I said, oh, my batman, I

1:00:07.320 --> 1:00:10.160
<v Speaker 1>don't know what it is, my bad, but you're here now,

1:00:10.320 --> 1:00:15.880
<v Speaker 1>so we're good. Right, all has been sold. He was like,

1:00:16.160 --> 1:00:18.360
<v Speaker 1>uh no, nigga, you gonna know who I am? And

1:00:18.400 --> 1:00:21.439
<v Speaker 1>he says his name to me. It rings a slight bell,

1:00:22.080 --> 1:00:25.560
<v Speaker 1>a little street nigga. But I'm also like, nick I'm

1:00:25.560 --> 1:00:28.000
<v Speaker 1>not trying to hear none of this ship because I'm like,

1:00:28.120 --> 1:00:30.560
<v Speaker 1>I'm not like for me, it's very black and white.

1:00:30.720 --> 1:00:34.560
<v Speaker 1>It's like you're either pressing me or you're not. So

1:00:34.680 --> 1:00:36.880
<v Speaker 1>the nigga was like he had Nigga is my name?

1:00:37.120 --> 1:00:40.600
<v Speaker 1>He said, ain't you the nickel from MTV. I said, yes, nigga,

1:00:40.600 --> 1:00:42.800
<v Speaker 1>you know my name? And then he was like, no,

1:00:43.080 --> 1:00:44.959
<v Speaker 1>nigga said my boys stepped in front of like, Nigga,

1:00:44.960 --> 1:00:47.200
<v Speaker 1>we ain't talking about none of that. You can move

1:00:47.320 --> 1:00:51.880
<v Speaker 1>over all this. I'm alright cool, it's all dead. One

1:00:51.920 --> 1:00:55.240
<v Speaker 1>of the homies whose show I came to see is

1:00:55.280 --> 1:00:59.160
<v Speaker 1>on Crazy Time. He's like, no, Nigga. So he sees

1:00:59.280 --> 1:01:02.240
<v Speaker 1>Niga talking to me and steps up and hey, Nigga,

1:01:02.480 --> 1:01:04.840
<v Speaker 1>I'm with all that all that ship you talked. I

1:01:04.920 --> 1:01:07.760
<v Speaker 1>thought I had already do la. I thought this ship

1:01:07.960 --> 1:01:11.640
<v Speaker 1>was so packed it up and put it in suitcase.

1:01:11.880 --> 1:01:14.960
<v Speaker 1>Put the way I said that was supposed that. Nigga said,

1:01:15.000 --> 1:01:20.440
<v Speaker 1>not close enough, Nigga over, Nigga, we with all that ship, Nigga,

1:01:21.040 --> 1:01:23.480
<v Speaker 1>all that crip ship you blush you talking. I'm with

1:01:23.520 --> 1:01:25.360
<v Speaker 1>all that. I'm with the g DS and the Folds.

1:01:25.400 --> 1:01:28.800
<v Speaker 1>I'm with the Vice Lords and the most every game.

1:01:29.200 --> 1:01:31.480
<v Speaker 1>But I'm like, I'm I'm kind of with him, but

1:01:31.560 --> 1:01:36.880
<v Speaker 1>not anymore. I'm not with all those games, okay. I'm

1:01:36.920 --> 1:01:38.920
<v Speaker 1>like okay. So he's like, yeah, Nigga, so all that

1:01:38.960 --> 1:01:43.640
<v Speaker 1>ship you with, we with all that? And I was like, okay,

1:01:43.760 --> 1:01:47.080
<v Speaker 1>this nigga. So they get to going both and beef

1:01:47.120 --> 1:01:49.040
<v Speaker 1>and going back and for I'm like, this is crazy.

1:01:49.440 --> 1:01:51.600
<v Speaker 1>I thought it was overwhere and y'all niggas are doing

1:01:51.640 --> 1:01:55.840
<v Speaker 1>too much. And then this nigga taps this nigga like yo,

1:01:56.000 --> 1:01:58.280
<v Speaker 1>they have you know, polied it up. I guess they

1:01:58.320 --> 1:02:00.480
<v Speaker 1>got to some kind of common ground. I don't know

1:02:00.560 --> 1:02:02.200
<v Speaker 1>there was in each other faces, got some kind of

1:02:02.840 --> 1:02:05.320
<v Speaker 1>coming around. The nigga tasked me like, hey, you know

1:02:05.400 --> 1:02:09.120
<v Speaker 1>Steve Lowe grabbed his number? Did he say they trying

1:02:09.120 --> 1:02:13.520
<v Speaker 1>to link the nigga who was just presently while would

1:02:13.560 --> 1:02:17.960
<v Speaker 1>I've been grabbing his number at any point? This is crazy,

1:02:18.320 --> 1:02:22.000
<v Speaker 1>this is insanity. I'm working with the nigga time, so

1:02:22.120 --> 1:02:24.480
<v Speaker 1>I get his number. I'm like, this is crazy. So

1:02:24.640 --> 1:02:26.400
<v Speaker 1>nigga like, get me, gonna hit y'all later. I'm like,

1:02:26.480 --> 1:02:29.120
<v Speaker 1>I'm not talking to this nigga. The nigga hits me

1:02:29.160 --> 1:02:32.840
<v Speaker 1>a day later, Hey I'm back again, basically hit me

1:02:33.720 --> 1:02:36.720
<v Speaker 1>and then and say hey, I'm back. Yeah, nigga, we

1:02:36.760 --> 1:02:39.920
<v Speaker 1>need to meet up. I say, what, nigga, I'm not

1:02:40.160 --> 1:02:43.520
<v Speaker 1>meeting niggas, So I'll make a call to some niggas.

1:02:43.560 --> 1:02:46.160
<v Speaker 1>I like, yah, nigga, y'all know this nig y'all was there.

1:02:46.240 --> 1:02:49.080
<v Speaker 1>You was there, nigga. You saw this nigga being weird,

1:02:49.720 --> 1:02:53.280
<v Speaker 1>But I saw weirdly. When this nigga saw my dog,

1:02:53.480 --> 1:02:56.560
<v Speaker 1>he kept he was doing all the wolf wolf bark bark,

1:02:56.640 --> 1:02:59.880
<v Speaker 1>but they kept bagging up. Whenever my one dog walked up,

1:03:00.000 --> 1:03:02.920
<v Speaker 1>I'll be peeping rooms, n nothing from Chicago. I hit

1:03:02.960 --> 1:03:06.000
<v Speaker 1>my head on a swift so I pete that this

1:03:06.160 --> 1:03:08.400
<v Speaker 1>nigga is doing all this big dog ship become a

1:03:08.480 --> 1:03:10.520
<v Speaker 1>lu every time my dog step up. So I'm like,

1:03:10.560 --> 1:03:13.080
<v Speaker 1>if nothing else, if push comes to show them texting

1:03:13.120 --> 1:03:15.520
<v Speaker 1>my dog tomorrow, But what the fund is up with this?

1:03:16.040 --> 1:03:18.640
<v Speaker 1>What's going on? I hit my dog next to he said,

1:03:19.840 --> 1:03:22.600
<v Speaker 1>don't talk to that nigga. Give me five minutes, and nigga,

1:03:22.760 --> 1:03:26.080
<v Speaker 1>never call you again. They gave me five minutes. I

1:03:26.080 --> 1:03:28.200
<v Speaker 1>ain't never hear for the nigg again. Here we are,

1:03:30.920 --> 1:03:33.200
<v Speaker 1>you know what I'm saying. That was a story within

1:03:33.320 --> 1:03:38.920
<v Speaker 1>the industry. Dough this this is a common story in

1:03:39.280 --> 1:03:44.600
<v Speaker 1>l A. Cats trying to press their way in for sure,

1:03:44.720 --> 1:03:49.080
<v Speaker 1>press their way on from and every and every guy

1:03:50.080 --> 1:03:54.720
<v Speaker 1>this stay city. M hmm for shoot, this is my city. Yeah,

1:03:55.080 --> 1:03:59.200
<v Speaker 1>I got you leach on fast for shot. You gotta

1:03:59.200 --> 1:04:02.680
<v Speaker 1>have a don't have a guy here or a few

1:04:02.720 --> 1:04:09.360
<v Speaker 1>guys to help you. Nipped that in the book, nipped

1:04:09.360 --> 1:04:18.120
<v Speaker 1>that in the b This has been the Ry Money podcast.

1:04:20.400 --> 1:04:23.520
<v Speaker 1>And this brother right here man with the flurl zone

1:04:23.840 --> 1:04:28.160
<v Speaker 1>and the diamonds of drilled in. That's steel brim Man,

1:04:29.000 --> 1:04:40.280
<v Speaker 1>my guy man, you got mad at me? Problems and

1:04:40.880 --> 1:04:45.080
<v Speaker 1>Money R and B Money is a production of the

1:04:45.120 --> 1:04:48.960
<v Speaker 1>Black Effect podcast Network. For more podcasts from I Heart Radio,

1:04:49.440 --> 1:04:52.600
<v Speaker 1>visit the R Heart Radio, Apple Apple Podcast, or wherever

1:04:52.680 --> 1:04:55.560
<v Speaker 1>you're listen to your favorite shows. Don't forget to subscribe

1:04:55.640 --> 1:04:58.520
<v Speaker 1>to and rate our show, and you can connect with

1:04:58.600 --> 1:05:02.840
<v Speaker 1>us on social media via at armby Money podcast or

1:05:02.960 --> 1:05:05.280
<v Speaker 1>at the Real Tank or at j Valentine