WEBVTT - Episode 178 w/ Rap Radar (Elliot Wilson & Brian "B.Dot" Miller)

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<v Speaker 1>And his Drink Chess motherfucking podcast. He's a legendary Queen's rappers.

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<v Speaker 1>He's like, is your boy in o R. He's a

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<v Speaker 1>Miami hip hop pioneer. D J e f N. Together

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<v Speaker 1>they drinking up with some of the biggest players in

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<v Speaker 1>the most professional, unprofessional podcast and yet number one sorts

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<v Speaker 1>for drunk fast drinks. Motherfucks New year' z. That's like,

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<v Speaker 1>it's time for drink champ trick up? Motherfuck? Would it good?

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<v Speaker 1>Be hoping he would have? Should be? This is your boy?

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<v Speaker 1>And oh what up is d j e FN? This

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<v Speaker 1>real taming crazy wall motherfucking y'all. I don't know what

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<v Speaker 1>I say now. When it comes to journalists, these two

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<v Speaker 1>brothers right here are the forefront of it. One brother

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<v Speaker 1>is a goal to other brothers on his way to

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<v Speaker 1>be a goal. One brother has been in every magazine

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<v Speaker 1>from EGO, Trip to Vibe to x Excel to the Source.

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<v Speaker 1>The other brother has just landed a multile monkey foot

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<v Speaker 1>job at MTV and he's pushing the culture. These brothers

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<v Speaker 1>got together. They formed website that was backed by eminem

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<v Speaker 1>and was one of the greatest. Then they formed their podcast,

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<v Speaker 1>Coming and they brought it over with Hove and they

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<v Speaker 1>backed by Tile. Right now, when it comes to journalists,

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<v Speaker 1>you come to the people that's gonna brought the forefront

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<v Speaker 1>of our culture on their back. These two brothers are here.

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<v Speaker 1>We was down with him on CBS and now we're

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<v Speaker 1>down with them the case you don't know, and we

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<v Speaker 1>were talking about we're talking about motherfucking being down all

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<v Speaker 1>for both of you guys. Thank thank you, thank you

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<v Speaker 1>both for both of you guys. This isn't no problem.

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<v Speaker 1>But this isn't no no, no people. I've been focused

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<v Speaker 1>later because but now, this is not an overnight thing

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<v Speaker 1>for y'all. Like a lot of people might see you

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<v Speaker 1>bet on uh MTV or see you know, Elliott on

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<v Speaker 1>the Crown episode and see he pulled off for Nicki Minaja,

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<v Speaker 1>see pulled off for Ross and people thinking that this is, like,

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<v Speaker 1>you know, just some overnight thing. I want to I

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<v Speaker 1>want to describe it from the beginning for both of y'all,

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<v Speaker 1>you know, whichever way you want to take it, from

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<v Speaker 1>the beginning, how did you fall in love with hip

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<v Speaker 1>hop and get involved with journalist? You know from Queen's right.

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<v Speaker 1>So it's always been part of been part of where

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<v Speaker 1>we at you know what I'm saying. So I just

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<v Speaker 1>fell in love with listening to people like yourself, not

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<v Speaker 1>that good agree man, agreeing, listening to the greats. And

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<v Speaker 1>when I went to college, I realized I get a

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<v Speaker 1>check off of it to Delaware State University. I remember

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<v Speaker 1>you performed it. I never say that. I'm just about

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<v Speaker 1>to say this performing And he was like, YO, say

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<v Speaker 1>it's hot, jail get it. I definitely remember that. The

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<v Speaker 1>girls are easy out. You're married now, so so how

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<v Speaker 1>about you, um um Elliott, You've been a little bit

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<v Speaker 1>more season in the game. Same thing. Growing up in

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<v Speaker 1>Queen Run dmc L like those were like the blueprint, like,

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<v Speaker 1>you know, loving hip hop and then you know, probably

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<v Speaker 1>first seeing the source that you could like have a

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<v Speaker 1>magazine it then the first time you wanted to like

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<v Speaker 1>because you know, because because being a fan of the culture,

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<v Speaker 1>and because you know, a lot of people can watch basketball.

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<v Speaker 1>There's not a lot of people who can cover basketball,

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<v Speaker 1>you know what I'm saying. So you know what started

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<v Speaker 1>was sports with me. My father wanted me to be

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<v Speaker 1>a baseball player because he want his dream was to

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<v Speaker 1>play baseball, So he actually wanted to name me Roberto Clemente.

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<v Speaker 1>You could have been Roberto you know this black and

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<v Speaker 1>my mom is Ecuadorian and green, just like he said

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<v Speaker 1>Wilson Junior like I was some Franks. And so I

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<v Speaker 1>grew up playing sports, a lot of baseball growing up.

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<v Speaker 1>And then by the time I got fifteen sixty, and

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<v Speaker 1>I was like, I'm not good enough to like go pro,

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<v Speaker 1>Like I'm good, but I ain't outstanding and ship. Um.

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<v Speaker 1>So I looked at sports writing, remember like going wonder Wolf,

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<v Speaker 1>Let's go to the video tape and how yeah, okay.

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<v Speaker 1>I I got attracted to that. I was like, oh,

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<v Speaker 1>maybe I could do that, could be a sports report.

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<v Speaker 1>I could be a sports writer. Um. And then when

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<v Speaker 1>you know, I started losing more interest in sports. The

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<v Speaker 1>music and seeing that the music could be documented, you know,

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<v Speaker 1>just excited me. And I was like that really was

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<v Speaker 1>my only career go, I tell you only. My first

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<v Speaker 1>career goal was to be music out of the source.

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<v Speaker 1>Well I wanted to be I wanted to get all

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<v Speaker 1>the albums before anybody else got the albums, and I

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<v Speaker 1>wanted to give the mics out. That's my only dream.

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<v Speaker 1>So the source was so the source was already five

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<v Speaker 1>topping prior to you. Yes, okay, I didn't, but they were.

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<v Speaker 1>They weren't as big as I thought they were. But

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<v Speaker 1>at the time, because I had Ego Trip, I had

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<v Speaker 1>an independent thing going on with r Jenkings. Yeah, so

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<v Speaker 1>we didn't we thought the source. Once they got national,

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<v Speaker 1>they were so far ahead, you know, and I was

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<v Speaker 1>And again I just fell in love, I thought, because

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<v Speaker 1>it was the first like I want again. I wanted

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<v Speaker 1>that position. I saw Reginald C. Dennis with the shades

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<v Speaker 1>and like the whole thing of like getting access to

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<v Speaker 1>the music. That's the only thing about the streaming era.

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<v Speaker 1>All fans not get all this access to the music

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<v Speaker 1>whatever DSP they signed up to. And you know, like

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<v Speaker 1>Nory I got you remember when your album was rolling out,

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<v Speaker 1>your album, so album they sent like a four tracks.

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<v Speaker 1>So I hadn't even before that because I was just

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<v Speaker 1>sent it to the lab, to the pub. But this

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<v Speaker 1>department sending to the magazine. So at n RV, I

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<v Speaker 1>think I had Body of the Trunk, I believe. So

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<v Speaker 1>I had Body of the Trunk, had super Dog. Yeah,

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<v Speaker 1>this is amazing, Like this is like Noriy like like

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<v Speaker 1>so that's what you did, Like you got the media

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<v Speaker 1>to be that the thing I learned with the media.

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<v Speaker 1>You would get the advanced cassette the artists before they

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<v Speaker 1>roll out to get under set. And then with I

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<v Speaker 1>used to I used to yeah, I used to lie

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<v Speaker 1>to say I was a DJ to get the vinyl.

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<v Speaker 1>I remember I was at the record store and I

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<v Speaker 1>wanted to buy the reminisce over you. It's like two

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<v Speaker 1>and he Smooth. Yeah, this guy was called himself Seeing

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<v Speaker 1>Smooth at Rock and Soul Records wouldn't sell me the record,

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<v Speaker 1>and I was like, y'all want to buy the records.

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<v Speaker 1>I know it's a white label. I'm like what then

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<v Speaker 1>everybody label yeah, but they were saving the white label

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<v Speaker 1>for like Clark Kent, like DJ. So it cut my

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<v Speaker 1>hand just figuring out label. It was that and the

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<v Speaker 1>fake in the Funk remix. So I lied and said

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<v Speaker 1>I was a DJ, one of the Guide community. So

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<v Speaker 1>I used to put and when I went to was

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<v Speaker 1>in my thing. It was like like I was like,

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<v Speaker 1>don't send me the record. I'm gonna go pick up

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<v Speaker 1>the record. So I would go up to the labels

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<v Speaker 1>like don't say it to me. I don't get my ship,

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<v Speaker 1>but steal my male. So I'll go up to the labels,

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<v Speaker 1>and I want to lecture records to get the reminisce

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<v Speaker 1>over you twelve inch And the college prone guy was

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<v Speaker 1>a guy named Fred Jackson, and Fred Jackson had a

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<v Speaker 1>book of all the contacts at every label. I was like,

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<v Speaker 1>this is like a kid that kid saw. I'm gonna

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<v Speaker 1>get all these records. I'm calling like Eric Shelton and

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<v Speaker 1>all those guys, like all these old promo guys. So yeah,

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<v Speaker 1>just just the love of the music, just getting my

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<v Speaker 1>hands on it, getting getting access to the content. The

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<v Speaker 1>labels had the power, like the content was there, right,

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<v Speaker 1>so the gate keeper, they were the gate keeper. They

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<v Speaker 1>control the content. Now the content goes direct from artists

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<v Speaker 1>to the consumer. So how crazy it is it for

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<v Speaker 1>both of you guys. You know, um, it's your it's

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<v Speaker 1>your job to actually interview the new guys, right. I

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<v Speaker 1>don't want to interview the new guys. I hate him, Right,

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<v Speaker 1>I've just got a whole argument about Yeah, yeah, we

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<v Speaker 1>went into the whole thing about because I just feel

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<v Speaker 1>like they're not season yet. Like in order for me

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<v Speaker 1>to speak to you, I have to be able to

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<v Speaker 1>indulge with you. Most of these guys are on leading

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<v Speaker 1>on and on and they give you that one word answer.

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<v Speaker 1>I was on that side of the offence, and I

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<v Speaker 1>know that one more answer me might I might not

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<v Speaker 1>be working with you what I'm saying. So it's to

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<v Speaker 1>be fair, it's not all of them. It's not all

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<v Speaker 1>of them. It's definitely not all of them. There's there's

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<v Speaker 1>some greats out there, but I would like them to

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<v Speaker 1>be great before they performed on my platform. But how

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<v Speaker 1>hard is it for you guys when you sit down

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<v Speaker 1>with a new artist and you see them come late

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<v Speaker 1>or cancel? Oh okay, okay, okay, okay. What you've got

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<v Speaker 1>hard stories that you're willing to tell us about you?

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<v Speaker 1>Of the artists right to the d in Canada, we

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<v Speaker 1>didn't talk about this publicly. We actually talked about it

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<v Speaker 1>um private setting that wasn't on a camera, right, But

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<v Speaker 1>that's the first time we ever talked about it. Last

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<v Speaker 1>year we had Drake booked. It was at the height

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<v Speaker 1>of the beef and we went out to the Meek

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<v Speaker 1>push your teeth. We're just talking about cool, cool things

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<v Speaker 1>happened until they happened. It was Scorpion right before Scorpion

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<v Speaker 1>and just dropped or just drop. Yeah, that's Okay. So

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<v Speaker 1>we went out to Canada. You know, we went to

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<v Speaker 1>l A. Okay. It was almost like secret mission. We

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<v Speaker 1>ain't tell nobody, Like we booked the Getting Museum out

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<v Speaker 1>in Mallible I think it is. It's like some real fans,

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<v Speaker 1>a big retainer right right out there. And we were

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<v Speaker 1>supposed to do it on the Sunday, like around five

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<v Speaker 1>o'clock or whatever. I get an email from this guy Elliott.

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<v Speaker 1>It's not happening. I'm like me, like, at four o'clock,

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<v Speaker 1>let who was the CBS. I had them all excited,

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<v Speaker 1>it's my man's name. Who was the wife burning car?

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<v Speaker 1>He was like, he was like, yo, he's doing because

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<v Speaker 1>it was basically stalked him the first time. This is

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<v Speaker 1>the second time. He canceled him the second time. First

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<v Speaker 1>time was the CBS. He was ready to do it

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<v Speaker 1>the same thing twenty five hours notes. So we had

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<v Speaker 1>a little planning out because he was doing SNL that Saturday,

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<v Speaker 1>so we knew he was in New York all week.

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<v Speaker 1>We just had to get him from fucking SNL to

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<v Speaker 1>that CBS spot. You know how close that ship is,

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<v Speaker 1>Like we're gonna, yeah, this story amountable, So I'm gonna

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<v Speaker 1>go back first. This is the first time he canceled.

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<v Speaker 1>Take it back, Yeah, of course, and already for the

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<v Speaker 1>late night thing, and he canceled last minute. He said.

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<v Speaker 1>He sent me a note that morning like I was

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<v Speaker 1>a girl like it was like a break up text,

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<v Speaker 1>break up text like he's like. He was like, Yo,

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<v Speaker 1>this is gonna hurt you, but you know you think

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<v Speaker 1>about it, It's gonna be the right decision. Comfortable doing

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<v Speaker 1>this yet you know, I was like, funk, like this guy,

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<v Speaker 1>and I had Bryan Coston those guys ready, you're gonna

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<v Speaker 1>take it like a ten PM the CBS things. Everybody's

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<v Speaker 1>so you cancel twenty hours. So when we got this one,

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<v Speaker 1>I thought, okay, he said five minutes prior the same day,

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<v Speaker 1>the day before going back to Malibu. What happened is

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<v Speaker 1>but b I didn't know is we were doing. We

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<v Speaker 1>were dealing direct with Drakes. I was like, Okay, we're

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<v Speaker 1>gonna get it like bhin thing Um and the Future

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<v Speaker 1>the Prince found out his manager. So Future sents me

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<v Speaker 1>down to something like real like and you know what's funny,

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<v Speaker 1>like I would say, like the new generation of managers

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<v Speaker 1>like him and him with you know, we come from

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<v Speaker 1>that Roddy era where everybody's like gatested you. Maybe he

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<v Speaker 1>was so smooth. We'd have a nice little lunch he's

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<v Speaker 1>talking to me about. I was like Gage, like, does

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<v Speaker 1>he know I'm about to do Drake tomorrow? I can't

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<v Speaker 1>get And then finally like, yeah, I gotta pull Drake

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<v Speaker 1>out of the thing. I gotta pull Drake out of

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<v Speaker 1>the thing. And you know the thing is with the

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<v Speaker 1>Apple deal, which I don't think it's it's now had

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<v Speaker 1>to do and you know, it was like they were

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<v Speaker 1>gonna step out and do it, but it would have

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<v Speaker 1>piste off the situation and up there situation. So basically,

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<v Speaker 1>Drake is probably our biggest thing where he's canceled on

0:11:11.840 --> 0:11:15.600
<v Speaker 1>us with twenty four hours. Noticed twice that hurt Man

0:11:16.080 --> 0:11:17.920
<v Speaker 1>and the getting ship. That was like we had the

0:11:17.960 --> 0:11:21.040
<v Speaker 1>whole works, and it was to Canada, you know, like

0:11:21.120 --> 0:11:23.679
<v Speaker 1>we said that wasn't planning on because we were going

0:11:23.720 --> 0:11:26.199
<v Speaker 1>back and forth with him about locations. Miami was a

0:11:26.240 --> 0:11:29.679
<v Speaker 1>location you just go to Obio Fest. He went, okay,

0:11:30.200 --> 0:11:32.079
<v Speaker 1>both for y'all, Yeah, we didn't get the interview with

0:11:32.120 --> 0:11:33.800
<v Speaker 1>that though we knew weren't gonna get it yet. But

0:11:33.920 --> 0:11:35.280
<v Speaker 1>and then he end doing the shop, he get to

0:11:35.320 --> 0:11:36.920
<v Speaker 1>get the content to the shop. When he did the

0:11:37.200 --> 0:11:41.880
<v Speaker 1>lebron right when that came out, we were we were

0:11:41.960 --> 0:11:45.080
<v Speaker 1>highly set. I mean, I mean, I know people that's

0:11:45.080 --> 0:11:47.480
<v Speaker 1>close to him that he's a fan of our show,

0:11:47.520 --> 0:11:52.680
<v Speaker 1>and he'll never do it. You know what's honestly, sometimes

0:11:52.720 --> 0:11:56.199
<v Speaker 1>that's honestly the most um how do you call it?

0:11:56.240 --> 0:11:59.920
<v Speaker 1>It's sometimes it's the most complimentary because I would robbing

0:12:00.000 --> 0:12:01.640
<v Speaker 1>you tell me not you don't want to do the show,

0:12:01.840 --> 0:12:03.720
<v Speaker 1>then come do my show and then tell me. Don't

0:12:03.720 --> 0:12:07.280
<v Speaker 1>ask me that did it right now? Well I wasn't

0:12:07.280 --> 0:12:10.560
<v Speaker 1>see that. Well, no, I'm gonna be honest. I wnna

0:12:10.559 --> 0:12:15.560
<v Speaker 1>be honest. That was after But this is the first

0:12:15.679 --> 0:12:17.960
<v Speaker 1>day we squads to be like like, I mean, because

0:12:18.000 --> 0:12:20.600
<v Speaker 1>we had already had spoke. We had never seen each other.

0:12:21.920 --> 0:12:26.760
<v Speaker 1>We seen each other at Club Live. No, that doesn't

0:12:26.800 --> 0:12:32.000
<v Speaker 1>exist when I've seen him in club Live. Um, I

0:12:32.040 --> 0:12:34.920
<v Speaker 1>think this is when Drink Champs had just started, right,

0:12:35.760 --> 0:12:39.120
<v Speaker 1>But at the time I was actually filming my food show.

0:12:39.800 --> 0:12:41.840
<v Speaker 1>So when I said with something, I was like, yeah, man,

0:12:42.040 --> 0:12:43.760
<v Speaker 1>I need you on my show. And he was like yeah,

0:12:43.800 --> 0:12:45.520
<v Speaker 1>the ship right, And I was like yeah, and I'm

0:12:45.559 --> 0:12:47.440
<v Speaker 1>doing the food show and I just remember him looking

0:12:47.480 --> 0:12:50.120
<v Speaker 1>at me like, what the fun is he doing? Like

0:12:50.960 --> 0:12:52.559
<v Speaker 1>he just looked at me like my man is out

0:12:52.600 --> 0:12:58.559
<v Speaker 1>here lost, but it's okay, so um uh. Then after that,

0:12:59.000 --> 0:13:01.400
<v Speaker 1>that's when Drink Champs had actually got our shot. Then

0:13:01.440 --> 0:13:04.120
<v Speaker 1>we went to him and he had opening the Sweet

0:13:04.200 --> 0:13:06.360
<v Speaker 1>Chick right when we went. Accidentally, it was after we

0:13:06.480 --> 0:13:09.000
<v Speaker 1>recorded that thing with Onyx or Dame Dash or something.

0:13:09.080 --> 0:13:10.880
<v Speaker 1>No it was Onyx. It was was it back to

0:13:10.920 --> 0:13:12.880
<v Speaker 1>back that No? No, yeah, it was on it, And

0:13:12.920 --> 0:13:14.600
<v Speaker 1>then we went to Sweet Chick and then we went

0:13:14.640 --> 0:13:16.959
<v Speaker 1>to Sweet Chick. Yeah, and then he and then he

0:13:17.040 --> 0:13:20.400
<v Speaker 1>promied he was he knew what the engineer was, so

0:13:20.559 --> 0:13:22.320
<v Speaker 1>I want you know what the engineer was. I'm like, oh,

0:13:22.400 --> 0:13:24.760
<v Speaker 1>this guy's watching. You know what I'm saying, because you can,

0:13:24.920 --> 0:13:27.559
<v Speaker 1>you can anybody could look and say, all right, you know,

0:13:27.960 --> 0:13:30.360
<v Speaker 1>all right, see these certain people, the people in the background.

0:13:30.840 --> 0:13:32.959
<v Speaker 1>And to tell you the truth, I don't want to

0:13:33.000 --> 0:13:34.559
<v Speaker 1>say I thought he was lying. I just thought he was,

0:13:35.160 --> 0:13:37.320
<v Speaker 1>you know, just giving me the the industry ship until

0:13:37.360 --> 0:13:39.640
<v Speaker 1>he said, y'all, I know who he is, but know

0:13:39.640 --> 0:13:42.160
<v Speaker 1>who it is. And I was like, damn, okay, was genuine.

0:13:42.200 --> 0:13:44.640
<v Speaker 1>It was. It was just it's just like grass once

0:13:44.679 --> 0:13:51.439
<v Speaker 1>you finally deliver. Yeah, because yeah, you can phone to

0:13:51.559 --> 0:13:53.760
<v Speaker 1>the ball you guys, and let me just tell you something.

0:13:53.880 --> 0:13:55.080
<v Speaker 1>Let me just tell you some Let me be honest.

0:13:55.160 --> 0:13:57.199
<v Speaker 1>Let me just address a situation because a lot of

0:13:57.240 --> 0:14:00.679
<v Speaker 1>people critique me about not asking him about Jake. Just right,

0:14:01.120 --> 0:14:03.040
<v Speaker 1>all right, let me just tell you guys something because

0:14:03.040 --> 0:14:05.000
<v Speaker 1>I don't know. I don't know. I don't know if

0:14:05.040 --> 0:14:06.839
<v Speaker 1>the E got the episode is coming out prior to

0:14:06.960 --> 0:14:09.280
<v Speaker 1>this or after this. But I just did a whole

0:14:09.440 --> 0:14:12.400
<v Speaker 1>two hour interview with Gotti. You know how many questions

0:14:12.440 --> 0:14:16.079
<v Speaker 1>I asked? Zero zero because it's not funny to me.

0:14:16.679 --> 0:14:19.160
<v Speaker 1>That time ain't funny to me. The situation is funny

0:14:19.240 --> 0:14:21.880
<v Speaker 1>to me. I don't want to throw gas on anything

0:14:21.960 --> 0:14:24.520
<v Speaker 1>that's already burning. If anything, let me throw some water

0:14:24.560 --> 0:14:26.240
<v Speaker 1>on and if I could throw warter on this making

0:14:26.320 --> 0:14:29.240
<v Speaker 1>it go more, I'm not even throw water on it.

0:14:29.640 --> 0:14:31.840
<v Speaker 1>So you know what, I just let the ship go.

0:14:32.560 --> 0:14:34.120
<v Speaker 1>You even trying to go there, I was like, because

0:14:34.120 --> 0:14:39.160
<v Speaker 1>you know, my brother put my head down, did something.

0:14:39.440 --> 0:14:41.640
<v Speaker 1>I think we just we just turned it because like

0:14:42.080 --> 0:14:44.760
<v Speaker 1>like to tell you the too, how what more can

0:14:44.800 --> 0:14:46.280
<v Speaker 1>you get from me from the Jay's story that you

0:14:46.320 --> 0:14:48.760
<v Speaker 1>can get from anybody else, Like like he's told it

0:14:48.840 --> 0:14:51.040
<v Speaker 1>so many times. Jay has told us so many times

0:14:51.080 --> 0:14:53.640
<v Speaker 1>their brothers is on a great and a great accordingance

0:14:53.880 --> 0:14:56.800
<v Speaker 1>with each other. Why would I even know something like that?

0:14:56.840 --> 0:15:00.600
<v Speaker 1>Why would I tell people? How you looking like the

0:15:00.640 --> 0:15:03.960
<v Speaker 1>Drake Push or even um drinking Meek, Like somebody may

0:15:04.040 --> 0:15:05.560
<v Speaker 1>lose a battle and used to think that you lost

0:15:05.600 --> 0:15:08.360
<v Speaker 1>a battle was done, but now we're seeing that's not

0:15:08.400 --> 0:15:11.960
<v Speaker 1>the wrong. Like people level up in different ways, like

0:15:12.160 --> 0:15:14.200
<v Speaker 1>cow Meeks leveled up. Look, how you know Drake lost

0:15:14.280 --> 0:15:16.240
<v Speaker 1>the battle of Pushing, but Drake had a phenomenal year

0:15:16.360 --> 0:15:18.560
<v Speaker 1>run the summer and that Kiki and all that ship

0:15:18.640 --> 0:15:20.640
<v Speaker 1>in my feelings and all that, Like, so who's the

0:15:20.680 --> 0:15:23.320
<v Speaker 1>real winner? Now? I definitely got one, And I definitely

0:15:23.360 --> 0:15:25.840
<v Speaker 1>didn't want to reiterate that situation with him, Like, also,

0:15:25.880 --> 0:15:28.040
<v Speaker 1>you ain't got new information to it, then what's the point?

0:15:28.400 --> 0:15:32.360
<v Speaker 1>Definitely I definitely didn't. I definitely don't. And I love

0:15:32.480 --> 0:15:35.800
<v Speaker 1>the fact that I was able to do businesses. That's

0:15:35.840 --> 0:15:41.720
<v Speaker 1>crazy what the time saying like I couldn't because we

0:15:41.840 --> 0:15:45.680
<v Speaker 1>sat there and obviously went to a Big Dinner, Happy Birthday, Biggs.

0:15:45.880 --> 0:15:48.720
<v Speaker 1>It was bigg dinner, and I've seen puffing and Jay talking,

0:15:49.120 --> 0:15:51.200
<v Speaker 1>and I was like, you know what, I'm kind of

0:15:51.240 --> 0:15:54.880
<v Speaker 1>gonna make these guys live live, like you guys are

0:15:54.920 --> 0:15:57.440
<v Speaker 1>saying black Excellent. And the thing is titled like for

0:15:57.480 --> 0:15:59.360
<v Speaker 1>those who don't know, jay Z is really out here

0:15:59.440 --> 0:16:03.040
<v Speaker 1>living this. Actually don't want to own your material for

0:16:03.120 --> 0:16:07.640
<v Speaker 1>a couple of days and then yeah, that's still to me,

0:16:07.760 --> 0:16:09.840
<v Speaker 1>like anybody, because you know, a lot of people could

0:16:09.880 --> 0:16:12.280
<v Speaker 1>teach us um like like, you know, we could have

0:16:12.320 --> 0:16:19.160
<v Speaker 1>went to these big we could have went to a

0:16:19.280 --> 0:16:21.960
<v Speaker 1>couple of different places. And I said, you know what

0:16:22.520 --> 0:16:25.520
<v Speaker 1>it's really is about ownership at this, especially what I've

0:16:25.560 --> 0:16:28.080
<v Speaker 1>been through with the record industry. For me to go

0:16:28.200 --> 0:16:29.800
<v Speaker 1>through that in the podcast, I would just be the

0:16:29.800 --> 0:16:32.000
<v Speaker 1>stupidest man in the world. So I had to take

0:16:32.040 --> 0:16:38.480
<v Speaker 1>it to Silverman. I have no idea, you know, yeah, man,

0:16:38.520 --> 0:16:40.480
<v Speaker 1>because he's not giving the thing about this this I

0:16:40.520 --> 0:16:42.480
<v Speaker 1>don't know this situation. But the thing about is this.

0:16:42.920 --> 0:16:45.600
<v Speaker 1>I think Daylight Soul will be happy splitting fifty percent

0:16:45.640 --> 0:16:48.480
<v Speaker 1>of their royalties three three different ways. Tom Silman, you

0:16:48.560 --> 0:16:52.360
<v Speaker 1>still win still, But for you to do that and

0:16:52.480 --> 0:16:54.720
<v Speaker 1>take people and they're not trying to leverage the majority

0:16:56.520 --> 0:17:01.080
<v Speaker 1>at all that so so be that, Um, where did

0:17:01.120 --> 0:17:03.200
<v Speaker 1>you land How did you land this MTV get I

0:17:03.200 --> 0:17:15.000
<v Speaker 1>don't you know what, It's gonna sound cliche, but I

0:17:15.119 --> 0:17:17.200
<v Speaker 1>just think by doing a good job, that's dope, Like

0:17:17.320 --> 0:17:20.000
<v Speaker 1>just by doing the work. Because they reached out to

0:17:20.119 --> 0:17:22.560
<v Speaker 1>me and it was like, yo, you know you have credibility.

0:17:22.680 --> 0:17:24.800
<v Speaker 1>You know, we've seen your work obviously over the course

0:17:24.840 --> 0:17:26.879
<v Speaker 1>of the years, and they just wanted to bring that

0:17:27.080 --> 0:17:30.239
<v Speaker 1>established that credibility back to MTV News. So we had

0:17:30.320 --> 0:17:32.520
<v Speaker 1>a meeting and me and a couple of suits and

0:17:32.680 --> 0:17:35.560
<v Speaker 1>still with epic or no not no. They said it

0:17:35.600 --> 0:17:41.000
<v Speaker 1>was a conflict allegedly MTV Man TV is a conflict,

0:17:41.280 --> 0:17:43.600
<v Speaker 1>that's what That's what I was told. He was out

0:17:43.640 --> 0:17:54.240
<v Speaker 1>hit me too, picked TV. You know that's why that man. Yeah.

0:17:54.280 --> 0:17:56.760
<v Speaker 1>But yeah, they reached out and you know the rescient

0:17:56.840 --> 0:17:58.800
<v Speaker 1>history even in since April, so things have been good

0:17:58.840 --> 0:18:06.399
<v Speaker 1>so far. Little no access new guys. Yeah, I interview

0:18:06.520 --> 0:18:09.560
<v Speaker 1>rock stars, pop guys and stuff like that. So it's different.

0:18:09.600 --> 0:18:11.480
<v Speaker 1>You know, I'm happy because it's stepping outside of my

0:18:11.520 --> 0:18:13.439
<v Speaker 1>comfort zone. Like the first time I interviewing a rock

0:18:13.480 --> 0:18:15.199
<v Speaker 1>and roll guy and stuff like that. So it's fun.

0:18:16.320 --> 0:18:18.840
<v Speaker 1>I want to real quick what I'm just curious, what

0:18:19.040 --> 0:18:22.040
<v Speaker 1>is the new like strategy for someone like an MTV

0:18:22.160 --> 0:18:25.240
<v Speaker 1>nowadays it's digital digital, you know. It's just like you

0:18:25.320 --> 0:18:27.000
<v Speaker 1>know when you're demographic, you know, so so a lot

0:18:27.040 --> 0:18:29.920
<v Speaker 1>of the interviews on social media. You know, one interview

0:18:30.000 --> 0:18:31.680
<v Speaker 1>might be on YouTube or the other one might be

0:18:31.800 --> 0:18:34.240
<v Speaker 1>on Twitter. So just all the just kind of they

0:18:34.320 --> 0:18:36.560
<v Speaker 1>got it together now because before all the yea, they

0:18:36.560 --> 0:18:38.280
<v Speaker 1>didn't know what to do, right, you know, like we're

0:18:38.280 --> 0:18:41.320
<v Speaker 1>trying to focus and bring it credibility back to the music,

0:18:41.359 --> 0:18:43.000
<v Speaker 1>you know what I'm saying. So when you used to

0:18:43.080 --> 0:18:46.840
<v Speaker 1>hold that microphone, had an MTV and right, So we're

0:18:46.840 --> 0:18:48.520
<v Speaker 1>just trying to bring that kind of energy back to

0:18:48.600 --> 0:18:51.159
<v Speaker 1>the game. So that's what we had with it. Oh,

0:18:51.560 --> 0:18:59.720
<v Speaker 1>proud of my guy. Proud of me too. I wanted

0:18:59.720 --> 0:19:01.520
<v Speaker 1>to about me and you know, like Max the album

0:19:01.520 --> 0:19:05.639
<v Speaker 1>called I Want to Thank Me. That's the norm. So

0:19:05.960 --> 0:19:08.320
<v Speaker 1>have you ever picked the artist Elliott and been wrong?

0:19:09.040 --> 0:19:11.760
<v Speaker 1>Oh a lot of times? Man, Like a weas talking

0:19:11.760 --> 0:19:13.880
<v Speaker 1>about it's mean that dude, but I always talk about

0:19:13.920 --> 0:19:18.200
<v Speaker 1>Cheney like putting him on the cover, like because the

0:19:18.280 --> 0:19:20.680
<v Speaker 1>thing is like I used to be like, you know what,

0:19:20.960 --> 0:19:23.800
<v Speaker 1>sometimes I'll be like, well, people look at magazines and

0:19:23.840 --> 0:19:25.479
<v Speaker 1>be like, oh, this is a really cool cover they did,

0:19:25.560 --> 0:19:28.120
<v Speaker 1>but I know the time in the error, it didn't sell,

0:19:28.240 --> 0:19:30.720
<v Speaker 1>like I had to sell magazines, so O favored niggas

0:19:30.760 --> 0:19:33.440
<v Speaker 1>that putting numbers up. But gold and platinum like that

0:19:33.560 --> 0:19:35.480
<v Speaker 1>was how it was doing. That's that's why he kept

0:19:35.480 --> 0:19:37.879
<v Speaker 1>getting the looks because fifty was doing numbers like he

0:19:38.000 --> 0:19:40.639
<v Speaker 1>wasn't only just the hottest underground, he was multiplatinum. So

0:19:41.000 --> 0:19:44.760
<v Speaker 1>Cheney's coming off three million with the right there, you know,

0:19:44.880 --> 0:19:47.199
<v Speaker 1>the second album, so he's the biggest whatever. I did

0:19:47.280 --> 0:19:49.240
<v Speaker 1>a cover with him and that that ship just flopped.

0:19:49.560 --> 0:19:51.560
<v Speaker 1>No one bought it and no one bought it. But

0:19:52.440 --> 0:19:55.920
<v Speaker 1>but that was right the same time coming off this

0:19:55.960 --> 0:19:58.280
<v Speaker 1>is what he got cover that's way down the roa

0:20:00.000 --> 0:20:03.760
<v Speaker 1>that don't get you a cover coming off the Triple platte,

0:20:04.080 --> 0:20:05.720
<v Speaker 1>that's that was called a break. But yeah, all the time,

0:20:05.760 --> 0:20:07.600
<v Speaker 1>I mean I remember dealing with all the energy of

0:20:07.720 --> 0:20:10.720
<v Speaker 1>like no shots to them but cannabis. Right, he was

0:20:10.920 --> 0:20:13.119
<v Speaker 1>slaying the on mixtape scene like and then but he

0:20:13.160 --> 0:20:15.160
<v Speaker 1>put out the album of White Clapping, and Ship didn't

0:20:15.200 --> 0:20:16.800
<v Speaker 1>live up to it. You know, a lot of us

0:20:16.880 --> 0:20:18.760
<v Speaker 1>in media were like already hacking him up. So when

0:20:18.800 --> 0:20:20.920
<v Speaker 1>he had to come back and say, nah, this ain't hitting,

0:20:20.960 --> 0:20:23.119
<v Speaker 1>that caused a lot of drama with everything from Blaze

0:20:23.160 --> 0:20:25.520
<v Speaker 1>to all these different magazines. So because we have Xeno

0:20:25.640 --> 0:20:29.480
<v Speaker 1>on here recently, and he said his lowest selling cover

0:20:29.960 --> 0:20:34.960
<v Speaker 1>was IRV Gotti. He said, he said, I was the lowest.

0:20:35.240 --> 0:20:37.240
<v Speaker 1>He said that cause I asked him, I said, and

0:20:37.320 --> 0:20:38.639
<v Speaker 1>he said at the time that he was, you know,

0:20:38.760 --> 0:20:44.719
<v Speaker 1>representing for John IRV and C. So, um, so, how

0:20:44.760 --> 0:20:47.800
<v Speaker 1>does that really work? Like? Um? When because like I mean,

0:20:47.880 --> 0:20:51.760
<v Speaker 1>you guys really had people's careers in your hand like

0:20:51.960 --> 0:20:55.520
<v Speaker 1>you ever you ever gave you guys were gatekeepers as well,

0:20:56.040 --> 0:21:00.240
<v Speaker 1>you ever gave a bad review? And what's wrong about that? Uh? Yeah,

0:21:00.240 --> 0:21:03.240
<v Speaker 1>I'm sure I don't know more Report Game four and

0:21:03.280 --> 0:21:12.280
<v Speaker 1>a half, you know, wen't know we got four? How

0:21:12.359 --> 0:21:15.480
<v Speaker 1>you how you screwed me on the War report. Let's

0:21:15.480 --> 0:21:18.840
<v Speaker 1>talking about it. I had I was actually a tower,

0:21:19.000 --> 0:21:22.320
<v Speaker 1>y'all had like calmed down and Ship you got stuck

0:21:22.359 --> 0:21:24.000
<v Speaker 1>on you. We had a record card stuck on a

0:21:24.040 --> 0:21:26.040
<v Speaker 1>couple of records. Yeah, that we didn't use. We couldn't

0:21:26.040 --> 0:21:28.240
<v Speaker 1>clear the clear sample. That's true. I'm going off the

0:21:28.280 --> 0:21:31.800
<v Speaker 1>advanced cassette's right. He's actually right. The Roy's DUSTI is

0:21:31.880 --> 0:21:36.399
<v Speaker 1>proviolates the whole thing and all prepared like and at

0:21:36.440 --> 0:21:39.159
<v Speaker 1>the time, you know, Carress wanted God so I I got.

0:21:39.359 --> 0:21:41.399
<v Speaker 1>I got next album, which was not one of his

0:21:41.480 --> 0:21:43.840
<v Speaker 1>best albums, so he got to leave review he got

0:21:43.920 --> 0:21:45.760
<v Speaker 1>three and a half and then you see the second

0:21:45.760 --> 0:21:48.159
<v Speaker 1>reviews like seeing that four mix. But but it's like,

0:21:48.200 --> 0:21:50.639
<v Speaker 1>who the fucking seeing that? Because back then people that

0:21:50.720 --> 0:21:53.240
<v Speaker 1>didn't know thought they was like a fake mob. That's true.

0:21:53.359 --> 0:21:56.639
<v Speaker 1>That was that was know like they didn't know, they

0:21:56.640 --> 0:21:58.800
<v Speaker 1>didn't know the people behind it, but theyren't true and

0:21:58.840 --> 0:22:01.760
<v Speaker 1>they hadn't heard enough. That's in the inside of the industry.

0:22:01.800 --> 0:22:03.600
<v Speaker 1>We knew about it. We knew this ship is about

0:22:03.640 --> 0:22:05.800
<v Speaker 1>to change the game, or even in New York per

0:22:05.880 --> 0:22:09.679
<v Speaker 1>se because maybe people yeah, we at least that these

0:22:09.720 --> 0:22:11.359
<v Speaker 1>things about to shake it up in New York. And

0:22:11.440 --> 0:22:14.240
<v Speaker 1>you know, busses on driving seat crazy like it has

0:22:14.400 --> 0:22:16.520
<v Speaker 1>all New York's energy. So we do it. It comes

0:22:16.560 --> 0:22:18.720
<v Speaker 1>out everybody's like, how to fun you disrespect the god

0:22:18.920 --> 0:22:22.880
<v Speaker 1>teaching cameras but TNF and then you'll think it's pussed

0:22:22.880 --> 0:22:25.640
<v Speaker 1>the album back, oh to no album. So I'm out

0:22:25.640 --> 0:22:29.080
<v Speaker 1>here holding the B no album to mix. I'm dangling

0:22:29.160 --> 0:22:32.560
<v Speaker 1>for mix no. You know, actually Dan y'all, Dan y'all

0:22:32.600 --> 0:22:34.600
<v Speaker 1>came back and then you'll added that R and B

0:22:34.720 --> 0:22:38.719
<v Speaker 1>ship the closes were cleared that sample Sam and then

0:22:38.800 --> 0:22:41.199
<v Speaker 1>you'll used the four mix is the ad campaign if

0:22:41.200 --> 0:22:44.399
<v Speaker 1>your campaign, And then it came out later. But I

0:22:44.520 --> 0:22:47.800
<v Speaker 1>was like early just you know, we couldn't clear the sample.

0:22:47.880 --> 0:22:50.640
<v Speaker 1>We us back then, we didn't know that we had

0:22:50.680 --> 0:22:54.760
<v Speaker 1>to clear sample and you know you were penalty. Well well,

0:22:54.800 --> 0:22:56.680
<v Speaker 1>you know, the whole time he was underground doing like

0:22:56.800 --> 0:22:59.719
<v Speaker 1>underground mixtapes, we never thought about clearing sample. So when

0:22:59.760 --> 0:23:02.000
<v Speaker 1>we um and which was you know, I don't want

0:23:02.000 --> 0:23:04.280
<v Speaker 1>to take a shot, but you know, Trashold knew better,

0:23:04.640 --> 0:23:06.240
<v Speaker 1>you know what I'm saying. And the fact not nothing

0:23:06.320 --> 0:23:09.359
<v Speaker 1>to take no no shot at, but the fact that

0:23:09.720 --> 0:23:12.120
<v Speaker 1>when I thought that he thought we wasn't gonna get caught,

0:23:12.440 --> 0:23:14.040
<v Speaker 1>which is like a good way to think of it.

0:23:14.119 --> 0:23:19.639
<v Speaker 1>But then up you know, Sam Cooking and all these

0:23:19.680 --> 0:23:21.920
<v Speaker 1>people that we were sampling they're gonna find out. So

0:23:22.040 --> 0:23:23.240
<v Speaker 1>then we had to go in and we had to

0:23:23.280 --> 0:23:25.000
<v Speaker 1>do it over. But you're absolutely right there. It was

0:23:25.080 --> 0:23:27.119
<v Speaker 1>a record call stuck on you, and it was it

0:23:27.200 --> 0:23:29.560
<v Speaker 1>was actually dope because we had a record call stuck

0:23:29.640 --> 0:23:31.920
<v Speaker 1>on you instead of stick you, and it was like

0:23:32.119 --> 0:23:33.920
<v Speaker 1>it was like a soft record. And you said that

0:23:34.000 --> 0:23:37.440
<v Speaker 1>in the viewew like it was the holy record that

0:23:37.600 --> 0:23:39.240
<v Speaker 1>wasn't good. And I was like, you know what, take

0:23:39.320 --> 0:23:42.280
<v Speaker 1>that ship over, and we take the ship over. So

0:23:42.440 --> 0:23:49.680
<v Speaker 1>it was a report question, OK, no problem all the time,

0:23:49.720 --> 0:23:51.640
<v Speaker 1>but I just wanted to know, like bust on driving,

0:23:51.680 --> 0:23:56.080
<v Speaker 1>see why is he like half on the like, well

0:23:56.240 --> 0:23:58.320
<v Speaker 1>to tell you the truth, Buster and Fat Joe. I

0:23:58.440 --> 0:23:59.960
<v Speaker 1>do not want to say that this is a clearer

0:24:00.000 --> 0:24:03.159
<v Speaker 1>this thing with them. I want to say that they

0:24:03.280 --> 0:24:06.399
<v Speaker 1>were prepared and we had to turn in the album.

0:24:06.800 --> 0:24:12.560
<v Speaker 1>Fat Joe was actually on Channel ten wants to no, no,

0:24:12.600 --> 0:24:16.720
<v Speaker 1>no no. He didn't lay his verse his verse, and

0:24:17.080 --> 0:24:20.040
<v Speaker 1>I forget what happened, and for some reason he never

0:24:20.160 --> 0:24:24.200
<v Speaker 1>laid it. Nabs was on music making let us calm down, um,

0:24:25.160 --> 0:24:28.200
<v Speaker 1>and it didn't clear. That's the reason why he made

0:24:28.240 --> 0:24:33.359
<v Speaker 1>it up to me and did firm album and so

0:24:34.160 --> 0:24:38.080
<v Speaker 1>I'm saying on driving seat bus driving. See, he was

0:24:38.080 --> 0:24:39.960
<v Speaker 1>supposed to be on there. He had knew who Eman

0:24:40.080 --> 0:24:43.200
<v Speaker 1>Thug was. Eman Thug was this real underground only two

0:24:43.200 --> 0:24:45.119
<v Speaker 1>people who knew, not the only two people, but the

0:24:45.200 --> 0:24:48.520
<v Speaker 1>two people those big Emon Thugs fans. Was Mace how

0:24:48.600 --> 0:24:53.840
<v Speaker 1>the fun Dollars become a fan of the most burden Boutervard.

0:24:55.720 --> 0:24:58.720
<v Speaker 1>So it was Mace and Buster. So Buster came in

0:25:01.560 --> 0:25:03.240
<v Speaker 1>and he just spoke on it. He was forced to

0:25:03.320 --> 0:25:05.879
<v Speaker 1>lay a verse. But we just we were so underground

0:25:05.960 --> 0:25:08.600
<v Speaker 1>that we took that we just took was just like yo,

0:25:08.680 --> 0:25:12.000
<v Speaker 1>fuck it and that was that. But that's what you see.

0:25:12.040 --> 0:25:13.840
<v Speaker 1>I was shifted though with your solo career, and like

0:25:14.240 --> 0:25:17.760
<v Speaker 1>everybody that was doubting, seeing then when Nori dropped those

0:25:17.800 --> 0:25:21.040
<v Speaker 1>records and the sampler came out of everybody was like no,

0:25:21.119 --> 0:25:23.720
<v Speaker 1>I was up at the was like I was like,

0:25:23.800 --> 0:25:28.439
<v Speaker 1>oh yea six months ago and then no, he had

0:25:28.480 --> 0:25:30.640
<v Speaker 1>that momentum and then you know, you delivered with that album.

0:25:30.720 --> 0:25:33.040
<v Speaker 1>Ye stink. You stank you so much. So now okay,

0:25:33.080 --> 0:25:36.360
<v Speaker 1>you guys Um, at some point you leave the it's

0:25:36.400 --> 0:25:40.000
<v Speaker 1>more towards you, elliott Um. The sources, the Bible. It's

0:25:40.040 --> 0:25:43.200
<v Speaker 1>the hip hop bix. What happens for you to start

0:25:43.240 --> 0:25:45.680
<v Speaker 1>thinking that you're gonna leave and you're not. You're not

0:25:45.800 --> 0:25:49.879
<v Speaker 1>just leaving. You're going to the the Mets, if you're

0:25:49.920 --> 0:25:52.680
<v Speaker 1>the Yankees, you're going to the opposite. You're going to

0:25:53.560 --> 0:25:56.440
<v Speaker 1>you know what I'm saying, Uh, what is it? The

0:25:56.560 --> 0:26:01.040
<v Speaker 1>Lakers Worth Celtics. Like you're leaving Larry birds as as

0:26:01.080 --> 0:26:05.240
<v Speaker 1>a Celtics and you're going to Magic Johnson and joining

0:26:05.240 --> 0:26:07.640
<v Speaker 1>the Lakers? Like how how did you come up with decision?

0:26:07.720 --> 0:26:11.080
<v Speaker 1>And then how did you execute it? Um? Corrupt had

0:26:11.119 --> 0:26:14.960
<v Speaker 1>a song called five Mics. Uh. So it was like

0:26:15.080 --> 0:26:17.000
<v Speaker 1>the hook was like five mix. They're a kid to

0:26:17.080 --> 0:26:24.200
<v Speaker 1>the store, say Corrupt, hold your cool with Mays and

0:26:24.320 --> 0:26:26.040
<v Speaker 1>like he came off these planes back and five mix.

0:26:26.119 --> 0:26:27.680
<v Speaker 1>I'm like, Oh, it's gonna be some chickers. It's thinking

0:26:29.600 --> 0:26:32.080
<v Speaker 1>so called five mix. Um. So, when his album came out,

0:26:32.119 --> 0:26:33.639
<v Speaker 1>I think it was Corruption or whatever. I didn't like

0:26:33.720 --> 0:26:35.479
<v Speaker 1>the album as much as you know, I'm a fan

0:26:35.520 --> 0:26:38.080
<v Speaker 1>Corrupt though, but the album wasn't it? And I think

0:26:38.160 --> 0:26:40.440
<v Speaker 1>that had that that review and another review. I think

0:26:40.440 --> 0:26:42.639
<v Speaker 1>it was maybe shock or something and the mics I

0:26:42.760 --> 0:26:44.800
<v Speaker 1>had given, they went back and changed the mics and

0:26:44.800 --> 0:26:47.119
<v Speaker 1>didn't tell me. Okay, so usually argue it out with

0:26:47.760 --> 0:26:51.960
<v Speaker 1>zeros and they was the editor at that time doing that.

0:26:53.240 --> 0:26:55.359
<v Speaker 1>But it wasn't his fault day. They may stepped in

0:26:55.440 --> 0:26:58.800
<v Speaker 1>and it was his decision because with them, I don't know,

0:26:59.160 --> 0:27:00.960
<v Speaker 1>maybe they just know it was to be fair. It

0:27:01.000 --> 0:27:02.680
<v Speaker 1>could be because they thought the album was better whatever,

0:27:02.760 --> 0:27:05.040
<v Speaker 1>But I hadn't never had them like go over my

0:27:05.160 --> 0:27:07.560
<v Speaker 1>head and like changed the content because I would, you know,

0:27:07.560 --> 0:27:09.200
<v Speaker 1>I'm real meticulous. I want to sign off on every

0:27:09.240 --> 0:27:13.200
<v Speaker 1>page just like yeah. So I got the issue back

0:27:13.240 --> 0:27:15.880
<v Speaker 1>and they changed everything, and I just called the meeting

0:27:15.960 --> 0:27:18.280
<v Speaker 1>and I was like, you guys don't respect change. Who

0:27:18.320 --> 0:27:22.080
<v Speaker 1>else corrupt? Really was corruption? I was called corruption? And

0:27:22.160 --> 0:27:23.800
<v Speaker 1>you gave him and you gave him two mics. I

0:27:23.840 --> 0:27:25.520
<v Speaker 1>think I gave him like I was gonna give him

0:27:25.520 --> 0:27:26.719
<v Speaker 1>two or two and a half in the gave him

0:27:26.720 --> 0:27:28.840
<v Speaker 1>a free like something small, and then like something else

0:27:28.840 --> 0:27:31.000
<v Speaker 1>got knocked down to like are it's like a half

0:27:31.080 --> 0:27:33.760
<v Speaker 1>mike or whatever, Like I'm young, I'm you know, I'm frustrated,

0:27:33.760 --> 0:27:36.240
<v Speaker 1>and I'm like, course you don't respect me, you know,

0:27:36.280 --> 0:27:37.960
<v Speaker 1>because my dream was like to already do it. It

0:27:38.040 --> 0:27:40.520
<v Speaker 1>was just like I felt the weight of like what

0:27:40.720 --> 0:27:42.800
<v Speaker 1>that means, like fun the industry ship. I was just

0:27:43.080 --> 0:27:45.760
<v Speaker 1>being young, How was he? I was on some industry

0:27:46.160 --> 0:27:48.480
<v Speaker 1>The ning is in the barbershop. Noticed it is trash.

0:27:48.560 --> 0:27:50.639
<v Speaker 1>I gotta represent the people like there was no internet

0:27:50.720 --> 0:27:52.800
<v Speaker 1>to now. Motherfuckers will tell your real time and ship

0:27:52.920 --> 0:27:55.679
<v Speaker 1>is trash. There's no hiding it. But back then, if

0:27:55.720 --> 0:27:57.560
<v Speaker 1>I don't go to whistle and say it's trash, we're

0:27:57.600 --> 0:28:00.200
<v Speaker 1>living a lot. It is hot that we want we

0:28:00.280 --> 0:28:02.440
<v Speaker 1>want to see the locks of space suits. We want

0:28:02.480 --> 0:28:04.680
<v Speaker 1>to see that. We want them to put the the

0:28:04.800 --> 0:28:07.840
<v Speaker 1>gene suit on to get get busy. So I carried

0:28:07.920 --> 0:28:09.760
<v Speaker 1>that weight and that Yeah, I just I just quit

0:28:10.000 --> 0:28:12.280
<v Speaker 1>on some like emotion ship of just feeling like I

0:28:12.400 --> 0:28:15.000
<v Speaker 1>wasn't expected. I didn't feel like I was ever fully embraced.

0:28:15.760 --> 0:28:17.520
<v Speaker 1>I did what I had to do. I didn't but

0:28:17.560 --> 0:28:19.000
<v Speaker 1>I didn't know I was going to double xel. I

0:28:19.040 --> 0:28:22.240
<v Speaker 1>hadn't trip which I had on today. We worked in

0:28:22.280 --> 0:28:24.120
<v Speaker 1>an ego trip book of rapplers. So I jumped myself

0:28:24.200 --> 0:28:26.760
<v Speaker 1>into that and then after doing that put my head

0:28:26.800 --> 0:28:29.240
<v Speaker 1>down and working on that excel holid at me and

0:28:29.280 --> 0:28:30.800
<v Speaker 1>I was like, you know, back then it was like

0:28:30.880 --> 0:28:33.000
<v Speaker 1>the fourth for fit, Like there was rap pages that

0:28:33.080 --> 0:28:36.240
<v Speaker 1>was blazed pages. Yeah, it was like they weren't even

0:28:36.320 --> 0:28:38.000
<v Speaker 1>the third, they were maybe the fit for the four.

0:28:38.400 --> 0:28:44.800
<v Speaker 1>And I was remember so then, yeah, I just I

0:28:44.920 --> 0:28:46.800
<v Speaker 1>wanted a chance to show I could be that during Chiefs,

0:28:46.840 --> 0:28:49.680
<v Speaker 1>I could run the table. So that's that was a

0:28:49.760 --> 0:28:51.880
<v Speaker 1>year later, and that's what. But the thing was when

0:28:51.880 --> 0:28:54.400
<v Speaker 1>I took over ex Excel, I felt like my only

0:28:54.480 --> 0:28:56.960
<v Speaker 1>goal was to was to be the best hip hop magazine.

0:28:57.160 --> 0:28:59.120
<v Speaker 1>And back then it was very raw rock competitive. So

0:28:59.640 --> 0:29:02.320
<v Speaker 1>I from jump that my strategy was gonna be. I

0:29:02.440 --> 0:29:04.320
<v Speaker 1>was gonna bully the source. I was gonna just so,

0:29:04.400 --> 0:29:07.200
<v Speaker 1>are you the one who broke? What's that? The freshman class?

0:29:07.280 --> 0:29:11.600
<v Speaker 1>The freshman class that came later? What started with uh

0:29:11.720 --> 0:29:13.800
<v Speaker 1>this year was Sigon Loupe and like all these guys

0:29:13.800 --> 0:29:15.760
<v Speaker 1>that was enough to have their own cover. But I

0:29:15.800 --> 0:29:17.400
<v Speaker 1>was like, let's get them all together, but it was

0:29:17.520 --> 0:29:20.160
<v Speaker 1>it was played off. Remember we did have Source, like

0:29:21.760 --> 0:29:23.760
<v Speaker 1>all those guys like the ideas, if you don't have

0:29:23.840 --> 0:29:25.640
<v Speaker 1>one guy who's strong enough, get all up, get all

0:29:27.080 --> 0:29:29.160
<v Speaker 1>So that was a blueprint of that. That was I

0:29:29.200 --> 0:29:30.600
<v Speaker 1>looked back at the work I did it the source

0:29:30.640 --> 0:29:32.440
<v Speaker 1>and I'm like, that's an idea I need to flip.

0:29:32.720 --> 0:29:34.960
<v Speaker 1>But then you didn't have a name for that cover

0:29:35.040 --> 0:29:37.800
<v Speaker 1>at the source. No, I credited Juan Thomas. Two years

0:29:37.880 --> 0:29:40.080
<v Speaker 1>later he brought that idea back. He did it with

0:29:40.120 --> 0:29:42.480
<v Speaker 1>Wally and all these rappers that sort of represented like

0:29:42.600 --> 0:29:44.720
<v Speaker 1>the internet blog era. So that's who gave him the

0:29:44.760 --> 0:29:47.680
<v Speaker 1>name freshman. He rebranded a freshman because because that's really

0:29:47.720 --> 0:29:51.640
<v Speaker 1>the main thing that not disrespect no, but right now,

0:29:51.840 --> 0:29:55.400
<v Speaker 1>like you know, that's when you do they waiting for

0:29:55.440 --> 0:29:57.720
<v Speaker 1>the freshman class. Yeah, so my roots in that, my

0:29:57.840 --> 0:29:59.320
<v Speaker 1>rootes are in that. But I did a different way.

0:29:59.360 --> 0:30:01.320
<v Speaker 1>But they went back to that idea and we built

0:30:01.320 --> 0:30:03.040
<v Speaker 1>it and it did adult. It was the dope idea.

0:30:03.520 --> 0:30:05.120
<v Speaker 1>So how did how did you? How do you guys?

0:30:05.520 --> 0:30:07.400
<v Speaker 1>All right, no, no, no, I'm Russian. Let me let

0:30:07.440 --> 0:30:13.480
<v Speaker 1>me let me start here here. Yeah, yeah, I want

0:30:13.520 --> 0:30:15.720
<v Speaker 1>to know where do you think these magazines lived today?

0:30:15.800 --> 0:30:17.880
<v Speaker 1>In this and not damn it's a good one, Like

0:30:17.960 --> 0:30:20.760
<v Speaker 1>do you I know your magazines? It's about your brands.

0:30:22.000 --> 0:30:24.400
<v Speaker 1>You parted into the dot com and doing this stuff,

0:30:24.440 --> 0:30:25.960
<v Speaker 1>Like where do you think this all went like, is

0:30:26.000 --> 0:30:28.600
<v Speaker 1>it is it relevant? It's about having a good brand.

0:30:28.640 --> 0:30:31.440
<v Speaker 1>I think whatever distribution we use when you hear drink chaps,

0:30:31.480 --> 0:30:33.160
<v Speaker 1>do you think that's something we take a wrap raid off?

0:30:33.400 --> 0:30:35.480
<v Speaker 1>It's really about brand, And I think the means of

0:30:35.560 --> 0:30:38.400
<v Speaker 1>distribution don't matter as much, like if you look at

0:30:38.400 --> 0:30:39.920
<v Speaker 1>it now, like even the envy like this end offew

0:30:40.000 --> 0:30:42.280
<v Speaker 1>has to be videotaped. Like back then when I was

0:30:42.320 --> 0:30:44.520
<v Speaker 1>on the stuff, we didn't videotape, and if I did,

0:30:45.000 --> 0:30:47.000
<v Speaker 1>I was the editor. I didn't do all the interviews

0:30:47.040 --> 0:30:48.760
<v Speaker 1>with the big stars. I found a writer that I

0:30:48.840 --> 0:30:50.680
<v Speaker 1>thought would be the best to do those energies. So

0:30:51.040 --> 0:30:53.160
<v Speaker 1>I just think the means of distribution change. The biggest

0:30:53.160 --> 0:30:55.840
<v Speaker 1>thing is about building your brand, building personal brands like

0:30:55.920 --> 0:30:58.360
<v Speaker 1>you know what Brian be got million means will series,

0:30:58.640 --> 0:30:59.840
<v Speaker 1>you know what wrap right on me? You know what

0:31:00.040 --> 0:31:01.640
<v Speaker 1>your fen you know or you know drink champs, Like

0:31:01.920 --> 0:31:04.080
<v Speaker 1>that's what it's about. And I think that sometimes some

0:31:04.240 --> 0:31:06.480
<v Speaker 1>bagages half struggle with that, right because you don't have

0:31:06.520 --> 0:31:08.760
<v Speaker 1>the tangible anymore of that. But that model change. But

0:31:08.880 --> 0:31:10.520
<v Speaker 1>is that you think that's all the way good, that

0:31:10.680 --> 0:31:13.360
<v Speaker 1>everybody has to be a brand, that that the journalists

0:31:13.400 --> 0:31:15.440
<v Speaker 1>aren't kind of you know, someone you don't really know.

0:31:15.560 --> 0:31:18.920
<v Speaker 1>That's just the integrity of the journalist. I'm just saying

0:31:19.400 --> 0:31:22.080
<v Speaker 1>as a question with Supreme, we don't know who Supreme is.

0:31:22.920 --> 0:31:24.520
<v Speaker 1>That's a clothing brand. I think that's different what you're

0:31:24.560 --> 0:31:27.280
<v Speaker 1>talking about scrutinizing. I think I mean before like, we

0:31:27.320 --> 0:31:28.920
<v Speaker 1>didn't get into this to be famous or you know,

0:31:29.040 --> 0:31:30.760
<v Speaker 1>have faces out there. But I think it's just the

0:31:30.800 --> 0:31:32.400
<v Speaker 1>evolution of the business, you know what I mean. It's

0:31:32.440 --> 0:31:33.880
<v Speaker 1>like a DApp die And if you look to your

0:31:33.920 --> 0:31:35.920
<v Speaker 1>left to your right, there's not too many people from

0:31:35.960 --> 0:31:38.440
<v Speaker 1>Elliott's class we've been it's just ninety two that are

0:31:38.480 --> 0:31:40.800
<v Speaker 1>still around doing it at this level. So they didn't

0:31:40.840 --> 0:31:43.440
<v Speaker 1>build their brand most exactly, they didn't survive the evolution

0:31:43.480 --> 0:31:45.200
<v Speaker 1>of word. But there's people like there's a guy Yo

0:31:45.280 --> 0:31:48.400
<v Speaker 1>who works for DJ Booth. He's doing great articles, Joe,

0:31:48.560 --> 0:31:53.160
<v Speaker 1>He's but but Yow writer your Phillips's Yeah, So they're

0:31:53.200 --> 0:31:55.280
<v Speaker 1>not really building themselves as brands, but they're doing great work.

0:31:55.320 --> 0:31:57.320
<v Speaker 1>So I think that's really what it's about. So you

0:31:57.480 --> 0:31:59.760
<v Speaker 1>can't rest on that lowls anymore of like what a

0:32:00.320 --> 0:32:02.640
<v Speaker 1>magazine bram Man in that sense. You gotta do the work.

0:32:02.680 --> 0:32:05.200
<v Speaker 1>You gotta put the working. Goddamn we got notes for

0:32:05.280 --> 0:32:11.040
<v Speaker 1>these niggers and everything. Man she got no man be going.

0:32:11.520 --> 0:32:19.320
<v Speaker 1>It was I think it's like screw face and so

0:32:19.520 --> 0:32:22.760
<v Speaker 1>you know, ironically, this was the place where we know,

0:32:22.920 --> 0:32:29.160
<v Speaker 1>that's not where we started when we started. We started

0:32:29.160 --> 0:32:31.240
<v Speaker 1>the old crazy hood office. No, that's what I'm saying.

0:32:31.280 --> 0:32:34.680
<v Speaker 1>But when we when we like got um like going,

0:32:34.920 --> 0:32:37.840
<v Speaker 1>this was this was it right side. On the other side,

0:32:37.880 --> 0:32:39.160
<v Speaker 1>on the other side, did y'all come up with the

0:32:39.160 --> 0:32:43.680
<v Speaker 1>Elliot Wilson because you know why, it was a joke.

0:32:43.960 --> 0:32:46.720
<v Speaker 1>It was jerious a joke. There was a labs because

0:32:47.000 --> 0:32:50.200
<v Speaker 1>I hate him. I'm doing any other shod You gotta one.

0:32:50.200 --> 0:32:51.800
<v Speaker 1>You gotta do what every one just do one, just

0:32:51.960 --> 0:32:58.960
<v Speaker 1>trash like we need to kill the first first we

0:32:59.040 --> 0:33:06.240
<v Speaker 1>even had to give me that one. Let me just

0:33:06.280 --> 0:33:10.680
<v Speaker 1>tell yourself that people people, people want Damn y'all definitely

0:33:10.680 --> 0:33:13.080
<v Speaker 1>did give me the bigger shot, all right. People definitely

0:33:13.120 --> 0:33:16.239
<v Speaker 1>want to tell y'all. Um, the older that we get

0:33:16.280 --> 0:33:18.400
<v Speaker 1>in this game, the more people want to kick us out.

0:33:18.760 --> 0:33:20.240
<v Speaker 1>And I want to change that in the hip hop.

0:33:20.280 --> 0:33:22.920
<v Speaker 1>I wanna you know, in every other genre of music.

0:33:23.040 --> 0:33:25.160
<v Speaker 1>The more you're in it, the more season you are,

0:33:25.240 --> 0:33:27.680
<v Speaker 1>the more that they pick you up. Our coaches the

0:33:27.760 --> 0:33:29.880
<v Speaker 1>only one you know. They don't even have a washed

0:33:29.920 --> 0:33:32.600
<v Speaker 1>up word in um rock and roll. They don't have

0:33:32.640 --> 0:33:35.160
<v Speaker 1>a word for wash washed. They don't even happen. You know,

0:33:35.240 --> 0:33:37.479
<v Speaker 1>we're the only niggas that use the word washed up.

0:33:37.880 --> 0:33:39.800
<v Speaker 1>And it's over for them. Like you know what I'm

0:33:39.840 --> 0:33:42.040
<v Speaker 1>saying that you'll say right now, he get locked up.

0:33:42.280 --> 0:33:46.600
<v Speaker 1>It's over. It's just we all. We're the only culture.

0:33:46.640 --> 0:33:48.200
<v Speaker 1>And I want to change that. And I want to

0:33:48.400 --> 0:33:50.720
<v Speaker 1>tell y'all whyle y'all live while y'are breathing that what

0:33:50.840 --> 0:33:52.800
<v Speaker 1>y'all doing for the culture. I've been a couple of

0:33:52.880 --> 0:33:56.400
<v Speaker 1>your tactics. I follow y'all, and you know why I

0:33:56.480 --> 0:33:58.360
<v Speaker 1>had you because I know, I know I'm not a journalist,

0:33:58.680 --> 0:34:00.520
<v Speaker 1>so but I did. I try to have to follow

0:34:00.640 --> 0:34:13.359
<v Speaker 1>what y'all doing. Salut and a worse as we keep

0:34:13.400 --> 0:34:16.440
<v Speaker 1>doing it, don't we'll try again. We're trying to. Actually

0:34:17.000 --> 0:34:21.400
<v Speaker 1>I'm not doing that again. Actually, better stop lying people.

0:34:21.480 --> 0:34:27.880
<v Speaker 1>I get it to kill. So what's what's the article

0:34:27.960 --> 0:34:31.359
<v Speaker 1>you did? Go? Because I imagine that first we love

0:34:31.440 --> 0:34:33.880
<v Speaker 1>hip hop. You want to be a part of it,

0:34:33.960 --> 0:34:35.799
<v Speaker 1>and then you be a part of it. But what's

0:34:35.840 --> 0:34:39.800
<v Speaker 1>that one interview of one incident that you did that

0:34:39.880 --> 0:34:42.680
<v Speaker 1>She was like, what's your most proudest moment? Basically, damn

0:34:42.960 --> 0:34:47.279
<v Speaker 1>in the journalist and like magazine, game whatever. Overall, oh Man,

0:34:47.560 --> 0:34:49.560
<v Speaker 1>one of your most proudest at least I think about that,

0:34:49.600 --> 0:34:51.200
<v Speaker 1>And I feel like I haven't done it yet because

0:34:51.280 --> 0:34:55.600
<v Speaker 1>I'm just like to celebrate yesterday's touchdowns. But I feel

0:34:55.680 --> 0:34:58.440
<v Speaker 1>like one of the proudest moments is I think what

0:34:58.600 --> 0:35:01.239
<v Speaker 1>we did together was. I was really proud of the

0:35:01.280 --> 0:35:03.480
<v Speaker 1>first interview we did together on rap right over the

0:35:04.000 --> 0:35:10.880
<v Speaker 1>Bible with Michael Jordan's because that was like first, like

0:35:11.520 --> 0:35:20.160
<v Speaker 1>that crazy let me take let me speak about because

0:35:20.200 --> 0:35:25.880
<v Speaker 1>that's exactly what happened. Something. You know, these brothers over there,

0:35:26.320 --> 0:35:28.680
<v Speaker 1>you might forget. You might forget hanging with one of

0:35:28.719 --> 0:35:30.520
<v Speaker 1>these brothers one of these days, I might forget that.

0:35:30.960 --> 0:35:34.080
<v Speaker 1>I'm never going to forget seeing Michael Jordan's. I'm I'm

0:35:34.200 --> 0:35:36.680
<v Speaker 1>left Bractic City. I see Michael Jordan. I'm gonna remember.

0:35:37.080 --> 0:35:39.600
<v Speaker 1>So when they answered me, I was like, damn, they

0:35:39.719 --> 0:35:41.520
<v Speaker 1>sucked up. But for two minutes. I was like, I

0:35:41.640 --> 0:35:43.680
<v Speaker 1>fucked up because I was like, damn, there's no pictures

0:35:43.719 --> 0:35:46.040
<v Speaker 1>of that ship. And then I got the best fans

0:35:46.080 --> 0:35:48.320
<v Speaker 1>in the world. They fucking showed me this jay Z

0:35:48.480 --> 0:35:51.120
<v Speaker 1>picture because that was the truth, like he really came

0:35:51.239 --> 0:35:53.560
<v Speaker 1>and just fund with Jay and ran. It was a

0:35:53.600 --> 0:35:57.120
<v Speaker 1>Marian carrier. I think it was a Christmas party. Christmas party,

0:35:58.239 --> 0:36:00.920
<v Speaker 1>and the crazy ship was We're all getting money, so

0:36:01.560 --> 0:36:03.759
<v Speaker 1>I'm trying to pay for fourteen other tickets. They're like no,

0:36:03.880 --> 0:36:05.480
<v Speaker 1>I'm trying to pay for bottles. They're like no, it

0:36:05.600 --> 0:36:08.080
<v Speaker 1>was all free. So you know, I wanted to stay

0:36:08.080 --> 0:36:10.279
<v Speaker 1>at the party. They're getting free Christis and christ I

0:36:10.440 --> 0:36:14.920
<v Speaker 1>wasn't racist and ship so remember once they got racist,

0:36:16.000 --> 0:36:17.560
<v Speaker 1>you don't say a whole switch to Ace. We're going

0:36:17.960 --> 0:36:20.160
<v Speaker 1>going with Ace. But um so yeah, so that that

0:36:20.360 --> 0:36:23.880
<v Speaker 1>but that was like our first viral moment that you

0:36:23.920 --> 0:36:26.560
<v Speaker 1>hadn't launched the podcast, right, I hadn't launt that And

0:36:26.640 --> 0:36:29.960
<v Speaker 1>then tax Stone when when when when Jay hit me

0:36:30.239 --> 0:36:32.880
<v Speaker 1>and I was like this podcast ship is He had

0:36:32.960 --> 0:36:36.800
<v Speaker 1>been telling me about podcast years years And when he

0:36:36.920 --> 0:36:39.279
<v Speaker 1>said that, I said, and when that happened? And I

0:36:39.400 --> 0:36:43.719
<v Speaker 1>remember my publicist said, um, because I was Nikia Hicks

0:36:45.480 --> 0:36:48.239
<v Speaker 1>at this time. After that ship came out, she said,

0:36:48.400 --> 0:36:51.080
<v Speaker 1>there's no other interview in the world that we can

0:36:51.160 --> 0:36:53.239
<v Speaker 1>do after this that they're not going to ask you

0:36:53.280 --> 0:36:56.520
<v Speaker 1>about Michael Jordan's So she said you can. You can

0:36:56.560 --> 0:36:59.160
<v Speaker 1>either continue to do your press one or take two

0:36:59.160 --> 0:37:02.279
<v Speaker 1>weeks off and that ship. I said, I'm taking two weeks.

0:37:02.320 --> 0:37:05.080
<v Speaker 1>So it was so it was that you got Michael

0:37:05.120 --> 0:37:09.800
<v Speaker 1>Jordan to respect listen for two minutes. I was sweating

0:37:09.840 --> 0:37:11.960
<v Speaker 1>like I never sweating before because I was like, damn,

0:37:12.239 --> 0:37:17.600
<v Speaker 1>Michael Jordan just called me a liar. You gotta what said?

0:37:17.800 --> 0:37:20.560
<v Speaker 1>He said? It's three things he said. He said, one,

0:37:20.960 --> 0:37:24.719
<v Speaker 1>Michael Jordan loves all music, which means he hates ship,

0:37:25.520 --> 0:37:27.759
<v Speaker 1>which means he don't like hip hop. Because anything that

0:37:28.560 --> 0:37:32.840
<v Speaker 1>say what I love it read hip hop, gush my teeth,

0:37:32.920 --> 0:37:37.560
<v Speaker 1>just say I love all music. You don't love you

0:37:37.640 --> 0:37:41.759
<v Speaker 1>don't love everybody. Then he said he was never at

0:37:41.840 --> 0:37:44.800
<v Speaker 1>that party. No no, no, he said, no, no, no,

0:37:44.960 --> 0:37:47.920
<v Speaker 1>He said he loves all music. Michael does not know

0:37:48.000 --> 0:37:52.480
<v Speaker 1>who nor he is very low blow. I said, I

0:37:52.560 --> 0:37:55.440
<v Speaker 1>get it, Mike, I might not know who I am,

0:37:55.600 --> 0:37:59.880
<v Speaker 1>right I'm saying. And then he said, Michael Jordan was

0:37:59.920 --> 0:38:05.680
<v Speaker 1>at that party that part right, you don't let the rock,

0:38:05.880 --> 0:38:09.600
<v Speaker 1>I said, And two minutes later my fans was like

0:38:09.760 --> 0:38:12.920
<v Speaker 1>yeah really and I'm told my my whole timeline on

0:38:13.000 --> 0:38:15.359
<v Speaker 1>Twitter was just filled with that ship. And then Jake

0:38:15.440 --> 0:38:17.960
<v Speaker 1>Jalen Rods picked it up. Yeah, you know, we put

0:38:18.120 --> 0:38:20.680
<v Speaker 1>Jordan on the Summer Grand Scheme and I remember that's

0:38:20.719 --> 0:38:24.520
<v Speaker 1>my first time learning, like learning like to win and

0:38:24.640 --> 0:38:28.000
<v Speaker 1>don't spike the ball. Yeah, I could not spike the ball.

0:38:28.040 --> 0:38:30.440
<v Speaker 1>I was just like, you know what, touchdown, go home.

0:38:30.880 --> 0:38:32.960
<v Speaker 1>Like I never bragged about the ship. I never really

0:38:33.000 --> 0:38:34.799
<v Speaker 1>like rubbed it in this space because I still want

0:38:34.880 --> 0:38:40.359
<v Speaker 1>Jordan's like you real like trying to send you're back person.

0:38:40.440 --> 0:38:45.080
<v Speaker 1>I said, you had a bad night. That night was up.

0:38:45.120 --> 0:38:46.960
<v Speaker 1>It was like I swear to guard. It was like

0:38:47.719 --> 0:38:49.840
<v Speaker 1>somebody saying niggers, like sitting here in the white friends

0:38:49.880 --> 0:38:52.600
<v Speaker 1>like what are your good close white friends that you like?

0:38:52.840 --> 0:39:00.520
<v Speaker 1>What you like? Whoa Jerry? Jerry like you know, was like, man,

0:39:00.600 --> 0:39:02.239
<v Speaker 1>that's how that's how I felt. I'm so sorry. I

0:39:02.320 --> 0:39:06.759
<v Speaker 1>had a moment, had a moment. Okay that that that

0:39:07.000 --> 0:39:10.320
<v Speaker 1>that's when I realized that podcast. You know, they just

0:39:10.400 --> 0:39:12.400
<v Speaker 1>did a survey that podcast is going to be a

0:39:12.440 --> 0:39:20.120
<v Speaker 1>six hundred million dollar bit. You got five. I wanted to,

0:39:20.160 --> 0:39:22.600
<v Speaker 1>but when I thought on the asset, you know what's crazy?

0:39:23.760 --> 0:39:26.520
<v Speaker 1>Eventually I told this the way Kwan two years ago.

0:39:26.560 --> 0:39:29.040
<v Speaker 1>He thought I was crazy. I think I think he

0:39:29.160 --> 0:39:33.000
<v Speaker 1>thinks something I said. Eventually we'll all have podcasts, right,

0:39:34.760 --> 0:39:38.560
<v Speaker 1>and eventually, why drop your ship with iTunes or drop

0:39:38.680 --> 0:39:41.960
<v Speaker 1>your ship just dropping on your goddamn podcast. Just think

0:39:41.960 --> 0:39:45.680
<v Speaker 1>about think about, like bick up to our carrade, Joe Buttons,

0:39:45.880 --> 0:39:49.680
<v Speaker 1>Joe Button has built his I'm just slexic. I'm justlexic.

0:39:50.000 --> 0:39:54.400
<v Speaker 1>Joe is a couple of them. Joe has built his

0:39:54.520 --> 0:39:57.800
<v Speaker 1>YouTube up right so tremendously. Why would you take a

0:39:57.880 --> 0:40:00.560
<v Speaker 1>piece of art and give it to a labor to

0:40:00.760 --> 0:40:04.200
<v Speaker 1>talk to your audience that you already had rights director consumer?

0:40:04.320 --> 0:40:05.920
<v Speaker 1>Just think about it. I'm just thinking about when we

0:40:06.120 --> 0:40:09.640
<v Speaker 1>get wise enough to know that like this, this, this is,

0:40:09.840 --> 0:40:12.640
<v Speaker 1>this is what we worked for. We worked We came

0:40:12.719 --> 0:40:16.640
<v Speaker 1>from hand to hand off the street drug dealer, and

0:40:16.760 --> 0:40:19.800
<v Speaker 1>now we're eventually going back to hand to hand because

0:40:20.480 --> 0:40:23.399
<v Speaker 1>essentially we won't need a record label for nothing, right,

0:40:24.120 --> 0:40:26.920
<v Speaker 1>No disrespect to everybody that the higher ups. There's always

0:40:26.920 --> 0:40:29.120
<v Speaker 1>going to be the Kevin lows Is. It's always gonna

0:40:29.120 --> 0:40:31.920
<v Speaker 1>be the Leo Cohns and the Jimmy ir Beans who

0:40:32.040 --> 0:40:35.000
<v Speaker 1>figured out a way to make it work. But there's

0:40:35.080 --> 0:40:37.920
<v Speaker 1>not always gonna be these guys. Why do you think

0:40:37.960 --> 0:40:40.719
<v Speaker 1>you guys have adapted to media? Like, what is that

0:40:40.800 --> 0:40:43.319
<v Speaker 1>surprisect back in your mind? Actually, I knew he's gonna

0:40:43.320 --> 0:40:47.120
<v Speaker 1>ask me that question. I had no idea. I'm gonna

0:40:47.120 --> 0:40:49.200
<v Speaker 1>be honest. You always have respect for me, of course,

0:40:49.280 --> 0:40:54.160
<v Speaker 1>I've always have respect. Actually, actually I actually went to college.

0:40:54.200 --> 0:40:58.640
<v Speaker 1>It was in jail, but college, and I couldn't feel

0:40:58.680 --> 0:41:02.359
<v Speaker 1>out um for the credits. So I randomly, I don't

0:41:02.360 --> 0:41:04.640
<v Speaker 1>know if I randomly off I had love for journalism.

0:41:04.719 --> 0:41:09.200
<v Speaker 1>I picked journalism, but I was loving show stays that

0:41:09.320 --> 0:41:11.840
<v Speaker 1>loved and journalism. But what I knew how to do

0:41:12.080 --> 0:41:14.600
<v Speaker 1>was talk. Journalism told me how to talk because I

0:41:14.680 --> 0:41:18.680
<v Speaker 1>was always a slanguistic journalism, Hey how are you doing? Yes? Okay,

0:41:18.880 --> 0:41:21.160
<v Speaker 1>so what when did the thing? Because we would do

0:41:21.239 --> 0:41:23.640
<v Speaker 1>practice like you know what I'm saying, like and and

0:41:23.920 --> 0:41:29.719
<v Speaker 1>and that's where. But now the first hip hop podcast,

0:41:30.000 --> 0:41:34.160
<v Speaker 1>I have to give it to Cyper Sound and Peter.

0:41:35.480 --> 0:41:38.960
<v Speaker 1>That's the first hip hop podcast, the first artists rapp

0:41:39.080 --> 0:41:45.720
<v Speaker 1>up artists, where the podcast is who Joe Joe? What glory?

0:41:47.000 --> 0:41:54.959
<v Speaker 1>I see he wouldn't call he wouldn't call it because

0:41:55.440 --> 0:41:57.719
<v Speaker 1>and we're calling the Internet radio, which is actually the

0:41:57.760 --> 0:42:01.840
<v Speaker 1>beginning of the v had that we wait long and

0:42:02.239 --> 0:42:05.359
<v Speaker 1>it is, Yeah, didn't as we had it too. You're right,

0:42:05.400 --> 0:42:08.520
<v Speaker 1>you're right, yeah, yeah, but I tea was you get

0:42:08.560 --> 0:42:11.640
<v Speaker 1>credit for the first hip hop artist, my first hip

0:42:11.680 --> 0:42:14.000
<v Speaker 1>hop artists. I've believe it's nice to beat Joe Bunn

0:42:14.040 --> 0:42:17.880
<v Speaker 1>definitely if I don't you saw the weekend? No, no,

0:42:18.160 --> 0:42:20.760
<v Speaker 1>I don't Joe Had. I believe you're trying to google

0:42:21.239 --> 0:42:29.480
<v Speaker 1>drink Joe had the first joey Okay, okay, yeah he

0:42:29.560 --> 0:42:37.520
<v Speaker 1>had it first. Okay, let make but but wait, we

0:42:37.640 --> 0:42:40.320
<v Speaker 1>can't negate that we were doing Serious X and Together,

0:42:40.719 --> 0:42:43.520
<v Speaker 1>which pre dates Drink Chance. It was Drink Chance before

0:42:43.600 --> 0:42:48.560
<v Speaker 1>Drink Channing, four years five years before Drink chats On

0:42:49.280 --> 0:42:53.839
<v Speaker 1>before Serious X. Yeah. Yeah, it was the same ship

0:42:54.760 --> 0:42:59.320
<v Speaker 1>funny drinking. Yeah, we have all that. So so what

0:42:59.480 --> 0:43:00.960
<v Speaker 1>is the what is what is the most like you know,

0:43:01.480 --> 0:43:05.879
<v Speaker 1>three thrilling part about doing media, Like for me, I'm

0:43:05.920 --> 0:43:08.479
<v Speaker 1>a fan first, right, so even right now I'm talking

0:43:08.520 --> 0:43:10.960
<v Speaker 1>to Norrie, I can't tell you all the time I

0:43:11.040 --> 0:43:15.000
<v Speaker 1>had to seeing the post wall like I'm just you

0:43:15.000 --> 0:43:23.040
<v Speaker 1>don't like Boris and like I'm talking to like the superheroes,

0:43:23.040 --> 0:43:25.279
<v Speaker 1>like I look like a superhero like Boulverine or something

0:43:25.360 --> 0:43:28.440
<v Speaker 1>like that. I look at it. So that's not to

0:43:28.520 --> 0:43:29.920
<v Speaker 1>digress a little bit, but I love the fact that

0:43:30.000 --> 0:43:31.800
<v Speaker 1>like I forget, like I think that you think that

0:43:31.880 --> 0:43:34.960
<v Speaker 1>you're not a celebrity. Sometimes because you don't, you get excited,

0:43:35.040 --> 0:43:36.560
<v Speaker 1>Like when I see you talk y'all just on the

0:43:36.640 --> 0:43:45.759
<v Speaker 1>phone now, jay Z, when y'all was fighting, talk, let

0:43:45.800 --> 0:43:48.000
<v Speaker 1>me tell you something, tell you something. You wasn't really

0:43:48.120 --> 0:43:51.000
<v Speaker 1>bad at him noticing something. It's just something that he

0:43:51.320 --> 0:43:53.839
<v Speaker 1>doesn't notice. But you said something to me that day

0:43:53.960 --> 0:43:57.520
<v Speaker 1>that really changed me. You said, the difference between us

0:43:57.640 --> 0:44:01.440
<v Speaker 1>is we're really fans. And that's statement was so true

0:44:01.480 --> 0:44:05.040
<v Speaker 1>to me because I sat back and I said, He's right,

0:44:05.520 --> 0:44:07.440
<v Speaker 1>there's nowhere I could really be a fan of these

0:44:07.520 --> 0:44:10.160
<v Speaker 1>other brothers because I was busy having my own ship.

0:44:10.840 --> 0:44:12.800
<v Speaker 1>So what I had to do was I had to

0:44:12.880 --> 0:44:15.200
<v Speaker 1>turn back to being a fan. I stopped doing shows,

0:44:15.480 --> 0:44:17.960
<v Speaker 1>stopped going to the studio, and I stopped actually I

0:44:18.000 --> 0:44:21.880
<v Speaker 1>started actually taking this ship. I started having notes because

0:44:22.040 --> 0:44:24.600
<v Speaker 1>the thing about it was I didn't take it as

0:44:24.640 --> 0:44:26.480
<v Speaker 1>serious as that, and like we were playing around. We

0:44:26.560 --> 0:44:28.480
<v Speaker 1>from Queen's were supposed to do that. But when you

0:44:28.560 --> 0:44:30.400
<v Speaker 1>said that, you said the differences and you wasn't even

0:44:30.440 --> 0:44:31.560
<v Speaker 1>saying that to me. He was saying it to a

0:44:31.680 --> 0:44:34.240
<v Speaker 1>fan and he was like, the differences were really fans.

0:44:34.320 --> 0:44:37.439
<v Speaker 1>And I was like, you know what, that's absolutely true,

0:44:37.480 --> 0:44:40.279
<v Speaker 1>even if we were playing around, and you know, when

0:44:40.320 --> 0:44:42.279
<v Speaker 1>the truth is the truth, I gotta pick it up

0:44:42.320 --> 0:44:44.800
<v Speaker 1>and I gotta eat it rather it's a rock or skittles,

0:44:45.040 --> 0:44:46.560
<v Speaker 1>you know what I'm saying. So I picked it up

0:44:46.600 --> 0:44:48.080
<v Speaker 1>and I ate it, and I said, the truth don't

0:44:48.120 --> 0:44:50.200
<v Speaker 1>taste bad. I said, you know what, I'm gonna go

0:44:50.320 --> 0:44:52.359
<v Speaker 1>back into being a fan. That's why if you look

0:44:52.400 --> 0:44:55.640
<v Speaker 1>at the NAS interview, that wasn't Noriega at all. That

0:44:55.800 --> 0:44:59.120
<v Speaker 1>was poppy. That was that was actually actually and the

0:44:59.200 --> 0:45:02.239
<v Speaker 1>thing about it not just not because I'll interview people

0:45:02.280 --> 0:45:05.640
<v Speaker 1>who has never done and he have any success like me,

0:45:05.960 --> 0:45:08.920
<v Speaker 1>and I'll treat him the same way. Because to me,

0:45:09.280 --> 0:45:12.960
<v Speaker 1>as you said, we're superheroes ship that we have to

0:45:13.200 --> 0:45:17.440
<v Speaker 1>endure to be into this industry. Like this ship is

0:45:17.480 --> 0:45:21.080
<v Speaker 1>horrible sometimes, but it's also the O G factor of

0:45:21.160 --> 0:45:23.880
<v Speaker 1>why we do mostly O G because genuinely we're fans

0:45:24.400 --> 0:45:26.680
<v Speaker 1>of these people we grew up with or he's here with,

0:45:27.440 --> 0:45:29.440
<v Speaker 1>you know, so that's genuine, more genuine than if we

0:45:29.520 --> 0:45:32.480
<v Speaker 1>had someone newer. Then it's not a genuine conversation, you know.

0:45:33.120 --> 0:45:35.560
<v Speaker 1>I just hate I hate the one word as I

0:45:35.600 --> 0:45:37.680
<v Speaker 1>know someone who's not a fan of Youri. I don't

0:45:37.680 --> 0:45:41.279
<v Speaker 1>want to get to this, I said on Twitter Stephen A.

0:45:41.440 --> 0:45:43.879
<v Speaker 1>Smith dished you when you met him, and you didn't

0:45:43.880 --> 0:45:46.600
<v Speaker 1>explain why, Like what happened when you did? He didn't

0:45:46.800 --> 0:45:51.000
<v Speaker 1>you know what, I definitely worded it wrong. He fanned

0:45:51.080 --> 0:45:55.400
<v Speaker 1>me out. I didn't realize when I was walking up

0:45:55.440 --> 0:45:57.439
<v Speaker 1>to him, I was in front of a whole line

0:45:57.480 --> 0:46:00.200
<v Speaker 1>of people that was waiting in New York this notice

0:46:00.239 --> 0:46:03.560
<v Speaker 1>in Kenny Smith party. So so as we were walking through,

0:46:03.640 --> 0:46:06.439
<v Speaker 1>he just gave me one of these and he moved

0:46:06.480 --> 0:46:11.800
<v Speaker 1>a back. I said, yo, say out, I might have

0:46:11.880 --> 0:46:15.000
<v Speaker 1>been out before you like, come on now, Queen's down,

0:46:15.080 --> 0:46:16.560
<v Speaker 1>And he just gave me one of the fool and

0:46:16.640 --> 0:46:19.759
<v Speaker 1>then went. So I was like, I was like, oh ship,

0:46:19.840 --> 0:46:22.320
<v Speaker 1>you know I got signed, I got but I posted

0:46:22.360 --> 0:46:28.279
<v Speaker 1>the picture. Okay. You know sometimes have you ever met

0:46:28.360 --> 0:46:33.440
<v Speaker 1>somebody he was disappointed? They all the time? Who's that's

0:46:33.440 --> 0:46:39.319
<v Speaker 1>why I stopped meeting niggas. I don't want to ask yo.

0:46:39.400 --> 0:46:42.719
<v Speaker 1>Let me tell you other thing. First off, it took

0:46:42.760 --> 0:46:46.760
<v Speaker 1>a home to literally call me. I don't want Superstars numbers.

0:46:47.480 --> 0:46:49.520
<v Speaker 1>I don't want Wayne. Wayne had to grab my phone

0:46:49.560 --> 0:46:52.040
<v Speaker 1>head take it. I was like, because I don't want to.

0:46:52.040 --> 0:46:55.160
<v Speaker 1>I don't. I just so bad, I'm so mad. I'm

0:46:55.200 --> 0:46:57.759
<v Speaker 1>so bad at getting rejected and I'll just rejected in

0:46:57.840 --> 0:47:02.480
<v Speaker 1>directed myself like it dissed me so so I don't

0:47:02.520 --> 0:47:06.120
<v Speaker 1>want to give you Leo Cohen's number. Yeah, that's how

0:47:06.160 --> 0:47:22.840
<v Speaker 1>I listen. Really, I realized, up listen, just this is

0:47:24.000 --> 0:47:26.760
<v Speaker 1>something I would be honest. I stually let me decided

0:47:26.880 --> 0:47:32.640
<v Speaker 1>Leo calls. Let me tell you what too. Yeah, wasn't

0:47:34.800 --> 0:47:38.759
<v Speaker 1>was because it's like checks. But let tell you why

0:47:38.800 --> 0:47:41.359
<v Speaker 1>I took that person, because leg is really really my guy.

0:47:42.120 --> 0:47:43.759
<v Speaker 1>But I had took time to me I love you,

0:47:44.040 --> 0:47:46.400
<v Speaker 1>I love you, but let me hear this respect I

0:47:46.480 --> 0:47:48.399
<v Speaker 1>had took time with my life like three years where

0:47:48.960 --> 0:47:51.960
<v Speaker 1>I didn't speak to no higher ups. I did speak

0:47:51.960 --> 0:47:54.080
<v Speaker 1>to nobody that just was like I just wanted to

0:47:54.120 --> 0:47:56.799
<v Speaker 1>deal with what I was dealing with and I had

0:47:56.880 --> 0:48:00.520
<v Speaker 1>lost complete contact with Leo. So I watched. I watched

0:48:00.560 --> 0:48:03.360
<v Speaker 1>the episode and I asked for his phone on number.

0:48:03.760 --> 0:48:06.920
<v Speaker 1>You know your Elliott, give me the Can you give

0:48:06.960 --> 0:48:14.800
<v Speaker 1>me the why? I said, this is the first of

0:48:14.960 --> 0:48:17.920
<v Speaker 1>I'm not trying. I'm not in competition. I don't want

0:48:17.960 --> 0:48:20.920
<v Speaker 1>to be in competition. I'm actually hitting them like as

0:48:20.960 --> 0:48:23.160
<v Speaker 1>a life coach. Though I'm alright and like you know

0:48:23.160 --> 0:48:25.359
<v Speaker 1>what I'm saying. Like and you when when you took

0:48:25.400 --> 0:48:27.920
<v Speaker 1>it like that, I said, Yo, listen, I thought I

0:48:28.080 --> 0:48:31.480
<v Speaker 1>was bad and battling. I thought I was bad with competitions.

0:48:33.320 --> 0:48:36.200
<v Speaker 1>Oh listen and listen. I wake up in the morning.

0:48:36.239 --> 0:48:39.000
<v Speaker 1>I beat my son to the bathroom just to piss

0:48:39.040 --> 0:48:41.560
<v Speaker 1>on the toilet before him. So if he's sit down

0:48:43.000 --> 0:48:45.680
<v Speaker 1>the toilet, when you look around, you looking around, you

0:48:45.680 --> 0:48:50.960
<v Speaker 1>see that competitive. But when I see how competitive you were,

0:48:51.360 --> 0:48:56.160
<v Speaker 1>I said, damn, Elliott has a problem and really okay.

0:48:56.200 --> 0:48:59.560
<v Speaker 1>But when we came to CVS, no, no, I just

0:48:59.640 --> 0:49:05.800
<v Speaker 1>feel like one of the natural queens. One queens, we

0:49:05.960 --> 0:49:10.520
<v Speaker 1>naturally compete, right, But then two that's also it's in you,

0:49:10.800 --> 0:49:13.600
<v Speaker 1>like you want to win and win like like like

0:49:13.880 --> 0:49:16.120
<v Speaker 1>I see, I noticed when I did your podcast, if

0:49:16.200 --> 0:49:18.239
<v Speaker 1>this is something you taught me, and you kept hitting

0:49:18.280 --> 0:49:21.320
<v Speaker 1>me saying, yo posted, post it posted, and I didn't

0:49:21.360 --> 0:49:24.839
<v Speaker 1>know what what it meant at the time. So when

0:49:24.880 --> 0:49:27.719
<v Speaker 1>I got back later, I said, this motherfucker loved it,

0:49:27.840 --> 0:49:38.080
<v Speaker 1>like you love coming you. But but I do think

0:49:38.120 --> 0:49:43.040
<v Speaker 1>that I'd like to think I've grown, and I think

0:49:43.080 --> 0:49:46.200
<v Speaker 1>it's error. It's not about that like overly competitive, like

0:49:46.520 --> 0:49:49.719
<v Speaker 1>like nobody has. Like the thing about the whole Exxcel

0:49:49.800 --> 0:49:53.200
<v Speaker 1>Source battle was I felt like the source had exactly

0:49:53.239 --> 0:49:55.279
<v Speaker 1>what I wanted, so the only way to get that

0:49:55.440 --> 0:49:57.319
<v Speaker 1>was to get it from them. You know what you're

0:49:57.360 --> 0:49:59.120
<v Speaker 1>doing when I'm doing what your buddon is doing, like

0:49:59.200 --> 0:50:01.839
<v Speaker 1>what beat I does. Everybody really is running their own race.

0:50:01.920 --> 0:50:03.400
<v Speaker 1>And it's like it's not even more about like we're

0:50:03.400 --> 0:50:06.120
<v Speaker 1>all fighting for this one thing. We're all redefineding what

0:50:06.239 --> 0:50:12.560
<v Speaker 1>it means to have a brand of podcast growth, so

0:50:12.680 --> 0:50:15.360
<v Speaker 1>to be raw rock competitive anymore. That stople was played

0:50:15.360 --> 0:50:18.880
<v Speaker 1>out that stock will not work, and I was and

0:50:18.960 --> 0:50:20.560
<v Speaker 1>I was wrong to move that way back then. But

0:50:21.360 --> 0:50:25.080
<v Speaker 1>because like Kendrick man, like listen, listen, I said it before,

0:50:25.239 --> 0:50:27.520
<v Speaker 1>but I know Power one of five ain't owned by

0:50:27.600 --> 0:50:30.200
<v Speaker 1>one of us. But the Breakfast Club is a part

0:50:30.239 --> 0:50:32.480
<v Speaker 1>of our coaches. If you don't, if you don't come

0:50:32.480 --> 0:50:34.360
<v Speaker 1>to see us, and again I want to make it

0:50:34.680 --> 0:50:38.279
<v Speaker 1>that's actually our Drake story is the Kendrick. Even though

0:50:40.239 --> 0:50:42.960
<v Speaker 1>it was Interscope that was reaching out to Kendrick to

0:50:44.320 --> 0:50:46.439
<v Speaker 1>we're ready to do it, it was coming from Rolling

0:50:46.520 --> 0:50:49.200
<v Speaker 1>Loud and then that day I think they said, oh

0:50:49.280 --> 0:50:52.400
<v Speaker 1>he flies in a certain time. Yeah, yeah, yeah, So

0:50:52.840 --> 0:50:56.120
<v Speaker 1>let me get back to Kendrick. Like the Kendrick, the

0:50:56.320 --> 0:51:01.520
<v Speaker 1>Drake's Um, the Colds, I know you did called Ken

0:51:01.600 --> 0:51:04.160
<v Speaker 1>Drake's the colda. You know, all of you guys that

0:51:04.280 --> 0:51:06.880
<v Speaker 1>are special in your own special way. You guys are

0:51:06.920 --> 0:51:10.439
<v Speaker 1>the jupid of the planet system in the galaxy. It's

0:51:10.480 --> 0:51:14.239
<v Speaker 1>important to come and support your culture. Yeah, Like it

0:51:14.360 --> 0:51:16.839
<v Speaker 1>says a statement. When jay Z does four or four

0:51:16.880 --> 0:51:19.279
<v Speaker 1>or four album and he books one interview and it's

0:51:19.320 --> 0:51:23.560
<v Speaker 1>with Rap Radar, it says a statement. It's a statement.

0:51:23.640 --> 0:51:25.960
<v Speaker 1>With Nos does two interviews and both of those interviews

0:51:26.040 --> 0:51:29.840
<v Speaker 1>happened to be land on Tite, only two interviews for

0:51:29.880 --> 0:51:32.120
<v Speaker 1>the whole fucking thing. It says a statement that hip

0:51:32.160 --> 0:51:35.759
<v Speaker 1>hop is supporting hip hop, So young fellas who are

0:51:35.760 --> 0:51:38.440
<v Speaker 1>the young guns support this because at the end of

0:51:38.480 --> 0:51:42.799
<v Speaker 1>the day, every itself and in some which way form

0:51:42.840 --> 0:51:44.800
<v Speaker 1>of fashion. If it wasn't for people like us, it

0:51:44.920 --> 0:51:47.839
<v Speaker 1>might not be people like you. You know what I'm saying.

0:51:47.920 --> 0:51:49.440
<v Speaker 1>There might not be people like If you're a new

0:51:49.560 --> 0:51:55.319
<v Speaker 1>artist and you're not gonna escape aid, understand it's gonna happen.

0:51:56.040 --> 0:51:58.879
<v Speaker 1>If you're lucky, you'll be old. You got the certain

0:51:58.920 --> 0:52:05.160
<v Speaker 1>that he was over you felt off you. Yes, Now,

0:52:06.239 --> 0:52:09.840
<v Speaker 1>like I said on your podcast, you know, um, sometimes

0:52:09.880 --> 0:52:11.480
<v Speaker 1>it's hard to wake up and not be the man

0:52:11.680 --> 0:52:13.759
<v Speaker 1>on Wednesday when you was a man on Monday. But

0:52:14.160 --> 0:52:16.400
<v Speaker 1>for some of you people, some of you, some of

0:52:16.440 --> 0:52:19.520
<v Speaker 1>these artists, actually have to go and listen look at

0:52:19.560 --> 0:52:22.400
<v Speaker 1>that interview, because the thing about it is be humble

0:52:22.440 --> 0:52:24.960
<v Speaker 1>on your way in, because you will be humble on

0:52:25.040 --> 0:52:29.480
<v Speaker 1>your way out. This ship will humble you. If it ain't,

0:52:29.920 --> 0:52:33.359
<v Speaker 1>if it ain't me, if it ain't that somebody will

0:52:33.440 --> 0:52:38.319
<v Speaker 1>go And you know what, I know this no matter

0:52:38.400 --> 0:52:40.800
<v Speaker 1>how much your gangs. Now, it was there was always

0:52:40.920 --> 0:52:44.120
<v Speaker 1>one nigger that was more gangster than me. No matter

0:52:44.400 --> 0:52:48.160
<v Speaker 1>how much pussy I got, there was always one nigger,

0:52:49.640 --> 0:52:53.400
<v Speaker 1>let's get it made. No matter how much running one,

0:52:54.000 --> 0:52:57.520
<v Speaker 1>there's always three. Let's looking at me like I'm broke.

0:52:58.600 --> 0:53:02.080
<v Speaker 1>So motherfuckers us be humble on your way in because

0:53:02.160 --> 0:53:04.720
<v Speaker 1>you gotta be humble on your way out. That's everything

0:53:04.760 --> 0:53:07.239
<v Speaker 1>an artist. I think that's stunning on you. Why they

0:53:07.400 --> 0:53:10.279
<v Speaker 1>was they was hot and then they dropped it, and

0:53:10.360 --> 0:53:13.080
<v Speaker 1>then they tried to come back and was like and

0:53:13.120 --> 0:53:15.920
<v Speaker 1>then they tried to come back when they had to cycle.

0:53:16.000 --> 0:53:18.440
<v Speaker 1>That's I can't think we don't do it. It's like,

0:53:18.560 --> 0:53:20.040
<v Speaker 1>you know, we gotta do it. Makes sense. I mean

0:53:20.600 --> 0:53:22.759
<v Speaker 1>the problem with you get a certain status, right, it's

0:53:22.760 --> 0:53:24.759
<v Speaker 1>like we say no more than we say yes, and

0:53:24.800 --> 0:53:26.920
<v Speaker 1>I'd rather than that give you no assent to say no,

0:53:27.080 --> 0:53:28.520
<v Speaker 1>Like I don't even give you a nose. It's like

0:53:28.600 --> 0:53:30.560
<v Speaker 1>we're not moving because the thing is also timing to

0:53:30.760 --> 0:53:32.239
<v Speaker 1>like I'm not ready to move a certain way. So

0:53:33.040 --> 0:53:34.920
<v Speaker 1>we were blessed to be in a position that we're

0:53:35.040 --> 0:53:37.920
<v Speaker 1>very selective about. Like you guys, we want to talk

0:53:37.960 --> 0:53:40.600
<v Speaker 1>to him like right now, pop smoke with that's my

0:53:40.680 --> 0:53:43.239
<v Speaker 1>favorite new I like his voice. I like his voice.

0:53:43.280 --> 0:53:47.440
<v Speaker 1>You like yeah, and you know what you know? I

0:53:47.520 --> 0:53:54.359
<v Speaker 1>like about pop smoke. He sounds like pop smoke, Like Hi, yeah,

0:53:54.400 --> 0:53:57.319
<v Speaker 1>that's that's unheard of right now. That's why I did

0:53:57.400 --> 0:54:00.239
<v Speaker 1>contest because I feel like, like we like cars. Yeah,

0:54:00.280 --> 0:54:02.239
<v Speaker 1>we did forty five minutes with Megan, which is a

0:54:02.239 --> 0:54:04.319
<v Speaker 1>really good interview, but that's a long time, Like that's

0:54:04.320 --> 0:54:06.319
<v Speaker 1>probably the longest she could go. Like, like you said,

0:54:06.360 --> 0:54:08.680
<v Speaker 1>I love Little Baby, I love Gunna. But they might

0:54:08.719 --> 0:54:11.520
<v Speaker 1>not be ready for a whole hour of conversation. They

0:54:11.560 --> 0:54:13.759
<v Speaker 1>may give you a good half hour funny minutes to

0:54:13.760 --> 0:54:15.880
<v Speaker 1>a half hour. So there was definitely pressure in the

0:54:15.920 --> 0:54:18.000
<v Speaker 1>podcast that we gotta have a whole hour content. So

0:54:18.400 --> 0:54:19.960
<v Speaker 1>a lot of these new artists may pop up, but

0:54:19.960 --> 0:54:22.799
<v Speaker 1>they don't fit that paradise if you like that way.

0:54:22.800 --> 0:54:24.200
<v Speaker 1>So that's why I came up with contest, because I

0:54:24.239 --> 0:54:26.759
<v Speaker 1>felt like, if we're running around and we have the

0:54:26.840 --> 0:54:28.799
<v Speaker 1>set place for the interview and they're playing their music,

0:54:28.880 --> 0:54:30.840
<v Speaker 1>it's like I could get a good five to fifteen

0:54:30.880 --> 0:54:33.640
<v Speaker 1>minutes and do pray content that way. So everybody doesn't

0:54:33.640 --> 0:54:35.839
<v Speaker 1>fit the long form podcast model, but doesn't mean it's

0:54:35.880 --> 0:54:38.000
<v Speaker 1>not relevant. Like pop smoke is dope, but he's not

0:54:38.120 --> 0:54:40.000
<v Speaker 1>ready yet to do like an hour. I don't think

0:54:41.200 --> 0:54:43.520
<v Speaker 1>I want to talk about as music and that's how

0:54:44.280 --> 0:54:48.719
<v Speaker 1>big and Nicki Minaj. Yeah, but you know it's it's

0:54:48.719 --> 0:54:51.440
<v Speaker 1>almost like building up a cachet of stuff to talk about.

0:54:51.480 --> 0:54:54.319
<v Speaker 1>You know, that's songs cool, but like that, it's gonna

0:54:54.360 --> 0:54:58.479
<v Speaker 1>get you so far exactly because like you guys critique, yeah,

0:54:59.680 --> 0:55:13.040
<v Speaker 1>they you know, I almost got to fight, That's what

0:55:13.120 --> 0:55:15.000
<v Speaker 1>I was like, Yeah, what are we doing? Man? This

0:55:15.160 --> 0:55:18.239
<v Speaker 1>was after y'all actually interviewed him. Yeah, so what did

0:55:18.280 --> 0:55:22.440
<v Speaker 1>you say to him that he was I don't know.

0:55:22.880 --> 0:55:24.759
<v Speaker 1>It was posted interview, and I guess you know, as

0:55:24.800 --> 0:55:28.040
<v Speaker 1>a fan, you know, people can treat you said that

0:55:28.440 --> 0:55:31.000
<v Speaker 1>like his album, but you know, you know it's about

0:55:31.000 --> 0:55:33.680
<v Speaker 1>his flow, somebody flow. I basically said that, Like for me,

0:55:33.840 --> 0:55:36.239
<v Speaker 1>I'm a very to the point guy. Like I felt

0:55:36.239 --> 0:55:39.160
<v Speaker 1>like Wiley's music was too abstract, you know, he would

0:55:39.280 --> 0:55:41.440
<v Speaker 1>like I would lose my train of thought with his robes,

0:55:41.520 --> 0:55:44.320
<v Speaker 1>like like something like someone might say that about a

0:55:44.440 --> 0:55:47.080
<v Speaker 1>ghost face or rap corn that style. I just couldn't

0:55:47.080 --> 0:55:49.239
<v Speaker 1>really identify with it, and that was the reason I

0:55:49.320 --> 0:55:51.800
<v Speaker 1>really wasn't a fan of that stung with him and

0:55:51.880 --> 0:55:55.439
<v Speaker 1>he said, you know, I think I think after say

0:55:55.480 --> 0:55:58.160
<v Speaker 1>nothing in the moment, but after the interview I kind

0:55:58.160 --> 0:56:00.320
<v Speaker 1>of expressed that a little bit more on two, you

0:56:00.360 --> 0:56:03.160
<v Speaker 1>know whatever. Whatever. So when he was at the pool party,

0:56:03.200 --> 0:56:05.200
<v Speaker 1>he was like, Yo, have a conversation. I ain't seen

0:56:05.239 --> 0:56:14.160
<v Speaker 1>him around. Yeah, yeah, was saying about the silicide. It

0:56:14.320 --> 0:56:16.000
<v Speaker 1>was packed. It was at the Gross House, the big

0:56:16.040 --> 0:56:19.399
<v Speaker 1>House in Georgia, and he was in rapper mode too,

0:56:19.480 --> 0:56:23.920
<v Speaker 1>you know, because he was like trying to corner pool.

0:56:24.880 --> 0:56:31.719
<v Speaker 1>It was a little bit of Molly involved. Yeah, I

0:56:34.520 --> 0:56:39.239
<v Speaker 1>love so, Yeah, we're in a great space. So come up.

0:56:39.280 --> 0:56:42.920
<v Speaker 1>So I go up and he's like, uh yo, man, Like,

0:56:43.000 --> 0:56:44.680
<v Speaker 1>I don't remember exactly what you said. Ford. It was like,

0:56:45.360 --> 0:56:47.880
<v Speaker 1>if you're saying then, I'm like, yo, what what the

0:56:47.960 --> 0:56:50.120
<v Speaker 1>fund are you talking about? It? Like this body going

0:56:50.280 --> 0:56:53.640
<v Speaker 1>around to me is his cruise ship. I'm like, I

0:56:53.760 --> 0:56:56.120
<v Speaker 1>was irritated. Whatever it was this way it was. The

0:56:56.520 --> 0:56:59.520
<v Speaker 1>belly was somewhere I didn't see the first he was

0:56:59.560 --> 0:57:01.359
<v Speaker 1>some else and I say, you know, I'm not doing

0:57:01.400 --> 0:57:03.680
<v Speaker 1>this in with you, hil and then he was like,

0:57:03.960 --> 0:57:05.640
<v Speaker 1>come on this side. Then I was like, let's go

0:57:05.800 --> 0:57:08.759
<v Speaker 1>this side, right, So he's going to join. He's in

0:57:08.840 --> 0:57:11.160
<v Speaker 1>my face and this and I'm We're going back and

0:57:11.239 --> 0:57:13.399
<v Speaker 1>forth and I'm like, you know what, I'm just gonna leave,

0:57:13.480 --> 0:57:17.480
<v Speaker 1>like this is stupid. Part of the fight. You at

0:57:17.480 --> 0:57:19.680
<v Speaker 1>the pool party. Next thing, we're gonna be world started,

0:57:22.160 --> 0:57:27.200
<v Speaker 1>world and not cute. Let me ask let me ask

0:57:27.200 --> 0:57:29.080
<v Speaker 1>you real quick. Do you think and maybe it's more

0:57:29.080 --> 0:57:32.360
<v Speaker 1>for Elliott? Did you do print as well? Yeah? Okay,

0:57:32.360 --> 0:57:34.680
<v Speaker 1>So do you think that there's more be for Les

0:57:34.840 --> 0:57:38.040
<v Speaker 1>beef in in this age versus the print age. With

0:57:38.200 --> 0:57:41.760
<v Speaker 1>journalism and the arts, it's lessbief because somebody on Twitter

0:57:41.840 --> 0:57:44.880
<v Speaker 1>is telling you your hairline and giving you you feel

0:57:44.880 --> 0:57:47.280
<v Speaker 1>because the public is done them. You can't beat that.

0:57:47.400 --> 0:57:50.120
<v Speaker 1>You can't beat everybody. You can't beat everybody up. You

0:57:50.160 --> 0:57:53.280
<v Speaker 1>can't block everybody. So you can't shut the lights out

0:57:53.760 --> 0:57:59.960
<v Speaker 1>like if theyt saying, you know, Nori, no interrupted, there's

0:58:00.040 --> 0:58:03.479
<v Speaker 1>too many voices. You can't shoot everybody like you can't

0:58:03.560 --> 0:58:08.000
<v Speaker 1>like back then, crazy age right now, that's true, but

0:58:08.080 --> 0:58:11.040
<v Speaker 1>I'm saying I think that more the regular voice gets

0:58:11.080 --> 0:58:13.760
<v Speaker 1>in that chatter, like the majority you know what it is.

0:58:14.000 --> 0:58:16.840
<v Speaker 1>You drop an album, you know you buy the weekend.

0:58:16.960 --> 0:58:19.560
<v Speaker 1>Know how motherfucker's this feeling it? See it could be

0:58:19.720 --> 0:58:22.760
<v Speaker 1>d o A could definitely arrival or likes with it,

0:58:22.840 --> 0:58:25.440
<v Speaker 1>Like you get that instant feedback that we don't. We

0:58:25.520 --> 0:58:28.880
<v Speaker 1>don't control that narrative anymore like the people do because

0:58:28.920 --> 0:58:31.680
<v Speaker 1>of social media, the Twitter, because the Instagram, they're gonna

0:58:31.680 --> 0:58:33.520
<v Speaker 1>emoji you out, they're gonna say what it is. It's

0:58:33.520 --> 0:58:35.280
<v Speaker 1>like it's all there, so everything in your face. You

0:58:35.320 --> 0:58:37.440
<v Speaker 1>got to do with it. So it was a big

0:58:37.840 --> 0:58:40.400
<v Speaker 1>one of the biggest moments for you guys. My proudest

0:58:40.440 --> 0:58:42.680
<v Speaker 1>moment for you guys was when you landed at the

0:58:42.760 --> 0:59:00.280
<v Speaker 1>jay Z can't happen. So first off, it was so

0:59:02.480 --> 0:59:05.959
<v Speaker 1>how does this happen? You guys called the sober House

0:59:06.560 --> 0:59:11.640
<v Speaker 1>or same were calling so hard and you didn't know

0:59:11.720 --> 0:59:14.280
<v Speaker 1>what everybody think since his house that they think is

0:59:14.280 --> 0:59:16.640
<v Speaker 1>actually his house. No I knew that because you're a

0:59:16.720 --> 0:59:26.120
<v Speaker 1>soul house like sib Yeah, regular regular. I need Malibu, Okay,

0:59:26.440 --> 0:59:31.240
<v Speaker 1>I don't know. I can't get my mallible baby, let

0:59:31.280 --> 0:59:36.760
<v Speaker 1>me say a little manible, come on, come ontr And

0:59:38.680 --> 0:59:40.480
<v Speaker 1>so how can I get in Malibu. Man ain't got

0:59:40.480 --> 0:59:44.200
<v Speaker 1>me a whole toel October like said, gonna do a

0:59:44.320 --> 0:59:50.920
<v Speaker 1>verdict on October, said why we got you in October?

0:59:51.040 --> 0:59:55.160
<v Speaker 1>Like what, I ain't gonna holding batter right now. The

0:59:55.240 --> 0:59:57.919
<v Speaker 1>reason why I got in so fast? I was actually there,

0:59:58.320 --> 1:00:00.440
<v Speaker 1>like they're supposed to give you you you don't have

1:00:00.520 --> 1:00:03.400
<v Speaker 1>a regular so you gotta pull up and you gotta

1:00:03.440 --> 1:00:05.760
<v Speaker 1>say the people yo, for real and then they'll they'll

1:00:05.800 --> 1:00:10.520
<v Speaker 1>do back room fucking infamous. Okay, but hold on, hold on, okay,

1:00:10.600 --> 1:00:14.120
<v Speaker 1>so you guys whole finally agrees because I know even

1:00:14.160 --> 1:00:16.320
<v Speaker 1>if he wanted to agree, he's gonna take some time

1:00:16.360 --> 1:00:19.560
<v Speaker 1>to agree because he's that time. The second time we

1:00:20.040 --> 1:00:22.880
<v Speaker 1>had a Jay Z interview prior first time, it was

1:00:22.920 --> 1:00:25.120
<v Speaker 1>a pump fake. It was I was driving to he

1:00:25.240 --> 1:00:27.520
<v Speaker 1>was like, yo, I remember what was the message? Like

1:00:27.560 --> 1:00:29.640
<v Speaker 1>turning the mics on, ready to talk. I almost crashing

1:00:29.680 --> 1:00:34.800
<v Speaker 1>my cars like happy, But it didn't happen because he

1:00:34.880 --> 1:00:38.320
<v Speaker 1>was like, we're trying to get yeah, okay, and it's

1:00:38.360 --> 1:00:42.080
<v Speaker 1>pump fake. What its like he doesn't know basketball. I

1:00:42.160 --> 1:00:48.960
<v Speaker 1>get that there no push your t um with Jay

1:00:49.080 --> 1:00:52.400
<v Speaker 1>push drug deals anonymous and he samples the White Girl

1:00:52.560 --> 1:00:59.160
<v Speaker 1>used to be on Fox. Yeah, jay Z that ship

1:00:59.240 --> 1:01:01.680
<v Speaker 1>kissed him off. Okay, so when that ship came out

1:01:02.320 --> 1:01:04.880
<v Speaker 1>the next day, emailed me and beat out, I'm ready,

1:01:05.000 --> 1:01:08.200
<v Speaker 1>like who've been trying? Yeah, pull up, come to l A.

1:01:10.080 --> 1:01:13.880
<v Speaker 1>Turn the mix up. But then he the Moistie stopped

1:01:13.920 --> 1:01:18.960
<v Speaker 1>hitting us silence like then that Friday, I see tax

1:01:19.000 --> 1:01:25.680
<v Speaker 1>Stone in his office and he's like, like the interview,

1:01:26.760 --> 1:01:31.000
<v Speaker 1>that's why I went back. But going back to that, yes,

1:01:31.080 --> 1:01:33.320
<v Speaker 1>so that was that was the original because that bothered

1:01:33.360 --> 1:01:35.200
<v Speaker 1>him so much. He ended up, you know, cutting that

1:01:35.280 --> 1:01:38.160
<v Speaker 1>records that represented his thing. But like that hit triggered him.

1:01:38.160 --> 1:01:39.680
<v Speaker 1>So that was first thing out. But then the second

1:01:39.720 --> 1:01:44.840
<v Speaker 1>time to four four it's been out for months. It

1:01:44.960 --> 1:01:47.520
<v Speaker 1>was like a couple of weeks and it was just

1:01:47.760 --> 1:01:50.920
<v Speaker 1>random like because so he says, I'm coming to l A. No,

1:01:51.160 --> 1:01:55.480
<v Speaker 1>it was like, yo, let's talk something like history who

1:01:55.520 --> 1:02:00.280
<v Speaker 1>was trying to get to get there? So cool. So

1:02:00.480 --> 1:02:02.640
<v Speaker 1>if you know Jay, he's cryptic, like he doesn't say

1:02:02.640 --> 1:02:05.320
<v Speaker 1>too many words. He talks like in riddles. He talks

1:02:05.360 --> 1:02:10.480
<v Speaker 1>like Jesus, yeah you're talking about he emails you it's

1:02:10.480 --> 1:02:14.240
<v Speaker 1>a synthesis, like this thing is ryding to me like

1:02:20.000 --> 1:02:22.080
<v Speaker 1>when Jake contacts you, was just very cryptical, like you

1:02:22.120 --> 1:02:24.400
<v Speaker 1>gotta like decipher the ship. So it's like, all right,

1:02:24.440 --> 1:02:26.520
<v Speaker 1>we're ready, let's talk. So I'm like, oh, this is

1:02:26.640 --> 1:02:29.200
<v Speaker 1>this is really happening. And so we and Ellie we

1:02:29.360 --> 1:02:31.720
<v Speaker 1>like scrambled. We go to l A. Right man, in

1:02:31.920 --> 1:02:34.240
<v Speaker 1>l A, I'm not hitting them till we land, because

1:02:34.280 --> 1:02:37.040
<v Speaker 1>we don't believe things that's real until they're really at

1:02:37.080 --> 1:02:42.680
<v Speaker 1>this point. Yeah, So we get to l A and

1:02:42.760 --> 1:02:44.520
<v Speaker 1>we're like, okay, what do we do now? And we

1:02:44.640 --> 1:02:47.280
<v Speaker 1>hit JA like yo, we're here. What's the next step.

1:02:47.720 --> 1:02:50.320
<v Speaker 1>He's like, you're a crew? No no, because I was

1:02:50.400 --> 1:02:52.520
<v Speaker 1>like we're doing I didn't know if he's gonna do video.

1:02:53.200 --> 1:02:54.960
<v Speaker 1>So I was like, you know, we felming, like but

1:02:56.320 --> 1:02:58.000
<v Speaker 1>I don't even call the video. We don't have nothing.

1:02:58.120 --> 1:03:00.280
<v Speaker 1>We're just there. He's like it's Hollywood, man, get a crew,

1:03:00.800 --> 1:03:04.720
<v Speaker 1>Like but you don't understand, like if you do production,

1:03:04.800 --> 1:03:06.800
<v Speaker 1>it's not easy just to find that we didn't. I

1:03:06.800 --> 1:03:16.280
<v Speaker 1>don't want to, like he didn't scratch this iPhone, Like

1:03:16.640 --> 1:03:19.960
<v Speaker 1>we gotta get a crew. So we're like okay, and

1:03:20.040 --> 1:03:23.080
<v Speaker 1>it's like maybe eleven o'clock. It was black and white

1:03:23.160 --> 1:03:24.600
<v Speaker 1>or it's black and white, but we didn't know what

1:03:24.720 --> 1:03:27.160
<v Speaker 1>we want to do, okay, so back then we did

1:03:27.240 --> 1:03:29.200
<v Speaker 1>them all black because I was supposed to be like

1:03:29.320 --> 1:03:32.680
<v Speaker 1>the Rebird for the CBS era, like a different ships.

1:03:33.400 --> 1:03:35.480
<v Speaker 1>But then what will Smith we did The color looks

1:03:35.520 --> 1:03:37.080
<v Speaker 1>too ill with so then we were back to color.

1:03:37.120 --> 1:03:39.320
<v Speaker 1>Will Smith got outside of that. So we're the airport,

1:03:39.760 --> 1:03:41.320
<v Speaker 1>were scrambling to trying to find a crew. But they

1:03:41.360 --> 1:03:43.560
<v Speaker 1>were like, we're we gonna do this that right, And

1:03:43.920 --> 1:03:46.160
<v Speaker 1>we said Rock Nation Office in l A. And he

1:03:46.280 --> 1:03:48.720
<v Speaker 1>said so. But when he said so, ho, I thought

1:03:48.760 --> 1:03:52.040
<v Speaker 1>he meant the sausin Holly Hollywood. Yeah, so house in

1:03:52.120 --> 1:03:56.240
<v Speaker 1>downtown too, but the house Hollywood, that's about the downtown. Yeah.

1:03:56.680 --> 1:03:59.520
<v Speaker 1>But then I didn't know about Malibu. Alibu. Fuck, That's

1:03:59.560 --> 1:04:02.320
<v Speaker 1>why I like moment. I was like, we gotta getting

1:04:02.320 --> 1:04:04.200
<v Speaker 1>a car because it's just like an hour so away.

1:04:04.280 --> 1:04:06.240
<v Speaker 1>So it was my first time then, like Elliot, don't

1:04:06.320 --> 1:04:09.520
<v Speaker 1>drive right. So I'm driving the Mallible Way, I'm like

1:04:09.720 --> 1:04:15.560
<v Speaker 1>being there, crash because the driver is beautiful. It's it's

1:04:15.600 --> 1:04:26.360
<v Speaker 1>like ships driving like no ship, y'all almost make right,

1:04:26.560 --> 1:04:31.080
<v Speaker 1>So y'all get to the mount. I mean, I'm gonna

1:04:31.080 --> 1:04:36.880
<v Speaker 1>do a tager ball, but I want you the tequiladge shudge.

1:04:37.240 --> 1:04:40.000
<v Speaker 1>Can you give me? He got me? He was on

1:04:40.040 --> 1:04:44.200
<v Speaker 1>the highway that story about himself. I thank you quite

1:04:44.200 --> 1:04:47.400
<v Speaker 1>and I appreciate the other way and I hate it too,

1:04:47.400 --> 1:04:50.920
<v Speaker 1>side as I don't give a fun So so it's

1:04:50.960 --> 1:04:54.120
<v Speaker 1>all the same day, keeping driving a malliable. So I'm driving,

1:04:55.640 --> 1:05:06.720
<v Speaker 1>crashing right up, driving to drive them out when you

1:05:06.880 --> 1:05:13.120
<v Speaker 1>crashing and we get there. He's a drunk. So we

1:05:13.200 --> 1:05:14.919
<v Speaker 1>get there and I'm like, oh, this is really nice

1:05:15.040 --> 1:05:17.600
<v Speaker 1>and then beautiful and what was so ill was because

1:05:17.640 --> 1:05:20.160
<v Speaker 1>I'm like looking at around, I'm like, it's like a Wednesday,

1:05:20.320 --> 1:05:22.439
<v Speaker 1>right middle of the day. You see what these white

1:05:22.520 --> 1:05:25.880
<v Speaker 1>people in their laptops. Life is great. Like everyone's just chilling,

1:05:26.280 --> 1:05:31.040
<v Speaker 1>smiles on their face. Member there, John Um, the publishing guy,

1:05:32.560 --> 1:05:34.760
<v Speaker 1>he's a member of the always see them. It looks

1:05:34.800 --> 1:05:37.280
<v Speaker 1>like a dope ass like apartment somewhere like in the city.

1:05:37.520 --> 1:05:39.640
<v Speaker 1>The woman that you actually interview. I called it the

1:05:39.720 --> 1:05:42.160
<v Speaker 1>Kendrick Lamar room because every time I go there, I

1:05:42.280 --> 1:05:44.680
<v Speaker 1>smoke a with upstairs Kendrick Lamar and TV is downstairs

1:05:44.760 --> 1:05:55.320
<v Speaker 1>up side continue damn, how we making mallible happen? Tell

1:05:55.360 --> 1:06:04.080
<v Speaker 1>you I would be in my friend. We go in

1:06:04.160 --> 1:06:06.360
<v Speaker 1>the room and you know, food is coming out, and

1:06:07.920 --> 1:06:09.680
<v Speaker 1>how do you how do you even convince them? Because

1:06:09.960 --> 1:06:11.240
<v Speaker 1>first of all, I don't even know, I don't know

1:06:11.280 --> 1:06:17.760
<v Speaker 1>who house is U a nonfillment place, you can't feel

1:06:17.800 --> 1:06:20.200
<v Speaker 1>a valuable was even more strict than that, because that's

1:06:20.320 --> 1:06:24.120
<v Speaker 1>that's a that's a that's a that's a a private

1:06:24.240 --> 1:06:27.120
<v Speaker 1>within a private? So how did you convince it what

1:06:27.280 --> 1:06:33.400
<v Speaker 1>you just wanted? So that's what he was like that,

1:06:33.600 --> 1:06:35.240
<v Speaker 1>But it's most like we have to make it happen.

1:06:35.280 --> 1:06:37.480
<v Speaker 1>But then it's like you say it's whole, but you know,

1:06:37.560 --> 1:06:39.560
<v Speaker 1>the funniest you ever say, fuzzy of it. But now

1:06:39.640 --> 1:06:42.000
<v Speaker 1>when you first come in, there's like a girl, I said,

1:06:42.080 --> 1:06:43.760
<v Speaker 1>right in the front, Right in the front, she had

1:06:43.880 --> 1:06:46.680
<v Speaker 1>built up the system. I'm not trying to buy chother

1:06:46.760 --> 1:06:49.000
<v Speaker 1>with the system that was running. She had hooked up

1:06:49.040 --> 1:06:51.200
<v Speaker 1>the PA. She was in the seed. She was saying

1:06:51.240 --> 1:06:56.600
<v Speaker 1>that she heard the whole interview. She was with the ballad,

1:06:58.880 --> 1:07:01.480
<v Speaker 1>but she was listening to us. So I just think

1:07:01.520 --> 1:07:05.280
<v Speaker 1>they got they got excited, Yeah, they got excited. One

1:07:05.440 --> 1:07:07.200
<v Speaker 1>it's one's brown scared and it's one of the real

1:07:07.280 --> 1:07:10.120
<v Speaker 1>real dog okay, one of them. All up was listening

1:07:10.120 --> 1:07:12.720
<v Speaker 1>to the whole interview, like so I just think like

1:07:13.160 --> 1:07:14.680
<v Speaker 1>we didn't know the weight of the whole thing because

1:07:14.720 --> 1:07:16.120
<v Speaker 1>we had never been there. Like look back on it

1:07:16.200 --> 1:07:18.560
<v Speaker 1>makes sense. But that's since the palace saying holds the

1:07:18.600 --> 1:07:20.760
<v Speaker 1>ready to go. But none of that was planned. It's

1:07:20.760 --> 1:07:22.640
<v Speaker 1>that we booked in advance, like when we come out,

1:07:23.120 --> 1:07:26.000
<v Speaker 1>we're gonna do whatever. I was determined with Sam telling

1:07:26.080 --> 1:07:28.600
<v Speaker 1>be Dot, I'm scared of things, gonna change his mind.

1:07:28.720 --> 1:07:31.560
<v Speaker 1>He's done it before. We ain't hitting until we touched down,

1:07:31.840 --> 1:07:33.880
<v Speaker 1>Like we just landed. What's good what we're doing? Like

1:07:34.760 --> 1:07:36.640
<v Speaker 1>him said, yea, So we landed, and so what we did?

1:07:36.680 --> 1:07:39.400
<v Speaker 1>We landed, gotten the rent of car, beat us driving.

1:07:39.400 --> 1:07:41.000
<v Speaker 1>I'm like, let's en, um, let's see what we're doing, Like,

1:07:41.080 --> 1:07:44.080
<v Speaker 1>let's try to see. I wanted to get the clearance

1:07:44.120 --> 1:07:45.960
<v Speaker 1>to pull up to his crib and get it done.

1:07:46.640 --> 1:07:49.080
<v Speaker 1>And then he wanted the location. So with scrambling right

1:07:49.160 --> 1:07:52.400
<v Speaker 1>Nation the Malibu and Malibu. So man happened and then

1:07:52.440 --> 1:07:54.480
<v Speaker 1>all things we were setting up and it had the

1:07:54.520 --> 1:07:56.720
<v Speaker 1>door open with the ocean and the breeze and the

1:07:56.760 --> 1:07:59.240
<v Speaker 1>ship popping, and it was so dope and lush, and

1:07:59.320 --> 1:08:01.160
<v Speaker 1>it was like no, but when we stopped filming, you know,

1:08:02.240 --> 1:08:05.760
<v Speaker 1>we got to close the door because so when he

1:08:05.920 --> 1:08:08.280
<v Speaker 1>came in though Nigga's got so stra truck, they forgot,

1:08:08.560 --> 1:08:14.360
<v Speaker 1>they forgot. So I was like, yo, running camera running again.

1:08:14.560 --> 1:08:16.679
<v Speaker 1>But the thing that's great about it is that we hope.

1:08:16.760 --> 1:08:19.240
<v Speaker 1>What what's great about hope is that you know, we

1:08:19.439 --> 1:08:21.000
<v Speaker 1>we both have a great lection with him and we've

1:08:21.040 --> 1:08:23.040
<v Speaker 1>had an ups and downs and he's a real nigger.

1:08:23.120 --> 1:08:24.960
<v Speaker 1>We can really battle with him about certain things. But

1:08:25.840 --> 1:08:28.400
<v Speaker 1>he didn't set parameters. He was like, Yo, I'm gonna,

1:08:28.880 --> 1:08:31.400
<v Speaker 1>I'm gonna, I'm gonna submit to the process. He had

1:08:31.439 --> 1:08:33.320
<v Speaker 1>the power that you may never see it like he's

1:08:33.320 --> 1:08:37.680
<v Speaker 1>in control ultimately, but he gave into the situation and

1:08:37.760 --> 1:08:39.880
<v Speaker 1>get kept und So it wasn't that you can't ask

1:08:39.920 --> 1:08:42.639
<v Speaker 1>me about salonage elevator, so be that, you know, beabout

1:08:42.680 --> 1:08:44.800
<v Speaker 1>the shooting. He should go for it, hena. So we

1:08:44.920 --> 1:08:47.280
<v Speaker 1>got all that stuff and it's just like and then

1:08:47.320 --> 1:08:48.680
<v Speaker 1>when I mean when I sent it to because that

1:08:48.800 --> 1:08:51.000
<v Speaker 1>sense of approval, he had no changes. He didn't touch him.

1:08:51.040 --> 1:08:53.120
<v Speaker 1>He looked at it. So that's the hunt thing about like,

1:08:53.200 --> 1:08:56.680
<v Speaker 1>you know, he's bad about ny To outside of that,

1:08:57.720 --> 1:08:59.719
<v Speaker 1>you know, I asked jay Z, you know the infamous

1:09:00.200 --> 1:09:02.679
<v Speaker 1>ninety two breaks at the fallback? He said, will never change?

1:09:02.720 --> 1:09:04.680
<v Speaker 1>I actually, you know, what's the story behind that? And

1:09:04.760 --> 1:09:07.479
<v Speaker 1>he really gave the story and I was like, Yo,

1:09:07.560 --> 1:09:10.559
<v Speaker 1>this is this is great, this internet goal. Like everyone's

1:09:10.640 --> 1:09:13.360
<v Speaker 1>like we made it, you know. So when the inter

1:09:13.400 --> 1:09:15.880
<v Speaker 1>OFEW came out and that part wasn't there, I said,

1:09:16.240 --> 1:09:18.479
<v Speaker 1>what the fun is going on? And I'm like, I

1:09:18.560 --> 1:09:21.200
<v Speaker 1>hit Yo, the ninetoo breaks you wanted to fall back?

1:09:21.280 --> 1:09:25.320
<v Speaker 1>He was like, na, that was all Elliott, you take

1:09:25.360 --> 1:09:28.519
<v Speaker 1>it out. I was like out. I was like, I'm reading,

1:09:28.560 --> 1:09:33.920
<v Speaker 1>like not Elliott. But he made the right decision impression

1:09:40.479 --> 1:09:44.360
<v Speaker 1>that was so bad? But but why would you do that? Yeah?

1:09:44.439 --> 1:09:46.920
<v Speaker 1>Why the funk would you do? It didn't fit the

1:09:46.920 --> 1:09:49.720
<v Speaker 1>whole FOURT four ship And then it wasn't like track

1:09:49.760 --> 1:09:52.040
<v Speaker 1>seventies some one ninety two bricks. The fun thing is

1:09:52.120 --> 1:09:54.280
<v Speaker 1>that after we did that, the thing is round about

1:09:54.280 --> 1:09:57.639
<v Speaker 1>the bricks all over again, like talking about that too,

1:09:57.680 --> 1:09:59.280
<v Speaker 1>Like he's talking about the brakes all over again. What

1:09:59.360 --> 1:10:01.400
<v Speaker 1>made even work really pissed me off at the ELI

1:10:01.479 --> 1:10:03.559
<v Speaker 1>didn't tell me and had the talent was wrong. Okay,

1:10:04.040 --> 1:10:10.640
<v Speaker 1>I see you now so now when my dad, but

1:10:10.920 --> 1:10:15.320
<v Speaker 1>I see I see them loading up man loading up. No,

1:10:15.520 --> 1:10:18.080
<v Speaker 1>but but at that point, I definitely, I definitely have

1:10:18.160 --> 1:10:21.000
<v Speaker 1>conversated you before I make it sision like it was

1:10:21.080 --> 1:10:26.320
<v Speaker 1>a great experience. I still can't believe we did that,

1:10:26.520 --> 1:10:29.360
<v Speaker 1>Like that ship is like it was like, like, no,

1:10:29.560 --> 1:10:30.880
<v Speaker 1>you know what, I've been doing this for a minute.

1:10:31.800 --> 1:10:33.960
<v Speaker 1>Fact that the fact that you don't know how hard

1:10:34.040 --> 1:10:36.599
<v Speaker 1>it is to pull out the fucking camp first off

1:10:36.680 --> 1:10:38.920
<v Speaker 1>that side of the room, because you remember, you gotta

1:10:38.920 --> 1:10:40.880
<v Speaker 1>walk in and go to the rank, so that side

1:10:40.880 --> 1:10:43.880
<v Speaker 1>of the room is only where they even allowed. But

1:10:44.720 --> 1:10:47.160
<v Speaker 1>it's like this, you're not gonna this. So when I

1:10:47.280 --> 1:10:54.600
<v Speaker 1>when I'm not really realized that first, yeah, because I

1:10:54.680 --> 1:10:57.800
<v Speaker 1>get you don't get cross to that. Why come up?

1:10:57.840 --> 1:11:00.320
<v Speaker 1>You know why? You know why? I believe even if

1:11:00.360 --> 1:11:02.160
<v Speaker 1>we try to be black and excellent. So getting a

1:11:02.200 --> 1:11:05.200
<v Speaker 1>hold is one thing, but getting him in that location

1:11:05.760 --> 1:11:08.360
<v Speaker 1>meant so much more to me because I had just

1:11:08.520 --> 1:11:11.639
<v Speaker 1>became a member and I was like you they told

1:11:11.680 --> 1:11:18.320
<v Speaker 1>me that ship because we took a photograph after and

1:11:18.760 --> 1:11:21.280
<v Speaker 1>in the picture there's like this clip picture over the

1:11:21.360 --> 1:11:24.840
<v Speaker 1>clip it a little and said, we took the pictures

1:11:26.680 --> 1:11:39.439
<v Speaker 1>like yeah, right three times. I didn't know it was

1:11:40.360 --> 1:11:45.439
<v Speaker 1>malib something about the pictures. I said, there's something, there's

1:11:45.479 --> 1:11:49.320
<v Speaker 1>something that's ringing at me. And then I'm going removable

1:11:49.360 --> 1:11:51.560
<v Speaker 1>and I'm walking through. And I walked through because I

1:11:51.640 --> 1:11:54.519
<v Speaker 1>called the Kendrick lamarble when I'm like, kid, I really

1:11:54.560 --> 1:12:11.360
<v Speaker 1>be in a teez motherfucker's I I see that. I'm

1:12:11.360 --> 1:12:14.439
<v Speaker 1>going right now. The thing and the thing. The thing

1:12:14.600 --> 1:12:17.040
<v Speaker 1>is to hear y'all say this story is amazing even

1:12:17.160 --> 1:12:20.400
<v Speaker 1>more to me because I'm thinking you're playing that months

1:12:20.439 --> 1:12:25.200
<v Speaker 1>in events the same day. It was like they didn't

1:12:25.200 --> 1:12:28.080
<v Speaker 1>know what he was walking into. Jay said, just do

1:12:28.200 --> 1:12:31.000
<v Speaker 1>it there, but he did to me use that room,

1:12:31.520 --> 1:12:33.519
<v Speaker 1>setting up that way, half the food, the whole thing,

1:12:33.640 --> 1:12:36.000
<v Speaker 1>like you didn't know. Okay, now, Will Smith, you guys

1:12:36.040 --> 1:12:39.479
<v Speaker 1>found the stunt on us earlier when he dropped the

1:12:39.479 --> 1:12:42.960
<v Speaker 1>Will Smith that was that was fun. No, but yeah,

1:12:43.080 --> 1:12:44.479
<v Speaker 1>because we looked at the thing was like, I was

1:12:44.520 --> 1:12:47.879
<v Speaker 1>determined to make the whole title run different than the CBS.

1:12:48.520 --> 1:12:50.679
<v Speaker 1>So let's just do black and white because it feels classic.

1:12:50.760 --> 1:12:53.120
<v Speaker 1>It's a way to reinvent um. And then but with

1:12:53.240 --> 1:12:55.280
<v Speaker 1>the title one, they had setting up this Will Smith

1:12:55.360 --> 1:12:58.360
<v Speaker 1>one in Budapest. They had picked us location and the

1:12:58.439 --> 1:13:00.439
<v Speaker 1>blue there was like all my production cool was like

1:13:00.720 --> 1:13:03.080
<v Speaker 1>the colors. I was like, yore black and white. I

1:13:03.120 --> 1:13:04.559
<v Speaker 1>would be dead in all the time now that were

1:13:04.600 --> 1:13:06.280
<v Speaker 1>black and white. But there was like no cut. They

1:13:06.320 --> 1:13:07.679
<v Speaker 1>showed me the picture of it. I was like, guys,

1:13:07.720 --> 1:13:15.920
<v Speaker 1>how what's that story? So Will Smith shooting a movie right,

1:13:16.000 --> 1:13:17.800
<v Speaker 1>and he's going to be in Budapest for like a

1:13:17.840 --> 1:13:20.160
<v Speaker 1>month or two. This is the Genie movie. No, it

1:13:20.240 --> 1:13:23.439
<v Speaker 1>was something else, so not a last he trying to

1:13:23.520 --> 1:13:26.760
<v Speaker 1>kill himself. It's something coming out soon. I think they're

1:13:26.800 --> 1:13:30.080
<v Speaker 1>using that technology where he's like looks really young or whatever. Okay, yeah,

1:13:33.200 --> 1:13:35.439
<v Speaker 1>that's that movie. So he's out there filming, and um

1:13:35.640 --> 1:13:37.320
<v Speaker 1>we were actually trying to get him for like a year,

1:13:37.479 --> 1:13:39.560
<v Speaker 1>like he's just new the Instagram. And then it was

1:13:39.600 --> 1:13:41.720
<v Speaker 1>finally like he's going to be in Budapest shooting this movie.

1:13:42.160 --> 1:13:44.320
<v Speaker 1>He's stuck here, Like he's stuck here for him because

1:13:44.360 --> 1:13:46.080
<v Speaker 1>he travels a lot. That Nigg is like always like

1:13:46.120 --> 1:13:48.240
<v Speaker 1>did he live on his best life for exactly? But

1:13:48.320 --> 1:13:50.200
<v Speaker 1>there was like he got a film for these three

1:13:50.240 --> 1:13:53.720
<v Speaker 1>to six weeks he's locked in Budapest. You know, could

1:13:53.760 --> 1:13:55.880
<v Speaker 1>you pick these weekends? Like you can't pick this like

1:13:56.040 --> 1:13:58.400
<v Speaker 1>memorial their weekend or whatever. So I picked the weekend

1:13:58.439 --> 1:14:00.120
<v Speaker 1>and we made it. That was playing out with bit

1:14:00.200 --> 1:14:02.920
<v Speaker 1>More was like finally got listen, if we're willing to

1:14:03.040 --> 1:14:04.840
<v Speaker 1>take the flight and go out there and get it done,

1:14:04.960 --> 1:14:06.960
<v Speaker 1>let's go get it done. So we went all the

1:14:07.040 --> 1:14:11.040
<v Speaker 1>way to Hungary. Was not about eight hours, eight nine hours,

1:14:11.520 --> 1:14:14.360
<v Speaker 1>and we did that at his hotel that was at

1:14:14.360 --> 1:14:16.519
<v Speaker 1>the fourth Seasons. But even he was impressed when he

1:14:16.600 --> 1:14:18.080
<v Speaker 1>came out the way we had it set up and

1:14:18.360 --> 1:14:20.240
<v Speaker 1>that's like the lobby or like a secret room in

1:14:20.320 --> 1:14:22.800
<v Speaker 1>that hotel he was staying at. So his hotel was

1:14:22.880 --> 1:14:25.280
<v Speaker 1>you know more six star like some other ship. But

1:14:25.439 --> 1:14:27.680
<v Speaker 1>we turned that whole set up the production crews like

1:14:27.760 --> 1:14:29.519
<v Speaker 1>you see it like this thing. You know that ship

1:14:29.600 --> 1:14:33.160
<v Speaker 1>is important. You know the thing you know you got

1:14:33.200 --> 1:14:35.519
<v Speaker 1>you got on the shot. You saw him at the

1:14:35.880 --> 1:14:38.559
<v Speaker 1>Nickelodeon Awards with the Nickelodeon a War, and I've seen

1:14:38.640 --> 1:14:42.200
<v Speaker 1>him at the the ship that he had on Netflix.

1:14:42.360 --> 1:14:46.679
<v Speaker 1>Oh yeah, the premier for the Alien the Zombie movie

1:14:46.720 --> 1:14:48.800
<v Speaker 1>and Ship and that ship blew me away because you

1:14:48.840 --> 1:14:54.559
<v Speaker 1>know I'm from left brack City, right yeah, right brack

1:14:54.640 --> 1:14:58.840
<v Speaker 1>City section two. Um, I really don't never think I'm famous.

1:14:58.880 --> 1:15:01.640
<v Speaker 1>I never thought I was famous that all. And so

1:15:02.360 --> 1:15:04.080
<v Speaker 1>that's why it's easy for me to do Dream Champs.

1:15:04.160 --> 1:15:06.120
<v Speaker 1>It's easy for me to give people props in the set,

1:15:06.160 --> 1:15:08.639
<v Speaker 1>props like I don't like to be picked up. Pause,

1:15:09.040 --> 1:15:12.320
<v Speaker 1>Like I like, I'm better at big in somebody else out.

1:15:13.400 --> 1:15:15.760
<v Speaker 1>So I see Will and he had to break for me.

1:15:15.800 --> 1:15:18.400
<v Speaker 1>He's like, you know, what's up? And I said, Will Smith,

1:15:18.439 --> 1:15:23.840
<v Speaker 1>you don't know. It was shocking because I thought I

1:15:23.920 --> 1:15:26.080
<v Speaker 1>had to. I had through somebody whispered to his ear

1:15:26.120 --> 1:15:28.160
<v Speaker 1>and said, yea, that's Gnory right there. But he turned

1:15:28.200 --> 1:15:29.479
<v Speaker 1>and he said, you know it, what's ups? So I'm

1:15:29.560 --> 1:15:32.360
<v Speaker 1>looking for the person. Yeah, I'm like, no, you don't

1:15:32.360 --> 1:15:35.240
<v Speaker 1>know what's up. And I don't know if he said nigga,

1:15:35.240 --> 1:15:42.880
<v Speaker 1>but in my sounds, I game five and ship the

1:15:42.960 --> 1:15:45.519
<v Speaker 1>room and I forgot what he said to me. But anyway,

1:15:45.600 --> 1:15:54.880
<v Speaker 1>moving on, Yeah, hold that get just shot the So

1:15:55.520 --> 1:15:57.680
<v Speaker 1>the other part of this is I'm in that l

1:15:57.760 --> 1:16:02.120
<v Speaker 1>a um, I don't. I hate red carpets. I don't

1:16:02.120 --> 1:16:04.840
<v Speaker 1>know if you guys have ever people in red carpets. Yeah, yeah,

1:16:05.600 --> 1:16:14.200
<v Speaker 1>it's probably. It's probably like five maybe seven of me

1:16:14.360 --> 1:16:16.720
<v Speaker 1>walking the red carpets, and I guarantee you it was

1:16:16.800 --> 1:16:18.800
<v Speaker 1>the time where I had no control of my career.

1:16:19.200 --> 1:16:22.880
<v Speaker 1>It's Chris body seriously right there, like keep walking like

1:16:23.800 --> 1:16:25.880
<v Speaker 1>the Scott or somebody like like that. Because I just

1:16:25.960 --> 1:16:29.560
<v Speaker 1>hate red carpets. I've never understood the position of it,

1:16:29.680 --> 1:16:31.920
<v Speaker 1>like you know, stand there, you're you know, we look here,

1:16:32.800 --> 1:16:35.400
<v Speaker 1>you know, look here, look at like why can't I

1:16:35.439 --> 1:16:37.880
<v Speaker 1>look one place? Everybody take the one fucking picture and

1:16:37.920 --> 1:16:39.840
<v Speaker 1>let me keep it moving. So I never understood it.

1:16:40.800 --> 1:16:42.760
<v Speaker 1>So I go through the thing. They bring me these

1:16:42.800 --> 1:16:45.360
<v Speaker 1>passes for the Nickelodeon ship. So when they go to

1:16:45.400 --> 1:16:47.200
<v Speaker 1>the thing and they're like, yo, um, can you go

1:16:47.240 --> 1:16:49.160
<v Speaker 1>to the red carpet? So it's just me, my wife

1:16:49.200 --> 1:16:52.759
<v Speaker 1>and my son, and I literally had a panic attack

1:16:52.880 --> 1:16:56.160
<v Speaker 1>right here and there. I was like what red carpet?

1:16:56.400 --> 1:16:59.519
<v Speaker 1>I don't know, like and then the lady looked at

1:16:59.560 --> 1:17:04.120
<v Speaker 1>me like okay, just flipped like like I don't really

1:17:04.160 --> 1:17:06.160
<v Speaker 1>the red carpet. So as what I'm saying, I said,

1:17:06.280 --> 1:17:08.400
<v Speaker 1>let me walk the other way. So as I walked

1:17:08.439 --> 1:17:11.920
<v Speaker 1>the other way, the first person I see is will

1:17:12.000 --> 1:17:14.640
<v Speaker 1>Smith and he goes. He did to me again, what's up?

1:17:14.720 --> 1:17:26.040
<v Speaker 1>Nor gave me a five? And this is the crazy shit. Also,

1:17:26.840 --> 1:17:29.160
<v Speaker 1>I also don't think none of these young niggas know me.

1:17:30.680 --> 1:17:35.160
<v Speaker 1>So me goes walked right behind me, and I swear

1:17:35.200 --> 1:17:37.679
<v Speaker 1>to God, I don't even save up to the ogs.

1:17:37.760 --> 1:17:39.720
<v Speaker 1>You don't say what up to me? I literally don't

1:17:39.720 --> 1:17:45.120
<v Speaker 1>give coach k and and and P come to me

1:17:45.160 --> 1:17:48.760
<v Speaker 1>yourself something. But I wasn't gonna say nothing to I

1:17:48.760 --> 1:17:50.720
<v Speaker 1>don't want to know. I'm not Joe. Butden, you know

1:17:50.760 --> 1:17:58.120
<v Speaker 1>I ain't hating you know, I don't hear so so?

1:17:58.360 --> 1:18:08.400
<v Speaker 1>And then what's is? Cardiv man? What's up? Nori says

1:18:08.439 --> 1:18:10.760
<v Speaker 1>that it but he said what's uping? And I looked

1:18:10.800 --> 1:18:12.400
<v Speaker 1>at the nigger because he was too far from me

1:18:12.479 --> 1:18:14.880
<v Speaker 1>to reach y'all in the vibe. And then my son

1:18:15.080 --> 1:18:16.800
<v Speaker 1>was like, then he would turn around. My son was like,

1:18:24.800 --> 1:18:29.240
<v Speaker 1>give me is excited. He said, I'm like, he's some

1:18:29.400 --> 1:18:35.760
<v Speaker 1>ho shoe. I'm not. No, I ain't gonna lie. I

1:18:35.920 --> 1:18:40.160
<v Speaker 1>liked it that because he he didn't have to do that.

1:18:40.360 --> 1:18:42.240
<v Speaker 1>He looked at me and he could have easily turned

1:18:42.280 --> 1:18:46.719
<v Speaker 1>around and be like whatever. You know. Yeah, we actually

1:18:46.800 --> 1:18:48.800
<v Speaker 1>didn't try to be using for the whole crew. But

1:18:49.080 --> 1:18:52.120
<v Speaker 1>what I want to say is the reason why most

1:18:52.160 --> 1:18:54.679
<v Speaker 1>O g s don't give the young uns their respect

1:18:54.800 --> 1:18:56.759
<v Speaker 1>is because we don't think that we have their respect.

1:18:57.640 --> 1:18:59.599
<v Speaker 1>So I would rather not. I would rather not because

1:18:59.640 --> 1:19:01.200
<v Speaker 1>I was up to school you. But if I feel

1:19:01.200 --> 1:19:02.559
<v Speaker 1>like you're gonna school me, you think that you've got

1:19:02.600 --> 1:19:05.600
<v Speaker 1>a bigger chain on than me, because you might. Some

1:19:05.680 --> 1:19:07.200
<v Speaker 1>of these guys might even have more money than me,

1:19:07.240 --> 1:19:10.080
<v Speaker 1>while you have the longevity. You know what I'm saying,

1:19:10.080 --> 1:19:11.320
<v Speaker 1>You might have better work to me. You might have

1:19:11.439 --> 1:19:13.759
<v Speaker 1>better client telling me, But are you gonna stay outside

1:19:13.800 --> 1:19:18.680
<v Speaker 1>as long as me? I'm staying outside all day. I

1:19:18.760 --> 1:19:21.160
<v Speaker 1>didn't go on this side when it rain, I'm going

1:19:21.280 --> 1:19:27.800
<v Speaker 1>on rain skins when it thunderstorms. Don't getting under the thunderstorm. Yeah,

1:19:29.280 --> 1:19:32.759
<v Speaker 1>when it's hot, out of playing, Skelly, I'm doing everything

1:19:33.439 --> 1:19:35.559
<v Speaker 1>you said. When you see I always say some people

1:19:35.600 --> 1:19:37.880
<v Speaker 1>on bill for it. You know what you mean? That man?

1:19:37.920 --> 1:19:39.880
<v Speaker 1>You sad like when you see like what you mean

1:19:40.479 --> 1:19:42.080
<v Speaker 1>like I would like to break it down. I know

1:19:42.200 --> 1:19:44.120
<v Speaker 1>exactly what you mean. I would like you to bring

1:19:44.160 --> 1:19:46.960
<v Speaker 1>it down because there's so many talented brothers that don't

1:19:47.080 --> 1:19:50.080
<v Speaker 1>take their talent as serious. But thing is, the thing

1:19:50.280 --> 1:19:54.000
<v Speaker 1>is I noticed a cliche to say, but you know, uh,

1:19:54.800 --> 1:19:58.880
<v Speaker 1>talent out beast people who's busy workers were working. You

1:19:58.960 --> 1:20:01.880
<v Speaker 1>know it's gonna out work people with with with five

1:20:02.000 --> 1:20:06.320
<v Speaker 1>six like I love it. I love I love to

1:20:07.040 --> 1:20:08.479
<v Speaker 1>you know, just wake up in the morning and just

1:20:08.640 --> 1:20:12.639
<v Speaker 1>think about more the every every great idea I ever had.

1:20:12.760 --> 1:20:15.559
<v Speaker 1>I co signed it in the morning. I co signed

1:20:15.640 --> 1:20:18.040
<v Speaker 1>at five like this thought. This guy was telling me

1:20:18.080 --> 1:20:21.280
<v Speaker 1>to do a podcast for so long that right, and

1:20:21.720 --> 1:20:23.519
<v Speaker 1>I couldn't see his vision until I woke up in

1:20:23.600 --> 1:20:25.599
<v Speaker 1>the morning. And I probably him like four or thirty

1:20:25.600 --> 1:20:27.639
<v Speaker 1>in the morning. He's probably like, what is this problem?

1:20:28.360 --> 1:20:31.719
<v Speaker 1>Every morning I waked up, I put my ship on airpin,

1:20:32.200 --> 1:20:36.479
<v Speaker 1>I turned on I don't text. I said, I ready

1:20:36.479 --> 1:20:44.160
<v Speaker 1>for me to rap radar man, thank you for coming

1:20:44.200 --> 1:20:50.200
<v Speaker 1>out before we get out. Why can we do this?

1:20:50.400 --> 1:20:51.680
<v Speaker 1>Why don't get a nigger like you to do the

1:20:51.760 --> 1:21:00.360
<v Speaker 1>national And I wanted to serious, I do want to

1:21:00.400 --> 1:21:10.560
<v Speaker 1>know that yo, you know what um you know m

1:21:11.240 --> 1:21:19.320
<v Speaker 1>hip hop raw Flush album two times? What a shame?

1:21:19.880 --> 1:21:28.559
<v Speaker 1>And I stand medallions h to be told raw artests

1:21:29.520 --> 1:21:34.160
<v Speaker 1>and Capone or fucking related. Wait wait, slow that I

1:21:34.240 --> 1:21:43.160
<v Speaker 1>can't Capone and raw artests all fucking related, Like that's insane.

1:21:46.479 --> 1:21:51.000
<v Speaker 1>So was supposed to be on the Roy Flush album? Yeah?

1:21:51.479 --> 1:21:54.000
<v Speaker 1>I did ice that Medallions, I did that. That was

1:21:54.840 --> 1:21:56.439
<v Speaker 1>that was my well when you did what a shame?

1:21:56.560 --> 1:21:59.240
<v Speaker 1>Like this thing is really going in. Yeah, you gotta

1:21:59.280 --> 1:22:01.960
<v Speaker 1>remember that was an easy LPB easy LP did most

1:22:01.960 --> 1:22:05.800
<v Speaker 1>of Yeah, he did bloody money he did. I forget

1:22:05.880 --> 1:22:09.200
<v Speaker 1>how much he did. So I'll go back to being

1:22:09.200 --> 1:22:11.559
<v Speaker 1>an interview. So I was okay, that was actually supposed

1:22:11.560 --> 1:22:14.920
<v Speaker 1>to be capone Okay, and you know I was the

1:22:15.000 --> 1:22:18.320
<v Speaker 1>next best person to go to, uh Warrior Flush. But

1:22:18.439 --> 1:22:20.560
<v Speaker 1>I didn't know about Warrior Flush at the time. Was

1:22:20.640 --> 1:22:23.840
<v Speaker 1>he was? He was? He was a real street dude

1:22:23.880 --> 1:22:27.040
<v Speaker 1>like he was. He was the guy back in Mike Geronimo.

1:22:27.160 --> 1:22:29.479
<v Speaker 1>Mike Geronimo was a lot of people don't know a

1:22:29.560 --> 1:22:34.320
<v Speaker 1>lot of overlook I was yesterday, but she was real.

1:22:34.479 --> 1:22:38.360
<v Speaker 1>It was nas and it was Mike right here, bro,

1:22:38.560 --> 1:22:41.120
<v Speaker 1>he's nipping at him right. It was really like listen, listen.

1:22:41.280 --> 1:22:45.000
<v Speaker 1>It was like I listened. Even when when he com

1:22:45.200 --> 1:22:47.960
<v Speaker 1>big al was bigger than NAS at the time when

1:22:48.000 --> 1:22:52.240
<v Speaker 1>its Colombia, like in that building that records, No you

1:22:52.320 --> 1:22:55.200
<v Speaker 1>want to Columbia Records. At that time they signed big

1:22:55.400 --> 1:22:59.760
<v Speaker 1>l direct and they got NAS, so they didn't know

1:22:59.840 --> 1:23:03.280
<v Speaker 1>that vision yet big It was all about big Elig label.

1:23:04.000 --> 1:23:05.920
<v Speaker 1>I was never No, don't know what I'm saying. That

1:23:06.400 --> 1:23:08.000
<v Speaker 1>he was the guy. The reason it was great about

1:23:08.080 --> 1:23:10.519
<v Speaker 1>Naz is ascension before the Alematic. I agree with him

1:23:10.520 --> 1:23:12.200
<v Speaker 1>a little bit more, even more that he's agreeing with

1:23:12.280 --> 1:23:13.880
<v Speaker 1>it when you're the guy at the label and the

1:23:14.000 --> 1:23:20.439
<v Speaker 1>label is the label. Yeah, because Halftime, because Columbia was

1:23:20.479 --> 1:23:24.840
<v Speaker 1>a force to be record like this, So they was

1:23:24.880 --> 1:23:27.599
<v Speaker 1>about big el Nas was the side rough house he goes.

1:23:27.920 --> 1:23:29.840
<v Speaker 1>There were certain labels at that time that you knew.

1:23:29.920 --> 1:23:32.240
<v Speaker 1>You go there, you blow. That jam has always been

1:23:32.280 --> 1:23:35.519
<v Speaker 1>that label. They're just now losing that steam just now.

1:23:35.720 --> 1:23:37.840
<v Speaker 1>No dispect to them. I loved them, but they're just

1:23:38.040 --> 1:23:40.360
<v Speaker 1>now losing that steam in the scope has always been

1:23:40.360 --> 1:23:43.240
<v Speaker 1>that label. But they always had sixteen artists that gear

1:23:43.360 --> 1:23:45.840
<v Speaker 1>that didn't work as well. They had six that fucking

1:23:45.960 --> 1:23:48.280
<v Speaker 1>went through the fucking roof so much. But the other

1:23:48.360 --> 1:23:50.560
<v Speaker 1>six teams you just forgot about these people balance that

1:23:50.760 --> 1:23:54.240
<v Speaker 1>that that they were. And but now moving on to

1:23:54.320 --> 1:23:59.360
<v Speaker 1>me changing stuff, you gotta start wrapped radar and you

1:23:59.520 --> 1:24:03.639
<v Speaker 1>guys are backed by Paul Rosenberg, Yeah, and Eminem. How

1:24:03.720 --> 1:24:07.000
<v Speaker 1>then do not Eminem? Technically? I don't know, but you know,

1:24:07.240 --> 1:24:10.640
<v Speaker 1>and the site to be specific because here and he

1:24:10.720 --> 1:24:13.639
<v Speaker 1>was a little more hefty. Yeah, it's okay, but it's

1:24:13.640 --> 1:24:19.240
<v Speaker 1>is Eminem's money somehow, somehow, how even how do you

1:24:19.280 --> 1:24:21.519
<v Speaker 1>guys even get that meeting? How does that even set

1:24:21.600 --> 1:24:25.880
<v Speaker 1>up to? I think that's an elliot question because the

1:24:26.120 --> 1:24:28.519
<v Speaker 1>turning point was when we did them and this is

1:24:28.560 --> 1:24:32.360
<v Speaker 1>a website, it's not a magazine, but it's not hard fifty.

1:24:32.680 --> 1:24:35.240
<v Speaker 1>So we saw the supporting fifty when fifty was running

1:24:35.240 --> 1:24:38.880
<v Speaker 1>the underground the mixtape ship was phenomenal. That running went

1:24:38.960 --> 1:24:42.120
<v Speaker 1>on before he signed a shady aftermath. The site supporting fifties,

1:24:42.439 --> 1:24:47.400
<v Speaker 1>huh the site when you're saying, when you're supporting fifty site,

1:24:47.520 --> 1:24:51.360
<v Speaker 1>magazine whatever, like already no, no, I'm giving you the

1:24:51.400 --> 1:24:55.360
<v Speaker 1>whole how guess to Paul Rosenberg. So it really started

1:24:55.400 --> 1:25:00.679
<v Speaker 1>with fifty I credit fifty like documented fifties rods, underground, dominating,

1:25:00.920 --> 1:25:05.120
<v Speaker 1>come back after the after the getting shot, dominating the underground,

1:25:06.040 --> 1:25:08.599
<v Speaker 1>running the game, and then he signs with he signs

1:25:08.640 --> 1:25:11.479
<v Speaker 1>with Shady Aftermath. So it's like, damn, like we had

1:25:11.520 --> 1:25:13.000
<v Speaker 1>a good report with him. He was putting in the

1:25:13.080 --> 1:25:15.240
<v Speaker 1>magazine every month. I was like, he's probably not gonna

1:25:15.439 --> 1:25:18.160
<v Speaker 1>us because at the time EXXL didn't mess actually said

1:25:18.200 --> 1:25:19.960
<v Speaker 1>I had to be foot the eminem before I got there,

1:25:20.040 --> 1:25:22.560
<v Speaker 1>and I wasn't able to squash it. So he was

1:25:22.640 --> 1:25:27.760
<v Speaker 1>pro source at that time. So I was like, aftermath

1:25:27.960 --> 1:25:34.519
<v Speaker 1>of the Shady Aftermath finished, who would have thy? Right? Yeah?

1:25:34.960 --> 1:25:38.720
<v Speaker 1>So um, I was like fifties bowling up. But he's

1:25:38.720 --> 1:25:40.680
<v Speaker 1>gonna like say, he can't sunk with us once he

1:25:40.720 --> 1:25:43.000
<v Speaker 1>signs with them, they're gonna sunk with us. But when

1:25:43.040 --> 1:25:46.519
<v Speaker 1>he when he popped off Noah, callahand Bever who's at

1:25:46.520 --> 1:25:48.000
<v Speaker 1>death and now too, he says the me, me and

1:25:48.040 --> 1:25:51.719
<v Speaker 1>Paul was first Paul Rosenberg and was like he wanted

1:25:51.720 --> 1:25:54.400
<v Speaker 1>the comics at the time, you know, he was he

1:25:54.479 --> 1:25:57.280
<v Speaker 1>was freelancing. He wont the never story, the whole fifty

1:25:57.320 --> 1:25:59.680
<v Speaker 1>cent Eminem Dr Drake cover xx L. He wrote the

1:25:59.680 --> 1:26:01.160
<v Speaker 1>cover US or you know, I just found out No,

1:26:01.240 --> 1:26:03.920
<v Speaker 1>it was a journalist. Always thought he was like a

1:26:03.960 --> 1:26:06.960
<v Speaker 1>blogger complex. I had no idea he was the guy

1:26:07.000 --> 1:26:09.280
<v Speaker 1>that was yeah, so like keep did that cover and

1:26:09.360 --> 1:26:11.000
<v Speaker 1>like that was the beginning of me and pools Burg

1:26:11.080 --> 1:26:13.439
<v Speaker 1>having to sit down where it was like I was

1:26:13.520 --> 1:26:15.479
<v Speaker 1>only trying to get a fifty cent cover. He's like,

1:26:15.520 --> 1:26:19.240
<v Speaker 1>how you want em? And Dr Dre I'm like, let's go.

1:26:19.560 --> 1:26:21.640
<v Speaker 1>So the thing is when I got when I got

1:26:22.040 --> 1:26:24.240
<v Speaker 1>fired from a double XXL, Paul hit me up Poars

1:26:24.320 --> 1:26:27.160
<v Speaker 1>and burg Eminem's partner hit me up and said, you know,

1:26:27.240 --> 1:26:29.160
<v Speaker 1>your voice is missing from the culture, Like what's your

1:26:29.240 --> 1:26:31.479
<v Speaker 1>next step? What are we gonna do? At the time,

1:26:31.600 --> 1:26:38.400
<v Speaker 1>Peress Hilton represented the whole gossip, so he's like, that

1:26:38.479 --> 1:26:41.200
<v Speaker 1>could be you. You could be the Elliott Wilson. You're

1:26:41.240 --> 1:26:43.200
<v Speaker 1>the voice of hip hop, your voice. Everybody should read

1:26:43.200 --> 1:26:45.720
<v Speaker 1>your editorials. Your voice is missing. You could be the

1:26:45.800 --> 1:26:47.960
<v Speaker 1>gatekeeper of hip hop, and you could be like, what's

1:26:48.000 --> 1:26:50.280
<v Speaker 1>your voice. That's how we came up with rad That's

1:26:50.280 --> 1:26:52.160
<v Speaker 1>how it began, and then we stout to be dot.

1:26:52.640 --> 1:27:05.800
<v Speaker 1>We met and Georgia yea quez right now. It used

1:27:05.800 --> 1:27:11.360
<v Speaker 1>to be that movie did it right there? Come okay,

1:27:11.400 --> 1:27:13.559
<v Speaker 1>siss down the block ail you get eat God damnit.

1:27:17.479 --> 1:27:19.200
<v Speaker 1>Georgia died and he's like, hey, I want to start

1:27:19.240 --> 1:27:21.040
<v Speaker 1>a website. You know, it's weird because it's like two

1:27:21.080 --> 1:27:24.040
<v Speaker 1>thousand and eight. There is no Instagram right Twitters in

1:27:24.080 --> 1:27:27.439
<v Speaker 1>its infancy, and the source had just lost tons of

1:27:27.960 --> 1:27:30.160
<v Speaker 1>on the website, the recessions about to hit. It was

1:27:30.160 --> 1:27:31.600
<v Speaker 1>a lot of things going on. And it's like with

1:27:31.680 --> 1:27:34.679
<v Speaker 1>the dot com dot com. Remember they're like the first

1:27:34.720 --> 1:27:39.320
<v Speaker 1>people that dot com was the first. Everything first, and

1:27:39.600 --> 1:27:41.680
<v Speaker 1>you know, we come from journalists. Background journalist at the

1:27:41.720 --> 1:27:43.280
<v Speaker 1>time used to look down on the website and the

1:27:43.360 --> 1:27:46.559
<v Speaker 1>internet essentially saying go from journalists to a blog. Yeah,

1:27:46.560 --> 1:27:49.559
<v Speaker 1>and I was like a website. We didn't have a name,

1:27:49.640 --> 1:27:51.040
<v Speaker 1>but you know it was like all right, I trust you.

1:27:51.240 --> 1:27:53.439
<v Speaker 1>We're gonna make this happen. What they just told men

1:27:53.479 --> 1:28:02.040
<v Speaker 1>bleak about that's hard to hold other stories, but anywhere

1:28:02.040 --> 1:28:06.000
<v Speaker 1>we're gonna play that right now forget. So a week

1:28:06.080 --> 1:28:07.439
<v Speaker 1>later we had to meet with Paul. He was like,

1:28:07.520 --> 1:28:09.640
<v Speaker 1>I got the name of the website called right up.

1:28:09.640 --> 1:28:11.960
<v Speaker 1>Paul thought of the name. Yeah, I was hoping all

1:28:12.000 --> 1:28:15.320
<v Speaker 1>the names shout out and I was like, I never

1:28:15.400 --> 1:28:17.760
<v Speaker 1>thought that. And it's like, you see the reason for

1:28:17.840 --> 1:28:19.839
<v Speaker 1>the name. It was a bunch of names, like it's

1:28:19.880 --> 1:28:22.160
<v Speaker 1>one of like a generic kind of like one of

1:28:22.200 --> 1:28:24.439
<v Speaker 1>the that that sounded like it already had been out,

1:28:24.560 --> 1:28:26.400
<v Speaker 1>Like it wasn't like a new ship. That's true. We

1:28:26.439 --> 1:28:28.280
<v Speaker 1>said rap raid of? You said what authorities like it

1:28:28.360 --> 1:28:32.400
<v Speaker 1>already existed. We just started it sucked you, which was like,

1:28:32.520 --> 1:28:35.519
<v Speaker 1>oh ship, Like so you guys have these websites. You

1:28:35.640 --> 1:28:37.720
<v Speaker 1>all look cool your blog like she is popping. But

1:28:38.240 --> 1:28:41.840
<v Speaker 1>his rap raid off, it's changed, game has changed, tagline quick,

1:28:43.560 --> 1:28:49.040
<v Speaker 1>household aggression. And you know we we we've settled on

1:28:49.080 --> 1:28:51.160
<v Speaker 1>a date to launch at March night, which was Biggies

1:28:51.479 --> 1:28:54.400
<v Speaker 1>passing of BRG and you know the rest of history

1:28:54.439 --> 1:28:56.760
<v Speaker 1>have been at it ever since ten years right off,

1:28:58.520 --> 1:29:04.599
<v Speaker 1>God damn it, God damn. What what does that backing

1:29:04.720 --> 1:29:07.799
<v Speaker 1>look like? You know, to give me very much specific,

1:29:08.880 --> 1:29:13.880
<v Speaker 1>it's like it's with a budget. You know, we had

1:29:13.920 --> 1:29:16.800
<v Speaker 1>a we had a space. I was so and it

1:29:16.880 --> 1:29:18.280
<v Speaker 1>was what he next. He was there for like six

1:29:18.400 --> 1:29:20.320
<v Speaker 1>years and then I guess the rank got too damn high.

1:29:20.760 --> 1:29:23.320
<v Speaker 1>What was the coach like compulside, I'm saying it was

1:29:23.560 --> 1:29:25.960
<v Speaker 1>him like literally investing in it. Yeah it was, Yeah

1:29:26.040 --> 1:29:27.479
<v Speaker 1>he was. That's that's what I mean. I don't I

1:29:27.560 --> 1:29:30.080
<v Speaker 1>don't need to know what the fun Yeah, he like

1:29:30.360 --> 1:29:32.759
<v Speaker 1>I'm back in this and then you got are discussing

1:29:32.840 --> 1:29:36.160
<v Speaker 1>what it takes to make it work. Absolutely a real

1:29:36.240 --> 1:29:38.040
<v Speaker 1>partner in that sense, and I appreciate that like him,

1:29:38.120 --> 1:29:43.880
<v Speaker 1>he took a losses, took his chances like in that

1:29:44.000 --> 1:29:46.640
<v Speaker 1>world because literally is he evolved because I wanted to

1:29:46.640 --> 1:29:50.240
<v Speaker 1>be a big or just just wrap right of surpassive partner.

1:29:50.240 --> 1:29:52.720
<v Speaker 1>I mean everything wrap Radar is still a partnership with

1:29:52.760 --> 1:29:55.880
<v Speaker 1>me and him. Okay, the brand is still partnership. Yeah,

1:29:56.080 --> 1:29:59.560
<v Speaker 1>that's dope. That's dope. Appreciate he's respectful. But like the

1:29:59.640 --> 1:30:02.360
<v Speaker 1>thing great about rap Radars it's becoming the podcast. And

1:30:02.439 --> 1:30:04.600
<v Speaker 1>you know, I credit the guy's vision. You saw the

1:30:04.720 --> 1:30:07.320
<v Speaker 1>vision before me about the podcasting to rap rate of

1:30:07.439 --> 1:30:14.519
<v Speaker 1>podcast that was like, yeah, I was a SOMERF. I'm like,

1:30:14.640 --> 1:30:16.479
<v Speaker 1>I don't see it because like you know, I p

1:30:16.640 --> 1:30:18.400
<v Speaker 1>combat Jack. I was like, I don't want to look

1:30:18.439 --> 1:30:20.439
<v Speaker 1>like I'm trying to like like want to set the

1:30:20.479 --> 1:30:23.559
<v Speaker 1>bar in the beginning, and then Combat was doing his thing.

1:30:23.880 --> 1:30:25.599
<v Speaker 1>R I p to him. I was like, I don't

1:30:25.640 --> 1:30:27.439
<v Speaker 1>want to just jump in, look like I'm all greedy

1:30:27.479 --> 1:30:29.880
<v Speaker 1>trying to do a podcast. But beat Out was smart.

1:30:29.960 --> 1:30:31.080
<v Speaker 1>He was like, you know there's a lane for that,

1:30:31.200 --> 1:30:33.120
<v Speaker 1>and like, now, when you think of rap Radar, it's

1:30:33.120 --> 1:30:35.360
<v Speaker 1>about the podcast. So I credit beat Out for making

1:30:35.360 --> 1:30:37.720
<v Speaker 1>it happy. And when you think about it, behind the

1:30:38.320 --> 1:30:40.280
<v Speaker 1>back in the days, the behind the scenes, the dudes

1:30:40.400 --> 1:30:42.800
<v Speaker 1>was just behind the scenes. Yeah, I was the days.

1:30:42.840 --> 1:30:45.000
<v Speaker 1>The behind the scenes dudes have their own you know,

1:30:45.080 --> 1:30:51.360
<v Speaker 1>when it looks like it was a wonderful time, but

1:30:53.280 --> 1:30:57.040
<v Speaker 1>you were doing bad. You was doing rus because when

1:30:57.040 --> 1:30:58.640
<v Speaker 1>we brought up fifty to you, he was like, he

1:30:59.040 --> 1:31:08.400
<v Speaker 1>did not like it was what's about? I think it

1:31:08.520 --> 1:31:13.920
<v Speaker 1>was Chass bless the chatd I think you did an

1:31:13.960 --> 1:31:17.679
<v Speaker 1>interview with Chaz. It wasn't just that blah black hair chairs.

1:31:19.080 --> 1:31:21.360
<v Speaker 1>Here's the thing anything, It's funny when people talk about

1:31:21.600 --> 1:31:26.240
<v Speaker 1>um rappers like someone soul doesn't like you. Rappers don't

1:31:26.320 --> 1:31:30.960
<v Speaker 1>like media, so it's like, so like the thing about him,

1:31:31.160 --> 1:31:34.680
<v Speaker 1>he fifth we didn't have like that rapport. Everything once through,

1:31:34.720 --> 1:31:37.040
<v Speaker 1>Vanessa was all good. It was like, but I got

1:31:37.080 --> 1:31:39.360
<v Speaker 1>no problem, Like I respect for him, like he set

1:31:39.439 --> 1:31:42.240
<v Speaker 1>the whole ship off, like we mean history together, every

1:31:42.280 --> 1:31:45.479
<v Speaker 1>run is phenomenal, like I was. I was. I'm blessing

1:31:45.560 --> 1:31:47.560
<v Speaker 1>honor to be able to document that whole Let me

1:31:47.680 --> 1:31:51.040
<v Speaker 1>straight to the point, because let me just do it

1:31:51.160 --> 1:31:55.640
<v Speaker 1>and do it. That's a journalist, sir, obligated to you,

1:31:57.479 --> 1:32:04.080
<v Speaker 1>obligated to your audience. It's smoke Champs. So I asked

1:32:04.120 --> 1:32:07.559
<v Speaker 1>you not to interview a certain person, and you felt

1:32:07.600 --> 1:32:11.400
<v Speaker 1>obligated to you only because it was responsible something he

1:32:11.520 --> 1:32:13.479
<v Speaker 1>already had said. That's why they got the end of

1:32:14.720 --> 1:32:17.200
<v Speaker 1>what you mean. It means at the time he had

1:32:17.320 --> 1:32:19.720
<v Speaker 1>did something that had piste off that crew, and then

1:32:20.600 --> 1:32:24.560
<v Speaker 1>I gave them to respond to the situation because you know,

1:32:24.720 --> 1:32:26.679
<v Speaker 1>like the thing was like same with the Tupac tupac

1:32:26.800 --> 1:32:31.240
<v Speaker 1>us Vibe. Tupac used Vibe to be his voice, magnify

1:32:31.400 --> 1:32:34.920
<v Speaker 1>his voice about his issues about what this would biggie

1:32:35.000 --> 1:32:37.320
<v Speaker 1>the whole thing. So it's like, do you blame the magazine?

1:32:37.400 --> 1:32:43.559
<v Speaker 1>Do you blame why everybody blames Vibe for the same

1:32:43.640 --> 1:32:45.960
<v Speaker 1>way Jenny and Business and fifty meant that we became

1:32:46.040 --> 1:32:49.080
<v Speaker 1>fifties platform. So when fifty had a problem with somebody,

1:32:49.240 --> 1:32:52.439
<v Speaker 1>it got magnified because double x L would be behind this,

1:32:52.600 --> 1:32:54.960
<v Speaker 1>So I have to catch all the heat that comes

1:32:55.000 --> 1:32:57.519
<v Speaker 1>with that, right, And see the thing about it is

1:32:57.760 --> 1:32:59.519
<v Speaker 1>that's the reason why I don't want to claim myself

1:32:59.560 --> 1:33:01.560
<v Speaker 1>as a journe the list. It's because I want to

1:33:01.640 --> 1:33:04.840
<v Speaker 1>give people. But the basic journalist thing is to cover

1:33:04.960 --> 1:33:08.479
<v Speaker 1>both sides. So if your side, we're not journalism at

1:33:10.920 --> 1:33:13.400
<v Speaker 1>that's crazy about it because even when I did Ray

1:33:13.439 --> 1:33:15.240
<v Speaker 1>and fifty right, it was like, oh, we didn't do it.

1:33:15.560 --> 1:33:19.360
<v Speaker 1>Two months later I did Murdering because Murdering had got favored.

1:33:19.479 --> 1:33:23.600
<v Speaker 1>I got raided by the fans. That's a story. So

1:33:23.720 --> 1:33:25.599
<v Speaker 1>I did the whole bull's eye of the public enemy

1:33:25.680 --> 1:33:27.639
<v Speaker 1>logo Earth Clubs that to this day if you asked

1:33:27.680 --> 1:33:30.280
<v Speaker 1>Earth Earth Clubs that I always got along with Earth,

1:33:30.320 --> 1:33:33.760
<v Speaker 1>I got along with cats. So it's like everybody said, oh, y'all, En,

1:33:33.840 --> 1:33:36.840
<v Speaker 1>let scopes, dick, y'all worked for Jimmy, I v your

1:33:36.880 --> 1:33:39.640
<v Speaker 1>favorite fifty cent And then three months later, after the

1:33:39.680 --> 1:33:41.920
<v Speaker 1>infamous covered, we covered the other side, which is the

1:33:42.040 --> 1:33:44.200
<v Speaker 1>murder ink side of the story. So that's what I

1:33:44.240 --> 1:33:47.559
<v Speaker 1>always tried to do. But I always always favorite Fifth

1:33:47.640 --> 1:33:50.320
<v Speaker 1>because Fifth was dominant of the culture, like he Mazin

1:33:51.520 --> 1:33:54.240
<v Speaker 1>belave it. After that conflict, he did the Curtis was

1:33:54.360 --> 1:33:58.080
<v Speaker 1>Curtis album. Curtis, he wasn't that one that he got

1:33:58.640 --> 1:34:00.680
<v Speaker 1>on his f Elliott Wilson ship. He still did the

1:34:00.720 --> 1:34:02.360
<v Speaker 1>cover and it was all cool. Yeah, he hated you.

1:34:02.800 --> 1:34:07.639
<v Speaker 1>That sum wrong. But because I heard you say one time,

1:34:07.720 --> 1:34:09.479
<v Speaker 1>you said it was hard for you to cover j

1:34:10.200 --> 1:34:12.800
<v Speaker 1>knowing that you and j had became friends at one point,

1:34:13.280 --> 1:34:14.920
<v Speaker 1>Well that was that. That wasn't in the magazine at

1:34:14.960 --> 1:34:16.559
<v Speaker 1>that time. No, No, But what I'm trying to say

1:34:16.720 --> 1:34:19.519
<v Speaker 1>is how hard is that? Because the thing about it is, right,

1:34:20.000 --> 1:34:21.719
<v Speaker 1>I just watched the Love of Hip Hop, not comparing

1:34:21.760 --> 1:34:24.679
<v Speaker 1>you to Jason Lee and no Way form and fashion.

1:34:24.960 --> 1:34:27.200
<v Speaker 1>But Jason Lee is sitting there and he's telling a one.

1:34:27.520 --> 1:34:29.439
<v Speaker 1>He's like, yo, I gotta report that. I probably not.

1:34:29.560 --> 1:34:32.880
<v Speaker 1>You're sucking some other bits, right. So now with me

1:34:33.400 --> 1:34:37.160
<v Speaker 1>with me, I like like that day nas and be

1:34:37.200 --> 1:34:40.720
<v Speaker 1>interview nas Naves could have had his face and a

1:34:40.800 --> 1:34:45.439
<v Speaker 1>stripper's pussy that morning and my artist and with me

1:34:45.640 --> 1:34:48.840
<v Speaker 1>and me would have not asked him that question. That's

1:34:48.880 --> 1:34:51.720
<v Speaker 1>what That's what I distinguishedly makes me not a journalist

1:34:52.000 --> 1:34:55.479
<v Speaker 1>because I would rather protect my artist, but as a journalist,

1:34:55.560 --> 1:35:01.160
<v Speaker 1>that makes me suck. You got. But what I'm trying

1:35:01.200 --> 1:35:03.840
<v Speaker 1>to say to you is because I remember what you're

1:35:03.880 --> 1:35:05.720
<v Speaker 1>saying that about Jay, You're saying it was kind of

1:35:05.800 --> 1:35:07.960
<v Speaker 1>hard to cover him at well to accept that, Like

1:35:08.640 --> 1:35:10.400
<v Speaker 1>I got to accept that we're growing closer and I

1:35:10.439 --> 1:35:13.240
<v Speaker 1>do consider him a friend. But to be the good

1:35:13.280 --> 1:35:15.120
<v Speaker 1>thing about him is that this thick skin. So it's

1:35:15.160 --> 1:35:17.400
<v Speaker 1>like if you think something's white, he wants to have

1:35:17.520 --> 1:35:19.320
<v Speaker 1>that debate with you. It's like you can't like just

1:35:19.439 --> 1:35:22.680
<v Speaker 1>be We're not here to be yes man carrosself a

1:35:22.760 --> 1:35:27.439
<v Speaker 1>certain But that works with Jack, Yeah, it didn't work

1:35:27.479 --> 1:35:31.000
<v Speaker 1>with fifty. Why we never had that report. That's what

1:35:31.160 --> 1:35:34.479
<v Speaker 1>the twisted part about that is is that he never

1:35:34.600 --> 1:35:37.519
<v Speaker 1>liked me. We just did great together. He never liked me.

1:35:37.920 --> 1:35:40.040
<v Speaker 1>We didn't be in a stupn and it was great

1:35:40.320 --> 1:35:44.559
<v Speaker 1>and I appreciate that. Like never like he didn't ask him,

1:35:45.200 --> 1:35:49.360
<v Speaker 1>did you ever like Elliott? But rappers didn't like? Why

1:35:49.400 --> 1:35:52.639
<v Speaker 1>would you like me? I'm fucking media? Rappers don't like media.

1:35:54.160 --> 1:35:57.599
<v Speaker 1>It shot to my journalist my nigger. Like rappers don't

1:35:57.640 --> 1:36:01.280
<v Speaker 1>like a certain extate with people, get you fair articles,

1:36:01.360 --> 1:36:03.760
<v Speaker 1>you start to build up a poor with them. No,

1:36:04.040 --> 1:36:06.760
<v Speaker 1>but that was all. Really believe that's your report with Jay.

1:36:07.120 --> 1:36:12.040
<v Speaker 1>I believe that. But one thing I can tell you, sincerely, Yes,

1:36:12.280 --> 1:36:14.479
<v Speaker 1>I know you believe that Jay is the best artist

1:36:14.520 --> 1:36:17.120
<v Speaker 1>in the world. I know you sincerely believe that. I

1:36:17.240 --> 1:36:19.040
<v Speaker 1>think that If you don't say, if you don't think

1:36:19.120 --> 1:36:21.559
<v Speaker 1>Jay is the greatest of all time, you're just telling

1:36:21.600 --> 1:36:23.720
<v Speaker 1>me who your favorite is of all time, like all

1:36:23.760 --> 1:36:27.679
<v Speaker 1>that fift ship. That ship is depressing to me because

1:36:27.720 --> 1:36:30.920
<v Speaker 1>it's like you're just like you have such a war

1:36:31.120 --> 1:36:33.840
<v Speaker 1>view of hip hop. Of like when you talk about

1:36:33.920 --> 1:36:37.080
<v Speaker 1>the greatest, it comes down to stats. It comes down

1:36:37.160 --> 1:36:40.920
<v Speaker 1>to catalog and comes down the platinum records. It doesn't

1:36:40.960 --> 1:36:44.080
<v Speaker 1>come down to like lyrical, miracle, spiritual. It comes down

1:36:44.160 --> 1:36:47.320
<v Speaker 1>to stats, like with sing basically saying the best artist,

1:36:47.800 --> 1:36:50.000
<v Speaker 1>and that's subjective a certain point, but it's like you

1:36:50.160 --> 1:36:52.040
<v Speaker 1>can't deny that one. It's type a little way to

1:36:52.080 --> 1:36:54.080
<v Speaker 1>win the granby because it's the car the free time,

1:36:54.439 --> 1:36:56.360
<v Speaker 1>We're all gonna clop whether we like him or not,

1:36:56.479 --> 1:36:58.320
<v Speaker 1>because it's a little way it's time he wanted to think.

1:36:58.360 --> 1:37:01.360
<v Speaker 1>So I think that is like this idea of like

1:37:01.600 --> 1:37:05.000
<v Speaker 1>what is your personal favorite and what is the greatest?

1:37:05.120 --> 1:37:07.880
<v Speaker 1>Like we don't control what the greatest is stats, the

1:37:08.000 --> 1:37:09.960
<v Speaker 1>stats like respect and what I'm saying. Some people on

1:37:10.040 --> 1:37:12.840
<v Speaker 1>the different what is greatest mean though it's another thing.

1:37:13.720 --> 1:37:17.000
<v Speaker 1>You're gonna make something personally great to you. It doesn't

1:37:17.040 --> 1:37:19.240
<v Speaker 1>mean it's great, can it be? It's can have been

1:37:19.280 --> 1:37:21.519
<v Speaker 1>more than one. So for jay Z, for jay Z

1:37:21.680 --> 1:37:23.720
<v Speaker 1>to be whatever on the biggest scale, and I think

1:37:23.760 --> 1:37:28.639
<v Speaker 1>so too legible goals, but also think Jordan's a goal.

1:37:28.640 --> 1:37:30.760
<v Speaker 1>I also think bird is a goal and my wrong,

1:37:30.880 --> 1:37:33.840
<v Speaker 1>Magic is a goal. But there's always one validatorian the

1:37:33.880 --> 1:37:36.639
<v Speaker 1>end of the day. Isn't that opinionated though? But it's

1:37:36.680 --> 1:37:41.200
<v Speaker 1>it's generational And he's saying but and that's true. But

1:37:41.520 --> 1:37:43.439
<v Speaker 1>but but at the end of the day, isn't it

1:37:43.520 --> 1:37:46.200
<v Speaker 1>what you prefer? I think it's all about what you prefer, Yes,

1:37:46.240 --> 1:37:48.120
<v Speaker 1>but you also take yourself out the picture and look

1:37:48.160 --> 1:37:50.240
<v Speaker 1>at the larger picture as a whole, right, agree, Like

1:37:50.439 --> 1:37:52.360
<v Speaker 1>I go to jay Z shows in their pack like

1:37:52.439 --> 1:37:55.320
<v Speaker 1>the B Side Show for instance. You know those things

1:37:55.400 --> 1:37:58.400
<v Speaker 1>weren't cheap, and there was people from eight to eighty.

1:37:58.439 --> 1:38:00.360
<v Speaker 1>They're reciting the words, and I alway is looking like

1:38:00.560 --> 1:38:01.880
<v Speaker 1>you don't have to be a jay Z fan to

1:38:01.920 --> 1:38:04.200
<v Speaker 1>know jay z music almost like a drink and his

1:38:04.400 --> 1:38:06.519
<v Speaker 1>music has lasted the test of time and it's impact.

1:38:06.760 --> 1:38:08.519
<v Speaker 1>You could be in the Bay Area and the forty

1:38:08.560 --> 1:38:12.360
<v Speaker 1>could do the same thing here. I think he is

1:38:12.360 --> 1:38:15.360
<v Speaker 1>a legend, but I think it's very regional but appealed.

1:38:15.400 --> 1:38:17.280
<v Speaker 1>But it could be equally on that side as well.

1:38:17.439 --> 1:38:19.320
<v Speaker 1>They might say the same thing I'm saying regionally. We

1:38:19.360 --> 1:38:22.560
<v Speaker 1>gotta understand that everybody has different perspectives regionally, right, but

1:38:22.880 --> 1:38:24.840
<v Speaker 1>for what they think hip hop like whatever we want

1:38:24.880 --> 1:38:28.200
<v Speaker 1>to add to these listspect forty, But I would use

1:38:28.320 --> 1:38:32.559
<v Speaker 1>jay Z's approach and his music has penetrated the culture

1:38:32.680 --> 1:38:36.080
<v Speaker 1>more on a national scale, more on a global scale

1:38:36.280 --> 1:38:39.400
<v Speaker 1>than he for no disrespect because yeah, of course, so

1:38:39.560 --> 1:38:40.960
<v Speaker 1>I think that's the reason why I would put him

1:38:40.960 --> 1:38:43.200
<v Speaker 1>my number one as well. Who would you putting on one?

1:38:43.280 --> 1:38:46.120
<v Speaker 1>Though I got not the number one, but not And

1:38:46.360 --> 1:38:48.760
<v Speaker 1>I want to be very very very very careful at

1:38:48.800 --> 1:38:51.200
<v Speaker 1>this because it's not it's not because he's my friend.

1:38:51.240 --> 1:38:54.000
<v Speaker 1>A lot of people, um illmatic meant more to me.

1:38:54.560 --> 1:38:55.840
<v Speaker 1>I swear to God, I think it meant more to

1:38:55.920 --> 1:38:59.680
<v Speaker 1>me than meant to him because of the time, like

1:38:59.720 --> 1:39:02.439
<v Speaker 1>I would, living against the life, I can't describe anybody

1:39:02.479 --> 1:39:04.160
<v Speaker 1>else or what anybody else was doing. I can only

1:39:04.200 --> 1:39:06.920
<v Speaker 1>say what I was doing. And I got caught up

1:39:06.960 --> 1:39:09.040
<v Speaker 1>in the system. When I got caught up in the system,

1:39:09.120 --> 1:39:12.120
<v Speaker 1>it hurt me to actually walk through people like queens

1:39:13.560 --> 1:39:16.120
<v Speaker 1>like and I really had to fight for that ship.

1:39:18.320 --> 1:39:21.640
<v Speaker 1>Cares One really put us in a bad position that

1:39:22.960 --> 1:39:25.600
<v Speaker 1>it was like listen, listen. Me and I spoke about it,

1:39:25.640 --> 1:39:27.240
<v Speaker 1>and you said, you know, we we listen to that

1:39:27.479 --> 1:39:33.759
<v Speaker 1>in the bridge. It's true, but um uh all matic.

1:39:34.400 --> 1:39:36.879
<v Speaker 1>When I listened to it was it was Biggie Smalls,

1:39:37.000 --> 1:39:39.880
<v Speaker 1>it was Buckshot Shorty, it was all these dudes. But

1:39:39.960 --> 1:39:43.640
<v Speaker 1>when al Mattock dropped, it was something that it did

1:39:43.720 --> 1:39:46.120
<v Speaker 1>to me. I've seen Steinway Street. I saw a story

1:39:46.200 --> 1:39:48.880
<v Speaker 1>of hours. I saw I saw a woodside I saw

1:39:49.479 --> 1:39:51.960
<v Speaker 1>I saw basically projects. I saw south Side, I saw

1:39:51.960 --> 1:39:55.000
<v Speaker 1>a hunch seven got Broad. I saw this. I visually.

1:39:55.360 --> 1:39:57.680
<v Speaker 1>I would read books, not because I liked to read it.

1:39:58.080 --> 1:40:00.280
<v Speaker 1>I wanted to get out of jail. So when I

1:40:00.320 --> 1:40:03.559
<v Speaker 1>would read a book, I would read Donald Goring's Horse Son,

1:40:03.680 --> 1:40:06.280
<v Speaker 1>I would beat in Detroit or whatever the funk. Donald

1:40:06.320 --> 1:40:09.439
<v Speaker 1>Gorman's wrote like, I don't like reading. I'm actually my

1:40:09.600 --> 1:40:16.120
<v Speaker 1>name of my book is called reading is overrated? More

1:40:16.200 --> 1:40:20.880
<v Speaker 1>teen pages, four teen pages, hurry up, wake up. But

1:40:21.400 --> 1:40:23.880
<v Speaker 1>so so what happened was I would read these these

1:40:23.920 --> 1:40:27.160
<v Speaker 1>books like Dope Son, dopefee, excuse Me and all this

1:40:27.240 --> 1:40:30.519
<v Speaker 1>ship And when Ill Mattic came it was the first

1:40:30.560 --> 1:40:35.240
<v Speaker 1>time I visually saw an album ever like I visually described.

1:40:35.360 --> 1:40:36.560
<v Speaker 1>And a lot of people would say, well, you know

1:40:36.640 --> 1:40:39.560
<v Speaker 1>what that's because you're from queens But I wasn't in

1:40:39.680 --> 1:40:42.200
<v Speaker 1>queens Bridge every day. I wasn't on staring Way Street

1:40:42.240 --> 1:40:44.439
<v Speaker 1>every day. I wasn't in rats with projects. I wasn't

1:40:44.439 --> 1:40:47.960
<v Speaker 1>in woodside projects every day. What'side project wasn't from your side.

1:40:48.280 --> 1:40:52.519
<v Speaker 1>I wasn't. I went to What's Side forty six and

1:40:52.560 --> 1:40:54.799
<v Speaker 1>Bliss on the seventh Trade. I went to that school.

1:40:56.439 --> 1:40:59.640
<v Speaker 1>When when Nas actually did that, I saw it. But

1:41:00.000 --> 1:41:02.360
<v Speaker 1>even if I wasn't from that place, the fact that

1:41:02.479 --> 1:41:06.560
<v Speaker 1>he described Queen's wridg that dope to me. When you

1:41:06.640 --> 1:41:08.840
<v Speaker 1>say the greatest of all times. And if you say

1:41:08.880 --> 1:41:11.280
<v Speaker 1>that jay Z is the greatest artist of all times

1:41:11.280 --> 1:41:13.160
<v Speaker 1>when when it comes to rap, yeah, I have to

1:41:13.240 --> 1:41:16.640
<v Speaker 1>agree with that's it when you say that, because what

1:41:16.720 --> 1:41:23.360
<v Speaker 1>do you say, say those words? No artists? You know?

1:41:24.320 --> 1:41:25.880
<v Speaker 1>This is why it's such a tricky. This is why

1:41:29.680 --> 1:41:34.320
<v Speaker 1>that black thought no wrong. How do we just think

1:41:34.439 --> 1:41:37.080
<v Speaker 1>with goats? I believe it is versus its artists like

1:41:37.760 --> 1:41:39.840
<v Speaker 1>this is when we have those discussions, I say, artists

1:41:39.920 --> 1:41:43.439
<v Speaker 1>versus rappers right, your rapping right, there's good rappers and

1:41:43.920 --> 1:41:46.639
<v Speaker 1>rappers right this good artists, it is bad artists. Artists

1:41:46.680 --> 1:41:49.759
<v Speaker 1>to me are how you construct the album, your songs,

1:41:50.160 --> 1:41:53.280
<v Speaker 1>your versus your courses, the sales, the economics of it

1:41:53.320 --> 1:42:00.120
<v Speaker 1>as well. Just rappers rappers can't agree with him when

1:42:00.160 --> 1:42:02.160
<v Speaker 1>it comes to stats when you nobody turning that down.

1:42:03.280 --> 1:42:04.840
<v Speaker 1>So I think when we have the discussions more so

1:42:04.960 --> 1:42:09.760
<v Speaker 1>about artistreet and I think about it, it's more, it's more,

1:42:11.840 --> 1:42:14.280
<v Speaker 1>it's more I'm next to, but it's more of the

1:42:14.640 --> 1:42:16.760
<v Speaker 1>what you prefer. Like like to tell you the truth,

1:42:17.560 --> 1:42:21.560
<v Speaker 1>I'm probably gonna get so much slack for this. I

1:42:21.720 --> 1:42:27.519
<v Speaker 1>didn't like reasonable doubt because I was broken, but it

1:42:27.600 --> 1:42:33.519
<v Speaker 1>was an incredible Yeah, I just was broke but could

1:42:33.560 --> 1:42:37.280
<v Speaker 1>not relate to it like I couldn't. It's like it's

1:42:37.320 --> 1:42:40.360
<v Speaker 1>for real. It's like to this day, like when he

1:42:40.439 --> 1:42:43.160
<v Speaker 1>came up with niggas in Paris. Yeah, I went to

1:42:43.240 --> 1:42:46.120
<v Speaker 1>a club and one of my homies bar fifty bucks

1:42:46.160 --> 1:42:49.000
<v Speaker 1>for me. And did he go to the club and

1:42:49.040 --> 1:42:53.000
<v Speaker 1>he said, what's fifty grand to a nigger? Like, and

1:42:53.080 --> 1:42:58.639
<v Speaker 1>I'm looking like you just dollars you doing singing that line.

1:42:59.160 --> 1:43:03.040
<v Speaker 1>But at that point, like I had, I was an

1:43:03.080 --> 1:43:05.840
<v Speaker 1>ounce nigga, I was a quarter ounce nigger. I was

1:43:05.880 --> 1:43:09.160
<v Speaker 1>a quarter key. I was a key dude, most I

1:43:09.200 --> 1:43:11.439
<v Speaker 1>ever had as a key. When you talk about you

1:43:11.520 --> 1:43:16.400
<v Speaker 1>know these bricks and all that, I'm like, Jesus, I'm thinking,

1:43:16.479 --> 1:43:20.120
<v Speaker 1>he lying, I'm not thinking this is really I'm looking

1:43:20.120 --> 1:43:23.080
<v Speaker 1>at its aspirational. Maybe No, I didn't look at it

1:43:23.160 --> 1:43:25.120
<v Speaker 1>like that. I looked at it like he was flossing

1:43:25.160 --> 1:43:28.760
<v Speaker 1>on what's the next album after that? Okay, that's something.

1:43:28.800 --> 1:43:30.720
<v Speaker 1>That's something one he had to marry go around where

1:43:30.720 --> 1:43:37.360
<v Speaker 1>he went the merry go around, Sunshine, Sunshine after Sunshine.

1:43:37.600 --> 1:43:44.240
<v Speaker 1>That that was my nigga. That So I'm like that

1:43:44.320 --> 1:43:47.120
<v Speaker 1>take a long time that take a long time at

1:43:47.160 --> 1:43:49.720
<v Speaker 1>that point is that Listen, my very first shows was

1:43:49.800 --> 1:43:52.200
<v Speaker 1>with jay Z. A Nigga l A l A came

1:43:52.240 --> 1:43:54.519
<v Speaker 1>out the same time I hooked him up with the

1:43:54.560 --> 1:43:58.880
<v Speaker 1>light skin bitches from my hood. Come on, he's been

1:43:58.920 --> 1:44:03.280
<v Speaker 1>like about them, So let me say that correct because

1:44:03.280 --> 1:44:05.720
<v Speaker 1>if you want to see I want to seem like,

1:44:05.840 --> 1:44:09.360
<v Speaker 1>yeah you know, but um yeah, I had been. But

1:44:09.520 --> 1:44:13.600
<v Speaker 1>after YO two Dan, I had recognized because maybe I

1:44:13.640 --> 1:44:18.680
<v Speaker 1>started getting money, okay, and it's it's that's real. That's

1:44:18.680 --> 1:44:20.240
<v Speaker 1>the most honest answer. You said that. It was the

1:44:20.280 --> 1:44:22.680
<v Speaker 1>most honest. Like if you're not making money and a

1:44:22.800 --> 1:44:25.880
<v Speaker 1>dude is talking about making way more money than you,

1:44:26.120 --> 1:44:28.040
<v Speaker 1>you're not talking about making a hundred hours more than you.

1:44:28.400 --> 1:44:32.439
<v Speaker 1>He didn't wait making he listen. I had a five

1:44:33.640 --> 1:44:36.360
<v Speaker 1>a five, so it was it was relatable. That's why

1:44:36.400 --> 1:44:37.920
<v Speaker 1>I loved the fourth four four album. I feel like

1:44:38.000 --> 1:44:45.679
<v Speaker 1>the album should coming because that's because I think about Graham.

1:44:46.560 --> 1:44:50.160
<v Speaker 1>It's my number to jay z albums, that's number two.

1:44:50.479 --> 1:44:53.080
<v Speaker 1>The thing Grams, if you look at the tradition to

1:44:53.080 --> 1:44:57.240
<v Speaker 1>the Grammys, they always like favorite is hardest, a little

1:44:57.320 --> 1:45:01.000
<v Speaker 1>past that prime, like creating a gray body of work

1:45:01.200 --> 1:45:03.599
<v Speaker 1>that like you know what I mean, mess certain things

1:45:05.040 --> 1:45:08.360
<v Speaker 1>that that ship didn't relate to, like hip hop. When

1:45:08.360 --> 1:45:10.240
<v Speaker 1>I was trying to give Jenny things like give everything

1:45:10.240 --> 1:45:12.519
<v Speaker 1>in the Kendrick, Why could you gave it to Maclamo before.

1:45:12.560 --> 1:45:15.200
<v Speaker 1>It's just like it was lame with me like you

1:45:15.240 --> 1:45:18.040
<v Speaker 1>got in front row like Jagga deserved one of those. Yeah,

1:45:18.120 --> 1:45:20.360
<v Speaker 1>absolutely should have got that one. I'm high as fucked

1:45:20.400 --> 1:45:30.280
<v Speaker 1>by the way. Chance. Come on, give us the smoke,

1:45:31.200 --> 1:45:33.519
<v Speaker 1>Open it up, Open it up, show it to the camera, yo,

1:45:34.320 --> 1:45:48.479
<v Speaker 1>shows smoke. Yo. Is this ship? You take it out? Man,

1:45:48.560 --> 1:45:52.040
<v Speaker 1>I'll be scared of it. Train a day. What is that? Yo?

1:45:53.120 --> 1:45:59.439
<v Speaker 1>It's just a twig with fucking frost. What we're talking about?

1:45:59.640 --> 1:46:02.400
<v Speaker 1>We got saw you. I'm trying to get us advert

1:46:04.360 --> 1:46:08.600
<v Speaker 1>smoke smoke yo, second hand? Yo. See his ain't drinks

1:46:08.800 --> 1:46:14.400
<v Speaker 1>become smoke champs. Yes, is always been smoked. He brought

1:46:14.439 --> 1:46:17.880
<v Speaker 1>the name earlier. I'm not gonna I got drink, I

1:46:17.920 --> 1:46:29.680
<v Speaker 1>got smoke dj LLC. That's right LLCC. Let's go and

1:46:30.640 --> 1:46:33.080
<v Speaker 1>let's go. What's what's what you got and what's the

1:46:33.120 --> 1:46:34.840
<v Speaker 1>ship that makes you wake up in the morning to

1:46:34.920 --> 1:46:38.600
<v Speaker 1>be thrilled? Like like like like like you know what,

1:46:38.840 --> 1:46:43.680
<v Speaker 1>you know what you know the crazy ship is right. Um,

1:46:43.960 --> 1:46:46.360
<v Speaker 1>when we start this podcast, we wanted to just deliver

1:46:46.479 --> 1:46:52.280
<v Speaker 1>information and what happened was you know smoke, right, people

1:46:52.400 --> 1:46:57.599
<v Speaker 1>want to live you know you're shign up for its. Sorry, Yeah,

1:46:57.880 --> 1:46:59.960
<v Speaker 1>people wanted us to deliver I don't think you should.

1:47:01.400 --> 1:47:09.000
<v Speaker 1>I'm trying to protect you. Why nig is nasty? Got

1:47:09.080 --> 1:47:10.960
<v Speaker 1>like water with like a little bit like not just

1:47:11.080 --> 1:47:16.960
<v Speaker 1>missingly drag a little bit, but it's all good or

1:47:17.000 --> 1:47:22.519
<v Speaker 1>the yells. So what is the thing like, what is

1:47:22.560 --> 1:47:24.720
<v Speaker 1>it like when you sit down with an artist and

1:47:24.840 --> 1:47:27.639
<v Speaker 1>you get like for me, for me, right, I'm sorry

1:47:27.680 --> 1:47:30.840
<v Speaker 1>to relate it to me, but for me to see

1:47:30.920 --> 1:47:33.160
<v Speaker 1>nas talking about Prince and see now I's talking about

1:47:33.160 --> 1:47:36.960
<v Speaker 1>big big so elusively and he wasn't. He wasn't giving

1:47:37.000 --> 1:47:39.960
<v Speaker 1>me one word answers to me, that's a thrill to

1:47:40.400 --> 1:47:46.759
<v Speaker 1>bring somebody out there. Show what is your thrill when

1:47:46.840 --> 1:47:49.080
<v Speaker 1>you do an interview? Um, like I said, just being

1:47:49.080 --> 1:47:51.479
<v Speaker 1>a fan, right, so I'm talking to the superhero. So

1:47:51.760 --> 1:47:53.439
<v Speaker 1>the fact that I'm getting But what happens if you're

1:47:53.800 --> 1:47:56.040
<v Speaker 1>you're not a fan of this person. I'm a fan

1:47:56.080 --> 1:47:57.760
<v Speaker 1>of the music. You know, I'm a fan of the coach.

1:47:57.840 --> 1:47:59.640
<v Speaker 1>I just want to do a good interview nobody. He

1:47:59.680 --> 1:48:02.479
<v Speaker 1>wasn't a yeah, of course about it, but you could

1:48:02.479 --> 1:48:06.599
<v Speaker 1>be a figure journey journalize you're not a little nose.

1:48:11.040 --> 1:48:15.200
<v Speaker 1>But I can't think about who We've been too so

1:48:15.240 --> 1:48:17.200
<v Speaker 1>many people that I wasn't necessarily a fan of. But

1:48:17.280 --> 1:48:21.960
<v Speaker 1>you know, I love the music, but I'm not a

1:48:22.080 --> 1:48:25.439
<v Speaker 1>jeezy active listener. But but I want to say something

1:48:25.439 --> 1:48:27.439
<v Speaker 1>about what he said. We keep talking about the naz

1:48:27.640 --> 1:48:33.000
<v Speaker 1>episode that was not legitimately a real drink Champs and exact,

1:48:33.880 --> 1:48:36.280
<v Speaker 1>and we have our story with that as well that

1:48:36.400 --> 1:48:37.880
<v Speaker 1>we don't have to get into it, a little long story.

1:48:37.920 --> 1:48:40.280
<v Speaker 1>But we were supposed to do it here in Miami,

1:48:40.640 --> 1:48:42.439
<v Speaker 1>came here and then we went and did it at

1:48:42.479 --> 1:48:44.960
<v Speaker 1>his album released party. It would have been a totally

1:48:45.000 --> 1:48:49.400
<v Speaker 1>different and yeah, yeah, yeah, but but but you know

1:48:49.520 --> 1:48:51.120
<v Speaker 1>what it is like when when when we do it,

1:48:51.160 --> 1:48:52.720
<v Speaker 1>because there was a live audience, so we had to

1:48:52.800 --> 1:48:55.759
<v Speaker 1>cater to the audience, of course, and we only have minutes.

1:48:57.800 --> 1:49:00.519
<v Speaker 1>I'm a natural former, so when I'm gonn that before,

1:49:00.560 --> 1:49:03.000
<v Speaker 1>I'm gonna naturally perform towards the crowd. Yeah, you know

1:49:03.040 --> 1:49:04.800
<v Speaker 1>what I'm saying, So I mean it was good. But

1:49:04.920 --> 1:49:09.479
<v Speaker 1>the thing is one I was not asking about no, no, no,

1:49:09.600 --> 1:49:12.360
<v Speaker 1>his police questions. I'm not I'm not doing that talking

1:49:13.479 --> 1:49:16.160
<v Speaker 1>because I'm I'm I'm a fucking baby father and I'm

1:49:16.200 --> 1:49:18.400
<v Speaker 1>a fucking artist, and I don't want to ask me

1:49:18.479 --> 1:49:22.320
<v Speaker 1>about my baby mama. I got like five, I don't

1:49:22.320 --> 1:49:26.280
<v Speaker 1>even know, like even I had some time back in

1:49:26.320 --> 1:49:28.720
<v Speaker 1>the days, So so I don't want that. So why

1:49:28.760 --> 1:49:31.320
<v Speaker 1>would I do something to somebody? And not only that,

1:49:31.520 --> 1:49:35.240
<v Speaker 1>like we're not only like back, we've pairing our relationship,

1:49:35.320 --> 1:49:38.360
<v Speaker 1>like this motherfucker's hitting me, Like, why would I breaking up?

1:49:38.360 --> 1:49:44.160
<v Speaker 1>We don't do that, said to you, two hour interview

1:49:44.200 --> 1:49:46.240
<v Speaker 1>with got it. He sat right here, He smoked weed,

1:49:46.600 --> 1:49:48.920
<v Speaker 1>he drank all the type of ball he did whatever.

1:49:49.120 --> 1:49:52.040
<v Speaker 1>And I've never brun not because that's not a hot

1:49:52.120 --> 1:49:55.080
<v Speaker 1>topic of the conver but it's not our platform. We

1:49:55.120 --> 1:49:59.040
<v Speaker 1>don't want to continue the gossteps. Not only that, the

1:49:59.120 --> 1:50:00.920
<v Speaker 1>first time he had been you know, all here, he

1:50:01.080 --> 1:50:04.000
<v Speaker 1>was warming with y'all whatever, So we let Benzino say whatever.

1:50:04.880 --> 1:50:06.960
<v Speaker 1>It was warm with us. You know, we had ours,

1:50:07.200 --> 1:50:09.400
<v Speaker 1>So we let Benzino say, what's up? We also have

1:50:09.479 --> 1:50:13.439
<v Speaker 1>a Benzino interview two hours not one. Elliott Wilson slammed that,

1:50:13.920 --> 1:50:24.960
<v Speaker 1>Oh wow, plas, I just want to say he was possible. Yeah,

1:50:25.680 --> 1:50:28.679
<v Speaker 1>is that he did say? Oh we got along. Yeah,

1:50:29.120 --> 1:50:31.400
<v Speaker 1>it was just it got to the point where you know,

1:50:31.520 --> 1:50:33.639
<v Speaker 1>a guy was running reckless, like we need to picture.

1:50:33.640 --> 1:50:41.840
<v Speaker 1>He had the g check me brung up Scott, he

1:50:42.000 --> 1:50:44.439
<v Speaker 1>broke up you, he said, he said nah, And that's

1:50:44.439 --> 1:50:47.120
<v Speaker 1>what Elliot and came on and Elliott took over this

1:50:49.320 --> 1:50:53.560
<v Speaker 1>swear because he was always a hundred to got to

1:50:53.680 --> 1:50:55.240
<v Speaker 1>that point. You know that we have to do, but

1:50:55.400 --> 1:50:58.680
<v Speaker 1>we always a respect and that's what hip hop has

1:50:58.720 --> 1:51:01.080
<v Speaker 1>to go into. But there unfortunately, I just love doing

1:51:01.120 --> 1:51:04.920
<v Speaker 1>a good job. Then what gives me up in the morning.

1:51:04.960 --> 1:51:06.719
<v Speaker 1>I love the fact if we do a good interview

1:51:06.760 --> 1:51:11.160
<v Speaker 1>and contact someone, it gives an opinion about hip hop

1:51:11.240 --> 1:51:14.920
<v Speaker 1>and it's just the game. Now that buck, what is that? Like?

1:51:15.400 --> 1:51:20.000
<v Speaker 1>What did you say? You said wasn't the top five? Yeah?

1:51:20.080 --> 1:51:22.639
<v Speaker 1>I said, I said Stole was in the top five.

1:51:22.920 --> 1:51:26.080
<v Speaker 1>Bad boy artist me and going back and forth, and

1:51:26.160 --> 1:51:28.160
<v Speaker 1>I said the number one was Big of course, number

1:51:28.200 --> 1:51:31.599
<v Speaker 1>two was Jada Kiss or I think Mace or Jada

1:51:31.640 --> 1:51:35.800
<v Speaker 1>Kiss three was one of those and like Black Rob

1:51:35.880 --> 1:51:39.320
<v Speaker 1>and I think maybe like Stoups like five or six, right,

1:51:41.920 --> 1:51:46.720
<v Speaker 1>bad boy, bad boy, you gave him. So Charlotmi was like, Yo,

1:51:47.520 --> 1:51:49.679
<v Speaker 1>we are you talking about? Style? Is better than make somebody?

1:51:49.680 --> 1:51:51.960
<v Speaker 1>What are you talking about? You're going drugs? Because if

1:51:52.000 --> 1:51:54.160
<v Speaker 1>you remember back in that time, like Mace was the

1:51:54.360 --> 1:51:59.400
<v Speaker 1>nigger going back to the Elliott says stats, yeah, yeah,

1:51:59.600 --> 1:52:05.160
<v Speaker 1>at least it was a moment Mace was that good

1:52:06.760 --> 1:52:08.600
<v Speaker 1>looking at you in your face and say I remember that, No,

1:52:09.000 --> 1:52:17.200
<v Speaker 1>I remember, I remember that Mace was that not Murdervation

1:52:17.240 --> 1:52:19.040
<v Speaker 1>was that guy, but that nigga he talked about what

1:52:19.240 --> 1:52:26.519
<v Speaker 1>murder he was riding up pre pre Harlem world. Maybe

1:52:27.000 --> 1:52:31.120
<v Speaker 1>you talked about Murdervation cor Ma I'm talking about about.

1:52:31.280 --> 1:52:36.880
<v Speaker 1>I'll tell the world that nigga was that guy, the

1:52:36.960 --> 1:52:41.519
<v Speaker 1>nigga that did come to camera. Yes, that nigga double up.

1:52:41.720 --> 1:52:47.920
<v Speaker 1>Mace was that guy. Popularity wise and lyrically. What was

1:52:48.640 --> 1:52:50.880
<v Speaker 1>his own of No, you know this, nor you know that.

1:52:51.160 --> 1:52:56.360
<v Speaker 1>I gotta tell you what that that's my eye it was.

1:52:57.240 --> 1:53:00.840
<v Speaker 1>I'll tell you exactly what wasn't train. What happened was

1:53:01.240 --> 1:53:07.599
<v Speaker 1>what happened was pol had got sentenced, right, well, Poem had,

1:53:07.720 --> 1:53:10.479
<v Speaker 1>what's that ship? Gotta diet in? And you know you

1:53:10.560 --> 1:53:13.080
<v Speaker 1>didn't you get sentenced, so you gotta diet it. We

1:53:13.160 --> 1:53:20.200
<v Speaker 1>knew he was gonna get sentenced Poem. He wasn't married

1:53:20.280 --> 1:53:24.679
<v Speaker 1>this time, so Poem was running around sucking everything. God

1:53:24.760 --> 1:53:28.120
<v Speaker 1>bless him. I would have been sucking anything too. But

1:53:29.160 --> 1:53:35.320
<v Speaker 1>is that the train coming to so poem me, I'm

1:53:35.439 --> 1:53:37.439
<v Speaker 1>so happy to be at the left Frac City nine

1:53:37.560 --> 1:53:47.040
<v Speaker 1>seven days, seven little body apartment. So I'm so happy

1:53:47.120 --> 1:53:48.960
<v Speaker 1>to be out the hood that I'm the first one

1:53:49.040 --> 1:53:51.160
<v Speaker 1>there when the studio is nine o'clock. I'm there at

1:53:51.200 --> 1:53:54.400
<v Speaker 1>seven thirty, Like, I'm so happy. And I got so

1:53:54.479 --> 1:53:57.040
<v Speaker 1>many rhymes that I wrote in jail. I got so many.

1:53:57.479 --> 1:54:01.200
<v Speaker 1>So one of the rhymes was know this and know

1:54:01.360 --> 1:54:07.360
<v Speaker 1>that voting Jack because both camera then you know, talking

1:54:07.360 --> 1:54:11.160
<v Speaker 1>about questions, one of my favorite groups. So I'm sitting

1:54:11.200 --> 1:54:13.439
<v Speaker 1>there writing a round and I wrote that up the jail,

1:54:14.040 --> 1:54:15.880
<v Speaker 1>this and don't you know that? So I had the

1:54:15.920 --> 1:54:18.200
<v Speaker 1>ship and I had laid it in Unique Studios. I'll

1:54:18.200 --> 1:54:20.560
<v Speaker 1>never forget it. I had laidership in Unique Studios and

1:54:20.640 --> 1:54:24.280
<v Speaker 1>compone came up. This is when I knew Queensbridge is

1:54:24.400 --> 1:54:27.760
<v Speaker 1>queens Bridge, niggas I got. I gotta relax and from

1:54:27.840 --> 1:54:32.000
<v Speaker 1>left track. So Poe walks in the studio and Poe like, yo,

1:54:32.080 --> 1:54:36.400
<v Speaker 1>this ship is ladyship. Do you know this? I laid

1:54:36.400 --> 1:54:37.960
<v Speaker 1>it off with brand new be and don't let it

1:54:38.040 --> 1:54:41.760
<v Speaker 1>go to you This before brand new bian, I was

1:54:41.800 --> 1:54:45.000
<v Speaker 1>at my grandmother. She played this record. She played this record,

1:54:45.040 --> 1:54:46.640
<v Speaker 1>don't let it go to your head. So I went

1:54:46.680 --> 1:54:49.200
<v Speaker 1>to east LP. I said, easy, LP, I don't know

1:54:49.320 --> 1:54:51.920
<v Speaker 1>this record is because I don't hard to sampt that

1:54:52.040 --> 1:54:55.960
<v Speaker 1>back then. So I said, he knew exactly the record.

1:54:56.000 --> 1:54:58.960
<v Speaker 1>He's liked what boom laced the ship up boom. So

1:54:59.240 --> 1:55:01.520
<v Speaker 1>I went in there. So now now let us listen

1:55:01.560 --> 1:55:06.320
<v Speaker 1>to that rhyme and think of that beat this I'm leave, man,

1:55:06.880 --> 1:55:10.440
<v Speaker 1>I'm leaving. That fits better. What don't let it go?

1:55:12.400 --> 1:55:15.760
<v Speaker 1>So Poone walks in. He hears the ship and he's like,

1:55:16.400 --> 1:55:19.720
<v Speaker 1>this is let me let me get my first ready.

1:55:20.760 --> 1:55:22.920
<v Speaker 1>So I'm like, all right, cool, So this is like

1:55:23.000 --> 1:55:26.200
<v Speaker 1>my first production, like I actually produced this. I told

1:55:26.280 --> 1:55:30.640
<v Speaker 1>them to temple this record and then the homie trash

1:55:30.800 --> 1:55:34.840
<v Speaker 1>walked in. Twelve minutes later. It was like what the

1:55:34.960 --> 1:55:38.760
<v Speaker 1>fuck is this? And I looked because I swore I

1:55:38.880 --> 1:55:41.680
<v Speaker 1>had a hit. Yeah, I looked. He said, we don't

1:55:41.800 --> 1:55:49.880
<v Speaker 1>sample like Puff Daddy, like Havoc. So they scrapped my record.

1:55:49.920 --> 1:55:52.160
<v Speaker 1>It's the worst day of my life. It's the worst day.

1:55:52.600 --> 1:55:55.200
<v Speaker 1>I know this is a hit, Bro, I know it,

1:55:55.360 --> 1:56:02.000
<v Speaker 1>So so do that certain body of that part I noticed,

1:56:02.120 --> 1:56:06.000
<v Speaker 1>say but out voted the Queen's Bridge niggas a went

1:56:06.120 --> 1:56:08.600
<v Speaker 1>but you held on to it, You held out to it. Yeah,

1:56:08.600 --> 1:56:13.800
<v Speaker 1>that's just true. So so Nas is supposed to be

1:56:13.880 --> 1:56:16.440
<v Speaker 1>on the album. He's on his record called music, Make

1:56:16.560 --> 1:56:22.400
<v Speaker 1>this My brother eat money Bags. It's from my building Avenue,

1:56:22.400 --> 1:56:26.840
<v Speaker 1>Apartment four teen B. I forget, which was way um

1:56:27.320 --> 1:56:30.720
<v Speaker 1>so me money bags and OS had this record called

1:56:30.880 --> 1:56:35.320
<v Speaker 1>music and his stuffs calmed down. I don't remember if

1:56:36.000 --> 1:56:38.840
<v Speaker 1>how does happened with trash replaced the money Bags versus

1:56:38.920 --> 1:56:42.680
<v Speaker 1>He later verse, I don't know if that's the reason

1:56:42.720 --> 1:56:47.360
<v Speaker 1>why NAS didn't clear it or or I've never got

1:56:47.480 --> 1:56:51.560
<v Speaker 1>the full story. So later on they're saying, you know,

1:56:51.600 --> 1:56:54.120
<v Speaker 1>we're gonna make it up to you for not being

1:56:54.160 --> 1:56:56.880
<v Speaker 1>on the War Report that album. That's two big stars

1:56:58.640 --> 1:57:01.920
<v Speaker 1>and Nas Bro. So we looked like we're the dudes.

1:57:02.040 --> 1:57:04.400
<v Speaker 1>But we look like the dudes. That's the dudes. It's

1:57:04.480 --> 1:57:13.600
<v Speaker 1>not really, it's like they're Jason. They're on the corner

1:57:13.680 --> 1:57:15.280
<v Speaker 1>with us. I don't know if they're coming in the

1:57:15.360 --> 1:57:24.040
<v Speaker 1>house then, and I walk. Um. They invite me to Miami, ironically,

1:57:24.480 --> 1:57:25.960
<v Speaker 1>and they said, I we want you to come on

1:57:26.040 --> 1:57:28.000
<v Speaker 1>the Firm album. This is before they announced the firm,

1:57:28.040 --> 1:57:30.080
<v Speaker 1>but what the firm was Yeah, So I'm like, yeah,

1:57:30.120 --> 1:57:32.280
<v Speaker 1>I'll be there. They said, coming to Miami. I said,

1:57:32.400 --> 1:57:34.240
<v Speaker 1>no problem. I'm waiting for them to give me my

1:57:34.320 --> 1:57:38.880
<v Speaker 1>flight info. Flight infoe never came. So no, no, no,

1:57:39.040 --> 1:57:40.600
<v Speaker 1>they never even told me that. They would have said

1:57:40.640 --> 1:57:42.120
<v Speaker 1>to come up on the wall Martin. But somebody was

1:57:42.160 --> 1:57:44.480
<v Speaker 1>broken the time. This is after the war report. This

1:57:44.520 --> 1:57:47.040
<v Speaker 1>is a fact. I'm still broke. So I don't keep it.

1:57:47.600 --> 1:57:51.560
<v Speaker 1>No lies, no, no, no, no, no matter, no malleable nigger.

1:57:51.600 --> 1:57:58.280
<v Speaker 1>I don't even got I don't even got so. So

1:58:00.360 --> 1:58:02.600
<v Speaker 1>these nimes hit me and they fly me to l A.

1:58:03.560 --> 1:58:05.040
<v Speaker 1>And when they fly me too l A, I walk

1:58:05.080 --> 1:58:08.520
<v Speaker 1>in the first session. That's the reason why I'm still

1:58:08.600 --> 1:58:12.840
<v Speaker 1>cool with Nature and I will always be indebted to him.

1:58:13.120 --> 1:58:14.280
<v Speaker 1>This is the reason why I put him on band

1:58:14.320 --> 1:58:17.440
<v Speaker 1>from TV. First, I walked in the session. It was

1:58:17.560 --> 1:58:20.920
<v Speaker 1>Nature's session, and Nature is a brilliant writer, but he

1:58:21.080 --> 1:58:24.800
<v Speaker 1>just takes three days to right sixteen. Yeah, but he's

1:58:24.840 --> 1:58:29.440
<v Speaker 1>sixteen that he's gonna take three days. Yeah, crazy Slive

1:58:29.760 --> 1:58:34.560
<v Speaker 1>is going to this team got fifty seven sixteen, So

1:58:35.760 --> 1:58:40.360
<v Speaker 1>I don't. And Dr Dre is on the fucking engineer.

1:58:41.640 --> 1:58:43.680
<v Speaker 1>So Dre is waiting for Nature and you look an

1:58:43.760 --> 1:58:46.680
<v Speaker 1>tell he's wresting. So he's like, this is the reason

1:58:46.720 --> 1:58:50.440
<v Speaker 1>why I always walk with Nature. So he's wrestling, He's like, yo,

1:58:50.520 --> 1:58:54.320
<v Speaker 1>you're ready name, and so he's like I almost supposed

1:58:54.320 --> 1:58:56.560
<v Speaker 1>to beat and he just switsches to beat and I'm

1:58:56.640 --> 1:58:59.960
<v Speaker 1>just going like this and he's just he switched to

1:59:00.040 --> 1:59:02.320
<v Speaker 1>the other beat. He goes boom and then the other beating.

1:59:04.400 --> 1:59:06.520
<v Speaker 1>I'm not doing it to show up on the corner.

1:59:06.600 --> 1:59:12.240
<v Speaker 1>I'm like yo, and Dre's like yo, homie yo noriy right.

1:59:12.320 --> 1:59:16.400
<v Speaker 1>I'm like, yes, niggas, I'm sorry. Didn't like how you

1:59:16.480 --> 1:59:21.120
<v Speaker 1>do drop its going on drops, So I said, yes,

1:59:21.200 --> 1:59:24.640
<v Speaker 1>I'm more. He says, he says, you got something for us,

1:59:25.560 --> 1:59:27.680
<v Speaker 1>And I'm looking at Nate and Nate looking at me,

1:59:27.720 --> 1:59:31.040
<v Speaker 1>and I'm looking at Nate like, yes, I have something,

1:59:35.040 --> 1:59:37.320
<v Speaker 1>because you don't want you at your home. And this

1:59:37.440 --> 1:59:40.360
<v Speaker 1>is because I knew what I was gonna do. I

1:59:40.400 --> 1:59:44.400
<v Speaker 1>ain't gonna I had that it I ain't right that damn.

1:59:44.760 --> 1:59:47.360
<v Speaker 1>I had to said, why did you know that would work?

1:59:47.400 --> 1:59:51.560
<v Speaker 1>But once I heard the beat, it was not the helicopters,

1:59:51.640 --> 1:59:54.920
<v Speaker 1>it was the um um I need you to that.

1:59:57.240 --> 1:59:59.640
<v Speaker 1>That was the first one. So when I came ship,

1:59:59.680 --> 2:00:02.480
<v Speaker 1>I said, and that ship came out and this is

2:00:02.600 --> 2:00:04.840
<v Speaker 1>crazy ship. This This is why I knew. I was

2:00:05.040 --> 2:00:10.200
<v Speaker 1>like really thirsty because I laid the ship perfect Dr Dre.

2:00:10.320 --> 2:00:15.360
<v Speaker 1>Don't tell nobody it was good. I laid this ship

2:00:15.400 --> 2:00:21.600
<v Speaker 1>and he was like, yeah, I came out this before

2:00:21.640 --> 2:00:25.800
<v Speaker 1>I had knew who drew perfection to see was he said, yo, listen,

2:00:27.280 --> 2:00:31.080
<v Speaker 1>no one, and I didn't know what I was supposed

2:00:31.080 --> 2:00:34.520
<v Speaker 1>to say. No, yeah, I did hate, so I said word.

2:00:35.040 --> 2:00:39.920
<v Speaker 1>She said, just do it again for arguments sex man,

2:00:40.760 --> 2:00:43.000
<v Speaker 1>and I laid it again and then he made me

2:00:43.120 --> 2:00:47.320
<v Speaker 1>late one more time and he told me later and

2:00:47.440 --> 2:00:53.640
<v Speaker 1>then up people that Blood Money Part two beat so

2:00:55.560 --> 2:00:57.920
<v Speaker 1>again I don't remember if that was track Masters beat

2:00:58.120 --> 2:01:00.360
<v Speaker 1>and if there was his beat and he gave masters

2:01:00.440 --> 2:01:03.760
<v Speaker 1>the credit that was tracks his beating. Well he pulled

2:01:03.800 --> 2:01:05.280
<v Speaker 1>it up and that's how we got Love Money part

2:01:05.320 --> 2:01:09.160
<v Speaker 1>to Member Money Parts Nation. That was done during the

2:01:09.240 --> 2:01:13.720
<v Speaker 1>Firm album during Nature's session. Wow, if I was natured,

2:01:13.920 --> 2:01:16.920
<v Speaker 1>would if he would have hated on me? I don't

2:01:16.920 --> 2:01:20.960
<v Speaker 1>even like, why is this left frantic Ship just thinking

2:01:21.080 --> 2:01:23.960
<v Speaker 1>was one of two records in my session, Like just

2:01:24.080 --> 2:01:26.240
<v Speaker 1>think about what we were talking about. He don't even

2:01:26.320 --> 2:01:30.640
<v Speaker 1>know me. I'm man as Nas and Jungle guests. But

2:01:30.760 --> 2:01:32.720
<v Speaker 1>y'all think it's magic and burg. I think he's made

2:01:32.720 --> 2:01:38.520
<v Speaker 1>a lot of around. You gotta remember after the first off,

2:01:38.680 --> 2:01:43.280
<v Speaker 1>this is in between them switching members that they don't

2:01:43.320 --> 2:01:48.880
<v Speaker 1>know what that is expected and just move on. Yeah,

2:01:49.360 --> 2:01:52.680
<v Speaker 1>like we were supposed to act like this is he

2:01:52.760 --> 2:01:57.280
<v Speaker 1>supposed to just act like, you know, you know, like

2:01:57.480 --> 2:02:01.320
<v Speaker 1>we love Nature. But Nature walked in Ship. But he

2:02:01.400 --> 2:02:04.040
<v Speaker 1>didn't know at the time. I didn't know at the time.

2:02:04.240 --> 2:02:10.600
<v Speaker 1>Nobody at the time. They did that with the Fox,

2:02:10.680 --> 2:02:13.840
<v Speaker 1>he joined the lat Familiar. They switched, they switched, they

2:02:13.880 --> 2:02:16.280
<v Speaker 1>switched the verse. Yeah, but that verse, that's what the

2:02:16.320 --> 2:02:18.360
<v Speaker 1>thing is up was like then it came out. So

2:02:18.720 --> 2:02:21.440
<v Speaker 1>when I gets outature and mind you, I'm thinking I'm

2:02:21.480 --> 2:02:24.200
<v Speaker 1>going back home. No one's never going to hear these records.

2:02:24.320 --> 2:02:26.840
<v Speaker 1>And guess what, no one's never gonna believe me. I

2:02:26.960 --> 2:02:30.080
<v Speaker 1>never really told people that Dr Drake did because I

2:02:30.120 --> 2:02:32.000
<v Speaker 1>was like, who is gonna believe me? Like I went

2:02:32.160 --> 2:02:34.320
<v Speaker 1>straight back the left frack like it wasn't like I

2:02:34.400 --> 2:02:36.920
<v Speaker 1>went back and I had a mansion and without the

2:02:36.960 --> 2:02:38.840
<v Speaker 1>d and the firm, I went straight back to the

2:02:38.880 --> 2:02:40.920
<v Speaker 1>left frack. And I did not think I was getting paid.

2:02:42.480 --> 2:02:50.680
<v Speaker 1>So they gave me fifteen bands at that time, the brands,

2:02:52.600 --> 2:02:58.640
<v Speaker 1>So the record implored it for me. Yeah, And that's

2:02:58.720 --> 2:03:05.120
<v Speaker 1>initially how me and Tragic Cort Beef because the same

2:03:05.240 --> 2:03:09.280
<v Speaker 1>record he told me it was whack told me, and

2:03:09.400 --> 2:03:13.360
<v Speaker 1>then he told my friend Left, who is who is

2:03:13.440 --> 2:03:15.000
<v Speaker 1>the man? Right now? To the left was going on?

2:03:15.360 --> 2:03:17.839
<v Speaker 1>He told Left, why would he take a CNN record

2:03:18.160 --> 2:03:19.960
<v Speaker 1>and give it to them niggers that didn't even want

2:03:19.960 --> 2:03:23.440
<v Speaker 1>to be on the CNN's first album. M m mmmm.

2:03:23.800 --> 2:03:25.920
<v Speaker 1>He had a point, but he was wrong. Let's not

2:03:26.040 --> 2:03:29.920
<v Speaker 1>forget you told me this record was all right? You

2:03:30.000 --> 2:03:34.160
<v Speaker 1>shut it down? You shut it down, that's trash. I

2:03:34.200 --> 2:03:35.920
<v Speaker 1>don't want to seem like I'm because I'm not backing

2:03:36.040 --> 2:03:38.920
<v Speaker 1>it at all, and no way shaped fashion for my fashion.

2:03:39.200 --> 2:03:41.280
<v Speaker 1>But also I'm telling my side of the story. This

2:03:41.320 --> 2:03:45.040
<v Speaker 1>is how I sort of time and that record I'm

2:03:45.120 --> 2:03:48.640
<v Speaker 1>leaving is what made Nori so. So I was asking

2:03:48.680 --> 2:03:50.720
<v Speaker 1>you a question. The thing was, I was a big

2:03:50.840 --> 2:03:54.320
<v Speaker 1>Fife Dog fan, one of the biggest Fife Dog fans.

2:03:54.840 --> 2:03:56.560
<v Speaker 1>And when I met five Dog, he was a little

2:03:56.680 --> 2:03:59.360
<v Speaker 1>like like a little like nasty to me. But pauls

2:03:59.400 --> 2:04:03.080
<v Speaker 1>it because he was like, he was like, yo, I

2:04:03.160 --> 2:04:04.520
<v Speaker 1>think you kind of nice. So I'm not going to

2:04:04.760 --> 2:04:08.600
<v Speaker 1>trying to be your friend friends because I didn't know,

2:04:08.760 --> 2:04:12.000
<v Speaker 1>Like that's how like rappers think, like boxes don't want

2:04:12.040 --> 2:04:15.600
<v Speaker 1>to be your friend boxing meet another box, like what's up? Year? Yeah,

2:04:15.680 --> 2:04:19.160
<v Speaker 1>I might have to suck you up one day? So yeah,

2:04:19.480 --> 2:04:21.640
<v Speaker 1>so whf I think that? To me, I was like, Okay,

2:04:21.720 --> 2:04:23.920
<v Speaker 1>this this, this was this was dope. So that's that's

2:04:23.960 --> 2:04:26.520
<v Speaker 1>how I eventually and if it wasn't for that record,

2:04:26.560 --> 2:04:28.160
<v Speaker 1>I told that tons and a lot of people thought

2:04:28.560 --> 2:04:30.560
<v Speaker 1>I was what was that when you nailed in front

2:04:30.560 --> 2:04:34.120
<v Speaker 1>of did you know you? I didn't know. I didn't know,

2:04:34.280 --> 2:04:38.120
<v Speaker 1>so I've seen the documentary on Defiant ones and and

2:04:38.320 --> 2:04:40.640
<v Speaker 1>and people telling me how difficult Dr Dre is, and

2:04:40.720 --> 2:04:44.280
<v Speaker 1>I'm like, nig I nailed the first one. But then

2:04:44.360 --> 2:04:48.160
<v Speaker 1>I also remember I was hungry, like I was starving.

2:04:48.240 --> 2:04:52.320
<v Speaker 1>But you feel like when that friend comes out, that's

2:04:52.320 --> 2:04:55.800
<v Speaker 1>the that's the track. Actually know what trapped? I thought

2:04:55.880 --> 2:04:59.120
<v Speaker 1>was gonna be it. You came up, that was a

2:04:59.200 --> 2:05:01.600
<v Speaker 1>good song. But if it wasn't for the firm you

2:05:01.720 --> 2:05:06.360
<v Speaker 1>came up with it worked, hit me out and I

2:05:06.360 --> 2:05:08.160
<v Speaker 1>would switch it back to yas. I wanted to be

2:05:08.240 --> 2:05:10.160
<v Speaker 1>my interview of course, um, but to hit me out

2:05:10.480 --> 2:05:15.400
<v Speaker 1>there was the thing was the Firm has so much

2:05:16.440 --> 2:05:19.000
<v Speaker 1>looking on him. Not because of the Firm, but because

2:05:19.040 --> 2:05:24.320
<v Speaker 1>of that was Dr Dre's next project after the Aftermath, definitely,

2:05:25.200 --> 2:05:29.000
<v Speaker 1>So it was so much that so whatever it was

2:05:29.080 --> 2:05:32.640
<v Speaker 1>on and me, you gotta realize, this is some queen's

2:05:32.680 --> 2:05:36.160
<v Speaker 1>secret ship. Nas and Jungle was giving me love because

2:05:36.200 --> 2:05:38.960
<v Speaker 1>they felt like they wronged me on the war report

2:05:40.040 --> 2:05:42.040
<v Speaker 1>and they felt like they missed the opportunity. They couldn't

2:05:42.080 --> 2:05:44.840
<v Speaker 1>come back and say here goes this record. We those

2:05:44.920 --> 2:05:47.800
<v Speaker 1>those ideas wasn't invented, Like now you get get a

2:05:47.800 --> 2:05:51.600
<v Speaker 1>new record, new that didn't start charging. Back then, no

2:05:51.720 --> 2:05:53.480
<v Speaker 1>one thought of that, so they were just trying to

2:05:54.520 --> 2:05:57.200
<v Speaker 1>write that wrong. But if it wasn't for that record,

2:05:58.200 --> 2:06:02.680
<v Speaker 1>that record opened up everybody. Everybody remember that and then

2:06:02.760 --> 2:06:09.800
<v Speaker 1>but actually recorded you came up first? What punt? What

2:06:10.000 --> 2:06:12.400
<v Speaker 1>pun first? And it's the first time I've ever seen

2:06:14.200 --> 2:06:18.160
<v Speaker 1>like like like niggas had a food budget, Like I

2:06:18.240 --> 2:06:20.440
<v Speaker 1>didn't know that. I didn't know, Like he came in

2:06:20.640 --> 2:06:23.280
<v Speaker 1>with a food budget that's crazy, like he would or

2:06:23.360 --> 2:06:26.400
<v Speaker 1>the twenty five pizzas and I'm like, yo, puns, it's

2:06:26.440 --> 2:06:40.280
<v Speaker 1>four of us. So so I this industry, Yeah, there's

2:06:40.360 --> 2:06:49.120
<v Speaker 1>so much ups and downs in between sideways when you

2:06:49.280 --> 2:06:51.680
<v Speaker 1>interview an artists and think you did a great job,

2:06:52.840 --> 2:06:56.440
<v Speaker 1>but you gave your honest opinion and these artists are

2:06:56.560 --> 2:07:02.320
<v Speaker 1>not satisfied. How do you how do you remedied time?

2:07:04.560 --> 2:07:06.440
<v Speaker 1>It's almost like if you with your girl. You know

2:07:06.480 --> 2:07:08.760
<v Speaker 1>what I'm saying, Like you don't give us some space

2:07:08.880 --> 2:07:11.240
<v Speaker 1>and you know eventually they'll come back around. I mean

2:07:11.280 --> 2:07:12.520
<v Speaker 1>that's all. You can't do it the end of the day.

2:07:12.520 --> 2:07:15.200
<v Speaker 1>We're all grown man, man and women. We're adults. So

2:07:15.520 --> 2:07:18.360
<v Speaker 1>you know, it's like you know you'll get over it.

2:07:19.040 --> 2:07:21.400
<v Speaker 1>You will will come back to you eventually. I think

2:07:21.400 --> 2:07:25.080
<v Speaker 1>that's the best. But absolutely stay hot with you. Ever

2:07:25.200 --> 2:07:28.680
<v Speaker 1>wished you said something that you didn't wish you said? No,

2:07:29.000 --> 2:07:31.280
<v Speaker 1>what happens to actually the opposite. There's things that after

2:07:31.320 --> 2:07:34.000
<v Speaker 1>the interview, like, damn, forgot to say that. You know

2:07:34.040 --> 2:07:37.960
<v Speaker 1>what I'm saying that the biggest question I've missed the

2:07:38.000 --> 2:07:40.760
<v Speaker 1>acts was how do you feel about utles? As I

2:07:40.840 --> 2:07:45.520
<v Speaker 1>didn't care about question I didn't care about. Yeah. When

2:07:45.560 --> 2:07:47.200
<v Speaker 1>I finished, I was like, damn because I had the

2:07:47.200 --> 2:07:49.880
<v Speaker 1>ship wrote down ye, but yeah, we always do that.

2:07:50.000 --> 2:07:51.680
<v Speaker 1>We do the most great energy. Were like, damn, we

2:07:51.720 --> 2:07:54.560
<v Speaker 1>didn't ask the funk. That was the woman missed. So

2:07:54.640 --> 2:07:57.720
<v Speaker 1>that's the thing that's the biggest thing. Damn it. Goddamn man,

2:07:57.760 --> 2:08:07.000
<v Speaker 1>I'm so happy. I'm so happy to have y'all love. Yeah.

2:08:08.760 --> 2:08:11.160
<v Speaker 1>Let me tell you something y'all taught me. I mean, well, Elliott,

2:08:11.200 --> 2:08:14.720
<v Speaker 1>you taught me um uh competition and the thing about

2:08:14.760 --> 2:08:18.480
<v Speaker 1>it now, But you know what, I still take that.

2:08:18.520 --> 2:08:20.960
<v Speaker 1>I still taking the heat because the thing about it

2:08:21.200 --> 2:08:24.440
<v Speaker 1>is wanting to be great have to do with wanting

2:08:24.480 --> 2:08:27.880
<v Speaker 1>to be your greatest self, not who you're battling because

2:08:27.960 --> 2:08:30.360
<v Speaker 1>if if I'm sitting here trying to be better than you,

2:08:30.840 --> 2:08:34.600
<v Speaker 1>then then what happens if my true self is better

2:08:34.680 --> 2:08:37.200
<v Speaker 1>than that, So I might as well just be a

2:08:37.240 --> 2:08:40.280
<v Speaker 1>better version of me. It doesn't matter who if. So

2:08:40.400 --> 2:08:43.360
<v Speaker 1>that's the reason why I love that we're all in

2:08:43.440 --> 2:08:45.760
<v Speaker 1>our own I believe you said it one time. I said,

2:08:45.880 --> 2:08:48.360
<v Speaker 1>I think you said on Twitter you said drink champs

2:08:48.560 --> 2:08:50.480
<v Speaker 1>were like the sixty Minutes and drink Champions like the

2:08:50.520 --> 2:08:57.800
<v Speaker 1>Howard Sterns like accause it's different experiences, you know what

2:08:57.800 --> 2:09:02.040
<v Speaker 1>I'm saying, like celebrity on I want to see norionas

2:09:02.640 --> 2:09:05.600
<v Speaker 1>have a conversation. I was gonna be a fly on

2:09:05.680 --> 2:09:07.680
<v Speaker 1>the wall appreciate you know, like like I always say,

2:09:07.680 --> 2:09:09.680
<v Speaker 1>I had both of your pictures on all. So it's

2:09:09.720 --> 2:09:13.880
<v Speaker 1>a different approach. I'm more so as a fan, you know,

2:09:14.160 --> 2:09:16.800
<v Speaker 1>a different perspective of a fan than you are talking to.

2:09:17.360 --> 2:09:19.120
<v Speaker 1>But but you know what you taught me that brother,

2:09:19.240 --> 2:09:21.440
<v Speaker 1>I'm just saying you when you said that to me,

2:09:21.480 --> 2:09:24.240
<v Speaker 1>I don't know. We were twitter arguing that Twitter fingers.

2:09:26.440 --> 2:09:30.000
<v Speaker 1>It's just it's just it's competitive nation. But when he

2:09:30.080 --> 2:09:34.640
<v Speaker 1>said no, no, listen, listen, he said he said, the

2:09:34.960 --> 2:09:39.160
<v Speaker 1>difference is we're really fans. And I couldn't argue with that.

2:09:39.600 --> 2:09:43.760
<v Speaker 1>He said, yeah, I don't care about he said the differences,

2:09:44.040 --> 2:09:46.880
<v Speaker 1>we're really fans. And the thing was, I hadn't stop

2:09:47.000 --> 2:09:48.480
<v Speaker 1>when I had to thick. You know when somebody hit

2:09:48.520 --> 2:09:51.560
<v Speaker 1>you with yourth said earlier like it almost it almost

2:09:51.680 --> 2:09:54.400
<v Speaker 1>tastes wrong, but when you put it in your mouth, pause,

2:09:54.880 --> 2:09:58.080
<v Speaker 1>it tastes good. It's said, you know what, this might

2:09:58.160 --> 2:10:00.360
<v Speaker 1>be the truth. Yea, this might be the So you

2:10:00.440 --> 2:10:02.000
<v Speaker 1>know what I had to do. I swear to god

2:10:02.040 --> 2:10:05.040
<v Speaker 1>I had stopped. I stopped doing shows. I don't know what.

2:10:05.680 --> 2:10:07.760
<v Speaker 1>You know, how you look at this pop, go back

2:10:07.800 --> 2:10:10.440
<v Speaker 1>to the toy, look at the finances and say, well,

2:10:10.520 --> 2:10:13.080
<v Speaker 1>what am I doing? All Right? If I don't need it,

2:10:13.480 --> 2:10:17.240
<v Speaker 1>then focus on what is working. So because I was

2:10:17.280 --> 2:10:19.640
<v Speaker 1>gonna be seven niggas at once, I was gonna be

2:10:19.720 --> 2:10:21.600
<v Speaker 1>the rapper. I was gonna be up. But then I said,

2:10:21.640 --> 2:10:24.360
<v Speaker 1>you know what? But then I said, uh, And I

2:10:24.520 --> 2:10:28.080
<v Speaker 1>was trying to cater towards y'all style, or cater towards

2:10:28.120 --> 2:10:33.320
<v Speaker 1>a Swede or Rob Marksman or Mike or bog Zilla

2:10:37.320 --> 2:10:42.920
<v Speaker 1>a wall mikey Fresh said Mikey fresh Uh, Charlotte Maagne,

2:10:43.320 --> 2:10:46.280
<v Speaker 1>and I said, you know what the crazy shit about

2:10:46.320 --> 2:10:49.200
<v Speaker 1>all you dudes is, I'm glad I can't do your

2:10:49.320 --> 2:10:52.680
<v Speaker 1>job because you're good at your job. And y'all exactly

2:10:52.760 --> 2:10:55.440
<v Speaker 1>what the thing is. I have to emphasize on being

2:10:55.480 --> 2:10:59.880
<v Speaker 1>an entertainer, not a journalist. Journalist comes with me being

2:11:00.000 --> 2:11:02.880
<v Speaker 1>to entertain. The entertaining you guys are having certain notes

2:11:03.080 --> 2:11:04.560
<v Speaker 1>and certain times I don't even have to look at

2:11:04.600 --> 2:11:06.840
<v Speaker 1>the notes because I just would rather be organic with

2:11:06.920 --> 2:11:09.960
<v Speaker 1>you guys. But yeah, that's where I knew I messed

2:11:10.000 --> 2:11:12.720
<v Speaker 1>up when I was trying to entertain with you. I said,

2:11:12.960 --> 2:11:14.560
<v Speaker 1>I mean I was trying to be a journalist with

2:11:14.640 --> 2:11:17.560
<v Speaker 1>you guys. That that that that that doesn't that's not

2:11:17.640 --> 2:11:19.360
<v Speaker 1>where we are. He's a d j im a rapper,

2:11:20.080 --> 2:11:24.480
<v Speaker 1>so always keep it from DJ and a rapper. And

2:11:24.600 --> 2:11:27.880
<v Speaker 1>that's when I said, I said, you know what, everybody

2:11:27.960 --> 2:11:31.520
<v Speaker 1>could eat their own fruit. No one needs to. I

2:11:31.560 --> 2:11:37.280
<v Speaker 1>don't need to, Like, no, we don't. I don't. I

2:11:37.360 --> 2:11:40.600
<v Speaker 1>didn't at first because I'm being honest with y'all, especially

2:11:40.680 --> 2:11:43.280
<v Speaker 1>in front of your face. At one point, I was

2:11:43.360 --> 2:11:46.120
<v Speaker 1>trying to cater towards y'all style. I said, you know what,

2:11:46.240 --> 2:11:48.280
<v Speaker 1>let me try to cater towards their style. Then I

2:11:48.360 --> 2:11:50.600
<v Speaker 1>looked at Charlotte Maine and I said, you know what,

2:11:50.720 --> 2:11:53.080
<v Speaker 1>that's not gonna work for me. Um because the way

2:11:53.200 --> 2:11:55.520
<v Speaker 1>Charlotte Magne how he asked it, he's not gonna work

2:11:55.560 --> 2:11:57.760
<v Speaker 1>from just that's my boy, That's not gonna work for me.

2:11:57.920 --> 2:12:00.920
<v Speaker 1>And then I looked at Joe. But Joe and c

2:12:01.120 --> 2:12:03.480
<v Speaker 1>Joe Budden style is more or less talking about you

2:12:03.560 --> 2:12:06.160
<v Speaker 1>when you're not around. That's not my job. My job

2:12:06.240 --> 2:12:07.760
<v Speaker 1>is to talk about you when you are around. So

2:12:07.840 --> 2:12:11.520
<v Speaker 1>I couldn't use his neither. So I'm searching for the dudes.

2:12:11.520 --> 2:12:15.720
<v Speaker 1>I'm looking at Sausage Jenkins old interview. I'm trying to voice.

2:12:15.720 --> 2:12:17.920
<v Speaker 1>I'm trying to really get good. And what I realized

2:12:18.040 --> 2:12:21.040
<v Speaker 1>my voice was already my voice. Yeah, don't try to

2:12:21.120 --> 2:12:23.400
<v Speaker 1>be don't try to be a second coming of nobody,

2:12:23.760 --> 2:12:26.080
<v Speaker 1>be who to be a second coming of r E

2:12:26.520 --> 2:12:30.360
<v Speaker 1>be r e as as a motherfucking media guy. And

2:12:30.520 --> 2:12:39.560
<v Speaker 1>I found my voice. Got damn so now working for MTV.

2:12:39.760 --> 2:12:44.000
<v Speaker 1>All right now, now jay Z drops the album tomorrow.

2:12:44.200 --> 2:12:53.200
<v Speaker 1>Yeah it's trash, okay, impossible. Look at that that's the

2:12:53.280 --> 2:12:55.320
<v Speaker 1>other biggest jay Z fan in the world. You know,

2:12:55.360 --> 2:12:57.160
<v Speaker 1>I always have arguments with him just to just to

2:12:57.200 --> 2:13:02.440
<v Speaker 1>get Piste off. But let's that's both. You know Jay,

2:13:02.480 --> 2:13:07.400
<v Speaker 1>he's growing on his break. Yeah, he wants to do

2:13:07.480 --> 2:13:12.160
<v Speaker 1>a reggae album. Times not talking about him, that's not

2:13:12.280 --> 2:13:18.680
<v Speaker 1>talking about out of it O wo think it goes

2:13:18.760 --> 2:13:22.360
<v Speaker 1>out does a reggae album. He geld gold front from

2:13:22.480 --> 2:13:28.080
<v Speaker 1>Johnny Dang reggae colors. This nigga I'm hold for you said,

2:13:33.320 --> 2:13:37.560
<v Speaker 1>do you tell home this? Just try? Do you let

2:13:37.640 --> 2:13:42.560
<v Speaker 1>it come out? He's gonna go this is gonna feel it,

2:13:42.760 --> 2:13:45.120
<v Speaker 1>but I'm gonna be the guy to be the bad cop.

2:13:45.720 --> 2:13:48.760
<v Speaker 1>He's gonna play it for you prior to coming up. Yeah, okay,

2:13:52.280 --> 2:13:58.040
<v Speaker 1>remember he got right now. So he's in the rap

2:13:58.120 --> 2:14:02.560
<v Speaker 1>Radar mansion. Let's just let's just stay inut. You're staying.

2:14:03.720 --> 2:14:06.240
<v Speaker 1>You're a mallible rap radar matching the new rap Radar

2:14:06.280 --> 2:14:09.840
<v Speaker 1>matching the mallible bol comes in and you know from

2:14:09.920 --> 2:14:14.440
<v Speaker 1>his swag he just left Kingston because he walked a

2:14:14.520 --> 2:14:22.480
<v Speaker 1>certain certain I don't know why he has a take

2:14:22.520 --> 2:14:24.640
<v Speaker 1>a set, but he has a take a set, Okay,

2:14:24.880 --> 2:14:29.560
<v Speaker 1>and he puts it and you guys are listening, Lion,

2:14:29.720 --> 2:14:34.320
<v Speaker 1>this is the greatest rapper all the time. Now start bottling.

2:14:34.440 --> 2:14:38.760
<v Speaker 1>He's also a guy who cuts the checks. How did

2:14:38.840 --> 2:14:43.120
<v Speaker 1>you tell the Y'allah this is not it? You kind

2:14:43.120 --> 2:14:56.520
<v Speaker 1>of relax, you can tell him think about it's great

2:14:56.520 --> 2:14:59.360
<v Speaker 1>about James. He was like, you know what you're talking about?

2:14:59.600 --> 2:15:02.120
<v Speaker 1>You back the real ship, Like so it's not about

2:15:02.160 --> 2:15:04.200
<v Speaker 1>like nobody can tell him it's not the right thing.

2:15:04.360 --> 2:15:06.680
<v Speaker 1>But you know, I think you had that one stupid

2:15:06.680 --> 2:15:08.720
<v Speaker 1>like one stupid to the whole Snoop Lion this ship.

2:15:08.920 --> 2:15:10.720
<v Speaker 1>I was like, I wasn't I didn't connect. You wasn't

2:15:10.760 --> 2:15:18.840
<v Speaker 1>feeling a realcarnation. I was not stupid stupe lion. I

2:15:18.920 --> 2:15:23.040
<v Speaker 1>went out on some real ants ship. But I didn't

2:15:23.040 --> 2:15:25.040
<v Speaker 1>even all these years, I didn't really knew stop dog

2:15:25.240 --> 2:15:27.280
<v Speaker 1>and now dog me like real cool. But it's like

2:15:27.440 --> 2:15:31.080
<v Speaker 1>he knows I didn't work with the Snoop Lion. Ja

2:15:31.400 --> 2:15:37.560
<v Speaker 1>tak Yeah, that was that's not a class with j class.

2:15:38.080 --> 2:15:40.080
<v Speaker 1>I'm surprised you brought that up. That's a classic. That

2:15:40.160 --> 2:15:41.760
<v Speaker 1>was his first that was that was that's my reggae,

2:15:43.120 --> 2:15:44.720
<v Speaker 1>Like I think it come to the game. Some don't

2:15:44.720 --> 2:15:47.640
<v Speaker 1>get their props about reggae tone. I always get mad

2:15:47.680 --> 2:15:50.200
<v Speaker 1>because people get at you because no, I did reggae tone.

2:15:50.560 --> 2:16:00.400
<v Speaker 1>It wasn't bad. And now look at everybody. Never give me,

2:16:00.920 --> 2:16:07.440
<v Speaker 1>don't get look now, everybody, listen, listen, listen. I lost

2:16:07.720 --> 2:16:15.040
<v Speaker 1>my whole when I listen. My friend, I told you,

2:16:15.160 --> 2:16:20.080
<v Speaker 1>I'll get you next. One of my first fat Joe,

2:16:20.320 --> 2:16:27.600
<v Speaker 1>called me and said, really stop it right now, buck,

2:16:27.640 --> 2:16:32.800
<v Speaker 1>these guys do not continue with this my other friends.

2:16:32.840 --> 2:16:35.000
<v Speaker 1>So the left of me walked in the room and said,

2:16:35.240 --> 2:16:37.120
<v Speaker 1>I don't poke with that ship. That's the way it

2:16:37.160 --> 2:16:39.920
<v Speaker 1>happened in my mind. I went to I went to

2:16:40.080 --> 2:16:44.520
<v Speaker 1>her laughs. I was hanging out New York. I was filming.

2:16:44.640 --> 2:16:46.760
<v Speaker 1>He was always filming. And then you did a verse

2:16:46.840 --> 2:16:55.720
<v Speaker 1>and it sounded to this gig. And when I turned

2:16:55.720 --> 2:16:59.920
<v Speaker 1>the carmes enough to think it was just a product

2:17:00.120 --> 2:17:04.040
<v Speaker 1>bad timing, definitely, you know what, you know, you know what,

2:17:04.640 --> 2:17:08.280
<v Speaker 1>it's so bad to pack myself on the back. But

2:17:08.400 --> 2:17:12.360
<v Speaker 1>I was ahead of my time that the thing was.

2:17:12.720 --> 2:17:15.800
<v Speaker 1>I went we was bad from Hot nighty seven right

2:17:19.400 --> 2:17:23.000
<v Speaker 1>in front of the building started a radio station. I

2:17:23.120 --> 2:17:27.000
<v Speaker 1>was not there, by the way, but I was going

2:17:27.080 --> 2:17:35.720
<v Speaker 1>to Supress, the highway that traffic Honoday seven And the

2:17:35.800 --> 2:17:39.440
<v Speaker 1>only way that could reintroduce us was through this reggae thing.

2:17:40.760 --> 2:17:43.400
<v Speaker 1>So we did a record with Rain Wonder and Lexus

2:17:44.680 --> 2:17:47.520
<v Speaker 1>Girl you want to take My life. You look Jamaica,

2:17:47.560 --> 2:17:52.920
<v Speaker 1>look at you, look at you. So so that was

2:17:53.000 --> 2:17:56.200
<v Speaker 1>how they started to reintroduce us. So I knew when

2:17:56.240 --> 2:17:58.760
<v Speaker 1>I got to Jamaica, I loved this album. It was

2:17:58.840 --> 2:18:02.760
<v Speaker 1>just one problem, this just isn't my island. I love

2:18:02.840 --> 2:18:06.480
<v Speaker 1>the island life. Jamaica taught me the island life. I

2:18:06.640 --> 2:18:10.640
<v Speaker 1>just knew that a part of me belonged somewhere else.

2:18:10.800 --> 2:18:14.000
<v Speaker 1>The island life period Jamaica taught me like that was

2:18:14.080 --> 2:18:16.320
<v Speaker 1>the first time I said, you know what, I'm gonna

2:18:16.400 --> 2:18:17.880
<v Speaker 1>fall in love with the island. But I just knew

2:18:17.920 --> 2:18:20.480
<v Speaker 1>it wasn't myns. So I had to go to mind

2:18:21.440 --> 2:18:24.280
<v Speaker 1>and I winded up in Puerto Rico. And when I

2:18:24.360 --> 2:18:27.600
<v Speaker 1>winded up in Puerto Rico, I found this amazing music

2:18:28.760 --> 2:18:32.240
<v Speaker 1>that yeah, no one funcked with in America. So I

2:18:32.360 --> 2:18:34.920
<v Speaker 1>got back to and I couldn't believe DJ or nothing

2:18:34.959 --> 2:18:37.480
<v Speaker 1>and commit long and these guys wasn't playing it. But

2:18:37.560 --> 2:18:39.320
<v Speaker 1>I looked like a hit to them when I'm saying that,

2:18:39.400 --> 2:18:42.120
<v Speaker 1>I'm like, yo, you're gonna play. You gotta play, daddy Yankee.

2:18:42.200 --> 2:18:53.160
<v Speaker 1>They're like dad yo, this guy like there you go,

2:18:53.840 --> 2:18:56.600
<v Speaker 1>and then don't know more. They're like these names are

2:18:56.800 --> 2:19:03.040
<v Speaker 1>wow and at that time the name sound but you know,

2:19:04.000 --> 2:19:05.560
<v Speaker 1>you know why I saw it with a roll and

2:19:05.800 --> 2:19:08.440
<v Speaker 1>I'm gonna be honest with you. I've brung for Route

2:19:08.720 --> 2:19:11.640
<v Speaker 1>to J. I bron for Route to N And they

2:19:11.720 --> 2:19:14.840
<v Speaker 1>both had the similar story. One act why his shirt

2:19:14.959 --> 2:19:17.279
<v Speaker 1>was so tight and the other acts why his choker

2:19:17.400 --> 2:19:21.120
<v Speaker 1>was so tight. Forget which what which one was? What?

2:19:21.800 --> 2:19:24.520
<v Speaker 1>But then two years later after oh No, because remember

2:19:25.080 --> 2:19:27.200
<v Speaker 1>Corolla didn't just blow up after Super Dogs, a lot

2:19:27.240 --> 2:19:30.640
<v Speaker 1>of people think that what what what came out of here? People?

2:19:30.920 --> 2:19:33.760
<v Speaker 1>People thought we were both lucky. People didn't rush for

2:19:34.160 --> 2:19:36.800
<v Speaker 1>at first. People were like okay, and then oh No

2:19:37.040 --> 2:19:39.760
<v Speaker 1>came out. Then that's when Mrical came with Black You ask,

2:19:40.560 --> 2:19:43.480
<v Speaker 1>so Msica was the first one and then the big

2:19:43.600 --> 2:19:46.480
<v Speaker 1>dogs came. But I don't know all over the place

2:19:50.120 --> 2:19:52.520
<v Speaker 1>because I went to Puerto Rico years before it popped

2:19:52.560 --> 2:19:57.520
<v Speaker 1>off here. Yeah, this is my my my perspective on

2:19:57.640 --> 2:20:01.080
<v Speaker 1>it being Latino like here When I was doing my stuff,

2:20:01.080 --> 2:20:02.640
<v Speaker 1>Everybody's like, oh, you don't do no letter up now

2:20:02.680 --> 2:20:04.600
<v Speaker 1>I speaking. I don't. I was born in America. I

2:20:04.640 --> 2:20:07.320
<v Speaker 1>don't speak Spanish. But then I went to Puerto Rico

2:20:07.480 --> 2:20:10.080
<v Speaker 1>and they was doing straight up hip hop in Spanish

2:20:11.080 --> 2:20:13.400
<v Speaker 1>and my boy Echo shout out to produce a big

2:20:13.680 --> 2:20:16.200
<v Speaker 1>reggaetone producer as well. He took me to a spot

2:20:16.680 --> 2:20:20.680
<v Speaker 1>and it was Aga and all I could see was murder.

2:20:20.760 --> 2:20:27.039
<v Speaker 1>She wrote looped, that's it. He's Spanish, that's all wrote

2:20:27.160 --> 2:20:32.600
<v Speaker 1>flex This whack as but everybody's dancing. But I said,

2:20:32.640 --> 2:20:35.080
<v Speaker 1>this is whack. And then my boy tells me this

2:20:35.280 --> 2:20:37.840
<v Speaker 1>is gonna take over the United States. I said, brother,

2:20:38.080 --> 2:20:39.960
<v Speaker 1>they don't speak Spanish in the United States like that.

2:20:40.320 --> 2:20:42.560
<v Speaker 1>If it wasn't take it over, what's my hip hop

2:20:42.680 --> 2:20:44.400
<v Speaker 1>woun't be no reggae? What's what reggade would be? No

2:20:44.440 --> 2:20:49.760
<v Speaker 1>reggae reggae don you won't have Joe, you won't have

2:20:50.000 --> 2:20:53.200
<v Speaker 1>none of that. Have a real quick This is this

2:20:53.320 --> 2:20:56.840
<v Speaker 1>is my opinion on for all oats. It became an

2:20:56.879 --> 2:21:00.600
<v Speaker 1>economic thing because all the big regga donadoes in the

2:21:00.680 --> 2:21:05.640
<v Speaker 1>beginning that Yankee they don't they're ill lyricists in Spanish

2:21:06.720 --> 2:21:09.840
<v Speaker 1>doing boom back in span we what he was in

2:21:09.920 --> 2:21:12.400
<v Speaker 1>the beginning? Who ate wasn't Dad? Yankee's name was Winchester

2:21:12.560 --> 2:21:15.480
<v Speaker 1>and he was That's what he was, Tony Touch mixtape,

2:21:15.560 --> 2:21:17.520
<v Speaker 1>That's what he was. What I'm trying to say, is

2:21:17.560 --> 2:21:22.720
<v Speaker 1>this the tourist side of the island or the country.

2:21:22.760 --> 2:21:25.120
<v Speaker 1>And wherever they went in Latin America, they wanted to

2:21:25.200 --> 2:21:28.200
<v Speaker 1>hear reggae. That's the dance you need, dance music, and

2:21:28.280 --> 2:21:30.840
<v Speaker 1>there was like, oh ship. It started in Puerto Rico,

2:21:30.920 --> 2:21:33.680
<v Speaker 1>and then it started to spread. It became an economic thing.

2:21:33.800 --> 2:21:36.279
<v Speaker 1>So when I travel these different countries, there's a battle

2:21:36.560 --> 2:21:40.039
<v Speaker 1>in Latin America versus hip hop and they get thrown.

2:21:40.120 --> 2:21:41.800
<v Speaker 1>And now the trap music, which is kind of like

2:21:42.600 --> 2:21:45.400
<v Speaker 1>don't mimicking you know a different thing, and it's an

2:21:45.440 --> 2:21:48.480
<v Speaker 1>economic thing versus art form, and it's like a battle

2:21:48.560 --> 2:21:51.280
<v Speaker 1>versus you know what we talk about all day every day,

2:21:51.400 --> 2:21:54.600
<v Speaker 1>hip hop, boom bad versus this, and that's what's going on.

2:21:54.760 --> 2:21:56.760
<v Speaker 1>That's the beauty of that. Nor being a pie and

2:21:56.800 --> 2:21:59.160
<v Speaker 1>they're like Kanso was playing somewhere right now. It's like

2:21:59.240 --> 2:22:03.400
<v Speaker 1>I love Lucy, Oh, let's play somewhere. I need a brag. Okay,

2:22:07.800 --> 2:22:12.039
<v Speaker 1>let me just tell you something. Um, um, you gotta

2:22:12.080 --> 2:22:15.080
<v Speaker 1>tell it. Tell you guys down story without what because

2:22:15.080 --> 2:22:17.480
<v Speaker 1>I don't think you've ever really told it that it

2:22:17.560 --> 2:22:21.039
<v Speaker 1>was a mixtape version. Yeah. Yeah, Yeah, we're gonna save

2:22:21.080 --> 2:22:25.080
<v Speaker 1>it for Latin, Latin version. We're gonna keep we gonna

2:22:25.120 --> 2:22:27.400
<v Speaker 1>keep it here. We're gonna keep it here. Weren't keep

2:22:27.400 --> 2:22:29.880
<v Speaker 1>it head. We're gonna keep it here this context. So

2:22:30.000 --> 2:22:33.920
<v Speaker 1>you guys smoke champs. Yeah, yes, that's what it is.

2:22:36.360 --> 2:22:40.359
<v Speaker 1>The smoke you guys leave you guys. You guys contract

2:22:41.040 --> 2:22:45.080
<v Speaker 1>with CBS. Yeah, CBS. You guys, contract is going up

2:22:45.120 --> 2:22:49.480
<v Speaker 1>with CBS. I like, he's focused. How do we figure

2:22:49.520 --> 2:22:53.160
<v Speaker 1>out we're going to keep it cultural and stay with

2:22:53.280 --> 2:22:55.480
<v Speaker 1>the culture, because you guys, blew up. You just had

2:22:55.520 --> 2:22:58.800
<v Speaker 1>the Jay Z interview. You just had the Will Smith interview. Technically,

2:22:59.160 --> 2:23:02.760
<v Speaker 1>just over those two interviews alone and countless of other

2:23:02.800 --> 2:23:06.880
<v Speaker 1>classic interviews, but those two interviews alone, anybody will come

2:23:06.920 --> 2:23:08.800
<v Speaker 1>and say, I would like to buy this content. I

2:23:08.840 --> 2:23:11.600
<v Speaker 1>would like that. How do you choose title? But that

2:23:11.760 --> 2:23:14.640
<v Speaker 1>those episodes were on title and I see this contract

2:23:14.720 --> 2:23:16.879
<v Speaker 1>was coming to a close or whatever. The terms were

2:23:16.920 --> 2:23:19.840
<v Speaker 1>and Elliot was just like just felt different, like the

2:23:19.920 --> 2:23:26.440
<v Speaker 1>money was just too inconsistent something they got at the time.

2:23:27.600 --> 2:23:31.760
<v Speaker 1>I'm thankful right they wanted it. Though. Remember when we

2:23:32.480 --> 2:23:35.200
<v Speaker 1>kept going whatever money we were getting, I was happy, like,

2:23:35.400 --> 2:23:38.959
<v Speaker 1>if you give me a nickel nickel, but Elliott saw

2:23:38.959 --> 2:23:40.880
<v Speaker 1>a dollar and I was like, yo, it's cool with

2:23:40.920 --> 2:23:43.720
<v Speaker 1>this nickel. But I guess title he had a new

2:23:43.800 --> 2:23:45.680
<v Speaker 1>situation over there, and I think I want to bring

2:23:45.720 --> 2:23:49.160
<v Speaker 1>it over there. And it was because we gotta blow

2:23:49.240 --> 2:23:51.040
<v Speaker 1>tight up. Because the thing about it is we all

2:23:51.120 --> 2:23:55.280
<v Speaker 1>had an apple. We all have apple, and and I

2:23:55.360 --> 2:23:57.480
<v Speaker 1>said this, I said this before, and I don't want

2:23:57.520 --> 2:23:59.400
<v Speaker 1>people to think this is a racial thing when we

2:23:59.520 --> 2:24:01.760
<v Speaker 1>love all the because because you know, you know, um,

2:24:01.840 --> 2:24:09.200
<v Speaker 1>I love Larry Jackson over at Apples called cherry love

2:24:09.840 --> 2:24:15.200
<v Speaker 1>to all my people. But the thing is, when I

2:24:15.320 --> 2:24:17.960
<v Speaker 1>say this, I'm not saying this this in their positions

2:24:18.000 --> 2:24:21.320
<v Speaker 1>or audition, this in the companies they work for. But

2:24:21.400 --> 2:24:23.360
<v Speaker 1>I like the fact that I can I could hit home.

2:24:24.640 --> 2:24:26.920
<v Speaker 1>I like the records with this guy. I like that

2:24:26.920 --> 2:24:29.039
<v Speaker 1>I did one record with him. It was all Kelly record.

2:24:29.040 --> 2:24:36.200
<v Speaker 1>I'm not proud of it. I like I like you know,

2:24:36.840 --> 2:24:38.680
<v Speaker 1>I like, you know, um, I about to say, I like,

2:24:38.760 --> 2:24:42.400
<v Speaker 1>all Kelly, you got me up. You pick up the

2:24:42.440 --> 2:24:47.960
<v Speaker 1>shot papers, all nice, big up to my people. Shot papers.

2:24:47.959 --> 2:24:51.879
<v Speaker 1>You know what we're doing it and what the smoke channel?

2:24:51.920 --> 2:24:54.280
<v Speaker 1>To make sure you what was I talking about? Come on?

2:24:54.320 --> 2:24:57.200
<v Speaker 1>I was. I was into that, I said, jay Z

2:24:57.440 --> 2:25:00.760
<v Speaker 1>and I like the fact that I could call my CEO.

2:25:01.200 --> 2:25:04.240
<v Speaker 1>Cameron actually said that one time, Cameron, someone could teake

2:25:04.320 --> 2:25:08.040
<v Speaker 1>Cameron after he had left um what was it epic

2:25:08.280 --> 2:25:12.720
<v Speaker 1>or was it? And a sony sony and he had

2:25:12.879 --> 2:25:16.280
<v Speaker 1>signed to jay Z and I remember Cameron saying something

2:25:16.400 --> 2:25:18.880
<v Speaker 1>and it hit me. For pause, it hit me in

2:25:18.959 --> 2:25:21.960
<v Speaker 1>a way I have never been hit prior to that.

2:25:25.440 --> 2:25:31.440
<v Speaker 1>Hit balls hitting the balls that I mean, I understand

2:25:31.680 --> 2:25:36.520
<v Speaker 1>that balls like, but I'm saying it hit so the

2:25:36.600 --> 2:25:38.920
<v Speaker 1>way it hit me. He said, I like the fact

2:25:39.240 --> 2:25:42.400
<v Speaker 1>that he can call his CEO. And when he said that,

2:25:42.520 --> 2:25:46.959
<v Speaker 1>I said, oh ship. And here's the thing. Drink champs

2:25:47.040 --> 2:25:51.720
<v Speaker 1>had became like a thing that people talked about. Didn't

2:25:51.800 --> 2:25:57.280
<v Speaker 1>understand anybody who could cheek the Donas interview never seen.

2:25:57.400 --> 2:25:59.680
<v Speaker 1>That was a hundred and six nine episode. You've never

2:25:59.720 --> 2:26:02.320
<v Speaker 1>seen a hundred and sixty eight because we pick up

2:26:02.360 --> 2:26:06.160
<v Speaker 1>our artists. We didn't do nothing abnormal people like you

2:26:06.240 --> 2:26:08.720
<v Speaker 1>picked him up too much. We picked every fucking body

2:26:08.800 --> 2:26:12.920
<v Speaker 1>up comes. So there came a time again, I know

2:26:13.120 --> 2:26:14.800
<v Speaker 1>ear fings gonna look at me. There came a time

2:26:14.800 --> 2:26:17.480
<v Speaker 1>where certain companies, because it was a one subscription company

2:26:17.520 --> 2:26:21.320
<v Speaker 1>who came at us a subscription company, and when a

2:26:21.360 --> 2:26:29.560
<v Speaker 1>subscription company came out and they so when they came Paul,

2:26:31.640 --> 2:26:34.080
<v Speaker 1>what would be the difference if we do it there

2:26:35.120 --> 2:26:38.200
<v Speaker 1>and if we do it here? So I'll call Charlemagne

2:26:38.240 --> 2:26:42.000
<v Speaker 1>one day. Title was not in the are. This was

2:26:42.160 --> 2:26:49.760
<v Speaker 1>just their situation and the massive pill. And I said, Yo,

2:26:50.000 --> 2:26:52.760
<v Speaker 1>what did you what would you think? And he said,

2:26:54.080 --> 2:26:56.880
<v Speaker 1>you know, sometimes when the culture blow up, the culture

2:26:56.959 --> 2:27:00.520
<v Speaker 1>always get outside the culture. I'm not mad the culture

2:27:00.520 --> 2:27:04.000
<v Speaker 1>to keep it culture. And it was the most simplest

2:27:04.080 --> 2:27:06.600
<v Speaker 1>thing for me to do in the world, right. And

2:27:06.680 --> 2:27:10.200
<v Speaker 1>the thing was, I like the fact that our bosses

2:27:10.360 --> 2:27:13.560
<v Speaker 1>look like us. If they don't mind calling them my boss,

2:27:13.560 --> 2:27:20.440
<v Speaker 1>I don't give a funk. I don't give who's your boss?

2:27:20.560 --> 2:27:25.520
<v Speaker 1>What you want? Oh my god? What did Jay say?

2:27:25.640 --> 2:27:29.200
<v Speaker 1>What's your employer name? With your pieces? I like the

2:27:29.320 --> 2:27:35.400
<v Speaker 1>fact and I like the fact that I'm the guy

2:27:35.480 --> 2:27:37.760
<v Speaker 1>who I'm working with looks like me. I like the

2:27:37.800 --> 2:27:39.480
<v Speaker 1>fact that guy that I do business with to get

2:27:39.520 --> 2:27:42.240
<v Speaker 1>my thing on television looks like me, and he dances

2:27:42.280 --> 2:27:45.720
<v Speaker 1>as well. He's wear shiny suits. I like the fact

2:27:45.800 --> 2:27:48.560
<v Speaker 1>that when you hear us, it comes from a guy

2:27:48.959 --> 2:27:51.320
<v Speaker 1>that if it wasn't for his career, I might have

2:27:51.480 --> 2:27:54.840
<v Speaker 1>even been here anyway. I wasn't rhyming like that before

2:27:54.879 --> 2:27:58.720
<v Speaker 1>Illmatic had to change my whole ship. I think we

2:27:58.840 --> 2:28:01.200
<v Speaker 1>all had to change our up at the Ilmatic. I

2:28:01.240 --> 2:28:03.320
<v Speaker 1>think even Jay would say that. I think Jay did

2:28:03.440 --> 2:28:06.000
<v Speaker 1>say that. Did he say that? He said I thought

2:28:06.040 --> 2:28:09.760
<v Speaker 1>he was all on Blueprint three? So I like the fact.

2:28:10.480 --> 2:28:12.959
<v Speaker 1>And there's certain people who would come and say, well,

2:28:13.040 --> 2:28:18.400
<v Speaker 1>that's a Luminaiti, let's do what What is the next one?

2:28:18.920 --> 2:28:22.160
<v Speaker 1>What do you say to people like that? People? You

2:28:22.200 --> 2:28:24.400
<v Speaker 1>know what they're saying, that you're easy luminite? What they

2:28:24.480 --> 2:28:26.720
<v Speaker 1>say that they say that because you want I'm not that,

2:28:26.840 --> 2:28:29.760
<v Speaker 1>because I'm not that rich, because you want MTV, because

2:28:29.760 --> 2:28:32.400
<v Speaker 1>you want MTV and you want type this is the

2:28:32.480 --> 2:28:36.840
<v Speaker 1>first thing that I have to say. But what did

2:28:37.560 --> 2:28:40.440
<v Speaker 1>the rich one you did for the luminati, the rich,

2:28:41.800 --> 2:28:55.320
<v Speaker 1>come on this show. What do you believe there's something

2:28:55.400 --> 2:29:00.920
<v Speaker 1>called blackballing? Like I asked, somebody think about it. When

2:29:00.959 --> 2:29:04.000
<v Speaker 1>he said, okay, hold on, actually the something called black baller.

2:29:04.080 --> 2:29:07.560
<v Speaker 1>And I think he gave the most best I'll take

2:29:07.640 --> 2:29:10.000
<v Speaker 1>on the side of type the most guest, as you

2:29:10.080 --> 2:29:15.000
<v Speaker 1>don't have to pass the most I wait for Elliott

2:29:18.000 --> 2:29:21.520
<v Speaker 1>get the most best answer. He said, if there's such

2:29:21.600 --> 2:29:24.720
<v Speaker 1>thing as black bailler, would you let them black ball you?

2:29:25.560 --> 2:29:29.760
<v Speaker 1>Now he flipped it though, like, but that's not If

2:29:29.800 --> 2:29:32.080
<v Speaker 1>you got wildfire, you can't be black You can't black

2:29:32.280 --> 2:29:33.520
<v Speaker 1>I don't. I don't believe so many. If you got

2:29:33.600 --> 2:29:35.879
<v Speaker 1>a Twitter account of instant, you can't be black balled. Man.

2:29:36.560 --> 2:29:40.119
<v Speaker 1>So unless those companies black ball you, it's hard. It's

2:29:40.160 --> 2:29:43.080
<v Speaker 1>hard as black for you black ball you in this error. Yeah,

2:29:43.280 --> 2:29:46.039
<v Speaker 1>because again you have a certain direct line to the consumer.

2:29:46.320 --> 2:29:48.520
<v Speaker 1>Right back then we had to go through the direct companies.

2:29:48.680 --> 2:29:51.760
<v Speaker 1>There was a little SoundCloud Freddie Gibbs. Freddie Gibbs left

2:29:51.920 --> 2:29:55.560
<v Speaker 1>UM and did well off for itself. Times back in

2:29:55.640 --> 2:29:59.080
<v Speaker 1>the days, you leave this company and they'll quote unquote

2:29:59.120 --> 2:30:02.600
<v Speaker 1>MA and you'll probably his blacks Like it's gonna make

2:30:02.600 --> 2:30:04.280
<v Speaker 1>it hearty if he had to go through that and

2:30:04.400 --> 2:30:06.760
<v Speaker 1>he overcame it. But this is what I think, and

2:30:06.760 --> 2:30:09.000
<v Speaker 1>you correct me if you think it is right, if

2:30:09.080 --> 2:30:12.040
<v Speaker 1>I say, if I say, I don't funk with Elliott, right,

2:30:13.440 --> 2:30:16.920
<v Speaker 1>all right? So right, So it's not that I'm calling

2:30:17.040 --> 2:30:20.320
<v Speaker 1>him saying don't funk with Elliott. I'm saying it publicly.

2:30:20.360 --> 2:30:24.760
<v Speaker 1>I don't call with Elliott has to make his I'm

2:30:25.000 --> 2:30:28.480
<v Speaker 1>calling him, calling bet and saying, you're be got If

2:30:28.520 --> 2:30:30.520
<v Speaker 1>you standing next to Elliott to me and you got beef,

2:30:30.879 --> 2:30:33.360
<v Speaker 1>I'm not doing that. The thing is you're standing next

2:30:33.400 --> 2:30:35.000
<v Speaker 1>to him, and you know that that's your choice. You

2:30:35.080 --> 2:30:38.039
<v Speaker 1>may climate yeah, because because because I'm trying to tell somebody,

2:30:38.080 --> 2:30:40.200
<v Speaker 1>like I'm trying to tell the individual there's like yo,

2:30:40.480 --> 2:30:42.320
<v Speaker 1>because I know niggers don't want me on a drink chance.

2:30:42.400 --> 2:30:45.320
<v Speaker 1>I'm like, you're stop it, man, listen, man, you gotta stop.

2:30:45.920 --> 2:30:48.760
<v Speaker 1>I like, yo, Never I've never had a conversation with

2:30:48.959 --> 2:30:52.760
<v Speaker 1>j about you. I've never had a conversation but about you.

2:30:52.959 --> 2:30:55.119
<v Speaker 1>I don't have a conversation but not. I'm just starting

2:30:55.160 --> 2:30:57.440
<v Speaker 1>to do business with these people. But the thing is,

2:30:57.720 --> 2:31:02.240
<v Speaker 1>you just think I'm getting wrong. What a billionaire and

2:31:02.320 --> 2:31:07.400
<v Speaker 1>I'm talking about you. I got to figure out who

2:31:07.440 --> 2:31:12.920
<v Speaker 1>this rapper. No, it's not a raper. But the thing

2:31:13.000 --> 2:31:16.320
<v Speaker 1>about it is so many people who lose in life.

2:31:16.360 --> 2:31:18.200
<v Speaker 1>And I'm not I'm not calling this person to lose it,

2:31:18.240 --> 2:31:20.400
<v Speaker 1>but but so many people are losing life. That's what

2:31:20.480 --> 2:31:23.120
<v Speaker 1>they blaming on. They say that. They say that the

2:31:23.160 --> 2:31:24.920
<v Speaker 1>reason why beat Out is winning, or the reason why

2:31:24.920 --> 2:31:27.160
<v Speaker 1>beat Out is on MTV is because he's a part

2:31:27.200 --> 2:31:29.800
<v Speaker 1>of Illumini. You know what I'm saying that it makes

2:31:29.840 --> 2:31:33.160
<v Speaker 1>me feel like success. For you to even say that

2:31:33.280 --> 2:31:36.240
<v Speaker 1>that makes it that makes me feel successful, like I'm

2:31:36.280 --> 2:31:38.440
<v Speaker 1>in Illumina. I don't even think that. I can't even

2:31:38.440 --> 2:31:41.720
<v Speaker 1>get verified on your sign to jay Z brotherly like yes, yes,

2:31:41.760 --> 2:31:44.520
<v Speaker 1>they think you're in a luminality. Yes, this is the

2:31:44.560 --> 2:31:47.080
<v Speaker 1>first time you heard that I'm bringing into your fourth

2:31:47.120 --> 2:31:51.600
<v Speaker 1>first brother. This is and they're saying about me. And

2:31:51.680 --> 2:31:54.280
<v Speaker 1>at first I used to be um flatter because I

2:31:54.360 --> 2:31:56.039
<v Speaker 1>used to be like, all right, that means I'm up. Yeah,

2:31:56.280 --> 2:32:00.960
<v Speaker 1>I'm up. But now that that I'm actually seeing with it,

2:32:01.360 --> 2:32:03.920
<v Speaker 1>I don't like it because I feel like they're taking

2:32:03.920 --> 2:32:05.960
<v Speaker 1>away from my success. I feel like what you're saying,

2:32:06.000 --> 2:32:08.199
<v Speaker 1>I ain't work hard. We got a hundred and sixty

2:32:08.560 --> 2:32:11.480
<v Speaker 1>nine episodes for a reason. You know, we're out here.

2:32:11.760 --> 2:32:15.000
<v Speaker 1>I'm out here with five fucking gold, fucking platinum albums

2:32:15.040 --> 2:32:17.040
<v Speaker 1>for a reason. This man has been DJ and for

2:32:17.400 --> 2:32:19.760
<v Speaker 1>twenty five years and we even touch a fucking crate

2:32:19.840 --> 2:32:24.360
<v Speaker 1>unless it's vinyl because he's fucking for real for a reason. Like, Yeah,

2:32:24.440 --> 2:32:31.280
<v Speaker 1>this nigga is a stubborn guy. So I just say that,

2:32:32.640 --> 2:32:37.360
<v Speaker 1>you know what I'm saying, like like like like this

2:32:37.440 --> 2:32:40.560
<v Speaker 1>is what I'm saying. It's like, um. And when they

2:32:40.640 --> 2:32:43.480
<v Speaker 1>say that, in case you didn't know that, anybody who

2:32:43.560 --> 2:32:46.640
<v Speaker 1>messes with Jay, anybody who kind of like gets close

2:32:47.240 --> 2:32:51.160
<v Speaker 1>what Puffin wins, anybody who who does business with nos

2:32:51.520 --> 2:32:54.200
<v Speaker 1>That's the immediate thing that they say, I happen to

2:32:54.280 --> 2:32:56.600
<v Speaker 1>do business. We happen to do business for all three

2:32:57.520 --> 2:33:01.440
<v Speaker 1>because the business made sense, not because we're down with anything.

2:33:02.080 --> 2:33:04.840
<v Speaker 1>And these things have no control over our ship. That's

2:33:04.959 --> 2:33:07.080
<v Speaker 1>one of the things that we said is like we're

2:33:07.120 --> 2:33:10.600
<v Speaker 1>not changing a damn thing. We're still gonna smoke weed.

2:33:10.760 --> 2:33:13.959
<v Speaker 1>We're still gonna smoke the smoke camps with the white

2:33:13.959 --> 2:33:19.680
<v Speaker 1>ship around it, that looks like cocaine in TBD. And

2:33:20.240 --> 2:33:22.320
<v Speaker 1>when we and we're smoking it out of shine papers,

2:33:22.720 --> 2:33:27.840
<v Speaker 1>shine papers we got. We're gonna be smoking blaze. We're

2:33:27.840 --> 2:33:29.800
<v Speaker 1>gonna be We're gonna be drinking sut. We're gonna be

2:33:29.879 --> 2:33:33.240
<v Speaker 1>drinking space. We usually have a space. Sorry hole today

2:33:33.320 --> 2:33:36.160
<v Speaker 1>I'm still gonna do no listen, listen, you know, let's

2:33:36.240 --> 2:33:38.960
<v Speaker 1>take a week to come here. But I couldn't listen

2:33:39.040 --> 2:33:41.600
<v Speaker 1>listen AI serious man, being honest, I don't need to

2:33:41.640 --> 2:33:52.440
<v Speaker 1>have a conversation with one. Yeah, because a spade is

2:33:52.520 --> 2:33:57.359
<v Speaker 1>very too expensive. But yeah, we got we gotta yourself

2:33:57.440 --> 2:33:59.840
<v Speaker 1>because we want we want this ship to be oh

2:34:00.480 --> 2:34:09.080
<v Speaker 1>wrap you rabble? What the fun rap rappers for us?

2:34:13.800 --> 2:34:16.800
<v Speaker 1>You want to man? And we want you to know brothers.

2:34:16.879 --> 2:34:19.200
<v Speaker 1>You know, I think, y'all, I'm so glad that your

2:34:19.240 --> 2:34:22.160
<v Speaker 1>brothers came and sat down with us because because a

2:34:22.240 --> 2:34:24.360
<v Speaker 1>lot of people doing you know what, a lot of

2:34:29.160 --> 2:34:31.480
<v Speaker 1>a lot of people thought that this was this was

2:34:31.680 --> 2:34:33.720
<v Speaker 1>like a competition or beef and the things like that.

2:34:34.000 --> 2:34:36.520
<v Speaker 1>And the thing is, I've warmed it it. I welcomed

2:34:36.560 --> 2:34:39.440
<v Speaker 1>it because I needed it. I needed to be put

2:34:39.520 --> 2:34:40.880
<v Speaker 1>in my place. I need to be put it on

2:34:40.959 --> 2:34:43.680
<v Speaker 1>my toes pause. I needed to, I needed, you know,

2:34:43.879 --> 2:34:48.200
<v Speaker 1>because yeah, because the thing about it is, the thing

2:34:48.280 --> 2:34:53.120
<v Speaker 1>about it is if anything comes easy to me in life,

2:34:53.160 --> 2:34:56.560
<v Speaker 1>I don't want it like I don't. I don't. I

2:34:56.600 --> 2:34:58.560
<v Speaker 1>don't know how to roll a blunt because it's not

2:34:58.680 --> 2:35:02.400
<v Speaker 1>easy like I want. I want, you know, I want

2:35:02.440 --> 2:35:04.200
<v Speaker 1>to work for it. I want to. And the thing

2:35:04.440 --> 2:35:08.560
<v Speaker 1>was you guys, It was rap rad Off, You guys

2:35:08.680 --> 2:35:10.880
<v Speaker 1>was establishing what was going on. He was the biggest thing.

2:35:11.280 --> 2:35:13.760
<v Speaker 1>And then we came to CBS and it probably felt

2:35:13.760 --> 2:35:19.520
<v Speaker 1>a little crazy and it did. It did. Let me

2:35:19.560 --> 2:35:21.320
<v Speaker 1>tell you what what what? What was? The first thing

2:35:21.760 --> 2:35:23.880
<v Speaker 1>was the time when we interview tax Stone and the

2:35:23.959 --> 2:35:26.800
<v Speaker 1>interviewed see the God. We had road weeds and the

2:35:26.879 --> 2:35:31.360
<v Speaker 1>guy and in the next yeah, yeah, and it was

2:35:31.400 --> 2:35:33.560
<v Speaker 1>like the rap Radar guy said, you guys can't be

2:35:33.640 --> 2:35:48.920
<v Speaker 1>rolling weed in here. He said, was highly upset, yo.

2:35:49.280 --> 2:35:52.960
<v Speaker 1>But let me tell you something be Dot Brian be

2:35:53.120 --> 2:35:56.320
<v Speaker 1>Dot Miller, Elliott Wilson. I want to thank you guys.

2:35:56.520 --> 2:35:58.920
<v Speaker 1>I want to thank you, thank you. I want to

2:35:58.959 --> 2:36:01.640
<v Speaker 1>thank you guys for doing what you do in hip hop.

2:36:01.720 --> 2:36:03.480
<v Speaker 1>I want to thank you guys for holding down what

2:36:03.560 --> 2:36:05.280
<v Speaker 1>you're doing hip hop. I want to thank you guys

2:36:05.360 --> 2:36:08.120
<v Speaker 1>for doing reporting journalism the way it's supposed to be.

2:36:08.360 --> 2:36:11.119
<v Speaker 1>I want to thank you guys for motherfucking monkey foot

2:36:11.160 --> 2:36:13.200
<v Speaker 1>in this game and not stopping. I want to thank

2:36:13.200 --> 2:36:15.080
<v Speaker 1>you guys for upping the game and going out there

2:36:15.080 --> 2:36:17.000
<v Speaker 1>and getting the jay Z and getting the Will Smith

2:36:17.320 --> 2:36:19.680
<v Speaker 1>and getting the fun you gotta do and making sure

2:36:19.760 --> 2:36:21.720
<v Speaker 1>your interviews is on point to make sure that my

2:36:21.840 --> 2:36:23.720
<v Speaker 1>ship is on point, because I watched it me one

2:36:23.760 --> 2:36:25.760
<v Speaker 1>of your motherfucking ship to make sure that I can

2:36:25.800 --> 2:36:27.440
<v Speaker 1>step it up. And I want to thank you in

2:36:27.520 --> 2:36:29.920
<v Speaker 1>your face, not behind your back, to tell you we

2:36:30.000 --> 2:36:32.360
<v Speaker 1>appreciate what you do for the Coach, that we appreciate

2:36:32.640 --> 2:36:35.160
<v Speaker 1>what you do for the podcast game, and we appreciate

2:36:35.240 --> 2:36:37.040
<v Speaker 1>what you're doing for title, because we're gonna make this

2:36:37.080 --> 2:36:47.680
<v Speaker 1>ship the new Apple, Last Last. I gotta come on

2:36:52.440 --> 2:36:55.680
<v Speaker 1>those big shots though I've been noticing. Yeah, I think

2:36:55.720 --> 2:37:02.600
<v Speaker 1>it's been going crazy. Solo, Yo, Solo, Thank you so much, man.

2:37:02.959 --> 2:37:06.560
<v Speaker 1>That was like a four hour conversation and