1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:13,680 Speaker 1: the video version of the history of Curby Your Enthusiasm 5 00:00:13,720 --> 00:00:17,319 Speaker 1: podcast on Max and YouTube as well. Links available in 6 00:00:17,360 --> 00:00:18,400 Speaker 1: the episode description. 7 00:00:26,720 --> 00:00:28,639 Speaker 2: Hi, this is Jeff Garland. 8 00:00:28,640 --> 00:00:29,760 Speaker 1: I'm with scus yes man. 9 00:00:29,880 --> 00:00:31,600 Speaker 2: Yeah, so you just heard our theme song. What do 10 00:00:31,600 --> 00:00:32,519 Speaker 2: you think of it, Susie. 11 00:00:32,800 --> 00:00:33,840 Speaker 1: I think it's gorgeous. 12 00:00:33,840 --> 00:00:37,919 Speaker 2: It is gorgeous. Yeah, let's start the. 13 00:00:37,880 --> 00:00:41,240 Speaker 1: Show, okay, episode two, Yes, season one, Ted and Mary, 14 00:00:41,640 --> 00:00:44,640 Speaker 1: let me just start by telling this little anecdote. Ted 15 00:00:44,800 --> 00:00:47,680 Speaker 1: and Mary knew Larry because they both had houses in 16 00:00:47,720 --> 00:00:50,960 Speaker 1: the summer and Martin's vineyard. And when Larry first did 17 00:00:51,200 --> 00:00:54,920 Speaker 1: the first hour special pilot, he showed it to Ted 18 00:00:54,960 --> 00:00:56,800 Speaker 1: and Mary, and Ted thought it was the worst thing 19 00:00:56,840 --> 00:00:57,520 Speaker 1: he'd ever seen. 20 00:00:57,640 --> 00:00:58,880 Speaker 3: You've heard him tell this story. 21 00:00:59,160 --> 00:01:00,840 Speaker 1: He thought it was just like he was like, oh 22 00:01:00,920 --> 00:01:03,880 Speaker 1: my god, good luck with this, rolling his eyes. And 23 00:01:03,920 --> 00:01:07,120 Speaker 1: then here he is in episode two of the season. 24 00:01:07,280 --> 00:01:09,399 Speaker 2: And by the way, we'll get to this later, but 25 00:01:09,480 --> 00:01:11,800 Speaker 2: in this episode, he's kind of playing something that he's 26 00:01:11,840 --> 00:01:15,039 Speaker 2: not normally used to playing. Which is he's the good guy. 27 00:01:15,600 --> 00:01:19,759 Speaker 2: He's being magnanimous, you know. Throughout the episode. 28 00:01:19,440 --> 00:01:21,800 Speaker 3: His character has changed, yes, very much so. 29 00:01:22,240 --> 00:01:24,840 Speaker 2: And by the way, he does say heaven in real 30 00:01:24,880 --> 00:01:26,400 Speaker 2: life when describing. 31 00:01:25,880 --> 00:01:29,240 Speaker 1: Something, well, that's what Larry will frequently take the reality 32 00:01:29,360 --> 00:01:31,880 Speaker 1: of somebody go with it. So it starts out in 33 00:01:31,920 --> 00:01:33,959 Speaker 1: a bowling alley, which I'd like to know how many 34 00:01:34,000 --> 00:01:36,800 Speaker 1: times they actually well bolt together. 35 00:01:36,880 --> 00:01:39,600 Speaker 2: I don't know, but I think that Larry probably. But 36 00:01:39,760 --> 00:01:42,399 Speaker 2: you know, there's those interesting questions I asked him. We're 37 00:01:42,400 --> 00:01:45,960 Speaker 2: talking about photography. He says, I've never used a camera. Why, 38 00:01:46,520 --> 00:01:48,440 Speaker 2: As a matter of fact, I've never taken a picture, 39 00:01:48,960 --> 00:01:51,400 Speaker 2: and of course I lose my shit. Yeah, and we 40 00:01:51,480 --> 00:01:53,920 Speaker 2: go into detail on it, and he tells me he's 41 00:01:53,960 --> 00:01:56,080 Speaker 2: never used to cam, never put money with the kid, 42 00:01:56,840 --> 00:01:58,360 Speaker 2: never put money in the jukebox. 43 00:01:58,720 --> 00:02:00,760 Speaker 3: So he's a very usual being. 44 00:02:01,440 --> 00:02:04,280 Speaker 2: So Monday, I think we need to ask him if 45 00:02:04,280 --> 00:02:08,240 Speaker 2: he's ever been bowling, you know, because it's fun. Not 46 00:02:08,360 --> 00:02:09,200 Speaker 2: for me. I hate it. 47 00:02:09,280 --> 00:02:09,920 Speaker 1: Oh, I like it. 48 00:02:10,040 --> 00:02:13,360 Speaker 2: I hate bowling. Maybe it's because they call me gutterball Joe. 49 00:02:14,080 --> 00:02:16,880 Speaker 3: They're having a good time. 50 00:02:17,520 --> 00:02:20,680 Speaker 1: I'm shocked that he even wore those disgusting bowling shoes. 51 00:02:20,880 --> 00:02:22,200 Speaker 1: You remember when you were a kid, you went into 52 00:02:22,240 --> 00:02:24,400 Speaker 1: the bowling alley and they'd spray the inside of the show. 53 00:02:24,440 --> 00:02:25,359 Speaker 2: But everybody wore them. 54 00:02:25,600 --> 00:02:29,160 Speaker 1: That's disgusting, but you wore them when you were knowing 55 00:02:29,240 --> 00:02:32,040 Speaker 1: Larry as I do that he would have ever worn 56 00:02:32,080 --> 00:02:35,320 Speaker 1: those shoes. But again, and they're having a great time, 57 00:02:35,520 --> 00:02:37,880 Speaker 1: and then he goes to get his real shoes and 58 00:02:38,000 --> 00:02:38,600 Speaker 1: they're gone. 59 00:02:38,919 --> 00:02:42,400 Speaker 3: His campers, right, yeah, Jimmy loves By. 60 00:02:42,280 --> 00:02:44,040 Speaker 2: The way, I want to also say with Mary Steen 61 00:02:44,120 --> 00:02:47,200 Speaker 2: Virgin and Ted Danson on the show. First off, love 62 00:02:47,280 --> 00:02:50,200 Speaker 2: Mary Steen Virgin and everything she's ever been in. My 63 00:02:50,280 --> 00:02:52,320 Speaker 2: favorite movie that she did at that point was a 64 00:02:52,320 --> 00:02:57,760 Speaker 2: movie called Time after Time with her first McDowell about 65 00:02:57,760 --> 00:02:58,519 Speaker 2: to say Roddy. 66 00:02:58,360 --> 00:03:02,200 Speaker 1: McDowell, no no, and then but totally dancing. 67 00:03:02,800 --> 00:03:05,280 Speaker 2: That was somebody to me where I was. I remember 68 00:03:05,320 --> 00:03:08,200 Speaker 2: once seeing him. He was ahead of me drive on 69 00:03:08,400 --> 00:03:13,400 Speaker 2: to the Paramount lot as I'm coming in, and he 70 00:03:13,440 --> 00:03:17,000 Speaker 2: had a Lexus LS four hundred, first or second year, 71 00:03:17,040 --> 00:03:20,760 Speaker 2: this big Lexus sedan this very early on in Lexus, 72 00:03:20,960 --> 00:03:23,919 Speaker 2: and I thought, look at him, Ted dance and he's 73 00:03:23,960 --> 00:03:27,440 Speaker 2: got it all. I've told him this and I I 74 00:03:27,480 --> 00:03:30,280 Speaker 2: would I would look at him, be around him, like, wow, 75 00:03:30,320 --> 00:03:32,560 Speaker 2: I'm talking to you know, you're the voice. I'm talking 76 00:03:32,560 --> 00:03:35,120 Speaker 2: to Ted Danson. I'm having a conversation with Ted Danson. 77 00:03:35,520 --> 00:03:37,560 Speaker 2: And I would also think I'm doing a scene with 78 00:03:37,600 --> 00:03:38,160 Speaker 2: Ted Danson. 79 00:03:38,200 --> 00:03:41,760 Speaker 1: I would say, though always because he's a joy. He's 80 00:03:41,800 --> 00:03:44,760 Speaker 1: a joy. 81 00:03:45,000 --> 00:03:48,840 Speaker 2: No, they're both so, you know. But Ted's my favorite 82 00:03:48,840 --> 00:03:50,960 Speaker 2: actor I've ever worked with. That I can put it 83 00:03:51,040 --> 00:03:53,560 Speaker 2: that far. But even to this day, when I'm doing 84 00:03:53,600 --> 00:03:56,080 Speaker 2: a scene with him, I can't believe I'm doing this acting. 85 00:03:56,760 --> 00:03:58,840 Speaker 2: I'm acting with Ted dancing. I just yeah, it was 86 00:03:58,920 --> 00:04:01,440 Speaker 2: very exciting for me, and I don't lose that. I 87 00:04:01,520 --> 00:04:05,200 Speaker 2: still have it today, the excitement of Ted dances. So 88 00:04:05,360 --> 00:04:07,800 Speaker 2: when by the way, that's that's a great book, the. 89 00:04:07,800 --> 00:04:11,200 Speaker 1: Excitement Ted dancing. So when Larry goes to get his 90 00:04:11,240 --> 00:04:14,800 Speaker 1: shoes and Ted says to him, and clearly these couples 91 00:04:14,840 --> 00:04:17,320 Speaker 1: are just getting to know each other, they're not friends yet. 92 00:04:17,560 --> 00:04:20,000 Speaker 3: You know later later on we know what happens with 93 00:04:20,080 --> 00:04:20,839 Speaker 3: Ted and Cheryl. 94 00:04:21,160 --> 00:04:22,360 Speaker 1: But Ted says, our. 95 00:04:22,240 --> 00:04:24,919 Speaker 2: Listeners do they do? Of course, we're not spoiling. 96 00:04:26,400 --> 00:04:28,760 Speaker 1: We're listening to the show, and you're not. 97 00:04:28,680 --> 00:04:32,240 Speaker 2: Watched, if not all most of the Curb episodes. Then 98 00:04:32,320 --> 00:04:33,799 Speaker 2: we're really mistaken. 99 00:04:34,000 --> 00:04:35,760 Speaker 1: The only thing we don't want to spoil is what 100 00:04:35,760 --> 00:04:38,040 Speaker 1: we're shooting now, Russell, I. 101 00:04:37,960 --> 00:04:41,159 Speaker 2: Can't imagine someone listening to the show and never having 102 00:04:41,200 --> 00:04:44,960 Speaker 2: watched Curb you and they're just sort of jumping on 103 00:04:45,040 --> 00:04:48,160 Speaker 2: board and they said to themselves, I have to check 104 00:04:48,200 --> 00:04:49,480 Speaker 2: out this show that they. 105 00:04:49,400 --> 00:04:50,840 Speaker 3: Call Take All Kinds. 106 00:04:50,920 --> 00:04:53,560 Speaker 1: Yes, I know, okay, Ted says to him, does this 107 00:04:53,640 --> 00:04:56,560 Speaker 1: happen to you a lot? And again this is setting up. 108 00:04:56,640 --> 00:04:59,760 Speaker 1: This is Larry. Things happened to Larry in real life, 109 00:04:59,839 --> 00:05:03,680 Speaker 1: not Larry Matt Larry Show. Larry. Things have always happened 110 00:05:03,680 --> 00:05:05,840 Speaker 1: to Larry that don't happen to anybody else. 111 00:05:06,160 --> 00:05:09,520 Speaker 2: Well, by the way, I guarantee, guarantee this premise did 112 00:05:09,560 --> 00:05:13,200 Speaker 2: not happen to him. But somebody lost his shoes. That 113 00:05:13,279 --> 00:05:16,040 Speaker 2: was some way, in some way, there's a shoe problem. 114 00:05:16,279 --> 00:05:18,960 Speaker 2: And he came up with the premise after the shoe 115 00:05:18,960 --> 00:05:19,760 Speaker 2: problem happened. 116 00:05:19,800 --> 00:05:21,120 Speaker 3: And then there's the heaven thing. 117 00:05:21,800 --> 00:05:24,120 Speaker 2: Yeah, Ted saying heaven is just so him. 118 00:05:24,320 --> 00:05:26,200 Speaker 1: The other thing that struck me was Bye. 119 00:05:26,279 --> 00:05:28,600 Speaker 2: Let me just say for our listeners, Ted Danson will 120 00:05:28,640 --> 00:05:33,559 Speaker 2: describe things from gum to adore as heaven. Yeah. 121 00:05:33,760 --> 00:05:35,640 Speaker 1: The other thing that struck me about it was when 122 00:05:35,680 --> 00:05:38,239 Speaker 1: he says that Ted asks a lot of questions about 123 00:05:38,240 --> 00:05:42,239 Speaker 1: personal hygiene. Now, personal hygiene is an issue with Larry 124 00:05:42,600 --> 00:05:45,440 Speaker 1: that you see it throughout all the episodes. We see 125 00:05:45,440 --> 00:05:50,120 Speaker 1: it in real life. He is a personal hygiene awareness person. 126 00:05:50,200 --> 00:05:51,839 Speaker 2: Well, by the way, we were discussing, we were filming 127 00:05:51,880 --> 00:05:55,200 Speaker 2: a scene and we got into a conversation about using 128 00:05:55,680 --> 00:05:59,599 Speaker 2: pool humor. I'll refer to it as that scatological gatological humor. 129 00:06:00,120 --> 00:06:03,640 Speaker 2: And he doesn't like it. And if Leman doesn't like it, 130 00:06:03,960 --> 00:06:05,599 Speaker 2: and I know I don't like it, I don't like 131 00:06:05,600 --> 00:06:07,360 Speaker 2: it no more. The three of us have in common 132 00:06:07,640 --> 00:06:10,000 Speaker 2: were men, all right, But anyhow. 133 00:06:10,040 --> 00:06:12,440 Speaker 1: I don't like it either. Now to me. 134 00:06:12,760 --> 00:06:16,440 Speaker 2: Oh, it's so low, so easy. But anyhow, he likes 135 00:06:16,560 --> 00:06:21,120 Speaker 2: things that are pristine, clean, no poop, And I'm talking 136 00:06:21,160 --> 00:06:24,280 Speaker 2: about language. He'll say, fuck, I'm not saying that. Which, 137 00:06:24,320 --> 00:06:28,440 Speaker 2: by the way, when people do knockoffs of Curb, especially 138 00:06:28,440 --> 00:06:31,040 Speaker 2: in the early days, they seem to think what it 139 00:06:31,080 --> 00:06:33,320 Speaker 2: is is a TV show you can swear on. That 140 00:06:33,440 --> 00:06:35,920 Speaker 2: was a difference early on between us and any of 141 00:06:35,960 --> 00:06:37,160 Speaker 2: the show that was like us. 142 00:06:37,279 --> 00:06:38,360 Speaker 1: Well, because it's on HBO. 143 00:06:38,520 --> 00:06:41,360 Speaker 2: Also, it's not network, right, but they would get shows 144 00:06:41,360 --> 00:06:44,520 Speaker 2: on show Time wherever at that point was a cable show. 145 00:06:45,000 --> 00:06:47,720 Speaker 2: That was a differentiation. It didn't happen for like three 146 00:06:47,839 --> 00:06:51,600 Speaker 2: four years, but they thought, oh, we'll just swear, and 147 00:06:51,640 --> 00:06:55,440 Speaker 2: we only swear like when it's necessary, you swear like. 148 00:06:55,360 --> 00:06:59,320 Speaker 1: Nobody's However, I've always felt that people think that that's 149 00:06:59,360 --> 00:06:59,720 Speaker 1: what they. 150 00:06:59,640 --> 00:07:02,760 Speaker 3: Respect in my character, and I don't think that's correct. 151 00:07:02,960 --> 00:07:04,479 Speaker 2: It's your character. I forgot it. 152 00:07:04,560 --> 00:07:06,800 Speaker 1: I think what so many people respond to about Susie 153 00:07:06,839 --> 00:07:10,520 Speaker 1: Green is her comfort with her anger. Is what women 154 00:07:10,600 --> 00:07:13,320 Speaker 1: respond to about her character. Not that she's saying fuck 155 00:07:13,360 --> 00:07:16,640 Speaker 1: you and fuck this. It's that she is so completely 156 00:07:16,720 --> 00:07:19,440 Speaker 1: owning her anger, which is a very difficult thing for 157 00:07:19,480 --> 00:07:20,080 Speaker 1: a lot of women. 158 00:07:20,640 --> 00:07:21,760 Speaker 3: And that's what I. 159 00:07:21,600 --> 00:07:22,360 Speaker 2: Own their anger. 160 00:07:22,520 --> 00:07:24,120 Speaker 3: Yeah, oh wow, Yeah? 161 00:07:24,320 --> 00:07:26,640 Speaker 2: Are most women angry? 162 00:07:26,720 --> 00:07:26,960 Speaker 1: Yeah? 163 00:07:27,760 --> 00:07:28,720 Speaker 2: Is because of men? 164 00:07:28,960 --> 00:07:31,120 Speaker 1: No, I think most people are angry. I thinks that 165 00:07:31,200 --> 00:07:33,080 Speaker 1: make us angry all the time. I know, And I 166 00:07:33,080 --> 00:07:35,800 Speaker 1: think women are have a built in oppression there that 167 00:07:35,840 --> 00:07:38,160 Speaker 1: they're angry about. And I think that Susie Green has 168 00:07:38,160 --> 00:07:41,840 Speaker 1: given them permission to express their anger. It's not the language. 169 00:07:41,920 --> 00:07:45,880 Speaker 1: And again, the language is secondary. It's the content of 170 00:07:45,920 --> 00:07:48,240 Speaker 1: the show that is really the thing that's edgy to me, 171 00:07:48,360 --> 00:07:49,920 Speaker 1: not the language. It's the content. 172 00:07:51,480 --> 00:07:54,360 Speaker 2: Yes, it goes off the contents, but that's just a 173 00:07:54,400 --> 00:07:56,360 Speaker 2: funny thing to point out that no one would know 174 00:07:56,400 --> 00:07:59,040 Speaker 2: about Larry that he finds that kind of humor. 175 00:07:59,520 --> 00:07:59,720 Speaker 1: Yeah. 176 00:07:59,760 --> 00:08:04,559 Speaker 2: And also bathroom habits, flossing habits, those are of great 177 00:08:04,640 --> 00:08:05,400 Speaker 2: concern to. 178 00:08:05,400 --> 00:08:07,720 Speaker 3: Him, great concern, Yeah, great concern. 179 00:08:08,040 --> 00:08:10,000 Speaker 1: It's not that he won't use it, but he's not 180 00:08:10,040 --> 00:08:15,720 Speaker 1: a person that sprinkles profanities throughout his conversation right in general. No, 181 00:08:16,280 --> 00:08:18,080 Speaker 1: by the way, I do way more than him. 182 00:08:18,160 --> 00:08:19,800 Speaker 2: And so do I. I've got a mouth that I 183 00:08:19,840 --> 00:08:22,160 Speaker 2: see that crap all the time. And no, he does not. 184 00:08:22,320 --> 00:08:25,120 Speaker 2: He generally doesn't. And he does in a big way 185 00:08:25,120 --> 00:08:27,160 Speaker 2: where I'll tell him a story and he'll go fuck them, 186 00:08:27,440 --> 00:08:30,480 Speaker 2: you know what I mean, But it's not part of 187 00:08:30,960 --> 00:08:32,000 Speaker 2: of his dialogue. 188 00:08:32,040 --> 00:08:34,440 Speaker 1: So they go bowling and they have a great time, 189 00:08:34,520 --> 00:08:38,120 Speaker 1: and then Larry and Cheryl are home discussing the double date, 190 00:08:38,480 --> 00:08:41,599 Speaker 1: which I think it's a great, great scene and it 191 00:08:41,800 --> 00:08:45,000 Speaker 1: just tells so much about their relationship. And again this 192 00:08:45,040 --> 00:08:47,640 Speaker 1: is in the beginning. You know, they're just finding it right, 193 00:08:47,760 --> 00:08:49,000 Speaker 1: you know the idea. 194 00:08:49,040 --> 00:08:51,079 Speaker 2: Well, by the way, you also have to add because 195 00:08:51,080 --> 00:08:54,319 Speaker 2: it's part of the show that Ted and Mary invite 196 00:08:54,679 --> 00:08:55,880 Speaker 2: Cheryl and Larry to go. 197 00:08:55,800 --> 00:08:59,000 Speaker 1: See Simon in concert in concert, which Larry hems and 198 00:08:59,080 --> 00:09:01,599 Speaker 1: hawes over which I'm surprised in the beginning because I 199 00:09:01,600 --> 00:09:02,840 Speaker 1: would think, no, no, no. 200 00:09:03,040 --> 00:09:05,640 Speaker 2: Larry David, the real Larry David, which this is based 201 00:09:05,679 --> 00:09:09,240 Speaker 2: on up until ten years ago. He didn't go. 202 00:09:09,480 --> 00:09:10,960 Speaker 1: He didn't go. But he loves Paul Simon. 203 00:09:11,120 --> 00:09:12,760 Speaker 2: I know, I know, I know he does. 204 00:09:13,679 --> 00:09:25,120 Speaker 1: We'll be right back. Stay tuned, Okay, we're back. The 205 00:09:25,160 --> 00:09:28,679 Speaker 1: whole idea that you can't be friends with a hetero 206 00:09:29,040 --> 00:09:33,000 Speaker 1: other hetero person, I think is a really interesting concept. 207 00:09:33,400 --> 00:09:35,199 Speaker 1: You know, Like I have a very close friend who 208 00:09:35,240 --> 00:09:38,400 Speaker 1: you know who. I was extremely close friends with him 209 00:09:38,440 --> 00:09:41,760 Speaker 1: before he was married, so I'm grandfathered in as a 210 00:09:41,800 --> 00:09:45,199 Speaker 1: hetero woman and he's a hetero man. But once you're married, 211 00:09:45,480 --> 00:09:49,200 Speaker 1: it's hard to make those relationships with They. 212 00:09:48,840 --> 00:09:51,200 Speaker 2: All pretty much have to be pre existing. 213 00:09:51,280 --> 00:09:52,560 Speaker 1: They have to be grandfathered in. 214 00:09:52,760 --> 00:09:55,240 Speaker 2: You know, because if you're friends with somebody and your 215 00:09:55,280 --> 00:09:57,720 Speaker 2: significant other knows that you're friends with them, and they 216 00:09:57,760 --> 00:09:59,920 Speaker 2: actually are friends with them, but you try to explain 217 00:10:00,160 --> 00:10:01,640 Speaker 2: a new person that you're having caught. 218 00:10:01,400 --> 00:10:04,720 Speaker 1: It very difficult, very difficult. You could say to Sari, 219 00:10:04,920 --> 00:10:06,360 Speaker 1: I'm having dinner with Susie. 220 00:10:06,520 --> 00:10:10,320 Speaker 2: She's fine, yeah, but if i'm I have But by 221 00:10:10,320 --> 00:10:15,280 Speaker 2: the way, I have numerous women friends who Sari is 222 00:10:15,320 --> 00:10:17,680 Speaker 2: all good with me. But I remember one time I 223 00:10:17,720 --> 00:10:21,560 Speaker 2: mentioned somebody and she wasn't too you know, well, Marla 224 00:10:21,600 --> 00:10:22,600 Speaker 2: would do the same thing. 225 00:10:22,640 --> 00:10:24,800 Speaker 1: And I would do the same thing. And the mistake 226 00:10:24,960 --> 00:10:29,800 Speaker 1: that Larry makes is he is way too, way too 227 00:10:29,840 --> 00:10:31,559 Speaker 1: effusive about how terrific. 228 00:10:31,800 --> 00:10:35,120 Speaker 2: By the way, Clearly, what we're saying is a man 229 00:10:35,160 --> 00:10:37,480 Speaker 2: with a crush, which I think is totally cool. 230 00:10:37,679 --> 00:10:39,160 Speaker 1: That's right, totally cool. 231 00:10:39,720 --> 00:10:42,880 Speaker 2: I don't there's anything wrong with that. And I don't 232 00:10:42,880 --> 00:10:44,720 Speaker 2: think he was planning on having an affair with her. 233 00:10:44,800 --> 00:10:46,720 Speaker 2: I think no, I know, but I think he was 234 00:10:46,880 --> 00:10:50,440 Speaker 2: just tickled and couldn't get enough of her. And I 235 00:10:50,520 --> 00:10:53,480 Speaker 2: know I felt that way about women. You know, I 236 00:10:53,640 --> 00:10:56,360 Speaker 2: knew I'm not gonna go for this. I'm married, I 237 00:10:56,400 --> 00:10:58,440 Speaker 2: have a girl friend, whatever it is, I am not 238 00:10:58,640 --> 00:11:01,000 Speaker 2: but boy, oh boy, I'm I'm pretty taken with this. 239 00:11:01,160 --> 00:11:03,520 Speaker 1: You know. I do think that being in a long 240 00:11:03,600 --> 00:11:07,880 Speaker 1: term relationship and having crushes and flirting somewhat are healthy. 241 00:11:08,280 --> 00:11:10,400 Speaker 1: I think it keeps it's an enlivening thing. 242 00:11:10,480 --> 00:11:14,160 Speaker 2: When I first got married, I didn't know that it 243 00:11:14,200 --> 00:11:16,840 Speaker 2: was okay to have dead No, but I know. But 244 00:11:16,920 --> 00:11:21,080 Speaker 2: I purposely like had blinders on for a number of 245 00:11:21,160 --> 00:11:23,679 Speaker 2: you in terms of I never opened up to that. 246 00:11:24,040 --> 00:11:26,480 Speaker 2: And then the first crush that I had, I was like, 247 00:11:26,640 --> 00:11:29,640 Speaker 2: oh wow, this is cool. Yeah, I haven't felt this way. 248 00:11:29,679 --> 00:11:30,240 Speaker 2: How fun. 249 00:11:30,360 --> 00:11:32,600 Speaker 1: And there's a big difference between having a crush and 250 00:11:32,679 --> 00:11:33,760 Speaker 1: acting out on a crush. 251 00:11:33,920 --> 00:11:35,720 Speaker 2: Well, it's not even ever a crush then' it. 252 00:11:35,720 --> 00:11:38,560 Speaker 1: It's acting it's an affair. But he clearly has a 253 00:11:38,559 --> 00:11:41,200 Speaker 1: crush on Mary. Clearly has a crush on Mary to 254 00:11:41,240 --> 00:11:44,080 Speaker 1: the point where he becomes a different person. He loves shopping, 255 00:11:44,160 --> 00:11:46,640 Speaker 1: he loves cooking, he loves you know, all of this 256 00:11:46,760 --> 00:11:50,080 Speaker 1: kind of stuff. He said Barney's again, a long lost 257 00:11:50,120 --> 00:11:52,400 Speaker 1: dead Barney's, which we've used more than once. 258 00:11:52,440 --> 00:11:53,800 Speaker 3: And he says it's heaven. 259 00:11:54,320 --> 00:11:56,080 Speaker 1: That's how far he goes in his crush that he 260 00:11:56,160 --> 00:11:59,800 Speaker 1: says to Mary, this jacket is heaven. 261 00:12:00,679 --> 00:12:01,480 Speaker 2: It's the same. 262 00:12:01,360 --> 00:12:03,400 Speaker 1: Jacket that she's worried exactly. 263 00:12:03,480 --> 00:12:05,760 Speaker 2: You know, try that with with Cheryl, you know what I. 264 00:12:05,720 --> 00:12:08,600 Speaker 1: Mean, It's like, yeah, and Cheryl, Cheryl is so good. 265 00:12:09,000 --> 00:12:11,840 Speaker 1: You see in that scene where the subtlety of Cheryl's 266 00:12:11,920 --> 00:12:14,320 Speaker 1: performance is. 267 00:12:14,400 --> 00:12:17,680 Speaker 2: I think like everyone on the show except for me, 268 00:12:17,840 --> 00:12:18,960 Speaker 2: everybody's gotten better. 269 00:12:19,120 --> 00:12:20,120 Speaker 1: What do you mean except for you? 270 00:12:20,280 --> 00:12:23,120 Speaker 2: I was great from the get okay, all right, so anyhow, 271 00:12:23,120 --> 00:12:28,720 Speaker 2: but Cheryl has developed so beautifully in her character because 272 00:12:28,720 --> 00:12:32,840 Speaker 2: her character is mostly subtle and mostly picks up the minutia. 273 00:12:33,240 --> 00:12:34,559 Speaker 2: And that's a hard gig. 274 00:12:34,720 --> 00:12:37,360 Speaker 1: But you saw it in that scene. You saw she 275 00:12:37,520 --> 00:12:39,840 Speaker 1: was annoyed, but she wasn't really going there. 276 00:12:40,240 --> 00:12:42,120 Speaker 2: She found it curious. 277 00:12:42,280 --> 00:12:43,720 Speaker 3: Yeah, I found it curious. 278 00:12:44,160 --> 00:12:47,640 Speaker 1: But it's the beginning of really seeing their relationship develop. 279 00:12:48,120 --> 00:12:50,680 Speaker 1: These things take time, especially when you're improvising and it's 280 00:12:50,679 --> 00:12:52,160 Speaker 1: not written. You have to find it. 281 00:12:52,240 --> 00:12:55,640 Speaker 2: You know, the great line when they go to lunches 282 00:12:56,040 --> 00:12:59,560 Speaker 2: and he's talking about how he cooks, and she says 283 00:12:59,559 --> 00:13:02,880 Speaker 2: Mary'sberg just says that's so sexy. Yes, and then her 284 00:13:02,880 --> 00:13:05,560 Speaker 2: mother gets mad at her. But then her mother says, 285 00:13:05,840 --> 00:13:08,719 Speaker 2: this is the classic exchange of the episode, which is. 286 00:13:09,600 --> 00:13:11,280 Speaker 3: Your wife must be very proud of you. 287 00:13:11,600 --> 00:13:14,400 Speaker 2: Yes, no, she's not not at all. 288 00:13:14,559 --> 00:13:17,120 Speaker 1: You know. I looked her up Anne Haney, who played 289 00:13:17,240 --> 00:13:20,000 Speaker 1: Mary's mother, I looked her up this morning, and this 290 00:13:20,160 --> 00:13:21,320 Speaker 1: was the last thing she did. 291 00:13:21,400 --> 00:13:22,760 Speaker 3: She died right after that. 292 00:13:22,920 --> 00:13:25,120 Speaker 2: Oh, I did not know that she was a delight. 293 00:13:25,280 --> 00:13:26,760 Speaker 1: She died young. She was only six self. 294 00:13:26,880 --> 00:13:28,800 Speaker 2: I'm sary that she was in Missus doubtfire. 295 00:13:29,040 --> 00:13:31,000 Speaker 1: Yes she was. She had a very nice career. But 296 00:13:31,040 --> 00:13:33,480 Speaker 1: this was the last thing she did. Was this episode 297 00:13:33,520 --> 00:13:35,640 Speaker 1: of kerb was the last professional thing that she did. 298 00:13:36,160 --> 00:13:38,840 Speaker 1: Something about that song, No, it's really we were lucky. 299 00:13:39,000 --> 00:13:40,840 Speaker 1: The only thing that struck me about when they're shopping 300 00:13:40,840 --> 00:13:44,360 Speaker 1: in Barney's was Larry's vanity. He says to Mary's mother, 301 00:13:44,559 --> 00:13:46,679 Speaker 1: did you like that the sleeves were kind of puffy 302 00:13:46,720 --> 00:13:49,200 Speaker 1: in the slip? But and his vanity all about what 303 00:13:49,240 --> 00:13:50,200 Speaker 1: he lost, Like take. 304 00:13:50,160 --> 00:13:54,719 Speaker 2: That as he's trying to ingratiate himself. He was saying that. 305 00:13:55,040 --> 00:13:57,400 Speaker 2: But I don't I think that was false vanity. I 306 00:13:57,440 --> 00:13:59,760 Speaker 2: don't think you really worried about the sleep. And by 307 00:13:59,760 --> 00:14:02,760 Speaker 2: the way, I think he took that stuff home unless 308 00:14:02,800 --> 00:14:05,280 Speaker 2: he thought he was seeing Mary, that stuff would all 309 00:14:05,280 --> 00:14:06,600 Speaker 2: stay in the closet. 310 00:14:06,280 --> 00:14:09,040 Speaker 1: All the stuff that he bought. Something was attempts to 311 00:14:09,080 --> 00:14:09,559 Speaker 1: return it. 312 00:14:09,760 --> 00:14:13,160 Speaker 2: First off, his reaction and I do think it was 313 00:14:13,200 --> 00:14:16,880 Speaker 2: a bit extreme to drinking Mary's mother's water was but 314 00:14:17,000 --> 00:14:20,400 Speaker 2: that being said that it is true and he would 315 00:14:20,960 --> 00:14:23,760 Speaker 2: have spin it out, just not that way because it 316 00:14:23,840 --> 00:14:27,040 Speaker 2: was like, Larry, you drink poison. That's what the thing was. 317 00:14:27,160 --> 00:14:29,520 Speaker 2: But that's also the nuances of the show, you know. 318 00:14:30,040 --> 00:14:32,680 Speaker 2: But I love when he came home. He was going 319 00:14:32,760 --> 00:14:35,800 Speaker 2: upstairs with the clothes and she said I'm in here, yeah, 320 00:14:35,840 --> 00:14:37,920 Speaker 2: and he has to walk in with all the clothes 321 00:14:38,200 --> 00:14:41,160 Speaker 2: and at first he just talks about how he loves shopping. 322 00:14:41,160 --> 00:14:44,440 Speaker 2: When shopping, then he slowly adds that Mary was there 323 00:14:44,760 --> 00:14:48,800 Speaker 2: with her mother. They had lunch, and it's becoming clear 324 00:14:48,960 --> 00:14:51,360 Speaker 2: to Cheryl, like, what the fuck is all that he 325 00:14:51,400 --> 00:14:51,880 Speaker 2: had a date? 326 00:14:52,280 --> 00:14:55,680 Speaker 1: He went on a date with Mary, Yeah, basically, and 327 00:14:55,720 --> 00:14:57,600 Speaker 1: what if her mother wasn't there? She was so but 328 00:14:57,720 --> 00:14:58,560 Speaker 1: you know, by the. 329 00:14:58,480 --> 00:15:01,920 Speaker 2: Way he got Ted said heaven. In the episode when 330 00:15:02,520 --> 00:15:05,080 Speaker 2: Ted he had the great timing of Mary took the 331 00:15:05,120 --> 00:15:07,640 Speaker 2: wrong bag and he gave his bag and they walk 332 00:15:07,680 --> 00:15:10,800 Speaker 2: out in front and Ted is giving him subtle shit 333 00:15:11,320 --> 00:15:13,280 Speaker 2: like he doesn't have to say anything. 334 00:15:13,200 --> 00:15:15,760 Speaker 1: And that is the beauty of how the outlines are 335 00:15:15,800 --> 00:15:18,080 Speaker 1: done right. You know, he could have not had that 336 00:15:18,160 --> 00:15:21,160 Speaker 1: scene right. It appears to be gratuitous in a sense, 337 00:15:21,200 --> 00:15:22,840 Speaker 1: but of course it's not. Well by the way it 338 00:15:22,800 --> 00:15:25,360 Speaker 1: wrote so much information. Ted sees that he has the 339 00:15:25,400 --> 00:15:28,880 Speaker 1: same shirt jacket that Mary has. It's all the signs 340 00:15:28,920 --> 00:15:29,360 Speaker 1: are there. 341 00:15:29,520 --> 00:15:31,800 Speaker 2: Well, yeah, it's a beauty. But also in that scene, 342 00:15:31,840 --> 00:15:34,280 Speaker 2: and I forgot what he's referring to, Ted says, heaven. 343 00:15:34,240 --> 00:15:36,920 Speaker 1: Yeah, it was something about yeah, it's the trunk where 344 00:15:37,120 --> 00:15:37,880 Speaker 1: the yea. 345 00:15:37,800 --> 00:15:40,080 Speaker 2: Yeah, it's something about the yard. But I also want 346 00:15:40,120 --> 00:15:43,000 Speaker 2: to say that, quite often on the show, and I'm 347 00:15:43,040 --> 00:15:45,920 Speaker 2: privy to this, Larry will whisper to me the scene 348 00:15:45,960 --> 00:15:47,840 Speaker 2: will never make it into the cut, not going to 349 00:15:47,920 --> 00:15:50,800 Speaker 2: use it, not using the scene. So there's a scene 350 00:15:50,840 --> 00:15:54,840 Speaker 2: that's being filmed, and I know as I'm watching it, oh, 351 00:15:54,880 --> 00:15:56,240 Speaker 2: this is never going to be in the show. 352 00:15:56,240 --> 00:15:58,320 Speaker 1: I'll bet you it was less in the beginning than 353 00:15:58,480 --> 00:16:00,680 Speaker 1: that's most certainly, Yeah, because. 354 00:16:00,360 --> 00:16:03,320 Speaker 2: His radar is much stronger now, he might not have 355 00:16:03,440 --> 00:16:04,320 Speaker 2: known that, you know. 356 00:16:04,760 --> 00:16:08,280 Speaker 1: I mean also, these arcs are much more complicated now. Yes, 357 00:16:08,320 --> 00:16:10,360 Speaker 1: early on there was this it was a very simple 358 00:16:10,680 --> 00:16:11,760 Speaker 1: you know, there was a couple of. 359 00:16:11,640 --> 00:16:13,440 Speaker 2: Things going on a fan of the Simple. 360 00:16:13,560 --> 00:16:15,920 Speaker 1: I like the Simple too. But there was the Barneys, 361 00:16:15,960 --> 00:16:18,600 Speaker 1: which had the callback with the salesman, there was the 362 00:16:18,640 --> 00:16:20,920 Speaker 1: Bowling which had the callback with the shoes, and there 363 00:16:20,960 --> 00:16:21,880 Speaker 1: was the Paul Simon. 364 00:16:22,120 --> 00:16:23,840 Speaker 2: By the way, I want to talk about the salesman. 365 00:16:24,440 --> 00:16:27,520 Speaker 2: He's played by a gentleman named Tim Bagley, who is 366 00:16:27,640 --> 00:16:30,880 Speaker 2: one of the funniest men in town. I've known him 367 00:16:30,920 --> 00:16:34,080 Speaker 2: since the eighties, the mid eighties. He was a Groundlings 368 00:16:34,160 --> 00:16:38,920 Speaker 2: guy and he was in the show because of my recommendation. 369 00:16:39,840 --> 00:16:42,320 Speaker 2: That's the fun part at that point of the show. 370 00:16:42,640 --> 00:16:45,600 Speaker 2: Being an executive producer, it's like, oh, he will beat 371 00:16:45,600 --> 00:16:48,640 Speaker 2: the shit out of everybody. And back then, by the way, 372 00:16:48,880 --> 00:16:51,680 Speaker 2: I could just say this guy's right for it, and 373 00:16:51,760 --> 00:16:54,000 Speaker 2: Larry would have me talk about the person and he 374 00:16:54,040 --> 00:16:54,600 Speaker 2: would agree. 375 00:16:54,680 --> 00:16:55,680 Speaker 3: There wasn't a whole audition. 376 00:16:55,800 --> 00:16:59,520 Speaker 2: There was. I will explain how that changed. Well, there 377 00:16:59,640 --> 00:17:04,359 Speaker 2: was auditioned people. But if I wanted somebody, he trusted me, 378 00:17:04,880 --> 00:17:08,160 Speaker 2: and he trusted Larry Charles. This is season two, especially 379 00:17:08,400 --> 00:17:11,760 Speaker 2: where especially if Larry Charles and I doubled up on Larry, 380 00:17:12,119 --> 00:17:14,760 Speaker 2: we could pretty much get anyone on the show. But 381 00:17:14,880 --> 00:17:18,480 Speaker 2: Larry Charles and I took that with a great responsibility. 382 00:17:18,720 --> 00:17:21,320 Speaker 2: We only wanted great people. It isn't like getting your friends. 383 00:17:21,400 --> 00:17:23,159 Speaker 1: Well, let me ask you this. I just want to 384 00:17:23,320 --> 00:17:26,360 Speaker 1: have a little sidebar here, right. So he was drowning 385 00:17:27,040 --> 00:17:30,320 Speaker 1: your honor. He was a Groundlings guy. Yes, so I 386 00:17:30,600 --> 00:17:34,760 Speaker 1: feel that generally when you have improv actors which Groundlings 387 00:17:34,840 --> 00:17:36,639 Speaker 1: is an improv group for people who don't know that, 388 00:17:36,840 --> 00:17:40,600 Speaker 1: or stand up comics, Yes, are way better at this 389 00:17:40,640 --> 00:17:43,439 Speaker 1: than actors night and day. Now, occasionally you get a 390 00:17:43,440 --> 00:17:46,679 Speaker 1: great actor like a John Ham who's brilliant at improvising. 391 00:17:46,880 --> 00:17:48,960 Speaker 2: Right, he's wonderful them, but not always. 392 00:17:49,160 --> 00:17:50,720 Speaker 1: There have been times that has spen difficult. 393 00:17:50,720 --> 00:17:52,040 Speaker 2: Sometimes that's the usual. 394 00:17:52,240 --> 00:17:53,840 Speaker 1: Not Ted. Ted's fantastic. 395 00:17:53,920 --> 00:17:56,760 Speaker 2: Ted is wonderful. But Ted at first was very uncomfortable 396 00:17:56,760 --> 00:17:58,840 Speaker 2: with it. He would talk to me about it, now, 397 00:17:58,840 --> 00:18:01,080 Speaker 2: what do I do? How is it going on? And 398 00:18:01,119 --> 00:18:03,760 Speaker 2: I'll get to more of that later. But Ted wasn't natural. 399 00:18:03,880 --> 00:18:05,800 Speaker 2: He just didn't realize he was a natural. 400 00:18:06,520 --> 00:18:07,919 Speaker 3: But in general, you agree with that. 401 00:18:08,200 --> 00:18:11,640 Speaker 2: By the way, whenever we hire straight ahead actors, there's 402 00:18:11,680 --> 00:18:14,400 Speaker 2: a large chance they're going to be flat or they're 403 00:18:14,400 --> 00:18:16,320 Speaker 2: not going to understand how the work. 404 00:18:16,119 --> 00:18:18,800 Speaker 1: Is done because they're used to having scripts. 405 00:18:18,960 --> 00:18:21,199 Speaker 2: Yeah, there was an actor and I'll say it now 406 00:18:21,240 --> 00:18:22,800 Speaker 2: because I don't want to talk about it when we 407 00:18:22,880 --> 00:18:26,960 Speaker 2: talk about the episode, very famous actor who was on 408 00:18:27,400 --> 00:18:32,760 Speaker 2: KURB and he was very broad. I mean the tone 409 00:18:32,840 --> 00:18:36,840 Speaker 2: of his performance was so broad. I couldn't figure it out. Now. 410 00:18:36,920 --> 00:18:40,800 Speaker 2: This actor brought with him his family to set, and 411 00:18:40,880 --> 00:18:43,120 Speaker 2: his children were telling me how much they love Curb Your. 412 00:18:43,160 --> 00:18:44,840 Speaker 1: Enthusiasm, So he was doing it for them. 413 00:18:44,920 --> 00:18:47,520 Speaker 2: But he'd never seen the show and he was acting 414 00:18:47,600 --> 00:18:51,840 Speaker 2: in a style that he thought comedy shows were in 415 00:18:51,880 --> 00:18:57,320 Speaker 2: the style of and so it was confusing Larry, Larry Charles, 416 00:18:57,400 --> 00:19:00,840 Speaker 2: Larry David, and myself. After every take, we're like completely 417 00:19:00,880 --> 00:19:04,400 Speaker 2: confused because this is a great actor. And then once 418 00:19:04,440 --> 00:19:08,200 Speaker 2: I figured it, I told them and they're like, oh yeah. 419 00:19:08,240 --> 00:19:12,520 Speaker 2: So that gave Larry Charles an idea directing episode, an 420 00:19:12,560 --> 00:19:15,119 Speaker 2: idea of how to approach it, and he was successful 421 00:19:15,119 --> 00:19:18,560 Speaker 2: in it because he was better. Years later, I run 422 00:19:18,600 --> 00:19:21,359 Speaker 2: into this actor and I say, I know, if you 423 00:19:21,400 --> 00:19:25,560 Speaker 2: remember me Curb you, Yeah, your boss doesn't like other 424 00:19:25,600 --> 00:19:29,280 Speaker 2: people being funny because he didn't understand comedy and he 425 00:19:29,400 --> 00:19:33,399 Speaker 2: thought because you know, he thought that was comedy, and 426 00:19:33,600 --> 00:19:35,720 Speaker 2: by the way. A lot of actors do what they 427 00:19:35,800 --> 00:19:39,600 Speaker 2: think is comedy. Like you watch sitcoms that are popular 428 00:19:39,640 --> 00:19:43,240 Speaker 2: with people watching it who think that's funny. I should 429 00:19:43,359 --> 00:19:47,840 Speaker 2: laugh at that, I should like that, you know, But 430 00:19:47,880 --> 00:19:50,639 Speaker 2: they're all actors on that show acting in a way 431 00:19:51,000 --> 00:19:54,359 Speaker 2: that they think is funny with usually bad material. So 432 00:19:54,440 --> 00:19:58,080 Speaker 2: from all angles, nothing's funny. And in this case, I 433 00:19:58,119 --> 00:20:00,320 Speaker 2: think we're doing something funny in this person and just 434 00:20:00,320 --> 00:20:01,120 Speaker 2: did not get it. 435 00:20:01,200 --> 00:20:04,560 Speaker 1: Well, this is the same person I ran into I 436 00:20:04,960 --> 00:20:08,479 Speaker 1: remember on Madison Avenue and I again introduced myself and 437 00:20:08,600 --> 00:20:11,560 Speaker 1: I hadn't been there that day, and he said to me, 438 00:20:12,080 --> 00:20:15,600 Speaker 1: I don't think your boss likes me. And I said why, 439 00:20:15,840 --> 00:20:18,840 Speaker 1: and he said, because he didn't send me a gift 440 00:20:19,200 --> 00:20:20,160 Speaker 1: after I did. 441 00:20:20,000 --> 00:20:23,760 Speaker 2: The To a whole other level, this is a gift. 442 00:20:23,960 --> 00:20:26,040 Speaker 1: We have rap gifts after a whole season, but who 443 00:20:26,080 --> 00:20:29,399 Speaker 1: sends a gift after an episode. I've never heard of that. 444 00:20:29,480 --> 00:20:31,560 Speaker 2: At that point, it was like, you do the gig, 445 00:20:31,640 --> 00:20:33,679 Speaker 2: you go home, and by the way, if there's a 446 00:20:33,720 --> 00:20:35,280 Speaker 2: gift sent to you at the end of the season, 447 00:20:35,480 --> 00:20:38,240 Speaker 2: it's great. I just got I just did a show 448 00:20:38,280 --> 00:20:41,680 Speaker 2: called Never Have I Ever for a Netflix and when 449 00:20:41,720 --> 00:20:44,880 Speaker 2: I wrapped. Nobody gave me anything, but about a month 450 00:20:44,960 --> 00:20:48,120 Speaker 2: or so later I got a nice gift, a wrap. 451 00:20:48,160 --> 00:20:50,959 Speaker 2: It was actually sneakers that I'll never wear and they 452 00:20:50,960 --> 00:20:52,920 Speaker 2: said never have I ever on the back. But I've 453 00:20:52,920 --> 00:20:55,560 Speaker 2: got him in the By the way, contact me on 454 00:20:55,600 --> 00:20:59,760 Speaker 2: my Instagram, you know I checked sometimes and say you 455 00:20:59,840 --> 00:21:02,200 Speaker 2: want on them. By the way, here's the thing. Their 456 00:21:02,280 --> 00:21:03,200 Speaker 2: size fourteen. 457 00:21:03,400 --> 00:21:04,800 Speaker 1: What size are you fourteen? 458 00:21:04,920 --> 00:21:07,400 Speaker 2: Okay, no, I'm not a size eleven and they gave 459 00:21:07,440 --> 00:21:09,400 Speaker 2: me fourteen. So there's size fourteen. 460 00:21:09,480 --> 00:21:12,560 Speaker 1: Oh I might want those seriously. Yeah, I'll find out. 461 00:21:12,800 --> 00:21:14,000 Speaker 2: All right, I'll give you that. 462 00:21:14,119 --> 00:21:26,119 Speaker 1: We'll be right back. Stay tuned. Okay, we're back. So 463 00:21:26,200 --> 00:21:29,240 Speaker 1: let's go back because my next note was the Barney salesman. 464 00:21:29,560 --> 00:21:33,440 Speaker 2: Yeah, that's that he knows how to do it. Yes, 465 00:21:33,480 --> 00:21:36,000 Speaker 2: And also I want to point out and. 466 00:21:35,960 --> 00:21:37,879 Speaker 1: He knows how to build the anger, which is another 467 00:21:37,920 --> 00:21:39,600 Speaker 1: thing that people don't understand. 468 00:21:39,640 --> 00:21:42,000 Speaker 2: The kid. But he's not angry yet. Yeah, he's at 469 00:21:42,000 --> 00:21:45,280 Speaker 2: this point. He's helping Larry. He's confused. He's doing a 470 00:21:45,320 --> 00:21:48,240 Speaker 2: favor for Larry. Usually you have to order them ahead 471 00:21:48,240 --> 00:21:50,520 Speaker 2: of time. That will bring up in a minute. Now, 472 00:21:50,560 --> 00:21:53,479 Speaker 2: I have something very interesting to point. No, No, it 473 00:21:53,520 --> 00:21:55,880 Speaker 2: has to be when in the show it happened. Okay, yeah, okay, 474 00:21:55,880 --> 00:21:56,399 Speaker 2: because it's. 475 00:21:56,480 --> 00:21:58,120 Speaker 1: I didn't know we had that rule. But that's fine. 476 00:21:58,800 --> 00:22:01,160 Speaker 2: By the way, I have my rules of your room. Yeah, 477 00:22:01,320 --> 00:22:03,000 Speaker 2: you want to talk about the ending up top, I 478 00:22:03,000 --> 00:22:03,400 Speaker 2: don't care. 479 00:22:03,600 --> 00:22:06,199 Speaker 1: So he buys because his shoes had been given to 480 00:22:06,240 --> 00:22:09,400 Speaker 1: somebody else in the Bowling Alley. Larry is in Barney's 481 00:22:09,440 --> 00:22:12,040 Speaker 1: with Mary and her mother and he buys another pair 482 00:22:12,080 --> 00:22:13,760 Speaker 1: of these shoes, but he has to order them. 483 00:22:13,880 --> 00:22:16,320 Speaker 3: They're not in stock. He has to special order them. 484 00:22:16,359 --> 00:22:19,240 Speaker 2: But then he gets a call that the fella who 485 00:22:19,320 --> 00:22:22,719 Speaker 2: stole his shoes is at the bowling Alley. Larry rushes 486 00:22:22,760 --> 00:22:25,719 Speaker 2: to the bowling Alley. He gets told that's him, and 487 00:22:25,760 --> 00:22:28,600 Speaker 2: he goes up and he says to the guy, hey, nice. 488 00:22:28,640 --> 00:22:35,640 Speaker 2: He plays it slowly. Nice shoes and this, by the way, 489 00:22:35,640 --> 00:22:37,560 Speaker 2: this is played by the guy who stole the shoes 490 00:22:37,640 --> 00:22:41,600 Speaker 2: is Joe Liss, another person I shoehorned in. Joe Liss 491 00:22:41,680 --> 00:22:44,920 Speaker 2: is one of the greatest improvisers that I've ever worked with, 492 00:22:45,119 --> 00:22:49,200 Speaker 2: ever watched. I'd say him Deve Pasquasi and Dan Caslenetta. 493 00:22:49,480 --> 00:22:52,040 Speaker 2: In terms of my time at Second City. 494 00:22:52,240 --> 00:22:53,640 Speaker 3: Here's what I think about Joe Liss. 495 00:22:53,680 --> 00:22:56,560 Speaker 1: Why I think he was so good because he didn't 496 00:22:56,600 --> 00:22:59,160 Speaker 1: immediately go into this big argument thing. 497 00:22:59,240 --> 00:23:01,120 Speaker 2: Well, by the way that it's the point that see 498 00:23:01,320 --> 00:23:04,639 Speaker 2: that whole exchange is what Joe improvised. And I know 499 00:23:04,720 --> 00:23:07,240 Speaker 2: he improvised this because I know when it was written 500 00:23:07,280 --> 00:23:10,800 Speaker 2: it was like he didn't say this. So Joe says, really, 501 00:23:10,840 --> 00:23:14,000 Speaker 2: your shoes, Well he gave him to me. There he goes, yeah, 502 00:23:14,000 --> 00:23:17,040 Speaker 2: but you took my shoes, and he kept saying two words, 503 00:23:17,440 --> 00:23:21,000 Speaker 2: that's weird. Yeah, that's weird, and everything that he said 504 00:23:21,119 --> 00:23:24,800 Speaker 2: was weird. Larry shot down with logic, No, it's not 505 00:23:24,880 --> 00:23:27,080 Speaker 2: weird that he gave you the shoes. It's weird that 506 00:23:27,160 --> 00:23:29,479 Speaker 2: you took the shoes. Yeah, but it goes over and 507 00:23:29,520 --> 00:23:34,000 Speaker 2: it doesn't build, which is unusual for an altercation. It's 508 00:23:34,160 --> 00:23:38,119 Speaker 2: just that's weird Larry saying it, that's weird, and it was. 509 00:23:38,240 --> 00:23:40,239 Speaker 2: To me, it was a thing of beauty. That's my 510 00:23:40,240 --> 00:23:44,399 Speaker 2: favorite scene in the episode, unequivocally in terms of improvised scenes, 511 00:23:44,400 --> 00:23:46,480 Speaker 2: what I want to see and what I hope it 512 00:23:46,520 --> 00:23:50,000 Speaker 2: is going to be there. That was classic and beautiful 513 00:23:50,200 --> 00:23:52,680 Speaker 2: and I loved it and it made me think, oh, 514 00:23:52,720 --> 00:23:54,720 Speaker 2: maybe we can do some damage here if we have 515 00:23:54,800 --> 00:23:58,320 Speaker 2: more stuff like that. Yeah, So God blessed Joe Liss 516 00:23:58,440 --> 00:24:02,000 Speaker 2: still alive, because normally said God Joe Liss. Did Joe pass? No, 517 00:24:02,080 --> 00:24:02,840 Speaker 2: he didn't, not pass. 518 00:24:03,040 --> 00:24:05,040 Speaker 1: But so he gets the shoes back. He takes him 519 00:24:05,040 --> 00:24:07,720 Speaker 1: to the shoemaker to have him fumigated. Yes, which of 520 00:24:07,760 --> 00:24:09,760 Speaker 1: course you have to do that. And it's very large. 521 00:24:09,840 --> 00:24:12,040 Speaker 2: The way I want to add this, there's another little 522 00:24:12,280 --> 00:24:14,119 Speaker 2: and we're coming to what I was going to say earlier. 523 00:24:14,359 --> 00:24:16,640 Speaker 2: The shoe fella cobbler guy. 524 00:24:16,760 --> 00:24:18,560 Speaker 1: Yeah, uh, shoemaker. 525 00:24:18,040 --> 00:24:21,000 Speaker 2: The shoemaker. I said, I recognize you. What have I 526 00:24:21,080 --> 00:24:24,240 Speaker 2: seen you in? You've seen familiar? He was in Planet 527 00:24:24,240 --> 00:24:24,679 Speaker 2: of the Apes. 528 00:24:24,920 --> 00:24:26,560 Speaker 1: Oh really, Yes, he was. 529 00:24:26,640 --> 00:24:30,280 Speaker 2: Like the young boy ape guy who helped them leave. 530 00:24:30,720 --> 00:24:32,560 Speaker 2: And he's a boy in the movie even an ape 531 00:24:32,560 --> 00:24:33,520 Speaker 2: boy champoo. 532 00:24:33,560 --> 00:24:35,800 Speaker 1: You recognized him and he was in the Ape Custome. 533 00:24:35,920 --> 00:24:38,840 Speaker 2: Yes I did, Yes, I did. And he was great 534 00:24:38,920 --> 00:24:41,280 Speaker 2: And he said, I was having actually a garage sale. 535 00:24:41,440 --> 00:24:43,480 Speaker 2: I'm on the show having a garage sale. And he 536 00:24:43,560 --> 00:24:46,000 Speaker 2: came to the garage sale and you did other things 537 00:24:46,040 --> 00:24:48,919 Speaker 2: that I was enamored with that I found out. But 538 00:24:49,119 --> 00:24:50,640 Speaker 2: I couldn't be more enamored with. 539 00:24:50,680 --> 00:24:53,160 Speaker 1: Than And I believe we actually made a Roddy McDowell 540 00:24:53,240 --> 00:24:57,399 Speaker 1: reference earlier. No matter you you did in the episode, No, 541 00:24:57,600 --> 00:25:00,239 Speaker 1: you made a reference just been in this podcast. What 542 00:25:00,280 --> 00:25:02,320 Speaker 1: I say to Roddy mcdowll, because you were talking about 543 00:25:02,359 --> 00:25:04,840 Speaker 1: Malcolm mc Roddy mcdell. 544 00:25:05,280 --> 00:25:08,000 Speaker 2: Amazing, I knew it. That's, by the way, not as 545 00:25:08,119 --> 00:25:10,840 Speaker 2: much anymore because you don't meet people like that, But 546 00:25:11,119 --> 00:25:15,800 Speaker 2: twenty some odd years ago there were still people from 547 00:25:15,800 --> 00:25:17,640 Speaker 2: that era of Hollywood. 548 00:25:18,760 --> 00:25:21,080 Speaker 1: What I liked about that scene is I like that 549 00:25:21,119 --> 00:25:24,640 Speaker 1: there was no explanation. There wasn't let's go to the shoemaker. 550 00:25:25,160 --> 00:25:27,919 Speaker 1: Let's you know, you're just as obvious. Yeah, exactly, And 551 00:25:28,040 --> 00:25:31,280 Speaker 1: I love that. I love the lack of exposition. 552 00:25:31,560 --> 00:25:34,520 Speaker 2: Now comes the part I was going to talk about, okay, 553 00:25:34,640 --> 00:25:37,639 Speaker 2: and that is Larry's on the street walking along in 554 00:25:37,680 --> 00:25:40,640 Speaker 2: his campers because he puts them. That's why also part 555 00:25:40,640 --> 00:25:43,800 Speaker 2: of the scene, not only getting them clean, but putting. 556 00:25:43,440 --> 00:25:45,840 Speaker 3: Them on so that when he runs into the. 557 00:25:46,560 --> 00:25:49,119 Speaker 2: The shoe guy Bagley, and I don't think he had 558 00:25:49,160 --> 00:25:52,600 Speaker 2: a name shoe guy. And I think a momentous moment 559 00:25:52,720 --> 00:25:55,520 Speaker 2: happened that people don't know about I think this was 560 00:25:55,560 --> 00:25:59,600 Speaker 2: the first scene ever where Larry laughed at the other 561 00:25:59,680 --> 00:26:02,600 Speaker 2: perform No, he's done that, you know. I know. You 562 00:26:02,720 --> 00:26:05,760 Speaker 2: watch it again, you can hear the beginnings his lead 563 00:26:05,800 --> 00:26:08,960 Speaker 2: into his laugh, and then the next time when he 564 00:26:09,040 --> 00:26:12,879 Speaker 2: says shame on you or anyhow, the next time you 565 00:26:12,960 --> 00:26:15,600 Speaker 2: hear the first laugh as his cut. And I know 566 00:26:15,800 --> 00:26:18,080 Speaker 2: this was the first time that I noticed. 567 00:26:18,080 --> 00:26:21,600 Speaker 1: Him laughing as if heed. 568 00:26:21,720 --> 00:26:23,800 Speaker 2: No, it's not a matter of that. When he sees 569 00:26:23,880 --> 00:26:28,000 Speaker 2: someone doing something that he created and he knows it's 570 00:26:28,040 --> 00:26:33,800 Speaker 2: silly and absurd and hysterical, he finds that so damn funny, 571 00:26:34,000 --> 00:26:37,600 Speaker 2: like he can't get enough of that. So he laughed uncontrollably. 572 00:26:37,720 --> 00:26:39,920 Speaker 2: And it's not an ego thing. It's just like, never 573 00:26:39,960 --> 00:26:43,200 Speaker 2: in my right imagination did I think it would come 574 00:26:43,240 --> 00:26:46,280 Speaker 2: to this moment, And so that to me. You don't 575 00:26:46,320 --> 00:26:48,560 Speaker 2: see that on screen, but I think if you watch 576 00:26:48,680 --> 00:26:50,800 Speaker 2: the shows, a lot of times we cut away from 577 00:26:50,920 --> 00:26:54,000 Speaker 2: Larry right when he laughs or is about to laugh. 578 00:26:54,160 --> 00:26:58,359 Speaker 1: His laughter. For me as a performer, his laughter is 579 00:26:58,520 --> 00:27:01,400 Speaker 1: joyous and making him laugh is one of the great 580 00:27:01,480 --> 00:27:02,280 Speaker 1: joys of my life. 581 00:27:02,280 --> 00:27:04,199 Speaker 2: I will say this when you and this is just 582 00:27:04,240 --> 00:27:06,040 Speaker 2: something when you and I are in the scene with him, 583 00:27:06,119 --> 00:27:08,000 Speaker 2: and he laughs, we don't break. 584 00:27:07,960 --> 00:27:11,040 Speaker 1: No, by the way he did. We'll talk about that 585 00:27:11,040 --> 00:27:11,919 Speaker 1: that episode comes up. 586 00:27:12,000 --> 00:27:15,440 Speaker 2: Yes, and I couldn't. How can I help myself? But anyhow, 587 00:27:15,600 --> 00:27:17,560 Speaker 2: I think that moment is the first time. It's more 588 00:27:17,560 --> 00:27:21,240 Speaker 2: of a moment for us. But know that Larry David 589 00:27:21,400 --> 00:27:22,359 Speaker 2: laughs a lot. 590 00:27:22,560 --> 00:27:25,160 Speaker 1: And this was actually because it's all the beginning things 591 00:27:25,200 --> 00:27:28,679 Speaker 1: are being laid out. He has had since then so 592 00:27:28,840 --> 00:27:33,119 Speaker 1: many altercations with salespeople. Oh my god, you know so many. 593 00:27:33,119 --> 00:27:36,200 Speaker 2: So these, by the way, a lot of them returning something. 594 00:27:36,040 --> 00:27:39,840 Speaker 1: Returning so these things. 595 00:27:37,560 --> 00:27:42,280 Speaker 2: Are funnier than anyone who's funny returning something. 596 00:27:42,040 --> 00:27:45,520 Speaker 3: Right, And they have the altercation, yes, and and uh. 597 00:27:45,640 --> 00:27:47,320 Speaker 2: And by the way, he makes that spinning noise that 598 00:27:47,359 --> 00:27:49,720 Speaker 2: a little kid makes before he yeah, I don't know 599 00:27:49,720 --> 00:27:52,920 Speaker 2: what that's called, but he it's a kids the Bronx cheer, 600 00:27:53,040 --> 00:27:56,160 Speaker 2: the Bronx cheer, and walks off, which also was his 601 00:27:56,400 --> 00:27:57,600 Speaker 2: very hysterical. 602 00:27:57,680 --> 00:27:59,040 Speaker 3: Yeah, it was very very funny. 603 00:27:59,480 --> 00:28:02,879 Speaker 1: And then after that they're home and I love this 604 00:28:02,960 --> 00:28:05,199 Speaker 1: piece right here when they're saying they're waiting for the 605 00:28:05,240 --> 00:28:07,240 Speaker 1: call from Ted and Mary about going to the concert 606 00:28:07,280 --> 00:28:09,960 Speaker 1: and it's not happening, and they're sitting there just like pathetic, 607 00:28:10,040 --> 00:28:13,800 Speaker 1: the two of them waiting, and Larry says, please lie 608 00:28:13,840 --> 00:28:16,800 Speaker 1: to us, right, they'll call some lie. Yeah, I want 609 00:28:16,800 --> 00:28:19,800 Speaker 1: to sit here like schmucks. Yeah. Lie is a gesture, 610 00:28:19,840 --> 00:28:22,439 Speaker 1: it's a courtesy, it's a little respect. I love that 611 00:28:22,640 --> 00:28:25,439 Speaker 1: so much because that's his brain. You know that at 612 00:28:25,520 --> 00:28:27,639 Speaker 1: least if you're lying, you're making any effort. 613 00:28:27,680 --> 00:28:30,000 Speaker 2: Well, that's the New Yorkers, you know where you're staying 614 00:28:30,000 --> 00:28:32,359 Speaker 2: with it. A lot of people can't stand New Yorkers. 615 00:28:32,359 --> 00:28:35,119 Speaker 2: I'm from Chicago and I currently live in LA but 616 00:28:35,480 --> 00:28:36,240 Speaker 2: I've lived in New York. 617 00:28:36,280 --> 00:28:37,120 Speaker 1: I lived in New York a lot. 618 00:28:37,320 --> 00:28:41,360 Speaker 2: Yeah, and I have never been down from the attitude 619 00:28:41,360 --> 00:28:43,080 Speaker 2: of the New York people. Now, I want to talk 620 00:28:43,120 --> 00:28:46,240 Speaker 2: about that same scene and two things for me that 621 00:28:46,320 --> 00:28:50,080 Speaker 2: I found fascinating. Number One, this is Larry David, who 622 00:28:50,160 --> 00:28:53,400 Speaker 2: created Seinfeld. He's sitting in the living room with his 623 00:28:53,480 --> 00:28:54,600 Speaker 2: wife and they're. 624 00:28:54,400 --> 00:28:56,760 Speaker 1: Listening on a boombox right right. 625 00:28:56,880 --> 00:28:59,400 Speaker 2: That struck me as funny. Secondly, when Cheryl. 626 00:28:59,160 --> 00:29:01,480 Speaker 1: Is listening to Paul's yes Yeah still. 627 00:29:01,320 --> 00:29:03,560 Speaker 2: Crazy after all these years, which I know that song 628 00:29:03,640 --> 00:29:05,560 Speaker 2: means a lot to Larry means a lot to me too, 629 00:29:05,600 --> 00:29:08,880 Speaker 2: and probably you probably everyone listening and this is my 630 00:29:09,560 --> 00:29:14,440 Speaker 2: Larry David is my friend. Hilarious moment he is singing 631 00:29:14,480 --> 00:29:19,440 Speaker 2: along to the lyrics in a CD sleeve something oh yeah. 632 00:29:19,640 --> 00:29:22,560 Speaker 2: And now my feeling is he didn't know at that 633 00:29:22,600 --> 00:29:26,000 Speaker 2: point that CD's had sleeves. He really had never used 634 00:29:26,000 --> 00:29:30,040 Speaker 2: a CD before. And the idea that he's looking at 635 00:29:30,040 --> 00:29:32,800 Speaker 2: the lyrics and singing along crazy. 636 00:29:32,600 --> 00:29:36,280 Speaker 1: Because he just discovered it. Yeah, well, the character and 637 00:29:36,360 --> 00:29:37,480 Speaker 1: him at the same time. 638 00:29:37,800 --> 00:29:38,680 Speaker 2: Really you can do this? 639 00:29:39,640 --> 00:29:40,600 Speaker 1: Yeah, like I could. 640 00:29:40,400 --> 00:29:42,440 Speaker 2: See that, and that's where he went with that. So 641 00:29:42,520 --> 00:29:45,080 Speaker 2: for me, I love the lying thing that it's you know, yeah. 642 00:29:45,160 --> 00:29:48,480 Speaker 2: But to me also in watching these, I'm like, that 643 00:29:48,640 --> 00:29:51,400 Speaker 2: is unbelievable, and I'm glad I didn't say anything because 644 00:29:51,400 --> 00:29:53,400 Speaker 2: I would have said on the set, why is listening 645 00:29:53,440 --> 00:29:55,920 Speaker 2: to a boombox? Why can't we just pretend they're speaker? 646 00:29:56,000 --> 00:29:58,000 Speaker 3: Well again, I know, very low budget. 647 00:29:58,080 --> 00:30:01,360 Speaker 1: Yeah, so all right, the lying is a gesture there, waiting, waiting, 648 00:30:01,400 --> 00:30:04,000 Speaker 1: and then of course they find out that it was 649 00:30:04,040 --> 00:30:07,720 Speaker 1: the wrong night, right, and then it's he's back at Barne. 650 00:30:07,720 --> 00:30:10,280 Speaker 1: He's returning the shirt, which he says is not. He's 651 00:30:10,320 --> 00:30:12,360 Speaker 1: not returning the shirt. It's a zipper problem. 652 00:30:12,560 --> 00:30:14,440 Speaker 2: Yeah, I know what she got away with. 653 00:30:14,520 --> 00:30:16,640 Speaker 1: By the way, it's so funny. 654 00:30:17,080 --> 00:30:19,680 Speaker 2: No, no, so fun I would have done the same 655 00:30:19,680 --> 00:30:20,360 Speaker 2: thing or something. 656 00:30:20,640 --> 00:30:22,800 Speaker 3: Cheryl is I have a note here, poor Cheryl. 657 00:30:23,240 --> 00:30:26,280 Speaker 1: I mean, Cheryl was just a long suffering Cheryl in 658 00:30:26,320 --> 00:30:28,440 Speaker 1: this and this was the beginning of that. And of 659 00:30:28,480 --> 00:30:31,960 Speaker 1: course the real Cheryl Hines is not long suffering. 660 00:30:32,600 --> 00:30:34,560 Speaker 2: The real Cheryl huntsway. 661 00:30:34,680 --> 00:30:36,680 Speaker 1: Yeah, the real show huns would have laughed in his 662 00:30:36,760 --> 00:30:38,320 Speaker 1: face at everything he's done. 663 00:30:38,560 --> 00:30:41,200 Speaker 3: She's very different than the character she plays, very much so. 664 00:30:41,240 --> 00:30:44,560 Speaker 2: As a matter of fact, Cheryl Hines is known on 665 00:30:44,600 --> 00:30:47,600 Speaker 2: our set as being one of the first people who 666 00:30:47,640 --> 00:30:49,840 Speaker 2: will do whatever stupid thing I dare them. 667 00:30:49,720 --> 00:30:52,280 Speaker 1: Today, that's correct, she is Who's the person who's known 668 00:30:52,360 --> 00:30:52,960 Speaker 1: not to do. 669 00:30:52,920 --> 00:30:56,680 Speaker 2: The stupid You Susie Esmond, who is my dearest friend, 670 00:30:57,320 --> 00:31:00,160 Speaker 2: will not go along with any of my nonsense, and 671 00:31:00,240 --> 00:31:01,640 Speaker 2: that is to this day. 672 00:31:02,400 --> 00:31:08,600 Speaker 1: Occasionally, no, occasionally, Cheryl is a very different character. Well, 673 00:31:08,600 --> 00:31:09,560 Speaker 1: we all are very different. 674 00:31:10,040 --> 00:31:12,280 Speaker 2: She ever did we were filming in a hospital and 675 00:31:12,320 --> 00:31:15,640 Speaker 2: she got on the you know when you the way 676 00:31:15,640 --> 00:31:19,000 Speaker 2: people make doctor Johnson, and she didn't. I dared it to, 677 00:31:19,080 --> 00:31:22,480 Speaker 2: and she did it. Doctor cock, one fire, doctor cock, 678 00:31:22,680 --> 00:31:25,440 Speaker 2: one fire. There's a call for you. She did it. 679 00:31:25,560 --> 00:31:28,320 Speaker 1: And then by the way, by the way, repeated that 680 00:31:28,400 --> 00:31:33,320 Speaker 1: line for many many episodes. Dy So. But but in 681 00:31:33,320 --> 00:31:36,080 Speaker 1: this you really see this, what what Cheryl has to 682 00:31:36,120 --> 00:31:39,120 Speaker 1: deal with being married to him is just it's a nightmare. 683 00:31:39,440 --> 00:31:42,440 Speaker 2: Do you find that. I talk a lot about technical 684 00:31:42,480 --> 00:31:46,600 Speaker 2: things that I notice because the Paul Simon concert when 685 00:31:46,600 --> 00:31:49,640 Speaker 2: he's there along with the grandmother, and it's funny that 686 00:31:49,680 --> 00:31:54,480 Speaker 2: they're alone, and it was you know the reason why 687 00:31:54,560 --> 00:31:55,520 Speaker 2: Cheryl's not there. 688 00:31:55,440 --> 00:31:58,040 Speaker 3: He said, he said, cousins came in from anisota. 689 00:31:58,160 --> 00:31:59,920 Speaker 2: We didn't know that. Yeah, it is. I don't know 690 00:32:00,040 --> 00:32:02,000 Speaker 2: what the story is with that, unless you wanted to 691 00:32:02,040 --> 00:32:04,280 Speaker 2: be alone with Mary, which would maybe someone was cut 692 00:32:04,280 --> 00:32:07,240 Speaker 2: out that I don't remember. But what I noticed from 693 00:32:07,280 --> 00:32:11,600 Speaker 2: that is the sound design, the sound design for the singing, 694 00:32:11,880 --> 00:32:14,120 Speaker 2: and the way that people are applauding with such a 695 00:32:14,120 --> 00:32:16,040 Speaker 2: bizarre concoction. 696 00:32:15,680 --> 00:32:16,480 Speaker 1: And see, I don't notice. 697 00:32:17,000 --> 00:32:18,800 Speaker 2: It takes me right out of it. Yes, it's like 698 00:32:19,280 --> 00:32:21,840 Speaker 2: that's a concert in space. I've never heard anything like that. 699 00:32:21,880 --> 00:32:24,480 Speaker 1: And so then Larry ends up at the concert with 700 00:32:24,640 --> 00:32:27,800 Speaker 1: Mary's mother who ends up falling asleep on his shoulder. 701 00:32:27,480 --> 00:32:29,320 Speaker 2: Which I believe and I love. And that's sweet. 702 00:32:29,360 --> 00:32:32,200 Speaker 1: It's a sweet, very sweet, very very sweet and pathetic 703 00:32:32,280 --> 00:32:33,040 Speaker 1: at the same time. 704 00:32:33,160 --> 00:32:35,520 Speaker 2: You know you have but sweet and my life. 705 00:32:35,640 --> 00:32:36,760 Speaker 1: That's the episode. 706 00:32:36,960 --> 00:32:40,240 Speaker 2: Well, as per usual, I very much enjoyed spending time. 707 00:32:40,080 --> 00:32:42,200 Speaker 1: With you as I did you, darling, and we'll do 708 00:32:42,240 --> 00:32:43,640 Speaker 1: it again because we are a lot more to go. 709 00:32:43,720 --> 00:32:46,360 Speaker 2: We were working Monday together. Yes we are filming. 710 00:32:46,600 --> 00:32:49,040 Speaker 1: Yes we are. Yeah, yeah, And just so people know, 711 00:32:49,200 --> 00:32:51,400 Speaker 1: and we've said it before, we are in the middle 712 00:32:51,400 --> 00:32:55,320 Speaker 1: of shooting as we're doing this shooting season twelve. So 713 00:32:55,440 --> 00:32:58,000 Speaker 1: for us to go back and see all these beginnings 714 00:32:58,080 --> 00:33:00,920 Speaker 1: is I'm loving it. It's so much fun to watch. 715 00:33:00,920 --> 00:33:04,520 Speaker 2: I could vomit every time I watch an episode, mostly 716 00:33:04,520 --> 00:33:07,360 Speaker 2: because of me, but for a myriad of reasons why 717 00:33:07,480 --> 00:33:09,920 Speaker 2: I do not. First of all, I don't enjoy watching myself. 718 00:33:09,960 --> 00:33:10,880 Speaker 2: It's very uncomfortable. 719 00:33:10,880 --> 00:33:14,200 Speaker 1: Okay, but are you enjoying watching the episode? No, I 720 00:33:14,240 --> 00:33:15,760 Speaker 1: am because I seeing them, but. 721 00:33:15,800 --> 00:33:17,880 Speaker 2: Anything, I was there when we filmed it. I was 722 00:33:17,920 --> 00:33:20,719 Speaker 2: there when we were working on the cuts. I don't 723 00:33:20,800 --> 00:33:23,840 Speaker 2: like going back. I just don't. I can't stand it. 724 00:33:23,880 --> 00:33:26,600 Speaker 2: For example, I've got this movie Babylon that I'm in 725 00:33:26,720 --> 00:33:31,040 Speaker 2: Jamie Giselle directed Margarabbie brad Pitt. I'll never see it. 726 00:33:31,440 --> 00:33:33,440 Speaker 1: I don't watch. The only thing I watched that I'm 727 00:33:33,480 --> 00:33:36,480 Speaker 1: in is kurb because it tickles me and I enjoy 728 00:33:36,520 --> 00:33:38,640 Speaker 1: it so much and the character makes me laft hold on. 729 00:33:38,720 --> 00:33:41,120 Speaker 2: I agree with you, even though I've seen cuts of 730 00:33:41,160 --> 00:33:43,920 Speaker 2: it before. I'll watch it when it airs. That's the 731 00:33:43,960 --> 00:33:47,800 Speaker 2: first time, and I'm creatively involved more than just being 732 00:33:47,840 --> 00:33:48,360 Speaker 2: an actor. 733 00:33:48,720 --> 00:33:51,400 Speaker 1: But let me explain to the audience what's so difficult 734 00:33:51,440 --> 00:33:53,920 Speaker 1: for us and for all actors and even crew members. 735 00:33:54,120 --> 00:33:57,120 Speaker 1: When you're watching, we go back and we watch, you're like, oh, 736 00:33:57,160 --> 00:33:59,320 Speaker 1: that's the day that such and such happened, and that's 737 00:33:59,360 --> 00:34:02,600 Speaker 1: the day that I got sick from the lunch, and 738 00:34:02,600 --> 00:34:05,880 Speaker 1: that's the like, well, we see different things. So now 739 00:34:05,920 --> 00:34:08,640 Speaker 1: going back and seeing these things twenty two years later, 740 00:34:09,160 --> 00:34:11,520 Speaker 1: it's delightful to me because I'm not thinking about it. 741 00:34:11,520 --> 00:34:13,880 Speaker 2: By the way, I told you, I can remember everywhere 742 00:34:13,880 --> 00:34:16,239 Speaker 2: I was sitting. I don't the times and where Crest 743 00:34:16,280 --> 00:34:19,759 Speaker 2: Service was located. Isn't that funny? I know you know 744 00:34:19,800 --> 00:34:23,080 Speaker 2: where every Cress service was located on every shoot, and 745 00:34:23,120 --> 00:34:24,600 Speaker 2: that most of the time, I remember. 746 00:34:24,400 --> 00:34:26,080 Speaker 1: What I ate, and we'll see you next time. 747 00:34:26,400 --> 00:34:30,560 Speaker 2: We will next time. Wait will at that moment, and 748 00:34:30,560 --> 00:34:31,120 Speaker 2: we'll see. 749 00:34:30,960 --> 00:34:31,440 Speaker 1: You next time. 750 00:34:31,520 --> 00:34:32,480 Speaker 2: We'll see you next time. 751 00:34:32,520 --> 00:34:35,280 Speaker 1: Adventures Jeff and Susie. 752 00:34:36,080 --> 00:34:39,360 Speaker 2: Curb Your Enthusiasm, starring Susie and Jeff, not Jeff and Susie. 753 00:34:39,400 --> 00:34:42,400 Speaker 2: You go before me, Okay, all right, thank you, everybody, 754 00:34:42,480 --> 00:34:43,080 Speaker 2: talk to you soon. 755 00:34:50,880 --> 00:34:53,279 Speaker 1: The history of Curb Your Enthusiasm was the production of 756 00:34:53,360 --> 00:34:57,200 Speaker 1: iHeart Radio. For more podcasts from iHeart Radio, visit the 757 00:34:57,239 --> 00:35:00,680 Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your 758 00:35:00,680 --> 00:35:01,400 Speaker 1: favorite shows.