WEBVTT - #125 - PnB Rock

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<v Speaker 1>A to be here. What's up, guys, Welcome to another

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<v Speaker 1>edition of the boule Caev Podcast. Today we got a

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<v Speaker 1>special guest. We got the homie representing Philadelphia, Pennsylvania. Very

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<v Speaker 1>talented singer songwriter. He brought a giant gold cock to

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<v Speaker 1>the studio. If you want to know what I mean,

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<v Speaker 1>go on my Instagram at boutle keV. I have a

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<v Speaker 1>picture holding his gold cock. I swear to giant gold cock.

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<v Speaker 1>He brought a giant gold cock to the studio. Pretty

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<v Speaker 1>nice gold cock. Yeah, he brought it in a paper

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<v Speaker 1>bag too, which is kind of interesting. Anyway. Pmb Rock

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<v Speaker 1>is on the show today. Man. I love P and

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<v Speaker 1>B's music. I think he's really slept on artist over

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<v Speaker 1>the last few years. Obviously probably the last five or

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<v Speaker 1>six year. He's been doing his thing and he's got

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<v Speaker 1>a new project out, so we got to sit down

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<v Speaker 1>and talk to him. Shout out to odd Socks, our sponsors.

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<v Speaker 1>that and let's talk to PM. B Rock all right, man,

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<v Speaker 1>look Bouleg Cavs Show special guests in here, my guy

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<v Speaker 1>b and b Rock Man. Welcome brother. How you doing Bro?

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<v Speaker 1>I cannot complain, Brother, I cannot complain. I feel like

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<v Speaker 1>it's been a minute that's been done. An interview definitely

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<v Speaker 1>pre pandemic. I like to point out during the pandemic,

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<v Speaker 1>I sold you a PS five that was I pulled

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<v Speaker 1>up like the day or two after the PS fives

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<v Speaker 1>dropped to sell Young Blue a couple and then you

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<v Speaker 1>grabbed I think you grabbed the PS five m the

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<v Speaker 1>Xbox off being both of them. It was so random. Yeah,

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<v Speaker 1>it was super random, man. You know, I want to

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<v Speaker 1>you know what I've been wanting to ask you because

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<v Speaker 1>I feel like you don't get enough flowers in terms

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<v Speaker 1>of your influence on the current generation as sound of

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<v Speaker 1>where music is. Do you feel that do you feel

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<v Speaker 1>that's the case as well? You know, I feel like

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<v Speaker 1>you were kind of the first dude I can kind

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<v Speaker 1>of really remember at least one of the first dudes

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<v Speaker 1>that were really implementing I guess what we'll call like

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<v Speaker 1>R and B shit, but from a street angle where

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<v Speaker 1>it was kind of blurring the lines of hip hop

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<v Speaker 1>and R and B, Like I really kind of feel

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<v Speaker 1>like you were on the forefront of that. Man. Yeah,

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<v Speaker 1>I ain't gonna lie like I came home in like

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<v Speaker 1>twenty thirteen, twenty fourteen, wasn't nobody really doing that shit?

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<v Speaker 1>Then I had got rebooked again because I was just

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<v Speaker 1>fucking around, just kept not doing what I was supposed

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<v Speaker 1>to do, and I got locked up again and in

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<v Speaker 1>that mix of that fetti wop came out and shit,

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<v Speaker 1>I'm like, oh shit, somebody, somebody about to come fuck

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<v Speaker 1>that wave up that I had. You heard me, But

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<v Speaker 1>it was like when I still I still had to

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<v Speaker 1>Like I don't know when I before I got booked,

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<v Speaker 1>it was like I had shit rolling already, like shows,

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<v Speaker 1>I had features, people was fucking with my sound already,

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<v Speaker 1>and then I got locked up for like nine months,

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<v Speaker 1>eight months. That shit was. It was like I was thinking, like,

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<v Speaker 1>damn is over, like that it's gonna slow me down.

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<v Speaker 1>There's another nigga. I'm hearing this on the running like

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<v Speaker 1>this other nigga just came and he on the same

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<v Speaker 1>wave while I was on you feel Me. I'm like, Damn,

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<v Speaker 1>it's over. But that shit ain't stopped nothing. Though I

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<v Speaker 1>came home, shit was even wave bigger than it was

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<v Speaker 1>when I was first originally out there, like I was

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<v Speaker 1>coming to fuck with me and everything, like on the

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<v Speaker 1>pull up, you feel me that shit was different. And

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<v Speaker 1>then I actually the person that signed Fetti Wi was

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<v Speaker 1>the person that came to sign me, Orlando Wertenberg. So

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<v Speaker 1>it was like, I'm thinking that the way it was

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<v Speaker 1>going to be, I'm thinking it was gonna be a

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<v Speaker 1>little awkward. You feel me, Like, Damn, this motherfucker. He

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<v Speaker 1>probably don't think like I'm trying to steal his sound

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<v Speaker 1>and ship and I've been doing this shit, but this

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<v Speaker 1>nigga was the most genuine nigga ever when I first

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<v Speaker 1>met him, Fetti. It's just heard such great things about

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<v Speaker 1>Fetti Fetty the goat Man. Shout to Fetty Man. He

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<v Speaker 1>put me on a whole bunch of game as far

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<v Speaker 1>as like the music industry, like how niggas is going

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<v Speaker 1>to carry He put me on like he told me

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<v Speaker 1>how a whole bunch of rappers was gonna be before

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<v Speaker 1>I even got to do it, Like, and I started

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<v Speaker 1>noticing this ship, like Damn, Nigga Cutty put me on

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<v Speaker 1>this minute niggas be really like trying to leach off

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<v Speaker 1>you get when you get get, Yeah, that should be weird. Yeah.

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<v Speaker 1>I feel like a lot of that probably had to

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<v Speaker 1>have happened to him because I feel like at a

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<v Speaker 1>certain point in time, for at least a year, he

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<v Speaker 1>was the hottest thing moving. Fuck it because when he

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<v Speaker 1>was opening for Chris Brown on tour, people were more excited.

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<v Speaker 1>And I swear to God because I was at the

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<v Speaker 1>radio station giving away tickets to the Chris Brown Fettiwap

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<v Speaker 1>tour and everyone was calling. They weren't asking for Chris

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<v Speaker 1>Brown take. They were like, yoga when we want to

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<v Speaker 1>go see fetiy Wap. And I'm like, well, you know,

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<v Speaker 1>Chris Brown's gonna be there too. They didn't care. So

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<v Speaker 1>he like he was a superstar for you know, twelve months,

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<v Speaker 1>maybe two years. I mean it was a great twelve

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<v Speaker 1>month run, craziest run. But I do feel like, you know,

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<v Speaker 1>he was He's probably been in a position as if

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<v Speaker 1>you maybe where you notice like maybe when you have

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<v Speaker 1>a certain amount of momentum behind you, there's these industry

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<v Speaker 1>people that come around when it's convenient or when it's

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<v Speaker 1>very beneficial to them. But maybe when your shit ain't

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<v Speaker 1>as scorted as it might have been, Like you really realize, oh,

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<v Speaker 1>this shit is fake as fuck. Man, it'd be like

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<v Speaker 1>you think a nigga is genuine. You think while listening

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<v Speaker 1>to somebody music and give you like a picture like that,

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<v Speaker 1>I think that this person like this. I think this

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<v Speaker 1>person like I hold him up here because he be

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<v Speaker 1>on that. Man, you meet these motherfucker maybe like who

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<v Speaker 1>the fuck writes your music? You feel me like you

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<v Speaker 1>need the same great bro, like it should be weird,

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<v Speaker 1>and they'd be like, I didn't help a lot of

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<v Speaker 1>people because I'm wanting people and I still do. I

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<v Speaker 1>don't let that shit change me. I helped like when

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<v Speaker 1>I had my run, even though like people used to

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<v Speaker 1>tell me, like, bro, you shouldn't do this feature with

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<v Speaker 1>this person. You shouldn't do this feature with this person.

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<v Speaker 1>They ain't. They just trying to use it to I'm like, bro,

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<v Speaker 1>if I fuck with somebody music, I'm gonna do it.

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<v Speaker 1>I'm not doing this shit for the money or I'm

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<v Speaker 1>not doing this ship that I don't give a fun.

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<v Speaker 1>I'm just having fun. It's what I like to do.

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<v Speaker 1>I like this ship. I'm gonna do it. You feel me,

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<v Speaker 1>so I gave millions of features away shit. I mean,

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<v Speaker 1>some people would say arguably, you probably give away your

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<v Speaker 1>biggest hooks to the other. I literally one of those

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<v Speaker 1>people that like because at the time, like my laby

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<v Speaker 1>wasn't really doing what I want them to do for

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<v Speaker 1>my music and shit, like they was putting it out,

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<v Speaker 1>but it wasn't like having like a big push. So

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<v Speaker 1>if I come across somebody that I know, like they

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<v Speaker 1>labeled going hard from right now they're going hard, I

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<v Speaker 1>will give you a whole like some shit that I

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<v Speaker 1>already got and just give it to you. Let's keep

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<v Speaker 1>me on it. You feel me. You know, I've seen

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<v Speaker 1>the way you're in the studio. You're very like you know,

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<v Speaker 1>some artists, you'll know if there's not more where that

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<v Speaker 1>came from, right, real shit, Like then there's the prolific

0:07:00.560 --> 0:07:03.320
<v Speaker 1>writers where you're like, this shit is so easy to

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<v Speaker 1>somebody like yourself to get in and just lay down

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<v Speaker 1>ideas that are fucking crazy. It's like for you to

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<v Speaker 1>like give a hook away to somebody or to collaborate

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<v Speaker 1>with somebody and give up with you know, some people

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<v Speaker 1>might be like yo, man, they he man, p and

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<v Speaker 1>b Rock gave up a crazy hook. There's so much

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<v Speaker 1>more where that came from, and that's not the case

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<v Speaker 1>for everyone. A whole bunch of the hooks that you

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<v Speaker 1>hear that I gave to people, be like it'd be

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<v Speaker 1>a story behind the type of shit, like too many

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<v Speaker 1>years to call that black shit? Mm hmm. I wrote

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<v Speaker 1>that shit. I was literally about to get sentenced, you

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<v Speaker 1>know what I'm saying, Like I'm in the fucking box

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<v Speaker 1>with everybody's about to go to see the judge. You

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<v Speaker 1>feel me. I'm I'm like, damn, I think geeese, motherfucker's

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<v Speaker 1>too many years already and I'm about to go get

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<v Speaker 1>sentenced again, Like this shit is wrong, you feel me?

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<v Speaker 1>So I'm thinking of this shit. Well, I'm about to

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<v Speaker 1>go see the judge and I'm nigga the melody everybody

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<v Speaker 1>in there like the fuck you singing like that's just

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<v Speaker 1>so hot. Let everybody in there here. A nigga was like, Yo,

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<v Speaker 1>that shit deep bro, like you gotta go home and

0:07:55.400 --> 0:07:58.320
<v Speaker 1>d like you gotta go crazy with that one right there.

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<v Speaker 1>So I had this in the cut for a minute.

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<v Speaker 1>I ain't never really dropped that ship like when I

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<v Speaker 1>came home, because I ain't had the right beat in

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<v Speaker 1>my head. I heard like a specific beat and I

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<v Speaker 1>could never find that ship. You feel me somew this

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<v Speaker 1>nigga Jay Graham, this is my guy. Shout to j Graham.

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<v Speaker 1>He clutch, Yeah, I'm just in the cribbly highest ship

0:08:15.120 --> 0:08:17.000
<v Speaker 1>this one. When I used to recording the crible with him,

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<v Speaker 1>I'm just like, Bro, I'm trying to do this one

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<v Speaker 1>hook that I got, Bro, can you please find a

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<v Speaker 1>beat for me? He's like, Bro, I can't. I can't,

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<v Speaker 1>like I can make a beat around it. I'm like, broll,

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<v Speaker 1>that shit ain't gonna work, you feel me, like for me?

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<v Speaker 1>So he like, just try, like just sing it and

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<v Speaker 1>I'm gonna make the beat around it. I'm all right,

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<v Speaker 1>fuck it, I said, put the metronome more metronomes, Like yeah, yeah,

0:08:36.160 --> 0:08:38.120
<v Speaker 1>I just sung the hook to that ship. You hear me?

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<v Speaker 1>Because I couldn't find no beat, Bro. He made the

0:08:40.559 --> 0:08:43.920
<v Speaker 1>whole beats around it. That shit. Wow. Bro, I'm like, damn,

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<v Speaker 1>the whole hook to the metro and sometimes and that's

0:08:46.080 --> 0:08:48.760
<v Speaker 1>never that never happens. Usually it's the beat starts are

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<v Speaker 1>like a loop and then you do it. So so

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<v Speaker 1>he made the beat to your under me that's crazy.

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<v Speaker 1>We had the ship and I'm like, dne It's probably

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<v Speaker 1>one of the biggest hooks I got right now, you

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<v Speaker 1>know what I'm saying. And me and oh like me

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<v Speaker 1>or Orlando were like, damn, like what were we gonna

0:09:01.200 --> 0:09:03.080
<v Speaker 1>do with this ship? Like we gotta like if we go,

0:09:04.280 --> 0:09:05.719
<v Speaker 1>if we go the way we want to go, it's

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<v Speaker 1>not gonna go how we wanted to go, you know

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<v Speaker 1>what I'm saying. Because they're not really pushing, pushing, pushing

0:09:09.080 --> 0:09:12.120
<v Speaker 1>for my ship. So I'm like, man, who the next nigga?

0:09:12.160 --> 0:09:14.400
<v Speaker 1>Like that you fucking with us? Like could tell this

0:09:14.480 --> 0:09:16.840
<v Speaker 1>story for us? You feel me? Like, cause I don't

0:09:16.840 --> 0:09:18.199
<v Speaker 1>want this to be my song at this point, I

0:09:18.240 --> 0:09:20.320
<v Speaker 1>wanted I wanted to be big and I want this ship.

0:09:20.360 --> 0:09:23.120
<v Speaker 1>The world to hear this ship. So he liket to

0:09:23.120 --> 0:09:25.960
<v Speaker 1>sign this kid, Kodak Black Brother, You're on fire, Like,

0:09:26.040 --> 0:09:28.000
<v Speaker 1>let me listen to this ship. I listened to somebody bro.

0:09:28.080 --> 0:09:30.760
<v Speaker 1>He perfect for this ship, Like, let's meet this nigga.

0:09:30.960 --> 0:09:33.840
<v Speaker 1>So I linked up with Kodak. He got on that ship.

0:09:33.880 --> 0:09:36.160
<v Speaker 1>He was like he was amazing. He don't really fucking

0:09:36.240 --> 0:09:38.240
<v Speaker 1>niggas at this point. Like at this point, Korak was like,

0:09:38.679 --> 0:09:40.360
<v Speaker 1>I feel like he's kind of always been like that.

0:09:40.679 --> 0:09:46.040
<v Speaker 1>He was on some like like very interesting, but when

0:09:46.080 --> 0:09:49.199
<v Speaker 1>he heard my ship, he was like, damn, like this

0:09:49.280 --> 0:09:51.160
<v Speaker 1>ship different. You feel me like I ain't never, I

0:09:51.160 --> 0:09:53.160
<v Speaker 1>ain't know you was coming like that ship. And it

0:09:53.200 --> 0:09:54.800
<v Speaker 1>was just like we started fucking with each other on

0:09:54.840 --> 0:09:57.520
<v Speaker 1>that level and we always continue to make music after that.

0:09:58.440 --> 0:10:00.000
<v Speaker 1>But that was like I got a lot of stories

0:10:00.040 --> 0:10:02.280
<v Speaker 1>like the everyday relationship that was like my song you

0:10:02.320 --> 0:10:04.280
<v Speaker 1>feel Me like me in the studio, and we could

0:10:04.280 --> 0:10:06.679
<v Speaker 1>tell me and me and me and wife and Lucie

0:10:06.679 --> 0:10:08.120
<v Speaker 1>in the studio, this is my session. You feel I

0:10:08.160 --> 0:10:09.800
<v Speaker 1>just called him because I fucked through his music. You

0:10:09.840 --> 0:10:12.080
<v Speaker 1>feel Me like. We met in Atlanta. I seen that

0:10:12.120 --> 0:10:13.560
<v Speaker 1>he was in New York while I was in New York.

0:10:14.040 --> 0:10:16.000
<v Speaker 1>I called him through the deepest ship and for me,

0:10:16.120 --> 0:10:17.680
<v Speaker 1>you know, I turned that ship up from the rip

0:10:18.040 --> 0:10:19.800
<v Speaker 1>he played the b I just went in You feel Me,

0:10:19.960 --> 0:10:21.920
<v Speaker 1>went right in the movie this is it right, And

0:10:21.960 --> 0:10:23.440
<v Speaker 1>then he came and followed me, and then we just

0:10:23.480 --> 0:10:24.839
<v Speaker 1>was going back and forth, back and forth. It was

0:10:24.880 --> 0:10:26.400
<v Speaker 1>supposed to be my song. You could tell by the

0:10:26.400 --> 0:10:29.080
<v Speaker 1>way it was structured, like right, I actually had to

0:10:29.080 --> 0:10:31.200
<v Speaker 1>take my verse and put it second type shit. But

0:10:31.280 --> 0:10:33.960
<v Speaker 1>it was like already knew what they was gonna do

0:10:34.000 --> 0:10:36.200
<v Speaker 1>with that shit, you feel me. They was going heavy

0:10:36.240 --> 0:10:38.840
<v Speaker 1>in the strip clubs and heavy in the promotion in Atlanta,

0:10:38.920 --> 0:10:40.960
<v Speaker 1>like as far as like just paying DJs to play

0:10:40.960 --> 0:10:42.600
<v Speaker 1>his ship. Yeah, you know, I think it's a game

0:10:42.800 --> 0:10:45.679
<v Speaker 1>they you know. I mean, I'm saying their runs not over.

0:10:45.760 --> 0:10:48.560
<v Speaker 1>But during that time, they had a lot. They had,

0:10:48.679 --> 0:10:50.880
<v Speaker 1>they had, they got the formula. I was like, at

0:10:50.920 --> 0:10:52.480
<v Speaker 1>that point in time, they had a lot to prove too,

0:10:52.559 --> 0:10:55.080
<v Speaker 1>because they had to show people that the rich On

0:10:55.120 --> 0:10:57.560
<v Speaker 1>me Quan shit wasn't just the one time thing, you

0:10:57.559 --> 0:10:59.520
<v Speaker 1>know what I'm saying. So it was like perfect time.

0:10:59.559 --> 0:11:02.120
<v Speaker 1>And I think now, I just think you don't get

0:11:02.200 --> 0:11:04.360
<v Speaker 1>enough love as far as like if we think of

0:11:04.400 --> 0:11:08.080
<v Speaker 1>everyone who's like, I mean, really where you kind of

0:11:08.240 --> 0:11:10.960
<v Speaker 1>were you kind of brought into the you know, industry.

0:11:10.960 --> 0:11:12.680
<v Speaker 1>Obviously we talked about fat I think the future was

0:11:12.679 --> 0:11:14.360
<v Speaker 1>doing a bit of that. Your shit is a little

0:11:14.400 --> 0:11:17.120
<v Speaker 1>bit different, but that's kind of where the game is now.

0:11:17.760 --> 0:11:19.280
<v Speaker 1>I ain't gonna care. I'll be looking at it. Like

0:11:20.760 --> 0:11:22.240
<v Speaker 1>at first, I was a little sour, you know what,

0:11:22.280 --> 0:11:24.480
<v Speaker 1>I'm saying, right, like, all these little motherfuckers come and

0:11:24.520 --> 0:11:27.679
<v Speaker 1>taking my ship, and it's like my situation was a

0:11:27.720 --> 0:11:29.760
<v Speaker 1>little bit different because I felt like my label just

0:11:29.840 --> 0:11:32.240
<v Speaker 1>wasn't like they ain't believing what I had going on

0:11:32.320 --> 0:11:34.440
<v Speaker 1>at the time. But it's all these little mes coming

0:11:34.440 --> 0:11:37.400
<v Speaker 1>out and they they stream, they going crazy doing everything

0:11:37.400 --> 0:11:38.599
<v Speaker 1>they supposed to be doing. I'm like, well, that's what

0:11:38.600 --> 0:11:40.360
<v Speaker 1>we're supposed to be doing with my ship for me,

0:11:40.559 --> 0:11:42.880
<v Speaker 1>and it's like, y'all letting these niggas out run me

0:11:42.880 --> 0:11:44.360
<v Speaker 1>now because I can't even drop as much as I

0:11:44.480 --> 0:11:46.800
<v Speaker 1>used to drop. It just was like a frustrating thing

0:11:46.800 --> 0:11:48.600
<v Speaker 1>with my label. Well I do feel like too man

0:11:48.760 --> 0:11:51.800
<v Speaker 1>like kind of what got you here was being able

0:11:51.840 --> 0:11:57.480
<v Speaker 1>to drop freely heat up the streets. You know, It's

0:11:57.480 --> 0:12:00.599
<v Speaker 1>crazy because I was in the studio like four or

0:12:00.640 --> 0:12:02.600
<v Speaker 1>five months ago with you in twenty four and you

0:12:02.640 --> 0:12:04.760
<v Speaker 1>guys are working on a joint project and it was like, well,

0:12:04.760 --> 0:12:06.440
<v Speaker 1>how does this how's this gonna come out because of

0:12:06.440 --> 0:12:09.439
<v Speaker 1>your label? Real? Right? Shout out to twenty four hours.

0:12:09.440 --> 0:12:13.040
<v Speaker 1>But like I just saw you commented on snow the

0:12:13.080 --> 0:12:15.920
<v Speaker 1>products post she had said she had posted her recap.

0:12:16.559 --> 0:12:20.360
<v Speaker 1>She was like no management, no distro, no label, and

0:12:20.360 --> 0:12:22.880
<v Speaker 1>this is what I'm doing. Maybe in twenty twenty two

0:12:22.920 --> 0:12:27.560
<v Speaker 1>that changes, and you commented, no, no, don't sign, keep going.

0:12:27.640 --> 0:12:29.000
<v Speaker 1>You are you're somebody who's been a part of the

0:12:29.000 --> 0:12:31.840
<v Speaker 1>major label system for what six seven years? Now? When

0:12:31.840 --> 0:12:34.480
<v Speaker 1>did you first sign fifteen? So yes, it's about six

0:12:34.559 --> 0:12:37.760
<v Speaker 1>years right, and you know you've shared your frustrations with

0:12:37.840 --> 0:12:42.840
<v Speaker 1>your label recently earlier this year. What what is it like?

0:12:43.600 --> 0:12:45.920
<v Speaker 1>Where do you think kind of the disconnect is for

0:12:46.240 --> 0:12:49.160
<v Speaker 1>P and b Rock and being on a major label.

0:12:49.760 --> 0:12:52.800
<v Speaker 1>It's the It's like labels is like still like they

0:12:52.960 --> 0:12:54.680
<v Speaker 1>catching up, you feel me, but it's like they still

0:12:54.760 --> 0:12:56.760
<v Speaker 1>kind of stuck in the old stigma words though, like

0:12:57.800 --> 0:13:01.080
<v Speaker 1>it's like a I don't know it and I don't

0:13:01.080 --> 0:13:03.839
<v Speaker 1>know how to say. It's like the deals were so

0:13:03.880 --> 0:13:05.880
<v Speaker 1>shitty back then, you feel me, and they still like

0:13:06.080 --> 0:13:08.040
<v Speaker 1>try to implement that ship now like we're still in

0:13:08.080 --> 0:13:09.760
<v Speaker 1>those times and they be like, bro, we're not we're

0:13:09.800 --> 0:13:11.880
<v Speaker 1>streaming now and ship like it ain't me. People ain't

0:13:11.920 --> 0:13:14.160
<v Speaker 1>going to the store and buying it. No fucking CDs

0:13:14.160 --> 0:13:16.200
<v Speaker 1>and shit, no more that shit over. But they still

0:13:16.240 --> 0:13:18.480
<v Speaker 1>got the deals kind of structure like that you feel me,

0:13:18.800 --> 0:13:20.560
<v Speaker 1>and it's like, why the fuck If y'all can catch

0:13:20.640 --> 0:13:22.040
<v Speaker 1>up with the money on the streams, why the fuck

0:13:22.080 --> 0:13:23.920
<v Speaker 1>y'all can't catch up with the deals You feel me like,

0:13:24.240 --> 0:13:26.320
<v Speaker 1>shit don't be making sense to me. And they be like,

0:13:27.520 --> 0:13:30.240
<v Speaker 1>once you learn it as an artist, that should be

0:13:30.240 --> 0:13:32.400
<v Speaker 1>like kind of like scary for a label. They be like, damn,

0:13:32.440 --> 0:13:35.480
<v Speaker 1>what's my fucker answering too many questions right, like we're

0:13:35.480 --> 0:13:37.240
<v Speaker 1>gonna figure it out. They'll try to stall you out,

0:13:37.280 --> 0:13:39.400
<v Speaker 1>you know what I'm saying. But it's like artists are

0:13:39.440 --> 0:13:41.280
<v Speaker 1>getting smarter, right, and then we like look at like

0:13:41.320 --> 0:13:43.520
<v Speaker 1>the like I always look at someone like Russ, and

0:13:43.600 --> 0:13:45.600
<v Speaker 1>I feel like Russ gives out so much free game

0:13:45.679 --> 0:13:50.200
<v Speaker 1>the artists bro right, just like I he I always

0:13:50.200 --> 0:13:52.080
<v Speaker 1>anytime I think like son, like I can't get this,

0:13:52.280 --> 0:13:54.360
<v Speaker 1>Like I don't know what the fuck I hit that nigga,

0:13:54.400 --> 0:13:56.640
<v Speaker 1>and like, Yo, what you think about this? Bro? Here?

0:13:56.720 --> 0:13:59.360
<v Speaker 1>Really like give me the whole paragraph, bro, Like how

0:13:59.400 --> 0:14:01.400
<v Speaker 1>I should do this? Some of the ship I could

0:14:01.440 --> 0:14:02.920
<v Speaker 1>agree with some of this shit be like I could

0:14:02.920 --> 0:14:05.480
<v Speaker 1>take that and not do how I do it. Hell yeah,

0:14:05.480 --> 0:14:07.320
<v Speaker 1>but that nigga different, He's smart, bro, I feel like

0:14:07.320 --> 0:14:09.800
<v Speaker 1>the labels hate Russ because he'd be really fucking holding

0:14:09.800 --> 0:14:12.960
<v Speaker 1>their feet over the fucking fire. He popped his ship

0:14:13.000 --> 0:14:16.120
<v Speaker 1>and it's all real. Real lawyers hate him because he's like, yo,

0:14:16.120 --> 0:14:18.160
<v Speaker 1>if you're giving you a lawyer ten percent, they're holing

0:14:18.240 --> 0:14:21.520
<v Speaker 1>you in real ship. I feel it's like, bro, when

0:14:21.560 --> 0:14:23.800
<v Speaker 1>I finally got to know the business, because you like

0:14:23.800 --> 0:14:25.920
<v Speaker 1>when you come into this ship, bro, like I see

0:14:25.920 --> 0:14:28.080
<v Speaker 1>it all the time, like you just having fun. You

0:14:28.240 --> 0:14:30.960
<v Speaker 1>just so like you want everybody else to do your

0:14:30.960 --> 0:14:32.520
<v Speaker 1>ship because you want to. Like I don't want I

0:14:32.520 --> 0:14:34.760
<v Speaker 1>don't want to have to beat the nigga to book

0:14:34.800 --> 0:14:36.600
<v Speaker 1>my own shows. I don't want to have to be

0:14:36.720 --> 0:14:39.680
<v Speaker 1>the nigga to be looking through these emails that's decipher

0:14:39.760 --> 0:14:42.760
<v Speaker 1>if this nigga serious about this feature. I'm trying to

0:14:42.800 --> 0:14:44.880
<v Speaker 1>make music right now. I don't want nothing else. And

0:14:44.920 --> 0:14:47.360
<v Speaker 1>you will put that shit on everybody like you do this,

0:14:47.920 --> 0:14:49.920
<v Speaker 1>you good at you do this, you feel me, but

0:14:50.000 --> 0:14:52.400
<v Speaker 1>that shit be like you gotta know your business, bro,

0:14:52.400 --> 0:14:53.920
<v Speaker 1>You gotta know what the fuck going on. You gotta

0:14:54.000 --> 0:14:56.040
<v Speaker 1>know everything that's going on with this is your ship.

0:14:56.280 --> 0:14:58.120
<v Speaker 1>You know what I'm saying. At the end of the day, Like,

0:14:58.680 --> 0:15:01.360
<v Speaker 1>it's cool to have people that the team. You need

0:15:01.400 --> 0:15:03.000
<v Speaker 1>a team, but you gotta still be on your ship

0:15:03.040 --> 0:15:04.720
<v Speaker 1>at the end of the day. You gotta know what

0:15:04.760 --> 0:15:07.400
<v Speaker 1>the fuck is coming through these emails who personally? You

0:15:07.440 --> 0:15:09.160
<v Speaker 1>gotta know the same people that this person. You don't

0:15:09.160 --> 0:15:12.240
<v Speaker 1>want to be just having people make connections through you.

0:15:12.360 --> 0:15:14.760
<v Speaker 1>But you're not even meeting the people you know. Everybody

0:15:14.800 --> 0:15:17.360
<v Speaker 1>building relationships and nobody. You don't even know these people

0:15:18.040 --> 0:15:20.560
<v Speaker 1>that should be different. Bro, you gotta you're You're dropping

0:15:20.600 --> 0:15:23.160
<v Speaker 1>a new project on Thursday night. Yeah, my glow day?

0:15:24.240 --> 0:15:27.240
<v Speaker 1>Is that your birthday? Oh? Yeah, sas Game the ninth

0:15:27.320 --> 0:15:30.640
<v Speaker 1>is your birthday. Yeah, that's my anniversary, my wedding anniversary.

0:15:31.520 --> 0:15:34.080
<v Speaker 1>Dr Gonna be in DR with my wife. Yeah, ain't gonna.

0:15:34.200 --> 0:15:37.240
<v Speaker 1>I'm thinking about Dubai. Hey, that's just how I'm feeling

0:15:37.320 --> 0:15:39.360
<v Speaker 1>right now. Thursday is a big day. Kanye Drake got

0:15:39.360 --> 0:15:41.720
<v Speaker 1>their show in La Thursday, your birthday. You got an

0:15:41.720 --> 0:15:45.520
<v Speaker 1>album coming out. I heard the ticket, was like, probably

0:15:45.720 --> 0:15:48.200
<v Speaker 1>I'm not gonna be there, so I wouldn't know. But nonetheless,

0:15:48.640 --> 0:15:51.920
<v Speaker 1>I'm always curious if someone like you, do you feel

0:15:51.920 --> 0:15:55.080
<v Speaker 1>like if you were independent the last three to four

0:15:55.160 --> 0:15:59.480
<v Speaker 1>years how much more music would you have dropped? Bro?

0:15:59.600 --> 0:16:02.840
<v Speaker 1>What I got like in my phone and ship, my

0:16:02.880 --> 0:16:04.720
<v Speaker 1>email and my heart drop. I probably got like over

0:16:04.800 --> 0:16:07.360
<v Speaker 1>like two thousand songs that nobody ever heard. Type shit,

0:16:07.480 --> 0:16:10.320
<v Speaker 1>Because isn't that much more harder if like you woke

0:16:10.400 --> 0:16:12.440
<v Speaker 1>up tomorrow and said, I got a fucking EP with

0:16:12.480 --> 0:16:14.320
<v Speaker 1>this producer. I've been cooking up with this whole week

0:16:14.360 --> 0:16:16.200
<v Speaker 1>and it's crazy and I'm trying to drop this ship.

0:16:16.560 --> 0:16:19.040
<v Speaker 1>It's not that easy. Fuck, No, Bro, I can't even

0:16:19.040 --> 0:16:21.160
<v Speaker 1>say I want to put this ship on YouTube real quick?

0:16:21.400 --> 0:16:23.480
<v Speaker 1>Ohh blob. You know what I'm saying, because they got

0:16:23.520 --> 0:16:25.040
<v Speaker 1>my YouTube. You know what I'm saying. I don't even

0:16:25.080 --> 0:16:26.640
<v Speaker 1>got access to my fuck so you don't even have

0:16:26.680 --> 0:16:29.200
<v Speaker 1>access to your own YouTube. No, Bro, when I got

0:16:29.280 --> 0:16:31.120
<v Speaker 1>sign D take over all your ship, he asks you

0:16:31.120 --> 0:16:33.720
<v Speaker 1>all these questions like, all right, which pass word to this? Uh?

0:16:33.800 --> 0:16:35.400
<v Speaker 1>Do you ever got to count over here? We need

0:16:35.400 --> 0:16:37.120
<v Speaker 1>to pass word to this. You be thinking like, are

0:16:37.200 --> 0:16:38.680
<v Speaker 1>they just going to have access to it? But they

0:16:39.320 --> 0:16:41.640
<v Speaker 1>they changed your whole ship over me, like they need

0:16:41.640 --> 0:16:44.160
<v Speaker 1>to rerouted my money. I don't even get my YouTube,

0:16:44.200 --> 0:16:47.480
<v Speaker 1>che so you can't drop a video tomorrow or vlog.

0:16:47.880 --> 0:16:50.280
<v Speaker 1>You got to send it to the label first, What

0:16:50.320 --> 0:16:52.560
<v Speaker 1>the fuck? And it's like it's cool because I like

0:16:52.600 --> 0:16:55.120
<v Speaker 1>how labels. I like what it's a it's a I

0:16:55.160 --> 0:16:57.560
<v Speaker 1>gotta love here. It's a gift in the curse. They

0:16:57.600 --> 0:16:59.560
<v Speaker 1>do what they now. At this point in time, my

0:16:59.640 --> 0:17:01.000
<v Speaker 1>label was only Ship. You know what I'm saying, Like

0:17:01.000 --> 0:17:02.720
<v Speaker 1>they take care of everything they supposed to do because

0:17:03.000 --> 0:17:04.760
<v Speaker 1>I dont got's too smart, you know what I'm saying,

0:17:04.760 --> 0:17:06.239
<v Speaker 1>Like I don't figure this shit out. And it's like

0:17:06.520 --> 0:17:08.760
<v Speaker 1>we was at odds for a long time. When we

0:17:08.800 --> 0:17:10.600
<v Speaker 1>came to a mutual agreement. It's like all right, when

0:17:10.680 --> 0:17:12.920
<v Speaker 1>we finally thank you, you know what I'm saying, Like

0:17:13.280 --> 0:17:15.040
<v Speaker 1>appreciated it. You know what I'm saying. I was. I

0:17:15.080 --> 0:17:16.760
<v Speaker 1>was feeling sour for a long time, and now I

0:17:16.800 --> 0:17:18.720
<v Speaker 1>was like, I'm back, I'm backing my I mean, like,

0:17:19.119 --> 0:17:20.600
<v Speaker 1>I feel like you had a couple of records that

0:17:21.680 --> 0:17:23.240
<v Speaker 1>should have probably been a little bigger, Like you know,

0:17:23.240 --> 0:17:25.600
<v Speaker 1>I think I was expecting the Nicki Murder Beats record

0:17:25.640 --> 0:17:27.280
<v Speaker 1>to kind of go crazy, or they was mad that

0:17:27.320 --> 0:17:29.160
<v Speaker 1>we even wanted to drop that ship because they felt

0:17:29.200 --> 0:17:30.960
<v Speaker 1>like they wanted to ride the Trap Star turned pop

0:17:31.000 --> 0:17:33.440
<v Speaker 1>star wave a little bit more like I ain't. I wasn't.

0:17:33.480 --> 0:17:35.440
<v Speaker 1>I wasn't too pressed to drop that shit even though

0:17:35.440 --> 0:17:37.960
<v Speaker 1>tones because I was working on the whole tape with

0:17:38.160 --> 0:17:39.919
<v Speaker 1>Murder Beats, and I wanted that to be like a

0:17:39.960 --> 0:17:42.040
<v Speaker 1>big roll out and wanted that to be the parking rollout.

0:17:42.040 --> 0:17:43.520
<v Speaker 1>But at the point of the time, my management was

0:17:43.560 --> 0:17:45.920
<v Speaker 1>just like, we need to drop this ship now, like Nikki,

0:17:46.000 --> 0:17:47.600
<v Speaker 1>Niggy and NIGGI, I'm like, all right, fuck it, you

0:17:47.680 --> 0:17:51.480
<v Speaker 1>feel me. The just was like, be pressing the button

0:17:51.480 --> 0:17:57.160
<v Speaker 1>too early, that's fair. I think about before you moved

0:17:57.160 --> 0:17:59.840
<v Speaker 1>to LA I remember I saw you right after you

0:17:59.880 --> 0:18:01.800
<v Speaker 1>just I had to move out here, and I was like,

0:18:01.920 --> 0:18:05.119
<v Speaker 1>good because I felt like there was a period of

0:18:05.160 --> 0:18:07.800
<v Speaker 1>time where every time I would open my phone, it

0:18:07.920 --> 0:18:11.800
<v Speaker 1>was just some bullshit. NB Rock was just in some shit.

0:18:11.920 --> 0:18:15.800
<v Speaker 1>I'm like, what is fu Yeah, I'm like this motherfucker

0:18:16.440 --> 0:18:18.120
<v Speaker 1>you wild. You know what I'm saying. Like I got

0:18:18.119 --> 0:18:21.280
<v Speaker 1>out of this ship, I was gonna say, like, I

0:18:21.280 --> 0:18:24.480
<v Speaker 1>feel like you've matured a lot in the last couple

0:18:24.480 --> 0:18:27.639
<v Speaker 1>of years as far as maybe keeping yourself out of

0:18:27.720 --> 0:18:31.200
<v Speaker 1>unnecessary situations that might bring unnecessary bullshit around. Do you

0:18:31.240 --> 0:18:34.120
<v Speaker 1>feel the same way. Oh yeah, I got two daughters now,

0:18:34.240 --> 0:18:37.480
<v Speaker 1>you know what I'm saying, And not only that motherfucker

0:18:37.560 --> 0:18:39.200
<v Speaker 1>is tired of this street ship. You know what I'm saying.

0:18:39.440 --> 0:18:44.359
<v Speaker 1>Get burnt out, Bro, that's just tiring, Bro, stressful shit.

0:18:44.480 --> 0:18:46.520
<v Speaker 1>You don't have to keep like looking over your shoulder.

0:18:46.760 --> 0:18:49.600
<v Speaker 1>Day had Philly. That ship bad right now, Bro, that's'

0:18:49.720 --> 0:18:52.480
<v Speaker 1>super super bad. Like we probably got like I mean,

0:18:52.520 --> 0:18:57.960
<v Speaker 1>mergery right now tillman Philly five hundred and over five hundred.

0:18:58.119 --> 0:19:00.960
<v Speaker 1>Over the last five or six months, it's been mostly

0:19:00.960 --> 0:19:04.840
<v Speaker 1>females getting killed by niggas, Like literally what some weird ship,

0:19:06.040 --> 0:19:08.080
<v Speaker 1>some like domestic violent ship. A lot of it been

0:19:08.119 --> 0:19:10.120
<v Speaker 1>the domestic violence. A lot of them been like bitches,

0:19:10.560 --> 0:19:12.439
<v Speaker 1>Like niggas is killing bitches. I don't know what the

0:19:12.440 --> 0:19:14.439
<v Speaker 1>fuck it is. Like I've seen some ship where somebody

0:19:14.440 --> 0:19:16.680
<v Speaker 1>thought it was like I don't wanna be putting it

0:19:16.720 --> 0:19:20.520
<v Speaker 1>out there, so I ain't even gonna see that should

0:19:20.560 --> 0:19:23.760
<v Speaker 1>be weird though, Broll. It's interesting too, because like we

0:19:23.880 --> 0:19:27.840
<v Speaker 1>just we just lost Dolf, and Dolf was you know,

0:19:27.920 --> 0:19:29.560
<v Speaker 1>I had a great relationship with Dolf. He was a

0:19:29.560 --> 0:19:34.000
<v Speaker 1>great guy. But we keep seeing artists losing their life

0:19:34.000 --> 0:19:39.600
<v Speaker 1>in their hometown. Right, happened happened to Nipsey, happened to x.

0:19:41.400 --> 0:19:44.600
<v Speaker 1>I feel like it's almost necessary to kind of remove

0:19:44.600 --> 0:19:47.920
<v Speaker 1>yourself out of your own environment for your own good, really,

0:19:47.920 --> 0:19:51.720
<v Speaker 1>for your own livelihood, you know what I'm saying. They'd

0:19:51.760 --> 0:19:54.040
<v Speaker 1>be like, people love you the most in your city,

0:19:54.040 --> 0:19:56.439
<v Speaker 1>but they hate you the most there too, Like you

0:19:56.440 --> 0:19:59.080
<v Speaker 1>got some motherfucker that just really likes I seen. I

0:19:59.160 --> 0:20:02.800
<v Speaker 1>remember that Nigga was broke. Now he thinking, like niggas,

0:20:02.800 --> 0:20:04.399
<v Speaker 1>we just don't want to see you win. For some reason.

0:20:04.440 --> 0:20:06.760
<v Speaker 1>Some people got that crabb in a barrel mentality, like

0:20:07.080 --> 0:20:09.080
<v Speaker 1>fuck you, I'm stuck. You gotta be stuck with me

0:20:09.119 --> 0:20:13.560
<v Speaker 1>type ship. Like some when you see a situation with Dolph,

0:20:13.840 --> 0:20:15.480
<v Speaker 1>you know or nip does it help? Does it kind

0:20:15.480 --> 0:20:20.639
<v Speaker 1>of change the way you move? Hell yeah, before he didn't.

0:20:21.359 --> 0:20:23.960
<v Speaker 1>The Nipsy ship was crazy. I think the first jonal

0:20:24.119 --> 0:20:27.840
<v Speaker 1>for me though, was like somebody from Pittsburgh or some ship.

0:20:28.160 --> 0:20:33.080
<v Speaker 1>Oh the guy who died he died the same day

0:20:33.080 --> 0:20:35.679
<v Speaker 1>as nip Yeah, he did the same day. It was

0:20:35.680 --> 0:20:37.960
<v Speaker 1>the same day. Damn. So yeah, I heard about that first,

0:20:38.000 --> 0:20:39.960
<v Speaker 1>and I'm like, Damn, this motherfucker. Like he was close

0:20:40.040 --> 0:20:43.080
<v Speaker 1>to Philly and Pittsburgh's night right there. Yeah it's far,

0:20:43.320 --> 0:20:46.040
<v Speaker 1>but like we going the same type of ship kind

0:20:46.040 --> 0:20:47.639
<v Speaker 1>of like you know what I'm saying, Like and I'm like, damn,

0:20:48.200 --> 0:20:50.080
<v Speaker 1>that was a bad jont for the city. You know

0:20:50.119 --> 0:20:52.400
<v Speaker 1>what I'm saying, Pittsburgh. I'm like that nigga was still

0:20:52.400 --> 0:20:53.720
<v Speaker 1>in the trenches. He was kind of just like me,

0:20:53.880 --> 0:20:58.280
<v Speaker 1>Like that was like a like damn need to It

0:20:58.359 --> 0:21:00.919
<v Speaker 1>is just in general, I feel like crazy right now,

0:21:01.000 --> 0:21:02.760
<v Speaker 1>especially I mean we both live here in l A.

0:21:02.880 --> 0:21:08.320
<v Speaker 1>And l A is fucking why old crazy. There's some

0:21:08.359 --> 0:21:11.280
<v Speaker 1>grand theft ato ship going on right now, you see

0:21:11.720 --> 0:21:13.600
<v Speaker 1>with a nigga just walked up on in the restaurant

0:21:13.640 --> 0:21:17.520
<v Speaker 1>restaurant and yeah, bro, that was goofy to be. Yeah,

0:21:17.600 --> 0:21:20.720
<v Speaker 1>tell me, well, first of all, I'll be in the valley,

0:21:21.000 --> 0:21:23.440
<v Speaker 1>so me and my wife keep it super low key.

0:21:23.480 --> 0:21:24.920
<v Speaker 1>But I tell my wife when we go out to eat,

0:21:24.960 --> 0:21:26.800
<v Speaker 1>I'm like, leave she got a big ass wedding. Man,

0:21:26.800 --> 0:21:28.200
<v Speaker 1>I'm like, leave that ship at the crib. I don't

0:21:28.200 --> 0:21:30.320
<v Speaker 1>even want to have to, bro. You don't want unless

0:21:30.320 --> 0:21:32.000
<v Speaker 1>you're gonna move around with security, and you don't want

0:21:32.080 --> 0:21:35.159
<v Speaker 1>to do that out one hundred percent. Feel me like

0:21:35.200 --> 0:21:38.439
<v Speaker 1>that should be ass bro, I feel you people are

0:21:38.440 --> 0:21:40.600
<v Speaker 1>targets out here, and especially if me out here. A

0:21:40.640 --> 0:21:42.280
<v Speaker 1>couple of times, you feel me like I ain't gonna lie.

0:21:42.400 --> 0:21:44.240
<v Speaker 1>That ship will never work. Feel me, I'll be too

0:21:44.280 --> 0:21:46.439
<v Speaker 1>on point. I'm from the same ship y'all trying to do.

0:21:46.640 --> 0:21:48.639
<v Speaker 1>I did this sit you feel like you're ready for

0:21:48.640 --> 0:21:52.000
<v Speaker 1>that kind of I'll be on it. You can't feel me.

0:21:52.560 --> 0:21:54.639
<v Speaker 1>That's fair, that's fair. I think like a lot of

0:21:54.640 --> 0:21:56.760
<v Speaker 1>people need to understand when they come to l A.

0:21:57.640 --> 0:22:01.320
<v Speaker 1>I don't think this is a joke. It is also Yeah,

0:22:01.320 --> 0:22:03.399
<v Speaker 1>but like yo, man, leave your fucking jewelry in the

0:22:03.400 --> 0:22:06.040
<v Speaker 1>hotel room or just leave it at home, like you,

0:22:06.040 --> 0:22:07.399
<v Speaker 1>there's no reason if you be moving around with one

0:22:07.440 --> 0:22:11.160
<v Speaker 1>hundred thousand dollars for that, bro, Be safe, be safe

0:22:11.280 --> 0:22:14.600
<v Speaker 1>some security. Yeah, Like I ain't gonna stare and say

0:22:14.640 --> 0:22:16.840
<v Speaker 1>security is like an end all, be all A nigga

0:22:16.840 --> 0:22:18.960
<v Speaker 1>ain't gonna try you, but they'll stake twice. Don't think

0:22:18.960 --> 0:22:22.960
<v Speaker 1>twice about trying you. It just makes sense, you know

0:22:23.400 --> 0:22:29.680
<v Speaker 1>it does? Man talk about you know obviously you being

0:22:29.720 --> 0:22:32.639
<v Speaker 1>a part and working with SAO for people who don't know.

0:22:32.720 --> 0:22:37.480
<v Speaker 1>So is XO the Weekend? I mean doojah Cat, I

0:22:37.520 --> 0:22:43.440
<v Speaker 1>mean just superstar management. I ain't gonna lie. They put

0:22:43.440 --> 0:22:45.359
<v Speaker 1>me on a whole bunch of game. Shout out to

0:22:45.400 --> 0:22:49.679
<v Speaker 1>my guy, Manny, what what is something that you've learned?

0:22:50.760 --> 0:22:54.480
<v Speaker 1>Uh being so close to them, because I do feel

0:22:54.480 --> 0:22:57.160
<v Speaker 1>like there's something to be said that like right now,

0:22:57.200 --> 0:23:01.159
<v Speaker 1>like Salent Company represents two of the top like three

0:23:01.280 --> 0:23:03.840
<v Speaker 1>or four biggest artists in the world, or they manage

0:23:03.840 --> 0:23:05.199
<v Speaker 1>a lot of people that they man. I mean they

0:23:05.200 --> 0:23:06.439
<v Speaker 1>may have just just tried dollar sign they man. I mean,

0:23:06.440 --> 0:23:07.480
<v Speaker 1>we can go down the list. But I'm just like,

0:23:07.880 --> 0:23:11.119
<v Speaker 1>you know, so many right Shout out to my brother Belly,

0:23:11.160 --> 0:23:13.760
<v Speaker 1>shout out to you know yourself, Shout out to you

0:23:13.800 --> 0:23:16.840
<v Speaker 1>know Bbi Rexa. It's just so many artists right, So

0:23:17.160 --> 0:23:21.080
<v Speaker 1>don't create those. But that's just like another level of ship,

0:23:21.240 --> 0:23:23.199
<v Speaker 1>right when we when we get into the conversations of

0:23:23.200 --> 0:23:24.920
<v Speaker 1>the weekend and you know, like, like, what's some ship

0:23:24.960 --> 0:23:27.639
<v Speaker 1>you've learned about being a part of that team. I

0:23:27.640 --> 0:23:29.800
<v Speaker 1>don't know. I just learned like structure like that when

0:23:29.800 --> 0:23:32.480
<v Speaker 1>I went over there. I just learned like they taught me,

0:23:32.600 --> 0:23:36.600
<v Speaker 1>Like when I come to album time and shit like that.

0:23:36.720 --> 0:23:39.040
<v Speaker 1>Like as far as package and my ship, they put

0:23:39.040 --> 0:23:40.320
<v Speaker 1>me on a whole bunch of game, like how they

0:23:40.400 --> 0:23:43.200
<v Speaker 1>be doing the ship? You feel me? And they taught

0:23:43.240 --> 0:23:44.840
<v Speaker 1>me a lot of shit about my deal because when

0:23:44.880 --> 0:23:46.240
<v Speaker 1>I first got with them, that was like one of

0:23:46.320 --> 0:23:48.359
<v Speaker 1>the main things that I was like focusing on, like, Yo,

0:23:48.400 --> 0:23:50.080
<v Speaker 1>I need you to help me, give you out this bullshit?

0:23:50.880 --> 0:23:53.159
<v Speaker 1>You feel me like this ain't it right? It was

0:23:53.160 --> 0:23:54.480
<v Speaker 1>like they was helping me a whole bunch of this

0:23:54.560 --> 0:23:56.720
<v Speaker 1>ship And I really learned a lot just fucking with

0:23:56.760 --> 0:23:59.800
<v Speaker 1>them on that for me, Like they know what they're doing.

0:24:00.840 --> 0:24:03.399
<v Speaker 1>What is if there's an up and coming artist with

0:24:03.480 --> 0:24:07.679
<v Speaker 1>some some momentum right now that's independent. What would be

0:24:07.760 --> 0:24:10.639
<v Speaker 1>your advice to them as far as what they should do?

0:24:10.680 --> 0:24:12.879
<v Speaker 1>Should they sign? Should they stay independent? Like what do

0:24:12.920 --> 0:24:15.080
<v Speaker 1>you think? I know not everyone's case is the same, right,

0:24:15.080 --> 0:24:18.640
<v Speaker 1>but like you know, based on your experience, the easiest

0:24:18.640 --> 0:24:22.320
<v Speaker 1>ship for the kids, bro, Like it's like you get

0:24:22.320 --> 0:24:24.800
<v Speaker 1>your ship popping on if it depends, you can go

0:24:24.840 --> 0:24:26.320
<v Speaker 1>either way. Like if you really want to go and

0:24:26.320 --> 0:24:29.919
<v Speaker 1>sign to a label, you need to do this, do it,

0:24:29.960 --> 0:24:31.640
<v Speaker 1>but just make sure you're gonna got one of those

0:24:31.760 --> 0:24:34.640
<v Speaker 1>like crazy ass roy recoupitment deals. You know what I'm saying.

0:24:34.640 --> 0:24:36.720
<v Speaker 1>You're looking for it, then, what's the fucking name is this?

0:24:36.800 --> 0:24:38.320
<v Speaker 1>I just I just forgot the name of the deal.

0:24:38.920 --> 0:24:43.399
<v Speaker 1>So you got, uh, you got royalty deals and you

0:24:43.520 --> 0:24:46.840
<v Speaker 1>got there's two different type of deals, bro, I can't

0:24:46.840 --> 0:24:48.879
<v Speaker 1>think of the name of it. Don't want the royalty deal,

0:24:48.960 --> 0:24:51.040
<v Speaker 1>Just tell me you don't want to. What about on

0:24:51.080 --> 0:24:53.760
<v Speaker 1>the pub side, because you're obviously a prolific writer, and

0:24:53.840 --> 0:24:56.119
<v Speaker 1>I do feel like the pub game also has evolved

0:24:56.160 --> 0:24:58.840
<v Speaker 1>a lot because there used to be the MDA what's

0:24:58.920 --> 0:25:03.040
<v Speaker 1>the MDA MDR, sorry, the minimum delivery requirement joints where

0:25:03.080 --> 0:25:04.800
<v Speaker 1>you had to have like a certain amount of fucking

0:25:05.440 --> 0:25:08.200
<v Speaker 1>points accumulated before you could get out of a pub deal.

0:25:08.400 --> 0:25:10.520
<v Speaker 1>So we would hear about these crazy ass pub deals

0:25:10.560 --> 0:25:14.000
<v Speaker 1>where like you had to have five full compositions, but

0:25:14.040 --> 0:25:17.840
<v Speaker 1>that would mean five five hundred points. Yeah. I don't

0:25:17.880 --> 0:25:20.040
<v Speaker 1>even understand that, because if you write a record right,

0:25:20.080 --> 0:25:22.639
<v Speaker 1>you might get like if you help on a line right,

0:25:22.720 --> 0:25:25.000
<v Speaker 1>let's say you might get what you know, I don't

0:25:25.000 --> 0:25:26.879
<v Speaker 1>know whatever points that might be, but it's definitely not

0:25:26.920 --> 0:25:29.040
<v Speaker 1>going to be one hundred, so it almost makes it

0:25:29.040 --> 0:25:31.920
<v Speaker 1>almost impossible for you to like actually fulfill the deal. Yeah,

0:25:31.960 --> 0:25:33.920
<v Speaker 1>that should be goofy bro. The way that shit work

0:25:34.240 --> 0:25:36.399
<v Speaker 1>points is like I ain't know what the point was

0:25:36.440 --> 0:25:38.960
<v Speaker 1>for a long ass time, right, I used to be

0:25:38.960 --> 0:25:40.080
<v Speaker 1>like you could have a point. I don't give a

0:25:40.119 --> 0:25:42.199
<v Speaker 1>fuck about no point, Like you ain't taking like no

0:25:42.280 --> 0:25:45.000
<v Speaker 1>percentage of all that you can have a point. Points

0:25:45.080 --> 0:25:47.040
<v Speaker 1>is like percentages at the end of the day, the

0:25:47.040 --> 0:25:52.600
<v Speaker 1>same shit. So in points, So in deals, you got

0:25:52.800 --> 0:25:55.920
<v Speaker 1>one hundred points, right, Well, say that you might get

0:25:55.960 --> 0:25:58.640
<v Speaker 1>a deal where the label give you give you fifteen

0:25:58.680 --> 0:26:03.000
<v Speaker 1>points and they get the eighty and that's after you recoup. Hell,

0:26:03.080 --> 0:26:05.159
<v Speaker 1>that should be crazy. So it was like out of

0:26:05.160 --> 0:26:08.200
<v Speaker 1>that fifteen all the bills is gonna come out that

0:26:08.320 --> 0:26:10.800
<v Speaker 1>fifteen Yeah, like all the studio time, they're gonna give

0:26:10.800 --> 0:26:13.000
<v Speaker 1>you an advance, and then that advance is an advance

0:26:13.000 --> 0:26:16.159
<v Speaker 1>on your fifteen percent exactly, So whatever you spend that

0:26:16.720 --> 0:26:18.960
<v Speaker 1>and then whatever you spend out of your budget comes

0:26:19.000 --> 0:26:21.400
<v Speaker 1>out of that fifteen percent, and then the eighty five

0:26:21.480 --> 0:26:24.240
<v Speaker 1>they take free and clear for sure, and then will

0:26:24.240 --> 0:26:26.480
<v Speaker 1>fuck you up even more. Though it's these points that

0:26:26.520 --> 0:26:28.440
<v Speaker 1>you'll be saying like, oh, you can have a point

0:26:28.480 --> 0:26:30.320
<v Speaker 1>because you're a producer you did this, or you can

0:26:30.359 --> 0:26:32.879
<v Speaker 1>have a point because you mixed it, or you have

0:26:33.040 --> 0:26:36.120
<v Speaker 1>through the line or whatever. So you go from fifteen points,

0:26:36.440 --> 0:26:38.439
<v Speaker 1>you gave him two points. Now you're at thirteen, right

0:26:39.080 --> 0:26:40.680
<v Speaker 1>a point over to help you the line. Then you're

0:26:40.680 --> 0:26:43.159
<v Speaker 1>at fucking twelve, and then that shit go down. You're like,

0:26:43.200 --> 0:26:44.920
<v Speaker 1>look at you at ten points, and it's like, now

0:26:44.960 --> 0:26:47.320
<v Speaker 1>all the money coming out of this ten points? What

0:26:47.440 --> 0:26:50.280
<v Speaker 1>the fuck I thought I had fifteen points? That should

0:26:50.320 --> 0:26:52.400
<v Speaker 1>be crazy, Bro'd be like that shit get tricky. That's

0:26:52.440 --> 0:26:54.320
<v Speaker 1>why like when the artists take those big advances, like

0:26:54.359 --> 0:26:56.359
<v Speaker 1>they really should try to make them last because you

0:26:56.400 --> 0:26:57.720
<v Speaker 1>have no ida, Like you know what I'm saying, Like,

0:26:57.720 --> 0:26:59.680
<v Speaker 1>they don't tell you about none of that shit. Right's

0:27:00.119 --> 0:27:02.160
<v Speaker 1>fucking broke. You don't got nobody around you that got

0:27:02.160 --> 0:27:04.680
<v Speaker 1>no money neither. So you're the only nigga with money

0:27:04.680 --> 0:27:07.520
<v Speaker 1>anybody looking at you. Now, let's it'd be crazy, like damn,

0:27:07.920 --> 0:27:10.240
<v Speaker 1>I don't even got no money. Money literacy, Like I

0:27:10.280 --> 0:27:11.760
<v Speaker 1>don't even know what to do with this shit right

0:27:11.800 --> 0:27:15.199
<v Speaker 1>right right right right? Money? You uh, this new project

0:27:15.200 --> 0:27:17.600
<v Speaker 1>coming out on your birthday? Who else on it on

0:27:17.640 --> 0:27:21.760
<v Speaker 1>my birthday? Doug and Little Baby. I mean, shit, it there,

0:27:21.760 --> 0:27:25.440
<v Speaker 1>it is, there, it is. That's all you I mean.

0:27:25.520 --> 0:27:27.399
<v Speaker 1>And then this project wasn't even supposed to come out.

0:27:27.400 --> 0:27:29.359
<v Speaker 1>I ain't a lot of shit. I'm forcing it right now.

0:27:29.720 --> 0:27:31.680
<v Speaker 1>I wanted to give people something at the end of

0:27:31.720 --> 0:27:34.160
<v Speaker 1>the year, like to because people been begging me for music.

0:27:34.200 --> 0:27:36.160
<v Speaker 1>I haven't dropped the album, like damn there in three years.

0:27:36.280 --> 0:27:39.280
<v Speaker 1>For me, it's like, I know, I know that I

0:27:39.320 --> 0:27:41.920
<v Speaker 1>can't just keep not dropping because Tramp starting Pop Start

0:27:42.000 --> 0:27:45.560
<v Speaker 1>was twenty nineteen. Yeah yeah, yeah, hell yeah yeah. I

0:27:45.560 --> 0:27:47.520
<v Speaker 1>mean we were not to be in twenty twenty two. Shit,

0:27:47.960 --> 0:27:50.399
<v Speaker 1>that's some real shit. So it was like, I like,

0:27:50.960 --> 0:27:53.199
<v Speaker 1>get y'all a gift my birthday. For my birthday, I'm

0:27:53.200 --> 0:27:55.240
<v Speaker 1>gonna get yall gift for me. I'm gonna get y'all

0:27:56.320 --> 0:27:59.200
<v Speaker 1>six smashes that I've been having. It's going if these

0:27:59.240 --> 0:28:01.119
<v Speaker 1>songs was gonna go on my album, to be honest,

0:28:01.600 --> 0:28:03.600
<v Speaker 1>but I want to give like a preview to the

0:28:03.640 --> 0:28:06.639
<v Speaker 1>album for me. So whatever songs take off on this,

0:28:06.680 --> 0:28:09.080
<v Speaker 1>they're gonna definitely be on the album. They don't for me,

0:28:09.480 --> 0:28:11.520
<v Speaker 1>I put some no shit on there for me, but

0:28:11.640 --> 0:28:13.080
<v Speaker 1>I just wanted to get some to my fans. This

0:28:13.119 --> 0:28:14.800
<v Speaker 1>is called to get you through the rain, to really

0:28:14.840 --> 0:28:16.120
<v Speaker 1>get you all through the rain. I know y'all tired

0:28:16.160 --> 0:28:17.840
<v Speaker 1>to hear all these little p and b's. Y'll been

0:28:17.840 --> 0:28:20.480
<v Speaker 1>begging me for shit, go a little six people. The

0:28:20.520 --> 0:28:23.280
<v Speaker 1>little p and B's is out here, no kidzy, he

0:28:23.440 --> 0:28:25.840
<v Speaker 1>definitely out there. I be peeping you feel me, love

0:28:25.960 --> 0:28:28.640
<v Speaker 1>my fuck with because I understand him. But some of them,

0:28:28.640 --> 0:28:30.959
<v Speaker 1>it's like you just totally taking the whole nigga sounds

0:28:30.960 --> 0:28:33.040
<v Speaker 1>like bru, she ain't gonna work. I do feel like

0:28:33.359 --> 0:28:35.480
<v Speaker 1>you didn't you and Rod Wave have a little weird

0:28:35.520 --> 0:28:38.160
<v Speaker 1>moment online. Oh my god, we definitely had a little

0:28:38.160 --> 0:28:40.840
<v Speaker 1>weird moment. I was trying to like I hit him

0:28:40.920 --> 0:28:42.680
<v Speaker 1>up a few times or I'm like, yo, I'm fucking

0:28:42.720 --> 0:28:45.200
<v Speaker 1>with your ship. You feel me, like right on his

0:28:45.240 --> 0:28:48.640
<v Speaker 1>page type shit DM them he I guess he ain't

0:28:48.640 --> 0:28:52.040
<v Speaker 1>see it. You feel me? But then I like posted

0:28:52.080 --> 0:28:54.000
<v Speaker 1>like a little video of me like singing with his

0:28:54.080 --> 0:28:56.080
<v Speaker 1>songs and shit, that shit kind of enviral. Like I

0:28:56.120 --> 0:28:58.600
<v Speaker 1>took that ship down though, because I was frolm like

0:28:58.600 --> 0:29:01.000
<v Speaker 1>like I was just doing some like doing too much?

0:29:01.080 --> 0:29:02.960
<v Speaker 1>You feel me like this? Niggain't really like fucking with

0:29:02.960 --> 0:29:05.760
<v Speaker 1>me like that. But anyway, long story, sure he had

0:29:05.800 --> 0:29:07.600
<v Speaker 1>posted some ship on there now, but he went crazy.

0:29:07.920 --> 0:29:09.480
<v Speaker 1>He was like, you don't fucking come to Florida. So

0:29:09.520 --> 0:29:11.880
<v Speaker 1>he said some wild ship. I was like Jesus Christ,

0:29:12.480 --> 0:29:15.560
<v Speaker 1>escalated quickly. So yeah, I'm like, hold up. I posted

0:29:15.560 --> 0:29:17.440
<v Speaker 1>some ship on my Instagram and said like I'm so

0:29:17.480 --> 0:29:19.280
<v Speaker 1>sick of this new type of music, like all this

0:29:19.400 --> 0:29:22.280
<v Speaker 1>said ship, y'all making me like too depressed right now?

0:29:22.320 --> 0:29:23.680
<v Speaker 1>You know what I'm saying. I want you to turn

0:29:23.680 --> 0:29:27.520
<v Speaker 1>me back up. You feel me like very general statement.

0:29:27.840 --> 0:29:30.200
<v Speaker 1>That's a general statement. Real. Yeah, I didn't say no

0:29:30.240 --> 0:29:33.440
<v Speaker 1>need talking about put address on that ship, nigga. I'm like,

0:29:33.480 --> 0:29:37.760
<v Speaker 1>hold up, bro, escalated quickly, escalator. I don't do all

0:29:37.760 --> 0:29:41.040
<v Speaker 1>of that ship my character. I d m them. You

0:29:41.080 --> 0:29:43.920
<v Speaker 1>feel me like, what's up for me? Like? What's the word?

0:29:44.480 --> 0:29:46.120
<v Speaker 1>You had some words and ship you forel me? And

0:29:46.120 --> 0:29:48.000
<v Speaker 1>then he went on the internet again and said some ship.

0:29:48.000 --> 0:29:50.320
<v Speaker 1>I'm like he must be trolling me or something like

0:29:50.400 --> 0:29:53.680
<v Speaker 1>the like we already said what we had to say already,

0:29:53.680 --> 0:29:56.320
<v Speaker 1>and you guys talk privately and m yeah, that ship

0:29:56.360 --> 0:29:58.120
<v Speaker 1>fucked my brain up. And I'm like, this nigga must

0:29:58.160 --> 0:30:00.360
<v Speaker 1>be trying to viral. I guess this is mys young

0:30:00.440 --> 0:30:03.120
<v Speaker 1>young dude shit too many, you know. I feel like,

0:30:03.160 --> 0:30:04.440
<v Speaker 1>you know, maybe at a certain point in time in

0:30:04.480 --> 0:30:06.360
<v Speaker 1>your life, you were in that mentality. You know what

0:30:06.400 --> 0:30:08.720
<v Speaker 1>I'm saying. I ain't never really think about the viral shit,

0:30:08.840 --> 0:30:10.560
<v Speaker 1>like not even that. I just mean just like I

0:30:10.560 --> 0:30:12.280
<v Speaker 1>think a lot of people when we're younger, we just

0:30:12.320 --> 0:30:16.240
<v Speaker 1>react the facts without thinking because we haven't we haven't

0:30:16.280 --> 0:30:19.280
<v Speaker 1>lived enough life to realize that's not how you know,

0:30:19.440 --> 0:30:21.240
<v Speaker 1>in the same way that you're like, man, I'm DM

0:30:21.280 --> 0:30:23.280
<v Speaker 1>someone now, you know what I'm saying, But like as

0:30:23.280 --> 0:30:26.080
<v Speaker 1>opposed to like a twenty year old kid who's barely

0:30:26.080 --> 0:30:29.840
<v Speaker 1>getting famous, I feel you just take shit went left.

0:30:30.160 --> 0:30:32.120
<v Speaker 1>It just went left, Like bro, I didn't say your name,

0:30:32.520 --> 0:30:34.480
<v Speaker 1>Like what the fuck are we talking about? Like who

0:30:34.520 --> 0:30:36.480
<v Speaker 1>are some artists that you are fans of what they're

0:30:36.480 --> 0:30:38.360
<v Speaker 1>doing right now that are younger, that are kind of

0:30:38.640 --> 0:30:40.720
<v Speaker 1>you know, on the come up right now? Because I

0:30:40.760 --> 0:30:42.120
<v Speaker 1>do feel like you have your ear to the street

0:30:42.120 --> 0:30:43.960
<v Speaker 1>and you have a great year. Oh yeah, I'll be

0:30:43.960 --> 0:30:45.600
<v Speaker 1>fucking with all the kids. I got a couple of

0:30:45.600 --> 0:30:47.840
<v Speaker 1>my own artists'mnna name some of them. First. Fuck with

0:30:47.840 --> 0:30:50.360
<v Speaker 1>his nigga name Mama Sinko, he from Philly, He go crazy.

0:30:50.680 --> 0:30:53.640
<v Speaker 1>Leaf Ward, he from Philly, he go crazy. I got

0:30:53.640 --> 0:30:56.600
<v Speaker 1>some kid named Tennis from New Jersey. He going crazy.

0:30:57.240 --> 0:30:58.560
<v Speaker 1>I got a whole bunch of art. I ain't gonna

0:30:58.600 --> 0:31:00.000
<v Speaker 1>keep naming my artists, but some of his new art

0:31:00.120 --> 0:31:02.320
<v Speaker 1>just that you're probably gonna be familiar with real soon.

0:31:02.920 --> 0:31:05.840
<v Speaker 1>With Jumble named baby Santana. He fucked with Little techas

0:31:05.840 --> 0:31:08.560
<v Speaker 1>like one of Little Tech artists. Fuck with Autumn. His

0:31:08.680 --> 0:31:11.320
<v Speaker 1>name is Autumn. He going crazy crazy right now. I

0:31:11.360 --> 0:31:13.040
<v Speaker 1>just went to the show. One of his shoulder, that

0:31:13.120 --> 0:31:14.760
<v Speaker 1>nigga at this ship like he looked like one of

0:31:14.800 --> 0:31:19.680
<v Speaker 1>us already. I fuck with I'm so Fago with a

0:31:19.680 --> 0:31:22.400
<v Speaker 1>whole bunch of young It's an artist name, I'm so Fago.

0:31:23.120 --> 0:31:24.440
<v Speaker 1>Is he a juggler? I don't know that. I think

0:31:24.440 --> 0:31:27.840
<v Speaker 1>I just said his Instagram name. I think I think

0:31:27.880 --> 0:31:33.360
<v Speaker 1>a ICP. I think an insane clown posse. I'll be forgetting.

0:31:33.360 --> 0:31:36.480
<v Speaker 1>People used Fago for for lean and ship definitely drink

0:31:36.520 --> 0:31:39.120
<v Speaker 1>so when I was a kid FAGO was associated with

0:31:39.160 --> 0:31:41.160
<v Speaker 1>the Insane Clown Posse and they used to shoot two

0:31:41.200 --> 0:31:43.480
<v Speaker 1>leaders of FAO into the crowd. It was great. It

0:31:43.600 --> 0:31:46.920
<v Speaker 1>was like a fucking white trash, fucking super show, lots

0:31:46.960 --> 0:31:49.800
<v Speaker 1>of mountain dew, Fago cargo shorts and bo I never

0:31:49.800 --> 0:31:51.640
<v Speaker 1>even knew what FAGO was, and so I came out here.

0:31:52.040 --> 0:31:55.880
<v Speaker 1>Really it's a Detroit soda company. They're based in Detroit.

0:31:56.160 --> 0:31:58.640
<v Speaker 1>It's crazy, Yo, it's great. You know you and I,

0:31:58.720 --> 0:32:01.200
<v Speaker 1>like I said the last time, I really well, I've

0:32:01.240 --> 0:32:03.440
<v Speaker 1>seen you a few times. But when I when I

0:32:03.480 --> 0:32:06.520
<v Speaker 1>put up on on you and Young Blue working at

0:32:06.560 --> 0:32:09.600
<v Speaker 1>the crib. Young Blue someone you know who's been doing

0:32:09.600 --> 0:32:11.560
<v Speaker 1>his sting for some years, but it's finally kind of

0:32:11.880 --> 0:32:16.720
<v Speaker 1>cut through. Also kind of coming from that same background

0:32:16.800 --> 0:32:20.600
<v Speaker 1>of blurring the lines between the street soul ship. I guess,

0:32:21.200 --> 0:32:23.080
<v Speaker 1>how dope is it to see someone like him, you know,

0:32:23.200 --> 0:32:25.240
<v Speaker 1>like I feel like Blues on a run right now.

0:32:25.280 --> 0:32:28.560
<v Speaker 1>And I told him when I first first started seeing it,

0:32:28.560 --> 0:32:31.560
<v Speaker 1>I hit him up like starting to People don't realize

0:32:31.720 --> 0:32:33.080
<v Speaker 1>he's not really a new artist. He's been doing a

0:32:33.120 --> 0:32:36.040
<v Speaker 1>sting for five six years. He got a fan base

0:32:36.040 --> 0:32:38.600
<v Speaker 1>that they've been rocking on his ship. He's been having

0:32:38.600 --> 0:32:41.720
<v Speaker 1>millions and millions of stream hundred percent being had plaques

0:32:41.760 --> 0:32:46.320
<v Speaker 1>to independently on some ship. So for me to see him,

0:32:46.320 --> 0:32:48.400
<v Speaker 1>it's just like give me like hope I can still

0:32:48.440 --> 0:32:50.719
<v Speaker 1>catch my second man. You got it, Bro, It's just

0:32:50.880 --> 0:32:53.240
<v Speaker 1>you just gotta drop, just keep dropping. I'm definitely about

0:32:53.240 --> 0:32:54.840
<v Speaker 1>to start dropping. That's why my whole plane right now

0:32:54.960 --> 0:32:59.000
<v Speaker 1>to just flood the flood the market, bro, one hundred percent.

0:32:59.400 --> 0:33:01.600
<v Speaker 1>Look the first the first of that is coming. It's

0:33:01.640 --> 0:33:03.320
<v Speaker 1>gonna be out your birth by the time this comes out,

0:33:03.400 --> 0:33:06.440
<v Speaker 1>it'll be out. So go run that ship up. We'll

0:33:06.520 --> 0:33:08.560
<v Speaker 1>run that ship up to get you through the ring.

0:33:08.640 --> 0:33:10.160
<v Speaker 1>I mean, I'm fired right now, and I got some

0:33:10.240 --> 0:33:12.040
<v Speaker 1>more shit coming after that, and some more shit coming

0:33:12.080 --> 0:33:13.800
<v Speaker 1>after that, and there's some more shit coming after day.

0:33:14.360 --> 0:33:16.200
<v Speaker 1>There it is, man, all right, Yo. Shout out to

0:33:16.240 --> 0:33:17.520
<v Speaker 1>my guy p and b Rock for pulling up. You

0:33:17.520 --> 0:33:19.040
<v Speaker 1>already know it's the Blue Leg Cap Podcast. B