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Speaker 1: Hello the Internet, and welcome to Season one, eight three,

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Speaker 1: Episode three of the coction of My Heart Radio. This

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Speaker 1: is a podcast where we take a deep dive into

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Speaker 1: Americas shared consciousness. It's Wednesday, May five. My name is

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Speaker 1: Jack O'Brien a K. I'm all out of Blast. I'm

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Speaker 1: so lost without do I drink it so much? My

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Speaker 1: p has now turned blue. That is courtesy of at

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Speaker 1: resident underscore Eegle with little classic Baha Blast humor, and

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Speaker 1: I'm thrilled to be joined as always by my co

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Speaker 1: host Mr Miles. Right, don't be stupid, Get the vaccine,

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Speaker 1: Get the vaccine, Get the vaccine, Get the vaccine. I

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Speaker 1: wanna eat corn publicly, but the less you get the vaccine. Um,

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Speaker 1: that's just for me because I was just thinking about

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Speaker 1: that song that was that dance hit call on Me,

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Speaker 1: Call on Me, and I do want to eat I

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Speaker 1: really again. This has been a consistent dream of mine.

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Speaker 1: I just I'm waiting for that day I could eat

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Speaker 1: corn on the cob mask off in the crowd. That's

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Speaker 1: so free, baby, Is there any particular corn on the

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Speaker 1: cop like just like that comes out of a pot

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Speaker 1: of boiling pot. Are you talking about like some of

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Speaker 1: that good Mexican street corn. I'm in my mind, I'm

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Speaker 1: out of fair, you know what I mean. So whatever

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Speaker 1: is there, whatever they're cooking up there, But yeah, kind

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Speaker 1: of petitive is just something. I was like, Oh, look

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Speaker 1: at this, oh ship. They got the loote where the

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Speaker 1: crushed up talkies on it. Okay, I get that home. Okay, Well, Miles,

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Speaker 1: we are thrilled to be joined in our third seat

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Speaker 1: by a fucking legend. He a the hilarious, the talented,

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Speaker 1: the brilliant Brett wine By. Thanks for having me. I

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Speaker 1: wish I had had a song. Um sort of planned

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Speaker 1: to do a parody lyrics to, you know, in relation

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Speaker 1: to something. But you know what did come to mind

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Speaker 1: when you were talking about a Lotte was I've been

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Speaker 1: ordering food a lot during the quarantine, and I've been

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Speaker 1: sort of exploring options that I normally wouldn't really explore,

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Speaker 1: just to change things up. And I ordered from California

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Speaker 1: Pizza Kitchen a couple of times, and they actually have

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Speaker 1: really good a loote that they have that they sell. Yeah,

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Speaker 1: I mean I liked it. I don't know, maybe as

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Speaker 1: a connoisseur you might think it's not so good. I'm

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Speaker 1: not gonna say it, but yeah, I'll have some of

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Speaker 1: the homies check it out. If they're like, oh, this

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Speaker 1: is some then I'll be like, okay, but has people

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Speaker 1: for that to test out his lote? Well, you know,

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Speaker 1: I just I'm very insecure, you know, so I want

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Speaker 1: to make sure it's the real Yeah, I mean, you

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Speaker 1: know what, I don't even know. I'm trying to even remember.

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Speaker 1: If you actually come to think of it, maybe it's

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Speaker 1: not even properly. I might be confusing it with a

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Speaker 1: different place. I did order a Lotte from but it's

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Speaker 1: a corn salsa of sorts that I thought this is

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Speaker 1: actually pretty it's a white corn sausa actually, and I

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Speaker 1: thought this is actually pretty good, and um, and then

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Speaker 1: I was thinking to myself that California Pizza Kitten, if

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Speaker 1: I was gonna sing along to sing a sing that

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Speaker 1: as a parody song, it would work for a Red

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Speaker 1: Hot Chili Peppers song, probably, you know, so something like

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Speaker 1: you know, Alafna Pizza Kids. I'm surprised they haven't done

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Speaker 1: that yet. In fact, wow, so I just has. And

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Speaker 1: then I mean, you know, there's got to be some

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Speaker 1: hit pizzas from c p K with Peppers on them

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Speaker 1: right that this could be a whole way. I think

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Speaker 1: that that should be that's the future for red hot

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Speaker 1: chili peppers, I mean ads for uma or is it

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Speaker 1: exactly on time for where their career is. You know

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Speaker 1: that this might be the moment, like that's the next

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Speaker 1: thing we see from from when I gotta gotta get it,

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Speaker 1: put it in you, and it's the tie. Pizza is

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Speaker 1: the thing that they gotta get and put in I

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Speaker 1: gotta get to put it in you, the tie Barbara

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Speaker 1: Barbara Q yeah, or something like Casey became now Casey,

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Speaker 1: Casey came now Wow. The whole catalog Yeah, hell whatever

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Speaker 1: that mean? CP thek so California, the pizza California, the

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Speaker 1: pizza kitchen, you know, pizza the kitchen, Yes, the California,

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Speaker 1: California Pizza the kitchen, which is what the real heads

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Speaker 1: call it California. That kind of works too, because California

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Speaker 1: Pizza the kitchen. Yeah ship, I mean we all refer

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Speaker 1: to it as the kitchen when we're telling our friends

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Speaker 1: where to meet us after exactly k yeah, yeah, Brad,

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Speaker 1: maybe at the kitch. Take me to the place, take

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Speaker 1: me to p k oh No, this could be uh,

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Speaker 1: the entire podcast. Well, once you guys were both singing

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Speaker 1: song in these songs, I thought, what do I what

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Speaker 1: are I thinking about? Oh? What about? And then you

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Speaker 1: mentioned corn? I thought about the corn that I got

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Speaker 1: from the name thing, and I thought, oh yeah, look

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Speaker 1: the future of Brent huh Pepper's career. So it sounds

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Speaker 1: like you've been having a real quarantine, uh quarantine quarantine. Cool.

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Speaker 1: All right, Brent, We're gonna get to know you a

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Speaker 1: little bit better in a moment. But first we are

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Speaker 1: going to tell our listeners just a couple of the

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Speaker 1: things we're talking about today. We're talking about the Big

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Speaker 1: Lie what that means. Now, we are going to talk

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Speaker 1: about James o'keith and his new music video. We're gonna

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Speaker 1: talk about Bagel Bites getting suited, um, all of that

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Speaker 1: plenty more. But first, Brent, we like to ask our

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Speaker 1: what is something from your search history that's revealing about

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Speaker 1: who you are? I mean, there's let's see, I let

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Speaker 1: me see. I mean, because sometimes it's just like addresses

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Speaker 1: and that's kind of boring, you know, just like looking

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Speaker 1: at addresses. Okay, well, here's something that I looked up

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Speaker 1: like this is probably one of the most recent non

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Speaker 1: kind of just I don't know non addresses. I guess

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Speaker 1: is um Dave Cause No. Two on O so um.

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Speaker 1: I had seen this already in the past, but I

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Speaker 1: was thinking about it recently. And you guys probably don't

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Speaker 1: know who Dave Causes or do you know? Dave Causes

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Speaker 1: a smooth jazz saxophonist and his hit track is called

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Speaker 1: You Make Me Smile or something like that, something about smile.

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Speaker 1: I think you make you Smile. And there's an episode

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Speaker 1: of Beverly Hills Ninos two know where they on Kelly's

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Speaker 1: twenty one birthday. I didn't watch the show, but I

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Speaker 1: somebody brought this to my attention, and it's so funny.

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Speaker 1: They go to this Dave Cause concert for her birthday

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Speaker 1: and these kids are twenty you know, they're supposed to

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Speaker 1: be twenty one, right whatever, and they're going to the

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Speaker 1: smooth jazz content. Now looks when I was in high school,

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Speaker 1: I liked smooth jazz myself, but I was an anomaly.

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Speaker 1: You know. They're all into it, including Brian Auston Green's character,

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Speaker 1: and you know who was I think probably into hip

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Speaker 1: hop at the time. But they're all at this concert

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Speaker 1: and Dave causes. It's first of all, he's wearing these huge,

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Speaker 1: puffed out pants, they look like hammer pants. And he's

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Speaker 1: wearing this vest it looks kind of like a genie,

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Speaker 1: you know, almost uh, and a smooth jazz genie. And

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Speaker 1: he's playing the saxophone a kind of doing these funny

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Speaker 1: kind of dance moves as he's playing the saxophone. And

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Speaker 1: it's just funny to see all these young people at

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Speaker 1: this show as if they would be into this, and

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Speaker 1: you know, and they're all in their early twenties and

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Speaker 1: they're all kind of you know, they're nodding their head

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Speaker 1: to it, and they're into it, and it's just I'm

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Speaker 1: just wondering who, which which producer was a smooth jazz

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Speaker 1: fan and this was being an accurate thing for kids

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Speaker 1: to go to this detuitous I'm just watching this scene

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Speaker 1: on mute and like it's like one of those things

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Speaker 1: where like in a movie where they somehow just just

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Speaker 1: brute force inserted like a music performance like this is

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Speaker 1: sucking up the whole firm right now. But apparently y'all

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Speaker 1: signed some funked up contract which made you had someone

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Speaker 1: had to sing a ballot right, but ballot right, now,

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Speaker 1: but it's like a two minute and they're just showing

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Speaker 1: like the people on all the instruments jamming, you're slapping

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Speaker 1: on bass, and then like yeah, the young kids are like, man,

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Speaker 1: this is that sound? Right? He's so funny because they

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Speaker 1: would never be at that show. I mean, and you know,

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Speaker 1: I mean, I don't know. I mean, look like I said,

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Speaker 1: I'm in a smooth jah. I was always in a

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Speaker 1: smooth jazz. But that's that's you know, these kids are not.

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Speaker 1: They weren't like me. You know, Bryan Austin Green, I

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Speaker 1: will give him credit. He does look a little bit

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Speaker 1: checked out. I don't know, look at him. He gets

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Speaker 1: back into it though he games checked out a person.

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Speaker 1: Then he's then he starts, he's right back, like you

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Speaker 1: think he got inspired or something for a second in

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Speaker 1: his but then he gets back and he's just like

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Speaker 1: oh yeah. The only one he does maybe seem not

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Speaker 1: as into it as Dylan is. He's maybe not into it.

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Speaker 1: And then Jason Priestley is kind of looking at Kelly,

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Speaker 1: looking at her thinking, so do you like this or like,

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Speaker 1: you know, she's licking her lips looking at this. I mean,

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Speaker 1: it's fucking hots must have been friends with Dave Coz

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Speaker 1: or something, right. I mean, that's such a such a

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Speaker 1: thing that happens and shows about teenagers that are clearly

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Speaker 1: written by you know, people in their forties. Their taste

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Speaker 1: and culture is always very strange. I mean, imagine though,

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Speaker 1: an alternate reality where smooth jazz was the dominant, most

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Speaker 1: popular kind of music, you know, and you know what

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Speaker 1: I mean for for young people. It would be interesting

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Speaker 1: imagine if that was only a young person saying in fact,

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Speaker 1: you know, fights in high school. You know, we're like, oh,

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Speaker 1: you're bumping that new Pat Metheny album. Maybe different kind

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Speaker 1: of fights, yeah, you know, yeah, yeah, much more expressive.

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Speaker 1: I do wonder if Dylan was because Dylan was, you know,

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Speaker 1: in his late thirties playing a you know, nineteen year

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Speaker 1: old what like was he pretending? Was he the only

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Speaker 1: one that was checked out? Because he was like aware

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Speaker 1: of that and like, yeah, I didn't want people to

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Speaker 1: like couldn't couldn't be too into it or else it

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Speaker 1: would like reveal his forty five year old heart. He's

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Speaker 1: kind of trying to be like a narc, but I

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Speaker 1: mean he's not. He is a narc, and he's trying

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Speaker 1: to not reveal that he's a narc within the world

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Speaker 1: of of the show or whatever. So he's he's over

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Speaker 1: there kind of just maybe like really restraining himself from

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Speaker 1: like really grooving to it, you know, and but he's like,

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Speaker 1: if I get into this too much, I'm gonna seem

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Speaker 1: too young. Yeah, because still out here doing it. So yeah,

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Speaker 1: I know. I thought so that was something. I mean,

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Speaker 1: I've seen that already, but I was thinking of out

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Speaker 1: it recently and I thought, what's up with that? I

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Speaker 1: want to watch that clip again. I want to see

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Speaker 1: I want to know. Also, why does anybody talk about

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Speaker 1: this too? Does anyone? I was wondering if anybody was

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Speaker 1: noticed that, and thought that was weird, you know, because

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Speaker 1: like you look at the like on the YouTube video

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Speaker 1: of it, there's two comments. One is someone just being

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Speaker 1: like talking about the storyline from nine O two one

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Speaker 1: oh um, and then another person says, wow, Dave plays

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Speaker 1: alto saxophone but outcomes a nice soprano saxophone. About that though,

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Speaker 1: because I was looking at I think I saw that

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Speaker 1: comment too about this also it looks like an alto. Yeah,

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Speaker 1: I was looking at that too. I said that that's

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Speaker 1: not a soprano, it's it's much bigger. But hey, you

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Speaker 1: know what, whatever, and I don't I have a feeling

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Speaker 1: that when you have a band playing as themselves, the

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Speaker 1: musician will probably bring his own instrument because it's like

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Speaker 1: a very fancy silver saxophone. Dave. That's what Kenny g plays, right,

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Speaker 1: he plays soprano saxophone. Yeah. I'm trying to think of

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Speaker 1: like other examples where the age of the producers was

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Speaker 1: like kind of sublimated onto the young characters. And I'm

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Speaker 1: in congress with like what, yeah, completely like the fact

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Speaker 1: that the like five to nine year olds in Full

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Speaker 1: House were really into the beach Boys. Uh, Like it

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Speaker 1: was clearly just like a John Stamos and the producers

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Speaker 1: like uh pipe dream. Yeah. Yeah, what are some other

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Speaker 1: examples of that? I wonder what the Yeah, that's kind

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Speaker 1: of a funny thing too. That's a funny subject, you know,

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Speaker 1: like people being into stuff that they shouldn't be into. Yeah,

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Speaker 1: you know, like early seasons of Buffy the Vampire Slayer.

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Speaker 1: Some of the way that students talk, they talk like

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Speaker 1: they're from the seventies suddenly, And I know it's like

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Speaker 1: slightly campy, but this sounds like some old white dude

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Speaker 1: just wrote all this dialogue for this young teen girl.

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Speaker 1: But it seems like the slang was probably the time,

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Speaker 1: like the thing that I most like tune into. I'm like,

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Speaker 1: you know, nobody talks like that at that age, but

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Speaker 1: I don't know. Also, you know, there was a show

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Speaker 1: I never watched. The show was kind of after my time,

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Speaker 1: but my brother my little brothers watched the show on

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Speaker 1: Nickelodeon called Hey Arnold and it wasn't you know, show

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Speaker 1: for kids, I guess, but there was jazz and that

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Speaker 1: I think smooth jazz. In fact, I think there's smooth

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Speaker 1: jazz in that too. I think people are gonna like

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Speaker 1: in the way that Marlon Brando character, uh not not

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Speaker 1: the one from The Godfather was like a lesser known

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Speaker 1: mob movie, but he invented the way that mobsters dressed.

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Speaker 1: Like there's gonna be a future world where kids all

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Speaker 1: listen to that because they think that that's what kids

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Speaker 1: used to listen to, even though it was completely made

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Speaker 1: up for this right by like forty something uh TV

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Speaker 1: producers in the early nineties. What is something you think

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Speaker 1: is overrated? Right? I would say that the word literally

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Speaker 1: is overrated, and no offense to anybody if any of

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Speaker 1: you say that um word. But it's a word that

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Speaker 1: gets overused. It gets used way more than it should,

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Speaker 1: and it to the point where I kind of think

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Speaker 1: that the word needs to go completely, even if it's

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Speaker 1: used appropriately. And again, no offense to anybody who uses it.

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Speaker 1: But the reason it's an overrated word is because it's

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Speaker 1: used now to as to emphasize things in a way

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Speaker 1: that makes it's sort of this way that it sounds

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Speaker 1: like people trying to make something sound more important or

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Speaker 1: interesting than it actually is. And so it kind of

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Speaker 1: whatever they're talking about becomes overrated because of using the

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Speaker 1: word literally and and so yeah, it just sort of

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Speaker 1: sounds pretentious. I guess it's overrated. Literally, let's get and

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Speaker 1: I'm saying abolish it. Let's abolish the word. Yeah, one

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Speaker 1: of those words that like, yeah, I remember once like

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Speaker 1: some older person was like did that literally happen? And

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Speaker 1: like I got real self conscious. I remember me like

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Speaker 1: a fuck use that right. And I didn't like getting

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Speaker 1: like pooned by some old person. So I was just like,

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Speaker 1: I'll use it like very scamp. But I still like

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Speaker 1: to use it from time to time. But that was

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Speaker 1: my first introduction to being like fuck, well I'm saying

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Speaker 1: even if it's not, it's now used even okay, so

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Speaker 1: sometimes people use it to mean figuratively, but then sometimes

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Speaker 1: it's used. Now it's just used all the time, even

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Speaker 1: not they use it in a way that it's not

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Speaker 1: wrong to use it, but it's just used so much

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Speaker 1: that it there's no meaning, has no meaning anymore. It's

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Speaker 1: like a word like or something like that. And it's

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Speaker 1: just But also, like I said, it's sort of like

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Speaker 1: this emphasis word that it just makes it sound like

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Speaker 1: what they're about to say, they're that they're saying is

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Speaker 1: more important, just this way to make try to make

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Speaker 1: things sound more important. But it's not though, you know,

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Speaker 1: and you know it makes me cringe when I I

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Speaker 1: used it at one point before it became really popular

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Speaker 1: in the last several years, and um, I used it

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Speaker 1: in cases where um, sorry, that's they're doing something outside there. Yeah,

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Speaker 1: oh that's your hammerd okay, and no it'll it'll it

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Speaker 1: sounds like the ice blocks, uh, setting on the cassio

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Speaker 1: keyboard to me through the ice block sound. Oh that's cool.

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Speaker 1: It's like yeah, anyway, it's just I used it in

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Speaker 1: the context of where I was trying to differentiate between

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Speaker 1: something that might be taken figuratively, but then you know,

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Speaker 1: you're kind of saying, oh, it's actually really this. But

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Speaker 1: now when I hear of recordings of that, and it

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Speaker 1: makes me cringe, and I think, I don't I wish

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Speaker 1: I never. I mean, it's back, it's back overfore it

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Speaker 1: had become yeah, but now it's it's become so widespread

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Speaker 1: it's almost it's actually more contagious and infectious than coronavirus.

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Speaker 1: I feel like, is that because problems? Yeah, I had

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Speaker 1: a bigger, bigger issue, you know. I wish they when

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Speaker 1: they got start coming up with a vaccine for the

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Speaker 1: word literally because people they get addicted to using it

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Speaker 1: and they use it all the time, and people who

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Speaker 1: didn't even use it a few years ago are using

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Speaker 1: it now all the time. And I think it's just

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Speaker 1: I think it's just like the non swearing version of

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Speaker 1: just saying fucking yeah, fucking like yeah, a literal asshole,

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Speaker 1: fucking hate this. I literally hate this thing, like you

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Speaker 1: know what I mean. I think it's sucking for cowards.

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Speaker 1: I think sometimes people start with it too, they'll say,

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Speaker 1: you know, it doesn't even you know, it's just they'll say, literally,

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Speaker 1: why is this doing this or whatever that it just

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Speaker 1: they use it in these fucking you know. Look, granted,

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Speaker 1: I have been tried to become accepting of the way

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Speaker 1: that well, this is just how language evolves and people,

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Speaker 1: you know, this is just what people are doing. But

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Speaker 1: at the same time, let's just cut it, you know,

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Speaker 1: it's just cut it. Yeah, when it becomes reflective, it's

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Speaker 1: probably time to try to replace it with something more

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Speaker 1: expressive and creative. Yeah, let whatever you're talking about speak

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Speaker 1: for itself, right, you know, like, let the importance of

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Speaker 1: it speak for itself. And if it's not, then you know,

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Speaker 1: do that work with your body language. A lot of

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Speaker 1: heavy pointing on the table and from it, eyes wide

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Speaker 1: open maybe. But it is this thing that kind of

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Speaker 1: makes things sound overrated. So it's kind of related to

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Speaker 1: overratedness and that it's it's an overrat. Wow. So you

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Speaker 1: hear it it immediately like it it doesn't get through

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Speaker 1: your filter because you're like it was it was launched

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Speaker 1: with literally literal and now I realized it might not

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Speaker 1: be that severe, right, it might not. It might be overrated.

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Speaker 1: Whatever they're saying, it's an overrat, right, be weary when

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Speaker 1: people do like, it's literally the best show you've ever

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Speaker 1: seen literally ago that it becomes so so that does

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Speaker 1: sound like the kind of suggestion I wouldn't take. They're like, oh,

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Speaker 1: you don't like that band, They're literally the best band

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Speaker 1: right now. I'm like, well, I don't know about that anyway,

335
00:18:48,280 --> 00:18:52,399
Speaker 1: but what and that's a little too aggressive any any

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Speaker 1: statement that starts with literally like question mark and then

337
00:18:56,160 --> 00:18:59,440
Speaker 1: they say the thing that right, Yeah, I had somebody

338
00:18:59,480 --> 00:19:01,960
Speaker 1: say about like homies, like, yo, this is literally like

339
00:19:02,000 --> 00:19:04,840
Speaker 1: the this fucking pre roll blah blah blah, And I

340
00:19:04,880 --> 00:19:09,159
Speaker 1: was and it wasn't, but it was only subjectively. But

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00:19:09,600 --> 00:19:11,680
Speaker 1: if people started saying figuratively though, too, that would be

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Speaker 1: kind of interesting. Just spend on it, you know, like, well, figuratively,

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Speaker 1: that's the best thing I've ever seen in my life.

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Speaker 1: It's the best it's the best corn I've ever had

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Speaker 1: in my life. Figured it's the best white corn and

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Speaker 1: blue corn ships I've ever seen I've ever tasted and

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Speaker 1: seeing and tasted. M hmm. Figuratively, figure what is the

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Speaker 1: what's something you think is underrated? A lot of underrated stuff,

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Speaker 1: you know, but probably uh. Video game music from the

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Speaker 1: the third and fourth generation of video games. So mainly

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Speaker 1: like the sort of mid to late eighties to early

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Speaker 1: nineties to sort of touching on the mid nineties a

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Speaker 1: little bit. But yeah, video game music no beat before

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Speaker 1: sixteen max sixteen bit max. Yeah, so we're talking just

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Speaker 1: Super Anti Genesis and also Nintendo and Sega Master System.

356
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Speaker 1: You know, Um, some of the greatest figuratively the greatest

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Speaker 1: compositions ever composed. Now, um, some of the greatest compositions

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Speaker 1: ever composed our pieces of video game music, and so

359
00:20:15,480 --> 00:20:17,720
Speaker 1: with okay, so that's already kind of underrated. And then

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00:20:17,800 --> 00:20:21,280
Speaker 1: within that sort of world, maybe one of the most

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Speaker 1: underrated composers is Junko to Mia, who did the music

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Speaker 1: to gun Smoke It's True Fighters two thousand ten and

363
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Speaker 1: Bionic Commando for Nintendo and Little Nemo the dream Master

364
00:20:34,160 --> 00:20:41,960
Speaker 1: and Strider for Genesis and Arcade, and um, she's just brilliant. Yeah,

365
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Speaker 1: she's one of the best. Her, I mean, the whole

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Speaker 1: sound team. Actually I want to make a show out

367
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Speaker 1: of this, actually, but it's just there's the whole sound

368
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Speaker 1: team in the late eighties at Capcom where they were

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Speaker 1: all women in their early to mid twenties, and um,

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Speaker 1: they were responsible for. Were so many soundtracks that you

371
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Speaker 1: that if you're around my age, you were ingrained into

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Speaker 1: your psyche. And like the music to Mega Man, the

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00:21:09,640 --> 00:21:12,080
Speaker 1: original Mega Man was by one of these women at

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Speaker 1: Capcom and street Fighter too Roman, you know, out of

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Speaker 1: respect Rockman exactly, Yeah, yeah, exactly, rock Man. By the way,

376
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Speaker 1: you know why that was called rock Man, it was

377
00:21:23,000 --> 00:21:25,480
Speaker 1: because there's two reasons. One, it was supposed to be

378
00:21:25,600 --> 00:21:28,680
Speaker 1: kind of like rock music, you know, like he's he's

379
00:21:28,800 --> 00:21:31,600
Speaker 1: he's like rock music because um, his sister's name is

380
00:21:31,760 --> 00:21:34,040
Speaker 1: Roll and so it's like rock and roll. And then

381
00:21:34,600 --> 00:21:37,200
Speaker 1: he had this also sort of brother named Proto Man,

382
00:21:37,280 --> 00:21:39,960
Speaker 1: but in Japan he was called blues Man. So there

383
00:21:40,000 --> 00:21:42,040
Speaker 1: was these genres of music were kind of involved in

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00:21:42,080 --> 00:21:45,359
Speaker 1: the in the in the game. But also because the

385
00:21:45,400 --> 00:21:47,320
Speaker 1: way that when this is sorry, this is a getting

386
00:21:47,400 --> 00:21:51,080
Speaker 1: so specific. I know this is not Japanese, so we

387
00:21:51,119 --> 00:21:53,240
Speaker 1: can go there. You can edit this out if you want,

388
00:21:53,280 --> 00:21:56,280
Speaker 1: but it's the way that the game works is you

389
00:21:56,440 --> 00:21:58,199
Speaker 1: when you beat a boss, you get their power, and

390
00:21:58,240 --> 00:22:00,159
Speaker 1: then you can use that power against other boss and

391
00:22:00,200 --> 00:22:02,840
Speaker 1: beat the boss really easily. And it's kind of like

392
00:22:02,840 --> 00:22:05,520
Speaker 1: playing rock scissors paper where you you know, in the

393
00:22:05,560 --> 00:22:07,920
Speaker 1: original one, there's a scissors kind of guy named Cutman,

394
00:22:08,080 --> 00:22:10,840
Speaker 1: and you can use that power against something else. And

395
00:22:10,920 --> 00:22:13,840
Speaker 1: there's another guy who kind of resembles actually Rocks. It's

396
00:22:13,840 --> 00:22:16,520
Speaker 1: guts Man, and you can use his power against scissors.

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00:22:16,560 --> 00:22:18,680
Speaker 1: It will beat scissors and so forth. But there's actually

398
00:22:18,720 --> 00:22:20,800
Speaker 1: six different things, and so you want to know which

399
00:22:20,840 --> 00:22:24,399
Speaker 1: power will beat another boss easily. So rock scissors paper.

400
00:22:24,920 --> 00:22:27,120
Speaker 1: That concept was part of it, and that's why he's

401
00:22:27,160 --> 00:22:31,760
Speaker 1: also cut rock Man. Yeah. Sorry, sorry for rochambou and

402
00:22:31,840 --> 00:22:35,159
Speaker 1: with you, I'm definitely not throwing the paper because you

403
00:22:35,160 --> 00:22:38,800
Speaker 1: put scissors before paper. When you will describe it, I've

404
00:22:39,080 --> 00:22:41,480
Speaker 1: only heard it as rock paper scissors, but you go

405
00:22:41,640 --> 00:22:43,680
Speaker 1: rock scissors. What did I say? What do you wait?

406
00:22:43,680 --> 00:22:45,200
Speaker 1: What do you see here? It does Usually I always

407
00:22:45,200 --> 00:22:47,200
Speaker 1: hear it as rock paper scissors, and you said rock

408
00:22:47,280 --> 00:22:50,199
Speaker 1: scissors paper, So yeah, I think I maybe say it

409
00:22:50,240 --> 00:22:52,320
Speaker 1: like that you have rock scissors, I mean, but everybody

410
00:22:52,359 --> 00:22:56,760
Speaker 1: everybody goes rock first, though, you know I remember Rock Live,

411
00:22:56,760 --> 00:22:59,600
Speaker 1: Remember that show Rock Live? Yeah? Yeah, he was also

412
00:22:59,840 --> 00:23:02,600
Speaker 1: that after that. He was named after that as well. Yeah,

413
00:23:03,000 --> 00:23:05,520
Speaker 1: the producers of that show were big MegaMan fans. And

414
00:23:05,560 --> 00:23:07,600
Speaker 1: then what something In America, they're like funk it's called

415
00:23:07,640 --> 00:23:14,040
Speaker 1: Mega Man like rock Man. Yeah. Well, and along with that,

416
00:23:14,080 --> 00:23:16,760
Speaker 1: the I don't know if you guys ever again agetting

417
00:23:16,760 --> 00:23:19,880
Speaker 1: too specific here, but the box are for the North

418
00:23:19,960 --> 00:23:23,600
Speaker 1: American release compared to the Japanese release is so ridiculous.

419
00:23:23,680 --> 00:23:26,240
Speaker 1: It's like some isn't it like some fucking Flash Gordon

420
00:23:26,320 --> 00:23:29,080
Speaker 1: type ship. Yeah, it's like a first of all, it

421
00:23:29,119 --> 00:23:31,960
Speaker 1: looks like a real man, where Mega Man actually looks

422
00:23:31,960 --> 00:23:34,280
Speaker 1: like a boy, and I've always kind of thought, oh

423
00:23:34,440 --> 00:23:36,600
Speaker 1: they called MegaMan, he's actually more of like a Mega boy,

424
00:23:36,680 --> 00:23:41,679
Speaker 1: you know, or rock boy, but Mega adolescent right right

425
00:23:42,640 --> 00:23:46,639
Speaker 1: at rock pe bescent. But the you know, it's cartoony

426
00:23:46,680 --> 00:23:49,960
Speaker 1: looking and kind of you know whatever, it's it's kind

427
00:23:49,960 --> 00:23:53,400
Speaker 1: of based on Astroman actually the design of Mega Man,

428
00:23:53,440 --> 00:23:55,400
Speaker 1: of the original rock Man. But then but the box

429
00:23:55,440 --> 00:23:58,760
Speaker 1: are for North America. It looks like a man, you know,

430
00:23:58,800 --> 00:24:01,120
Speaker 1: it looks like a real man. And he's not even

431
00:24:01,160 --> 00:24:03,320
Speaker 1: wearing the right colors, you know, he's wearing a yellow

432
00:24:03,359 --> 00:24:05,760
Speaker 1: kind of outfit, and it's sort of just like, what

433
00:24:05,960 --> 00:24:08,639
Speaker 1: is this? It's so weird. Sure, there's like a conversation

434
00:24:08,760 --> 00:24:12,240
Speaker 1: where like the Fami com people, and then like Nintendo America,

435
00:24:12,240 --> 00:24:15,399
Speaker 1: where like is that ain't gonna work here? Okay, they

436
00:24:15,440 --> 00:24:17,879
Speaker 1: don't want a little anime guys. I want a muscular

437
00:24:17,960 --> 00:24:20,760
Speaker 1: freak with a black stir arm. He's not even that,

438
00:24:21,040 --> 00:24:23,040
Speaker 1: he's not even that muscular. He just looks like a

439
00:24:23,080 --> 00:24:26,600
Speaker 1: regular man with just this yellow suit, which is it's

440
00:24:26,600 --> 00:24:28,960
Speaker 1: supposed to be blue. And and he oh he's holding

441
00:24:28,960 --> 00:24:31,919
Speaker 1: a gun. Also he's not, I think, And he's not.

442
00:24:32,080 --> 00:24:34,600
Speaker 1: He's not. He doesn't have an arm cannon. He's has

443
00:24:34,600 --> 00:24:37,960
Speaker 1: a just a gun, just a handgun. Yeah, it really

444
00:24:37,960 --> 00:24:41,800
Speaker 1: looks like the winner of like a seventh grade art competition.

445
00:24:42,080 --> 00:24:44,119
Speaker 1: It does. It does not look like this is a

446
00:24:44,200 --> 00:24:47,480
Speaker 1: professional work of art. It's just funny because it's so

447
00:24:47,960 --> 00:24:50,960
Speaker 1: it's just like the proportions are all. It's also that

448
00:24:51,080 --> 00:24:53,320
Speaker 1: when you play the game, the game, you know, the

449
00:24:53,400 --> 00:24:56,240
Speaker 1: characters look like the way that the box art looks

450
00:24:56,320 --> 00:24:59,159
Speaker 1: in Japan, you know, where their cartoony and you know

451
00:24:59,280 --> 00:25:04,240
Speaker 1: look more anime ish, you know. And so it's it's

452
00:25:04,800 --> 00:25:08,160
Speaker 1: almost as if the box art of the North American

453
00:25:08,240 --> 00:25:12,159
Speaker 1: version is this is the dave cause of you know,

454
00:25:12,200 --> 00:25:13,720
Speaker 1: of the game in a way, you know what I mean,

455
00:25:13,720 --> 00:25:16,919
Speaker 1: it's sort of incongruous with what the game should have.

456
00:25:17,800 --> 00:25:20,639
Speaker 1: Some other person thought they knew better to be, like, no,

457
00:25:20,800 --> 00:25:26,280
Speaker 1: don't use that, use this monstrosity. Kid. That's so interesting

458
00:25:26,320 --> 00:25:30,520
Speaker 1: about the team being an all women team. I mean,

459
00:25:30,520 --> 00:25:32,880
Speaker 1: it was like, I would say, like half the composers,

460
00:25:32,960 --> 00:25:36,520
Speaker 1: the prominent composers at least and during this era were women.

461
00:25:36,800 --> 00:25:39,040
Speaker 1: But that might have been for not as cool of

462
00:25:39,040 --> 00:25:41,120
Speaker 1: a reason as one might think. I think it might.

463
00:25:41,320 --> 00:25:43,159
Speaker 1: It might have had to do with like pay wages

464
00:25:43,200 --> 00:25:47,120
Speaker 1: and stuff, and yeah, Japan is pretty misogynistic. It might

465
00:25:47,160 --> 00:25:48,359
Speaker 1: it might have been that. But then again, some of

466
00:25:48,400 --> 00:25:51,080
Speaker 1: the greatest composed video game composers are also male too.

467
00:25:51,119 --> 00:25:53,240
Speaker 1: But um, a lot were women though, and it was

468
00:25:53,840 --> 00:25:56,720
Speaker 1: half of them, you know, I mean everywhere to it

469
00:25:57,160 --> 00:26:00,760
Speaker 1: at Konami there was some great female composers, and Nintendo

470
00:26:00,920 --> 00:26:05,800
Speaker 1: had great female composers also. Just anyway, it's great music underrated,

471
00:26:07,760 --> 00:26:09,600
Speaker 1: is it? Like? Something about the fact that they were

472
00:26:09,640 --> 00:26:15,040
Speaker 1: working with like a limited palette created a new genre

473
00:26:15,080 --> 00:26:19,520
Speaker 1: almost of music that working with those limitations, where those restraints.

474
00:26:19,600 --> 00:26:22,000
Speaker 1: I mean, that's always kind of how great art can

475
00:26:22,160 --> 00:26:25,800
Speaker 1: sort of emerge is from working within limitations, and so

476
00:26:26,520 --> 00:26:30,199
Speaker 1: that's really the case here, and also their ability to

477
00:26:30,240 --> 00:26:34,879
Speaker 1: sort of tell a sort of musical story within a

478
00:26:35,400 --> 00:26:38,119
Speaker 1: very short period of time. I mean sometimes some of

479
00:26:38,160 --> 00:26:42,399
Speaker 1: these loops to thirty seconds sometimes and you hear this

480
00:26:42,600 --> 00:26:48,080
Speaker 1: full sort of musical narrative expressed in the composition and it,

481
00:26:48,280 --> 00:26:50,080
Speaker 1: I don't know, it's just and it's done with just

482
00:26:50,359 --> 00:26:54,760
Speaker 1: sometimes just three voices and sort of the interplay between

483
00:26:54,800 --> 00:26:58,360
Speaker 1: the voices and you know, just the harmonies. It's it's

484
00:26:58,560 --> 00:27:01,720
Speaker 1: it's really dynamic make music, and it's done with just

485
00:27:01,880 --> 00:27:04,879
Speaker 1: very limited means. It's it's pretty cool. It's really amazing music,

486
00:27:05,000 --> 00:27:07,920
Speaker 1: you know. Uh that's more like the heat bid stuff.

487
00:27:07,960 --> 00:27:09,720
Speaker 1: But and in the sixty bit stuff too, which is

488
00:27:10,240 --> 00:27:15,080
Speaker 1: has it's not as limited, it's still still amazing compositions,

489
00:27:15,119 --> 00:27:21,360
Speaker 1: you know, and and complex music, you know. Nice. Alright,

490
00:27:21,480 --> 00:27:24,960
Speaker 1: let's take a quick break and we'll come back and

491
00:27:25,080 --> 00:27:39,840
Speaker 1: talk about The Big Lie. And we're back, and the

492
00:27:39,920 --> 00:27:45,480
Speaker 1: Maggie universe is continuing to mega, particularly in uh Florida.

493
00:27:46,280 --> 00:27:50,040
Speaker 1: We got to Santis, you know, issuing his own sort

494
00:27:50,080 --> 00:27:56,320
Speaker 1: of racist voter rights and ship voter suppression. But yeah,

495
00:27:56,400 --> 00:27:58,919
Speaker 1: the the Big Lie was such a hit with the

496
00:27:58,960 --> 00:28:02,280
Speaker 1: Maga world that a lot of states are starting to

497
00:28:02,280 --> 00:28:05,840
Speaker 1: convince themselves the election was stolen even though there's like

498
00:28:05,920 --> 00:28:14,000
Speaker 1: literally no literally no evidence figuratively. Yeah, um, but yeah, voters,

499
00:28:14,119 --> 00:28:19,600
Speaker 1: you're gonna be thinking about, uh, there's zero evidence in

500
00:28:19,640 --> 00:28:25,280
Speaker 1: a literal sense. There's zero, mathematically zero, evan mathematically impossible,

501
00:28:25,520 --> 00:28:28,879
Speaker 1: indubitably no evidence. So you can even say, actually, as

502
00:28:28,880 --> 00:28:32,199
Speaker 1: an alternative, there's actually no evidence at all. People might

503
00:28:32,240 --> 00:28:36,240
Speaker 1: start getting any evidence. Yeah, exactly, take it back to

504
00:28:36,280 --> 00:28:39,760
Speaker 1: that for you. But yeah, the voter suppression, it's all

505
00:28:39,800 --> 00:28:42,920
Speaker 1: over the place because of Trump like insisting off of

506
00:28:42,960 --> 00:28:46,360
Speaker 1: his own like fever dream that the election was stolen.

507
00:28:47,080 --> 00:28:49,520
Speaker 1: And yeah, George is getting a lot of the shine.

508
00:28:50,040 --> 00:28:54,520
Speaker 1: But Rhonda Santis he's like going all and he's like, yeah, man,

509
00:28:54,560 --> 00:28:56,640
Speaker 1: I get it, because you know, those mail in ballots

510
00:28:56,760 --> 00:28:59,040
Speaker 1: they're all fucked up. We gotta do something about it.

511
00:28:59,080 --> 00:29:02,880
Speaker 1: So he's basically setting the mail in ballot procedure on

512
00:29:03,000 --> 00:29:06,720
Speaker 1: fire in the state of Florida. His bill is equally shitty,

513
00:29:06,920 --> 00:29:09,480
Speaker 1: you know, also barring people from giving like food or

514
00:29:09,680 --> 00:29:11,960
Speaker 1: drink or water to people who are waiting out in

515
00:29:12,000 --> 00:29:15,160
Speaker 1: the hot sun, um and very you know, it's transparently

516
00:29:15,200 --> 00:29:17,880
Speaker 1: a voter suppression bill aimed at keeping people of color

517
00:29:17,920 --> 00:29:22,240
Speaker 1: from voting, but it's just so fucking poorly thought out

518
00:29:22,320 --> 00:29:25,520
Speaker 1: that now we've entered like the comedy phase of what

519
00:29:25,560 --> 00:29:29,040
Speaker 1: these Republicans are trying to do. Because mail in ballots,

520
00:29:29,080 --> 00:29:31,160
Speaker 1: right it's like it was the star of the election,

521
00:29:31,200 --> 00:29:33,120
Speaker 1: all this stuff, where like they were spiking like yeah,

522
00:29:33,160 --> 00:29:34,640
Speaker 1: we got this, and then it's like, well, hold on,

523
00:29:34,680 --> 00:29:36,600
Speaker 1: we haven't counted the votes that were mailed in yet,

524
00:29:36,640 --> 00:29:39,640
Speaker 1: and then it's the blue shift happened, and because of that,

525
00:29:40,280 --> 00:29:43,760
Speaker 1: the Republicans are completely forgetting how much they rely on

526
00:29:43,920 --> 00:29:47,880
Speaker 1: mail in ballots themselves, just because of what happened. It's

527
00:29:47,920 --> 00:29:51,520
Speaker 1: a huge part of like wins for the Republicans in Florida.

528
00:29:51,840 --> 00:29:55,080
Speaker 1: So right now they're trying to be like yea, okay,

529
00:29:55,280 --> 00:29:57,840
Speaker 1: let's got it. We gotta make sure no illegal voting

530
00:29:57,920 --> 00:30:00,280
Speaker 1: is happening. So this Senate Bill ninety is going to

531
00:30:00,360 --> 00:30:03,360
Speaker 1: require voters to reapply for mail in ballots every two

532
00:30:03,920 --> 00:30:07,600
Speaker 1: every two years rather than every four years as like

533
00:30:07,640 --> 00:30:10,360
Speaker 1: what the current law is, and it like also prohibits

534
00:30:10,400 --> 00:30:14,680
Speaker 1: drop boxes and things like that. But again, because this

535
00:30:14,800 --> 00:30:17,520
Speaker 1: is a huge part of the strategy of Republicans in

536
00:30:17,560 --> 00:30:20,120
Speaker 1: the state of Florida to use mail in ballots. They were,

537
00:30:20,160 --> 00:30:22,640
Speaker 1: like a lot of other operators, like no, no, no,

538
00:30:22,680 --> 00:30:25,560
Speaker 1: don't do this, don't do this. We need like, you

539
00:30:25,600 --> 00:30:28,600
Speaker 1: can't make it harder for old people or the military

540
00:30:28,680 --> 00:30:31,280
Speaker 1: to vote in Florida, because we need them to be

541
00:30:31,320 --> 00:30:33,920
Speaker 1: able to just mail in their ballots whenever. And there's

542
00:30:33,960 --> 00:30:37,080
Speaker 1: one uh A consultant who was speaking on a condition

543
00:30:37,120 --> 00:30:39,840
Speaker 1: of anonymity, saying, quote, Donald Trump attempted to ruin a

544
00:30:39,880 --> 00:30:43,640
Speaker 1: perfectly safe and trusted method of voting. The main law

545
00:30:43,680 --> 00:30:45,920
Speaker 1: that we passed when we passed election bills in Florida

546
00:30:46,120 --> 00:30:52,720
Speaker 1: is the law of unintended consequences. So they are self

547
00:30:52,760 --> 00:30:55,080
Speaker 1: owning with this bill. It turns out or like they're

548
00:30:55,120 --> 00:30:58,360
Speaker 1: just as equally going to disenfranchise their voters because now

549
00:30:58,440 --> 00:31:00,280
Speaker 1: they have to do a lot of work to the

550
00:31:00,360 --> 00:31:03,760
Speaker 1: elderly in Florida to make sure they're all registered. And

551
00:31:03,760 --> 00:31:05,160
Speaker 1: then if they're like, well, I don't want to go

552
00:31:05,240 --> 00:31:09,360
Speaker 1: out and physically vote, They're like, well, fuck, I guess

553
00:31:09,360 --> 00:31:12,120
Speaker 1: you can't vote today then. But I mean, I feel

554
00:31:12,160 --> 00:31:16,360
Speaker 1: like anything that is getting in the way of pure

555
00:31:16,400 --> 00:31:19,840
Speaker 1: democracy of like letting people vote is good for them

556
00:31:19,880 --> 00:31:24,120
Speaker 1: just because they like they don't have the numbers, so

557
00:31:24,200 --> 00:31:28,760
Speaker 1: like anyway they can mix it up. Like, but the

558
00:31:28,840 --> 00:31:32,160
Speaker 1: deal is, though black and brown voters are used to

559
00:31:32,240 --> 00:31:35,719
Speaker 1: waiting in line for hours to exercise their democratic right

560
00:31:35,760 --> 00:31:39,840
Speaker 1: to vote, old white people are not. They are used

561
00:31:39,880 --> 00:31:42,720
Speaker 1: to mailing in their ballots, or or the elderly community

562
00:31:42,760 --> 00:31:45,160
Speaker 1: in the Senior Citizens Florida are not. They're not built

563
00:31:45,200 --> 00:31:47,160
Speaker 1: to stay in the fucking line for a fucking three

564
00:31:47,160 --> 00:31:50,120
Speaker 1: are you kidding me? So that's where they're like a

565
00:31:50,160 --> 00:31:52,440
Speaker 1: lot of these operatives and consultants are like, no, no,

566
00:31:52,480 --> 00:31:55,440
Speaker 1: this is such a bad idea, Like it's less work

567
00:31:55,880 --> 00:31:58,080
Speaker 1: to know that these people with the mail in ballots

568
00:31:58,160 --> 00:32:00,840
Speaker 1: are like reliably going to be conserved bit offs and

569
00:32:00,920 --> 00:32:04,080
Speaker 1: like letting that always factor into it, but now it's

570
00:32:04,080 --> 00:32:06,400
Speaker 1: just creating more work for them in terms of outreach.

571
00:32:07,600 --> 00:32:11,120
Speaker 1: You hate to see that. You know, absolutely they worked

572
00:32:11,160 --> 00:32:14,080
Speaker 1: so hard and then they just don't bother thinking thinking

573
00:32:14,120 --> 00:32:18,040
Speaker 1: through how they're fucking things up. Yeah, it's it's all stupid,

574
00:32:18,080 --> 00:32:20,040
Speaker 1: but you know, thinks something I was thinking about just now,

575
00:32:20,080 --> 00:32:24,120
Speaker 1: because we're talking about MAGA stuff, what if some kind

576
00:32:24,120 --> 00:32:27,960
Speaker 1: of younger people were trying to like get Maga stuff going,

577
00:32:28,040 --> 00:32:30,880
Speaker 1: and they created a zine and it was you know,

578
00:32:30,920 --> 00:32:33,160
Speaker 1: about Maga stuff, and it would be called a magazine,

579
00:32:33,640 --> 00:32:36,040
Speaker 1: a magazine, and it was just you know, they're kind

580
00:32:36,040 --> 00:32:39,160
Speaker 1: of like distributing these little like you know things about it.

581
00:32:39,240 --> 00:32:41,880
Speaker 1: What's what's in for like the maga culture and stuff

582
00:32:41,920 --> 00:32:44,480
Speaker 1: and like which which smooth jazz artists that they're into

583
00:32:44,520 --> 00:32:49,320
Speaker 1: and stuff at the time or whatever for red Hut

584
00:32:49,400 --> 00:32:54,200
Speaker 1: Chili Pepper. But I mean, but has no one I'm

585
00:32:54,240 --> 00:32:57,160
Speaker 1: surprised that they hasn't been a magazine yet. You know,

586
00:32:57,440 --> 00:32:59,120
Speaker 1: what's up? You know, what are they going to do that?

587
00:32:59,360 --> 00:33:01,800
Speaker 1: This is that they we always talk about the crisis

588
00:33:01,840 --> 00:33:05,960
Speaker 1: of like no creativity on the right, Like maybe I

589
00:33:06,000 --> 00:33:09,200
Speaker 1: think like Jonathan Schwartzwelder from The Simpsons is probably like

590
00:33:09,560 --> 00:33:14,200
Speaker 1: conservative's greatest contribution to comedy. But like right now they

591
00:33:14,200 --> 00:33:16,760
Speaker 1: can't even do those. That's an easy pun, right, and

592
00:33:17,080 --> 00:33:19,760
Speaker 1: they completely and I think because a zine is to

593
00:33:20,000 --> 00:33:23,200
Speaker 1: like urban city things, like well, they can just not

594
00:33:23,280 --> 00:33:25,360
Speaker 1: even make it a zine, but just make it a magazine,

595
00:33:25,400 --> 00:33:27,320
Speaker 1: you know, just a regular magazine too. If they don't,

596
00:33:27,560 --> 00:33:31,800
Speaker 1: it's being an independent zine is to you know, it's

597
00:33:31,800 --> 00:33:34,480
Speaker 1: not madependent and urban, then just make it a regular

598
00:33:34,520 --> 00:33:41,920
Speaker 1: magazine a magazine, right, but like yet or what I mean?

599
00:33:42,160 --> 00:33:44,680
Speaker 1: I think you gotta mail that to yourself, right, Yeah, yeah,

600
00:33:44,880 --> 00:33:49,160
Speaker 1: write it down. I gotta sell it to some I

601
00:33:49,160 --> 00:33:52,320
Speaker 1: gotta sell it to the I mean, we've always joked

602
00:33:52,320 --> 00:33:55,920
Speaker 1: about just starting a consulting firm for conservative just zero

603
00:33:56,000 --> 00:33:58,480
Speaker 1: ideas and then like just charging them to help for

604
00:33:58,560 --> 00:34:01,240
Speaker 1: the worst ones obviously and do that. But it seems

605
00:34:01,280 --> 00:34:03,600
Speaker 1: like it could be an easy grift to like be

606
00:34:03,760 --> 00:34:08,200
Speaker 1: the smartest creative, like in a neo con consulting firm.

607
00:34:08,520 --> 00:34:11,759
Speaker 1: Like when comes through with like the best slogans for

608
00:34:11,840 --> 00:34:15,040
Speaker 1: these attack ats, it's unbelievable. Yeah, we'll get We'll get

609
00:34:15,080 --> 00:34:18,239
Speaker 1: Red Hot Chili Peppers to do the music. Yeah, but

610
00:34:18,280 --> 00:34:19,960
Speaker 1: they would turn them down. You would come with the

611
00:34:20,480 --> 00:34:26,480
Speaker 1: Mega Man poster that was like, you know, a poster,

612
00:34:26,719 --> 00:34:28,759
Speaker 1: but then they'd just be like, well, we already have

613
00:34:28,840 --> 00:34:32,800
Speaker 1: this one where Trump's head is uh photoshopped onto Rambo's body,

614
00:34:33,000 --> 00:34:36,040
Speaker 1: and we think that's sick, So get out of here

615
00:34:36,080 --> 00:34:40,480
Speaker 1: with your Maga man wordplay bullshit. Yeah, wow, that's that's

616
00:34:40,480 --> 00:34:44,719
Speaker 1: actually that's a good idea. Actually, you know you know,

617
00:34:44,760 --> 00:34:48,240
Speaker 1: it's a mega man, and it's like it's yeah, it's Trump.

618
00:34:48,320 --> 00:34:50,760
Speaker 1: It's a it's a sort of anime version of Trump

619
00:34:50,840 --> 00:34:54,160
Speaker 1: with but instead of you know, blue, it's orange. You know,

620
00:34:54,200 --> 00:34:57,480
Speaker 1: it's all he's he's wearing a whole orange outfit. Man,

621
00:34:57,760 --> 00:35:00,360
Speaker 1: we need to copyright this entire episode. We've already got this.

622
00:35:01,400 --> 00:35:04,640
Speaker 1: Just mailed the episode tour before we uploaded. Justin mail

623
00:35:04,680 --> 00:35:08,120
Speaker 1: it to yourself. Yea, we got the CP co HP

624
00:35:09,800 --> 00:35:14,280
Speaker 1: r HCPP. What would Trump have instead of an arm cannon,

625
00:35:14,320 --> 00:35:16,840
Speaker 1: you know, or like for an arm cannon, we just

626
00:35:16,840 --> 00:35:20,759
Speaker 1: shoot out a bunch of diet coke. Yeah, just like

627
00:35:20,880 --> 00:35:22,799
Speaker 1: it was like so useless and was like what the

628
00:35:22,960 --> 00:35:27,280
Speaker 1: fund was that for this doubtful room with r CP

629
00:35:27,840 --> 00:35:39,360
Speaker 1: shoots out diplomas from h R HCP stop r cps

630
00:35:42,200 --> 00:35:44,640
Speaker 1: trying to recreate the scene and goonies where he's like

631
00:35:44,719 --> 00:35:54,640
Speaker 1: Chester Copper. You got r h C very specific. Yeah,

632
00:35:54,640 --> 00:35:58,040
Speaker 1: I mean I was actually was just you know, speaking

633
00:35:58,040 --> 00:35:59,960
Speaker 1: of Google searches that were recent, I would just look

634
00:36:00,160 --> 00:36:02,560
Speaker 1: up the guy, but now I forgot his name. Who

635
00:36:02,600 --> 00:36:05,120
Speaker 1: was in He's one of the Fertility brothers and the

636
00:36:05,160 --> 00:36:08,400
Speaker 1: Goonies who but he was also in the Matrix, you know,

637
00:36:08,800 --> 00:36:11,440
Speaker 1: because he was in something I saw recently. Oh, I was.

638
00:36:11,520 --> 00:36:14,600
Speaker 1: I rewatched The Fugitive recently, um, and he was in

639
00:36:14,640 --> 00:36:19,280
Speaker 1: that movie. Also Joey Pantalone, Yeah yeah, yeah, yeah, exactly.

640
00:36:20,280 --> 00:36:24,080
Speaker 1: Also from Sopranos. Oh is he in that too? Yeah?

641
00:36:24,160 --> 00:36:27,279
Speaker 1: And Memento one of the greats. Well, I didn't even

642
00:36:27,360 --> 00:36:30,279
Speaker 1: realize that he was the younger brother in that. In

643
00:36:30,320 --> 00:36:34,239
Speaker 1: the ferties, yeah, the Fertilities, I was overshadowed in the

644
00:36:34,280 --> 00:36:40,799
Speaker 1: ft one of the Frat Brothers. Frat Brothers, UM and

645
00:36:40,880 --> 00:36:44,680
Speaker 1: I just played the I played the the original. Sorry

646
00:36:44,680 --> 00:36:47,000
Speaker 1: to bring it back to this, but the original Goonies

647
00:36:47,080 --> 00:36:50,440
Speaker 1: game UM on famcom recently. Is that a good game?

648
00:36:51,080 --> 00:36:53,560
Speaker 1: It's okay, yeah, it's I mean one was one of these.

649
00:36:54,239 --> 00:36:57,800
Speaker 1: It's it's a mid eighties game that's like kind of cryptic,

650
00:36:57,920 --> 00:37:00,920
Speaker 1: and you know, it's I don't know, there's a lot

651
00:37:00,960 --> 00:37:03,319
Speaker 1: of secret stuff that would be hard to figure out

652
00:37:03,320 --> 00:37:05,040
Speaker 1: on your own, but I did figure it out, so

653
00:37:05,080 --> 00:37:07,920
Speaker 1: I guess it's doable. But is my memory right that

654
00:37:08,000 --> 00:37:12,120
Speaker 1: they have the um Giant Octopus in the video game

655
00:37:12,760 --> 00:37:15,319
Speaker 1: or not in that one? And I don't think in

656
00:37:15,400 --> 00:37:17,600
Speaker 1: the other one too, And Gooneys two, which is more

657
00:37:17,600 --> 00:37:20,080
Speaker 1: people are familiar with that came out because Bony's one

658
00:37:20,120 --> 00:37:23,680
Speaker 1: didn't come out in North America but well at Nintendo.

659
00:37:23,760 --> 00:37:26,919
Speaker 1: But so my my memory is not right. That's all

660
00:37:27,200 --> 00:37:29,920
Speaker 1: that's but that giant octopus thing though, that was in

661
00:37:29,960 --> 00:37:33,439
Speaker 1: the TV broadcast. I don't know if anyone ever TV

662
00:37:33,560 --> 00:37:35,799
Speaker 1: broadcast with the Goonies, but it was. I mean when

663
00:37:35,800 --> 00:37:37,920
Speaker 1: you think about the amount of budget they must have

664
00:37:37,960 --> 00:37:41,120
Speaker 1: spent setting that up, like getting all the effects for

665
00:37:41,160 --> 00:37:44,479
Speaker 1: this giant octopus like it that was like a set

666
00:37:44,480 --> 00:37:46,120
Speaker 1: piece at the center of it. And then they were

667
00:37:46,160 --> 00:37:49,399
Speaker 1: just like, oh that this doesn't work at all. We're

668
00:37:49,440 --> 00:37:52,480
Speaker 1: just gonna cut it out, and the movie is much

669
00:37:52,520 --> 00:37:54,920
Speaker 1: better without it. I think that at the end, when

670
00:37:54,920 --> 00:37:57,720
Speaker 1: they're the kids are talking to their parents about what happened,

671
00:37:57,800 --> 00:38:00,239
Speaker 1: I think you can you hear Data talking about out

672
00:38:00,320 --> 00:38:03,399
Speaker 1: the Octopus. Yeah there was a giant octopus or something

673
00:38:03,440 --> 00:38:05,080
Speaker 1: like that. Are you saying that there was a there

674
00:38:05,120 --> 00:38:07,480
Speaker 1: was a sea monster or something like that? Oh? Yeah,

675
00:38:07,520 --> 00:38:09,680
Speaker 1: that's right, he does say. And you know, if you

676
00:38:09,680 --> 00:38:15,000
Speaker 1: were listening, you would think what is he talking about?

677
00:38:15,239 --> 00:38:18,200
Speaker 1: That movie was so influential on me that I spent

678
00:38:18,280 --> 00:38:22,640
Speaker 1: a lot of my childhood crawling around in sewers like

679
00:38:22,640 --> 00:38:25,799
Speaker 1: like what, Yeah, we had like a creek that went

680
00:38:25,880 --> 00:38:28,840
Speaker 1: by our house and then it like connected off to

681
00:38:29,000 --> 00:38:33,120
Speaker 1: all these like raining pipes and storm drains and ship

682
00:38:33,320 --> 00:38:35,920
Speaker 1: and but I mean there were like pipes coming in

683
00:38:36,040 --> 00:38:39,240
Speaker 1: from all over the place and the sewer was not clean.

684
00:38:39,600 --> 00:38:42,080
Speaker 1: When I was, you know, I would my friends and

685
00:38:42,080 --> 00:38:44,319
Speaker 1: I would like crawl. It wasn't a lot going on

686
00:38:44,400 --> 00:38:48,560
Speaker 1: in Dayton. Yeah, was there. I think there must have been.

687
00:38:48,800 --> 00:38:52,600
Speaker 1: I think the rats, No, no rats? And did you

688
00:38:52,600 --> 00:38:55,239
Speaker 1: make friends with them? Like Ben, Yeah, we had a

689
00:38:55,280 --> 00:38:59,280
Speaker 1: lot of frogs. Made friends with something just went frog? Yeah, yeah,

690
00:38:59,520 --> 00:39:01,200
Speaker 1: the way you said I used to hang on the

691
00:39:01,280 --> 00:39:03,160
Speaker 1: sewers a lot. I just pictured to us a kid

692
00:39:03,160 --> 00:39:05,360
Speaker 1: like going up to a storm drain by a curb

693
00:39:05,480 --> 00:39:09,720
Speaker 1: and like rolling into it like like there goes Jack.

694
00:39:10,040 --> 00:39:12,120
Speaker 1: But that's how it is in the movie Ben, by

695
00:39:12,160 --> 00:39:17,520
Speaker 1: the way, kind of rolling straight up. Yeah. It was

696
00:39:17,640 --> 00:39:21,479
Speaker 1: very much like bain bands hang out in dark knight

697
00:39:21,600 --> 00:39:25,239
Speaker 1: rises many multi level. When you said you hang out

698
00:39:25,239 --> 00:39:28,000
Speaker 1: in the sewers, I imagine you to wear like a

699
00:39:28,080 --> 00:39:30,520
Speaker 1: colored band around your sort of eyes, but it's like

700
00:39:30,560 --> 00:39:33,959
Speaker 1: cut there's holes cut for the eyes and then having

701
00:39:34,400 --> 00:39:36,960
Speaker 1: having a shell and eating pizza and the California Pizza

702
00:39:37,000 --> 00:39:39,920
Speaker 1: Kitchen right exactly. Yeah, listening to red hot Chili peppers.

703
00:39:39,920 --> 00:39:43,520
Speaker 1: I guess checking out your magazines, but I wanted to

704
00:39:43,560 --> 00:39:45,520
Speaker 1: be data though. I thought he was so cool, and

705
00:39:45,560 --> 00:39:48,560
Speaker 1: then that was he was my favorite goony and he

706
00:39:48,680 --> 00:39:51,160
Speaker 1: was so cool with his gadgets and stuff, and I

707
00:39:51,160 --> 00:39:53,480
Speaker 1: don't know, I thought he was so cool. Yeah, yeah,

708
00:39:53,600 --> 00:39:57,120
Speaker 1: Johnathan ki Kwam was like the fucking goat, like Asian

709
00:39:57,200 --> 00:40:00,360
Speaker 1: kid to want to be like back then because like

710
00:40:00,440 --> 00:40:03,239
Speaker 1: I'm I'm Data or short Round or whatever he's going

711
00:40:03,280 --> 00:40:05,440
Speaker 1: to be in. And I was so obsessed with Jonathan Kikwan.

712
00:40:05,520 --> 00:40:07,719
Speaker 1: My dad took a photo with him, and I took

713
00:40:07,760 --> 00:40:09,359
Speaker 1: that ship to school to be like, yo, my dad,

714
00:40:09,440 --> 00:40:14,359
Speaker 1: that Jonathan Kikwan and it's not even men. I did

715
00:40:14,440 --> 00:40:16,040
Speaker 1: end up meeting him when I was a kid, almost

716
00:40:16,040 --> 00:40:18,799
Speaker 1: lost my mind, but he was like twenty six at

717
00:40:18,840 --> 00:40:21,560
Speaker 1: the time and it was like definitely a different vibe.

718
00:40:21,880 --> 00:40:24,520
Speaker 1: But if you're a Jonathan Kikwan fan, I want to say.

719
00:40:24,520 --> 00:40:27,640
Speaker 1: He's in a terrible martial arts film called Breathing Fire,

720
00:40:28,200 --> 00:40:31,000
Speaker 1: and I've I've talked about this like on another podcast,

721
00:40:31,160 --> 00:40:33,160
Speaker 1: because it's like one of my favorite terrible movies, and

722
00:40:33,200 --> 00:40:36,120
Speaker 1: I'm pretty sure the whole things on YouTube or Amazon

723
00:40:36,239 --> 00:40:38,759
Speaker 1: or one of those things. But it's about he's like

724
00:40:38,800 --> 00:40:41,560
Speaker 1: this kid who is an orphan from the Vietnam War,

725
00:40:42,160 --> 00:40:44,880
Speaker 1: and like this guy who killed his mom who was

726
00:40:44,920 --> 00:40:47,600
Speaker 1: a viet Cong sniper, brings him back to the United

727
00:40:47,640 --> 00:40:50,279
Speaker 1: States and raises him as his own, like alongside his

728
00:40:50,360 --> 00:40:54,520
Speaker 1: white child. And then Jonathan Kikwan realizes his like adoptive

729
00:40:54,520 --> 00:40:58,560
Speaker 1: fathers like a fucking just criminal like robber dude, and

730
00:40:58,600 --> 00:41:00,600
Speaker 1: like him and his brother try and stop some vague

731
00:41:00,600 --> 00:41:04,280
Speaker 1: crime syndicate and then they realized it's their dad. Wild

732
00:41:04,719 --> 00:41:08,680
Speaker 1: and there's like karate tournament aspects hell and all kinds

733
00:41:08,680 --> 00:41:11,640
Speaker 1: of problematic like late eighties, early nineties, you know, ship,

734
00:41:11,680 --> 00:41:15,040
Speaker 1: but there was always a karate tournaments going on. And

735
00:41:15,040 --> 00:41:16,319
Speaker 1: I don't know how long you want to spend on

736
00:41:16,400 --> 00:41:19,520
Speaker 1: Kei Kwan, But I I met him kind of recently myself,

737
00:41:19,560 --> 00:41:21,799
Speaker 1: a couple of years ago, and I was just I

738
00:41:21,800 --> 00:41:23,960
Speaker 1: I didn't realize it was him at first. It was just,

739
00:41:24,600 --> 00:41:26,120
Speaker 1: you know, I just he just seemed like a guy,

740
00:41:26,239 --> 00:41:28,920
Speaker 1: you know, I just like this random guy and and

741
00:41:28,960 --> 00:41:31,240
Speaker 1: I was like, he's but his voice sounds the same

742
00:41:31,280 --> 00:41:34,680
Speaker 1: still actually for when I was a kid. I was saying, wait, that,

743
00:41:35,120 --> 00:41:38,040
Speaker 1: like his accent is still there, and I was like,

744
00:41:38,520 --> 00:41:41,000
Speaker 1: that sounds familiar. And I was and I realized is

745
00:41:41,040 --> 00:41:44,200
Speaker 1: that data? And I was And then anyway, and then

746
00:41:44,200 --> 00:41:46,080
Speaker 1: I was kind of introduced to him and it was

747
00:41:46,160 --> 00:41:48,280
Speaker 1: and it was him, and it was kind of crazy.

748
00:41:48,440 --> 00:41:49,960
Speaker 1: I mean it was the same kind of thing. I mean,

749
00:41:50,000 --> 00:41:52,239
Speaker 1: like I wanted to be him when I was younger.

750
00:41:52,680 --> 00:41:55,080
Speaker 1: And then when I and I was talking to him

751
00:41:55,080 --> 00:41:57,320
Speaker 1: about you know, yeah, you know, Temple of Doom and

752
00:41:57,360 --> 00:41:59,800
Speaker 1: stuff and just and it was a trip, you know,

753
00:41:59,880 --> 00:42:02,120
Speaker 1: to just talked to talk to him and stuff. And

754
00:42:02,480 --> 00:42:05,239
Speaker 1: he's getting back into acting now too. By the way,

755
00:42:05,320 --> 00:42:07,800
Speaker 1: he didn't realize it was him until a boxing glove

756
00:42:07,920 --> 00:42:12,640
Speaker 1: came springing out of his coat to like some teeth

757
00:42:15,960 --> 00:42:20,800
Speaker 1: chomped onto my arm or whatever. Yeah. Yeah, the uh

758
00:42:20,920 --> 00:42:24,279
Speaker 1: he was like it was weird because they were a

759
00:42:24,320 --> 00:42:27,520
Speaker 1: group of kids who had like normal kid abilities, like

760
00:42:27,560 --> 00:42:30,399
Speaker 1: one of them was kind of chatty, one of them

761
00:42:30,560 --> 00:42:33,560
Speaker 1: was one of them had asthma, and then he just

762
00:42:33,600 --> 00:42:36,560
Speaker 1: had like straight up superpowers. He was like man, he

763
00:42:36,680 --> 00:42:42,680
Speaker 1: was just like the greatest. That's my dad and Jonathan Cool.

764
00:42:44,040 --> 00:42:48,920
Speaker 1: That ship to school that's looking like almost like Cansino

765
00:42:49,000 --> 00:42:51,680
Speaker 1: Man days, Yeah, or or it looks like a fucked

766
00:42:51,719 --> 00:42:54,439
Speaker 1: up version of like a shelved version of rush Hour

767
00:42:54,560 --> 00:42:58,239
Speaker 1: that never came out. Yeah, it's definitely they were they

768
00:42:58,239 --> 00:43:00,840
Speaker 1: were they were homes for a moment. He looks like

769
00:43:00,880 --> 00:43:04,080
Speaker 1: he's maybe a head of the classic, you know, ahead

770
00:43:04,080 --> 00:43:09,800
Speaker 1: of the class another another classic, literally a classic. Alright,

771
00:43:09,880 --> 00:43:12,200
Speaker 1: let's take a quick break and we'll be right back.

772
00:43:22,680 --> 00:43:27,080
Speaker 1: And we're back. And so James O'Keeffe, who's like the

773
00:43:27,160 --> 00:43:31,600
Speaker 1: project very task guy who like does these undercover reporting

774
00:43:31,719 --> 00:43:37,520
Speaker 1: shenanigans uh where you know, very always very uh manipulative

775
00:43:37,880 --> 00:43:42,600
Speaker 1: and edited like like parts of people's sentences will be

776
00:43:42,760 --> 00:43:45,759
Speaker 1: edited out of like it's like and I didn't you

777
00:43:45,880 --> 00:43:48,880
Speaker 1: should come to Like it's like when Homer was on

778
00:43:48,960 --> 00:43:51,560
Speaker 1: there talking about the Gummy de Milo. It wasn't that

779
00:43:51,719 --> 00:43:55,840
Speaker 1: episode that sweet set or whatever he's doing, but but

780
00:43:56,080 --> 00:43:58,360
Speaker 1: he just released like I don't know what to do

781
00:43:58,440 --> 00:44:00,239
Speaker 1: with this. My brain does not know what to do

782
00:44:00,280 --> 00:44:04,080
Speaker 1: with this video. He released a music video where he's

783
00:44:04,120 --> 00:44:07,520
Speaker 1: like dancing in a way that I think is meant

784
00:44:07,600 --> 00:44:11,719
Speaker 1: to approximate like sexuality. The whole thing is well because yeah,

785
00:44:11,800 --> 00:44:14,920
Speaker 1: the last time for listeners if you're not maybe okay,

786
00:44:14,920 --> 00:44:17,080
Speaker 1: Like in the beginning of the Obama administration, he went

787
00:44:17,120 --> 00:44:21,080
Speaker 1: after Acorn and fucking plant Parenthood, Plan to Parenthood and

788
00:44:21,120 --> 00:44:23,880
Speaker 1: like did all these weird gotcha videos. We talked about

789
00:44:23,920 --> 00:44:26,200
Speaker 1: him a few years ago when Roy Moore was running

790
00:44:26,200 --> 00:44:29,239
Speaker 1: for Senate in Alabama and all those young women were

791
00:44:29,280 --> 00:44:31,120
Speaker 1: like or at the time, they were saying like he

792
00:44:31,200 --> 00:44:34,359
Speaker 1: was like like aggressive with me or had assaulted or whatever.

793
00:44:34,360 --> 00:44:37,040
Speaker 1: There are a lot of allegations against Roy Moore. James

794
00:44:37,120 --> 00:44:40,040
Speaker 1: O'Keeffe tried to if you remember he created he had

795
00:44:40,120 --> 00:44:43,520
Speaker 1: some woman pretend that she also had an accusation against

796
00:44:43,560 --> 00:44:46,839
Speaker 1: Roy Moore and tried to gotcha the Washington Post and

797
00:44:46,880 --> 00:44:49,960
Speaker 1: they like reverse set her up like on the camera

798
00:44:50,000 --> 00:44:52,120
Speaker 1: because they're like, oh, hell no, this person with Project

799
00:44:52,160 --> 00:44:55,319
Speaker 1: Veritas and he went into the shadows. And now he's

800
00:44:55,360 --> 00:44:59,319
Speaker 1: back because he's been banned from Twitter. Project Veritas has

801
00:44:59,360 --> 00:45:02,360
Speaker 1: been banned from two because just all disinformation. So he

802
00:45:02,400 --> 00:45:05,160
Speaker 1: goes to YouTube because he's setting up a legal fund

803
00:45:05,840 --> 00:45:09,440
Speaker 1: to help other grifters, who he says have been defamed

804
00:45:09,920 --> 00:45:12,959
Speaker 1: by the mainstream media or something to help them fight

805
00:45:13,040 --> 00:45:16,360
Speaker 1: back against the deformation that's happening. And I guess to

806
00:45:16,440 --> 00:45:21,359
Speaker 1: celebrate that. It's a parody of the Prince track controversy.

807
00:45:21,480 --> 00:45:25,960
Speaker 1: But it's called oligarchy and I'm gonna play the video.

808
00:45:26,600 --> 00:45:29,760
Speaker 1: You can hear the music. It's it's really really cool,

809
00:45:30,480 --> 00:45:34,400
Speaker 1: um and we'll talk about it. On the other side.

810
00:45:34,400 --> 00:45:38,000
Speaker 1: The New York Times for defamation just one a major

811
00:45:38,120 --> 00:45:42,200
Speaker 1: victory in that case. Dollars going to that would tell

812
00:45:42,239 --> 00:45:59,080
Speaker 1: them to go to hell. I just get me and left. Okay.

813
00:46:03,680 --> 00:46:08,799
Speaker 1: Name's o'keith is suing Twitter for defamation down because they

814
00:46:08,840 --> 00:46:17,000
Speaker 1: confronted the Facebook executive. Okay, so he likes to dance. Yeah,

815
00:46:17,640 --> 00:46:21,000
Speaker 1: is that James o'keith dancing. Yeah, James o'keef is the

816
00:46:21,040 --> 00:46:23,879
Speaker 1: main dude. Okay, he was shuffling and all that kind

817
00:46:23,920 --> 00:46:28,320
Speaker 1: of shoes. It feels weird because it's so like masturbatory,

818
00:46:28,480 --> 00:46:31,360
Speaker 1: Like it doesn't make sense about for any of what.

819
00:46:31,400 --> 00:46:33,919
Speaker 1: I don't know what his aims are at all. Maybe

820
00:46:33,960 --> 00:46:36,560
Speaker 1: to dance right, right, that's all it is. That to me.

821
00:46:36,600 --> 00:46:38,640
Speaker 1: I'm like, I think he just wanted to dance with

822
00:46:38,719 --> 00:46:41,839
Speaker 1: other people like this whole grifft has been about him

823
00:46:41,880 --> 00:46:45,880
Speaker 1: getting dance to dance. He just wants to express himself

824
00:46:45,880 --> 00:46:49,480
Speaker 1: through his body. Like there's like a real dancers in

825
00:46:49,520 --> 00:46:52,520
Speaker 1: the background, like doing coordinated I don't know, if you

826
00:46:52,560 --> 00:46:56,680
Speaker 1: watch some of the choreography, I wouldn't call that professional dancing.

827
00:46:56,719 --> 00:46:58,960
Speaker 1: Although there were people like those people who are leaping

828
00:46:58,960 --> 00:47:01,640
Speaker 1: in there and that was that was the most in

829
00:47:01,640 --> 00:47:05,680
Speaker 1: the video. Yeah, those people probably have some dance background.

830
00:47:06,080 --> 00:47:09,400
Speaker 1: I just I'm just saying that this this looks more

831
00:47:10,280 --> 00:47:16,560
Speaker 1: thought out and expensive and well not well but like

832
00:47:17,200 --> 00:47:22,600
Speaker 1: preconceived than anything he's ever done. Right is this I

833
00:47:22,600 --> 00:47:27,200
Speaker 1: guess because it's so confusing. He's finally speaking through his language,

834
00:47:27,280 --> 00:47:31,560
Speaker 1: which isn't disinformation. It turns out it's fucking dance like

835
00:47:31,640 --> 00:47:36,839
Speaker 1: he looks so happy. It's weird. It has Again That's

836
00:47:36,880 --> 00:47:39,200
Speaker 1: why I'm confused as to what the aims are of this,

837
00:47:39,280 --> 00:47:41,799
Speaker 1: because it purely just feels like, thank god, I can

838
00:47:41,840 --> 00:47:44,520
Speaker 1: just dance one my favorite print songs. Hopefully just do

839
00:47:44,560 --> 00:47:46,920
Speaker 1: a parody version of click, you know, claim fair use

840
00:47:47,400 --> 00:47:49,200
Speaker 1: and put this out there so they can see that

841
00:47:49,239 --> 00:47:51,880
Speaker 1: the whole song parody thing kind of came back around

842
00:47:51,920 --> 00:47:55,880
Speaker 1: here to this, you know, right started with that. I

843
00:47:55,880 --> 00:47:59,560
Speaker 1: mean we've always considered ourselves the poor man. James O'Keefe's

844
00:47:59,719 --> 00:48:03,640
Speaker 1: of the of the left, so absolutely, and I mean, yeah,

845
00:48:03,440 --> 00:48:05,840
Speaker 1: he's gonna be in the epic rap battles of history,

846
00:48:05,880 --> 00:48:09,040
Speaker 1: I think next up at this rate. But what's wild

847
00:48:09,040 --> 00:48:12,160
Speaker 1: though after this, though, is a lot of the other

848
00:48:12,320 --> 00:48:16,520
Speaker 1: weird right wing grifters, or mainly Jack pos Obiak tweeted this,

849
00:48:16,960 --> 00:48:20,640
Speaker 1: like retweeted the video, and then a ton of bots

850
00:48:20,760 --> 00:48:24,000
Speaker 1: did too, but like with all the same copy to

851
00:48:24,080 --> 00:48:27,720
Speaker 1: like create this sort of perception of this ground swell

852
00:48:28,040 --> 00:48:32,279
Speaker 1: where every like countless just fucking berner I fake gas

853
00:48:32,320 --> 00:48:37,120
Speaker 1: accounts just full on the exact same copy retweeted over

854
00:48:37,200 --> 00:48:39,680
Speaker 1: and over and over again. So it's got like, so

855
00:48:39,719 --> 00:48:42,439
Speaker 1: there's there's so many nice touches of grifting all over

856
00:48:42,520 --> 00:48:46,600
Speaker 1: this release that you know, it's just that's quite something else. Yeah,

857
00:48:46,680 --> 00:48:51,280
Speaker 1: there's a suspicious number of up votes of thumbs ups

858
00:48:51,320 --> 00:48:56,160
Speaker 1: on the on the video thumbs up to just fo

859
00:48:56,960 --> 00:49:01,520
Speaker 1: thumbs downs, and the comments are are owing. Uh so

860
00:49:01,880 --> 00:49:06,040
Speaker 1: I suspect I suspect the involvement of some bots maybe,

861
00:49:06,400 --> 00:49:09,600
Speaker 1: or maybe I'm just jealous of his moves. Can you

862
00:49:10,280 --> 00:49:13,319
Speaker 1: get back to the studio. Yeah, yeah, I start working

863
00:49:13,360 --> 00:49:17,000
Speaker 1: on your body. You know, I told you gotta get

864
00:49:17,040 --> 00:49:20,200
Speaker 1: on TikTok to get your footwork right. Man. There's also

865
00:49:20,320 --> 00:49:23,480
Speaker 1: like some attempted nonchalance that he's like not pulling off

866
00:49:23,800 --> 00:49:25,960
Speaker 1: at all, Like there's a lot of you can you

867
00:49:25,960 --> 00:49:28,319
Speaker 1: can kind of see the counting going on in his

868
00:49:28,400 --> 00:49:31,680
Speaker 1: head and then like the fake smile like that's like

869
00:49:31,760 --> 00:49:34,239
Speaker 1: kind of plastered on his face. I mean like he's

870
00:49:34,480 --> 00:49:38,200
Speaker 1: he's hitting the coreo, but he has that panic and

871
00:49:38,440 --> 00:49:40,960
Speaker 1: I know the inside of his mind is panicked when

872
00:49:41,000 --> 00:49:45,960
Speaker 1: he's doing six and sevenar and like. But I think

873
00:49:45,960 --> 00:49:48,720
Speaker 1: he has to wear glasses because he has black shades

874
00:49:48,760 --> 00:49:51,399
Speaker 1: on because his eyes are probably like this like wide open.

875
00:49:51,480 --> 00:49:55,000
Speaker 1: He's like one two and just it's like, oh, ship,

876
00:49:55,040 --> 00:49:57,399
Speaker 1: put these glasses on, James. You look a little bugged out.

877
00:49:57,719 --> 00:50:02,799
Speaker 1: It looks it looks like he was inspired by Rick.

878
00:50:03,320 --> 00:50:12,520
Speaker 1: Uh what's what's the Texas former governor Rick Rick o'kaseck. Yeah, uh,

879
00:50:12,880 --> 00:50:15,560
Speaker 1: one of those one of those conservative politicians who was

880
00:50:15,640 --> 00:50:18,479
Speaker 1: on like Dancing with the Stars like that that looked

881
00:50:18,480 --> 00:50:22,600
Speaker 1: like Rick Perry. Yeah. Yeah, by the way, way too

882
00:50:22,640 --> 00:50:27,279
Speaker 1: cool a name for him, Rick Perry, but it is

883
00:50:27,320 --> 00:50:28,959
Speaker 1: kind of cool though it does sound like a cool

884
00:50:29,080 --> 00:50:31,200
Speaker 1: kind of it's like Rick Perry. You know, it sounds

885
00:50:31,200 --> 00:50:33,520
Speaker 1: like Luke Perry. It sounds like kind of sounds like

886
00:50:33,560 --> 00:50:36,200
Speaker 1: they're speaking of doing. And then it also it sounds

887
00:50:36,239 --> 00:50:40,239
Speaker 1: like Joe Perry kind of a little bit. Rick is

888
00:50:40,280 --> 00:50:42,440
Speaker 1: like such a bad name that has kind of come

889
00:50:42,480 --> 00:50:45,319
Speaker 1: around for me. Exactly. Rick is well, but Rick is

890
00:50:45,360 --> 00:50:49,600
Speaker 1: like a classic I mean like eighties like guy name,

891
00:50:49,719 --> 00:50:53,479
Speaker 1: you know, like big eighties dirt big Rick or hero too.

892
00:50:53,600 --> 00:50:58,680
Speaker 1: Sometimes well like you know Rick, the same thing, yeah, exactly, Yeah,

893
00:50:58,719 --> 00:51:01,799
Speaker 1: in the eighties, the dirt back we're heroes. That is

894
00:51:01,840 --> 00:51:05,759
Speaker 1: something that like we is available to us in in

895
00:51:05,840 --> 00:51:12,160
Speaker 1: many iterations. The conservative older dude like trying to dance,

896
00:51:12,280 --> 00:51:18,320
Speaker 1: like that's now a thing that you think he's early thirties,

897
00:51:18,400 --> 00:51:20,440
Speaker 1: mid thirties. Let's say, okay, I mean so he's kind

898
00:51:20,440 --> 00:51:26,520
Speaker 1: of still young though he has no swags, so like

899
00:51:26,560 --> 00:51:29,680
Speaker 1: he's he feels like he's fifty eight years old. Yeah,

900
00:51:29,719 --> 00:51:32,920
Speaker 1: he's thirty six, feels like feels like fifty. I was

901
00:51:32,960 --> 00:51:37,000
Speaker 1: assuming fifty because of what he looks like in this video.

902
00:51:37,200 --> 00:51:41,040
Speaker 1: But that's yeah, okay, so he's a little younger. But

903
00:51:41,640 --> 00:51:44,640
Speaker 1: you know, there's also like it feels like you're watching

904
00:51:44,800 --> 00:51:47,880
Speaker 1: a video from an alternate universe where the nazis one

905
00:51:47,960 --> 00:51:51,480
Speaker 1: World War two, Like there's just a weird like I

906
00:51:51,520 --> 00:51:57,080
Speaker 1: don't know, the culture is all off type black swast culture. Yeah,

907
00:51:57,320 --> 00:52:02,000
Speaker 1: there's still there's still watching news on those old cathode

908
00:52:02,040 --> 00:52:06,879
Speaker 1: ray TVs and they he has the classic scene where

909
00:52:06,880 --> 00:52:11,359
Speaker 1: he hits hits them with a sledgehammer, dude, because yeah,

910
00:52:11,360 --> 00:52:13,160
Speaker 1: I mean, I mean, look, if he was really bond,

911
00:52:13,200 --> 00:52:15,279
Speaker 1: he would have smashed up a fucking O L E.

912
00:52:15,360 --> 00:52:17,840
Speaker 1: D flat screen. But he said, I see you with

913
00:52:17,880 --> 00:52:23,240
Speaker 1: those little CRT cathode ray tube TV. Man, you're not bawling, James. Yeah,

914
00:52:23,719 --> 00:52:26,160
Speaker 1: but those are so much easier to stack. I've got

915
00:52:26,200 --> 00:52:29,080
Speaker 1: three of them. Yeah, exactly, you got on the daily.

916
00:52:30,160 --> 00:52:33,680
Speaker 1: I got three cathode ray TV is, one nineteen incher

917
00:52:33,840 --> 00:52:37,279
Speaker 1: one and one thirty six cent Sure, oh, ship with

918
00:52:37,400 --> 00:52:40,840
Speaker 1: the with the built in d V D VHS combo No, no,

919
00:52:41,040 --> 00:52:43,920
Speaker 1: built in no built in no built in combo como

920
00:52:44,080 --> 00:52:47,279
Speaker 1: in combo No. But you know, looking good though, I

921
00:52:47,320 --> 00:52:49,680
Speaker 1: mean the thirty six centser is looking thick. It looks

922
00:52:49,760 --> 00:52:51,719
Speaker 1: good and it's quite do this thing where I'll throw

923
00:52:51,719 --> 00:52:53,759
Speaker 1: a balloon at it and it'll stick because of the

924
00:52:53,880 --> 00:52:58,960
Speaker 1: stakes coming off the exactly they are so thick. That's

925
00:52:59,000 --> 00:53:01,960
Speaker 1: something that people probably don't. They probably think, oh, they

926
00:53:02,000 --> 00:53:05,479
Speaker 1: were just like you know, or something like the most

927
00:53:05,680 --> 00:53:10,680
Speaker 1: washed episode we've ever had read TV would take up

928
00:53:10,760 --> 00:53:14,400
Speaker 1: your whole fucking room. Dude, this that one, this thirty

929
00:53:14,480 --> 00:53:18,160
Speaker 1: six inch one that I have. It was so it's

930
00:53:18,239 --> 00:53:21,560
Speaker 1: so heavy and it was so hard to get to

931
00:53:21,680 --> 00:53:24,239
Speaker 1: the second floor of where in the building that I

932
00:53:24,320 --> 00:53:26,719
Speaker 1: live in, and I was like, it took four of

933
00:53:26,840 --> 00:53:29,719
Speaker 1: us to carry it up, and it was just like

934
00:53:30,120 --> 00:53:33,040
Speaker 1: so heavy. I don't like, Gosh, when I move, it's

935
00:53:33,080 --> 00:53:36,959
Speaker 1: gonna well some strong Well, no, I'd get some strong

936
00:53:37,080 --> 00:53:39,719
Speaker 1: I need some strong guys. I gotta hire some strong

937
00:53:39,760 --> 00:53:43,200
Speaker 1: guys to go and girls, some strong guys and bodybuilders

938
00:53:43,800 --> 00:53:46,600
Speaker 1: to lift this thing. It's so heavy it's crazy. And

939
00:53:46,640 --> 00:53:48,239
Speaker 1: then you can make a video of your own just

940
00:53:48,320 --> 00:53:52,840
Speaker 1: strong guys lifting lifting your big TV. Yeah, make it.

941
00:53:52,960 --> 00:53:58,040
Speaker 1: Yeah to another Prince parody or something. Let's talk about

942
00:53:58,080 --> 00:54:01,160
Speaker 1: what's in bagel bites. I think we've been dancing around

943
00:54:01,160 --> 00:54:07,759
Speaker 1: this bagel bites literally not mozzarella or not enough. Well,

944
00:54:07,960 --> 00:54:14,720
Speaker 1: that's the question question. They advertise it as having moza

945
00:54:15,000 --> 00:54:17,560
Speaker 1: real mozzarella cheese in that it has like the real

946
00:54:17,680 --> 00:54:23,160
Speaker 1: cheese seal on there too, and Wisconsin has some questions

947
00:54:23,800 --> 00:54:26,120
Speaker 1: because that's the cheese capital or that. Yeah, that's the

948
00:54:26,520 --> 00:54:29,920
Speaker 1: cheese you know, that's the chiefe state they wear. Mother,

949
00:54:30,000 --> 00:54:33,600
Speaker 1: they fucking cheese heads. I understand the energy that these

950
00:54:33,640 --> 00:54:36,400
Speaker 1: people are coming with, because yes, this woman is suing

951
00:54:36,800 --> 00:54:39,960
Speaker 1: because say, I'm being misled around the mozzarella cheese. Now,

952
00:54:40,280 --> 00:54:43,560
Speaker 1: this person's lawsuit is saying that they're claiming. Look, Wisconsin

953
00:54:43,719 --> 00:54:48,239
Speaker 1: and federal regulations require an equalte any purported mozzarella that

954
00:54:48,320 --> 00:54:51,400
Speaker 1: contains added food starts in place of milk to be

955
00:54:51,600 --> 00:54:56,960
Speaker 1: labeled as imitation mozzarella cheese. Now, now what's happened now

956
00:54:57,360 --> 00:55:00,520
Speaker 1: before this heinz Craft, the owner of Go Bites, that

957
00:55:00,680 --> 00:55:03,080
Speaker 1: it's all good, really, because what we say is we

958
00:55:03,200 --> 00:55:06,239
Speaker 1: do have some real monzolla cheese and we have some

959
00:55:06,760 --> 00:55:08,760
Speaker 1: that is kind of that other one with the food starts.

960
00:55:08,880 --> 00:55:11,360
Speaker 1: So what we call it is a cheese blend, and

961
00:55:11,480 --> 00:55:13,239
Speaker 1: so we're okay with that because we're not saying it

962
00:55:13,280 --> 00:55:15,200
Speaker 1: would have to say imitation, because there is real ships.

963
00:55:15,239 --> 00:55:17,400
Speaker 1: Don't you back the funk off? You're still eating it,

964
00:55:17,440 --> 00:55:21,440
Speaker 1: aren't you stupid? So the lawsuit goes on and it

965
00:55:21,600 --> 00:55:24,120
Speaker 1: just I love the way this is sort of worded,

966
00:55:24,160 --> 00:55:26,760
Speaker 1: but essentially this person is suing on behalf of anyone

967
00:55:26,840 --> 00:55:29,640
Speaker 1: who bought bagel bites in Wisconsin. Okay, you were part

968
00:55:29,719 --> 00:55:32,440
Speaker 1: of this class action lawsuit now, and they're all they're

969
00:55:32,440 --> 00:55:34,600
Speaker 1: asking is like, just correct the packaging, you know what

970
00:55:34,680 --> 00:55:37,160
Speaker 1: I mean? And there's unspecified damages. I don't know what

971
00:55:37,560 --> 00:55:39,080
Speaker 1: what kind of swing you take when you're trying to

972
00:55:39,120 --> 00:55:43,640
Speaker 1: sue Heinz Craft over bagel bites and what I have

973
00:55:43,920 --> 00:55:47,200
Speaker 1: unspecified so far. Yeah, but I just want to read

974
00:55:47,200 --> 00:55:49,759
Speaker 1: this quote from the lawsuits quote, Wisconsin consumers want real

975
00:55:49,840 --> 00:55:53,720
Speaker 1: mozzola monzolla cheese and pizza because they won value. It's soft,

976
00:55:53,800 --> 00:55:57,560
Speaker 1: moist texture too, it's milky yet tangy taste, and three

977
00:55:57,600 --> 00:56:01,120
Speaker 1: it's high protein and relatively lowcal reason sodium compared to

978
00:56:01,200 --> 00:56:04,160
Speaker 1: other cheeses. So this is a viral stunt by big

979
00:56:04,280 --> 00:56:09,120
Speaker 1: Mozzarella Cheese. It seems like because you pulled up in

980
00:56:09,200 --> 00:56:12,320
Speaker 1: that mazzi, you know what I mean. I don't know,

981
00:56:12,920 --> 00:56:15,040
Speaker 1: but it does seem to be part of like a

982
00:56:15,719 --> 00:56:18,160
Speaker 1: On one hand, I understand the cheese passion of the

983
00:56:18,239 --> 00:56:21,760
Speaker 1: people Wisconsin, but this also this same lawyer who's finding

984
00:56:21,800 --> 00:56:24,359
Speaker 1: this lawsuit is also representing someone that's suing an ice

985
00:56:24,400 --> 00:56:28,600
Speaker 1: cream company for not using real vanilla flavoring. So this

986
00:56:29,000 --> 00:56:30,960
Speaker 1: this this kind of falls like in line even with

987
00:56:31,080 --> 00:56:34,000
Speaker 1: like the Subway tuna thing, which, by the way, the

988
00:56:34,160 --> 00:56:37,759
Speaker 1: tuna that was just nonsense. There was these people in

989
00:56:37,920 --> 00:56:41,440
Speaker 1: northern California sued Subway because they claimed it wasn't tuna

990
00:56:41,560 --> 00:56:44,440
Speaker 1: in the tuna. They're like, it's not tuna, and that's

991
00:56:44,440 --> 00:56:46,880
Speaker 1: why we're suing. It's a lie. But then like if

992
00:56:46,920 --> 00:56:49,200
Speaker 1: you like, magazine outlets are like, let's just go get

993
00:56:49,280 --> 00:56:51,879
Speaker 1: this DNA tested to see what the substances, and people like, yeah,

994
00:56:51,880 --> 00:56:54,239
Speaker 1: this is tuna. But I don't know, Like I guess

995
00:56:54,440 --> 00:56:56,759
Speaker 1: we haven't heard where that lawsuit is gone, but it

996
00:56:56,840 --> 00:56:58,800
Speaker 1: got a lot of people to talk about it. But

997
00:56:58,960 --> 00:57:00,440
Speaker 1: this seems like a thing where these like sort of

998
00:57:00,680 --> 00:57:03,560
Speaker 1: easy to win or like worth getting a settlement for

999
00:57:03,640 --> 00:57:05,640
Speaker 1: because you're kind of being like, oh shit, okay, I'm

1000
00:57:05,640 --> 00:57:07,799
Speaker 1: gonna hit him with the that's not real mozzarella cheese

1001
00:57:07,960 --> 00:57:09,800
Speaker 1: and then they'll give me like a quick settlement and

1002
00:57:09,880 --> 00:57:12,920
Speaker 1: boom boom, I've got me. I got a new fucking

1003
00:57:13,000 --> 00:57:15,320
Speaker 1: charger or whatever. Then they do the DNA testing on

1004
00:57:15,400 --> 00:57:21,040
Speaker 1: the cheese. It's true, it turns out his tuna, and

1005
00:57:21,080 --> 00:57:26,000
Speaker 1: then we're all fucked up. Literally it's from Sicily. It's

1006
00:57:26,120 --> 00:57:30,880
Speaker 1: literally Sicilian. Oh just side note. You know, every time

1007
00:57:30,920 --> 00:57:34,280
Speaker 1: you're saying mozzarella cheese, I just kept on thinking Mozzarelli

1008
00:57:34,400 --> 00:57:39,120
Speaker 1: cheese because there's this commercial that Tommy Davidson was in

1009
00:57:39,320 --> 00:57:44,280
Speaker 1: for this um from a Living Color. Tommy David's, Yeah, Tommy,

1010
00:57:45,720 --> 00:57:48,360
Speaker 1: this episode down for people of the eighties and nineties.

1011
00:57:49,960 --> 00:57:52,160
Speaker 1: Go on, Man, so you popped on your CRT TV

1012
00:57:53,600 --> 00:57:56,640
Speaker 1: and he u is, it's he's the spokesperson for this

1013
00:57:57,160 --> 00:58:01,320
Speaker 1: item called the Pizzone, which is for I guess it

1014
00:58:01,400 --> 00:58:03,880
Speaker 1: was maybe maybe it's Pizza Hut. I don't know some

1015
00:58:03,920 --> 00:58:07,320
Speaker 1: pizza chain, right, And he said, and then he was

1016
00:58:07,440 --> 00:58:09,960
Speaker 1: he's like tantalizing topics. He said. At one point he

1017
00:58:10,000 --> 00:58:13,000
Speaker 1: goes Mazzarelli cheese, and the way he says Mozzarelli just

1018
00:58:13,040 --> 00:58:16,120
Speaker 1: sounds funny to me. It says Mozzarelli instead of Mozzareli chies.

1019
00:58:16,160 --> 00:58:18,000
Speaker 1: I mean it sounds like he's saying Mozzarelli at least

1020
00:58:18,240 --> 00:58:21,840
Speaker 1: because the pizza you eat, like a sald it's mozzarella cheese,

1021
00:58:21,920 --> 00:58:27,280
Speaker 1: And it sounds like he's saying Mozzarelli cheese. He's getting queer,

1022
00:58:27,360 --> 00:58:33,200
Speaker 1: he's speaking very quickly. Cheese is tantalizing topics. It's funny

1023
00:58:33,240 --> 00:58:35,800
Speaker 1: how those like weird words stick out in your mind

1024
00:58:35,880 --> 00:58:39,720
Speaker 1: from a commercials from nineteen years ago. But it's still

1025
00:58:39,880 --> 00:58:42,000
Speaker 1: like I feel that way. There's like things I can't

1026
00:58:42,040 --> 00:58:45,200
Speaker 1: shake from my mind from like like there's like a

1027
00:58:45,360 --> 00:58:47,800
Speaker 1: I'm stuck on band Aid brands. There's like there's when

1028
00:58:48,000 --> 00:58:50,160
Speaker 1: there's like a four yeir old that says like Bandmaide

1029
00:58:50,240 --> 00:58:52,800
Speaker 1: brands doesn't actually say band Aid brands, And I laughed,

1030
00:58:52,920 --> 00:58:56,360
Speaker 1: like kids, stupid TV. And I still think of that

1031
00:58:56,400 --> 00:59:03,280
Speaker 1: ship now. Pizzarelli ticks so hardcore. Yeah, definitely, gosh, tons

1032
00:59:03,320 --> 00:59:08,480
Speaker 1: of stuff. Do we think the Wisconsin's Like I I

1033
00:59:08,680 --> 00:59:11,240
Speaker 1: had we had a HouseGuest from Wisconsin a couple of

1034
00:59:11,280 --> 00:59:14,680
Speaker 1: years ago, and they brought us cheese kurds from Wisconsin.

1035
00:59:15,160 --> 00:59:17,200
Speaker 1: I had that one. I had that one. Yeah, and

1036
00:59:17,280 --> 00:59:20,320
Speaker 1: they were like good, you know they were, but they

1037
00:59:20,360 --> 00:59:24,880
Speaker 1: weren't like any I'm just wondering if Wisconsin's like cheese

1038
00:59:25,200 --> 00:59:30,520
Speaker 1: aficionado thing that they're going with here is overdone, or

1039
00:59:30,600 --> 00:59:33,880
Speaker 1: if I just haven't had the right sampling of Wisconsin

1040
00:59:34,080 --> 00:59:39,680
Speaker 1: cheese that like, because I I'm a fan of all cheeses,

1041
00:59:39,960 --> 00:59:42,400
Speaker 1: like I feel like other states have kind of nailed

1042
00:59:42,440 --> 00:59:45,640
Speaker 1: the cheese thing to a certain degree. Dude, this might

1043
00:59:45,680 --> 00:59:49,440
Speaker 1: be a case of, like, what's overrated is Wisconsin the

1044
00:59:49,560 --> 00:59:53,360
Speaker 1: idea of Wisconsin cheese? You know. I'm also somebody who

1045
00:59:53,400 --> 00:59:55,760
Speaker 1: thinks craft singles are pretty good, so I might be

1046
00:59:56,120 --> 00:59:59,040
Speaker 1: the wrong wrong don't don't if he ever invites you

1047
00:59:59,080 --> 01:00:00,960
Speaker 1: over for shark houd or to be prepared to be

1048
01:00:01,160 --> 01:00:07,440
Speaker 1: very disappointed, only comes up bolognaan Crashic singles, Ritz Crackers.

1049
01:00:07,800 --> 01:00:11,800
Speaker 1: But it's on a really my boy, you're just in Italy, man,

1050
01:00:11,920 --> 01:00:13,800
Speaker 1: can't you relate? I'm like, well, if it was all

1051
01:00:13,880 --> 01:00:16,480
Speaker 1: really nice meats and stuff though, but it's just the

1052
01:00:16,600 --> 01:00:18,640
Speaker 1: cheese was just craft singles, like you know, it was

1053
01:00:18,720 --> 01:00:21,240
Speaker 1: just everything else is all really nice, Like, bro, couldn't

1054
01:00:21,240 --> 01:00:23,240
Speaker 1: you have at least taken the plastic off of these,

1055
01:00:24,480 --> 01:00:27,000
Speaker 1: Oh no, because then your fingerprints get embedded in the

1056
01:00:27,120 --> 01:00:31,840
Speaker 1: cheese slices and you'll you could tell. So maybe Craft

1057
01:00:31,880 --> 01:00:36,000
Speaker 1: singles for you is is underrated? Yeah? Yeah, I think

1058
01:00:36,120 --> 01:00:39,200
Speaker 1: and speak only and over and underrated. That's how my

1059
01:00:39,280 --> 01:00:42,960
Speaker 1: brain works. Brent. It's been such a pleasure of having you. Man,

1060
01:00:43,040 --> 01:00:46,280
Speaker 1: Where can people uh find you and follow you? I

1061
01:00:46,440 --> 01:00:49,600
Speaker 1: understand you have a new podcast coming out on this

1062
01:00:49,760 --> 01:00:52,320
Speaker 1: very network. It is okay, yes, that is right on

1063
01:00:52,400 --> 01:00:55,360
Speaker 1: I Heart Radio. There is a it's it's not coming

1064
01:00:55,400 --> 01:00:58,000
Speaker 1: out or it is in the midst of coming out.

1065
01:00:58,080 --> 01:01:01,240
Speaker 1: I guess every every week. There's three episodes out coming

1066
01:01:01,840 --> 01:01:05,040
Speaker 1: every week. It's coming out. Yeah, it's coming out currently,

1067
01:01:05,640 --> 01:01:08,280
Speaker 1: and there are three episodes out already. But it is

1068
01:01:08,520 --> 01:01:11,400
Speaker 1: a it's based on this video that I made years

1069
01:01:11,440 --> 01:01:14,760
Speaker 1: ago called the Gangster Party Line Gangsters Calling, And I

1070
01:01:14,800 --> 01:01:17,280
Speaker 1: mean the premise of the video is for it was

1071
01:01:17,320 --> 01:01:18,960
Speaker 1: the gangsters can talk CRAF to each other. It was

1072
01:01:18,960 --> 01:01:21,120
Speaker 1: a hotline gangsters can call to talk craft to each other.

1073
01:01:21,480 --> 01:01:24,560
Speaker 1: And the number in the video is real and so, um,

1074
01:01:25,320 --> 01:01:26,919
Speaker 1: you know, it's a It was a Google Voice number

1075
01:01:27,000 --> 01:01:29,200
Speaker 1: and people still call that number to this day all

1076
01:01:29,240 --> 01:01:32,720
Speaker 1: the time. And so this podcast is just random people

1077
01:01:32,800 --> 01:01:37,400
Speaker 1: calling in and then me and some comedian friends talking

1078
01:01:37,480 --> 01:01:39,920
Speaker 1: crap with these people. I mean, I don't really talk.

1079
01:01:40,160 --> 01:01:42,160
Speaker 1: I'm not really a great crap talker myself, but I

1080
01:01:42,240 --> 01:01:48,439
Speaker 1: like to watch, you know, and I like to like, yeah,

1081
01:01:48,840 --> 01:01:51,040
Speaker 1: but yeah, we get we have different comedian guests on

1082
01:01:51,360 --> 01:01:54,920
Speaker 1: and um, some really good people calling in and talking

1083
01:01:55,000 --> 01:01:58,479
Speaker 1: crap and we uh and the season's finale is gonna

1084
01:01:58,480 --> 01:02:01,120
Speaker 1: be cool. It's gonna be a in the champions where

1085
01:02:01,160 --> 01:02:05,200
Speaker 1: I've heard from super producer Anna Hosen the actual energy

1086
01:02:05,320 --> 01:02:09,200
Speaker 1: that is put into figuring out ranking these people on

1087
01:02:09,320 --> 01:02:13,160
Speaker 1: the merits is like a whole other herculean effort. That's

1088
01:02:13,200 --> 01:02:15,120
Speaker 1: a whole Yeah, that was the whole thing doing the

1089
01:02:15,200 --> 01:02:18,040
Speaker 1: lineups and the matchup for the brackets for for that.

1090
01:02:18,160 --> 01:02:20,840
Speaker 1: But but yeah, we the ones that are out right now.

1091
01:02:21,480 --> 01:02:24,480
Speaker 1: Frankie Canonez is a guest on the first episode and

1092
01:02:24,760 --> 01:02:27,800
Speaker 1: more Casher and uh, Brian or Bowers is in the

1093
01:02:27,840 --> 01:02:31,800
Speaker 1: newest episode that just came out. So, um, that's it

1094
01:02:32,160 --> 01:02:35,680
Speaker 1: Gangster party Line podcast. It's called so you can check

1095
01:02:35,720 --> 01:02:38,440
Speaker 1: that in as far as me, I mean, you know, um,

1096
01:02:38,560 --> 01:02:41,080
Speaker 1: it's Brent Weinbach on most stuff, but Brent Winbach comedy

1097
01:02:41,120 --> 01:02:44,080
Speaker 1: on Instagram and but on YouTube. But that's one of

1098
01:02:44,160 --> 01:02:47,520
Speaker 1: my main stuff is Brent Weinbach. It's that's the YouTube channels.

1099
01:02:47,880 --> 01:02:51,160
Speaker 1: Everybody needs to go go there, right, Yeah, Bran, I

1100
01:02:51,280 --> 01:02:54,360
Speaker 1: have to say just the listeners. I like, there's a

1101
01:02:54,480 --> 01:02:56,400
Speaker 1: few times people come on like where Jack and I

1102
01:02:56,480 --> 01:02:59,840
Speaker 1: are like no, so much of the like the that's

1103
01:02:59,840 --> 01:03:03,880
Speaker 1: so one's done. Your videos are so fucking funny, and

1104
01:03:03,960 --> 01:03:07,160
Speaker 1: I can't recommend enough because most of them you're not in,

1105
01:03:07,480 --> 01:03:10,880
Speaker 1: so people wouldn't realize you're making all these And I'm like,

1106
01:03:11,240 --> 01:03:13,240
Speaker 1: sometimes I watched them, like I think Brent made this

1107
01:03:13,280 --> 01:03:16,280
Speaker 1: ship because that happens so much. That happens so much

1108
01:03:16,280 --> 01:03:19,120
Speaker 1: when they get stolen, you know, and re uploaded by people,

1109
01:03:19,160 --> 01:03:21,320
Speaker 1: and I'm not in them, and there's no like association

1110
01:03:21,480 --> 01:03:23,600
Speaker 1: that I have with them anymore. After they repl and

1111
01:03:23,680 --> 01:03:26,000
Speaker 1: they they end up like a lot of times they

1112
01:03:26,040 --> 01:03:29,120
Speaker 1: will go viral without my not like my upload won't

1113
01:03:29,160 --> 01:03:33,760
Speaker 1: be viral, but then their re upload real yeah exactly,

1114
01:03:33,840 --> 01:03:36,800
Speaker 1: yeah exactly, or just like weird random Instagram accounts of stuff,

1115
01:03:36,800 --> 01:03:40,400
Speaker 1: and and it's interesting that it's like it goes beyond me,

1116
01:03:40,680 --> 01:03:42,520
Speaker 1: Like it's like this thing that I made, and it's

1117
01:03:42,560 --> 01:03:44,680
Speaker 1: like I'm not even connected to it anymore, you know.

1118
01:03:44,840 --> 01:03:48,480
Speaker 1: But yeah, but the check out the work. It's fantastic,

1119
01:03:49,000 --> 01:03:50,840
Speaker 1: and I do want to say Gangster party line. It's

1120
01:03:50,880 --> 01:03:53,680
Speaker 1: so fucking funny the like, because a lot of these

1121
01:03:53,680 --> 01:03:56,280
Speaker 1: people are calling up just based on having seen the

1122
01:03:56,360 --> 01:03:58,040
Speaker 1: viral video and the fact that you put a real

1123
01:03:58,160 --> 01:04:02,200
Speaker 1: number in the viral video, and then they just come

1124
01:04:02,280 --> 01:04:04,240
Speaker 1: up with like not knowing what they're going to get.

1125
01:04:04,360 --> 01:04:07,440
Speaker 1: And some of them are so fucking good at just

1126
01:04:07,640 --> 01:04:10,000
Speaker 1: like the woman who was like, you sound like you're

1127
01:04:10,040 --> 01:04:12,840
Speaker 1: speaking with your whole body right now, right right, right

1128
01:04:13,000 --> 01:04:17,680
Speaker 1: right right. Yeah, that's one the first episode. Yeah, devastating. Yeah, anyways, Yeah,

1129
01:04:18,600 --> 01:04:20,640
Speaker 1: it's just been it's been fun. Yeah, we're you know,

1130
01:04:20,880 --> 01:04:23,920
Speaker 1: um get it on myheart I heeart radio app or

1131
01:04:24,000 --> 01:04:26,600
Speaker 1: you can wherever you get podcast Apple Music, wherever you

1132
01:04:26,640 --> 01:04:29,640
Speaker 1: get podcasts. Is there a tweet or some of the

1133
01:04:29,680 --> 01:04:33,919
Speaker 1: work of social media you wish? I don't really really

1134
01:04:34,320 --> 01:04:37,000
Speaker 1: like check that stuff out that much. We can also

1135
01:04:37,120 --> 01:04:39,840
Speaker 1: just tell them Miles and I can recommend a specific

1136
01:04:39,960 --> 01:04:43,400
Speaker 1: video from your YouTube page. But yeah, well what's yeah,

1137
01:04:43,440 --> 01:04:48,800
Speaker 1: let's yeah, I mentioned something like the fun is trying

1138
01:04:48,840 --> 01:04:51,800
Speaker 1: to look. I just don't don't really, I don't really

1139
01:04:51,880 --> 01:04:56,400
Speaker 1: look a look at tweets and things that much. You

1140
01:04:56,440 --> 01:04:59,040
Speaker 1: gotta keep your head in the game, baby, I'll say,

1141
01:04:59,560 --> 01:05:03,560
Speaker 1: just go to Brent winebox YouTube page because I mean

1142
01:05:03,760 --> 01:05:07,040
Speaker 1: it's look there you can watch past guests, Ryan sing

1143
01:05:07,160 --> 01:05:10,800
Speaker 1: or give birth. Okay, well yeah, actually that for that

1144
01:05:11,000 --> 01:05:13,680
Speaker 1: to see the full video that because it doesn't really

1145
01:05:13,800 --> 01:05:16,640
Speaker 1: violate guidelines. It really doesn't if you there's a lot

1146
01:05:16,680 --> 01:05:20,480
Speaker 1: of reasons why it doesn't. So that's the other thing

1147
01:05:20,520 --> 01:05:25,760
Speaker 1: about your video, So aren't on YouTube Ultimate Drumming Technique

1148
01:05:25,760 --> 01:05:27,600
Speaker 1: you gotta find that one. Well, you gotta go to

1149
01:05:27,640 --> 01:05:29,560
Speaker 1: the website for that one. Ultimately if you want to

1150
01:05:29,560 --> 01:05:34,760
Speaker 1: see the real, the uncensored version of technique. But and

1151
01:05:34,920 --> 01:05:37,800
Speaker 1: so is kind of this one. But man gives birth,

1152
01:05:37,880 --> 01:05:39,919
Speaker 1: it's on video. If you want to see Ryan Singer

1153
01:05:39,960 --> 01:05:42,760
Speaker 1: or give birth, you gotta go to my video channel,

1154
01:05:42,840 --> 01:05:45,200
Speaker 1: which is you know, video dot com slash barent wineboch

1155
01:05:45,280 --> 01:05:47,920
Speaker 1: and you can see the full version of that. Uh.

1156
01:05:48,040 --> 01:05:50,120
Speaker 1: And Gangster party Line is you know one of the

1157
01:05:50,160 --> 01:05:53,200
Speaker 1: first videos you see. That's yeah, that's on YouTube. And

1158
01:05:53,280 --> 01:05:55,480
Speaker 1: I have a good there's a very good chance the

1159
01:05:55,600 --> 01:05:58,720
Speaker 1: listeners you have seen this video because it was fucking epic.

1160
01:05:58,800 --> 01:06:04,240
Speaker 1: When when that came? Like when exactly? Yeah? Um, but

1161
01:06:04,320 --> 01:06:06,400
Speaker 1: yeah that one. That one's one of those ones for

1162
01:06:06,520 --> 01:06:10,680
Speaker 1: that just got re uploaded A box and stuff awesome.

1163
01:06:10,920 --> 01:06:13,240
Speaker 1: Miles Where can people find you? What's the tweet you've

1164
01:06:13,280 --> 01:06:17,840
Speaker 1: been enjoying Twitter, Instagram at Miles of Gray and also

1165
01:06:17,920 --> 01:06:21,400
Speaker 1: the other podcast four twenty Day Fiance. But check that

1166
01:06:21,480 --> 01:06:26,120
Speaker 1: out at twitch dot tv slash four Day Fiance. Um. Now,

1167
01:06:26,360 --> 01:06:29,720
Speaker 1: when I'm talking about some tweets, I like, let's see

1168
01:06:30,560 --> 01:06:34,200
Speaker 1: what you're talking about tweets. You like, we're talking tweets? Man,

1169
01:06:34,320 --> 01:06:37,080
Speaker 1: let me let me hit you with one of these tweets.

1170
01:06:37,360 --> 01:06:40,160
Speaker 1: Car At Carter Hamley tweeted every year, I'm giving no

1171
01:06:40,400 --> 01:06:43,520
Speaker 1: warning that the Kentucky Derby is happening. What if I

1172
01:06:43,600 --> 01:06:46,520
Speaker 1: wanted to go? I feel like I'm like, oh, ship,

1173
01:06:46,680 --> 01:06:50,120
Speaker 1: that's right, the Derby is happening. In five minutes, the

1174
01:06:50,200 --> 01:06:54,440
Speaker 1: horses are leaving the Oh, I guess next time. I

1175
01:06:54,560 --> 01:06:57,720
Speaker 1: keep me keep forgetting to write that down. And one

1176
01:06:57,800 --> 01:07:01,160
Speaker 1: more is from at Please be nice but g n

1177
01:07:01,240 --> 01:07:03,600
Speaker 1: E I s S. It's like a quote of some

1178
01:07:03,640 --> 01:07:06,080
Speaker 1: I'm saying we don't know the long term effects of

1179
01:07:06,160 --> 01:07:09,440
Speaker 1: the vaccine, and then in a parenthetical gets sunburned at

1180
01:07:09,440 --> 01:07:15,400
Speaker 1: the pool every weekend. Oh yeah, well one of those

1181
01:07:15,520 --> 01:07:17,720
Speaker 1: you know, you know, so I can you know, say,

1182
01:07:17,800 --> 01:07:25,280
Speaker 1: oh yeah that one. Yeah, oh yeah. At roast, Malone tweeted, uh,

1183
01:07:25,480 --> 01:07:29,360
Speaker 1: something that we're talking about in this episode. She said,

1184
01:07:29,400 --> 01:07:31,560
Speaker 1: TV shows love to cast twenty nine year old men

1185
01:07:31,560 --> 01:07:33,880
Speaker 1: as high school students and twenty nine year old women

1186
01:07:34,000 --> 01:07:38,920
Speaker 1: as moms. The there's a little piece of reporting from

1187
01:07:39,000 --> 01:07:44,000
Speaker 1: Megan k Stack on the Gates divorce. She said, sometimes

1188
01:07:44,080 --> 01:07:47,200
Speaker 1: there's that one small detail about a famous person that

1189
01:07:47,320 --> 01:07:50,160
Speaker 1: sticks with you for years, And for me, it's been

1190
01:07:50,280 --> 01:07:53,520
Speaker 1: that Bill Gates negotiated into his marriage the right to

1191
01:07:53,640 --> 01:07:57,280
Speaker 1: take an annual beach house weekend with his ex girlfriend

1192
01:07:58,360 --> 01:08:03,080
Speaker 1: what whatever? That that guy was fine with Epstein, so like,

1193
01:08:03,960 --> 01:08:07,520
Speaker 1: can you really be surprised? And then Aaron's real like,

1194
01:08:07,640 --> 01:08:10,160
Speaker 1: can that be backed up? I believe so damn. I mean,

1195
01:08:10,480 --> 01:08:12,640
Speaker 1: what a fucking weird guy like to be like? And

1196
01:08:12,800 --> 01:08:17,280
Speaker 1: I legally yeah, yeah, the ex girlfriends smash annually. People

1197
01:08:17,320 --> 01:08:20,040
Speaker 1: were asking that, and uh she dug it up In

1198
01:08:20,160 --> 01:08:22,479
Speaker 1: the tweet right below it, she said, thanks for digging

1199
01:08:22,520 --> 01:08:24,479
Speaker 1: this up. So now I know this has been in

1200
01:08:24,520 --> 01:08:26,639
Speaker 1: the back of my mind for more than two decades.

1201
01:08:26,960 --> 01:08:30,160
Speaker 1: Uh that that piece of reporting was two decades old. Real?

1202
01:08:30,800 --> 01:08:33,320
Speaker 1: What what's the dude who made Dilbertt? He's got similar

1203
01:08:33,400 --> 01:08:41,000
Speaker 1: vibes to that guy? Oh yeah, Scott Adams, Yeah yeah. Uh.

1204
01:08:41,160 --> 01:08:43,360
Speaker 1: You can find me on Twitter at Jack Underscore. O'Brien.

1205
01:08:43,400 --> 01:08:45,800
Speaker 1: You can find us on Twitter at daily Zeite guys.

1206
01:08:45,840 --> 01:08:48,879
Speaker 1: Were at the Daily Zeiteguys on Instagram. We have Facebook

1207
01:08:48,920 --> 01:08:51,559
Speaker 1: fam page and a website, Daily zeite Guys dot com,

1208
01:08:51,680 --> 01:08:55,320
Speaker 1: where we post our episodes on our footnote where we

1209
01:08:55,400 --> 01:08:57,320
Speaker 1: link off to the information that we talked about in

1210
01:08:57,400 --> 01:09:00,479
Speaker 1: today's episode as well as I saw. We think you

1211
01:09:00,520 --> 01:09:04,160
Speaker 1: should go check out Miles what piece of smooth jazz

1212
01:09:04,240 --> 01:09:07,240
Speaker 1: you can recommend to the people? Oh man, God showing it.

1213
01:09:08,000 --> 01:09:09,640
Speaker 1: I gotta I gotta think long and hard. I mean

1214
01:09:09,680 --> 01:09:11,479
Speaker 1: I would, I would probably pull up maybe some like

1215
01:09:11,600 --> 01:09:14,439
Speaker 1: Japanese City Pop or something, But what I want to

1216
01:09:14,520 --> 01:09:18,320
Speaker 1: do is hit people with a remix. Look still tipping

1217
01:09:18,720 --> 01:09:22,960
Speaker 1: and Diva Queen is Beyonce and my gowns together and

1218
01:09:23,120 --> 01:09:26,080
Speaker 1: this one fucking really works well together. It's by x

1219
01:09:26,080 --> 01:09:29,560
Speaker 1: says e x c Eazy. It's only gonna be on SoundCloud,

1220
01:09:29,640 --> 01:09:33,280
Speaker 1: but it's the it's the still Tipping Diva Queen b

1221
01:09:33,840 --> 01:09:36,160
Speaker 1: only v one Okay, and I know that doesn't make sense,

1222
01:09:36,200 --> 01:09:38,080
Speaker 1: but you'll have to check the foot notes for that link.

1223
01:09:38,680 --> 01:09:40,360
Speaker 1: And you know, just bumped ou out of your car

1224
01:09:41,439 --> 01:09:45,519
Speaker 1: alright on the on the Smooth Jazz Tip super producer

1225
01:09:45,760 --> 01:09:49,000
Speaker 1: Justin pointed out in the chat, there's a Dave Cause

1226
01:09:49,160 --> 01:09:54,000
Speaker 1: cruise in Europe that we will we will all be gone.

1227
01:09:54,479 --> 01:09:57,400
Speaker 1: Yeah yeah, so what will add that to the book notes?

1228
01:09:57,760 --> 01:10:00,600
Speaker 1: We just invade some other guys the and called the

1229
01:10:00,840 --> 01:10:03,080
Speaker 1: Daily Site guys cruise and they're like, what are the

1230
01:10:03,160 --> 01:10:05,240
Speaker 1: I thought these look No, we're not here for Dave Cause.

1231
01:10:05,400 --> 01:10:07,479
Speaker 1: Was using the infrastructure of your cruise to have our

1232
01:10:07,520 --> 01:10:12,120
Speaker 1: own things, The Cause Cruise, Um, the Dave Cruise, The

1233
01:10:12,200 --> 01:10:14,360
Speaker 1: Daily Ze Guys, the production of I Heart Radio. For

1234
01:10:14,439 --> 01:10:16,439
Speaker 1: more podcasts for My Heart Radio, visit the I Heart

1235
01:10:16,520 --> 01:10:19,280
Speaker 1: Radio app, Apple podcast or wherever you listen your favorite shows.

1236
01:10:19,760 --> 01:10:21,760
Speaker 1: That's gonna do it for this morning. We're back this

1237
01:10:21,880 --> 01:10:24,200
Speaker 1: afternoon to tell you what's trending and we'll talk to

1238
01:10:24,240 --> 01:10:25,439
Speaker 1: you all done. Bye bye,