1 00:00:01,360 --> 00:00:04,680 Speaker 1: Dan Dan. If I come to the breakfast club, I 2 00:00:04,760 --> 00:00:09,879 Speaker 1: call this the hot You're Award. You're alive? Can you 3 00:00:10,080 --> 00:00:13,440 Speaker 1: don't control? I'm not even doing here. I'm so peggy. 4 00:00:13,720 --> 00:00:16,759 Speaker 1: Are you're so petty? The world's most dangerous morning h 5 00:00:17,160 --> 00:00:20,840 Speaker 1: d j N This bitch, Angela stay in everybody's business, 6 00:00:20,880 --> 00:00:22,920 Speaker 1: but in a good rest, Charlomagne. The gut, the ruler 7 00:00:23,040 --> 00:00:26,520 Speaker 1: rubbed you the wrong way. The breakfast clubs for everybody. 8 00:00:38,520 --> 00:00:41,640 Speaker 1: Good morning USA, you're ya ya ya ya ya ya 9 00:00:41,720 --> 00:00:43,159 Speaker 1: ya ya ya ya ya ya ya ya ya ya 10 00:00:43,200 --> 00:00:45,080 Speaker 1: ya ya ya ya ya ya ya ya. Good morning 11 00:00:45,159 --> 00:00:48,480 Speaker 1: Angela ye, Good morning, DJ VY Charlomagne, the guy piece 12 00:00:48,560 --> 00:00:55,920 Speaker 1: to the planet. It's Friday. Well as you can see, 13 00:00:55,920 --> 00:00:58,080 Speaker 1: Angela Yee is not here today, Charlomagne. I guess he's 14 00:00:58,120 --> 00:01:00,880 Speaker 1: running a little bit late. Welcome wanting it is Friday. 15 00:01:01,480 --> 00:01:05,240 Speaker 1: If you're just waking up. What a night. Jay Z's 16 00:01:05,240 --> 00:01:08,160 Speaker 1: album was released last night at midnight four four four. 17 00:01:08,880 --> 00:01:11,160 Speaker 1: I got a chance to listen to it yesterday afternoon 18 00:01:11,319 --> 00:01:13,880 Speaker 1: and really vibe with it, and it's one of those 19 00:01:13,959 --> 00:01:18,320 Speaker 1: albums that whole fans and people who really listen to 20 00:01:18,480 --> 00:01:23,119 Speaker 1: lyrics will love. If necessarily you don't and you want 21 00:01:23,160 --> 00:01:25,160 Speaker 1: to dance and you want to shake your your bum mon. 22 00:01:26,120 --> 00:01:30,000 Speaker 1: It's not that type of album, very lyrical, drops a 23 00:01:30,160 --> 00:01:34,039 Speaker 1: lot of gems, talks about life. It's one of those 24 00:01:34,080 --> 00:01:35,880 Speaker 1: albums that when you listen to, like I got a 25 00:01:35,920 --> 00:01:37,560 Speaker 1: chance to listen to it in the car. I'm sure 26 00:01:37,640 --> 00:01:41,280 Speaker 1: Charlomagne said the same thing, because I know he's a 27 00:01:41,319 --> 00:01:43,399 Speaker 1: whole fan. When you get to listen to it, certain 28 00:01:43,440 --> 00:01:46,680 Speaker 1: things gives you a feeling like you know that that 29 00:01:46,760 --> 00:01:48,240 Speaker 1: tear up feeling, like you want to just tear up 30 00:01:48,240 --> 00:01:49,520 Speaker 1: a little bit, but you'd be like, now, I'm a man, 31 00:01:49,520 --> 00:01:52,240 Speaker 1: I ain't tearing up that type of feeling. Listen to 32 00:01:52,320 --> 00:01:56,520 Speaker 1: the whole album. Dope album. I like it. I like it. 33 00:01:56,600 --> 00:01:59,960 Speaker 1: I like, um, well, we're gonna be playing joints all morning. 34 00:02:00,000 --> 00:02:01,320 Speaker 1: Of course, we're gonna be doing a jay Z mix. 35 00:02:01,360 --> 00:02:02,840 Speaker 1: I'm gonna make some of the classics with some of 36 00:02:02,920 --> 00:02:05,240 Speaker 1: the new joints this morning. But I was really impressed. 37 00:02:05,240 --> 00:02:06,800 Speaker 1: I really loved the album. I thought it was gonna 38 00:02:06,840 --> 00:02:10,480 Speaker 1: be more about conscious in the world and f Donald 39 00:02:10,520 --> 00:02:13,200 Speaker 1: Trump and all that, but it's just about life, you know, 40 00:02:13,280 --> 00:02:17,960 Speaker 1: supporting each other, supporting black businesses, you know, growing up 41 00:02:18,200 --> 00:02:21,239 Speaker 1: in a relationship. It's so many dope things. There's so 42 00:02:21,320 --> 00:02:23,639 Speaker 1: many dope gems on that album. He talks about and 43 00:02:23,800 --> 00:02:26,280 Speaker 1: invested money into certain things and the mistakes that he 44 00:02:26,400 --> 00:02:29,760 Speaker 1: made and guiding people are what they should do. So 45 00:02:29,880 --> 00:02:33,280 Speaker 1: if if you thought Gary V was inspiration and when 46 00:02:33,280 --> 00:02:36,480 Speaker 1: he came up here yesterday, we replayed it this morning. 47 00:02:36,800 --> 00:02:38,800 Speaker 1: Some of the things that he says, if you really listen, 48 00:02:39,360 --> 00:02:42,919 Speaker 1: you'd be like, damn, maybe there's different moves I should 49 00:02:42,919 --> 00:02:46,120 Speaker 1: be making me and myself now. He talks about a story. 50 00:02:46,360 --> 00:02:48,920 Speaker 1: We're talking about jay Z's album. It was released at 51 00:02:48,960 --> 00:02:51,000 Speaker 1: midnight last night. He talks about a story about being 52 00:02:51,040 --> 00:02:54,480 Speaker 1: able to buy a building in Brooklyn and Dumbo, and 53 00:02:54,560 --> 00:02:56,040 Speaker 1: he could have bought the Brooklyn. He could have bought 54 00:02:56,040 --> 00:02:57,840 Speaker 1: the building at the time for like two million dollars. 55 00:02:58,320 --> 00:02:59,720 Speaker 1: And he said, if you'd have bought that building in 56 00:03:00,040 --> 00:03:01,720 Speaker 1: to buying all the cars and all the jury at 57 00:03:01,760 --> 00:03:04,640 Speaker 1: the time, that building is now worth twenty five million dollars. 58 00:03:04,680 --> 00:03:06,560 Speaker 1: And that's the way we have to stop start thinking. 59 00:03:06,880 --> 00:03:09,600 Speaker 1: And different coaches think that way and we don't. But 60 00:03:09,720 --> 00:03:11,680 Speaker 1: the album's though. I like the album. We'll talk about 61 00:03:11,720 --> 00:03:13,760 Speaker 1: it some more and we got a special guests joining 62 00:03:13,840 --> 00:03:16,440 Speaker 1: us this morning. All right, should we say with the 63 00:03:16,480 --> 00:03:18,239 Speaker 1: guests this, No, we don't want to say the guests this? 64 00:03:18,280 --> 00:03:20,200 Speaker 1: All right? Well, Donna Rawlings will be here too. I 65 00:03:20,240 --> 00:03:22,120 Speaker 1: don't know if you care about Donna Rawlings comedian and 66 00:03:22,120 --> 00:03:23,919 Speaker 1: you used to open up for Dave Chappelle front of 67 00:03:23,960 --> 00:03:26,960 Speaker 1: the room. Sometimes he'll be here as well. All right, well, 68 00:03:27,040 --> 00:03:29,800 Speaker 1: let's get the show cracking FA front page news. We're 69 00:03:29,800 --> 00:03:31,359 Speaker 1: gonna do a jay Z news this morning. We're gonna 70 00:03:31,360 --> 00:03:33,280 Speaker 1: be playing clips off the album. We're gonna be doing 71 00:03:33,320 --> 00:03:34,440 Speaker 1: a lot this morning. A matter of fact, can we 72 00:03:34,480 --> 00:03:35,840 Speaker 1: get into a joint this? Can we start off with 73 00:03:35,920 --> 00:03:38,400 Speaker 1: a jay Z record? Can we? All right? We get 74 00:03:38,600 --> 00:03:40,920 Speaker 1: we get permission or we're gonna get in trouble. I mean, 75 00:03:41,000 --> 00:03:43,200 Speaker 1: it's jay Z? How much in trouble? Can we get? Right? 76 00:03:43,720 --> 00:03:48,040 Speaker 1: All right, let's get into let's go kill jay Z? 77 00:03:49,080 --> 00:03:53,400 Speaker 1: All right? Ze morning? Everybody is DJ Envy, Angela, Yee, Charlomagne, 78 00:03:53,440 --> 00:03:55,520 Speaker 1: the guy we all the breakfast club. I'm trying to think. 79 00:03:56,000 --> 00:03:57,840 Speaker 1: Did the teams say they were taking vacation and I'm 80 00:03:57,840 --> 00:04:01,720 Speaker 1: the only one I didn't know? Is that what happened? Angela? 81 00:04:01,800 --> 00:04:03,800 Speaker 1: Ye's not here. I guess in Charlemagne it'll be here 82 00:04:03,800 --> 00:04:05,120 Speaker 1: in the second. But I'm trying to figure out if 83 00:04:05,400 --> 00:04:08,480 Speaker 1: everybody said they were taking vacation. I didn't read the email. 84 00:04:09,040 --> 00:04:10,560 Speaker 1: Now that didn't happen. A well, let's get in some 85 00:04:10,600 --> 00:04:14,640 Speaker 1: front page news, a front page news today. I know 86 00:04:14,720 --> 00:04:17,400 Speaker 1: you're probably tired of hearing Donald Trump's stories. Let's do 87 00:04:17,520 --> 00:04:20,560 Speaker 1: some jay Z news now. Also in this jay Z album, 88 00:04:20,600 --> 00:04:23,520 Speaker 1: he talks about Prince and how you know they had 89 00:04:23,560 --> 00:04:27,120 Speaker 1: the problem with princes and princesses state where princess estate 90 00:04:27,640 --> 00:04:31,039 Speaker 1: was actually supposed to allow title to have princess music, 91 00:04:31,320 --> 00:04:34,320 Speaker 1: they sent assistant to seize and pull the music. Well, 92 00:04:34,600 --> 00:04:37,000 Speaker 1: let's hear jay Z talking about Prince and the state 93 00:04:37,520 --> 00:04:40,600 Speaker 1: shat down with press out of eye. He told me 94 00:04:40,720 --> 00:04:44,400 Speaker 1: he's which just before he died LANDA McMillan, he must 95 00:04:44,480 --> 00:04:47,719 Speaker 1: do blah blah. You only see green from new purple eye. 96 00:04:48,800 --> 00:04:53,320 Speaker 1: They eyes high, they eyes high eyes. Why shut to allah? 97 00:04:55,400 --> 00:04:59,280 Speaker 1: They always been fishing, but the ain't no bigging lady. Huh. 98 00:05:00,800 --> 00:05:04,320 Speaker 1: So that's talking about Prince and how he feels that 99 00:05:04,960 --> 00:05:07,720 Speaker 1: his family's being greedy selling tickets to walk through his 100 00:05:07,800 --> 00:05:12,520 Speaker 1: house surprised that they did at auction off the casket 101 00:05:13,360 --> 00:05:16,480 Speaker 1: and his conversation with with Prince. Like I said, the 102 00:05:16,520 --> 00:05:18,720 Speaker 1: album is really in depth. He talks about a lot 103 00:05:18,760 --> 00:05:22,800 Speaker 1: of things no Id produced. The album album gives you 104 00:05:22,880 --> 00:05:25,080 Speaker 1: that old soul feeling a lot of samples, a lot 105 00:05:25,120 --> 00:05:30,760 Speaker 1: of of of feeling. Also, um, there's only two features. 106 00:05:30,920 --> 00:05:34,520 Speaker 1: One is Damian Marley and the other is Frank Ocean. 107 00:05:34,800 --> 00:05:40,279 Speaker 1: Now on Apology, he talks about his relationship with Beyonce 108 00:05:40,520 --> 00:05:43,400 Speaker 1: and how their relationship with a little left and how 109 00:05:43,480 --> 00:05:46,000 Speaker 1: he cheated and how he's apologizing. Let's play it a 110 00:05:46,040 --> 00:05:50,680 Speaker 1: little bit of that. I apologize took for my child 111 00:05:50,680 --> 00:05:54,000 Speaker 1: to be bar woman's eye, to put his natural twins, 112 00:05:54,200 --> 00:05:56,600 Speaker 1: to believe the miracles took me too. Love for this song. 113 00:05:56,960 --> 00:06:01,400 Speaker 1: I don't deserve you. I rashed you out. Hans, please 114 00:06:01,480 --> 00:06:04,400 Speaker 1: come back to Rome, you make it home. We talk 115 00:06:04,440 --> 00:06:07,080 Speaker 1: four hours when you were on talk. Please pick up 116 00:06:07,120 --> 00:06:10,200 Speaker 1: the phone. Pick up the phone, he said, don't invest 117 00:06:10,279 --> 00:06:13,320 Speaker 1: me instead of be mine. That was my proposed puss 118 00:06:13,440 --> 00:06:17,160 Speaker 1: to go steady. That was your twenty first birthday. You Ma, 119 00:06:17,320 --> 00:06:20,359 Speaker 1: you're faster than me. I wasn't ready all right now, Also, 120 00:06:20,480 --> 00:06:22,880 Speaker 1: he talks about At the end of it, he says, 121 00:06:22,920 --> 00:06:26,560 Speaker 1: you know, I thought I wanted manage ATOI and I 122 00:06:27,000 --> 00:06:29,880 Speaker 1: basically disrespected my wife. Oh I could have disrespected my wife. 123 00:06:29,960 --> 00:06:32,200 Speaker 1: My soul mate is It's a dope joint. We'll play more. 124 00:06:32,480 --> 00:06:35,479 Speaker 1: We're gonna play more joints when we come back, all right, 125 00:06:35,560 --> 00:06:37,240 Speaker 1: but tell them why your mad is up next or 126 00:06:37,279 --> 00:06:39,360 Speaker 1: tell them why you're blessed eight hundred five eight five 127 00:06:39,440 --> 00:06:41,040 Speaker 1: one oh five one. If you're upset you need to 128 00:06:41,120 --> 00:06:43,600 Speaker 1: vin Kolis right now, or if you feel blessed eight 129 00:06:43,720 --> 00:06:46,000 Speaker 1: hundred five eight five one oh five one. We're gonna 130 00:06:46,000 --> 00:06:48,120 Speaker 1: be playing more jay Z joints this morning. We're gonna 131 00:06:48,120 --> 00:06:49,920 Speaker 1: be talking about the jay Z album and we have 132 00:06:50,120 --> 00:06:53,800 Speaker 1: a special guest joining us next hour. This person hasn't 133 00:06:53,839 --> 00:06:58,320 Speaker 1: done radio in twelve years twelve years, and decided to 134 00:06:58,360 --> 00:07:00,200 Speaker 1: pop up at the breakfast club. I keep the lock 135 00:07:00,279 --> 00:07:06,440 Speaker 1: just to breakfast club. Good morning, the breakfast club. Wake up, 136 00:07:06,520 --> 00:07:10,000 Speaker 1: wake up. Wait, this is your time to get it 137 00:07:10,040 --> 00:07:13,680 Speaker 1: off your chest, whether your man or blessed, we want 138 00:07:13,680 --> 00:07:16,720 Speaker 1: to hear from you on a breakfast club. Hello. Who's this? 139 00:07:18,520 --> 00:07:21,520 Speaker 1: Good morning? This is a This is Manning from Virginia. 140 00:07:21,720 --> 00:07:25,080 Speaker 1: Mid morning you blast them all you upset this morning? 141 00:07:25,120 --> 00:07:28,360 Speaker 1: Which one? Bro? I'm blussed, Bro, talk to me. I'm 142 00:07:29,120 --> 00:07:32,320 Speaker 1: blused because I'm actually re enlisting in the military for 143 00:07:32,400 --> 00:07:34,760 Speaker 1: six more years tomorrow. I'm gonna be honest with you. 144 00:07:34,800 --> 00:07:36,600 Speaker 1: That's kind of a silly decision being that Donald Trump 145 00:07:36,720 --> 00:07:38,840 Speaker 1: is in the White House, but uh, somebody got to 146 00:07:38,880 --> 00:07:41,600 Speaker 1: fight five country. I absolutely agree, salute everybody out there 147 00:07:41,600 --> 00:07:46,560 Speaker 1: in the military. But your leader is very, very very unstable. Well, 148 00:07:46,960 --> 00:07:49,080 Speaker 1: I mean, you guys got your opinions, but you know, 149 00:07:49,560 --> 00:07:52,000 Speaker 1: you know, I love you know, working from the military. 150 00:07:52,160 --> 00:07:55,560 Speaker 1: So do for Donald Trump is the question. We appreciate 151 00:07:55,600 --> 00:07:58,360 Speaker 1: your service, appreciate all you do. I ain't gonna lie. 152 00:07:58,360 --> 00:08:01,080 Speaker 1: We appreciate that, you know, no callment on that one. 153 00:08:01,160 --> 00:08:04,800 Speaker 1: But yeah, and also them also blussed because by the 154 00:08:04,920 --> 00:08:07,520 Speaker 1: end of this month, I'm also actually having my wedding 155 00:08:07,720 --> 00:08:12,160 Speaker 1: ceremony actually up in Wisconsin. So that's a good thing. Well, 156 00:08:12,200 --> 00:08:14,040 Speaker 1: I just I just hope that you don't end up 157 00:08:14,080 --> 00:08:17,200 Speaker 1: in any unnecessary wars man because of Donald Trump's Twitter. No, 158 00:08:17,720 --> 00:08:20,680 Speaker 1: absolutely not, but we'll see y'all goos. All right, brother, 159 00:08:20,840 --> 00:08:25,000 Speaker 1: all right, man, I appreciate it. Hello. Who's this from 160 00:08:25,000 --> 00:08:27,720 Speaker 1: the freaks day. Hey Ricardo, Man, you feel blessed? You mad? 161 00:08:27,800 --> 00:08:31,080 Speaker 1: This morning? I'm blasted, brother, I'm blasted. I'm alive at 162 00:08:31,120 --> 00:08:35,400 Speaker 1: a job. There you go. That's the stuff, Boddy, y'all 163 00:08:35,440 --> 00:08:37,640 Speaker 1: like your show man. That's one thing I'll probably be 164 00:08:37,760 --> 00:08:40,640 Speaker 1: saying to day man, thank you for all right? Right? 165 00:08:40,720 --> 00:08:42,800 Speaker 1: The name of the shot my breakfast club Sir? Tell 166 00:08:42,840 --> 00:08:47,200 Speaker 1: a friend, Hello, who's this? What's going on? What's up? Bro? 167 00:08:47,360 --> 00:08:49,280 Speaker 1: Tell him if are you mad? Or are you blessed 168 00:08:49,320 --> 00:08:52,559 Speaker 1: this morning? How can up you mad? I'm happy to 169 00:08:52,640 --> 00:08:54,880 Speaker 1: tell man, listen, that was the best birthday present I 170 00:08:54,920 --> 00:08:57,280 Speaker 1: could have asked for. That album is the album I wanted. 171 00:08:57,440 --> 00:09:00,439 Speaker 1: More importantly, it is the album I needed. I a 172 00:09:00,600 --> 00:09:04,480 Speaker 1: free man. I've been my whole life right and I'm 173 00:09:04,480 --> 00:09:08,319 Speaker 1: gonna keep it all yard. I think that's pointed album. 174 00:09:08,600 --> 00:09:12,880 Speaker 1: So this one right here I was playing, but man, 175 00:09:13,000 --> 00:09:16,120 Speaker 1: this one here, Yeah, albums dope, Yeah, this is dope. 176 00:09:16,160 --> 00:09:17,880 Speaker 1: This is one of the ones that I think God 177 00:09:17,960 --> 00:09:21,760 Speaker 1: go in uh jay Z's catalog like like this don't 178 00:09:21,800 --> 00:09:24,520 Speaker 1: feel like Magna Carta. It don't feel like old Jay's 179 00:09:24,520 --> 00:09:28,600 Speaker 1: album before Magna Carta. I don't remember well, I can't 180 00:09:28,600 --> 00:09:30,520 Speaker 1: remember either that's my point. You know what I'm saying. 181 00:09:30,559 --> 00:09:33,640 Speaker 1: I'm saying that those albums weren't decent, They just weren't memorable. 182 00:09:33,720 --> 00:09:35,920 Speaker 1: This one feels like something. It's like sticking to your 183 00:09:36,000 --> 00:09:38,319 Speaker 1: rims this morning. Get it off your chest eight hundred 184 00:09:38,400 --> 00:09:40,520 Speaker 1: five eight five one oh five one. If you're upset 185 00:09:40,600 --> 00:09:42,640 Speaker 1: you need the vent callers now, or if you feel 186 00:09:42,679 --> 00:09:45,240 Speaker 1: blessed us up? Why don't we tell them about the 187 00:09:45,480 --> 00:09:48,560 Speaker 1: guests A special guest this morning. You want to tell 188 00:09:48,640 --> 00:09:50,040 Speaker 1: them all? You want to do it now? You want 189 00:09:50,080 --> 00:09:52,640 Speaker 1: to wait? We can do it now this morning on 190 00:09:52,760 --> 00:09:56,839 Speaker 1: the show. Special guests hasn't done radio in twelve years. 191 00:09:56,960 --> 00:09:59,839 Speaker 1: That's what he said. That's what he told us, right, okay. 192 00:10:00,240 --> 00:10:03,880 Speaker 1: Legend icon Dave Chappelle will be joining us this morning. 193 00:10:03,960 --> 00:10:05,880 Speaker 1: Drop one of the clues bombs for Dave Chappelle. He 194 00:10:05,920 --> 00:10:08,959 Speaker 1: will be in at seven a m. Seven a m. 195 00:10:09,160 --> 00:10:11,760 Speaker 1: Dave Chappelle will be in the building. How dope is 196 00:10:11,800 --> 00:10:14,320 Speaker 1: that we got jay Z music last night? Dave Chappelle 197 00:10:14,320 --> 00:10:16,800 Speaker 1: in the building today? Oh man, we are blessed in 198 00:10:16,960 --> 00:10:19,480 Speaker 1: black and highly favored. Get it off your chest up. 199 00:10:19,559 --> 00:10:22,600 Speaker 1: Next is the Breakfast Club, Good Morning, The Breakfast Club 200 00:10:25,920 --> 00:10:29,640 Speaker 1: Wake up, wake up, wake you as your time to 201 00:10:29,679 --> 00:10:33,240 Speaker 1: get it off your chest with your man or bless. 202 00:10:33,320 --> 00:10:34,960 Speaker 1: We want to hear from you on the breakfast club 203 00:10:35,679 --> 00:10:43,560 Speaker 1: held tell me Slay staring he's finally got in la. 204 00:10:43,760 --> 00:10:48,240 Speaker 1: I'm right here. I was shot. Go on YouTube right 205 00:10:48,440 --> 00:10:53,520 Speaker 1: now and type in E l A I N one 206 00:10:53,800 --> 00:10:58,200 Speaker 1: mar m A. You are black. We know likes soon 207 00:10:58,320 --> 00:11:01,960 Speaker 1: bath not like me. I'm better. I got three bullets 208 00:11:02,080 --> 00:11:04,800 Speaker 1: in the headline, got shot three times. I can tell 209 00:11:05,120 --> 00:11:10,160 Speaker 1: in the head d No man, when, oh lord, I've 210 00:11:10,280 --> 00:11:12,800 Speaker 1: got to blow up dogs at the call? What the 211 00:11:13,000 --> 00:11:16,520 Speaker 1: lady Sildman? I wrote this book. It's called God wasn't 212 00:11:16,760 --> 00:11:21,480 Speaker 1: very fucking yet. Okay, that's put me. I'm a miracle 213 00:11:22,160 --> 00:11:31,640 Speaker 1: where where I'm right here? Baby, charlomn up man? What 214 00:11:31,800 --> 00:11:35,480 Speaker 1: you want me to do? Bull Let all know we 215 00:11:35,720 --> 00:11:39,920 Speaker 1: need this clid me in there. Let's I know he 216 00:11:40,160 --> 00:11:43,480 Speaker 1: takes bullets. I'm gonna be honest with you. I'm gonna 217 00:11:43,480 --> 00:11:45,480 Speaker 1: be honest with you. Yeah, Jayz's albums out right now, 218 00:11:45,559 --> 00:11:48,480 Speaker 1: so we're not really worried about stuff like this. But okay, 219 00:11:48,559 --> 00:11:50,599 Speaker 1: but we've had a lot of rappers in here that 220 00:11:50,679 --> 00:11:52,920 Speaker 1: have survived gunshot wounds. Can you put some music to 221 00:11:53,000 --> 00:11:55,080 Speaker 1: your bulletsto? I stop and you have a great mamma. 222 00:11:56,240 --> 00:11:58,760 Speaker 1: I wrote the book. We know you wrote a book. 223 00:11:58,760 --> 00:12:04,040 Speaker 1: What's the name of the book. I wasn't yet. It's Amazon. 224 00:12:04,360 --> 00:12:06,000 Speaker 1: All right, we're gonna look. I'm gonna check it out 225 00:12:06,000 --> 00:12:08,360 Speaker 1: and we're gonna see what we can do. Okay, Laine, Hello, 226 00:12:08,440 --> 00:12:14,840 Speaker 1: who's this? Come on? Hey? You're mad? You upset? You blast? 227 00:12:14,920 --> 00:12:18,120 Speaker 1: What's one? Mamma? I'm mad? Why are you mad? Because 228 00:12:18,360 --> 00:12:22,199 Speaker 1: mb Why are Charlomagne and Angeloide not there with you 229 00:12:22,320 --> 00:12:25,640 Speaker 1: this morning? I'm here finally got in a Really, Charlomagne, 230 00:12:25,640 --> 00:12:27,640 Speaker 1: you've been coming to work late lately. I don't know 231 00:12:27,679 --> 00:12:29,360 Speaker 1: what's up. You're trying to set an a dancer for 232 00:12:29,440 --> 00:12:31,280 Speaker 1: the people and stuff or whatever. But you can't become 233 00:12:31,440 --> 00:12:34,600 Speaker 1: late only down and stuff or whatever. You gotta do better. 234 00:12:34,760 --> 00:12:37,520 Speaker 1: You right, baby? Last night was my birthday, though, Well, 235 00:12:37,640 --> 00:12:39,400 Speaker 1: you know why you still got to go to work. 236 00:12:39,679 --> 00:12:44,920 Speaker 1: You're right, possibility, You don't hanging like that. That's not 237 00:12:45,080 --> 00:12:47,520 Speaker 1: fair telling him right, I'm not even I'm not even 238 00:12:47,559 --> 00:12:49,840 Speaker 1: gonna dispute you. You right, Yes, you gotta do better. 239 00:12:49,920 --> 00:12:52,199 Speaker 1: But I read the book. I brought the book. I 240 00:12:52,360 --> 00:12:55,439 Speaker 1: have it on on audios everything. I love that you 241 00:12:55,520 --> 00:12:58,079 Speaker 1: did a great job. Thank you, baby, Black privilege. Opportunity 242 00:12:58,160 --> 00:13:00,640 Speaker 1: comes to those who created is outright now. Thank you 243 00:13:00,679 --> 00:13:03,439 Speaker 1: for checking the Mama New York Times seller. Thank you 244 00:13:03,520 --> 00:13:06,120 Speaker 1: for purchasing. All right. Now, if you haven't heard our 245 00:13:06,160 --> 00:13:08,559 Speaker 1: special guests that I'll be joining us next hour is 246 00:13:08,880 --> 00:13:12,839 Speaker 1: Dave Chappelle. Yes, d Dave Chappelle, comedian, extrading there and 247 00:13:13,000 --> 00:13:16,040 Speaker 1: legend icon whatever you want to call him. He will 248 00:13:16,040 --> 00:13:18,079 Speaker 1: be at seven am. He told us he hasn't done 249 00:13:18,160 --> 00:13:20,520 Speaker 1: radio in twelve years. That's right, all right, So we're 250 00:13:20,520 --> 00:13:22,559 Speaker 1: gonna kick it with Dave Chappelle next hour. I wonder 251 00:13:22,600 --> 00:13:25,079 Speaker 1: what he considers radio, because I damn Shaw heard him 252 00:13:25,080 --> 00:13:28,199 Speaker 1: on Sway yesterday, so well, I don't know what. We'll 253 00:13:28,240 --> 00:13:30,160 Speaker 1: talk to him. Yeah, next hour. It is the Breakfast Club. 254 00:13:30,200 --> 00:13:37,160 Speaker 1: Good morning, the Breakfast Club Morning. Everybody is DJ Envy, 255 00:13:37,280 --> 00:13:40,040 Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club. 256 00:13:40,080 --> 00:13:42,319 Speaker 1: We guest some special guests in the building. Now we 257 00:13:42,400 --> 00:13:44,640 Speaker 1: have one special guy. Yeah. We always say we got 258 00:13:44,760 --> 00:13:50,200 Speaker 1: special guests right in the building. Don't always apply to everybody. 259 00:13:51,520 --> 00:13:55,240 Speaker 1: This one definitely applied dude when the start on show, like, yo, 260 00:13:55,280 --> 00:13:57,079 Speaker 1: see if we can get Donelle to come in, buddy, 261 00:13:57,520 --> 00:14:00,319 Speaker 1: I'm cool with. We have Ashy Larry Donnelle rollers and 262 00:14:00,480 --> 00:14:03,839 Speaker 1: we have a special guest that in twelve man, the 263 00:14:04,000 --> 00:14:08,880 Speaker 1: legendary that's right, iconic. Dave Chappelle, Oh my god, good morning. 264 00:14:09,720 --> 00:14:13,600 Speaker 1: Ain't good morning? You feel pressure to do a great 265 00:14:13,679 --> 00:14:14,920 Speaker 1: radio and have you since you haven't done it in 266 00:14:15,000 --> 00:14:18,360 Speaker 1: twelve years? Not really? Yeah, I mean, yeah, that's what 267 00:14:18,440 --> 00:14:20,400 Speaker 1: I want, you know, I want everybody like me. I 268 00:14:20,440 --> 00:14:23,920 Speaker 1: don't come out and try to do bad. But I 269 00:14:24,040 --> 00:14:26,400 Speaker 1: saw you with the fight Charlotmagne. Yes, I was at 270 00:14:26,480 --> 00:14:29,160 Speaker 1: the Triple G Danny Jacob's fight, and I gotta tell you, 271 00:14:29,200 --> 00:14:31,440 Speaker 1: I got excited to see that. I realized I've never 272 00:14:31,560 --> 00:14:33,600 Speaker 1: met this person. That's how I felt. I saw you 273 00:14:33,640 --> 00:14:35,720 Speaker 1: a few rolls up, I'm like, that's Dave Chappelle, and 274 00:14:35,840 --> 00:14:38,040 Speaker 1: then you turned around and you saluted. But I'm like, 275 00:14:38,160 --> 00:14:40,040 Speaker 1: I don't think you're doing that to me. I didn't 276 00:14:40,040 --> 00:14:45,160 Speaker 1: want us to look back at first. I wanted to 277 00:14:45,200 --> 00:14:46,880 Speaker 1: look back out from like, oh he's talking to me. 278 00:14:47,200 --> 00:14:49,120 Speaker 1: I told my wife, was see Dave Chappelle, just say 279 00:14:49,120 --> 00:14:50,880 Speaker 1: it was up to me. So I'm saying all that 280 00:14:50,960 --> 00:14:52,840 Speaker 1: to say, you know, I got really good for lay 281 00:14:52,880 --> 00:14:55,440 Speaker 1: show that night because you said, what's uping? I didn't 282 00:14:55,480 --> 00:15:06,520 Speaker 1: know where that was going. You're a big boxing guy, though, Yeah, 283 00:15:06,520 --> 00:15:08,560 Speaker 1: I love I love the fights. You know what happens, 284 00:15:08,640 --> 00:15:09,960 Speaker 1: you go to one good fight and then you're like 285 00:15:10,520 --> 00:15:12,760 Speaker 1: you want to see you know, like I was at 286 00:15:12,800 --> 00:15:15,920 Speaker 1: that Andrew Wood fight. I saw you on TV. Yeah, man, 287 00:15:16,640 --> 00:15:19,160 Speaker 1: I saw something great. That good. That was a great fight, 288 00:15:19,200 --> 00:15:21,360 Speaker 1: and I totally slept on because I thought Andrew was 289 00:15:21,360 --> 00:15:23,200 Speaker 1: gonna lose that second fight, and I was sure he's 290 00:15:23,240 --> 00:15:29,800 Speaker 1: going McGregor. Listen, personally, I think McGregor is gonna get destroyed. Absolutely. Yeah, 291 00:15:29,840 --> 00:15:34,040 Speaker 1: it's not. It's not even competitive. So if I spend 292 00:15:34,160 --> 00:15:37,760 Speaker 1: seven million dollars on a bet on Floyd, then I'll 293 00:15:37,840 --> 00:15:41,960 Speaker 1: make a million. Yeah, but is it gambling if you're short? Yes, 294 00:15:42,080 --> 00:15:49,480 Speaker 1: because he could have. Could you have too much boxing 295 00:15:49,520 --> 00:15:51,960 Speaker 1: to know that that's not gonna happen? It's not. It's 296 00:15:52,040 --> 00:15:54,640 Speaker 1: I'd be like the Golden State Warriors playing your local 297 00:15:54,760 --> 00:15:59,200 Speaker 1: high school. Still, I'm still talking seven million dollars bet. 298 00:15:59,200 --> 00:16:01,920 Speaker 1: I'm not how you do that when you get a 299 00:16:01,960 --> 00:16:05,160 Speaker 1: fifty million dollar deal from Netflix. Mean, I wouldn't do it, 300 00:16:05,240 --> 00:16:06,360 Speaker 1: but you know what I mean. Do you wake in 301 00:16:06,440 --> 00:16:08,960 Speaker 1: baking the morning day? Do you wait till after breakfast? Yeah, 302 00:16:09,120 --> 00:16:12,360 Speaker 1: I'm a waiter. I usually late at night. Oh at night. Okay, okay, 303 00:16:12,680 --> 00:16:14,600 Speaker 1: you said something interesting. You said you you don't ever 304 00:16:14,720 --> 00:16:17,200 Speaker 1: want to just present something bad. You still feel like 305 00:16:17,200 --> 00:16:19,720 Speaker 1: you got something to prove because you're like critically acclaimed, 306 00:16:20,080 --> 00:16:23,080 Speaker 1: you're respected by your peers. You feel still like you 307 00:16:23,600 --> 00:16:26,720 Speaker 1: got something to proof. No, it's not it's not necessary. 308 00:16:26,760 --> 00:16:28,360 Speaker 1: You feel like you have something to prove. I'm sure 309 00:16:28,360 --> 00:16:30,880 Speaker 1: you guys feel the same way. It's like quality control, right, Yeah, 310 00:16:31,200 --> 00:16:33,880 Speaker 1: you want to make sure that whatever you offer you 311 00:16:34,080 --> 00:16:36,560 Speaker 1: put your best foot for. You know that's done. Mean 312 00:16:36,560 --> 00:16:39,080 Speaker 1: you want to prove anything. It just means you respect 313 00:16:39,120 --> 00:16:41,479 Speaker 1: the people that respect you, and you want to reciprocate 314 00:16:41,600 --> 00:16:44,560 Speaker 1: their respect with a good product. You should get nervous 315 00:16:44,560 --> 00:16:46,320 Speaker 1: when you do shows or this is a piece of 316 00:16:46,360 --> 00:16:48,720 Speaker 1: cake too. Well, one time it didn't work out, and 317 00:16:48,960 --> 00:16:50,920 Speaker 1: sometimes don't worry. You know what it's like and done. 318 00:16:51,000 --> 00:16:52,920 Speaker 1: You can tested this. People ask me, like, do you 319 00:16:53,000 --> 00:16:55,200 Speaker 1: get nervous when you're going stage? It's like asking a 320 00:16:55,320 --> 00:16:58,360 Speaker 1: pilot if he gets nervous before a flight. I might 321 00:16:58,480 --> 00:17:05,880 Speaker 1: hit some weather, but I feel like normally were laying 322 00:17:05,920 --> 00:17:08,639 Speaker 1: the plane. I don't think we've bever not landed. Maybe Detroit. 323 00:17:08,840 --> 00:17:11,240 Speaker 1: Other than that, By the way, I would never want 324 00:17:11,320 --> 00:17:12,960 Speaker 1: I would never want to know if my pilot was nervous, 325 00:17:12,960 --> 00:17:14,879 Speaker 1: by the way, you want on nervous pilot. I'm just 326 00:17:14,880 --> 00:17:19,120 Speaker 1: a little confused because everybody's throwing so much respect and Dave, 327 00:17:19,160 --> 00:17:20,880 Speaker 1: I've been on this show four or five times. When 328 00:17:20,880 --> 00:17:22,560 Speaker 1: I come in here, they don't even look me at 329 00:17:22,600 --> 00:17:27,560 Speaker 1: my face icon every time I come here. Y'all on 330 00:17:27,680 --> 00:17:30,640 Speaker 1: social media, y'all everything, no, no, what about that time 331 00:17:30,720 --> 00:17:32,920 Speaker 1: you came and I told everybody that said, no matter 332 00:17:32,960 --> 00:17:40,800 Speaker 1: what Donnelle says, do not laugh. It was like it 333 00:17:40,920 --> 00:17:44,440 Speaker 1: was like, oh, this looked like the set up. What 334 00:17:44,640 --> 00:17:47,280 Speaker 1: made you even like down there was? It was what 335 00:17:49,560 --> 00:17:51,399 Speaker 1: was it down there that saying, you know, I can 336 00:17:51,480 --> 00:17:54,680 Speaker 1: work with this guy. The first time I heard about you, 337 00:17:54,760 --> 00:17:57,479 Speaker 1: I was I went home to DC and I went 338 00:17:57,680 --> 00:17:59,800 Speaker 1: to the comedy club. When I asked some old comers 339 00:17:59,840 --> 00:18:02,639 Speaker 1: like was popping around here, and everybody was like, yo, 340 00:18:02,760 --> 00:18:06,119 Speaker 1: you gotta see this new kid done now rolling and 341 00:18:06,200 --> 00:18:08,600 Speaker 1: then I met you and we had we had a 342 00:18:08,640 --> 00:18:13,119 Speaker 1: swell time, remember that. Yeah, I do all right, swell 343 00:18:13,200 --> 00:18:27,000 Speaker 1: time Wenna everywhere. I watched the like okay, like I 344 00:18:27,200 --> 00:18:29,000 Speaker 1: watched your show one line all the time, Like I 345 00:18:29,119 --> 00:18:31,679 Speaker 1: watched all you guys I've seen. I just watched an 346 00:18:31,760 --> 00:18:34,560 Speaker 1: interview that you did with Neil. Yeah face, yeah, it's 347 00:18:34,600 --> 00:18:38,120 Speaker 1: my guy. I watched you on a real estate show. Yeah. 348 00:18:39,000 --> 00:18:41,840 Speaker 1: And then I and I saw you with the DJ 349 00:18:42,000 --> 00:18:44,720 Speaker 1: Award I presented awards. Yeah, and you promise you said 350 00:18:44,720 --> 00:18:46,080 Speaker 1: I'm gonna come on the show. You said, you know, 351 00:18:46,160 --> 00:18:48,000 Speaker 1: I need a little time, but I'm gonna come. Yeah, 352 00:18:48,040 --> 00:18:50,359 Speaker 1: that's right, that's right. You definitely kept your work. Yeah, man, 353 00:18:50,480 --> 00:18:52,000 Speaker 1: soon to my guy, Neil, why why do you think 354 00:18:52,000 --> 00:18:55,159 Speaker 1: white people gravitated towards you your comedy, because it's been 355 00:18:55,200 --> 00:18:57,159 Speaker 1: like that your whole career. Well, you know, I don't know. 356 00:18:57,200 --> 00:18:58,680 Speaker 1: I don't look at it that way, like the whites 357 00:18:58,680 --> 00:19:02,359 Speaker 1: are really gravitating to it. I don't use those I 358 00:19:02,440 --> 00:19:07,399 Speaker 1: don't use those kinds of metrics. I think all of us, 359 00:19:07,560 --> 00:19:10,159 Speaker 1: at some point we have ventured into some kind of 360 00:19:10,280 --> 00:19:15,280 Speaker 1: cultural crossroad with black people will corporate people, and we 361 00:19:15,920 --> 00:19:18,800 Speaker 1: were alot smoke. We we all, you know, we traverse 362 00:19:18,880 --> 00:19:21,440 Speaker 1: the American landscape. So I don't think there's anyone in 363 00:19:21,480 --> 00:19:24,440 Speaker 1: America that I'm incapable of communicating to on some level. 364 00:19:24,560 --> 00:19:27,359 Speaker 1: Now we think so sensitive. Now do you think you 365 00:19:27,400 --> 00:19:30,080 Speaker 1: could do the Dave Chappelle's Show and not have backlash? 366 00:19:30,119 --> 00:19:32,520 Speaker 1: Because it seems like everything is sensitive. You say a 367 00:19:32,600 --> 00:19:34,639 Speaker 1: word and people are already crying and picking it outside 368 00:19:34,680 --> 00:19:37,480 Speaker 1: of things, Hey man, president grads, girls a by the 369 00:19:38,720 --> 00:19:41,680 Speaker 1: That's all you need to know, right, That's that's where 370 00:19:41,680 --> 00:19:47,000 Speaker 1: it's said. You know, you know, and comedians wipe out, 371 00:19:47,440 --> 00:19:49,760 Speaker 1: you know everybody that sometimes you're gonna say something that 372 00:19:49,960 --> 00:19:52,320 Speaker 1: you might be wrong, but that's that's the nature of 373 00:19:52,359 --> 00:19:55,600 Speaker 1: the genre, you know, to not take a chance for 374 00:19:55,800 --> 00:19:58,440 Speaker 1: fear of that would be would not be being true 375 00:19:58,480 --> 00:20:01,040 Speaker 1: to the music. Would you ever apologize if you said 376 00:20:01,080 --> 00:20:04,439 Speaker 1: something too far? If if if I can see if 377 00:20:04,520 --> 00:20:08,200 Speaker 1: I actually concede this too far? But it's a it's 378 00:20:08,240 --> 00:20:09,840 Speaker 1: a touchy line, you know what I mean. I go, 379 00:20:10,040 --> 00:20:13,159 Speaker 1: I like, I like it harder I think I think that. Yeah, No, 380 00:20:13,240 --> 00:20:15,159 Speaker 1: I'm gonna say you have you have quite possibly the 381 00:20:15,200 --> 00:20:21,080 Speaker 1: greatest rape joke of all time. Billy what he said 382 00:20:21,680 --> 00:20:23,840 Speaker 1: was that? Was that an observation you was pondering? Or 383 00:20:25,280 --> 00:20:27,479 Speaker 1: I mean, you know, the thing is, this is a thing. 384 00:20:27,680 --> 00:20:31,120 Speaker 1: It's tough to talk about jokes because I don't want 385 00:20:31,160 --> 00:20:34,400 Speaker 1: to open to do it all these weird like analytics 386 00:20:34,520 --> 00:20:37,359 Speaker 1: like what does he actually mean by that? That's a 387 00:20:37,440 --> 00:20:41,480 Speaker 1: slippery slope. Well, you know, I don't want to antagonize 388 00:20:41,520 --> 00:20:44,320 Speaker 1: anybody or intentionally offense somebody. Have you come up with 389 00:20:44,359 --> 00:20:46,240 Speaker 1: an answer for as far as like what should we 390 00:20:46,320 --> 00:20:48,120 Speaker 1: do with Bill copy? Should be still watch his work? 391 00:20:48,560 --> 00:20:51,520 Speaker 1: Should we still appreciate his art? To have an answer 392 00:20:51,600 --> 00:20:54,920 Speaker 1: for that? Yeah, No, the question, it's a kind of 393 00:20:55,040 --> 00:20:57,440 Speaker 1: question that makes one question got you you know what 394 00:20:57,520 --> 00:20:59,199 Speaker 1: I mean, Like, it's a it's a tough one, man, 395 00:20:59,240 --> 00:21:01,199 Speaker 1: because you know, where's the accused of? Is very serious? 396 00:21:01,200 --> 00:21:03,719 Speaker 1: I don't, I don't. I don't like take that lightly. However, 397 00:21:04,600 --> 00:21:07,480 Speaker 1: you know, I don't know it was seventies times this 398 00:21:07,760 --> 00:21:09,440 Speaker 1: crazy going on. I don't know what. I don't know 399 00:21:09,480 --> 00:21:13,440 Speaker 1: what to say. Yea, America's dad is now America's rates. Yeah, 400 00:21:13,680 --> 00:21:17,119 Speaker 1: but according to the New York Post, yeah, it's a 401 00:21:17,200 --> 00:21:20,080 Speaker 1: tough one. We got more with Dave Chappelle and Donna Rowlins. 402 00:21:20,119 --> 00:21:22,160 Speaker 1: When we come back, don't move. It's the Breakfast Club. 403 00:21:22,200 --> 00:21:29,160 Speaker 1: Good Morning, the Breakfast Club Morning. Everybody is DJ Envy 404 00:21:29,240 --> 00:21:31,960 Speaker 1: Angela yee, Charlomagne the God. We all the Breakfast Club. 405 00:21:32,320 --> 00:21:35,840 Speaker 1: We have Dave Chappelle and Donnell Rawlins in the building. Yee. 406 00:21:36,160 --> 00:21:38,520 Speaker 1: I did appreciate on those specials that you didn't shy 407 00:21:38,640 --> 00:21:41,120 Speaker 1: away from any topics because I do feel like everybody's 408 00:21:41,160 --> 00:21:43,760 Speaker 1: so politically correct, you know. And I also find it 409 00:21:43,840 --> 00:21:46,479 Speaker 1: ironic that everybody's like, he walked away from fifty millions, 410 00:21:46,520 --> 00:21:49,120 Speaker 1: but then you came back and got sixty million doing 411 00:21:49,280 --> 00:21:54,160 Speaker 1: Netflix specials. Yeah, well, you know what. Yeah, thank god 412 00:21:54,240 --> 00:21:57,440 Speaker 1: that there was a happy ending to this, because I 413 00:21:57,480 --> 00:22:01,159 Speaker 1: could have just never worked again. Know, but I never stopped. 414 00:22:01,200 --> 00:22:02,880 Speaker 1: Even when I was like not in the public guy, 415 00:22:02,880 --> 00:22:05,760 Speaker 1: I was still playing comedy clubs and I found the 416 00:22:05,840 --> 00:22:09,320 Speaker 1: altitude that I was comfortable with and you know, a 417 00:22:09,560 --> 00:22:11,800 Speaker 1: good time. How many times I dated Danielle call you 418 00:22:11,840 --> 00:22:16,880 Speaker 1: and beg you to come back? He didn't calling. Were 419 00:22:16,920 --> 00:22:19,600 Speaker 1: you guys always in communication because Danielle did it? For 420 00:22:19,680 --> 00:22:22,240 Speaker 1: a while, he was in a state of depression. After 421 00:22:22,680 --> 00:22:29,320 Speaker 1: Danielle was he had a tough time myself, Like what 422 00:22:29,440 --> 00:22:33,720 Speaker 1: if me, I think, you know, when I was gone, 423 00:22:33,760 --> 00:22:35,560 Speaker 1: I think I stayed. Donie all stay in touch with 424 00:22:35,640 --> 00:22:37,159 Speaker 1: me and Neil were cool the whole time. You know, 425 00:22:38,080 --> 00:22:42,080 Speaker 1: it wasn't It wasn't as bad blood amongst like people 426 00:22:42,240 --> 00:22:44,639 Speaker 1: assume that I left in the hub. It wasn't like 427 00:22:45,000 --> 00:22:46,400 Speaker 1: I mean, I didn't leave in a hub. I wasn't 428 00:22:46,400 --> 00:22:48,440 Speaker 1: mad the guy. A lot of people like after you know, 429 00:22:48,520 --> 00:22:49,960 Speaker 1: after he left a lot of people would ask me, 430 00:22:50,040 --> 00:22:52,239 Speaker 1: you know how I feel about it or whatever, how 431 00:22:52,280 --> 00:22:55,200 Speaker 1: you're upset? And I never was upset because I was 432 00:22:55,320 --> 00:22:57,639 Speaker 1: doing calmedy for a while before I was introduced to 433 00:22:57,720 --> 00:23:00,720 Speaker 1: Dave Chappelle. Like with anything you can be, You could 434 00:23:00,720 --> 00:23:02,440 Speaker 1: be as talented as you want, but until you get 435 00:23:02,440 --> 00:23:04,960 Speaker 1: the right platform, nobody never know about it. Gotcha, So 436 00:23:05,520 --> 00:23:06,879 Speaker 1: you know, just I don't know if I can't be 437 00:23:06,960 --> 00:23:23,520 Speaker 1: in a Davespels eating here, but go ahead speaking. I 438 00:23:23,600 --> 00:23:26,280 Speaker 1: know what happened. But you know, everybody, you know the 439 00:23:26,359 --> 00:23:28,320 Speaker 1: one that I've been asked that question million times that 440 00:23:29,200 --> 00:23:31,359 Speaker 1: I always felt that I was talented, but again, you 441 00:23:31,440 --> 00:23:34,159 Speaker 1: need the right opportunity, Like even in sports, you know 442 00:23:34,280 --> 00:23:36,160 Speaker 1: you could be a talented person. But until the coach 443 00:23:36,240 --> 00:23:37,800 Speaker 1: put you in the game, nobody will never see what 444 00:23:37,880 --> 00:23:40,040 Speaker 1: you so you do. So he gave me a platform 445 00:23:40,119 --> 00:23:41,840 Speaker 1: to do what I've been doing for years. And I 446 00:23:41,920 --> 00:23:44,520 Speaker 1: think there was an even exchange that. Okay, So, Dave, 447 00:23:44,880 --> 00:23:51,000 Speaker 1: do you have a favorite mumble rapper because you ain't 448 00:23:51,040 --> 00:23:54,840 Speaker 1: hip hop? Hey, do you appreciate anything from the generation? Uh? Yeah, 449 00:23:54,840 --> 00:23:57,280 Speaker 1: I appreciate it. I'm at party too. If I go out, 450 00:23:57,760 --> 00:24:00,399 Speaker 1: they playing me goos. I listened to that. Yeah, but 451 00:24:00,520 --> 00:24:02,880 Speaker 1: a favorite mumble raver I don't know about all that. Yeah. 452 00:24:03,040 --> 00:24:05,400 Speaker 1: I like to be able to say the lyrics too. Well. 453 00:24:05,440 --> 00:24:07,360 Speaker 1: I can tell who you really like based on who 454 00:24:07,400 --> 00:24:08,720 Speaker 1: you have on to it. When you well, when you 455 00:24:08,800 --> 00:24:11,000 Speaker 1: do this residency that you're doing in New York City 456 00:24:11,040 --> 00:24:13,640 Speaker 1: at Radio City, I can see that you hand picked 457 00:24:13,680 --> 00:24:16,040 Speaker 1: the artist that you wanted to be there. Yeah, you 458 00:24:16,119 --> 00:24:19,200 Speaker 1: know it's funny, man. So this year will be like 459 00:24:19,400 --> 00:24:23,520 Speaker 1: my thirtieth anniversary standard. I figured, like why I should 460 00:24:23,640 --> 00:24:25,760 Speaker 1: mark that occasion right like you know it? You know, 461 00:24:25,800 --> 00:24:29,160 Speaker 1: it's business is hard. You you existed in a long time, 462 00:24:29,240 --> 00:24:30,920 Speaker 1: and it's good to stop for a minute and just 463 00:24:31,080 --> 00:24:34,280 Speaker 1: appreciate the fact that you. I'm still able to do this, 464 00:24:34,359 --> 00:24:37,160 Speaker 1: and I'm very lucky to be successful. So it's it's 465 00:24:37,400 --> 00:24:42,200 Speaker 1: it's a it's a celebration. Like even now you'll see 466 00:24:42,280 --> 00:24:44,480 Speaker 1: my next special, the act I'm doing now. I like 467 00:24:44,680 --> 00:24:48,879 Speaker 1: it because it's joy in it, Like I'm really enjoying 468 00:24:48,960 --> 00:24:51,359 Speaker 1: what I'm doing right now. I really you know what 469 00:24:51,400 --> 00:24:55,760 Speaker 1: I mean. It's like I want skydiving once. Okay, I 470 00:24:56,440 --> 00:24:59,960 Speaker 1: hated it, you know, like what did you hate about it? 471 00:25:00,000 --> 00:25:02,840 Speaker 1: Because I hated going up. I hate the thought of jump. 472 00:25:05,119 --> 00:25:07,520 Speaker 1: I enjoyed that part, but the whole going up part 473 00:25:07,520 --> 00:25:10,000 Speaker 1: I didn't like. It was because it was terrified the 474 00:25:10,160 --> 00:25:14,000 Speaker 1: entire time. Like, Okay, I go, yeah, in the beginning, 475 00:25:14,040 --> 00:25:16,480 Speaker 1: it's a plane. Right then the door opens and you 476 00:25:16,600 --> 00:25:19,639 Speaker 1: realize you expected to jump out and I'm strapped through 477 00:25:19,640 --> 00:25:22,359 Speaker 1: a guy that I've never met before, and I didn't 478 00:25:22,359 --> 00:25:24,560 Speaker 1: see the shoot pack and oh my god, I have 479 00:25:24,760 --> 00:25:26,959 Speaker 1: kids and all this stuff. You're thinking as you edge 480 00:25:27,000 --> 00:25:28,440 Speaker 1: up through the door. Next thing you know, you're just 481 00:25:28,760 --> 00:25:32,800 Speaker 1: in the sky. No logical reason to be there, there's 482 00:25:32,880 --> 00:25:35,200 Speaker 1: no you know, my life didn't depend on it, and 483 00:25:35,359 --> 00:25:38,360 Speaker 1: yet I jumped out of this plane and just falling. 484 00:25:38,680 --> 00:25:41,280 Speaker 1: And then one says it feels like flying, but to me, 485 00:25:41,359 --> 00:25:43,920 Speaker 1: it felt like falling about one hundred and twenty miles 486 00:25:44,640 --> 00:25:47,119 Speaker 1: and I was terrified. So what did you get out 487 00:25:47,160 --> 00:25:49,520 Speaker 1: the situation other than being terrified. Well, the point is 488 00:25:49,640 --> 00:25:52,280 Speaker 1: when you when the shoot lands and you survive it, 489 00:25:52,640 --> 00:25:55,720 Speaker 1: you go hold it night, you eat, then a food taste. 490 00:25:55,720 --> 00:25:59,680 Speaker 1: Back house is quiet and still, and you feel comfortable 491 00:25:59,720 --> 00:26:00,960 Speaker 1: and say even in your house, She's like, man, I'm 492 00:26:01,000 --> 00:26:03,280 Speaker 1: glad to be home. Everything's good. So that's what it 493 00:26:03,359 --> 00:26:06,440 Speaker 1: felt like. It felt like coming back and doing this 494 00:26:06,560 --> 00:26:09,639 Speaker 1: Netflix pression. All that felt like my shoot open and 495 00:26:09,760 --> 00:26:12,040 Speaker 1: everything's just good. Right. Yeah. I don't got to do 496 00:26:12,080 --> 00:26:14,000 Speaker 1: all that to get that feeling. I'm black in America. 497 00:26:14,040 --> 00:26:15,480 Speaker 1: All I got to do is to drive through the 498 00:26:15,480 --> 00:26:18,080 Speaker 1: neighborhood that I live in and making home without being stopped, 499 00:26:18,080 --> 00:26:20,280 Speaker 1: and I feel that I live in a much nice 500 00:26:20,280 --> 00:26:30,040 Speaker 1: and neighood. I was, I mean, you know what I mean, Like, 501 00:26:30,080 --> 00:26:31,800 Speaker 1: I don't know what you mean. But it's not like 502 00:26:31,880 --> 00:26:34,240 Speaker 1: I'm gonna try to survive and traffic stop just to 503 00:26:34,480 --> 00:26:37,600 Speaker 1: get that feeling. I mean, it's like it's the black experience. 504 00:26:37,680 --> 00:26:39,080 Speaker 1: But I did it. I don't know why I did it, 505 00:26:39,160 --> 00:26:42,680 Speaker 1: but the point is that now this is just I'm 506 00:26:42,840 --> 00:26:46,680 Speaker 1: happy to be doing it again. What quit my show? No? 507 00:26:49,720 --> 00:26:54,040 Speaker 1: Oh no, I don't think I would. Man, I mean, like, 508 00:26:54,320 --> 00:26:55,920 Speaker 1: I get it. I know what it's about. You know 509 00:26:55,960 --> 00:26:58,800 Speaker 1: what I mean. I just think that you know something. 510 00:26:58,880 --> 00:27:00,760 Speaker 1: It's just one of those things that I didn't even 511 00:27:00,840 --> 00:27:03,560 Speaker 1: mean to do it the first time. It's a long story, Dave. 512 00:27:03,600 --> 00:27:05,199 Speaker 1: I hate to do this, but I have to put 513 00:27:05,280 --> 00:27:07,639 Speaker 1: you on the spot. But could you explain to the 514 00:27:07,720 --> 00:27:11,280 Speaker 1: Breakfast Club interview what you did to my apple pie 515 00:27:11,400 --> 00:27:16,879 Speaker 1: a year ago? Something? No, he's taught Okay. So we 516 00:27:16,960 --> 00:27:20,399 Speaker 1: were playing at the perhaps Blue Ribbon Theater and the 517 00:27:20,560 --> 00:27:23,400 Speaker 1: pastry chef and Danielle hit it off the first night 518 00:27:23,440 --> 00:27:32,000 Speaker 1: of the engagement. She was white, but she just you know, 519 00:27:32,160 --> 00:27:34,640 Speaker 1: she's an older woman, real sweet woman, and she really 520 00:27:34,720 --> 00:27:38,320 Speaker 1: liked Doanelle. So I came to work and she had 521 00:27:38,440 --> 00:27:42,760 Speaker 1: baked him a pie and the pipe had his name 522 00:27:42,960 --> 00:27:45,680 Speaker 1: stencilin the crest. Wow. And I was excited about it 523 00:27:45,720 --> 00:27:47,280 Speaker 1: because every day she would kind of where she says 524 00:27:47,280 --> 00:27:50,080 Speaker 1: that anything that you could do for is anything especially want. 525 00:27:50,080 --> 00:27:51,119 Speaker 1: I was like, make me a post. She was like, 526 00:27:51,160 --> 00:27:53,840 Speaker 1: that's pretty simple. I said, well, if that's so simple. 527 00:27:53,920 --> 00:27:56,040 Speaker 1: Make me a pie, to put my name on the 528 00:27:56,080 --> 00:28:00,720 Speaker 1: top of the pot. Something was the morl of the story. 529 00:28:00,800 --> 00:28:10,560 Speaker 1: That is correct, the worst I was excited about the 530 00:28:10,640 --> 00:28:15,400 Speaker 1: part I was sort everybody pie, I didn't actually put 531 00:28:15,520 --> 00:28:20,359 Speaker 1: money in it going. He was like, because somebody put 532 00:28:20,440 --> 00:28:24,240 Speaker 1: that pie in the mic way for three seconds. So 533 00:28:24,400 --> 00:28:30,240 Speaker 1: it's people love Dame Chappelle. He's an evil friend. We 534 00:28:30,320 --> 00:28:32,560 Speaker 1: got more with Dave Chappelle when we come back, don't move. 535 00:28:32,600 --> 00:28:35,320 Speaker 1: It's the breakfast Club. Good morning morning. Everybody is dj 536 00:28:35,680 --> 00:28:38,200 Speaker 1: N v Angela. Ye, Charlemagne the guy we all the 537 00:28:38,240 --> 00:28:41,000 Speaker 1: Breakfast Club. We have Dave Chappelle and Donnelle Rawlings in 538 00:28:41,040 --> 00:28:44,040 Speaker 1: the building. Charlemagne. When when the last time you've been humbled? 539 00:28:44,120 --> 00:28:50,920 Speaker 1: Dave humble? Yeah? You mean like what professionally or personally? Both? Yo? Yo, man, 540 00:28:51,080 --> 00:28:56,840 Speaker 1: life is humiliating, Yeah for you, for everybody. Yo. He's thinking. 541 00:28:56,840 --> 00:28:59,080 Speaker 1: If I'm walking down the street and a lady says, 542 00:28:59,400 --> 00:29:00,960 Speaker 1: and I take a pictures and she don't know how 543 00:29:01,000 --> 00:29:02,840 Speaker 1: to work her camera and we all staying in there. 544 00:29:03,240 --> 00:29:05,600 Speaker 1: But you do that because you gotta you know, you 545 00:29:06,080 --> 00:29:09,920 Speaker 1: gotta have empathy. But life is humianly. Being a parents humiliated, 546 00:29:10,040 --> 00:29:14,680 Speaker 1: being a husband's humiliating, all of it's humiliate. Hindsight is 547 00:29:14,720 --> 00:29:17,720 Speaker 1: twenty twenty. Was it was everything worth it? Like everything 548 00:29:17,800 --> 00:29:21,400 Speaker 1: you went through, like even the Chapel Show experience and 549 00:29:21,440 --> 00:29:23,000 Speaker 1: even walking away from it. Was it all worth it? 550 00:29:23,200 --> 00:29:24,920 Speaker 1: Hey man? Yeah, I was. I was happy to have 551 00:29:25,080 --> 00:29:27,360 Speaker 1: that show. You know. I'm sorry it and of the 552 00:29:27,400 --> 00:29:31,400 Speaker 1: way it ended. But I enjoyed making that show. It 553 00:29:31,560 --> 00:29:34,760 Speaker 1: was a It was an experience that very few people 554 00:29:34,960 --> 00:29:38,840 Speaker 1: get to. Head you miss it, especially with everything going 555 00:29:38,920 --> 00:29:43,080 Speaker 1: on in so much material. Yeah, because I see something 556 00:29:43,640 --> 00:29:45,880 Speaker 1: and I say, damn, I miss the Chapel Show. Yeah, 557 00:29:45,920 --> 00:29:47,800 Speaker 1: I miss it too. You know. I think I don't 558 00:29:47,800 --> 00:29:49,320 Speaker 1: know if I could do it again though, because I 559 00:29:49,400 --> 00:29:51,040 Speaker 1: miss it, But then I remember what it was like 560 00:29:51,360 --> 00:29:54,120 Speaker 1: to do it, and it just wasn't might be easier 561 00:29:54,200 --> 00:29:57,360 Speaker 1: now to make just because of technology. And yeah, but 562 00:29:57,480 --> 00:30:00,840 Speaker 1: the Internet ruined because it wouldn't be the yeah, stuff 563 00:30:00,880 --> 00:30:03,160 Speaker 1: that you want to do, somebody will do on YouTube 564 00:30:03,960 --> 00:30:07,120 Speaker 1: ten times faster and ten times worse. Right, Yeah, that's true. 565 00:30:07,320 --> 00:30:10,760 Speaker 1: But you didn't play a lot of people. It was great. Yeah, 566 00:30:10,880 --> 00:30:12,440 Speaker 1: I worked with a lot of great people. I was 567 00:30:12,480 --> 00:30:15,200 Speaker 1: doing showing at Landed the other night and bumped into 568 00:30:15,360 --> 00:30:17,240 Speaker 1: like similar guys from the crew. I hadn't seen those 569 00:30:17,240 --> 00:30:19,040 Speaker 1: guys since I walked up to set. It was good 570 00:30:19,080 --> 00:30:21,800 Speaker 1: to see him. You know, you remember people finally, like 571 00:30:22,880 --> 00:30:25,280 Speaker 1: after it's all said and done. So you know, I 572 00:30:25,400 --> 00:30:27,760 Speaker 1: do have bad feels about how it ended, but I 573 00:30:27,800 --> 00:30:29,760 Speaker 1: don't have bad feels about what it was. It was 574 00:30:29,760 --> 00:30:32,480 Speaker 1: a great experience. Now, how did Charlie Murphy's pass and 575 00:30:32,600 --> 00:30:34,560 Speaker 1: affect you? Because I know you guys were pretty close. 576 00:30:35,520 --> 00:30:37,880 Speaker 1: It was tough, man, it was. It was a reality chat. 577 00:30:38,240 --> 00:30:40,400 Speaker 1: I feel very lucky that I got to know him. 578 00:30:41,200 --> 00:30:43,440 Speaker 1: I feel like he was a very large part of 579 00:30:43,480 --> 00:30:46,120 Speaker 1: the reason and I got to be successful. Like literally 580 00:30:46,400 --> 00:30:49,120 Speaker 1: changed my life just by saying I fought Rick James 581 00:30:49,200 --> 00:31:06,600 Speaker 1: many times. We were like, who I didn't know? You 582 00:31:06,640 --> 00:31:11,120 Speaker 1: can say on the radio, but no, he said he 583 00:31:11,240 --> 00:31:14,360 Speaker 1: fought Rick James many times. We tell us a story 584 00:31:14,400 --> 00:31:16,920 Speaker 1: at lunch and it literally from then on to just change. 585 00:31:17,080 --> 00:31:20,480 Speaker 1: It changed our lives. You're immortalized, yeah, man, But you 586 00:31:20,560 --> 00:31:23,400 Speaker 1: know I got to like meet and work with Rick 587 00:31:24,640 --> 00:31:26,600 Speaker 1: and the I mean, you know Charlie and he was 588 00:31:26,680 --> 00:31:29,840 Speaker 1: an og like Charlie's been around the block. You know, 589 00:31:30,080 --> 00:31:34,200 Speaker 1: brother is Eddie Murphy. He's seen the epicenter of like 590 00:31:34,560 --> 00:31:36,640 Speaker 1: the fame that we all wanted to acquire. He a 591 00:31:36,760 --> 00:31:39,280 Speaker 1: great stories and he was also a real nurturen dude. 592 00:31:39,280 --> 00:31:42,240 Speaker 1: I think he gave me great advice. Uh, you know, 593 00:31:42,360 --> 00:31:44,440 Speaker 1: I got missus presents. Man, I'm really I was real 594 00:31:44,520 --> 00:31:47,080 Speaker 1: sad to you that doing a great job on Power 595 00:31:48,360 --> 00:31:55,160 Speaker 1: job he took's job busted you in New York. Yeah, 596 00:31:55,560 --> 00:31:57,719 Speaker 1: but I will say, you know, like you when other 597 00:31:57,760 --> 00:32:01,560 Speaker 1: people get stuff away from yourself, it's hard to celebrate that. 598 00:32:01,720 --> 00:32:04,280 Speaker 1: But you know, when I found out that Charlie was 599 00:32:04,320 --> 00:32:06,680 Speaker 1: doing that role, I realized that he was probably a 600 00:32:06,720 --> 00:32:09,360 Speaker 1: perfect person for him. And then the hindsight as far 601 00:32:09,400 --> 00:32:11,320 Speaker 1: as when him passing away or whatever. I just think 602 00:32:11,600 --> 00:32:14,040 Speaker 1: it's a nice thing for people to see him being 603 00:32:14,080 --> 00:32:15,600 Speaker 1: a part of the great body of work like that 604 00:32:15,840 --> 00:32:17,800 Speaker 1: he said, and he did a good job, did Charlie's 605 00:32:17,800 --> 00:32:19,880 Speaker 1: definitely y'all think about your own mortality, because I know 606 00:32:19,960 --> 00:32:22,000 Speaker 1: Donnell called me one day, Randy, He's y'all, just want 607 00:32:22,000 --> 00:32:23,560 Speaker 1: to tell you, man, you know what I'm saying. You know, 608 00:32:23,640 --> 00:32:25,560 Speaker 1: people dying and you might die, So I just want 609 00:32:25,600 --> 00:32:26,840 Speaker 1: to tell you I love you're doing a good job. 610 00:32:26,840 --> 00:32:31,280 Speaker 1: I'm like, no, I will say, I don't know, davemn 611 00:32:31,360 --> 00:32:33,560 Speaker 1: have different answers, like when someone passed away and something, 612 00:32:33,600 --> 00:32:35,960 Speaker 1: specially when somebody that you care about, it makes you 613 00:32:36,080 --> 00:32:38,400 Speaker 1: think about people important in your life, for the people 614 00:32:38,440 --> 00:32:40,880 Speaker 1: that you respect. And I don't know, I was probably 615 00:32:41,000 --> 00:32:43,920 Speaker 1: you know in my feelings that day, but it was 616 00:32:44,080 --> 00:32:46,200 Speaker 1: at a time when you just dropped your book and 617 00:32:46,360 --> 00:32:50,560 Speaker 1: I'm seeing like your transition from not just doing urban stuff, 618 00:32:50,600 --> 00:32:53,600 Speaker 1: but like the media running you did. I'll keep it real, 619 00:32:54,040 --> 00:33:00,720 Speaker 1: all the white folks that you partnered up. I was like, 620 00:33:01,160 --> 00:33:03,560 Speaker 1: I was like, he's taking it to the next level. 621 00:33:03,840 --> 00:33:06,000 Speaker 1: And another thing in our community is not too often 622 00:33:06,040 --> 00:33:08,240 Speaker 1: to people read books. So the fact that you know, 623 00:33:08,640 --> 00:33:10,920 Speaker 1: a brother put a book out and he got people 624 00:33:10,960 --> 00:33:14,400 Speaker 1: that wouldn't normally, uh, pay attention to that. Like I 625 00:33:14,520 --> 00:33:16,600 Speaker 1: know I was about to say, and I didn't say, 626 00:33:16,760 --> 00:33:19,800 Speaker 1: um no homo before I said that I loved and 627 00:33:19,920 --> 00:33:23,920 Speaker 1: I know that's why. And I didn't say pauls at 628 00:33:23,960 --> 00:33:29,120 Speaker 1: the end, right was sick. No, no where you're going. 629 00:33:29,200 --> 00:33:30,840 Speaker 1: I thought he was sick. I thought he was like us. 630 00:33:31,560 --> 00:33:34,880 Speaker 1: That's the one time that we really appreciate people in 631 00:33:35,000 --> 00:33:38,120 Speaker 1: death and when someone passed away. It makes you think 632 00:33:38,120 --> 00:33:40,040 Speaker 1: about so many times in our life. We get to 633 00:33:40,120 --> 00:33:42,200 Speaker 1: a point where you say to yourself, I wanted to 634 00:33:42,280 --> 00:33:44,360 Speaker 1: call that person just to say hi or just say 635 00:33:44,400 --> 00:33:47,160 Speaker 1: what's up, and you don't act on on those films, 636 00:33:47,240 --> 00:33:50,360 Speaker 1: it didn't. Something tragically happened, and then you're like, oh, man, 637 00:33:50,360 --> 00:33:52,080 Speaker 1: I was just supposed to call him. So that was 638 00:33:52,160 --> 00:33:54,040 Speaker 1: me and my mom. You know, sometimes on the tour bus, 639 00:33:54,080 --> 00:33:56,000 Speaker 1: star Nelle gets drunk and looks at pictures of his 640 00:33:56,120 --> 00:34:02,600 Speaker 1: son and cry, oh, I I'm just telling you that. 641 00:34:03,360 --> 00:34:06,080 Speaker 1: I couldn't believe that. That's cute. I called him doing it. 642 00:34:06,800 --> 00:34:09,960 Speaker 1: You haven't met done that baby mama. Yeah of course, yeah, 643 00:34:10,040 --> 00:34:13,560 Speaker 1: of course she's wonderful. Were vacation together. Yeah, I've seen that. 644 00:34:13,600 --> 00:34:19,160 Speaker 1: You guys want the yacht. Well, yeah, it wasn't because 645 00:34:19,360 --> 00:34:21,440 Speaker 1: I thought it was a yacht until I saw Puffy 646 00:34:26,080 --> 00:34:28,239 Speaker 1: that we had a boat. That we had a boat. 647 00:34:28,800 --> 00:34:31,359 Speaker 1: You don't really need to compete with stuff like that, don't, 648 00:34:31,400 --> 00:34:34,879 Speaker 1: not at all. Yeah. I'm I'm really, like, really really 649 00:34:35,239 --> 00:34:38,480 Speaker 1: happy right now, and I you know, I appreciate it. 650 00:34:38,600 --> 00:34:40,360 Speaker 1: Like my kids are safe right now. I don't know 651 00:34:40,400 --> 00:34:44,439 Speaker 1: whether they everyone's happy everyone's fan and clean and good. 652 00:34:44,480 --> 00:34:49,560 Speaker 1: Look man, I'm just yeah, we've seen you pop out 653 00:34:49,600 --> 00:34:53,040 Speaker 1: with Chris Rock a couple of times, another legend, another icon. Yeah, 654 00:34:53,080 --> 00:34:55,799 Speaker 1: he's that's the homely man. There's only two of y'all 655 00:34:55,840 --> 00:34:58,720 Speaker 1: in that space though, Yeah, Chris is there. He's definitely 656 00:34:58,760 --> 00:35:00,840 Speaker 1: a big brother. Though he's like he's killing it. I 657 00:35:00,960 --> 00:35:04,160 Speaker 1: went so exact zact a few times when he's doing 658 00:35:04,560 --> 00:35:06,520 Speaker 1: he's killing it right now, he's seeing Maybe you guys 659 00:35:06,560 --> 00:35:09,799 Speaker 1: would do a tour together, Well, we are. We are 660 00:35:09,920 --> 00:35:12,759 Speaker 1: gonna do two nights together. Radio City would be the 661 00:35:12,800 --> 00:35:15,480 Speaker 1: first time we've ever officially headlined to show a co 662 00:35:15,560 --> 00:35:19,879 Speaker 1: headline show together. And I'm very excited about it because 663 00:35:19,880 --> 00:35:23,360 Speaker 1: then the first time any comic has ever done a 664 00:35:23,480 --> 00:35:27,319 Speaker 1: residency of a month at Radio City Music Hall. Dave 665 00:35:27,440 --> 00:35:29,279 Speaker 1: is a real humble duey. He's not gonna say, really 666 00:35:29,640 --> 00:35:32,320 Speaker 1: the spectacle of what's about to go down, but nobody's 667 00:35:32,360 --> 00:35:35,440 Speaker 1: ever done a joint where like the entire month of August, 668 00:35:36,000 --> 00:35:38,359 Speaker 1: we're locking everything down. We got some of the best 669 00:35:50,920 --> 00:35:56,920 Speaker 1: I don't don't get don't I think y'all need other 670 00:35:56,960 --> 00:36:02,399 Speaker 1: comedians on those honest, I'd be quite honest. You don't. 671 00:36:02,560 --> 00:36:04,239 Speaker 1: But you know what I'm saying, we got a team. 672 00:36:04,239 --> 00:36:06,080 Speaker 1: I'm not. I'm not. I'm gonna do some of the shows. 673 00:36:06,400 --> 00:36:16,239 Speaker 1: But don't you know that your little show. Well, in 674 00:36:16,360 --> 00:36:20,560 Speaker 1: the event that I have the opportunity understanding, yeah, he's 675 00:36:20,800 --> 00:36:23,719 Speaker 1: totally gonna be on. We are the Breakfast Club now 676 00:36:23,760 --> 00:36:25,839 Speaker 1: coming up next. Usually we do rumors, but I mean, 677 00:36:25,960 --> 00:36:28,239 Speaker 1: damn it, man, Dave Chappelle's here. We're gonna kick it 678 00:36:28,239 --> 00:36:30,440 Speaker 1: with Dave Chappelle some more soon. Don't move. It's the 679 00:36:30,480 --> 00:36:40,560 Speaker 1: Breakfast Club. Good morning, the Breakfast Club. It's time for 680 00:36:40,680 --> 00:36:45,719 Speaker 1: Donkey of the Day. So being Dunky of the day 681 00:36:46,320 --> 00:36:47,840 Speaker 1: a little bit of a mixed club, so like a 682 00:36:47,920 --> 00:36:55,160 Speaker 1: Donkey of the Day club bitches. Now, I've been called 683 00:36:55,200 --> 00:36:57,200 Speaker 1: a lot of my twenty three years, but Donkey of 684 00:36:57,280 --> 00:37:01,000 Speaker 1: the Day is a new wife. Hey, guys, let me 685 00:37:01,080 --> 00:37:08,000 Speaker 1: take a sip of my water. All right, talk here today. 686 00:37:08,040 --> 00:37:11,160 Speaker 1: For Friday, June thirtieth, goes to Kendall and Kylie Jenna 687 00:37:11,280 --> 00:37:14,320 Speaker 1: aka Thing one and Thing two. Now you know, yesterday 688 00:37:14,400 --> 00:37:16,800 Speaker 1: Kylie and Kendall release some T shirts and the T shirts, 689 00:37:16,880 --> 00:37:19,440 Speaker 1: first of all, were one hundred and twenty five dollars 690 00:37:19,560 --> 00:37:23,080 Speaker 1: a piece, I promise you, all right now, Charlomagne and 691 00:37:23,160 --> 00:37:26,560 Speaker 1: God your uncle Charla will never ever buy a one 692 00:37:26,640 --> 00:37:28,600 Speaker 1: hundred and twenty five dollars T shirt. I don't care 693 00:37:28,680 --> 00:37:31,560 Speaker 1: what celebrity network says I got. I am a Negro 694 00:37:31,600 --> 00:37:33,480 Speaker 1: from the dirt Roads mouns Coon in South Carolina. I've 695 00:37:33,480 --> 00:37:35,520 Speaker 1: been fired four times from this radio world. I know 696 00:37:35,560 --> 00:37:36,880 Speaker 1: what it feels like to be broke. I know what 697 00:37:36,920 --> 00:37:39,359 Speaker 1: it feels like to be unemployed, and I have had 698 00:37:39,400 --> 00:37:42,280 Speaker 1: to collect unemployment checks in my day. I've been financially 699 00:37:42,400 --> 00:37:45,800 Speaker 1: unstable way longer than I have been financially stable. So 700 00:37:45,920 --> 00:37:48,040 Speaker 1: is therefore I don't go chasing one hundred and twenty 701 00:37:48,080 --> 00:37:50,320 Speaker 1: five dollars T shirts. I stick to the most emote 702 00:37:50,320 --> 00:37:52,440 Speaker 1: T shirts from Target that I'm used to. If you 703 00:37:52,560 --> 00:37:54,040 Speaker 1: ever see me with a one hundred and twenty five 704 00:37:54,040 --> 00:37:56,960 Speaker 1: dollars T shirt, I promise you somebody gave it to me. Ah, 705 00:37:57,200 --> 00:38:00,839 Speaker 1: I got it out of MTV's wardrobe department, Okay, Suth, 706 00:38:00,960 --> 00:38:04,000 Speaker 1: my homegirl TI turning now. Kinder and Kylie released these 707 00:38:04,120 --> 00:38:06,120 Speaker 1: high price one hundred and twenty five dollars T shirts 708 00:38:06,160 --> 00:38:08,840 Speaker 1: with their images on it, but for whatever reason, someone 709 00:38:08,920 --> 00:38:12,160 Speaker 1: in their team had the audacity the unmitigated guard to 710 00:38:12,280 --> 00:38:14,720 Speaker 1: tell them it will be a good idea to superimpose 711 00:38:14,880 --> 00:38:19,000 Speaker 1: their images on these T shirts with two mystical figures, 712 00:38:19,040 --> 00:38:21,560 Speaker 1: two guards in our cultures, these men are so great 713 00:38:21,680 --> 00:38:23,920 Speaker 1: that regardless of how you feel about their films, they 714 00:38:24,080 --> 00:38:27,440 Speaker 1: both have biopicks. Mister Christopher Wallace, a kid and notorious 715 00:38:27,520 --> 00:38:30,399 Speaker 1: Big and TUPACX your car. Now, it wasn't just our 716 00:38:30,440 --> 00:38:32,920 Speaker 1: treasured to hip hop legends that got the faced with 717 00:38:33,120 --> 00:38:37,280 Speaker 1: this genner graffiti. They superimposed their faces on T shirts 718 00:38:37,320 --> 00:38:42,080 Speaker 1: with Metallica, Ozzy Osbourne, Led Zeppelin, The Doors, Pink Floyd, 719 00:38:42,360 --> 00:38:45,719 Speaker 1: and Kiss. This is so Kanye. Now. I have never 720 00:38:45,800 --> 00:38:48,480 Speaker 1: owned an album by any of those artists or groups, 721 00:38:48,560 --> 00:38:50,719 Speaker 1: but like a young urban philosopher by the name of 722 00:38:50,800 --> 00:38:53,640 Speaker 1: Meek mill One said, they are levels to this, and 723 00:38:53,800 --> 00:38:56,520 Speaker 1: Kinder and Kylie are not on the levels of any 724 00:38:56,600 --> 00:38:59,680 Speaker 1: of the aforementioned artists are groups that I just named. 725 00:39:00,560 --> 00:39:02,239 Speaker 1: How dare you be on a T shirt with them? 726 00:39:02,400 --> 00:39:05,160 Speaker 1: And the words of Sharon Osborne, girls, you haven't earned 727 00:39:05,200 --> 00:39:09,000 Speaker 1: the rank to put you put your face with musical icons, 728 00:39:09,040 --> 00:39:12,360 Speaker 1: stick to what you know, lip gloss Okay, Kylie and 729 00:39:12,440 --> 00:39:15,040 Speaker 1: Kinda been around Kanye too long. These T shirts were 730 00:39:15,120 --> 00:39:18,840 Speaker 1: Kindle and Kylie next to musical icons. Look how Kanye 731 00:39:18,920 --> 00:39:22,760 Speaker 1: West sounds when he ranks about being Walt Disney, Steve Jobs, Picasso. 732 00:39:22,840 --> 00:39:29,000 Speaker 1: You remember these. I am I am Steve Charles, I 733 00:39:31,880 --> 00:39:42,680 Speaker 1: am Manella, I am James Kay, I am Han, I 734 00:39:42,800 --> 00:39:48,839 Speaker 1: am like you An you Long, I am to Kaso. Okay, 735 00:39:49,480 --> 00:39:51,680 Speaker 1: Kanye can feel that way. At least Kanye has a 736 00:39:51,760 --> 00:39:54,160 Speaker 1: genius level talent to where you can say, okay, yay, 737 00:39:54,520 --> 00:39:57,839 Speaker 1: all right, maybe one day we'll mention you alongside all 738 00:39:57,880 --> 00:40:00,640 Speaker 1: of those people. At least Kanye has crafted class material 739 00:40:00,960 --> 00:40:03,000 Speaker 1: in the form of music that has made him a 740 00:40:03,120 --> 00:40:06,160 Speaker 1: musical icon. But what have kindaing Kylie done to be 741 00:40:06,280 --> 00:40:09,800 Speaker 1: on a T shirt with these musical icons any icons 742 00:40:09,840 --> 00:40:12,360 Speaker 1: for that matter. Now we can have conversations about ego 743 00:40:12,480 --> 00:40:15,080 Speaker 1: and why these gennas think that they are that important 744 00:40:15,160 --> 00:40:18,200 Speaker 1: or that iconic, or that you know, you know, just 745 00:40:18,400 --> 00:40:20,240 Speaker 1: just whatever, you know what I'm saying, But what's disgusting 746 00:40:20,280 --> 00:40:23,320 Speaker 1: about this situation is Kindaing Kylie. Two branches of the 747 00:40:23,400 --> 00:40:26,360 Speaker 1: Kardashian Jenna family tree. This family does a lot of 748 00:40:26,440 --> 00:40:28,879 Speaker 1: multimillion dollar business all the time, but for whatever reason, 749 00:40:29,120 --> 00:40:31,480 Speaker 1: when it came to at least Biggie, the business wasn't 750 00:40:31,520 --> 00:40:34,640 Speaker 1: done right because Biggie's mother, Voletta Wallas, posted one of 751 00:40:34,680 --> 00:40:37,200 Speaker 1: the T shirts on Instagram with a big X over 752 00:40:37,280 --> 00:40:40,239 Speaker 1: it and the message, this product has no affiliation to 753 00:40:40,320 --> 00:40:44,520 Speaker 1: the notorious Biggest State. The state was never contacted about 754 00:40:44,640 --> 00:40:48,200 Speaker 1: using the likeness of Biggie. Really, Kardashian Jennas, now only 755 00:40:48,280 --> 00:40:51,080 Speaker 1: did you play yourself, but nobody on your team respected 756 00:40:51,120 --> 00:40:53,360 Speaker 1: the estate of Bigger enough to call his MoMA and 757 00:40:53,440 --> 00:40:56,600 Speaker 1: get permission or let a post it on ig I 758 00:40:56,719 --> 00:40:58,640 Speaker 1: am not sure who told Kylie and Kinda that they 759 00:40:58,680 --> 00:41:01,120 Speaker 1: had the right to do this. Disrespect of these girls 760 00:41:01,160 --> 00:41:03,440 Speaker 1: to not even reach out to me or anyone connected 761 00:41:03,440 --> 00:41:05,920 Speaker 1: to their estate baffles me. I have no idea why 762 00:41:05,960 --> 00:41:08,120 Speaker 1: they feel they can exploit the depths of tupacet my 763 00:41:08,239 --> 00:41:12,320 Speaker 1: son Christopher to sell a damn T shirt. This is disrespectful, disgusting, 764 00:41:12,520 --> 00:41:16,040 Speaker 1: and exploitation at its worse. I agree Ken doing Kylie. 765 00:41:16,120 --> 00:41:18,120 Speaker 1: This is Uncle Shaula talking. And I just want to 766 00:41:18,160 --> 00:41:20,080 Speaker 1: tell you young ladies that I don't care who your 767 00:41:20,080 --> 00:41:22,440 Speaker 1: brother in law is, Kanye, nor do I care how 768 00:41:22,480 --> 00:41:24,920 Speaker 1: many rappers you date from Asap Rocket and Traffs Scott. 769 00:41:25,080 --> 00:41:26,920 Speaker 1: None of them can give you a pass to disrespect 770 00:41:26,960 --> 00:41:29,399 Speaker 1: the state of Biggie Smalls Ar Tupac, And if you're 771 00:41:29,480 --> 00:41:31,600 Speaker 1: dating all of these rappers, none of them can give 772 00:41:31,600 --> 00:41:34,400 Speaker 1: you better advice than that to tell you not to 773 00:41:34,520 --> 00:41:38,800 Speaker 1: do it. Instead of putting your images right on the 774 00:41:38,920 --> 00:41:42,000 Speaker 1: shirts of hip hop icons and musical icons, how about 775 00:41:42,040 --> 00:41:45,960 Speaker 1: post your images on the ghost of Penis past in 776 00:41:46,080 --> 00:41:48,680 Speaker 1: the Kardashian Jenna family. What I mean by that is 777 00:41:48,960 --> 00:41:51,759 Speaker 1: all the penises who have contributed to giving the Kardashian 778 00:41:51,840 --> 00:41:54,919 Speaker 1: Jennis from notoriety. Put your faces on notes. You could 779 00:41:54,920 --> 00:42:00,080 Speaker 1: do Lamar Oldham shirts, Tiger, Chris Humphries, Kanye red g 780 00:42:00,239 --> 00:42:02,920 Speaker 1: Bush and of course to God Ray J. Trop want 781 00:42:02,920 --> 00:42:06,960 Speaker 1: the clues bombs for Ray J Dammit, Okay, that's more appropriate. 782 00:42:07,040 --> 00:42:10,080 Speaker 1: I believe super imposing your faces on the ghost of 783 00:42:10,120 --> 00:42:12,120 Speaker 1: penis pass would have been a much better look and 784 00:42:12,239 --> 00:42:16,040 Speaker 1: way less controversial than super imposing your faces on musical icons. 785 00:42:16,280 --> 00:42:19,839 Speaker 1: There kin doing, Kylie, don't go chasing musical icons. Stick 786 00:42:19,880 --> 00:42:22,399 Speaker 1: to the rappers and athletes penises that have ran through 787 00:42:22,440 --> 00:42:25,040 Speaker 1: your family that you used to please give kindoing, Kylie 788 00:42:25,080 --> 00:42:30,280 Speaker 1: the biggest heath Hall police. No word on the street 789 00:42:30,440 --> 00:42:33,480 Speaker 1: is a Valletta Wallace in their state of Biggie may 790 00:42:33,560 --> 00:42:36,680 Speaker 1: suit him, and I believe she should absolutely And word 791 00:42:36,719 --> 00:42:38,480 Speaker 1: on the street is Kendall Jenner has a six pack 792 00:42:38,520 --> 00:42:41,200 Speaker 1: of PEPSI being sent to blah blah blah Valletta to 793 00:42:41,320 --> 00:42:44,000 Speaker 1: day to try to stop her from being angry. But goodness, 794 00:42:44,040 --> 00:42:46,360 Speaker 1: so we'll see, all right, we'll see. Thank you for 795 00:42:46,400 --> 00:42:48,279 Speaker 1: that dunk in to day, sir. Yes, Now when we 796 00:42:48,400 --> 00:42:52,120 Speaker 1: come back, we got to discuss into racial dating. Oh man, listen, now, 797 00:42:52,160 --> 00:42:53,960 Speaker 1: I know this sounds like a Preyer story topic and 798 00:42:54,000 --> 00:42:56,000 Speaker 1: I feel like we should be way past this in 799 00:42:56,080 --> 00:42:58,919 Speaker 1: twenty seventeen, but we had the good brother doctor Umar 800 00:42:59,080 --> 00:43:01,920 Speaker 1: Johnson in here. Through Lamar Johnson, he made a statement. 801 00:43:02,040 --> 00:43:05,520 Speaker 1: I don't necessarily agree with it wholeheartedly. I have my thoughts, 802 00:43:05,600 --> 00:43:08,760 Speaker 1: but let's hit a statement. Take my ancest to Frederick Douglass, 803 00:43:08,800 --> 00:43:11,320 Speaker 1: who knew the history and still marry white women. Have 804 00:43:11,480 --> 00:43:13,400 Speaker 1: Frederick Douglass not married that white woman, he would be 805 00:43:13,560 --> 00:43:16,640 Speaker 1: undisputably the greatest black leader that ever walked on American soil. 806 00:43:16,800 --> 00:43:18,640 Speaker 1: But because of that one mistake that he made. But 807 00:43:18,719 --> 00:43:21,480 Speaker 1: The question again is why did he do that? Why 808 00:43:21,520 --> 00:43:23,480 Speaker 1: do you say that's a mistake, Because shouldn't it be 809 00:43:23,760 --> 00:43:25,239 Speaker 1: the man fell in love with who he fell in 810 00:43:25,280 --> 00:43:28,640 Speaker 1: love with? No, because marriage is a political decision. Who 811 00:43:28,800 --> 00:43:31,399 Speaker 1: you marry tells me who you are. When you marry 812 00:43:31,440 --> 00:43:34,040 Speaker 1: a woman, you don't just marry her, You marry her culture, 813 00:43:34,360 --> 00:43:37,239 Speaker 1: You marry her community, You marry her people. So when 814 00:43:37,280 --> 00:43:40,440 Speaker 1: a black man marries a white woman, he's making several 815 00:43:40,640 --> 00:43:43,759 Speaker 1: clear points in messages. He's sitting out to his own people, 816 00:43:44,040 --> 00:43:47,680 Speaker 1: because there's no greater symbol of your loyalty to your 817 00:43:47,719 --> 00:43:51,560 Speaker 1: struggle than to marry a sister who shares that struggle. 818 00:43:52,160 --> 00:43:55,920 Speaker 1: Is love purely blind. I disagree. Love is a function 819 00:43:56,080 --> 00:43:59,200 Speaker 1: of your values and your priorities, and you better never 820 00:43:59,200 --> 00:44:04,239 Speaker 1: get called a white hot take hot take, hot take 821 00:44:04,320 --> 00:44:09,359 Speaker 1: doctor umah take WOI go, my goodness, blameable ten of them. 822 00:44:09,440 --> 00:44:11,319 Speaker 1: So we're asking eight hundred and five eight five, one 823 00:44:11,360 --> 00:44:13,319 Speaker 1: oh five one do you agree with in a racial dating? 824 00:44:13,360 --> 00:44:14,920 Speaker 1: So let me start with you, Charlomagne. First of all, 825 00:44:14,920 --> 00:44:17,280 Speaker 1: I can't believe we're still having this conversation in twenty seventeen. 826 00:44:17,280 --> 00:44:18,920 Speaker 1: I'm gonna be totally honest with you, I have no 827 00:44:19,000 --> 00:44:21,759 Speaker 1: problem with a person loving whoever they want to love, 828 00:44:21,800 --> 00:44:24,319 Speaker 1: all right, But I also have no problem with wanting 829 00:44:24,360 --> 00:44:26,680 Speaker 1: to marry someone from your culture. I have no problem 830 00:44:26,760 --> 00:44:29,320 Speaker 1: with you wanting to keep it all in the family 831 00:44:29,360 --> 00:44:31,440 Speaker 1: if you're Chinese, and nine times out of ten, a 832 00:44:31,520 --> 00:44:34,200 Speaker 1: Chinese man wants his daughter to marry another Chinese man. 833 00:44:34,280 --> 00:44:37,600 Speaker 1: An Asian man wants, you know, daughter to marry another 834 00:44:37,680 --> 00:44:40,480 Speaker 1: Asian man. You know what I'm saying. Like Mexicans like 835 00:44:40,520 --> 00:44:42,120 Speaker 1: to keep it in the family as well. Like I 836 00:44:42,200 --> 00:44:44,640 Speaker 1: don't have no problem with black people saying I want 837 00:44:44,680 --> 00:44:46,360 Speaker 1: to keep it black. But you said you you know 838 00:44:46,520 --> 00:44:49,359 Speaker 1: you you would want your daughter to marry a black person. Yeah, 839 00:44:49,440 --> 00:44:51,239 Speaker 1: I would. I wouldn't care, you know. I mean the 840 00:44:51,239 --> 00:44:53,000 Speaker 1: reason I wouldn't cares because it's who you love. Like 841 00:44:53,000 --> 00:44:55,040 Speaker 1: I look at my wife. My wife is Yes, she's Jamaican, 842 00:44:55,280 --> 00:44:57,520 Speaker 1: but she also has Chinese in her. She also has 843 00:44:57,719 --> 00:44:59,480 Speaker 1: Puerto Rican in her. But you know what I mean, 844 00:44:59,600 --> 00:45:01,560 Speaker 1: It it doesn't matter. I fell in love with somebody 845 00:45:01,600 --> 00:45:03,040 Speaker 1: at the age of sixteen, and that's what it is. 846 00:45:03,120 --> 00:45:05,680 Speaker 1: Let's if my daughter grows I would rather her grow 847 00:45:05,800 --> 00:45:07,200 Speaker 1: in love than fall in love because I feel like 848 00:45:07,239 --> 00:45:08,720 Speaker 1: when you fall, you get hurt. But if she grows 849 00:45:08,760 --> 00:45:12,200 Speaker 1: in love, she grows to love anybody. I'm gonna accept it. 850 00:45:12,280 --> 00:45:16,800 Speaker 1: But if you ask Daddy what he want, Daddy wants black, Okay, 851 00:45:16,880 --> 00:45:19,319 Speaker 1: And how I can pick the color anything else I want. 852 00:45:19,400 --> 00:45:20,960 Speaker 1: If I want a car, I can pick what a 853 00:45:21,000 --> 00:45:22,960 Speaker 1: color out want. Right. If I want some sneakers, I 854 00:45:22,960 --> 00:45:24,440 Speaker 1: can pick a color out one. As soon as I 855 00:45:24,480 --> 00:45:26,479 Speaker 1: say I want my daughter to bring home a black person, 856 00:45:26,600 --> 00:45:28,719 Speaker 1: it's World War three. That ain't racism another. I'm just 857 00:45:28,800 --> 00:45:33,600 Speaker 1: telling you what my preference is. Hello, who's this Danyelle? Hey, Danyelle, 858 00:45:33,640 --> 00:45:35,759 Speaker 1: Good morning, Good morning. How are y'all all right? What 859 00:45:35,840 --> 00:45:38,560 Speaker 1: did you think about what doctor Umar Johnson said? You know, 860 00:45:38,760 --> 00:45:40,719 Speaker 1: I think that we're in the day and age where 861 00:45:40,760 --> 00:45:43,320 Speaker 1: it shouldn't even matter anymore. You know, I am a 862 00:45:43,400 --> 00:45:46,759 Speaker 1: white female and I typically, I mean, my preference is 863 00:45:46,800 --> 00:45:49,480 Speaker 1: black man. So why you like black man? Tell them? 864 00:45:49,560 --> 00:45:52,600 Speaker 1: Do tell, do tell? Do talk about all that right 865 00:45:52,640 --> 00:45:55,960 Speaker 1: now in the morning, talk about talk about all the veins. What. 866 00:46:00,920 --> 00:46:03,120 Speaker 1: But I just think that interracial dating, it's not even 867 00:46:03,280 --> 00:46:05,640 Speaker 1: it's not even a topic anymore. It shouldn't be rather 868 00:46:05,800 --> 00:46:09,080 Speaker 1: because it's it's an everyday thing. Okay, yeah, I agree 869 00:46:09,120 --> 00:46:12,080 Speaker 1: with that. Al? What up? Al? What's going on? You 870 00:46:12,160 --> 00:46:15,759 Speaker 1: disagree with Omar? Yeah? Man, I'm calling out of calling me. 871 00:46:17,120 --> 00:46:18,960 Speaker 1: You know three was happening. Why are you disagree with 872 00:46:19,040 --> 00:46:22,520 Speaker 1: doctor Omar Johnson? Man should a white woman? And that 873 00:46:22,600 --> 00:46:25,399 Speaker 1: doesn't make that make you know who I am? Those 874 00:46:25,440 --> 00:46:27,319 Speaker 1: Hall time called baseball leaves. But I don't know if 875 00:46:27,320 --> 00:46:29,320 Speaker 1: Sean may never heard of brother? Come on, man, you 876 00:46:29,400 --> 00:46:31,640 Speaker 1: mean I've ever heard of bates Burg Leeville. Stop it 877 00:46:32,680 --> 00:46:35,239 Speaker 1: about the man. But I mean just because let's come 878 00:46:35,320 --> 00:46:37,080 Speaker 1: as a white woman, don't man, I mean you know 879 00:46:37,120 --> 00:46:39,000 Speaker 1: what make who I am? I'm mad to a white woman. 880 00:46:39,040 --> 00:46:41,799 Speaker 1: I'm still black. I'm still black and speak for I mean, 881 00:46:41,840 --> 00:46:43,080 Speaker 1: who is he to come out and say, you know 882 00:46:43,840 --> 00:46:46,279 Speaker 1: that makes who I am? Is he even married? That's 883 00:46:46,320 --> 00:46:49,040 Speaker 1: my question? That is a good I don't think doctor 884 00:46:49,120 --> 00:46:50,680 Speaker 1: Umar's married. But I agree with you. I don't think 885 00:46:50,680 --> 00:46:53,520 Speaker 1: who you're married to dictate your identity. It can have 886 00:46:54,000 --> 00:46:56,680 Speaker 1: some influence on it, but it don't dictate your identity. 887 00:46:56,800 --> 00:46:59,000 Speaker 1: All right, now we have Joseph on L five. Joseph, 888 00:46:59,000 --> 00:47:04,080 Speaker 1: what up? You know? What up? Jay? Bro Okay, Now 889 00:47:04,120 --> 00:47:06,400 Speaker 1: we're talking doctor Umar Johnson. Now you said you agree, 890 00:47:06,640 --> 00:47:09,799 Speaker 1: it's to a certain extent. I said, like like I'm saying, 891 00:47:09,880 --> 00:47:11,960 Speaker 1: man like, if you black, you want to date the 892 00:47:12,000 --> 00:47:14,960 Speaker 1: black woman, black man, whatever, like that's your that's your preference. 893 00:47:15,040 --> 00:47:16,879 Speaker 1: Like if if you want to date the white man 894 00:47:17,040 --> 00:47:21,399 Speaker 1: or Puerto Rican or Mexican, like it is what it is. Man. Nowadays, Man, 895 00:47:21,760 --> 00:47:24,440 Speaker 1: we this new generation growing up. Bro. Like it's like 896 00:47:24,520 --> 00:47:26,239 Speaker 1: it's no, it's not. It's no such thing as race 897 00:47:26,320 --> 00:47:29,880 Speaker 1: no more. You feel me like, oh not not, my brother, relaxed. 898 00:47:29,920 --> 00:47:34,440 Speaker 1: There's definitely such thing as race now, okay, brom I'm 899 00:47:34,680 --> 00:47:38,800 Speaker 1: yo Charlemagne, Yo, bro like you straight corny bro okay. 900 00:47:39,120 --> 00:47:42,480 Speaker 1: But but there is such thing as race. And I'll 901 00:47:42,520 --> 00:47:46,360 Speaker 1: be a corny black person, okay, and you will be 902 00:47:47,080 --> 00:47:49,520 Speaker 1: think you cool black person. There is definitely such thing 903 00:47:49,560 --> 00:47:51,879 Speaker 1: as race. Knock it off. Eight hundred five eight five 904 00:47:51,920 --> 00:47:53,840 Speaker 1: one oh five one. We're asking do you agree with 905 00:47:54,040 --> 00:47:56,960 Speaker 1: into racial dating? Now? This comes from a conversation we 906 00:47:57,040 --> 00:47:59,200 Speaker 1: have with we have with doctor Umar Johnson, and we'll 907 00:47:59,200 --> 00:48:00,960 Speaker 1: taking calls when we I'm back as the Breakfast Club, 908 00:48:01,000 --> 00:48:04,080 Speaker 1: Go Morning is DJ Envy Angela Yee Charlemagne the guy. 909 00:48:04,160 --> 00:48:07,240 Speaker 1: We are the breakfast club. Now we're asking this morning, 910 00:48:07,360 --> 00:48:09,960 Speaker 1: do you agree with interracial dating? Now it comes from 911 00:48:10,040 --> 00:48:12,439 Speaker 1: doctor Umar Johnson, a conversation we had with him. Let's 912 00:48:12,440 --> 00:48:14,680 Speaker 1: play a clip of it right fast. Take my ancest 913 00:48:14,719 --> 00:48:17,280 Speaker 1: to Frederick Douglas, who knew the history and still marry 914 00:48:17,320 --> 00:48:19,759 Speaker 1: white women. Have Frederick Douglass not married that white woman, 915 00:48:19,800 --> 00:48:22,319 Speaker 1: he would be undisputably the greatest Black leader that ever 916 00:48:22,360 --> 00:48:24,840 Speaker 1: walked on American soil. But because of that one mistake 917 00:48:24,880 --> 00:48:27,200 Speaker 1: that he made. But the question again is why did 918 00:48:27,239 --> 00:48:29,280 Speaker 1: he do that? Why do you say that's a mistake, 919 00:48:29,360 --> 00:48:31,400 Speaker 1: Because shouldn't it be the man fell in love with 920 00:48:31,440 --> 00:48:33,920 Speaker 1: who he fell in love with? No, because marriage is 921 00:48:33,960 --> 00:48:37,200 Speaker 1: a political decision. Who you marry tells me who you are. 922 00:48:37,520 --> 00:48:39,359 Speaker 1: When you marry a woman, you don't just marry her, 923 00:48:39,640 --> 00:48:42,920 Speaker 1: you marry her culture, You marry her community, you marry 924 00:48:42,960 --> 00:48:45,959 Speaker 1: her people. So when a black man marries a white woman, 925 00:48:46,160 --> 00:48:49,759 Speaker 1: he's making several clear points in messages. He's sitting out 926 00:48:49,800 --> 00:48:53,200 Speaker 1: to his own people. Because there's no greater symbol of 927 00:48:53,320 --> 00:48:56,320 Speaker 1: your loyalty to your struggle than to marry a sister 928 00:48:56,600 --> 00:49:01,759 Speaker 1: who shares that struggle. Is love purely I disagree. Love 929 00:49:02,000 --> 00:49:05,239 Speaker 1: is a function of your values and your priorities, and 930 00:49:05,400 --> 00:49:09,040 Speaker 1: you better never get called with a white woman. So 931 00:49:09,200 --> 00:49:11,560 Speaker 1: eight hundred five eight five one oh five one, what 932 00:49:11,719 --> 00:49:15,319 Speaker 1: do you think we got? Frankie online three Frankie, good morning. Hey, 933 00:49:15,400 --> 00:49:17,320 Speaker 1: how are we doing, guys? Okay? Now you agree with 934 00:49:17,400 --> 00:49:20,200 Speaker 1: doctor doctor Umar Johnson. I think I agree with him 935 00:49:20,239 --> 00:49:23,120 Speaker 1: when he says that marriage is a political decision. I 936 00:49:23,239 --> 00:49:26,000 Speaker 1: agree that when you marry someone, you are marrying their culture. 937 00:49:26,080 --> 00:49:29,200 Speaker 1: So I think if there's a black person who loves 938 00:49:29,239 --> 00:49:32,200 Speaker 1: their culture enough, they wouldn't be one hundred percent okay 939 00:49:32,280 --> 00:49:34,799 Speaker 1: with man a white person. But at the same time, 940 00:49:34,880 --> 00:49:37,560 Speaker 1: I agree with Solomon when he says that, you know, 941 00:49:37,719 --> 00:49:39,600 Speaker 1: while you shouldn't tell your children who to love you, 942 00:49:39,840 --> 00:49:41,959 Speaker 1: you do want them to come home with someone black, 943 00:49:42,400 --> 00:49:45,600 Speaker 1: because it's not racist to want them to marry inside 944 00:49:45,640 --> 00:49:48,160 Speaker 1: their race. It's a cultural thing. Agents do it, Jewish 945 00:49:48,200 --> 00:49:50,960 Speaker 1: people do it. Yep, you know. But see, I'm gonna 946 00:49:51,080 --> 00:49:52,960 Speaker 1: don't get called. I just want my son to come 947 00:49:52,960 --> 00:49:54,759 Speaker 1: home with somebody that loves him and treats him well 948 00:49:54,920 --> 00:49:56,239 Speaker 1: like that. That's what I want, you know, I mean, 949 00:49:56,280 --> 00:49:57,800 Speaker 1: I mean, that's what that's all I want. At the 950 00:49:57,880 --> 00:49:59,279 Speaker 1: end of the day. I wanted to be happy for 951 00:49:59,360 --> 00:50:01,319 Speaker 1: our kids. That's we all wanted to end of the day. 952 00:50:01,320 --> 00:50:04,040 Speaker 1: We want them to grow to love someone. But I mean, 953 00:50:04,080 --> 00:50:06,279 Speaker 1: if you ask me her father what I want, Yeah, 954 00:50:06,280 --> 00:50:08,000 Speaker 1: I would love for her to bring her brother home. Hello. 955 00:50:08,080 --> 00:50:11,160 Speaker 1: Who's this? Hey? This is Kay? Hey, Kay, good morning. 956 00:50:11,239 --> 00:50:13,200 Speaker 1: Now do you agree with dr Uma Johnson? I do 957 00:50:13,360 --> 00:50:16,200 Speaker 1: agree with him. I don't have anything against other races, 958 00:50:16,440 --> 00:50:19,920 Speaker 1: but I can come from a safe background, and if 959 00:50:19,960 --> 00:50:22,560 Speaker 1: you're looking the Bible, there are verses in the Bible 960 00:50:23,239 --> 00:50:26,560 Speaker 1: where God talks about not senior race and telling like 961 00:50:26,800 --> 00:50:30,720 Speaker 1: Israel like to you know, test out those who aren't 962 00:50:31,080 --> 00:50:33,719 Speaker 1: of your time, and you're not supposed to marry help 963 00:50:33,880 --> 00:50:36,680 Speaker 1: other people. So you know, I just feel like by 964 00:50:37,120 --> 00:50:41,399 Speaker 1: being with somebody wider, being with some of another race, 965 00:50:42,080 --> 00:50:45,360 Speaker 1: you kind of dwindle on your love, or not not 966 00:50:45,560 --> 00:50:47,799 Speaker 1: your love, but yeah, you kind of dwindle all your 967 00:50:47,880 --> 00:50:50,840 Speaker 1: love and your understanding for your own people as well. Okay, 968 00:50:51,600 --> 00:50:53,680 Speaker 1: I see, I don't necessarily know if I agree with that, 969 00:50:53,760 --> 00:50:56,319 Speaker 1: but I do agree. There's a lot of cases where 970 00:50:56,480 --> 00:50:59,640 Speaker 1: men have fallen into the sunken place because of their women, 971 00:50:59,760 --> 00:51:02,680 Speaker 1: Like that is the fact Jay. Good morning, Hey, good morning. 972 00:51:02,880 --> 00:51:04,799 Speaker 1: Now do you agree with what doctor Umar Johnson said? 973 00:51:05,360 --> 00:51:09,200 Speaker 1: Not at all. I'm nineteen years old. I'm an African 974 00:51:09,200 --> 00:51:12,600 Speaker 1: American Hawaiian Filipino girl. But of course when people look 975 00:51:12,600 --> 00:51:14,920 Speaker 1: at me, they think, oh, she's just black. Um, and 976 00:51:15,040 --> 00:51:18,959 Speaker 1: my now boyfriend is actually pulls to moans. So what's 977 00:51:18,960 --> 00:51:21,400 Speaker 1: the whole like relating with your struggle? I feel like 978 00:51:21,680 --> 00:51:24,759 Speaker 1: no matter who you're with, you can educate them, you know, 979 00:51:25,000 --> 00:51:27,520 Speaker 1: let them know what you're going through and they can 980 00:51:27,600 --> 00:51:30,360 Speaker 1: then understand their struggle. Because even with all the groups 981 00:51:30,400 --> 00:51:33,360 Speaker 1: and the Black Lives Matter or any you know, majority 982 00:51:33,440 --> 00:51:37,840 Speaker 1: black group, it doesn't have this black people. Ain't you 983 00:51:37,840 --> 00:51:41,759 Speaker 1: all Pacific Americans? Yes? Yes? But what is it? What 984 00:51:41,920 --> 00:51:45,239 Speaker 1: is it? What are the Pacific Americans got going on? 985 00:51:45,640 --> 00:51:49,439 Speaker 1: I'm just asking. I don't know, like what a Hawaiian struggles. Yeah, 986 00:51:50,080 --> 00:51:52,799 Speaker 1: I we were just talking about this yesterday. UM. Kind 987 00:51:52,840 --> 00:51:55,160 Speaker 1: of the same thing. We got our land taking from 988 00:51:55,239 --> 00:51:58,920 Speaker 1: us and uh, the I don't want to neces say that, 989 00:51:59,080 --> 00:52:03,040 Speaker 1: but like the Caucade came and they discovered Hawaii when 990 00:52:03,080 --> 00:52:06,960 Speaker 1: there's people already there. We got a religious force onto us, 991 00:52:07,560 --> 00:52:11,920 Speaker 1: um got closed. But on Earth. So that. I mean, 992 00:52:12,040 --> 00:52:15,520 Speaker 1: that's they're kind of struggle like. Oh, so basically, basically, 993 00:52:15,560 --> 00:52:16,840 Speaker 1: the white man did to you what he's done to 994 00:52:16,880 --> 00:52:19,879 Speaker 1: everybody else. Exactly. Okay, that's all you gotta say. Why 995 00:52:19,880 --> 00:52:22,120 Speaker 1: are you complicating this? We know we know what white 996 00:52:22,120 --> 00:52:24,000 Speaker 1: man's doesn't they know what they've done. It's all good. Hello, 997 00:52:24,080 --> 00:52:29,360 Speaker 1: who's this? Look? Look, this is a mute discussion because 998 00:52:29,440 --> 00:52:32,040 Speaker 1: black people are full of it, because they never ever 999 00:52:32,360 --> 00:52:35,479 Speaker 1: sleep with their own kind. I've been telling black people 1000 00:52:35,760 --> 00:52:40,800 Speaker 1: what they are for years. Monkeys, boy, and coon. So 1001 00:52:41,000 --> 00:52:43,359 Speaker 1: the moral of the story is, if black people were 1002 00:52:43,480 --> 00:52:46,360 Speaker 1: dating their own kind, they'd be sleeping with Harabe and 1003 00:52:46,520 --> 00:52:48,520 Speaker 1: racking the rack home from guardians of the gallery. Oh 1004 00:52:48,560 --> 00:52:53,000 Speaker 1: my goodness. See that guy always goes too far. Yeah 1005 00:52:53,080 --> 00:52:54,480 Speaker 1: he does. But the moral of the story is I 1006 00:52:54,560 --> 00:52:56,600 Speaker 1: have no problem with a person loving whoever they want 1007 00:52:56,600 --> 00:52:59,120 Speaker 1: to love. But I also have no problem we're wanting 1008 00:52:59,120 --> 00:53:01,120 Speaker 1: to marry someone from a culture. I have no problem 1009 00:53:01,200 --> 00:53:02,680 Speaker 1: with you wanting to keep it all in the family. 1010 00:53:02,719 --> 00:53:04,319 Speaker 1: If we want to keep it black, keeping black, if 1011 00:53:04,320 --> 00:53:05,600 Speaker 1: you want to keep it white, keeping white, if you 1012 00:53:05,600 --> 00:53:07,680 Speaker 1: want to keep it Jewish, keeping Jewish, keeping Mexican, keeping 1013 00:53:07,719 --> 00:53:10,719 Speaker 1: Mexican whatever it is me personally, Yeah, that's what I 1014 00:53:10,800 --> 00:53:12,160 Speaker 1: want from my daughters. Don't want them to bring a 1015 00:53:12,280 --> 00:53:15,480 Speaker 1: nice black man home, okay, but more importantly, I just 1016 00:53:15,560 --> 00:53:17,239 Speaker 1: want that person to be a good person. I want 1017 00:53:17,360 --> 00:53:18,839 Speaker 1: to be a good person that time. I just want 1018 00:53:18,880 --> 00:53:20,440 Speaker 1: to I want them to have a good person night. 1019 00:53:20,719 --> 00:53:22,399 Speaker 1: And when we come back, we got rumors. We gotta 1020 00:53:22,400 --> 00:53:25,920 Speaker 1: talk Eric Bana, he responds to jay Z, also Academics 1021 00:53:25,960 --> 00:53:27,600 Speaker 1: and Joe Buttons. I think they made up. We'll get 1022 00:53:27,640 --> 00:53:29,200 Speaker 1: into it when we come back. It's the Breakfast Club. 1023 00:53:29,239 --> 00:53:35,960 Speaker 1: Good morning, the Breakfast Club Morning. Everybody is DJ Envy, 1024 00:53:36,120 --> 00:53:38,719 Speaker 1: Angela yee, Charlemagne the guy. We are the Breakfast Club. 1025 00:53:38,800 --> 00:53:47,200 Speaker 1: Let's get to rumors. Let's talk home. It's about is 1026 00:53:47,239 --> 00:53:53,160 Speaker 1: the rumor report? Angela yee? The Breakfast Club. Angela is out, 1027 00:53:53,200 --> 00:53:55,319 Speaker 1: so we're holding it down now. We all chatty Patty 1028 00:53:55,360 --> 00:53:58,880 Speaker 1: as beaches. Let's go talk about me and you, Doug 1029 00:53:59,600 --> 00:54:02,000 Speaker 1: all right. Last night, JAYZ released his album four four 1030 00:54:02,160 --> 00:54:04,880 Speaker 1: four albums incredible. I love the album, if the album 1031 00:54:04,920 --> 00:54:07,120 Speaker 1: I wanted, it's the album I needed. You know. I 1032 00:54:07,280 --> 00:54:09,560 Speaker 1: love age appropriate hip hop because I'm a grown ass 1033 00:54:09,640 --> 00:54:12,799 Speaker 1: full of doult Okay, jay Z is a grown ass 1034 00:54:12,880 --> 00:54:14,799 Speaker 1: full of doult, even more grown ass full of dolt 1035 00:54:14,840 --> 00:54:17,440 Speaker 1: than me. Now he mentioned Eric Bonet on this album, 1036 00:54:17,480 --> 00:54:19,880 Speaker 1: Let's play a clip of it. You exce lunch On, 1037 00:54:20,840 --> 00:54:22,800 Speaker 1: knowing on the long all you had to say you 1038 00:54:23,000 --> 00:54:27,440 Speaker 1: was from you almost went every Banet, but the baddest 1039 00:54:27,480 --> 00:54:30,560 Speaker 1: girl in the world get the way. I don't even 1040 00:54:30,640 --> 00:54:36,000 Speaker 1: know what else says, never go, Eric Banet. I don't 1041 00:54:36,000 --> 00:54:38,240 Speaker 1: even know what you would have done in the future, 1042 00:54:38,280 --> 00:54:40,360 Speaker 1: other n you could playing in football with your sign 1043 00:54:41,280 --> 00:54:43,480 Speaker 1: all right, he would have lost it, all right. I 1044 00:54:43,560 --> 00:54:45,560 Speaker 1: feel bad for giving the launcher donkey of the day 1045 00:54:46,040 --> 00:54:48,360 Speaker 1: that time after the elevator incident, now knowing it was 1046 00:54:48,440 --> 00:54:52,040 Speaker 1: all wholes faulty eggs launch On, knowing the whole time 1047 00:54:52,120 --> 00:54:55,759 Speaker 1: he was wrong, right well, Eric Bonet responded, I don't 1048 00:54:55,800 --> 00:54:57,600 Speaker 1: nobody give a damn what Eric By got to say, 1049 00:54:58,400 --> 00:55:01,680 Speaker 1: put on Twitter on Instagram him yesterday, Hey yo, jay Z, 1050 00:55:02,239 --> 00:55:04,360 Speaker 1: just so you know, I got the baddest girl in 1051 00:55:04,400 --> 00:55:06,840 Speaker 1: the world. She's my wife, like right now, and he 1052 00:55:06,920 --> 00:55:10,680 Speaker 1: posted a picture of his wife dropping the clues bombs. Listen, 1053 00:55:10,760 --> 00:55:12,160 Speaker 1: you gotta hold it down for your wife. And I'm 1054 00:55:12,200 --> 00:55:14,160 Speaker 1: sure his wife is the baddest woman in the world 1055 00:55:14,200 --> 00:55:17,279 Speaker 1: to him now. Also, who were talking about here talking 1056 00:55:17,280 --> 00:55:20,680 Speaker 1: about Holly Berry. No, but he did the right thing. 1057 00:55:21,080 --> 00:55:22,800 Speaker 1: What you mean, did he put a p each of 1058 00:55:22,840 --> 00:55:24,120 Speaker 1: his wife and said, this is the baddest girl in 1059 00:55:24,200 --> 00:55:27,640 Speaker 1: my world? Oh? Absolutely, that's real. Absolutely all day right now. Also, 1060 00:55:27,760 --> 00:55:30,279 Speaker 1: Joe Button and Academics, it looks like they squashed their beef. 1061 00:55:30,360 --> 00:55:33,600 Speaker 1: They called each other but giantess all day yesterday. But 1062 00:55:33,680 --> 00:55:35,640 Speaker 1: it looks like they squashed their beef. And we have audio. 1063 00:55:36,080 --> 00:55:38,920 Speaker 1: Academics is one of the biggest things I've ever seen 1064 00:55:39,000 --> 00:55:41,400 Speaker 1: in my entire life. But he should never comment on 1065 00:55:41,480 --> 00:55:44,680 Speaker 1: anything that has to do with physicality. There's nothing wrong 1066 00:55:44,760 --> 00:55:48,600 Speaker 1: with being, but you gotta be to the corner sometimes 1067 00:55:48,680 --> 00:55:50,400 Speaker 1: just shut up. I just wanted to play them squashing, 1068 00:55:50,560 --> 00:55:53,560 Speaker 1: played them squashing the beef. I just heard Joe talking 1069 00:55:53,600 --> 00:55:55,880 Speaker 1: about it. Man. Joe called me, and I was like, Yo, 1070 00:55:56,080 --> 00:55:59,960 Speaker 1: not because of what happened. Couldn't because of what happened, 1071 00:56:00,120 --> 00:56:02,719 Speaker 1: because I'm like, Joe, can't say that giving that he 1072 00:56:02,840 --> 00:56:05,880 Speaker 1: edited out the footage. It was in front of you 1073 00:56:06,000 --> 00:56:09,000 Speaker 1: when the whole QC schoundrels were descending on you. You 1074 00:56:09,080 --> 00:56:12,080 Speaker 1: were honorable. Certain things should just be left untouched, not 1075 00:56:12,280 --> 00:56:14,719 Speaker 1: edited footage, not any of that. I don't care about that. 1076 00:56:15,080 --> 00:56:16,680 Speaker 1: I love you, I love him. The desk and you 1077 00:56:16,760 --> 00:56:19,000 Speaker 1: guys are honorable outside of you throwing the desk in 1078 00:56:19,040 --> 00:56:20,840 Speaker 1: the way. This was great, Listen. I just I just 1079 00:56:21,080 --> 00:56:23,520 Speaker 1: felt a certain type of way about that particular time. 1080 00:56:23,640 --> 00:56:25,040 Speaker 1: Other than that, you know what I mean. I'm enjoying 1081 00:56:25,040 --> 00:56:29,120 Speaker 1: the memes right now. Anything I said about every day struggle, 1082 00:56:29,120 --> 00:56:30,799 Speaker 1: people say I'm hating, So I'm just wish. I hate 1083 00:56:31,040 --> 00:56:33,040 Speaker 1: what you gotta say. I'm gonna just wish Academics and 1084 00:56:33,120 --> 00:56:35,239 Speaker 1: Joe the best with every day scruggle. Both of those 1085 00:56:35,239 --> 00:56:37,879 Speaker 1: guys know him here if they need me, act as 1086 00:56:37,920 --> 00:56:41,000 Speaker 1: my guy, Joe, my guy. I talked back all the time. Okay, 1087 00:56:41,160 --> 00:56:42,960 Speaker 1: I wished him to best work it out. Guys. You 1088 00:56:43,000 --> 00:56:45,600 Speaker 1: guys got something good over there. Okay. Now, people were 1089 00:56:45,600 --> 00:56:48,160 Speaker 1: pissed off and Kendrick Lamar but his sister a Toyota 1090 00:56:48,320 --> 00:56:51,279 Speaker 1: Camry for graduation. They said he was being cheap. They 1091 00:56:51,320 --> 00:56:53,279 Speaker 1: said he's making so much money he should buy her 1092 00:56:53,280 --> 00:56:57,440 Speaker 1: a better car. Well, Kendrick Lamar responded, I don't know 1093 00:56:57,560 --> 00:56:59,960 Speaker 1: what they expected, a sixty year old with no life 1094 00:57:00,160 --> 00:57:02,960 Speaker 1: is to get a Lamborghini, she has to fully learn 1095 00:57:03,040 --> 00:57:07,120 Speaker 1: how to drive first, and not only learn fully learn 1096 00:57:07,200 --> 00:57:09,759 Speaker 1: how to drive, fully learn responsibility. You know what I'm saying. 1097 00:57:09,760 --> 00:57:11,880 Speaker 1: You don't just jump out the window and buying a 1098 00:57:12,000 --> 00:57:15,520 Speaker 1: sixteen year old to Bentley or made Back or Landboy 1099 00:57:15,560 --> 00:57:17,120 Speaker 1: or whatever else you think a rapper should buy a 1100 00:57:17,200 --> 00:57:20,600 Speaker 1: family member. Absolutely, I mean they're sixteen years old, they're 1101 00:57:20,600 --> 00:57:22,960 Speaker 1: just learning how to drive. They're probably gonna crash into something, 1102 00:57:23,240 --> 00:57:25,720 Speaker 1: hit up the bumper, Papa tie, They're gonna do something 1103 00:57:25,800 --> 00:57:27,200 Speaker 1: We all did it when we first got our license. 1104 00:57:27,200 --> 00:57:29,440 Speaker 1: And they gotta learn how to earn things you got. 1105 00:57:29,560 --> 00:57:32,120 Speaker 1: You earn those toys, you just don't get get them 1106 00:57:32,200 --> 00:57:35,080 Speaker 1: gifted rights. Of course you did an NBA player or 1107 00:57:35,320 --> 00:57:39,120 Speaker 1: soccer player or baseball player. But you know one of those, right, 1108 00:57:39,560 --> 00:57:42,400 Speaker 1: and that is rapper that's actually making money, and that 1109 00:57:42,720 --> 00:57:45,720 Speaker 1: is your rumor report. Now, yesterday Hooves album came out, 1110 00:57:45,760 --> 00:57:47,400 Speaker 1: So let's play a joint off the whole album. What 1111 00:57:47,520 --> 00:57:50,000 Speaker 1: joint you going to play? Man? I like so many 1112 00:57:50,040 --> 00:57:53,640 Speaker 1: man I like kill jay Z, I like uh four 1113 00:57:53,800 --> 00:57:59,160 Speaker 1: four four, I like um oh, man, I don't know. 1114 00:57:59,440 --> 00:58:03,160 Speaker 1: I like a fewest dope, like a lot of records 1115 00:58:03,200 --> 00:58:06,480 Speaker 1: on there, like, let's do four four four No, no, no, 1116 00:58:06,760 --> 00:58:12,320 Speaker 1: let's do no, let's do m Whyn't you just play 1117 00:58:12,360 --> 00:58:14,480 Speaker 1: the album? Ain't I hear playing the album every two 1118 00:58:14,520 --> 00:58:18,400 Speaker 1: hours or something like that. It's only thirty four minutes. 1119 00:58:18,880 --> 00:58:21,280 Speaker 1: Let's do the story of OJ and then when story, 1120 00:58:21,360 --> 00:58:23,320 Speaker 1: let's do a story of OJ. By the way, the 1121 00:58:23,480 --> 00:58:26,320 Speaker 1: stupid young boy that caught up here earlier talking about this, 1122 00:58:26,480 --> 00:58:29,160 Speaker 1: no such thing as race jay Z made the story 1123 00:58:29,200 --> 00:58:31,960 Speaker 1: of OJ song for dumb asses like you. We'll get 1124 00:58:32,040 --> 00:58:33,560 Speaker 1: into the story of OJ and then we're gonna get 1125 00:58:33,560 --> 00:58:37,200 Speaker 1: into a jay Z mixed ladies and gentlemen. Yes, we're 1126 00:58:37,240 --> 00:58:39,400 Speaker 1: playing a chance of d ride Hole. You're gonna take 1127 00:58:39,520 --> 00:58:41,600 Speaker 1: Why d rod hole you you always say get him 1128 00:58:41,680 --> 00:58:43,520 Speaker 1: the flowers when they're lives. I'm trying to get my 1129 00:58:43,680 --> 00:58:45,400 Speaker 1: man some flowers right now, and you say I'm d 1130 00:58:45,520 --> 00:58:48,000 Speaker 1: roding you're giving them flowers. I'm the guy sitting over 1131 00:58:48,080 --> 00:58:49,919 Speaker 1: here with the rock Nation hat and the rock Nation 1132 00:58:49,960 --> 00:58:52,280 Speaker 1: T shirts. Lout to my guy, E Maery Jones. Meanwhile, 1133 00:58:52,280 --> 00:58:54,160 Speaker 1: you got on an over your snap back, I got 1134 00:58:54,240 --> 00:58:59,560 Speaker 1: my I got rock Nation underwear on. You know what 1135 00:58:59,600 --> 00:59:02,360 Speaker 1: I'm say You wonder our waffle color negirls get no 1136 00:59:02,440 --> 00:59:04,320 Speaker 1: respect in this world. All right, revolt, we'll see you 1137 00:59:04,440 --> 00:59:06,880 Speaker 1: guys on. I thought he trying to bring lights to 1138 00:59:06,880 --> 00:59:08,400 Speaker 1: get back, but he just always set them back with 1139 00:59:08,440 --> 00:59:10,960 Speaker 1: stupid ass comments like everybody else to people's chess. But 1140 00:59:11,160 --> 00:59:13,160 Speaker 1: when's you revote coming back a week? All right? And 1141 00:59:13,280 --> 00:59:15,080 Speaker 1: I want to tell, did he too? Man? Did he? 1142 00:59:15,160 --> 00:59:17,480 Speaker 1: You know you did your little press run yesterday? Did 1143 00:59:17,560 --> 00:59:19,000 Speaker 1: he did? He was supposed to come on the Breakfast 1144 00:59:19,000 --> 00:59:21,800 Speaker 1: Club yesterday, but he cantoned on the Breakfast but he did? 1145 00:59:22,600 --> 00:59:25,600 Speaker 1: He did? Didus and Merrill show me? Diesus with me 1146 00:59:25,720 --> 00:59:28,240 Speaker 1: last night for my Bond Day? He did Wendy Williams show. 1147 00:59:28,520 --> 00:59:30,680 Speaker 1: I saw him doing some other radio. I just want 1148 00:59:30,720 --> 00:59:32,680 Speaker 1: to say, I think it's quite stupid for you not 1149 00:59:32,760 --> 00:59:34,600 Speaker 1: to come do the Breakfast Club and we're on Revote 1150 00:59:34,600 --> 00:59:37,120 Speaker 1: that work that But that's what I mean when I 1151 00:59:37,120 --> 00:59:40,480 Speaker 1: say did he doesn't promote revote, doesn't care about revote. 1152 00:59:40,680 --> 00:59:42,560 Speaker 1: So I'm gonna give you revote the same energy did 1153 00:59:42,600 --> 00:59:46,160 Speaker 1: you give it? Did he? Okay, I'm gonna get Revote 1154 00:59:46,200 --> 00:59:48,320 Speaker 1: the same energy you give it. So when y'all wonder 1155 00:59:48,360 --> 00:59:50,760 Speaker 1: why Charlemagne on never got nothing good to say about revote. 1156 00:59:50,840 --> 00:59:53,920 Speaker 1: It's because the situations like that, said a matter of fact, 1157 00:59:54,000 --> 00:59:55,520 Speaker 1: let's get into the mix when we come back, but 1158 00:59:55,680 --> 00:59:57,080 Speaker 1: let me know what you want to hear. Eight hundred 1159 00:59:57,160 --> 00:59:58,680 Speaker 1: five eight five one on five one