WEBVTT - Mini Crush #15 0:00:25.079 --> 0:00:29.560 Hey, everyone, welcome to movie Crush Mini Crush Monday Monday Morning, 0:00:30.960 --> 0:00:37.159 Monday Monday. We love this day the best. We're like 0:00:37.280 --> 0:00:41.280 anti Garfield. We're the opposite of Garfield. We love Monday's right. Although, 0:00:41.440 --> 0:00:45.920 to be fair, it is Thursday. Whoa, whoa chuck. He 0:00:46.040 --> 0:00:48.960 just blew my whole world open man is ruined everything. 0:00:48.960 --> 0:00:52.400 I'm too busy. Yeah, it's Thursday morning here, and I 0:00:52.560 --> 0:00:56.760 just finished my triple latte. We just finished recording another one. 0:00:56.840 --> 0:01:00.440 We'd do these two at the time generally spoiler mm hmm, 0:01:01.200 --> 0:01:03.160 and let's just get right to it. No, I'm ready 0:01:03.200 --> 0:01:05.800 because this is jam packed. We got a great social 0:01:05.800 --> 0:01:12.839 studies segment, so this turned out to be a really 0:01:12.840 --> 0:01:15.520 fun question. I went to Facebook and asked, what is 0:01:15.560 --> 0:01:18.679 your favorite music que? And I even said, you know, 0:01:18.720 --> 0:01:21.720 I'm not talking about the score, because not everyone knows 0:01:21.760 --> 0:01:25.360 what a music que is. It's a specific song usage 0:01:25.360 --> 0:01:28.800 in a film, and about of the people got that right, 0:01:29.000 --> 0:01:33.040 but some people still said, well, the score of Star Wars. 0:01:33.480 --> 0:01:36.720 It's like, well, it's not exactly a music que. I mean, 0:01:36.840 --> 0:01:39.039 technically I guess it is, but you know what I'm 0:01:39.040 --> 0:01:42.000 it's different. We're talking, you're talking about a tune like 0:01:42.040 --> 0:01:46.240 a song by an artist that's used a song placement. Yes, exactly, 0:01:47.080 --> 0:01:49.520 all right, I'm gonna go well, I'll say mine at 0:01:49.560 --> 0:01:51.000 the end, but I want to go through a lot 0:01:51.000 --> 0:01:55.120 of these because man, people, people really got on board 0:01:55.160 --> 0:01:58.560 with this one. Megan Carroll again for the second week 0:01:58.600 --> 0:02:00.640 in a row. You are blown in my mind with 0:02:00.640 --> 0:02:04.360 how similar we are. She says, Oh my god, my 0:02:04.440 --> 0:02:07.760 dream job is music supervisor on the film. Uh these 0:02:07.840 --> 0:02:11.080 days in the Royal Tannem Bombs is just so fucking perfect. 0:02:11.120 --> 0:02:15.600 That is wonderful. It's with Gwyneth Paltrow's character getting off 0:02:15.639 --> 0:02:20.400 the bus just walking SloMo kind of well, her brother 0:02:20.560 --> 0:02:25.880 and the Navy midshipman cross in slow motion. So, I mean, 0:02:25.919 --> 0:02:28.800 he's one of those directors that just nails the sound track. 0:02:28.919 --> 0:02:31.320 I mean to it. His music cues are all over 0:02:31.360 --> 0:02:34.200 this list. It's almost a joke. It's almost become a 0:02:34.240 --> 0:02:38.320 cliche how good his music cues are. Yeah, for sure. 0:02:38.400 --> 0:02:42.919 My buddy Jeremy Kane in Washington State, he actually texted 0:02:42.919 --> 0:02:45.760 me or and maybe on Facebook to me and it's like, man, 0:02:45.800 --> 0:02:48.200 I didn't because I take these down after I get 0:02:48.320 --> 0:02:51.040 enough answers. Just so you know, yeah, people don't clog 0:02:51.080 --> 0:02:53.280 it up, and he said, man, I didn't get to answer, 0:02:53.800 --> 0:02:55.919 but he said a quick one while he's away my 0:02:56.120 --> 0:03:03.640 mind in Rushmore by the Who Man's been all right, 0:03:03.639 --> 0:03:07.079 We're gonna go through a lot more of these, Kin Turpin. Uh. 0:03:07.240 --> 0:03:11.080 He got the most up likes up votes on the 0:03:11.120 --> 0:03:13.519 Facebook page for Damn It Feels Good to be a 0:03:13.560 --> 0:03:16.400 Gangster from Office Space, one of the classic music cues. 0:03:16.680 --> 0:03:20.080 Very good. Michael Hilton, Um and a bunch of people 0:03:20.080 --> 0:03:22.080 said this, and I will give it to him for 0:03:22.120 --> 0:03:25.400 a more recent film. Immigrant song and Thorne Ragnarok doesn't 0:03:25.440 --> 0:03:28.520 get much better, really good usage. It's also one of 0:03:28.520 --> 0:03:32.040 those songs that's so like potentially could be cliche and 0:03:32.120 --> 0:03:34.760 overused the way it's used in that line, it's just 0:03:35.040 --> 0:03:39.920 crush crushes really good. Uh. Anna Marie Guido says down 0:03:39.960 --> 0:03:42.640 by the River to Pray by Alison krausson Oh Brother 0:03:42.640 --> 0:03:44.960 Where Art? Though? Um, that whole movie is chock fullo 0:03:45.000 --> 0:03:48.920 good music. Sean McFarlane head over heels by Tears for 0:03:49.000 --> 0:03:51.640 Fears will always remind me of high the high school 0:03:51.640 --> 0:03:54.840 scene in Donnie Darko Um, and then Jesse's Girl and 0:03:54.880 --> 0:03:57.120 Boogie Nights when Dork and his friends are trying to 0:03:57.200 --> 0:04:01.040 rip off Albert Molina. It's pretty epic. Donnie Darko is 0:04:01.040 --> 0:04:04.920 all through here too. That that movie, you know, that movie? Yeah, yeah, 0:04:05.000 --> 0:04:07.839 it managed to have some really great, great music cues. 0:04:07.920 --> 0:04:12.720 I'm just starting to doubt your commitment to sparkle motion, Chuck. Oh. 0:04:12.760 --> 0:04:14.600 That actress is so great. I can't remember her name, 0:04:14.600 --> 0:04:17.960 but character director, She's wonderful. Chris Ortado one of the 0:04:17.960 --> 0:04:21.719 hardest hitting songs again in Donnie Darko when Mad World 0:04:21.800 --> 0:04:26.200 plays another great one. Actually, I had heard that version 0:04:26.240 --> 0:04:28.880 of it, the kind of bummer piano version, before I 0:04:28.920 --> 0:04:31.560 heard the Tears for Fears version. I definitely prefer the 0:04:31.560 --> 0:04:34.040 Tears for Fears version, but that just the song. Yeah, 0:04:34.160 --> 0:04:36.960 it made me just love fall in love with that song. Yeah, 0:04:37.000 --> 0:04:40.400 that movie. I loved that. I mean I still love it. 0:04:40.400 --> 0:04:42.600 But I really really really loved that movie. When it 0:04:42.640 --> 0:04:46.719 came out, I was I saw it several times, and um, 0:04:46.760 --> 0:04:49.279 what happened to Richard kelly Man. He made a couple 0:04:49.279 --> 0:04:51.720 of weird ones. He made like a weird musical kind 0:04:51.720 --> 0:04:54.640 of with the rock and the well the Southland Tales 0:04:54.839 --> 0:04:57.800 was just it was like I think it got the 0:04:57.880 --> 0:05:00.440 Razzy for worst movie. Some people really dig it. I 0:05:00.440 --> 0:05:02.039 haven't seen. I know it's got a cult, kind of 0:05:02.040 --> 0:05:04.080 a cult following. Maybe i'll check it out one day. 0:05:04.080 --> 0:05:06.480 I avoided it because I heard it was so bad. 0:05:07.000 --> 0:05:08.800 How can you make something like Donnie Darko and then 0:05:08.800 --> 0:05:10.960 just fall off the rails? Like what's that thing where 0:05:11.000 --> 0:05:12.719 you have your whole life to make your first movie 0:05:12.920 --> 0:05:15.239 planet and then you keep pumping them out and maybe 0:05:15.240 --> 0:05:19.520 it's you know, same with records. Mike Pintola, gimme shelter 0:05:20.000 --> 0:05:24.040 the opening of The Departed. Yeah, Martin Scorsese loves him 0:05:24.120 --> 0:05:28.479 some rolling Stones. Greta Konig says, uh. In Fast Times 0:05:28.480 --> 0:05:31.680 at Ridgemont High, Mike tells Mark one of his five 0:05:31.760 --> 0:05:34.080 dating tips, one of which is when it comes to 0:05:34.200 --> 0:05:38.560 making out play side one of led Zeppelin for and 0:05:38.600 --> 0:05:41.880 Mark play, is that a good deman? Oh? Yeah? Mark 0:05:41.920 --> 0:05:44.600 plays the song Cashmere in the car, and Greta very 0:05:44.640 --> 0:05:47.360 astutely points out, which we all know is from physical graffiti. 0:05:47.680 --> 0:05:49.360 That always stood out to me. How could they make 0:05:49.760 --> 0:05:52.880 that mistake? Oh, that's funny because it was Cameron Crow. Yeah, 0:05:52.960 --> 0:05:56.360 I wrote that. That's hilarious. Why why not just say, 0:05:56.360 --> 0:05:59.000 physical graffiti. I don't know. It had to be on purpose. 0:05:59.320 --> 0:06:00.920 I'm kind of cure us about that. There's gotta be 0:06:00.960 --> 0:06:04.000 a story there, because that's a high profile mistake to make. 0:06:04.320 --> 0:06:06.040 I'm gonna go ahead and throw in she's got to 0:06:06.080 --> 0:06:09.839 be somebody's baby or somebody's baby from Jackson Brown, also 0:06:09.920 --> 0:06:14.799 from Fast Times at Ridgmond High, Brittney story says Um 0:06:15.040 --> 0:06:19.599 Stuffy and Stevens when Chicago by Stuffy and Stevens plays 0:06:19.640 --> 0:06:22.640 in Little Miss Sunshine as a family drives in silence, 0:06:23.160 --> 0:06:28.560 great movie in a van with my friends. Uh, Pete, boy, 0:06:28.600 --> 0:06:30.720 I have no idea. There's a lot of consonants in 0:06:30.760 --> 0:06:36.719 your name, buddy. I'm gonna go with holand holand edge. 0:06:38.640 --> 0:06:41.640 I bet Pete's laughing right now. People. Sometimes people really 0:06:41.720 --> 0:06:45.320 dig it when they just just do a delightfully horrible 0:06:45.320 --> 0:06:47.719 pronunciation of their name. So well, there's got to be 0:06:47.760 --> 0:06:51.640 some silent letters here. It's h O, l O, d 0:06:52.040 --> 0:07:00.719 in y J Holny. I don't know, maybe yeah, I 0:07:00.760 --> 0:07:04.520 love it pez he said, good Fellas. That beautiful single 0:07:04.560 --> 0:07:07.160 tracking shot, of course, as Henry leads Karen through the 0:07:07.200 --> 0:07:10.280 bowels of the Copacabana, all set to and then he 0:07:10.360 --> 0:07:15.960 kissed me by the crystals, absolute perfection. Agreed. Another Donnie Darko, 0:07:16.320 --> 0:07:18.600 Ryan Nims, and we've covered all of Donnie Darko at 0:07:18.600 --> 0:07:22.600 this point. Echo and the Bunny Man's killing Moon at 0:07:22.600 --> 0:07:26.400 the beginning, huge fan really good nic holiday, Oh yes, 0:07:26.520 --> 0:07:29.880 sweet emotion by Aerosmith as that orange gt O rolls 0:07:29.880 --> 0:07:32.400 through the car park at the started Days and Confused, 0:07:33.720 --> 0:07:37.000 classic classic beginning of the movie. Tammy Mitchell says, I 0:07:37.040 --> 0:07:40.760 love this question pretty much every west Anderson movie. She said, 0:07:40.800 --> 0:07:42.320 but if I had to choose, I would pick Needle 0:07:42.320 --> 0:07:44.600 in the Hay by Eliot Smith and Tannebombs. That's a 0:07:44.640 --> 0:07:49.080 real heavy scene to very heavy scene. Man r I 0:07:49.120 --> 0:07:52.480 p Eliot Smith. I loved him. Uh, Don Morris. This 0:07:52.520 --> 0:07:55.480 woman's work by Kate Bush and she's having a baby, 0:07:56.320 --> 0:07:59.000 And I told Don on Facebook, I'm I get teared 0:07:59.080 --> 0:08:02.800 up just reading that host because that song, placement and 0:08:02.840 --> 0:08:06.520 what was going on in that movie is so sad. Uh. 0:08:06.640 --> 0:08:09.480 I can hardly even think about it without getting little Tarry, 0:08:09.840 --> 0:08:14.560 Marybeth Ward McDonagh. You've got a lot of great names there. 0:08:14.840 --> 0:08:18.040 Sixteen candles, Sam walks out at the very end of 0:08:18.120 --> 0:08:20.640 the church and if you were here starts as she 0:08:20.680 --> 0:08:24.440 sees Jake Ryan standing by his car, t J. Danny, 0:08:24.920 --> 0:08:28.600 the Save Me sing Along, Montage, and Magnolia. It's probably 0:08:28.600 --> 0:08:30.440 one of the most beautiful movies and music moments I've 0:08:30.440 --> 0:08:35.080 ever witnessed. Amy Man. Yeah, she killed it. I'm gonna 0:08:35.080 --> 0:08:36.800 have her own one day. She is so awesome. I've 0:08:36.800 --> 0:08:39.400 been a fan of hers for many years. Yeah, I 0:08:39.440 --> 0:08:41.439 almost got her when she came through town in Atlanta, 0:08:41.480 --> 0:08:45.080 but she was doing a because we have mutual friends 0:08:45.080 --> 0:08:46.640 who actually got in touch, and she was doing a 0:08:46.720 --> 0:08:49.959 radio interview and said she didn't like doing more than 0:08:50.000 --> 0:08:52.480 one thing in a day on a show day. And 0:08:52.600 --> 0:08:55.400 I respect man. I know amy Man would much rather 0:08:55.480 --> 0:08:57.520 have done this than a radio interviewer. Yeah. Man, that 0:08:57.600 --> 0:09:01.840 seemed like a drag that they just got to her first. Yep. Alright, 0:09:02.400 --> 0:09:06.560 Teresa Barker, Uh, that's the way from Led Zeppelin and 0:09:06.600 --> 0:09:09.600 Almost Famous with the band bus heading into the rising Sun. 0:09:10.640 --> 0:09:14.960 I agree, Theresa. I would say that the Elton John 0:09:15.000 --> 0:09:18.360 tiny Dancer moment is the one probably most often referenced 0:09:18.360 --> 0:09:21.280 from Almost Famous. But I'm with you that that's the 0:09:21.280 --> 0:09:26.200 way music I think is greater than subtly, greater than 0:09:26.960 --> 0:09:29.680 all right, a few more here. Richard mouse um Vienna 0:09:30.000 --> 0:09:33.239 from the Great Billy Joel featured in thirteen Going on thirty, 0:09:33.360 --> 0:09:36.240 Richard and everyone else, I'm here to say thirteen Going 0:09:36.280 --> 0:09:39.240 On thirty is one of my guilty pleasures. I love 0:09:39.320 --> 0:09:43.720 that movie. Which one is that it's Jennifer Garner and 0:09:43.800 --> 0:09:46.440 the old switcher Ruth, like the Freaky Friday kind. Yeah, 0:09:46.480 --> 0:09:48.400 she was a kid who wished she was older, and 0:09:48.440 --> 0:09:50.680 then she was older, but she still had the kid's brain. 0:09:50.760 --> 0:09:53.199 And then she she's like this gorgeous statue asque woman 0:09:53.280 --> 0:09:56.000 acting like a goofball twelve year old or thirteen year older. Yeah, 0:09:56.200 --> 0:09:59.760 it's just a wonderful movie. And I am a also. 0:10:00.000 --> 0:10:01.720 I was about to say closet Billy Joel fan, but 0:10:01.760 --> 0:10:05.160 I'm not because I'm way out with that love. Billy 0:10:05.240 --> 0:10:07.960 Joel in Vienna's one of his greatest, greatest tunes, and 0:10:08.000 --> 0:10:10.839 the usage in that movie is really really key. Edwin 0:10:11.040 --> 0:10:14.760 Forrest Klynn a great one from Rushmore Um Cat Stevens 0:10:14.800 --> 0:10:17.440 the wind when they start flying the kite there at 0:10:17.440 --> 0:10:20.800 the end take dictation. I can't believe no one has 0:10:20.840 --> 0:10:26.160 mentioned Harold and Maud. Someone did, and I didn't write 0:10:26.160 --> 0:10:28.320 it down, Carold and Maude, you know, Wall to wall. 0:10:28.400 --> 0:10:31.040 Cat Stevens man turned me onto his music in a 0:10:31.080 --> 0:10:34.480 way that I had never quite experienced before. And such 0:10:34.520 --> 0:10:37.120 a fantastic film and the use of that music just 0:10:37.200 --> 0:10:39.719 really like takes it over the edge. Yeah, that move 0:10:39.760 --> 0:10:41.800 that the wind is in that film as well, Yeah, 0:10:41.840 --> 0:10:44.719 I think so. Yeah. I always loved Cat Stevens and 0:10:44.760 --> 0:10:47.520 in college I was huge into Cat Stevens and my 0:10:47.800 --> 0:10:50.760 buddy Eddie was huge into Bob Dylan, and we were 0:10:50.760 --> 0:10:53.080 both into both of them. But I was Cat Stevens, 0:10:53.080 --> 0:10:55.120 he was Bob Dylan, and we always joked that we 0:10:55.120 --> 0:10:57.559 were going to start an acoustic cover band called Bobcat. 0:10:58.160 --> 0:11:01.720 That's funny. I think we still might do it one day. 0:11:02.440 --> 0:11:07.400 Janet James Almond Misrulo at the beginning of Pulp Fiction. 0:11:07.640 --> 0:11:10.400 Hard to argue with that one. Funny to call back 0:11:10.440 --> 0:11:14.440 to the last episode we're talking about credits, Um Tarantino 0:11:14.720 --> 0:11:16.960 does that old school style of credits where he always 0:11:16.960 --> 0:11:20.880 has his credits up front and then Rolling Yellow is 0:11:20.960 --> 0:11:23.080 at like times new Roman now, but it always gives 0:11:23.120 --> 0:11:25.120 him a chance to have like a hot track, you know, 0:11:25.280 --> 0:11:28.920 and really set the tone and like that so good. Yeah. 0:11:29.120 --> 0:11:30.400 That was one of the first songs I learned to 0:11:30.400 --> 0:11:32.760 play on guitar where I've realized like, oh, I'm not 0:11:32.760 --> 0:11:36.120 that bad a guitar. I can pick faster. Yeah. That 0:11:36.160 --> 0:11:39.360 saw Dick Dale Ye play live. He uses I can't 0:11:39.360 --> 0:11:45.640 remember what gauge guitar string, but it's basically like piano wired. 0:11:46.320 --> 0:11:49.480 It's ridiculous because he just you know, whales on that 0:11:49.559 --> 0:11:51.880 day he played around here not terribly long ago, actually 0:11:52.080 --> 0:11:54.280 the Earl or a smaller venue. Oh yeah, that's the 0:11:54.280 --> 0:11:55.960 great thing about Dick Dale's you can see him with 0:11:56.000 --> 0:11:58.880 like eight people in the room. Uh. And then finally 0:11:58.880 --> 0:12:02.960 we're gonna finish up so studies with Kristin Egan. Another 0:12:03.000 --> 0:12:05.959 one from Rushmore, wes Anderson, You're doing it right and 0:12:06.520 --> 0:12:11.000 special shout out to Mark Mother's ball. Of course, I 0:12:11.040 --> 0:12:14.200 can't mention wes Anderson without giving him credit. But she says, 0:12:14.200 --> 0:12:17.760 you La La from the Faces, great great song. I 0:12:17.800 --> 0:12:20.400 have a quick question for you, Chuck. It's kind of 0:12:20.440 --> 0:12:23.679 combining this question with trope time. Are you ready, yes, 0:12:23.960 --> 0:12:29.280 give me your top three most cliche on the nose. Hey, guys, 0:12:29.360 --> 0:12:37.800 it's the sixties songs from movies. Oh, top three. That's tough. 0:12:38.280 --> 0:12:40.839 That'd be better to think of one, but give me one. 0:12:41.440 --> 0:12:44.800 Give one. It seems like, um, I've seen a lot 0:12:44.880 --> 0:12:50.080 of Vietnam movies that used or Vietnam, Yeah, Arra movies 0:12:50.440 --> 0:12:54.080 that used If You're going to San Francisco, that seems 0:12:54.120 --> 0:12:56.400 to be sort of kind of tops on the list. Cool. 0:12:56.679 --> 0:12:58.080 That is not one that would have occurred to me, 0:12:58.200 --> 0:13:01.320 but I respect your choice. Mine are all along the 0:13:01.360 --> 0:13:08.960 watch Tower, White Rabbit and the times they are changing. 0:13:09.840 --> 0:13:11.400 I don't know that I've heard that one a time. 0:13:11.800 --> 0:13:15.880 Maybe it's just there's that Watchman movie that they used 0:13:15.880 --> 0:13:19.080 that song over this montage of like the sixties. To me, 0:13:19.120 --> 0:13:21.200 I was just kind of like, Okay, we get it. 0:13:21.559 --> 0:13:24.080 It's the sixties. We don't need to hear this entire song. 0:13:24.400 --> 0:13:27.240 And I just was watching Kong, the new King Kong 0:13:27.360 --> 0:13:30.000 Skull Island movie, and then have you watched you? I 0:13:30.000 --> 0:13:31.960 watched it on a plane, and then I watched it 0:13:32.040 --> 0:13:33.760 at the house the other day, just like HBO was 0:13:33.800 --> 0:13:35.080 just on and it came on and I kind of 0:13:35.120 --> 0:13:38.160 sat doing stuff around the house and I heard them 0:13:38.200 --> 0:13:42.559 just the soundtrack, and it had like all of those songs. 0:13:43.040 --> 0:13:45.240 Hey guys, it's the sixties. It's like work a little 0:13:45.240 --> 0:13:47.240 harder along the watch Tower for sure. That's been way 0:13:47.240 --> 0:13:58.240 you re used and all its myriad versions. All right. Now, Well, 0:13:58.240 --> 0:14:00.079 speaking of tropes, we are going to do another or 0:14:00.120 --> 0:14:03.600 episode or a segment of trope time. It's my favorite. 0:14:04.440 --> 0:14:07.520 Where did we leave off last time? We did the 0:14:07.920 --> 0:14:11.920 Banker's Box in the shopping Bag. That's it, I think, 0:14:11.960 --> 0:14:13.559 So that's the last one that I think we've only 0:14:13.600 --> 0:14:16.440 done one of these. Yeah, but we only did uh. 0:14:16.600 --> 0:14:18.320 I think we did a few more things in that. 0:14:18.400 --> 0:14:20.800 I'm looking at my list. Yeah we did. Oh sorry, 0:14:20.800 --> 0:14:24.720 the bulletproof vest reveal and Cliffhanger Yep, yep, the grip, 0:14:24.840 --> 0:14:26.400 the grip. I'll go through a few more of these, 0:14:26.600 --> 0:14:29.640 and we're gonna run out soon, so we're gonna start 0:14:29.640 --> 0:14:34.240 sourcing these from people to um. I don't think we 0:14:34.280 --> 0:14:38.080 have done this one yet. The get Ahold of yourself. 0:14:38.880 --> 0:14:42.480 You know, when somebody slaps somebody that's behaving hysterical or 0:14:42.520 --> 0:14:46.440 gives them a real rough shake by the shoulders. Yeah, exactly, 0:14:46.520 --> 0:14:50.640 And that was famously aped an airplane when the lady 0:14:50.720 --> 0:14:52.440 is losing it on the plane and there's just a 0:14:52.480 --> 0:14:58.320 line of people that one after the other slapper Yeah, yeah, uh, 0:14:58.360 --> 0:15:03.640 this one, I'm gonna call it um alcoholic relapse. Certainly 0:15:03.680 --> 0:15:06.320 do not want to make a light of alcoholism, but 0:15:06.960 --> 0:15:10.680 as a movie trope, whenever there's an alcoholic relapse, they 0:15:12.120 --> 0:15:16.760 they take that first sip of of booze and as 0:15:16.800 --> 0:15:18.560 I said on the website here, it may as well 0:15:18.560 --> 0:15:21.640 be dragon's blood the way they take it to their mouth. 0:15:22.240 --> 0:15:24.960 And then next thing you know, cut to yeah, two 0:15:25.080 --> 0:15:27.520 days later and they're on the floor right and you know, 0:15:27.760 --> 0:15:31.400 covered in urine or something, and there's just empty Jack 0:15:31.480 --> 0:15:35.320 Daniel's bottles everywhere. You know, it's funny. I'm gonna I 0:15:35.360 --> 0:15:38.320 had a friend one time who wrote a script that 0:15:38.480 --> 0:15:42.600 was like two dred and something pages long, and God 0:15:42.640 --> 0:15:44.280 bless him, he he just wasn't a writer. And I 0:15:44.320 --> 0:15:46.400 was like, man, you gotta you gotta shortness by like 0:15:47.080 --> 0:15:49.520 a hundred pages. And he's like, what do you mean. 0:15:49.600 --> 0:15:51.920 I was like, well, the for instance, there's a scene 0:15:51.920 --> 0:15:55.480 in a bar where you walk through them doing shots 0:15:55.480 --> 0:15:58.480 and it's like five pages long. And he was like, yeah, 0:15:58.480 --> 0:16:00.000 but I had to show you know, they show them 0:16:00.000 --> 0:16:02.000 gett drunk. I was like, no, you don't it's like, 0:16:02.040 --> 0:16:05.360 think about movies. You sit down, you show them order 0:16:05.400 --> 0:16:08.280 a shot, and then you cut to an hour later 0:16:08.320 --> 0:16:11.480 with tendency shot glasses and theirselves. Yeah, it's like that's 0:16:11.480 --> 0:16:15.320 how movies work. You don't show them ordering food, deciding 0:16:15.320 --> 0:16:17.680 what's on the menu. And that's kind of what you 0:16:17.720 --> 0:16:19.160 did through the whole thing, and it was just a 0:16:19.280 --> 0:16:21.720 labor I mean, unless just like the dialogue is just 0:16:21.880 --> 0:16:24.960 solid gold and you you get to walk through all that, like, 0:16:25.240 --> 0:16:29.320 but even then there's gonna be cuts. Yeah. No, I 0:16:29.320 --> 0:16:31.400 guess I'm thinking of like the opening scene of Reservoir Dogs, 0:16:31.400 --> 0:16:34.760 where it feels like that's a relatively real time kind 0:16:34.760 --> 0:16:36.960 of moment, but it certainly doesn't show them like going 0:16:37.000 --> 0:16:41.000 through their whole meal. No, no, no, no, it's true. Alright. 0:16:41.000 --> 0:16:45.239 Movie trope. Western movie trope is the gun is empty, 0:16:45.320 --> 0:16:49.600 and what do they do? They throw it away? Oh yeah, yeah, 0:16:50.000 --> 0:16:51.840 I don't see this a whole lot anymore, but that 0:16:51.920 --> 0:16:54.080 used to be a big thing in Westerns. You're shooting, 0:16:54.120 --> 0:16:56.880 you're shooting your six years empty, you throw it away, 0:16:57.040 --> 0:16:59.520 and maybe it's just out of frustration to share. It's 0:16:59.520 --> 0:17:03.840 a rage throw. There's also the trope of you you 0:17:03.840 --> 0:17:05.960 you you ran out of bullets and you think you're 0:17:06.040 --> 0:17:11.160 about to do the big kill and click yeah. Uh. 0:17:11.200 --> 0:17:13.720 And Jim Jarmish, I think I don't think it was 0:17:13.720 --> 0:17:15.919 an interview. It might have been in oh, what is 0:17:15.920 --> 0:17:19.439 that movie? Um, the one set in Brooklyn and the 0:17:19.480 --> 0:17:24.320 cigar Shop that Jim Jarmish acted in Blew in the Face. 0:17:24.640 --> 0:17:26.560 I think I'm not sure about that one. I think 0:17:26.600 --> 0:17:29.000 that's what it's called. But Jim Jarmish is talking about 0:17:29.040 --> 0:17:31.760 that movie trope in a scene and he says he 0:17:31.880 --> 0:17:34.360 was like, guns are expensive. It's like you don't throw 0:17:34.400 --> 0:17:38.040 a kna seriously, very funny, especially on the range. Like 0:17:38.040 --> 0:17:39.880 how what are the chances you're gonna you're just gonna 0:17:39.960 --> 0:17:44.600 find yourself another gunsmith, you know, exactly, hold onto that thing. 0:17:45.680 --> 0:17:48.320 Haunted house, boy, we could do just haunted house movie 0:17:48.320 --> 0:17:52.280 tropes forever. But here are a couple um horror movie 0:17:52.600 --> 0:17:54.880 I call it horror movie rule number seventy four. When 0:17:54.920 --> 0:17:57.920 you enter a haunted house or any generic bad place 0:17:57.960 --> 0:18:02.959 and you loudly announced that you're there, is anyone there, Hello, Randy? 0:18:03.040 --> 0:18:05.160 Are you in here? If like Randy is the boyfriend, 0:18:06.040 --> 0:18:09.879 you always got to do that. Uh. And then Finally, 0:18:09.880 --> 0:18:15.280 we'll finish with this one. The probably the most overused 0:18:15.280 --> 0:18:19.040 horror movie trope of all time, aside from the cat jumping, 0:18:19.880 --> 0:18:23.560 uh jumping down from from whatever cabinet and scaring you 0:18:23.680 --> 0:18:29.120 like you jump scare, is the mirror gag. Oh sure is? 0:18:29.280 --> 0:18:32.080 You open these you're looking in a mirror, You open 0:18:32.119 --> 0:18:34.920 the medicine cabinet, you close the mirror, and there's someone 0:18:34.920 --> 0:18:37.760 else there. And the thing about all this stuff, and 0:18:37.760 --> 0:18:40.760 then we talked about this before, is now they're so 0:18:41.040 --> 0:18:43.440 overused and cliche that people play with them and kind 0:18:43.440 --> 0:18:45.359 of like, if you do a good job, you can 0:18:45.440 --> 0:18:48.800 kind of mess with people's expectations and kind of get 0:18:48.840 --> 0:18:51.080 because you know, you know what they're expecting and you 0:18:51.080 --> 0:18:53.359 can kind of toy with that and make it effective. 0:18:53.480 --> 0:18:56.800 But yet I still see people just doing the traditional 0:18:56.840 --> 0:18:59.800 mirror gaina cat jump. You know, you're right, Yeah, it's 0:19:00.359 --> 0:19:02.919 it's part homage, partly because it works. But I have 0:19:03.000 --> 0:19:05.760 seen what you're talking about when they do the mirror 0:19:05.760 --> 0:19:08.320 gag and set you up and they close it and 0:19:08.359 --> 0:19:11.040 no one's there and then you go oh, and then 0:19:11.280 --> 0:19:14.480 it happens like around the corner exactly. It's very nice 0:19:14.640 --> 0:19:17.040 waited to way with the audience, and the mirror gag 0:19:17.080 --> 0:19:20.200 has been has been mocked on YouTube. I think there's 0:19:20.240 --> 0:19:23.080 a pretty funny supercut if I remember correctly. All Right, 0:19:23.119 --> 0:19:28.160 so that's troupe time for this week. UM, I'm gonna 0:19:28.200 --> 0:19:31.120 start sourcing these pretty soon, so just start paying attention people. 0:19:38.600 --> 0:19:44.439 We are gonna move on now to stream this. This 0:19:44.480 --> 0:19:46.840 is when I recommend a movie that I believe is 0:19:46.840 --> 0:19:50.200 available for streaming. Well kind of everything is almost these days. 0:19:50.680 --> 0:19:55.040 I'm gonna go with the two thousand thirteen psychological thriller Enemy. 0:19:55.600 --> 0:19:58.840 Have you seen this? Love It? The great great film 0:19:59.040 --> 0:20:05.320 from Dennis Villa Nuebe. It's it's a Denny. What is 0:20:05.320 --> 0:20:09.640 it vill Because he's French, you know. It's like Thomas 0:20:09.760 --> 0:20:14.840 Mars from Phoenix. It's Toma. Yeah, it's it's definitely Denny. 0:20:14.880 --> 0:20:17.080 But yes, I only learned that recently because I heard 0:20:17.119 --> 0:20:19.840 him speak his name. Come on, Dennis. I always feel 0:20:19.880 --> 0:20:23.639 like such a dumb American. It's it's it's it's easy, 0:20:23.760 --> 0:20:30.600 all right, Denni villaniu Um written by Javier I don't 0:20:30.600 --> 0:20:33.320 know that one, but that sounds good and it is 0:20:33.480 --> 0:20:35.640 very loosely adapted from a from a novel from two 0:20:35.640 --> 0:20:39.720 thousand to by jose Saramago. And this is a movie. 0:20:39.760 --> 0:20:41.119 I don't want to give too much away, but it 0:20:41.160 --> 0:20:43.560 is a movie starring Jake Jillen Hall, who I'm a 0:20:43.560 --> 0:20:46.399 big fan of, in a dual role. As it's a 0:20:46.440 --> 0:20:51.920 doppelganger film. Uh, it's a man who in who who 0:20:51.960 --> 0:20:55.600 basically sees himself one day or a guy who looks 0:20:55.640 --> 0:20:59.679 just like him obviously freaks him out. They are physically identical, 0:21:00.200 --> 0:21:03.000 and he ends up kind of tracking down this guy 0:21:03.840 --> 0:21:09.120 and facing him, and uh, where it goes from there 0:21:09.200 --> 0:21:13.000 is is very interesting and strange, and I don't want 0:21:13.000 --> 0:21:17.680 to give anything away. It stars um Melanie Lauren, who 0:21:18.280 --> 0:21:20.639 I am a huge fan of and have a big 0:21:20.680 --> 0:21:24.800 crush on from what else was she? She kind of 0:21:24.800 --> 0:21:27.760 came on the map with inglorious bastard That's right? Was 0:21:27.800 --> 0:21:30.760 she the French girl? Yeah? Yeah, exactly, the real badass. 0:21:30.880 --> 0:21:35.440 Yeah yeah, she's great. Um, and Sarah Gaddon and Isabella 0:21:35.480 --> 0:21:38.520 Rossellini are also in it, the great Isabella Rossellini. And 0:21:38.680 --> 0:21:39.919 like I said, I don't want to give too much 0:21:39.920 --> 0:21:42.720 away with the plot, um, but suffice to say it 0:21:42.760 --> 0:21:44.960 goes in all sorts of weird directions, And this is 0:21:45.000 --> 0:21:48.320 a movie that really hangs with you after you see it, 0:21:48.560 --> 0:21:50.080 and it's one of those movies that you want to 0:21:50.119 --> 0:21:54.760 read about because there are a lot of metaphors, um 0:21:54.920 --> 0:21:57.439 and symbolism involved once you start. I'll just say that 0:21:57.520 --> 0:22:00.880 spiders and spider webs play a big art. It's very lynch, 0:22:01.480 --> 0:22:04.880 very lynchy, and and maybe one of the weirdest, most 0:22:04.960 --> 0:22:08.400 disturbing final shots of the movie of all time. Yeah, 0:22:08.440 --> 0:22:12.960 it leaves you feeling feels, feeling feels and also like, 0:22:13.119 --> 0:22:16.280 what the funk was that last shot? All No, it's 0:22:16.320 --> 0:22:18.719 it's awesome. It's a it's a really it's a very 0:22:18.760 --> 0:22:21.360 special movie. It's not for everyone, but I still think 0:22:21.359 --> 0:22:24.840 everyone should watch it. Yeah, agreed. It was one of 0:22:24.880 --> 0:22:28.280 those where right like literally five seconds after ended, I 0:22:28.280 --> 0:22:30.520 opened up my laptop and I was like enemy ending 0:22:30.680 --> 0:22:33.920 explains and it is it all ties into the symbolism 0:22:33.960 --> 0:22:35.480 and it's it's not it's not one of those movies 0:22:35.520 --> 0:22:37.800 we can take everything at face value. There's a lot 0:22:38.080 --> 0:22:42.440 of a lot of hidden Easter Eggie kind of things, 0:22:42.440 --> 0:22:44.639 and it's just a it's a real cool movie. Yeah, 0:22:44.920 --> 0:22:47.480 I'd love to hear from people about that ending to 0:22:47.520 --> 0:22:49.919 see what you thought. And then we're gonna finish up 0:22:49.920 --> 0:22:53.720 with comic Card, where I take your your Facebook questions 0:22:54.320 --> 0:22:58.919 for Nolan I, and we're gonna go with Abraham uh Schink. 0:22:58.960 --> 0:23:01.560