WEBVTT - For the Birds

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<v Speaker 1>Pushkin. Imagine there's a place someone like a window open.

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<v Speaker 1>Imagine there's a place in our world where the known

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<v Speaker 1>things go. A corridor of the mind lined with metal

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<v Speaker 1>file cases, stocked with dead birds, lined up in rows, yellow, lime, green, blue,

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<v Speaker 1>flame red like gems in a jewel case. This place,

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<v Speaker 1>this aviary, stores the facts that matter and matters of fact.

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<v Speaker 1>It lies in a time between now and then. The

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<v Speaker 1>sign on the door reads the last Archive. Step outside

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<v Speaker 1>to a house in Silver Spring, Maryland, in the year

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<v Speaker 1>nineteen fifty eight, Rachel Carson, a nature writer, had just

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<v Speaker 1>started work on a new book. She hadn't decided what

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<v Speaker 1>to call it yet, but she knew what she wanted

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<v Speaker 1>to say. People all over the country bird lovers noticed

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<v Speaker 1>something in nineteen fifty eight. When spring came, the birds

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<v Speaker 1>didn't come. The robins didn't come. The tufted titmis didn't come,

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<v Speaker 1>the songbirds, the shore birds. There were just very few birds.

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<v Speaker 1>Carson threw herself into a world of research, even though

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<v Speaker 1>she was busy, exhausted. She was taking care of both

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<v Speaker 1>her adopted son, a six year old boy named Roger,

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<v Speaker 1>and her eighty nine year old mother, who was dying.

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<v Speaker 1>Carson read and she researched all summer. That fall, the

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<v Speaker 1>postman brought a package to her door, a gift for Roger.

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<v Speaker 1>It was a vinyl record, American Bird Songs, Volume one.

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<v Speaker 1>Here are the songs and calls of sixty familiar birds

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<v Speaker 1>as recorded in the woods, fields and gardens of North

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<v Speaker 1>America the Laboratory of Ornithology at Carnell University. Some of

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<v Speaker 1>the birds are widely distributed, others are restricted to special habitat.

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<v Speaker 1>Roger listened to this record over and over. Carson sat

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<v Speaker 1>down to write a thank you note to the sender.

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<v Speaker 1>One of our actors is going to read it. But

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<v Speaker 1>let me just say first that I've listened to recordings

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<v Speaker 1>of the actual Rachel Carson, who has sort of an

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<v Speaker 1>odd voice, and this really is what she sounds like,

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<v Speaker 1>so much so that it gives me the chills. The

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<v Speaker 1>record of bird Song that came Friday gave Roger the

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<v Speaker 1>greatest delight, First the thrill of receiving a package by mail,

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<v Speaker 1>then the pleasure in the record itself. He has a

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<v Speaker 1>very sweet feeling for all living things and loves to

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<v Speaker 1>go out with me and look and listen to all

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<v Speaker 1>that goes on. I know he will have great pleasure

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<v Speaker 1>in recognizing the song from this record, First the mocking

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<v Speaker 1>bird that still pours his song down our chimney, then

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<v Speaker 1>the cardinals that begin to whistle in January, and all

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<v Speaker 1>the rest. There was a special and unheralded thrill for

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<v Speaker 1>me in the record. During the song of the wood peewee,

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<v Speaker 1>I heard in the background the unmistakable voice of the veery,

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<v Speaker 1>not once, but several times. Of all, the bird song

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<v Speaker 1>that has the quality of purest magic for me, considered

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<v Speaker 1>America's foremost songbird is the hermit thrush, now singing from

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<v Speaker 1>a balsam spire in the Adirondack Mountains. How do you

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<v Speaker 1>even record a hermit thrush atop a balsam spire in

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<v Speaker 1>the Adirondack Mountains? And what happened to the birds in

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<v Speaker 1>nineteen fifty eight? Welcome to the last Archive, the show

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<v Speaker 1>about how we know what we know and why it

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<v Speaker 1>seems lately as if we don't know anything anymore. A

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<v Speaker 1>while ago, when I was researching an essay about Rachel

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<v Speaker 1>Carson for The New Yorker, I got completely lost in

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<v Speaker 1>these recordings of bird songs. Carson was writing a book

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<v Speaker 1>while Roger played these thirty threes, over and over again.

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<v Speaker 1>It was called Silent Spring, and it changed the world.

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<v Speaker 1>But I can't shake the feeling that if you're writing

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<v Speaker 1>sound Spring now, nothing would change. Carson is to me

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<v Speaker 1>a kind of canary in a coal mine, a warning.

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<v Speaker 1>People were able to listen to her then and to

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<v Speaker 1>act on what she said in a way that people

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<v Speaker 1>don't listen to warnings and act on them these days

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<v Speaker 1>until it seems it's too late. This season, we've been

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<v Speaker 1>trying to solve a Who've done it? Who killed Truth?

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<v Speaker 1>And this might sound nuts, but I decided to do

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<v Speaker 1>what I thought maybe Carson would do. She would ask

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<v Speaker 1>the birds next, the veries descending spirals. Rachel Carson was

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<v Speaker 1>born in western Pennsylvania in nineteen oh seven on a

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<v Speaker 1>sixty five acre farm along the Allegheny River. Her mother

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<v Speaker 1>took her for long walks, teaching her the names and

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<v Speaker 1>songs of all the birds. This is almost always how

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<v Speaker 1>it works, parent to child, the passing on of a

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<v Speaker 1>body of knowledge. All her life, Carson was fascinated by birds.

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<v Speaker 1>Wherever Carson went, she'd listen, and then there were the

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<v Speaker 1>sounds of other smaller birds, the rattling call of the

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<v Speaker 1>kingfisher that perched between forays after fish on the posts

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<v Speaker 1>of the dock, the call of the phoebe that nested

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<v Speaker 1>under the eaves of the cabin, the red starts that

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<v Speaker 1>foraged in the birches on the hill behind the cabin,

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<v Speaker 1>and forever, it seemed to me asked each other the

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<v Speaker 1>way to wiscast it, for I could easily twist their

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<v Speaker 1>syllables into the witch's wiscassette witch's wiscassette. The oven bird

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<v Speaker 1>sometimes called teacher bird from its song. People have always

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<v Speaker 1>listened to birds, and they've been trying to write down

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<v Speaker 1>their songs for thousands of years. A lot of birds,

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<v Speaker 1>like the cuckoo or the chickadee, are named after the

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<v Speaker 1>songs they sing. The first person to try to render

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<v Speaker 1>birdsong in musical notation did that in the year sixteen fifty.

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<v Speaker 1>Eighteenth century scholars then tried to understand birdsong not as

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<v Speaker 1>music but as language, and people started trying to record

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<v Speaker 1>the sound of birds in eighteen eighty nine, almost as

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<v Speaker 1>soon as the phonograph was invented. As a little girl,

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<v Speaker 1>Chursen kept a list of birds, writing them down in

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<v Speaker 1>a notebook when she spotted them. Counting birds making bird

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<v Speaker 1>lists had just become a hobby in the United States.

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<v Speaker 1>Bird enthusiasts hoped this hobby would replace bird hunting because

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<v Speaker 1>people had begun to notice that certain species of birds

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<v Speaker 1>were disappearing, especially one, the passenger pigeon a dove. In

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<v Speaker 1>the seventeenth century, over North America, flocks of passenger pigeons

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<v Speaker 1>rushing across the sky could block out the sun for

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<v Speaker 1>hours and hours and hours. The flocks were huge, some

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<v Speaker 1>estimated more than two hundred miles long. You could knock

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<v Speaker 1>passenger pigeons out of the sky with a stick by

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<v Speaker 1>the dozens. People ate pigeon pot pie, broiled pigeons, roast pigeons,

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<v Speaker 1>stuffed pigeon, you get the idea. They gorged on pigeons.

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<v Speaker 1>By the middle of the nineteenth century, shooting passenger pigeons

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<v Speaker 1>had become a sport. In eighteen sixty nine, one hunter

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<v Speaker 1>made a bet that he could kill five hundred in

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<v Speaker 1>a single day. Took him only nine hours. Hunters would

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<v Speaker 1>ride wagons out to pigeon nesting sites and slaughter them

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<v Speaker 1>by the thousands, then ship the carcass as to cities

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<v Speaker 1>by train on ice cars. You could make a lot

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<v Speaker 1>of money shooting passenger pigeons, or you could just do

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<v Speaker 1>it for practice. Dead birds became a fashion. Like fur coats.

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<v Speaker 1>Women wore bird feathers on their hats, and sometimes whole birds, terns, herons, gulls, egrets.

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<v Speaker 1>In eighteen eighty six, an ornithologist in New York counted

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<v Speaker 1>the birds on women's hats. He spotted one hundred and

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<v Speaker 1>seventy four birds from forty species in just two days. Finally,

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<v Speaker 1>by eighteen ninety, people began to notice the passenger pigeons

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<v Speaker 1>had disappeared. Spring came and the flocks didn't come back.

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<v Speaker 1>Some people thought they'd migrated to Argentina or something. Those

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<v Speaker 1>are the bird, declined denialists, but most people weren't denialists.

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<v Speaker 1>Newspaper writers began to lament this sad passing their children

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<v Speaker 1>would never know a passenger pigeon. Toronto Globe and Mail,

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<v Speaker 1>June thirtieth, nineteen hundred. The present generation knows little or

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<v Speaker 1>nothing of wild pigeons except by hearsay, and is apt

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<v Speaker 1>to scoff at the stories of old timers when they

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<v Speaker 1>tell of the enormous flocks of these beautiful birds that

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<v Speaker 1>numbered millions and fairly darkened the face of the sun

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<v Speaker 1>in their flight, or actually broke down large lines of

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<v Speaker 1>trees when they sit on it. Some people tried to

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<v Speaker 1>do something. They founded the first conservation movements, the Audubon Society,

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<v Speaker 1>the American Ornithologists Union. I believe you have an announcement

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<v Speaker 1>to make. They held gatherings like this one. On December ninth,

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<v Speaker 1>nineteen o nine in New York, someone proposed a reward

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<v Speaker 1>of one hundred dollars for a freshly killed passenger pigeon.

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<v Speaker 1>The idea was to preserve it for posterity or for science,

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<v Speaker 1>or both, but people still had misgivings about killing birds,

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<v Speaker 1>even for sciences. You have something to say, Indeed, sir,

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<v Speaker 1>I would not kill a specimen for one thousand dollars,

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<v Speaker 1>even to prove that I had seen one. And I

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<v Speaker 1>wish that everyone else feels as I do. All offers

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<v Speaker 1>for skins or dead birds ought to be withdrawn because

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<v Speaker 1>at the present crisis, these might result in killing the

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<v Speaker 1>last pair. Yes, I wish to withdraw my offer of

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<v Speaker 1>one thousand dollars for a freshly killed passenger pigeon. Well,

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<v Speaker 1>then why not let your offer stem for the location

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<v Speaker 1>of a live specimen. I would gladly give two hundred

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<v Speaker 1>dollars for that. I am authorized to offer the following

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<v Speaker 1>award three hundred dollars for first information of a nesting

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<v Speaker 1>pair of wild passenger pigeons undisturbed. Once they finally got organized,

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<v Speaker 1>bird lovers would go on to have a lot of influence.

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<v Speaker 1>But for the passenger pigeon, it came to eight Boston Globe,

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<v Speaker 1>December eighteenth, nineteen ten. One solitary passenger pigeon, ending her

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<v Speaker 1>life at the Zoological Garden in Cincinnati, is today all

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<v Speaker 1>that remains of an American species that early in the

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<v Speaker 1>last century swarmed over the continent in flocks numbering billions.

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<v Speaker 1>Her name was Martha. When Rachel Carson was seven years old, Martha,

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<v Speaker 1>the last passenger pigeon, died The next year, eight year

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<v Speaker 1>old Rachel wrote her very first story. It's about a

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<v Speaker 1>pair of friends looking for a house. She kept on

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<v Speaker 1>writing and writing about birds. Countless discoveries made the day memorable.

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<v Speaker 1>The bob White's nest tightly packed with eggs, the oriole's

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<v Speaker 1>aerial cradle, the framework of sticks which the cuckoo calls

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<v Speaker 1>a nest, and the lichen covered home of the humming

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<v Speaker 1>bird Carson went to college and then in nineteen thirty

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<v Speaker 1>two to graduate school, enrolling in a PhD program at

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<v Speaker 1>Johns Hopkins studying zoology, but after a few years she

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<v Speaker 1>had to drop out to take a job to feed

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<v Speaker 1>her family. She never married, but during the depression she

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<v Speaker 1>supported her parents and her sister and brother and their

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<v Speaker 1>kids too. She started working for what became the US

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<v Speaker 1>Fish and Wildlife Service, mainly writing reports and producing a

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<v Speaker 1>radio program. She kept on thinking about birds, though, and

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<v Speaker 1>so do a lot of other people. During the Second

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<v Speaker 1>World War, the BBC tried to keep up its own

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<v Speaker 1>long standing tradition of broadcasting bird song over the radio

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<v Speaker 1>to help people keep calm and carry on. But in

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<v Speaker 1>this recording you can hear the sound of Royal Air

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<v Speaker 1>Force bombers flying above the birds. After the war, Rachel

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<v Speaker 1>Carson wrote a beautiful, stirring study of the sea. The

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<v Speaker 1>Sea Around Us, appeared in The New Yorker as a

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<v Speaker 1>profile of the Sea, the New Yorker's first ever profile

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<v Speaker 1>of something other than a person who won a National

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<v Speaker 1>Book Award, who was on the New York Times bestseller

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<v Speaker 1>list for a record breaking eighty six weeks. She bought

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<v Speaker 1>a little summer house in Maine, where she wrote another bestseller,

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<v Speaker 1>The Edge of the Sea. In nineteen fifty five. She

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<v Speaker 1>was still taking care of all her family, her mother

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<v Speaker 1>and niece, and her niece's little boy, Roger. That year,

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<v Speaker 1>Carson took Roger for a walk in the woods. He

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<v Speaker 1>was three. Roger went along to listen for veeries, his

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<v Speaker 1>first bird walk, I guess, and I'd like to have

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<v Speaker 1>had a movie. He was told we'd have to be quiet,

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<v Speaker 1>so he tiptoed along the path with elaborate caution, talking

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<v Speaker 1>in a loud whisper. He seemed to find the whole

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<v Speaker 1>experience very exciting. Roger's still around. My producer Ben, and

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<v Speaker 1>I'd drove out to his house to meet him and

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<v Speaker 1>his wife, Wendy and their old yellow lab. I came

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<v Speaker 1>to talk about birds and about that album A Bird

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<v Speaker 1>Song had come in the mail in nineteen fifty eight.

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<v Speaker 1>And would you any more microphones? Yeah? I see that.

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<v Speaker 1>I shouldn't have even bothered with the recording. Roger's in

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<v Speaker 1>the recording business. That's why his house is full of microphones.

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<v Speaker 1>But as for birds, he never got the bug the

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<v Speaker 1>way Rachel Carson did. She tried very hard, but you know,

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<v Speaker 1>the truth is I was a little boy, and you

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<v Speaker 1>know I appreciated it, and I appreciate the birds. But

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<v Speaker 1>but you know, I was never the house in Maine

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<v Speaker 1>had they used to have these stairs that would go

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<v Speaker 1>down and she could go down there and lie there

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<v Speaker 1>for three hours listening and looking at the birds, and

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<v Speaker 1>you know, I'd be lucky to make five minutes. Roger

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<v Speaker 1>was kind of embarrassed that he didn't turn out to

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<v Speaker 1>be a bird expert. Carson said that he was as

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<v Speaker 1>lively as seventeen crickets. He just couldn't sit still long enough,

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<v Speaker 1>quietly enough to really watch birds. I get that I

0:15:24.916 --> 0:15:27.756
<v Speaker 1>don't have the bird bug either. I have more of

0:15:27.756 --> 0:15:34.996
<v Speaker 1>the dog bug. Hi, baby, get a word in here.

0:15:37.076 --> 0:15:38.676
<v Speaker 1>There were a lot of birds at the bird feeder

0:15:38.716 --> 0:15:42.156
<v Speaker 1>outside Roger's window. Neither of us had any idea what

0:15:42.196 --> 0:15:45.116
<v Speaker 1>a single one of them was. Instead, we played with

0:15:45.156 --> 0:15:48.956
<v Speaker 1>his dog. Something else we have in common. We've both

0:15:48.996 --> 0:15:52.276
<v Speaker 1>been in love at different times with this album, The

0:15:52.436 --> 0:15:56.356
<v Speaker 1>mocking Bird is a favorite, singing and ever changing medley,

0:15:56.796 --> 0:16:05.916
<v Speaker 1>often repeating each phrase three to five times. The spring

0:16:05.916 --> 0:16:09.596
<v Speaker 1>of nineteen fifty eight, after Roger turned six, that was

0:16:09.636 --> 0:16:12.956
<v Speaker 1>the Silent Spring when birdwatchers noticed that there just weren't

0:16:12.956 --> 0:16:15.916
<v Speaker 1>a lot of birds around. It turned out that the

0:16:15.916 --> 0:16:19.476
<v Speaker 1>birds had been poisoned by DDT, a pesticide the towns

0:16:19.516 --> 0:16:23.196
<v Speaker 1>had been spraying all over the country. Members of an

0:16:23.236 --> 0:16:27.356
<v Speaker 1>organization called the Committee Against Mass Poisoning filed a lawsuit

0:16:27.356 --> 0:16:29.796
<v Speaker 1>in New York to try to stop the spraying. They

0:16:29.756 --> 0:16:32.796
<v Speaker 1>asked Carson to write about it. They also center that

0:16:32.836 --> 0:16:36.996
<v Speaker 1>album Birdsong for Roger. Carson wanted to cover the trial,

0:16:37.476 --> 0:16:40.356
<v Speaker 1>but taking care of Roger and her mother, she really

0:16:40.396 --> 0:16:43.636
<v Speaker 1>wasn't in much of a position to. She thought, though,

0:16:43.836 --> 0:16:47.036
<v Speaker 1>that another New Yorker writer maybe ought to cover the trial.

0:16:47.756 --> 0:16:50.556
<v Speaker 1>It has occurred to me that eb White might be

0:16:50.716 --> 0:16:54.196
<v Speaker 1>interested for various reasons, and it is the sort of

0:16:54.276 --> 0:16:57.516
<v Speaker 1>thing he could be devastating about. If he chose, I

0:16:57.596 --> 0:17:00.716
<v Speaker 1>thought I might write him. Eb White was one of

0:17:00.716 --> 0:17:04.436
<v Speaker 1>the best loved writers in the country. Dear mister White,

0:17:05.196 --> 0:17:09.316
<v Speaker 1>it would delight me beyond measure if you should be

0:17:09.476 --> 0:17:13.276
<v Speaker 1>moved to take up your own pen against this nonsense,

0:17:13.676 --> 0:17:17.276
<v Speaker 1>though that is far too mild a word. There is

0:17:17.316 --> 0:17:21.196
<v Speaker 1>an enormous body effect waiting to support anyone who will

0:17:21.236 --> 0:17:24.036
<v Speaker 1>speak out to the public, and I shall be happy

0:17:24.076 --> 0:17:29.396
<v Speaker 1>to supply the references. Rachel Carson. White said no, that

0:17:29.676 --> 0:17:32.676
<v Speaker 1>Carson should write the article. He later told her that

0:17:32.676 --> 0:17:35.676
<v Speaker 1>he himself didn't know a chlorinated hydrocarbon from a squash bug,

0:17:36.956 --> 0:17:39.516
<v Speaker 1>and so Carson did write the article. It took her

0:17:39.516 --> 0:17:41.916
<v Speaker 1>four years and agreed to the size of a book.

0:17:42.596 --> 0:17:45.716
<v Speaker 1>It's the book she'd always be known for. It reads

0:17:45.716 --> 0:17:50.876
<v Speaker 1>to me like a eulogy for the last passenger pigeon Martha,

0:17:50.956 --> 0:17:53.316
<v Speaker 1>as if all the birds were the last of their species,

0:17:53.516 --> 0:18:01.196
<v Speaker 1>as if all the living things might disappear. There was

0:18:01.236 --> 0:18:06.356
<v Speaker 1>a strange stillness the birds, for example, where had they gone?

0:18:07.356 --> 0:18:12.196
<v Speaker 1>Many people spoke of them, puzzled and disturbed. The feeding

0:18:12.276 --> 0:18:16.876
<v Speaker 1>stations in the backyards were deserted. The few birds seen

0:18:17.076 --> 0:18:21.596
<v Speaker 1>anywhere were moribund. They trembled violently and could not fly.

0:18:22.796 --> 0:18:27.636
<v Speaker 1>It was a spring without voices. On the mornings that

0:18:27.716 --> 0:18:35.836
<v Speaker 1>had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens,

0:18:35.876 --> 0:18:40.196
<v Speaker 1>and scores of other bird voices. There was now no sound.

0:18:40.956 --> 0:18:47.996
<v Speaker 1>Only silence lay over the fields and woods and marsh.

0:18:48.076 --> 0:18:50.676
<v Speaker 1>For a long time, Carson called the book men against

0:18:50.716 --> 0:18:53.236
<v Speaker 1>the earth. Then she came up with a new title,

0:18:54.076 --> 0:18:55.836
<v Speaker 1>Silent Spring, was published in The New Yorker in the

0:18:55.836 --> 0:18:58.196
<v Speaker 1>summer of nineteen sixty two, and as a book a

0:18:58.236 --> 0:19:02.636
<v Speaker 1>few months later. Afternoon, I have several announcements to make.

0:19:02.876 --> 0:19:05.556
<v Speaker 1>The President John F. Kennedy was asked about it at

0:19:05.556 --> 0:19:08.556
<v Speaker 1>a press conference. There appears to be growing concern among

0:19:08.636 --> 0:19:13.316
<v Speaker 1>scienas such a possibility of dangerous long range side effects

0:19:13.356 --> 0:19:16.876
<v Speaker 1>from the widespread use of DDT and other pesticides. Have

0:19:16.996 --> 0:19:20.436
<v Speaker 1>you considered asking the Department of Culture or the Public

0:19:20.436 --> 0:19:22.596
<v Speaker 1>Health Service to take a closer look at this? Yes,

0:19:23.236 --> 0:19:26.236
<v Speaker 1>and I know that they already are, I think particularly

0:19:26.236 --> 0:19:30.156
<v Speaker 1>of course, since Miss Carson's book, But they are examining

0:19:30.156 --> 0:19:34.876
<v Speaker 1>the matter. A few books have so wholly changed the world.

0:19:35.356 --> 0:19:38.076
<v Speaker 1>Miss Carson's book led to the passage of the Clean

0:19:38.156 --> 0:19:41.476
<v Speaker 1>Water Act, the Clean Air Act, the Wilderness Act, the

0:19:41.596 --> 0:19:45.756
<v Speaker 1>Endangered Species Act, the National Environmental Policy Act, and it

0:19:45.836 --> 0:19:49.676
<v Speaker 1>helped establish the Environmental Protection Agency. At least for a

0:19:49.716 --> 0:19:54.396
<v Speaker 1>while too, the spring of DDT slowed down. Today, It's

0:19:54.436 --> 0:19:57.436
<v Speaker 1>not just the birds. It's not just DDT. It really

0:19:57.516 --> 0:20:01.236
<v Speaker 1>is man against the Earth. We've poisoned the entire planet

0:20:01.276 --> 0:20:05.756
<v Speaker 1>with carbon emissions. We've changed the very climate, clean water,

0:20:05.876 --> 0:20:09.116
<v Speaker 1>clean air. When it comes to carbon, there is no silence.

0:20:09.356 --> 0:20:12.956
<v Speaker 1>There's a flood of fossil fuel industry pr great, gushing

0:20:12.956 --> 0:20:18.156
<v Speaker 1>gobs of it, like Xon touting its clean gas over

0:20:18.316 --> 0:20:22.156
<v Speaker 1>one million miles to pool that xons advanced clean engine

0:20:22.156 --> 0:20:28.116
<v Speaker 1>formula will keep entire fuel systems running clean and intake vowels.

0:20:32.116 --> 0:20:34.996
<v Speaker 1>When the birds went silent, and Rachel Carson noticed and

0:20:35.036 --> 0:20:40.356
<v Speaker 1>wrote about it, that changed everything. Now we notice everything,

0:20:40.556 --> 0:20:44.916
<v Speaker 1>the species extinctions, the rising temperatures, the melting ice, the

0:20:44.996 --> 0:20:49.996
<v Speaker 1>frightening weather, the floods and fires, the refugees, the spread

0:20:50.036 --> 0:20:54.316
<v Speaker 1>of diseases, the pandemics. We notice, but we don't do

0:20:54.436 --> 0:20:59.876
<v Speaker 1>nearly enough. Why I still think the birds have an answer.

0:21:12.596 --> 0:21:16.316
<v Speaker 1>The Morse code of the yellow bellied sapsucker is less

0:21:16.316 --> 0:21:19.396
<v Speaker 1>regular than the drum of other woodbeckers, and it's call

0:21:19.516 --> 0:21:32.116
<v Speaker 1>note as harsh. I mean, like a collect baseball cards.

0:21:32.156 --> 0:21:37.996
<v Speaker 1>You have dinosaurs, you count birds. You when you started

0:21:38.036 --> 0:21:42.676
<v Speaker 1>counting boods three you're kidding. That's Ken Rosenberg and applied

0:21:42.676 --> 0:21:46.156
<v Speaker 1>conservationist at the Cornell Lab forn Mythology in Ithaca, New York.

0:21:46.596 --> 0:21:49.036
<v Speaker 1>He's lead author of a huge study published in the

0:21:49.116 --> 0:21:53.116
<v Speaker 1>journal Science it demonstrated that close to three billion birds

0:21:53.196 --> 0:21:57.756
<v Speaker 1>have disappeared from the United States and Canada since nineteen seventy.

0:21:58.676 --> 0:22:00.476
<v Speaker 1>My producer Ben and I went to see him at

0:22:00.516 --> 0:22:03.316
<v Speaker 1>Cornell and we went for a walk to listen for

0:22:03.396 --> 0:22:08.036
<v Speaker 1>birds in a sanctuary called sap Sucker Woods. What do

0:22:08.116 --> 0:22:14.236
<v Speaker 1>we sing over there? Cardinal? I felt haunted there by

0:22:14.396 --> 0:22:17.196
<v Speaker 1>Rachel Carson. I don't know that she'd ever been to

0:22:17.236 --> 0:22:19.996
<v Speaker 1>Sapsucker Woods, but it's the place she would have loved.

0:22:21.196 --> 0:22:24.236
<v Speaker 1>While she was writing Sound Spring, she'd been an unbearable

0:22:24.276 --> 0:22:28.476
<v Speaker 1>pain from surgery and radiation. She could barely walk. She'd

0:22:28.476 --> 0:22:31.956
<v Speaker 1>been treated for tumors on her breasts and cancer had spread.

0:22:32.596 --> 0:22:36.636
<v Speaker 1>She'd go on TV wearing a wig. She testified before Congress,

0:22:36.716 --> 0:22:39.356
<v Speaker 1>hiding from everyone that she'd come in on a wheelchair.

0:22:40.716 --> 0:22:44.476
<v Speaker 1>She died in nineteen sixty four, only fifty six years old.

0:22:45.196 --> 0:22:48.436
<v Speaker 1>She had her ashes spread in the sea, her ideas

0:22:48.476 --> 0:22:55.316
<v Speaker 1>spread everywhere, in the flight of every bird. Rachel Carson's.

0:22:55.356 --> 0:22:58.076
<v Speaker 1>One of Rachel Carson's close friends who was Chandler Robbins,

0:22:58.596 --> 0:23:01.156
<v Speaker 1>who worked for the US Fish and Wildlife Service, and

0:23:02.076 --> 0:23:05.796
<v Speaker 1>they would go bird watching together. In response to Rachel's work,

0:23:07.036 --> 0:23:10.356
<v Speaker 1>Chandler Robbins created the Breeding Bird Survey, the North American

0:23:10.396 --> 0:23:13.036
<v Speaker 1>Breeding Survey, and it was just this vision he had

0:23:13.076 --> 0:23:15.796
<v Speaker 1>that Wow, we could count birds everywhere, and it is

0:23:15.836 --> 0:23:19.436
<v Speaker 1>the primary source of all our bird data. That's what

0:23:19.516 --> 0:23:22.996
<v Speaker 1>our whole paper was really based on, was fifty years

0:23:22.996 --> 0:23:26.636
<v Speaker 1>of Breeding Bird Survey data. It's as if Carson is

0:23:26.636 --> 0:23:30.796
<v Speaker 1>one of Rosenberg's co authors. I love that and birds

0:23:30.836 --> 0:23:33.556
<v Speaker 1>are a body of evidence. After the disappearance of the

0:23:33.596 --> 0:23:36.676
<v Speaker 1>passenger pigeon, the Audubon Society had urged people not to

0:23:36.756 --> 0:23:39.116
<v Speaker 1>hunt birds, but to go out and count them, and

0:23:39.196 --> 0:23:41.916
<v Speaker 1>they did. Their lists had just kept piling up count

0:23:41.956 --> 0:23:46.316
<v Speaker 1>after count after count data. Every year. At Christmas, there's

0:23:46.316 --> 0:23:48.876
<v Speaker 1>this thing called the Christmas Bird Count. All over the country.

0:23:49.116 --> 0:23:51.316
<v Speaker 1>People get up in the morning, go meet up in

0:23:51.316 --> 0:23:54.476
<v Speaker 1>assigned spot with other birders, and fan out to count birds.

0:23:55.036 --> 0:23:57.956
<v Speaker 1>It's like the US Census, except not every ten years

0:23:57.956 --> 0:24:01.196
<v Speaker 1>every year, and not done by a government agency, but

0:24:01.316 --> 0:24:05.116
<v Speaker 1>just by regular people. Bird counting is probably the richest

0:24:05.156 --> 0:24:08.156
<v Speaker 1>kind of citizen science ever known. We had a data

0:24:08.196 --> 0:24:13.356
<v Speaker 1>set from nineteen seventy to twenty seventeen, forty eight year

0:24:13.676 --> 0:24:16.476
<v Speaker 1>data set, and that was the primary data set we

0:24:16.556 --> 0:24:21.036
<v Speaker 1>also we also used the Christmas Bird Count, which dates

0:24:21.076 --> 0:24:24.876
<v Speaker 1>back even farther, so we were pretty blown away when

0:24:24.916 --> 0:24:29.996
<v Speaker 1>we ran those numbers and found this net loss of

0:24:30.156 --> 0:24:33.916
<v Speaker 1>three billion birds across five hundred and twenty nine species.

0:24:34.316 --> 0:24:37.316
<v Speaker 1>So that's the big story, is that not only are

0:24:37.356 --> 0:24:40.916
<v Speaker 1>a lot of species declining in their population, but we

0:24:40.956 --> 0:24:46.756
<v Speaker 1>are seeing this tremendous total overall loss of abundance of birds,

0:24:47.236 --> 0:24:52.596
<v Speaker 1>which is what's going to have bigger effects on the ecosystems.

0:24:58.156 --> 0:25:01.636
<v Speaker 1>The abundant red eyed bureos in the tree tops can

0:25:01.716 --> 0:25:05.956
<v Speaker 1>become monotonous and the regularity of their short, robin like phrases.

0:25:07.436 --> 0:25:10.116
<v Speaker 1>I started asking Rosenberg about how they made those recordings

0:25:10.156 --> 0:25:12.516
<v Speaker 1>decades ago, and he said he really didn't know anything

0:25:12.556 --> 0:25:15.756
<v Speaker 1>about them. But then, just at that moment, a guy

0:25:15.836 --> 0:25:18.156
<v Speaker 1>just happened to walk past on this little wooden bridge

0:25:18.196 --> 0:25:20.996
<v Speaker 1>we were on, and Rosenberg called him over. Actually, Leo

0:25:21.116 --> 0:25:24.156
<v Speaker 1>probably narrow spit because he has tourist of the lab.

0:25:24.516 --> 0:25:27.796
<v Speaker 1>Leo Sack, a public program's assistant and librarian as a

0:25:27.876 --> 0:25:35.076
<v Speaker 1>lab I'm not I'm not a historic expert on this. Yes,

0:25:35.996 --> 0:25:38.276
<v Speaker 1>I'm on the visitor center team. I do some tourist

0:25:38.276 --> 0:25:41.716
<v Speaker 1>of the building. So my understanding is that in nineteen

0:25:41.836 --> 0:25:46.556
<v Speaker 1>twenty nine, Fox Movie Tone approached Arthur Allen and said,

0:25:46.556 --> 0:25:49.596
<v Speaker 1>we have a new technology that we're trying out putting

0:25:49.596 --> 0:25:53.636
<v Speaker 1>sound into movies instead of having silent films, and we

0:25:53.716 --> 0:25:57.956
<v Speaker 1>want to show off this new technology using birdsong, and

0:25:58.156 --> 0:26:02.316
<v Speaker 1>can you help us get some recordings of birdsong. Arthur A.

0:26:02.316 --> 0:26:04.596
<v Speaker 1>Allen was the guy who started the lab here. Also

0:26:04.756 --> 0:26:07.396
<v Speaker 1>he is the voice on that old Cornell Birdsong album.

0:26:07.436 --> 0:26:11.436
<v Speaker 1>This is him ros livers and shorter phrases from Canada

0:26:11.636 --> 0:26:15.836
<v Speaker 1>to Florida. In nineteen fifteen, the year after Martha the

0:26:15.876 --> 0:26:19.196
<v Speaker 1>Passenger pigeon died, Professor Allen taped up a sign on

0:26:19.236 --> 0:26:23.436
<v Speaker 1>his office door. It said Laboratory of Warnithology. The door

0:26:23.636 --> 0:26:26.116
<v Speaker 1>was just a door to his office, but he planted

0:26:26.116 --> 0:26:28.476
<v Speaker 1>his flag. I like to think of that lab is

0:26:28.516 --> 0:26:31.836
<v Speaker 1>a little like the last archive. Imagine there's a place

0:26:31.836 --> 0:26:35.116
<v Speaker 1>in our world where the birds go. So when Fox

0:26:35.196 --> 0:26:38.276
<v Speaker 1>Movie Tone came to Arthur Allen about recording birds, of

0:26:38.316 --> 0:26:41.476
<v Speaker 1>course he said yes. And the story is I've heard

0:26:41.516 --> 0:26:44.396
<v Speaker 1>it is that they started out chasing the birds around

0:26:44.396 --> 0:26:47.916
<v Speaker 1>with their big, heavy equipment, and songbirds being songbirds, flew away.

0:26:49.156 --> 0:26:54.156
<v Speaker 1>But Fortunately, doctor Allen was very interested in the behaviors

0:26:54.676 --> 0:26:59.076
<v Speaker 1>of birds, and so could figure out things like where

0:26:59.196 --> 0:27:01.796
<v Speaker 1>was the bird likely to perch on its own and sing?

0:27:01.836 --> 0:27:05.756
<v Speaker 1>And so they set up their equipment, pointed at a

0:27:05.796 --> 0:27:09.476
<v Speaker 1>likely spot, walked away from it, and sure enough, Uh,

0:27:09.636 --> 0:27:14.236
<v Speaker 1>some of the birds came and sang into their microphones.

0:27:14.276 --> 0:27:18.356
<v Speaker 1>Who's excellent? I can't believe you're just that was the

0:27:18.396 --> 0:27:22.116
<v Speaker 1>most fortuitous. I think you swooped down and dropped out

0:27:22.116 --> 0:27:24.916
<v Speaker 1>of the sky may be rarer than catching a songbird.

0:27:25.396 --> 0:27:30.876
<v Speaker 1>The recording device that album American Bird Songs that a

0:27:30.916 --> 0:27:33.756
<v Speaker 1>friend of Carson's had mailed to Roger in nineteen fifty eight,

0:27:34.396 --> 0:27:37.556
<v Speaker 1>Much of it was recorded in these very woods. Here

0:27:37.596 --> 0:27:41.436
<v Speaker 1>are the songs and calls of sixty familiar birds as

0:27:41.516 --> 0:27:44.836
<v Speaker 1>recorded in the woods, fields and gardens of North America

0:27:45.396 --> 0:27:49.716
<v Speaker 1>the Laboratory of Ornithology at Cornell University. Unless otherwise stated,

0:27:50.156 --> 0:28:04.116
<v Speaker 1>they were recorded in central New York State. There are

0:28:04.196 --> 0:28:06.996
<v Speaker 1>three billion fewer birds in the US and Canada now

0:28:07.036 --> 0:28:09.476
<v Speaker 1>than there were then, and we wouldn't even know if

0:28:09.476 --> 0:28:11.596
<v Speaker 1>it weren't for all the bird counting that people do.

0:28:12.276 --> 0:28:15.316
<v Speaker 1>Ken Rosenberg study doesn't make an argument about what's causing

0:28:15.316 --> 0:28:17.916
<v Speaker 1>this decline, but a lot of other research points to

0:28:17.956 --> 0:28:21.916
<v Speaker 1>climate change, and as Rosenberg study says, all other threats

0:28:21.956 --> 0:28:26.716
<v Speaker 1>to birds are exacerbated by climate change within one human lifetime,

0:28:27.156 --> 0:28:31.116
<v Speaker 1>within my lifetime, we've lost more than a quarter of

0:28:31.156 --> 0:28:39.996
<v Speaker 1>our birds. Silent spring, silent century, through the night, the

0:28:40.036 --> 0:28:42.756
<v Speaker 1>incessant cause of the purple whale can be heard from

0:28:42.756 --> 0:28:55.276
<v Speaker 1>New Brunswick to northern Georgia. Once I started looking for

0:28:55.356 --> 0:29:00.476
<v Speaker 1>people obsessed with recorded birds, I found them everywhere. John Fitzpatrick,

0:29:00.596 --> 0:29:03.716
<v Speaker 1>director of the Cornell Lab Befornathology, was eight when he

0:29:03.716 --> 0:29:07.316
<v Speaker 1>first heard an LP of North American bird songs, because

0:29:07.316 --> 0:29:11.436
<v Speaker 1>that was a bird geek and I wanted to understand

0:29:11.476 --> 0:29:13.436
<v Speaker 1>what the bird songs were that I was listening to,

0:29:13.476 --> 0:29:16.236
<v Speaker 1>and so I memorized all the bird songs of Minnesota

0:29:16.316 --> 0:29:19.436
<v Speaker 1>from that record, and that was the first time I'd

0:29:19.436 --> 0:29:22.716
<v Speaker 1>ever heard of this place. I love that Arthur Allen

0:29:22.756 --> 0:29:25.436
<v Speaker 1>created the lab, and his voice on that record of

0:29:25.436 --> 0:29:30.196
<v Speaker 1>bird song taught young John Fitzpatrick to love birds. Everyone

0:29:30.236 --> 0:29:33.396
<v Speaker 1>calls him fits and now fitz is the man behind eBird,

0:29:33.516 --> 0:29:37.916
<v Speaker 1>an online crowdsourced bird database. The lab does all kinds

0:29:37.916 --> 0:29:39.916
<v Speaker 1>of different things. Fitz has a whole room in the

0:29:39.996 --> 0:29:43.316
<v Speaker 1>lab basement with drawers filled with stuffed birds. They even

0:29:43.316 --> 0:29:46.516
<v Speaker 1>had a passenger pigeon. But of all the things they

0:29:46.556 --> 0:29:49.156
<v Speaker 1>do at the lab, the place where Fits really lit

0:29:49.276 --> 0:29:51.956
<v Speaker 1>up was when he showed us the collection of bird song.

0:29:53.236 --> 0:29:58.036
<v Speaker 1>So this is the the archive, this is like this

0:29:58.116 --> 0:30:04.116
<v Speaker 1>is like Mecca. This is like day in the largest

0:30:05.196 --> 0:30:10.916
<v Speaker 1>physical repository of natural sounds in the world. Here hundreds

0:30:10.916 --> 0:30:15.756
<v Speaker 1>of thousands of recordings in this room. You can lock

0:30:15.796 --> 0:30:18.196
<v Speaker 1>the door behind you and leave it to her. Yeah,

0:30:18.196 --> 0:30:22.716
<v Speaker 1>it's fun. Every bird you can imagine across decades and decades.

0:30:23.116 --> 0:30:24.836
<v Speaker 1>I guess if you love a thing, you want to

0:30:24.836 --> 0:30:27.636
<v Speaker 1>hold onto every detail about it. Put it in a lab,

0:30:27.796 --> 0:30:31.156
<v Speaker 1>keep it in a drawer, recorded on wax, lock it

0:30:31.196 --> 0:30:34.636
<v Speaker 1>in an archive. But these bird songs aren't just sitting here.

0:30:35.316 --> 0:30:38.356
<v Speaker 1>Fits is on a mission, a mission to change Hollywood's

0:30:38.396 --> 0:30:44.036
<v Speaker 1>bird illiteracy. So most moviemakers don't know that a lot

0:30:44.116 --> 0:30:46.556
<v Speaker 1>of us can actually tell what that bird is, and

0:30:46.636 --> 0:30:49.476
<v Speaker 1>that that's in the wrong continent. You know, you hear

0:30:49.556 --> 0:30:55.116
<v Speaker 1>loons in Africa, and you hear morning warblers in South

0:30:55.156 --> 0:31:02.356
<v Speaker 1>American rainforests, and it's crazy. The good filmmakers Lucas, Terry Malick,

0:31:02.556 --> 0:31:07.276
<v Speaker 1>El Spielberg. These guys when they need a track, they

0:31:07.476 --> 0:31:10.356
<v Speaker 1>actually they want to get a tract from the authorities

0:31:10.396 --> 0:31:12.156
<v Speaker 1>who know what birds are there, and they can get

0:31:12.156 --> 0:31:14.676
<v Speaker 1>the best recordings possible. They come here, Yeah, and they

0:31:14.716 --> 0:31:17.796
<v Speaker 1>come here. So let's see Harry Potter movies. They use

0:31:17.956 --> 0:31:23.116
<v Speaker 1>sounds from here, the owls, the griffin say hello tou.

0:31:25.516 --> 0:31:30.036
<v Speaker 1>In fact, this is a true story. That griffin which

0:31:30.116 --> 0:31:33.116
<v Speaker 1>makes this sort of weird screeching sound that is flying.

0:31:33.156 --> 0:31:38.756
<v Speaker 1>That screeching sound is a limpkin. It's an American snail

0:31:38.836 --> 0:31:41.636
<v Speaker 1>eating bird that looks like a heron, and it's got

0:31:41.636 --> 0:31:45.156
<v Speaker 1>a very wild sound, And they used the limpkin sound.

0:31:45.196 --> 0:31:48.076
<v Speaker 1>The particular recording they used was recorded by Arthur Allen.

0:31:48.476 --> 0:31:51.236
<v Speaker 1>Most fascinating of all the sounds that come from the

0:31:51.316 --> 0:31:55.396
<v Speaker 1>larger Southern swamplands are the weird cries of the lympkins.

0:31:56.836 --> 0:31:59.596
<v Speaker 1>Perhaps they have given rise to some of the superstitions

0:31:59.636 --> 0:32:08.276
<v Speaker 1>that haunt our fast disappearing marshes. After explaining to us

0:32:08.276 --> 0:32:10.876
<v Speaker 1>about hippogriffs, Fitz took us to see a machine that

0:32:10.916 --> 0:32:13.996
<v Speaker 1>the labit invented, some AI gizmo that's supposed to be

0:32:14.036 --> 0:32:17.036
<v Speaker 1>able to name birds by listening to bird songs, and

0:32:17.196 --> 0:32:19.236
<v Speaker 1>one day it's supposed to be able to count birds

0:32:19.316 --> 0:32:22.236
<v Speaker 1>by listening to those songs. It's not citizen science, it's

0:32:22.316 --> 0:32:27.076
<v Speaker 1>computer science. But Fitz is way better than the machine.

0:32:27.556 --> 0:32:33.036
<v Speaker 1>The gold correct watching fits try to beat the AI machine.

0:32:33.516 --> 0:32:35.676
<v Speaker 1>I found as if wondering about other ways that we

0:32:35.716 --> 0:32:39.596
<v Speaker 1>can know about change over time, aside from birds. I

0:32:39.796 --> 0:32:41.916
<v Speaker 1>was getting a little tired of listening to birds, to

0:32:41.916 --> 0:32:45.716
<v Speaker 1>be honest, and then okay, stick with me. I started

0:32:45.716 --> 0:32:50.556
<v Speaker 1>thinking about another kind of bird song, tweets. You can

0:32:50.556 --> 0:32:54.316
<v Speaker 1>count tweets human tweets on Twitter, sort of like the

0:32:54.356 --> 0:32:58.636
<v Speaker 1>way you can count bird calls and someone has friend.

0:32:58.676 --> 0:33:01.316
<v Speaker 1>Moore is an assistant professor in the UC Davis Department

0:33:01.316 --> 0:33:04.156
<v Speaker 1>of Environmental Science and Policy, and she's the lead author

0:33:04.236 --> 0:33:06.916
<v Speaker 1>of a study of tweets. She and her team collected

0:33:06.916 --> 0:33:09.916
<v Speaker 1>more than two billion Twitter posts about the weather. The

0:33:09.956 --> 0:33:14.316
<v Speaker 1>idea for this payback came from the observation that everyone

0:33:14.356 --> 0:33:16.476
<v Speaker 1>talks about the weather, the kind of almost a kind

0:33:16.476 --> 0:33:21.556
<v Speaker 1>of universal phenomenon that wherever you go you can chat yeah,

0:33:21.596 --> 0:33:25.796
<v Speaker 1>yeah exactly. American Tweets, Volume one. Here are the tweets

0:33:25.796 --> 0:33:28.796
<v Speaker 1>and posts of several high volume Twitter accounts has recorded

0:33:28.836 --> 0:33:32.476
<v Speaker 1>on smartphones and laptops across North America. It's so hot

0:33:32.556 --> 0:33:38.796
<v Speaker 1>dog something about a rainy day, so cozy, it's pretty warmth.

0:33:39.596 --> 0:33:43.876
<v Speaker 1>I'm so mad about the snow outside. Oh MG, I

0:33:43.916 --> 0:33:46.196
<v Speaker 1>swear when it comes to driving in the rain, people

0:33:46.196 --> 0:33:48.956
<v Speaker 1>in southern California are idiots on the road. The weather

0:33:49.196 --> 0:33:54.996
<v Speaker 1>is nuts. Okay, so I'd rather listen to bird song.

0:33:55.676 --> 0:33:59.236
<v Speaker 1>But more study, it's genius. What I thought was cool

0:33:59.276 --> 0:34:01.436
<v Speaker 1>about the study was, you know, how do you how

0:34:01.476 --> 0:34:04.836
<v Speaker 1>do you measure the phenomenon of you know, the remarkability

0:34:04.836 --> 0:34:08.596
<v Speaker 1>of temperature? And with these new large social media data

0:34:08.596 --> 0:34:11.556
<v Speaker 1>their it can allow us to get at these questions

0:34:11.596 --> 0:34:15.076
<v Speaker 1>than to measure the phenomenon in a really kind of

0:34:15.116 --> 0:34:18.756
<v Speaker 1>comprehensive way. More designed to study to measure the remarkability

0:34:18.796 --> 0:34:23.036
<v Speaker 1>of climate based on geolocated tweets about the weather. Her

0:34:23.076 --> 0:34:25.996
<v Speaker 1>study is actually weirdly a lot like Ken Rosenberg's bird study,

0:34:26.116 --> 0:34:28.796
<v Speaker 1>kind of mixed up with Fitz's lab study of bird song.

0:34:29.356 --> 0:34:32.836
<v Speaker 1>Think about Twitter as human bird song, and then the

0:34:32.876 --> 0:34:35.996
<v Speaker 1>Twitter feed is a kind of citizen science. We are

0:34:36.036 --> 0:34:40.156
<v Speaker 1>the birds, but we're collecting our own data. Worrying about

0:34:40.156 --> 0:34:44.236
<v Speaker 1>our own demise long before coronavirus, because even then there

0:34:44.316 --> 0:34:46.276
<v Speaker 1>was plenty to worry about. You know, I think that

0:34:46.476 --> 0:34:50.996
<v Speaker 1>one theory of change that maybe some people have, which

0:34:51.076 --> 0:34:53.836
<v Speaker 1>is really that eventually climate change will just become so

0:34:53.996 --> 0:34:56.076
<v Speaker 1>bad it will become obvious that we have to do

0:34:56.116 --> 0:34:58.916
<v Speaker 1>something about It will kind of the urgency of it

0:34:58.956 --> 0:35:01.676
<v Speaker 1>will become immediately apparent. It will get everyone on board

0:35:01.756 --> 0:35:03.876
<v Speaker 1>and will kind of collectively come to the sailor that's

0:35:03.876 --> 0:35:05.596
<v Speaker 1>the time by which it's too late to do anything.

0:35:08.716 --> 0:35:12.836
<v Speaker 1>Remark Ability changes rapidly with repeated exposure to unusual temperatures,

0:35:13.316 --> 0:35:16.956
<v Speaker 1>Franmore and her team wrote in their report. In other words,

0:35:16.996 --> 0:35:19.156
<v Speaker 1>we get used to new weather and something between two

0:35:19.196 --> 0:35:22.076
<v Speaker 1>and eight years. You don't compare this year's weather to

0:35:22.116 --> 0:35:25.156
<v Speaker 1>the weather of your childhood. You compare this year's weather

0:35:25.436 --> 0:35:28.196
<v Speaker 1>to last year's weather. It turns out we get used

0:35:28.196 --> 0:35:31.676
<v Speaker 1>to a new climate really fast. Even if it's killing us.

0:35:32.916 --> 0:35:38.036
<v Speaker 1>Really is an epistemological problem, it's not quite an evidentiary problem.

0:35:38.156 --> 0:35:41.876
<v Speaker 1>We have endless evidence. Fossil fuel companies have been suppressing

0:35:41.876 --> 0:35:44.596
<v Speaker 1>that evidence for decades, but I mean, man, the jig

0:35:44.836 --> 0:35:47.996
<v Speaker 1>is up still. It's not easy to pay attention to

0:35:48.036 --> 0:35:53.316
<v Speaker 1>that evidence. For the reasons more study illustrates who killed

0:35:53.316 --> 0:35:58.636
<v Speaker 1>truth Exxon Shell, Yes, God damn it. But also the

0:35:58.716 --> 0:36:05.276
<v Speaker 1>slowness of time it's so hard to notice. That makes

0:36:05.276 --> 0:36:12.516
<v Speaker 1>it even more impressive that Rachel Carson did over increasingly

0:36:12.676 --> 0:36:17.436
<v Speaker 1>large areas of the United States. Spring now comes unheralded

0:36:17.596 --> 0:36:20.996
<v Speaker 1>by the return of the birds, and the early mornings

0:36:20.996 --> 0:36:24.876
<v Speaker 1>are strangely silent, where once they were filled with the

0:36:24.916 --> 0:36:30.876
<v Speaker 1>beauty of bird song. It can be hard to notice

0:36:30.956 --> 0:36:33.556
<v Speaker 1>change that takes place on so long a timescale, a

0:36:33.636 --> 0:36:37.916
<v Speaker 1>human lifetime or even longer, like climate change DDT. That

0:36:37.956 --> 0:36:40.036
<v Speaker 1>stuff was sprayed one day and the next day the

0:36:40.116 --> 0:36:43.356
<v Speaker 1>world seemed quieter. You could notice that, you could follow

0:36:43.356 --> 0:36:47.116
<v Speaker 1>a lawsuit to stop the spraying, you could write a book. Also,

0:36:47.276 --> 0:36:52.316
<v Speaker 1>the DDT industry, the DDT lobby was tiny. The fossil

0:36:52.396 --> 0:36:56.036
<v Speaker 1>fuel industries are gigantic, and they control a massive part

0:36:56.076 --> 0:37:00.956
<v Speaker 1>of the world's economy. Then, too, climate change is slower. Still,

0:37:00.996 --> 0:37:02.916
<v Speaker 1>you can see it, and people have been writing books

0:37:02.916 --> 0:37:06.396
<v Speaker 1>about it for a very long time. Rachel Carson first

0:37:06.396 --> 0:37:10.036
<v Speaker 1>wrote about it in nineteen fifty, twelve years before she

0:37:10.116 --> 0:37:15.036
<v Speaker 1>published Silent Spring. It is now established beyond question that

0:37:15.196 --> 0:37:18.676
<v Speaker 1>a definite change in the Arctic climate set in about

0:37:18.836 --> 0:37:24.396
<v Speaker 1>nineteen hundred, that it became astonishingly marked about nineteen thirty,

0:37:24.916 --> 0:37:29.876
<v Speaker 1>and that it is now spreading into subarctic and temperate regions.

0:37:30.636 --> 0:37:35.716
<v Speaker 1>The frigid top of the world is very clearly warming up.

0:37:37.756 --> 0:37:41.196
<v Speaker 1>After writing about DDT in Silent Spring, Carson started working

0:37:41.196 --> 0:37:43.476
<v Speaker 1>on a new book about the warming of the seas.

0:37:43.956 --> 0:37:47.236
<v Speaker 1>But of course by then she was dying. The December

0:37:47.276 --> 0:37:50.036
<v Speaker 1>after Silent Spring came out, she fainted from pain in

0:37:50.076 --> 0:37:52.956
<v Speaker 1>a department store while shopping for a Christmas present for Roger.

0:37:53.836 --> 0:37:57.436
<v Speaker 1>She's buying him a record player. Roger would lose her

0:37:57.476 --> 0:38:00.516
<v Speaker 1>not long afterward. But what if she'd finished that book,

0:38:00.716 --> 0:38:03.756
<v Speaker 1>the book she'd wanted to write about climate change decades

0:38:03.796 --> 0:38:08.036
<v Speaker 1>and decades and decades ago. We live in an age

0:38:08.076 --> 0:38:13.516
<v Speaker 1>of risings. In our own lifetime. We are witnessing a

0:38:13.636 --> 0:38:19.636
<v Speaker 1>startling alteration of climate. Carson never wrote that book. I

0:38:19.676 --> 0:38:21.436
<v Speaker 1>still think a lot though, about what it might have

0:38:21.476 --> 0:38:25.276
<v Speaker 1>happened if she had. She'd lived long enough. She wrote

0:38:25.316 --> 0:38:27.636
<v Speaker 1>Sound Spring at a time when books were a big deal.

0:38:27.916 --> 0:38:29.836
<v Speaker 1>She could go on CBS at a time on there

0:38:29.956 --> 0:38:33.716
<v Speaker 1>only three television networks, and she could testify before Congress

0:38:33.756 --> 0:38:36.396
<v Speaker 1>at a time when Congress wasn't polarized, at time when

0:38:36.476 --> 0:38:40.356
<v Speaker 1>laws actually got written and passed. That's why I wish

0:38:40.796 --> 0:38:43.956
<v Speaker 1>so dearly that she'd lived to write the book she

0:38:44.036 --> 0:38:47.516
<v Speaker 1>planned to write about the warming of the seas, before

0:38:47.556 --> 0:38:50.836
<v Speaker 1>the political chaos, before the no holds barred defense of

0:38:50.876 --> 0:38:56.356
<v Speaker 1>the fossil fuel industry, before internet driven conspiracy theories, before

0:38:56.476 --> 0:39:01.436
<v Speaker 1>social media mob rule, before the virus silent killer of

0:39:01.436 --> 0:39:09.756
<v Speaker 1>our spring. We went back out to sap Sucker Woods

0:39:09.796 --> 0:39:12.556
<v Speaker 1>to listen to the birds, then back to our hotel,

0:39:13.316 --> 0:39:15.556
<v Speaker 1>turned in for the night. It had one more place

0:39:15.596 --> 0:39:26.436
<v Speaker 1>to go in the morning. The last place Ben and

0:39:26.436 --> 0:39:29.316
<v Speaker 1>I went during our visit to Cornell was the archive

0:39:29.956 --> 0:39:34.916
<v Speaker 1>entering the Crotch Library. Crotch Library, Crotch Library. There's another

0:39:34.956 --> 0:39:37.516
<v Speaker 1>story about the Silence of Birds, written by someone who'd

0:39:37.556 --> 0:39:40.756
<v Speaker 1>been an undergraduate at Cornell when it first founded its

0:39:40.796 --> 0:39:45.556
<v Speaker 1>Laboratory of Oneithology, eb White. His papers are at Cornell.

0:39:46.196 --> 0:39:49.556
<v Speaker 1>An archivist Asian Neely had pulled a few folders for

0:39:49.636 --> 0:39:58.956
<v Speaker 1>US Morning Yes in nineteen fifty eight, when Rachel Carson

0:39:58.996 --> 0:40:00.796
<v Speaker 1>had asked eb White to write the book that became

0:40:00.876 --> 0:40:03.316
<v Speaker 1>Silent Spring. She had thought of White because he was

0:40:03.356 --> 0:40:05.476
<v Speaker 1>such a charming writer, and because he wrote a lot

0:40:05.516 --> 0:40:09.836
<v Speaker 1>about nature Stuart Little in nineteen forty five, Charlotte's Web

0:40:09.916 --> 0:40:13.316
<v Speaker 1>in nineteen fifty two. I don't think Carson really wanted

0:40:13.316 --> 0:40:16.396
<v Speaker 1>White to write about DDT. She was really just slyly

0:40:16.396 --> 0:40:19.436
<v Speaker 1>getting his help and pitching the story to the New Yorker. Anyway,

0:40:19.676 --> 0:40:23.196
<v Speaker 1>Carson and White had stayed close, and after Carson died,

0:40:23.956 --> 0:40:27.076
<v Speaker 1>White wrote one last children's book, The Trumpet of the Swan,

0:40:27.716 --> 0:40:31.796
<v Speaker 1>Analogy for the Earth. On a lonely pond on a

0:40:31.876 --> 0:40:36.156
<v Speaker 1>day in spring, some baby swans were hatched. One of

0:40:36.196 --> 0:40:39.196
<v Speaker 1>the young swans had a problem. He had come into

0:40:39.236 --> 0:40:42.716
<v Speaker 1>the world without a voice. He couldn't utter a sound.

0:40:43.636 --> 0:40:46.036
<v Speaker 1>I have written the story of this little swan, and

0:40:46.116 --> 0:40:48.236
<v Speaker 1>I will read it to you. During the whole of

0:40:48.236 --> 0:40:51.596
<v Speaker 1>our visit to Ithaca, I'd been overwhelmed by this scale,

0:40:52.116 --> 0:40:56.036
<v Speaker 1>the enormity of evidence for species extinction and for climate change.

0:40:56.636 --> 0:41:00.476
<v Speaker 1>All that bird data, billions and billions of observations, people

0:41:00.556 --> 0:41:04.076
<v Speaker 1>wandering in the woods and fields and long beaches counting birds.

0:41:04.956 --> 0:41:08.516
<v Speaker 1>Then there's the study of billions of tweets. But sitting

0:41:08.556 --> 0:41:12.036
<v Speaker 1>in that arc five with Ebe White's papers, I remembered

0:41:12.356 --> 0:41:18.636
<v Speaker 1>how badly people also need stories fables. The fifth signet

0:41:18.876 --> 0:41:22.356
<v Speaker 1>was different. He opened his mouth but didn't say a thing.

0:41:23.196 --> 0:41:26.316
<v Speaker 1>He made an effort to say beep, but no sound came.

0:41:26.956 --> 0:41:30.036
<v Speaker 1>I think he came into the world lacking a voice.

0:41:31.116 --> 0:41:35.436
<v Speaker 1>A young male Swan will be greatly handicapped in finding

0:41:35.436 --> 0:41:38.276
<v Speaker 1>a mate if he is unable to say co ho

0:41:38.916 --> 0:41:42.316
<v Speaker 1>co ho. Nearly everyone we talked to you for this

0:41:42.356 --> 0:41:45.516
<v Speaker 1>episode they'd first gotten fascinated with birds in the natural

0:41:45.516 --> 0:41:48.876
<v Speaker 1>world has little kids. That's one reason Ben and I

0:41:48.916 --> 0:41:51.756
<v Speaker 1>were in the eb White archive to read letters to

0:41:51.836 --> 0:41:56.636
<v Speaker 1>him that had been written by little kids. This is

0:41:56.676 --> 0:41:59.276
<v Speaker 1>a pack of letters from the combinations in the third

0:41:59.356 --> 0:42:03.356
<v Speaker 1>grade classroom. Dear mister White, I am a pupil from

0:42:03.396 --> 0:42:07.116
<v Speaker 1>Saint Leo's Primary School in Altona, North My name is

0:42:07.196 --> 0:42:09.756
<v Speaker 1>Diana and I'm eleven years of eight. I have read

0:42:09.796 --> 0:42:11.716
<v Speaker 1>both of your books, Trumpet of the one at Charles

0:42:11.716 --> 0:42:13.796
<v Speaker 1>Webb and I was reading the books. They really got

0:42:13.796 --> 0:42:16.396
<v Speaker 1>to me because they are so interesting. Lots of other

0:42:16.396 --> 0:42:18.316
<v Speaker 1>people have read your books and they feel the same

0:42:18.316 --> 0:42:21.276
<v Speaker 1>way about them. The books really makes sense not like

0:42:21.356 --> 0:42:28.636
<v Speaker 1>other books you're expect. Dear Diane, I'm glad you think

0:42:28.636 --> 0:42:35.036
<v Speaker 1>the books makes sense. The books make sense, stories makes sense.

0:42:35.476 --> 0:42:38.436
<v Speaker 1>If Carson were writing today, she'd get death threats on Twitter.

0:42:38.876 --> 0:42:42.916
<v Speaker 1>He be White, he got love letters from children. Dear

0:42:42.956 --> 0:42:47.276
<v Speaker 1>mister E. B. White. Our teacher, Missus mcelnahey, read Charles

0:42:47.356 --> 0:42:49.196
<v Speaker 1>Webb to our third grade class earlier this year. We

0:42:49.276 --> 0:42:50.996
<v Speaker 1>enjoyed it very much. This past months, she read The

0:42:50.996 --> 0:42:54.196
<v Speaker 1>Trumpet the Swan. So many interesting things resulted from your

0:42:54.236 --> 0:42:56.796
<v Speaker 1>book that we thought you might like to hear about them.

0:42:56.916 --> 0:42:58.756
<v Speaker 1>We decided to write a class poem about the Trumpet

0:42:58.756 --> 0:43:00.796
<v Speaker 1>of the Swan. We discussed the order of events in

0:43:00.796 --> 0:43:03.076
<v Speaker 1>the story and put down our ideas on two lines

0:43:03.116 --> 0:43:05.476
<v Speaker 1>at a time. The poem we wrote is enclosed with

0:43:05.516 --> 0:43:11.596
<v Speaker 1>this letter, and here's the phone. Louie a Downey Signet

0:43:11.676 --> 0:43:22.036
<v Speaker 1>was born a trumpeter swan without a horn. I'm sorry

0:43:22.356 --> 0:43:24.716
<v Speaker 1>I didn't want to laugh at their boom. Louis a

0:43:24.756 --> 0:43:28.636
<v Speaker 1>Downey Signet was born a trumpeter swan without a horn. Sam,

0:43:28.756 --> 0:43:31.396
<v Speaker 1>a boy who liked the young Swan, would often sit

0:43:31.716 --> 0:43:36.156
<v Speaker 1>by the clear, quiet pond. Louie could not even say cohoe.

0:43:36.996 --> 0:43:39.636
<v Speaker 1>So the Cobs stole a trumpet for Louis to blow.

0:43:40.356 --> 0:43:43.156
<v Speaker 1>Louis played taps, had a camp for boys to earn

0:43:43.196 --> 0:43:47.116
<v Speaker 1>the money to pay for the noise. Louie married Serena,

0:43:48.356 --> 0:43:51.796
<v Speaker 1>and new signets were born, and Louis played on with

0:43:51.836 --> 0:43:56.796
<v Speaker 1>his shiny horn. By the third grade class, Hilliard Elementary School,

0:43:57.276 --> 0:44:00.636
<v Speaker 1>Room twenty Dear mister, why blah blah blahlave your books?

0:44:00.716 --> 0:44:03.156
<v Speaker 1>Do you like swans? I do. My grandparents live on

0:44:03.196 --> 0:44:05.916
<v Speaker 1>a saltwater pond, and sometimes when we're visiting, swan swam

0:44:05.996 --> 0:44:10.476
<v Speaker 1>up to the shore looking for food. A fine feathered friend, Steven.

0:44:10.916 --> 0:44:13.316
<v Speaker 1>Dear Stephen, I liked your letter, Thanks for writing. I

0:44:13.436 --> 0:44:16.396
<v Speaker 1>never see swans here at home, only geese, but I

0:44:16.436 --> 0:44:21.236
<v Speaker 1>think I would like swans. They are admirable birds. Reading

0:44:21.236 --> 0:44:24.276
<v Speaker 1>those letters it was like listening to the best bird song.

0:44:25.076 --> 0:44:31.756
<v Speaker 1>Lyrical and clear, noble and proud call and response. They

0:44:31.756 --> 0:44:36.356
<v Speaker 1>gave us faith, and they gave us hope. Maybe people

0:44:36.916 --> 0:44:43.036
<v Speaker 1>can be admirable birds too. From the Last Archive Coho.

0:45:43.276 --> 0:45:45.956
<v Speaker 1>The Last Archive is produced by Sophie Crane, mccabbin and

0:45:46.076 --> 0:45:49.276
<v Speaker 1>Ben Natt of Faffrey. Our editor is Julia Barton and

0:45:49.316 --> 0:45:53.076
<v Speaker 1>our executive producer is Mio Lobell, Jason Gambrell and Martine

0:45:53.156 --> 0:45:57.396
<v Speaker 1>Gonzalez are our engineers. Fact checking by Amy Gaines. Original

0:45:57.476 --> 0:46:00.836
<v Speaker 1>music by Matthis Bossi and John Evans of Stellwagen Symphinette.

0:46:01.316 --> 0:46:03.596
<v Speaker 1>Many of our sound effects are from Harry Jeanette Junior

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<v Speaker 1>and the Star Janette Foundation. Our full proof players are

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<v Speaker 1>Barlow Adams and Daniel Berger Jones, Jesse Henson, John Kuntz,

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<v Speaker 1>Becca A. Lewis and Maurice Emmanuel Parent. The Last Argive

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<v Speaker 1>is brought to you by Pushkin Industries. Special thanks to

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<v Speaker 1>Simon Leek, to Ryan McKittrick in the American Repertory Theater,

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<v Speaker 1>to Scott Edwards, to Aisha Neely at Cornell, the McCaulay

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<v Speaker 1>Library at the Cornell Lab of Worn Athology, and everyone

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<v Speaker 1>at the Cornell Lab of Worn Athology. At Pushkin. Thanks

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<v Speaker 1>to Heather Fane, Maya Caney, Carly mcgliory, Emily Rustick, Eric Sandler,

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<v Speaker 1>Maggie Taylor, and Jacob Weisberg. Our research assistants are Michelle Gau,

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<v Speaker 1>Olivia Oldham, Oliver Ruskin Kutz, Emily Spector, and Henrietta Riley,

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<v Speaker 1>who he'd like to specially thank for all of her

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<v Speaker 1>help with Bird's song. I'm Jollipoor,