WEBVTT - Chapter Two: Phil Spector and Ronnie Spector

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<v Speaker 1>Double Elvis. What were you doing thirty days ago? What

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<v Speaker 1>did you eat? What did you listen to? Did you

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<v Speaker 1>sing in the shower? Did you call your mom? Did

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<v Speaker 1>you laugh? Did you cry? Do you even remember what

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<v Speaker 1>day it was thirty days ago? Of course not, because

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<v Speaker 1>thirty days is a long time, which is why CarMax

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<v Speaker 1>gives you thirty long days to make sure you love

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<v Speaker 1>your car, and if you don't love it, you can

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<v Speaker 1>reality company. You can shop the lot virtually online, or

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<v Speaker 1>you can see the cars in reality on the lot,

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<v Speaker 1>or you could have the best of both worlds. We

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<v Speaker 1>give you the freedom to shop or buy however you need.

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<v Speaker 1>Like we said, virtual reality don't come for us tech people.

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<v Speaker 1>It's car buying reimagined. CarMax Spring it on with forty

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<v Speaker 1>to off almost everything at gap Factory and gap factory

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<v Speaker 1>dot Com. Matching styles for the family are on sale

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<v Speaker 1>to shop at all through April twelve. Blood on the

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<v Speaker 1>Tracks is a production of I Heart Radio and double Elvis.

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<v Speaker 1>Phil Spector was a musical genius, one of the most

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<v Speaker 1>successful record producers of all time. He's now sitting behind bars,

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<v Speaker 1>serving a nineteen years to life sentence for murder. This

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<v Speaker 1>is his story told by a so called friends. This

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<v Speaker 1>is special Agent power moment the Federal Bureau of Investigation,

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<v Speaker 1>working case number double oh four dash one zero DAP

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<v Speaker 1>seven case subject of Specter Philip Harvey. This information pertains

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<v Speaker 1>to the period end in December fifteenth, nine four. Interview

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<v Speaker 1>subject to Specter of Veronica Vette Interview number seven DAST

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<v Speaker 1>zero five Dash three six dash six three Recall number one,

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<v Speaker 1>February fourteenth, two thousand five. As time went on, they

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<v Speaker 1>started writing about him being a genius. He'd said, yeah,

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<v Speaker 1>I am a genius, and then they'd say he's the

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<v Speaker 1>mad genius. So he became the mad genius. Anything they

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<v Speaker 1>wrote about him became he's a recluse, So he became

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<v Speaker 1>a recluse. I think if Phil hadn't read anything about himself,

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<v Speaker 1>he'd still be the same. But that's the story that

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<v Speaker 1>he became a replicat of everything he read about himself.

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<v Speaker 1>I wouldn't say he's mad. I think a lot of

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<v Speaker 1>times he's pretending to be because I've seen him straight,

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<v Speaker 1>and I've seen him act with that way of his

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<v Speaker 1>A lot of it may be mad, but a lot

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<v Speaker 1>of it is certainly intentional to let people wonder what

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<v Speaker 1>is this guy all about. I think he's always wanted attention.

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<v Speaker 1>He's always wanted to be an artist on his own.

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<v Speaker 1>He just didn't have the talent or or the voice.

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<v Speaker 1>I think he's afraid to go back in the studio,

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<v Speaker 1>afraid that it won't be a hit and that people

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<v Speaker 1>would start saying he's not such a genius. He wants

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<v Speaker 1>to keep that title, and you can't keep that title

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<v Speaker 1>without leaving a little blood on the tracks. M Chapter two,

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<v Speaker 1>Phil Specter and Ronnie Specter. HM, oh, honey, I knew

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<v Speaker 1>them all The Rolling Stones opened for us. Keith Richard

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<v Speaker 1>put his eyes on me, honey. He wished his hands

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<v Speaker 1>were on me too. When the Beatles came to America

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<v Speaker 1>for the first time, Ringo called me from their hotel room.

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<v Speaker 1>They were so green. Can you picture it? Ringo Star

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<v Speaker 1>calling Veronica? Been it? A girl from Spanish Harlem calling

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<v Speaker 1>Ronnie for a hot tip. From the first time Me

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<v Speaker 1>and the girls put our hair up and beehives. From

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<v Speaker 1>the first time we walked down West forty with thick eyeliner,

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<v Speaker 1>dressed to the nines, we floated on air. We glided

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<v Speaker 1>real smooth, you see. From the first time, honey, it

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<v Speaker 1>was go time. It was We stood in line at

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<v Speaker 1>the Peppermint Lounge, walked that walk. That walk got us

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<v Speaker 1>the nod. The bouncer thought we were the entertainment. We

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<v Speaker 1>took the Expressway to the front of that line. From

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<v Speaker 1>that first time, doors opened behind one door, Keith Richards,

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<v Speaker 1>behind another door, John Lennon behind door number three, a

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<v Speaker 1>hit record like you wouldn't believe you couldn't walk half

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<v Speaker 1>a block in New York City in the summer of

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<v Speaker 1>nineteen sixty three and not here be my baby coming

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<v Speaker 1>out of some tenement window or a car stereo. So,

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<v Speaker 1>of course I thought that a life with Phil would

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<v Speaker 1>lead to more of the same. We'd be cut into

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<v Speaker 1>the front of every line, calling up the stars on

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<v Speaker 1>the phone, webbing elbows all that. Baby. But life with

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<v Speaker 1>Phil closed more doors than it opened, Honey. The only

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<v Speaker 1>door that Phil opened for me was the closet door,

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<v Speaker 1>and he shoved me in there. I am serious, Honey.

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<v Speaker 1>The closets at the house Unlock Colina were big, but

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<v Speaker 1>they weren't that big. He kept me in that house

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<v Speaker 1>like a prisoner. I have said it before and I'll

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<v Speaker 1>say it again. I was his prisoner. If I wanted

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<v Speaker 1>to leave, if I wanted to go anywhere, or a walk,

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<v Speaker 1>for a drive, go shopping, go see my friends, I

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<v Speaker 1>had to ask George brand to let me out of

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<v Speaker 1>my own damn house. You see, I was treated like

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<v Speaker 1>a child. I was a prisoner. George lived in the

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<v Speaker 1>basement George and his gun permit. Phil hired him as

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<v Speaker 1>his latest bodyguard. This was after Big Red, after a

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<v Speaker 1>mil Farcus bodyguard. Though George was just another way of

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<v Speaker 1>Phil justifying all the ship he did made him feel

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<v Speaker 1>like a big man. Phil. I could tell you to

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<v Speaker 1>fuck right off, and if you didn't like it, George

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<v Speaker 1>would appear from behind Phil's shoulders to make sure there

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<v Speaker 1>were no problems. Back to this closet, though, he locked

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<v Speaker 1>me in the damn closet upstairs, honey. He liked to

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<v Speaker 1>shoot me away to the bedroom when company came over,

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<v Speaker 1>make myself scarce like I was some kept prize. Except

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<v Speaker 1>he never wanted to show anyone his prize. He wanted

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<v Speaker 1>the prize so he could say he had the prize,

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<v Speaker 1>that he and no one else had it. He had me,

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<v Speaker 1>and there I was that night, locked in the closet upstairs.

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<v Speaker 1>He forced me inside, closed the door, locked it with

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<v Speaker 1>a pad lock or some ship. He had even put

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<v Speaker 1>a lock on our liquor cabinet around this time. He said,

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<v Speaker 1>I had been drinking too much. But honey, I took

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<v Speaker 1>a screwdriver to that lock and busted it wide open.

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<v Speaker 1>Wasn't my first rodeo. He put a bigger lock on it,

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<v Speaker 1>and I found a bigger screw driver. There wasn't much

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<v Speaker 1>I could do from inside that closet. I screamed, Oh

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<v Speaker 1>I did, I yelled. I banged my fist against the doors.

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<v Speaker 1>This wasn't no live from the Peppermint Lounge, Honey. I

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<v Speaker 1>wasn't floating my way out from between that rock and

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<v Speaker 1>a hard place. With a beehive and a smile, Phil

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<v Speaker 1>went downstairs to shoot pool with Don Krishner. They probably

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<v Speaker 1>reminisced about the past, which Phil was obsessed with, his

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<v Speaker 1>past hits, his past success, his past fame, all of

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<v Speaker 1>which eluded him. Now and when was this nineteen sixty nine. Probably.

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<v Speaker 1>I mean, he's got the singer of one of the

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<v Speaker 1>biggest hits of the sixties stuck in a closet on

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<v Speaker 1>the second floor of his twenty one room mansion in

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<v Speaker 1>Beverly Hills. Is it any wonder that Fame Aloud did him?

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<v Speaker 1>Fame is a fickle bitch. Honey Manson had him paranoid

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<v Speaker 1>and anxious wired. Why do you think George was sleeping

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<v Speaker 1>in the basement with loaded weapons. We came home from

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<v Speaker 1>a trip to Vegas that August. Right after it happened,

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<v Speaker 1>Phil went into a crisis mode. Hollywood went into crisis mode.

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<v Speaker 1>He installed a chain link fence, barbed wire. He had

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<v Speaker 1>some warning signs put around in the place, you know,

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<v Speaker 1>no trespassing, that kind of thing. And then you got

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<v Speaker 1>a couple of dogs, attack dogs. I hated those dogs.

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<v Speaker 1>At this point, the point when I'm stuck in this

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<v Speaker 1>huge closet, I had already tried to start the divorce

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<v Speaker 1>process once we were not living the life I had envisioned,

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<v Speaker 1>And now I wondered why I had dropped it. He

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<v Speaker 1>had me caged like an animal. On heard my screaming

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<v Speaker 1>and my bang, and he came running from downstairs. Pool

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<v Speaker 1>could wait. Whatever story they were batting around could wait.

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<v Speaker 1>They could tell something was wrong, that someone was in

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<v Speaker 1>need of his help. Phil. Phil wouldn't help nobody unless

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<v Speaker 1>it helped him. Don through the closet door open and

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<v Speaker 1>pulled me out by my arm. He led me all

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<v Speaker 1>the way down the stairs, and then he kept going.

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<v Speaker 1>We walked fast, right past Phil, past the antique French furniture,

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<v Speaker 1>past the nineteenth century oil paintings, passed the photos of

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<v Speaker 1>me that he had plastered all over the walls, next

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<v Speaker 1>his Picasso, the Matador, past the Steinway grand piano. Don

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<v Speaker 1>kept walking until we were out of that house, and

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<v Speaker 1>then he asked me where I wanted to go. He

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<v Speaker 1>would take me anywhere but there, and I let him.

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<v Speaker 1>I don't remember where we wound up going, but I

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<v Speaker 1>do remember that it wasn't long before I was back

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<v Speaker 1>at that mansion and back with Phil. It started real sweet,

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<v Speaker 1>real innocent. I started with guitars tuning up and drum

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<v Speaker 1>sets pounding out a determined rhythm. I started with the

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<v Speaker 1>promise of two and a half minute song, short but

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<v Speaker 1>life changing. It started down an alley off Santa Monica

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<v Speaker 1>Boulevard near Vine Gold Star Recording studios. You'll be amazed

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<v Speaker 1>just how much can be done with sound. Nineteen sixty three.

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<v Speaker 1>I was twenty, Phil was three. I didn't even know

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<v Speaker 1>he was married. He would bring me by his apartment

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<v Speaker 1>and I'd ask him about all the women's clothes that

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<v Speaker 1>were on his floor, on the edge of the bed,

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<v Speaker 1>and he told me they belonged to his sister. It

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<v Speaker 1>was Darlene who told me that he was married. He

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<v Speaker 1>was with a girl named Annette. They were newly weds, actually,

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<v Speaker 1>but at gold Star, at that tiny hole in the

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<v Speaker 1>wall studio that he loved. For whatever reason, it was

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<v Speaker 1>all me. He definitely favored me over a Stella Nedra.

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<v Speaker 1>He focused on me, doated on me, and I ain't

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<v Speaker 1>gonna lie, honey. I liked the attention. Pretty Soon he

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<v Speaker 1>had me come sit with him in the control room,

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<v Speaker 1>a smaller room within a small room, being a circle

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<v Speaker 1>inside a small circle. I felt bad leaving a Stella

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<v Speaker 1>Nedra behind, But what can I say? I thought I

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<v Speaker 1>could step on that pedestal he was offering without it

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<v Speaker 1>change in me. What was that Tina song? A fool

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<v Speaker 1>in love? He's got me smiling when I should be ashamed,

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<v Speaker 1>got me laughing when my heart is in pain. Phil

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<v Speaker 1>started throwing his weight around. He would put himself between

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<v Speaker 1>me and other men. Didn't want anyone else making eye

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<v Speaker 1>contact with me, didn't want anyone talking to me. He

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<v Speaker 1>was marking his territory, staking his claim. And though it

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<v Speaker 1>may have seemed so at first, it wasn't a fairy tale.

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<v Speaker 1>First off, he was married, newly married, you know the type.

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<v Speaker 1>And second he was unreasonable for a guy who was

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<v Speaker 1>stepping out on his brand new wife, he could be

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<v Speaker 1>awfully entitled. Before we were even official. He was pulling

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<v Speaker 1>power moves whenever I left golds Are without telling Phil,

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<v Speaker 1>even if I just walked out the door and into

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<v Speaker 1>the alley. Phil went from my lovable genius to he

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<v Speaker 1>got possessive, controlling, maniacal, even if it was just to

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<v Speaker 1>grab burgers down the street with Sonny Bono. Sonny was

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<v Speaker 1>a jack of all trades for Phil. Tell that Prisonnnny

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<v Speaker 1>Banger's Kangari drive that car. Phil's cravings were routine, expected

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<v Speaker 1>a dog from Pinks Burger from stands drive in. He'd

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<v Speaker 1>send Sunny to grab burgers and bring them back to

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<v Speaker 1>gold Star. So one day Sunny runs out for burgers,

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<v Speaker 1>not because Phil asked him to, but because he wants

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<v Speaker 1>a burger. L A burgers ain't nothing like them. They

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<v Speaker 1>come wrapped in these paper sleeves, self contained bliss with

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<v Speaker 1>a thick tomato slice in the middle. Sunny tells me

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<v Speaker 1>he's going to stands. I grabbed Nedra to run out

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<v Speaker 1>with them. Keep him company, get some fresh air. That

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<v Speaker 1>old Star air that got stale. Honey got stale real quick.

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<v Speaker 1>Phil must have flown off the handle when he realized

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<v Speaker 1>I had left. When we got back to gold Star

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<v Speaker 1>with the burgers, it looked like a bomb had gone off.

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<v Speaker 1>Ship was knocked around, a chair upside down, Mike stands

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<v Speaker 1>on the ground, Papers scattered everywhere, Tape unspooled from the reels.

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<v Speaker 1>Phil was out of breath, His face was red. His

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<v Speaker 1>hair the rug he had started wearing to add some

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<v Speaker 1>depth to his hair he was losing, was must up.

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<v Speaker 1>He looked three seconds away from exploding. He called Sunny

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<v Speaker 1>Sunny Bozo. After that, Sunny's girl Share took me dancing

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<v Speaker 1>one night at the Purple Onion on the Strip, a

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<v Speaker 1>jazz joint that had dance contest nights. We went on

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<v Speaker 1>one of those dance nights, cut loose through the twist

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<v Speaker 1>and all that, and here comes Phil, a bat out

0:15:58.560 --> 0:16:01.120
<v Speaker 1>of hell, straight in through the front door, across the

0:16:01.200 --> 0:16:02.880
<v Speaker 1>dance floor. He pulled my ass out of there so

0:16:03.280 --> 0:16:09.520
<v Speaker 1>fast made the twist seem like a slow waltz. We

0:16:09.640 --> 0:16:12.000
<v Speaker 1>kept our relationship secret for many years, even though it

0:16:12.080 --> 0:16:14.480
<v Speaker 1>was obvious to those who are around us the most.

0:16:16.400 --> 0:16:19.760
<v Speaker 1>I was a little embarrassed, not just that he was

0:16:19.800 --> 0:16:24.960
<v Speaker 1>still married, but for the way he treated me. But

0:16:25.080 --> 0:16:28.840
<v Speaker 1>I held out, held out for the promise that the

0:16:28.920 --> 0:16:33.960
<v Speaker 1>better days would outweigh the bad ones, that he would

0:16:33.960 --> 0:16:37.640
<v Speaker 1>be less unreasonable, less volatile. Once he split from a net,

0:16:38.720 --> 0:16:42.320
<v Speaker 1>we would hold court with the princess and queens of

0:16:42.400 --> 0:16:47.840
<v Speaker 1>pop music and really be somebody. He got a Mexican

0:16:47.880 --> 0:16:50.080
<v Speaker 1>divorce in the mid sixties, around the time he moved

0:16:50.120 --> 0:16:55.360
<v Speaker 1>to la for good. He hated l A, the soun,

0:16:55.640 --> 0:16:58.600
<v Speaker 1>the drugs, the people who would turned their noses up

0:16:58.640 --> 0:17:00.400
<v Speaker 1>at him when he was a kid kicking around the

0:17:00.440 --> 0:17:04.640
<v Speaker 1>Fairfax District. He was the least likely l A person

0:17:04.760 --> 0:17:06.520
<v Speaker 1>to be in l A. But he felt he could

0:17:06.600 --> 0:17:09.040
<v Speaker 1>bend the l A musicians to his will in a

0:17:09.119 --> 0:17:13.600
<v Speaker 1>way that New Yorkers never would. He had to be here.

0:17:15.160 --> 0:17:21.720
<v Speaker 1>We got married in April nineteen. They shot Dr King

0:17:21.760 --> 0:17:26.000
<v Speaker 1>a few days before the wedding. Dr Martin Luther King,

0:17:26.400 --> 0:17:30.280
<v Speaker 1>he apostle of non violence civil rights, has been a

0:17:30.359 --> 0:17:34.000
<v Speaker 1>shot to death dynasty. I thought my wedding was over.

0:17:34.800 --> 0:17:37.840
<v Speaker 1>We were all in shock over the news. Phil Phil

0:17:37.880 --> 0:17:42.960
<v Speaker 1>went somewhere dark, somewhere alone at him, the King. He

0:17:46.200 --> 0:17:49.040
<v Speaker 1>locked himself in the bedroom for days, brought in a

0:17:49.200 --> 0:17:52.200
<v Speaker 1>reel to reel with them spools of Doctor King's speeches

0:17:52.240 --> 0:17:55.280
<v Speaker 1>that he just listened to Dr King talk for days

0:17:55.359 --> 0:18:13.520
<v Speaker 1>on end. People. He told me that I just married

0:18:13.600 --> 0:18:17.600
<v Speaker 1>him for his money, for his fame, and you know

0:18:17.720 --> 0:18:20.359
<v Speaker 1>what baby moments like those, when he piled on the

0:18:20.480 --> 0:18:23.760
<v Speaker 1>anger and the insults, moments like those. Sure, maybe I

0:18:23.880 --> 0:18:26.440
<v Speaker 1>did it for the money and the fame and the attention.

0:18:26.520 --> 0:18:29.320
<v Speaker 1>I'd say I didn't like what he had become, but

0:18:29.440 --> 0:18:32.440
<v Speaker 1>it's fairly obvious that he had always been that way.

0:18:36.480 --> 0:18:40.400
<v Speaker 1>I wasn't going back down my Spanish Harlem broots would

0:18:40.520 --> 0:18:44.600
<v Speaker 1>snap back if they got bent. I yelled back at him,

0:18:45.280 --> 0:18:48.160
<v Speaker 1>told him he was washed up, that he hadn't made

0:18:48.200 --> 0:18:50.280
<v Speaker 1>a good record in years. Then he came after me.

0:18:53.000 --> 0:18:54.879
<v Speaker 1>I spent my wedding night, locked in the bathroom at

0:18:54.920 --> 0:18:58.480
<v Speaker 1>the mansion on Lack Colina with my mother still banged

0:18:58.520 --> 0:19:02.800
<v Speaker 1>on the door and he made some heartfelt plea did

0:19:02.880 --> 0:19:06.919
<v Speaker 1>he bang on the door again? I didn't let him

0:19:06.960 --> 0:19:15.040
<v Speaker 1>in all night. We'll be right back after this world.

0:19:15.240 --> 0:19:22.960
<v Speaker 1>World World. Technically, car Max is a virtual reality company.

0:19:23.400 --> 0:19:27.320
<v Speaker 1>You can shop the lot virtually online, or you can

0:19:27.359 --> 0:19:30.800
<v Speaker 1>see the cars in reality on the lot, or you

0:19:30.880 --> 0:19:33.480
<v Speaker 1>could have the best of both worlds. We give you

0:19:33.600 --> 0:19:36.560
<v Speaker 1>the freedom to shop or buy however you need. Like

0:19:36.720 --> 0:19:40.800
<v Speaker 1>we said, virtual reality don't come for us tech people.

0:19:41.520 --> 0:19:50.760
<v Speaker 1>It's car buying reimagined Carmacks. What were you doing thirty

0:19:50.880 --> 0:19:53.159
<v Speaker 1>days ago? What did you eat? What did you listen to?

0:19:53.760 --> 0:19:55.880
<v Speaker 1>Did you sing in the shower? Did you call your mom?

0:19:56.160 --> 0:19:59.080
<v Speaker 1>Did you laugh? Did you cry? Do you even remember

0:19:59.119 --> 0:20:01.480
<v Speaker 1>what day it was? Third days ago? Of course not,

0:20:01.720 --> 0:20:03.960
<v Speaker 1>because thirty days is a long time, which is why

0:20:04.040 --> 0:20:06.200
<v Speaker 1>CarMax gives you thirty long days to make sure you

0:20:06.320 --> 0:20:08.159
<v Speaker 1>love your car, and if you don't love it, you

0:20:08.240 --> 0:20:10.640
<v Speaker 1>can return it and get your money back the Carmacks

0:20:10.680 --> 0:20:16.479
<v Speaker 1>thirty day money back guarantee. It's car buying reimagined CARMACKSMIT

0:20:16.560 --> 0:20:24.000
<v Speaker 1>see CarMax dot com for details launch greeting the Lens.

0:20:24.280 --> 0:20:27.880
<v Speaker 1>I'm Emily Stefan and I'm Jeminy Hernandez. Where your resident weirdos,

0:20:27.960 --> 0:20:30.560
<v Speaker 1>artists of all trades and multicultural couple and we have

0:20:30.680 --> 0:20:36.680
<v Speaker 1>a classified secret to share with you. We're aliens, Okay,

0:20:36.840 --> 0:20:40.280
<v Speaker 1>just kidding. We're human unfortunately, but sometimes when we look around,

0:20:40.400 --> 0:20:42.119
<v Speaker 1>we really do feel like we came from a different

0:20:42.160 --> 0:20:44.679
<v Speaker 1>time or galaxy. So we created a space for all

0:20:44.760 --> 0:20:46.440
<v Speaker 1>of us who wonder if we're in the right place,

0:20:46.680 --> 0:20:49.639
<v Speaker 1>in the form of a podcast called In Our Own World.

0:20:49.840 --> 0:20:51.960
<v Speaker 1>And this is your official invitation to join us on

0:20:52.000 --> 0:20:55.280
<v Speaker 1>our new planet, I mean podcast. Strap in for the ride.

0:20:55.760 --> 0:20:59.720
<v Speaker 1>Warning it might get bumpy. We'll voyage through conversations about

0:20:59.800 --> 0:21:01.879
<v Speaker 1>every everything under the stars and maybe even pick up

0:21:01.880 --> 0:21:04.119
<v Speaker 1>a few passengers along the way. Listen to In Our

0:21:04.160 --> 0:21:07.200
<v Speaker 1>Own World starting April as part of the Michael Douta

0:21:07.280 --> 0:21:11.119
<v Speaker 1>podcast network, available on the I Heart Radio app, Apple Podcasts,

0:21:11.240 --> 0:21:18.159
<v Speaker 1>or wherever you get your podcasts. Look, honey, I'll be

0:21:18.280 --> 0:21:21.480
<v Speaker 1>the first to admit it. I was drinking too much.

0:21:23.200 --> 0:21:26.520
<v Speaker 1>I was drinking so much that I crashed the Camaro.

0:21:31.080 --> 0:21:33.840
<v Speaker 1>This was the the White Camaro, the one Phil got

0:21:33.880 --> 0:21:36.639
<v Speaker 1>me for my twenty five birthday. My initials in silver

0:21:36.760 --> 0:21:39.760
<v Speaker 1>on the glove box. I'll remember the day I got it,

0:21:40.880 --> 0:21:47.200
<v Speaker 1>August t n a white ribbon rafted around it. That

0:21:47.400 --> 0:21:51.119
<v Speaker 1>first sight, I was in love. But there was a

0:21:51.160 --> 0:21:54.800
<v Speaker 1>caveat with that gift. There was always a caveat with Phil.

0:21:57.000 --> 0:22:00.240
<v Speaker 1>He bought an inflatable man doll that I had to

0:22:00.359 --> 0:22:03.080
<v Speaker 1>leave in the passenger seat anytime I drove around town

0:22:03.160 --> 0:22:06.680
<v Speaker 1>on my own. His paranoia and his need to control

0:22:06.760 --> 0:22:10.720
<v Speaker 1>me were reaching a fever pitch and in tandem. God forbid,

0:22:10.880 --> 0:22:13.360
<v Speaker 1>someone saw me driving around l A on my own,

0:22:13.440 --> 0:22:15.760
<v Speaker 1>What were they gonna do? Flag me down, hopping the

0:22:15.840 --> 0:22:18.080
<v Speaker 1>car with me, make violent love to me right there

0:22:18.119 --> 0:22:22.360
<v Speaker 1>on the leather. So I had too many drinks one day.

0:22:23.520 --> 0:22:26.000
<v Speaker 1>The more I thought about Phil, the more irritated I became.

0:22:27.080 --> 0:22:28.960
<v Speaker 1>He wasn't making new music with me. He was barely

0:22:29.040 --> 0:22:34.879
<v Speaker 1>making any music at all. I hadn't sung on a

0:22:34.960 --> 0:22:37.840
<v Speaker 1>record of years, I had no social life. Film made

0:22:37.880 --> 0:22:41.560
<v Speaker 1>sure that I could barely think for myself at home

0:22:41.600 --> 0:22:46.320
<v Speaker 1>without asking Phil for mission. First, so I had another

0:22:46.400 --> 0:22:50.800
<v Speaker 1>drink and another. Then I got behind the wheel of

0:22:50.840 --> 0:22:52.960
<v Speaker 1>the Camaro, stuck an unlit cigarette and the mouth and

0:22:53.040 --> 0:22:55.719
<v Speaker 1>the blow up doll and put it in drive. New

0:22:55.880 --> 0:23:00.639
<v Speaker 1>safety features are standing hours. The last thing I remember

0:23:00.720 --> 0:23:03.240
<v Speaker 1>was swerving to avoid noncoming tree and then I was out.

0:23:06.520 --> 0:23:10.000
<v Speaker 1>The Camaro was hanging off the side of a cliff.

0:23:10.760 --> 0:23:13.600
<v Speaker 1>How I didn't fall off the side of the cliff

0:23:13.680 --> 0:23:16.640
<v Speaker 1>to plummet to my death as anyone's guests. Maybe God

0:23:16.800 --> 0:23:18.480
<v Speaker 1>was looking out for me that day, or maybe he

0:23:18.640 --> 0:23:22.240
<v Speaker 1>wasn't He He did send me right back into the

0:23:22.320 --> 0:23:27.240
<v Speaker 1>arms of Phil Specter after all. My next birthday, my

0:23:27.359 --> 0:23:30.320
<v Speaker 1>twenty six birthday, we were in Vaguas to see Elvis Presley.

0:23:31.080 --> 0:23:33.760
<v Speaker 1>Immediately after the show, Phil couldn't wait to ditch me

0:23:33.880 --> 0:23:37.720
<v Speaker 1>for the King on my birthday, Honey. He barely said

0:23:37.760 --> 0:23:39.320
<v Speaker 1>one word to me and pushed his way through the

0:23:39.359 --> 0:23:44.200
<v Speaker 1>crowd to get up close and personal with Elvis. I

0:23:44.280 --> 0:23:46.800
<v Speaker 1>went back to the hotel and got hammered. It would

0:23:46.800 --> 0:23:52.440
<v Speaker 1>be birthday to me, so let'sten. I adopted Dante to

0:23:52.480 --> 0:23:57.760
<v Speaker 1>Phil a hole. I thought being a mother would give

0:23:57.840 --> 0:24:00.240
<v Speaker 1>me something to focus on and not go over the edge,

0:24:00.320 --> 0:24:03.360
<v Speaker 1>like like I had driven over the edge in the Camaro.

0:24:04.800 --> 0:24:07.320
<v Speaker 1>But Phil wanted people to think I had actually given birth. See,

0:24:07.359 --> 0:24:10.120
<v Speaker 1>he told me to stuff a pillow under my shirt

0:24:10.160 --> 0:24:14.440
<v Speaker 1>when we had company, and then he doubled down. On children,

0:24:14.920 --> 0:24:17.840
<v Speaker 1>he tripled down. He adopted the twins, Gary and Lewis

0:24:17.960 --> 0:24:21.760
<v Speaker 1>without even telling me. He didn't even tell me. We

0:24:21.920 --> 0:24:24.720
<v Speaker 1>drove home one day and there they were, blonde hair

0:24:24.880 --> 0:24:27.080
<v Speaker 1>flowing in the wind as they ran around the mansion.

0:24:28.080 --> 0:24:33.400
<v Speaker 1>Merry Christmas, That's what he said to me. The kids

0:24:33.440 --> 0:24:36.879
<v Speaker 1>didn't stop me from thinking about performing again. Seeing Elvis

0:24:36.920 --> 0:24:38.960
<v Speaker 1>gave me the bug and I couldn't shake it. I

0:24:39.040 --> 0:24:42.440
<v Speaker 1>deserved to be on the same stage as Elvis. I

0:24:42.560 --> 0:24:44.480
<v Speaker 1>told Phil we needed to do something. It was time,

0:24:44.560 --> 0:24:48.200
<v Speaker 1>it was beyond time. Phil had just worked with George

0:24:48.200 --> 0:24:50.560
<v Speaker 1>Harrison on All Things Must Pass, and George told him,

0:24:53.840 --> 0:24:56.960
<v Speaker 1>I think, oh boy, a Beatle has a song for me.

0:24:58.320 --> 0:25:00.240
<v Speaker 1>The next thing I know, I'm signed up to Apple

0:25:00.320 --> 0:25:03.200
<v Speaker 1>Records and phillis telling everybody about my comeback album and

0:25:03.600 --> 0:25:06.760
<v Speaker 1>we fly out to Lundon to Abbey Road Studios to

0:25:06.840 --> 0:25:12.040
<v Speaker 1>cut a record with a beatle. So George gives me

0:25:12.119 --> 0:25:15.720
<v Speaker 1>this song, try something, buy some and I think, what

0:25:16.160 --> 0:25:20.680
<v Speaker 1>is this shit? I had no idea what that song

0:25:20.840 --> 0:25:22.720
<v Speaker 1>was about, and it was out of my range. Too.

0:25:22.760 --> 0:25:25.040
<v Speaker 1>It was too high. I just couldn't believe that this

0:25:25.280 --> 0:25:28.000
<v Speaker 1>was a song to bring my career back from the dead.

0:25:30.680 --> 0:25:33.840
<v Speaker 1>It was mid tempo, plotting and feel as usual, drenched

0:25:33.880 --> 0:25:38.440
<v Speaker 1>it with an orchestra. I just didn't get it, Honey,

0:25:38.480 --> 0:25:43.439
<v Speaker 1>Maybe I was just getting lost with the times. Well,

0:25:43.520 --> 0:25:46.720
<v Speaker 1>the song was a flop. Phil was depressed, how I

0:25:46.920 --> 0:25:50.680
<v Speaker 1>was depressed. The comeback album never happened. I never came back,

0:25:52.720 --> 0:25:55.639
<v Speaker 1>so I continued to hit the bottom whatever bottle I

0:25:55.720 --> 0:26:00.280
<v Speaker 1>could find. Ye drinking gave me an escape when I

0:26:00.359 --> 0:26:04.000
<v Speaker 1>had nowhere to escape to. I was sent to doctors,

0:26:04.320 --> 0:26:08.399
<v Speaker 1>to institutions. Eventually, Phil had me join a A. So

0:26:08.560 --> 0:26:10.720
<v Speaker 1>I played that game. Didn't play it very well. It

0:26:11.320 --> 0:26:15.399
<v Speaker 1>was a game I didn't feel like playing. When I

0:26:15.520 --> 0:26:18.160
<v Speaker 1>came back from a A, the mansion was locked every door.

0:26:18.320 --> 0:26:22.119
<v Speaker 1>There wasn't a soul inside. Philip kept me in, and

0:26:22.200 --> 0:26:24.520
<v Speaker 1>now he was keeping me out. I couldn't keep up.

0:26:25.160 --> 0:26:27.360
<v Speaker 1>My mother was inside and heard my screams to open

0:26:27.440 --> 0:26:30.960
<v Speaker 1>the goddamn door. She left me in the side entrance

0:26:31.000 --> 0:26:34.359
<v Speaker 1>that the housekeeper and cook used, and then Phil was

0:26:34.440 --> 0:26:37.880
<v Speaker 1>there in my face. He was drunk. He had sent

0:26:38.040 --> 0:26:43.080
<v Speaker 1>me to psychiatrists into sanitariums into a a for being drunk,

0:26:43.119 --> 0:26:46.439
<v Speaker 1>And now he was drunk. I mean, hello, pot meat kettle.

0:26:49.160 --> 0:26:52.520
<v Speaker 1>He was yelling like he always did, told me I

0:26:52.640 --> 0:26:55.560
<v Speaker 1>was a drunk, told me I must be having an affair,

0:26:55.680 --> 0:26:58.879
<v Speaker 1>told me the lawyer up. He put his hands on me,

0:26:58.960 --> 0:27:01.720
<v Speaker 1>in my face, tackled me to the ground, told me

0:27:02.040 --> 0:27:04.320
<v Speaker 1>he would have me killed if I left the house,

0:27:04.520 --> 0:27:06.919
<v Speaker 1>that he had already bought a coffin for my funeral.

0:27:07.000 --> 0:27:12.679
<v Speaker 1>It was solid gold. The next morning I made my escape.

0:27:14.640 --> 0:27:17.080
<v Speaker 1>I walked out the front door, the same door he

0:27:17.200 --> 0:27:19.240
<v Speaker 1>had locked on me, so I couldn't get back in

0:27:19.640 --> 0:27:21.560
<v Speaker 1>the same door I hadn't been able to walk through

0:27:21.600 --> 0:27:26.320
<v Speaker 1>on my own for years. Later, he tracked me down

0:27:26.400 --> 0:27:29.720
<v Speaker 1>and called me on the phone. Told me he threw

0:27:29.760 --> 0:27:32.720
<v Speaker 1>out all my ship. That's what he said. He said,

0:27:32.760 --> 0:27:35.320
<v Speaker 1>it was all stuft into a garbage can on last Siennago.

0:27:36.359 --> 0:27:40.119
<v Speaker 1>He wouldn't tell me the cross street. That was it, honey.

0:27:40.840 --> 0:27:44.639
<v Speaker 1>That was the last time I spoke to phill Us.

0:27:44.680 --> 0:27:48.040
<v Speaker 1>His wife took a few more years before we were

0:27:48.080 --> 0:27:52.400
<v Speaker 1>legally divorced, but from that moment on, I was done.

0:27:55.160 --> 0:27:59.160
<v Speaker 1>If I ever saw him again after that moment, I've

0:27:59.200 --> 0:28:31.800
<v Speaker 1>already forgotten. February two, New York City, Ronnie Spector cashed

0:28:31.840 --> 0:28:35.320
<v Speaker 1>another alimony check. She flipped it over to endorse it

0:28:35.520 --> 0:28:38.040
<v Speaker 1>and saw the same stamped message that she had come

0:28:38.120 --> 0:28:43.000
<v Speaker 1>to expect and faded black ink it read fuck you.

0:28:45.120 --> 0:28:48.440
<v Speaker 1>Phil was still demeaning her through his corri ordered monthly payments,

0:28:48.800 --> 0:28:52.360
<v Speaker 1>still jockeying for the upper hand the last word, still

0:28:52.440 --> 0:28:54.760
<v Speaker 1>imagining he could lord over her from a top, high

0:28:54.800 --> 0:28:58.600
<v Speaker 1>heeled shoes that ignored his Napoleonic frame. The stamp that

0:28:58.640 --> 0:29:01.200
<v Speaker 1>he put on the back of every check gaslighted Ronnie

0:29:01.240 --> 0:29:03.400
<v Speaker 1>in the same way. It said that she had been

0:29:03.440 --> 0:29:06.200
<v Speaker 1>the problem, not him. How could a genius be the

0:29:06.280 --> 0:29:09.680
<v Speaker 1>source of the problem. After all, before the checks with

0:29:09.800 --> 0:29:13.280
<v Speaker 1>the funk you stamps, there are even more passive aggressive payouts.

0:29:13.760 --> 0:29:17.760
<v Speaker 1>The second alimony payment he ever made consisted entirely of Nichols,

0:29:18.200 --> 0:29:22.920
<v Speaker 1>all fifty dollars. It was delivered by armed guards with shotguns.

0:29:23.520 --> 0:29:26.560
<v Speaker 1>Phil had it all, the mansion, the children, the camaro,

0:29:26.720 --> 0:29:30.320
<v Speaker 1>the career. Ronnie got a monthly payment from her ex husband,

0:29:30.360 --> 0:29:32.680
<v Speaker 1>but she didn't have much more than that. She had

0:29:32.760 --> 0:29:35.520
<v Speaker 1>no label, she had no producer. She didn't even hear

0:29:35.560 --> 0:29:38.080
<v Speaker 1>her songs coming out of car stereos on the streets

0:29:38.120 --> 0:29:41.720
<v Speaker 1>of Spanish Harlem. Anymore, when Ronnie thought of the things

0:29:41.760 --> 0:29:44.239
<v Speaker 1>that gave her comfort and joy, she noted that they

0:29:44.280 --> 0:29:47.440
<v Speaker 1>had all been taken away from her, her children, her freedom,

0:29:47.520 --> 0:29:51.600
<v Speaker 1>her career, her dignity, her sanity. When she thought of

0:29:51.640 --> 0:29:54.560
<v Speaker 1>the things that had seemed so easy seems second nature,

0:29:54.720 --> 0:29:56.720
<v Speaker 1>things like waltzing to the front of the line at

0:29:56.760 --> 0:29:59.760
<v Speaker 1>the Peppermint Lounge, or hearing the opening thundercrack on a

0:30:00.000 --> 0:30:02.160
<v Speaker 1>way back, of walking in the rain with Phil in

0:30:02.240 --> 0:30:05.960
<v Speaker 1>the control room, those things seemed like a lifetime away.

0:30:06.800 --> 0:30:08.840
<v Speaker 1>It had all been so easy, and then it got

0:30:09.120 --> 0:30:13.440
<v Speaker 1>unbelievably hard. She wanted it to be easy again. But

0:30:13.520 --> 0:30:15.720
<v Speaker 1>if she couldn't go back in time, the least she

0:30:15.760 --> 0:30:19.320
<v Speaker 1>could do was forget about the present. She poured herself

0:30:19.440 --> 0:30:23.640
<v Speaker 1>a glass of cognac in bed and reclined. When she

0:30:23.760 --> 0:30:26.200
<v Speaker 1>woke up, her pillow was wet, and so was her

0:30:26.240 --> 0:30:30.120
<v Speaker 1>signature beehive hair to the bottle of cognac had fallen

0:30:30.200 --> 0:30:34.040
<v Speaker 1>over when she fell asleep, her bed was soaked. Frustrated

0:30:34.080 --> 0:30:35.960
<v Speaker 1>that she was now out of cognac and in a

0:30:36.040 --> 0:30:38.800
<v Speaker 1>wet bed, she lit a cigarette. She took a long,

0:30:39.080 --> 0:30:41.800
<v Speaker 1>slow drag, started to think about how she could make

0:30:41.840 --> 0:30:45.320
<v Speaker 1>it easy again, and then she drifted off. When she

0:30:45.440 --> 0:30:48.000
<v Speaker 1>woke up for the second time, there was smoke coming

0:30:48.040 --> 0:30:50.640
<v Speaker 1>from her head, flames on the pillow. She reached up

0:30:50.680 --> 0:30:54.560
<v Speaker 1>to touch her beehive, and it was gone. Everything was gone.

0:30:56.560 --> 0:30:59.640
<v Speaker 1>Seventy five was a long way from nineteen sixty four.

0:31:00.440 --> 0:31:04.080
<v Speaker 1>In nineteen sixty four, when Ronnie, Estelle and Nadre stepped

0:31:04.120 --> 0:31:06.360
<v Speaker 1>off a plane in London, the talk of the town

0:31:06.480 --> 0:31:10.160
<v Speaker 1>on two continents, their entire lives and careers ahead of them,

0:31:10.320 --> 0:31:12.680
<v Speaker 1>the girl group to begin and end all girl groups.

0:31:12.800 --> 0:31:17.040
<v Speaker 1>The in sound from Spanish Harlemtown. Ronnie was hounded by everyone,

0:31:17.120 --> 0:31:20.400
<v Speaker 1>wanted by everyone, desired by everyone. There wasn't one man

0:31:20.480 --> 0:31:22.680
<v Speaker 1>who crossed her path who didn't want to be her baby,

0:31:23.320 --> 0:31:26.760
<v Speaker 1>not least of all was Keith Richards, who, despite Phil

0:31:26.840 --> 0:31:31.080
<v Speaker 1>Specter's warning to the Stones manager Andrew lock Oldham, developed

0:31:31.080 --> 0:31:33.320
<v Speaker 1>a lump in the throat, pain in the heart crush

0:31:33.440 --> 0:31:37.120
<v Speaker 1>on Ronnie that wasn't easily shaken. Ronnie shook Keith to

0:31:37.240 --> 0:31:39.520
<v Speaker 1>the core, shook him right out of his bad boy

0:31:39.600 --> 0:31:42.640
<v Speaker 1>pose and into one of a love struck puppy. Oldham

0:31:42.680 --> 0:31:45.040
<v Speaker 1>would tell him to knock at all, and Phil Specter

0:31:45.120 --> 0:31:47.880
<v Speaker 1>would tell him to watch himself. But Keith didn't easily

0:31:47.960 --> 0:31:52.600
<v Speaker 1>knock off. Keith wasn't easily watched. Keith and Ronnie and

0:31:52.640 --> 0:31:55.320
<v Speaker 1>Phil will be twisted up together in nineteen sixty four

0:31:55.400 --> 0:31:57.920
<v Speaker 1>and beyond, and Keith would have his own secrets to

0:31:58.040 --> 0:32:01.280
<v Speaker 1>keep in stories to tell, see grits and stories from

0:32:01.320 --> 0:32:04.200
<v Speaker 1>a time back before things soured with Ronnie and Phil,

0:32:04.600 --> 0:32:07.880
<v Speaker 1>back before Phil borrowed deeper into a life of solitude,

0:32:08.000 --> 0:32:12.640
<v Speaker 1>paranoia and murder. All to keep that title, that genius title,

0:32:13.360 --> 0:32:16.480
<v Speaker 1>because you can't keep that title without leaving a little

0:32:16.560 --> 0:32:31.560
<v Speaker 1>blood on the tracks. This episode of Blood on the

0:32:31.600 --> 0:32:33.920
<v Speaker 1>Tracks is brought to you by twenty seven Club, a

0:32:34.040 --> 0:32:36.560
<v Speaker 1>podcast that I host on musicians who died at the

0:32:36.600 --> 0:32:40.560
<v Speaker 1>age of seven. Season two, featuring Jim Morrison, is now available,

0:32:40.720 --> 0:32:43.640
<v Speaker 1>as is season one with twelve episodes featuring Jimmy Hendrix.

0:32:44.040 --> 0:32:47.280
<v Speaker 1>Subscribe to The seven Club on Apple podcast, I Heart

0:32:47.360 --> 0:32:50.760
<v Speaker 1>Radio app or wherever you get your podcasts, and of course,

0:32:50.880 --> 0:32:53.560
<v Speaker 1>this episode was also brought to you by disgrace Land,

0:32:53.800 --> 0:32:56.760
<v Speaker 1>the award winning music and true crime podcast also hosted

0:32:56.760 --> 0:32:59.880
<v Speaker 1>by Yours Truly. Episodes on the Rolling Stones, Jerry Lewis,

0:33:00.040 --> 0:33:02.800
<v Speaker 1>Hardy Be, The Grateful Dead, j Z Prince and many

0:33:02.880 --> 0:33:05.200
<v Speaker 1>many more are all waiting for you right now. Just

0:33:05.280 --> 0:33:09.400
<v Speaker 1>search Disgrace Land on Apple Podcast, the I Heart Radio app,

0:33:09.640 --> 0:33:14.040
<v Speaker 1>or wherever you get your podcast all right. This episode

0:33:14.040 --> 0:33:16.120
<v Speaker 1>of Blood on the Tracks was written by Zeth Lundi

0:33:16.200 --> 0:33:19.040
<v Speaker 1>and scored in mixed by Matt Boden, Posted by me

0:33:19.280 --> 0:33:23.120
<v Speaker 1>Jake Brennan. Additional music and score elements by Ryan's Breaker

0:33:23.240 --> 0:33:27.400
<v Speaker 1>and Henry Juneta. This episode featured Lindsay cox Is Ronnie Specton.

0:33:27.960 --> 0:33:30.520
<v Speaker 1>Blood on the Tracks is produced by myself for Double

0:33:30.560 --> 0:33:34.040
<v Speaker 1>Elness and partnership with I Heart Radio. Sources for this

0:33:34.160 --> 0:33:36.920
<v Speaker 1>episode are available at Double Elvis dot com on the

0:33:36.960 --> 0:33:39.600
<v Speaker 1>Blood on the Track series page. If you like when

0:33:39.640 --> 0:33:41.760
<v Speaker 1>you hear, please be sure to subscribe the Blood on

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<v Speaker 1>the Tracks on Apple podcast, I Heart Radio app, wherever

0:33:44.920 --> 0:33:46.959
<v Speaker 1>you get your podcasts, and if you'd like to win

0:33:47.040 --> 0:33:49.600
<v Speaker 1>a free Blood on the Tracks poster designed by Nate

0:33:49.720 --> 0:33:52.160
<v Speaker 1>Gonzalez and leave a review for Blood on the Tracks

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<v Speaker 1>on Apple Podcast, you can hashtag Blood on the Tracks

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<v Speaker 1>on social media. Leave your review there and we'll pick

0:33:57.760 --> 0:34:00.520
<v Speaker 1>two winners each week and announce them on the Double

0:34:00.560 --> 0:34:04.080
<v Speaker 1>Elvis Instagram page that's at double Elvis. Go ahead and

0:34:04.120 --> 0:34:06.720
<v Speaker 1>give that a farm alright. As always, you can find

0:34:06.760 --> 0:34:09.719
<v Speaker 1>me blabbing about other crazy rock stars on disgrace Land

0:34:10.040 --> 0:34:12.600
<v Speaker 1>and seven Club, and you can talk to me per

0:34:12.760 --> 0:34:30.200
<v Speaker 1>usual on Instagram and Twitter at Disgrace Land Park Rock Again.

0:34:31.480 --> 0:34:34.839
<v Speaker 1>History is littered with tragic stories from which we could

0:34:34.920 --> 0:34:39.200
<v Speaker 1>all learn lessons. The spectacular Broadway show that flopped, the

0:34:39.360 --> 0:34:42.520
<v Speaker 1>autopilot that helped crash a plane. The heat wave that

0:34:42.640 --> 0:34:46.720
<v Speaker 1>killed some city residents but not their neighbors. I'm Tim Harford,

0:34:46.880 --> 0:34:50.160
<v Speaker 1>host of Cautionary Tales, the podcast that looks for the

0:34:50.320 --> 0:34:54.560
<v Speaker 1>valuable lessons in the greatest mistakes, disasters, and fiascos of

0:34:54.600 --> 0:34:57.399
<v Speaker 1>the past. Listen to Cautionary Tales on the I Heart

0:34:57.560 --> 0:35:01.839
<v Speaker 1>Radio app, Apple Podcasts, or where if you get your podcasts. Hi.

0:35:01.960 --> 0:35:05.400
<v Speaker 1>I'm Elliott Kalin, comedian, author, history buff and host of

0:35:05.440 --> 0:35:08.239
<v Speaker 1>the Who Was Podcast, a history quiz show based on

0:35:08.320 --> 0:35:11.239
<v Speaker 1>the best selling Penguin book series where kid contestants go

0:35:11.400 --> 0:35:14.360
<v Speaker 1>toe to toe for a chance to win fantastic prizes

0:35:14.640 --> 0:35:17.640
<v Speaker 1>from Alexander the Great to Aretha Franklin. We ask only

0:35:17.719 --> 0:35:21.640
<v Speaker 1>important history questions like would Genghis Khan shop at hot topic?

0:35:21.760 --> 0:35:26.319
<v Speaker 1>And did frieda callo like soup? Buckle up your brain.

0:35:26.640 --> 0:35:28.759
<v Speaker 1>Listen to the Who Was podcast on the I Heart

0:35:28.840 --> 0:35:34.319
<v Speaker 1>radio app, Apple Podcasts, or wherever you get your podcasts. Sir,

0:35:34.600 --> 0:35:36.600
<v Speaker 1>we got your test results back and give it to

0:35:36.680 --> 0:35:38.800
<v Speaker 1>me straight doc. You have to listen to the podcast

0:35:38.960 --> 0:35:42.200
<v Speaker 1>Ridiculous News, hosted by comedians Bill Whorley and Mark Kendall.

0:35:42.400 --> 0:35:44.200
<v Speaker 1>I know them. They talk about the news, but not

0:35:44.360 --> 0:35:45.920
<v Speaker 1>like in a depressing way, you know what I mean.

0:35:46.320 --> 0:35:48.920
<v Speaker 1>Like they did an episode about April Fools. Great, well,

0:35:49.000 --> 0:35:50.640
<v Speaker 1>you need to listen to it. Where can I listen?

0:35:50.760 --> 0:35:53.640
<v Speaker 1>We'll get it wherever you find podcasts, Oh, like in

0:35:53.680 --> 0:35:55.960
<v Speaker 1>a cereal box. Well, no, that's not where you find

0:35:56.000 --> 0:35:59.040
<v Speaker 1>a podcast. Instead, listen to Ridiculous News on my heart

0:35:59.120 --> 0:36:02.240
<v Speaker 1>radio app. Have a podcast? You know where we find podcasts,

0:36:02.280 --> 0:36:05.560
<v Speaker 1>like in the middle of a tree? Absolutely mad? Are

0:36:05.600 --> 0:36:06.960
<v Speaker 1>you sure? Yes,