WEBVTT - The A&G Replay Wednesday Hour Four 0:00:09.800 --> 0:00:14.120 Broadcasting live from the Abraham Lincoln Radio Studio, the George 0:00:14.160 --> 0:00:18.239 Washington Broadcast Center, Jack Armstrong, Joe Getty. 0:00:18.160 --> 0:00:20.479 Arm Strong, and Jetty and He. 0:00:23.320 --> 0:00:25.720 Armstrong and Ye Getty Strong. 0:00:31.840 --> 0:00:35.040 This is the Armstrong and Getty Show, featuring our podcast 0:00:35.200 --> 0:00:38.480 One More Thing, Get It wherever you like to get podcasts. 0:00:40.360 --> 0:00:42.960 Katie or or anybody can answer this question. Do you 0:00:43.000 --> 0:00:48.040 know who Keith Jarrett is? Mm? Hmm, I know the name, 0:00:48.520 --> 0:00:50.680 which is where I was about a week ago. 0:00:51.440 --> 0:00:53.159 Okay, so I'm Jarrett. 0:00:53.320 --> 0:00:55.800 I like all kinds of music, like there is on 0:00:55.840 --> 0:00:57.840 a song by song basis. There is no genre I 0:00:57.840 --> 0:01:00.400 don't like really except for metal. I just have never 0:01:00.440 --> 0:01:02.560 been able to get in any metal. But other than that, 0:01:02.720 --> 0:01:05.840 every genre there are songs I like and songs I don't. 0:01:05.880 --> 0:01:08.720 With songs thought, and so I'm like really into learning 0:01:08.720 --> 0:01:11.040 to play the piano the last couple of years, and 0:01:11.080 --> 0:01:13.720 I watch a lot of videos about piano, and some 0:01:13.760 --> 0:01:16.760 guys I like were doing an all time Greatest Pianist's 0:01:16.880 --> 0:01:19.000 list the other day. Who are the goats? Are you 0:01:19.040 --> 0:01:22.160 familiar that people now refer to goats as plural? It's 0:01:22.200 --> 0:01:26.160 a plural, It's not it's not. No, no, No, that 0:01:26.200 --> 0:01:30.200 doesn't work at all. Sorry, you're wrong. Apparently I'm wrong too. 0:01:30.319 --> 0:01:33.520 I've just become aware enough times. Now you name goats, 0:01:35.000 --> 0:01:39.640 these three are the goats, the greatest of all time? Yeah, 0:01:39.760 --> 0:01:41.640 I don't get it, but that's the way people refer 0:01:41.680 --> 0:01:41.959 to it. 0:01:42.360 --> 0:01:46.480 Think what Honestly, although that is silly, you know, grammatically speaking, 0:01:47.200 --> 0:01:50.720 I much prefer that who's the greatest guitar player? That's 0:01:50.760 --> 0:01:53.800 an idiotic question. So now you say, if you want 0:01:53.840 --> 0:01:55.520 to name a bunch of people are on the very 0:01:55.560 --> 0:01:58.920 top tier. Great, that's what people mean when they say goat. 0:01:59.000 --> 0:02:01.320 Now anyway, one of the goats was this Keith Jarrett 0:02:01.320 --> 0:02:02.840 piano player who I had heard of, but like I'd 0:02:02.880 --> 0:02:05.800 tried to listen to before and couldn't get into. Maybe 0:02:05.840 --> 0:02:07.800 I just wasn't ready for it yet. Sometimes that is 0:02:07.800 --> 0:02:08.560 the case with music. 0:02:08.600 --> 0:02:11.360 You're not ready for it yet for a variety of reasons, 0:02:11.639 --> 0:02:14.520 fairly complex. Is this like is this a new artist 0:02:14.639 --> 0:02:17.440 or is this no? OK, he's still alive. He doesn't 0:02:17.440 --> 0:02:19.359 perform anymore because he had some strokes and can't play 0:02:19.360 --> 0:02:22.480 the piano anymore, but he is considered among jazz musicians 0:02:22.919 --> 0:02:27.120 like one of the top rick Beato, the music producer, 0:02:27.360 --> 0:02:29.880 has got a YouTube video that millions of people have 0:02:29.919 --> 0:02:33.280 watched an interview with Keith Jarrett and calls him one 0:02:33.320 --> 0:02:36.480 of the great music composers of the last century at least. 0:02:36.840 --> 0:02:41.360 I mean, he's just an absolute genius, and a genius 0:02:41.400 --> 0:02:44.359 in the fact that most of his famous albums are 0:02:44.560 --> 0:02:49.560 completely improvised. That was his thing. He walks into a 0:02:49.800 --> 0:02:53.160 stadium and the feel of the piano, the crowd, the room, 0:02:53.280 --> 0:02:56.160 the day, he just makes it up, you know, like 0:02:56.280 --> 0:02:59.960 four songs, oh he plays. And he even says that 0:03:00.120 --> 0:03:02.000 like if he has an idea, he discounts it. He 0:03:02.040 --> 0:03:04.680 doesn't want to have an idea before he goes out there. 0:03:04.840 --> 0:03:06.520 He just wants to feel at as he goes. And 0:03:06.560 --> 0:03:09.600 it's just okay, start you to hear some if that 0:03:09.639 --> 0:03:13.440 were me, So go ahead and start the song, Michael, 0:03:13.440 --> 0:03:15.480 because I'm going to talk about it over this. And 0:03:15.560 --> 0:03:18.160 so one of the recommendations I was looking up to 0:03:18.200 --> 0:03:20.040 some of the best Keith Jarrett stuff, and one of 0:03:20.040 --> 0:03:27.120 the recommendations was this song. It's from live Bordeaux concert Live. 0:03:27.200 --> 0:03:28.960 Most of his famous stuff is live, Like I said, 0:03:29.040 --> 0:03:30.840 all improvised, crank it up enough that we can hear. 0:03:31.880 --> 0:03:34.120 This is part one. Where does the singing start? 0:03:34.280 --> 0:03:37.000 There's no singing against instrumental. This is part three. There's 0:03:37.040 --> 0:03:39.160 just four parts. Like I said, he's improvising it. So 0:03:39.200 --> 0:03:42.720 he just does four songs ranging from four to fifteen 0:03:42.720 --> 0:03:46.160 minutes long, just however long he's feeling it. Crowd goes wild. 0:03:46.200 --> 0:03:48.520 If the crowd reacts poorly, he yells at them. It's 0:03:48.520 --> 0:03:50.240 a very touchy artists sort of person. 0:03:50.480 --> 0:03:51.760 Yeah, where do you get off? 0:03:51.920 --> 0:03:55.760 There a drum solo? There's no drum solo, and you 0:03:55.880 --> 0:03:58.320 good crank it up because this is what's interesting. So 0:03:58.360 --> 0:04:03.160 I became obsessed with this song on Sundays after the Grammy's. 0:04:03.200 --> 0:04:05.920 Interestingly enough, I became aware of it and I listened 0:04:05.960 --> 0:04:07.560 to the whole thing while I was walking the dog, 0:04:08.120 --> 0:04:10.040 and it hit me in a way like I don't 0:04:10.080 --> 0:04:12.200 remember the last time a song has hit me like this. 0:04:12.600 --> 0:04:15.760 And I probably listened to it ten times that night, 0:04:15.840 --> 0:04:17.960 including in bed with my headphones on while I was 0:04:18.000 --> 0:04:21.080 falling asleep, maybe ten times the next day in the rain. 0:04:21.520 --> 0:04:24.000 I send it to some people. It's just it affected 0:04:24.040 --> 0:04:25.160 me in so much in. 0:04:25.160 --> 0:04:25.680 Such a way. 0:04:26.200 --> 0:04:28.080 Now I'm getting to the punchline that you're gonna find 0:04:28.160 --> 0:04:28.920 quite hilarious. 0:04:29.400 --> 0:04:31.760 Oh boy on this song affecting me so much. 0:04:31.800 --> 0:04:35.160 It's like, man, this isn't really like even my sort 0:04:35.160 --> 0:04:35.719 of thing. 0:04:35.920 --> 0:04:36.760 I mean, it's just so. 0:04:40.600 --> 0:04:43.320 And it gets slightly more complex. I mean, it's just 0:04:43.600 --> 0:04:49.600 very pretty sweet piano music. It's four minutes here, let 0:04:49.600 --> 0:04:52.120 me read this. So I started doing a little research 0:04:52.279 --> 0:04:56.279 on famous Keith Jarrett albums, and this album has four 0:04:56.320 --> 0:04:59.320 and five stars from all your big jazz magazines and 0:04:59.360 --> 0:05:01.679 top reviewer of all time and that sort of stuff, 0:05:01.680 --> 0:05:05.599 and particularly this song. Here's one of the reviews for 0:05:05.720 --> 0:05:10.560 this song from McSweeney's. It's one of the most respected 0:05:11.120 --> 0:05:17.080 jazz critics of all time. A note for divorced Dads 0:05:17.160 --> 0:05:20.880 on Keith Jarrett's Bordeaux Concert Part three, And I thought, 0:05:21.200 --> 0:05:26.359 what what one would have a difficult time finding a 0:05:26.440 --> 0:05:29.640 musical composition that better suits the emotions of a recently 0:05:29.680 --> 0:05:34.240 divorced dad than Keith Jarrett's Bordeaux Concert Part three. If 0:05:34.240 --> 0:05:37.000 I happened upon a divorced dad driving around looking for 0:05:37.080 --> 0:05:40.200 coffee in his twenty eighteen Ford f one fifty or something, 0:05:40.520 --> 0:05:42.840 I would stop him and play it for him. 0:05:43.040 --> 0:05:43.600 It gives me. 0:05:43.600 --> 0:05:47.400 Goosebumps actually reading this. This is free key as a 0:05:47.440 --> 0:05:50.920 guy who drove a twenty fifteen for one fifty. The 0:05:51.080 --> 0:05:53.360 entirety of the piece is four minutes and four seconds. 0:05:53.400 --> 0:05:55.640 I cannot think of a reason why a recently divorced 0:05:55.680 --> 0:05:59.320 dad couldn't find that kind of time. Once the divorce, 0:05:59.400 --> 0:06:02.000 Dad and I have and understanding we would venture into it. 0:06:02.080 --> 0:06:05.440 The composition, it begins with the stable rolling chords that 0:06:05.680 --> 0:06:08.960 gently root the piece, drawing up imagery of a young 0:06:09.000 --> 0:06:12.119 couple holding hands in a tall grass. They're one entity. 0:06:12.160 --> 0:06:15.200 Is zeygeite of relationship. And it goes on and on 0:06:15.440 --> 0:06:18.640 like this through the whole relationship, falling in love, being 0:06:18.680 --> 0:06:22.480 in love, deciding to have kids, having kids, it becoming difficult, 0:06:22.560 --> 0:06:26.080 and falling apart, the divorce happening, you trying to raise 0:06:26.120 --> 0:06:29.159 your kids on your own. At the end of this song, 0:06:29.600 --> 0:06:31.920 and then he ends actually with now go pick up 0:06:31.920 --> 0:06:33.640 your kid from karate practice. 0:06:34.120 --> 0:06:35.240 Now this is freaking me out. 0:06:35.320 --> 0:06:36.920 Turn it out just a little bit, Michael, because now 0:06:37.080 --> 0:06:40.040 I think we're into the You realize you're divorced and 0:06:40.120 --> 0:06:41.360 you're raising your kids on your own. 0:06:41.400 --> 0:06:45.240 Part. Yes, I don't know, now did Keith Jarrett say 0:06:45.279 --> 0:06:48.200 any of this or this is just the reviewer figuring 0:06:48.520 --> 0:06:50.200 quote unquote figuring this out. 0:06:50.480 --> 0:06:52.560 This is one of the weenies. This is one of 0:06:52.600 --> 0:06:55.240 the most famous jazz reviewers of all time. That's the 0:06:55.240 --> 0:06:59.320 way he interpreted this music and me as a recently 0:06:59.360 --> 0:07:01.880 divorced dad laying in bed listening to it ten times 0:07:01.880 --> 0:07:03.720 in a row because it touched me in a way 0:07:03.760 --> 0:07:07.040 I can't remember music ever touching me. What the hell 0:07:07.120 --> 0:07:12.080 is that is weird? Well, it is weird. Holy smuff, 0:07:12.440 --> 0:07:14.120 I know, isn't that strange? 0:07:14.680 --> 0:07:19.280 Well, hey, you got anything for angsty empty nesters? I 0:07:19.440 --> 0:07:25.120 like to play golf? Yeah, yeah, Wow, Wow. 0:07:25.280 --> 0:07:26.000 What a trip. 0:07:26.320 --> 0:07:32.600 Isn't that strange? Though? Yeah, I mean that's that's beyond strange. 0:07:32.680 --> 0:07:36.640 That's uh does he ex well? I guess he kind 0:07:36.640 --> 0:07:38.640 of sort of explains why, but not no way that 0:07:38.680 --> 0:07:41.880 I would find terribly compelling if I came across it 0:07:42.000 --> 0:07:45.640 anywhere else in any other context. I think, well, wait 0:07:45.680 --> 0:07:48.040 a minute, there are a lot of, you know, trips 0:07:48.120 --> 0:07:51.240 people go through in their lives that maybe start like 0:07:51.320 --> 0:07:53.960 super exciting, promising, then get kind of rocky, and then 0:07:53.960 --> 0:07:55.360 you've just got to make the most of it and 0:07:55.360 --> 0:07:57.440 move on. I mean, there are a lot of things 0:07:57.560 --> 0:07:59.040 like that, but here. 0:07:58.880 --> 0:08:01.600 We are, well, they're also a million pieces of music 0:08:01.680 --> 0:08:07.560 that are kind of sweet but modling. But you know, whatever, 0:08:08.320 --> 0:08:11.160 the fact that this well known jazz critic picks out 0:08:11.200 --> 0:08:15.560 one of the most respected jazz pieces in history and 0:08:15.600 --> 0:08:18.840 assigns this particular meaning to it, and then I, not 0:08:19.240 --> 0:08:21.880 knowing that it'd be one thing if i'd read that first, 0:08:22.840 --> 0:08:26.080 but not knowing that at all, get pulled into this 0:08:26.160 --> 0:08:28.440 song in a way I don't. I don't remember the 0:08:28.480 --> 0:08:30.440 last time I've been pulled into a song where I 0:08:30.480 --> 0:08:32.240 listened to it that many times in a row, if ever, 0:08:32.600 --> 0:08:33.160 in my life. 0:08:34.120 --> 0:08:36.600 It's amazing how different music works. That's how you felt 0:08:36.640 --> 0:08:37.960 with that, And I felt like I was on hold 0:08:38.000 --> 0:08:40.400 waiting for a prescription from like CVS. 0:08:40.640 --> 0:08:41.439 Right. 0:08:41.559 --> 0:08:44.080 I agree in any other context, I would have been 0:08:44.120 --> 0:08:46.400 the same way, and I probably would have listened to 0:08:46.480 --> 0:08:48.200 like a minute and thought for me and gone to 0:08:48.240 --> 0:08:53.360 the next song. And it makes me question my understanding 0:08:53.400 --> 0:08:56.120 of you know, abstract art and stuff like that. When 0:08:56.160 --> 0:08:57.840 I look at a piece of art in a walm thing, 0:08:57.920 --> 0:08:59.520 she's my three year old could do that. That doesn't 0:08:59.559 --> 0:09:01.400 mean anything because that music. 0:09:02.320 --> 0:09:03.240 See, I'm into that. 0:09:03.720 --> 0:09:06.600 Normally that kind of music, well, I agree with Hitler, 0:09:06.679 --> 0:09:12.400 it's it's a ruse, But that kind of music usually, 0:09:12.400 --> 0:09:14.480 I think is just kind of meandering, and I understand 0:09:14.480 --> 0:09:16.439 some people like it, but it's not really my bag. 0:09:18.320 --> 0:09:20.920 The fact that it had such a specific the fact 0:09:20.920 --> 0:09:25.280 that he even mentions a yes, okay, So here's here's 0:09:25.320 --> 0:09:25.680 the deal. 0:09:25.760 --> 0:09:30.080 Obviously we're we're sitting here, you know, rolling around in 0:09:30.120 --> 0:09:33.440 the wonder of it. We need to know more about this, 0:09:33.440 --> 0:09:38.280 this guru, this sage, this omniscient McSweeney person. What the 0:09:38.280 --> 0:09:43.440 hell's going on there? What sort of psychic witchery is 0:09:43.000 --> 0:09:43.680 is that? 0:09:44.240 --> 0:09:46.439 Does he have that ability with all songs in art? 0:09:46.440 --> 0:09:48.800 That painting over there, If your cat just got hit 0:09:48.880 --> 0:09:50.720 by a car, that's the perfect painting. 0:09:52.240 --> 0:09:54.920 As you're sitting there thinking of little Fluffy and admiring 0:09:54.920 --> 0:09:57.040 the brushstrokes, that's just freaky. Man. 0:09:57.440 --> 0:10:00.400 Man, Well, let me want to go find all of 0:10:00.480 --> 0:10:02.560 my favorite songs and read the reviews on it, just 0:10:02.600 --> 0:10:04.640 to see write anything lines up. 0:10:05.040 --> 0:10:07.840 One would have a difficult time finding a musical composition 0:10:07.880 --> 0:10:10.640 that better suits the emotions of a recently divorced dad. 0:10:10.960 --> 0:10:14.120 If I happened upon a divorced dad driving around looking 0:10:14.160 --> 0:10:17.240 for coffee in his twenty eighteen Ford F one to fifteen. 0:10:16.960 --> 0:10:18.080 And you're a coffee addict. 0:10:18.360 --> 0:10:22.680 Yeah, I have done that as a I would stopping 0:10:22.760 --> 0:10:25.920 the year wrong, the hack and he left out going 0:10:25.920 --> 0:10:27.320 to get McDonald's on the way home. 0:10:27.880 --> 0:10:29.880 Yeah, that's sure. That doesn't know anything. 0:10:31.160 --> 0:10:35.520 It's freaky man, laying in bed listening to it in 0:10:35.520 --> 0:10:38.320 my headphones in the dark, moved by music in a 0:10:38.320 --> 0:10:41.400 way maybe I never have been in my life weird. 0:10:42.360 --> 0:10:45.079 Now. I've been trying to think if there's anything that's 0:10:45.120 --> 0:10:48.680 been anything similar, any song or music similar to that, 0:10:48.800 --> 0:10:51.920 And all I can come up with is is I 0:10:52.080 --> 0:10:55.839 discovered an album several years after it was out by 0:10:55.840 --> 0:10:59.040 the band from Indiana called hound Mouth, and the song 0:10:59.120 --> 0:11:01.520 is my Cousin Greg, and the opening line is my 0:11:01.640 --> 0:11:04.440 cousin Greg is a greedy son of a bitch. And 0:11:04.480 --> 0:11:07.960 I'm just I'm not sure what McSweeney would say about that. 0:11:08.120 --> 0:11:10.000 I have no cousin Greg who's a greedy son of 0:11:10.000 --> 0:11:13.240 a bitch, so obviously it's not that close a fit. 0:11:16.000 --> 0:11:19.360 That's freaky, So I don't know what I'm You gotta 0:11:19.400 --> 0:11:22.120 look more into this, McSweeney dude because he's a witch. 0:11:23.640 --> 0:11:27.839 Or following me around. Yeah, that'd be my guess. Although 0:11:27.880 --> 0:11:29.120 he wrote this years ago. 0:11:29.480 --> 0:11:31.920 Well right, that's weird, man, I know. 0:11:32.440 --> 0:11:34.400 That's why I brought it to the podcast. I just 0:11:34.440 --> 0:11:37.560 thought this is too effing freaky. Next time, I'm gonna 0:11:37.559 --> 0:11:41.520 show a slow saxophone solo that expresses the feelings of 0:11:41.559 --> 0:11:44.960 a man is broken TV and no extended warranty. 0:11:47.040 --> 0:11:52.880 Miss Kat's wearing football jerseys. The Armstrong and Getdy Show. Yeah, 0:11:53.000 --> 0:11:55.480 your show podcasts and our hot lakes. 0:12:01.000 --> 0:12:03.720 Hey, we're Armstrong and Getty. We're featuring our podcast one 0:12:03.720 --> 0:12:06.760 more thing. Find it wherever you find all your podcasts. 0:12:08.320 --> 0:12:12.839 Turning to a new pole, gen Z doesn't want to 0:12:12.880 --> 0:12:14.760 go out to the bars and scream at each other 0:12:14.920 --> 0:12:18.679 over loud music or fifty thousand other people. It seems 0:12:18.720 --> 0:12:21.680 like sometimes having a conversations, they'd rather sit around at 0:12:21.720 --> 0:12:24.560 home and have a drink or two with their friends. 0:12:24.880 --> 0:12:28.880 Why did it take until gen Z to figure that out? 0:12:29.360 --> 0:12:32.000 I don't know, and I don't want to like over. 0:12:32.120 --> 0:12:34.840 I don't want to dominate the podcast because I'm a 0:12:34.880 --> 0:12:38.760 team player. But I have never even when I was 0:12:39.040 --> 0:12:46.000 young and slightly hip and somewhat popular. I didn't want 0:12:46.040 --> 0:12:49.400 to go to bars and yell at each other. You'll 0:12:49.440 --> 0:12:50.679 have crazy. 0:12:50.559 --> 0:12:52.280 You'll have to weigh in on this, Katie, because but 0:12:52.440 --> 0:12:54.320 my experience is I was out at the bars a 0:12:54.360 --> 0:12:57.760 lots of times. We're like at a quiet kind of 0:12:57.800 --> 0:13:00.520 bar and everybody talking to say, even o'clock. 0:13:00.559 --> 0:13:01.760 We got to go over to the where and. 0:13:01.679 --> 0:13:04.520 I think, why, we're having a perfectly good time here. 0:13:04.600 --> 0:13:06.880 We can hear each other, we're sitting. We're gonna go 0:13:06.920 --> 0:13:10.240 to some place where we're like shuffled around shoulder to shoulders, 0:13:10.280 --> 0:13:12.320 screaming at the top of our lungs, are not talking. 0:13:12.760 --> 0:13:14.160 Why go ahead, Katie. 0:13:14.240 --> 0:13:17.520 Well, no, I've I went through the phase of every 0:13:17.600 --> 0:13:20.480 weekend at the bars and all of that, and I 0:13:20.559 --> 0:13:22.200 did too for twenty two years. 0:13:22.400 --> 0:13:24.959 So hid for twenty two years. 0:13:24.960 --> 0:13:27.000 But it was it was a solid seven you know, 0:13:27.200 --> 0:13:31.680 and it got exhausting. Now when I go out to 0:13:31.720 --> 0:13:35.320 the bars, it's more of that environment where it's just chilling. 0:13:35.600 --> 0:13:38.080 It's very quiet, some music, but there's not a lot 0:13:38.080 --> 0:13:40.720 of yelling. No, I never never. When I was when 0:13:40.760 --> 0:13:42.920 I was twenty years old, the drinking age was eighteen. 0:13:43.160 --> 0:13:44.880 When I went to college, when I was. 0:13:44.840 --> 0:13:45.760 Twenty years old. 0:13:46.080 --> 0:13:48.760 I had no interest in going to the big throbbing 0:13:48.840 --> 0:13:51.640 club and yelling at the person next to me. Thank 0:13:51.679 --> 0:13:52.040 God for you. 0:13:52.240 --> 0:13:56.560 Refrain from saying big throbbing club if you can. Yeah, 0:13:56.640 --> 0:13:59.200 I've just I've never had that in me. This golf 0:13:59.280 --> 0:14:02.480 club where I play golf mostly opened up a new 0:14:02.559 --> 0:14:07.720 bar and it's like quiet and classy and set up 0:14:07.800 --> 0:14:10.839 for like conversation areas where four to six people can 0:14:10.920 --> 0:14:12.599 sit and chat and have a drink and all in 0:14:13.000 --> 0:14:14.520 and Judy and I went there and we were like, 0:14:14.600 --> 0:14:17.079 oh my god, this is perfect. And then we ran 0:14:17.160 --> 0:14:19.600 into some friends of ours who really aren't great people, 0:14:20.000 --> 0:14:22.720 but the dude was like, oh my god, did they 0:14:22.720 --> 0:14:23.840 waste that space? 0:14:24.480 --> 0:14:24.680 Oh? 0:14:24.760 --> 0:14:28.560 I couldn't hate it off. Where are the TVs with 0:14:28.680 --> 0:14:32.720 the play by play going and the energy? We want energy? 0:14:33.360 --> 0:14:35.600 I want no energy, less energy. 0:14:36.400 --> 0:14:39.280 I'd bring no energy and I want none thrust upon me. 0:14:39.760 --> 0:14:42.040 Yeah, and same way with restaurants. I hope gen Z 0:14:42.240 --> 0:14:45.240 kills loud restaurants. You know whenever. It was in the 0:14:45.280 --> 0:14:47.920 mid nineties that they decided to take all the baffling 0:14:47.960 --> 0:14:50.520 out of the ceilings and have it be open brick 0:14:50.600 --> 0:14:53.240 and pipes, so you can get as much sound reverberating 0:14:53.280 --> 0:14:56.480 as possible. So it's just deafeningly loud, and every clink 0:14:56.560 --> 0:14:59.160 of every glass and fork and the whole place echoes 0:14:59.200 --> 0:15:00.560 in your head. Who loves that? 0:15:02.480 --> 0:15:06.520 Or it's just acceptable to be obnoxiously allowed at the table, 0:15:06.640 --> 0:15:08.680 Like I remember when being in a restaurant, you know, 0:15:08.720 --> 0:15:10.240 you had manners and you had to be kind of 0:15:10.320 --> 0:15:12.760 quiet and polite, and then you've got tables next to 0:15:12.760 --> 0:15:15.240 you just screaming and having a pull blown party and 0:15:15.280 --> 0:15:16.680 it's normal now. 0:15:16.840 --> 0:15:19.960 Well, speaking of being a team player, obviously we're a 0:15:20.000 --> 0:15:24.680 group of at least somewhat grumpy, somewhat introverted people. But 0:15:25.920 --> 0:15:28.920 some people obviously are energized by that. They like it. 0:15:28.920 --> 0:15:32.360 It gives them more energy. As they say about extroverts 0:15:32.360 --> 0:15:38.440 and introverts. Being around people energizes extroverts and it drains 0:15:38.480 --> 0:15:41.280 the energy from introverts, and it must be that way 0:15:41.320 --> 0:15:43.840 with like loud bars and restaurants and stuff like that. 0:15:43.960 --> 0:15:47.480 Well, but are you arguing that the percentage of people 0:15:47.480 --> 0:15:50.000 that are introverts is higher among gen z or do 0:15:50.120 --> 0:15:52.000 they just wise up to why are we standing in 0:15:52.040 --> 0:15:55.440 this super loud bar? Interesting question, Good lord, I can't 0:15:55.480 --> 0:15:57.800 come close to answering it. Here are the stats. 0:15:58.560 --> 0:16:01.240 Let's see bubba A News finds the two and three 0:16:01.280 --> 0:16:04.200 gen z wine enthusiasts, So this people who'd rather drink 0:16:04.240 --> 0:16:07.000 wine for what that's worth. Two out of three out 0:16:07.040 --> 0:16:09.320 for the comfort of their homes when it comes to drinking, 0:16:09.440 --> 0:16:13.400 specifically home. Poll of two thousand American adults between twenty 0:16:13.400 --> 0:16:16.120 one and twenty six found those who enjoy wine, only 0:16:16.160 --> 0:16:18.000 twenty three percent would choose to go to a bar, 0:16:18.320 --> 0:16:20.880 and only eighteen percent would opt for drinking at some 0:16:20.880 --> 0:16:24.800 sort of live event. For gen Z wine enthusiasts, having 0:16:24.800 --> 0:16:28.080 a glass as an opportunity to be social as hanging 0:16:28.160 --> 0:16:30.840 out with friends tops the list of activities they prefer 0:16:30.960 --> 0:16:34.960 up partake in while drinking. But they'd really rather do 0:16:35.040 --> 0:16:40.240 it at home than out anywhere, maybe elause the cost 0:16:40.240 --> 0:16:42.160 of living so high for young people and they're trying 0:16:42.160 --> 0:16:44.720 to save money. That was the other thing, because, especially 0:16:44.720 --> 0:16:47.560 because I was pretty poor when I was young, is 0:16:48.640 --> 0:16:51.760 I could afford like a beer if we went out, 0:16:52.280 --> 0:16:55.800 I could have a couple at home. End of discussion. 0:16:56.280 --> 0:16:58.040 Yeah, that wasn't the right kind of bar. I liked 0:16:58.080 --> 0:17:01.560 the more like the more like people in boots bars 0:17:01.560 --> 0:17:03.360 because that's where I could sidle up to a table 0:17:03.360 --> 0:17:05.320 to girls and they wouldn't notice that I was drinking 0:17:05.320 --> 0:17:09.439 all their picture beer because I couldn't afford to buy beer. 0:17:09.560 --> 0:17:13.600 You're that guy, and well, girls oftentimes get pictures of beer. 0:17:13.680 --> 0:17:16.239 They aren't gonna drink them. They're not really drinkers. They 0:17:16.320 --> 0:17:17.880 just they needed to have it sitting there. It's kind 0:17:17.880 --> 0:17:20.600 of a prop. I'll take care of that for you. Wow, 0:17:20.680 --> 0:17:21.880 this is a rarity. 0:17:22.040 --> 0:17:27.200 The judges reporting a ten on resourcefulness, a ten on creepiness, 0:17:27.480 --> 0:17:29.520 and a ten on alcoholism. 0:17:29.920 --> 0:17:33.080 It's a rare triple ten, a perfect score. 0:17:34.440 --> 0:17:38.880 Jack Armstrong and Joe The Armstrong and Getty. 0:17:38.640 --> 0:17:44.200 Show, Fancy Armstrong and Getty Show, featuring our podcast. One 0:17:44.200 --> 0:17:46.120 more Thing, We do a new one every day. Find 0:17:46.119 --> 0:17:47.800 it wherever you find your podcasts. 0:17:47.920 --> 0:17:51.000 What the heck happened? An expert weighs in. It's one 0:17:51.000 --> 0:17:58.920 more thing. 0:17:56.520 --> 0:17:57.560 Before we get to that. 0:17:57.680 --> 0:17:58.639 Two quick things. 0:17:58.720 --> 0:17:58.920 One. 0:17:59.040 --> 0:18:02.920 I just looked up at the the Twitter machine and 0:18:02.960 --> 0:18:05.959 there is something on there about young people in New 0:18:06.040 --> 0:18:09.119 York talking about how they all got punched in the 0:18:09.119 --> 0:18:13.040 face because of a recent TikTok challenge in which the 0:18:13.080 --> 0:18:14.720 thing was to just walk up and punch people in 0:18:14.720 --> 0:18:16.679 the face, and some of the morons do it. I 0:18:16.720 --> 0:18:22.639 want a TikTok challenge that is, it's the leave your parents' house, 0:18:22.760 --> 0:18:27.960 get a job and support yourself challenge, the follow the law, 0:18:28.040 --> 0:18:31.360 pay your taxes, and raise your kids right challenge. See 0:18:31.359 --> 0:18:34.600 if that catches on, It'll be waiting forever for that. God. 0:18:34.680 --> 0:18:38.080 I saw one the other day where there's a whole 0:18:38.080 --> 0:18:42.560 bunch of iterations of this of like, it's just abusing 0:18:42.600 --> 0:18:45.679 old people, scaring them basically, and. 0:18:47.320 --> 0:18:52.040 It's just horrific, harsh and draconian penalty act like somebody 0:18:52.080 --> 0:18:54.159 broke into the house for grandma and then and you 0:18:54.200 --> 0:18:55.120 know get her reaction. 0:18:55.600 --> 0:18:57.960 Yeah, because she's an old woman who thinks somebody broke 0:18:58.000 --> 0:19:00.480 into her home. That's why she reacted that way. Why 0:19:00.560 --> 0:19:03.040 is that funny, you freaking moron. You should be in 0:19:03.119 --> 0:19:05.520 jail just for this. You know, it's concerning the people 0:19:05.520 --> 0:19:07.639 who do that and the people who laugh at it. 0:19:08.440 --> 0:19:11.040 Oh my god, this one was a I guess this 0:19:11.160 --> 0:19:13.960 was a Jackass thing originally from the Jackass movie. I 0:19:14.000 --> 0:19:17.480 saw this on TikTok the other day. It was you 0:19:17.520 --> 0:19:21.359 push a stroller with a baby in it, a fake 0:19:21.359 --> 0:19:27.040 baby at toy the doll doll is the term fake billy. Yeah, 0:19:27.160 --> 0:19:29.440 and bother shirt and the like, you know, the stroller 0:19:29.480 --> 0:19:31.359 you accidentally trip and push it into traffic in a 0:19:31.400 --> 0:19:33.320 car hits it or something like that, and then you 0:19:33.400 --> 0:19:36.159 got the reaction of people who are horrified that a 0:19:36.200 --> 0:19:38.800 baby just got ran over. Why is that funny? 0:19:39.359 --> 0:19:41.159 Or you get the people that run out into traffic 0:19:41.160 --> 0:19:44.320 trying to stop it. Right, there's another guy that's going 0:19:44.440 --> 0:19:47.560 he went viral the other day that was going through 0:19:47.680 --> 0:19:50.240 like walmarts and targets and going up to people that 0:19:50.320 --> 0:19:54.480 had full carts, families, I mean everything, and just pulling 0:19:54.520 --> 0:19:56.919 the cart and knocking it over and knocking this stuff 0:19:56.960 --> 0:19:59.639 everywhere and then running away for no reason at all 0:20:00.160 --> 0:20:00.840 than to be a dick. 0:20:01.320 --> 0:20:05.080 Right, And then their friends film that and put it 0:20:05.119 --> 0:20:07.360 on TikTok, and then people watch it and I think 0:20:07.359 --> 0:20:07.879 that's okay. 0:20:07.920 --> 0:20:10.280 I guess I I well. 0:20:10.119 --> 0:20:12.800 I had them with the algorithm. Is the more attention 0:20:12.840 --> 0:20:15.000 they get, they get paid. I'm glad you're young and 0:20:15.119 --> 0:20:17.240 complaining about this, because when Joe and I complain about this, 0:20:17.320 --> 0:20:21.000 we just sound like you know, old men about modern culture. 0:20:21.240 --> 0:20:24.240 But this is a change in society. 0:20:24.960 --> 0:20:29.040 Oh yees, yeah, well you're complaining about it. I'm even 0:20:29.080 --> 0:20:32.240 now sketching out my plan to form a vigilante group 0:20:32.600 --> 0:20:35.520