1 00:00:01,280 --> 00:00:12,720 Speaker 1: Comitting, Hey, what's so Welcome to Tuesday show. 2 00:00:12,760 --> 00:00:15,120 Speaker 2: Appreciate everybody being here. All right, more in the studio morning. 3 00:00:15,160 --> 00:00:16,560 Speaker 3: All right, let's go around the room and check in 4 00:00:16,600 --> 00:00:19,200 Speaker 3: with everybody. We're trying to convince him to start wearing 5 00:00:19,239 --> 00:00:22,079 Speaker 3: a tupe, but he thinks it'll look fake and. 6 00:00:22,040 --> 00:00:27,400 Speaker 2: He says, no way. It's producer Eddikay. 7 00:00:27,440 --> 00:00:28,800 Speaker 4: So I got a question for you guys that I 8 00:00:28,800 --> 00:00:31,240 Speaker 4: saw online. I was like, this is interesting. Who is 9 00:00:31,280 --> 00:00:35,720 Speaker 4: the most underrated country artist in your mind? Like somebody 10 00:00:35,720 --> 00:00:38,159 Speaker 4: that you really like but never gets a lot of attention. 11 00:00:38,280 --> 00:00:41,120 Speaker 3: Okay, I would say for the amount of hits that 12 00:00:41,200 --> 00:00:44,000 Speaker 3: he has, So there's two versions of this, I would 13 00:00:44,000 --> 00:00:48,680 Speaker 3: say Billy Carrington. So many massive songs and sometimes you 14 00:00:48,720 --> 00:00:51,120 Speaker 3: don't know that that's him when. 15 00:00:51,000 --> 00:00:53,640 Speaker 2: You start to go what's Billy Carrington's playlist? 16 00:00:54,040 --> 00:00:58,080 Speaker 3: It's one banger after another banger, Hey girl, watch you. 17 00:00:58,160 --> 00:01:01,640 Speaker 2: Nay girl, good turn beans. 18 00:01:01,880 --> 00:01:04,880 Speaker 3: And I would go Billy Currington for an artist that 19 00:01:04,959 --> 00:01:10,039 Speaker 3: has massive success that probably isn't considered in that group 20 00:01:10,200 --> 00:01:12,680 Speaker 3: that sometimes they have less success than him. But part 21 00:01:12,680 --> 00:01:15,640 Speaker 3: of that too, is it Billy just goes away and 22 00:01:15,680 --> 00:01:19,600 Speaker 3: does his thing, and so he doesn't want to play 23 00:01:19,640 --> 00:01:21,080 Speaker 3: the game, and sometimes you gotta play the game a 24 00:01:21,120 --> 00:01:21,480 Speaker 3: little bit. 25 00:01:21,760 --> 00:01:22,920 Speaker 2: But I'll go Billy Carrington. 26 00:01:23,120 --> 00:01:25,080 Speaker 3: And then also I think underrated can mean just not 27 00:01:25,160 --> 00:01:30,080 Speaker 3: discovered yet, like not hit, And so I would say, 28 00:01:30,840 --> 00:01:31,800 Speaker 3: like an Ian Munsick. 29 00:01:32,360 --> 00:01:33,840 Speaker 2: Oh that's a good one, dude. 30 00:01:33,920 --> 00:01:35,880 Speaker 3: You know, he performed at our Million Dollar Show. I've 31 00:01:35,920 --> 00:01:40,280 Speaker 3: done an hour long podcast with him. He does his 32 00:01:40,319 --> 00:01:43,440 Speaker 3: own style and he's from the West. He lived on 33 00:01:43,840 --> 00:01:46,560 Speaker 3: a ranch. He does whatever he does. He does like 34 00:01:46,600 --> 00:01:50,160 Speaker 3: those wolf howls and his songs. Yeah, and it's all legit. 35 00:01:50,200 --> 00:01:52,040 Speaker 3: He dresses like that, he is like that. Yeah, and 36 00:01:52,080 --> 00:01:53,640 Speaker 3: he's so good. And I think it's taken him a 37 00:01:53,640 --> 00:01:56,040 Speaker 3: bit of time to start to break through because he's 38 00:01:56,040 --> 00:01:58,000 Speaker 3: been so different. But then once you break through and 39 00:01:58,000 --> 00:02:00,880 Speaker 3: you're different, you own it. So I go Ian Munsick 40 00:02:00,920 --> 00:02:04,400 Speaker 3: as well. The really fascinating thing about Ian is so 41 00:02:04,880 --> 00:02:06,320 Speaker 3: in and I sat for an hour and talked to 42 00:02:06,360 --> 00:02:12,640 Speaker 3: Ian has a pretty determined stutter. Oh yeah, and after 43 00:02:12,680 --> 00:02:14,840 Speaker 3: a while the stutter was a bit less. But when 44 00:02:14,840 --> 00:02:16,760 Speaker 3: he talks in normal life, he is a stutter. When 45 00:02:16,760 --> 00:02:19,560 Speaker 3: he sings, no stutter, And we talked about that. That's 46 00:02:19,600 --> 00:02:22,919 Speaker 3: amazing how that works. Yeah, it was sing in front 47 00:02:22,960 --> 00:02:25,960 Speaker 3: of five thousand people, no stutter but talking. 48 00:02:27,600 --> 00:02:28,720 Speaker 2: He can't fix it. 49 00:02:28,840 --> 00:02:31,680 Speaker 3: Yeah, so I would go those two Billy Carrington and 50 00:02:31,760 --> 00:02:32,440 Speaker 3: Ian munsick. 51 00:02:32,520 --> 00:02:35,000 Speaker 2: But this can be interpreted so many ways. 52 00:02:35,120 --> 00:02:38,760 Speaker 5: I feel like, yeah, so many. I wish I'm thinking 53 00:02:38,760 --> 00:02:40,640 Speaker 5: of more people. I wish we played more up on 54 00:02:40,680 --> 00:02:44,600 Speaker 5: the radio. Go ahead, Well, like Casey Musgraves, I've just 55 00:02:44,600 --> 00:02:46,160 Speaker 5: been listening to her new album a lot. 56 00:02:46,639 --> 00:02:47,919 Speaker 2: Yeah, I'm not the only one that plays her. 57 00:02:48,200 --> 00:02:50,600 Speaker 4: Yeah that's a good one because yeah, she I mean, 58 00:02:50,639 --> 00:02:52,560 Speaker 4: she's always say she's rated very highly. 59 00:02:54,400 --> 00:02:55,440 Speaker 2: Grammy for the Album of the Year. 60 00:02:55,639 --> 00:02:59,320 Speaker 4: We don't in country radio don't hear a lot from her, though, 61 00:02:59,720 --> 00:03:02,320 Speaker 4: I do you do that player all time? 62 00:03:02,320 --> 00:03:03,799 Speaker 2: But just in general, she. 63 00:03:03,720 --> 00:03:05,520 Speaker 3: Doesn't really even she doesn't do much stuff here though. 64 00:03:05,520 --> 00:03:08,640 Speaker 3: It's kind of like Billy Carrington. It's not like she's 65 00:03:09,480 --> 00:03:10,840 Speaker 3: and for a good reason, and I get it. I 66 00:03:10,880 --> 00:03:12,520 Speaker 3: wish I could do that and be like screw everybody, 67 00:03:12,880 --> 00:03:15,880 Speaker 3: but you know, purposefully, she doesn't do a lot of 68 00:03:16,280 --> 00:03:18,520 Speaker 3: in Nashville stuff. I mean, her whole Golden Hour record 69 00:03:18,520 --> 00:03:22,040 Speaker 3: wasn't even country really, But I okay, Eddie. 70 00:03:21,840 --> 00:03:23,840 Speaker 2: Parker McCall, I just love that dude. 71 00:03:23,880 --> 00:03:25,760 Speaker 4: And I feel like when you have a list of 72 00:03:25,760 --> 00:03:27,520 Speaker 4: country artists, he's never really on there. 73 00:03:29,320 --> 00:03:32,440 Speaker 3: So all the people we named a Casey Parker, Billy 74 00:03:32,800 --> 00:03:36,640 Speaker 3: through Massive park ourselves out of arenas, you know, amphitheaters. 75 00:03:36,840 --> 00:03:38,680 Speaker 2: But Parker's young. You only had a few hits because 76 00:03:38,680 --> 00:03:39,280 Speaker 2: he's so young. 77 00:03:39,640 --> 00:03:42,480 Speaker 4: He's got jams due every time I hear one of 78 00:03:42,520 --> 00:03:44,680 Speaker 4: his songs, like gosh, it's gonna the new of the 79 00:03:44,720 --> 00:03:47,080 Speaker 4: Burn that Burns, It's so so good. 80 00:03:47,840 --> 00:03:49,720 Speaker 2: Gosh, we need to get this guy going to full ray, 81 00:03:49,720 --> 00:03:50,440 Speaker 2: Sam Hunt and Parker. 82 00:03:50,640 --> 00:03:52,280 Speaker 4: No, no, no, no, I'm not like that. Oh I'm not 83 00:03:52,280 --> 00:03:53,880 Speaker 4: gonna start dressing like Parker or anything. 84 00:03:54,320 --> 00:03:54,600 Speaker 2: Yeah. 85 00:03:54,680 --> 00:03:56,400 Speaker 3: Again, you can defind it however you want. But I 86 00:03:56,400 --> 00:04:01,920 Speaker 3: feel like Parker's pretty widely like respected. Hey, we need 87 00:04:01,920 --> 00:04:02,520 Speaker 3: to get him. 88 00:04:02,400 --> 00:04:05,400 Speaker 2: Higher, higher rated. How do we okay rate him higher? 89 00:04:05,440 --> 00:04:05,680 Speaker 6: Guys? 90 00:04:05,960 --> 00:04:11,640 Speaker 7: Go ahead, lunchbox, Chris Stapleton, excuse me, Chris Stapleton. 91 00:04:11,800 --> 00:04:13,760 Speaker 2: I mean he's I think everybody. 92 00:04:13,920 --> 00:04:15,720 Speaker 7: No, no, he's a superstar. But I don't we don't 93 00:04:15,720 --> 00:04:16,560 Speaker 7: ever play him. 94 00:04:16,760 --> 00:04:18,599 Speaker 3: Yes, he's had, he's on the radio, like his last 95 00:04:18,720 --> 00:04:20,120 Speaker 3: three songs about number ones. 96 00:04:21,279 --> 00:04:26,360 Speaker 2: All right, Well, the question is not who do you love? 97 00:04:28,720 --> 00:04:29,480 Speaker 2: Like who do you love? 98 00:04:29,520 --> 00:04:31,320 Speaker 4: That doesn't get a lot of at But how would 99 00:04:31,320 --> 00:04:32,719 Speaker 4: you say Stapleton's underrated? 100 00:04:32,760 --> 00:04:35,560 Speaker 3: Like people he wins, He's like everybody knows his best singer. 101 00:04:35,560 --> 00:04:37,160 Speaker 3: He's considered one of the top ten songwriters in the 102 00:04:37,200 --> 00:04:39,400 Speaker 3: past fifty years. He's got multiple number one hits, he 103 00:04:39,440 --> 00:04:42,160 Speaker 3: sells out tours. So how would he be under underrated 104 00:04:42,160 --> 00:04:42,640 Speaker 3: in your mind? 105 00:04:42,720 --> 00:04:44,040 Speaker 2: Has he won Entertainer of the Year. 106 00:04:44,200 --> 00:04:47,080 Speaker 3: Yes, yes, actually two years ago. Yeah, okay, okay, so 107 00:04:47,120 --> 00:04:49,960 Speaker 3: we'll move on from the underrated part. But what was 108 00:04:49,960 --> 00:04:51,920 Speaker 3: the question? Why does he love him so much? No, 109 00:04:51,960 --> 00:04:54,719 Speaker 3: he just does love him so much. Yeah, like he's 110 00:04:54,760 --> 00:04:56,679 Speaker 3: really good? Was the question that who? 111 00:04:57,120 --> 00:04:59,040 Speaker 7: Okay, who is under I mean I don't know anybody 112 00:04:59,040 --> 00:05:01,760 Speaker 7: that's underrated then because I don't really pay attention to. 113 00:05:02,839 --> 00:05:05,720 Speaker 3: All Right, okay, anybody in your radar knew anybody that 114 00:05:05,920 --> 00:05:07,320 Speaker 3: they came in the studio and you're like, man, they're 115 00:05:07,320 --> 00:05:07,919 Speaker 3: really good. 116 00:05:10,320 --> 00:05:11,480 Speaker 2: Who came in here? 117 00:05:12,080 --> 00:05:12,200 Speaker 7: There? 118 00:05:12,720 --> 00:05:14,840 Speaker 2: Recently a lot of people know that the. 119 00:05:14,800 --> 00:05:18,040 Speaker 7: Legs, the stray guys. Just because they gave me a hoodie. 120 00:05:17,920 --> 00:05:21,960 Speaker 3: The reded So if they give you free stuff, they. 121 00:05:22,240 --> 00:05:23,920 Speaker 7: Yeah, well, I mean that was the best giveaway. 122 00:05:23,960 --> 00:05:25,680 Speaker 2: Like most people come in, they don't give you anything. 123 00:05:25,760 --> 00:05:26,440 Speaker 2: They give you a CD. 124 00:05:26,560 --> 00:05:28,760 Speaker 7: It's like, oh, I mean they gave us legit like 125 00:05:28,920 --> 00:05:29,680 Speaker 7: nice hoodies. 126 00:05:29,960 --> 00:05:31,720 Speaker 2: And I was like, this is perfect. So that's your 127 00:05:31,760 --> 00:05:33,000 Speaker 2: official answer? Will accept it? 128 00:05:33,640 --> 00:05:33,839 Speaker 8: Yeah? 129 00:05:33,960 --> 00:05:34,599 Speaker 2: What's then answer? 130 00:05:35,440 --> 00:05:40,520 Speaker 7: The straight clays, straight clays, red red, red red stray clays. 131 00:05:40,600 --> 00:05:43,960 Speaker 2: Almost think of dirt. I mean you've got the words 132 00:05:44,040 --> 00:05:49,039 Speaker 2: the red dirt, straight red. Oh you said think of dirt. 133 00:05:49,520 --> 00:05:51,120 Speaker 9: Because red clay on the ground. 134 00:05:51,440 --> 00:05:56,080 Speaker 2: Yeah, I think of dirt. It's not say dirt. All right, 135 00:05:56,160 --> 00:05:57,080 Speaker 2: let's get going here. 136 00:05:57,240 --> 00:05:59,040 Speaker 3: Glad you guys are with us. We got a big 137 00:05:59,080 --> 00:06:01,039 Speaker 3: show playing for you. Today's Sam Hunt's coming up in 138 00:06:01,080 --> 00:06:03,080 Speaker 3: just a little bit. He'll be in studio lockerray of. 139 00:06:04,720 --> 00:06:07,520 Speaker 2: Let's open up the mail bags. You friend the name 140 00:06:07,680 --> 00:06:09,719 Speaker 2: mail and we read it all the air. 141 00:06:10,040 --> 00:06:12,640 Speaker 5: It's something we call Bobby's mail bag. 142 00:06:12,920 --> 00:06:15,560 Speaker 3: Yeah, hello, Bobby Blonas. I've always proud of myself on 143 00:06:15,600 --> 00:06:17,840 Speaker 3: my looks. Take great care to make sure I always 144 00:06:17,880 --> 00:06:20,000 Speaker 3: look my best. About six months ago, I was in 145 00:06:20,000 --> 00:06:22,119 Speaker 3: a car accident. It left me with a significant scard 146 00:06:22,120 --> 00:06:23,960 Speaker 3: in the middle of my forehead. Now I don't want 147 00:06:23,960 --> 00:06:26,159 Speaker 3: to go out in public and I can't imagine anyone 148 00:06:26,200 --> 00:06:28,200 Speaker 3: finding me attractive. It's a few times that I've been 149 00:06:28,200 --> 00:06:30,080 Speaker 3: out I can tell people are looking at my scar. 150 00:06:30,760 --> 00:06:32,680 Speaker 3: How can I totally change the way I've always felt 151 00:06:32,680 --> 00:06:35,200 Speaker 3: about myself? And then my looks is the most important 152 00:06:35,200 --> 00:06:37,719 Speaker 3: thing about me? Can ever learn to love a less 153 00:06:37,720 --> 00:06:43,760 Speaker 3: attractive version of myself? Signed Misty and Minnesota. Well, sometimes 154 00:06:43,800 --> 00:06:47,159 Speaker 3: things are introduced to us in a way that are 155 00:06:47,920 --> 00:06:51,840 Speaker 3: not pleasurable but are really good for us long term. 156 00:06:52,000 --> 00:06:53,719 Speaker 3: But we all got to lose our looks anyway. Eventually 157 00:06:54,160 --> 00:06:57,000 Speaker 3: we're get older, like that's gonna happen. And I get 158 00:06:57,080 --> 00:06:58,800 Speaker 3: if that was your thing, Like you're the hotty and 159 00:06:58,839 --> 00:07:00,640 Speaker 3: all of a sudden you can still be high, but 160 00:07:00,720 --> 00:07:03,840 Speaker 3: with a scar, so don't let don't. People probably aren't 161 00:07:03,839 --> 00:07:06,400 Speaker 3: even thinking about the scar. If it's just a scar. 162 00:07:06,520 --> 00:07:09,200 Speaker 3: They may see it because it's there on a forehead. 163 00:07:09,200 --> 00:07:11,080 Speaker 3: It's kind of hard. It's like if somebody walks in 164 00:07:11,160 --> 00:07:12,960 Speaker 3: with like part of their hair dyed green. It's like 165 00:07:13,000 --> 00:07:14,760 Speaker 3: just a little strip. You're probably like, well, that's a shame. 166 00:07:14,800 --> 00:07:16,320 Speaker 3: We don't think about it any more than that one 167 00:07:16,760 --> 00:07:20,040 Speaker 3: second where you look at it. But also it's a 168 00:07:20,040 --> 00:07:24,760 Speaker 3: probably a good lesson per opportunity. Yeah, but I'm assuming 169 00:07:24,800 --> 00:07:26,440 Speaker 3: if you guys pride of yourself on look, you probably 170 00:07:26,480 --> 00:07:28,800 Speaker 3: also looked at other people's looks and held them in 171 00:07:28,880 --> 00:07:33,640 Speaker 3: higher regard because of it. And so but now maybe 172 00:07:33,680 --> 00:07:38,680 Speaker 3: you're understanding that that isn't really the most important thing. 173 00:07:38,720 --> 00:07:40,920 Speaker 3: And it's kind of a Again, it's a hard lesson sometimes, 174 00:07:40,920 --> 00:07:43,560 Speaker 3: but I think macro versus micro it can be a 175 00:07:43,600 --> 00:07:45,800 Speaker 3: really great lesson. Anybody you'd want to be with anyway 176 00:07:46,240 --> 00:07:47,560 Speaker 3: is not going to be turned off just if you 177 00:07:47,560 --> 00:07:48,400 Speaker 3: have a scar on your head. 178 00:07:49,040 --> 00:07:49,640 Speaker 2: Like if there's. 179 00:07:49,440 --> 00:07:50,800 Speaker 3: Somebody that you would have met and you thought you'd 180 00:07:50,840 --> 00:07:53,320 Speaker 3: have fallen in love and you'd have been so happy together, 181 00:07:53,720 --> 00:07:56,360 Speaker 3: that's not that kind of person that won't be with 182 00:07:56,400 --> 00:07:57,360 Speaker 3: you now because of a scar. 183 00:07:57,440 --> 00:08:00,560 Speaker 2: Is not that person anyway. So that sucks. 184 00:08:00,840 --> 00:08:02,760 Speaker 3: A lot of stuff sucks in life. You know what 185 00:08:02,800 --> 00:08:05,240 Speaker 3: you gotta do. Son comes up, You get up with it, 186 00:08:06,120 --> 00:08:07,640 Speaker 3: and now you get to learn a lesson that a 187 00:08:07,640 --> 00:08:09,800 Speaker 3: lot of people learn later. And you know what, the 188 00:08:09,880 --> 00:08:11,440 Speaker 3: lesson's not even gonna be. It's not near as big 189 00:08:11,440 --> 00:08:13,600 Speaker 3: as you think it is. It's like when we're worried 190 00:08:13,600 --> 00:08:16,400 Speaker 3: about getting up and embarrassing ourselves in public, or if 191 00:08:16,440 --> 00:08:17,960 Speaker 3: you have to give a speed or whatever it is. 192 00:08:18,560 --> 00:08:21,640 Speaker 3: We're like, oh, if I humiliate myself, nobody's thinking about 193 00:08:21,640 --> 00:08:25,360 Speaker 3: it one second after it's over, because everybody's so self 194 00:08:25,680 --> 00:08:27,280 Speaker 3: consumed anyway. 195 00:08:27,480 --> 00:08:29,280 Speaker 2: So good for you. 196 00:08:28,920 --> 00:08:32,720 Speaker 3: You get to learn and you get to find value 197 00:08:32,760 --> 00:08:34,000 Speaker 3: in more important things. 198 00:08:34,440 --> 00:08:36,920 Speaker 2: Yeah, signed ugly geeky Bobby. Yeah. 199 00:08:36,960 --> 00:08:39,160 Speaker 5: I think it's an opportunity to get to know other 200 00:08:39,240 --> 00:08:42,240 Speaker 5: parts of you, because you do have more to offer 201 00:08:42,679 --> 00:08:45,600 Speaker 5: than your looks. So get to know the other things 202 00:08:45,600 --> 00:08:46,760 Speaker 5: about you that are amazing. 203 00:08:46,800 --> 00:08:50,120 Speaker 3: And if it's just a scar and you're very good looking, 204 00:08:50,280 --> 00:08:51,520 Speaker 3: you're still probably pretty good looking. 205 00:08:51,559 --> 00:08:53,079 Speaker 2: It's true, and. 206 00:08:53,040 --> 00:08:54,240 Speaker 9: It's a conversation starter. 207 00:08:54,520 --> 00:08:55,680 Speaker 2: Yeah, scars are cool man. 208 00:08:55,800 --> 00:08:58,199 Speaker 4: Yeah, there's always a story behind a scar. 209 00:08:58,559 --> 00:09:00,679 Speaker 2: That story is not good. You can make up a 210 00:09:00,679 --> 00:09:02,680 Speaker 2: good story. Robin a liquor store. I got a good story. 211 00:09:02,720 --> 00:09:04,480 Speaker 4: I got bit by a shark. You change it, Yeah, 212 00:09:04,559 --> 00:09:06,000 Speaker 4: you should change it. And then later you're like, I'm 213 00:09:06,000 --> 00:09:07,680 Speaker 4: just joking. I was just Robin liquor store. 214 00:09:08,679 --> 00:09:08,920 Speaker 2: Uh. 215 00:09:09,000 --> 00:09:10,920 Speaker 3: Yeah, it sucks. I'm sorry that happened to you, but 216 00:09:10,960 --> 00:09:12,640 Speaker 3: I think you'll get a lot from it. And it 217 00:09:12,720 --> 00:09:15,319 Speaker 3: also allows you to understand that that's not the most 218 00:09:15,320 --> 00:09:17,520 Speaker 3: important thing in life. If that was your understanding that 219 00:09:17,559 --> 00:09:20,160 Speaker 3: that was the most important thing in life. We always 220 00:09:20,280 --> 00:09:23,920 Speaker 3: we get these lessons of different ways. So yeah, congratulations. 221 00:09:23,920 --> 00:09:26,360 Speaker 3: Look at it as a as a bit of time 222 00:09:26,360 --> 00:09:28,280 Speaker 3: to grow and the person you've been happy with forever. 223 00:09:29,640 --> 00:09:31,600 Speaker 2: And a person's not gonna date you now because your scar. 224 00:09:31,960 --> 00:09:33,200 Speaker 2: That's all all right, close it up. 225 00:09:33,440 --> 00:09:36,000 Speaker 3: We got your game mail and we read it on 226 00:09:36,160 --> 00:09:39,960 Speaker 3: your Now it's find the clothes Bobby failed that year. 227 00:09:41,679 --> 00:09:44,720 Speaker 3: We're gonna play never Gonna Get It, and I'm gonna give. 228 00:09:44,559 --> 00:09:46,240 Speaker 2: You the question. Then we're gonna play the new theme song. 229 00:09:46,800 --> 00:09:49,920 Speaker 3: About a quarter of Americans have ever had one of 230 00:09:49,920 --> 00:09:51,600 Speaker 3: these automotive accessories? 231 00:09:52,800 --> 00:09:53,839 Speaker 2: What are they? About? 232 00:09:53,840 --> 00:09:57,760 Speaker 3: Twenty five percent Americans have had this automotive accessory? 233 00:09:58,360 --> 00:10:00,360 Speaker 2: What is it? It's it's difficult. That's why say you're 234 00:10:00,400 --> 00:10:02,839 Speaker 2: never gonna get it. No, you're not gonna get it. 235 00:10:03,600 --> 00:10:06,080 Speaker 2: You're never never gonna get itty. He's on the phone 236 00:10:06,120 --> 00:10:07,920 Speaker 2: right now, Hey, Courtney, how are you this morning? 237 00:10:08,480 --> 00:10:10,280 Speaker 10: I'm good, Bobby, how are you really good? 238 00:10:10,280 --> 00:10:11,280 Speaker 2: Thank you for calling the show. 239 00:10:11,320 --> 00:10:13,400 Speaker 3: And you have three chances here to win a one 240 00:10:13,480 --> 00:10:17,000 Speaker 3: hundred dollars gift card to Sonic. Now, the question is 241 00:10:17,080 --> 00:10:20,040 Speaker 3: about twenty five percent of Americans I've had one of 242 00:10:20,080 --> 00:10:21,679 Speaker 3: these automotive accessories? 243 00:10:21,760 --> 00:10:25,079 Speaker 2: What is it? But only and I can give you 244 00:10:25,080 --> 00:10:25,600 Speaker 2: another hint. 245 00:10:26,000 --> 00:10:30,640 Speaker 3: Fourteen percent still due in another like eleven percent say 246 00:10:30,640 --> 00:10:32,959 Speaker 3: they used to, so half of them have hunted it. 247 00:10:33,000 --> 00:10:33,840 Speaker 2: And that's a free hint. 248 00:10:34,679 --> 00:10:37,120 Speaker 10: Oh that's a tough one. I'm gonna take a wild 249 00:10:37,200 --> 00:10:39,720 Speaker 10: guess here, and I'm gonna say the air freshener. Are 250 00:10:39,720 --> 00:10:41,160 Speaker 10: you hanging fart in your rear of your mirror? 251 00:10:41,400 --> 00:10:45,080 Speaker 2: Hey, you'll, you'll tree, you'll pine try Yeah. 252 00:10:45,000 --> 00:10:48,920 Speaker 3: Yeah, yeah, great guess, but that's not it. It's hard 253 00:10:48,960 --> 00:10:50,040 Speaker 3: because you're never gonna get it. 254 00:10:52,080 --> 00:10:55,720 Speaker 2: You know you're not gonna get it. You're never give me. 255 00:10:55,720 --> 00:11:01,000 Speaker 2: How do you feel fine? Lunchbox? Great, Eddie? I feel good. 256 00:11:01,080 --> 00:11:03,360 Speaker 4: I have three options that I get to choose from 257 00:11:03,360 --> 00:11:03,880 Speaker 4: that I came. 258 00:11:03,800 --> 00:11:06,520 Speaker 3: Up with, Morgan, I feel pretty good. Now I'm gonna 259 00:11:06,520 --> 00:11:08,800 Speaker 3: give you two Courtney. You get there's four show members here, 260 00:11:08,800 --> 00:11:09,839 Speaker 3: but you get to pick two of them and if 261 00:11:09,840 --> 00:11:11,960 Speaker 3: either one of them get it, you get it. But 262 00:11:12,000 --> 00:11:14,200 Speaker 3: it's never gonna get it. So Courtney, who are your 263 00:11:14,200 --> 00:11:15,080 Speaker 3: two players? 264 00:11:15,400 --> 00:11:19,559 Speaker 10: Okay, I'm gonna pay. I'm gonna go with Amy and lunchbox. 265 00:11:19,640 --> 00:11:21,559 Speaker 2: Okay, oh boy, go ahead, Eddie. 266 00:11:21,600 --> 00:11:23,520 Speaker 3: About a quarter of Americans I've ever had one of these, 267 00:11:24,160 --> 00:11:26,000 Speaker 3: fourteen percent say they still do. 268 00:11:26,040 --> 00:11:29,559 Speaker 2: About eleven percent say they used to, Eddie. 269 00:11:30,160 --> 00:11:33,080 Speaker 4: We're talking about the club that you put in your 270 00:11:33,080 --> 00:11:35,200 Speaker 4: steering wheel so they don't steal it. 271 00:11:35,360 --> 00:11:37,240 Speaker 2: That's interesting, it's actually good. Morgan. 272 00:11:38,040 --> 00:11:40,120 Speaker 9: Well, they used to have is a lot when I 273 00:11:40,160 --> 00:11:42,520 Speaker 9: was in high school. It's the wheel and seat covers, 274 00:11:42,640 --> 00:11:44,480 Speaker 9: and they can be all different kinds of things. They 275 00:11:44,480 --> 00:11:45,960 Speaker 9: can be fuzzy. 276 00:11:46,000 --> 00:11:47,319 Speaker 2: We all like on top of the. 277 00:11:47,240 --> 00:11:49,120 Speaker 9: Wheel, on the wheel, and then also on the seat. 278 00:11:49,160 --> 00:11:49,680 Speaker 9: They all match. 279 00:11:49,760 --> 00:11:54,679 Speaker 7: Oh yeah, yeah, lunchbox tassel hanging from the rear view. 280 00:11:55,240 --> 00:11:57,320 Speaker 2: Like after you graduate high school yep, or college. 281 00:11:57,320 --> 00:11:59,439 Speaker 7: People did that a lot, mostly high school again, Yeah, 282 00:11:59,480 --> 00:11:59,960 Speaker 7: people did that. 283 00:12:00,800 --> 00:12:01,240 Speaker 2: Amy. 284 00:12:01,840 --> 00:12:05,000 Speaker 5: A vanity plate, also known as like a personalized. 285 00:12:04,440 --> 00:12:09,040 Speaker 2: License, right one? Amy? Hey Courtney, Yes, Bobby. 286 00:12:09,120 --> 00:12:10,839 Speaker 3: Of those four answers, which one did did you like 287 00:12:10,960 --> 00:12:15,760 Speaker 3: the best? It doesn't matter, it doesn't. Somebody got it, really, yeah, somebody. 288 00:12:15,360 --> 00:12:21,319 Speaker 10: Got the club, probably the. 289 00:12:21,360 --> 00:12:22,600 Speaker 7: Club we all hate. 290 00:12:22,880 --> 00:12:24,520 Speaker 2: They tricked you into saying the club. I don't think 291 00:12:24,600 --> 00:12:27,480 Speaker 2: it's definitely not. We all had. I never had the 292 00:12:27,520 --> 00:12:29,520 Speaker 2: club we use. The club costs more than my cars. 293 00:12:29,600 --> 00:12:32,000 Speaker 7: Back then, I was just seeing if she would stay 294 00:12:32,000 --> 00:12:33,319 Speaker 7: loyal to Amy and I. 295 00:12:33,040 --> 00:12:35,559 Speaker 3: I guess you kept the club. 296 00:12:36,280 --> 00:12:38,959 Speaker 2: She didn't say there is vanity plates. Amy is the 297 00:12:39,000 --> 00:12:44,000 Speaker 2: winner and so is Courtney. Wow, congratulations court. 298 00:12:45,480 --> 00:12:48,360 Speaker 10: By Buddy, Bobby, I'm a really big fan of yours. 299 00:12:48,400 --> 00:12:50,480 Speaker 10: You've actually one year I called the show on my 300 00:12:50,559 --> 00:12:53,520 Speaker 10: nineteen firth ame you send me an autograph picture and 301 00:12:53,640 --> 00:12:55,840 Speaker 10: I went to your hometown mount in Pine, Arkansas and 302 00:12:55,840 --> 00:12:58,080 Speaker 10: I took a picture by the Bobby Bones by the 303 00:12:58,080 --> 00:13:00,959 Speaker 10: boyhood home, by the that says the boy hit home 304 00:13:01,000 --> 00:13:03,000 Speaker 10: with Bobby Bones. And you like my picture on Instagram. 305 00:13:03,040 --> 00:13:04,680 Speaker 10: But yeah, I've been a fan of your for years. 306 00:13:04,760 --> 00:13:05,320 Speaker 2: That's awesome. 307 00:13:05,400 --> 00:13:07,600 Speaker 10: So it made my day because I called my last 308 00:13:07,640 --> 00:13:10,280 Speaker 10: birthday but I didn't get to talk to you guys. 309 00:13:10,720 --> 00:13:12,280 Speaker 10: I'm so happy I got to spend my day with 310 00:13:12,320 --> 00:13:12,960 Speaker 10: you guys today. 311 00:13:13,080 --> 00:13:17,800 Speaker 2: That's awesome. And you want one hundred dollars Sonic. Happy birthday, 312 00:13:17,840 --> 00:13:20,400 Speaker 2: And Corney. Let's put you through a little fun bit here, Courtney. 313 00:13:20,480 --> 00:13:23,280 Speaker 3: So if you listen to the show, what would Amy's 314 00:13:23,360 --> 00:13:25,880 Speaker 3: vanity plate say, Courtney, if you get to assign one 315 00:13:25,880 --> 00:13:28,000 Speaker 3: to Amy, what would her vanity plates say? 316 00:13:29,000 --> 00:13:31,120 Speaker 10: I'd say super Mama because she's a really good mom. 317 00:13:31,520 --> 00:13:35,200 Speaker 2: S U p R M M A super mama you 318 00:13:35,280 --> 00:13:38,440 Speaker 2: only have yeah, you know, yeah, okay? What would lunchboxes say? 319 00:13:41,400 --> 00:13:42,000 Speaker 10: Comic relie? 320 00:13:42,000 --> 00:13:45,679 Speaker 2: If I don't know, c M c R l F 321 00:13:45,880 --> 00:13:48,120 Speaker 2: come on release, that's not really good. 322 00:13:48,720 --> 00:13:50,640 Speaker 9: She gets to pick it and she says, you're funny. 323 00:13:50,720 --> 00:13:51,120 Speaker 2: That's good. 324 00:13:51,240 --> 00:13:52,920 Speaker 7: I'm just saying, like, you're not gonna if you're driving, 325 00:13:52,920 --> 00:13:54,240 Speaker 7: you're not gonna rely understand what that is. 326 00:13:54,360 --> 00:13:57,240 Speaker 2: I think I would maybe Eddie? What about Eddie? 327 00:14:00,120 --> 00:14:00,439 Speaker 11: For dad? 328 00:14:01,320 --> 00:14:05,120 Speaker 2: P R you could do the whole word superdad. You 329 00:14:05,120 --> 00:14:08,320 Speaker 2: can't do the whole word with that s p R 330 00:14:08,679 --> 00:14:13,600 Speaker 2: D A D super bad dad. Yeah. What about Morgan. 331 00:14:14,160 --> 00:14:21,440 Speaker 7: Morgan Batty b A D D D Y I like it? 332 00:14:22,200 --> 00:14:22,760 Speaker 2: What does that mean? 333 00:14:22,840 --> 00:14:22,880 Speaker 7: Like? 334 00:14:25,440 --> 00:14:25,640 Speaker 8: Yeah? 335 00:14:25,720 --> 00:14:26,280 Speaker 2: What about me? 336 00:14:29,520 --> 00:14:30,040 Speaker 5: I don't know? 337 00:14:33,040 --> 00:14:36,120 Speaker 10: What would Bobby's say? You would probably just get a 338 00:14:36,160 --> 00:14:39,960 Speaker 10: picture of like the uh, the University of Arkansas mascot 339 00:14:40,000 --> 00:14:42,240 Speaker 10: yours wouldn't say anything. You would probably just say the 340 00:14:42,360 --> 00:14:47,120 Speaker 10: University of Arkansas. Or you would probably put like Caleb's 341 00:14:47,160 --> 00:14:49,240 Speaker 10: husband on it because that's probably your favorite title. 342 00:14:49,360 --> 00:14:54,480 Speaker 3: Yeh c T L n h B sort of yeah 343 00:14:54,680 --> 00:14:57,720 Speaker 3: or whooping like whooping yeah. Okay, Well, and Corny is 344 00:14:57,720 --> 00:14:59,640 Speaker 3: a big winner today lunch. What would Eddie say if 345 00:14:59,640 --> 00:15:00,280 Speaker 3: you had this on it? 346 00:15:01,720 --> 00:15:06,360 Speaker 7: Baldy and you can spell that? 347 00:15:06,520 --> 00:15:10,600 Speaker 3: B A L D We're one uh d y. We 348 00:15:10,600 --> 00:15:14,600 Speaker 3: can need you one short though, y b A l 349 00:15:14,680 --> 00:15:16,800 Speaker 3: D y five? Man, you need one more? 350 00:15:16,840 --> 00:15:17,400 Speaker 2: How would you do it? 351 00:15:18,200 --> 00:15:23,000 Speaker 7: You need two d's yeah, bald d bald d baldi 352 00:15:23,080 --> 00:15:24,320 Speaker 7: one baldi one. 353 00:15:24,640 --> 00:15:26,040 Speaker 9: Eddie's okay with it, like you're. 354 00:15:29,360 --> 00:15:35,200 Speaker 2: Tags on a license plate. Eddie. What would n boxes say? Idiot? 355 00:15:36,920 --> 00:15:39,440 Speaker 2: That's not up I D that's perfect? You need one more? 356 00:15:39,680 --> 00:15:46,440 Speaker 2: One more? Uh yeah, idiot one. See I shouldn't just 357 00:15:46,440 --> 00:15:48,480 Speaker 2: open them up to insold each other. I don't know why. 358 00:15:49,240 --> 00:15:53,920 Speaker 3: What about dumb it d M b A. 359 00:15:53,920 --> 00:15:55,280 Speaker 2: Alright, Coordiney is our winner. 360 00:15:55,680 --> 00:16:02,720 Speaker 7: It's time for the good news, So shout. 361 00:16:02,400 --> 00:16:05,080 Speaker 5: Out to Laurie Pinya, who is a mom of six 362 00:16:05,200 --> 00:16:07,360 Speaker 5: and her husband. I think that's probably why they were 363 00:16:07,360 --> 00:16:10,160 Speaker 5: dialed in on the toddler that was walking. 364 00:16:09,840 --> 00:16:11,280 Speaker 9: On the freeway or near it. 365 00:16:11,360 --> 00:16:13,800 Speaker 5: Oh my god, and they're like, okay, something's not right 366 00:16:13,840 --> 00:16:15,240 Speaker 5: with this, and if that was one of our kids, 367 00:16:15,240 --> 00:16:16,320 Speaker 5: we got to stop right now. 368 00:16:16,360 --> 00:16:19,520 Speaker 9: We got to help this kid out. They ended up contact. 369 00:16:20,920 --> 00:16:23,320 Speaker 5: Way, yeah, and the toddler was able to communicate that 370 00:16:23,360 --> 00:16:26,160 Speaker 5: he lived in a house near by and was able 371 00:16:26,240 --> 00:16:27,480 Speaker 5: to get the officers there. 372 00:16:27,560 --> 00:16:29,000 Speaker 9: Once the police showed up. 373 00:16:29,320 --> 00:16:33,000 Speaker 3: Some mature toddler or like the oldest level of toddler four, 374 00:16:33,200 --> 00:16:35,920 Speaker 3: like a young four yea four five? So the five 375 00:16:36,000 --> 00:16:39,080 Speaker 3: is not toddler, it's not kindergarten's not toddler. Oh okay, right, 376 00:16:39,200 --> 00:16:43,120 Speaker 3: no way, that's toll But there are no rules and 377 00:16:43,160 --> 00:16:45,480 Speaker 3: we're being way too no way, idiots. 378 00:16:45,880 --> 00:16:46,320 Speaker 2: Go ahead. 379 00:16:46,600 --> 00:16:49,160 Speaker 5: Well, he was left with his six year old brother 380 00:16:49,320 --> 00:16:53,560 Speaker 5: at home, and they what they determined was when the 381 00:16:53,600 --> 00:16:55,120 Speaker 5: dad got home shortly thereafter. 382 00:16:55,280 --> 00:16:56,280 Speaker 9: Who knows what happens. 383 00:16:56,360 --> 00:16:58,760 Speaker 5: Child services is looking into this, but there was a 384 00:16:58,800 --> 00:17:01,760 Speaker 5: safe environment. Everybody seemed to be doing good. So it's 385 00:17:01,840 --> 00:17:03,960 Speaker 5: probably one of those crazy wild. 386 00:17:03,760 --> 00:17:08,440 Speaker 3: That happens, right, super accidents happened. This is the actual 387 00:17:08,480 --> 00:17:10,960 Speaker 3: definition of a toddler. One to two. There's no way 388 00:17:10,960 --> 00:17:14,320 Speaker 3: that two year old could be that communicative. Okay, uh. 389 00:17:14,400 --> 00:17:17,760 Speaker 3: Three to five is considered a preschooler. But I didn't 390 00:17:17,800 --> 00:17:19,680 Speaker 3: know that toddler or preschooler were like the same version. 391 00:17:19,960 --> 00:17:22,280 Speaker 3: They didn't know either the internet stupid. 392 00:17:22,119 --> 00:17:23,560 Speaker 9: Yeah, telor can totally before. 393 00:17:23,680 --> 00:17:26,080 Speaker 2: That's that's a good story. I'm glad they found the toddler. 394 00:17:26,320 --> 00:17:27,960 Speaker 9: Good so far, we're still looking into it. 395 00:17:28,160 --> 00:17:32,800 Speaker 3: Yeah, but the kids safe. Good, it's safe. That's what's 396 00:17:32,800 --> 00:17:33,240 Speaker 3: all about. 397 00:17:33,920 --> 00:17:38,840 Speaker 2: That was telling me something good on the Bobby Bone Show. Hey, Sam, 398 00:17:39,160 --> 00:17:40,399 Speaker 2: good to hear it. Good to see you, buddy. 399 00:17:40,520 --> 00:17:42,840 Speaker 3: The microphone is on your in your chair over there, 400 00:17:44,400 --> 00:17:45,600 Speaker 3: and you should be able to hear. 401 00:17:46,960 --> 00:17:50,480 Speaker 2: Ray mess up a few times. You get Ray. Yeah, 402 00:17:50,920 --> 00:17:53,400 Speaker 2: I've got to see you are real good. 403 00:17:53,400 --> 00:17:55,359 Speaker 3: I was pumped because I saw your tour and we 404 00:17:55,359 --> 00:18:01,040 Speaker 3: were talking with your old football coach and this this 405 00:18:01,080 --> 00:18:03,000 Speaker 3: is a whole situation where we're talking to Ty Hilton. 406 00:18:03,520 --> 00:18:03,720 Speaker 8: Yeah. 407 00:18:03,800 --> 00:18:06,600 Speaker 3: Yeah, so Ryan too, and were up at wester Kentucky 408 00:18:06,800 --> 00:18:08,920 Speaker 3: working out with the team. So he's the head coach 409 00:18:08,960 --> 00:18:11,720 Speaker 3: there now, Yeah, And he said, was he your quarterbacks coach? 410 00:18:12,119 --> 00:18:13,399 Speaker 2: The offensive coordinator? What was he? 411 00:18:13,520 --> 00:18:13,680 Speaker 8: Yeah? 412 00:18:13,720 --> 00:18:17,040 Speaker 12: He was, He was the quarterbacks coach and then also 413 00:18:18,000 --> 00:18:21,359 Speaker 12: helped out with the offense. So his his dad, it 414 00:18:21,480 --> 00:18:24,280 Speaker 12: was a long time legendary coach coach there at ub 415 00:18:24,359 --> 00:18:27,720 Speaker 12: when I was there, and then Tyson, his son was 416 00:18:28,880 --> 00:18:31,159 Speaker 12: it was the quarterback coach. Yeah, so he was, and 417 00:18:31,200 --> 00:18:33,119 Speaker 12: he was not that much older. He was he was 418 00:18:33,160 --> 00:18:35,159 Speaker 12: older than us, but he was fairly younger. 419 00:18:35,280 --> 00:18:37,200 Speaker 2: Yeah. No, yeah, I mean so we're hanging out and 420 00:18:37,240 --> 00:18:38,960 Speaker 2: he said, he said, hey, you ever talk to Sam? 421 00:18:38,960 --> 00:18:41,880 Speaker 2: I said, yeah, sometime. So Tyson's the Hilltoppers head coach. 422 00:18:41,840 --> 00:18:43,600 Speaker 8: Now and is he the head coach? Yeah? 423 00:18:43,640 --> 00:18:46,600 Speaker 2: Oh wow, yeah he's crushing. And he said, uh, tell him, 424 00:18:46,600 --> 00:18:49,280 Speaker 2: I sew what up? And give him my number? And 425 00:18:49,320 --> 00:18:51,280 Speaker 2: I was like, I don't. 426 00:18:51,600 --> 00:18:53,240 Speaker 3: I don't really know how to handle this right now, 427 00:18:53,960 --> 00:18:56,240 Speaker 3: but he sent along his regards. 428 00:18:56,240 --> 00:18:57,719 Speaker 8: Would you still I'd like to I'd like to get 429 00:18:57,760 --> 00:18:58,520 Speaker 8: your get his numbers. 430 00:18:58,560 --> 00:18:59,760 Speaker 2: Oh we got it in the good this is all 431 00:19:00,040 --> 00:19:01,600 Speaker 2: thank goodness. No, no, we can give you a number 432 00:19:01,640 --> 00:19:03,080 Speaker 2: that because I was like, I don't know. I'm told Sam, 433 00:19:03,160 --> 00:19:04,640 Speaker 2: you want to know you're good? 434 00:19:04,720 --> 00:19:07,200 Speaker 8: Yeah? Absolutely cool, good night. Yeah. 435 00:19:07,240 --> 00:19:08,879 Speaker 12: We stayed in touch for a long time and then 436 00:19:08,960 --> 00:19:11,200 Speaker 12: after life got crazy, when you know, several years after 437 00:19:11,240 --> 00:19:14,080 Speaker 12: moved to Nashville. I just I've not talked to a 438 00:19:14,080 --> 00:19:15,640 Speaker 12: lot of folks that from my past life. 439 00:19:16,000 --> 00:19:17,320 Speaker 9: You have to change your number. 440 00:19:17,600 --> 00:19:20,119 Speaker 3: I have a couple of times because people like I 441 00:19:20,160 --> 00:19:22,960 Speaker 3: don't know Stalker's ray, I mean any like people like that. 442 00:19:23,320 --> 00:19:24,560 Speaker 8: No, No, I don't remember. 443 00:19:24,640 --> 00:19:27,720 Speaker 12: I changed Actually I had the same number until about 444 00:19:27,720 --> 00:19:30,280 Speaker 12: five years ago, and I've changed it twice since then. 445 00:19:30,520 --> 00:19:35,199 Speaker 12: And and it's good. I get overwhelmed a little bit 446 00:19:35,359 --> 00:19:37,639 Speaker 12: with times. Would you regular one number to everybody? 447 00:19:37,720 --> 00:19:40,800 Speaker 2: I just give you his number or give him your number. 448 00:19:40,640 --> 00:19:42,639 Speaker 8: Either one, I'll take it. I'll take his number from me. 449 00:19:43,720 --> 00:19:45,040 Speaker 5: Was talking about how he's like, I just tend to 450 00:19:45,080 --> 00:19:46,440 Speaker 5: give my number out to anybody and then. 451 00:19:46,359 --> 00:19:47,040 Speaker 2: I can go from. 452 00:19:49,960 --> 00:19:52,320 Speaker 12: So I have a little guilt for unanswered text messages, 453 00:19:52,359 --> 00:19:54,960 Speaker 12: and I am bad with text messages, and then so 454 00:19:55,119 --> 00:19:56,320 Speaker 12: that guilt sort of weighs on me. 455 00:19:56,359 --> 00:19:58,960 Speaker 2: And anyway, give the red dots, like lots of red dots? 456 00:19:59,080 --> 00:20:00,720 Speaker 2: Are you that guy? Or do you clear them all off? 457 00:20:01,040 --> 00:20:02,360 Speaker 8: Now? They're in there. 458 00:20:03,080 --> 00:20:05,480 Speaker 3: So you don't even open them. So your guilt is 459 00:20:05,520 --> 00:20:08,000 Speaker 3: not that you open them and then don't respond or 460 00:20:08,040 --> 00:20:09,760 Speaker 3: forget to respond. It is that you just never open them. 461 00:20:10,000 --> 00:20:10,560 Speaker 8: No, I Ope. 462 00:20:10,640 --> 00:20:12,840 Speaker 12: A lot of times it'll be I'll see them while 463 00:20:12,840 --> 00:20:15,560 Speaker 12: I'm driving, or I'll be in the middle of a 464 00:20:15,600 --> 00:20:18,280 Speaker 12: writing session, or I'll be in the studio and I'll 465 00:20:18,280 --> 00:20:20,639 Speaker 12: see the text come in and I look at it 466 00:20:20,640 --> 00:20:22,840 Speaker 12: and I'm like, Okay, I think to myself, you know, 467 00:20:22,880 --> 00:20:24,879 Speaker 12: I'll get back back to yeah, and then it just 468 00:20:24,920 --> 00:20:25,359 Speaker 12: adds up. 469 00:20:25,440 --> 00:20:27,280 Speaker 3: My problem is if people text me at like ten 470 00:20:27,359 --> 00:20:29,639 Speaker 3: thirty PM, even nine thirty, if I'm asleep, because if 471 00:20:29,640 --> 00:20:32,280 Speaker 3: to wake up so early on the weekdays, I'll see 472 00:20:32,280 --> 00:20:33,320 Speaker 3: it at three point thirty and. 473 00:20:33,320 --> 00:20:35,320 Speaker 2: I'm like, I can't reply now because I'll wake them up. 474 00:20:35,880 --> 00:20:38,800 Speaker 3: And then I don't even think back about it at 475 00:20:38,800 --> 00:20:40,679 Speaker 3: eleven because I've already moved past it. 476 00:20:40,760 --> 00:20:43,240 Speaker 12: I know, and I'm sort of add So if I'm 477 00:20:43,400 --> 00:20:46,080 Speaker 12: in a frame of mind or in a state of mind, 478 00:20:46,160 --> 00:20:50,119 Speaker 12: I've got some focus going. If I entertain a conversation 479 00:20:50,200 --> 00:20:53,480 Speaker 12: that is about something completely different than whatever I was 480 00:20:53,520 --> 00:20:55,399 Speaker 12: thinking about's gone and now I'm in the world of 481 00:20:55,720 --> 00:20:57,040 Speaker 12: this text message conversation. 482 00:20:57,160 --> 00:20:58,760 Speaker 2: So do you think you can write a song about 483 00:20:58,760 --> 00:20:59,880 Speaker 2: anything and it'd be good? 484 00:21:00,280 --> 00:21:01,520 Speaker 8: No? No, definitely not. 485 00:21:01,600 --> 00:21:01,720 Speaker 5: I have. 486 00:21:02,240 --> 00:21:03,880 Speaker 12: That's why it's so hard for me to put out music, 487 00:21:03,920 --> 00:21:07,359 Speaker 12: because there's only I feel like, my h the sweet 488 00:21:07,400 --> 00:21:09,720 Speaker 12: spot for what I can write about or what would 489 00:21:09,800 --> 00:21:13,480 Speaker 12: work for me is it's so small that a lot 490 00:21:13,480 --> 00:21:15,600 Speaker 12: of ideas come along that I'll just I'll pass on 491 00:21:15,640 --> 00:21:17,360 Speaker 12: them or think, you know, that's just not a good 492 00:21:17,400 --> 00:21:21,320 Speaker 12: idea for me. But oh, there's probably plenty of guys 493 00:21:21,320 --> 00:21:24,399 Speaker 12: in Nashville who could write those ideas and they end 494 00:21:24,480 --> 00:21:25,360 Speaker 12: up great songs. 495 00:21:25,680 --> 00:21:29,159 Speaker 3: The legacy of Sam Hunt the writer is that you 496 00:21:29,240 --> 00:21:33,720 Speaker 3: are much more of a perfectionist or someone who needs 497 00:21:33,720 --> 00:21:37,320 Speaker 3: to sit with it a lot longer than the average songwriter. 498 00:21:37,359 --> 00:21:38,440 Speaker 2: Would you say there's truth to that? 499 00:21:38,800 --> 00:21:41,439 Speaker 12: Yeah, I think I got that reputation during about a 500 00:21:41,440 --> 00:21:46,480 Speaker 12: three year period where I was probably overthinking and you know, 501 00:21:46,480 --> 00:21:49,440 Speaker 12: I wrote my first album and had some success with it, 502 00:21:50,000 --> 00:21:52,639 Speaker 12: and then I should have been writing while I was 503 00:21:52,640 --> 00:21:54,120 Speaker 12: on the road, but I was touring for two years 504 00:21:54,119 --> 00:21:55,919 Speaker 12: not writing at all. So when I went back in 505 00:21:55,920 --> 00:21:57,960 Speaker 12: to write, I was trying to figure out exactly what 506 00:21:58,040 --> 00:22:02,280 Speaker 12: I had done on the first album that made it successful, 507 00:22:02,320 --> 00:22:04,920 Speaker 12: and so I think I started overthinking that and trying 508 00:22:04,960 --> 00:22:08,400 Speaker 12: to get a little too formulaic and breaking everything down 509 00:22:08,440 --> 00:22:09,440 Speaker 12: into this sort. 510 00:22:09,280 --> 00:22:11,480 Speaker 2: Of math problem you had a little bit, Yeah, I. 511 00:22:11,400 --> 00:22:13,199 Speaker 3: Think, so are you still in that spot where you 512 00:22:13,240 --> 00:22:15,600 Speaker 3: need to live with it for days and days and days. 513 00:22:15,400 --> 00:22:16,800 Speaker 8: No, I've stepped back away from that. 514 00:22:16,880 --> 00:22:21,560 Speaker 12: I've I tend to just move forward now, which is 515 00:22:21,880 --> 00:22:24,800 Speaker 12: the approach of most songwriters who I write with. It's 516 00:22:24,880 --> 00:22:27,960 Speaker 12: just just keep going and get the song written, and 517 00:22:28,240 --> 00:22:31,240 Speaker 12: that tends to be more productive if you zoom out 518 00:22:31,320 --> 00:22:31,800 Speaker 12: and look at. 519 00:22:31,760 --> 00:22:33,080 Speaker 8: It long term. 520 00:22:33,280 --> 00:22:34,800 Speaker 2: Body like a backroad one of those who took a 521 00:22:34,840 --> 00:22:35,920 Speaker 2: long time and kept rewriting. 522 00:22:36,080 --> 00:22:39,880 Speaker 12: Yeah, yeah, it's funny to like the silliest song I have. 523 00:22:40,000 --> 00:22:43,560 Speaker 3: But sure it's silly in that, but still you had 524 00:22:43,560 --> 00:22:45,359 Speaker 3: to find the exactly that song's got to make you 525 00:22:45,400 --> 00:22:47,320 Speaker 3: feel are envisioned certain things. 526 00:22:47,320 --> 00:22:49,000 Speaker 12: That was the problem was there was so many ways 527 00:22:49,000 --> 00:22:50,720 Speaker 12: to miss and then that was one where if I 528 00:22:50,880 --> 00:22:52,760 Speaker 12: missed bine inch, I'd missed by a mile, And so 529 00:22:54,080 --> 00:22:58,239 Speaker 12: it was a delicate tightrope walk and so I had 530 00:22:58,280 --> 00:22:59,360 Speaker 12: to get it just right. 531 00:22:59,400 --> 00:23:01,000 Speaker 3: So like it was just writer or did you go 532 00:23:01,040 --> 00:23:02,359 Speaker 3: I can't hold onto this any longer? 533 00:23:02,440 --> 00:23:03,200 Speaker 8: A live bit of both. 534 00:23:03,280 --> 00:23:07,439 Speaker 12: Yeah, I finally got I just I didn't want to 535 00:23:07,440 --> 00:23:09,840 Speaker 12: have any lines or sections that were that didn't match 536 00:23:09,880 --> 00:23:11,840 Speaker 12: the rest of the song and feel like the same character. 537 00:23:12,160 --> 00:23:14,440 Speaker 12: But I also feel like it just came out because 538 00:23:14,480 --> 00:23:15,919 Speaker 12: if I wanted to feel like it just came off 539 00:23:15,960 --> 00:23:17,720 Speaker 12: the top of the head, top of my head, but 540 00:23:18,600 --> 00:23:20,960 Speaker 12: it took more thought and effort to get it to 541 00:23:21,040 --> 00:23:22,000 Speaker 12: make it feel like that. 542 00:23:22,359 --> 00:23:23,600 Speaker 8: It kept feeling overwritten. 543 00:23:23,680 --> 00:23:26,399 Speaker 12: Every every line early on was like a reference to 544 00:23:26,440 --> 00:23:29,240 Speaker 12: the back Road, and it was like just felt overwritten 545 00:23:29,280 --> 00:23:29,880 Speaker 12: and too cute. 546 00:23:30,000 --> 00:23:33,320 Speaker 8: So I had to find that sweet spot. It took 547 00:23:33,320 --> 00:23:33,840 Speaker 8: a little while. 548 00:23:33,960 --> 00:23:36,720 Speaker 3: If I especially when I've written books, but or even 549 00:23:36,760 --> 00:23:38,879 Speaker 3: a joke, if I live in it so long, I 550 00:23:38,960 --> 00:23:41,399 Speaker 3: lose whatever I thought was good about it, Like I 551 00:23:41,400 --> 00:23:43,479 Speaker 3: can't identify it anymore. Like if I'm writting a joke 552 00:23:43,520 --> 00:23:44,399 Speaker 3: and I'm like, man, I don't even know if this 553 00:23:44,440 --> 00:23:46,439 Speaker 3: is funny, and because I've just been inside of it 554 00:23:46,480 --> 00:23:48,360 Speaker 3: so long, or the book too, I'm like, I hate 555 00:23:48,400 --> 00:23:50,280 Speaker 3: it because I don't do you do that with songs 556 00:23:50,320 --> 00:23:52,160 Speaker 3: where you're in it so much you can't even identify 557 00:23:52,200 --> 00:23:53,879 Speaker 3: what was good to you at first. 558 00:23:53,960 --> 00:23:57,280 Speaker 12: Yeah, And that's the argument against taking too much time 559 00:23:57,359 --> 00:24:02,680 Speaker 12: with something and trying to or we're just overthinking it, 560 00:24:02,840 --> 00:24:05,960 Speaker 12: is that will come a point where you can't see 561 00:24:05,960 --> 00:24:09,600 Speaker 12: it anymore and you just you lose perspective. And so 562 00:24:09,920 --> 00:24:13,400 Speaker 12: that initial burst of inspiration, it's almost better. I think 563 00:24:13,440 --> 00:24:17,480 Speaker 12: to try to mine that for all you can early on, 564 00:24:17,520 --> 00:24:19,359 Speaker 12: while you've got that, why you can really see it 565 00:24:19,400 --> 00:24:21,439 Speaker 12: and instead of sleeping on it and coming back to 566 00:24:21,480 --> 00:24:22,360 Speaker 12: it weeks later. 567 00:24:22,320 --> 00:24:24,480 Speaker 3: I locked up tour. You guys get tickets at Sam 568 00:24:24,520 --> 00:24:28,600 Speaker 3: hunt dot com. Russell Dickerson, George Burgh on the Canadian run, 569 00:24:28,640 --> 00:24:30,520 Speaker 3: which we're in a bunch of Canadian places too, shout 570 00:24:30,520 --> 00:24:34,720 Speaker 3: out Dalton Dover kicks off June twenty eighth, and it's 571 00:24:34,760 --> 00:24:36,280 Speaker 3: in you know, a lot of cities. The shows in 572 00:24:36,560 --> 00:24:40,199 Speaker 3: June twenty eighth and Bendor again end up doing that northwest, 573 00:24:40,680 --> 00:24:42,440 Speaker 3: coming all the way through. I guess my question is 574 00:24:42,480 --> 00:24:44,800 Speaker 3: I wouldn't watch John Mayor's acoustic tour, which I'm a 575 00:24:44,800 --> 00:24:47,080 Speaker 3: big John marrafan, Like, that's like the first songwriter I 576 00:24:47,119 --> 00:24:49,600 Speaker 3: ever heard speak for me, just to me, but for me, 577 00:24:49,640 --> 00:24:51,719 Speaker 3: I'm like, oh, you see a good comedian. You're like, oh, 578 00:24:51,720 --> 00:24:53,800 Speaker 3: I thought that. I just didn't think of it like that. 579 00:24:53,840 --> 00:24:55,320 Speaker 3: He was the first person that I ever heard. 580 00:24:55,160 --> 00:24:57,280 Speaker 2: Write a song. I was like, oh, I've always thought that, 581 00:24:57,280 --> 00:24:58,199 Speaker 2: I just know how to say it. 582 00:24:58,359 --> 00:25:00,560 Speaker 8: His lyrics are really thoughtful. 583 00:25:00,760 --> 00:25:02,920 Speaker 12: And guys like that or who those are the guys 584 00:25:02,920 --> 00:25:06,359 Speaker 12: that make me overthink lyrics, just there's a bar there 585 00:25:06,440 --> 00:25:08,720 Speaker 12: that though some of the guys like that set and 586 00:25:09,000 --> 00:25:10,200 Speaker 12: you always feel like you're. 587 00:25:10,040 --> 00:25:12,760 Speaker 3: Not People do that to you too in the same way, right, 588 00:25:12,760 --> 00:25:14,800 Speaker 3: they're like, well, Sam's the bar because he will spend 589 00:25:14,840 --> 00:25:16,720 Speaker 3: all this time getting it perfect. We all have a bar, 590 00:25:17,000 --> 00:25:19,679 Speaker 3: and we're all somebody else's bar too, and it's just 591 00:25:19,720 --> 00:25:21,239 Speaker 3: not to be driven crazy by the freaking bar. 592 00:25:21,520 --> 00:25:23,960 Speaker 12: Yeah, right, And we all value subjective and we value 593 00:25:24,000 --> 00:25:26,480 Speaker 12: different things some people some songwriters value they wanted from 594 00:25:26,560 --> 00:25:29,760 Speaker 12: the melody to be fantastic and wanted to feel and flow. 595 00:25:31,119 --> 00:25:33,880 Speaker 12: I've already always been attracted as a lyrics and John 596 00:25:33,920 --> 00:25:35,120 Speaker 12: Mayer has some great lyrics. 597 00:25:35,280 --> 00:25:37,919 Speaker 3: He did the Acoustic Torn It was super cool, and 598 00:25:38,000 --> 00:25:39,960 Speaker 3: I wondered, but I'm a massive fan, like what it 599 00:25:40,000 --> 00:25:41,240 Speaker 3: was going to be like with him just up there 600 00:25:41,240 --> 00:25:42,560 Speaker 3: with a guitar and really nothing else. 601 00:25:43,040 --> 00:25:44,840 Speaker 2: I feel like that kind of show that would be 602 00:25:44,920 --> 00:25:45,879 Speaker 2: awesome for you to do. 603 00:25:46,040 --> 00:25:47,600 Speaker 3: Would you ever do that? Just go out and go 604 00:25:48,160 --> 00:25:49,560 Speaker 3: to me and a guitar, let's go. 605 00:25:50,000 --> 00:25:53,960 Speaker 12: Yeah, I've thought about that. He's a fantastic guitar player. 606 00:25:53,960 --> 00:25:55,240 Speaker 12: I don't know if I could carry a show with 607 00:25:55,359 --> 00:25:58,119 Speaker 12: just me but if I had a couple partners with 608 00:25:58,240 --> 00:26:03,280 Speaker 12: me to play maybe or something that could work potentially. 609 00:26:03,359 --> 00:26:06,800 Speaker 12: I thought about that, Yeah, like doing theaters, maybe throwing 610 00:26:06,920 --> 00:26:08,640 Speaker 12: some old covers. 611 00:26:09,240 --> 00:26:13,600 Speaker 3: Are people surprised at because if they just have heard 612 00:26:13,600 --> 00:26:15,000 Speaker 3: a few songs on the radio, Let's say they're not 613 00:26:15,000 --> 00:26:16,640 Speaker 3: a massive Sam Hunt fan or even a massive country 614 00:26:16,680 --> 00:26:19,879 Speaker 3: music fan, but they're just a casual of both or either. 615 00:26:20,200 --> 00:26:24,160 Speaker 3: Are they sometimes surprised at? Like how country you actually are? 616 00:26:24,680 --> 00:26:25,280 Speaker 2: Because you are? 617 00:26:25,320 --> 00:26:27,600 Speaker 3: I mean you're literally like you grew up in it. 618 00:26:27,960 --> 00:26:29,560 Speaker 3: Give you a guitar or you can play it all. 619 00:26:29,960 --> 00:26:32,280 Speaker 3: Do you find people like, oh, you actually are that dude? 620 00:26:32,600 --> 00:26:37,080 Speaker 8: Yeah? I think it comes out, I guess. 621 00:26:37,119 --> 00:26:40,360 Speaker 12: And if people are surprised, I think people have preconceived notions. 622 00:26:41,600 --> 00:26:42,800 Speaker 8: I think about it sometimes. 623 00:26:42,960 --> 00:26:46,640 Speaker 12: I guess I grew up country, but I grew up 624 00:26:46,720 --> 00:26:50,879 Speaker 12: Southern country, and there's so many shades of country. 625 00:26:50,960 --> 00:26:51,440 Speaker 8: In the South. 626 00:26:51,480 --> 00:26:53,680 Speaker 3: It's classic rock, which is a big part of country. Yeah, 627 00:26:53,800 --> 00:26:56,800 Speaker 3: and in the South to hip hop's a massive I 628 00:26:56,880 --> 00:26:58,920 Speaker 3: mean even for me in Arkansas, well hits streaming music 629 00:26:58,920 --> 00:27:02,120 Speaker 3: though right like the generation above us, they only could 630 00:27:02,160 --> 00:27:04,840 Speaker 3: get it at stores and so regionally there would only 631 00:27:04,880 --> 00:27:08,479 Speaker 3: be a dominant amount of whatever was big, but like 632 00:27:08,520 --> 00:27:11,600 Speaker 3: you're seeing folks now that are in their mid thirties, 633 00:27:11,680 --> 00:27:14,560 Speaker 3: late thirties, early forties who had the opportunity to be 634 00:27:14,920 --> 00:27:17,960 Speaker 3: influence and affected by everything. Yeah, and that's a bit 635 00:27:18,000 --> 00:27:19,800 Speaker 3: of what I feel like at times your music isn't 636 00:27:19,840 --> 00:27:21,399 Speaker 3: in the greatest way. But I think sometimes people are 637 00:27:21,400 --> 00:27:23,879 Speaker 3: like Sam, like it's really country and they're surprised by it. 638 00:27:25,040 --> 00:27:27,800 Speaker 12: I told you, yeah, I just I never there's so 639 00:27:27,920 --> 00:27:31,639 Speaker 12: many themes that in country that we push really really hard, 640 00:27:32,160 --> 00:27:36,920 Speaker 12: and the country boy lifestyle like that gets pushed really hard, 641 00:27:36,920 --> 00:27:39,720 Speaker 12: and it's it's almost sometimes feels like it's a signal 642 00:27:40,000 --> 00:27:41,840 Speaker 12: to that group to say, hey, I am one of you. 643 00:27:41,880 --> 00:27:44,000 Speaker 8: I am one of you, and it feels pandury and. 644 00:27:44,000 --> 00:27:47,400 Speaker 3: Like like when they check certain artists, it's very pandury. 645 00:27:47,720 --> 00:27:48,840 Speaker 8: Yeah, there's an element of that. 646 00:27:48,880 --> 00:27:52,040 Speaker 12: So I've always been, I guess, try to avoid that 647 00:27:52,080 --> 00:27:53,800 Speaker 12: and probably going a little too far out of my 648 00:27:53,840 --> 00:27:54,560 Speaker 12: way to avoid it. 649 00:27:55,359 --> 00:27:58,439 Speaker 3: The new EP that just came out, so four songs. 650 00:27:58,440 --> 00:28:00,320 Speaker 3: Outskirts is on it, which we're gonna play coming up 651 00:28:00,359 --> 00:28:02,720 Speaker 3: in just a second, but the other three songs locked 652 00:28:02,800 --> 00:28:05,840 Speaker 3: up Yeah, like a really personal song it's gonna be 653 00:28:05,880 --> 00:28:08,439 Speaker 3: people you really trust. We set that aside for when 654 00:28:08,480 --> 00:28:10,879 Speaker 3: you're gonna be with people like Shane mcinally. 655 00:28:11,080 --> 00:28:15,520 Speaker 12: Yeah, essentially, I love branching out and right when you folks. 656 00:28:15,560 --> 00:28:19,879 Speaker 12: But for the most part, because of that relationships, you 657 00:28:19,920 --> 00:28:23,879 Speaker 12: just can't replace a ten year relationship overnight. So for 658 00:28:23,920 --> 00:28:25,640 Speaker 12: the most part, I still just write with the two 659 00:28:25,680 --> 00:28:28,720 Speaker 12: or two or three folks, and luckily we have that 660 00:28:28,800 --> 00:28:31,240 Speaker 12: long term relationship and we've talked about everything under the sun. 661 00:28:31,520 --> 00:28:33,399 Speaker 3: Yeah, I'd be worried, like to get too personal with 662 00:28:33,440 --> 00:28:35,479 Speaker 3: somebody I don't really know, because like what are they 663 00:28:35,480 --> 00:28:36,800 Speaker 3: going to take out and tell their buddies? 664 00:28:37,080 --> 00:28:39,440 Speaker 2: Yeah right, Like that's what, right? 665 00:28:39,480 --> 00:28:41,360 Speaker 9: And it just not like hippa. 666 00:28:41,920 --> 00:28:45,280 Speaker 2: No, there's not hip and song there should be, absolutely 667 00:28:45,280 --> 00:28:45,719 Speaker 2: should be. 668 00:28:45,800 --> 00:28:47,120 Speaker 8: We talked about a body like a Backer. 669 00:28:47,120 --> 00:28:48,640 Speaker 12: One of the things I learned from that song is 670 00:28:48,680 --> 00:28:50,240 Speaker 12: that there are people out there that just want to 671 00:28:50,280 --> 00:28:53,880 Speaker 12: hear a lighthearted, easy going song. It's easy to sing too, 672 00:28:53,920 --> 00:28:57,840 Speaker 12: and it puts a smile on their face. So I've 673 00:28:57,920 --> 00:29:00,560 Speaker 12: leaned into that since then, and this is one of 674 00:29:00,600 --> 00:29:04,320 Speaker 12: those songs that that I don't know that fits that 675 00:29:04,480 --> 00:29:05,520 Speaker 12: Bill Funny. 676 00:29:05,520 --> 00:29:07,760 Speaker 3: We talked about John Mayra, but he was in and 677 00:29:07,840 --> 00:29:09,800 Speaker 3: him and I talked for like half an hour and 678 00:29:09,840 --> 00:29:11,720 Speaker 3: we were talking about songs that are like that, and 679 00:29:11,720 --> 00:29:13,600 Speaker 3: he's like, you know, the songs that people mostly connect 680 00:29:13,640 --> 00:29:15,120 Speaker 3: with are not the ones I spent the most time on. 681 00:29:15,280 --> 00:29:16,720 Speaker 2: He was talking about waiting on the World to change. 682 00:29:16,760 --> 00:29:19,000 Speaker 2: He was like, that song feels like I just. 683 00:29:19,120 --> 00:29:22,200 Speaker 3: Wrote it and was like generic, yeah, and he goes, 684 00:29:22,200 --> 00:29:23,960 Speaker 3: but that's the one that people most connect with. And 685 00:29:24,040 --> 00:29:26,280 Speaker 3: at times, as he said, sometimes you can get in 686 00:29:26,280 --> 00:29:28,920 Speaker 3: your head so much about creating something that is so 687 00:29:29,200 --> 00:29:31,720 Speaker 3: revolutionary that then nobody relates to exactly. 688 00:29:31,800 --> 00:29:32,280 Speaker 8: Yeah. 689 00:29:32,440 --> 00:29:36,080 Speaker 12: Yeah, that that desire to validate yourself as an artist, 690 00:29:36,280 --> 00:29:38,440 Speaker 12: I think is in anybody who does anything creative. 691 00:29:38,960 --> 00:29:42,160 Speaker 8: And but that's just that's ego. 692 00:29:42,240 --> 00:29:45,479 Speaker 12: And you once you feel that in a song and 693 00:29:45,520 --> 00:29:48,200 Speaker 12: it feels trying, it can it can be. You know, 694 00:29:48,320 --> 00:29:53,440 Speaker 12: it's not lost on the listeners. So hopefully, you know, 695 00:29:53,440 --> 00:29:55,880 Speaker 12: I'm capable of writing some of those songs at times 696 00:29:55,880 --> 00:29:58,480 Speaker 12: when they come out, and naturally they can be what 697 00:29:58,520 --> 00:30:01,120 Speaker 12: they're supposed to be. But I think I took for 698 00:30:01,160 --> 00:30:05,840 Speaker 12: granted songs like lighthearted songs that are just that are families, 699 00:30:05,840 --> 00:30:07,280 Speaker 12: and you know, I see, we have a lot of 700 00:30:07,640 --> 00:30:10,920 Speaker 12: kids at our shows now, which is interesting, and there 701 00:30:11,400 --> 00:30:14,720 Speaker 12: songs like this, you know that my brother can put 702 00:30:14,760 --> 00:30:16,720 Speaker 12: on in the car with all his with all his 703 00:30:16,840 --> 00:30:18,480 Speaker 12: kids and they can all sing along to it. 704 00:30:18,520 --> 00:30:20,160 Speaker 8: So there's something to be said for that too. 705 00:30:21,960 --> 00:30:23,320 Speaker 3: I got a song I'm just looking for the right 706 00:30:23,320 --> 00:30:25,480 Speaker 3: person to write it with. It's called rural plural murals. 707 00:30:26,360 --> 00:30:29,880 Speaker 3: It's the hardest thing along ever and nobody really has 708 00:30:29,960 --> 00:30:31,160 Speaker 3: the ability or the. 709 00:30:32,680 --> 00:30:34,200 Speaker 2: They really don't have the guts to write it with me, 710 00:30:34,280 --> 00:30:36,440 Speaker 2: have they, Eddie. That's it the guts. So what I 711 00:30:36,440 --> 00:30:38,760 Speaker 2: wanted to write was the hardest ever. It's about driving 712 00:30:38,800 --> 00:30:39,480 Speaker 2: in the country. 713 00:30:39,680 --> 00:30:43,080 Speaker 3: Real plural murals, murals, ploral rural murals, whichever one. But 714 00:30:43,120 --> 00:30:45,240 Speaker 3: it's like multiple murals in a rural city, and all 715 00:30:45,280 --> 00:30:46,240 Speaker 3: of a sudden you're just affected. 716 00:30:46,280 --> 00:30:48,760 Speaker 2: You're like, all right, you singing rural plural. 717 00:30:48,440 --> 00:30:51,360 Speaker 3: You know anybody gets so, you know, I don't know 718 00:30:51,400 --> 00:30:53,240 Speaker 3: if that's just think about it, just to keep that 719 00:30:53,280 --> 00:30:55,320 Speaker 3: on the back song for you. Yeah, But I mean, 720 00:30:55,360 --> 00:30:56,880 Speaker 3: but you're you know, you're great song alright've written for 721 00:30:56,920 --> 00:30:58,880 Speaker 3: other people. So if something like comes to you, like 722 00:30:58,920 --> 00:31:00,640 Speaker 3: a good melody for rural plural murals. 723 00:31:00,880 --> 00:31:02,280 Speaker 8: Yeah, I'll think on that. 724 00:31:02,320 --> 00:31:04,160 Speaker 2: Yeah, let me because that's one of those you know, 725 00:31:04,280 --> 00:31:05,400 Speaker 2: that's one of those next level ones. 726 00:31:05,440 --> 00:31:06,800 Speaker 8: I can't tell if it's got a ring to it 727 00:31:06,920 --> 00:31:08,400 Speaker 8: or or the opposite. 728 00:31:08,240 --> 00:31:10,680 Speaker 3: Both at the same time. That's it's so next level. 729 00:31:11,080 --> 00:31:13,320 Speaker 3: It's so simple with a ring but no ring at all. 730 00:31:14,120 --> 00:31:14,840 Speaker 2: Take that out of here. 731 00:31:15,080 --> 00:31:16,560 Speaker 8: Who blew on my mind? 732 00:31:16,680 --> 00:31:19,040 Speaker 3: You announce a tour now, Skirts are doing really well. 733 00:31:19,160 --> 00:31:20,640 Speaker 3: But did you put out the music to go, hey, 734 00:31:20,640 --> 00:31:22,080 Speaker 3: here's some new stuff you can see if you come 735 00:31:22,080 --> 00:31:25,680 Speaker 3: out and you've seen me on a hundred times before, sorry. 736 00:31:25,560 --> 00:31:26,320 Speaker 2: When you play those live? 737 00:31:26,400 --> 00:31:27,800 Speaker 3: Or do you put out the new music so people 738 00:31:27,840 --> 00:31:29,680 Speaker 3: can go, oh cool, it's put out some new stuff. 739 00:31:29,760 --> 00:31:31,360 Speaker 2: We'll also get to see them to a few new songs. 740 00:31:31,720 --> 00:31:34,880 Speaker 12: Yeah, I mean putting out new music. Try to put 741 00:31:34,880 --> 00:31:35,720 Speaker 12: out as much as I can. 742 00:31:35,760 --> 00:31:37,160 Speaker 3: But are you thinking about plural and your roles? When 743 00:31:37,160 --> 00:31:38,680 Speaker 3: I ask you that question, he was already in it. 744 00:31:38,680 --> 00:31:40,400 Speaker 3: I could see he was trying to write a song 745 00:31:40,440 --> 00:31:41,960 Speaker 3: there in his head. Yeah, yeah, go ahead. 746 00:31:42,280 --> 00:31:45,800 Speaker 12: Uh, the biggest thing was putting out I wanted to 747 00:31:45,800 --> 00:31:48,640 Speaker 12: put out a new album, but it probably would if 748 00:31:48,680 --> 00:31:50,200 Speaker 12: I had put out all the songs at once, it 749 00:31:50,200 --> 00:31:52,800 Speaker 12: would be about right now before I had gotten them 750 00:31:52,840 --> 00:31:56,360 Speaker 12: all done and out. So I've been putting this album 751 00:31:56,400 --> 00:31:58,680 Speaker 12: out a little bit at a time, and I have 752 00:31:58,760 --> 00:32:03,280 Speaker 12: the last three songs ready now, So this is really 753 00:32:03,320 --> 00:32:05,840 Speaker 12: me putting out the last bit of what has been 754 00:32:05,840 --> 00:32:07,680 Speaker 12: an album over a year and a half. 755 00:32:08,160 --> 00:32:09,480 Speaker 8: But I didn't want to put out all. 756 00:32:09,400 --> 00:32:12,800 Speaker 12: Those songs as an album because seven of them have 757 00:32:12,880 --> 00:32:16,160 Speaker 12: already come out, and I feel like my my fan 758 00:32:16,200 --> 00:32:18,040 Speaker 12: base is already sort of rolling their eyes that how 759 00:32:18,200 --> 00:32:21,880 Speaker 12: little music I put out, and to put out songs 760 00:32:21,920 --> 00:32:24,960 Speaker 12: as an album that have already been out just didn't 761 00:32:25,040 --> 00:32:27,600 Speaker 12: quite feel like it would land very well. 762 00:32:27,720 --> 00:32:29,280 Speaker 2: What do you think you can max out bench press? 763 00:32:29,280 --> 00:32:33,240 Speaker 2: Because I know what I can. Oh man, we don't 764 00:32:33,320 --> 00:32:33,680 Speaker 2: do that anymore. 765 00:32:33,720 --> 00:32:35,959 Speaker 12: But probably if I tried it, i'd probably my shoulders 766 00:32:35,960 --> 00:32:37,720 Speaker 12: would probably both blow out, But. 767 00:32:38,080 --> 00:32:38,600 Speaker 8: I don't know. 768 00:32:38,920 --> 00:32:41,040 Speaker 3: So Sam and I have the same trainer. We trained 769 00:32:41,200 --> 00:32:43,280 Speaker 3: a time right by each other. I mean we're the 770 00:32:43,320 --> 00:32:45,520 Speaker 3: same size on't original train together because we're probably lift 771 00:32:45,560 --> 00:32:46,080 Speaker 3: the same weights. 772 00:32:46,120 --> 00:32:48,640 Speaker 2: You know that's true? We should yeah by you know 773 00:32:48,680 --> 00:32:51,800 Speaker 2: what I thought about it? Like two sixty yeah about Wow, 774 00:32:51,920 --> 00:32:54,280 Speaker 2: don't worry about me though it's only on Instagram. Don't 775 00:32:54,280 --> 00:32:55,120 Speaker 2: worry about me though. 776 00:32:55,120 --> 00:32:56,680 Speaker 9: Is that like one press? 777 00:32:56,760 --> 00:32:59,960 Speaker 2: Yeah, one's like a lot of plates, bars bending based. 778 00:33:00,360 --> 00:33:02,400 Speaker 8: Wow, that's like that's two big plates and what like? 779 00:33:03,040 --> 00:33:05,400 Speaker 2: I have so many you can't even count it. Yeah, 780 00:33:05,520 --> 00:33:08,280 Speaker 2: I was counting the murals the plural. 781 00:33:08,280 --> 00:33:10,360 Speaker 8: Well, at least Kluge is doing his job. He's got 782 00:33:10,360 --> 00:33:11,080 Speaker 8: you up to too six. 783 00:33:11,120 --> 00:33:13,280 Speaker 2: Where you at, Sam? Yeah, where you at? I don't 784 00:33:13,320 --> 00:33:16,480 Speaker 2: know that's how you know? So Mu's really strong or 785 00:33:16,480 --> 00:33:17,920 Speaker 2: really good at what they do. They don't even need 786 00:33:17,960 --> 00:33:19,480 Speaker 2: to say they just like you want to feel bad. 787 00:33:19,640 --> 00:33:22,040 Speaker 12: I'm afraid to guess, and then I get in there. 788 00:33:22,600 --> 00:33:25,920 Speaker 12: Always overestimate my strength. I don't know where I would be. 789 00:33:26,200 --> 00:33:30,000 Speaker 2: You have any injuries from playing ball that still hurt? 790 00:33:30,040 --> 00:33:30,760 Speaker 2: Like when it rains? 791 00:33:31,480 --> 00:33:34,720 Speaker 8: Yeah, I have had two back surgeries in college. 792 00:33:34,800 --> 00:33:36,280 Speaker 3: Still bother you when he gets the weather gets a 793 00:33:36,280 --> 00:33:37,320 Speaker 3: little little funky. 794 00:33:37,360 --> 00:33:39,360 Speaker 8: I mean they kind of bothered me all the time. 795 00:33:39,440 --> 00:33:42,160 Speaker 12: But yeah, certain times a year, I don't know if 796 00:33:42,200 --> 00:33:45,479 Speaker 12: it's the weather or my you know, trying to do 797 00:33:45,480 --> 00:33:49,160 Speaker 12: too much in the gym. But yeah, I've got to 798 00:33:49,360 --> 00:33:50,480 Speaker 12: sort that out at some point. 799 00:33:50,840 --> 00:33:55,080 Speaker 3: Sam a big fan obviously, Thanks for playing our our 800 00:33:55,120 --> 00:33:57,440 Speaker 3: show for Saint Jude, which I was listening. 801 00:33:58,120 --> 00:34:00,280 Speaker 2: Super cool, Thank you, said, y'all have me again. Yeah, 802 00:34:00,280 --> 00:34:02,520 Speaker 2: and then the tour Sam Hunt dot com. 803 00:34:02,560 --> 00:34:04,680 Speaker 3: All the tickets are up there and there are a 804 00:34:04,800 --> 00:34:07,920 Speaker 3: million places that we're on that you can hear us. 805 00:34:08,160 --> 00:34:09,839 Speaker 3: And I would get tickets as fast as you can 806 00:34:09,920 --> 00:34:11,399 Speaker 3: because I I just heard there. 807 00:34:11,719 --> 00:34:12,120 Speaker 2: What's that? 808 00:34:12,440 --> 00:34:14,080 Speaker 3: Oh, they're almost sold out. They got in my ear 809 00:34:14,160 --> 00:34:17,200 Speaker 3: right now, they're almost what's that? Some of them are sold. 810 00:34:17,040 --> 00:34:17,839 Speaker 8: Out for Wednesday night? 811 00:34:18,200 --> 00:34:19,320 Speaker 2: No, I don't know, I'm talking about you. 812 00:34:21,800 --> 00:34:22,560 Speaker 9: It's already happened. 813 00:34:23,160 --> 00:34:26,600 Speaker 8: What Yeah, Yeah, my brother's coming. 814 00:34:26,760 --> 00:34:29,920 Speaker 3: In reality, it's actually we're recording this the day before 815 00:34:30,000 --> 00:34:32,480 Speaker 3: the show, but we're acting like it already. 816 00:34:33,239 --> 00:34:33,439 Speaker 8: Yeah. 817 00:34:33,440 --> 00:34:35,040 Speaker 2: Which, by the way, you crushed them in You crushed it. 818 00:34:35,080 --> 00:34:35,600 Speaker 9: You did great. 819 00:34:35,719 --> 00:34:37,319 Speaker 3: But I don't know why I started flashing that. It 820 00:34:37,360 --> 00:34:39,880 Speaker 3: was weird if you did. Like so she got up 821 00:34:39,920 --> 00:34:43,040 Speaker 3: at the show Wednesday night. All the dudes started flashing 822 00:34:43,080 --> 00:34:43,399 Speaker 3: us and I. 823 00:34:43,320 --> 00:34:44,320 Speaker 2: Was like, I've never seen that before. 824 00:34:44,400 --> 00:34:50,680 Speaker 3: No, it's weird, saying it's crazy. Man if sum up? 825 00:34:50,719 --> 00:34:53,800 Speaker 5: But oh boy, Sam show in one word for people 826 00:34:53,840 --> 00:34:55,360 Speaker 5: like if they're going to go see a show like 827 00:34:55,360 --> 00:34:56,359 Speaker 5: what's to raise one word? 828 00:34:56,400 --> 00:35:00,879 Speaker 11: What's it about ray uh old school meets new? 829 00:35:01,400 --> 00:35:04,680 Speaker 3: What about Sam is awesome to you? Did you bring 830 00:35:04,760 --> 00:35:05,279 Speaker 3: him up a lot? 831 00:35:05,440 --> 00:35:05,600 Speaker 8: Well? 832 00:35:05,640 --> 00:35:07,360 Speaker 11: I told you guys back in the day he started 833 00:35:07,360 --> 00:35:08,400 Speaker 11: the baggy shirt movement. 834 00:35:08,560 --> 00:35:09,840 Speaker 2: He was one of the first people to ever do 835 00:35:09,840 --> 00:35:11,480 Speaker 2: it where he wore the shirt down to his knees. 836 00:35:11,920 --> 00:35:13,600 Speaker 11: And so I didn't have any of those shirts, so 837 00:35:13,640 --> 00:35:16,760 Speaker 11: I would wear like cut off shirts underneath my actual 838 00:35:16,800 --> 00:35:19,120 Speaker 11: hang shirt so it'd be even long though, and my 839 00:35:19,160 --> 00:35:22,120 Speaker 11: wife eventually, the girlfriend back then, just said stop wearing 840 00:35:22,120 --> 00:35:22,600 Speaker 11: your shirts. 841 00:35:22,600 --> 00:35:24,920 Speaker 2: Like Sam Hunt, all that was because of a long shirt. 842 00:35:25,000 --> 00:35:26,759 Speaker 11: All this, I mean, he's the one that started it 843 00:35:26,800 --> 00:35:29,520 Speaker 11: across America, but it was the sham Hunt and then 844 00:35:29,560 --> 00:35:31,080 Speaker 11: I saw him do it, so I started doing it, 845 00:35:31,160 --> 00:35:33,440 Speaker 11: and then T Babe started doing it upstairs, and then 846 00:35:33,440 --> 00:35:35,200 Speaker 11: it spread across the country. 847 00:35:35,400 --> 00:35:38,040 Speaker 2: But I'm saying it's just a shirt. It was the shirt. 848 00:35:38,080 --> 00:35:38,960 Speaker 2: I mean, that was his swag. 849 00:35:39,040 --> 00:35:40,920 Speaker 11: So his clothing and then his music was good as well. 850 00:35:40,920 --> 00:35:43,239 Speaker 11: But he had an aura and you could just feel 851 00:35:43,280 --> 00:35:45,160 Speaker 11: it in his shows. And like I wanted to ask 852 00:35:45,200 --> 00:35:47,040 Speaker 11: you this one quick thing, So do you remember the 853 00:35:47,120 --> 00:35:49,920 Speaker 11: Dave and Buster show, Like back in twenty fourteen in Nashville. 854 00:35:50,520 --> 00:35:52,480 Speaker 2: I mean it was a venue way too small. 855 00:35:52,239 --> 00:35:54,600 Speaker 11: For you, and dude, there were cop cars, there was 856 00:35:54,640 --> 00:35:55,719 Speaker 11: a security called in. 857 00:35:55,920 --> 00:35:57,160 Speaker 2: Dudes were flipping tables. 858 00:35:57,480 --> 00:35:59,560 Speaker 11: I think that's really where you started to feel how 859 00:35:59,600 --> 00:36:00,319 Speaker 11: big you worthy. 860 00:36:00,320 --> 00:36:02,480 Speaker 2: You were bigger than the venues you were playing in. 861 00:36:02,560 --> 00:36:05,359 Speaker 12: Right, Yeah, that's the first time I'd seen any like 862 00:36:05,560 --> 00:36:08,239 Speaker 12: excitement from people about the music. And it was, uh yeah, 863 00:36:08,280 --> 00:36:12,880 Speaker 12: it was outside the uh the David Busters and uh 864 00:36:13,360 --> 00:36:14,640 Speaker 12: that Yeah, I think you're right. 865 00:36:14,640 --> 00:36:17,080 Speaker 8: That was because I mean I hang out at that mall. 866 00:36:17,120 --> 00:36:18,440 Speaker 12: I go to that ma all the time, and so 867 00:36:18,480 --> 00:36:20,600 Speaker 12: I'm standing there all the time, and then I'm in 868 00:36:20,600 --> 00:36:23,920 Speaker 12: that same environment and then there are barriers and you know, 869 00:36:24,000 --> 00:36:25,839 Speaker 12: lots of people in the parking lot and everybody's singing 870 00:36:25,840 --> 00:36:26,480 Speaker 12: along to the song. 871 00:36:26,600 --> 00:36:29,640 Speaker 2: So it was a wild That was a wild moment, dude. 872 00:36:29,640 --> 00:36:31,520 Speaker 2: That's where I got the first taste. And I was like, oh, 873 00:36:31,719 --> 00:36:32,759 Speaker 2: I don't say you got the first taste. 874 00:36:33,440 --> 00:36:35,200 Speaker 3: See it was all good, like we felt it. It 875 00:36:35,239 --> 00:36:38,480 Speaker 3: was pretty good, mature. The first taste feels weird first. 876 00:36:39,360 --> 00:36:41,719 Speaker 2: The best part about that, but it's right here, does 877 00:36:41,760 --> 00:36:42,480 Speaker 2: they first taste? 878 00:36:42,600 --> 00:36:46,080 Speaker 5: Yeah, that time in Ray's life is on Instagram. He 879 00:36:46,120 --> 00:36:48,480 Speaker 5: posts this photo of David Busters, whose I was fourteen. 880 00:36:48,520 --> 00:36:51,560 Speaker 5: He's like me and Sam, but it's like Ray in 881 00:36:51,600 --> 00:36:53,120 Speaker 5: the front of the picture and then all these people 882 00:36:53,160 --> 00:36:55,080 Speaker 5: and then Sam is in the very back and he's 883 00:36:55,080 --> 00:36:57,840 Speaker 5: like circling Sam's head and he's like my first photo 884 00:36:57,920 --> 00:36:58,360 Speaker 5: with Sam. 885 00:36:58,760 --> 00:37:00,000 Speaker 8: Yeah, yeah, that's where it started. 886 00:37:00,120 --> 00:37:01,000 Speaker 2: Yeah, I never met him. 887 00:37:01,000 --> 00:37:02,840 Speaker 11: And then I went to your show in twenty seventeen 888 00:37:02,880 --> 00:37:05,239 Speaker 11: and Nashal at Ascend and that's when you would run 889 00:37:05,280 --> 00:37:07,520 Speaker 11: through the audience you still do at your show's and 890 00:37:07,560 --> 00:37:09,759 Speaker 11: it was insane. I went reached my hand out, got 891 00:37:09,760 --> 00:37:10,680 Speaker 11: a high five. 892 00:37:10,480 --> 00:37:12,040 Speaker 2: And I mean girls touched him and during the show. 893 00:37:12,120 --> 00:37:13,680 Speaker 11: Yeah, and because he came right by my road and 894 00:37:13,719 --> 00:37:15,080 Speaker 11: I was with my friends and they're all like, oh 895 00:37:15,080 --> 00:37:17,120 Speaker 11: my gosh, you touched him on and girls were ripping 896 00:37:17,120 --> 00:37:18,000 Speaker 11: his shirt and stuff. 897 00:37:18,120 --> 00:37:19,359 Speaker 2: And you still do that to this day. 898 00:37:19,360 --> 00:37:22,560 Speaker 11: You run in the crowd at your wifet show at Bridgetone. Yeah, 899 00:37:22,560 --> 00:37:23,799 Speaker 11: I mean that's a security thing. 900 00:37:24,080 --> 00:37:24,279 Speaker 2: Yeah. 901 00:37:24,520 --> 00:37:27,040 Speaker 8: Yeah, I'm a lot bigger than most of them. 902 00:37:27,200 --> 00:37:29,880 Speaker 2: Most of the So the twenty seventeen that was the 903 00:37:29,920 --> 00:37:31,959 Speaker 2: second taste. I don't know, I don't know how many. 904 00:37:31,840 --> 00:37:33,359 Speaker 11: Tastes had to be honest, and then you went away 905 00:37:33,400 --> 00:37:35,040 Speaker 11: a little bit. You had a little Dave Chappelle moment 906 00:37:35,080 --> 00:37:36,320 Speaker 11: where you weren't touring. 907 00:37:37,480 --> 00:37:40,319 Speaker 3: What's your favorite song of all time in your life? 908 00:37:40,680 --> 00:37:43,600 Speaker 2: Song, not just period, all music that's ever been invented 909 00:37:44,239 --> 00:37:46,520 Speaker 2: for I mean it's it's definitely Sam. Yeah, which one? 910 00:37:46,560 --> 00:37:47,839 Speaker 11: Okay, so it is the same, I mean the one 911 00:37:47,920 --> 00:37:50,480 Speaker 11: that made me leave downtown. I lived on First Avenue, 912 00:37:50,560 --> 00:37:53,520 Speaker 11: d Mumbriean and Broadway. I moved from Downtown to West 913 00:37:53,560 --> 00:37:56,080 Speaker 11: because of your song Downtown instead, because I was like, 914 00:37:56,120 --> 00:37:57,760 Speaker 11: I got to get out of the city. 915 00:37:58,360 --> 00:38:01,040 Speaker 3: The tour, the Lockedout Tour starts in June. Tickets to 916 00:38:01,080 --> 00:38:03,960 Speaker 3: Sam hunt dot com. The new EP is locked Up. 917 00:38:04,000 --> 00:38:08,359 Speaker 3: It just came out, and you know, Ray is a 918 00:38:08,360 --> 00:38:11,560 Speaker 3: massive fan. But we're gonna leave that boundary, right. 919 00:38:11,480 --> 00:38:13,959 Speaker 2: Yeah, yeah cool. I mean we chilled in Vegas together, 920 00:38:14,000 --> 00:38:16,480 Speaker 2: we chilled in Nashville together. We're chilling, chilling together. If 921 00:38:16,480 --> 00:38:18,120 Speaker 2: you have to get a pass to go meet him, no, no, 922 00:38:18,160 --> 00:38:19,839 Speaker 2: we were hanging out, dude. Oh I got a question. 923 00:38:19,880 --> 00:38:22,680 Speaker 4: I got a question, Go ahead, Ray, I guess messaged 924 00:38:22,880 --> 00:38:25,000 Speaker 4: Sam on Instagram with like on a snow day or something. 925 00:38:25,000 --> 00:38:26,040 Speaker 2: Did you do you remember seeing that? 926 00:38:26,040 --> 00:38:26,920 Speaker 8: Sam? I did see that. 927 00:38:27,040 --> 00:38:29,319 Speaker 4: Yeah, did you really want him to come over because 928 00:38:29,320 --> 00:38:30,920 Speaker 4: he said he was gonna bring some A six or 929 00:38:30,960 --> 00:38:31,359 Speaker 4: what was it. 930 00:38:31,840 --> 00:38:36,759 Speaker 12: Yeah, Yeah, I didn't know if he would take me 931 00:38:36,800 --> 00:38:39,520 Speaker 12: up on it or not, but I didn't think he would. 932 00:38:39,560 --> 00:38:41,719 Speaker 12: But if he's shown up, then yeah, we could have 933 00:38:41,920 --> 00:38:42,879 Speaker 12: made a day of it for sure. 934 00:38:45,040 --> 00:38:47,600 Speaker 2: Oh my god, he will. He'll talk about this for 935 00:38:47,760 --> 00:38:48,560 Speaker 2: six months now. 936 00:38:49,000 --> 00:38:52,480 Speaker 3: Okay, the new EPs locked up, obviously, the tours locked up. 937 00:38:52,520 --> 00:38:54,799 Speaker 3: Tour uh, Sam Hunt and go to Sam hunt dot 938 00:38:54,840 --> 00:38:55,719 Speaker 3: com to get tickets to the show. 939 00:38:55,760 --> 00:38:55,920 Speaker 8: Sam. 940 00:38:55,960 --> 00:38:57,600 Speaker 2: Appreciate you, buddy, Thank you, thank you very much. 941 00:38:58,080 --> 00:39:00,440 Speaker 3: Pretty good. Took a minute for it to come out, 942 00:39:00,440 --> 00:39:02,920 Speaker 3: but you got to tell you so that's dope. Yeah, yeah, 943 00:39:02,960 --> 00:39:04,560 Speaker 3: all right there Samline everybody that. 944 00:39:06,880 --> 00:39:08,880 Speaker 2: This is Alex from Bakersfield, California. 945 00:39:09,080 --> 00:39:10,960 Speaker 6: I just had a question in regards to your interviews. 946 00:39:10,960 --> 00:39:13,759 Speaker 6: Whenever you have the artist, if you've ever had or 947 00:39:13,800 --> 00:39:18,200 Speaker 6: like encountered a bad artist, meaning like you just wanted 948 00:39:18,200 --> 00:39:20,560 Speaker 6: to end the interview right then and there on the show. 949 00:39:21,200 --> 00:39:24,680 Speaker 3: Yes, yeah, And it's not always that it's a bad 950 00:39:24,760 --> 00:39:27,839 Speaker 3: artist or somebody that's not nice. Sometimes I can tell 951 00:39:27,880 --> 00:39:31,520 Speaker 3: that a they're sick and they and there have been artists. 952 00:39:31,520 --> 00:39:34,000 Speaker 3: I will give an example because I know she won't care. 953 00:39:34,560 --> 00:39:36,200 Speaker 3: Megan and Roney came in. It was sick one time 954 00:39:37,120 --> 00:39:38,920 Speaker 3: and she was champed even come in. I was like, 955 00:39:38,960 --> 00:39:40,360 Speaker 3: you do not have to sing, you do not have 956 00:39:40,400 --> 00:39:42,040 Speaker 3: to sing, Like we're gonna go on there, but you 957 00:39:42,080 --> 00:39:43,479 Speaker 3: don't have to sing, and she was like no, no, no no. 958 00:39:44,280 --> 00:39:45,640 Speaker 2: But I could tell she didn't feel good. 959 00:39:45,680 --> 00:39:48,960 Speaker 3: So I kind of wrapped that a little earlier than 960 00:39:49,000 --> 00:39:52,280 Speaker 3: I would because I know that she was just gutting 961 00:39:52,320 --> 00:39:54,799 Speaker 3: it out. Now, that's the positive side of it. But 962 00:39:54,840 --> 00:39:56,480 Speaker 3: there are also people that have come in. Oh, there 963 00:39:56,480 --> 00:39:57,960 Speaker 3: have been people that have been really nice but really 964 00:39:58,000 --> 00:40:01,120 Speaker 3: bad too, where I I don't want to expose them 965 00:40:01,160 --> 00:40:07,320 Speaker 3: anymore for being a really bad live singer. And I 966 00:40:07,360 --> 00:40:09,879 Speaker 3: wish I wouldn't have asked them to perform live or 967 00:40:09,920 --> 00:40:11,600 Speaker 3: that they said i'll perform live, and I'm like, sure, 968 00:40:11,600 --> 00:40:14,040 Speaker 3: I've never heard you perform like that's happened. 969 00:40:14,719 --> 00:40:16,680 Speaker 4: What about like a conversation where you're just not getting 970 00:40:16,719 --> 00:40:17,680 Speaker 4: much from them? 971 00:40:18,080 --> 00:40:20,319 Speaker 3: You know, I'm okay with that. Sometimes I'm okay with that. 972 00:40:20,360 --> 00:40:21,440 Speaker 3: Would you cut that on short? 973 00:40:23,040 --> 00:40:25,640 Speaker 2: Yes? If I my key. 974 00:40:25,760 --> 00:40:28,200 Speaker 3: This is a tip for anybody that has any interview ever, 975 00:40:28,320 --> 00:40:31,040 Speaker 3: is just sit in silence. Like if you have some 976 00:40:31,239 --> 00:40:35,319 Speaker 3: awkward though, if you have like the patience and you 977 00:40:35,440 --> 00:40:39,680 Speaker 3: have it's hard, you gotta be strong to do it. 978 00:40:39,840 --> 00:40:42,120 Speaker 3: But if somebody's not giving you something and we're on 979 00:40:42,120 --> 00:40:43,920 Speaker 3: the air and I just sit in silence for a second, 980 00:40:44,480 --> 00:40:48,040 Speaker 3: they feel the pressure to talk. So I'll do that 981 00:40:48,160 --> 00:40:49,919 Speaker 3: some and then if they're not, but again they could 982 00:40:49,960 --> 00:40:51,960 Speaker 3: just be having a bad day. But I could tell 983 00:40:52,000 --> 00:40:55,040 Speaker 3: you rarely anymore does anybody come in here that's a 984 00:40:55,120 --> 00:40:57,759 Speaker 3: jerk Because we kind of know who the jerks are. 985 00:40:57,760 --> 00:40:59,200 Speaker 3: We kind of don't have them on the show anymore. 986 00:41:00,120 --> 00:41:03,160 Speaker 3: So have I ended interviews early because of certain factors. 987 00:41:03,160 --> 00:41:03,759 Speaker 2: Absolutely. 988 00:41:03,880 --> 00:41:05,600 Speaker 3: Have I gotten into fights with people back in the 989 00:41:05,640 --> 00:41:09,160 Speaker 3: old days, Absolutely, But we kind of have it curated 990 00:41:09,200 --> 00:41:13,040 Speaker 3: to like we know who's fun to talk to, is 991 00:41:13,040 --> 00:41:14,640 Speaker 3: fun to be around. And if one of those people 992 00:41:14,640 --> 00:41:16,279 Speaker 3: come in and they're not in a great mood or 993 00:41:16,280 --> 00:41:18,919 Speaker 3: great spirit, they're not feeling well, I'm happy to cut 994 00:41:18,920 --> 00:41:20,920 Speaker 3: it early or I'm happy to say, hey, don't perform. 995 00:41:21,000 --> 00:41:24,200 Speaker 3: I know you're not feeling well. But the days of 996 00:41:24,239 --> 00:41:26,560 Speaker 3: people coming in just being awful. Are kind of over 997 00:41:28,239 --> 00:41:29,919 Speaker 3: I only have two or three instances of me kicking 998 00:41:29,920 --> 00:41:30,680 Speaker 3: people out of the studio. 999 00:41:30,960 --> 00:41:33,000 Speaker 4: There are some people where we're like, I wonder we're 1000 00:41:33,000 --> 00:41:34,600 Speaker 4: gonna get today, Like we're gonna get this kind of 1001 00:41:34,640 --> 00:41:35,800 Speaker 4: because they're all over the field. 1002 00:41:37,120 --> 00:41:41,800 Speaker 3: The thing about artists, even to pursue art and music 1003 00:41:41,920 --> 00:41:44,080 Speaker 3: or well any art, you got to have a screw loose, 1004 00:41:44,360 --> 00:41:46,440 Speaker 3: and usually it's when it's the right screw loose they 1005 00:41:46,880 --> 00:41:50,960 Speaker 3: become famous successful. But sometimes that right screw sometimes place 1006 00:41:51,000 --> 00:41:52,839 Speaker 3: and they come in and they're a little out out 1007 00:41:52,840 --> 00:41:53,760 Speaker 3: of there. 1008 00:41:53,880 --> 00:41:55,320 Speaker 2: Amy's Pile of Stories. 1009 00:41:55,640 --> 00:41:58,200 Speaker 5: Three out of four millennial parents think that they are 1010 00:41:58,200 --> 00:42:00,799 Speaker 5: currently doing a better job with their than their own 1011 00:42:00,840 --> 00:42:02,279 Speaker 5: parents did with them. 1012 00:42:02,800 --> 00:42:04,319 Speaker 9: That's seventy five percent of us. 1013 00:42:04,400 --> 00:42:07,440 Speaker 3: Basically, I would think we learn more about the past, 1014 00:42:07,560 --> 00:42:09,919 Speaker 3: just generally. It could be parenting, it could be being 1015 00:42:09,960 --> 00:42:14,799 Speaker 3: a boss, it could be even athletics running. We can 1016 00:42:14,920 --> 00:42:18,640 Speaker 3: learn by all the things that were done wrong before 1017 00:42:18,719 --> 00:42:20,520 Speaker 3: us and try to get better. And then with parenting, 1018 00:42:20,560 --> 00:42:24,200 Speaker 3: I wonder too, I think we're parents in general are 1019 00:42:24,320 --> 00:42:29,279 Speaker 3: a little softer now and a little more trying to 1020 00:42:29,320 --> 00:42:32,040 Speaker 3: be emotionally available. 1021 00:42:32,440 --> 00:42:34,200 Speaker 9: I agree with that and before. 1022 00:42:34,520 --> 00:42:37,600 Speaker 3: Because we learn not because our parents did anything wrong. 1023 00:42:37,680 --> 00:42:41,200 Speaker 3: They did the best to their knowledge, that maybe hitting 1024 00:42:41,560 --> 00:42:43,359 Speaker 3: and making me go pick a switch, whooping the craft 1025 00:42:43,360 --> 00:42:45,040 Speaker 3: out of me. Sorry, guys, I'm going to the one right, 1026 00:42:45,440 --> 00:42:48,600 Speaker 3: I have a little trauma. Sorry, sorry, But would you 1027 00:42:48,640 --> 00:42:49,640 Speaker 3: say that there's something to do that? 1028 00:42:49,760 --> 00:42:51,400 Speaker 9: Yeah, I mean for me, I learned in therapy. 1029 00:42:51,440 --> 00:42:54,239 Speaker 5: I didn't even know emotional the neglect was a thing 1030 00:42:54,880 --> 00:42:57,040 Speaker 5: because I felt like I had felt like I had 1031 00:42:57,040 --> 00:42:59,280 Speaker 5: good parents. I mean, yeah, they got divorced and whatnot, 1032 00:42:59,280 --> 00:43:02,759 Speaker 5: but they both are good parents to me, like I 1033 00:43:02,800 --> 00:43:06,560 Speaker 5: don't have any crazy possible right right, But I did 1034 00:43:06,560 --> 00:43:09,839 Speaker 5: not realize how emotionally shut off both of them were. 1035 00:43:10,080 --> 00:43:13,720 Speaker 5: Like they just were not available to me in that way. 1036 00:43:14,200 --> 00:43:16,840 Speaker 3: And I bet you they didn't know as compared to 1037 00:43:16,880 --> 00:43:18,920 Speaker 3: their parents they were emotionally shut off because I bet 1038 00:43:18,920 --> 00:43:21,120 Speaker 3: their parents were even more exactly yeah. 1039 00:43:21,040 --> 00:43:22,960 Speaker 5: Like they were already doing better than yeah with their 1040 00:43:23,000 --> 00:43:23,799 Speaker 5: parents offered them. 1041 00:43:23,960 --> 00:43:26,879 Speaker 3: Well, I would think, as being you know, not a parent, 1042 00:43:26,960 --> 00:43:31,040 Speaker 3: knowing everything about parenting, that if you just try your winning, 1043 00:43:31,760 --> 00:43:32,359 Speaker 3: don't give up. 1044 00:43:32,640 --> 00:43:34,200 Speaker 2: I don't know. I just say I don't know about parents. 1045 00:43:34,480 --> 00:43:38,280 Speaker 5: Okay, I guess there are four parenting strategies that were 1046 00:43:38,400 --> 00:43:41,200 Speaker 5: using that our parents didn't, and I'll quickly run through 1047 00:43:41,239 --> 00:43:43,799 Speaker 5: them gentle parenting, which is sort of what you were 1048 00:43:44,080 --> 00:43:45,720 Speaker 5: time to get loose to general though exactly. 1049 00:43:45,760 --> 00:43:46,200 Speaker 9: I think that. 1050 00:43:46,239 --> 00:43:48,480 Speaker 3: There's there's no there's no right line though you can't 1051 00:43:48,520 --> 00:43:49,719 Speaker 3: walk that line exactly right. 1052 00:43:49,800 --> 00:43:53,000 Speaker 5: And then we're open to getting advice, we're open about 1053 00:43:53,040 --> 00:43:55,960 Speaker 5: mental health, and we are more present with our kids. 1054 00:43:56,040 --> 00:43:56,759 Speaker 8: Oh yeah, yeah. 1055 00:43:56,800 --> 00:43:58,160 Speaker 3: I think we try to be a little more present 1056 00:43:58,280 --> 00:44:00,920 Speaker 3: everywhere because we're not at all because. 1057 00:44:00,680 --> 00:44:03,320 Speaker 2: Of all the things that were all the social media, phone, 1058 00:44:03,680 --> 00:44:06,920 Speaker 2: but like my dad was never home, like physically present. Yeah, 1059 00:44:06,960 --> 00:44:07,879 Speaker 2: I'm always. 1060 00:44:07,520 --> 00:44:09,960 Speaker 5: Home and when my dad was around me, he was 1061 00:44:10,040 --> 00:44:11,440 Speaker 5: always on his cell. 1062 00:44:11,320 --> 00:44:15,840 Speaker 2: Phone, different jobs. Okay, go ahead, Okay. 1063 00:44:15,600 --> 00:44:19,160 Speaker 5: So if you're afraid to declutter your home, you're not alone. 1064 00:44:19,400 --> 00:44:22,200 Speaker 5: It's an overwhelming task, and like forty percent of people 1065 00:44:22,200 --> 00:44:24,120 Speaker 5: that were surveyed about it were like, yeah. 1066 00:44:24,040 --> 00:44:25,680 Speaker 9: No, I'm I'm too scared. I'm just not going to 1067 00:44:25,719 --> 00:44:26,799 Speaker 9: do it. I'm just gonna live this way. 1068 00:44:26,880 --> 00:44:32,560 Speaker 2: I went to a like an antique warehouse two days ago. 1069 00:44:32,920 --> 00:44:34,359 Speaker 3: A wife was like, hey, we should go to this place, 1070 00:44:34,640 --> 00:44:36,239 Speaker 3: and I was like, yeah, sure, whatever, and we go 1071 00:44:36,320 --> 00:44:39,640 Speaker 3: and I'm disinterested in antiques. But antiques is not what 1072 00:44:39,680 --> 00:44:42,480 Speaker 3: I think of antiques nowadays. I think antique is like 1073 00:44:42,560 --> 00:44:47,120 Speaker 3: just old tables from nineteen forty that look, there's some 1074 00:44:47,200 --> 00:44:51,359 Speaker 3: awesome stuff there. Like people just have like shirts, like 1075 00:44:51,840 --> 00:44:52,800 Speaker 3: shirts and records. 1076 00:44:52,840 --> 00:44:57,040 Speaker 2: That's cool. They had Like I bought an Edison bust. 1077 00:44:57,080 --> 00:44:57,759 Speaker 2: You know what a bust is. 1078 00:44:58,600 --> 00:45:00,440 Speaker 3: I would hold it ahead yea, yeah, I bought it 1079 00:45:00,440 --> 00:45:02,080 Speaker 3: because I love busting now like paying him to be 1080 00:45:02,120 --> 00:45:03,120 Speaker 3: like razorback people. 1081 00:45:03,840 --> 00:45:04,720 Speaker 2: So I bought an Edison. 1082 00:45:05,000 --> 00:45:06,759 Speaker 3: We walked around this thing and my wife's like, I 1083 00:45:06,800 --> 00:45:08,120 Speaker 3: think we shoot, we can go now, And I'm like, 1084 00:45:08,160 --> 00:45:08,880 Speaker 3: are you kidding me? 1085 00:45:09,280 --> 00:45:11,239 Speaker 2: This is the greatest like flea market. That's what I 1086 00:45:11,280 --> 00:45:13,399 Speaker 2: would call. It's like a flea market that I've ever 1087 00:45:13,440 --> 00:45:13,719 Speaker 2: been to. 1088 00:45:14,040 --> 00:45:15,600 Speaker 3: And so the problem is now we got to declutter 1089 00:45:15,640 --> 00:45:18,239 Speaker 3: all the crap that I wanted exactly. I would say 1090 00:45:18,239 --> 00:45:21,680 Speaker 3: this with decluttering in general, say it amy, say it 1091 00:45:21,760 --> 00:45:22,279 Speaker 3: the elephant thing. 1092 00:45:22,600 --> 00:45:25,520 Speaker 9: Oh oh, how do you eat an elephant? One bide 1093 00:45:25,520 --> 00:45:26,080 Speaker 9: at a time. 1094 00:45:26,440 --> 00:45:29,120 Speaker 3: To declutter your whole house, to look at it like that, 1095 00:45:29,160 --> 00:45:32,080 Speaker 3: it's like trying to run a marathon. You can't do 1096 00:45:32,160 --> 00:45:35,120 Speaker 3: it all in a day. You gotta slowly do a 1097 00:45:35,160 --> 00:45:38,320 Speaker 3: little bit here. Okay, finish the bedroom. You gotta do 1098 00:45:38,360 --> 00:45:40,000 Speaker 3: a little bit here. Come go to the bathroom today. 1099 00:45:40,040 --> 00:45:41,960 Speaker 3: The problem is you cut up the bedroom again while 1100 00:45:41,960 --> 00:45:43,399 Speaker 3: you're in the bathroom. You gotta make sure you don't 1101 00:45:43,440 --> 00:45:45,160 Speaker 3: do that. Yeah, as long as you do it and 1102 00:45:45,160 --> 00:45:47,319 Speaker 3: you kind of section it off, you can accomplish anything. 1103 00:45:47,320 --> 00:45:48,360 Speaker 2: It's like when I used to run. I used to 1104 00:45:48,400 --> 00:45:49,000 Speaker 2: run tree to tree. 1105 00:45:49,040 --> 00:45:51,719 Speaker 3: I couldn't run ten miles at a time running doing 1106 00:45:51,719 --> 00:45:53,600 Speaker 3: a triathlon. If I did that, I was like, I 1107 00:45:53,600 --> 00:45:55,680 Speaker 3: gotta run ten miles today dead. But if I go 1108 00:45:55,680 --> 00:45:58,680 Speaker 3: out and run to that tree, only good, then I quit. 1109 00:45:58,719 --> 00:46:00,680 Speaker 2: That's tree. That's it. 1110 00:46:00,840 --> 00:46:04,040 Speaker 5: Real Simple magazine, that's Martha Stewart's. She put out a 1111 00:46:04,040 --> 00:46:04,759 Speaker 5: whole thing like that. 1112 00:46:04,840 --> 00:46:07,440 Speaker 2: You can do it called Real Simple. Yeah, our magazine 1113 00:46:07,480 --> 00:46:09,640 Speaker 2: is still a thing at the store. 1114 00:46:09,719 --> 00:46:11,200 Speaker 9: You can follow them on social too. 1115 00:46:11,200 --> 00:46:12,359 Speaker 2: But I feel like those are just one. Those are 1116 00:46:12,360 --> 00:46:13,960 Speaker 2: like the antique store, the only one. 1117 00:46:14,120 --> 00:46:15,359 Speaker 9: Yeah, well, that's their whole thing. 1118 00:46:15,400 --> 00:46:17,239 Speaker 5: You can declutter in a month to just tackle it 1119 00:46:17,280 --> 00:46:20,600 Speaker 5: one week, do living room week two, kitchen week three, bedrooms, 1120 00:46:21,440 --> 00:46:21,919 Speaker 5: move it from. 1121 00:46:21,800 --> 00:46:23,320 Speaker 2: One room to the other. I'm like I'm going to 1122 00:46:23,360 --> 00:46:25,759 Speaker 2: declutter the kitchen and then we move into another room like, 1123 00:46:25,800 --> 00:46:30,200 Speaker 2: oh god, I'm cluttered. Oh is terrible right now? 1124 00:46:30,200 --> 00:46:33,840 Speaker 5: Honestly, so, I saw a funny thing from back in 1125 00:46:33,880 --> 00:46:35,640 Speaker 5: the day. This is a throwback from nineteen ninety one 1126 00:46:35,680 --> 00:46:38,960 Speaker 5: when the Highwaymen were being interviewed and the reporter said, hey, like, 1127 00:46:39,000 --> 00:46:41,360 Speaker 5: are y'all all teamed up together for this? Because you 1128 00:46:41,400 --> 00:46:43,920 Speaker 5: can't sell tickets individually. 1129 00:46:43,280 --> 00:46:43,840 Speaker 9: To your shows? 1130 00:46:43,880 --> 00:46:45,200 Speaker 2: You know, the Highwaymen are by the way. 1131 00:46:45,280 --> 00:46:47,000 Speaker 9: Name Whalon Jennings. 1132 00:46:47,920 --> 00:46:57,200 Speaker 2: How about this, Oh Lily, I know, hello, hello prison 1133 00:46:57,640 --> 00:47:05,359 Speaker 2: Yah good? This that's my name is Chris, Chris Chosopherson. Okay, okay, good. 1134 00:47:05,400 --> 00:47:06,040 Speaker 2: What's the clip here? 1135 00:47:06,560 --> 00:47:10,799 Speaker 5: This is Wayland James, answering the reporter's question about whether 1136 00:47:10,880 --> 00:47:13,319 Speaker 5: or not they're just on tour because they can't sell 1137 00:47:13,360 --> 00:47:14,360 Speaker 5: tickets individually. 1138 00:47:14,880 --> 00:47:15,719 Speaker 2: One critic, at. 1139 00:47:15,719 --> 00:47:18,680 Speaker 10: Least one critic, probably more critics have suced it's because 1140 00:47:18,719 --> 00:47:20,560 Speaker 10: none of you can now fill the holes anymore on 1141 00:47:20,640 --> 00:47:22,120 Speaker 10: your own that it takes four of you. 1142 00:47:22,440 --> 00:47:24,680 Speaker 2: How do you answer critics? Kind of you to point 1143 00:47:24,719 --> 00:47:30,240 Speaker 2: that I might point out that I sell out smaller venues. 1144 00:47:32,040 --> 00:47:34,960 Speaker 2: Tell you one more point too, that if you ask 1145 00:47:35,040 --> 00:47:36,960 Speaker 2: another question like that, we'll burn your home. 1146 00:47:37,920 --> 00:47:40,880 Speaker 3: And they really would. They would outlaws burn that outlaws. 1147 00:47:41,880 --> 00:47:43,880 Speaker 3: Chris Christopherson, that's a pretty god impression. 1148 00:47:43,920 --> 00:47:44,359 Speaker 2: That's really good. 1149 00:47:45,320 --> 00:47:48,759 Speaker 5: Could you imagine a little Brett like that today? I mean, 1150 00:47:48,760 --> 00:47:49,720 Speaker 5: obviously he's joking. 1151 00:47:50,200 --> 00:47:52,480 Speaker 2: You know, they parent a different back then. To reporters. 1152 00:47:53,880 --> 00:47:54,879 Speaker 9: I made. That's my file. 1153 00:47:55,760 --> 00:47:57,800 Speaker 2: That was Amy's pile of stories. 1154 00:47:58,160 --> 00:48:00,560 Speaker 8: It's time for the good news lunchbox. 1155 00:48:04,640 --> 00:48:06,880 Speaker 2: They always ask what can FedEx do for you? 1156 00:48:07,680 --> 00:48:11,440 Speaker 7: April Chacone is a driver for FedEx and Horizon City, Texas. 1157 00:48:12,000 --> 00:48:14,960 Speaker 3: What can the Brown do for you? It is a brown, 1158 00:48:15,200 --> 00:48:18,239 Speaker 3: a whole different company. Whatever, just go with it, guy, Well, no, 1159 00:48:18,480 --> 00:48:19,960 Speaker 3: I stort. Didn't wonder if I was crazy. 1160 00:48:20,200 --> 00:48:22,120 Speaker 9: No, it's what can the Brown do for you? 1161 00:48:22,320 --> 00:48:22,600 Speaker 2: Okay? 1162 00:48:22,960 --> 00:48:26,359 Speaker 7: Anyway, anyway, April Chacon is driving for FedEx and she's 1163 00:48:26,440 --> 00:48:28,680 Speaker 7: driving a regular route dropping packages. 1164 00:48:28,760 --> 00:48:30,560 Speaker 2: Here you go, here's this, here's. 1165 00:48:30,360 --> 00:48:32,920 Speaker 7: That, And all of a sudden she sees someone house 1166 00:48:33,640 --> 00:48:36,680 Speaker 7: on fire, and so what does she do. She gets 1167 00:48:36,719 --> 00:48:39,200 Speaker 7: on the phone, calls nine one one, says, hey, there's 1168 00:48:39,239 --> 00:48:41,960 Speaker 7: a fire, we need you. And she doesn't stop there. 1169 00:48:42,360 --> 00:48:45,080 Speaker 7: She goes and knocks on the door. It tells them. 1170 00:48:45,480 --> 00:48:48,280 Speaker 7: Then she gets the neighbors garden knows and she starts 1171 00:48:48,280 --> 00:48:49,160 Speaker 7: shooting it with water. 1172 00:48:49,880 --> 00:48:55,400 Speaker 2: That's crazy. Now she didn't completely extinguish the fire. A 1173 00:48:55,440 --> 00:48:59,160 Speaker 2: lot of thumb pushing. Yeah, they said her actions limited 1174 00:48:59,200 --> 00:49:02,600 Speaker 2: the damage. That's good, I mean, so that's all I mean. 1175 00:49:02,719 --> 00:49:03,160 Speaker 2: And risky. 1176 00:49:03,160 --> 00:49:05,320 Speaker 3: You gotta go grab a hope this fire happening, and 1177 00:49:05,360 --> 00:49:07,080 Speaker 3: your thumb probably get sour for pushing the water le 1178 00:49:07,120 --> 00:49:09,800 Speaker 3: hard making that flat. And now she's probably gonna be 1179 00:49:09,800 --> 00:49:12,399 Speaker 3: delayed on the delivery road. And by the way, it's 1180 00:49:13,160 --> 00:49:16,480 Speaker 3: where now, Where now meets next? And the world on time? 1181 00:49:17,000 --> 00:49:20,600 Speaker 2: That's FedEx. What the Brown can do. That's not the 1182 00:49:20,680 --> 00:49:25,160 Speaker 2: same company at all. It doesn't matter matter. Let's not 1183 00:49:25,200 --> 00:49:27,640 Speaker 2: get lost in what the said said. 1184 00:49:27,680 --> 00:49:29,400 Speaker 3: Yeah, here, are you right? We're just gonna get corrected. 1185 00:49:29,440 --> 00:49:30,920 Speaker 3: I'm the one that gets corrected when we mess up. 1186 00:49:30,960 --> 00:49:33,000 Speaker 2: And that's fine. I just want everybody know I. 1187 00:49:33,040 --> 00:49:34,719 Speaker 9: Knew, now, I knew. 1188 00:49:34,880 --> 00:49:36,280 Speaker 2: Yeah, thank you, thank you, hey. 1189 00:49:36,120 --> 00:49:39,280 Speaker 7: Thank you April for chacom for delivering packages and saving 1190 00:49:39,320 --> 00:49:42,160 Speaker 7: house fires boom or stopping house fire, saving fire. 1191 00:49:42,280 --> 00:49:44,520 Speaker 2: The World's on time or something like that. All right, 1192 00:49:44,600 --> 00:49:46,840 Speaker 2: there you go. That's what it's all about. That was 1193 00:49:46,880 --> 00:49:47,799 Speaker 2: telling me something good,