1
00:00:00,040 --> 00:00:02,840
Speaker 1: First time we've gotten an audio complaint though pretty good, right,

2
00:00:03,440 --> 00:00:04,400
Speaker 1: almost two years.

3
00:00:04,400 --> 00:00:07,560
Speaker 2: Definitely not the first time. It's absolutely not the first.

4
00:00:07,560 --> 00:00:16,279
Speaker 1: All right, here comes the theme song, Lisa, Who is that?

5
00:00:17,360 --> 00:00:17,960
Speaker 2: Lisa?

6
00:00:18,880 --> 00:00:19,680
Speaker 3: Hang on, give it to.

7
00:00:19,680 --> 00:00:23,160
Speaker 2: Me, Lisa, let me play my game.

8
00:00:23,680 --> 00:00:29,000
Speaker 3: Oh that I know this? Yes, yes, yes, no, it's

9
00:00:29,040 --> 00:00:32,199
Speaker 3: some it stuck or evil, isn't it?

10
00:00:32,320 --> 00:00:36,000
Speaker 2: That's not that's incorrect, Lisa, Let me play my game, Lisa,

11
00:00:36,440 --> 00:00:37,040
Speaker 2: who is this?

12
00:00:37,720 --> 00:00:38,120
Speaker 3: Lisa?

13
00:00:38,240 --> 00:00:40,080
Speaker 2: Let me play my game before you.

14
00:00:40,080 --> 00:00:42,800
Speaker 3: Answer, Lisa, Before you answer, Lisa, there's a little rule

15
00:00:42,840 --> 00:00:44,760
Speaker 3: on this show. Wrong answers only.

16
00:00:45,760 --> 00:00:48,559
Speaker 4: Oh, I like that, but.

17
00:00:48,640 --> 00:00:53,760
Speaker 3: Do actually answer, but do actually answer correct?

18
00:00:54,160 --> 00:00:54,440
Speaker 2: No?

19
00:00:54,560 --> 00:00:55,840
Speaker 3: No, actually, do get it right?

20
00:00:55,920 --> 00:00:58,400
Speaker 4: Actually joke answers permitted.

21
00:00:58,840 --> 00:01:03,319
Speaker 3: No, no, absolutely yes. Please me to do a bit

22
00:01:03,400 --> 00:01:04,040
Speaker 3: in the comment.

23
00:01:06,200 --> 00:01:08,080
Speaker 2: Sometimes we do that, but this time I actually do

24
00:01:08,160 --> 00:01:09,880
Speaker 2: want you to get like, seriously, get it.

25
00:01:10,000 --> 00:01:14,280
Speaker 3: Guess it right, say anything like say the craziest thing.

26
00:01:15,160 --> 00:01:17,080
Speaker 3: We can do that later, just this time, please guess

27
00:01:17,080 --> 00:01:17,399
Speaker 3: it right.

28
00:01:17,880 --> 00:01:20,440
Speaker 4: I'm so I don't know now where to do a

29
00:01:20,480 --> 00:01:22,360
Speaker 4: joke on or to do to try to guess it.

30
00:01:22,880 --> 00:01:25,400
Speaker 3: I guess it is a bad time to do a joke,

31
00:01:25,480 --> 00:01:26,600
Speaker 3: like if it's a funny joke.

32
00:01:26,640 --> 00:01:29,160
Speaker 2: He do, fine, do a joke. One, Just do a joke.

33
00:01:29,240 --> 00:01:30,560
Speaker 2: One can do a joke.

34
00:01:30,640 --> 00:01:30,800
Speaker 3: One.

35
00:01:31,040 --> 00:01:33,199
Speaker 2: Just do a very quick joke. One and then please

36
00:01:33,200 --> 00:01:35,880
Speaker 2: discuss it for real, because okay, go ahead.

37
00:01:36,360 --> 00:01:40,759
Speaker 4: My joke one is Rugrats, and my serious one is Friends.

38
00:01:41,880 --> 00:01:48,040
Speaker 3: Okay, yeah, yeah, it's you could you could swap them too.

39
00:01:48,360 --> 00:01:50,400
Speaker 2: Somehow, I think they're both wrong, and I think this

40
00:01:50,640 --> 00:01:54,440
Speaker 2: serious one, Rugrats, is pretty pretty sick.

41
00:01:54,760 --> 00:01:58,400
Speaker 4: Okay, My serious one is Rugrats and my Napoleon Dynamite.

42
00:01:58,440 --> 00:02:01,600
Speaker 2: It's a po V experience. Napoleon Dynamite is talking to you.

43
00:02:01,640 --> 00:02:03,560
Speaker 2: He wants to play his game. We are trying to

44
00:02:03,600 --> 00:02:08,160
Speaker 2: do start off all the shows now with a POV experience.

45
00:02:08,240 --> 00:02:11,799
Speaker 2: These are these are like a huge thing, both for

46
00:02:11,880 --> 00:02:15,240
Speaker 2: the guests and for the listener. POV experience. Napoleon Dynamite

47
00:02:15,280 --> 00:02:18,320
Speaker 2: is talking to Lisa, he wants to play his game. Okay, yeah,

48
00:02:18,880 --> 00:02:21,280
Speaker 2: but nobody really nobody knew who that was.

49
00:02:22,760 --> 00:02:26,400
Speaker 3: Uh. I wasn't even trying to think of who it was.

50
00:02:26,520 --> 00:02:30,320
Speaker 3: I was trying to think of like a funny, raw answer,

51
00:02:30,600 --> 00:02:32,040
Speaker 3: like something funny to say.

52
00:02:32,200 --> 00:02:34,120
Speaker 4: That's why I said Rugrats, because I was thinking of

53
00:02:34,160 --> 00:02:36,800
Speaker 4: those the kids on that show are so young and

54
00:02:36,800 --> 00:02:40,400
Speaker 4: some of them are wearing that. Okay, that's where my

55
00:02:40,400 --> 00:02:41,040
Speaker 4: head was going.

56
00:02:41,320 --> 00:02:43,079
Speaker 3: I don't think it was that good. No, I know,

57
00:02:43,240 --> 00:02:45,359
Speaker 3: I mean, I mean, little kids do play games, but

58
00:02:45,400 --> 00:02:46,800
Speaker 3: they don't talk like that.

59
00:02:46,639 --> 00:02:49,320
Speaker 4: And exactly and how Hazy kind of talked like that

60
00:02:49,400 --> 00:02:50,960
Speaker 4: he was doing in the voice so deep that I

61
00:02:51,000 --> 00:02:53,000
Speaker 4: was like my instantly my brain went to, like, Okay, well,

62
00:02:53,000 --> 00:02:55,320
Speaker 4: what's the opposite of deep voice? Probably a lighter kind

63
00:02:55,320 --> 00:02:57,200
Speaker 4: of voice. Who has a lighter kind of voice? Someone

64
00:02:57,240 --> 00:02:59,640
Speaker 4: trying I guess, I guess you.

65
00:02:59,600 --> 00:03:02,680
Speaker 2: Could have unlike the yes idea when we're actually trying

66
00:03:02,720 --> 00:03:04,080
Speaker 2: to do this like.

67
00:03:03,800 --> 00:03:07,880
Speaker 3: Like famous like sort of squeally voice.

68
00:03:09,400 --> 00:03:11,000
Speaker 4: Okay, can I do a POV.

69
00:03:12,360 --> 00:03:12,800
Speaker 2: Please?

70
00:03:15,400 --> 00:03:17,160
Speaker 3: We're trying to open all the shows with this because

71
00:03:17,160 --> 00:03:20,920
Speaker 3: people really enjoy it. Okay. Hayes has been doing full

72
00:03:20,960 --> 00:03:23,600
Speaker 3: episodes where he takes his webcam and puts it on

73
00:03:23,720 --> 00:03:25,800
Speaker 3: his lap, pointing up at the bottom of his chin.

74
00:03:26,600 --> 00:03:29,200
Speaker 3: I think Kevin will just tag the episode like POV.

75
00:03:29,480 --> 00:03:31,600
Speaker 3: You're resting your head in my lap while you listen

76
00:03:31,639 --> 00:03:36,800
Speaker 3: to Hollywood A Handbook or Napoleon Dynamite Slapper or whoever.

77
00:03:37,000 --> 00:03:39,040
Speaker 2: And so I do think we when Lisa does this,

78
00:03:39,120 --> 00:03:40,600
Speaker 2: I do think we should guess it for real.

79
00:03:42,000 --> 00:03:44,360
Speaker 3: Okay, I think it's important that we guess for real. Okay,

80
00:03:44,360 --> 00:03:45,960
Speaker 3: go ahead, and I think we should really do wrong

81
00:03:45,960 --> 00:03:46,520
Speaker 3: answers only.

82
00:03:48,200 --> 00:03:50,400
Speaker 4: Okay, Well, I'll just so you guys know, for like

83
00:03:50,640 --> 00:03:53,760
Speaker 4: the sake of being the upbeat for the podcast, I'll

84
00:03:53,800 --> 00:03:55,800
Speaker 4: accept either of those. So it could be joke or

85
00:03:55,800 --> 00:03:58,240
Speaker 4: it could be serious. And how about then if you're wrong,

86
00:03:58,360 --> 00:04:00,200
Speaker 4: I'll say, oh, joke answer.

87
00:04:00,600 --> 00:04:02,360
Speaker 3: This is exactly what you said, Kevin, you said she

88
00:04:02,440 --> 00:04:05,680
Speaker 3: just rolls with it, so okay, so it's gonna be okay.

89
00:04:05,560 --> 00:04:07,720
Speaker 2: And that's helpful to a point you Okay.

90
00:04:07,560 --> 00:04:14,440
Speaker 4: Ready, pov you are Harry Pulta and I'm snape. So

91
00:04:14,600 --> 00:04:17,320
Speaker 4: joke answers or right answers answers?

92
00:04:17,480 --> 00:04:22,159
Speaker 2: Yeah, that's really it was really good. It was great.

93
00:04:22,240 --> 00:04:25,279
Speaker 3: Do you mind at all if I do rug rats

94
00:04:25,320 --> 00:04:28,400
Speaker 3: for my answer? I know it was sort of your thing.

95
00:04:28,640 --> 00:04:31,919
Speaker 4: Yeah, but it could be an it fits, you know,

96
00:04:32,000 --> 00:04:34,440
Speaker 4: and it could be something like throughout if we keep

97
00:04:34,560 --> 00:04:39,719
Speaker 4: saying something like that, yeah, I'll take that. I'll accept

98
00:04:39,720 --> 00:04:41,280
Speaker 4: that as a joke answer and the wrong answer.

99
00:04:41,360 --> 00:04:46,039
Speaker 2: It's good, she's exactly I guess I wonder if he

100
00:04:46,080 --> 00:04:49,000
Speaker 2: could be saying like any like something else that doesn't

101
00:04:49,000 --> 00:04:52,880
Speaker 2: say like I'm snape in it, like just for well

102
00:04:52,880 --> 00:04:54,200
Speaker 2: it was you shouldn't.

103
00:04:53,839 --> 00:04:56,760
Speaker 3: Say I'm snape. He shouldn't say I'm snake. If you

104
00:04:56,800 --> 00:04:58,000
Speaker 3: want a real guess.

105
00:04:59,279 --> 00:05:03,200
Speaker 2: What do you mean? Well you just said it, Sean,

106
00:05:03,279 --> 00:05:05,760
Speaker 2: you just said the exact reason like it like it

107
00:05:05,800 --> 00:05:07,400
Speaker 2: gives it. It completely gives it away.

108
00:05:07,440 --> 00:05:09,440
Speaker 3: When she says I was clarifying what I felt you

109
00:05:09,440 --> 00:05:12,159
Speaker 3: were saying, I didn't really know why you were saying it.

110
00:05:12,200 --> 00:05:14,360
Speaker 4: Or why how come you're saying it and so grumpy

111
00:05:14,880 --> 00:05:16,160
Speaker 4: and so grumpy.

112
00:05:16,520 --> 00:05:18,960
Speaker 2: What I'm trying to do is I am I'm not

113
00:05:19,000 --> 00:05:21,120
Speaker 2: trying to be grumpy. I'm I'm like, this is what

114
00:05:21,160 --> 00:05:21,760
Speaker 2: I think.

115
00:05:21,640 --> 00:05:24,839
Speaker 4: Is it just comes naturally closer.

116
00:05:24,440 --> 00:05:27,960
Speaker 2: To No, I'm this is very trying not to be grumpy.

117
00:05:28,760 --> 00:05:31,279
Speaker 2: I'm not trying. I'm not trying to do anything except

118
00:05:31,279 --> 00:05:34,600
Speaker 2: like accomplish what we need to do for this episode.

119
00:05:34,640 --> 00:05:36,880
Speaker 3: Well, please do try to do something, try to do.

120
00:05:37,200 --> 00:05:39,080
Speaker 2: Yeah, look, we don't have to do the POV experience

121
00:05:39,120 --> 00:05:41,320
Speaker 2: at all. I don't care, do you think. I'm like

122
00:05:41,880 --> 00:05:43,600
Speaker 2: we do have to do do not? I mean now

123
00:05:43,640 --> 00:05:46,000
Speaker 2: we've introduced it. We don't give it a fuck if

124
00:05:46,040 --> 00:05:51,599
Speaker 2: we keep doing this, okay, mm hmm mm hmm. It

125
00:05:51,720 --> 00:05:54,039
Speaker 2: does not matter. It means ship to me.

126
00:05:55,360 --> 00:05:58,640
Speaker 4: Doom doom, doom, doom, doom doom dm dm dm dm

127
00:05:58,720 --> 00:05:59,960
Speaker 4: dm DM we.

128
00:06:00,560 --> 00:06:05,799
Speaker 2: Yil Roy Holly, an insider's guy. It's a kicking button

129
00:06:05,839 --> 00:06:08,320
Speaker 2: dropping names in the red carpet lineback always of this industry.

130
00:06:08,360 --> 00:06:13,880
Speaker 2: We call show this, Lisa, we are I really don't

131
00:06:13,880 --> 00:06:18,440
Speaker 2: want to talk about it anymore. We are here to

132
00:06:18,480 --> 00:06:21,640
Speaker 2: celebrate your success on the real different things that you've

133
00:06:21,680 --> 00:06:25,000
Speaker 2: been doing Vulture first time ever.

134
00:06:25,200 --> 00:06:26,960
Speaker 3: I'm sorry I didn't get to do a p O V.

135
00:06:27,120 --> 00:06:30,039
Speaker 3: I just feel like you both did one. It'll be

136
00:06:30,160 --> 00:06:37,720
Speaker 3: really fast, okay, and he's putting sunglasses on. It's a

137
00:06:37,839 --> 00:06:44,200
Speaker 3: visual component only. But whatever. You all terminated. You'll terminated.

138
00:06:44,520 --> 00:06:45,040
Speaker 3: That's good.

139
00:06:46,920 --> 00:06:48,200
Speaker 4: You're terminated.

140
00:06:51,200 --> 00:06:51,640
Speaker 3: By Tommy.

141
00:06:51,920 --> 00:06:54,400
Speaker 4: I was gonna say, sorry, Sean, I said you're terminated

142
00:06:54,480 --> 00:06:55,880
Speaker 4: by Tommy Pickles.

143
00:06:58,279 --> 00:06:59,760
Speaker 3: Cause I thought I thought you was gonna do a

144
00:06:59,800 --> 00:07:06,119
Speaker 3: wrong answer. That was like she is. He's a legend

145
00:07:06,200 --> 00:07:11,680
Speaker 3: in the house. Fucking fun man, fun stuff fun Kevin.

146
00:07:11,720 --> 00:07:14,160
Speaker 3: You want to do one real quick? Sure? Okay?

147
00:07:14,400 --> 00:07:17,320
Speaker 1: Taking my classes off, putting him putting him back.

148
00:07:17,200 --> 00:07:20,720
Speaker 2: On I'm the Batman.

149
00:07:23,160 --> 00:07:24,240
Speaker 4: I didn't get that one though.

150
00:07:25,240 --> 00:07:27,240
Speaker 3: Yeah, I didn't like it. I didn't like it.

151
00:07:27,760 --> 00:07:29,600
Speaker 4: Because you didn't say po V first.

152
00:07:29,840 --> 00:07:35,680
Speaker 2: You didn't seem experience at all. Yeah, classes on, why

153
00:07:35,760 --> 00:07:39,920
Speaker 2: are you taking off your TV? I'man why are you

154
00:07:40,000 --> 00:07:41,040
Speaker 2: taking your glasses off?

155
00:07:43,320 --> 00:07:43,600
Speaker 4: Kevin?

156
00:07:44,360 --> 00:07:46,640
Speaker 3: I know who he is too, I know who is Reptar.

157
00:07:47,320 --> 00:07:51,520
Speaker 4: No, that's wrong, wrong, he's actually Angelica with the chest cold.

158
00:07:53,000 --> 00:07:59,040
Speaker 3: Okay. So yeah, we're counting for the voice. Ye bad?

159
00:07:59,120 --> 00:08:04,200
Speaker 3: At least is yeah? I appreciate. Yeah, would you want

160
00:08:04,200 --> 00:08:05,520
Speaker 3: to talk if you had something you want to do?

161
00:08:05,680 --> 00:08:10,640
Speaker 2: Vulture and JFL New Faces and we finally get them

162
00:08:10,640 --> 00:08:14,840
Speaker 2: to agree, and they're putting it aside and they're saying,

163
00:08:14,880 --> 00:08:18,720
Speaker 2: look forget the other shit, all the like, all the

164
00:08:18,760 --> 00:08:21,360
Speaker 2: shit we've been through, all the fussing and fighting.

165
00:08:21,200 --> 00:08:22,360
Speaker 3: All the fucking history.

166
00:08:22,520 --> 00:08:24,720
Speaker 2: Can we agree on at least this?

167
00:08:25,640 --> 00:08:25,840
Speaker 3: Yeh?

168
00:08:25,880 --> 00:08:30,040
Speaker 2: Can we agree on that? Lisa is Fresh Face twenty

169
00:08:30,120 --> 00:08:34,240
Speaker 2: twenty two, twenty two years old. Finally twenty two year

170
00:08:34,280 --> 00:08:37,040
Speaker 2: olds Top twenty two year olds for twenty twenty two,

171
00:08:37,720 --> 00:08:39,120
Speaker 2: twenty two and twenty two.

172
00:08:39,320 --> 00:08:44,880
Speaker 4: In size twenty two Wow, that's bigger measurements. Twenty two,

173
00:08:45,240 --> 00:08:46,640
Speaker 4: twenty two, twenty two.

174
00:08:47,000 --> 00:08:50,199
Speaker 2: That's how many different sizes you have each shoe twenty two,

175
00:08:50,800 --> 00:08:51,960
Speaker 2: twenty two different.

176
00:08:51,679 --> 00:08:56,920
Speaker 4: Sizes shoulders, waists and bagel bang and hips and titties.

177
00:08:59,120 --> 00:09:03,000
Speaker 3: Please don't talk, but any titties. Well, I just thought

178
00:09:03,160 --> 00:09:05,520
Speaker 3: we yeah, people, So just so you know, and I

179
00:09:05,559 --> 00:09:07,079
Speaker 3: don't you haven't maybe listened to the show in a

180
00:09:07,120 --> 00:09:11,360
Speaker 3: little while, we talk about titties when the female guest

181
00:09:11,640 --> 00:09:12,360
Speaker 3: leaves the zoo.

182
00:09:13,280 --> 00:09:14,480
Speaker 2: Oh, we don't do that.

183
00:09:15,640 --> 00:09:17,880
Speaker 3: If we don't do that, and it can't be part

184
00:09:17,960 --> 00:09:22,559
Speaker 3: of this, that can't be part of the episode with you,

185
00:09:23,320 --> 00:09:27,480
Speaker 3: just because there's really no safe way for me to engage. Yeah,

186
00:09:28,720 --> 00:09:32,000
Speaker 3: I'm paralyzed by this conversation. Okay, so let's just say

187
00:09:32,040 --> 00:09:34,640
Speaker 3: that twenty two is your shoe size that you realistic,

188
00:09:35,080 --> 00:09:38,400
Speaker 3: twenty two for one shoe, twenty two for the other

189
00:09:39,080 --> 00:09:46,680
Speaker 3: and head yeah, head, yeah you can't. Yeah, that's great.

190
00:09:47,559 --> 00:09:51,880
Speaker 3: We also want to discuss you're in four different commercials

191
00:09:52,520 --> 00:09:55,920
Speaker 3: more than that that are on TV right now. You're

192
00:09:55,920 --> 00:09:57,839
Speaker 3: in more than four different versions that are on TV

193
00:09:58,040 --> 00:09:59,760
Speaker 3: right the second they're airing right now. I turn on

194
00:09:59,800 --> 00:10:02,319
Speaker 3: my in here and I see four different commercials with

195
00:10:02,400 --> 00:10:03,240
Speaker 3: you in it right now.

196
00:10:03,880 --> 00:10:06,559
Speaker 4: Okay, so you think you watched all the TV and

197
00:10:06,640 --> 00:10:10,959
Speaker 4: you know the number I'm in exactly I saw TV.

198
00:10:11,400 --> 00:10:13,880
Speaker 2: Yeah, I mean, well, hard to believe it is.

199
00:10:14,559 --> 00:10:17,079
Speaker 3: It is kind of I mean clearly has drug rats.

200
00:10:18,559 --> 00:10:20,880
Speaker 2: It is sort of my job to watch TV and

201
00:10:20,960 --> 00:10:24,560
Speaker 2: like understand TV and come back here and share tips.

202
00:10:24,960 --> 00:10:27,280
Speaker 4: Okay, say the ones that say the ones you think

203
00:10:27,320 --> 00:10:27,559
Speaker 4: I'm in.

204
00:10:28,720 --> 00:10:33,200
Speaker 2: The paint commercial, paint Okay, I'll.

205
00:10:33,080 --> 00:10:34,560
Speaker 4: Say at the end. I'll say at the end if you.

206
00:10:34,640 --> 00:10:35,120
Speaker 3: Write it up.

207
00:10:35,960 --> 00:10:40,319
Speaker 2: The paint commercial, the museum commercial for the bank, the

208
00:10:40,440 --> 00:10:43,600
Speaker 2: museum of the hair, the one with the hair, your

209
00:10:43,760 --> 00:10:48,760
Speaker 2: long hair, okay, and the football Housewives.

210
00:10:49,600 --> 00:10:52,000
Speaker 4: Oh, that's actually pretty good.

211
00:10:53,280 --> 00:10:54,280
Speaker 3: This is good.

212
00:10:55,880 --> 00:11:02,560
Speaker 4: Getting There's two more that are on right now, I think, So.

213
00:11:02,960 --> 00:11:03,840
Speaker 3: Okay, what are they?

214
00:11:04,840 --> 00:11:06,720
Speaker 4: Carvana M.

215
00:11:08,520 --> 00:11:15,520
Speaker 2: M M is also a bank. Yeah, so this is

216
00:11:15,559 --> 00:11:19,120
Speaker 2: actually really helpful to us. Well, and we did get

217
00:11:19,160 --> 00:11:21,120
Speaker 2: you to reveal the other commercials that you're in.

218
00:11:22,000 --> 00:11:25,319
Speaker 3: And I suppose you walked directly into the trap. And

219
00:11:25,400 --> 00:11:28,960
Speaker 3: I've been on Hayes' side this whole time. What about

220
00:11:29,000 --> 00:11:37,199
Speaker 3: the whole thing about the was spycraft? It was tradecraft, Lisa,

221
00:11:38,360 --> 00:11:39,600
Speaker 3: ide you to believe.

222
00:11:40,720 --> 00:11:43,240
Speaker 4: So when you came to my house works for the

223
00:11:43,360 --> 00:11:44,720
Speaker 4: big hug. That was a joke.

224
00:11:45,360 --> 00:11:47,400
Speaker 3: That was spycraft. It was not a joke, it was

225
00:11:47,880 --> 00:11:50,800
Speaker 3: that was the tradecraft. I had to believe that we

226
00:11:50,920 --> 00:11:53,360
Speaker 3: were doing a big hug and to go through with it.

227
00:11:53,880 --> 00:11:55,439
Speaker 4: You came to a house and you gave me a

228
00:11:55,480 --> 00:11:57,600
Speaker 4: big hug, and he said, looking forward to seeing you tomorrow.

229
00:11:58,320 --> 00:11:58,720
Speaker 3: Mm hmm.

230
00:11:59,240 --> 00:12:01,240
Speaker 4: And that was all just uh p.

231
00:12:02,040 --> 00:12:04,400
Speaker 3: And Hayes wrote that line for me, looking forward to

232
00:12:04,400 --> 00:12:08,000
Speaker 3: seeing He said, Hey, you want to know what's really

233
00:12:08,080 --> 00:12:10,560
Speaker 3: going to get the hook in? Tell her you looking

234
00:12:10,600 --> 00:12:13,240
Speaker 3: forward to seeing her tomorrow. I said, Haze, you don't

235
00:12:13,240 --> 00:12:18,080
Speaker 3: think it's too far. It won't tip the game. He said,

236
00:12:18,120 --> 00:12:19,600
Speaker 3: she can't get enough of that stuff.

237
00:12:20,040 --> 00:12:23,640
Speaker 4: It's true. I fell for it, hook line and stinker, And.

238
00:12:23,720 --> 00:12:28,160
Speaker 2: You did exactly. You followed your role to perfection as

239
00:12:28,200 --> 00:12:30,079
Speaker 2: you did, and all as you have in all of

240
00:12:30,120 --> 00:12:30,880
Speaker 2: your other roles.

241
00:12:31,240 --> 00:12:33,240
Speaker 4: I put the zoom link. I came on with a

242
00:12:33,280 --> 00:12:36,160
Speaker 4: good attitude. I tried my best to be funny and cool.

243
00:12:36,320 --> 00:12:39,760
Speaker 2: And you you think that we didn't know that when

244
00:12:39,800 --> 00:12:42,080
Speaker 2: we scheduled this for Monday. Your computer was not going

245
00:12:42,160 --> 00:12:44,199
Speaker 2: to be working and that we were going to have

246
00:12:44,280 --> 00:12:46,480
Speaker 2: to do it four days later. Do you think that

247
00:12:46,640 --> 00:12:47,360
Speaker 2: was an accident?

248
00:12:47,600 --> 00:12:50,800
Speaker 4: So then everything So then Sean's big hug was a joke.

249
00:12:50,920 --> 00:12:53,040
Speaker 4: And then the email I got from Hayes, it was

250
00:12:53,200 --> 00:12:56,200
Speaker 4: saying tradecraft because Hayes, you emailed me after I counseled

251
00:12:56,240 --> 00:12:58,320
Speaker 4: on Monday and said you're a bad pig. You'll never

252
00:12:58,480 --> 00:13:00,720
Speaker 4: work in this in this city, Hotywood.

253
00:13:01,200 --> 00:13:04,200
Speaker 3: That was not That was not part of it. It's

254
00:13:04,240 --> 00:13:07,439
Speaker 3: good spy, bad spy, you know, no, but I that

255
00:13:07,720 --> 00:13:08,880
Speaker 3: that is a technique.

256
00:13:08,920 --> 00:13:11,839
Speaker 2: Good spy, bad spy. But that when I sent that,

257
00:13:11,960 --> 00:13:17,240
Speaker 2: I was I was just like, really it was about

258
00:13:17,280 --> 00:13:19,760
Speaker 2: other stuff. I was really upset about, like a bunch

259
00:13:19,840 --> 00:13:21,360
Speaker 2: of other things. I just got really mad.

260
00:13:21,440 --> 00:13:24,040
Speaker 3: It was really it was brain droppings. Wasn't in hisze

261
00:13:24,160 --> 00:13:28,000
Speaker 3: mm hmm, just blowing off steam. That was brain droppings.

262
00:13:28,360 --> 00:13:31,199
Speaker 3: That was that was there was some of George Crohn's brain.

263
00:13:31,280 --> 00:13:33,520
Speaker 2: And so that I apologized for. And that almost risks

264
00:13:33,559 --> 00:13:37,720
Speaker 2: blowing up the entire like scheme that we I'm mad

265
00:13:37,840 --> 00:13:40,000
Speaker 2: learning about it because it feels like we didn't discuss that,

266
00:13:40,160 --> 00:13:42,199
Speaker 2: and it does seem like it went against what we were,

267
00:13:42,520 --> 00:13:43,640
Speaker 2: but it's gone perfectly.

268
00:13:43,920 --> 00:13:47,920
Speaker 3: Be stern but not not outwardly aggressive, not so mad,

269
00:13:48,080 --> 00:13:50,600
Speaker 3: not so like insanely mad, which because I wanted, because

270
00:13:50,760 --> 00:13:52,680
Speaker 3: we we wanted you to still appear on the show.

271
00:13:54,320 --> 00:13:56,440
Speaker 3: We needed you to honestly for it to work.

272
00:13:57,320 --> 00:13:59,920
Speaker 2: But instead it actually worked and we learned about carbon

273
00:14:00,160 --> 00:14:03,079
Speaker 2: a Bimo and so we are going to be adding

274
00:14:03,200 --> 00:14:09,320
Speaker 2: that to the class action suit or what for all

275
00:14:09,400 --> 00:14:13,800
Speaker 2: of the advertisements that you have done. We are participating

276
00:14:13,840 --> 00:14:17,199
Speaker 2: in a class action suit, but we also want to

277
00:14:17,240 --> 00:14:20,920
Speaker 2: talk to you today about the possibility of us being

278
00:14:20,920 --> 00:14:23,000
Speaker 2: able to represent you in your.

279
00:14:23,880 --> 00:14:28,320
Speaker 3: We are the named plaintiffs, but we are also willing

280
00:14:28,400 --> 00:14:33,360
Speaker 3: to be your counsel. Thirsty, so I already have a commercial.

281
00:14:33,600 --> 00:14:36,640
Speaker 4: I have a commercial agent already and you won't believe it,

282
00:14:36,720 --> 00:14:38,920
Speaker 4: and this is actually true. But her name is Laura su.

283
00:14:38,880 --> 00:14:42,720
Speaker 2: Who So this is not what this is not a commercial.

284
00:14:42,960 --> 00:14:44,680
Speaker 2: This is really helpful for us to explain, and we

285
00:14:44,720 --> 00:14:46,840
Speaker 2: should go back. We've we've explained a lot of different

286
00:14:46,880 --> 00:14:50,400
Speaker 2: things on this show. Commercials, for example, just as a reminder,

287
00:14:51,160 --> 00:14:53,960
Speaker 2: are the TV shows babies, the TV shows the Mommy

288
00:14:54,000 --> 00:14:59,040
Speaker 2: and Daddy. The commercial is the baby, the commercial agent

289
00:15:00,320 --> 00:15:05,200
Speaker 2: does not go to court when you are suit class

290
00:15:05,240 --> 00:15:10,000
Speaker 2: action suit for your behavior in some of these commercials.

291
00:15:10,800 --> 00:15:11,360
Speaker 4: But Mike.

292
00:15:12,920 --> 00:15:16,920
Speaker 3: Is not going to care that we Laura sued you. Okay, yes,

293
00:15:17,240 --> 00:15:20,600
Speaker 3: she actually will be running from you when she sees

294
00:15:20,840 --> 00:15:24,440
Speaker 3: the documentation we have of the damage your commercials have.

295
00:15:24,520 --> 00:15:25,600
Speaker 2: Do you need, Laura Sue?

296
00:15:25,680 --> 00:15:27,600
Speaker 3: Howe m M.

297
00:15:28,000 --> 00:15:32,080
Speaker 4: But you guys are forgetting a foul mistake you made

298
00:15:32,120 --> 00:15:35,640
Speaker 4: in your plan. Because Laura's husband is the chief of

299
00:15:35,720 --> 00:15:38,720
Speaker 4: police and her daughter is the Justice of the Supreme Court.

300
00:15:39,800 --> 00:15:43,680
Speaker 2: Laura Sue, Who's daughter is the Justice of the Supreme Court,

301
00:15:43,840 --> 00:15:46,120
Speaker 2: the Supreme Court? I knew about the chief of police.

302
00:15:46,240 --> 00:15:48,720
Speaker 4: Her husband is the chief of the police, and her

303
00:15:48,840 --> 00:15:54,840
Speaker 4: brother is a funeral director and her sister Okay.

304
00:15:54,720 --> 00:15:57,200
Speaker 3: That is seems like it could go really badly for us.

305
00:15:57,560 --> 00:16:00,560
Speaker 4: Her sister works for the CIA, and her other sister

306
00:16:00,880 --> 00:16:01,600
Speaker 4: is a prison guard.

307
00:16:02,440 --> 00:16:06,480
Speaker 3: If her brother directs me to have a funeral, Mmm, yeah,

308
00:16:09,600 --> 00:16:13,400
Speaker 3: Like if I just get a funeral added to my

309
00:16:13,600 --> 00:16:16,680
Speaker 3: Google calendar without my knowledge and then that day I

310
00:16:16,800 --> 00:16:19,920
Speaker 3: have to go to my funeral. Yeah, that's going to

311
00:16:22,000 --> 00:16:23,760
Speaker 3: make it difficult to win this case.

312
00:16:23,600 --> 00:16:25,880
Speaker 4: Because he can't he won't know it unless he knows

313
00:16:25,920 --> 00:16:27,560
Speaker 4: who you are. But once he gets your first time,

314
00:16:27,560 --> 00:16:29,520
Speaker 4: your last name, he can add anything to your calendar.

315
00:16:29,560 --> 00:16:30,800
Speaker 4: So that's what I'm saying. If you guys want to

316
00:16:30,800 --> 00:16:33,480
Speaker 4: get close to me and close to my team and

317
00:16:33,720 --> 00:16:36,080
Speaker 4: sue me and my team and my representatives and my

318
00:16:36,120 --> 00:16:38,600
Speaker 4: management and my family, you're gonna walk straight into the

319
00:16:38,680 --> 00:16:42,080
Speaker 4: Undertaker's layer and you're gonna meet Laurasu, who's entire fucking family,

320
00:16:42,120 --> 00:16:44,400
Speaker 4: and you're gonna regret every single step of the good

321
00:16:44,720 --> 00:16:47,960
Speaker 4: Spy Badspy act and the whole elaborate web that you

322
00:16:48,040 --> 00:16:50,920
Speaker 4: had laid for like a Stickies spider trap for me

323
00:16:51,000 --> 00:16:52,520
Speaker 4: to walk into, and you're gonna regret the day that

324
00:16:52,600 --> 00:16:53,360
Speaker 4: you did it.

325
00:16:53,760 --> 00:17:00,200
Speaker 2: It's simply too late. There's no backing now. We Kevin's

326
00:17:00,240 --> 00:17:03,400
Speaker 2: complete control over the waiting room of this zoom. He

327
00:17:03,480 --> 00:17:08,360
Speaker 2: has the waiting room on absolute lockdown. Laras who can

328
00:17:08,880 --> 00:17:11,639
Speaker 2: can sit there she like in the waiting room for

329
00:17:11,680 --> 00:17:17,159
Speaker 2: as long as we need. You are being served, Kevin,

330
00:17:18,119 --> 00:17:20,760
Speaker 2: pull up the evidence. You're being served the evidence?

331
00:17:20,960 --> 00:17:22,000
Speaker 4: O good, you're my servant.

332
00:17:22,760 --> 00:17:29,160
Speaker 3: Uh yeah, no, you serve, and we're serving Little Butler.

333
00:17:30,640 --> 00:17:33,720
Speaker 4: I always wanted to butler anything that I want to.

334
00:17:35,960 --> 00:17:38,159
Speaker 4: I'm actually happy. I'm really happy we are.

335
00:17:38,640 --> 00:17:41,879
Speaker 3: Yeah, me too. And by the way, and yeah, her

336
00:17:42,040 --> 00:17:45,399
Speaker 3: daughter is the Judd, but we're the jury and executioner.

337
00:17:46,200 --> 00:17:46,320
Speaker 2: Uh.

338
00:17:48,400 --> 00:17:51,919
Speaker 4: You guys are in two little toxedos. You guys look

339
00:17:51,960 --> 00:17:56,399
Speaker 4: really cute your little butler outfits. My little boys, I know,

340
00:17:56,520 --> 00:17:56,960
Speaker 4: I like you.

341
00:17:57,240 --> 00:17:57,680
Speaker 3: I'm young.

342
00:18:00,040 --> 00:18:02,119
Speaker 1: This week on the Patreon, Carl and Hassan discuss a

343
00:18:02,160 --> 00:18:06,280
Speaker 1: Hollywood party. The boys discuss a huge missed business opportunity

344
00:18:06,359 --> 00:18:08,360
Speaker 1: on the pro Version and the Flag at Once. Are

345
00:18:08,400 --> 00:18:12,600
Speaker 1: mostly talking all things basketball, plus a little teaser for

346
00:18:12,760 --> 00:18:15,720
Speaker 1: my big video project just dropped, and I actually just

347
00:18:15,760 --> 00:18:17,879
Speaker 1: put a link for that in this very description. You

348
00:18:17,960 --> 00:18:20,920
Speaker 1: can enjoy that there. Check out all these shows and

349
00:18:21,040 --> 00:18:24,080
Speaker 1: the video for today's episode with Lisa at patreon dot

350
00:18:24,119 --> 00:18:25,720
Speaker 1: com Slash the Flaker Ones.

351
00:18:31,320 --> 00:18:37,560
Speaker 4: Exhibit Ah God, I ever wonder what everyone's doing on

352
00:18:37,640 --> 00:18:38,520
Speaker 4: their phones.

353
00:18:38,359 --> 00:18:40,320
Speaker 2: And we're at the museum and look who it is.

354
00:18:41,520 --> 00:18:45,480
Speaker 2: Looks a little bit like Lisa Gailroy wearing glasses like

355
00:18:45,560 --> 00:18:47,480
Speaker 2: a museum guard trying to do a disguise.

356
00:18:47,600 --> 00:18:50,040
Speaker 3: We know exactly who it is. I saw right through it.

357
00:18:50,200 --> 00:18:50,720
Speaker 3: We knew it was.

358
00:18:50,920 --> 00:18:53,200
Speaker 2: I ever wonder what anyone's doing on their phones. Keep

359
00:18:53,240 --> 00:18:56,720
Speaker 2: playing easy and you know it's a museum because there's

360
00:18:56,800 --> 00:18:58,400
Speaker 2: two dinosaur bones.

361
00:18:58,920 --> 00:19:02,159
Speaker 4: Is texting for back. No, she's totally in charge of

362
00:19:02,240 --> 00:19:04,720
Speaker 4: her portfolio. And Daniel G.

363
00:19:07,000 --> 00:19:07,440
Speaker 3: Daniel G.

364
00:19:07,680 --> 00:19:09,840
Speaker 4: She's running a pretend restaurant.

365
00:19:10,640 --> 00:19:13,399
Speaker 3: And Phil we see a cave man at the museum.

366
00:19:13,800 --> 00:19:15,800
Speaker 3: But this is the long version.

367
00:19:15,840 --> 00:19:17,200
Speaker 4: Digital tools, so impressive.

368
00:19:17,400 --> 00:19:20,440
Speaker 1: Your money never steps working for you with Meryl okay.

369
00:19:20,920 --> 00:19:29,040
Speaker 3: So basically what happens when you lie in the commercial

370
00:19:29,760 --> 00:19:32,040
Speaker 3: that this is what people are doing on their phones

371
00:19:34,080 --> 00:19:39,200
Speaker 3: is you're doing crime. You're doing crime because I'm not

372
00:19:39,359 --> 00:19:42,320
Speaker 3: doing that on my phone. I'm not investing with that. No,

373
00:19:42,880 --> 00:19:45,560
Speaker 3: what am I doing on my phone? Reading reviews of

374
00:19:45,680 --> 00:19:53,159
Speaker 3: different sunflower seed brands? Which you didn't mention once? I

375
00:19:53,960 --> 00:19:55,919
Speaker 3: just spit it out, I.

376
00:19:56,000 --> 00:19:58,880
Speaker 4: Think, because to be honest, you guys, and I'm embarrassed

377
00:19:58,880 --> 00:20:01,879
Speaker 4: too because I actually I haven't seen that before. Is

378
00:20:01,960 --> 00:20:06,639
Speaker 4: that I didn't know that it was going to be

379
00:20:06,800 --> 00:20:06,960
Speaker 4: like that?

380
00:20:08,200 --> 00:20:09,639
Speaker 2: What did you think it was going to be?

381
00:20:09,840 --> 00:20:11,600
Speaker 3: Like? Yeah, because it's your voice.

382
00:20:12,240 --> 00:20:15,560
Speaker 4: It's not actually my voice, though I don't.

383
00:20:15,320 --> 00:20:18,159
Speaker 3: Think it sounded that much like it doesn't sound different.

384
00:20:19,160 --> 00:20:23,840
Speaker 4: Laura Sue's other brother is a voice actor and he

385
00:20:24,000 --> 00:20:26,800
Speaker 4: does all the voices for the commercial. So we at

386
00:20:26,880 --> 00:20:30,280
Speaker 4: her agency, we just do the bodies. Like it's so

387
00:20:30,440 --> 00:20:32,359
Speaker 4: when I get into a commercial, it's just my body,

388
00:20:32,400 --> 00:20:34,240
Speaker 4: and then someone else chooses my clothes, and someone else

389
00:20:34,320 --> 00:20:37,040
Speaker 4: chooses my voice, and someone else chooses my hair. And

390
00:20:37,119 --> 00:20:38,520
Speaker 4: I know I said I wasn't gonna say it again,

391
00:20:38,560 --> 00:20:41,280
Speaker 4: but titties are also like sometimes not even real or

392
00:20:41,359 --> 00:20:44,159
Speaker 4: not there or cgi or like deep fake or.

393
00:20:44,920 --> 00:20:49,119
Speaker 2: So you're it's your body and you're like turning around

394
00:20:49,200 --> 00:20:54,800
Speaker 2: like facing some of your body. Okay, well let's talk

395
00:20:54,840 --> 00:21:01,000
Speaker 2: about that the body issue. ESPN you you are turning

396
00:21:01,520 --> 00:21:06,320
Speaker 2: away from the different bones, yeah, and turning towards like

397
00:21:06,640 --> 00:21:08,879
Speaker 2: turning to your looking at Daniel G.

398
00:21:09,280 --> 00:21:11,639
Speaker 3: And like all these other people, what happens? You're you

399
00:21:11,800 --> 00:21:15,040
Speaker 3: are guarding this museum, So what happened?

400
00:21:15,440 --> 00:21:17,560
Speaker 4: So hell, who cares?

401
00:21:17,600 --> 00:21:19,879
Speaker 2: So you don't even know what happened that there was

402
00:21:19,920 --> 00:21:27,280
Speaker 2: a famous robbery at the museum and they stole of

403
00:21:27,480 --> 00:21:33,760
Speaker 2: stealing almost every bone at the museum. What are you

404
00:21:33,920 --> 00:21:36,719
Speaker 2: talking about that you don't even know because you were

405
00:21:36,880 --> 00:21:38,080
Speaker 2: looking at Daniel G.

406
00:21:38,359 --> 00:21:40,720
Speaker 3: You don't know because you.

407
00:21:40,960 --> 00:21:43,879
Speaker 4: Happen in the commercial. The bones were still there by

408
00:21:43,920 --> 00:21:45,359
Speaker 4: the end of the commercial. You can see in the

409
00:21:45,440 --> 00:21:46,480
Speaker 4: last frame those.

410
00:21:48,200 --> 00:21:52,040
Speaker 3: Focused on the phones. You forgot about the bones. You

411
00:21:52,200 --> 00:21:57,200
Speaker 3: saw that was the same bones. They barely look like

412
00:21:57,800 --> 00:22:01,760
Speaker 3: such a famous robbery. They replaced the bones of fake bones.

413
00:22:02,160 --> 00:22:03,840
Speaker 4: So you guys are kind of making it obvious that

414
00:22:03,920 --> 00:22:05,680
Speaker 4: it was you. Now because how they say the bad

415
00:22:05,720 --> 00:22:07,480
Speaker 4: guys return to the scene of the crime. You can't.

416
00:22:07,520 --> 00:22:09,679
Speaker 4: You can't even rest because you know that no one

417
00:22:09,720 --> 00:22:11,000
Speaker 4: knows that it was you, and you want to brag

418
00:22:11,000 --> 00:22:11,960
Speaker 4: about it. So that's what you're doing.

419
00:22:12,200 --> 00:22:16,680
Speaker 3: You ever did it was criminal. There's no question there, okay,

420
00:22:18,080 --> 00:22:21,159
Speaker 3: arpetrator kind of mind that could come up with a

421
00:22:21,480 --> 00:22:23,640
Speaker 3: heist so devilish.

422
00:22:25,840 --> 00:22:30,159
Speaker 2: My con that your most devious act was not serving

423
00:22:30,160 --> 00:22:37,440
Speaker 2: as a worthy opponent. What the criminal's greatest goal achievement

424
00:22:37,640 --> 00:22:40,080
Speaker 2: is not the theft of the item itself, It.

425
00:22:40,200 --> 00:22:41,600
Speaker 4: Is the replacement of the.

426
00:22:43,880 --> 00:22:44,360
Speaker 3: Replacement.

427
00:22:46,520 --> 00:22:49,080
Speaker 4: Can I ask you guys what you replaced the bones with,

428
00:22:50,240 --> 00:22:51,800
Speaker 4: because I'm not it's too late for me to do

429
00:22:51,840 --> 00:22:53,800
Speaker 4: anything now. We shot that commercial like a year ago.

430
00:22:53,840 --> 00:22:55,840
Speaker 4: I don't even know where that museum is. I can't

431
00:22:55,880 --> 00:22:57,359
Speaker 4: go back there. I won't tell them. Just tell me

432
00:22:57,440 --> 00:23:00,280
Speaker 4: what you put in instead of the bones. We tea

433
00:23:01,200 --> 00:23:02,720
Speaker 4: bubbet bubble bubble.

434
00:23:02,480 --> 00:23:06,440
Speaker 3: Tea, bubble bubble bubble bubble.

435
00:23:06,200 --> 00:23:16,520
Speaker 4: Bubbles mm hmm, teases, bubble tea ones mm hmm. So

436
00:23:16,680 --> 00:23:18,920
Speaker 4: what I'm saying is at the end of the see

437
00:23:18,960 --> 00:23:24,240
Speaker 4: there's no bubble tea in the commercial at all by

438
00:23:24,280 --> 00:23:25,800
Speaker 4: the end. So that's how you know the bones are

439
00:23:25,840 --> 00:23:27,840
Speaker 4: still there or was there?

440
00:23:29,080 --> 00:23:29,760
Speaker 3: Watch it again.

441
00:23:29,800 --> 00:23:31,560
Speaker 2: We're not going to go back. We're not going to

442
00:23:31,640 --> 00:23:32,000
Speaker 2: go back.

443
00:23:32,040 --> 00:23:33,920
Speaker 3: But if you do watch it again when you have

444
00:23:34,119 --> 00:23:36,159
Speaker 3: after the show, if you're even if you still have

445
00:23:36,280 --> 00:23:39,320
Speaker 3: the freedom access to your computer, if you have not

446
00:23:39,440 --> 00:23:41,400
Speaker 3: been arrested, and if.

447
00:23:41,359 --> 00:23:45,080
Speaker 4: You're not dead in a coffin sean from the funeral direction.

448
00:23:45,880 --> 00:23:47,840
Speaker 3: From yes, well, I hope that I'm not.

449
00:23:48,880 --> 00:23:50,720
Speaker 4: Oh no, are we really going to watch all of

450
00:23:50,760 --> 00:23:52,399
Speaker 4: these exhibit B.

451
00:23:53,640 --> 00:23:55,800
Speaker 3: If you don't repaint every now and then, it's like

452
00:23:55,920 --> 00:23:57,280
Speaker 3: the old you is still.

453
00:23:57,160 --> 00:24:01,959
Speaker 2: Hanging around Lisa. It's actually two of Lisa to Lisa

454
00:24:03,160 --> 00:24:05,080
Speaker 2: using using fake technology.

455
00:24:05,200 --> 00:24:08,600
Speaker 3: What's you? Because the glasses again, So.

456
00:24:08,680 --> 00:24:11,440
Speaker 2: Now it's the museum guard is at home. By the way,

457
00:24:14,680 --> 00:24:15,280
Speaker 2: I just don't.

458
00:24:15,119 --> 00:24:18,119
Speaker 4: Say, you guys are so stupid, because this is a podcast,

459
00:24:18,240 --> 00:24:23,239
Speaker 4: and so people can't even see what the hell right,

460
00:24:23,840 --> 00:24:26,280
Speaker 4: how are they even to believe after you, after you

461
00:24:26,320 --> 00:24:28,520
Speaker 4: guys have lied and done all sorts of jokes and

462
00:24:28,560 --> 00:24:30,760
Speaker 4: pranks for years on the podcast, they just think they're

463
00:24:30,840 --> 00:24:31,840
Speaker 4: listening to some sort of.

464
00:24:33,480 --> 00:24:36,040
Speaker 3: Lots of jokes, lots of funny comments. We haven't pranked anyone.

465
00:24:37,640 --> 00:24:41,720
Speaker 2: So it's the museum guard sitting on the couch. Meanwhile,

466
00:24:41,800 --> 00:24:44,720
Speaker 2: the museum is the most robbed it's ever been. While

467
00:24:44,880 --> 00:24:47,080
Speaker 2: she's at home for some reason.

468
00:24:47,720 --> 00:24:50,119
Speaker 4: Yes, and I'm wearing the same glasses, so that's how

469
00:24:50,160 --> 00:24:52,240
Speaker 4: you know. They're actually my glasses and I got paid

470
00:24:52,280 --> 00:24:53,880
Speaker 4: fifty dollars to wear my own glasses.

471
00:24:55,760 --> 00:24:59,600
Speaker 3: Well, now that's a talk about robbery. That's a heist.

472
00:25:00,040 --> 00:25:03,440
Speaker 2: Were just trying to get their message out, getting absolutely

473
00:25:03,680 --> 00:25:07,760
Speaker 2: soaked by the talent. And then her friend is there

474
00:25:08,280 --> 00:25:11,320
Speaker 2: who looks like her. I guess the joke is I

475
00:25:11,359 --> 00:25:13,600
Speaker 2: guess the joke is like my friend looks like me

476
00:25:13,800 --> 00:25:14,120
Speaker 2: or something.

477
00:25:14,160 --> 00:25:17,480
Speaker 4: No, the joke, No, it's that that's a younger version

478
00:25:17,520 --> 00:25:19,480
Speaker 4: of me. And she painted the walls of the color

479
00:25:19,600 --> 00:25:20,720
Speaker 4: that I don't like anymore.

480
00:25:21,080 --> 00:25:23,080
Speaker 3: Looks like the same age everything.

481
00:25:23,160 --> 00:25:25,000
Speaker 4: No, because the other one has longer hair. That's how

482
00:25:25,040 --> 00:25:27,040
Speaker 4: you know she's younger. And she's wearing headphones, which is

483
00:25:27,240 --> 00:25:28,320
Speaker 4: something that a teenager does.

484
00:25:28,880 --> 00:25:31,240
Speaker 3: Sorry, I want to address something you just said. What

485
00:25:32,400 --> 00:25:34,760
Speaker 3: you think this commercial is about changing the color of

486
00:25:34,880 --> 00:25:35,760
Speaker 3: the wall of the.

487
00:25:35,760 --> 00:25:37,240
Speaker 4: Wall because it's a very paint commercial.

488
00:25:37,320 --> 00:25:41,520
Speaker 3: Yeah, a fresh coat of paint does not necessarily mean

489
00:25:42,000 --> 00:25:43,119
Speaker 3: change the color.

490
00:25:44,680 --> 00:25:44,920
Speaker 2: Yeah.

491
00:25:45,520 --> 00:25:47,879
Speaker 4: Well, you'll see what happens in this commercial if you

492
00:25:48,040 --> 00:25:49,760
Speaker 4: keep your eye out like the same way, you can

493
00:25:49,800 --> 00:25:51,879
Speaker 4: see that the bones got turned into boba ti in

494
00:25:51,960 --> 00:25:54,200
Speaker 4: this one. You can see the walls actually change color.

495
00:25:55,520 --> 00:25:55,919
Speaker 4: And he has a.

496
00:25:55,920 --> 00:25:58,320
Speaker 2: Pisces that is like a is this the same friend?

497
00:26:00,400 --> 00:26:02,720
Speaker 2: And there's another person here? Is this the same friend

498
00:26:02,760 --> 00:26:05,800
Speaker 2: as the one came in? Doesn't have headphones anymore?

499
00:26:07,000 --> 00:26:08,160
Speaker 3: Right, she still has.

500
00:26:08,160 --> 00:26:09,760
Speaker 4: Long hair though, and she's talking on a phone.

501
00:26:09,760 --> 00:26:11,800
Speaker 3: So is it or not?

502
00:26:12,320 --> 00:26:14,600
Speaker 4: It's the same. It's the younger version of the first

503
00:26:14,640 --> 00:26:15,200
Speaker 4: woman you try.

504
00:26:15,480 --> 00:26:18,320
Speaker 3: Don't pause it here. This is a wiki feet lawsuit

505
00:26:18,560 --> 00:26:22,240
Speaker 3: waiting to happen. She's going to counter sue you. Freak.

506
00:26:23,320 --> 00:26:30,960
Speaker 3: We're exposed now, Kevin, pause it on the Okay, keep going.

507
00:26:31,840 --> 00:26:34,680
Speaker 4: That's why I only date musicians. What are you guys eating?

508
00:26:36,119 --> 00:26:41,040
Speaker 4: Is that the same friend, This one's a totally different person.

509
00:26:41,400 --> 00:26:44,920
Speaker 3: Okay, thank you? So yes, finally, is that what you

510
00:26:44,960 --> 00:26:46,320
Speaker 3: guys want to hear? Yes?

511
00:26:47,800 --> 00:26:49,639
Speaker 2: And so can we go back to the beginning of

512
00:26:49,680 --> 00:26:50,800
Speaker 2: this long rings?

513
00:26:50,840 --> 00:26:53,639
Speaker 3: What is this? What's it for?

514
00:26:54,320 --> 00:26:55,760
Speaker 2: Don't just go back to the beginning of this.

515
00:26:56,320 --> 00:26:57,360
Speaker 3: Long ass ring?

516
00:26:57,840 --> 00:26:59,000
Speaker 4: Long ring? What are you saying?

517
00:26:59,160 --> 00:27:04,320
Speaker 3: Fucking finger about? You? Figure that that did you get?

518
00:27:04,960 --> 00:27:09,040
Speaker 2: You get paid like ten thousand dollars to wear that ring?

519
00:27:09,320 --> 00:27:12,240
Speaker 3: That's my real ring, and they me another fifty bucks

520
00:27:12,240 --> 00:27:16,400
Speaker 3: because fucking ship was so long. It's been my knuckle.

521
00:27:16,880 --> 00:27:20,639
Speaker 4: Laura Sue, who my commercial agent. Her baby cousin makes

522
00:27:20,720 --> 00:27:22,280
Speaker 4: rings at a jewelry store.

523
00:27:22,520 --> 00:27:23,520
Speaker 3: Oh god.

524
00:27:24,080 --> 00:27:26,840
Speaker 4: And so it's like product placement for that this woman

525
00:27:27,600 --> 00:27:32,000
Speaker 4: she's got. Okay, Kevin's covering the curser over my cross.

526
00:27:32,119 --> 00:27:38,480
Speaker 2: Kevin, do not it can the socks He's trying to

527
00:27:38,560 --> 00:27:39,679
Speaker 2: blur out the socks.

528
00:27:40,560 --> 00:27:44,920
Speaker 3: The socks I learned, Fine, the socks are fine. Don't

529
00:27:45,080 --> 00:27:45,880
Speaker 3: point the air.

530
00:27:45,960 --> 00:27:46,360
Speaker 4: Okay.

531
00:27:46,440 --> 00:27:49,600
Speaker 3: So feet are not okay, but socks are wiki.

532
00:27:49,720 --> 00:27:52,440
Speaker 2: Socks litigious in the same way.

533
00:27:53,119 --> 00:28:00,320
Speaker 4: Go, yes, what you guys eating Slasonia, that's you, guys.

534
00:28:01,480 --> 00:28:06,480
Speaker 3: Why are you at what's really the p O v

535
00:28:07,080 --> 00:28:10,360
Speaker 3: uh aspect of the commercial I enjoyed.

536
00:28:10,840 --> 00:28:12,200
Speaker 2: Why are you being like that?

537
00:28:13,800 --> 00:28:18,480
Speaker 4: I'm not again you are supposed to be. I'm this

538
00:28:18,640 --> 00:28:19,720
Speaker 4: one with them.

539
00:28:21,119 --> 00:28:21,600
Speaker 2: You either.

540
00:28:22,320 --> 00:28:26,639
Speaker 4: This one is different voice and different body. Except for

541
00:28:26,800 --> 00:28:30,639
Speaker 4: my own titties. They let me put those on somebody else's.

542
00:28:32,760 --> 00:28:34,480
Speaker 3: But look, it's hut.

543
00:28:37,040 --> 00:28:38,680
Speaker 2: It looks exactly like you.

544
00:28:40,400 --> 00:28:40,880
Speaker 4: It's not me.

545
00:28:43,960 --> 00:28:50,000
Speaker 3: You promise, I promise right now. Swear on your long ring,

546
00:28:51,960 --> 00:28:53,640
Speaker 3: your most prized possession.

547
00:28:55,120 --> 00:28:58,760
Speaker 4: I swear you, guys, because hm, it's like body double.

548
00:28:58,840 --> 00:28:59,320
Speaker 4: You heard of that?

549
00:29:00,680 --> 00:29:05,760
Speaker 3: Yeah, okay, so it has heard of it? Mm hmm.

550
00:29:08,080 --> 00:29:08,840
Speaker 3: I heard it that once.

551
00:29:09,800 --> 00:29:10,920
Speaker 4: Because if you think about.

552
00:29:10,680 --> 00:29:12,640
Speaker 2: It, just talk about what it was when you heard

553
00:29:12,640 --> 00:29:16,880
Speaker 2: about it, when I heard about Body double, at least

554
00:29:16,920 --> 00:29:19,960
Speaker 2: at the time, at least at the time I heard

555
00:29:20,000 --> 00:29:28,480
Speaker 2: about it. Yes, body double was when you have you're

556
00:29:28,560 --> 00:29:33,920
Speaker 2: doing a trapeze movie. Yeah, and you have the main

557
00:29:34,120 --> 00:29:37,800
Speaker 2: guy standing on the edge of the trapeze platform and

558
00:29:37,880 --> 00:29:43,080
Speaker 2: he puts his arms out. Then you stop the entire camera,

559
00:29:43,840 --> 00:29:47,960
Speaker 2: take that camera away, bringing a new one out. Yeah,

560
00:29:50,280 --> 00:29:57,320
Speaker 2: take the the trapeze, the main guy, the guy we

561
00:29:57,400 --> 00:30:02,360
Speaker 2: saw before, replace him with like a special animal him away.

562
00:30:02,600 --> 00:30:05,720
Speaker 4: Yeah, yes, no, you're missing a step. Sorry, can I say,

563
00:30:05,800 --> 00:30:08,080
Speaker 4: because you're supposed to the guy, the first guy who's

564
00:30:08,120 --> 00:30:10,000
Speaker 4: in there, supposed to take off the costume leave it?

565
00:30:10,080 --> 00:30:12,280
Speaker 3: Yes? Sorry, yes, yes, yes, I'm sorry.

566
00:30:12,400 --> 00:30:15,280
Speaker 2: He takes off the costume, he becomes nude, he leaves

567
00:30:15,320 --> 00:30:20,160
Speaker 2: it sitting exactly where it was once he's completely clear

568
00:30:21,760 --> 00:30:25,800
Speaker 2: of the set, like completely prem on.

569
00:30:26,040 --> 00:30:28,200
Speaker 3: They don't just put the clothes on the ground either,

570
00:30:28,320 --> 00:30:30,320
Speaker 3: because they don't want him to get wrinkled. So usually

571
00:30:30,400 --> 00:30:35,080
Speaker 3: he'll have like a like a statue next to him

572
00:30:35,120 --> 00:30:36,520
Speaker 3: that he dresses in the court.

573
00:30:36,800 --> 00:30:38,400
Speaker 4: That's not true. I can tell you guys haven't been

574
00:30:38,440 --> 00:30:41,200
Speaker 4: on set because usually the first guy and the second.

575
00:30:41,000 --> 00:30:42,920
Speaker 3: Guy, they'll have to have been on set to have

576
00:30:43,040 --> 00:30:43,520
Speaker 3: heard about this.

577
00:30:43,720 --> 00:30:46,120
Speaker 4: Yeah, it's not hearing about it, actually, it's seeing it.

578
00:30:46,640 --> 00:30:48,640
Speaker 3: It seems you have to see it. You can heard

579
00:30:48,640 --> 00:30:53,760
Speaker 3: about it. I start watching it, watch it, but I

580
00:30:53,800 --> 00:30:55,440
Speaker 3: don't have to. I couldn't hear about it. Later.

581
00:30:55,560 --> 00:30:58,000
Speaker 4: They hold arms like this, like a circus hold like this,

582
00:30:58,240 --> 00:31:01,040
Speaker 4: both hands, and then somebody the shirt off one guy's

583
00:31:01,040 --> 00:31:03,680
Speaker 4: back and directly onto the other guy. So if you'll notice,

584
00:31:03,720 --> 00:31:05,360
Speaker 4: that's how you know someone's a body double because the

585
00:31:05,440 --> 00:31:07,520
Speaker 4: shirt they wearing his inside out, because it went straight

586
00:31:07,600 --> 00:31:09,360
Speaker 4: from the guy one guy onto the other guy.

587
00:31:09,560 --> 00:31:12,040
Speaker 2: Okay, well, at the time I heard about it, they

588
00:31:12,160 --> 00:31:14,000
Speaker 2: just leave it sitting on the ground. They bring in

589
00:31:14,080 --> 00:31:14,760
Speaker 2: the special lands.

590
00:31:14,800 --> 00:31:18,240
Speaker 4: Oh, things have changed since nineteen forty just saying when.

591
00:31:18,080 --> 00:31:21,360
Speaker 2: I heard I heard about it, and I heard about it.

592
00:31:21,440 --> 00:31:23,440
Speaker 2: It's a stat I was actually a little busy in

593
00:31:23,560 --> 00:31:25,880
Speaker 2: nineteen forty two. I don't know what you were doing,

594
00:31:27,280 --> 00:31:31,680
Speaker 2: but I was actually taking care of business overseas around.

595
00:31:31,480 --> 00:31:34,960
Speaker 3: Nineteen forty two. Uh, if I recall, I was kicking

596
00:31:35,040 --> 00:31:36,680
Speaker 3: the shit out of clause.

597
00:31:38,360 --> 00:31:41,160
Speaker 4: No, Sean, I was doing like I was doing, like

598
00:31:41,280 --> 00:31:46,120
Speaker 4: Hayes is so old he do like I was doing. Like, Oh,

599
00:31:46,160 --> 00:31:48,240
Speaker 4: what was that in nineteen forty two? You learned about

600
00:31:48,240 --> 00:31:48,520
Speaker 4: the hut?

601
00:31:49,080 --> 00:31:53,680
Speaker 3: It's fucker, Yeah, you old fuck your body double. They

602
00:31:53,720 --> 00:31:56,440
Speaker 3: put it on the floor in nineteen forty two.

603
00:31:56,640 --> 00:31:59,200
Speaker 2: I said, well, so earlier she said I'm like a

604
00:31:59,280 --> 00:32:02,080
Speaker 2: baby and I look good in my clothes, and.

605
00:32:02,640 --> 00:32:04,880
Speaker 4: I never said I never you did.

606
00:32:05,760 --> 00:32:08,040
Speaker 2: Yes, you did you say like a little kid of baby,

607
00:32:08,960 --> 00:32:10,880
Speaker 2: because I was. You said I was like your butler

608
00:32:11,000 --> 00:32:12,640
Speaker 2: or something, which I butler.

609
00:32:12,800 --> 00:32:14,400
Speaker 4: Hey newswash. Butler can be ugly.

610
00:32:15,600 --> 00:32:18,800
Speaker 2: No, but you didn't say that they can be whatever

611
00:32:18,880 --> 00:32:19,280
Speaker 2: they want.

612
00:32:20,600 --> 00:32:22,600
Speaker 4: Oh, I have my two little butlers. I meant one

613
00:32:22,720 --> 00:32:23,800
Speaker 4: cute one, one ugly one.

614
00:32:24,000 --> 00:32:27,160
Speaker 2: Yes, it's twenty twenty two. Butlers can be freaking hideous.

615
00:32:27,600 --> 00:32:28,720
Speaker 2: Butler's can be fashed.

616
00:32:28,800 --> 00:32:29,160
Speaker 4: I know that.

617
00:32:31,080 --> 00:32:35,600
Speaker 2: It's now. Yes, we get this lock of it about

618
00:32:35,960 --> 00:32:41,080
Speaker 2: of promoting this disgusting product on my but my show.

619
00:32:41,080 --> 00:32:43,880
Speaker 3: Talked a little bit about body positivity on this show.

620
00:32:47,160 --> 00:32:52,280
Speaker 4: Very wait, pose it pos pos it on me? So

621
00:32:52,360 --> 00:32:53,960
Speaker 4: it is you hold on Alvira.

622
00:32:53,760 --> 00:33:00,160
Speaker 3: Back, she's got where'd she go? I don't know, but

623
00:33:00,280 --> 00:33:03,360
Speaker 3: this is a good time. This is going for us.

624
00:33:03,560 --> 00:33:07,880
Speaker 3: She's sucking, running circles around us like everything we throw

625
00:33:08,000 --> 00:33:10,760
Speaker 3: at her she has an answer for. I don't know.

626
00:33:10,880 --> 00:33:14,720
Speaker 2: Where there's the shirt? Wow?

627
00:33:16,160 --> 00:33:19,600
Speaker 3: Okay, oh my god, she must have charged a fortune

628
00:33:19,720 --> 00:33:28,200
Speaker 3: for it. Direct TV's underwater on this premium channels anymore different, husband,

629
00:33:28,280 --> 00:33:29,400
Speaker 3: I'm noticing.

630
00:33:30,760 --> 00:33:36,520
Speaker 2: From the Museum Gardeners husbands with last time, Yeah, and

631
00:33:36,760 --> 00:33:41,120
Speaker 2: from the Friends. Okay, So she's putting on she's putting

632
00:33:41,200 --> 00:33:46,280
Speaker 2: on over her headphones and going over the headphone wire

633
00:33:47,640 --> 00:33:51,720
Speaker 2: and and it's actually it's similar to like Simpson trial.

634
00:33:53,600 --> 00:34:01,840
Speaker 3: It said that, Yes, yeah, I mean this our class

635
00:34:01,920 --> 00:34:05,200
Speaker 3: action suit. Is it shambles? Because if the top doesn't

636
00:34:05,240 --> 00:34:10,160
Speaker 3: fit even get over your head, we must have quit. Wow,

637
00:34:10,880 --> 00:34:12,560
Speaker 3: so we must to quit.

638
00:34:13,680 --> 00:34:14,840
Speaker 4: So there you have it.

639
00:34:16,160 --> 00:34:20,560
Speaker 3: I'm wondering if we're your commercial, is any of this youed? Is?

640
00:34:20,719 --> 00:34:24,759
Speaker 2: Is it your thumb switching between the two channels Football House?

641
00:34:24,880 --> 00:34:26,200
Speaker 3: You cashing the checks?

642
00:34:27,360 --> 00:34:28,719
Speaker 4: This one's my thumb.

643
00:34:29,520 --> 00:34:31,080
Speaker 2: It's not cashing your checks.

644
00:34:31,440 --> 00:34:33,200
Speaker 4: This one's my crotch and my mouth.

645
00:34:33,800 --> 00:34:34,800
Speaker 3: Oh my god.

646
00:34:35,120 --> 00:34:38,440
Speaker 4: Well I'm okay, sorry that's gross to you guys, But

647
00:34:38,520 --> 00:34:41,239
Speaker 4: that's how it works because like, it takes a lot,

648
00:34:41,280 --> 00:34:43,800
Speaker 4: it takes a village to make a commercial. And so

649
00:34:44,400 --> 00:34:48,520
Speaker 4: you need body different body parts, yes, because why do

650
00:34:48,560 --> 00:34:51,400
Speaker 4: you think, Like in a commercial, you want the consumer

651
00:34:51,440 --> 00:34:53,799
Speaker 4: to look better than ever before, But no one really

652
00:34:53,840 --> 00:34:55,680
Speaker 4: looks that good. So they make a mix of different

653
00:34:55,760 --> 00:34:57,959
Speaker 4: I have the best crotch in the second best mouth

654
00:34:58,080 --> 00:35:00,719
Speaker 4: and so in Hollywood, and so they put my stuff there,

655
00:35:00,760 --> 00:35:03,000
Speaker 4: and then they put somebody else's really good hair. See

656
00:35:03,200 --> 00:35:05,200
Speaker 4: I have bangs. That girl doesn't have bangs. That's somebody

657
00:35:05,200 --> 00:35:06,440
Speaker 4: else's hair. Stuff like that.

658
00:35:06,600 --> 00:35:13,160
Speaker 3: Who directed this thing? Doctor Victor Frankenstein. No, well, who

659
00:35:13,280 --> 00:35:15,600
Speaker 3: did direct it? Because I've been actually trying to get

660
00:35:15,719 --> 00:35:19,120
Speaker 3: into this world a little more and I would love

661
00:35:19,239 --> 00:35:22,400
Speaker 3: to just like to make contact.

662
00:35:22,680 --> 00:35:28,560
Speaker 2: Yeah, take him out for coffee. Pick their brain? Okay, Frankenstein,

663
00:35:29,000 --> 00:35:30,320
Speaker 2: try and pick your brain.

664
00:35:30,760 --> 00:35:33,160
Speaker 4: Okay, I'll tell you kidding, I'll tell you who directed

665
00:35:33,160 --> 00:35:35,720
Speaker 4: this compercial. But do you want joke answer or serious

666
00:35:35,719 --> 00:35:38,080
Speaker 4: answers only? Or could I do one of both and

667
00:35:38,160 --> 00:35:43,160
Speaker 4: then you can guess? Yeah? Okay, these are here. I'll

668
00:35:43,160 --> 00:35:44,959
Speaker 4: give you one joke and one serious. You guys can guess.

669
00:35:49,000 --> 00:35:52,520
Speaker 4: Serious answer is Jake's Manski, and joke answer is Channeler

670
00:35:52,560 --> 00:35:53,080
Speaker 4: from Friends.

671
00:35:54,960 --> 00:35:59,919
Speaker 2: Okay, okay, and so friends was the serious answer last

672
00:36:00,120 --> 00:36:02,480
Speaker 2: time it came up, and now I'm just trying to.

673
00:36:02,520 --> 00:36:04,640
Speaker 3: Try it now. One of the guys from a friend

674
00:36:05,600 --> 00:36:08,759
Speaker 3: has become a joke answer, Yeah, because I guess he

675
00:36:08,880 --> 00:36:12,480
Speaker 3: like struggled with addiction or something. Yeah, I guess it's funny.

676
00:36:12,600 --> 00:36:15,319
Speaker 4: Soul Sean, what's your guess?

677
00:36:16,000 --> 00:36:20,160
Speaker 3: Oh, I'm doing a gas as well. Yeah, I shouldn't

678
00:36:20,160 --> 00:36:22,640
Speaker 3: say Chandler from Friends. I just saven raked over the

679
00:36:22,719 --> 00:36:23,640
Speaker 3: calls for that one.

680
00:36:24,400 --> 00:36:27,719
Speaker 2: I think it's I think it is Seriously, Jake, I'm

681
00:36:27,800 --> 00:36:32,279
Speaker 2: just seeing pieces of this, like of the staging where

682
00:36:32,320 --> 00:36:34,200
Speaker 2: I'm like, this is the part of the same universe

683
00:36:34,239 --> 00:36:36,800
Speaker 2: where Mike and Dave are needing Mike and Dave tabla.

684
00:36:36,840 --> 00:36:40,440
Speaker 3: It's not classic Mike and Dave tabla. Yes, are these

685
00:36:40,480 --> 00:36:44,040
Speaker 3: two people may need wedding dates? Yeah, it's that close.

686
00:36:45,920 --> 00:36:47,960
Speaker 4: That's the right answer. But I wasn't listening to you

687
00:36:48,040 --> 00:36:49,879
Speaker 4: guys talking because I was thinking the whole time. I think,

688
00:36:49,960 --> 00:36:52,399
Speaker 4: I don't how.

689
00:36:52,280 --> 00:36:54,160
Speaker 3: Do you know it's the right answer. You did do

690
00:36:54,320 --> 00:36:55,239
Speaker 3: it incorrectly?

691
00:36:55,400 --> 00:36:58,880
Speaker 4: Oh yeah, what is it? Simansky? Why do you say it?

692
00:36:59,080 --> 00:37:05,880
Speaker 3: It's spy Man. It's not his he is.

693
00:37:06,960 --> 00:37:13,640
Speaker 2: His true name is spy Manski. And he has played

694
00:37:13,680 --> 00:37:16,480
Speaker 2: this role in our little game to a t perfection,

695
00:37:18,120 --> 00:37:21,480
Speaker 2: luring you into the trap as you admit that it

696
00:37:21,640 --> 00:37:26,919
Speaker 2: is your mouth that sm the housewives, not football game

697
00:37:28,040 --> 00:37:30,520
Speaker 2: injuring Dak Prescott also a party.

698
00:37:30,360 --> 00:37:35,400
Speaker 3: To our mister Jake with soon in our game and

699
00:37:35,719 --> 00:37:43,000
Speaker 3: now the move has checkmate, Yah of the Queen.

700
00:37:43,520 --> 00:37:45,279
Speaker 2: You keep playing this.

701
00:37:46,520 --> 00:37:52,200
Speaker 4: Theokman together football Housewives, football housewives, football housewives.

702
00:37:52,760 --> 00:37:55,719
Speaker 3: So this is on you keep going. I just wonder

703
00:37:55,840 --> 00:37:59,080
Speaker 3: I need you to watch every second of this. Everything

704
00:37:59,160 --> 00:38:02,120
Speaker 3: that's happening repeat the housewise from the housewives being on

705
00:38:02,200 --> 00:38:05,320
Speaker 3: the field is on you. You did that, You did that.

706
00:38:05,680 --> 00:38:09,560
Speaker 3: They tackle that, he fell into a table, housewife caught

707
00:38:09,640 --> 00:38:12,200
Speaker 3: the football table.

708
00:38:13,960 --> 00:38:17,640
Speaker 2: Entirely on you, as you admit it was your mouth.

709
00:38:18,800 --> 00:38:20,080
Speaker 3: Who flips a table?

710
00:38:20,400 --> 00:38:22,600
Speaker 4: Yeah, but it wasn't my finger on the remote?

711
00:38:24,080 --> 00:38:24,600
Speaker 3: So how is that?

712
00:38:24,680 --> 00:38:27,080
Speaker 2: The combination of it doesn't work if it's.

713
00:38:27,040 --> 00:38:28,759
Speaker 4: Just well, how the fuck is that gonna hold up

714
00:38:28,800 --> 00:38:29,160
Speaker 4: in court?

715
00:38:30,440 --> 00:38:32,480
Speaker 2: It doesn't work if it's just the finger. It's that

716
00:38:32,560 --> 00:38:34,480
Speaker 2: you have to be saying it as well. Everyone knows

717
00:38:34,520 --> 00:38:36,680
Speaker 2: this if you're switching between two channels on direct TV.

718
00:38:37,080 --> 00:38:39,279
Speaker 4: So then I'm only fifty you hang on?

719
00:38:39,520 --> 00:38:41,279
Speaker 2: Hey, excuse me, My friend just asked you to hang

720
00:38:41,320 --> 00:38:41,840
Speaker 2: on a second.

721
00:38:42,640 --> 00:38:42,920
Speaker 3: Sorry.

722
00:38:44,520 --> 00:38:46,080
Speaker 4: Is he gonna go put on a shirt that he

723
00:38:46,160 --> 00:38:46,920
Speaker 4: wore a commercial?

724
00:38:47,840 --> 00:38:51,120
Speaker 2: I don't think so. I think we've saw how how

725
00:38:51,200 --> 00:38:56,000
Speaker 2: well that worked out. And now he's back. Now he's

726
00:38:56,000 --> 00:39:01,399
Speaker 2: gonna put his headphones back on the Oh they're already yeah.

727
00:39:01,719 --> 00:39:03,360
Speaker 4: My Uh so.

728
00:39:06,640 --> 00:39:09,480
Speaker 3: My wife is assembling a shelving unit in the yard

729
00:39:09,640 --> 00:39:15,359
Speaker 3: and uh, you know, for storage, and she wanted my help,

730
00:39:15,719 --> 00:39:19,279
Speaker 3: but I just told her uh, we're about to put

731
00:39:19,320 --> 00:39:26,200
Speaker 3: the final nail and Lisa Killjoy's coffin over here. I

732
00:39:26,320 --> 00:39:29,920
Speaker 3: need literally just one second, we will be suing Sean's

733
00:39:29,960 --> 00:39:35,000
Speaker 3: wife to finish murdering her. Oh god, I've got I've

734
00:39:35,040 --> 00:39:39,080
Speaker 3: got receipts. Exhibit what fuck is this one? This is

735
00:39:39,120 --> 00:39:42,360
Speaker 3: the most fucked up one of all. Exhibit the ship

736
00:39:43,040 --> 00:39:49,200
Speaker 3: for doncan fake? What's that? Where is this mountain? Where

737
00:39:49,320 --> 00:39:58,239
Speaker 3: is that mountain? Cala Calabasas. Yeah, yeah, right, Rapunzel. Heck

738
00:39:58,760 --> 00:40:01,279
Speaker 3: not your name different, guys, I should just gave the right.

739
00:40:03,440 --> 00:40:04,680
Speaker 2: That's great, you're great.

740
00:40:05,200 --> 00:40:07,319
Speaker 3: I'm making big. Who's the fucking thing?

741
00:40:08,200 --> 00:40:13,840
Speaker 2: No, let's talk about that way too big? What that's sick?

742
00:40:14,520 --> 00:40:17,320
Speaker 3: The coffee looks fucked. The coffee's twice the size of

743
00:40:17,360 --> 00:40:17,680
Speaker 3: the man.

744
00:40:17,960 --> 00:40:20,000
Speaker 2: Hey, go back, wait a minute.

745
00:40:20,440 --> 00:40:22,320
Speaker 4: Don't play the part where I put the spoon in

746
00:40:22,360 --> 00:40:24,440
Speaker 4: my mouth again, Kevin, don't, because I'll know what you're

747
00:40:24,480 --> 00:40:24,680
Speaker 4: up to.

748
00:40:25,120 --> 00:40:28,000
Speaker 2: I blur it. Play it again, but blur that part.

749
00:40:28,160 --> 00:40:30,600
Speaker 2: Blur this spoon. We cannot have wiki make it even

750
00:40:30,760 --> 00:40:31,440
Speaker 2: more ye.

751
00:40:32,200 --> 00:40:34,759
Speaker 4: Don't put a green screen over the where the spoon was.

752
00:40:35,520 --> 00:40:36,960
Speaker 4: Anyone can pose it here.

753
00:40:38,480 --> 00:40:40,120
Speaker 2: You're gonna drink the coffee like that.

754
00:40:40,840 --> 00:40:42,439
Speaker 3: Yeah, bigger than the guy.

755
00:40:42,960 --> 00:40:46,560
Speaker 2: It's way too big the way you're holding it, it's

756
00:40:46,600 --> 00:40:47,799
Speaker 2: gonna get everywhere.

757
00:40:48,680 --> 00:40:50,880
Speaker 4: Okay, just want to say, I don't know how they

758
00:40:50,880 --> 00:40:54,319
Speaker 4: did things in nineteen forty two, Hayes, but you're just yea.

759
00:40:54,200 --> 00:41:00,759
Speaker 2: How we did things. We went overseas and we c b.

760
00:41:02,400 --> 00:41:07,120
Speaker 3: Yeah, you put on your fucking uniform, you'll loaded up

761
00:41:07,200 --> 00:41:11,080
Speaker 3: your weapon, you got off the boat, and you knocked

762
00:41:11,200 --> 00:41:16,520
Speaker 3: the sour crowd out of those fucks. That's what we

763
00:41:16,640 --> 00:41:18,080
Speaker 3: did in mteed forty two.

764
00:41:18,239 --> 00:41:21,080
Speaker 2: That's a that's a little taste of how we did things.

765
00:41:21,400 --> 00:41:23,880
Speaker 4: But Sean, so I'm doing a joke again on Hayes,

766
00:41:24,320 --> 00:41:27,080
Speaker 4: and I'm saying like, yes, yes, so you're not like

767
00:41:27,480 --> 00:41:30,080
Speaker 4: from nineteen forty two, but when you join in it

768
00:41:30,239 --> 00:41:32,080
Speaker 4: makes it more like too fun. Then it's not a

769
00:41:32,200 --> 00:41:34,480
Speaker 4: roast on Haes. It's like you being like, yeah, us

770
00:41:34,600 --> 00:41:36,960
Speaker 4: two were military boys, and then I start feeling left

771
00:41:37,000 --> 00:41:38,880
Speaker 4: out and that was we're supposed to be.

772
00:41:39,719 --> 00:41:41,480
Speaker 3: You do you give it to me again? Give it

773
00:41:41,520 --> 00:41:41,959
Speaker 3: to me again.

774
00:41:42,040 --> 00:41:44,120
Speaker 4: Okay, I don't remember how they did things and commercials

775
00:41:44,160 --> 00:41:45,200
Speaker 4: in nineteen forty two.

776
00:41:45,400 --> 00:41:50,439
Speaker 3: Hey, probably does the old fuck yeah, so something like that. Yeah, okay, yeah,

777
00:41:51,880 --> 00:41:54,880
Speaker 3: uh tell me again about when the planet was invented?

778
00:41:55,400 --> 00:41:58,759
Speaker 4: Yeah, Hayes, Hey do you seem to recall Brontosaurus or

779
00:41:58,880 --> 00:42:00,959
Speaker 4: maybe you're sad to think about him because you watched

780
00:42:01,040 --> 00:42:02,040
Speaker 4: him dive from the meteors?

781
00:42:02,520 --> 00:42:06,640
Speaker 3: Is? How does how does is he taste the brontosaurus

782
00:42:06,840 --> 00:42:08,560
Speaker 3: when he is your dinner?

783
00:42:08,960 --> 00:42:09,320
Speaker 2: Hayes?

784
00:42:09,440 --> 00:42:11,320
Speaker 4: What's you do your big friend stance?

785
00:42:11,400 --> 00:42:11,520
Speaker 3: Car?

786
00:42:12,480 --> 00:42:15,759
Speaker 2: Okay, so you were so your entire claim is that

787
00:42:15,840 --> 00:42:19,960
Speaker 2: you weren't even at the museum, and yet all of

788
00:42:20,040 --> 00:42:26,880
Speaker 2: a sudden you've become quite an expert about Brontosaurus. And

789
00:42:27,000 --> 00:42:31,040
Speaker 2: once again Sean is pretending to be to not like me,

790
00:42:31,239 --> 00:42:32,080
Speaker 2: and he actually does.

791
00:42:32,640 --> 00:42:36,400
Speaker 3: And yes we appeared to be in lockstep you and I,

792
00:42:36,640 --> 00:42:37,440
Speaker 3: when actually I.

793
00:42:37,680 --> 00:42:42,720
Speaker 4: Was being good spy for me the whole time. Hey, hey, Hayes,

794
00:42:42,760 --> 00:42:44,680
Speaker 4: can I ask you did you maybe get a hug

795
00:42:44,760 --> 00:42:49,000
Speaker 4: before we started recording from Sean? And he said, you said,

796
00:42:49,080 --> 00:42:51,160
Speaker 4: looking forward to recording with you today, buddy.

797
00:42:53,480 --> 00:42:54,279
Speaker 3: I guess it was.

798
00:42:54,480 --> 00:42:56,719
Speaker 2: I mean, I wouldn't describe it as like different from

799
00:42:56,800 --> 00:42:59,040
Speaker 2: any other hug that we've done, but like, yeah, it's

800
00:42:59,080 --> 00:43:00,600
Speaker 2: not something that likes it out to me.

801
00:43:00,719 --> 00:43:01,920
Speaker 3: Necessarily a little bigger.

802
00:43:02,239 --> 00:43:02,719
Speaker 4: I wrote that.

803
00:43:03,760 --> 00:43:05,880
Speaker 3: I wrote that, Hayes, that was the plan.

804
00:43:06,160 --> 00:43:12,399
Speaker 4: And you played right into our fishy scheme. You stupid one.

805
00:43:15,280 --> 00:43:20,160
Speaker 3: DA So what good one? Lisa came to me. She

806
00:43:20,280 --> 00:43:23,279
Speaker 3: sniffed out the entire plan pretty quickly to do the

807
00:43:23,360 --> 00:43:24,880
Speaker 3: whole class actions.

808
00:43:24,520 --> 00:43:26,600
Speaker 4: Because I was like, why would you drive to my

809
00:43:26,680 --> 00:43:28,400
Speaker 4: house to hug me the night before a podcast? No

810
00:43:28,440 --> 00:43:31,279
Speaker 4: podcast host has ever done that before, right. I knew

811
00:43:31,280 --> 00:43:32,640
Speaker 4: immediately something was weird.

812
00:43:33,320 --> 00:43:36,840
Speaker 3: No, she had me, uh, she had me nailed pretty fast,

813
00:43:37,000 --> 00:43:39,879
Speaker 3: and so she sort of devised this scheme to turn

814
00:43:39,920 --> 00:43:41,719
Speaker 3: the tables on you. I didn't really have much of

815
00:43:41,800 --> 00:43:45,080
Speaker 3: a choice, and so what and what so what happens

816
00:43:45,160 --> 00:43:47,880
Speaker 3: to me? Then? I don't understand. We call you, we

817
00:43:48,000 --> 00:43:48,600
Speaker 3: say you're old.

818
00:43:49,000 --> 00:43:53,479
Speaker 4: And you know what, Hayes, You've now illegally torrented four

819
00:43:53,719 --> 00:43:56,480
Speaker 4: separate commercials that belong to the Republic of the United

820
00:43:56,520 --> 00:43:57,320
Speaker 4: States of America.

821
00:43:57,680 --> 00:44:02,560
Speaker 3: You have no right to uh, remains any of this

822
00:44:03,239 --> 00:44:07,640
Speaker 3: and remain silent, and anything you can do.

823
00:44:07,760 --> 00:44:16,719
Speaker 4: And say will will be absolutely in forever, Amen the

824
00:44:16,800 --> 00:44:19,560
Speaker 4: Superior Justice of the peace.

825
00:44:20,000 --> 00:44:24,640
Speaker 2: Oay dark, I have to go to jail or something

826
00:44:24,760 --> 00:44:27,040
Speaker 2: like who like who fucking cares.

827
00:44:27,160 --> 00:44:28,520
Speaker 3: I don't give a ship.

828
00:44:28,719 --> 00:44:32,279
Speaker 4: Yeah, well your trial will be first Haze and it's

829
00:44:32,360 --> 00:44:33,480
Speaker 4: going to be a physical one.

830
00:44:34,160 --> 00:44:36,640
Speaker 3: Mm hmm yeah, okay, good. You're going to try to

831
00:44:36,719 --> 00:44:38,960
Speaker 3: have to move a big tire across the lawn or

832
00:44:39,120 --> 00:44:41,560
Speaker 3: like whatever. Like I don't, like, I don't know why

833
00:44:41,560 --> 00:44:45,719
Speaker 3: I actually care about this. No, I don't. It's huge.

834
00:44:46,440 --> 00:44:49,880
Speaker 2: This is like a joke to me, Like I'll do Like, Okay,

835
00:44:50,440 --> 00:44:53,919
Speaker 2: that's like if you think that's cool or like crazy.

836
00:44:53,640 --> 00:44:55,880
Speaker 4: Or whatever, but like I don't think it's haze. I

837
00:44:55,920 --> 00:44:59,520
Speaker 4: actually think it's sad. Actually think it's really sad.

838
00:45:00,239 --> 00:45:04,680
Speaker 2: You clearly think it's cool, but what about it? Okay, great,

839
00:45:04,960 --> 00:45:08,960
Speaker 2: I'm uh like whatever it is you want to do, like,

840
00:45:09,040 --> 00:45:10,959
Speaker 2: I'll do it, but like I do not give a ship.

841
00:45:11,360 --> 00:45:14,040
Speaker 3: Stepping out of the Twisted game for just a moment,

842
00:45:14,640 --> 00:45:19,600
Speaker 3: your hair is down in the commercial. Yeah it starts down.

843
00:45:20,280 --> 00:45:22,120
Speaker 4: Yeah it's down that he.

844
00:45:22,080 --> 00:45:24,800
Speaker 3: Says, let down your hair. It's down. You say, just

845
00:45:24,880 --> 00:45:26,520
Speaker 3: a second, but it's already down.

846
00:45:27,000 --> 00:45:28,960
Speaker 4: No, it has to be down further for him to

847
00:45:29,000 --> 00:45:29,279
Speaker 4: grab it.

848
00:45:30,960 --> 00:45:35,800
Speaker 3: Then you pull it back up. Yeah. Watch he's watched.

849
00:45:35,880 --> 00:45:39,600
Speaker 3: It's gaslighting me. The ship's fucking down, dude.

850
00:45:39,640 --> 00:45:41,759
Speaker 4: Cool. I think we should see other people.

851
00:45:43,200 --> 00:45:44,879
Speaker 3: So we can talk about this face to face.

852
00:45:45,400 --> 00:45:48,400
Speaker 2: No, no, no, and then you pull it up. But

853
00:45:48,520 --> 00:45:51,000
Speaker 2: it was down and then he has to go and actually,

854
00:45:51,200 --> 00:45:53,880
Speaker 2: then why didn't he just climb that?

855
00:45:56,160 --> 00:45:58,440
Speaker 4: Don't call him a moron, Hayes. You don't even know him.

856
00:45:59,280 --> 00:46:01,319
Speaker 4: You said it's more on him. You said it's more

857
00:46:01,360 --> 00:46:01,719
Speaker 4: on him.

858
00:46:02,640 --> 00:46:06,520
Speaker 3: Yeah, well it's that's I mean, it's objectively more on him.

859
00:46:06,600 --> 00:46:08,359
Speaker 4: Don't say more on You don't even know him. He's

860
00:46:08,360 --> 00:46:13,200
Speaker 4: an act, David. He's a really talented guy. Actually, David

861
00:46:13,360 --> 00:46:16,319
Speaker 4: Duke dave a dute with a tea at the end.

862
00:46:17,440 --> 00:46:18,439
Speaker 3: Is he related to Dan?

863
00:46:19,080 --> 00:46:22,680
Speaker 4: Yes, it's his brother, his brother, the brothers too.

864
00:46:23,120 --> 00:46:29,000
Speaker 3: Yeah, everybody is brothers, are friends or has parents and

865
00:46:29,280 --> 00:46:32,680
Speaker 3: all this stuff. This whole thing, it's just what you

866
00:46:32,800 --> 00:46:35,320
Speaker 3: hear about Hollywood. It's so incestuous.

867
00:46:35,600 --> 00:46:37,520
Speaker 4: It's so heard.

868
00:46:37,640 --> 00:46:42,960
Speaker 3: She's married to the chief of police because they're putting

869
00:46:43,040 --> 00:46:46,400
Speaker 3: the commercials. It's all. It's it's all who you know,

870
00:46:46,640 --> 00:46:53,640
Speaker 3: isn't it. Yeah, No, it's it's nepotelia. It's nepotelia. Do

871
00:46:53,719 --> 00:46:56,200
Speaker 3: you know Dan? Also?

872
00:46:57,280 --> 00:47:00,560
Speaker 4: Not really just through right, I don't don't really know them.

873
00:47:00,600 --> 00:47:02,840
Speaker 4: I just okay, And yet you got madam, and.

874
00:47:02,880 --> 00:47:07,640
Speaker 2: Yet you got in this commercial and you don't know Dane.

875
00:47:07,160 --> 00:47:13,200
Speaker 3: More nipple babies right right, or neipple babies getting the

876
00:47:13,280 --> 00:47:13,960
Speaker 3: big breaks?

877
00:47:14,800 --> 00:47:20,439
Speaker 4: Well, contrary to popular actually women even talking okay, women

878
00:47:20,560 --> 00:47:22,359
Speaker 4: don't have to have sex with two brothers to get

879
00:47:22,400 --> 00:47:23,000
Speaker 4: on a commercial.

880
00:47:23,360 --> 00:47:26,160
Speaker 3: And I never said that you did that, well, but

881
00:47:26,360 --> 00:47:28,239
Speaker 3: you were thinking it. You just know.

882
00:47:28,680 --> 00:47:32,000
Speaker 2: I actually actually didn't even cross my mind. And I

883
00:47:32,200 --> 00:47:34,880
Speaker 2: know if that that were presented to them, they'd be like,

884
00:47:35,000 --> 00:47:38,280
Speaker 2: what are you doing? You're being crazy?

885
00:47:38,640 --> 00:47:40,040
Speaker 4: You think if I try to have sex with both

886
00:47:40,040 --> 00:47:41,200
Speaker 4: of them once, they'd say what are you doing?

887
00:47:41,480 --> 00:47:44,880
Speaker 2: They'd say, what are you doing? You're being like insane

888
00:47:45,000 --> 00:47:49,880
Speaker 2: right now, you're coecting weird. Just be maybe they'd be

889
00:47:50,000 --> 00:47:53,839
Speaker 2: like just being just like being the commercial if like, if.

890
00:47:53,760 --> 00:47:58,560
Speaker 3: That's what you want, normal commercial, Yes, just be normal commercial?

891
00:47:59,239 --> 00:48:04,400
Speaker 3: String right, what's your next not stranger things?

892
00:48:04,880 --> 00:48:05,960
Speaker 2: What's your next commercial?

893
00:48:06,800 --> 00:48:07,000
Speaker 3: Yeah?

894
00:48:08,320 --> 00:48:09,080
Speaker 4: I don't have one.

895
00:48:09,560 --> 00:48:12,040
Speaker 3: Little sneak preview doesn't have one.

896
00:48:12,480 --> 00:48:16,759
Speaker 4: Well it's not out, it's not out yet, but it's

897
00:48:16,920 --> 00:48:18,279
Speaker 4: I mean, I haven't even shot it yet, but I

898
00:48:18,360 --> 00:48:19,880
Speaker 4: did just book my next commercial.

899
00:48:20,480 --> 00:48:24,359
Speaker 3: If you don't have another one, then, then actually we've

900
00:48:24,400 --> 00:48:25,960
Speaker 3: done our job on this podcast.

901
00:48:26,719 --> 00:48:29,799
Speaker 4: I have another one. It's for. It's for. I can't

902
00:48:29,840 --> 00:48:32,320
Speaker 4: say the brand name, but I'll do the commercial for you, POV.

903
00:48:32,480 --> 00:48:36,279
Speaker 4: You're watching me in my next commercial. Mom, what the

904
00:48:36,400 --> 00:48:40,320
Speaker 4: hell is going on with this? The countertop, dear, the

905
00:48:40,400 --> 00:48:43,279
Speaker 4: sponge is in the cupboard. Well that's not my that's it.

906
00:48:44,280 --> 00:48:47,280
Speaker 4: Oh look at that shine on that one. This punchon.

907
00:48:47,400 --> 00:48:50,960
Speaker 4: Bring it out. It's seene on it, and it's and

908
00:48:51,040 --> 00:48:53,000
Speaker 4: the way it cleans from this kind of water gleam

909
00:48:53,360 --> 00:48:54,320
Speaker 4: doesn't leave streaks.

910
00:48:54,760 --> 00:48:56,359
Speaker 3: You're clump. You're clumps in this thing.

911
00:48:56,480 --> 00:48:56,800
Speaker 4: I don't know.

912
00:48:58,560 --> 00:49:02,320
Speaker 2: Well this he's trying to, she's trying to just trying

913
00:49:02,360 --> 00:49:05,360
Speaker 2: to get paid. She's trying to promote the sponge on

914
00:49:05,480 --> 00:49:07,080
Speaker 2: this show. I'm not going to even let her say

915
00:49:07,120 --> 00:49:13,880
Speaker 2: the name of the Spongevin goodbye, goodbye, how Hamburg