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Speaker 1: So I'm having a very early breakfast with Kangraffey Jr.

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Speaker 1: And I'm like, that's a pretty interesting trapping you've got there.

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Speaker 1: What the what's the story with that? He says, Oh,

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Speaker 1: I just use that to stir my coffee. And I say, well,

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Speaker 1: that's you know, that's too big for for coffee stirring.

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Speaker 1: What you're using, uh, And the thing that you're using

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Speaker 1: for sugar cubes is also not it's not sweetening your coffee.

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Speaker 1: It's just this kind of round hard ball. You should

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Speaker 1: use the coffee stir to hit the ball. And so

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Speaker 1: that was how Ken Griffy Junior invented the baseball bat.

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Speaker 1: And Hey, welcome to Hollywood Handbook and Insider's Guide to

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Speaker 1: kicking button dropping names in the red carpet lineback hallways

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Speaker 1: of this industry we call showbiz. I'm Hayes Davenport. I'm

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Speaker 1: I'm here with Sean Clements. We're uh, we're in New York,

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Speaker 1: which you know is a city that we love. We

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Speaker 1: love the pizza and the basketball and all the streets

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Speaker 1: and the boat. We we love New York. We love

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Speaker 1: being able to come here. Sean is here, Sean Clements

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Speaker 1: is here, say Hi, Sean, he's eating what do you

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Speaker 1: have there? He's eating It looks like some kicks with

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Speaker 1: with fresca instead of milk. Oh no, there's milk in

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Speaker 1: there too. You're just going to be eating that. So here,

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Speaker 1: he's very hungry, and so he's going to be a

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Speaker 1: little bit quiet during the show. But every once in

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Speaker 1: a while, I'm sure he'll have something to say. And

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Speaker 1: because we are recording in New York, we have a

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Speaker 1: different engineer than usual, the sound might sound a little

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Speaker 1: different for that reason. What is your name?

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Speaker 2: My name is Rashid Rankassoon.

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Speaker 1: Engineer Rashid is here. Okay, so do you know Engineer Cody.

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Speaker 2: I don't know who Enginet Cody is.

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Speaker 1: He's in your business as well.

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Speaker 2: So there's a lot of engineers in this business. So

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Speaker 2: there's quite a few that I don't know.

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Speaker 1: Well, Engineer Sam has a motorcycle. Surely you know him.

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Speaker 2: M I guess I don't know Cody, or you don't.

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Speaker 1: Know Cody or Sam? Okay, well, you work at this studio.

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Speaker 1: But what's the name of the studio.

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Speaker 2: The name of the studio is Double A Studios, Doubwa douba.

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Speaker 1: And that's what is that use at your mom's name

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Speaker 1: or something.

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Speaker 2: A lot of people say it's it's a very cool place, actually,

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Speaker 2: but it's not my mom's name. My mom is actually

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Speaker 2: double oh, so it's a coincidences of d as well.

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Speaker 1: So it's like a mix between your mom and the subway.

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Speaker 1: Is that sort of what you had in mind?

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Speaker 2: Well, I guess that's the way you want to go,

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Speaker 2: but it's yeah, it's Dubway Studios.

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Speaker 1: Engineer Cody and the other engineers like to do things

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Speaker 1: a certain way. Do you, guys spill water on the

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Speaker 1: soundboard in this studio?

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Speaker 2: That would be the worst thing that could possibly happen,

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Speaker 2: So we don't do that and we try to avoid

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Speaker 2: it at all.

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Speaker 1: Hosts Okay, and I noticed you're not even drinking a

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Speaker 1: beverage next to the soundboard in order to make it

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Speaker 1: very easy for you to spill water on it. Why,

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Speaker 1: what's the what's the thinking behind that?

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Speaker 2: I think so many things behind it. I'm guessing you

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Speaker 2: have a lot of If that ever happens, then you

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Speaker 2: have a lot of money to pay. If it is

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Speaker 2: equipmenth you don't ever water near electronics, so any one

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Speaker 2: of those devices.

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Speaker 1: Oh, that's so interesting. That's that's fascinating to hear. What

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Speaker 1: about while you're doing the show. Why aren't you watching

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Speaker 1: like Vice News or something of that nature on your

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Speaker 1: personal computer while you're recording the show. That's that seems

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Speaker 1: like an odd choice to me. Don't you like Vice News?

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Speaker 2: Vice News is very cool? But I think clients that

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Speaker 2: we probably deal with wouldn't even like that.

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Speaker 1: That's so interesting.

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Speaker 2: They probably would hate that.

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Speaker 1: What if your clients pointed it out and you just

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Speaker 1: ignore them and chose to continue watching Vice News? Would

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Speaker 1: that make you a bad engineer?

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Speaker 2: Pretty much? Be a bad engineer.

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Speaker 1: That's so interesting. Maybe it's a cultural thing between New

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Speaker 1: York and lauh. This episode of Hollywood Handbook is a

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Speaker 1: little unusual, not just because I'm in New York and

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Speaker 1: the sound is a little bit different. This episode is

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Speaker 1: a best of episode. We wanted to take some of

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Speaker 1: the things that we enjoy most from the show. Or

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Speaker 1: this is actually stuff that a lot of our listeners recommended,

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Speaker 1: because when you're in it, you don't know if it's

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Speaker 1: good or bad. It's just like this just what you're doing,

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Speaker 1: Like it's just talking with your friends. It's like, is

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Speaker 1: that good? That's funny? Like people love this, It's like

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Speaker 1: their favorite show. It's the only thing people want to

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Speaker 1: listen to, and they're obsessed with just me talking into

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Speaker 1: a microphone. It's crazy to me, Like, you know, imagine

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Speaker 1: if that were happening to you, Engineer Sheet, would you you, like,

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Speaker 1: how would you even handle that kind of celebrity.

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Speaker 2: If everyone's always talking into microphone or listening to someone

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Speaker 2: on the microphone the whole time.

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Speaker 1: No, you weren't paying attention to Engineering Sheet. I'm just

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Speaker 1: gonna I'm gonna keep going.

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Speaker 2: Probably sorry.

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Speaker 1: So this is a collection of the best stuff from

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Speaker 1: the show. Because we were on Comedy Bang Bang yesterday,

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Speaker 1: a lot of you know this. Uh, maybe some of

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Speaker 1: you are listening because we were on Comedy Bang Bang.

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Speaker 1: That's not really important to us. We don't care about

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Speaker 1: getting listeners from the other show and keeping those listeners.

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Speaker 1: That's it's just not what we're really about. What we

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Speaker 1: care about is potentially our podcast being bought by another

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Speaker 1: podcast network other than Earwolf. Now that we've been on

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Speaker 1: Comedy Bang Bang, this relationship has potentially run its course,

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Speaker 1: and so we're hoping potentially someone who represents another podcast

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Speaker 1: now work. Maybe show Time is trying to start a

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Speaker 1: podcast network. You like show like Weeds, Dexter, stuff like that.

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Speaker 1: You like those shows that would be a good podcast

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Speaker 1: network to be affiliated with. Definitely, maybe we could do

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Speaker 1: a podcast with Dexter Insane Crazy. That's sort of what

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Speaker 1: we have in mind with doing this clip show of

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Speaker 1: our best of is hopefully someone will be listening to

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Speaker 1: the show from one of those places who has the

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Speaker 1: purchasing power to buy out our contracts and get us

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Speaker 1: into a new studio. Because since the Comedy Bank Banking experience,

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Speaker 1: I think we we are done here. There's nowhere for

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Speaker 1: us to really go from here, so we do want

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Speaker 1: to play some clips. This first clip is a real,

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Speaker 1: real corker of a clip. It was a fun guest

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Speaker 1: to have. Lauren Lapkis was on the show. We're not

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Speaker 1: just playing a clip of hers because she's on Comedy

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Speaker 1: Bank Big and people like her from that. Like I said,

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Speaker 1: we don't care. This is a clip where we take

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Speaker 1: calls some of the time on the show. We have

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Speaker 1: friends of the show who work with us. Someone who

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Speaker 1: is not our friend but does work for us as

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Speaker 1: is our intern Interurn Andy. He's a Rob Reiner's son,

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Speaker 1: and so this is us doing a version of our

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Speaker 1: famous segment, the Popcorn Gallery, where we ask the guest

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Speaker 1: the questions with our intern Andy doing the questions. And so,

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Speaker 1: now you just describe what I just said back to me.

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Speaker 2: Oh man, that's I don't think I can. All I

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Speaker 2: heard was intern and I heard it's.

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Speaker 1: A pop Segment's called Popcorn Gallery. Okay, and the guest

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Speaker 1: is from movies. Okay, movies eat pop movies eat popcorn. Yes,

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Speaker 1: and so popcorn Gallery. You know peanut Gallery.

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Speaker 2: I don't know peanutgut gallery.

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Speaker 1: People say peanut gallery. Oh, talk to the Peanut Gallery.

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Speaker 1: But peanuts is you eat peanuts at baseball popcorn movies? Yes,

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Speaker 1: you got it very good. So this is a clip

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Speaker 1: of the Popcorn Gallery with Lauren Lapus and our intern Andy,

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Speaker 1: Rob Brander's son Nice. Enjoy the clip. Oh, it's the

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Speaker 1: Popcorn Gallery.

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Speaker 3: It's the song that means our.

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Speaker 1: Favorite segments, the Popcorn Gallery. Now we ask questions to

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Speaker 1: one of ours, one of our guests, and we don't

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Speaker 1: We do not have any questions.

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Speaker 3: Knew we did not get them. And it wasn't for

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Speaker 3: lack of trying.

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Speaker 4: No one wanted to ask me a question.

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Speaker 5: You begged them I didn't say that exactly.

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Speaker 1: I just know that we usually do have questions we

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Speaker 1: could try. Do you want to try intern Andy?

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Speaker 3: Yes, let's call it intern Andy.

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Speaker 1: Okay, if because he's a fan of the show as well,

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Speaker 1: and better.

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Speaker 4: To be a fan of mine. I want to be mortified.

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Speaker 1: It's his job now to help out with the show.

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Speaker 3: And I think this Spotify is hoping and Rob Ryaner's

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Speaker 3: son and cool. Oh okay, okay, Cody's gonna be helpful.

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Speaker 1: Nine two five three three zero one three one zero,

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Speaker 1: and please please leave that in the show.

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Speaker 3: He can get up boards of fifty phone calls. Cute Ring,

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Speaker 3: which is a song Cody's working on.

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Speaker 6: Hey Andy, Yeah.

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Speaker 3: Andy, It's Hayes and Sean and this is Sean Hollywood Handbook.

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Speaker 3: Don't interrupt me.

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Speaker 1: Can you we just have a quick errand for you?

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Speaker 3: Okay?

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Speaker 6: Yeah? Absolutely? What's going on?

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Speaker 1: Are you at home?

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Speaker 6: Ah?

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Speaker 1: Yes, okay, we have Lauren Lapis here.

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Speaker 3: I'm sorry. Now I'm curious. Are you Are you unsafe

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Speaker 3: in your home in some way? Is there someone who

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Speaker 3: doesn't want you to tell us if you're at home?

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Speaker 7: No?

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Speaker 6: No, no, I'm alone. I'm yeah.

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Speaker 3: Well, then that really shouldn't have taken you that long.

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Speaker 3: Go ahead, Hayes, keep going.

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Speaker 1: We have Lauren Lapiz here. We didn't get any questions

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Speaker 1: for the popcorn gallery, so we just need you to

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Speaker 1: come up with some good questions for her.

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Speaker 3: We need you to get into the bag and find

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Speaker 3: the popcorn question.

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Speaker 1: Please please post hi.

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Speaker 6: Should I say ship? Okay, you could say hi, Hi,

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Speaker 6: I enjoy your.

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Speaker 3: Work, Thank you.

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Speaker 6: Should I do the sound of the bag?

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Speaker 3: I guess we will will play it in studios.

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Speaker 1: Well, we didn't do. We didn't prepare the sound drop either.

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Speaker 4: Honestly, this feels really bad to me.

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Speaker 3: I've got an old sound from a different show, and

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Speaker 3: I'll just play that one and maybe it'll fit. Okay,

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Speaker 3: it's my favorite novel, Crank two High Voltage. Oh well,

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Speaker 3: that does kind of play into the theme of the

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Speaker 3: show because we've been talking about book versions of movies

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Speaker 3: we like, yes, and how the book a lot of

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Speaker 3: times is better.

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Speaker 4: I had a sound thing I could throw in if

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Speaker 4: you guys wanted on my phone here.

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Speaker 1: That sounds great. It's a sound of something being pulled

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Speaker 1: out of a popcorn back or isn't it something else?

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Speaker 8: It is?

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Speaker 1: Oh, that sounds great. Yes, thank you.

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Speaker 9: Let me just get it.

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Speaker 5: And that's the way the cookie kummels.

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Speaker 2: See.

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Speaker 4: I feel like that kind of worked well.

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Speaker 1: That sounds like actually a really nice girl for Mark,

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Speaker 1: the guy who does our sound drop. Yes, my friend Mark,

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Speaker 1: who is that who does those sound drops for you?

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Speaker 4: Oh? That's a girl named Liz.

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Speaker 1: That's Liz And what's your relationship with her?

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Speaker 4: I just hire her from Craigslist to do sound drops.

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Speaker 3: That could be great from Mark.

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Speaker 1: That sounds really good for us, and that might improve

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Speaker 1: the drops a little bit of.

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Speaker 3: The drops, which, let's face it, a really fallen off

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Speaker 3: a cliff.

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Speaker 6: You're still there, Andy, Yeah, yeah, this is just great.

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Speaker 6: I'm getting like a live version of the show.

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Speaker 3: Andy, you got any books you like that was also movies?

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Speaker 6: Let me think what was a good one that James

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Speaker 6: Bond books? Those are all those became movies. Some of

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Speaker 6: those are cool.

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Speaker 3: I don't know, I feel like we're speaking a different

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Speaker 3: language there, own Bray. Why don't you go ahead? Leah

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Speaker 3: Leiah hot question on Lada lapis.

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Speaker 6: Okay, here here's something that like, do you and your

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Speaker 6: significant other do you ever do anything like funny to

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Speaker 6: like annoy each other, like playfully like, do any jokes,

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Speaker 6: like you have any inside jokes with each other or anything.

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Speaker 4: Yeah, well we what we think is fun is we'll

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Speaker 4: make each other will drop something and then we'll bend

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Speaker 4: over and fart in each other's ear, over and over

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Speaker 4: and over and over until someone poose.

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Speaker 1: You'll do it to each other back and forth. So

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Speaker 1: it's not like it's not a preg well because.

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Speaker 3: You like once the first person doesn't the other person

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Speaker 3: does it back even twice, I would think that you

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Speaker 3: now know and you have agreed to be in it.

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Speaker 1: It's on that is pretty inside. What is that like

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Speaker 1: a reference to it?

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Speaker 4: It's a reference to dumb and Dumber when that guy

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Speaker 4: gets diarrhea in the bathroom.

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Speaker 3: Okay, yeah, that's right now.

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Speaker 1: And in a way, every part is sort of a reference.

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Speaker 3: We're always referencing to that.

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Speaker 4: See, well that was the original art.

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Speaker 1: Yeah.

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Speaker 5: Before that, we were all just tooting mm hmm.

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Speaker 3: Yeah, it was when toots became fun. Andy. When you

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Speaker 3: ask a pervert question, you get a pervert answer. And

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Speaker 3: I just think the way you laid it out with

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Speaker 3: the whole like you and your significant other in your home,

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Speaker 3: it was.

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Speaker 1: It was very very probing the way you did. It

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Speaker 1: just kind of it needed.

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Speaker 3: To feel invasive, and I think that's what it was,

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Speaker 3: just kind.

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Speaker 1: Of like feeling like massaging the question as you were

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Speaker 1: asking it was. It was very disgusting. So that's that's

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Speaker 1: why you got the answer you did.

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Speaker 3: Do you want to try one more time?

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Speaker 6: Okay, Well, hang.

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Speaker 3: On, Liz gotta go back into the bag.

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Speaker 1: Yeah, does Liz have anymore?

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Speaker 3: Oh?

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Speaker 4: I have another one? Oh great, it still to be

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Speaker 4: popcorn related. I have more of them.

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Speaker 5: Yes, how do my cell phone get in this popcorn?

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Speaker 1: See? That is the kind of stuff we used to

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Speaker 1: have that we don't have anymore. He's never pulling anything

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Speaker 1: out of the popcorn bag anymore. It's always well, this

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Speaker 1: time he did pull out that book. But a lot

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Speaker 1: of times it's not that it's it's very it's lazily

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Speaker 1: referential to what does happened?

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Speaker 3: And this year it feels like he's not trying. Well,

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Speaker 3: I got another old drop, and maybe this will be

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Speaker 3: an example the kind of thing you were talking about

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Speaker 3: button vote do Caucus. Okay, Well, that drop was gonna

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Speaker 3: be a little too old, you know.

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Speaker 1: Oh, okay, so at the time it wasn't recent enough

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Speaker 1: to be a funny old reference.

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Speaker 3: I think it was lazily referential at the time and

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Speaker 3: just happened to be election. Yes, it was November second.

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Speaker 1: That sounds like Mark. Yeah, Andy, do you have another question?

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Speaker 6: Yeah, Lauren? Do you like superhero movies?

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Speaker 4: I don't really due to the fact that I think

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Speaker 4: they're boring.

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Speaker 3: She's having a joke on you. Gonna give him the

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Speaker 3: real answer.

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Speaker 4: I love him the dead. If I could marry a superhero,

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Speaker 4: I'd pick Batman. And I dream about that every night

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Speaker 4: when I masturbate.

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Speaker 3: You could be so rich, yes, and.

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Speaker 4: Live in that big, empty, haunted house.

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Speaker 3: Nice, not haunted, a little bat lives in it.

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Speaker 1: And now, Andie, why are all your questions about Lauren

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Speaker 1: significant others and like marrying somebody? It just feels like.

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Speaker 3: And you're masturbating as well, your dad, Why did you

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Speaker 3: make me talk about that?

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Speaker 1: What is the end game here? Yeah?

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Speaker 3: What's the plan?

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Speaker 6: I'm just yeah, I don't know. I'm home Alone. I'm

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Speaker 6: just I guess that's just maybe that's the mood I'm in,

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Speaker 6: right to.

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Speaker 4: Ask you a question?

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Speaker 6: Yeah? Please?

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Speaker 4: What's your favorite part of Home Alone? The movie as

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Speaker 4: in your house.

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Speaker 6: With the part of the movie or the part of

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Speaker 6: the movie.

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Speaker 4: That you living right now, or which part of the

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Speaker 4: book that you read before.

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Speaker 6: I like the part where he goes, but is your girlfriend?

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Speaker 1: What more girls stuff?

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Speaker 3: You're hor all girlfriends and relationship today, And I don't

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Speaker 3: want to be vulgar, but I would ask that you

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Speaker 3: sort of exercise these demons before you get on the

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Speaker 3: phone with us and whatever that means for you.

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Speaker 1: Okay, yeah, man, Yeah, when you see the phone ring

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Speaker 1: with us on it just kind of get started, get

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Speaker 1: a head start, because by the time we really get

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Speaker 1: into the meat of this, we're gonna need you to

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Speaker 1: have that out of your system, so to speak.

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Speaker 4: Can I ask Andy about a question?

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Speaker 1: Yes, Lauren's going to ask you another question.

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Speaker 4: Now, if you were pranking someone, what food would you

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Speaker 4: use for the prank?

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Speaker 6: You know, like maybe like some pudding or something like

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Speaker 6: something that's like, you know, like jumping on the head.

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Speaker 1: And see now, knowing that you're in a sexual mood

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Speaker 1: and that that this is something you associate with a

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Speaker 1: sex act is maybe the most horrifying thing of all, it.

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Speaker 3: Would normally be a very good answer, because yes, dump

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Speaker 3: it on someone's head. That's hysterical and I'm picturing it's

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Speaker 3: what like vanilla pudding? But that's so funny. But I

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Speaker 3: can't now enjoy that even without thinking about you. Now

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Speaker 3: it's disgusting.

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Speaker 1: Now you're dumping vanilla pudding on someone's head, yes, as.

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Speaker 3: Sort of some sort of sexual acts.

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Speaker 4: I'm feel violated.

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Speaker 3: And she asked you the question, and she asked you

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Speaker 3: she's a lady, and you couldn't just answer with something

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Speaker 3: normal banana peel.

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Speaker 1: Okay, And you were going to reach into the bag

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Speaker 1: for one more question. Okay, you want to like, does

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Speaker 1: Liz have any other stuff? I mean, this is a

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Speaker 1: great platform.

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Speaker 4: Yeah, let her shine.

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Speaker 5: A record the size of my head.

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Speaker 1: Like, that's good.

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Speaker 3: I'd like to see her head because a record is

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Speaker 3: normally bigger. But she said it like it was impressive

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Speaker 3: that it would be that big, you know what I mean.

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Speaker 3: Like she's like, it's the size of my head, which

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Speaker 3: didn't sound like it's I will say, she didn't really

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Speaker 3: say it like it was that impressive. Well, I am

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Speaker 3: I the only one getting that.

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Speaker 4: I'll tell you something because you're you're a detective. Her

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00:19:26,359 --> 00:19:29,000
Speaker 4: head is twice the size of an average human head,

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Speaker 4: which is ultimately twice the size.

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Speaker 10: Of a record.

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Speaker 3: Oh okay, Wow, so it's.

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Speaker 4: A big record with double the song.

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Speaker 3: These are jukebox records you're talking about.

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Speaker 4: No, these are laser discs.

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Speaker 3: Okay, okay records.

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Speaker 1: Laser records.

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Speaker 4: Yeah, that's what we call them.

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Speaker 1: And does Mark have any more on it's sort of

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Speaker 1: a romantic dances you are doing. I don't want to

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Speaker 1: stop the flow of it.

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Speaker 3: A micromachine in the size of a car, Well, now

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Speaker 3: that would just be a car. That's not my micro

382
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Speaker 3: machine's a mini car.

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Speaker 4: But I will say on the video you played, he

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Speaker 4: held his fingers together like they were an inch apart.

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Speaker 1: That is true.

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Speaker 3: Well, I think the video, the video component of the

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00:20:19,520 --> 00:20:21,919
Speaker 3: sound drop he was. I don't think anyone says the

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Speaker 3: word micro machine without involuntarily holding their fingers car.

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Speaker 4: Why would they show that it's small?

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Speaker 3: I just think I literally think saying the words micro machine.

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Speaker 1: But in the act of bag, which is what he

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Speaker 1: was doing, he should have been holding his hands very

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Speaker 1: far apart and been struggling with it if it were

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Speaker 1: that big. So I think he might be confusable.

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Speaker 3: Well, can I tell you what I think happened. I

396
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Speaker 3: think he reached clean through the bag, then held the

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Speaker 3: bag up to his eye, almost like a spyglass, and

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Speaker 3: he's looking out through the hole and what he's seeing

399
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Speaker 3: is a parking.

400
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Speaker 4: Lot, but it looks tiny, so he thinks it's a micromachine.

401
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Speaker 3: Everybody knows how big it is.

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Speaker 5: That's the problem.

403
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Speaker 1: Yeah, he can't have been wrong the first time. We

404
00:21:07,280 --> 00:21:10,160
Speaker 1: know that he was definitely right with the first thing

405
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Speaker 1: he said.

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Speaker 3: I mean there's a theme to this show, which is

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Speaker 3: I wish Ernest was here Ernest because I think he

408
00:21:14,920 --> 00:21:15,640
Speaker 3: could solve this.

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Speaker 5: God, he's smart.

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Speaker 11: Many.

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Speaker 1: Yeah, do you have another question?

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Speaker 6: Yeah, Lauren, do you think that TV is better than movies?

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Speaker 12: Now?

414
00:21:29,520 --> 00:21:29,760
Speaker 10: Yeah?

415
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Speaker 4: And here's why. For me, TV is shorter than movies.

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00:21:33,280 --> 00:21:35,640
Speaker 4: And for me, my schedule allows me to watch more

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Speaker 4: TV than more movies in the same amount of time

418
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Speaker 4: as it takes to watch a movie. You know what

419
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Speaker 4: I'm saying. So for me, I'd go ahead and say

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Speaker 4: that a TV is better than a movie.

421
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Speaker 3: And Andy, I want to say that we really appreciate

422
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Speaker 3: you doing whatever you needed to do in between the

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00:21:51,480 --> 00:21:54,320
Speaker 3: second and third questions so that we could actually get

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Speaker 3: some content that's usable in this episode.

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Speaker 1: We gave you I don't know if you notice, we

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Speaker 1: gave you a lot of time between.

427
00:22:00,680 --> 00:22:01,520
Speaker 6: Yeah, I appreciate that.

428
00:22:02,640 --> 00:22:05,680
Speaker 3: We intentionally used some sound drops that needed a little

429
00:22:05,720 --> 00:22:08,399
Speaker 3: bit of explaining and uh.

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Speaker 1: And there was a pronounced tonal shift in your questions

431
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Speaker 1: between the second one and the third one. The third

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Speaker 1: one was very professional, Andy, thank.

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Speaker 6: You great, Thank you appreciate it.

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Speaker 4: I got my respect back.

435
00:22:21,320 --> 00:22:24,600
Speaker 1: Lauren got her respect back. So do you want to

436
00:22:24,600 --> 00:22:26,040
Speaker 1: say thank you? Do you want to say thank you

437
00:22:26,040 --> 00:22:26,560
Speaker 1: to our guest?

438
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Speaker 6: Thank you so much. Lauren is very nice talking to.

439
00:22:31,000 --> 00:22:34,800
Speaker 5: You, you too, Andy, he's built back up.

440
00:22:35,600 --> 00:22:39,920
Speaker 3: That's fast. That's a fast trigger. That's a fast trigger.

441
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Speaker 1: You could hear, you could hear you could hear him

442
00:22:43,720 --> 00:22:45,440
Speaker 1: in the pause, but he said.

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Speaker 3: It was really nice, it was really nice, and that

444
00:22:47,240 --> 00:22:48,880
Speaker 3: he's like, what was nice about it? And he goes

445
00:22:49,600 --> 00:22:53,680
Speaker 3: talking to you, and talking has never not meant talking

446
00:22:53,840 --> 00:22:57,679
Speaker 3: so much as I did in this sentence. Oh my,

447
00:22:59,119 --> 00:23:01,520
Speaker 3: you could hear him shuddering.

448
00:23:01,359 --> 00:23:05,720
Speaker 1: Basically with the semen flowing back into the truth criminal.

449
00:23:07,960 --> 00:23:09,880
Speaker 3: And hey, he's got you wound up.

450
00:23:09,920 --> 00:23:10,200
Speaker 2: Now.

451
00:23:11,160 --> 00:23:13,320
Speaker 1: Well, that was very technically the way I describe it

452
00:23:13,359 --> 00:23:14,440
Speaker 1: as purely.

453
00:23:14,119 --> 00:23:19,600
Speaker 3: Technical, very scientific. Yes, okay, bye Andy, bye bye bye bye.

454
00:23:19,720 --> 00:23:20,520
Speaker 6: Guys.

455
00:23:22,920 --> 00:23:32,240
Speaker 1: Well, well, sorry, clip ended? Okay, that was awesome. Engineer Rashid,

456
00:23:32,280 --> 00:23:33,280
Speaker 1: what did you think of the clip?

457
00:23:34,080 --> 00:23:37,120
Speaker 2: I actually didn't hear the clip, man, I'm still here

458
00:23:37,160 --> 00:23:39,960
Speaker 2: waiting for it, but I realized that you said you

459
00:23:39,960 --> 00:23:41,680
Speaker 2: were just gonna put it in later, so I didn't

460
00:23:41,680 --> 00:23:42,000
Speaker 2: hear it.

461
00:23:43,680 --> 00:23:44,399
Speaker 1: You should say.

462
00:23:45,840 --> 00:23:50,239
Speaker 13: It was really good, say because we want them to

463
00:23:50,320 --> 00:23:52,480
Speaker 13: think that you were hearing it and that you like

464
00:23:52,760 --> 00:23:53,920
Speaker 13: the hearing the show.

465
00:23:55,720 --> 00:23:59,080
Speaker 1: Wow, what a clip, Rashid. What Engineer Rashid, what did

466
00:23:59,119 --> 00:24:01,199
Speaker 1: you think of the clip? What did you think of

467
00:24:01,240 --> 00:24:02,439
Speaker 1: it as a nice clip?

468
00:24:02,880 --> 00:24:05,320
Speaker 2: That clip is really good, man, clip is awesome. You

469
00:24:05,359 --> 00:24:09,520
Speaker 2: know popcorn really in movies? This is real good man.

470
00:24:09,880 --> 00:24:15,440
Speaker 1: Thanks, next one coming up. Bj Novak was on the show.

471
00:24:15,960 --> 00:24:21,040
Speaker 1: Uh you know bj Novak, Janie Rashid, bj Bj did

472
00:24:21,080 --> 00:24:23,200
Speaker 1: you ever watch The Office? I have?

473
00:24:23,760 --> 00:24:25,120
Speaker 2: What does he play?

474
00:24:25,240 --> 00:24:27,960
Speaker 1: He's the guy he's in the first party. He's holding

475
00:24:28,040 --> 00:24:30,679
Speaker 1: up a bag and when you watch the beginning of

476
00:24:30,720 --> 00:24:33,439
Speaker 1: the show, he's he holds up a bag and it

477
00:24:33,480 --> 00:24:37,560
Speaker 1: says bj Novak on the screen. He's got hair, sort

478
00:24:37,600 --> 00:24:39,520
Speaker 1: of fuf fuffy hair.

479
00:24:39,880 --> 00:24:41,160
Speaker 2: I think I knew who you're talking about.

480
00:24:41,160 --> 00:24:45,720
Speaker 1: Honestly, you do know he's got big guys, very nice eyes.

481
00:24:46,040 --> 00:24:47,840
Speaker 2: Is he I don't want to say, is he like

482
00:24:47,840 --> 00:24:48,600
Speaker 2: the Spanish guy?

483
00:24:49,600 --> 00:24:55,800
Speaker 1: Yeah, he's exorta. He came on the show to talk

484
00:24:55,800 --> 00:24:58,679
Speaker 1: about being in Spider Man movie. He was, He was

485
00:24:58,720 --> 00:25:00,919
Speaker 1: in that last spider Man movie. You like spider Man.

486
00:25:01,040 --> 00:25:04,800
Speaker 1: Spider Man is very cool. He lives here, right spider Man. Yeah, yeah,

487
00:25:04,800 --> 00:25:07,520
Speaker 1: he's from New York. Does he ever accidentally get web

488
00:25:07,600 --> 00:25:09,920
Speaker 1: on the like just on the wrong person.

489
00:25:10,080 --> 00:25:11,879
Speaker 2: He leaves that everywhere, But I'm glad that's not my

490
00:25:11,960 --> 00:25:12,760
Speaker 2: job to clean that up.

491
00:25:13,080 --> 00:25:15,040
Speaker 1: Whose job is that? Do you know that guy?

492
00:25:15,200 --> 00:25:17,959
Speaker 2: I don't know that guy. But people who volunteer to, like,

493
00:25:18,280 --> 00:25:22,080
Speaker 2: I guess, clean windows. I mean, the whole point of

494
00:25:22,080 --> 00:25:25,160
Speaker 2: getting that job is to like clean webbing off of it. Yeah,

495
00:25:25,200 --> 00:25:27,320
Speaker 2: they probably take it home for souvenirs or something like that.

496
00:25:27,440 --> 00:25:30,200
Speaker 1: Sure probably sells for a pretty penny. Huh.

497
00:25:30,240 --> 00:25:32,480
Speaker 2: It probably does, but from New York people probably don't

498
00:25:32,480 --> 00:25:33,879
Speaker 2: buy it. They probably get sick and die of it.

499
00:25:35,600 --> 00:25:39,280
Speaker 1: So this is BJ Novac on our show Hollywood Handbook.

500
00:25:40,440 --> 00:25:46,680
Speaker 1: Now entering the clip, speaking on writing, BJ, you wrote

501
00:25:46,760 --> 00:25:49,280
Speaker 1: a famous book and it's on all.

502
00:25:49,160 --> 00:25:52,000
Speaker 3: The big lists these days.

503
00:25:52,600 --> 00:25:55,320
Speaker 1: And it's called One More thing. And it's a book

504
00:25:55,359 --> 00:25:59,159
Speaker 1: of stories. Yeah, and other stories. Yeah, the subtitle of

505
00:25:59,200 --> 00:26:01,200
Speaker 1: the book. Can buy it anywhere.

506
00:26:01,840 --> 00:26:02,159
Speaker 11: Uh.

507
00:26:02,200 --> 00:26:06,119
Speaker 1: And this book you had, you had an important point

508
00:26:06,160 --> 00:26:08,159
Speaker 1: to prove with this book, didn't you? Because you were

509
00:26:08,200 --> 00:26:11,919
Speaker 1: known mostly for being an acting man and for for

510
00:26:12,040 --> 00:26:15,879
Speaker 1: doing your jokes. But you wanted to prove something with this.

511
00:26:16,400 --> 00:26:19,680
Speaker 3: Joke contest And tell me what you feel that I proved.

512
00:26:19,680 --> 00:26:23,320
Speaker 1: That the books are easy, so easy.

513
00:26:23,480 --> 00:26:27,320
Speaker 3: And all the newspapers and all the you know, naysayers

514
00:26:27,359 --> 00:26:30,480
Speaker 3: said books are hard and he'll never do it and

515
00:26:30,480 --> 00:26:33,760
Speaker 3: no one will, and then you really showed them a

516
00:26:33,800 --> 00:26:35,800
Speaker 3: thing or two about a good lesson they had. You

517
00:26:35,800 --> 00:26:41,720
Speaker 3: did it, well, thank you, I did it, Thank you. Uh.

518
00:26:42,040 --> 00:26:45,040
Speaker 14: I don't know that people were surprised that a book

519
00:26:45,200 --> 00:26:48,600
Speaker 14: was written, which I think you're implying that people thought

520
00:26:49,119 --> 00:26:50,280
Speaker 14: couldn't be done, no one.

521
00:26:50,160 --> 00:26:53,399
Speaker 3: Could do it. Oh well, I know one guy who

522
00:26:53,520 --> 00:26:57,120
Speaker 3: was pretty surprised. Who is that you? Hay?

523
00:26:57,880 --> 00:26:59,560
Speaker 1: I mean it is a screen.

524
00:27:00,640 --> 00:27:03,119
Speaker 3: You screamed in a way that you didn't that Spider man. No.

525
00:27:03,320 --> 00:27:07,120
Speaker 1: Very similarly, you didn't cry from fear. Though I said

526
00:27:07,119 --> 00:27:09,800
Speaker 1: I cried, I didn't say I didn't also scream.

527
00:27:09,960 --> 00:27:13,639
Speaker 3: That's true. That's true. I wasn't so surprised that a

528
00:27:13,720 --> 00:27:17,800
Speaker 3: book had been written as much as it was printed

529
00:27:17,840 --> 00:27:19,200
Speaker 3: and could be bought to be read.

530
00:27:19,760 --> 00:27:22,160
Speaker 14: No, I see, I find it just whoever, I find

531
00:27:22,200 --> 00:27:23,320
Speaker 14: that unsurprising as well.

532
00:27:23,640 --> 00:27:26,720
Speaker 3: Hmmm, you might, because I would think if you write

533
00:27:26,760 --> 00:27:28,200
Speaker 3: a book, you might want to keep it a secret.

534
00:27:28,280 --> 00:27:31,240
Speaker 14: I like to think that maybe you were surprised by

535
00:27:31,280 --> 00:27:35,080
Speaker 14: how good it was, how funny it was, the fact

536
00:27:35,119 --> 00:27:38,520
Speaker 14: that a book was published at all, a book. I

537
00:27:39,480 --> 00:27:42,800
Speaker 14: have to disagree with you. I think that there's a

538
00:27:42,840 --> 00:27:46,439
Speaker 14: whole book business there. Think of bookstores, right, you know

539
00:27:46,480 --> 00:27:50,040
Speaker 14: what a bookstore is. How there's a whole business model

540
00:27:50,080 --> 00:27:51,920
Speaker 14: based on the fact that books are published.

541
00:27:52,440 --> 00:27:55,040
Speaker 3: So if you think of it that.

542
00:27:54,920 --> 00:27:58,440
Speaker 14: Way, it would be weirder if no books were published,

543
00:27:58,440 --> 00:27:59,800
Speaker 14: because then you go into Barnes and Noble.

544
00:27:59,800 --> 00:28:03,280
Speaker 1: What's there but they sell their Yeah, they sell old

545
00:28:03,280 --> 00:28:08,840
Speaker 1: books and and then new books are like cars, aren't

546
00:28:08,880 --> 00:28:14,760
Speaker 1: really books count as books. They open, but they're not

547
00:28:14,840 --> 00:28:16,120
Speaker 1: really the same as books.

548
00:28:16,240 --> 00:28:19,080
Speaker 3: And and maybe they also would have one of your

549
00:28:19,080 --> 00:28:21,639
Speaker 3: spider Man stuff like that you were talking about.

550
00:28:21,840 --> 00:28:27,760
Speaker 14: You have an interesting, uh relationship with plurals. This is

551
00:28:27,760 --> 00:28:33,360
Speaker 14: the second time. Yeah, they might sell Uh, yeah, my Spider.

552
00:28:33,040 --> 00:28:36,240
Speaker 3: Man stuff with one of them, Yes, with the two guys, Yeah,

553
00:28:36,320 --> 00:28:37,320
Speaker 3: who think they're friends.

554
00:28:38,280 --> 00:28:39,680
Speaker 1: How long does it take you to write one of

555
00:28:39,680 --> 00:28:41,040
Speaker 1: those stories of yours?

556
00:28:41,360 --> 00:28:43,280
Speaker 3: Well, some of them can take me weeks.

557
00:28:43,440 --> 00:28:43,800
Speaker 10: Uh.

558
00:28:43,960 --> 00:28:46,640
Speaker 3: Some of them could just come fully formed in a

559
00:28:46,640 --> 00:28:48,960
Speaker 3: moment someone gives it to you.

560
00:28:48,960 --> 00:28:49,760
Speaker 1: You could just one.

561
00:28:49,920 --> 00:28:51,640
Speaker 14: No, No, I need to be very clear. No one

562
00:28:51,680 --> 00:28:55,560
Speaker 14: gives me these stories. I feel inspired, and I give

563
00:28:55,600 --> 00:28:58,000
Speaker 14: myself the story. And in the case that I'm.

564
00:28:57,800 --> 00:29:00,480
Speaker 1: Describing, you could just do one whenever you do it. No,

565
00:29:00,640 --> 00:29:03,200
Speaker 1: not whenever, Sam, just get out your keyboard. Sam, could

566
00:29:03,240 --> 00:29:04,520
Speaker 1: you get your keyboard out please?

567
00:29:05,240 --> 00:29:06,280
Speaker 2: Yeah?

568
00:29:06,320 --> 00:29:10,080
Speaker 3: And then so I think that because, as you said,

569
00:29:11,320 --> 00:29:17,680
Speaker 3: stories are so easy that you almost could just do them. Okay,

570
00:29:17,760 --> 00:29:21,200
Speaker 3: we may want to hear just sort of do a

571
00:29:21,240 --> 00:29:27,520
Speaker 3: story and show America or whoever else you know what

572
00:29:27,560 --> 00:29:29,400
Speaker 3: it really means. And it doesn't have to be a

573
00:29:29,400 --> 00:29:34,800
Speaker 3: story about Spider Man just because we you know, been

574
00:29:34,920 --> 00:29:38,640
Speaker 3: talking about that, but it might help because.

575
00:29:40,160 --> 00:29:43,040
Speaker 1: He's in the zetygeist right now. It would sell it

576
00:29:43,040 --> 00:29:44,160
Speaker 1: wretty famous.

577
00:29:44,320 --> 00:29:49,840
Speaker 14: Okay, So you want us you're using very vague words,

578
00:29:49,840 --> 00:29:51,360
Speaker 14: So I want to try to nail down what we're

579
00:29:51,360 --> 00:29:53,640
Speaker 14: doing here. We are going to write a story, not

580
00:29:53,760 --> 00:29:54,360
Speaker 14: do a story.

581
00:29:54,440 --> 00:29:57,680
Speaker 3: Right, Well, we don't need to touch the keyboard. Sam's goalt.

582
00:29:57,720 --> 00:29:58,920
Speaker 1: Sam is going to write the story.

583
00:29:59,000 --> 00:30:02,440
Speaker 14: We're gonna we're gonna compose a story. Sam is going

584
00:30:02,520 --> 00:30:05,800
Speaker 14: to type it for us. It might be about Spider Man,

585
00:30:06,520 --> 00:30:09,400
Speaker 14: it doesn't doesn't have to be, and that could be helpful.

586
00:30:09,400 --> 00:30:13,360
Speaker 14: And the purpose of this is to demonstrate how easy

587
00:30:13,400 --> 00:30:14,960
Speaker 14: it is to write a.

588
00:30:14,880 --> 00:30:18,720
Speaker 1: Story because people don't know. They don't usually hear it

589
00:30:18,880 --> 00:30:19,760
Speaker 1: when it happens.

590
00:30:20,360 --> 00:30:23,640
Speaker 3: That's very true. And if you're writing when fully formed

591
00:30:23,800 --> 00:30:26,480
Speaker 3: and you're doing it alone, think about the three of

592
00:30:26,560 --> 00:30:29,320
Speaker 3: us back collaborating like the old days when we were

593
00:30:30,440 --> 00:30:31,520
Speaker 3: pulling over Little Bow.

594
00:30:31,600 --> 00:30:31,840
Speaker 15: Wow.

595
00:30:32,280 --> 00:30:38,320
Speaker 3: Yeah, okay, sure, we were graffitiing Wilmur's car, which he

596
00:30:38,440 --> 00:30:40,400
Speaker 3: was so prideful of. That's right.

597
00:30:41,000 --> 00:30:45,720
Speaker 14: We escalated everything on the actual show. Okay, Well, who'd

598
00:30:45,800 --> 00:30:46,680
Speaker 14: like to start us off?

599
00:30:47,440 --> 00:30:51,440
Speaker 1: Well, you're the guy with the pen.

600
00:30:51,520 --> 00:30:52,200
Speaker 3: Golden pen.

601
00:30:52,280 --> 00:31:01,240
Speaker 14: Okay, Well, I'll start with the title. We'll go around

602
00:30:58,920 --> 00:31:10,400
Speaker 14: yea Spider Man and the Case of the.

603
00:31:08,920 --> 00:31:17,280
Speaker 3: Music Box Hostage Crisis. Quick pitch the amazing, the amazing

604
00:31:17,320 --> 00:31:20,040
Speaker 3: Spider love that. Let's go with the case. Okay, yes,

605
00:31:20,240 --> 00:31:23,280
Speaker 3: and the in the case of the music box hostage crisis. Yeah,

606
00:31:23,800 --> 00:31:24,360
Speaker 3: that's good.

607
00:31:25,040 --> 00:31:25,480
Speaker 1: Okay.

608
00:31:27,120 --> 00:31:30,280
Speaker 3: Now, remember it's a case. So this is this is

609
00:31:30,280 --> 00:31:31,640
Speaker 3: a detective.

610
00:31:32,440 --> 00:31:36,760
Speaker 14: Angle for Spider Man, who is normally, normally just about

611
00:31:36,760 --> 00:31:42,720
Speaker 14: the action. Normally, there's no there's no sort of investigation aspect.

612
00:31:42,840 --> 00:31:45,720
Speaker 14: He's just more of a batman thing. Spider Man knows

613
00:31:45,760 --> 00:31:46,440
Speaker 14: what's up.

614
00:31:46,320 --> 00:31:49,960
Speaker 3: And then he's just jumping does his job, jumps into action.

615
00:31:50,840 --> 00:31:54,960
Speaker 14: There is no legal review generally as part of Spider

616
00:31:55,000 --> 00:31:56,120
Speaker 14: Man's pros flipping.

617
00:31:56,400 --> 00:31:57,280
Speaker 3: Yeah.

618
00:31:57,440 --> 00:32:03,080
Speaker 14: So in this story, you know this music box hostage crisis, and.

619
00:32:05,040 --> 00:32:07,720
Speaker 3: So you know it's a case. It needs to be soft.

620
00:32:07,760 --> 00:32:13,280
Speaker 1: Okay, okay. Spider Man looked at the footprint. He could

621
00:32:13,320 --> 00:32:18,520
Speaker 1: tell the man was in trouble, trouble with the cops.

622
00:32:20,400 --> 00:32:24,240
Speaker 1: He sniffed a little bit of the ground and he

623
00:32:24,240 --> 00:32:27,880
Speaker 1: held his ear to it because of his Indian past,

624
00:32:29,360 --> 00:32:35,400
Speaker 1: and he heard the whole story, which was the don't write,

625
00:32:35,400 --> 00:32:38,240
Speaker 1: which was Sam no I think, which was Sam, did

626
00:32:38,240 --> 00:32:38,880
Speaker 1: you get that.

627
00:32:39,200 --> 00:32:43,640
Speaker 3: New paragrah did you get that? Which was this argument

628
00:32:43,720 --> 00:32:45,640
Speaker 3: is part of it. See, this is what's called the

629
00:32:45,720 --> 00:32:47,360
Speaker 3: surprise an argument.

630
00:32:47,560 --> 00:32:51,840
Speaker 1: Sam, we are you'll know Sam, you'll know when it's

631
00:32:51,880 --> 00:32:52,360
Speaker 1: an argument.

632
00:32:52,800 --> 00:32:55,080
Speaker 3: This great, this kind of Now, this is what I'm

633
00:32:55,120 --> 00:32:57,000
Speaker 3: saying now is side commentary. This is great.

634
00:32:57,080 --> 00:33:00,120
Speaker 14: This is great storytelling because there's a structural surprise. The

635
00:33:00,120 --> 00:33:04,959
Speaker 14: reader thinks the story is gonna unfold naturally. Instead we

636
00:33:05,000 --> 00:33:09,200
Speaker 14: are going to explain exactly what happened on the surface.

637
00:33:10,320 --> 00:33:13,880
Speaker 3: Right now? Yeah, so which was which was?

638
00:33:14,040 --> 00:33:14,320
Speaker 2: Yeah?

639
00:33:14,760 --> 00:33:19,200
Speaker 3: The one guy's foot, you know, hurt so much, so

640
00:33:19,240 --> 00:33:22,160
Speaker 3: he just smashed it on the ground. Great. And he

641
00:33:22,560 --> 00:33:27,760
Speaker 3: also didn't know why that other This is great.

642
00:33:28,160 --> 00:33:32,320
Speaker 14: The guy we're learning about Spider Man. Yeah, in her monologue,

643
00:33:32,320 --> 00:33:33,320
Speaker 14: it's very choppy.

644
00:33:33,600 --> 00:33:36,360
Speaker 3: Yeah, that other guy was like me, you know what,

645
00:33:36,760 --> 00:33:39,600
Speaker 3: why is he chasing him? And so he and so

646
00:33:40,760 --> 00:33:45,640
Speaker 3: a really hot hot mama Kate walked in too, and

647
00:33:45,720 --> 00:33:49,000
Speaker 3: Spider Man had to look at that. Sure. Oh yes,

648
00:33:49,880 --> 00:33:56,800
Speaker 3: And and then she starts talking to him. That's great.

649
00:33:57,800 --> 00:34:02,480
Speaker 3: And and well now I want to know what she said. Mmmm, yeah,

650
00:34:03,000 --> 00:34:04,480
Speaker 3: what she said or what he said.

651
00:34:04,960 --> 00:34:07,120
Speaker 1: She started talking to him in the story.

652
00:34:06,920 --> 00:34:12,319
Speaker 14: To Spider Man, Well, she said, h cut the well

653
00:34:12,960 --> 00:34:19,719
Speaker 14: just she said, Colin, it's cleaner. There are forty eight

654
00:34:20,000 --> 00:34:28,080
Speaker 14: hostages inside the world's largest music box. If you crank

655
00:34:28,239 --> 00:34:32,319
Speaker 14: the music box which was built for the World's Fair

656
00:34:33,400 --> 00:34:35,600
Speaker 14: as an entrance to the Guinness Book of World Records

657
00:34:35,640 --> 00:34:38,000
Speaker 14: World's largest music Box, which was meant to attract attention

658
00:34:38,440 --> 00:34:43,360
Speaker 14: to the beleaguered city of Sioux Falls. That's spelled s

659
00:34:43,480 --> 00:34:48,640
Speaker 14: u E fal S. And the reason it's belleguered this

660
00:34:48,719 --> 00:34:52,360
Speaker 14: is a footnote. Now, the reason it's beleaguered is because

661
00:34:52,480 --> 00:34:55,520
Speaker 14: people never go to it. They just go to Sue Falls,

662
00:34:55,640 --> 00:34:57,600
Speaker 14: Sioux Well.

663
00:34:57,400 --> 00:34:59,160
Speaker 3: And didn't this one get its name because there were

664
00:34:59,160 --> 00:35:00,560
Speaker 3: so many frivolous lawsuits?

665
00:35:01,480 --> 00:35:03,040
Speaker 14: No, this is this is a woman named Sue who

666
00:35:03,040 --> 00:35:08,240
Speaker 14: fell and it was she just falls over the town's

667
00:35:08,239 --> 00:35:10,640
Speaker 14: claim to fame. And this might be a separate story

668
00:35:10,640 --> 00:35:11,239
Speaker 14: that we write at.

669
00:35:11,200 --> 00:35:12,640
Speaker 3: Some point she turned out to a vertigo.

670
00:35:12,760 --> 00:35:13,000
Speaker 1: Huh.

671
00:35:13,120 --> 00:35:13,919
Speaker 3: Say more on.

672
00:35:13,840 --> 00:35:19,960
Speaker 14: This in a later story in the collection. So this

673
00:35:21,320 --> 00:35:22,960
Speaker 14: we don't have to read it back, but just pick

674
00:35:22,960 --> 00:35:26,040
Speaker 14: it up from where we're describing that the world's largest

675
00:35:26,120 --> 00:35:27,719
Speaker 14: music box is being both of the World's Fair and

676
00:35:27,760 --> 00:35:28,640
Speaker 14: Sue False.

677
00:35:30,040 --> 00:35:36,359
Speaker 3: Ohio. And if you crank it from the.

678
00:35:36,760 --> 00:35:40,160
Speaker 14: Side, this box would play.

679
00:35:40,880 --> 00:35:42,680
Speaker 3: Now here's where you holp me give me a song?

680
00:35:43,560 --> 00:35:47,600
Speaker 14: This club, Yeah, I love in this club and i'd

681
00:35:47,600 --> 00:35:49,480
Speaker 14: say which version, but it's just the music, which is

682
00:35:49,520 --> 00:35:52,040
Speaker 14: I think is the same for the radio edit. And

683
00:35:53,560 --> 00:35:59,480
Speaker 14: but they never expected hostages to be inside. So the

684
00:35:59,520 --> 00:36:04,880
Speaker 14: woman plains this, and uh, Spider Man, Oh, you know

685
00:36:04,920 --> 00:36:05,680
Speaker 14: who else is in there?

686
00:36:06,719 --> 00:36:14,560
Speaker 3: Gwen Stacy, Ah, the show from no doubt, Yeah, and

687
00:36:14,640 --> 00:36:15,440
Speaker 3: Gwen Stefani.

688
00:36:15,680 --> 00:36:18,279
Speaker 14: Okay, yeah, that's let's make it a little more contemporary.

689
00:36:18,640 --> 00:36:21,680
Speaker 14: There are two people in there, Gwen Stefani. And then

690
00:36:21,840 --> 00:36:26,600
Speaker 14: in parentheses, Spider Man raised an eyebrow, almost imperceptibly. He

691
00:36:26,760 --> 00:36:33,040
Speaker 14: was impressed but not blown away, and Gwen Stacy. Spider

692
00:36:33,040 --> 00:36:36,440
Speaker 14: Man's eyes popped open. Now it was personal.

693
00:36:36,800 --> 00:36:38,640
Speaker 3: Don't write this part, but that is how you should

694
00:36:38,680 --> 00:36:41,560
Speaker 3: react to Gwen Stefan. If you show too much, you

695
00:36:41,600 --> 00:36:42,960
Speaker 3: don't wanna, you don't want to.

696
00:36:42,920 --> 00:36:46,680
Speaker 14: Share weird, you'll walk all over you because often, often

697
00:36:46,680 --> 00:36:50,480
Speaker 14: Gwen Stefani is prelude to a bigger celebrity. With guests

698
00:36:50,560 --> 00:36:53,200
Speaker 14: including Gwen Stefani, it's often about to get bigger.

699
00:36:53,239 --> 00:36:54,560
Speaker 3: So don't blow your wide.

700
00:36:55,040 --> 00:36:58,600
Speaker 14: Gwen's no, just like, okay, who else you might get

701
00:36:58,680 --> 00:37:02,160
Speaker 14: a bigger name? You might get Sandy Bullock.

702
00:37:03,640 --> 00:37:04,879
Speaker 1: So obsessed with her.

703
00:37:05,040 --> 00:37:05,680
Speaker 3: Yeah, so.

704
00:37:07,920 --> 00:37:11,560
Speaker 14: Now so and then italicize. Now it was personal. Okay,

705
00:37:11,680 --> 00:37:17,959
Speaker 14: so she's in the music box. Okay, this is getting good.

706
00:37:18,040 --> 00:37:25,960
Speaker 1: Yes, well Sam, well, is that a quotation marks? Spider

707
00:37:26,000 --> 00:37:26,719
Speaker 1: Man said.

708
00:37:26,880 --> 00:37:29,520
Speaker 3: Some more conversational story narrative voice.

709
00:37:29,600 --> 00:37:32,880
Speaker 1: This is macarthy esque, and there are no quotation marks, Sam,

710
00:37:33,400 --> 00:37:35,440
Speaker 1: God help you if there are any quotation marks in

711
00:37:35,480 --> 00:37:41,840
Speaker 1: this story, Well said Spider Man. Time to go, And

712
00:37:42,000 --> 00:37:45,600
Speaker 1: he put his hand out, and out of his freaking

713
00:37:45,719 --> 00:37:48,480
Speaker 1: head came a web.

714
00:37:51,200 --> 00:37:54,040
Speaker 14: See again, I feel this is commentary. I feel that

715
00:37:54,400 --> 00:37:58,480
Speaker 14: your lack of exposure to the Spider Man mythology puts

716
00:37:58,480 --> 00:38:00,360
Speaker 14: you out of step with most of your audience.

717
00:38:00,480 --> 00:38:04,600
Speaker 1: Refreshing Huh, how can you say that I don't know

718
00:38:04,880 --> 00:38:06,560
Speaker 1: and I haven't been exposed to Spider Man.

719
00:38:06,600 --> 00:38:08,279
Speaker 3: I just told you exactly what he does.

720
00:38:08,320 --> 00:38:11,000
Speaker 14: The fact that the narrator would express so much amazed

721
00:38:11,360 --> 00:38:15,160
Speaker 14: that the web came forth from his hand is it.

722
00:38:15,080 --> 00:38:17,400
Speaker 1: Makes me you don't know you were in the movie.

723
00:38:17,440 --> 00:38:19,880
Speaker 1: It makes me like you don't know what he does exactly.

724
00:38:19,960 --> 00:38:24,120
Speaker 3: The thing that happens that narrator shouldn't express amazement called

725
00:38:24,200 --> 00:38:25,359
Speaker 3: amazing Spider Man.

726
00:38:25,400 --> 00:38:28,000
Speaker 14: But the narrator you take for granted he's amazing is

727
00:38:28,200 --> 00:38:32,360
Speaker 14: out of his The word friggin' that really to me

728
00:38:32,520 --> 00:38:36,880
Speaker 14: tipped that you were not as used to this happening

729
00:38:36,920 --> 00:38:38,000
Speaker 14: as most people.

730
00:38:38,640 --> 00:38:40,799
Speaker 16: Sam, Can you just read back what we have? I

731
00:38:40,800 --> 00:38:46,120
Speaker 16: got where I'm lost? Sure, Spider Man. In the case

732
00:38:46,360 --> 00:38:51,120
Speaker 16: of the music music books, I feel like.

733
00:38:51,320 --> 00:38:54,760
Speaker 1: You said you you said you read to music.

734
00:38:56,239 --> 00:38:59,279
Speaker 3: I write to music, read music.

735
00:38:59,680 --> 00:39:03,759
Speaker 1: Okay, one second? Ready, yeah, Spider Man looked at the

736
00:39:03,800 --> 00:39:07,000
Speaker 1: foot Wait wait, wait, wait, oh sorry, why is my

737
00:39:07,120 --> 00:39:07,880
Speaker 1: sound not going?

738
00:39:10,719 --> 00:39:14,320
Speaker 17: Got do this, little ladies, I gotta keep the Spider

739
00:39:14,360 --> 00:39:15,800
Speaker 17: Man looked at the footbridge.

740
00:39:16,480 --> 00:39:17,520
Speaker 1: He could tell the man was.

741
00:39:17,520 --> 00:39:19,040
Speaker 3: In trouble, trouble with the cops.

742
00:39:19,200 --> 00:39:20,920
Speaker 1: See, he sniffed a little of the ground.

743
00:39:21,400 --> 00:39:23,960
Speaker 17: Hope she knew and because of his Indian past, knew

744
00:39:24,000 --> 00:39:27,120
Speaker 17: the whole story, which was one guy's foot, you know,

745
00:39:27,239 --> 00:39:29,640
Speaker 17: hurt so much so he smashed it on the ground

746
00:39:29,920 --> 00:39:31,719
Speaker 17: and he didn't know why the other guy was as her.

747
00:39:32,120 --> 00:39:35,279
Speaker 17: Why is he chasing him? And I really hot? Mama

748
00:39:35,360 --> 00:39:37,000
Speaker 17: Kate walked in, so we had to look at it,

749
00:39:37,040 --> 00:39:39,640
Speaker 17: and he was like, ooh yes, So she looked at him.

750
00:39:39,920 --> 00:39:42,120
Speaker 17: Cut the well, oh that's a note for me. There

751
00:39:42,160 --> 00:39:45,480
Speaker 17: are forty eight hostages inside the World's largest music box,

752
00:39:45,640 --> 00:39:47,720
Speaker 17: which was built for the World's Fair for the Guinness

753
00:39:47,760 --> 00:39:50,840
Speaker 17: Records no spelled suit balls.

754
00:39:50,560 --> 00:39:52,720
Speaker 1: A suit more on the later collection.

755
00:39:53,080 --> 00:39:55,000
Speaker 17: If you prank it from the outside of the box,

756
00:39:55,040 --> 00:39:56,600
Speaker 17: would play Love in this club.

757
00:39:56,760 --> 00:39:57,720
Speaker 3: It doesn't matter which.

758
00:39:57,600 --> 00:40:00,600
Speaker 17: Versions of the radio they never expected, how just to

759
00:40:00,640 --> 00:40:03,279
Speaker 17: be inside. You know who else is in there, Gwen

760
00:40:03,400 --> 00:40:06,920
Speaker 17: Stacy's from the show and Gwen Stefani, which is often

761
00:40:06,960 --> 00:40:10,440
Speaker 17: followed by bigger celebrities. When being announced, Spiderman raised in

762
00:40:10,560 --> 00:40:14,640
Speaker 17: highbro Now it's personal and in italic. Well, Spider Man

763
00:40:14,719 --> 00:40:19,560
Speaker 17: said McCarthy esque. Way it's time to go out of

764
00:40:19,600 --> 00:40:21,000
Speaker 17: his frigging hand came a web.

765
00:40:24,120 --> 00:40:25,440
Speaker 1: Sometimes you just get it.

766
00:40:25,600 --> 00:40:27,440
Speaker 3: I think it's really good. I think it's good. I

767
00:40:27,440 --> 00:40:29,360
Speaker 3: think the footprint turned out to be the key to

768
00:40:29,400 --> 00:40:34,360
Speaker 3: the music box or something. But anyway, really that was

769
00:40:34,400 --> 00:40:35,960
Speaker 3: easy and now everyone knows.

770
00:40:36,960 --> 00:40:41,560
Speaker 1: Another great clip in the books. All right, awesome, Hey, Sean,

771
00:40:41,600 --> 00:40:43,320
Speaker 1: what did you think of that clip?

772
00:40:45,000 --> 00:40:45,920
Speaker 3: Very romantic?

773
00:40:47,320 --> 00:40:51,040
Speaker 1: It was very romantic. I guess, yeah, I guess I

774
00:40:51,080 --> 00:40:53,000
Speaker 1: agree with that. So we're just gonna go right in

775
00:40:54,120 --> 00:40:57,520
Speaker 1: prison so I can help the aus Twas and die

776
00:40:57,560 --> 00:40:58,719
Speaker 1: by the fucking knightips.

777
00:41:02,920 --> 00:41:03,640
Speaker 11: That's bullshit.

778
00:41:04,880 --> 00:41:08,080
Speaker 1: Oh, I'm sorry to hear that. That's a terrible story.

779
00:41:09,080 --> 00:41:11,800
Speaker 1: That's I'm sorry that happened to you. We're just gonna

780
00:41:11,840 --> 00:41:14,520
Speaker 1: move on to the next clip. Sometimes on the show,

781
00:41:14,640 --> 00:41:16,880
Speaker 1: we do you listen to the show, right, Rashid?

782
00:41:18,640 --> 00:41:20,640
Speaker 2: Not yet? But after today I will.

783
00:41:21,160 --> 00:41:25,480
Speaker 1: After today you will because what you just like, got

784
00:41:25,520 --> 00:41:28,200
Speaker 1: a phone or something, got a phone, you just got

785
00:41:28,200 --> 00:41:30,799
Speaker 1: a computer to listen to the show. Why is it

786
00:41:30,800 --> 00:41:33,280
Speaker 1: today only today that you'll listen to it is because

787
00:41:33,280 --> 00:41:35,799
Speaker 1: you didn't have the necessary hardware to listen to it

788
00:41:35,840 --> 00:41:36,279
Speaker 1: before that.

789
00:41:37,200 --> 00:41:39,080
Speaker 2: You might be correct, Well, I just didn't pay attention.

790
00:41:39,880 --> 00:41:41,520
Speaker 2: After today I will.

791
00:41:43,080 --> 00:41:46,000
Speaker 1: It's gonna make a big difference for you. This next clip,

792
00:41:46,040 --> 00:41:49,640
Speaker 1: we do a segment sometimes called the Teaser Freezer, where

793
00:41:50,120 --> 00:41:52,919
Speaker 1: we play a teaser, you know, like a teaser in movies. Yeah,

794
00:41:53,000 --> 00:41:56,719
Speaker 1: before movies is a little commercial movie and it's like

795
00:41:56,760 --> 00:41:57,839
Speaker 1: the teaser, got it?

796
00:41:58,239 --> 00:41:58,520
Speaker 3: Uh?

797
00:41:58,560 --> 00:42:01,640
Speaker 1: We play that, talk about out the teaser, but sometimes

798
00:42:01,680 --> 00:42:03,759
Speaker 1: it doesn't always go according to plan. And this is

799
00:42:03,800 --> 00:42:06,759
Speaker 1: a clip with another engineer who's not Rashid. His name

800
00:42:06,840 --> 00:42:12,600
Speaker 1: is engineer Brett on Hollywood Handbook crypt Coon Pruse. We

801
00:42:12,640 --> 00:42:15,360
Speaker 1: want to do a segment on the show. It's so

802
00:42:15,600 --> 00:42:18,719
Speaker 1: hot in Los Angeles right now, and so what we

803
00:42:18,760 --> 00:42:21,560
Speaker 1: want to do is a segment that is good for

804
00:42:21,680 --> 00:42:25,200
Speaker 1: cooling everyone down, and it's called the Teaser Freezer. And

805
00:42:25,239 --> 00:42:28,879
Speaker 1: the way the teaser Freezer works is teasers are commercials

806
00:42:29,000 --> 00:42:32,160
Speaker 1: about movies, and we keep in the teasers freezer so

807
00:42:32,239 --> 00:42:35,440
Speaker 1: they stay cold. Did you have anything you want to add?

808
00:42:35,920 --> 00:42:37,880
Speaker 3: Well, I mean, the only thing I have to add

809
00:42:38,000 --> 00:42:40,600
Speaker 3: is just that I was sweating from how hot, and

810
00:42:40,680 --> 00:42:42,800
Speaker 3: I did have to move my fan closer to my bed.

811
00:42:43,680 --> 00:42:46,800
Speaker 3: And because my windows are the crank windows that open

812
00:42:46,840 --> 00:42:52,280
Speaker 3: out sideways in my basement. From that, my dad doesn't

813
00:42:52,280 --> 00:42:59,040
Speaker 3: want to get the windows redone in the apartment that

814
00:42:59,360 --> 00:43:02,800
Speaker 3: doesn't allow allow me to have a standard air conditioner

815
00:43:02,880 --> 00:43:03,319
Speaker 3: in there.

816
00:43:03,640 --> 00:43:05,640
Speaker 1: But now you know also about the fan that you

817
00:43:05,680 --> 00:43:07,879
Speaker 1: are not supposed to move it too close.

818
00:43:08,360 --> 00:43:12,760
Speaker 3: Too close to the bed. Well because of your hair, Yes, well,

819
00:43:15,320 --> 00:43:24,400
Speaker 3: my hair is I have temporary hair right now because

820
00:43:24,400 --> 00:43:27,000
Speaker 3: I am in between two different hairs that I'm going

821
00:43:27,080 --> 00:43:30,719
Speaker 3: to have one for my last movie one for my

822
00:43:30,800 --> 00:43:33,920
Speaker 3: next movie. And so the hair I have right now,

823
00:43:34,000 --> 00:43:38,040
Speaker 3: because it's not permanent, if it were to get caught

824
00:43:38,040 --> 00:43:39,520
Speaker 3: in a fan, or if it were to touch a

825
00:43:39,560 --> 00:43:40,880
Speaker 3: fan if I rolled over when I'm.

826
00:43:40,719 --> 00:43:42,279
Speaker 1: Sleeping, it would swing you.

827
00:43:42,880 --> 00:43:46,120
Speaker 3: Yes, it would swing me, and it would possibly remove

828
00:43:46,320 --> 00:43:48,799
Speaker 3: a big chunk of my scalp. And I did have

829
00:43:48,880 --> 00:43:55,000
Speaker 3: that happened to a friend of mine when we both

830
00:43:55,040 --> 00:43:57,080
Speaker 3: had temporary hair and we were both close to a

831
00:43:57,120 --> 00:43:59,200
Speaker 3: fan at a restaurant and his got caught in it,

832
00:43:59,239 --> 00:44:01,799
Speaker 3: and a hunter in sixty eight stitches couldn't put him

833
00:44:01,840 --> 00:44:08,080
Speaker 3: back together again, So anyway, couldn't, could not, could not.

834
00:44:09,480 --> 00:44:11,120
Speaker 3: All the kings sources, all the King's men, and one

835
00:44:11,160 --> 00:44:12,920
Speaker 3: hundred and six of eight stitches couldn't put him back

836
00:44:12,960 --> 00:44:16,640
Speaker 3: together again after that hair fan incident. So I do

837
00:44:16,760 --> 00:44:18,399
Speaker 3: need to be careful. But at the same time, it's

838
00:44:18,400 --> 00:44:20,600
Speaker 3: so hot and I was sweating. So We're in the

839
00:44:20,600 --> 00:44:22,799
Speaker 3: teaser freezer now, and I'm excited to cool down.

840
00:44:23,200 --> 00:44:24,839
Speaker 1: So we open up the freezer and.

841
00:44:29,000 --> 00:44:32,520
Speaker 3: Or mush Mush go.

842
00:44:34,160 --> 00:44:37,400
Speaker 1: And we reach inside and we pull out a teaser

843
00:44:37,600 --> 00:44:40,320
Speaker 1: and you look at it, and the teaser is for

844
00:44:41,000 --> 00:44:44,520
Speaker 1: the equalizer, the equalizer.

845
00:44:45,400 --> 00:44:46,160
Speaker 3: This is a movie.

846
00:44:46,440 --> 00:44:50,360
Speaker 1: It's got Denzel and we love Denzel, and it's an

847
00:44:50,400 --> 00:44:55,839
Speaker 1: action movie, but it has a brain in its head.

848
00:44:56,000 --> 00:45:02,879
Speaker 3: They're so often so dumbed down for the lowest common denominator.

849
00:45:03,400 --> 00:45:08,600
Speaker 3: And that is just people think in order to have

850
00:45:08,640 --> 00:45:12,160
Speaker 3: an action movie with guns and violence, that the only

851
00:45:12,200 --> 00:45:15,040
Speaker 3: people that are going to enjoy that are this denominator

852
00:45:15,080 --> 00:45:18,960
Speaker 3: that is so low it's the lowest one that you

853
00:45:19,000 --> 00:45:25,360
Speaker 3: can't have something smart. Mm hmm. And thank god, Hollywood

854
00:45:25,360 --> 00:45:27,560
Speaker 3: finally got you know one of my messages.

855
00:45:28,560 --> 00:45:33,400
Speaker 1: Yes, it's a movie and it has the explosions and

856
00:45:33,440 --> 00:45:37,120
Speaker 1: the guns and the punching for the lowest common denominator,

857
00:45:37,239 --> 00:45:39,400
Speaker 1: but it also has a few little treats in there

858
00:45:39,400 --> 00:45:41,680
Speaker 1: for mom and dad and well we'll show you why

859
00:45:41,760 --> 00:45:44,920
Speaker 1: right now, and the teaser freezer. So it starts Denzel's

860
00:45:44,960 --> 00:45:46,520
Speaker 1: and a diner and he's reading a book. It's an

861
00:45:46,480 --> 00:45:49,359
Speaker 1: old man in the seats.

862
00:45:48,719 --> 00:45:55,600
Speaker 18: Yet oh yeah, yeah he did not exactly. The old

863
00:45:55,640 --> 00:45:58,120
Speaker 18: man met his greatest adversary just when he thought that

864
00:45:58,160 --> 00:46:00,560
Speaker 18: part of his life was over, and they just let

865
00:46:00,600 --> 00:46:03,080
Speaker 18: the fish go. Old man's got to be the old man.

866
00:46:03,080 --> 00:46:05,160
Speaker 18: Fish has got to be the fish got to be

867
00:46:05,200 --> 00:46:07,200
Speaker 18: who you are in this world, right, no matter what.

868
00:46:09,440 --> 00:46:12,760
Speaker 1: Wow. A lot of treats for a thinking person who likes.

869
00:46:12,600 --> 00:46:18,920
Speaker 3: Books, and this is especially relevant for me. Because my

870
00:46:19,040 --> 00:46:21,120
Speaker 3: twenty fourteen book is Old Man in the Sea.

871
00:46:21,520 --> 00:46:21,759
Speaker 19: Hmm.

872
00:46:23,760 --> 00:46:26,640
Speaker 3: I did a micea men last year mm hm, and

873
00:46:26,719 --> 00:46:29,080
Speaker 3: I said this year, I'm going even longer. I think

874
00:46:29,120 --> 00:46:30,040
Speaker 3: they're about the same length.

875
00:46:30,320 --> 00:46:32,239
Speaker 1: That's a great twenty fourteen book.

876
00:46:32,280 --> 00:46:36,279
Speaker 3: And so I am about two thirds of the way

877
00:46:36,320 --> 00:46:39,440
Speaker 3: through m hm. And I don't even mind that it

878
00:46:39,600 --> 00:46:42,359
Speaker 3: sort of spoils it because I was wondering in it

879
00:46:42,800 --> 00:46:47,040
Speaker 3: as I'm reading this great words, what's going on in

880
00:46:47,040 --> 00:46:53,520
Speaker 3: this book? And for Denzel to so tightly say.

881
00:46:53,320 --> 00:46:57,520
Speaker 1: It, wow, that the fish has got to be the

882
00:46:57,560 --> 00:46:59,719
Speaker 1: fish and the old man's got to be the old man,

883
00:47:00,400 --> 00:47:03,560
Speaker 1: sum set up, and that's something that they'd ever say

884
00:47:04,040 --> 00:47:07,080
Speaker 1: outright in the book, but it is very strongly implied.

885
00:47:07,200 --> 00:47:09,120
Speaker 3: And if you look at it that way, it becomes

886
00:47:09,160 --> 00:47:11,680
Speaker 3: easier to read the book. And I've even done more

887
00:47:11,719 --> 00:47:14,400
Speaker 3: pages since seeing this treat teaser, because.

888
00:47:14,120 --> 00:47:16,719
Speaker 1: This is my nineteen seventy five book and I've read it.

889
00:47:16,840 --> 00:47:20,920
Speaker 1: I really enjoyed it. As you know, it's about seventy

890
00:47:20,960 --> 00:47:24,719
Speaker 1: pages long. But in the teaser you notice that the

891
00:47:24,719 --> 00:47:28,360
Speaker 1: book he's reading is a huge leather bound looks like

892
00:47:28,400 --> 00:47:32,800
Speaker 1: about a seven hundred page book. And if you actually

893
00:47:32,840 --> 00:47:35,040
Speaker 1: look at the teaser. He's reading this book in a restaurant,

894
00:47:35,160 --> 00:47:39,480
Speaker 1: you know, go a restaurant, real book, and he is odd.

895
00:47:40,440 --> 00:47:44,480
Speaker 1: It looks like maybe page four of this book. You

896
00:47:44,520 --> 00:47:47,920
Speaker 1: see him reading it, and he's very very early in

897
00:47:47,960 --> 00:47:50,080
Speaker 1: the book. Especially you have picked up as much as

898
00:47:50,080 --> 00:47:54,600
Speaker 1: he has so far. But I think here's the secret

899
00:47:54,640 --> 00:47:57,799
Speaker 1: about him. This is how you know he's smart. He's

900
00:47:57,800 --> 00:48:01,000
Speaker 1: got this big version of the book because I think

901
00:48:01,040 --> 00:48:04,560
Speaker 1: he's so smart. It's like it's like The Old Man

902
00:48:04,600 --> 00:48:07,879
Speaker 1: of the Sea ten times in a row. Because he's

903
00:48:07,920 --> 00:48:09,279
Speaker 1: so smart. He's going to read it.

904
00:48:09,840 --> 00:48:12,200
Speaker 3: Theory what I have? Theory?

905
00:48:12,320 --> 00:48:12,879
Speaker 1: What is it?

906
00:48:14,680 --> 00:48:18,520
Speaker 3: He has some pages in the book where he writes

907
00:48:18,560 --> 00:48:21,399
Speaker 3: what he thinks about the book. So he reads one

908
00:48:21,440 --> 00:48:26,200
Speaker 3: page and then he writes nine pages of his own theories.

909
00:48:27,400 --> 00:48:29,719
Speaker 3: I think so, And isn't that interesting that we could

910
00:48:29,760 --> 00:48:32,799
Speaker 3: have two different ideas about it? Only from seeing four

911
00:48:32,840 --> 00:48:36,040
Speaker 3: seconds of one forces you to think. It forces you

912
00:48:36,120 --> 00:48:37,600
Speaker 3: to ask some questions and to have.

913
00:48:37,920 --> 00:48:40,960
Speaker 1: You say, why is that? Why is that book so big?

914
00:48:41,680 --> 00:48:43,760
Speaker 1: I know it's not supposed to be that big. Why

915
00:48:44,760 --> 00:48:47,120
Speaker 1: why is he reading it in the restaurant? Why is

916
00:48:47,120 --> 00:48:50,000
Speaker 1: he talking about it like he knows everything about it

917
00:48:50,000 --> 00:48:51,840
Speaker 1: when he's only on page four.

918
00:48:51,760 --> 00:48:54,239
Speaker 3: Yes, And why is a teen girl talking to him

919
00:48:54,239 --> 00:48:55,279
Speaker 3: about his book too?

920
00:48:55,800 --> 00:48:58,040
Speaker 1: And why is she asking it away? Why is her

921
00:48:58,080 --> 00:49:00,960
Speaker 1: first question did he catch that fish yet?

922
00:49:01,000 --> 00:49:04,080
Speaker 3: Which if he didn't, like, fuck you lady, you know,

923
00:49:04,280 --> 00:49:11,200
Speaker 3: because I'm trying to read this book, especial.

924
00:49:11,200 --> 00:49:12,640
Speaker 20: You don't have to push lit dollaries that your old

925
00:49:12,719 --> 00:49:13,359
Speaker 20: job did you.

926
00:49:13,360 --> 00:49:14,160
Speaker 2: You'll do his job.

927
00:49:14,840 --> 00:49:18,399
Speaker 1: So now he's he's working at his job right now,

928
00:49:18,719 --> 00:49:22,520
Speaker 1: he's getting robbed. And he works at a home depot store,

929
00:49:24,000 --> 00:49:28,319
Speaker 1: a style store, and it's called home Mart, which is

930
00:49:28,880 --> 00:49:32,359
Speaker 1: sort of an improvement on the home depot concept. Maybe

931
00:49:32,360 --> 00:49:33,799
Speaker 1: they can't use home depot.

932
00:49:33,719 --> 00:49:35,680
Speaker 3: So hard to say, so hard to remember.

933
00:49:35,719 --> 00:49:39,719
Speaker 1: Home depot is really almost impossible to say. But if

934
00:49:39,719 --> 00:49:40,399
Speaker 1: you work at his.

935
00:49:40,360 --> 00:49:43,560
Speaker 3: Store, first of all, it doesn't look like it says depot.

936
00:49:44,680 --> 00:49:47,200
Speaker 1: That's what makes it so hard. Honestly, you have to

937
00:49:47,320 --> 00:49:50,760
Speaker 1: actively actually not read it if you want to say it.

938
00:49:51,440 --> 00:49:53,560
Speaker 3: Well, and you have to practice saying it enough times

939
00:49:53,560 --> 00:49:55,440
Speaker 3: that you don't have to take a big pause between

940
00:49:55,480 --> 00:49:59,239
Speaker 3: the two words mm hm. Because what's nice for home

941
00:49:59,320 --> 00:50:00,440
Speaker 3: Mark you.

942
00:50:00,520 --> 00:50:03,640
Speaker 1: Will you're not saying it actually correctly. I'm sorry, it's

943
00:50:03,719 --> 00:50:06,800
Speaker 1: nice for Homark. No, you have to say both words

944
00:50:07,440 --> 00:50:11,239
Speaker 1: home Mark. You're you're saying one M. You need to

945
00:50:11,280 --> 00:50:15,040
Speaker 1: say you just pronounce each word individual you say home.

946
00:50:14,920 --> 00:50:15,839
Speaker 3: March home Mark.

947
00:50:16,160 --> 00:50:19,040
Speaker 1: No, you're not doing it right. You have to say

948
00:50:19,200 --> 00:50:21,200
Speaker 1: it's two words, it's not one word.

949
00:50:21,760 --> 00:50:25,080
Speaker 3: Brett, Am I losing my frigging beans today?

950
00:50:25,200 --> 00:50:26,560
Speaker 1: I mean? Am I out of my mind?

951
00:50:27,600 --> 00:50:32,840
Speaker 3: You say it home Mark? No, you're saying one M Homark.

952
00:50:33,640 --> 00:50:37,320
Speaker 3: And what's nice about saying Homark? No, that's your name

953
00:50:37,560 --> 00:50:41,040
Speaker 3: is your mouth? The company is home Mart. Well, I'm

954
00:50:41,080 --> 00:50:43,200
Speaker 3: sorry you lost this battle, and I hate to give

955
00:50:43,200 --> 00:50:44,520
Speaker 3: Bretta try again.

956
00:50:45,200 --> 00:50:46,120
Speaker 1: You know that's wrong.

957
00:50:48,760 --> 00:50:51,399
Speaker 3: You're saying Homark home Mark.

958
00:50:52,520 --> 00:50:55,839
Speaker 20: I'm saying both words. No, they flow into each other.

959
00:50:56,280 --> 00:50:57,560
Speaker 20: That seems like the way you do.

960
00:50:57,560 --> 00:51:00,000
Speaker 3: You have to finish. You have to finish the word

961
00:51:00,040 --> 00:51:03,000
Speaker 3: at home and it's And what's nice about home Mark

962
00:51:04,600 --> 00:51:06,920
Speaker 3: is your mouth is already at the M, so you

963
00:51:06,920 --> 00:51:08,960
Speaker 3: don't got to take a whole other trip to go

964
00:51:09,040 --> 00:51:09,600
Speaker 3: find the D.

965
00:51:10,160 --> 00:51:13,239
Speaker 1: No, Homart is a totally different thing from what this

966
00:51:14,000 --> 00:51:23,319
Speaker 1: name is, which is home Marked. Okay, Well about wal Mart, Well,

967
00:51:23,360 --> 00:51:24,759
Speaker 1: that's not how it's spelled at all.

968
00:51:24,800 --> 00:51:28,000
Speaker 3: Your Walla marked.

969
00:51:28,520 --> 00:51:30,799
Speaker 1: Okay, well, I hope you like having Edgineer Bread on

970
00:51:30,880 --> 00:51:33,360
Speaker 1: your side. It must be a really great feeling. It

971
00:51:33,440 --> 00:51:35,560
Speaker 1: must be a really great feeling to have Edgindeer Bread

972
00:51:35,600 --> 00:51:37,480
Speaker 1: agree with you on how to pronounce a word?

973
00:51:38,440 --> 00:51:44,680
Speaker 3: Does that feel good? You know what, Hayes, You're right.

974
00:51:45,760 --> 00:51:47,439
Speaker 1: It's not a very good feeling, is it.

975
00:51:47,600 --> 00:51:50,319
Speaker 3: I didn't really think about what I was doing and

976
00:51:50,360 --> 00:51:54,840
Speaker 3: who I was sort of aligning myself with the discussion

977
00:51:54,840 --> 00:51:57,200
Speaker 3: of how to pronounce a word. I guess the greatest

978
00:51:57,200 --> 00:52:00,719
Speaker 3: trick the devil ever pulled was, you know, making me

979
00:52:00,840 --> 00:52:05,360
Speaker 3: be think I'm friends with Engineer Bread for a minute.

980
00:52:06,840 --> 00:52:12,640
Speaker 1: When it comes to some things conversations about, like wearing

981
00:52:12,680 --> 00:52:17,279
Speaker 1: a Beatles shirt. You know Brett's an expert on that.

982
00:52:17,520 --> 00:52:19,840
Speaker 1: There's no denying it. When it comes to wearing a

983
00:52:19,840 --> 00:52:23,120
Speaker 1: Beetle shirt, you want to talk to Engineer Bread, right,

984
00:52:24,560 --> 00:52:28,439
Speaker 1: you would consider yourself an expert on that, Wouldn't you.

985
00:52:27,920 --> 00:52:30,120
Speaker 20: An expert on the Beatles or wearing No?

986
00:52:30,120 --> 00:52:33,239
Speaker 1: No, definitely that expert on the band, the Beatles, an

987
00:52:33,239 --> 00:52:37,000
Speaker 1: expert on No, you were not an expert on You're

988
00:52:37,040 --> 00:52:39,680
Speaker 1: an expert on wearing a Beatles shirt.

989
00:52:40,320 --> 00:52:41,680
Speaker 20: I suppose I'm pretty good at that.

990
00:52:43,440 --> 00:52:45,839
Speaker 1: I'm willing to concede that you are an expert on that.

991
00:52:45,880 --> 00:52:49,560
Speaker 20: In fact, Okay, I'll take that. I'll take it. You're

992
00:52:49,600 --> 00:52:52,520
Speaker 20: doing it right now, I'm taking it.

993
00:52:52,640 --> 00:52:54,040
Speaker 1: No, you're wearing a Beatle shirt.

994
00:52:54,160 --> 00:52:57,480
Speaker 20: Yeah I am. I'm doing it pretty well. I would

995
00:52:57,520 --> 00:53:00,000
Speaker 20: say you're doing it expertly. Okay, yeah, I'm an expert

996
00:53:00,200 --> 00:53:00,480
Speaker 20: on it.

997
00:53:00,520 --> 00:53:03,879
Speaker 1: But when it comes to saying a word.

998
00:53:03,480 --> 00:53:07,279
Speaker 20: I feel pretty comfortable saying hommark homemarked.

999
00:53:08,280 --> 00:53:09,480
Speaker 1: It's home of mart.

1000
00:53:10,960 --> 00:53:12,560
Speaker 3: I'm really going through something here.

1001
00:53:13,239 --> 00:53:13,840
Speaker 1: What's wrong?

1002
00:53:15,120 --> 00:53:17,360
Speaker 21: I mean, Engineer Brett is roasting you.

1003
00:53:18,280 --> 00:53:20,480
Speaker 3: I mean he's on the right side of this thing.

1004
00:53:21,520 --> 00:53:22,200
Speaker 3: I swear to.

1005
00:53:22,239 --> 00:53:23,040
Speaker 8: God he is.

1006
00:53:24,640 --> 00:53:27,120
Speaker 1: Listen to what you say.

1007
00:53:27,640 --> 00:53:28,120
Speaker 3: I just.

1008
00:53:29,600 --> 00:53:33,480
Speaker 21: Down down to the last detail. I just feel like

1009
00:53:33,560 --> 00:53:37,919
Speaker 21: Engineer Brett has it pegged. Now what happened to you

1010
00:53:38,120 --> 00:53:40,240
Speaker 21: or what happened Did he take some kind of super

1011
00:53:40,280 --> 00:53:42,560
Speaker 21: pill or something? And now he's a smart.

1012
00:53:42,280 --> 00:53:44,839
Speaker 1: Guy, and would you fall so far?

1013
00:53:45,520 --> 00:53:47,240
Speaker 3: I've been working with you for a long time.

1014
00:53:47,360 --> 00:53:49,440
Speaker 1: Okay, then if that's true, then he should be doing

1015
00:53:49,480 --> 00:53:51,160
Speaker 1: the rest of the show. He shouldn't. He should do

1016
00:53:51,200 --> 00:53:52,880
Speaker 1: the teaser freezer. He should do the rest of the

1017
00:53:52,920 --> 00:53:56,040
Speaker 1: teaser feezer. If that's how you feel I would why

1018
00:53:56,040 --> 00:53:58,640
Speaker 1: would I be hosting the show anymore? Why would I

1019
00:53:58,640 --> 00:54:01,160
Speaker 1: finish the teaser freezer when Brett and do it? When?

1020
00:54:01,360 --> 00:54:04,160
Speaker 1: If he's the one who's and he's an expert on

1021
00:54:04,200 --> 00:54:08,400
Speaker 1: saying all the words, why did he do it? What

1022
00:54:08,560 --> 00:54:13,120
Speaker 1: did he do the teaser freezer? And I do the sound?

1023
00:54:16,960 --> 00:54:17,000
Speaker 4: What?

1024
00:54:17,239 --> 00:54:18,200
Speaker 8: I just do this sound?

1025
00:54:18,680 --> 00:54:26,479
Speaker 3: Here? Here I go. Get back in your seat, get

1026
00:54:26,520 --> 00:54:27,440
Speaker 3: back in your snow way.

1027
00:54:27,480 --> 00:54:29,200
Speaker 20: You know how to do the sound, I'll do it.

1028
00:54:29,239 --> 00:54:31,920
Speaker 20: You don't know how to do the sound, we'll do

1029
00:54:32,160 --> 00:54:32,920
Speaker 20: teaser freezer.

1030
00:54:33,320 --> 00:54:37,600
Speaker 3: Well, if we're right about this, then he would be

1031
00:54:37,600 --> 00:54:39,440
Speaker 3: able to do the sound. I mean, he would have

1032
00:54:39,480 --> 00:54:47,120
Speaker 3: become that dumb that that would make sense to him. Okay,

1033
00:54:47,160 --> 00:54:49,960
Speaker 3: So Brett, you know you're gonna sort of start it

1034
00:54:50,040 --> 00:54:53,479
Speaker 3: and describe what's happening and then stop it, and well

1035
00:54:53,520 --> 00:54:57,600
Speaker 3: you know how to do it. You're haze now, Okay,

1036
00:54:57,640 --> 00:55:02,279
Speaker 3: go ahead, you do the teacher. Okay, you do the

1037
00:55:02,320 --> 00:55:03,960
Speaker 3: teaser for you. You know how to pronounce the words.

1038
00:55:04,000 --> 00:55:09,359
Speaker 3: So we made our bed, Brett, okay, and I'm here

1039
00:55:09,760 --> 00:55:10,120
Speaker 3: to get you.

1040
00:55:10,360 --> 00:55:16,880
Speaker 20: Okay, just sit there and don't press anything though, is

1041
00:55:16,880 --> 00:55:22,040
Speaker 20: it red? Is it red? Going across? Just make sure it's.

1042
00:55:21,880 --> 00:55:22,960
Speaker 1: Red, it's white red.

1043
00:55:23,560 --> 00:55:26,320
Speaker 20: Just the file, the wave file.

1044
00:55:26,480 --> 00:55:27,840
Speaker 3: Hey, just feeling Brett.

1045
00:55:27,920 --> 00:55:28,959
Speaker 1: The big one is red.

1046
00:55:29,040 --> 00:55:31,239
Speaker 3: You don't do both, now, just feel it out, Hayes.

1047
00:55:32,480 --> 00:55:35,080
Speaker 1: Yeah, I know how to do it. This is all

1048
00:55:35,120 --> 00:55:35,680
Speaker 1: I do now.

1049
00:55:36,520 --> 00:55:40,640
Speaker 3: Okay, Now Brett played more to the teaser. Okay, here

1050
00:55:40,680 --> 00:55:45,120
Speaker 3: we go. What's you knowing about?

1051
00:55:45,239 --> 00:55:47,000
Speaker 18: It is about a guy who is a knight and

1052
00:55:47,120 --> 00:55:49,879
Speaker 18: shining almost except he lives in the world where nights

1053
00:55:49,880 --> 00:55:50,840
Speaker 18: don't exist anymore.

1054
00:55:51,960 --> 00:55:54,920
Speaker 3: I'm right the book, right, Bret? What do you think

1055
00:55:54,960 --> 00:55:57,719
Speaker 3: of that part of the teaser. Well, he's talking about

1056
00:55:57,719 --> 00:55:58,520
Speaker 3: another book.

1057
00:55:59,320 --> 00:56:01,399
Speaker 20: Books don't exist anymore? Is that what he said?

1058
00:56:03,200 --> 00:56:03,520
Speaker 1: Holy?

1059
00:56:06,520 --> 00:56:09,000
Speaker 3: Oh, okay, I'm just worried about I'm doing the Showdow.

1060
00:56:09,520 --> 00:56:10,280
Speaker 1: This is the show.

1061
00:56:10,360 --> 00:56:16,160
Speaker 20: Now I'm distracted by him doing sound is really worrying.

1062
00:56:16,920 --> 00:56:23,680
Speaker 1: Seem misunderstanding the very basic idea of a sentence. Welcome

1063
00:56:23,719 --> 00:56:24,800
Speaker 1: to your show.

1064
00:56:25,320 --> 00:56:27,200
Speaker 3: Say well, no one said the word. I said the

1065
00:56:27,239 --> 00:56:30,560
Speaker 3: word book to try to sort of lead a horse

1066
00:56:30,560 --> 00:56:33,879
Speaker 3: to water a little bit, because they go, she goes,

1067
00:56:33,880 --> 00:56:36,400
Speaker 3: what's the new one about? I want the listeners to

1068
00:56:36,440 --> 00:56:39,000
Speaker 3: know she means his new book. He apparently talks to

1069
00:56:39,120 --> 00:56:43,120
Speaker 3: this young, sort of prepubescent girl about books all the time,

1070
00:56:44,600 --> 00:56:48,960
Speaker 3: this sixty five year old man. So anyway, I'm trying

1071
00:56:48,960 --> 00:56:52,320
Speaker 3: to explain that to them. Then you just somehow plug

1072
00:56:52,719 --> 00:56:56,000
Speaker 3: me saying that into your memory so that you go,

1073
00:56:56,560 --> 00:56:58,920
Speaker 3: he's in a world where books don't exist anymore. In

1074
00:56:58,960 --> 00:57:01,719
Speaker 3: the movie, he's just in a movie walking with a girl.

1075
00:57:01,800 --> 00:57:04,120
Speaker 3: She goes, what's the new one about? He goes, it's

1076
00:57:04,160 --> 00:57:07,080
Speaker 3: about a night, But he lives in a time where

1077
00:57:07,160 --> 00:57:10,760
Speaker 3: nights don't exist anymore. You go, He's in a world

1078
00:57:10,800 --> 00:57:16,000
Speaker 3: where books don't exist. It's like, holy shit, Brett. You

1079
00:57:16,000 --> 00:57:20,560
Speaker 3: couldn't go through one give sentence. You couldn't get through

1080
00:57:20,600 --> 00:57:24,560
Speaker 3: one fucking sentence. And I think, and I think you

1081
00:57:24,640 --> 00:57:27,560
Speaker 3: were so bad at doing it that I've learned how

1082
00:57:27,600 --> 00:57:29,640
Speaker 3: to say home.

1083
00:57:30,560 --> 00:57:31,960
Speaker 20: No, mar don't say that.

1084
00:57:32,120 --> 00:57:34,800
Speaker 1: I don't think I could have been more vindicated than

1085
00:57:34,840 --> 00:57:37,680
Speaker 1: by what just happened. You obviously don't want to You

1086
00:57:37,760 --> 00:57:40,240
Speaker 1: obviously don't want to be the host of this show anymore.

1087
00:57:40,240 --> 00:57:44,000
Speaker 1: With Brett insane, Well, it's not a show. You should

1088
00:57:44,040 --> 00:57:45,440
Speaker 1: probably come do the sound.

1089
00:57:46,120 --> 00:57:48,240
Speaker 3: Well, yes, I think that much is clear.

1090
00:57:48,400 --> 00:57:48,560
Speaker 7: I do.

1091
00:57:48,880 --> 00:57:50,320
Speaker 1: I don't want to be on the same show as

1092
00:57:50,320 --> 00:57:53,280
Speaker 1: Brett where he cannot be hosting with Brett. I'm going

1093
00:57:53,320 --> 00:57:56,360
Speaker 1: to do the sound Okay, so you come over here.

1094
00:57:56,560 --> 00:57:57,440
Speaker 3: Okay, I'm coming.

1095
00:57:57,640 --> 00:58:01,480
Speaker 20: This isn't You can give me a minute to settle

1096
00:58:01,520 --> 00:58:02,560
Speaker 20: into this new role.

1097
00:58:02,640 --> 00:58:04,680
Speaker 1: Okay, Now Sean and I are hosting, are doing this

1098
00:58:04,720 --> 00:58:06,280
Speaker 1: out and now I'm gonna take a picture of you

1099
00:58:06,320 --> 00:58:07,720
Speaker 1: while you do the teaser freezer.

1100
00:58:08,440 --> 00:58:09,040
Speaker 20: Wait both.

1101
00:58:09,080 --> 00:58:11,440
Speaker 3: And as someone who thought for even a second that

1102
00:58:11,520 --> 00:58:14,000
Speaker 3: Brett was gonna be able to do the show and

1103
00:58:14,040 --> 00:58:18,480
Speaker 3: host it, I now have officially proven myself stupid enough

1104
00:58:18,520 --> 00:58:19,680
Speaker 3: to do the South.

1105
00:58:22,320 --> 00:58:26,640
Speaker 20: You guys threw me into the segment I'm least familiar with.

1106
00:58:26,880 --> 00:58:29,640
Speaker 3: To be honest, it's our most famous segment.

1107
00:58:30,800 --> 00:58:31,600
Speaker 1: Everyone Loves You.

1108
00:58:31,520 --> 00:58:35,000
Speaker 20: You could say that it's all yours. Okay. Should I

1109
00:58:35,120 --> 00:58:36,120
Speaker 20: keep playing the trailer?

1110
00:58:37,360 --> 00:58:39,680
Speaker 3: Yes, and then do the commentary by yourself.

1111
00:58:40,000 --> 00:58:40,760
Speaker 1: I can't.

1112
00:58:40,840 --> 00:58:41,760
Speaker 3: It's not even.

1113
00:58:46,280 --> 00:58:48,000
Speaker 20: He's putting a hammer back on the.

1114
00:58:50,760 --> 00:58:52,800
Speaker 2: Being anything you wanted to change your world.

1115
00:58:54,200 --> 00:58:55,760
Speaker 20: Just slap a woman, Never go.

1116
00:58:55,760 --> 00:58:59,440
Speaker 2: Back to being that person. When somebody does something unspeakable

1117
00:59:00,000 --> 00:59:00,520
Speaker 2: hardly knew.

1118
00:59:02,400 --> 00:59:04,680
Speaker 20: I don't understand. I don't understand.

1119
00:59:04,760 --> 00:59:05,440
Speaker 3: Say you give up.

1120
00:59:05,480 --> 00:59:05,840
Speaker 20: I don't.

1121
00:59:06,040 --> 00:59:08,440
Speaker 3: I don't give up. Admit that you give up, then

1122
00:59:08,480 --> 00:59:10,200
Speaker 3: finish it. If you don't give up, this is what

1123
00:59:10,240 --> 00:59:12,680
Speaker 3: I've wanted. What i've doesn't.

1124
00:59:12,400 --> 00:59:14,120
Speaker 1: Feel anything like a teaser freezer.

1125
00:59:14,560 --> 00:59:17,720
Speaker 20: It doesn't. I admit it doesn't. I can do sound say.

1126
00:59:17,640 --> 00:59:18,040
Speaker 1: You give up.

1127
00:59:18,080 --> 00:59:18,880
Speaker 10: I never even.

1128
00:59:18,720 --> 00:59:19,520
Speaker 1: Asked, Brett.

1129
00:59:19,600 --> 00:59:22,320
Speaker 3: The very idea that I used to host a podcast

1130
00:59:22,360 --> 00:59:25,960
Speaker 3: with you is sickening. This is what you think a

1131
00:59:26,000 --> 00:59:26,880
Speaker 3: teaser freezer is.

1132
00:59:26,920 --> 00:59:30,480
Speaker 20: I wish you gave me at least two sentences to

1133
00:59:30,520 --> 00:59:31,160
Speaker 20: settle into that.

1134
00:59:31,280 --> 00:59:33,240
Speaker 3: What segment do you think you would have been good at?

1135
00:59:33,280 --> 00:59:35,320
Speaker 3: By the way you said, this is the one you're

1136
00:59:35,400 --> 00:59:37,640
Speaker 3: least familiar with. What segment do you think you would

1137
00:59:37,680 --> 00:59:39,320
Speaker 3: have hit out of the park. Let's hear you do

1138
00:59:39,440 --> 00:59:39,880
Speaker 3: that one.

1139
00:59:41,760 --> 00:59:48,000
Speaker 20: Welcome to the Hollywood Handbook, The Insider's Guide to this place.

1140
00:59:48,040 --> 00:59:48,480
Speaker 1: We call.

1141
00:59:50,320 --> 00:59:52,000
Speaker 20: This place this.

1142
00:59:53,600 --> 00:59:54,280
Speaker 3: He's sweaty.

1143
00:59:54,360 --> 00:59:57,000
Speaker 20: I swear I can do this. Welcome to Hollywood Handbook.

1144
00:59:57,360 --> 01:00:00,400
Speaker 3: We're in a teaser freezer where it's cold and he's wedding.

1145
01:00:02,880 --> 01:00:04,960
Speaker 20: It's hot. I thought we were just talking about how.

1146
01:00:05,080 --> 01:00:06,520
Speaker 11: It was the.

1147
01:00:08,720 --> 01:00:10,680
Speaker 3: Freezer is cool to freaking north.

1148
01:00:11,160 --> 01:00:12,960
Speaker 20: We're not still in this freeze.

1149
01:00:13,120 --> 01:00:15,080
Speaker 3: The much just sled dog and we went to the

1150
01:00:15,280 --> 01:00:17,040
Speaker 3: north Pole come back and do the sound.

1151
01:00:19,080 --> 01:00:22,920
Speaker 20: I'm sorry, you give up? I give up.

1152
01:00:24,800 --> 01:00:27,200
Speaker 3: Wow. I thought I was part of a good podcast,

1153
01:00:27,280 --> 01:00:29,160
Speaker 3: but now I'm just part of something that I think

1154
01:00:29,280 --> 01:00:33,560
Speaker 3: is it has a lot of problems. One is the

1155
01:00:33,600 --> 01:00:40,280
Speaker 3: sound guy tried to host it and I let him,

1156
01:00:40,520 --> 01:00:43,640
Speaker 3: and now I just think, now I just think this

1157
01:00:43,680 --> 01:00:45,520
Speaker 3: whole thing is just mean and exploitive.

1158
01:00:46,880 --> 01:00:49,760
Speaker 1: And how did and how did I say that? And

1159
01:00:49,800 --> 01:00:51,120
Speaker 1: how did I do it on the sound?

1160
01:00:53,080 --> 01:00:54,080
Speaker 3: When I was over there?

1161
01:00:54,240 --> 01:00:56,000
Speaker 20: I think actually it went okay.

1162
01:00:56,800 --> 01:01:01,040
Speaker 3: Oh, I mean because when I was there, you took pictures.

1163
01:01:01,200 --> 01:01:02,800
Speaker 1: What about when Sean was the sound?

1164
01:01:03,600 --> 01:01:06,960
Speaker 20: Sean just sort of hovered over you and didn't I

1165
01:01:06,960 --> 01:01:08,720
Speaker 20: didn't see him actually even touching it.

1166
01:01:08,840 --> 01:01:11,000
Speaker 3: And that's what it needed at the time, wasn't it.

1167
01:01:11,040 --> 01:01:13,760
Speaker 3: Because it came out fine.

1168
01:01:14,400 --> 01:01:15,320
Speaker 20: Well, we'll see how.

1169
01:01:15,240 --> 01:01:17,520
Speaker 3: Sometimes we need to know, Sometimes we need to know

1170
01:01:17,560 --> 01:01:21,080
Speaker 3: when what actually is necessary is to just sort of

1171
01:01:21,160 --> 01:01:23,960
Speaker 3: hover there and not be doing so much.

1172
01:01:24,440 --> 01:01:29,920
Speaker 20: Huh, Brett, I think this started with you asking me

1173
01:01:30,000 --> 01:01:31,400
Speaker 20: how to say something.

1174
01:01:32,800 --> 01:01:37,120
Speaker 1: That clip ruled. Okay, we're gonna take a quick break now.

1175
01:01:37,280 --> 01:01:40,920
Speaker 1: So this how do I explain this? This is not

1176
01:01:41,120 --> 01:01:46,960
Speaker 1: a clip from the show. This is a commercial within

1177
01:01:47,960 --> 01:01:51,160
Speaker 1: the best of episode. Does that make sense?

1178
01:01:51,560 --> 01:01:53,080
Speaker 2: That makes total sense, because.

1179
01:01:52,800 --> 01:01:55,160
Speaker 1: People, I'm worried. Here's what I'm worried about, Engineer Reshiet.

1180
01:01:55,160 --> 01:01:58,560
Speaker 1: People are gonna hear what's coming next, and they're gonna

1181
01:01:58,600 --> 01:02:01,640
Speaker 1: think it's a best of clip because this because this

1182
01:02:01,760 --> 01:02:04,360
Speaker 1: is the best of episodes. But it's not a best

1183
01:02:04,440 --> 01:02:07,439
Speaker 1: up cliff, It's a commercial. So is there like a

1184
01:02:07,520 --> 01:02:11,880
Speaker 1: sound that you do to announce that it's commercial time?

1185
01:02:11,960 --> 01:02:14,480
Speaker 1: Maybe just like with your voice, like a special like

1186
01:02:14,560 --> 01:02:19,000
Speaker 1: engineering sound to like introduce a commercial. The only thing

1187
01:02:19,040 --> 01:02:20,800
Speaker 1: that comes to mind is like a I guess a

1188
01:02:20,880 --> 01:02:23,440
Speaker 1: trumpet sound. Okay, that's great, I would love to hear.

1189
01:02:23,560 --> 01:02:26,440
Speaker 1: So Engineer shot, Yes, go ahead and do the trumpet

1190
01:02:26,480 --> 01:02:29,040
Speaker 1: sound that's officially announcing that the commercial is coming up.

1191
01:02:32,720 --> 01:02:34,640
Speaker 1: We'll be right back. Got Hollywood handbook?

1192
01:02:35,400 --> 01:02:37,120
Speaker 10: Whoa Hollywood handbook?

1193
01:02:45,760 --> 01:02:48,360
Speaker 1: Do you think I know that Seawn isn't really here?

1194
01:02:49,000 --> 01:02:50,400
Speaker 3: I'm just using a f Jones.

1195
01:02:50,600 --> 01:02:51,840
Speaker 11: So do you think.

1196
01:02:53,960 --> 01:02:55,400
Speaker 10: Do you think know that it's not it?

1197
01:02:57,200 --> 01:03:03,200
Speaker 1: He comes and shan People that know him personally is

1198
01:03:03,280 --> 01:03:06,439
Speaker 1: Bennie Jones is friends and frankly, I don't want Benny

1199
01:03:06,520 --> 01:03:10,040
Speaker 1: Jones's friends listening to this podcast. I'm serious. I know

1200
01:03:10,880 --> 01:03:13,640
Speaker 1: maybe it sounds inappropriate, but guys that are friends like him.

1201
01:03:13,640 --> 01:03:16,360
Speaker 1: He's always going around hitting guys in the head with

1202
01:03:16,440 --> 01:03:22,120
Speaker 1: his head and using metal sticks to get people's money.

1203
01:03:22,320 --> 01:03:23,520
Speaker 2: He seems like a pretty bad guy.

1204
01:03:23,600 --> 01:03:25,640
Speaker 1: He's not a guy that I want, certainly in my

1205
01:03:25,640 --> 01:03:28,160
Speaker 1: friendship circle, and I don't want his friends listening to

1206
01:03:28,240 --> 01:03:31,040
Speaker 1: this show. Hey, welcome back to Hollywood. Hamblen Insider's guy

1207
01:03:31,040 --> 01:03:32,920
Speaker 1: to kicking button dropping names in the red carpet line

1208
01:03:32,920 --> 01:03:35,680
Speaker 1: back hallways of this industry we call showbiz. This is

1209
01:03:35,720 --> 01:03:37,720
Speaker 1: the best of episode. Some of you may have just

1210
01:03:37,760 --> 01:03:40,040
Speaker 1: tuned in in the middle of the commercial. It does

1211
01:03:40,080 --> 01:03:43,040
Speaker 1: happen sometimes. Well, this is the best of episode of

1212
01:03:43,080 --> 01:03:46,400
Speaker 1: the show. We are trying to be poached by another

1213
01:03:46,760 --> 01:03:51,840
Speaker 1: podcast network, so please listen to this and this is

1214
01:03:52,160 --> 01:03:54,400
Speaker 1: we call it the best of episode, but this is

1215
01:03:54,440 --> 01:03:56,200
Speaker 1: actually not the best we can do. We can do

1216
01:03:56,400 --> 01:04:00,000
Speaker 1: a lot better than this, and with what our contract

1217
01:04:00,040 --> 01:04:03,640
Speaker 1: situation with Earwolf, this is the amount of effort that

1218
01:04:03,720 --> 01:04:07,160
Speaker 1: we're willing to put in for how they compensate us

1219
01:04:07,200 --> 01:04:09,680
Speaker 1: and the equity that we have in their network. But

1220
01:04:09,840 --> 01:04:12,640
Speaker 1: with a better deal. It's like engineer Rashid, if you

1221
01:04:12,680 --> 01:04:17,000
Speaker 1: were getting paid like two thousand dollars a year, you

1222
01:04:17,200 --> 01:04:20,440
Speaker 1: would be willing to do much more than you're doing

1223
01:04:20,840 --> 01:04:24,440
Speaker 1: right now. I assume, which is that you get to

1224
01:04:24,520 --> 01:04:26,680
Speaker 1: live here basically, right.

1225
01:04:27,560 --> 01:04:27,800
Speaker 14: Yeah.

1226
01:04:27,880 --> 01:04:29,680
Speaker 2: I usually get to come in him another I want

1227
01:04:30,120 --> 01:04:30,880
Speaker 2: pretty frequently.

1228
01:04:31,280 --> 01:04:34,360
Speaker 1: Yeah, like when it rains, so you don't get wet.

1229
01:04:34,440 --> 01:04:35,760
Speaker 2: You need a place to be when it arrange.

1230
01:04:35,800 --> 01:04:40,360
Speaker 1: Man, when I introduce another great clip, This is a

1231
01:04:40,400 --> 01:04:44,720
Speaker 1: segment with Paul F. Tompkins. You've heard Paul F. Tompkins

1232
01:04:44,760 --> 01:04:46,360
Speaker 1: on Comedy Bang Bang, but did you know that he

1233
01:04:46,400 --> 01:04:49,080
Speaker 1: could actually be on a good podcast check it out. Well,

1234
01:04:50,560 --> 01:04:53,880
Speaker 1: I'm a female clip robot, and so we have to

1235
01:04:53,920 --> 01:04:57,840
Speaker 1: do riddle me this quickly and we don't know what

1236
01:04:58,040 --> 01:05:00,880
Speaker 1: you're doing. The game the game from Comedy Banks. So

1237
01:05:00,920 --> 01:05:03,480
Speaker 1: that people, because we got to add on that show,

1238
01:05:04,000 --> 01:05:08,480
Speaker 1: people are this one accustom to that show are coming

1239
01:05:08,520 --> 01:05:10,600
Speaker 1: here and they want to hear the game that.

1240
01:05:10,480 --> 01:05:14,640
Speaker 22: They the most popular game to Yes, yes, and so

1241
01:05:14,640 --> 01:05:16,240
Speaker 22: so you need me to explain what the game is.

1242
01:05:16,360 --> 01:05:19,400
Speaker 1: Yes, yes, my players, riddle me.

1243
01:05:19,480 --> 01:05:23,400
Speaker 22: This is a game where uh, everyone has to guess

1244
01:05:24,680 --> 01:05:28,120
Speaker 22: a riddle. Somebody says a riddle. We go around and turns.

1245
01:05:28,480 --> 01:05:31,000
Speaker 22: Somebody says a riddle, and then the other person has

1246
01:05:31,040 --> 01:05:34,840
Speaker 22: to guess what that riddle is. Not the answer to

1247
01:05:34,880 --> 01:05:37,760
Speaker 22: the riddle, they have to guess like is it a

1248
01:05:37,800 --> 01:05:42,040
Speaker 22: famous riddle that I would have heard somewhere before, or

1249
01:05:42,160 --> 01:05:43,560
Speaker 22: did you just make that riddle up?

1250
01:05:44,400 --> 01:05:49,360
Speaker 1: Hmmm, oh wow yeah, okay. So for for the players,

1251
01:05:49,400 --> 01:05:50,120
Speaker 1: it makes it easy.

1252
01:05:50,200 --> 01:05:51,400
Speaker 22: Like if you're the person who has to come up

1253
01:05:51,400 --> 01:05:54,000
Speaker 22: with the riddle, you can either make up your own

1254
01:05:54,080 --> 01:05:58,960
Speaker 22: riddle or you can remember a riddle from days gone by, but.

1255
01:05:59,000 --> 01:06:01,479
Speaker 1: You have to say the truth of what you did.

1256
01:06:01,600 --> 01:06:04,560
Speaker 3: Well, I know a riddle, well, I saw riddle recently

1257
01:06:04,640 --> 01:06:08,479
Speaker 3: where the answer is the library. Is that helpful? That's

1258
01:06:08,480 --> 01:06:11,640
Speaker 3: a little I mean, that gives us something. Okay, it's

1259
01:06:11,680 --> 01:06:15,280
Speaker 3: better to play the game. You not yet, It's better

1260
01:06:15,320 --> 01:06:16,720
Speaker 3: to start with the question part.

1261
01:06:16,920 --> 01:06:19,280
Speaker 1: You give the question and the answer you don't give.

1262
01:06:19,320 --> 01:06:20,400
Speaker 1: You don't even have to give the answer.

1263
01:06:20,760 --> 01:06:23,080
Speaker 22: You just have to give the riddle and then you

1264
01:06:23,160 --> 01:06:26,440
Speaker 22: have to guess is this a riddle that or is

1265
01:06:26,480 --> 01:06:27,880
Speaker 22: this a riddle that you've just made up?

1266
01:06:27,960 --> 01:06:30,360
Speaker 3: So if this the it's the one where it's it's

1267
01:06:30,360 --> 01:06:34,200
Speaker 3: the doctor's mom like, if I'm not, that's not a riddle,

1268
01:06:34,240 --> 01:06:35,160
Speaker 3: that's a logic problem.

1269
01:06:35,520 --> 01:06:38,280
Speaker 1: There's a big difference. A lot of people think a

1270
01:06:38,320 --> 01:06:42,440
Speaker 1: woman being a doctor is a logic problem because what

1271
01:06:42,520 --> 01:06:44,600
Speaker 1: if it's you know what, that time of the month.

1272
01:06:45,440 --> 01:06:48,080
Speaker 3: Oh gosh, and she's got her finger on the button.

1273
01:06:48,880 --> 01:06:49,840
Speaker 1: Yeah, the button, that.

1274
01:06:51,440 --> 01:06:55,480
Speaker 22: The surgery button, that's right, and she's like, I'm crabby.

1275
01:06:56,000 --> 01:06:57,800
Speaker 22: I'm not gonna save this guy's life. I'm gonna let

1276
01:06:57,840 --> 01:06:58,160
Speaker 22: him bleed.

1277
01:06:58,360 --> 01:07:00,400
Speaker 3: Yeah, and give me chocolate and then that gets inside

1278
01:07:00,400 --> 01:07:01,040
Speaker 3: your stitches.

1279
01:07:02,080 --> 01:07:06,200
Speaker 1: Why do they have no female engineers here? Oh wow,

1280
01:07:07,160 --> 01:07:10,760
Speaker 1: oh wow, Frank leaves a great opportunity to have a

1281
01:07:10,760 --> 01:07:12,040
Speaker 1: female engineer.

1282
01:07:12,000 --> 01:07:14,000
Speaker 22: Someone who's going to be the Sandra Day O'Connor of

1283
01:07:14,640 --> 01:07:15,680
Speaker 22: Earwolf engineers.

1284
01:07:15,760 --> 01:07:18,320
Speaker 3: Yes, well, what I was saying about the engineer day

1285
01:07:19,080 --> 01:07:22,200
Speaker 3: Clarence Thomas, I think the engineer brains all work in

1286
01:07:22,240 --> 01:07:28,240
Speaker 3: like uh numbers and you know by it's that kind

1287
01:07:28,280 --> 01:07:31,600
Speaker 3: of thing. And women are so emotional, yes, which I

1288
01:07:31,640 --> 01:07:33,280
Speaker 3: think can be great about them.

1289
01:07:33,360 --> 01:07:34,160
Speaker 1: Yeah, And it's a job.

1290
01:07:34,200 --> 01:07:37,400
Speaker 22: It's more of a job for like a Spock than

1291
01:07:37,440 --> 01:07:39,520
Speaker 22: it is for a Roseanne.

1292
01:07:39,240 --> 01:07:42,800
Speaker 3: M m exactly, Yes, which are the two types of

1293
01:07:42,920 --> 01:07:43,880
Speaker 3: human in a lot of.

1294
01:07:43,840 --> 01:07:46,000
Speaker 1: Ways, emotional and logical.

1295
01:07:46,040 --> 01:07:48,000
Speaker 3: Yeah, you're either a spak or Roseanne.

1296
01:07:48,040 --> 01:07:51,600
Speaker 1: That's right. Okay, so you do riddle?

1297
01:07:52,160 --> 01:07:52,360
Speaker 2: Yeah?

1298
01:07:52,600 --> 01:07:54,800
Speaker 1: Do you want me to start?

1299
01:07:55,320 --> 01:07:59,280
Speaker 22: Well, just because now that I've explained the game, Yeah,

1300
01:07:59,440 --> 01:08:02,760
Speaker 22: I'll start, and then you see, you'll see.

1301
01:08:02,560 --> 01:08:03,080
Speaker 1: How it goes.

1302
01:08:03,200 --> 01:08:06,680
Speaker 22: Okay, Yes, So I'm gonna provide a riddle. Then I'll

1303
01:08:06,720 --> 01:08:08,600
Speaker 22: go to each of you in turn, and then I

1304
01:08:08,680 --> 01:08:11,280
Speaker 22: get to weigh in as well on whether or not

1305
01:08:12,000 --> 01:08:14,800
Speaker 22: it's a real riddle or one I've just made up.

1306
01:08:15,160 --> 01:08:18,599
Speaker 1: You're weighing in, okay, Yeah, all right, to trick us.

1307
01:08:18,640 --> 01:08:22,280
Speaker 3: I'm starting. Maybe people like this, huh.

1308
01:08:21,680 --> 01:08:23,880
Speaker 1: They love it? Okay, it's the most popular game.

1309
01:08:24,000 --> 01:08:25,439
Speaker 3: Okay.

1310
01:08:26,080 --> 01:08:28,919
Speaker 1: What has three legs?

1311
01:08:29,960 --> 01:08:35,680
Speaker 22: Four legs in the morning, two legs in the afternoon,

1312
01:08:36,720 --> 01:08:37,880
Speaker 22: and three legs at night.

1313
01:08:39,880 --> 01:08:42,120
Speaker 3: I have a pretty good joke to make about this.

1314
01:08:42,960 --> 01:08:45,920
Speaker 3: I know it's got three legs in the morning, which

1315
01:08:45,960 --> 01:08:47,479
Speaker 3: is what you almost said, and it's me because I

1316
01:08:47,479 --> 01:08:48,400
Speaker 3: got friggured morning.

1317
01:08:48,560 --> 01:08:52,280
Speaker 1: Would remember you wake up with a boner like an erection?

1318
01:08:52,560 --> 01:08:53,080
Speaker 3: Yeah?

1319
01:08:53,160 --> 01:08:54,439
Speaker 1: I do remember that.

1320
01:08:55,080 --> 01:08:59,960
Speaker 3: Yeah, pretty intense, Joe.

1321
01:09:00,160 --> 01:09:00,800
Speaker 1: Huh.

1322
01:09:01,000 --> 01:09:03,040
Speaker 3: So what now, what are we supposed to do in

1323
01:09:03,080 --> 01:09:03,519
Speaker 3: the game.

1324
01:09:03,680 --> 01:09:05,519
Speaker 1: Ah, Now, this is the game part.

1325
01:09:06,479 --> 01:09:09,320
Speaker 22: You have to guess is that a real riddle that

1326
01:09:09,439 --> 01:09:12,679
Speaker 22: I remember from somewhere or did I make that up?

1327
01:09:12,840 --> 01:09:13,200
Speaker 1: Just now?

1328
01:09:13,439 --> 01:09:14,320
Speaker 3: I think you stole it?

1329
01:09:15,000 --> 01:09:19,360
Speaker 22: Hold on, now your turn yet? Okay, okay, hayes real

1330
01:09:19,439 --> 01:09:20,760
Speaker 22: riddle or did I just make it up?

1331
01:09:22,400 --> 01:09:25,679
Speaker 1: Well? I hope it's not real, because otherwise we won't

1332
01:09:25,680 --> 01:09:29,720
Speaker 1: get to run. We won't get to play it on

1333
01:09:29,760 --> 01:09:33,840
Speaker 1: the show because we made this mistake with songs, like

1334
01:09:33,920 --> 01:09:37,880
Speaker 1: if you play a song, you can't actually, they like

1335
01:09:37,960 --> 01:09:42,960
Speaker 1: the people who own the song will call because of copyright. Yeah, yes, yeah,

1336
01:09:43,040 --> 01:09:44,080
Speaker 1: I don't. I don't know.

1337
01:09:44,160 --> 01:09:47,840
Speaker 22: With riddles, I think it's different. No, it is, it is,

1338
01:09:48,120 --> 01:09:51,160
Speaker 22: It is different. Yes, okay, so then worlds.

1339
01:09:50,760 --> 01:09:51,639
Speaker 1: Even more money.

1340
01:09:51,720 --> 01:09:55,080
Speaker 3: So then what do you oh? You well, because the

1341
01:09:55,160 --> 01:09:57,439
Speaker 3: riddle people, because songs get used all the time, so

1342
01:09:57,479 --> 01:09:59,400
Speaker 3: they kind of can let it slide sometimes, but riddles

1343
01:09:59,400 --> 01:10:02,320
Speaker 3: get used pretty rarely, which makes us a very dangerous game.

1344
01:10:02,479 --> 01:10:05,640
Speaker 22: Yeah well then okay, Well let's let's play out the

1345
01:10:05,720 --> 01:10:07,720
Speaker 22: round and then we'll figure out how to proceed if

1346
01:10:07,720 --> 01:10:09,600
Speaker 22: we're worried about riddle copyrights.

1347
01:10:09,920 --> 01:10:13,519
Speaker 3: Okay, so this so this Sean, Yeah, it's not your turn. Okay,

1348
01:10:13,520 --> 01:10:14,280
Speaker 3: did you know that hat?

1349
01:10:14,960 --> 01:10:15,360
Speaker 1: Did you know?

1350
01:10:15,600 --> 01:10:17,160
Speaker 3: Okay? But happy Birthday?

1351
01:10:18,960 --> 01:10:24,519
Speaker 1: That song is the same that you had to What.

1352
01:10:24,560 --> 01:10:26,720
Speaker 3: You're about to say a myth and you're falling into

1353
01:10:26,760 --> 01:10:29,000
Speaker 3: a trap. No, it is not America. It is not

1354
01:10:29,160 --> 01:10:32,120
Speaker 3: a myth. It is not a myth. You have to

1355
01:10:32,680 --> 01:10:35,000
Speaker 3: it costs money to do that in the movie. And

1356
01:10:35,080 --> 01:10:38,680
Speaker 3: so that's why you have people singing like have a

1357
01:10:38,720 --> 01:10:41,240
Speaker 3: good Birthday and stuff in the movies because they aren't

1358
01:10:41,240 --> 01:10:43,040
Speaker 3: allowed to do happy Birthday.

1359
01:10:43,240 --> 01:10:44,519
Speaker 1: You're some myths.

1360
01:10:44,800 --> 01:10:47,200
Speaker 3: That's the same myth, and that's why TGF Fridays had

1361
01:10:47,240 --> 01:10:49,280
Speaker 3: to write their own birthday song, which I think is

1362
01:10:49,280 --> 01:10:53,479
Speaker 3: actually better for one thing. Uh, and so in a

1363
01:10:53,520 --> 01:10:56,080
Speaker 3: way it's positive, but you don't actually have to pay anyone.

1364
01:10:56,360 --> 01:11:02,760
Speaker 1: I think it is fake, becau because nothing could do that.

1365
01:11:03,000 --> 01:11:05,720
Speaker 22: Okay, nothing could have the different. Now you're saying, not

1366
01:11:05,760 --> 01:11:07,439
Speaker 22: a real You think I just made that riddle up?

1367
01:11:07,520 --> 01:11:11,840
Speaker 1: Yes, because it's if you actually think about it, it's impossible. Okay, Okay, Sean,

1368
01:11:12,080 --> 01:11:13,479
Speaker 1: Now it's your turn.

1369
01:11:13,320 --> 01:11:15,519
Speaker 3: And so just to go over it again. I remember

1370
01:11:15,560 --> 01:11:17,519
Speaker 3: my three legs joke, but I'm trying to remember the

1371
01:11:17,640 --> 01:11:20,120
Speaker 3: actual middle, which is four legs.

1372
01:11:20,160 --> 01:11:23,600
Speaker 22: In the four legs in the morning, two legs in

1373
01:11:23,640 --> 01:11:26,320
Speaker 22: the afternoon is three legs at nights a monster?

1374
01:11:27,240 --> 01:11:30,280
Speaker 3: No, you're not supposed to answer the riddle. That's that's

1375
01:11:30,320 --> 01:11:33,640
Speaker 3: absolutely not important. Just guess that's terrifying. Is it a

1376
01:11:33,720 --> 01:11:36,479
Speaker 3: real changing leg numbers all day?

1377
01:11:37,240 --> 01:11:38,080
Speaker 1: I don't mean to.

1378
01:11:38,560 --> 01:11:41,400
Speaker 22: Let's not get sidetracked. As scary as that is. The

1379
01:11:41,439 --> 01:11:43,160
Speaker 22: point of it is not for you to answer the riddle.

1380
01:11:43,160 --> 01:11:45,559
Speaker 22: The point anybody could do that. That's any stupid game.

1381
01:11:46,280 --> 01:11:49,080
Speaker 22: Is it a real riddle that exists already or did I.

1382
01:11:49,040 --> 01:11:51,240
Speaker 3: Just make it up? I'm sorry, you know what, I

1383
01:11:51,280 --> 01:11:53,679
Speaker 3: didn't know being being called stupid? It's part of the game.

1384
01:11:53,800 --> 01:11:55,519
Speaker 3: So I'm in a bow out of this.

1385
01:11:56,000 --> 01:11:57,720
Speaker 1: No, I wasn't. I wasn't trying to call it.

1386
01:12:00,560 --> 01:12:02,559
Speaker 3: So thank you very much, But it doesn't.

1387
01:12:03,160 --> 01:12:05,040
Speaker 1: Maybe that's what they do on the other show, but

1388
01:12:05,080 --> 01:12:05,720
Speaker 1: we don't like to.

1389
01:12:05,640 --> 01:12:08,960
Speaker 3: Do maybe Scott's kind of humor and maybe so much.

1390
01:12:09,280 --> 01:12:11,519
Speaker 22: I apologize if I if it came off that way.

1391
01:12:11,760 --> 01:12:15,080
Speaker 22: It was not my intention at all to call you stupid.

1392
01:12:15,160 --> 01:12:18,360
Speaker 22: I was merely trying to explain the game, and I

1393
01:12:18,439 --> 01:12:20,760
Speaker 22: maybe I got too excited because I love playing this

1394
01:12:20,840 --> 01:12:23,360
Speaker 22: game and I apologize.

1395
01:12:23,600 --> 01:12:25,720
Speaker 1: I do not. For the record, I don't think that

1396
01:12:25,760 --> 01:12:26,400
Speaker 1: you're stupid.

1397
01:12:27,160 --> 01:12:31,800
Speaker 3: Okay, apology feels sincere, but again, I can't always tell.

1398
01:12:32,080 --> 01:12:38,880
Speaker 3: So well, if I was wrong, then I'm then I'm

1399
01:12:38,920 --> 01:12:42,240
Speaker 3: sorry too. If I misunderstood something but it didn't feel.

1400
01:12:41,960 --> 01:12:44,160
Speaker 1: Like I did, thanks for that.

1401
01:12:44,280 --> 01:12:50,519
Speaker 3: So the game, so so the game? Okay, So it's

1402
01:12:50,560 --> 01:12:56,200
Speaker 3: not a monster? Is it a spider? I mean, that's

1403
01:12:56,240 --> 01:12:58,200
Speaker 3: the only thing where I think of a number of legs.

1404
01:12:58,240 --> 01:13:02,439
Speaker 22: Really, let me, you know what, I've realized. I've explained

1405
01:13:02,439 --> 01:13:06,200
Speaker 22: this poorly, and so let me explain it better. And

1406
01:13:06,280 --> 01:13:12,679
Speaker 22: I see why you it's not quite making sense. It's

1407
01:13:12,680 --> 01:13:13,559
Speaker 22: the fault is.

1408
01:13:13,520 --> 01:13:18,240
Speaker 1: Mine, It's it's not.

1409
01:13:28,960 --> 01:13:33,760
Speaker 3: It's less about excuse me, it's less about finding an

1410
01:13:33,800 --> 01:13:37,720
Speaker 3: answer to the riddle. And and forget about you can

1411
01:13:38,680 --> 01:13:42,800
Speaker 3: you can forget about answering the riddle, okay, okay, And

1412
01:13:43,120 --> 01:13:45,600
Speaker 3: all you have to think is that these are wrong answers.

1413
01:13:47,000 --> 01:13:49,360
Speaker 1: Well, they might be right, they might be wrong.

1414
01:13:49,439 --> 01:13:50,240
Speaker 3: Okay, Okay.

1415
01:13:50,640 --> 01:13:52,840
Speaker 1: The real question I'm asking is, but.

1416
01:13:52,800 --> 01:13:54,920
Speaker 3: If it can I say, if it is a Frankenstein,

1417
01:13:55,000 --> 01:13:56,559
Speaker 3: that that is still a monster?

1418
01:13:58,000 --> 01:13:58,360
Speaker 1: Noted?

1419
01:13:58,560 --> 01:13:58,800
Speaker 2: Yes?

1420
01:13:59,120 --> 01:14:02,439
Speaker 3: Not because you know they're putting his arms and stuff on,

1421
01:14:02,640 --> 01:14:05,080
Speaker 3: so maybe they put on different legs and.

1422
01:14:07,880 --> 01:14:11,000
Speaker 22: Over the course of a day they yeah, they feel

1423
01:14:11,040 --> 01:14:12,679
Speaker 22: like they got it down and they're like, let's try

1424
01:14:12,960 --> 01:14:13,559
Speaker 22: something else.

1425
01:14:13,600 --> 01:14:15,679
Speaker 1: And then they finished with the three legs, and then.

1426
01:14:15,560 --> 01:14:19,240
Speaker 22: They quipped by accident, and then they start out with

1427
01:14:19,240 --> 01:14:21,840
Speaker 22: too many yes, and then they do too like just

1428
01:14:21,880 --> 01:14:22,280
Speaker 22: a guy.

1429
01:14:22,560 --> 01:14:25,280
Speaker 1: Yeah, then wait a minute too, I'm wieldy.

1430
01:14:25,400 --> 01:14:28,960
Speaker 3: Then they do two he falls over and one more

1431
01:14:29,040 --> 01:14:32,519
Speaker 3: for balance a tripod. Yeah, like, well you go.

1432
01:14:32,920 --> 01:14:34,800
Speaker 1: That one is when they The third one is when

1433
01:14:34,800 --> 01:14:36,719
Speaker 1: they give him the big you know.

1434
01:14:37,160 --> 01:14:37,559
Speaker 2: I feel.

1435
01:14:38,000 --> 01:14:39,880
Speaker 22: Now here's the here's the the danger with this game

1436
01:14:39,960 --> 01:14:41,400
Speaker 22: is you end that you could end up playing a

1437
01:14:41,439 --> 01:14:43,240
Speaker 22: different game, which I think is what we're doing right now,

1438
01:14:43,600 --> 01:14:46,519
Speaker 22: which is where we're trying to solve the riddle. That Yeah,

1439
01:14:46,560 --> 01:14:49,680
Speaker 22: that's that's It's less about that. It's more about the

1440
01:14:49,840 --> 01:14:53,559
Speaker 22: very simple question. Is that a riddle that exists already?

1441
01:14:53,640 --> 01:14:55,280
Speaker 22: Or did I just make that riddle up?

1442
01:14:55,479 --> 01:14:58,240
Speaker 3: Okay, okay, well which one is it?

1443
01:14:58,960 --> 01:15:00,600
Speaker 1: Well that's what you have to you tell me.

1444
01:15:01,520 --> 01:15:03,840
Speaker 3: Oh wow, what do you I am answering the.

1445
01:15:03,880 --> 01:15:06,400
Speaker 1: Riddle in a manner?

1446
01:15:06,520 --> 01:15:08,599
Speaker 22: Is you more answering a question than a riddle? You're

1447
01:15:08,640 --> 01:15:10,400
Speaker 22: answering a question about a riddle.

1448
01:15:10,400 --> 01:15:13,840
Speaker 1: If that makes sense a little bit.

1449
01:15:16,760 --> 01:15:22,960
Speaker 3: Uh, well, if it's Yeah, Honestly, it seems it doesn't

1450
01:15:23,000 --> 01:15:26,120
Speaker 3: seem to me, and this could be even considered a

1451
01:15:26,120 --> 01:15:28,360
Speaker 3: strategy what I've done so far. It doesn't seem like

1452
01:15:28,400 --> 01:15:30,800
Speaker 3: you really know the answer, which means it probably is

1453
01:15:30,840 --> 01:15:32,839
Speaker 3: not a It doesn't seem.

1454
01:15:32,720 --> 01:15:35,200
Speaker 1: Like it's let me go ahead.

1455
01:15:36,240 --> 01:15:41,679
Speaker 22: It's really I my apologies if I have been unclear.

1456
01:15:42,840 --> 01:15:44,920
Speaker 22: It's really not about answering the riddle.

1457
01:15:45,360 --> 01:15:47,880
Speaker 3: I know, but I know the answers that it didn't

1458
01:15:47,920 --> 01:15:49,920
Speaker 3: seem like you knew them, So that makes it seem

1459
01:15:49,960 --> 01:15:51,559
Speaker 3: like maybe it's not even your own.

1460
01:15:51,640 --> 01:15:54,800
Speaker 22: Oh I see, okay, please continue with that. That's that's great,

1461
01:15:54,800 --> 01:15:57,040
Speaker 22: that's great, You're now you're playing the game. This is great.

1462
01:15:57,200 --> 01:15:59,160
Speaker 3: So it's maybe because if you made it up, you

1463
01:15:59,160 --> 01:16:00,360
Speaker 3: probably would know answer.

1464
01:16:00,479 --> 01:16:04,200
Speaker 1: Do you agree, Hayes, I just remembered where this is from,

1465
01:16:04,920 --> 01:16:08,360
Speaker 1: and I do know this riddle from before. Now he

1466
01:16:08,640 --> 01:16:09,400
Speaker 1: Sean has an answer.

1467
01:16:09,520 --> 01:16:11,720
Speaker 3: Yet Sewan has an answer jet I want to help

1468
01:16:11,720 --> 01:16:12,840
Speaker 3: that changing mind.

1469
01:16:12,920 --> 01:16:14,640
Speaker 1: You want to help him? Yes, but I could be

1470
01:16:14,720 --> 01:16:21,960
Speaker 1: lying too. I'm not. It's from the end of Krippendorf's Tribe,

1471
01:16:24,479 --> 01:16:26,080
Speaker 1: starring Richard Drivers and Jenna Elfman.

1472
01:16:27,520 --> 01:16:28,040
Speaker 2: Mm hmmm.

1473
01:16:28,240 --> 01:16:33,800
Speaker 1: It's like it's like because I was watching I was

1474
01:16:33,840 --> 01:16:40,479
Speaker 1: looking at this the other day, Krippendorfs Tribe, Yes, and

1475
01:16:40,720 --> 01:16:43,000
Speaker 1: this is actually going to distract me because the whole time,

1476
01:16:43,640 --> 01:16:46,799
Speaker 1: keep keep going who was supposed to be his mom?

1477
01:16:46,880 --> 01:16:47,160
Speaker 1: And that.

1478
01:16:50,000 --> 01:16:52,479
Speaker 3: I thought, Okay, I thought it was one of the natives,

1479
01:16:52,479 --> 01:16:56,920
Speaker 3: but they okay, because that's what I was. That's why

1480
01:16:56,920 --> 01:17:00,200
Speaker 3: it's his tribe, right, because his mom's he's his was

1481
01:17:00,240 --> 01:17:03,479
Speaker 3: one of those natives, so he technically that's what I'm saying. Oh,

1482
01:17:03,560 --> 01:17:06,280
Speaker 3: so his mother is one of the natives, I thought,

1483
01:17:06,439 --> 01:17:08,960
Speaker 3: I mean, it's been so he's half Krippen has been

1484
01:17:08,960 --> 01:17:10,720
Speaker 3: a while. It's actually, I'll be honest, it's been a

1485
01:17:10,720 --> 01:17:13,000
Speaker 3: while since I've seen it, maybe a week and a half,

1486
01:17:13,320 --> 01:17:18,040
Speaker 3: and so I don't actually remember exactly what happened with

1487
01:17:18,160 --> 01:17:18,800
Speaker 3: his mom in it.

1488
01:17:18,960 --> 01:17:21,599
Speaker 1: I've only ever seen the poster and I thought that, yeah,

1489
01:17:21,640 --> 01:17:24,000
Speaker 1: because he's lifting up and you think, like he's lifting

1490
01:17:24,080 --> 01:17:28,800
Speaker 1: up his mom. Yeah, you think he's lifting up his mom, Yes, absolutely.

1491
01:17:28,240 --> 01:17:30,200
Speaker 3: But then they kiss.

1492
01:17:30,479 --> 01:17:33,080
Speaker 22: But maybe in that tribe, that's not a weird thing.

1493
01:17:33,560 --> 01:17:39,799
Speaker 22: I know, and that's what's so messed up. Well, but

1494
01:17:39,800 --> 01:17:43,320
Speaker 22: but I mean you can't. That's that's another culture that's

1495
01:17:43,320 --> 01:17:44,560
Speaker 22: on our culture. So who are we to do?

1496
01:17:44,760 --> 01:17:47,000
Speaker 1: Here's why I asked, because my DVR cut off the

1497
01:17:47,080 --> 01:17:52,439
Speaker 1: last like forty five cut off the last like forty

1498
01:17:52,479 --> 01:17:56,960
Speaker 1: five minutes, so you only saw the first twenty Yeah, it's.

1499
01:17:56,479 --> 01:17:58,439
Speaker 3: Did you not? Did you do a record as schedule

1500
01:17:58,560 --> 01:18:00,400
Speaker 3: very short, record a schedule older?

1501
01:18:00,439 --> 01:18:01,240
Speaker 10: Did you do you.

1502
01:18:01,240 --> 01:18:02,400
Speaker 1: Add extra time? Yeah?

1503
01:18:02,720 --> 01:18:04,000
Speaker 3: A lot of time to add extra time?

1504
01:18:04,080 --> 01:18:05,639
Speaker 22: A lot of times it won't give you that prompt

1505
01:18:05,800 --> 01:18:09,519
Speaker 22: unless it's a live broadcast, so you have to kind

1506
01:18:09,520 --> 01:18:12,559
Speaker 22: of remember, hey, because of the way these cable companies

1507
01:18:12,640 --> 01:18:15,720
Speaker 22: schedule things, maybe this movie will end at you know,

1508
01:18:15,920 --> 01:18:18,799
Speaker 22: to seven instead of at two.

1509
01:18:18,880 --> 01:18:22,120
Speaker 3: And you know, but here's what's interesting about that. Maybe

1510
01:18:22,200 --> 01:18:26,240
Speaker 3: that whatever program is on before is the live thing.

1511
01:18:26,400 --> 01:18:30,839
Speaker 3: So then right, if that had that, it pushes everything back.

1512
01:18:30,720 --> 01:18:33,400
Speaker 1: Put everything back. Then you missed the last forty five

1513
01:18:33,400 --> 01:18:34,719
Speaker 1: minutes of Krippendorf's Tribe.

1514
01:18:34,840 --> 01:18:41,439
Speaker 3: Yes, So I did I win? Or what did you

1515
01:18:41,479 --> 01:18:42,200
Speaker 3: guess the game?

1516
01:18:42,280 --> 01:18:44,200
Speaker 1: You didn't? I don't know if you guessed. Was it

1517
01:18:44,240 --> 01:18:45,439
Speaker 1: a real riddle? Or did I make it?

1518
01:18:45,520 --> 01:18:45,640
Speaker 19: Up.

1519
01:18:45,680 --> 01:18:47,439
Speaker 1: You didn't say definitively, I don't think.

1520
01:18:50,080 --> 01:18:57,240
Speaker 3: Okay, okay, so your guess is okay, good job, I

1521
01:18:57,280 --> 01:19:00,519
Speaker 3: mean yeah, yeah, I think yeah. Now I think yes,

1522
01:19:00,840 --> 01:19:01,479
Speaker 3: you're going to guess.

1523
01:19:01,560 --> 01:19:04,599
Speaker 1: Yeah, I'm gonna guess that it's an existing riddle.

1524
01:19:05,040 --> 01:19:08,000
Speaker 3: Okay, okay.

1525
01:19:08,120 --> 01:19:10,400
Speaker 1: The answer is it is an.

1526
01:19:10,320 --> 01:19:17,320
Speaker 22: Existing riddle and it's from it's from I believe Krippendorf's tribe. Yes, yes,

1527
01:19:17,840 --> 01:19:19,360
Speaker 22: that must be where I got I think I gleaned

1528
01:19:19,360 --> 01:19:19,840
Speaker 22: it from the post.

1529
01:19:20,080 --> 01:19:22,080
Speaker 3: So is the answer a monster and you've been playing

1530
01:19:22,120 --> 01:19:23,080
Speaker 3: koy or what is.

1531
01:19:23,000 --> 01:19:24,559
Speaker 1: The I'm not gonna I tell you what.

1532
01:19:24,640 --> 01:19:26,400
Speaker 22: I'm not going to tell you the answer to the

1533
01:19:26,479 --> 01:19:31,280
Speaker 22: riddle because that I feel that's another game and I

1534
01:19:31,320 --> 01:19:33,880
Speaker 22: want to keep I want for the listener. You know,

1535
01:19:34,360 --> 01:19:38,479
Speaker 22: people who are listening to this because they've come from

1536
01:19:38,479 --> 01:19:43,360
Speaker 22: comedy Bang bang. I was to get muddied. What has

1537
01:19:43,400 --> 01:19:44,559
Speaker 22: four legs in.

1538
01:19:44,560 --> 01:19:47,720
Speaker 3: The morning, four legs in the morning.

1539
01:19:47,439 --> 01:19:51,519
Speaker 1: Two legs in the after riddle, and then three legs

1540
01:19:51,520 --> 01:19:51,760
Speaker 1: in the.

1541
01:19:51,720 --> 01:19:55,200
Speaker 3: Evening, legs in the evening, two legs in the afternoon.

1542
01:19:54,760 --> 01:20:02,519
Speaker 1: A sphinx? That is a monster. It's true.

1543
01:20:03,520 --> 01:20:07,559
Speaker 3: That's what you That's what you said. So yeah, Well,

1544
01:20:07,640 --> 01:20:10,519
Speaker 3: here's what I don't think works about this game is

1545
01:20:10,720 --> 01:20:15,360
Speaker 3: making and the and the rules.

1546
01:20:15,680 --> 01:20:16,960
Speaker 8: Even about the rules.

1547
01:20:17,400 --> 01:20:18,840
Speaker 3: Then you're lying during a bit.

1548
01:20:19,520 --> 01:20:21,479
Speaker 1: When did I lie? When did I lie? Honestly? When

1549
01:20:21,479 --> 01:20:21,880
Speaker 1: did I lie?

1550
01:20:21,960 --> 01:20:23,559
Speaker 3: Well, you said it wasn't a monster.

1551
01:20:23,920 --> 01:20:26,800
Speaker 1: I never said that. I never said that. I said,

1552
01:20:27,520 --> 01:20:31,360
Speaker 1: is it a monster? And you said that that was wrong.

1553
01:20:31,560 --> 01:20:38,479
Speaker 1: I said that was not not the point of the game. Boy,

1554
01:20:39,000 --> 01:20:42,479
Speaker 1: I wasn't. I wasn't rendering a judgment on whether or

1555
01:20:42,560 --> 01:20:44,080
Speaker 1: not it was a monster.

1556
01:20:44,360 --> 01:20:46,679
Speaker 3: Comedy Bank Bank fans, thanks for coming to our show

1557
01:20:46,720 --> 01:20:49,400
Speaker 3: from their show, let me catch you up. Apparently the

1558
01:20:49,439 --> 01:20:52,720
Speaker 3: game is, uh, everybody lies to each other and then

1559
01:20:52,720 --> 01:20:54,840
Speaker 3: I get called stupid in the middle of it. And

1560
01:20:54,880 --> 01:20:58,360
Speaker 3: that's the fucking game that you guys like. I got

1561
01:20:58,400 --> 01:21:00,679
Speaker 3: a feeling maybe you're not gonna like this because actually

1562
01:21:00,720 --> 01:21:02,240
Speaker 3: a lot of my friends are on the show, and

1563
01:21:02,280 --> 01:21:04,559
Speaker 3: we do have friendships that we like to maintain, and

1564
01:21:04,560 --> 01:21:06,400
Speaker 3: it's the lying that bothers to me.

1565
01:21:07,760 --> 01:21:11,960
Speaker 1: That clip was out of sight, man, that was the coolest.

1566
01:21:12,479 --> 01:21:16,000
Speaker 1: Sometimes people come on Hollywood Handbook to read from scripts

1567
01:21:16,080 --> 01:21:19,280
Speaker 1: that they're trying to workshop on their own time. Movie

1568
01:21:19,360 --> 01:21:24,120
Speaker 1: people famous comedy writing doing movie script reading it on

1569
01:21:24,160 --> 01:21:26,839
Speaker 1: the show Engineer Rashid, Do you have a movie script?

1570
01:21:27,520 --> 01:21:27,960
Speaker 2: I don't.

1571
01:21:28,160 --> 01:21:30,040
Speaker 1: What would it be called if you did have one?

1572
01:21:31,520 --> 01:21:35,240
Speaker 2: That's actually a very good question. I guess movies that

1573
01:21:35,320 --> 01:21:35,880
Speaker 2: don't suck.

1574
01:21:37,040 --> 01:21:43,040
Speaker 1: That's the name of your movie is movies that don't suck? Okay,

1575
01:21:43,080 --> 01:21:44,000
Speaker 1: we can try it out.

1576
01:21:44,720 --> 01:21:46,959
Speaker 2: You think we could pull some good actors and actresses

1577
01:21:46,960 --> 01:21:47,160
Speaker 2: for that.

1578
01:21:47,479 --> 01:21:51,840
Speaker 1: Well, I guess if you sent them an email saying

1579
01:21:51,840 --> 01:21:54,000
Speaker 1: I want you to be in a movie called movies that

1580
01:21:54,080 --> 01:21:54,719
Speaker 1: don't suck?

1581
01:21:55,320 --> 01:21:56,679
Speaker 2: Is it not appealer?

1582
01:21:56,840 --> 01:21:59,679
Speaker 1: They would be intrigued. Maybe even what about a movie

1583
01:21:59,720 --> 01:22:02,920
Speaker 1: called good movies? So that's my note. That's what don't

1584
01:22:02,920 --> 01:22:05,760
Speaker 1: shake your head. That's my note on your script. It

1585
01:22:05,760 --> 01:22:07,680
Speaker 1: shouldn't be called movies that dote suck. It should be

1586
01:22:07,680 --> 01:22:11,320
Speaker 1: called good movies and sometimes even a great movie. Why

1587
01:22:11,320 --> 01:22:12,880
Speaker 1: don't you like that? It's better.

1588
01:22:12,920 --> 01:22:17,200
Speaker 2: It's better than just not sucking, so standard like, like,

1589
01:22:17,240 --> 01:22:18,920
Speaker 2: who wants to be in a good movie?

1590
01:22:19,040 --> 01:22:20,680
Speaker 1: You just want to be in a movie that is

1591
01:22:20,800 --> 01:22:26,559
Speaker 1: not suck? Okay? Well, I think this is probably the

1592
01:22:26,640 --> 01:22:31,120
Speaker 1: life for you. It is my diagnosis. I think it's engineering.

1593
01:22:31,160 --> 01:22:35,800
Speaker 1: From this point forward. Brian Husky came on the show,

1594
01:22:35,880 --> 01:22:38,280
Speaker 1: and he read a script that he was workshopping called

1595
01:22:38,400 --> 01:22:42,280
Speaker 1: teen Pope and this is that on reality shows, Hollywood

1596
01:22:42,320 --> 01:22:48,599
Speaker 1: handbook clips are my food. And so we thought, you've

1597
01:22:48,600 --> 01:22:51,640
Speaker 1: got all these scripts in the pipeline you're doing, Yeah,

1598
01:22:52,600 --> 01:22:54,960
Speaker 1: a lot of stuff in the works. We take one

1599
01:22:55,000 --> 01:22:57,800
Speaker 1: of our notes meetings where we do a table read

1600
01:22:57,840 --> 01:23:00,439
Speaker 1: of your script before we do notes, and just do

1601
01:23:00,520 --> 01:23:04,240
Speaker 1: it here tonight. And we asked our listeners for some

1602
01:23:04,320 --> 01:23:07,000
Speaker 1: suggestions over which which of your scripts they'd like us

1603
01:23:07,000 --> 01:23:10,719
Speaker 1: to read, and Toby Keith Sweat gave us a really

1604
01:23:10,720 --> 01:23:12,519
Speaker 1: strong one, I think, which is a teen Pope.

1605
01:23:13,160 --> 01:23:14,840
Speaker 8: Oh wow, Okay, that's good.

1606
01:23:15,080 --> 01:23:17,919
Speaker 23: Now, did did he give any kind of contact information

1607
01:23:18,080 --> 01:23:20,799
Speaker 23: to him as to whether if we take this idea?

1608
01:23:22,040 --> 01:23:25,519
Speaker 23: Because we right now, as he knows you saying that

1609
01:23:25,560 --> 01:23:28,400
Speaker 23: on this podcast, he is out of this process. Yes,

1610
01:23:28,439 --> 01:23:30,759
Speaker 23: because we're in the room when we've made this agreement

1611
01:23:30,840 --> 01:23:32,240
Speaker 23: to flesh this out.

1612
01:23:32,360 --> 01:23:34,519
Speaker 1: Yes, that's implant. We've got all We've got all the

1613
01:23:34,560 --> 01:23:38,200
Speaker 1: papers right here. He's sitting at home in fucking Kansas

1614
01:23:38,360 --> 01:23:44,880
Speaker 1: or like living yeah, exactly, like like a field or something.

1615
01:23:45,080 --> 01:23:47,760
Speaker 3: Yeah, and it's gonna be such a thrill for him

1616
01:23:47,800 --> 01:23:49,519
Speaker 3: just to have heard Hayes say his name. I don't

1617
01:23:49,520 --> 01:23:51,200
Speaker 3: think he would want any financial companies.

1618
01:23:51,280 --> 01:23:51,920
Speaker 2: Yeah it's true.

1619
01:23:52,040 --> 01:23:54,080
Speaker 23: I mean I guess yeah. I mean, if you's a

1620
01:23:54,120 --> 01:23:57,200
Speaker 23: piece of ship life that this is probably like the

1621
01:23:57,200 --> 01:24:00,160
Speaker 23: biggest thrill for that. So congratulations to him.

1622
01:24:00,280 --> 01:24:04,800
Speaker 1: Just standing at Sears or something and playing like our podcast.

1623
01:24:05,000 --> 01:24:10,640
Speaker 3: Yeah, in fucking Missouri. He's going to dine out on

1624
01:24:10,680 --> 01:24:11,719
Speaker 3: this for a decade.

1625
01:24:11,800 --> 01:24:12,360
Speaker 1: Yeah.

1626
01:24:12,560 --> 01:24:15,479
Speaker 8: Yeah, it's gonna cover up those scars of what happened

1627
01:24:15,520 --> 01:24:15,800
Speaker 8: to him.

1628
01:24:15,880 --> 01:24:17,600
Speaker 3: Oh and when he dines out, it's sort of like

1629
01:24:17,600 --> 01:24:20,799
Speaker 3: a fucking Applebee's or some ship and that's the truth.

1630
01:24:20,960 --> 01:24:21,439
Speaker 1: Yeah.

1631
01:24:21,600 --> 01:24:24,640
Speaker 23: So congratulations told me this is a big moment. All right,

1632
01:24:24,720 --> 01:24:25,960
Speaker 23: let's let's see what we got.

1633
01:24:26,040 --> 01:24:28,599
Speaker 1: Should we get into teen Pope? I think so? Okay,

1634
01:24:28,720 --> 01:24:32,160
Speaker 1: I think so. I'll just open at the at the

1635
01:24:32,160 --> 01:24:37,559
Speaker 1: top scene. We open in a teenage bedroom where Jason

1636
01:24:37,640 --> 01:24:42,080
Speaker 1: Attitude is lying lying on his stomach on his bed.

1637
01:24:42,800 --> 01:24:45,720
Speaker 1: He's listening to punk music. You have a music cue here,

1638
01:24:46,160 --> 01:24:50,800
Speaker 1: I hope this one. Okay, So Jason Attitude is listening

1639
01:24:50,840 --> 01:24:53,200
Speaker 1: to punk music. Okay, he's lying on his bed. He's

1640
01:24:53,240 --> 01:24:56,720
Speaker 1: listening to Uh, he's reading a book about girls, right,

1641
01:24:57,080 --> 01:24:59,479
Speaker 1: and he's talking to himself as he as he reads

1642
01:24:59,479 --> 01:25:05,599
Speaker 1: the book. Echo. See knocking the door?

1643
01:25:07,120 --> 01:25:09,840
Speaker 3: What son?

1644
01:25:11,080 --> 01:25:13,680
Speaker 23: Uh, there's some people from the church down here to

1645
01:25:13,800 --> 01:25:15,479
Speaker 23: want to talk to you.

1646
01:25:16,040 --> 01:25:22,120
Speaker 1: Man, Jason spits into a s platoon. Uh skateboards down

1647
01:25:22,160 --> 01:25:29,400
Speaker 1: the stairs. Who opens the door? Uh? They're standing there

1648
01:25:29,800 --> 01:25:33,720
Speaker 1: is a father silvio. Uh, a man and old man

1649
01:25:33,720 --> 01:25:35,760
Speaker 1: in long robes, and a and a bald head.

1650
01:25:37,840 --> 01:25:42,280
Speaker 8: Excuse me, are you the young man we are looking for?

1651
01:25:42,960 --> 01:25:43,120
Speaker 24: Uh?

1652
01:25:43,400 --> 01:25:44,400
Speaker 3: Freaking guess so.

1653
01:25:45,960 --> 01:25:46,519
Speaker 2: These son?

1654
01:25:47,240 --> 01:25:48,080
Speaker 8: Tell me your name?

1655
01:25:49,439 --> 01:25:50,520
Speaker 3: Jason Attitude?

1656
01:25:50,840 --> 01:25:51,920
Speaker 1: Why? Who wants to know?

1657
01:25:52,920 --> 01:25:56,360
Speaker 8: Well, from now on, you're going to be attitude?

1658
01:25:58,160 --> 01:26:03,000
Speaker 23: What and and it says sound cute?

1659
01:26:03,120 --> 01:26:03,400
Speaker 2: Do we?

1660
01:26:04,320 --> 01:26:08,439
Speaker 1: Oh? Yeah, so cute? What did you have in mind

1661
01:26:08,439 --> 01:26:10,800
Speaker 1: for that? It just says just as cool song?

1662
01:26:11,280 --> 01:26:13,559
Speaker 23: Cool song? Or I was I was thinking, I mean

1663
01:26:13,640 --> 01:26:15,880
Speaker 23: right there, I personally and this is sort of the

1664
01:26:15,880 --> 01:26:17,800
Speaker 23: note thing has already started. I would just do a

1665
01:26:17,800 --> 01:26:22,080
Speaker 23: big bass. Oh okay, that's what you mean by cool song? Yeah, okay,

1666
01:26:22,080 --> 01:26:23,400
Speaker 23: from now on because it says that a lot in

1667
01:26:23,400 --> 01:26:26,280
Speaker 23: the scription and from now all because that is a song,

1668
01:26:26,920 --> 01:26:29,000
Speaker 23: I mean a composer would write that. We would have

1669
01:26:29,040 --> 01:26:30,080
Speaker 23: to get a guy who.

1670
01:26:30,000 --> 01:26:32,280
Speaker 3: It's an instrument and it's playing a note. I mean,

1671
01:26:32,320 --> 01:26:32,920
Speaker 3: that's a song.

1672
01:26:33,000 --> 01:26:34,519
Speaker 8: Well, everybody be like, oh, you're gonna get the guy

1673
01:26:34,560 --> 01:26:34,960
Speaker 8: who did this.

1674
01:26:35,000 --> 01:26:37,280
Speaker 23: All the Seinfeld stuff is like, no, there's a different

1675
01:26:37,280 --> 01:26:39,920
Speaker 23: way of doing this and for movies and TV as

1676
01:26:39,960 --> 01:26:41,200
Speaker 23: far as that kind of bass sound.

1677
01:26:42,479 --> 01:26:44,680
Speaker 1: Let's let let let's cut to what it says in

1678
01:26:44,720 --> 01:26:48,799
Speaker 1: the script. Cut to interior Sistine Chapel. Okay, where Jason

1679
01:26:48,840 --> 01:26:49,439
Speaker 1: attitude is.

1680
01:26:51,360 --> 01:26:51,559
Speaker 2: Turned.

1681
01:26:51,680 --> 01:26:55,439
Speaker 1: Pages is being given a tour of the Sistine Chapel

1682
01:26:55,479 --> 01:26:56,759
Speaker 1: by Father Sylvia.

1683
01:26:57,120 --> 01:26:59,000
Speaker 23: Oh wait, wait, wait, wait, did you guys see this

1684
01:26:59,080 --> 01:27:03,320
Speaker 23: page with the the chase around the fountain sixty two?

1685
01:27:04,080 --> 01:27:05,639
Speaker 3: Okay, yeah, do you hate action scene?

1686
01:27:05,760 --> 01:27:08,360
Speaker 8: That such a funny scene. All right, but yeah, let's

1687
01:27:08,560 --> 01:27:12,599
Speaker 8: well great, we'll get to that. We'll get that, okay, Okay,

1688
01:27:14,800 --> 01:27:19,080
Speaker 8: So this is a this is this he scene chapel.

1689
01:27:19,920 --> 01:27:24,360
Speaker 3: Who are those two queersos on the roof? Man, those

1690
01:27:24,360 --> 01:27:26,320
Speaker 3: guys are touching each other in their underwear.

1691
01:27:26,800 --> 01:27:31,799
Speaker 8: Not cue that is a man and the lord himself.

1692
01:27:33,360 --> 01:27:38,800
Speaker 8: Oh sorry, with a minute, what is that painted on

1693
01:27:39,320 --> 01:27:43,000
Speaker 8: the Lord's crutch? Who put this big fallace upon the

1694
01:27:43,040 --> 01:27:43,920
Speaker 8: Lord's crotch?

1695
01:27:44,560 --> 01:27:44,800
Speaker 10: Hey?

1696
01:27:44,920 --> 01:27:50,799
Speaker 3: Man, it's scientifically Accurateude.

1697
01:27:49,680 --> 01:27:51,040
Speaker 2: Now I'm angry.

1698
01:27:51,800 --> 01:27:55,760
Speaker 1: The doors to the Sistine Chapel swing open, and hundreds

1699
01:27:55,800 --> 01:28:00,439
Speaker 1: of pope attitudes, A teenage friends stormman uh and begin

1700
01:28:00,960 --> 01:28:03,519
Speaker 1: having the school dance in the Sistine Chapel.

1701
01:28:03,720 --> 01:28:05,960
Speaker 8: No, no, no, no, that's a relic. No, don't get

1702
01:28:05,960 --> 01:28:08,599
Speaker 8: off of there, Do not scrup on that thing. What

1703
01:28:08,640 --> 01:28:10,559
Speaker 8: are you two doing? Darted dancing?

1704
01:28:11,800 --> 01:28:13,000
Speaker 5: Check out my twerking?

1705
01:28:13,600 --> 01:28:16,840
Speaker 23: And then it's a month. This is a I will

1706
01:28:16,840 --> 01:28:21,840
Speaker 23: say this about the movie. The fourteenth montage I thought

1707
01:28:22,160 --> 01:28:24,759
Speaker 23: was maybe two too many?

1708
01:28:25,240 --> 01:28:25,720
Speaker 1: Maybe two?

1709
01:28:25,920 --> 01:28:26,880
Speaker 3: Did you feel that way?

1710
01:28:26,920 --> 01:28:27,320
Speaker 1: I thought?

1711
01:28:27,600 --> 01:28:31,240
Speaker 8: I thought the first twelve helped his story enormously, like

1712
01:28:31,280 --> 01:28:32,719
Speaker 8: it moved it along so much.

1713
01:28:32,600 --> 01:28:35,080
Speaker 3: Because yeah, first he's not good at doing a lot

1714
01:28:35,080 --> 01:28:37,400
Speaker 3: of the blessings, and then you quickly are able to

1715
01:28:37,400 --> 01:28:40,559
Speaker 3: see him start to learn how to sort of move

1716
01:28:40,600 --> 01:28:41,960
Speaker 3: the smoky lanterny thing.

1717
01:28:42,400 --> 01:28:45,880
Speaker 1: And is the fourteenth one? It's just grinding. It's like

1718
01:28:46,160 --> 01:28:47,200
Speaker 1: grinding at the dance.

1719
01:28:47,320 --> 01:28:49,639
Speaker 3: Is at the the Yeah, it's grinding at the dance.

1720
01:28:49,680 --> 01:28:53,240
Speaker 3: It's one of the jock spikes the punch and then

1721
01:28:53,240 --> 01:28:54,800
Speaker 3: one of the nerds takes a sip and makes a

1722
01:28:54,800 --> 01:28:55,920
Speaker 3: face like, what.

1723
01:28:55,680 --> 01:28:58,800
Speaker 23: The I guess my problem is all of the other

1724
01:28:58,840 --> 01:29:02,400
Speaker 23: twelve montages told us something about this new world he

1725
01:29:02,520 --> 01:29:02,800
Speaker 23: was in.

1726
01:29:03,160 --> 01:29:04,759
Speaker 3: We get to see how the Pope get.

1727
01:29:04,680 --> 01:29:07,920
Speaker 23: Dressed, how he eats his cereal, how he walks down

1728
01:29:07,960 --> 01:29:13,000
Speaker 23: all the hallways. You know, how he that one wretched

1729
01:29:13,080 --> 01:29:15,280
Speaker 23: all the wretched people, that hilarious thing with all the

1730
01:29:15,280 --> 01:29:17,720
Speaker 23: wretched people coming in and he like peeled off that

1731
01:29:17,760 --> 01:29:19,799
Speaker 23: one guy's skin and held it up and went pu.

1732
01:29:20,000 --> 01:29:24,160
Speaker 23: That was so funny but at the same time so

1733
01:29:24,320 --> 01:29:27,000
Speaker 23: funny but so true to that world.

1734
01:29:27,040 --> 01:29:28,800
Speaker 8: Like it's really you know.

1735
01:29:29,600 --> 01:29:33,400
Speaker 3: Well, a teenager in that situation is not going to

1736
01:29:33,479 --> 01:29:36,280
Speaker 3: have the maturity to handle a man's skin peeling off

1737
01:29:36,320 --> 01:29:40,080
Speaker 3: in his hand. No, and it probably wouldn't smell very good. Sorry.

1738
01:29:40,320 --> 01:29:46,800
Speaker 23: Yeah, well but again, pope Attitude's strongest at like thing

1739
01:29:46,880 --> 01:29:49,600
Speaker 23: that's the thing to move the story is his honesty.

1740
01:29:49,800 --> 01:29:53,640
Speaker 23: He's as honest as anyone can be in that situation.

1741
01:29:53,760 --> 01:29:58,639
Speaker 3: You know, except for all the scenes where he is lying. Yeah,

1742
01:29:58,720 --> 01:30:02,479
Speaker 3: because he is leading. He told his crush that he's

1743
01:30:02,479 --> 01:30:06,280
Speaker 3: an atheist right prior to becoming the pope to seem cool.

1744
01:30:06,520 --> 01:30:11,160
Speaker 8: And then they deface that that shrine where they they

1745
01:30:11,280 --> 01:30:12,400
Speaker 8: just like destroy it.

1746
01:30:12,680 --> 01:30:14,960
Speaker 1: She catches him in his pope robes. Yeah, should we

1747
01:30:14,960 --> 01:30:17,400
Speaker 1: catch that scene where they deface the shrine? Yes, okay,

1748
01:30:17,479 --> 01:30:18,040
Speaker 1: let's do that.

1749
01:30:18,600 --> 01:30:19,599
Speaker 23: We'll be her son.

1750
01:30:25,120 --> 01:30:29,439
Speaker 3: Well sorry, Oh man, how'd I get these clothes? I

1751
01:30:29,439 --> 01:30:31,640
Speaker 3: guess as a goof I put him on. Why are

1752
01:30:31,640 --> 01:30:32,160
Speaker 3: you doing?

1753
01:30:32,479 --> 01:30:32,799
Speaker 1: Wow?

1754
01:30:33,000 --> 01:30:33,960
Speaker 8: Hold on a second.

1755
01:30:34,400 --> 01:30:37,559
Speaker 23: Are you about to take this shrine and fucking fuck

1756
01:30:37,640 --> 01:30:38,000
Speaker 23: it up?

1757
01:30:38,920 --> 01:30:39,160
Speaker 2: Oh?

1758
01:30:39,280 --> 01:30:43,120
Speaker 3: Yeah, I wasn't gonna honor it in any way. I

1759
01:30:43,240 --> 01:30:45,920
Speaker 3: just wanted to mess it up. Hey, come on here,

1760
01:30:46,000 --> 01:30:48,919
Speaker 3: help me smear this gloose dig.

1761
01:30:48,720 --> 01:30:51,040
Speaker 8: All over in Hell's Yeah.

1762
01:30:51,320 --> 01:30:54,679
Speaker 1: Father Silvia suddenly enters wearing his night shirt.

1763
01:30:55,080 --> 01:30:57,680
Speaker 8: What's going on here? I can't believe it? In a

1764
01:30:57,800 --> 01:30:59,960
Speaker 8: pop altitude? Yeah, pretty good?

1765
01:31:02,840 --> 01:31:05,280
Speaker 3: Who is this old guylt's split?

1766
01:31:05,800 --> 01:31:07,639
Speaker 8: What do you mean? Who is this old guy? It's

1767
01:31:07,720 --> 01:31:09,120
Speaker 8: me Sylvia?

1768
01:31:10,040 --> 01:31:11,360
Speaker 1: Why are you acting this way?

1769
01:31:11,400 --> 01:31:12,440
Speaker 7: Pop attitude?

1770
01:31:13,720 --> 01:31:17,120
Speaker 3: Come on, man, I'm trying to get buried in the piece.

1771
01:31:18,560 --> 01:31:20,599
Speaker 8: Oh I did not know that you had feelings for her?

1772
01:31:21,040 --> 01:31:22,880
Speaker 1: Okay, I will play along.

1773
01:31:23,720 --> 01:31:28,400
Speaker 25: Hey, eh, I don't know you're so good, But that's okay.

1774
01:31:28,560 --> 01:31:33,400
Speaker 8: You guys can mess up this church. It's for everybody. Hey,

1775
01:31:33,520 --> 01:31:36,679
Speaker 8: let's stab him.

1776
01:31:36,680 --> 01:31:39,720
Speaker 3: So sorry, I have to do this, Father Silvia, you

1777
01:31:39,760 --> 01:31:40,559
Speaker 3: get that poose.

1778
01:31:44,320 --> 01:31:47,800
Speaker 23: Yeah, and then and then and then I like that

1779
01:31:47,880 --> 01:31:50,559
Speaker 23: that the blood wash to the next scene.

1780
01:31:50,880 --> 01:31:55,439
Speaker 3: Yeah, what a great transition, just a visually cool sort

1781
01:31:55,479 --> 01:31:56,559
Speaker 3: of Walter Midti style.

1782
01:31:56,640 --> 01:31:59,120
Speaker 23: Yeah, because a lot of times the writer doesn't have

1783
01:31:59,160 --> 01:32:01,519
Speaker 23: that doesn't mean those choices, but if they put it

1784
01:32:01,600 --> 01:32:03,760
Speaker 23: in there, you have to sort of say, like, yeah,

1785
01:32:03,760 --> 01:32:07,639
Speaker 23: that really does work, because then it goes from that

1786
01:32:07,760 --> 01:32:11,240
Speaker 23: to him washing the blood off his hands, well, you know,

1787
01:32:11,320 --> 01:32:16,000
Speaker 23: pope attitude, washing the blood off his hands, and then

1788
01:32:16,040 --> 01:32:19,080
Speaker 23: she's I mean I liked that they didn't have the

1789
01:32:19,080 --> 01:32:21,800
Speaker 23: sex scene that they showed afterwards and stuff. She was

1790
01:32:21,840 --> 01:32:25,080
Speaker 23: fully naked and they said you can fully see her,

1791
01:32:25,080 --> 01:32:25,960
Speaker 23: sweet sweet poon.

1792
01:32:27,840 --> 01:32:30,639
Speaker 3: Yeah, I know that, but it was artistically done because

1793
01:32:30,680 --> 01:32:31,680
Speaker 3: there's no penetration.

1794
01:32:31,880 --> 01:32:34,240
Speaker 1: It's just because that would be gay, because you'd have

1795
01:32:34,280 --> 01:32:36,400
Speaker 1: to see wood and that would be gay.

1796
01:32:38,240 --> 01:32:41,320
Speaker 3: Yeah, and so it does. It's in keeping, i think,

1797
01:32:41,360 --> 01:32:44,240
Speaker 3: with the church's views. And that was important to me

1798
01:32:44,360 --> 01:32:47,600
Speaker 3: about this script that yeah, it's not going to offend Catholics.

1799
01:32:47,720 --> 01:32:51,519
Speaker 3: I mean, it's a fantasy about becoming the pope and

1800
01:32:51,760 --> 01:32:55,479
Speaker 3: honoring Christianity by not looking at another man's wood, right,

1801
01:32:55,880 --> 01:32:58,960
Speaker 3: But you know whatever, actress takes this part has got

1802
01:32:59,000 --> 01:33:02,679
Speaker 3: to be a brave, committed actress who's willing to spread

1803
01:33:02,720 --> 01:33:04,080
Speaker 3: her legs as wide as she.

1804
01:33:04,080 --> 01:33:06,320
Speaker 23: Can go and show every single bit of it, because

1805
01:33:06,320 --> 01:33:09,160
Speaker 23: that's exactly where for what it says in the action line,

1806
01:33:09,360 --> 01:33:10,240
Speaker 23: and that says.

1807
01:33:10,000 --> 01:33:13,080
Speaker 1: The camera goes all the way in, which is a

1808
01:33:13,080 --> 01:33:15,000
Speaker 1: cool way to transition to the next scene, which I

1809
01:33:15,000 --> 01:33:18,160
Speaker 1: thought was great, and goes to the tennis tournament.

1810
01:33:18,280 --> 01:33:20,840
Speaker 3: Yeah, I'd like to talk about the final seed the

1811
01:33:20,840 --> 01:33:26,800
Speaker 3: big State championship doubles match where the old Southern judge

1812
01:33:26,840 --> 01:33:30,160
Speaker 3: who happens to also be the tennis coach sort of

1813
01:33:30,200 --> 01:33:32,040
Speaker 3: pulls Pope attitude aside.

1814
01:33:32,120 --> 01:33:33,599
Speaker 1: Yeah, okay, shall we cut to that scene?

1815
01:33:33,680 --> 01:33:34,400
Speaker 3: Yeah, i'd love to.

1816
01:33:35,320 --> 01:33:37,360
Speaker 7: I don't know if you can do it, is I

1817
01:33:37,400 --> 01:33:39,360
Speaker 7: don't know if you've got the stuff from signing here

1818
01:33:39,400 --> 01:33:40,400
Speaker 7: Nick pulled us off.

1819
01:33:42,120 --> 01:33:44,760
Speaker 3: I just don't know what to do. It's like, it's

1820
01:33:44,800 --> 01:33:46,800
Speaker 3: such a low percentage shot for me to take a

1821
01:33:47,120 --> 01:33:50,160
Speaker 3: backhand down the sideline into the doubles alley when we

1822
01:33:50,280 --> 01:33:52,160
Speaker 3: both know that the center of the net is a

1823
01:33:52,160 --> 01:33:54,720
Speaker 3: full three inches shorter than either side, and also I'm

1824
01:33:54,760 --> 01:33:57,599
Speaker 3: buying myself maybe four feet of space by going cross court.

1825
01:33:57,840 --> 01:33:59,160
Speaker 3: But at the same time.

1826
01:33:59,240 --> 01:34:00,439
Speaker 1: That's not a clean winner.

1827
01:34:00,560 --> 01:34:02,599
Speaker 3: I mean, I'm just gonna trap us in another rally.

1828
01:34:02,600 --> 01:34:04,960
Speaker 3: And this guy's lob is beautiful. He's got a ton

1829
01:34:05,000 --> 01:34:06,960
Speaker 3: of topspin on it. I can't chase it down.

1830
01:34:07,520 --> 01:34:10,679
Speaker 7: Kid, That's not what I'm talking about. I'm talking about

1831
01:34:10,680 --> 01:34:13,320
Speaker 7: you pulling it off and being a good pope for once.

1832
01:34:13,880 --> 01:34:16,320
Speaker 7: I don't know if you got it in you anyway,

1833
01:34:16,840 --> 01:34:17,760
Speaker 7: win the tournament.

1834
01:34:18,720 --> 01:34:22,600
Speaker 1: Pope Attitude, it says, here my favorite song swells, so

1835
01:34:22,680 --> 01:34:30,200
Speaker 1: let's do that. Pope Attitude strides out onto the court

1836
01:34:31,360 --> 01:34:36,200
Speaker 1: and does a flip of his tennis racket. Add in,

1837
01:34:38,400 --> 01:34:41,400
Speaker 1: he bounces the ball twice of on the Florida the

1838
01:34:41,400 --> 01:34:45,160
Speaker 1: tennis court, it says, Florida the tennis court, and then

1839
01:34:45,439 --> 01:34:47,280
Speaker 1: does the most amazing tennis move.

1840
01:34:47,560 --> 01:34:50,840
Speaker 3: I sure, hope this is what would Jesus do? Would

1841
01:34:50,880 --> 01:34:56,800
Speaker 3: do He's doing.

1842
01:34:58,760 --> 01:35:01,960
Speaker 5: And then he cuts the cit he's doing it.

1843
01:35:03,960 --> 01:35:05,280
Speaker 8: He's doing it.

1844
01:35:06,840 --> 01:35:09,120
Speaker 1: The other guy falls down trying to get the ball.

1845
01:35:09,680 --> 01:35:11,559
Speaker 1: Pope Attitude wins the tournament.

1846
01:35:12,880 --> 01:35:21,080
Speaker 23: Huh, thanks Christ, Hey, don't think Christ, he didn't have.

1847
01:35:21,120 --> 01:35:22,160
Speaker 8: Anything to do with it.

1848
01:35:22,560 --> 01:35:24,160
Speaker 7: This was all you, Attitude.

1849
01:35:24,880 --> 01:35:26,599
Speaker 8: You really pull it off this time.

1850
01:35:27,760 --> 01:35:30,800
Speaker 7: Now I'm gonna die of cancer. But I'm okay with

1851
01:35:30,920 --> 01:35:39,759
Speaker 7: that because you showed me the way.

1852
01:35:40,560 --> 01:35:42,240
Speaker 3: See in Heaven, coach.

1853
01:35:44,040 --> 01:35:47,000
Speaker 1: Pope Attitude's girlfriend runs over and they get married.

1854
01:35:50,720 --> 01:35:53,920
Speaker 8: Hey, what's going on here? A tournament or a marriage?

1855
01:35:54,560 --> 01:35:58,640
Speaker 3: The Poon's gonna be even sweeter now that we're in

1856
01:35:59,080 --> 01:36:07,439
Speaker 3: a blessed union. You mean missus popepoon? Hey, this screen

1857
01:36:07,560 --> 01:36:08,360
Speaker 3: fades the black.

1858
01:36:08,840 --> 01:36:12,040
Speaker 1: A title card appears that reads Popes should get married.

1859
01:36:13,439 --> 01:36:13,759
Speaker 25: Again.

1860
01:36:14,320 --> 01:36:17,679
Speaker 23: Coming back to educating us about the church and everything

1861
01:36:17,680 --> 01:36:24,880
Speaker 23: they have. Here's my only note about the tournament. There

1862
01:36:24,960 --> 01:36:29,479
Speaker 23: is no mention of it at any point until it's

1863
01:36:29,479 --> 01:36:32,479
Speaker 23: in the mood, until we're at that scene. Yes, they're

1864
01:36:32,560 --> 01:36:35,559
Speaker 23: just at the tournament. There's no setup. I didn't know

1865
01:36:35,600 --> 01:36:38,479
Speaker 23: who his coach was. I didn't know he was dying

1866
01:36:38,560 --> 01:36:39,120
Speaker 23: of cancer.

1867
01:36:40,160 --> 01:36:41,799
Speaker 3: Well you could kind of tell from his voice.

1868
01:36:41,840 --> 01:36:42,520
Speaker 1: I think.

1869
01:36:44,000 --> 01:36:47,640
Speaker 3: That something that he was definitely sick. That's not a

1870
01:36:47,680 --> 01:36:53,000
Speaker 3: healthy man's voice. But it was distracting. And did you also?

1871
01:36:53,360 --> 01:36:55,439
Speaker 3: Did you like because if you liked it, I could

1872
01:36:55,479 --> 01:36:59,360
Speaker 3: be persuaded, but that his double partner is in a wheelchair.

1873
01:37:00,280 --> 01:37:01,880
Speaker 8: Yeah, I like.

1874
01:37:02,040 --> 01:37:05,320
Speaker 23: I liked it in the sense of it made me

1875
01:37:05,960 --> 01:37:09,640
Speaker 23: react really strongly both ways that I hated it and

1876
01:37:09,680 --> 01:37:16,439
Speaker 23: I liked it. Hmm, but I think it's what I've had,

1877
01:37:16,600 --> 01:37:19,800
Speaker 23: you know, uh, notes, Why is what feedback I've gotten?

1878
01:37:19,840 --> 01:37:23,200
Speaker 8: It's it's a terrible choice, so hm hmm.

1879
01:37:23,600 --> 01:37:26,280
Speaker 23: It's just I guess it comes down to is it

1880
01:37:26,360 --> 01:37:28,880
Speaker 23: a choice. If it's a terrible choice, do you stick

1881
01:37:28,920 --> 01:37:31,080
Speaker 23: with that choice? And then does it become.

1882
01:37:30,920 --> 01:37:35,280
Speaker 1: A great choice? So it's about choices. Yeah.

1883
01:37:35,560 --> 01:37:37,360
Speaker 3: Yeah.

1884
01:37:37,680 --> 01:37:40,320
Speaker 1: One thing I liked, uh that a lot of people

1885
01:37:40,360 --> 01:37:43,600
Speaker 1: don't know this. Uh. The bloopers that you see in

1886
01:37:43,680 --> 01:37:47,120
Speaker 1: the credits are written in to the script.

1887
01:37:47,200 --> 01:37:47,400
Speaker 7: Yeah.

1888
01:37:47,880 --> 01:37:50,000
Speaker 1: Uh, and I thought these were some of the best

1889
01:37:50,040 --> 01:37:52,000
Speaker 1: bloopers I had seen. Should we go to that? Should

1890
01:37:52,040 --> 01:37:55,040
Speaker 1: we do that scene? Yeah? Just run the Yeah, okay,

1891
01:37:56,439 --> 01:37:58,559
Speaker 1: just it says the blooper song plays, let me play that?

1892
01:37:58,840 --> 01:38:05,720
Speaker 25: And okay, so what do you want to do here?

1893
01:38:05,800 --> 01:38:08,639
Speaker 25: This is the holy water you you poured it into

1894
01:38:08,760 --> 01:38:10,879
Speaker 25: the thing? Okay, hold on, I'm speeding.

1895
01:38:11,600 --> 01:38:13,479
Speaker 8: Looks like, hey, what's our budget for water?

1896
01:38:14,840 --> 01:38:15,760
Speaker 3: Get all over me?

1897
01:38:19,800 --> 01:38:21,360
Speaker 1: It looks like I peed my pants?

1898
01:38:23,640 --> 01:38:24,240
Speaker 8: Did you?

1899
01:38:24,560 --> 01:38:27,040
Speaker 1: And then uh, okay, here.

1900
01:38:28,600 --> 01:38:31,760
Speaker 8: You'll put attitude. You're so beautiful. I just want to

1901
01:38:31,760 --> 01:38:37,080
Speaker 8: touch your face. Wait, oh, touch your nose, Bacci. Then sorry,

1902
01:38:37,880 --> 01:38:38,439
Speaker 8: what the hell?

1903
01:38:38,560 --> 01:38:40,960
Speaker 3: Sorry, it looks like I peed my pants just now.

1904
01:38:42,120 --> 01:38:43,879
Speaker 8: Somebody say, tell me about being your pants.

1905
01:38:48,680 --> 01:38:50,719
Speaker 1: I don't know if I really cut out.

1906
01:38:50,560 --> 01:38:55,679
Speaker 4: To be the poop time mean the pop heed somebody

1907
01:38:55,760 --> 01:38:56,599
Speaker 4: be their pods?

1908
01:39:01,280 --> 01:39:01,920
Speaker 1: Good?

1909
01:39:02,400 --> 01:39:05,000
Speaker 7: I think I beat my pasts.

1910
01:39:06,400 --> 01:39:09,439
Speaker 23: Okay, this is this is what's great. This is a runner.

1911
01:39:09,680 --> 01:39:12,519
Speaker 23: This is what's known as a bloopers runner. And that

1912
01:39:12,760 --> 01:39:16,040
Speaker 23: is you get that in Cannonball Run with the Hat

1913
01:39:16,320 --> 01:39:19,840
Speaker 23: and Dom de Luise, and now you know you've got

1914
01:39:19,880 --> 01:39:22,320
Speaker 23: this great I peed my pants thing, which is.

1915
01:39:22,280 --> 01:39:24,679
Speaker 3: Just like it's like a whole nother movie.

1916
01:39:24,800 --> 01:39:27,960
Speaker 23: It is it is and is that? Is that the

1917
01:39:27,960 --> 01:39:32,960
Speaker 23: intention that because we just read a few of them,

1918
01:39:33,000 --> 01:39:36,080
Speaker 23: there was another one hundred and twenty pages of bloopers.

1919
01:39:35,600 --> 01:39:42,400
Speaker 3: Bloopers much longer than the script. Yes, and how much

1920
01:39:42,479 --> 01:39:44,240
Speaker 3: fun they were having on the set.

1921
01:39:44,840 --> 01:39:47,439
Speaker 1: They're new character, a lot of new characters, and it

1922
01:39:47,520 --> 01:39:51,240
Speaker 1: sort of follows its own plot arc where some of

1923
01:39:51,240 --> 01:39:54,040
Speaker 1: the characters of the Bloopers are introduced and die.

1924
01:39:54,080 --> 01:39:56,760
Speaker 3: And much bigger stars than the Bloopers, like people that

1925
01:39:56,800 --> 01:39:59,679
Speaker 3: could you could really sell a movie on, like Donny Junior.

1926
01:39:59,479 --> 01:40:01,559
Speaker 23: Does a lot of the Yeah, and there's a whole

1927
01:40:01,600 --> 01:40:03,479
Speaker 23: thing to go to the Middle East and.

1928
01:40:03,360 --> 01:40:05,719
Speaker 3: It's very expensive set pieces.

1929
01:40:05,760 --> 01:40:09,040
Speaker 8: Yeah, but again, some choices were made, and that's just

1930
01:40:09,080 --> 01:40:09,760
Speaker 8: what you have to do.

1931
01:40:09,840 --> 01:40:10,839
Speaker 23: You have to make choices.

1932
01:40:12,200 --> 01:40:16,759
Speaker 1: M that was a yummy clip to eat. Loving it? Sean,

1933
01:40:16,840 --> 01:40:20,360
Speaker 1: Are you enjoying the clip show over there? And you

1934
01:40:20,400 --> 01:40:23,880
Speaker 1: got any hobbies? Oh? I guess engineer he wants to

1935
01:40:23,880 --> 01:40:25,120
Speaker 1: know if you have any hobbies.

1936
01:40:26,240 --> 01:40:30,840
Speaker 2: Have many hobbies besides engineering. I like basketball. That's fun.

1937
01:40:31,120 --> 01:40:36,559
Speaker 1: Okay, that's sick. What a mad Oh? I guess he

1938
01:40:36,600 --> 01:40:40,560
Speaker 1: wants to play you man to man does in basketball?

1939
01:40:41,040 --> 01:40:42,080
Speaker 2: I'm pretty sure he'll lose.

1940
01:40:43,280 --> 01:40:46,200
Speaker 1: Come on, mister angry, Well, he doesn't want you to

1941
01:40:46,200 --> 01:40:48,599
Speaker 1: get so angry with him. I guess about I'm sorry

1942
01:40:48,640 --> 01:40:56,720
Speaker 1: about basketball. Oh, it's engineer Rashid Sean, sure is his

1943
01:40:56,840 --> 01:41:01,720
Speaker 1: name's Rashid. It's it's engineer Rashid any Albays. Okay, I

1944
01:41:01,760 --> 01:41:05,160
Speaker 1: think we just have to leave. He eats a lot

1945
01:41:05,160 --> 01:41:08,120
Speaker 1: of kicks with fresca and it makes it kind of

1946
01:41:08,240 --> 01:41:14,200
Speaker 1: makes his brain go in a loop. Sometimes on the show,

1947
01:41:14,240 --> 01:41:19,759
Speaker 1: it's not just talking about movies, TV show book. Sometimes

1948
01:41:19,800 --> 01:41:22,559
Speaker 1: we have music as well, like the one time when

1949
01:41:22,600 --> 01:41:26,400
Speaker 1: we did have that, when Michael Cronin, the famous musician,

1950
01:41:26,439 --> 01:41:29,280
Speaker 1: came on our show signed to our label, Gojira Records

1951
01:41:29,560 --> 01:41:31,080
Speaker 1: and Jinie Rashid. Do you like music?

1952
01:41:31,200 --> 01:41:32,160
Speaker 2: I like music a lot.

1953
01:41:32,439 --> 01:41:35,400
Speaker 1: It's not for me personally, but some people I know

1954
01:41:35,520 --> 01:41:38,559
Speaker 1: really do love it. And this segment for music loving

1955
01:41:38,720 --> 01:41:42,880
Speaker 1: is for those people on Hollywood Handbook. Would you like

1956
01:41:42,960 --> 01:41:44,479
Speaker 1: a clip? Yeah?

1957
01:41:44,520 --> 01:41:46,840
Speaker 9: So it's really hard. It's hard to make a living

1958
01:41:46,880 --> 01:41:47,800
Speaker 9: as a musician.

1959
01:41:47,560 --> 01:41:49,080
Speaker 3: Hard to make books.

1960
01:41:49,600 --> 01:41:54,840
Speaker 1: But it's not your music really right now that we're

1961
01:41:54,880 --> 01:41:57,719
Speaker 1: as interested in because you're not really selling music right now,

1962
01:41:57,760 --> 01:41:58,560
Speaker 1: are you know?

1963
01:41:59,160 --> 01:42:01,160
Speaker 3: Is it really feel that way.

1964
01:42:01,200 --> 01:42:05,400
Speaker 1: Of a face and body that we're selling these days?

1965
01:42:06,800 --> 01:42:09,120
Speaker 3: Yeah? Let me think about the top musicians who are

1966
01:42:09,160 --> 01:42:17,880
Speaker 3: selling music. Billy Joel mm hmm, right, yes, Neil Young

1967
01:42:18,200 --> 01:42:22,920
Speaker 3: mm hmmm, uh huh, Who I mean?

1968
01:42:22,960 --> 01:42:23,080
Speaker 19: Who?

1969
01:42:23,479 --> 01:42:30,800
Speaker 3: Je Mary J Blige one twelve? Yeah, and I think

1970
01:42:30,880 --> 01:42:33,599
Speaker 3: Jods is doing some stuff that's pretty interesting right now,

1971
01:42:33,640 --> 01:42:35,000
Speaker 3: but I don't know if it's going to catch on.

1972
01:42:35,520 --> 01:42:37,719
Speaker 1: So to me, what they all have in common?

1973
01:42:37,800 --> 01:42:42,480
Speaker 3: What do they what's the same about all of them?

1974
01:42:42,800 --> 01:42:43,439
Speaker 9: They look good?

1975
01:42:43,880 --> 01:42:46,920
Speaker 3: Yes, don't be shy, you want to fuck them? I mean,

1976
01:42:46,960 --> 01:42:49,800
Speaker 3: they're fuckable, and it's you know.

1977
01:42:50,080 --> 01:42:50,559
Speaker 1: That's true.

1978
01:42:50,560 --> 01:42:53,920
Speaker 3: It's it's I mean, that's part of it, isn't it, Michael.

1979
01:42:53,960 --> 01:42:56,400
Speaker 9: It's kind of you know, you don't you don't want

1980
01:42:56,400 --> 01:42:57,639
Speaker 9: to come out and.

1981
01:42:57,720 --> 01:43:01,479
Speaker 15: Say it upright, but it's just that's it's kind of.

1982
01:43:01,600 --> 01:43:03,920
Speaker 1: But say, we're gonna need you to say, yeah, we

1983
01:43:04,160 --> 01:43:07,439
Speaker 1: just say it. Have to hear you talking about what

1984
01:43:07,479 --> 01:43:08,799
Speaker 1: you want to do to one of those.

1985
01:43:08,600 --> 01:43:11,400
Speaker 3: Guys, Neil Young. Neil Young.

1986
01:43:16,240 --> 01:43:20,479
Speaker 15: He he's been looking good for forty years at least.

1987
01:43:20,640 --> 01:43:20,800
Speaker 4: Yeah.

1988
01:43:20,920 --> 01:43:26,320
Speaker 15: Yeah, and like he's an old, distinguished man now and

1989
01:43:26,800 --> 01:43:30,560
Speaker 15: you want to I feel like he's been I would,

1990
01:43:33,360 --> 01:43:36,479
Speaker 15: I would, I would fuck Neil Young.

1991
01:43:36,640 --> 01:43:39,320
Speaker 3: Yes, thank you? Yes? Was that so hard? And that

1992
01:43:39,400 --> 01:43:42,040
Speaker 3: really makes me think this guy's got a future in

1993
01:43:42,080 --> 01:43:43,280
Speaker 3: the music business.

1994
01:43:43,439 --> 01:43:43,679
Speaker 2: Yes.

1995
01:43:44,280 --> 01:43:46,320
Speaker 1: And so right now we look at you right now,

1996
01:43:47,439 --> 01:43:53,880
Speaker 1: you have bugs on you. Your hair is in shredded tatters.

1997
01:43:54,800 --> 01:43:56,200
Speaker 3: It's like bits of rope.

1998
01:43:56,240 --> 01:44:00,000
Speaker 1: I think, Yes, but we can do something with you

1999
01:44:00,400 --> 01:44:03,840
Speaker 1: mm hmm and turn you into a sort of Neil

2000
01:44:03,960 --> 01:44:07,799
Speaker 1: Young type that people are interested in fucking sex symbol.

2001
01:44:07,880 --> 01:44:08,080
Speaker 2: Yeah.

2002
01:44:08,120 --> 01:44:11,840
Speaker 3: And one thing we want to dissuade you of is

2003
01:44:11,920 --> 01:44:15,160
Speaker 3: you've talked a lot about wanting to write songs and

2004
01:44:15,200 --> 01:44:18,360
Speaker 3: play songs and like make an album, right And that

2005
01:44:18,360 --> 01:44:21,559
Speaker 3: doesn't seem like the right direction for a musician right now,

2006
01:44:21,600 --> 01:44:22,040
Speaker 3: does it?

2007
01:44:24,200 --> 01:44:24,800
Speaker 9: I guess not.

2008
01:44:24,920 --> 01:44:27,479
Speaker 1: Because you say it's hard, it's hard to sell albums.

2009
01:44:28,040 --> 01:44:33,400
Speaker 15: Yeah, I mean, I guess I'm I'm missing something.

2010
01:44:33,600 --> 01:44:34,080
Speaker 9: I don't know.

2011
01:44:34,520 --> 01:44:38,400
Speaker 1: I think it started with Ever since on Celebrity Jeopardy,

2012
01:44:39,479 --> 01:44:43,599
Speaker 1: Sean Connery mistook the words an album cover for anal

2013
01:44:43,720 --> 01:44:46,280
Speaker 1: bum cover, it's been hard a little bit to take

2014
01:44:47,400 --> 01:44:49,840
Speaker 1: music seriously since then, hasn't it.

2015
01:44:50,320 --> 01:44:53,680
Speaker 9: Yeah, you could, yeah, you could say that.

2016
01:44:54,680 --> 01:44:55,080
Speaker 1: I don't know.

2017
01:44:55,200 --> 01:44:56,879
Speaker 3: It's it's it's it's a little.

2018
01:44:56,640 --> 01:45:00,000
Speaker 15: Confusing right now, how to how to how to make it?

2019
01:45:00,080 --> 01:45:02,439
Speaker 9: How to get Did you see that episode of Jeopardy?

2020
01:45:03,280 --> 01:45:04,840
Speaker 9: I did not see that.

2021
01:45:05,080 --> 01:45:05,439
Speaker 1: No, I don't.

2022
01:45:05,479 --> 01:45:07,639
Speaker 3: I couldn't believe they'd invited him back because he'd made

2023
01:45:07,680 --> 01:45:11,080
Speaker 3: similar mistakes. But I think he's just a popular celebrity

2024
01:45:11,120 --> 01:45:16,439
Speaker 3: Jeopardy character. And I think that they really shot themselves

2025
01:45:16,479 --> 01:45:18,599
Speaker 3: in the foot because then the Jeopardy album they released

2026
01:45:18,600 --> 01:45:21,840
Speaker 3: the following year didn't do well and it just felt silly, huh.

2027
01:45:22,640 --> 01:45:25,080
Speaker 3: And so to me, the real money is going to

2028
01:45:25,080 --> 01:45:31,360
Speaker 3: be in soundtracks. Yes, scoring, yeah, score, you know, not

2029
01:45:31,400 --> 01:45:34,200
Speaker 3: scoring like scoring with Neil Young, like getting to have

2030
01:45:34,280 --> 01:45:37,599
Speaker 3: sex with that guy, but just scoring like the score,

2031
01:45:37,760 --> 01:45:38,679
Speaker 3: like the sound score.

2032
01:45:38,760 --> 01:45:39,920
Speaker 9: Yeah, okay, I could see that.

2033
01:45:40,320 --> 01:45:46,920
Speaker 1: Yeah. So maybe what we could do today is surprise, Michael,

2034
01:45:46,920 --> 01:45:50,360
Speaker 1: we've signed you to your first gig and it's doing

2035
01:45:50,400 --> 01:45:54,800
Speaker 1: the score of the show Da Vinci's Demon, which we love,

2036
01:45:55,000 --> 01:45:59,839
Speaker 1: and it's on Obsessed With It's on I Believe Star Stars.

2037
01:46:00,200 --> 01:46:02,120
Speaker 9: Yes, it's a good network.

2038
01:46:02,200 --> 01:46:04,880
Speaker 1: Yeah, and it's a show about one of the best

2039
01:46:04,920 --> 01:46:10,960
Speaker 1: networks going for original young Leonardo da Vinci, who was

2040
01:46:11,040 --> 01:46:15,719
Speaker 1: an artist and a magician and yes, among other things,

2041
01:46:15,720 --> 01:46:21,679
Speaker 1: because he invented I think you know, flye. And he

2042
01:46:22,720 --> 01:46:26,919
Speaker 1: has these demons and they each sit on one shoulder,

2043
01:46:28,120 --> 01:46:29,360
Speaker 1: and one is.

2044
01:46:29,280 --> 01:46:31,280
Speaker 3: Good and tells him what to paint.

2045
01:46:31,240 --> 01:46:33,600
Speaker 1: Yes, and the other one is bad and tries to

2046
01:46:33,640 --> 01:46:36,719
Speaker 1: tell him and tries to trick him into not painting.

2047
01:46:37,040 --> 01:46:38,200
Speaker 3: Yes, okay.

2048
01:46:38,200 --> 01:46:43,360
Speaker 1: And they both have pitchforks, not the Pitchfork magazine like

2049
01:46:43,439 --> 01:46:44,120
Speaker 1: you know about.

2050
01:46:44,320 --> 01:46:49,720
Speaker 3: Yes, And it's not not your stupid hipster bullshit like

2051
01:46:50,000 --> 01:46:56,880
Speaker 3: real Pitchfork. None of this America, somebody, you know what

2052
01:46:56,920 --> 01:46:59,680
Speaker 3: I mean? Yes, none of that and.

2053
01:46:59,680 --> 01:47:02,360
Speaker 1: So we how what we could do is you could

2054
01:47:03,000 --> 01:47:04,920
Speaker 1: make sure you have your gloves on. You could pick

2055
01:47:04,960 --> 01:47:05,840
Speaker 1: up my guitar.

2056
01:47:07,160 --> 01:47:10,000
Speaker 3: And you could We're gonna just describe a Da Vinci's

2057
01:47:10,000 --> 01:47:12,200
Speaker 3: Demon scene and you play the.

2058
01:47:12,160 --> 01:47:12,880
Speaker 11: Score for it.

2059
01:47:12,960 --> 01:47:17,640
Speaker 1: Yes, okay, yeah, I can give it a shot.

2060
01:47:19,120 --> 01:47:21,920
Speaker 9: Sounds sounds like an interesting show.

2061
01:47:29,080 --> 01:47:31,320
Speaker 3: Well, no need to show off, and we'll describe the

2062
01:47:31,320 --> 01:47:32,320
Speaker 3: scene and then you'll play.

2063
01:47:32,439 --> 01:47:34,200
Speaker 1: And it's not the time, that's the order. We're just

2064
01:47:34,320 --> 01:47:37,160
Speaker 1: doing like little guitar tricks and stuff. We're trying to

2065
01:47:37,640 --> 01:47:39,120
Speaker 1: you know, and Haley to do that.

2066
01:47:39,240 --> 01:47:43,000
Speaker 15: I got excited because this isn't just a you know,

2067
01:47:43,760 --> 01:47:47,880
Speaker 15: shoe bucks with rubber band with rubber bands and one

2068
01:47:48,000 --> 01:47:49,600
Speaker 15: what looked like maybe a hair elastic.

2069
01:47:51,320 --> 01:47:56,000
Speaker 3: So this is the scene where Da Vinci has woken

2070
01:47:56,080 --> 01:47:58,360
Speaker 3: up and he's eating his eggs in baky and he's

2071
01:47:58,439 --> 01:48:00,559
Speaker 3: going to sit down to do his painting. Mm hmm

2072
01:48:01,400 --> 01:48:07,320
Speaker 3: and uh, a devil is going hey cut it, hey

2073
01:48:07,360 --> 01:48:10,559
Speaker 3: cut that out. And another then yeah.

2074
01:48:10,360 --> 01:48:15,360
Speaker 1: So it's a transition from a happy morning song to

2075
01:48:16,040 --> 01:48:22,479
Speaker 1: a scary demon song. Mm hm okay, okay, so let's

2076
01:48:22,479 --> 01:48:26,040
Speaker 1: hear what would a happy morning song sound like in

2077
01:48:26,360 --> 01:48:27,960
Speaker 1: Waking Up? To the day, and the day has so

2078
01:48:28,040 --> 01:48:30,440
Speaker 1: much potential, and you're gonna eat a nice, big breakfast.

2079
01:48:30,680 --> 01:48:33,120
Speaker 9: Okay, we'll start nice major chord.

2080
01:48:36,040 --> 01:48:53,960
Speaker 10: Good Hachi, Yes, that's really nice.

2081
01:48:54,000 --> 01:48:54,960
Speaker 3: That's good for the start.

2082
01:48:55,040 --> 01:48:59,360
Speaker 1: Yeah, and then I guess just a few lyrics about

2083
01:49:00,120 --> 01:49:08,960
Speaker 1: what he's eating for breakfast, baby.

2084
01:49:11,760 --> 01:49:14,360
Speaker 3: Hamburger sandwich. He's want a hamburger sandwich as.

2085
01:49:14,240 --> 01:49:16,840
Speaker 10: Well, hamberndwich.

2086
01:49:21,520 --> 01:49:25,599
Speaker 1: Very good. And now when you get into the scary part,

2087
01:49:25,680 --> 01:49:29,000
Speaker 1: so you'll you'll you'll sort of blend from the happy

2088
01:49:29,000 --> 01:49:32,400
Speaker 1: morning song into the scary stuff. And when you when

2089
01:49:32,400 --> 01:49:38,280
Speaker 1: something starts being scary, you say, oh, and then you

2090
01:49:38,880 --> 01:49:41,880
Speaker 1: announced the demon's presence, so now this would be like

2091
01:49:41,920 --> 01:49:44,759
Speaker 1: a dark sort of gothic song.

2092
01:50:01,000 --> 01:50:06,000
Speaker 11: Oh.

2093
01:50:06,120 --> 01:50:12,360
Speaker 1: And then the demon's voice. He's he has to tell

2094
01:50:12,439 --> 01:50:17,120
Speaker 1: Da Vinci not to paint in the scariest voice.

2095
01:50:19,000 --> 01:50:26,240
Speaker 11: Good. Oh shit man.

2096
01:50:28,400 --> 01:50:30,599
Speaker 1: Okay, Okay, Michael, Okay, Michael.

2097
01:50:33,000 --> 01:50:35,120
Speaker 3: That felt like it was starting to get a little

2098
01:50:35,120 --> 01:50:37,519
Speaker 3: bit off track, and maybe some of the language we're

2099
01:50:37,600 --> 01:50:40,240
Speaker 3: using is not what we like what we're used to

2100
01:50:40,280 --> 01:50:40,759
Speaker 3: on Star.

2101
01:50:43,120 --> 01:50:48,280
Speaker 15: I'm sorry I got carried away, Yes you did, but

2102
01:50:48,320 --> 01:50:51,479
Speaker 15: doesn't this feel better than some of you were writing?

2103
01:50:51,520 --> 01:50:52,560
Speaker 3: Like these songs.

2104
01:50:52,720 --> 01:50:52,920
Speaker 1: You know.

2105
01:50:55,240 --> 01:50:59,040
Speaker 3: Yeah, it feels okay, yeah, and better than what you

2106
01:50:59,120 --> 01:51:02,360
Speaker 3: were doing. Huh. And you almost feel like Neil Young

2107
01:51:02,400 --> 01:51:03,160
Speaker 3: when you're doing this.

2108
01:51:05,560 --> 01:51:10,599
Speaker 9: I am yeah, No, I could. I could get used

2109
01:51:10,640 --> 01:51:10,880
Speaker 9: to it.

2110
01:51:11,320 --> 01:51:16,519
Speaker 1: I think, Yeah, you still live in your dreams if if.

2111
01:51:17,080 --> 01:51:21,840
Speaker 15: It's not how I imagine honestly, But I mean, I

2112
01:51:21,960 --> 01:51:25,400
Speaker 15: just I've had our times, so I'll do.

2113
01:51:25,840 --> 01:51:29,559
Speaker 1: You know, what did you want in life?

2114
01:51:29,720 --> 01:51:32,519
Speaker 9: I that's a big question.

2115
01:51:34,360 --> 01:51:37,799
Speaker 15: I thought I thought it was about writing writing songs,

2116
01:51:37,880 --> 01:51:40,280
Speaker 15: like we were talking about writing songs like.

2117
01:51:42,160 --> 01:51:42,800
Speaker 9: Progressing.

2118
01:51:44,160 --> 01:51:46,240
Speaker 3: Oh, there you go ahead, I'm.

2119
01:51:47,640 --> 01:51:47,880
Speaker 1: Good.

2120
01:51:48,160 --> 01:51:51,720
Speaker 15: No, I guess I was just confused. I thought I

2121
01:51:51,760 --> 01:51:53,240
Speaker 15: want to write good songs. I want to make good

2122
01:51:53,320 --> 01:51:54,320
Speaker 15: records and play.

2123
01:51:54,600 --> 01:51:57,639
Speaker 3: We do a segment called wrong sometimes on our show,

2124
01:51:57,680 --> 01:51:59,960
Speaker 3: and this, this kind of stuff would be perfect for that.

2125
01:52:00,760 --> 01:52:02,320
Speaker 3: Because I'm looking at you and I'm thinking with a

2126
01:52:02,320 --> 01:52:04,800
Speaker 3: fresh coat of paint, you know, this is a real

2127
01:52:04,880 --> 01:52:07,400
Speaker 3: this is a this is a Billy Joel type and

2128
01:52:07,479 --> 01:52:12,679
Speaker 3: potential aircut, you know, at least wash like a human ceiling,

2129
01:52:12,800 --> 01:52:16,080
Speaker 3: some kind of varnish or yeah, something to some kind

2130
01:52:16,080 --> 01:52:20,760
Speaker 3: of weather protectant. Because you're I mean you look, you

2131
01:52:20,760 --> 01:52:23,080
Speaker 3: know it's not good.

2132
01:52:24,400 --> 01:52:25,360
Speaker 2: No, I know, I know.

2133
01:52:28,040 --> 01:52:29,880
Speaker 1: Let's do this scene where Da Vinci is in the

2134
01:52:29,880 --> 01:52:34,360
Speaker 1: big bicycle race. I think for this scene. Do you

2135
01:52:34,439 --> 01:52:41,400
Speaker 1: know Shine Shine by Collective Soul.

2136
01:52:42,479 --> 01:52:44,200
Speaker 9: I'm not, I'm not familiar.

2137
01:52:44,400 --> 01:52:44,840
Speaker 1: How's that go?

2138
01:52:44,960 --> 01:52:47,320
Speaker 3: Well, he's in a bicycle. He's in a bicycle race

2139
01:52:47,439 --> 01:52:53,799
Speaker 3: to paint the picture, like Lance Armstrong's got some horns

2140
01:52:53,800 --> 01:52:56,200
Speaker 3: and he's coming up around the corner behind.

2141
01:52:56,120 --> 01:52:58,639
Speaker 1: One of the he's playing one of the one.

2142
01:52:58,560 --> 01:53:02,320
Speaker 3: Day Oh yes, And it's kind of cool because of

2143
01:53:02,400 --> 01:53:05,160
Speaker 3: the way he's perceived. Now that we got that in.

2144
01:53:05,160 --> 01:53:06,920
Speaker 1: Place, we have him for as long as it takes

2145
01:53:06,960 --> 01:53:08,920
Speaker 1: for him to bike through. He's getting to be in

2146
01:53:08,960 --> 01:53:11,800
Speaker 1: the middle of a different race that he's doing, and

2147
01:53:12,120 --> 01:53:13,880
Speaker 1: we just have to be ready to film him as

2148
01:53:13,880 --> 01:53:14,760
Speaker 1: he bikes.

2149
01:53:14,479 --> 01:53:18,320
Speaker 3: And hopefully Da Vinci's there that time, and then so

2150
01:53:18,320 --> 01:53:22,559
Speaker 3: so Davinci's driving, and then we're gonna hear some shine

2151
01:53:22,760 --> 01:53:24,400
Speaker 3: and then some stuff about bikes.

2152
01:53:25,920 --> 01:53:26,920
Speaker 1: Do you not know that song?

2153
01:53:26,960 --> 01:53:27,320
Speaker 2: I don't know?

2154
01:53:27,360 --> 01:53:28,120
Speaker 3: That's it goes?

2155
01:53:30,960 --> 01:53:32,879
Speaker 1: Yeah, you're.

2156
01:53:34,439 --> 01:53:47,599
Speaker 26: I get, I get, and.

2157
01:53:47,560 --> 01:54:07,719
Speaker 1: You're cheering off the vin just just exciting. Yes, yes, yes,

2158
01:54:07,960 --> 01:54:10,160
Speaker 1: so then he's winning. But then I guess there would

2159
01:54:10,160 --> 01:54:11,640
Speaker 1: be a change in tone.

2160
01:54:13,000 --> 01:54:15,920
Speaker 3: And now Lance has passed him and Da Vinci's got

2161
01:54:15,920 --> 01:54:16,719
Speaker 3: a bad cramp.

2162
01:54:17,800 --> 01:54:34,200
Speaker 11: Okay, carry on, sho.

2163
01:54:39,520 --> 01:54:42,640
Speaker 8: Bike bike My good.

2164
01:54:46,320 --> 01:54:50,160
Speaker 3: Okay, that's and that's almost pretty good. That's first draft,

2165
01:54:52,680 --> 01:54:54,800
Speaker 3: and it felt a little like shine.

2166
01:54:56,520 --> 01:54:58,480
Speaker 1: Should we do we have that one more scene? What's

2167
01:54:58,520 --> 01:54:59,920
Speaker 1: that last scene that we have to do?

2168
01:55:00,640 --> 01:55:03,600
Speaker 3: Okay, So this is sort of this is the scene

2169
01:55:03,640 --> 01:55:06,839
Speaker 3: that we needed to score because it's gonna air tomorrow,

2170
01:55:06,920 --> 01:55:11,960
Speaker 3: I think, this episode. And so Da Vinci has won

2171
01:55:12,000 --> 01:55:15,760
Speaker 3: the spelling bee and his dad is, you know, there

2172
01:55:15,840 --> 01:55:19,680
Speaker 3: with with the trophy. His dad's the headmaster and he's

2173
01:55:19,680 --> 01:55:23,720
Speaker 3: giving him the trophy, and across the way he sees

2174
01:55:25,160 --> 01:55:34,480
Speaker 3: the girl and it's of course it's Marie Antoinette, and

2175
01:55:34,520 --> 01:55:38,600
Speaker 3: he's looking at her because we are in history, you know, still,

2176
01:55:39,040 --> 01:55:42,120
Speaker 3: and he's looking at her, and there's and then a

2177
01:55:42,200 --> 01:55:45,600
Speaker 3: demon is coming to punch her, you know, right in

2178
01:55:45,640 --> 01:55:49,440
Speaker 3: the stomach. And so there's a couple of things happening

2179
01:55:49,440 --> 01:55:53,200
Speaker 3: where he's victorious. That's good, kind of a sweet moment

2180
01:55:53,200 --> 01:55:55,200
Speaker 3: with his dad, kind of a romantic thing when he

2181
01:55:55,200 --> 01:55:57,480
Speaker 3: sees the girl. And then it's of course because it

2182
01:55:57,560 --> 01:56:00,520
Speaker 3: is demons, Da Vinci's demons. It does that's scary, and

2183
01:56:00,520 --> 01:56:02,360
Speaker 3: the demon does come to do something mean.

2184
01:56:02,400 --> 01:56:04,960
Speaker 1: But then this is the end of the episode, and

2185
01:56:05,000 --> 01:56:09,800
Speaker 1: so he rescues the girl. Yes, and then they consummate.

2186
01:56:09,320 --> 01:56:13,360
Speaker 3: That that and they do that kind of what someone

2187
01:56:13,400 --> 01:56:16,960
Speaker 3: would ideally do with you know, young you know whatever else,

2188
01:56:17,000 --> 01:56:19,840
Speaker 3: But it's and so, and we wanted to have a

2189
01:56:19,880 --> 01:56:22,960
Speaker 3: feel just some references. If you know the song Come

2190
01:56:23,000 --> 01:56:25,760
Speaker 3: Monday Sure by Jimmy Buffett, that could be a good

2191
01:56:25,920 --> 01:56:29,000
Speaker 3: area inside out. Do you know Rich Girl by six?

2192
01:56:29,280 --> 01:56:31,200
Speaker 3: If you know Rich Girl, I'd love to hear just

2193
01:56:31,240 --> 01:56:32,840
Speaker 3: a couple pieces of that.

2194
01:56:33,520 --> 01:56:34,000
Speaker 9: Rich Girl.

2195
01:56:34,040 --> 01:56:34,360
Speaker 2: How's that?

2196
01:56:34,400 --> 01:56:35,080
Speaker 3: Who's that?

2197
01:56:35,280 --> 01:56:35,440
Speaker 2: Is that?

2198
01:56:36,520 --> 01:56:37,320
Speaker 9: Jimmy Buffett?

2199
01:56:37,840 --> 01:56:40,960
Speaker 3: No, Rich Girl's hollow notes? And then, oh, this is

2200
01:56:41,000 --> 01:56:44,360
Speaker 3: gonna be hard. The Eve six song is good? And

2201
01:56:44,400 --> 01:56:48,200
Speaker 3: then what was that song by the Refreshments? I'm not

2202
01:56:48,240 --> 01:56:52,160
Speaker 3: sure it's good. The video they were like in the desert,

2203
01:56:52,920 --> 01:57:02,000
Speaker 3: what's hello? Oh oh okay? Doesn't seem like that would

2204
01:57:02,000 --> 01:57:06,840
Speaker 3: be our problem, but it is. Sorry about that is

2205
01:57:06,920 --> 01:57:14,520
Speaker 3: Cody stealing cable? Engineer Cody is trying to get the

2206
01:57:14,560 --> 01:57:17,760
Speaker 3: Time Warner guys to wire the cable from our studio.

2207
01:57:17,520 --> 01:57:18,000
Speaker 2: Into his.

2208
01:57:20,240 --> 01:57:24,480
Speaker 1: If he has one sit down, sit down to talk

2209
01:57:24,520 --> 01:57:27,440
Speaker 1: about this. Was that the time Warner cable man and

2210
01:57:27,440 --> 01:57:31,360
Speaker 1: he just knocked on the door to come see you. Yeah,

2211
01:57:31,400 --> 01:57:34,840
Speaker 1: And is it true that you're trying to force him

2212
01:57:35,480 --> 01:57:38,040
Speaker 1: to take the wires for the cable at Earwolf Studios

2213
01:57:38,080 --> 01:57:40,480
Speaker 1: and wire them into your house so you can watch TV.

2214
01:57:41,760 --> 01:57:47,840
Speaker 3: For free? No, no, it's not because you don't have

2215
01:57:47,880 --> 01:57:49,720
Speaker 3: a house. But you're going to put the cable in

2216
01:57:49,760 --> 01:57:51,600
Speaker 3: the elevator and you're going to sleep in the elevator

2217
01:57:51,640 --> 01:57:55,000
Speaker 3: at night and have your TV there. And that's not fair, Cody,

2218
01:57:55,120 --> 01:57:59,480
Speaker 3: Now is that true? Okay? That No, it took a

2219
01:57:59,520 --> 01:58:00,000
Speaker 3: long time.

2220
01:58:00,040 --> 01:58:01,880
Speaker 1: I think it was a very long time to say.

2221
01:58:02,240 --> 01:58:02,840
Speaker 1: And we were.

2222
01:58:02,720 --> 01:58:04,680
Speaker 3: About to do a big, good song and now we

2223
01:58:04,760 --> 01:58:07,680
Speaker 3: got to deal with this, and it's embarrassing in front

2224
01:58:07,720 --> 01:58:09,600
Speaker 3: of the French French film crew that wants to make

2225
01:58:09,600 --> 01:58:10,600
Speaker 3: a movie about us.

2226
01:58:11,240 --> 01:58:14,240
Speaker 1: Michael, will you just confirm that there is a French

2227
01:58:14,280 --> 01:58:15,640
Speaker 1: film documentary crew and.

2228
01:58:15,600 --> 01:58:18,440
Speaker 9: There is get a couple of cameras.

2229
01:58:17,760 --> 01:58:21,480
Speaker 1: Ye. I mean they might think you're joking, but I

2230
01:58:21,480 --> 01:58:23,480
Speaker 1: guess they should consult the pictures of the website.

2231
01:58:23,560 --> 01:58:26,880
Speaker 3: Yeah, it's the real deal. They're very distinctly French looking.

2232
01:58:27,040 --> 01:58:30,760
Speaker 1: Yes, Uh, do you know little yon Man.

2233
01:58:33,560 --> 01:58:34,600
Speaker 3: Who did that one?

2234
01:58:34,680 --> 01:58:36,360
Speaker 1: Mumford and Sons.

2235
01:58:36,400 --> 01:58:38,480
Speaker 2: I don't, I don't.

2236
01:58:39,120 --> 01:58:47,440
Speaker 3: It's going crazy. It comes doesn't listen to music. Do

2237
01:58:47,600 --> 01:58:55,920
Speaker 3: you know do you know bubble toes? Bubbletes? Yes, the

2238
01:58:56,040 --> 01:59:03,320
Speaker 3: Jack Johnson's Bubbly Toes. Oh, he's doing Kolby cal.

2239
01:59:03,400 --> 01:59:07,120
Speaker 1: That's good too. What songs do you know?

2240
01:59:07,360 --> 01:59:12,440
Speaker 3: You know? Love fool by the Cardigans? I know that one, Yeah,

2241
01:59:12,480 --> 01:59:14,880
Speaker 3: I get a better one. What about kiss Me by

2242
01:59:14,920 --> 01:59:15,960
Speaker 3: Sixpence in the Richer?

2243
01:59:18,080 --> 01:59:23,640
Speaker 1: I know that one? Yeah? So this is when he

2244
01:59:23,680 --> 01:59:25,600
Speaker 1: sees his girlfriend. He sees his girlfriend.

2245
01:59:25,640 --> 01:59:33,560
Speaker 15: Okay, guess we should change it a little bit, so

2246
01:59:33,680 --> 01:59:35,200
Speaker 15: you kid, sue.

2247
01:59:35,240 --> 01:59:38,000
Speaker 3: Yes, kiss me kind of sounds like Da Vinci and

2248
01:59:38,040 --> 01:59:38,640
Speaker 3: I don't want.

2249
01:59:38,520 --> 01:59:41,880
Speaker 10: To, Okay.

2250
01:59:42,600 --> 02:00:02,520
Speaker 19: Sinch seeing the cal sch One cat mon demon sid

2251
02:00:04,000 --> 02:00:05,760
Speaker 19: very careful.

2252
02:00:10,200 --> 02:00:21,160
Speaker 3: Shot for that team, look out for that. Okay, that's

2253
02:00:21,280 --> 02:00:24,280
Speaker 3: really very nice, very sad.

2254
02:00:25,640 --> 02:00:25,760
Speaker 20: Uh.

2255
02:00:27,360 --> 02:00:28,880
Speaker 1: If we could just play it now the demon comes

2256
02:00:28,960 --> 02:00:30,400
Speaker 1: up and he's gonna punch him. If just the Mission

2257
02:00:30,400 --> 02:00:54,480
Speaker 1: Impossible theme for like two seconds, okay, good? And then

2258
02:00:54,760 --> 02:00:57,080
Speaker 1: he punched the demon out and now it's it's just

2259
02:00:57,160 --> 02:00:59,720
Speaker 1: the final erotic flourish of the show.

2260
02:01:13,160 --> 02:01:14,240
Speaker 10: Can't show it up.

2261
02:01:27,360 --> 02:01:39,360
Speaker 3: Dam m hmm, bet thank you. That's close. That's damn,

2262
02:01:39,560 --> 02:01:42,640
Speaker 3: very very close. That's damn And we didn't need any

2263
02:01:42,680 --> 02:01:45,720
Speaker 3: big machine noises to do it, did we. You know

2264
02:01:45,800 --> 02:01:50,080
Speaker 3: we didn't. That's stuff, any of that. That's not music anymore,

2265
02:01:50,080 --> 02:01:51,920
Speaker 3: and that's going to feel so dated later.

2266
02:01:53,720 --> 02:01:56,360
Speaker 1: It's about this is forever instrumentation.

2267
02:01:56,840 --> 02:01:57,680
Speaker 9: Guitars are forever.

2268
02:01:58,040 --> 02:02:03,960
Speaker 1: Auto tune is not an instrument. Little Wayne, Sorry, tea pain.

2269
02:02:04,480 --> 02:02:08,280
Speaker 3: You don't want to be a pain in your tea zone,

2270
02:02:08,600 --> 02:02:10,600
Speaker 3: but I've got bad news.

2271
02:02:10,760 --> 02:02:10,960
Speaker 1: You know.

2272
02:02:12,600 --> 02:02:16,760
Speaker 3: Auto tunes not an instrument. Like what Hayes said. Whose

2273
02:02:16,800 --> 02:02:24,000
Speaker 3: phone is buzzing? Michael, WTF, Cody, Michael, Michael, thank you

2274
02:02:24,000 --> 02:02:26,080
Speaker 3: for being here, Thanks for the opportunity. You don't have

2275
02:02:26,080 --> 02:02:28,480
Speaker 3: a popcorn gallery thing because you're not really movie guy.

2276
02:02:29,440 --> 02:02:30,640
Speaker 3: Yet we're gonna make you one.

2277
02:02:30,840 --> 02:02:33,240
Speaker 1: Yeah, it would have to be even know what's a

2278
02:02:33,360 --> 02:02:34,280
Speaker 1: music food.

2279
02:02:35,320 --> 02:02:37,120
Speaker 9: Rock corn gallery?

2280
02:02:38,640 --> 02:02:39,839
Speaker 3: Don't please don't.

2281
02:02:39,720 --> 02:02:41,840
Speaker 1: Say that's good, but we can't use it because you

2282
02:02:41,920 --> 02:02:42,480
Speaker 1: came up with it.

2283
02:02:42,720 --> 02:02:45,360
Speaker 3: Yes, if anything, write that down, slide it to Hays

2284
02:02:45,440 --> 02:02:47,640
Speaker 3: he says it, then he's the hero. But we can't

2285
02:02:47,680 --> 02:02:49,400
Speaker 3: have on our own show. We can't have you come

2286
02:02:49,440 --> 02:02:51,160
Speaker 3: up with that now it's really fucking good.

2287
02:02:51,200 --> 02:02:52,160
Speaker 1: I can't top it.

2288
02:02:52,200 --> 02:02:54,560
Speaker 3: I've ever heard well, I can't pitch anything.

2289
02:02:54,600 --> 02:02:54,760
Speaker 1: Now.

2290
02:02:54,840 --> 02:03:00,360
Speaker 3: You said rock corn gallery, that's fucking awesome. You know

2291
02:03:01,040 --> 02:03:03,680
Speaker 3: that's a snack you eat at the concert. It's a rockcorn.

2292
02:03:04,080 --> 02:03:05,240
Speaker 3: That's fucking great.

2293
02:03:05,720 --> 02:03:08,680
Speaker 15: I'll be running pretty much everything through you guys in

2294
02:03:08,720 --> 02:03:11,160
Speaker 15: the label from now on, hope.

2295
02:03:11,200 --> 02:03:14,360
Speaker 3: So yeah, go Giro Records to Jira. Look out, it

2296
02:03:14,440 --> 02:03:15,000
Speaker 3: is Go Gira.

2297
02:03:15,160 --> 02:03:21,200
Speaker 1: You know the clip's over Killer. Coming up, we have

2298
02:03:21,240 --> 02:03:24,560
Speaker 1: a segment with Tracy Wigfield. She is a writer for

2299
02:03:24,640 --> 02:03:27,560
Speaker 1: Mini Project and she does comedy and she's also the

2300
02:03:27,600 --> 02:03:30,000
Speaker 1: winner of an Emmy Award. Engineer Rahi, do you have

2301
02:03:30,040 --> 02:03:30,800
Speaker 1: an Emmy Award?

2302
02:03:31,280 --> 02:03:32,360
Speaker 2: I don't you know?

2303
02:03:32,400 --> 02:03:35,960
Speaker 1: They give them for sound sometimes, as my understanding.

2304
02:03:36,320 --> 02:03:37,720
Speaker 2: Emys they give it a sound.

2305
02:03:37,840 --> 02:03:40,080
Speaker 1: I think they have some of that's best TV sound.

2306
02:03:40,280 --> 02:03:43,200
Speaker 2: Oh that's awesome. I should probably try it out, go

2307
02:03:43,280 --> 02:03:43,600
Speaker 2: for it.

2308
02:03:44,080 --> 02:03:46,600
Speaker 1: Well, I would say, if at this point you don't

2309
02:03:46,640 --> 02:03:54,280
Speaker 1: have one, it's unlikely. But what's your favorite TV sound?

2310
02:03:54,720 --> 02:04:00,280
Speaker 2: My favorite TV sound? That's actually kind of a when

2311
02:04:00,280 --> 02:04:02,720
Speaker 2: I used to watch all them shows. I mean, as

2312
02:04:02,760 --> 02:04:05,080
Speaker 2: of right now, I'm stuck on the whole DC wave.

2313
02:04:05,240 --> 02:04:08,480
Speaker 2: So I guess I'm watching the Flash and Arrow. Okay,

2314
02:04:08,800 --> 02:04:09,480
Speaker 2: those are okay?

2315
02:04:09,800 --> 02:04:12,600
Speaker 1: What? And they do have some good sounds on there.

2316
02:04:12,640 --> 02:04:16,680
Speaker 1: When Flash goes there, you go, I guess that's an

2317
02:04:16,680 --> 02:04:18,800
Speaker 1: easy sound and the Arrow sound is good work.

2318
02:04:19,680 --> 02:04:27,000
Speaker 2: That's it. Why don't you have an Emmy for that?

2319
02:04:27,040 --> 02:04:27,400
Speaker 3: One? Man?

2320
02:04:28,240 --> 02:04:31,080
Speaker 1: I don't put my name on them when I do sound.

2321
02:04:31,720 --> 02:04:33,920
Speaker 1: Would you like me to use your name when I

2322
02:04:33,960 --> 02:04:35,440
Speaker 1: do my TV sound from now on?

2323
02:04:35,720 --> 02:04:37,840
Speaker 2: I think that'd be great, And then we could share

2324
02:04:37,880 --> 02:04:38,920
Speaker 2: the Emmy? Can we do that?

2325
02:04:39,120 --> 02:04:42,040
Speaker 1: I don't do you want to share the Emmy after

2326
02:04:42,080 --> 02:04:44,720
Speaker 1: someone else has touched it? I don't want to touch it.

2327
02:04:44,960 --> 02:04:47,560
Speaker 1: You know, I'll touch it first, but then it's yours

2328
02:04:47,680 --> 02:04:49,920
Speaker 1: because it's gonna have all of the other I gotta

2329
02:04:49,960 --> 02:04:53,240
Speaker 1: take that the Jerremys on it. Yeah, so I'm gonna

2330
02:04:53,240 --> 02:04:55,520
Speaker 1: have like a leftover Emmy. Do you ever watch the

2331
02:04:55,520 --> 02:04:56,600
Speaker 1: show The Leftovers?

2332
02:04:56,880 --> 02:04:57,200
Speaker 11: I have?

2333
02:04:57,400 --> 02:05:00,640
Speaker 1: There's good sound on that. Tours like why did all

2334
02:05:00,800 --> 02:05:07,200
Speaker 1: people go away? Where is everybody? He's pounding the wall,

2335
02:05:09,440 --> 02:05:12,880
Speaker 1: He's like super upset. This is Tracy Wigfield Emmy winning

2336
02:05:12,960 --> 02:05:21,080
Speaker 1: on Hollywood Handbook Free Me. I have feelings. Yes, let's

2337
02:05:21,080 --> 02:05:23,080
Speaker 1: reach into the bag and find the question. Hopefully it'll

2338
02:05:23,120 --> 02:05:23,760
Speaker 1: be from bosos.

2339
02:05:23,800 --> 02:05:31,800
Speaker 24: Okay, Oh, it's uh my own wiener. I guess I'm

2340
02:05:31,840 --> 02:05:36,000
Speaker 24: not allowed to have a writing job because I have

2341
02:05:36,040 --> 02:05:39,680
Speaker 24: a male organ and so now for five.

2342
02:05:39,480 --> 02:05:43,080
Speaker 3: Years I have to just go commit crimes. Okay.

2343
02:05:43,160 --> 02:05:46,280
Speaker 1: So this is a question, so that is specific to

2344
02:05:46,360 --> 02:05:48,760
Speaker 1: someone like this is Sean's friend Mark from high school

2345
02:05:49,360 --> 02:05:52,600
Speaker 1: High School records. He sounddrops okay, and he is the

2346
02:05:52,680 --> 02:05:56,040
Speaker 1: kind of person who is making the choice right now between.

2347
02:05:56,080 --> 02:05:58,960
Speaker 3: A life in entertainment and a life in the CD

2348
02:05:59,120 --> 02:06:00,240
Speaker 3: underbelly of the criminal.

2349
02:06:01,160 --> 02:06:05,840
Speaker 1: Tricking somebody into finding a queen or a walnut shell

2350
02:06:06,520 --> 02:06:11,440
Speaker 1: a under a cup. Yes you did find the bozos question, Uh, yes,

2351
02:06:11,560 --> 02:06:15,080
Speaker 1: and it was in there. The question is, Tracy, what's

2352
02:06:15,080 --> 02:06:17,160
Speaker 1: it like to be popular? How do you choose which

2353
02:06:17,160 --> 02:06:17,800
Speaker 1: people to like?

2354
02:06:19,200 --> 02:06:21,600
Speaker 27: You know, it's hard because a lot of a lot

2355
02:06:21,640 --> 02:06:24,600
Speaker 27: of people want to hang out with me. I get

2356
02:06:24,600 --> 02:06:27,320
Speaker 27: invited to a lot of parties. I get invited to

2357
02:06:27,360 --> 02:06:31,400
Speaker 27: a lot of events. And so what I do is

2358
02:06:31,520 --> 02:06:34,560
Speaker 27: I say I'm coming to everything. I always say yes.

2359
02:06:35,400 --> 02:06:37,280
Speaker 27: I never go I never go to anything.

2360
02:06:37,320 --> 02:06:39,200
Speaker 1: That's but you made people so happy when you said yes.

2361
02:06:39,280 --> 02:06:41,280
Speaker 27: I say yes, I'll be there. And then I never

2362
02:06:41,320 --> 02:06:43,320
Speaker 27: show up. So that's sort of how I deal with

2363
02:06:43,360 --> 02:06:44,000
Speaker 27: being popular.

2364
02:06:44,200 --> 02:06:46,520
Speaker 1: That's interesting for you because so many of us now

2365
02:06:46,720 --> 02:06:49,040
Speaker 1: are coming from this kind of nerdish background, like Shan

2366
02:06:49,080 --> 02:06:51,400
Speaker 1: and I and reading science books and reading a comic

2367
02:06:51,440 --> 02:06:53,400
Speaker 1: and you're sort of a typical glamour gal.

2368
02:06:53,640 --> 02:06:56,160
Speaker 27: I'm yeah, I'm what you would call like a glamour gal.

2369
02:06:56,680 --> 02:06:57,280
Speaker 12: Yeah.

2370
02:06:57,320 --> 02:07:01,200
Speaker 3: And that's it's interesting because because you also felt like

2371
02:07:01,280 --> 02:07:03,600
Speaker 3: writing was a choice, and maybe it is because you

2372
02:07:03,640 --> 02:07:07,760
Speaker 3: didn't live in these comic book worlds where your only

2373
02:07:07,960 --> 02:07:12,520
Speaker 3: escape from the viciousness of the bullies. It was to

2374
02:07:12,600 --> 02:07:15,920
Speaker 3: sort of imagine that you were a Clark Kent, who

2375
02:07:16,080 --> 02:07:19,360
Speaker 3: you know was a nerd, wasn't I mean Ken was

2376
02:07:19,360 --> 02:07:21,520
Speaker 3: a nerd. We don't talk about that. Yes, but had

2377
02:07:21,560 --> 02:07:23,840
Speaker 3: these superabilities.

2378
02:07:23,120 --> 02:07:23,560
Speaker 4: That's right.

2379
02:07:23,720 --> 02:07:28,160
Speaker 27: I could have done any number of things. I you know,

2380
02:07:28,640 --> 02:07:33,560
Speaker 27: modeling in Milan, London, all the great cities of Europe,

2381
02:07:34,240 --> 02:07:38,160
Speaker 27: modeling in Brazil, coach anywhere.

2382
02:07:38,200 --> 02:07:40,480
Speaker 3: But America. I feel like you could have been a model.

2383
02:07:40,280 --> 02:07:44,040
Speaker 27: Yes, and no one was interested here but in other

2384
02:07:44,240 --> 02:07:48,320
Speaker 27: cultures and countries. But I chose to do this because

2385
02:07:48,360 --> 02:07:50,840
Speaker 27: I enjoy it, and here I am.

2386
02:07:50,960 --> 02:07:52,240
Speaker 3: What were you doing for you.

2387
02:07:52,280 --> 02:07:57,520
Speaker 1: When some of us were reading about math, what were

2388
02:07:57,600 --> 02:07:58,240
Speaker 1: you doing?

2389
02:07:58,520 --> 02:08:01,880
Speaker 27: I was partying. I was listening to the sounds of

2390
02:08:01,880 --> 02:08:02,960
Speaker 27: the city and dancing.

2391
02:08:03,000 --> 02:08:04,160
Speaker 1: You go shopping at the mall.

2392
02:08:04,320 --> 02:08:05,160
Speaker 12: Go shopping at the mall.

2393
02:08:05,200 --> 02:08:08,440
Speaker 27: I was, yeah, I was shopping at the mall, beautiful

2394
02:08:08,520 --> 02:08:14,880
Speaker 27: things for myself, the finest stores, Bergdorf, Neiman, Marcus, Sucks,

2395
02:08:14,880 --> 02:08:15,520
Speaker 27: Fith Avenue.

2396
02:08:15,760 --> 02:08:17,280
Speaker 1: Where'd you get your ears pierced.

2397
02:08:19,360 --> 02:08:20,160
Speaker 12: At a kiosk?

2398
02:08:20,880 --> 02:08:23,839
Speaker 2: That's nice, that's.

2399
02:08:23,720 --> 02:08:26,600
Speaker 12: Real, real, it's all real.

2400
02:08:27,640 --> 02:08:29,600
Speaker 1: Here's a question in the bag we're gonna find.

2401
02:08:34,480 --> 02:08:40,720
Speaker 3: Okay, I found a gun and a pencil. So which

2402
02:08:40,800 --> 02:08:44,400
Speaker 3: am I gonna use? My gun or my pencil? Well,

2403
02:08:44,880 --> 02:08:46,880
Speaker 3: I guess the pencil is not a computer, so I

2404
02:08:46,880 --> 02:08:47,720
Speaker 3: can't be a writer.

2405
02:08:48,880 --> 02:08:49,880
Speaker 5: Crack.

2406
02:08:50,560 --> 02:08:52,720
Speaker 3: Let's do this, okay.

2407
02:08:52,760 --> 02:08:55,840
Speaker 1: So it seems like it just it plays out in

2408
02:08:55,960 --> 02:08:58,920
Speaker 1: real time for us. Yes, and sometimes it's heard to

2409
02:08:58,920 --> 02:09:00,480
Speaker 1: see the effects of the choice as you make.

2410
02:09:00,920 --> 02:09:05,400
Speaker 3: Until Yeah, sometimes we say things from our crystal towers,

2411
02:09:05,480 --> 02:09:10,040
Speaker 3: you know, and uh, with our Burgdorf purchases, and we

2412
02:09:10,080 --> 02:09:14,960
Speaker 3: don't necessarily realize that there's very real repercussions to the

2413
02:09:15,000 --> 02:09:15,960
Speaker 3: decisions we make.

2414
02:09:16,960 --> 02:09:21,040
Speaker 1: This question is from Anastasia Vigo and her question is

2415
02:09:21,880 --> 02:09:23,680
Speaker 1: how did it feel to win your Emmy?

2416
02:09:23,920 --> 02:09:24,120
Speaker 10: Oh?

2417
02:09:24,240 --> 02:09:28,240
Speaker 27: Great, really wonderful. My family was there. It was a

2418
02:09:28,480 --> 02:09:31,600
Speaker 27: It was a very nice experience. Did you guys, You

2419
02:09:31,600 --> 02:09:32,360
Speaker 27: guys want an Emmy?

2420
02:09:32,520 --> 02:09:36,120
Speaker 3: Arts not a competition. The arts not a art. Shouldn't

2421
02:09:36,160 --> 02:09:40,920
Speaker 3: I can't. Art shouldn't be a competition. I turned Miami

2422
02:09:40,960 --> 02:09:42,400
Speaker 3: into coins.

2423
02:09:42,000 --> 02:09:43,160
Speaker 12: To distribute coins.

2424
02:09:43,640 --> 02:09:45,360
Speaker 5: You melted it down into gold coins.

2425
02:09:45,400 --> 02:09:47,360
Speaker 12: Now did you guys realize when you won your Emmy?

2426
02:09:47,400 --> 02:09:50,360
Speaker 27: Did you feel like it's much It's much smaller than

2427
02:09:50,360 --> 02:09:51,120
Speaker 27: you thought it would be.

2428
02:09:51,480 --> 02:09:54,720
Speaker 3: Mine was very small, very small, to the point where

2429
02:09:54,760 --> 02:09:57,240
Speaker 3: I don't know where it is. Oh, that's interesting. You

2430
02:09:57,240 --> 02:09:58,960
Speaker 3: guys got one of the small ones I did.

2431
02:09:59,080 --> 02:10:01,760
Speaker 27: I minus you could fit it in your mouth. Oh

2432
02:10:01,920 --> 02:10:02,680
Speaker 27: so small.

2433
02:10:02,760 --> 02:10:05,120
Speaker 3: Oh that could be a new kissie. And I don't

2434
02:10:05,120 --> 02:10:07,120
Speaker 3: want to step on the territory between you, but it

2435
02:10:07,200 --> 02:10:07,600
Speaker 3: feels like.

2436
02:10:09,840 --> 02:10:11,600
Speaker 12: Emmy from one lips to another.

2437
02:10:12,640 --> 02:10:15,080
Speaker 1: Mine I would consider to be too big to be.

2438
02:10:15,360 --> 02:10:18,880
Speaker 1: I had to drive with my trunk open, and you strapped.

2439
02:10:18,560 --> 02:10:20,720
Speaker 27: It down with a bungee or yeah, so it's.

2440
02:10:20,640 --> 02:10:22,280
Speaker 1: Very dangerous and you can't see out the back.

2441
02:10:22,440 --> 02:10:24,800
Speaker 3: Oh geez, did you guys fall apart?

2442
02:10:26,520 --> 02:10:27,800
Speaker 12: You just fell apart.

2443
02:10:28,240 --> 02:10:30,360
Speaker 3: Yeah, like when I went to touch it, the freaking

2444
02:10:30,560 --> 02:10:34,080
Speaker 3: arm fell off and there was like I don't know,

2445
02:10:34,240 --> 02:10:37,400
Speaker 3: there was like copper wire in there or something like

2446
02:10:37,440 --> 02:10:40,600
Speaker 3: it was all sticking out jagged, and it just felt

2447
02:10:40,680 --> 02:10:41,839
Speaker 3: dangerous to have it around.

2448
02:10:41,920 --> 02:10:45,600
Speaker 1: And mine was was your guys's one holding up? I

2449
02:10:45,640 --> 02:10:46,440
Speaker 1: think it was supposed to.

2450
02:10:46,520 --> 02:10:48,840
Speaker 3: Be holding up like a glow of course.

2451
02:10:48,920 --> 02:10:52,360
Speaker 1: Oh mine was an orange pool ball. It was yeah.

2452
02:10:52,240 --> 02:10:53,760
Speaker 12: Oh that feels like they I think it was the

2453
02:10:53,920 --> 02:10:55,720
Speaker 12: four or something.

2454
02:10:55,480 --> 02:10:58,120
Speaker 3: The four ball. Well that's more fun though.

2455
02:10:58,960 --> 02:11:01,960
Speaker 27: Yes, did you when you had your did you try

2456
02:11:02,080 --> 02:11:06,080
Speaker 27: burying yours in the yard? Because if you I didn't

2457
02:11:06,160 --> 02:11:08,520
Speaker 27: know this, but if you bury it in the yard,

2458
02:11:08,880 --> 02:11:09,840
Speaker 27: a tree will grow.

2459
02:11:10,240 --> 02:11:12,600
Speaker 12: Oh yeah, yeah, did you try that?

2460
02:11:13,640 --> 02:11:15,960
Speaker 1: It was like it's like that it was ended up

2461
02:11:15,960 --> 02:11:17,040
Speaker 1: being the stub hub tree.

2462
02:11:18,320 --> 02:11:22,480
Speaker 3: Oh yeah, mine? Yeah, mine? What came out of the

2463
02:11:22,520 --> 02:11:27,360
Speaker 3: ground that was not a tree? What was it? It

2464
02:11:27,440 --> 02:11:33,280
Speaker 3: was like it was like, okay, so I'm just gonna

2465
02:11:33,280 --> 02:11:36,320
Speaker 3: describe what I saw.

2466
02:11:36,120 --> 02:11:38,240
Speaker 12: Okay, and we'll try to make heads or tails of it.

2467
02:11:38,400 --> 02:11:42,640
Speaker 3: Okay, there's a beam of light and then there's some

2468
02:11:42,680 --> 02:11:50,480
Speaker 3: sort of metal bug what and he shoots my dad

2469
02:11:50,760 --> 02:11:56,200
Speaker 3: little laser was okay, thank god he is Jesus Christ,

2470
02:11:56,400 --> 02:11:59,680
Speaker 3: but only because it just shot him in the bulletproof

2471
02:11:59,720 --> 02:12:03,440
Speaker 3: vest that he was already with a cop not anymore

2472
02:12:04,440 --> 02:12:08,840
Speaker 3: after this incident or just no, just hasn't been one

2473
02:12:08,920 --> 02:12:14,600
Speaker 3: for a while. Is that he's.

2474
02:12:12,880 --> 02:12:14,760
Speaker 1: Not of cop age really anymore?

2475
02:12:14,960 --> 02:12:15,480
Speaker 12: Oh, I see.

2476
02:12:16,760 --> 02:12:19,560
Speaker 3: But anyway, so I don't know exactly what it was,

2477
02:12:20,720 --> 02:12:24,120
Speaker 3: but I would not call that a tree, that metal bug.

2478
02:12:24,280 --> 02:12:27,120
Speaker 3: And then it took off into the sky. And then

2479
02:12:27,400 --> 02:12:30,920
Speaker 3: I'm reading the news yea a couple of weeks later,

2480
02:12:31,960 --> 02:12:35,160
Speaker 3: and uh, you know, Ben Lawden's dead.

2481
02:12:35,600 --> 02:12:39,640
Speaker 1: Mm hmmm, I don't know. I don't know. I don't know. Well,

2482
02:12:39,680 --> 02:12:40,839
Speaker 1: and your dad has.

2483
02:12:40,640 --> 02:12:42,280
Speaker 3: That has.

2484
02:12:44,040 --> 02:12:46,320
Speaker 12: Your dad? Yeah, so you think that was what?

2485
02:12:46,680 --> 02:12:48,600
Speaker 27: That was a misfire on your dad thinking it was

2486
02:12:48,600 --> 02:12:49,600
Speaker 27: Osama bin Laden.

2487
02:12:49,880 --> 02:12:50,520
Speaker 1: I don't, I don't.

2488
02:12:50,640 --> 02:12:54,280
Speaker 3: I honestly, I'm saying this, What did the bugs say

2489
02:12:54,320 --> 02:12:55,840
Speaker 3: when he shot your dad with the laser?

2490
02:12:55,840 --> 02:12:56,040
Speaker 2: Bean?

2491
02:12:56,880 --> 02:12:57,320
Speaker 3: Take that?

2492
02:13:00,320 --> 02:13:02,320
Speaker 1: Okay, So that sounds like you could have been talking

2493
02:13:02,360 --> 02:13:02,600
Speaker 1: to us.

2494
02:13:03,440 --> 02:13:07,240
Speaker 3: It's pretty open ended, but it could have been. That

2495
02:13:07,320 --> 02:13:09,400
Speaker 3: would be Yeah, you'd be within your rights to say that.

2496
02:13:09,560 --> 02:13:12,160
Speaker 1: It definitely doesn't rule out that's an area.

2497
02:13:12,840 --> 02:13:15,520
Speaker 3: Yeah, no, it would be. You wouldn't be way out

2498
02:13:15,520 --> 02:13:19,600
Speaker 3: of line if you said take that now to Osama,

2499
02:13:20,080 --> 02:13:22,480
Speaker 3: but you could say it to a lot of people.

2500
02:13:23,400 --> 02:13:23,920
Speaker 3: That's true.

2501
02:13:25,480 --> 02:13:27,440
Speaker 1: Let's reach into the bag. We'll find another new question.

2502
02:13:33,200 --> 02:13:35,400
Speaker 24: Just fill up the back, just filter the bag, Just

2503
02:13:35,440 --> 02:13:37,320
Speaker 24: do it, just do it.

2504
02:13:37,600 --> 02:13:40,240
Speaker 3: Why are you doing this? Why are you doing this?

2505
02:13:40,320 --> 02:13:41,120
Speaker 3: You don't have to do this?

2506
02:13:41,320 --> 02:13:42,840
Speaker 1: Yes I do, man, Yes I do.

2507
02:13:42,920 --> 02:13:44,040
Speaker 2: I'm never gonna write.

2508
02:13:44,120 --> 02:13:49,080
Speaker 3: Man, my only friends are the freaking green arrow and freaking.

2509
02:13:48,880 --> 02:13:50,640
Speaker 1: The monster thing.

2510
02:13:52,200 --> 02:13:52,480
Speaker 2: Kid.

2511
02:13:52,720 --> 02:13:53,600
Speaker 3: Just put down the gun.

2512
02:13:53,680 --> 02:13:54,480
Speaker 2: You don't have to do this.

2513
02:13:54,800 --> 02:13:57,160
Speaker 3: No, come on, just fill up the bag. I'm gonna

2514
02:13:57,160 --> 02:13:59,280
Speaker 3: really shoot ah.

2515
02:14:01,680 --> 02:14:02,400
Speaker 10: God.

2516
02:14:03,960 --> 02:14:05,160
Speaker 1: And it sounded like he was scared.

2517
02:14:05,200 --> 02:14:06,640
Speaker 3: He didn't even want to be doing it, but he

2518
02:14:06,920 --> 02:14:07,280
Speaker 3: had to.

2519
02:14:07,440 --> 02:14:08,520
Speaker 1: He had no other choice.

2520
02:14:08,520 --> 02:14:10,240
Speaker 3: Well, he had no other choice, because how is he

2521
02:14:10,280 --> 02:14:14,960
Speaker 3: going to use the library. Yes, here's a question from

2522
02:14:15,040 --> 02:14:15,600
Speaker 3: Jacob C.

2523
02:14:16,640 --> 02:14:19,040
Speaker 1: Tracy. How would you describe your infamous I just wrote

2524
02:14:19,040 --> 02:14:20,760
Speaker 1: a funny joke Victory Dance.

2525
02:14:21,560 --> 02:14:27,360
Speaker 27: Oh I know you, I know what you're talking about. Yeah, yeah,

2526
02:14:27,400 --> 02:14:28,360
Speaker 27: I mean I just sing.

2527
02:14:28,440 --> 02:14:32,320
Speaker 1: I just wrote it. Let's do a joke first, Like,

2528
02:14:32,360 --> 02:14:33,960
Speaker 1: what's a funny joke you did recently?

2529
02:14:34,640 --> 02:14:37,280
Speaker 12: A funny joke recently. That's on the show.

2530
02:14:37,520 --> 02:14:41,920
Speaker 27: Like Mindy walks into a room, okay, and trips and

2531
02:14:42,240 --> 02:14:43,960
Speaker 27: falls face first into a garbage can.

2532
02:14:44,320 --> 02:14:48,040
Speaker 3: Right, that got a big garbage Yeah, Like when her

2533
02:14:48,080 --> 02:14:50,360
Speaker 3: head comes up, is there like a there's.

2534
02:14:50,160 --> 02:14:52,160
Speaker 12: A banana peel show there is?

2535
02:14:52,280 --> 02:14:54,960
Speaker 27: There's an eggshell, big one over her whole head, her

2536
02:14:54,960 --> 02:14:55,520
Speaker 27: whole head.

2537
02:14:55,640 --> 02:15:02,280
Speaker 12: Yes, it's an Easter episode, so that's estabish earlier. Yeah, yes, episode.

2538
02:15:02,400 --> 02:15:05,240
Speaker 27: Yeah, so that's like a you know that obviously got

2539
02:15:05,240 --> 02:15:06,760
Speaker 27: a big reaction in the room.

2540
02:15:06,800 --> 02:15:07,360
Speaker 12: It's funny.

2541
02:15:07,720 --> 02:15:10,880
Speaker 3: I can't wait for that episode. Yeah, well, wait till.

2542
02:15:10,760 --> 02:15:14,920
Speaker 27: Easter because it's that's when it's going to be on Great.

2543
02:15:16,760 --> 02:15:20,320
Speaker 12: What that's when it's going to be on Great?

2544
02:15:20,360 --> 02:15:21,080
Speaker 3: That's great for me.

2545
02:15:21,760 --> 02:15:24,120
Speaker 12: Okay, do you have something on Easter?

2546
02:15:24,320 --> 02:15:25,120
Speaker 1: Watch your problem?

2547
02:15:25,200 --> 02:15:29,280
Speaker 3: He's saying he doesn't have something, Jesus Christ? So what

2548
02:15:29,320 --> 02:15:31,800
Speaker 3: I said? What do you want to say?

2549
02:15:33,080 --> 02:15:33,520
Speaker 1: What's wrong?

2550
02:15:33,560 --> 02:15:36,240
Speaker 3: What do you want to hear? Tell me I'll say it.

2551
02:15:36,720 --> 02:15:37,320
Speaker 12: That's fine.

2552
02:15:37,800 --> 02:15:41,520
Speaker 3: I'm here to please you, your majesty. What do you want

2553
02:15:41,520 --> 02:15:41,800
Speaker 3: to hear?

2554
02:15:42,720 --> 02:15:43,000
Speaker 2: God?

2555
02:15:44,400 --> 02:15:46,440
Speaker 3: And so you do the joke. I'm sorry, you do

2556
02:15:46,480 --> 02:15:52,520
Speaker 3: the funny joke. Yeah, and then fucking ship what forget it.

2557
02:15:52,680 --> 02:15:55,960
Speaker 12: You got a big attitude problem.

2558
02:15:56,240 --> 02:15:56,960
Speaker 2: Yeah, I guess so.

2559
02:15:57,320 --> 02:15:59,920
Speaker 1: From where I'm standing, you talked about your funny joke.

2560
02:16:00,080 --> 02:16:02,040
Speaker 1: He said it was great. I'm trying to be I said.

2561
02:16:02,400 --> 02:16:04,280
Speaker 3: I said, I can't wait to see it. I said,

2562
02:16:04,440 --> 02:16:05,200
Speaker 3: great again.

2563
02:16:05,440 --> 02:16:07,800
Speaker 27: You know this, as a writer, there's a reader on

2564
02:16:07,880 --> 02:16:09,680
Speaker 27: every on every line of dialogue.

2565
02:16:09,760 --> 02:16:11,720
Speaker 12: And his reader was jack Off.

2566
02:16:12,320 --> 02:16:15,959
Speaker 1: The reader that I saw that I saw was loving

2567
02:16:16,360 --> 02:16:20,200
Speaker 1: her her ship, loving her ship, parenthetical, loving her ship,

2568
02:16:20,960 --> 02:16:22,800
Speaker 1: parenthetical going to watch.

2569
02:16:23,160 --> 02:16:26,240
Speaker 27: Yes, Well I'm sorry then I didn't. I didn't take

2570
02:16:26,280 --> 02:16:28,000
Speaker 27: it that way. Loving her ship.

2571
02:16:28,120 --> 02:16:31,160
Speaker 3: Okay. Well the reader on that is not a great apology.

2572
02:16:32,200 --> 02:16:36,560
Speaker 27: Okay, anyway, I mean, you're you're here, you feel.

2573
02:16:36,280 --> 02:16:39,359
Speaker 1: This, that's not Yes, And I see in Sean someone.

2574
02:16:39,040 --> 02:16:40,959
Speaker 12: Who you're going to take his side.

2575
02:16:41,000 --> 02:16:43,360
Speaker 3: I recognize the kind of behavior he's doing.

2576
02:16:43,520 --> 02:16:44,960
Speaker 12: You have to see him tomorrow.

2577
02:16:45,160 --> 02:16:48,600
Speaker 1: Yes, And frankly, I think he looks like me. He

2578
02:16:48,640 --> 02:16:51,640
Speaker 1: has very similar facial hair right now and sort of

2579
02:16:51,680 --> 02:16:55,320
Speaker 1: sandy hair, whereas I look at you and it's like

2580
02:16:55,360 --> 02:16:57,720
Speaker 1: a different creature just in my lizard brain.

2581
02:16:57,959 --> 02:17:01,199
Speaker 27: Yeah, long brown hair, yes, different face.

2582
02:17:01,120 --> 02:17:04,800
Speaker 3: Yes, The sort of reptilian part of my brain is

2583
02:17:04,879 --> 02:17:07,160
Speaker 3: just fighting to make any kind of sense of you

2584
02:17:07,240 --> 02:17:10,959
Speaker 3: and everything. It's telling me. It's just danger, you know,

2585
02:17:11,840 --> 02:17:14,000
Speaker 3: do not trust, Yes, fight or flight?

2586
02:17:15,560 --> 02:17:20,480
Speaker 1: But and but instead I choose to do podcast. So

2587
02:17:21,120 --> 02:17:21,720
Speaker 1: what's the dance?

2588
02:17:22,720 --> 02:17:22,920
Speaker 13: Yes?

2589
02:17:23,080 --> 02:17:24,400
Speaker 3: Describe begin?

2590
02:17:25,320 --> 02:17:26,600
Speaker 5: Yes she could?

2591
02:17:26,640 --> 02:17:29,720
Speaker 3: She describe the dance as the prize for our pro version. Yes,

2592
02:17:29,760 --> 02:17:32,040
Speaker 3: I suppose, because it is one oh one and there

2593
02:17:32,200 --> 02:17:35,039
Speaker 3: is like, oh, pretty big podcast coming in behind us.

2594
02:17:35,120 --> 02:17:38,119
Speaker 1: Yes, and so we uh and you rate us on iTunes,

2595
02:17:38,120 --> 02:17:40,440
Speaker 1: and you like us on the forums, and uh and

2596
02:17:40,560 --> 02:17:41,600
Speaker 1: on Facebook, and.

2597
02:17:41,680 --> 02:17:44,120
Speaker 3: Like us on Facebook, rate us on nice and thank

2598
02:17:44,160 --> 02:17:44,760
Speaker 3: you so much.

2599
02:17:44,640 --> 02:17:45,360
Speaker 1: Tracy for coming.

2600
02:17:45,360 --> 02:17:46,640
Speaker 12: Oh, thank you guys.

2601
02:17:46,560 --> 02:17:49,400
Speaker 1: Joining us on the show. And it's a good prize

2602
02:17:49,400 --> 02:17:52,320
Speaker 1: coming for Salad Jesse Raphael, the person who bought the

2603
02:17:52,360 --> 02:17:55,080
Speaker 1: pro version this week, thank you so much. Really good

2604
02:17:55,080 --> 02:17:56,480
Speaker 1: pro version coming your way.

2605
02:17:56,680 --> 02:17:56,760
Speaker 25: Uh.

2606
02:17:56,879 --> 02:17:59,160
Speaker 1: And and Tercy's going to describe for you her her

2607
02:17:59,240 --> 02:17:59,880
Speaker 1: joke dance.

2608
02:18:00,720 --> 02:18:00,959
Speaker 12: Yeah.

2609
02:18:00,959 --> 02:18:04,400
Speaker 27: When I tell a good joke, I say, fuck you, motherfuckers.

2610
02:18:04,480 --> 02:18:07,520
Speaker 27: I told the best joke. And then I stand very

2611
02:18:07,840 --> 02:18:09,400
Speaker 27: very erect, and I.

2612
02:18:09,400 --> 02:18:10,600
Speaker 12: Kick myself in the butt.

2613
02:18:11,520 --> 02:18:18,920
Speaker 1: Bye bye. I enjoyed that clip most of all. Wow,

2614
02:18:19,000 --> 02:18:21,600
Speaker 1: all right, that was a really fun clip. Let me

2615
02:18:21,720 --> 02:18:25,039
Speaker 1: just reach into the bag and get the next one.

2616
02:18:25,120 --> 02:18:28,000
Speaker 1: Oh my god, we're out of clips. Engine Or Rashid,

2617
02:18:28,040 --> 02:18:29,280
Speaker 1: what happened to the other clips?

2618
02:18:30,240 --> 02:18:31,960
Speaker 2: I think I got rid of them while you you know,

2619
02:18:32,080 --> 02:18:34,360
Speaker 2: like at commercial break, I just went just to lead

2620
02:18:34,440 --> 02:18:35,120
Speaker 2: it the rest and them.

2621
02:18:35,240 --> 02:18:39,360
Speaker 1: Honestly, why you because you have to go home. It's

2622
02:18:39,400 --> 02:18:41,640
Speaker 1: only two thirty in the morning, Engineer Rashid.

2623
02:18:41,920 --> 02:18:43,240
Speaker 2: Honestly, I gotta get out of here.

2624
02:18:45,600 --> 02:18:46,640
Speaker 1: What do you have to do?

2625
02:18:47,920 --> 02:18:51,200
Speaker 2: I came here with just the mentality to do working,

2626
02:18:51,240 --> 02:18:52,920
Speaker 2: and you pulled me into the show like I had

2627
02:18:53,000 --> 02:18:55,320
Speaker 2: no clue I was going to be here talking or

2628
02:18:55,360 --> 02:18:57,640
Speaker 2: being a guest speaker. It's not what I do. It's

2629
02:18:57,720 --> 02:19:00,320
Speaker 2: not my job. People. I don't know why he means

2630
02:19:00,360 --> 02:19:02,720
Speaker 2: it is all right, So it's a silver as well.

2631
02:19:02,840 --> 02:19:05,119
Speaker 1: Thanks so much for being a guest on the show.

2632
02:19:05,200 --> 02:19:08,720
Speaker 1: I'm gonna say that you were Steve Harvey? Is that okay?

2633
02:19:09,600 --> 02:19:13,320
Speaker 1: Are you a fan of his? Steve Harvey is very cool? Okay,

2634
02:19:13,360 --> 02:19:15,600
Speaker 1: I'm gonna say is that okay? If I just say

2635
02:19:15,680 --> 02:19:18,119
Speaker 1: because we need to advertise, like this is our episode

2636
02:19:18,120 --> 02:19:20,280
Speaker 1: after Comedy Bank Bank, and so we need to say

2637
02:19:20,280 --> 02:19:22,680
Speaker 1: that we got a really really good guest. So I'm

2638
02:19:22,720 --> 02:19:25,840
Speaker 1: going to promote this one by saying that Steve Harvey

2639
02:19:25,920 --> 02:19:30,280
Speaker 1: is a guest, and could you just say like something

2640
02:19:30,360 --> 02:19:33,640
Speaker 1: like I'm Steve Harvey and like I really love comedy,

2641
02:19:33,959 --> 02:19:37,040
Speaker 1: not comedy bank Bank, don't say that, say Hollywood Handbook.

2642
02:19:37,640 --> 02:19:38,080
Speaker 2: Got it?

2643
02:19:38,760 --> 02:19:39,080
Speaker 1: Got it?

2644
02:19:39,160 --> 02:19:39,760
Speaker 3: You're ready?

2645
02:19:40,080 --> 02:19:40,280
Speaker 2: Yeah?

2646
02:19:40,320 --> 02:19:42,280
Speaker 13: Oh yeah, sorry, I was supposed to be doing it

2647
02:19:42,320 --> 02:19:44,440
Speaker 13: and promoting.

2648
02:19:44,480 --> 02:19:48,440
Speaker 2: Okay, yeah, sorry, go ahead. Hey ladies and gentlemen, this

2649
02:19:48,520 --> 02:19:56,120
Speaker 2: is Steve Harvey. I'm here. Okay. We should have rehearsed it.

2650
02:19:56,200 --> 02:19:59,200
Speaker 1: Yes, because it's good to say that you're here. I

2651
02:19:59,200 --> 02:20:02,360
Speaker 1: think that you're saying I'm here is right because they

2652
02:20:02,400 --> 02:20:05,680
Speaker 1: need to know where you are. But I think you

2653
02:20:05,680 --> 02:20:13,039
Speaker 1: should also say I love being on the show. And Hayes,

2654
02:20:14,040 --> 02:20:17,200
Speaker 1: we let's be friends after this, not just for the show,

2655
02:20:17,240 --> 02:20:21,040
Speaker 1: but let's continue to be friends afterwards, like a relationship. Yes,

2656
02:20:21,200 --> 02:20:25,440
Speaker 1: that's great, that's perfect. So Steve, thank you so much

2657
02:20:25,440 --> 02:20:28,280
Speaker 1: for being on the show. Did you have a good time.

2658
02:20:28,959 --> 02:20:31,119
Speaker 2: Hey, guys, I had a great time with Hayes. Man,

2659
02:20:31,160 --> 02:20:33,640
Speaker 2: this is Steve Harvey, and you know I love this show.

2660
02:20:34,280 --> 02:20:36,440
Speaker 2: And then once it finishes, we're just gonna go hang out.

2661
02:20:36,440 --> 02:20:36,600
Speaker 19: Man.

2662
02:20:36,680 --> 02:20:38,320
Speaker 2: Me and Hayes are gonna be the best of friends.

2663
02:20:38,600 --> 02:20:40,519
Speaker 2: All right, guys, come check it out.

2664
02:20:40,800 --> 02:20:45,120
Speaker 1: Steve Harvey, okay and Sean anything you want to say

2665
02:20:45,160 --> 02:20:51,440
Speaker 1: to the guys. And it's more fucking money. It's not

2666
02:20:51,480 --> 02:20:52,840
Speaker 1: really the note that I wanted to.

2667
02:20:53,040 --> 02:20:56,000
Speaker 2: I think he's really on a loop. Honestly, I think

2668
02:20:56,320 --> 02:20:57,520
Speaker 2: you guys gotta get that checked out.

2669
02:20:58,560 --> 02:21:01,000
Speaker 1: Thanks a lot for listening to this show. We're not

2670
02:21:01,120 --> 02:21:03,960
Speaker 1: giving out the pro version for this episode because it's, uh,

2671
02:21:04,240 --> 02:21:09,000
Speaker 1: it's an unusual episode in many ways. Uh, they listen

2672
02:21:09,080 --> 02:21:10,240
Speaker 1: to us iTunes.

2673
02:21:10,760 --> 02:21:10,880
Speaker 19: Uh.

2674
02:21:11,440 --> 02:21:14,320
Speaker 1: Like I said on the forums, bye say bay Rashid.

2675
02:21:15,160 --> 02:21:18,240
Speaker 2: I'm Steve Harvey.

2676
02:21:22,040 --> 02:21:25,039
Speaker 3: This has been an Earwolf Media production executive producers Jeff

2677
02:21:25,080 --> 02:21:28,080
Speaker 3: Ulrich and Scott Ackerman. For more information, visit earwolf dot.

2678
02:21:27,879 --> 02:21:35,560
Speaker 1: Com, ear Warf Radio, Boom dot

2679
02:21:35,600 --> 02:21:43,520
Speaker 3: Com, The Worlf Dead