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Speaker 1: You can do your things, sawdy. It's okay to flow,

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Speaker 1: but it's still one roof playoff.

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Speaker 2: I'm sinking tired of the same poke bitches, no job

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Speaker 2: or they want to do a smoke swishes, get some money?

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Speaker 2: Hold why you want to watch mine? Ain't no telling

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Speaker 2: what I'm gonna be driving next time?

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Speaker 1: Seven bottle more, pup the make up work you can

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Speaker 1: co Yo yo yo, Yo, yo yo. Welcome to It's

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Speaker 1: Up There Podcast. I am your active and attractive host

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Speaker 1: for another episode of the fastest growing You already know

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Speaker 1: the vibes is how I want to thank each and

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Speaker 1: every person that's ever watched the episode. Yo, we got

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Speaker 1: allowed to talk about today. The game is in disarray.

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Speaker 1: They need us to come save the game. You dig.

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Speaker 1: Before we get into any topics today, I do want

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Speaker 1: to number one save for everyone that's clicked this video,

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Speaker 1: make sure you come to patreon dot com It's Up

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Speaker 1: There podcast. We have very frequent as it pertains to

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Speaker 1: video and content over there where. We kind of are

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Speaker 1: more in tune with the culture and try to have

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Speaker 1: more of a storefront, you know, and most importantly share

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Speaker 1: game because w ain't shaing game. We ain't doing nothing

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Speaker 1: that's the most important thing we can do. So come

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Speaker 1: to patreon dot com. It's up there. Podcast video drops

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Speaker 1: every Thursday on YouTube, of course every Monday on Patreon,

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Speaker 1: so you get the video before everybody else on Patreon

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Speaker 1: on Monday, and then on that same Thursday, I have

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Speaker 1: a drop for you guys that's not available on YouTube,

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Speaker 1: and that's just to let people kind of get familiar

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Speaker 1: with the business model. I think it's important that we

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Speaker 1: set that standard and people know when we drop what

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Speaker 1: to find us. Our new drop time also will be

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Speaker 1: two pm. I'm doing some market research and soft hire

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Speaker 1: some people to look into all my numbers and report

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Speaker 1: back to me kind of what's the best time to drop,

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Speaker 1: When do we do things, what are we missing, what

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Speaker 1: do we need to get to the next level. One

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Speaker 1: of those things is I'm gonna drop when my people online,

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Speaker 1: right and according to the analytics, in the evenings around

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Speaker 1: two pm, most of my fans and supporters are engaged

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Speaker 1: and ready to watch some of my content. That's when

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Speaker 1: they kind of digest the content. So for us, that's

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Speaker 1: that's gonna be the new time moving forward. I think

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Speaker 1: that's a blessing to understand where your people are in

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Speaker 1: their journey and hopefully they can they can catch it

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Speaker 1: at a great time. Over the last couple of days,

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Speaker 1: I went to see dead Pool. I'm not sure if

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Speaker 1: people are familiar with dead Pull and Wolverine that's out now.

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Speaker 1: Me and my son was doing some school shopping for him,

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Speaker 1: and you know, I had my oldest. My youngest is

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Speaker 1: out of town, so I had my oldest and so

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Speaker 1: we're walking through the mall and so I'm like, yo, man,

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Speaker 1: I think Wolverine just came out. So we shoot over

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Speaker 1: to the oppery. Meals, move it the I use this app, right,

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Speaker 1: and the app kind of tells you what videos are out,

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Speaker 1: what movies are out, where it being showed, what show times,

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Speaker 1: what theater, what theater inside the theater right, what screen,

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Speaker 1: the seating, and what have you, et cetera, et cetera.

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Speaker 1: And so for me, as I'm watching, I look up

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Speaker 1: the Deadpool and Maouverene and it says nothing about the

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Speaker 1: for DX because I usually take my children to Ford DX.

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Speaker 1: If you haven't been to Fort DX, probably something you

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Speaker 1: will want to experience. I think the experience of a

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Speaker 1: Fort DX movie, especially a good movie, I think it's

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Speaker 1: hard to match that if you're into being immersed into

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Speaker 1: the actual movie, you know, like when bullets are flying,

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Speaker 1: you feel it, you feel it's hot, you feel when

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Speaker 1: it's raining, you get wet, a little missed, right, And

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Speaker 1: so it's a very interactive experience as it pertains to

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Speaker 1: going to see a movie. And so this app tells me, Yo,

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Speaker 1: they're not showing it in for DX, And for me,

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Speaker 1: that's amazing, I said, I wonder why they wouldn't show

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Speaker 1: Wolverine and Deadpool in Fort d X when it's a

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Speaker 1: lot of action that's gonna be a lot going on.

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Speaker 1: Come to find out, they do shorten for DX. When

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Speaker 1: we get up to the cashier, she asked me. She says,

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Speaker 1: what do you guys want to see the movie? And

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Speaker 1: I'm like, yo, we want to see it at I

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Speaker 1: think it was like three o'clock. We want to see

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Speaker 1: at three o'clock. She was like Fort DX and I'm like, well,

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Speaker 1: it says on the site that they don't have any

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Speaker 1: for DX, and she says, well, no, they have for DX.

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Speaker 1: And I was like, all right, I asked my son,

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Speaker 1: you want to see it for DX? Of course forty

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Speaker 1: X is what we usually see. Bam. We go to

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Speaker 1: check into the movie. That hand me a pair of glasses. Now,

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Speaker 1: when the dude had me the pair of glasses, I'm

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Speaker 1: looking around, and everybody got glasses. And so I look

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Speaker 1: at my son, and for some reason, because my kid

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Speaker 1: is getting older, when I get in a certain situation,

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Speaker 1: I look over at him and we kind of like

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Speaker 1: like he's some kind of like he's some kind of

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Speaker 1: person that can negotiate this thing, you know. So I

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Speaker 1: look over at him. I said, hey, man, I said, hey, son,

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Speaker 1: they giving everybody glasses. He like, Dad, they giving everybody glasses.

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Speaker 1: I don't think you have to wear the glasses. So

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Speaker 1: he basically telling me, and he basically don't convince me.

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Speaker 1: And this is why I'm trying to tell people love

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Speaker 1: is blind, because he basically don't convince me that these

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Speaker 1: folks is handing out glasses when you walk into this

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Speaker 1: movie for no reason. That what he tells me. He said, well, Dad,

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Speaker 1: everybody got glasses. I just think they just come with

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Speaker 1: the movie. And so I'm thinking, damn maybe. So I

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Speaker 1: literally said maybe so, because that's my son. I love

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Speaker 1: my son, right, So I'm thinking, damn maybe. So, maybe

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Speaker 1: that's what it is. Man. When we sit down and

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Speaker 1: they say put your glasses on. I look over at

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Speaker 1: my son. We gotta put our glasses on to even

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Speaker 1: see the movie. I want to be clear, Deadpool is

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Speaker 1: a great movie. Like I'm gonna go see it again

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Speaker 1: with my other son because Deadpool is an extremely good movie.

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Speaker 1: It's a ten out of ten if you ask me,

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Speaker 1: if you're into that style of movie, you know, if

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Speaker 1: you're into action, if you're into the comic books, the Marvels,

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Speaker 1: if you're into Marvel or anything like that, that's one

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Speaker 1: of the best ones that I've seen. Right, And this

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Speaker 1: is not endorsement. They didn't cut a check. I did

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Speaker 1: see though, and I'm gonna do some research on that later,

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Speaker 1: probably on stream or something. But I seen some Fox.

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Speaker 1: There was a lot of Fox slender in there, and

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Speaker 1: I know it was sat tire right, meaning that there

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Speaker 1: was some kind of it was supposed to be some

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Speaker 1: kind of joke, but for some reason they had the

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Speaker 1: Fox low Go buried in there. They would reference Fox

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Speaker 1: here and there, and so I think with the characters

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Speaker 1: both being in different worlds, I think they're having some

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Speaker 1: overlap and they may be finding red tape and trying

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Speaker 1: to work through some of those deals to get these

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Speaker 1: people on screen together. I don't know if that's the case.

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Speaker 1: We're gonna look into exactly why that there was some

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Speaker 1: fox slender in that Deadpool movie also, but back to

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Speaker 1: the Fox d X thing, right, so of course you

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Speaker 1: know they and water they got fire, y'all kind of

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Speaker 1: first twenty minutes, I got the glasses on. I'm bad looking.

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Speaker 1: It's starting to it's for my brain, it's for my

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Speaker 1: head and everything. I'm starting to look around saying, well,

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Speaker 1: I'm getting dizzy, a headache or some some is off

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Speaker 1: because you know how the three D thing do, right,

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Speaker 1: So I peak out the glasses. Guess what I think.

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Speaker 1: I'm finished this, man. I ain't dealing with these glasses. Man,

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Speaker 1: I don't want to wear these glass man. I peak

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Speaker 1: from up behind them glasses. Man, the movie look garobo

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Speaker 1: man nah man without them glasses, man, that ain't no

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Speaker 1: movie you watch it. So now I'm forced with the glasses.

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Speaker 1: Now with three D, I messed with three D. If

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Speaker 1: I'm ready for three D, I wasn't ready for three

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Speaker 1: D right then, So I end up in the chair

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Speaker 1: and another thing is is the combination that wou was

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Speaker 1: getting me the three D glasses. But the chair doing

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Speaker 1: like it right there, the chair jumping and moving, and

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Speaker 1: so that's what I think put me in a bad

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Speaker 1: scenario to now I'm like, yo, this is this is

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Speaker 1: a lot happening. But I thoroughly enjoyed the movie. But

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Speaker 1: I don't think I'll ever do that combo again, the

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Speaker 1: three D four D X. I may not never do

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Speaker 1: that that combo ever again. You don't want to see

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Speaker 1: the tongue hanging out that dog in three D. They

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Speaker 1: had a little dog in the movie that were running

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Speaker 1: around with his tongue hanging out. I mean it was

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Speaker 1: I don't know if he was deformed or what, but

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Speaker 1: he had his tongue hanging out on the movie and

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Speaker 1: it was just laying down to the side. And in

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Speaker 1: three D. That looks kind of that looks kind of funny,

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Speaker 1: to say the least, right lack of a better term.

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Speaker 1: Last week, they also got on my ass about Kamala

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Speaker 1: Harris and me saying that me as a black man

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Speaker 1: picture this, This is what I mean about. We got

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Speaker 1: growing to do me as a black man step out

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Speaker 1: an attempt to figure out if this lady has a

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Speaker 1: real shot. I asked a question that someone that really

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Speaker 1: wants to know this information. Does Kamala Harris really have

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Speaker 1: a shot at winning this thing? Because what we have

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Speaker 1: to remember is something will be exposed right now, either

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Speaker 1: one or two things. One will be will find out

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Speaker 1: that the system is the system and as a formula

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Speaker 1: to get you in the game, will either find that

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Speaker 1: out or two will break the whole system and know

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Speaker 1: that this black woman ran for present and won in

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Speaker 1: ninety days. If you ask me, you need runway to

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Speaker 1: get the plane off the ground. Or have they lied

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Speaker 1: about that? Because now that plays in the campaign funds,

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Speaker 1: that plays in the commercials that's being ran. So do

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Speaker 1: we not need that long? Or are they gonna contribute

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Speaker 1: Biden's campaigning to Kamala Harris. I see the trick that

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Speaker 1: they're running right now is and it's really not a trick.

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Speaker 1: It's the truth. When you donate to Joe Biden, you're

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Speaker 1: literally donating to Joe Biden and VP Kamala Harris running,

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Speaker 1: So technically you still donating to her campaigning. You did

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Speaker 1: because she still benefits off those contributions. And so I

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Speaker 1: see that they're using that narrative. But I'm telling you,

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Speaker 1: when you pull out of a political race of this

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Speaker 1: magnitude in this way, I think that there's some consequences

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Speaker 1: on the person that tries to pick up that flag

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Speaker 1: and running on in because what happens is you create undecided, right,

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Speaker 1: you create people that was on Biden's side that's saying

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Speaker 1: that now.

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Speaker 2: Damn.

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Speaker 1: So there's a beauty in it because not only do

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Speaker 1: you create undecided, which is negative, the pro to that

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Speaker 1: is Kamala also activates a lot of people. You got

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Speaker 1: people like Charlemagne toa god. You got other people that

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Speaker 1: were on the fence as it pertains to publicly endorsing

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Speaker 1: Joe Biden that have no problem endorsing Kamala Harris. And

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Speaker 1: so all the bets are in, all the calls have

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Speaker 1: been made, like, Yo, we're pushing for this thing, and

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Speaker 1: if you believe in us, believe in this. And so

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Speaker 1: I'm saying as a black man, I couldn't even come

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Speaker 1: out and have that conversation without being criticized. Not only

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Speaker 1: did I approach this scenario with the utmost respect, I

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Speaker 1: also cited that, Yo, I got a black mama. I

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Speaker 1: want the best for Kamala Harris is just because she

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Speaker 1: a black woman. People push back on that loan. She

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Speaker 1: ain't black. I'm saying, listen, She's created people that's undecided

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Speaker 1: about this race. And they're not undecided because she's a

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Speaker 1: black woman. If you ask me, that may contribute to

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Speaker 1: it in some facets, in some areas of America, that

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Speaker 1: may contribute to it. But for the most part, people

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Speaker 1: just don't know enough they campaign for two years, it's

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Speaker 1: been Joe Biden in front of the camerony entire time.

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Speaker 1: And so now we got kamalist like we gotta be.

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Speaker 1: We gotta be extremely informative. Every press conference matters, every

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Speaker 1: tweet matters, every interview matters, every rally matters. Everything matters

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Speaker 1: for her right now because she has a limited amount

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Speaker 1: of time. And for me to ask that question to

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Speaker 1: get any pushback, it shows you that we're so emotionally

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Speaker 1: charged when it comes to politics that we won't even

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Speaker 1: take time to make sure that we're on the same page.

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Speaker 1: It's almost like, if you don't blindly go into it,

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Speaker 1: I don't have respect for your black car. And I'm

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Speaker 1: telling you that ain't never how I'm gonna roll. I

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Speaker 1: lose everything before I lay down and be you know

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Speaker 1: what I'm saying, that's just what kind of individual I am.

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Speaker 1: I just ain't cut like that, I ain't built like that.

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Speaker 1: I gotta ask questions, I gotta find out things. I

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Speaker 1: gotta form my own opinion. I understand I got to

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Speaker 1: withdraw things from it from my own perspective, with all

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Speaker 1: due respect with you know, there's a lot of punnits,

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Speaker 1: there's a lot of people in position. But I gotta

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Speaker 1: have my own perspective on what I'm looking at. And

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Speaker 1: if that's not the case, then we have an issue.

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Speaker 1: But it may be exposed that shit. Maybe ninety days

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Speaker 1: is all you need because if she wins like this,

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Speaker 1: in my opinion, it causing the question again. I understand

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Speaker 1: they've been campaigning for a while with Joe Biden, but

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Speaker 1: she hasn't been campaigning as the front runner. Then there's

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Speaker 1: some question as to how can the Democrats just make

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Speaker 1: her the lady? How can they make her the nominee?

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Speaker 1: If this is a fair and equal opportunity for all

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Speaker 1: people in the Democratic Party, how does she just pop

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Speaker 1: out the nominee because she's the vice president. So that

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Speaker 1: mean the process is flawed somewhere, And that's if you

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Speaker 1: ask me, or my understanding is off. Instead of people

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Speaker 1: getting upset with me. They should help increase our investment

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Speaker 1: of understanding as it pertains to her position and her

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Speaker 1: position on things, because literally, there's people in the middle.

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Speaker 1: You see it in the rap game, you see it everywhere.

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Speaker 1: There's people that don't know. Oh man, that's it, lady.

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Speaker 1: Everybody said it about that. Whoa they talking about? Man?

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Speaker 1: That's the woman that did man y'all shit. You know.

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Speaker 1: I see the people I like saying, do it, do it?

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Speaker 2: Do it?

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Speaker 1: But so there's questions that are still out there, and

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Speaker 1: we got to respect those things from trusted media sources

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Speaker 1: like the one you're listening to. All right, let's get

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Speaker 1: to the podcast. I want to start the show today

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Speaker 1: talking about Funny Marco and Bobby Alto. For those unaware,

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Speaker 1: they announced the tour I think about nine ten months

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Speaker 1: ago in twenty and twenty three, and it was supposed

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Speaker 1: to run into twenty and twenty four. They ended up

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Speaker 1: getting into it, calling the tour off once because Bobby

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Speaker 1: had her own issues. In his video coming up, you'll

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Speaker 1: hear her explain what her issues was. At that time.

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Speaker 1: Funny Marco stayed by her side, according to him, and

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Speaker 1: wanted to relaunch the tour and for some reason he's

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Speaker 1: unhappy with the results that he received from that tour.

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Speaker 1: Right today, we're gonna have a real conversation with the

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Speaker 1: colture about some of these things. Not only are we

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Speaker 1: gonna talk about tour, but we're gonna talk about much

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Speaker 1: more than that. Let's take a look at what Funny

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Speaker 1: Marco said as he announced canceling his tour with Bobby

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Speaker 1: nine months after they started pay attention.

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Speaker 3: I should not to say by nobody, but when people

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Speaker 3: pay their heart breaking money, I really really care about that.

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Speaker 3: So when I'm gonna stand up to her and I'm

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Speaker 3: selling out these tours and then me and Bobby be

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Speaker 3: able to come together and people are paying their money

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Speaker 3: to come see us, I really want that to get better.

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Speaker 3: I don't want it to be the same. I don't

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Speaker 3: want to take nobody money. If you can't get it again,

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Speaker 3: let me start there. Let me say that if you

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Speaker 3: can't get the money again, you don't need to be

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Speaker 3: doing it twice. That's like with anything with promo. If

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Speaker 3: you're doing promo, don't be out here trying to scramble

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Speaker 3: for money and take people hard work money to just

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Speaker 3: do it and use your platform and then go about

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Speaker 3: to your day because it's about long lack of relationship.

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Speaker 1: A relationship is very, very important.

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Speaker 3: So the fact that I feel like I was I

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Speaker 3: did stand up before and I'm still doing it, so

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Speaker 3: I understand, I'm learning how to entertain the crowd. And

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Speaker 3: it's not the same thing that you get on Instagram.

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Speaker 3: This is real life where people are going to look

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Speaker 3: and they want the energy and they want the feeling.

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Speaker 3: And I feel like Bobby was stiff a little bit,

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Speaker 3: you know what I'm saying, And I'm like, hey, man,

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Speaker 3: let's really really work on this, like and I paid scriptwriters,

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Speaker 3: like let's really get them a show. And where she

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Speaker 3: told me that's not me, Bobby was like, my comedy

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Speaker 3: is me not talking a lot? And I'm like, shit,

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Speaker 3: this is different, Like you could do that on the podcast,

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Speaker 3: but in real life this is different. So her comedy

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Speaker 3: was different from what she's from what she wanted to

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Speaker 3: bring to the show, which I can respect. You know

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Speaker 3: what I'm saying. There's nothing about me getting mad. I'm

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Speaker 3: not saying you do nothing wrong. I can't, but I

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Speaker 3: just don't agree with it. I don't agree with it.

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Speaker 3: You feel me, it's same way, she probably don't agree

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Speaker 3: with what I do, so you're not wrong for how

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Speaker 3: you feel. But again, when people pay them tickets and

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Speaker 3: I just feel like and I'm trying to put a

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Speaker 3: production show together and then you're not saying nothing, and

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Speaker 3: I'm up there trying to talk and I'm like, hey, Bobby, Bob,

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Speaker 3: and You're just like this. It was just like it

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Speaker 3: was hurting me because I know people are paying their

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Speaker 3: hard like it could be a last money. They don't

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Speaker 3: care about it, like I got the money. But again,

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Speaker 3: if you don't pay to see something twice, I don't

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Speaker 3: want to do it again. And I wanted it to

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Speaker 3: get better. But Bobby was just in her ways of

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Speaker 3: doing it how she wanted to do it, and I

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Speaker 3: was in my ways to do how I want to

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Speaker 3: do it. So nobody's in the wrong when it comes

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Speaker 3: to that. But but on my end, to explain to y'all,

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Speaker 3: I just wanted more out of Bobby. I wanted her

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Speaker 3: to dance more, I wanted her to talk. And the

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Speaker 3: audience was, believe it or not, a lot of people's

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Speaker 3: coming to see her.

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Speaker 1: So like her fan base is big, a.

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Speaker 3: Lot of people were seeing her, you know, as much

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Speaker 3: as I'm settling that on tour, a lot of people

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Speaker 3: was coming to see her, so that was a beautiful thing.

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Speaker 3: So I'm happy, Like, man, they come to see her,

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Speaker 3: Like you could go along with this, like you can

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Speaker 3: really make your podcast go live and taking it and

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Speaker 3: bring your other guests on there. But again, she was

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Speaker 3: doing her own way. And I want entertainment.

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Speaker 1: I want you to learn something.

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Speaker 4: I want to laugh.

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Speaker 1: I want you to walk away and like, damn, what

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Speaker 1: you just heard was funny Marco putting itself out there

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Speaker 1: letting him know he's canceling the tour with Bobby the

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Speaker 1: Boy run an audible like Peyton Manning the Boy Runner

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Speaker 1: audible like Peyton Manning. You hear me. What he found

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Speaker 1: out was that, in his opinion, Bobby was not up

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Speaker 1: to par, so he flushed the whole tour. This was

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Speaker 1: after he made a significant investment. According to him, I

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Speaker 1: want you to hear Bobby's side and then we'll give

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Speaker 1: some commentary.

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Speaker 5: Pay attention, all right, Marco, I guess this is how

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Speaker 5: we're doing this now. I saw your video not gonna lie.

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Speaker 1: I was a little shocks.

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Speaker 5: So here's my version of what happened last year. We

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Speaker 5: were supposed to go on tour and I backed out

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Speaker 5: last minute because my husband had just left me. I

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Speaker 5: just had surgery and I was super nervous going into

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Speaker 5: this because I was not prepared. And I text Marco

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Speaker 5: and I said, Marco, I'm so sorry to do this,

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Speaker 5: but I'm so depressed right now. I literally want to myself.

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Speaker 5: He doesn't reply to me, and then he unfollows me.

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Speaker 5: I woke up from surgery actually to him unfollowing me.

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Speaker 5: And not only that, in the coming weeks he would

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Speaker 5: go on multiple podcasts and talk about how much he

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Speaker 5: didn't fuck with my style of humor. Fast forward sometime

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Speaker 5: I'm in Vegas doing an interview and he bumps into

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Speaker 5: me and I'm like, oh hey, stranger. He's like, let's

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Speaker 5: go on tour again. I'm like, all right, button, let's

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Speaker 5: do it. During this tour, I'm trying my best. Every

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Speaker 5: time I'm telling him, like Marco, He's like, you need

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Speaker 5: to do this, you need to do that, And I'm like, Marko,

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Speaker 5: I'm trying my best, but like it's hard for me

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Speaker 5: to get out of my comfort zone of like I

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Speaker 5: have social anxiety, like debilitating social anxiety. That's why this

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Speaker 5: whole thing of me. It's not fully a character. I

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Speaker 5: actually am socially awkward. Socially awkward, it's embarrassing. I don't

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Speaker 5: want to be so I lean into it and I

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Speaker 5: am doing my best on this stage, our last show.

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Speaker 5: I try my best to get out of my comfort zone.

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Speaker 5: I drink a little and I thought it went so well.

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Speaker 5: I thought it went so well. I was like, Marco,

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Speaker 5: I actually I did everything you said and like, I

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Speaker 5: actually felt really good about it. I felt like I

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Speaker 5: really got out of my comfort zone. I really felt

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Speaker 5: good about it. And he's like, yeah, you killed it.

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Speaker 5: It was great. Fast forward a couple more weeks and

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Speaker 5: I hear from my team that he canceled it, and

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Speaker 5: I'm like, what the hell Marco canceled the show? Like why?

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Speaker 5: They're like, I don't know. So I'm like and he

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Speaker 5: bumps into me and I'm like, oh, hey, calling him,

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Speaker 5: calling and calling him doesn't answer me. I'm like, okay,

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Speaker 5: congratulations on the baby. Doesn't answer me. He just won't

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Speaker 5: answer me. But then he's tagging me in post of

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Speaker 5: Taylor Swift dancing and being like that's Bobby, and I'm like, Okay,

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Speaker 5: at least we're still cool. Fast forward to today and

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Speaker 5: I get tagged in a video of Marco standing by

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Speaker 5: a pool talking to everybody about why he can't the tour.

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Speaker 5: I don't know, I don't know anything anyway with all

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Speaker 5: outside I'm gonna go on my own tour since you

408
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Speaker 5: don't want to go on to it with me anymore,

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Speaker 5: and calling him doesn't answer me. It's gonna be funny,

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Speaker 5: It's gonna be great.

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Speaker 1: The last part was the shade. It's gonna make money

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Speaker 1: and it's gonna be great. Now. I love Funny Marco.

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Speaker 1: I support Funny Marco. I actually support Bobby as well.

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Speaker 1: But I gotta get in podcast land with this conversation.

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Speaker 1: I hate that we have to frame all our conversations

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Speaker 1: that way, but it's important that people know that we

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Speaker 1: have love for them when we had these conversations, right,

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Speaker 1: and we're not just critical of people. We actually appreciate

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Speaker 1: what they bring to the game. So number one, less

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Speaker 1: weich support on Fundy Marco's tour, on Bobby's tour. Let's

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Speaker 1: hope that both of those people have a monumental tour

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Speaker 1: and they sell out all across the gold right, All right,

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Speaker 1: Now that that's out the way, can I take y'all

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Speaker 1: in podcast land for a second. If I'm doing my

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Speaker 1: job as a podcast and I asked myself, how did

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Speaker 1: they get in this situation to begin with? How they

427
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Speaker 1: Funny Marco bite off more than he can chew? And

428
00:22:20,400 --> 00:22:22,680
Speaker 1: let me give some applause to Funny Marco. He showed

429
00:22:22,800 --> 00:22:25,920
Speaker 1: some resilience in his time in which most men would

430
00:22:25,960 --> 00:22:29,639
Speaker 1: emotionally explode it. I'll explain what I mean. Funny Marco

431
00:22:29,720 --> 00:22:33,960
Speaker 1: went and wrapped his arms back around Bobby because she

432
00:22:34,080 --> 00:22:37,520
Speaker 1: had effectively took his style and it looked like she

433
00:22:37,760 --> 00:22:42,040
Speaker 1: was about to be bigger than he was. I believe

434
00:22:42,080 --> 00:22:45,840
Speaker 1: that over the last six to eight months he's noticed

435
00:22:47,440 --> 00:22:50,680
Speaker 1: some decline as it pertains to the level of people

436
00:22:50,720 --> 00:22:54,320
Speaker 1: that want to associate with the cachet from our culture,

437
00:22:54,520 --> 00:22:56,800
Speaker 1: because she kind of blew past him in regards to

438
00:22:56,920 --> 00:23:00,640
Speaker 1: cashay just people like Yo, the big wigs going there,

439
00:23:01,840 --> 00:23:06,120
Speaker 1: and now you see Funny Marco interviewing people like Nicki Minaj,

440
00:23:07,000 --> 00:23:10,480
Speaker 1: another extremely big name. So he's landed on his feet.

441
00:23:11,960 --> 00:23:14,320
Speaker 1: But I could imagine there was a time where he

442
00:23:14,480 --> 00:23:18,440
Speaker 1: was panicking, like, oh shit, she just stole the ball

443
00:23:18,560 --> 00:23:22,600
Speaker 1: from me. She literally just came in. We did and

444
00:23:22,720 --> 00:23:25,160
Speaker 1: she stole the ball. This is why most these industry

445
00:23:25,240 --> 00:23:28,240
Speaker 1: niggas won't collab, but they won't reach out. And a

446
00:23:28,320 --> 00:23:30,080
Speaker 1: lot of rap dudes don't want to sit with me

447
00:23:30,160 --> 00:23:32,480
Speaker 1: because I'm the truth. And so when you sit with

448
00:23:32,600 --> 00:23:37,200
Speaker 1: the truth, you can't be lying. You can't be lying

449
00:23:37,280 --> 00:23:39,679
Speaker 1: sitting next to the truth. It's hard to lie. Sit

450
00:23:39,880 --> 00:23:42,960
Speaker 1: next to the truth. The darkness will leave when the

451
00:23:43,080 --> 00:23:45,560
Speaker 1: lights show up. But when you looked at her back

452
00:23:45,640 --> 00:23:48,480
Speaker 1: in the day, it looked like she was running off

453
00:23:49,119 --> 00:23:52,400
Speaker 1: with the style. And so if I'm in podcast lading

454
00:23:52,480 --> 00:23:55,240
Speaker 1: with the conversation, Funny Marco looked at Bobby and said,

455
00:23:55,320 --> 00:23:57,680
Speaker 1: you stole from me. I'm gonna wrap my arms back

456
00:23:57,720 --> 00:24:00,879
Speaker 1: around you and get what I can from you. Maybe

457
00:24:00,960 --> 00:24:04,800
Speaker 1: he even bit into the stereotypes that she's a white girl,

458
00:24:04,920 --> 00:24:07,240
Speaker 1: she's in this space, she's gonna go much further than

459
00:24:07,320 --> 00:24:11,840
Speaker 1: I'm gonna go. Maybe he believed that because that's you

460
00:24:12,040 --> 00:24:15,320
Speaker 1: tell me, what other reason would call for Funny Marco

461
00:24:15,440 --> 00:24:17,920
Speaker 1: to even go on tour with Bobby. She has no experience.

462
00:24:18,640 --> 00:24:21,840
Speaker 1: It's cloud it's because she was clouded up. She has

463
00:24:22,000 --> 00:24:24,760
Speaker 1: zero experience, as it pertains to be in a comedian

464
00:24:24,920 --> 00:24:29,080
Speaker 1: now eight ten months later, the volume has got lower,

465
00:24:29,520 --> 00:24:31,600
Speaker 1: and now it's all of a sudden she's not doing

466
00:24:31,720 --> 00:24:34,600
Speaker 1: good comedic stuff online. Well, she's not doing nothing different

467
00:24:34,640 --> 00:24:37,720
Speaker 1: than what she done when you started the tour. She

468
00:24:37,960 --> 00:24:40,160
Speaker 1: was just more lit. Then she had the Drake Cole

469
00:24:40,240 --> 00:24:43,960
Speaker 1: sign and nobody was pushing back. Nobody was saying nothing.

470
00:24:44,080 --> 00:24:47,080
Speaker 1: Everybody was running over there to do interviews because everybody

471
00:24:47,240 --> 00:24:53,639
Speaker 1: does what black music and white media. It's unfortunate because

472
00:24:53,720 --> 00:25:00,040
Speaker 1: hip hop is the only place that this happens. You

473
00:25:00,040 --> 00:25:04,200
Speaker 1: can be critical of an artist and that CEO or

474
00:25:04,280 --> 00:25:06,800
Speaker 1: that people that handlers are still send them over to

475
00:25:06,840 --> 00:25:12,879
Speaker 1: speak with you. You can hurt the brand they surrender.

476
00:25:13,280 --> 00:25:17,000
Speaker 1: Here's another question you asked yourself. If Funny Marco wasn't

477
00:25:17,280 --> 00:25:20,720
Speaker 1: massively successful in his own right, this would look totally

478
00:25:20,800 --> 00:25:25,120
Speaker 1: different because he would need her. But because ten months

479
00:25:25,160 --> 00:25:29,120
Speaker 1: ago she looked like her trajectory was to the moon.

480
00:25:29,480 --> 00:25:31,359
Speaker 1: I'm gonna go do this tool with you, I'm gonna

481
00:25:31,359 --> 00:25:34,399
Speaker 1: lock this in with you. Early in the game, you

482
00:25:34,520 --> 00:25:36,960
Speaker 1: see that Bobby said that Yo, she would call and

483
00:25:37,080 --> 00:25:40,639
Speaker 1: call and call, and she wouldn't get any answer. This

484
00:25:40,920 --> 00:25:44,440
Speaker 1: was him. After they're running data, they're running analytics, I

485
00:25:44,560 --> 00:25:48,520
Speaker 1: guarantee you when Drake was still cool with a nigga,

486
00:25:48,560 --> 00:25:53,399
Speaker 1: everybody was answering a call. I see black girls around,

487
00:25:53,520 --> 00:25:55,760
Speaker 1: I see black people around here, and listen by no

488
00:25:56,000 --> 00:25:59,359
Speaker 1: means am I saying that they can't be around who

489
00:25:59,400 --> 00:26:03,320
Speaker 1: they want to be around. I think from a business perspective,

490
00:26:03,800 --> 00:26:09,400
Speaker 1: our culture is prostitutes. I think we're running a prostitution

491
00:26:09,680 --> 00:26:14,920
Speaker 1: ring as it pertains to the availability of media and

492
00:26:15,040 --> 00:26:18,600
Speaker 1: our people. So you ask yourself, Yo, funny Marco, if

493
00:26:18,640 --> 00:26:20,800
Speaker 1: she was bagged out the first time, why didn't you

494
00:26:20,880 --> 00:26:25,480
Speaker 1: cancel it? Then? She was too lit up? She has

495
00:26:25,600 --> 00:26:28,520
Speaker 1: no experience on doing comedy. Why would you expect comedy

496
00:26:28,600 --> 00:26:32,240
Speaker 1: from someone that doesn't do comedy? Or is that just

497
00:26:32,359 --> 00:26:34,280
Speaker 1: the excuse now to look at it and say, Yo,

498
00:26:34,359 --> 00:26:36,879
Speaker 1: I really don't need her no more. I'm bigger, I

499
00:26:36,920 --> 00:26:39,840
Speaker 1: don't really need that. What you saw is the culture

500
00:26:39,920 --> 00:26:42,040
Speaker 1: kind of smushed it a little bit, and you saw

501
00:26:42,119 --> 00:26:44,159
Speaker 1: her move away from black people and try to go

502
00:26:44,359 --> 00:26:48,320
Speaker 1: over and interview like people that's from other cultures. Those

503
00:26:48,400 --> 00:26:50,960
Speaker 1: numbers didn't translate, and so she came back and she

504
00:26:51,080 --> 00:26:53,639
Speaker 1: got with Ari, and she got with Suki, and she

505
00:26:53,760 --> 00:26:57,359
Speaker 1: gets with you know, n Eli chopper and some of

506
00:26:57,440 --> 00:26:59,720
Speaker 1: these people like and it's giving her the cachet of

507
00:26:59,840 --> 00:27:02,880
Speaker 1: co culture slowly, but show that she's getting that back.

508
00:27:03,520 --> 00:27:06,680
Speaker 1: But she's lit. Let's be clear. She has people that

509
00:27:06,840 --> 00:27:09,680
Speaker 1: come to see her, She has people that are putting

510
00:27:09,720 --> 00:27:13,600
Speaker 1: on clothes and coming to see her. The problem is

511
00:27:13,680 --> 00:27:16,920
Speaker 1: Funny Marco no longer needs her, and she's not as

512
00:27:17,040 --> 00:27:19,280
Speaker 1: lit as Funny Marco thought she would be. And this

513
00:27:19,400 --> 00:27:22,920
Speaker 1: happens a lot in this industry. Again, when podcasts laying

514
00:27:22,960 --> 00:27:25,400
Speaker 1: with this conversation, it happens a lot in this industry

515
00:27:25,440 --> 00:27:30,919
Speaker 1: where they, oh, they think you slowing down. Oh, they

516
00:27:31,000 --> 00:27:35,840
Speaker 1: thought you slowed down. Shame on them, niggas, they thought

517
00:27:35,880 --> 00:27:39,879
Speaker 1: you slowed down. They don't know you making more money

518
00:27:39,920 --> 00:27:42,399
Speaker 1: than you could be, that you were making then. But

519
00:27:43,080 --> 00:27:46,040
Speaker 1: the minute they think you slowing down, they'll get off

520
00:27:46,080 --> 00:27:49,240
Speaker 1: the train, they get off the bus, they'll get out

521
00:27:49,280 --> 00:27:52,879
Speaker 1: the car the second they think you slowing down. And

522
00:27:53,000 --> 00:27:56,640
Speaker 1: they're so disrespectful that the minute they see you speeding

523
00:27:56,760 --> 00:27:59,680
Speaker 1: back up, they'll look back over there and act like

524
00:27:59,720 --> 00:28:02,760
Speaker 1: they been there the whole time. They'll give up on

525
00:28:02,920 --> 00:28:07,240
Speaker 1: you and then try to get up with you. They'll

526
00:28:07,320 --> 00:28:10,320
Speaker 1: give up on you. You'll get back lit and then

527
00:28:10,359 --> 00:28:14,200
Speaker 1: they'll try to get up with you. It's a nasty industry.

528
00:28:14,560 --> 00:28:17,600
Speaker 1: And so you ask yourself if it wasn't for cloud chasing.

529
00:28:17,960 --> 00:28:20,480
Speaker 1: And again, in this business, cloud chasing is a thing

530
00:28:20,600 --> 00:28:24,280
Speaker 1: that people have solidified and said that it's worth. The

531
00:28:24,440 --> 00:28:27,879
Speaker 1: juice is worth to squeeze with the cloud chase thing, right,

532
00:28:28,000 --> 00:28:30,160
Speaker 1: if you ask some of these people in content world,

533
00:28:30,280 --> 00:28:32,800
Speaker 1: that's what this is about. The cloud chase thing is

534
00:28:33,000 --> 00:28:36,000
Speaker 1: very valuable to whatever it is that they have going on.

535
00:28:36,160 --> 00:28:39,560
Speaker 1: I think everyone's interested in climbing the social letter, right,

536
00:28:39,680 --> 00:28:41,600
Speaker 1: and so this is where you deal with the cloud

537
00:28:41,640 --> 00:28:44,280
Speaker 1: chasing thing. But if it wasn't for that, then why

538
00:28:44,320 --> 00:28:48,240
Speaker 1: would he do the tour? Whatever Bobby Altov had to

539
00:28:48,360 --> 00:28:51,120
Speaker 1: make Funny mark Or and his team greenlight the tour,

540
00:28:51,640 --> 00:28:54,000
Speaker 1: it's the same thing she had when they went to

541
00:28:54,160 --> 00:28:56,520
Speaker 1: cancel the tour. She was a girl that did a

542
00:28:56,640 --> 00:28:59,960
Speaker 1: podcast that has never been on stage again. I believe

543
00:29:00,160 --> 00:29:03,880
Speaker 1: that Funny Marco looked at Bobby in that time, It's like,

544
00:29:03,920 --> 00:29:05,560
Speaker 1: I'm gonna make sure I eat off you because you

545
00:29:05,640 --> 00:29:08,600
Speaker 1: stole my style. That's the least you can do is

546
00:29:08,680 --> 00:29:11,280
Speaker 1: go on toour with me. See how quick things flip

547
00:29:12,440 --> 00:29:14,520
Speaker 1: because in that moment, it was yo, that's the least

548
00:29:14,560 --> 00:29:17,280
Speaker 1: you can do. You stole my style, man like. It

549
00:29:17,400 --> 00:29:20,200
Speaker 1: was pressure and he tricked her into it, or not

550
00:29:20,360 --> 00:29:24,600
Speaker 1: necessarily tricked, but there was a conversation surrounding it where

551
00:29:24,640 --> 00:29:27,600
Speaker 1: he was coming out before the tour, right, And this

552
00:29:27,800 --> 00:29:31,200
Speaker 1: is how you gain favor. I'm telling you everything in

553
00:29:31,280 --> 00:29:34,400
Speaker 1: this industry for the most party, shout out Funny Marco.

554
00:29:34,640 --> 00:29:37,360
Speaker 1: No disrespect, a lot of love and respect for what

555
00:29:37,480 --> 00:29:40,760
Speaker 1: you bring to the game. But everything in this industry

556
00:29:40,920 --> 00:29:51,520
Speaker 1: is what it's motivated. It's motivated. So some would say

557
00:29:52,320 --> 00:29:55,720
Speaker 1: that when if Funny Marco came out and said, yo,

558
00:29:55,920 --> 00:29:58,680
Speaker 1: Bobby didn't take my style, or she does a great

559
00:29:58,800 --> 00:30:00,479
Speaker 1: job at what she does. See if that was an

560
00:30:00,600 --> 00:30:05,240
Speaker 1: arc where he was defending Bobby. And if you're in media,

561
00:30:05,360 --> 00:30:08,239
Speaker 1: you know that the quickest way to get y'all up

562
00:30:08,320 --> 00:30:10,760
Speaker 1: on the conversation is for me to come out and

563
00:30:10,880 --> 00:30:13,120
Speaker 1: use this mic. Even if I do it this way,

564
00:30:13,240 --> 00:30:17,400
Speaker 1: pay attention. Say nobody's asking questions about Funny mark or

565
00:30:17,440 --> 00:30:20,560
Speaker 1: and Bobby and the white people think that's her style.

566
00:30:20,840 --> 00:30:23,680
Speaker 1: They don't even know that's Funny Marco. It's just it's

567
00:30:23,760 --> 00:30:26,320
Speaker 1: a small cog of people that know that that's funny

568
00:30:26,360 --> 00:30:29,320
Speaker 1: Marco's style, and Bobby is ran off with it. Let's

569
00:30:29,440 --> 00:30:33,040
Speaker 1: just say again when podcast land, let's just say that

570
00:30:33,680 --> 00:30:37,440
Speaker 1: the white people don't even know about that. Well, how

571
00:30:37,480 --> 00:30:40,120
Speaker 1: do you get that conversation started without looking like a hater,

572
00:30:40,200 --> 00:30:42,040
Speaker 1: Where you come out and you say, I don't have

573
00:30:42,160 --> 00:30:44,400
Speaker 1: an issue with Bobby, y'all talk, I don't have an

574
00:30:44,440 --> 00:30:46,560
Speaker 1: issue with her using my style. You know a lot

575
00:30:46,600 --> 00:30:48,640
Speaker 1: of people are tagging me and they're saying that she's

576
00:30:48,720 --> 00:30:51,120
Speaker 1: using my style. And I just want people to know,

577
00:30:51,320 --> 00:30:54,480
Speaker 1: man that you know, let Bobby live. She's doing a thing.

578
00:30:54,640 --> 00:30:58,479
Speaker 1: Let us be great, like salute to Bobby that gain's favor.

579
00:31:00,000 --> 00:31:03,360
Speaker 1: It feels like an ally. It feels like somebody that's

580
00:31:03,440 --> 00:31:05,800
Speaker 1: on your team, on your squad, want your best interest,

581
00:31:05,920 --> 00:31:08,560
Speaker 1: got your best interest in mind. It feels like somebody

582
00:31:08,680 --> 00:31:12,920
Speaker 1: on your team. What does that mean? I do that

583
00:31:13,040 --> 00:31:14,880
Speaker 1: two or three times, and then I make a phone

584
00:31:14,960 --> 00:31:17,400
Speaker 1: call and say yo, and I'm not saying funny Marco

585
00:31:17,560 --> 00:31:21,200
Speaker 1: did this. But I want you guys to always remember

586
00:31:21,240 --> 00:31:24,520
Speaker 1: the industry is motivated. That's why I step back a

587
00:31:24,600 --> 00:31:28,680
Speaker 1: little bit to watch everything because I can see the

588
00:31:28,760 --> 00:31:33,480
Speaker 1: industry is motivated. I can see the things people are

589
00:31:33,520 --> 00:31:38,480
Speaker 1: doing are not genuine. The names that people are mentioned

590
00:31:38,480 --> 00:31:41,720
Speaker 1: are not genuine. The things that you're throwing your pot

591
00:31:41,840 --> 00:31:45,239
Speaker 1: you may not necessarily even use. I used to hear

592
00:31:45,280 --> 00:31:49,080
Speaker 1: about them signing acts back in the day, rap acts

593
00:31:49,120 --> 00:31:51,680
Speaker 1: to shelve them. I used to hear about certain things

594
00:31:51,800 --> 00:31:55,320
Speaker 1: in music that's like whoa what? And then you get

595
00:31:55,360 --> 00:31:57,280
Speaker 1: in the industry and you see these kind of moves

596
00:31:57,360 --> 00:32:02,080
Speaker 1: get played. Oh shit, So all of my followers now

597
00:32:02,160 --> 00:32:04,360
Speaker 1: want to know what conversation with Bobby? What's going on

598
00:32:04,480 --> 00:32:06,160
Speaker 1: with Bobby? What happened with Bobby?

599
00:32:06,280 --> 00:32:06,840
Speaker 4: What do you mean?

600
00:32:08,600 --> 00:32:11,040
Speaker 1: The same way I tell y'all that certain people don't

601
00:32:11,080 --> 00:32:14,000
Speaker 1: say the names of certain people because they think that

602
00:32:14,240 --> 00:32:18,640
Speaker 1: saying the name moves the needle. It's the same on

603
00:32:18,760 --> 00:32:25,160
Speaker 1: the other side, people do say things to move the needle.

604
00:32:25,960 --> 00:32:28,080
Speaker 1: And so that sends your fans down a rabbit hole.

605
00:32:28,120 --> 00:32:30,400
Speaker 1: What's the beef about? What happened? What's the beef about?

606
00:32:30,520 --> 00:32:32,200
Speaker 1: How did they get into it? What do they mean

607
00:32:32,280 --> 00:32:34,960
Speaker 1: his style? Then they see that, oh he had the

608
00:32:35,040 --> 00:32:37,800
Speaker 1: first interview with her. Oh he's the person that went

609
00:32:37,880 --> 00:32:43,320
Speaker 1: on just from a tag you know he's a black

610
00:32:43,440 --> 00:32:46,600
Speaker 1: content creator that did a white show. I'm not sure

611
00:32:46,640 --> 00:32:50,480
Speaker 1: how many black shows he did. That's just not And

612
00:32:51,600 --> 00:32:54,200
Speaker 1: again this is not to be critical of Fuddy Marco.

613
00:32:55,080 --> 00:32:57,840
Speaker 1: This is to help you guys understand it's making content

614
00:32:57,960 --> 00:33:01,040
Speaker 1: or just looking at content. That's my take on Bobby

615
00:33:01,080 --> 00:33:04,440
Speaker 1: al Talk in Funny Marco. If you ask me, Funny

616
00:33:04,520 --> 00:33:09,680
Speaker 1: Marco found himself in a scenario to think that Bobby

617
00:33:09,720 --> 00:33:12,600
Speaker 1: al Talf took his style. The least you can do

618
00:33:12,760 --> 00:33:15,640
Speaker 1: is let me eat with you, which really means eat

619
00:33:15,720 --> 00:33:18,000
Speaker 1: off you. When you're that new in the game, you're

620
00:33:18,040 --> 00:33:20,720
Speaker 1: not gonna know all the ins and outs. I expect

621
00:33:20,800 --> 00:33:23,320
Speaker 1: there to be a hard learning curve where you're coming

622
00:33:23,360 --> 00:33:26,040
Speaker 1: off of couch on your third episode to going on tour.

623
00:33:26,400 --> 00:33:29,440
Speaker 1: I should have no expectations on you getting on stage

624
00:33:29,480 --> 00:33:32,239
Speaker 1: and knowing how to do comedy. What this is, if

625
00:33:32,280 --> 00:33:36,240
Speaker 1: you're asking me, is an escapegoat to sever tize with

626
00:33:36,360 --> 00:33:39,160
Speaker 1: the young lady because she's no longer as hot as

627
00:33:39,320 --> 00:33:43,280
Speaker 1: Funny Marco is at this point. If you're asking me,

628
00:33:43,400 --> 00:33:45,720
Speaker 1: Bobby all Talk is not as hot as Funny Marco.

629
00:33:45,880 --> 00:33:48,920
Speaker 1: Now she is hot, and she does have a fan base.

630
00:33:49,200 --> 00:33:51,840
Speaker 1: It's a different fan base than Funny Marco. But Funny

631
00:33:51,880 --> 00:33:55,560
Speaker 1: Marco no longer needs that. He no longer needs that car,

632
00:33:57,080 --> 00:33:59,840
Speaker 1: and so he's moving on. I want to talk about

633
00:34:03,200 --> 00:34:07,800
Speaker 1: the untimely death of some of these rappers and the

634
00:34:07,920 --> 00:34:12,040
Speaker 1: incentive that the government is placing on the loss of

635
00:34:12,160 --> 00:34:16,600
Speaker 1: life on famous individuals. I don't really want to come

636
00:34:16,680 --> 00:34:20,640
Speaker 1: outside the lines, but I do think there's an attack

637
00:34:20,760 --> 00:34:25,000
Speaker 1: on people that are financially stable, in particular, if you're

638
00:34:25,000 --> 00:34:28,759
Speaker 1: a black man is financially stable. It may not be

639
00:34:28,840 --> 00:34:34,080
Speaker 1: an incentive, but it seems to be no consequences for

640
00:34:34,200 --> 00:34:40,360
Speaker 1: the loss of life of a black man that's somewhere

641
00:34:40,520 --> 00:34:44,160
Speaker 1: somehow just trying to get him something to eat. For

642
00:34:44,280 --> 00:34:48,279
Speaker 1: those unawell, I'm speaking about rapper p and b Rock,

643
00:34:49,040 --> 00:34:52,040
Speaker 1: who was viciously gunned down about two years ago in

644
00:34:52,160 --> 00:34:58,960
Speaker 1: the robbery murder where two people enter the Roscos in

645
00:34:59,080 --> 00:35:02,640
Speaker 1: Los Angeles, CA, California and try to relieve him of

646
00:35:02,800 --> 00:35:07,120
Speaker 1: his jury. According to the case, there was a son

647
00:35:07,239 --> 00:35:09,759
Speaker 1: and a father that parked outside. I don't know how

648
00:35:09,840 --> 00:35:12,880
Speaker 1: they kind of got word that he was there, but

649
00:35:13,000 --> 00:35:15,200
Speaker 1: as he was sitting down, they walked up to him

650
00:35:15,360 --> 00:35:18,840
Speaker 1: while he was at the table and I think they

651
00:35:18,920 --> 00:35:21,560
Speaker 1: asked him to remove his jury in Somewhere in his

652
00:35:21,760 --> 00:35:25,000
Speaker 1: mind he probably thought, they can't shoot me in here,

653
00:35:25,040 --> 00:35:27,880
Speaker 1: they ain't gonna shoot me in here. Whatever. But rip

654
00:35:28,080 --> 00:35:31,719
Speaker 1: to P and b Rock. A couple of years have

655
00:35:31,840 --> 00:35:34,120
Speaker 1: passed by, and so people have been wondering what is

656
00:35:34,200 --> 00:35:37,200
Speaker 1: the situation, what they do that killed P and b Rock?

657
00:35:38,280 --> 00:35:40,640
Speaker 1: And then Rolling Stone comes out with an article to

658
00:35:40,760 --> 00:35:46,240
Speaker 1: update all the fans that P and B Rocks shooter

659
00:35:47,560 --> 00:35:49,920
Speaker 1: because of his age, won't be able to stand trial.

660
00:35:50,400 --> 00:35:52,120
Speaker 1: Let's take a look at this art and it reads

661
00:35:52,239 --> 00:35:55,800
Speaker 1: P and B Rocks alleged shooter still lacks competency to

662
00:35:55,960 --> 00:35:59,239
Speaker 1: stand trial court rules. The team defended appeared in the

663
00:35:59,320 --> 00:36:03,680
Speaker 1: same building for the ongoing murder trial of his father,

664
00:36:04,400 --> 00:36:07,520
Speaker 1: Freddie Throne, who was accused of instructing his son to

665
00:36:07,600 --> 00:36:10,239
Speaker 1: pull the trigger. So they got the son and the

666
00:36:10,320 --> 00:36:14,560
Speaker 1: father in court. The California team charged with shooting and

667
00:36:14,680 --> 00:36:17,759
Speaker 1: killing hip hop star pnb Rock nearly two years ago,

668
00:36:17,880 --> 00:36:21,440
Speaker 1: appeared in the Los Angeles court room Friday as the

669
00:36:21,560 --> 00:36:25,680
Speaker 1: temporary judge overseeing the juvenile case agreed he was not

670
00:36:25,880 --> 00:36:30,720
Speaker 1: yet competent to stand trial. Wearing a bright orange detention

671
00:36:30,920 --> 00:36:33,960
Speaker 1: Center uniform that the teen whose name is being held

672
00:36:34,760 --> 00:36:37,800
Speaker 1: by Rolling Stone sat quietly during the morning hearing and

673
00:36:37,880 --> 00:36:41,800
Speaker 1: comet and prosecutor say, what that means is that a

674
00:36:41,920 --> 00:36:44,520
Speaker 1: young man will be getting out. They're gonna say he's

675
00:36:44,560 --> 00:36:48,440
Speaker 1: not competive to stand trial. His father may g it

676
00:36:48,840 --> 00:36:50,960
Speaker 1: some time, but he's not the trigger man, so it's

677
00:36:51,000 --> 00:36:53,640
Speaker 1: not gonna be as much time as they'll still argue,

678
00:36:54,080 --> 00:36:56,759
Speaker 1: do you have me on camera or something telling him that.

679
00:36:57,920 --> 00:37:01,080
Speaker 1: I think there's room around that unless they have some

680
00:37:01,320 --> 00:37:04,400
Speaker 1: text message or some hard evidence that points him in

681
00:37:04,520 --> 00:37:07,840
Speaker 1: that direction. Because once they deem his son not competent

682
00:37:07,960 --> 00:37:10,320
Speaker 1: to stay in trial, he can now take some of

683
00:37:10,400 --> 00:37:13,879
Speaker 1: the blame off of his father. And well, he didn't

684
00:37:13,920 --> 00:37:15,680
Speaker 1: really tell me to do that. We were going down

685
00:37:15,719 --> 00:37:18,400
Speaker 1: there to get some need or maybe he can wiggle

686
00:37:18,440 --> 00:37:19,920
Speaker 1: out of it some kind of way. But I do

687
00:37:20,160 --> 00:37:22,959
Speaker 1: think that that has to be addressed at some point.

688
00:37:23,480 --> 00:37:28,360
Speaker 1: My mind couldn't help but wonder to think about this

689
00:37:28,520 --> 00:37:30,960
Speaker 1: young man that has killed p and b Rock in

690
00:37:31,000 --> 00:37:33,920
Speaker 1: the game, has got so far left, it's far off

691
00:37:34,000 --> 00:37:38,080
Speaker 1: in the weeds. Now, who's a celebrity, what's a celebrity,

692
00:37:38,160 --> 00:37:41,640
Speaker 1: what's the social media guy? What's a podcast, who's an interview,

693
00:37:41,800 --> 00:37:44,520
Speaker 1: who's a personality, who has a plan for like it's

694
00:37:45,040 --> 00:37:47,440
Speaker 1: it's got so far in the weeds that it's starting

695
00:37:47,520 --> 00:37:53,040
Speaker 1: to become nerve wrecking. But as I have to develop armor,

696
00:37:53,840 --> 00:38:01,040
Speaker 1: develop strategy, develop material methods developed, and it's mayhem, I

697
00:38:01,160 --> 00:38:03,680
Speaker 1: have to look at the game and I have to

698
00:38:03,760 --> 00:38:07,160
Speaker 1: ask myself, will this be the next person running around

699
00:38:07,239 --> 00:38:12,600
Speaker 1: doing interviews? Are there gonna be platforms that will make

700
00:38:12,719 --> 00:38:15,920
Speaker 1: this young man to kill p and b Rock another

701
00:38:16,040 --> 00:38:22,680
Speaker 1: Internet celebrity, another Internet star, Because if I'm being honest

702
00:38:22,760 --> 00:38:28,640
Speaker 1: with the world, I know the Internet accepts anything. You

703
00:38:28,800 --> 00:38:30,960
Speaker 1: have some people that look at me as if I'm

704
00:38:31,000 --> 00:38:33,279
Speaker 1: a hater because I speak on things I want to

705
00:38:33,280 --> 00:38:36,959
Speaker 1: speak about. There's not been one person to be able

706
00:38:37,040 --> 00:38:42,080
Speaker 1: to dispute anything I've ever said out my mouth. There

707
00:38:42,080 --> 00:38:46,520
Speaker 1: ain't been one. There ain't been one person that grew

708
00:38:46,640 --> 00:38:50,000
Speaker 1: up with me that says that there's been tied with me.

709
00:38:50,160 --> 00:38:54,320
Speaker 1: That's nothing. And the idea y'all think that I'm somebody

710
00:38:54,400 --> 00:38:56,400
Speaker 1: that can come from a town I come from and

711
00:38:56,520 --> 00:38:59,680
Speaker 1: come out that clean without any smut on my jacket,

712
00:38:59,719 --> 00:39:01,960
Speaker 1: and I'll get here and be a hater. This is

713
00:39:02,120 --> 00:39:05,919
Speaker 1: the most magnificent time in my life. I'm making legal money.

714
00:39:06,320 --> 00:39:09,040
Speaker 1: I'm attest to people that I looked up to. I

715
00:39:09,120 --> 00:39:13,480
Speaker 1: got phone numbers of people that's in high places. I

716
00:39:13,560 --> 00:39:16,960
Speaker 1: can utilize moves I ain't even utilized yet. I can

717
00:39:17,040 --> 00:39:21,880
Speaker 1: do things I ain't even done yet. I'm blessed beyond message.

718
00:39:21,960 --> 00:39:26,399
Speaker 1: God has got his hands on me. And you walk

719
00:39:26,480 --> 00:39:30,520
Speaker 1: different when God got his hands on you. You talk

720
00:39:30,640 --> 00:39:33,160
Speaker 1: different when God got his hands on you. And so

721
00:39:34,080 --> 00:39:37,560
Speaker 1: looking at this young man, seeing that he'll probably get

722
00:39:37,600 --> 00:39:41,200
Speaker 1: out at twenty one. He's seventeen eighteen now two three

723
00:39:41,320 --> 00:39:43,959
Speaker 1: more years, maybe two years if he does good time

724
00:39:44,080 --> 00:39:46,759
Speaker 1: and all of this shit, so he'll be home soon.

725
00:39:47,320 --> 00:39:49,880
Speaker 1: Where they didn't give him an interview. I've seen a

726
00:39:49,920 --> 00:39:52,800
Speaker 1: lot of people go at Adam twenty two about interviewing

727
00:39:52,840 --> 00:39:58,480
Speaker 1: Pop Smoke's killer. Academics just interview younger as I got

728
00:39:58,680 --> 00:40:02,920
Speaker 1: younger thes people online one as well as we are

729
00:40:03,320 --> 00:40:05,120
Speaker 1: gearing up to try to get him on the interview

730
00:40:05,160 --> 00:40:07,400
Speaker 1: as well. And this was before I seen him and

731
00:40:07,520 --> 00:40:11,319
Speaker 1: academics do his thing. But academics in particular was kind

732
00:40:11,360 --> 00:40:16,000
Speaker 1: of interested in Adam twenty two's position as it pertains

733
00:40:16,080 --> 00:40:21,359
Speaker 1: to interviewing Pop Smoke's Killer, but he interviewed Younger As,

734
00:40:21,760 --> 00:40:23,880
Speaker 1: which I don't know if Younger A's a killer. I

735
00:40:23,920 --> 00:40:27,120
Speaker 1: don't believe nobody or nothing. So you know, I don't

736
00:40:27,200 --> 00:40:29,440
Speaker 1: know young in A's situation, who he is or what

737
00:40:29,560 --> 00:40:32,880
Speaker 1: he done. I know how he talked, and I'm noticing

738
00:40:32,960 --> 00:40:35,880
Speaker 1: in this game, I can't listen to nothing these niggas saying.

739
00:40:36,520 --> 00:40:39,200
Speaker 1: However they talk, I need to not consider that when

740
00:40:39,239 --> 00:40:44,920
Speaker 1: I'm dealing with an evaluation of their character. Cause he

741
00:40:45,080 --> 00:40:47,320
Speaker 1: niggas can talk their way out of paper bag and

742
00:40:47,440 --> 00:40:50,839
Speaker 1: then to a seal. I think the space has room.

743
00:40:51,000 --> 00:40:54,719
Speaker 1: I don't agree with. Let me be clear too. While

744
00:40:54,800 --> 00:41:01,560
Speaker 1: I don't agree with interviewing Pop Smoke's Killer, I do

745
00:41:01,719 --> 00:41:05,239
Speaker 1: think it's interesting academics approach on that. I guess maybe

746
00:41:05,239 --> 00:41:08,680
Speaker 1: because he's been through it. And we'll get to Elliott Wilson,

747
00:41:08,800 --> 00:41:11,440
Speaker 1: Charlemagne Andrew shoultz all that a little later. I do

748
00:41:11,640 --> 00:41:14,520
Speaker 1: want to say this, you know, for the record, and

749
00:41:14,600 --> 00:41:19,600
Speaker 1: I know Shultz watches again. I told y'all that the

750
00:41:19,719 --> 00:41:23,120
Speaker 1: Elliott Wilson beef started when he took a shot at

751
00:41:23,200 --> 00:41:26,640
Speaker 1: Charlemagne over there, trying to put his nose in bidiness

752
00:41:26,680 --> 00:41:29,359
Speaker 1: that don't got nothing to do with him, and get

753
00:41:29,520 --> 00:41:32,359
Speaker 1: on academics good side. I told y'all that last week,

754
00:41:33,800 --> 00:41:37,640
Speaker 1: and so I told y'all that, you know, the scenario

755
00:41:37,880 --> 00:41:41,080
Speaker 1: is about what I had said on Brilliant Idiots. I

756
00:41:41,200 --> 00:41:44,719
Speaker 1: do want a second something that Charlemagne and Andrew Shoult

757
00:41:44,840 --> 00:41:50,440
Speaker 1: said academics has evolved, And that was the whole point

758
00:41:52,480 --> 00:41:56,600
Speaker 1: I was saying, he has to evolve that thing. He's

759
00:41:56,680 --> 00:41:59,120
Speaker 1: no longer doing that thing he done. Then he's doing

760
00:41:59,160 --> 00:42:03,919
Speaker 1: a totally different thing. He's got records on there, he's

761
00:42:04,000 --> 00:42:09,840
Speaker 1: getting exclusives. He's now getting exclusive information that he's delivering

762
00:42:10,000 --> 00:42:14,239
Speaker 1: on stream, not on his social site. Right, these are

763
00:42:14,320 --> 00:42:17,320
Speaker 1: the things I was saying, like this stream, make this

764
00:42:17,480 --> 00:42:22,440
Speaker 1: stream valuable, not just a passive time, make it valuable.

765
00:42:22,840 --> 00:42:26,400
Speaker 1: And he went and evolved the stream. But this is

766
00:42:26,480 --> 00:42:31,080
Speaker 1: where Elliott get off at talking about Charlemagne to god, well,

767
00:42:31,200 --> 00:42:34,839
Speaker 1: let's get back to academics interviewing you know, younger as

768
00:42:34,880 --> 00:42:37,120
Speaker 1: and people who they say are killers. Again, younger Ace

769
00:42:37,160 --> 00:42:40,680
Speaker 1: has music out, so maybe he'll say, yo, he's a musician.

770
00:42:40,880 --> 00:42:44,440
Speaker 1: His background in past, I shouldn't discriminate it gets him

771
00:42:44,480 --> 00:42:47,080
Speaker 1: from that. I'm interested to see how Adam twenty two

772
00:42:47,160 --> 00:42:51,400
Speaker 1: responds to that, because according to this young guy that

773
00:42:51,560 --> 00:42:54,400
Speaker 1: was on the scene when pop Smoke died, because I

774
00:42:54,440 --> 00:42:57,680
Speaker 1: ain't even heard him say he killed nothing. I ain't

775
00:42:57,680 --> 00:43:00,520
Speaker 1: heard him say that he know how even they got

776
00:43:00,560 --> 00:43:02,960
Speaker 1: the information, like I don't know what party played. He

777
00:43:03,040 --> 00:43:05,239
Speaker 1: the first person out, Like I don't really know what

778
00:43:05,440 --> 00:43:07,880
Speaker 1: party played. And I ain't saying that he ain't a

779
00:43:07,960 --> 00:43:11,359
Speaker 1: gangs to him come from gangster shit, But I'm saying long,

780
00:43:11,560 --> 00:43:14,040
Speaker 1: I don't know what part the young man played in

781
00:43:14,200 --> 00:43:17,320
Speaker 1: what scenario that went down at night. All I know

782
00:43:17,640 --> 00:43:20,640
Speaker 1: is that a very prominent artist who's loved and missed

783
00:43:21,080 --> 00:43:23,919
Speaker 1: on the East Coast named pop Smoke lost his life

784
00:43:24,000 --> 00:43:27,120
Speaker 1: that night. So I need for all rappers to be well,

785
00:43:28,120 --> 00:43:32,480
Speaker 1: you got pop Smokes Killer doing interviews, you got p

786
00:43:32,640 --> 00:43:37,439
Speaker 1: and b Rock Killer about to get out because he's

787
00:43:37,600 --> 00:43:40,600
Speaker 1: not competentive to stand trial. And so it sends a

788
00:43:40,680 --> 00:43:44,840
Speaker 1: clear message rappers and niggas with money, jewelry, close holes,

789
00:43:45,360 --> 00:43:48,239
Speaker 1: made bags, he understand me and all this big shit

790
00:43:48,360 --> 00:43:51,360
Speaker 1: popping and niggas be having. What this is telling me

791
00:43:51,600 --> 00:43:55,920
Speaker 1: is that if a nigga fuck over you, the people

792
00:43:56,040 --> 00:44:00,480
Speaker 1: fuck with them. The people fuck with people, or when

793
00:44:00,520 --> 00:44:03,520
Speaker 1: they fuck over you, then they fuck with you. You

794
00:44:03,640 --> 00:44:06,320
Speaker 1: give a shout out and you be cool and you

795
00:44:06,520 --> 00:44:10,400
Speaker 1: repost all these different niggas and fuck with these niggas.

796
00:44:10,440 --> 00:44:12,879
Speaker 1: These niggas don't look your way. But when you diss

797
00:44:13,000 --> 00:44:16,080
Speaker 1: these niggas, they try to clear that off. They try

798
00:44:16,160 --> 00:44:22,840
Speaker 1: to sing your shit. They're changing the culture to you

799
00:44:23,000 --> 00:44:25,440
Speaker 1: get more for fucking over one of these niggas than

800
00:44:25,520 --> 00:44:28,400
Speaker 1: fucking with them. If I talk to you, only you

801
00:44:28,600 --> 00:44:30,840
Speaker 1: know about it. If I talk about you, everybody know

802
00:44:30,960 --> 00:44:33,680
Speaker 1: about it. And so I also want to be clear

803
00:44:33,719 --> 00:44:37,560
Speaker 1: about this. And that's why I mean the definitions doesn't change.

804
00:44:38,680 --> 00:44:42,719
Speaker 1: What people are involved with and what they're prepared for

805
00:44:43,800 --> 00:44:50,000
Speaker 1: don't coexist. Nowadays, people tend to put themselves in scenarios

806
00:44:50,120 --> 00:44:53,839
Speaker 1: that they have no information on. Like I do some shit,

807
00:44:53,920 --> 00:44:56,080
Speaker 1: but I ain't prepared to realist deal with what I

808
00:44:56,280 --> 00:44:58,920
Speaker 1: don't like. I do it, but I ain't prepared to

809
00:44:59,000 --> 00:45:02,239
Speaker 1: deal with what I don't. I make some money, but

810
00:45:02,280 --> 00:45:04,760
Speaker 1: I ain't prepared to spend nothing to make more money.

811
00:45:06,120 --> 00:45:08,720
Speaker 1: I want to be the CEO, but I ain't prepared

812
00:45:08,760 --> 00:45:14,080
Speaker 1: to foot the bill. Nowadays, these people that are causing

813
00:45:14,840 --> 00:45:19,160
Speaker 1: the death of other black men, in my opinion, are

814
00:45:19,280 --> 00:45:21,839
Speaker 1: not killers, because killers where we come up from, they

815
00:45:21,920 --> 00:45:25,719
Speaker 1: go get their man. Nowadays, it's just different. You would

816
00:45:25,760 --> 00:45:27,960
Speaker 1: think when you hear about the person that was involved

817
00:45:28,000 --> 00:45:31,959
Speaker 1: with killing such a prominent person, you'll think, like shit,

818
00:45:32,000 --> 00:45:34,800
Speaker 1: them niggas are gangsters. All squabbles, ain't turning none, but

819
00:45:34,880 --> 00:45:37,440
Speaker 1: they call it down. Them niggas gangster. They holding it down.

820
00:45:37,480 --> 00:45:41,360
Speaker 1: But I want you to know, it's the young niggas.

821
00:45:43,120 --> 00:45:45,840
Speaker 1: It's the young niggas with the pool shystone in the summer,

822
00:45:46,120 --> 00:45:51,359
Speaker 1: the hood on in the summer. Nigga don't know young

823
00:45:51,480 --> 00:45:53,759
Speaker 1: niggas come up on me with no pool shystone in

824
00:45:53,880 --> 00:45:56,799
Speaker 1: the summer. It's really finna be time out for pool

825
00:45:56,800 --> 00:46:01,239
Speaker 1: shisted mass. If I catch a nigga wearing a pool

826
00:46:01,280 --> 00:46:05,440
Speaker 1: shisting mass, nigga passed August, Nigga, I'm thinking you coming

827
00:46:05,480 --> 00:46:08,880
Speaker 1: to rob me. They don't They done fucked over the

828
00:46:08,960 --> 00:46:13,239
Speaker 1: branding of the pool shisting mas. You dig, But you

829
00:46:13,280 --> 00:46:16,680
Speaker 1: would think that these people all be willing and prepare

830
00:46:16,800 --> 00:46:20,680
Speaker 1: participant pits for anything. This gangster shit got coming up.

831
00:46:20,719 --> 00:46:23,200
Speaker 1: I want you to listen to this new interview from

832
00:46:23,239 --> 00:46:25,600
Speaker 1: Pop smoke's killed. I didn't make it through the whole thing,

833
00:46:25,680 --> 00:46:28,480
Speaker 1: but this particular part stood out for me, and I

834
00:46:28,600 --> 00:46:30,320
Speaker 1: want us to pay attention. Let's roll it.

835
00:46:30,880 --> 00:46:34,440
Speaker 4: Like when he planning to turn hisself in, I was

836
00:46:34,480 --> 00:46:37,280
Speaker 4: he laughing. It was funny about it because he finally

837
00:46:37,640 --> 00:46:40,360
Speaker 4: because I've been wanting he been wanting to get me

838
00:46:40,400 --> 00:46:43,879
Speaker 4: back in jail. Only had him my pills like two three,

839
00:46:43,960 --> 00:46:48,480
Speaker 4: four months probably, and he's just right there, right there,

840
00:46:48,640 --> 00:46:50,959
Speaker 4: like I want you back in jail. I don't believe

841
00:46:51,000 --> 00:46:54,880
Speaker 4: spell the streets. I'm like, bro, like yo, that was me,

842
00:46:55,120 --> 00:46:57,799
Speaker 4: Like I don't even know you. Like I'm doing everything

843
00:46:57,800 --> 00:46:59,239
Speaker 4: I'm supposed to do, like I got a job and

844
00:46:59,280 --> 00:47:02,080
Speaker 4: everything you're talking. Abou was like all right, like that's cool.

845
00:47:02,719 --> 00:47:06,160
Speaker 4: Like so he started drugging me. Actually, he started drug

846
00:47:06,239 --> 00:47:08,800
Speaker 4: testing me like two times a month, and I just

847
00:47:10,520 --> 00:47:13,160
Speaker 4: I'm like this, nigga, really try and almost felt like

848
00:47:13,200 --> 00:47:16,360
Speaker 4: two drug tests but I barely barely barely made it.

849
00:47:17,520 --> 00:47:19,000
Speaker 4: But I ended up going to run anyway.

850
00:47:19,040 --> 00:47:19,920
Speaker 1: So this is what it is.

851
00:47:20,800 --> 00:47:23,640
Speaker 4: So like, what would be the consequences going on a

852
00:47:23,760 --> 00:47:29,719
Speaker 4: rah well for this situation? Honestly, I was looking if

853
00:47:29,719 --> 00:47:33,600
Speaker 4: I already get caught right now, I think my judge

854
00:47:33,640 --> 00:47:35,560
Speaker 4: to keep me up in there for like a year,

855
00:47:36,280 --> 00:47:40,280
Speaker 4: a year or two due to basically make me finish

856
00:47:40,360 --> 00:47:43,640
Speaker 4: the rest of the time full sentence I was supposed

857
00:47:43,640 --> 00:47:46,880
Speaker 4: to do. I was supposed to do three years. I

858
00:47:47,000 --> 00:47:50,200
Speaker 4: did two months up in there, two months serve like

859
00:47:50,280 --> 00:47:52,799
Speaker 4: two months after I got sentenced. So I did three

860
00:47:52,800 --> 00:47:54,279
Speaker 4: and a half fighting the case, and that I did

861
00:47:54,360 --> 00:47:57,320
Speaker 4: two months after I got sentenced, and she probably just

862
00:47:57,360 --> 00:48:00,320
Speaker 4: made me finish all my time. I got like already

863
00:48:00,320 --> 00:48:02,200
Speaker 4: did like a year or six months into that time,

864
00:48:02,800 --> 00:48:06,480
Speaker 4: so I got like a year some months left, so

865
00:48:06,640 --> 00:48:12,160
Speaker 4: she can make me finish that off in there, and

866
00:48:12,320 --> 00:48:15,759
Speaker 4: that would be worst case, that got the worse best

867
00:48:15,840 --> 00:48:17,960
Speaker 4: casing there, I go up in there turn myself in,

868
00:48:18,960 --> 00:48:23,680
Speaker 4: and she understand, like I'm why would somebody turn theirself

869
00:48:23,719 --> 00:48:26,440
Speaker 4: in for their safety like that?

870
00:48:27,239 --> 00:48:27,640
Speaker 1: Like what?

871
00:48:28,160 --> 00:48:30,640
Speaker 4: Like who the funk will turn yourself out to feel

872
00:48:30,680 --> 00:48:35,200
Speaker 4: safe to jail? Feel safe too? They don't feel now safe?

873
00:48:35,360 --> 00:48:38,719
Speaker 4: But it's not I feel safe from the streets and jail.

874
00:48:39,520 --> 00:48:41,239
Speaker 4: I can move. I can move out and move on

875
00:48:41,320 --> 00:48:44,680
Speaker 4: the streets. Can't move like I move in jail. So

876
00:48:45,400 --> 00:48:47,200
Speaker 4: what you knowing that? Like how do you move like

877
00:48:47,400 --> 00:48:49,640
Speaker 4: is it high? Like trusting people that people get next

878
00:48:49,719 --> 00:48:54,560
Speaker 4: to you going outside part and shit like that. I

879
00:48:54,680 --> 00:48:58,200
Speaker 4: go like going out, I move, I move like like

880
00:48:58,320 --> 00:49:01,279
Speaker 4: I moved regularly. Like say, enemies I used to have,

881
00:49:01,400 --> 00:49:03,560
Speaker 4: like something light as far as like California. It's time,

882
00:49:03,600 --> 00:49:05,319
Speaker 4: I like to say to New York. Now I'm talking

883
00:49:06,000 --> 00:49:08,680
Speaker 4: my enemies, the enemies that i'd be with out here

884
00:49:09,000 --> 00:49:12,040
Speaker 4: out Yeah, he's bullsh niggas. I'll talk about the diggers

885
00:49:12,080 --> 00:49:15,200
Speaker 4: that we go to world without here and now I

886
00:49:15,239 --> 00:49:19,680
Speaker 4: don't got enemies. I got people that I guess couldsider

887
00:49:19,719 --> 00:49:21,839
Speaker 4: me as I don't. I don't look at you as

888
00:49:21,960 --> 00:49:24,279
Speaker 4: enemy because I can't put a face on y'all. I

889
00:49:24,440 --> 00:49:26,719
Speaker 4: always know I don't even know your hoods like I can't.

890
00:49:26,800 --> 00:49:31,080
Speaker 4: I don't know how to I don't know what to

891
00:49:32,560 --> 00:49:36,160
Speaker 4: call you out. How do nobody's saying nothing to me.

892
00:49:36,480 --> 00:49:40,480
Speaker 4: I didn't run into people that that thatsell. But it's

893
00:49:40,640 --> 00:49:43,320
Speaker 4: like they're not coming at me. No, rest, they're not

894
00:49:43,400 --> 00:49:45,680
Speaker 4: coming to me know how to mas see none of that.

895
00:49:45,760 --> 00:49:49,880
Speaker 4: It's like that to go the round because of my safety,

896
00:49:49,920 --> 00:49:53,120
Speaker 4: I guess, so like what I didn't you have left

897
00:49:53,200 --> 00:49:55,719
Speaker 4: to uh finish toward you and just be like out

898
00:49:55,719 --> 00:49:58,640
Speaker 4: of the out of the your freedom will be out

899
00:49:58,640 --> 00:50:03,080
Speaker 4: of their throw. Honestly, I was really on the last push.

900
00:50:03,480 --> 00:50:04,000
Speaker 1: I was just.

901
00:50:05,560 --> 00:50:08,360
Speaker 4: I had like six months, six months left on probation.

902
00:50:09,640 --> 00:50:14,440
Speaker 4: But my probation officer, I guess you don't like me

903
00:50:15,320 --> 00:50:18,320
Speaker 4: new pill. Oh, end up searching and finding it. So

904
00:50:18,440 --> 00:50:22,040
Speaker 4: he felt the violation and I fucked up everything. And

905
00:50:22,120 --> 00:50:25,440
Speaker 4: then from there he felt this violation and now here

906
00:50:26,320 --> 00:50:28,920
Speaker 4: and now he called him my mom phone laughing. That's

907
00:50:28,960 --> 00:50:32,279
Speaker 4: the crazy part, say, laughing, He's called my mom. My

908
00:50:32,400 --> 00:50:35,960
Speaker 4: mom called me, she said, your stupid ass. Peeleds called

909
00:50:36,040 --> 00:50:40,080
Speaker 4: my phone, laughing, talking about where's the outside? Like when

910
00:50:40,120 --> 00:50:44,120
Speaker 4: he plannal turned himself in. I was he laughing. It

911
00:50:44,239 --> 00:50:46,760
Speaker 4: was funny about it because he finally it too, because

912
00:50:47,440 --> 00:50:49,160
Speaker 4: I've been wanting to he been wanting to get me

913
00:50:49,280 --> 00:50:51,800
Speaker 4: back in jail. Only had him my pill for like

914
00:50:51,920 --> 00:50:56,040
Speaker 4: two three four months probably, and he just chain right

915
00:50:56,120 --> 00:50:58,759
Speaker 4: there to right there, like I want you back in jail.

916
00:50:59,200 --> 00:51:00,600
Speaker 4: I don't believe on the streets.

917
00:51:01,160 --> 00:51:03,919
Speaker 1: So listening to Pop smokes Killer, what I got from

918
00:51:04,000 --> 00:51:07,879
Speaker 1: that was a lot of these young boys out here right.

919
00:51:08,120 --> 00:51:10,320
Speaker 1: Our youth is lost, and so what will happen is

920
00:51:10,400 --> 00:51:14,080
Speaker 1: they'll do a crime and they ain't really ready for

921
00:51:14,160 --> 00:51:18,520
Speaker 1: the consequences. As you heard this young man say that

922
00:51:18,640 --> 00:51:20,480
Speaker 1: he don't want to go to jail for his safety.

923
00:51:20,560 --> 00:51:23,240
Speaker 1: And I know some people gonna say, Yo, he using

924
00:51:23,280 --> 00:51:27,000
Speaker 1: that for a play. Ain't no play, ain't no play.

925
00:51:28,320 --> 00:51:32,360
Speaker 1: It ain't no play. Niggas tearing them jails when you

926
00:51:32,520 --> 00:51:35,600
Speaker 1: gang bang and nigga, you gotta get down every day.

927
00:51:36,960 --> 00:51:39,440
Speaker 1: And further in this, the young man kind of spoke

928
00:51:39,520 --> 00:51:44,080
Speaker 1: about his time in jail and how he fucked with

929
00:51:44,160 --> 00:51:46,320
Speaker 1: the Mexicans and all of that because he's from a

930
00:51:46,400 --> 00:51:48,520
Speaker 1: gang that in La they got a lot of enemies.

931
00:51:50,320 --> 00:51:52,200
Speaker 1: But I want the niggas with money out there to

932
00:51:52,320 --> 00:51:55,480
Speaker 1: know that a nigga kill you. They can't even do

933
00:51:55,600 --> 00:51:59,279
Speaker 1: the time a nigga knocked your head off and he

934
00:51:59,320 --> 00:52:02,320
Speaker 1: ain't even prepared the even deal with the consequences from it.

935
00:52:02,440 --> 00:52:05,719
Speaker 1: But your life is already lost. They can make it

936
00:52:05,880 --> 00:52:08,719
Speaker 1: rain forty days, forty nights, but you already gone. So

937
00:52:08,840 --> 00:52:10,920
Speaker 1: what does that mean? Long? You got to keep yourself

938
00:52:10,960 --> 00:52:13,800
Speaker 1: out of scenarios where you even rub up against niggas

939
00:52:13,840 --> 00:52:17,759
Speaker 1: with none to lose. I don't got no business in

940
00:52:17,800 --> 00:52:19,719
Speaker 1: the room with no whole bunch of niggas with none

941
00:52:19,760 --> 00:52:21,560
Speaker 1: to lose. That's why I stay out the trap now.

942
00:52:23,440 --> 00:52:25,840
Speaker 1: Like I don't got no business just pobling with a

943
00:52:25,920 --> 00:52:28,040
Speaker 1: bunch of niggas with none to lose. I got anything

944
00:52:28,080 --> 00:52:32,680
Speaker 1: in the game. I'm in position to take off like

945
00:52:32,800 --> 00:52:36,759
Speaker 1: the third mego. So I ain't in no position where

946
00:52:36,800 --> 00:52:38,680
Speaker 1: I need to be somewhere with a whole bunch of

947
00:52:38,800 --> 00:52:40,799
Speaker 1: niggas that's willing to put it all on the line

948
00:52:40,880 --> 00:52:43,600
Speaker 1: and crash this thing got there's a time for war,

949
00:52:43,719 --> 00:52:48,160
Speaker 1: but there's a time for peace. War is the last result.

950
00:52:48,640 --> 00:52:50,480
Speaker 1: So I don't need to be around a bunch of

951
00:52:50,600 --> 00:52:53,239
Speaker 1: niggas that want war. But in the ghetto they think

952
00:52:53,320 --> 00:52:57,000
Speaker 1: you hiring hit men. Every time I run into a nigga,

953
00:52:57,040 --> 00:52:59,080
Speaker 1: he don't know how to hold the camera. He tell me, Lo,

954
00:52:59,160 --> 00:53:01,680
Speaker 1: when I kill something for you at home, man, I'm

955
00:53:01,680 --> 00:53:04,840
Speaker 1: mean to get money. I don't want nobody dead. That

956
00:53:04,960 --> 00:53:08,719
Speaker 1: ain't never been my foul ta. We ain't looking for

957
00:53:08,880 --> 00:53:13,000
Speaker 1: no smoke, but we'll put a file. I ain't really

958
00:53:13,080 --> 00:53:15,239
Speaker 1: looking for no smoke home, man, I'm looking for people

959
00:53:15,280 --> 00:53:18,400
Speaker 1: who can help with booking motherfuckers can do graphic design

960
00:53:18,520 --> 00:53:23,000
Speaker 1: of work, merchandise, people, publicists. I'm looking for business folks,

961
00:53:23,280 --> 00:53:29,360
Speaker 1: not niggas to go handle the business on folks. I

962
00:53:29,480 --> 00:53:32,359
Speaker 1: come from a long listen niggas that are do dumb

963
00:53:32,440 --> 00:53:35,640
Speaker 1: shit for nothing. We came up in the ghetto making pennies,

964
00:53:36,280 --> 00:53:39,239
Speaker 1: putting our life on the line. I remember when I

965
00:53:39,360 --> 00:53:43,320
Speaker 1: was about eighteen years old, I noticed that, Yo, I

966
00:53:43,440 --> 00:53:45,439
Speaker 1: make more money than a nigga that got to work.

967
00:53:47,320 --> 00:53:50,000
Speaker 1: And again, these are street these are street lessons that

968
00:53:50,120 --> 00:53:52,080
Speaker 1: I learned along the way. How do I make more

969
00:53:52,160 --> 00:53:54,520
Speaker 1: money than a nigga that got more way more work

970
00:53:54,600 --> 00:53:57,880
Speaker 1: than me, is because I'm playing middleman. When I was

971
00:53:57,920 --> 00:54:00,399
Speaker 1: playing middleman when I first got in the street, guess

972
00:54:00,440 --> 00:54:04,839
Speaker 1: what happened. The nigga I called for it ain't making

973
00:54:04,920 --> 00:54:07,640
Speaker 1: but twenty five hundred off of brick. I might be

974
00:54:07,719 --> 00:54:10,680
Speaker 1: making seven thousand off this transaction. I might take at

975
00:54:10,719 --> 00:54:13,880
Speaker 1: one brick, go catch four people and make me seven grand.

976
00:54:16,800 --> 00:54:19,760
Speaker 1: When I found out that niggas was risking their life

977
00:54:19,840 --> 00:54:22,800
Speaker 1: for thirty five hundred, forty five hundred dollars profit on

978
00:54:22,920 --> 00:54:25,640
Speaker 1: thirty six ounces, you know what I said to myself.

979
00:54:25,920 --> 00:54:28,720
Speaker 1: You know how much time, attention in detail goes along

980
00:54:28,840 --> 00:54:31,480
Speaker 1: with a man getting off thirty six ounces in the ghetto.

981
00:54:32,200 --> 00:54:34,040
Speaker 1: You know how much shit he gotta deal with, how

982
00:54:34,120 --> 00:54:37,080
Speaker 1: much conversations, how much credit he gotta get out to

983
00:54:37,160 --> 00:54:41,640
Speaker 1: get off thirty six houses in the ghetto. You got

984
00:54:41,760 --> 00:54:46,120
Speaker 1: damn right. I know how to do content. You got

985
00:54:46,239 --> 00:54:48,600
Speaker 1: damn right. I can be a CEO of a company.

986
00:54:51,200 --> 00:54:53,680
Speaker 1: I was telling people back then when I figured out that,

987
00:54:54,120 --> 00:54:56,120
Speaker 1: when I figured out that you can get off thirty

988
00:54:56,239 --> 00:55:02,040
Speaker 1: six ounces, And because the numbers A nine hundred, you

989
00:55:02,160 --> 00:55:04,680
Speaker 1: ain't making but forty five hundred, because they charge you

990
00:55:04,840 --> 00:55:07,360
Speaker 1: sell them hundred six hundred, You making two three hundred

991
00:55:07,360 --> 00:55:10,520
Speaker 1: dollars a ounce thirty six ounced, like you ain't making

992
00:55:10,600 --> 00:55:12,560
Speaker 1: no hell of a lot of money off of a

993
00:55:12,680 --> 00:55:15,880
Speaker 1: whole brickerd So what that means? You got to have

994
00:55:15,960 --> 00:55:19,799
Speaker 1: a bowloader? What did I find out about having a bowloader?

995
00:55:20,360 --> 00:55:22,719
Speaker 1: You got to have somewhere to keep a bowload? U,

996
00:55:24,360 --> 00:55:25,800
Speaker 1: and you don't want to keep it with you and

997
00:55:25,920 --> 00:55:29,080
Speaker 1: your family? Lay yer right, I'm telling you, bro, there's

998
00:55:29,280 --> 00:55:33,520
Speaker 1: so much intel that goes into being a so called

999
00:55:33,640 --> 00:55:38,360
Speaker 1: street dude, and the money ain't even really worth it

1000
00:55:38,520 --> 00:55:41,480
Speaker 1: no more. You got young men to pull the trigger,

1001
00:55:42,320 --> 00:55:46,560
Speaker 1: kill you and can't even face the time. Don't nobody

1002
00:55:46,680 --> 00:55:49,640
Speaker 1: want to do no time. But if it's a year,

1003
00:55:49,920 --> 00:55:52,000
Speaker 1: if they telling me I got a year and I

1004
00:55:52,160 --> 00:55:54,440
Speaker 1: was involved with a murder, man, I'm running in there

1005
00:55:54,440 --> 00:55:56,520
Speaker 1: about that. Let's get that done on my head. Let

1006
00:55:56,560 --> 00:55:59,080
Speaker 1: me get back out here and get to my life.

1007
00:55:59,280 --> 00:56:02,239
Speaker 1: But if I remember correctly in this interview, he was like, man,

1008
00:56:02,280 --> 00:56:04,799
Speaker 1: I'm not going back in there for my safety. Man,

1009
00:56:05,400 --> 00:56:07,200
Speaker 1: I don't mess with the dudes in there, like, and

1010
00:56:07,320 --> 00:56:11,040
Speaker 1: that's the game he's from. You will hear resentment. You

1011
00:56:11,080 --> 00:56:13,600
Speaker 1: will hear the man that spend his life gang banging.

1012
00:56:13,680 --> 00:56:15,560
Speaker 1: Nine times out of ten, he come out on the

1013
00:56:15,680 --> 00:56:20,279
Speaker 1: other side with regret. He come out on the other

1014
00:56:20,440 --> 00:56:24,239
Speaker 1: side with resentment for the streets. He gave his life

1015
00:56:24,280 --> 00:56:28,440
Speaker 1: to the game. The game didn't give him nothing. The

1016
00:56:28,640 --> 00:56:31,520
Speaker 1: game will suck every inch of life out of you

1017
00:56:31,640 --> 00:56:33,520
Speaker 1: and you will get nothing from it. You will give

1018
00:56:33,560 --> 00:56:40,239
Speaker 1: your life to it. These young men will kill you

1019
00:56:41,520 --> 00:56:45,840
Speaker 1: and then be afraid to go to jail. And so

1020
00:56:46,040 --> 00:56:49,160
Speaker 1: after that, after you hear this guy who killed Pop

1021
00:56:49,239 --> 00:56:51,239
Speaker 1: Smoke or was his least on the scene when Pop

1022
00:56:51,320 --> 00:56:56,759
Speaker 1: Smoke was murdered, He then talks about back on fig

1023
00:56:56,840 --> 00:56:59,040
Speaker 1: which is some podcast. Guys that's out there on the

1024
00:56:59,080 --> 00:57:00,520
Speaker 1: West coast, pay attention.

1025
00:57:01,200 --> 00:57:02,960
Speaker 4: He said, enemies I used to like something like as

1026
00:57:03,000 --> 00:57:04,680
Speaker 4: far as like California. It's talking about like to said,

1027
00:57:04,680 --> 00:57:07,120
Speaker 4: of New York. Now I'm talking about my enemies, the

1028
00:57:07,160 --> 00:57:09,160
Speaker 4: aney that i'd be with out here. Out there, he's

1029
00:57:09,200 --> 00:57:11,000
Speaker 4: bud that has the niggas. I'll talk about the diggas

1030
00:57:11,040 --> 00:57:12,479
Speaker 4: that we go the world without.

1031
00:57:12,560 --> 00:57:12,719
Speaker 2: Here.

1032
00:57:12,880 --> 00:57:16,400
Speaker 4: Now, I don't got enemies. I got people that I

1033
00:57:16,440 --> 00:57:17,640
Speaker 4: guess consider me as a people.

1034
00:57:17,680 --> 00:57:17,920
Speaker 2: I don't.

1035
00:57:18,000 --> 00:57:19,520
Speaker 4: I don't look at you as enemy because I can't

1036
00:57:19,560 --> 00:57:20,280
Speaker 4: put a face on y'all.

1037
00:57:20,720 --> 00:57:23,240
Speaker 1: In my opinion, there's another mistake by the young fella.

1038
00:57:24,280 --> 00:57:26,520
Speaker 1: And this is what I mean about black men, especially

1039
00:57:26,680 --> 00:57:30,760
Speaker 1: black youth is in particular in gang banging culture, are

1040
00:57:30,840 --> 00:57:34,120
Speaker 1: some of the most lost individuals that plague got race.

1041
00:57:34,960 --> 00:57:38,240
Speaker 1: Think about this. This young man is gang banging, right,

1042
00:57:38,840 --> 00:57:41,919
Speaker 1: and it's important that I get this out. This young

1043
00:57:42,000 --> 00:57:45,320
Speaker 1: man came up gang banging. He has quote unquote enemies.

1044
00:57:45,840 --> 00:57:48,720
Speaker 1: He then says that yo, I don't look at those

1045
00:57:48,840 --> 00:57:51,400
Speaker 1: people out of New York Pop Smoke's crew, none of

1046
00:57:51,480 --> 00:57:54,640
Speaker 1: them people as enemies. Because I can't put a face

1047
00:57:54,720 --> 00:57:57,760
Speaker 1: on them. Well, that can't really be true, or you

1048
00:57:57,960 --> 00:58:01,160
Speaker 1: just hypnotize with the violence of other black men, because

1049
00:58:01,840 --> 00:58:04,320
Speaker 1: there's people that rap arrival gang then the gang that

1050
00:58:04,440 --> 00:58:07,880
Speaker 1: he claims that he considers enemies, and not because he

1051
00:58:08,080 --> 00:58:10,880
Speaker 1: knows them personally or not because he put a face

1052
00:58:10,960 --> 00:58:14,120
Speaker 1: on him. Like right before you knew what he was banging,

1053
00:58:14,200 --> 00:58:16,960
Speaker 1: there was no problem. Didn he say, Yo, where you're from, Homie, Hey,

1054
00:58:17,000 --> 00:58:19,120
Speaker 1: I'm from such and such. Nigga's something, nigga, let me

1055
00:58:19,200 --> 00:58:25,800
Speaker 1: I need that right. And so a lot of times

1056
00:58:25,840 --> 00:58:30,480
Speaker 1: I'm learning when we deal with gang banging violence that

1057
00:58:31,720 --> 00:58:34,120
Speaker 1: a lot of those young dudes don't even know what

1058
00:58:34,680 --> 00:58:39,280
Speaker 1: a beef started. They don't even know what, homie, are

1059
00:58:39,360 --> 00:58:42,560
Speaker 1: we riding for? Like what was the first murder that

1060
00:58:43,000 --> 00:58:45,960
Speaker 1: kicked all this shit off? Of? What kicked all this off?

1061
00:58:46,080 --> 00:58:46,200
Speaker 4: Right?

1062
00:58:46,280 --> 00:58:49,840
Speaker 1: It's just we riding and we blind ride. We want

1063
00:58:49,880 --> 00:58:51,880
Speaker 1: to belong to something, so we're gonna ride with it.

1064
00:58:53,520 --> 00:58:58,440
Speaker 1: And it's mostly children. And you can grow up gang banging,

1065
00:58:59,040 --> 00:59:01,160
Speaker 1: but you can't be grown on a gang bang. I

1066
00:59:01,240 --> 00:59:03,600
Speaker 1: thought it was interesting that Pop Smoke's killer was so

1067
00:59:03,840 --> 00:59:06,760
Speaker 1: naive to say that he doesn't look at the people

1068
00:59:06,800 --> 00:59:09,440
Speaker 1: out of New York as enemies when you've been involved

1069
00:59:09,480 --> 00:59:12,160
Speaker 1: with taking their life, like you've been on the scene

1070
00:59:12,240 --> 00:59:14,520
Speaker 1: where one of their most prominent figures die, and you

1071
00:59:14,600 --> 00:59:17,120
Speaker 1: don't see them as enemies. But these niggas that got

1072
00:59:17,160 --> 00:59:21,400
Speaker 1: a different color, them niggas my enemies. Hey, bro, you

1073
00:59:21,560 --> 00:59:24,640
Speaker 1: better revaluate that, because these niggas may want to kill

1074
00:59:24,720 --> 00:59:25,400
Speaker 1: you more than them.

1075
00:59:25,520 --> 00:59:25,880
Speaker 4: Niggas.

1076
00:59:27,440 --> 00:59:30,240
Speaker 1: You actually killed they boss, You killed the nigga that

1077
00:59:30,320 --> 00:59:33,760
Speaker 1: were feeding the area over here, and you don't view

1078
00:59:33,840 --> 00:59:37,320
Speaker 1: them as enemies. It tells me you don't have enough understanding.

1079
00:59:37,800 --> 00:59:43,240
Speaker 1: You've been programmed to gang bang and cause violence about

1080
00:59:43,320 --> 00:59:47,080
Speaker 1: these colors and some of these principles, and so they've

1081
00:59:47,160 --> 00:59:51,120
Speaker 1: passed down gang bang into our youth, and sometimes they

1082
00:59:51,200 --> 00:59:55,280
Speaker 1: adopt and inherit certain beefs that they have no understanding of.

1083
00:59:56,280 --> 01:00:00,760
Speaker 1: And I think that was a cautionary tale, particular if

1084
01:00:00,800 --> 01:00:03,000
Speaker 1: you're raising a black boy to make sure that he

1085
01:00:03,160 --> 01:00:07,520
Speaker 1: is far away from gang banging culture. Picture of my

1086
01:00:07,720 --> 01:00:10,560
Speaker 1: son being out there involved in killing them, man and

1087
01:00:10,680 --> 01:00:13,440
Speaker 1: saying that his people ain't my enemies. My enemies is

1088
01:00:13,520 --> 01:00:18,880
Speaker 1: the niggas out here that we gang bang against. So

1089
01:00:19,040 --> 01:00:21,640
Speaker 1: you think they killing. Don't got no receipt coming forward.

1090
01:00:23,840 --> 01:00:26,400
Speaker 1: Whatever you do on this side, we gonna send a

1091
01:00:26,480 --> 01:00:29,120
Speaker 1: receipt for it. And if anybody down this side, I'm

1092
01:00:29,200 --> 01:00:35,560
Speaker 1: jumping out the booth. It's over. But most times when

1093
01:00:35,600 --> 01:00:37,960
Speaker 1: you fuck over the boss is a receipt coming for that.

1094
01:00:38,120 --> 01:00:40,320
Speaker 1: You can't kill the head honcho. And then that's that

1095
01:00:40,480 --> 01:00:44,000
Speaker 1: on that where y'all get off thinking that's the way

1096
01:00:44,040 --> 01:00:46,120
Speaker 1: that this shit work. That ain't how this shit work.

1097
01:00:47,640 --> 01:00:53,880
Speaker 1: And that was before he actually mentioned the guys smacking

1098
01:00:53,920 --> 01:00:56,320
Speaker 1: trail from back on fig Let's go back to that

1099
01:00:56,440 --> 01:00:59,120
Speaker 1: part where he mentioned smacking trail and how he feels

1100
01:00:59,280 --> 01:01:01,040
Speaker 1: about whatever pet.

1101
01:01:00,960 --> 01:01:02,520
Speaker 4: Like, I know I love someone with the gangs like

1102
01:01:02,520 --> 01:01:05,439
Speaker 4: I mean, no, I like like sixties or I ain't

1103
01:01:05,440 --> 01:01:08,000
Speaker 4: gonna say sixty's just like neighborhoods and hoovers. I guess

1104
01:01:08,040 --> 01:01:09,880
Speaker 4: they got static or whatever. But then I also see

1105
01:01:09,920 --> 01:01:12,360
Speaker 4: people who the neighborhood and who are that do business together.

1106
01:01:12,400 --> 01:01:15,600
Speaker 4: They might be a podcast, And so is it, like, man,

1107
01:01:16,160 --> 01:01:18,840
Speaker 4: any nigga from the set that's doing a podcast in

1108
01:01:19,600 --> 01:01:23,600
Speaker 4: any of that with the enemy me personally and my arguy,

1109
01:01:23,680 --> 01:01:25,680
Speaker 4: not from the set, their homies, the niggas can' kill

1110
01:01:25,680 --> 01:01:27,160
Speaker 4: homies all types sing you send the interview on the

1111
01:01:27,200 --> 01:01:30,800
Speaker 4: nigga real not gonna do MoMA, you said nigga, Like,

1112
01:01:30,800 --> 01:01:31,680
Speaker 4: what's the who point you joining?

1113
01:01:31,720 --> 01:01:31,760
Speaker 1: Is?

1114
01:01:31,800 --> 01:01:34,160
Speaker 4: Get? Like? What's so puny? Still seen from the set?

1115
01:01:34,480 --> 01:01:35,840
Speaker 4: Must say you own game and it must gonna be

1116
01:01:35,880 --> 01:01:39,800
Speaker 4: so put on, Like I seen the homies, well them

1117
01:01:39,920 --> 01:01:42,920
Speaker 4: niggas not homies I've seen, uh, I guess what's the

1118
01:01:43,120 --> 01:01:48,440
Speaker 4: back off? Eigh and te Real and Smack speak on

1119
01:01:48,480 --> 01:01:51,040
Speaker 4: the situation and basically saying like I don't know, I

1120
01:01:51,040 --> 01:01:53,360
Speaker 4: don't feel like they're on my side, and it's like

1121
01:01:53,440 --> 01:01:55,000
Speaker 4: it's not no side to pick, but I feel like

1122
01:01:55,040 --> 01:01:59,280
Speaker 4: you should be more or you know, the hoovers than

1123
01:01:59,440 --> 01:02:01,880
Speaker 4: pigging like not like niggas whole at the end of

1124
01:02:01,880 --> 01:02:05,080
Speaker 4: the day, like, yeah, the situation wasn't that, but at

1125
01:02:05,120 --> 01:02:07,240
Speaker 4: the same time, this whole I gotta stay behind horror.

1126
01:02:08,120 --> 01:02:11,960
Speaker 1: I guess he ain't feeling the way that back on

1127
01:02:12,120 --> 01:02:16,360
Speaker 1: FIGG mentioned them, but my understanding is back on Figgas

1128
01:02:16,400 --> 01:02:20,160
Speaker 1: from whover as well, So I need some clarification on that.

1129
01:02:20,320 --> 01:02:22,680
Speaker 1: Back on fig what we're doing, What's what's the vibes

1130
01:02:22,720 --> 01:02:26,160
Speaker 1: out there? What's going on? How y'all feel about the

1131
01:02:26,240 --> 01:02:30,240
Speaker 1: young dude, y'all embracing him. What's going on? Hey yo.

1132
01:02:30,360 --> 01:02:32,760
Speaker 1: To see the rest of this podcast, the rest of

1133
01:02:32,840 --> 01:02:35,720
Speaker 1: this interview, or the rest of this clip, come too

1134
01:02:35,760 --> 01:02:39,160
Speaker 1: patreon dot com. It's up that podcast. I got merch

1135
01:02:39,360 --> 01:02:42,800
Speaker 1: and I got live tickets for our live shows. I'll

1136
01:02:42,800 --> 01:02:45,520
Speaker 1: see you at this up that podcast on Patreon. And

1137
01:02:45,640 --> 01:02:47,439
Speaker 1: if you want to just stay on YouTube, just click

1138
01:02:47,520 --> 01:02:53,720
Speaker 1: one of these boxes, one of these or one of

1139
01:02:53,800 --> 01:03:00,440
Speaker 1: these two boxes. This one to subscribe, and this one

1140
01:03:03,960 --> 01:03:07,480
Speaker 1: I'll bring you right to patron, all right. So look