WEBVTT - The Ninja, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert.

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<v Speaker 3>Lamb and I am Joe McCormick.

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<v Speaker 2>And we are back with our second episode on the Ninja.

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<v Speaker 2>If you didn't listen to part one, go back and

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<v Speaker 2>start with that one. We talked about the modern pop

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<v Speaker 2>culture idea of the ninja a bit we didn't cover everything.

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<v Speaker 2>We're going to continue to throw in some mentions here

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<v Speaker 2>and there. And we've been getting some great listener mail

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<v Speaker 2>from folks writing in about their own first exposure to

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<v Speaker 2>ninja media, either you know, Japanese media or international media,

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<v Speaker 2>and so just keep that kind of stuff rolling in.

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<v Speaker 2>And when we get around to doing another listener mail episode,

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<v Speaker 2>which we're currently experimenting with a return to the old

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<v Speaker 2>format of having our listener mail episodes occur on a

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<v Speaker 2>Tuesday or Thursday, when we get around to that will

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<v Speaker 2>definitely dive into the ninja portion of the mail bag.

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<v Speaker 2>We talked about how the idea of the ninja entered

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<v Speaker 2>the global mainstream. We discussed a little bit the scarcity

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<v Speaker 2>of historical accounts of the ninja, basic ideas concerning the

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<v Speaker 2>reality of what we refer to as a ninja, the

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<v Speaker 2>origin of the word, other colloquial names for the ninja,

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<v Speaker 2>and what sorts of activities they engaged in and are

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<v Speaker 2>said to have engaged in. And we also discussed how

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<v Speaker 2>the pop culture transformation of the ninja was not a

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<v Speaker 2>Western or even a modern thing, but began in Japan

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<v Speaker 2>centuries ago. And so we're going to jump back in

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<v Speaker 2>here talking about some more ninja history and sort of

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<v Speaker 2>like continuing to sort of tease apart, like what is history,

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<v Speaker 2>what is probably accurate from a historical standpoint, and then

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<v Speaker 2>then what are the additional layers of legend and fiction

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<v Speaker 2>that also lead to this modern idea of what the

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<v Speaker 2>ninja is.

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<v Speaker 3>Right Before we get into more individual anecdotes and investigations,

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<v Speaker 3>I wanted to start with a brief way of looking

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<v Speaker 3>at the historical basis of the ninja myth. As we

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<v Speaker 3>mentioned in the last episode, this is a really complicated subject.

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<v Speaker 3>There are serious questions among scholars about to what extent

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<v Speaker 3>the historical ninja actually existed at all. It certainly is

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<v Speaker 3>the case that there are lots of historical records of

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<v Speaker 3>activities during warfare that were referred to as shinobi. This

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<v Speaker 3>is a synonym for ninja shenoby no mono shinoby activities

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<v Speaker 3>during warfare, especially during a particular historical period that we're

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<v Speaker 3>going to talk about in a bit. So it's not

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<v Speaker 3>like a scarcity of historical sources referring to ninja type

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<v Speaker 3>activities or shnobi activities. Instead, it seems to me the

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<v Speaker 3>historicity question is more about how accurate these sources are,

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<v Speaker 3>how to understand what they're talking about within its historical context,

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<v Speaker 3>and whether what they're talking about matches the idea of

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<v Speaker 3>the ninja that has come down to us.

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<v Speaker 2>That's right. Like in the last episode we talked about

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<v Speaker 2>how the basic idea, the image that instantly infiltrates your

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<v Speaker 2>mind concerning the ninja, of the black clad individual with

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<v Speaker 2>swords and so forth. This is largely a fiction. This

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<v Speaker 2>is largely are a creation of fiction and legend making.

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<v Speaker 3>But there is something lying underneath it, and we're going

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<v Speaker 3>to try to take a look at what that might be.

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<v Speaker 3>Right now, I want to mention again a major source

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<v Speaker 3>that I brought up in the last episode. This is

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<v Speaker 3>a book by Stephen Turnbull, who is a British historian

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<v Speaker 3>who's written a lot on the history of the ninja

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<v Speaker 3>and on Japanese history. The book is called Ninja Unmasking

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<v Speaker 3>the Myth from twenty seventeen, and specifically, in this section

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<v Speaker 3>we're about to do, I'm sort of relying on a

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<v Speaker 3>chapter of his book that's trying to trace the elusive,

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<v Speaker 3>underlying nature of what the ninja was and how that

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<v Speaker 3>relates to the ninja lore that came down. So to

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<v Speaker 3>refresh from last time, ninja or shinobi no mono are

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<v Speaker 3>two different ways of expressing the same idea. The core

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<v Speaker 3>idea is a person who sneaks, one who practices stealth, secrecy,

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<v Speaker 3>or hiddenness, or also, in one alternate reading of the word,

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<v Speaker 3>one who practices endurance or patience, which is an interesting

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<v Speaker 3>double loading of meaning on the term. While this term

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<v Speaker 3>can apply to a number of different activities in warfare,

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<v Speaker 3>a commonly cited equivalent in English would be something like

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<v Speaker 3>spy or secret agent. Now, as classically understood, ninja or

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<v Speaker 3>shinobi would be engaged in activities like spying across enemy lines,

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<v Speaker 3>infiltrating enemy strongholds, engaging in trickery and deception, sneak attacks

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<v Speaker 3>by night. Psychological warfare attempts to sew division within enemy

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<v Speaker 3>ranks like that. So it's actually a rather diverse set

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<v Speaker 3>of activities or duties that would fall to the ninja

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<v Speaker 3>or shnobi. But they're all in some way related to

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<v Speaker 3>some kind of hiddenness or deception or surprise.

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<v Speaker 2>Yeah, not all of them translate into the pop cultural

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<v Speaker 2>idea of the ninja. Like, I've never seen a ninja

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<v Speaker 2>movie where the ninja's main mission is to infiltrate the

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<v Speaker 2>enemy barracks and start bad talking the rice rations, you know,

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<v Speaker 2>being like, man, they really don't give us good rice,

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<v Speaker 2>and they'd give us a little of it. I can't

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<v Speaker 2>believe these guys. We should probably, you know, think twice

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<v Speaker 2>about fighting for them.

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<v Speaker 3>Oh but this, actually, yeah, this is perfectly in line

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<v Speaker 3>with what some historical uses of shnobi would refer to. Yeah,

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<v Speaker 3>the use of trying to sew division within enemy ranks

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<v Speaker 3>by using a double agent or a secret agent. Now,

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<v Speaker 3>one really important point is that when looking to our

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<v Speaker 3>earliest sources on the real shnobi of history, there is

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<v Speaker 3>a linguistic complication, which is that, as Steven Turnbull talks

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<v Speaker 3>about in his book in Historical Documents, Shinobi is not

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<v Speaker 3>only used as a noun, it can also be and

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<v Speaker 3>very often is, an adverb, meaning it's describing an action,

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<v Speaker 3>not a type of person, and the adverb form means

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<v Speaker 3>that a person, maybe anyone, not just a specialist, can

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<v Speaker 3>carry out an activity in a shinobi manner. So we

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<v Speaker 3>often understand ninja or its equivalent shinobi shinobi nomono as

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<v Speaker 3>a person who is specialized by training. It's a type

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<v Speaker 3>of person. But you do have lots of records of

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<v Speaker 3>groups of regular soldiers or other people carrying out a

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<v Speaker 3>shinobi attack on a castle or fortress, usually meaning a

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<v Speaker 3>sneak attack by night, or some of their secretive approach,

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<v Speaker 3>and this creates issues for historians. When you see a

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<v Speaker 3>story of somebody doing some kind of shinobi attack in

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<v Speaker 3>the adverb sense, do you count that as a story

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<v Speaker 3>of a shnoby as a noun as like a did

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<v Speaker 3>a ninja necessarily do that? Or is this the case

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<v Speaker 3>where we're using the equivalent of ninja to describe just

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<v Speaker 3>a way of doing something in secret, even if they're

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<v Speaker 3>not a specialist.

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<v Speaker 2>Yeah, you know, this reminds me of a moment in

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<v Speaker 2>the recent adaptation of Showgun the excellent FX adaptation that

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<v Speaker 2>I have to recommend. In the pivotal scene where these

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<v Speaker 2>shanoby attack, if memory serves and I've only seen it once,

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<v Speaker 2>I believe the characters just exclaim like shnoby, and it's

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<v Speaker 2>maybe left a little vague that like they're just saying

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<v Speaker 2>like something shinoby is occurring, like sound the alarm shnobi

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<v Speaker 2>actions in progress.

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<v Speaker 3>Oh yeah, that's interesting, And so that could refer to

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<v Speaker 3>any kind of like deception or surprise or hiddenness. Yeah,

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<v Speaker 3>But to come back to the idea of shinobi nomono,

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<v Speaker 3>the people who practice shinoby or hiddenness, we can again

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<v Speaker 3>just call them shinoby for short. To the extent that

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<v Speaker 3>they were historical specialists in spying and undercover warfare, when

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<v Speaker 3>did they flourish. There's a bit of complication here also

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<v Speaker 3>because you get some claims of earlier precedents. We're going

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<v Speaker 3>to talk about some of these later in this episode.

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<v Speaker 3>But the classical ninja, the classical shinobi are primarily associated

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<v Speaker 3>with the Singoku period, also known as the Warring States

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<v Speaker 3>period of Japanese history. This was a turbulent age of

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<v Speaker 3>roughly one hundred years, with fuzzy boundaries from the mid

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<v Speaker 3>fifteenth to the mid to late sixteenth century, characterized by

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<v Speaker 3>civil wars, rebellions, and revolts throughout Japan, and this time

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<v Speaker 3>came to a close as the country fell under the

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<v Speaker 3>central control of the Tokugawa Shogunate beginning around the seventeenth century.

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<v Speaker 3>So this time the Singoku period, the time of civil

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<v Speaker 3>wars in the fourteen hundreds to the fifteen hundreds, this

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<v Speaker 3>was the heyday of the historical ninja, and it's in

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<v Speaker 3>records of this time period that we'll find the history

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<v Speaker 3>basis of the ninja myth, if there is one. Now.

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<v Speaker 3>Turnbull raises a few very interesting questions about the historical

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<v Speaker 3>ninja from the Singoku period and how they relate to

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<v Speaker 3>received facts about the ninja that we've sort of gotten

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<v Speaker 3>from the tradition and lore that emerged over time. One

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<v Speaker 3>question that comes up is are the ninja uniquely Japanese?

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<v Speaker 3>Ninja are sometimes represented as a totally unique Japanese innovation

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<v Speaker 3>in secret warfare, but Turnbull disputes this, saying that if

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<v Speaker 3>you look at the types of activities that are attributed

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<v Speaker 3>to them in the sources that have some chance of

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<v Speaker 3>being historically accurate. They're similar to activities we see recorded

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<v Speaker 3>in all kinds of societies, in all large war fighting societies.

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<v Speaker 3>You might find similar records of activities in China, Mesopotamia,

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<v Speaker 3>and the Roman Empire.

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<v Speaker 2>Yeah. Absolutely. This is something that the author's hero Yoda

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<v Speaker 2>and Matt All talk about in Ninja Attack True Tales

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<v Speaker 2>of Assassin Samuraian Outlaws, which is a book that I've

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<v Speaker 2>been turning to in research for this episode, and they

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<v Speaker 2>point out that you see shnobi like activities in such

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<v Speaker 2>cases as the Odyssey, you know, which of course is

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<v Speaker 2>a is a literary work, but still like the most

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<v Speaker 2>one of the more believable aspects of the Odyssey is,

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<v Speaker 2>say the example of Odysseus dresses as a beggar to

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<v Speaker 2>sneak into the walls of Troy.

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<v Speaker 3>Oh, yeah, you include the Iliad. I would also say,

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<v Speaker 3>like the Trojan Horse seems like a very ninja or

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<v Speaker 3>Shanobi type ploy.

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<v Speaker 2>Absolutely. They also point to the episode in the Bible

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<v Speaker 2>where Joshuason's a pair of secret agents into the walled

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<v Speaker 2>city of Jericho, and you know, just looking around, there

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<v Speaker 2>are also accounts of espionage under King Hammurabi of the

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<v Speaker 2>Second millennium BCE Babylon. They're apparently accounts from ancient Egypt.

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<v Speaker 2>And we've already mentioned the art of war, but the third,

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<v Speaker 2>the ancient third century BCE to third century CE Sanskrit

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<v Speaker 2>text the Arastra, also speaks of it. So again, yeah,

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<v Speaker 2>the Japanese didn't invent secrecy, assassination, espionage, and all these

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<v Speaker 2>other related activities. It just emerges universally as just part

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<v Speaker 2>of human conflict.

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<v Speaker 3>But there are some i think cultural details that will

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<v Speaker 3>attach themselves to the Ninja myth as it develops that

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<v Speaker 3>are more unique, and we'll talk about those as we

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<v Speaker 3>go on. Another thing Turnbull points out is that there

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<v Speaker 3>are references to spying during warfare in Japanese texts from

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<v Speaker 3>before the Singoku period. One example is a text called

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<v Speaker 3>the Shomunkey, which is from the tenth century, and it

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<v Speaker 3>tells the story of a rebel named Taira Masakato, and

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<v Speaker 3>in this record, his enemy hires a spy named Koha Rumaru,

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<v Speaker 3>who infiltrates Masakado's stronghold with one companion, makes notes of

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<v Speaker 3>its layout and defensive capabilities, and then sends the companion

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<v Speaker 3>back to their employer with the information. But in this

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<v Speaker 3>story the dangers of spying are made clear because the

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<v Speaker 3>spy's employer uses the information, the information acquired by the

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<v Speaker 3>spy to launch a night attack, which fails. Masakado and

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<v Speaker 3>his rebels fight off the attack, and this leads to

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<v Speaker 3>the spy being exposed and executed. And there are plenty

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<v Speaker 3>of other early examples of stories of people who go

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<v Speaker 3>into enemy terrain or inside an enemy castle or fortification,

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<v Speaker 3>make a note of the layout, and then report back

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<v Speaker 3>to outside conspirators. So this is a common form of spying,

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<v Speaker 3>a very important thing in warfare. That's a little bit

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<v Speaker 3>less what you imagine if you know, you're thinking of

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<v Speaker 3>the ninja as like a martial artist, someone who goes

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<v Speaker 3>in and sort of does daring individual violence. A lot

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<v Speaker 3>of spying is just making note of information and getting

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<v Speaker 3>it back outside.

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<v Speaker 2>Yeah, in this reminds me of one thing we talked

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<v Speaker 2>about in the last episode about the different classifications according

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<v Speaker 2>to sun Zoo of the spy and how there are

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<v Speaker 2>different things you dare ask of your different level of

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<v Speaker 2>espionage operative. And so it's a much I mean, it's

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<v Speaker 2>still highly dangerous, but it's one thing to say, I

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<v Speaker 2>need you to make a small map and report back,

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<v Speaker 2>as opposed to I need you to switch out a

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<v Speaker 2>drink or stab someone in the back with a dag

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<v Speaker 2>or that sort of thing.

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<v Speaker 3>Right, So, spying both within and outside Japan predates any

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<v Speaker 3>concept of specialized ninja training, and it would have been

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<v Speaker 3>influenced by literature such as the Chinese classic The Art

0:13:49.840 --> 0:13:52.800
<v Speaker 3>of War, which you just brought up. I mentioned The

0:13:52.920 --> 0:13:55.079
<v Speaker 3>Art of War in the previous episode because of this

0:13:55.240 --> 0:13:58.120
<v Speaker 3>section about the five different kinds of secret agents. But

0:13:58.200 --> 0:14:02.120
<v Speaker 3>there is plenty of evidence that Japanese political and military leaders,

0:14:02.440 --> 0:14:06.839
<v Speaker 3>including the Samurai aristocracy, were widely familiar with this work

0:14:06.920 --> 0:14:10.439
<v Speaker 3>and others like it. Just one interesting example that stood

0:14:10.440 --> 0:14:13.760
<v Speaker 3>out to me that Turnbull sites there's a story about

0:14:13.760 --> 0:14:18.800
<v Speaker 3>an eleventh century Samurai hero named Minimoto Yoshi who used

0:14:18.840 --> 0:14:21.360
<v Speaker 3>a clue he had learned from reading the Art of

0:14:21.400 --> 0:14:25.160
<v Speaker 3>War to anticipate in ambush. The clue was that he

0:14:25.280 --> 0:14:29.400
<v Speaker 3>noticed birds rising startled from a thicket of forest, and

0:14:29.480 --> 0:14:32.280
<v Speaker 3>he knew that this meant his enemies were settling into

0:14:32.320 --> 0:14:36.320
<v Speaker 3>hiding there to launch a trap. So, therefore, Turnbull says,

0:14:36.360 --> 0:14:40.560
<v Speaker 3>there's ample evidence that Japan's long history of spying and

0:14:40.680 --> 0:14:45.920
<v Speaker 3>undercover warfare techniques are not uniquely Japanese, as some sources

0:14:45.960 --> 0:14:49.960
<v Speaker 3>have claimed, but was in part at least influenced by

0:14:50.040 --> 0:14:53.920
<v Speaker 3>Chinese military wisdom already in print for centuries, and the

0:14:53.960 --> 0:14:56.040
<v Speaker 3>fact that it goes back so far means that of

0:14:56.040 --> 0:14:59.640
<v Speaker 3>course people were spying before there was a concept of

0:14:59.680 --> 0:15:03.240
<v Speaker 3>the new ninja that emerges in the Singoku period. Now

0:15:03.240 --> 0:15:06.440
<v Speaker 3>there's another thing this chapter addresses that I think is interesting,

0:15:06.480 --> 0:15:09.040
<v Speaker 3>and that's the idea of ninja or shanobi as a

0:15:09.200 --> 0:15:14.000
<v Speaker 3>hereditary elite. Part of the received ninja mythology is about

0:15:14.200 --> 0:15:19.680
<v Speaker 3>specialization and lineage. It's the idea that undercover warfare techniques

0:15:19.680 --> 0:15:24.440
<v Speaker 3>in Japan were practiced exclusively by quote a highly skilled,

0:15:24.560 --> 0:15:30.200
<v Speaker 3>hereditary core of elite warriors called shinobi, and that ninjutsu,

0:15:30.320 --> 0:15:34.240
<v Speaker 3>the practices of the ninja, were the exclusive domain of

0:15:34.360 --> 0:15:38.120
<v Speaker 3>these warrior elites. They were sort of medieval commandos with

0:15:38.240 --> 0:15:43.400
<v Speaker 3>a hereditary component. And this vision of shinobi also implies

0:15:43.600 --> 0:15:47.440
<v Speaker 3>that they may have had some kind of social elite

0:15:47.520 --> 0:15:51.040
<v Speaker 3>status as well, that they were a kind of super samurai,

0:15:51.520 --> 0:15:57.160
<v Speaker 3>surpassing ordinary samurai warrior elites in the techniques of covert warfare,

0:15:57.240 --> 0:16:02.080
<v Speaker 3>like infiltrating secure locations and causing disruption inside enemy ranks,

0:16:02.120 --> 0:16:04.640
<v Speaker 3>and all the other stuff we've already mentioned. But as

0:16:04.680 --> 0:16:07.360
<v Speaker 3>we brought up in the last episode, there are some

0:16:07.560 --> 0:16:11.560
<v Speaker 3>serious reasons for doubting the idea of shinobi as these

0:16:11.600 --> 0:16:15.840
<v Speaker 3>hereditary elites. The accounts of shnobi activities taking place during

0:16:15.840 --> 0:16:18.760
<v Speaker 3>the Japanese Civil Wars generally do not make any reference

0:16:18.800 --> 0:16:22.840
<v Speaker 3>to the idea of specialized elite warriors, certainly not from

0:16:22.880 --> 0:16:27.160
<v Speaker 3>a social elite, and so shnobi activities may be carried

0:16:27.200 --> 0:16:30.560
<v Speaker 3>out by regular samurai or by soldiers, but in other

0:16:30.600 --> 0:16:35.680
<v Speaker 3>cases by people who are quite clearly associated with the

0:16:35.720 --> 0:16:38.960
<v Speaker 3>lower classes. There is good reason to believe that the

0:16:39.120 --> 0:16:42.560
<v Speaker 3>historical ninja were more likely from the lower classes, and

0:16:42.600 --> 0:16:46.600
<v Speaker 3>in some cases even thought of as criminals, and this

0:16:46.720 --> 0:16:50.480
<v Speaker 3>does raise a different kind of elite status that Turnbull

0:16:50.520 --> 0:16:53.720
<v Speaker 3>goes into depth about the idea of ninja as a

0:16:53.800 --> 0:16:58.560
<v Speaker 3>criminal elite, but this gets complicated too. Many accounts describing

0:16:58.680 --> 0:17:02.280
<v Speaker 3>covert military activity of the Singoku period use terms that

0:17:02.320 --> 0:17:07.159
<v Speaker 3>are also used to describe common crime. One example is

0:17:07.200 --> 0:17:12.480
<v Speaker 3>the Japanese term seto, which normally means thieves. Turnbull cites

0:17:12.520 --> 0:17:16.600
<v Speaker 3>a sixteen fifty three military manual called the Gunpo Geoshu,

0:17:17.320 --> 0:17:20.359
<v Speaker 3>which says quote, if a daimyo does not have a

0:17:20.400 --> 0:17:23.840
<v Speaker 3>seto serving under him, then no matter how good he is,

0:17:23.920 --> 0:17:27.879
<v Speaker 3>he will know nothing of his enemy's dispositions. So this

0:17:28.000 --> 0:17:30.800
<v Speaker 3>appears to be describing the work of a ninja as

0:17:30.840 --> 0:17:35.440
<v Speaker 3>a spy, but uses a common word for thief. Does

0:17:35.520 --> 0:17:39.480
<v Speaker 3>this indicate some kind of historical overlap. Perhaps, and there

0:17:39.600 --> 0:17:42.040
<v Speaker 3>are some good reasons for thinking that there is actual

0:17:42.840 --> 0:17:47.679
<v Speaker 3>direct overlap between ninja in warfare and criminal gangs. But

0:17:47.760 --> 0:17:52.280
<v Speaker 3>another possibility is that the idea of a thief or

0:17:52.320 --> 0:17:55.080
<v Speaker 3>a bandit is in the eye of the beholder, and

0:17:55.119 --> 0:17:59.720
<v Speaker 3>that designation is class related. So to illustrate that turnbul

0:17:59.720 --> 0:18:04.520
<v Speaker 3>inclincludes a text from the fourteenth century. This is the Minaiki,

0:18:04.640 --> 0:18:08.520
<v Speaker 3>compiled in thirteen forty eight, and this is a longer section,

0:18:08.640 --> 0:18:11.919
<v Speaker 3>but it reads as follows. Various kinds of disturbing events

0:18:11.920 --> 0:18:15.840
<v Speaker 3>occurred around the eras of Choan and Kingen, with rebellions,

0:18:15.920 --> 0:18:21.000
<v Speaker 3>coastal piracy, raids, robbery, mountain banditree pillaging, and so on

0:18:21.160 --> 0:18:25.040
<v Speaker 3>happening all over the place. They disguised themselves in an

0:18:25.160 --> 0:18:29.680
<v Speaker 3>unusual way by wearing yellowish brown clothes and a ropagassa

0:18:29.760 --> 0:18:33.200
<v Speaker 3>hat like a woman's instead of an aboshie, which is

0:18:33.240 --> 0:18:36.280
<v Speaker 3>a type of cap or hat, and not showing their faces.

0:18:36.640 --> 0:18:40.040
<v Speaker 3>Individuals who congregated in groups of between ten and twenty

0:18:40.080 --> 0:18:44.160
<v Speaker 3>men wore swords that had no ornamentation, with rough quivers

0:18:44.200 --> 0:18:47.600
<v Speaker 3>on their backs and bamboo poles for spears, and neither

0:18:47.680 --> 0:18:51.159
<v Speaker 3>helmet nor armor. They withdrew to castles and took on

0:18:51.280 --> 0:18:54.439
<v Speaker 3>their enemies there, or they won over an enemy but

0:18:54.480 --> 0:18:58.000
<v Speaker 3>then betrayed him, committing themselves to nothing. They were fond

0:18:58.040 --> 0:19:02.280
<v Speaker 3>of gaming and gambling, and the behaved like shinobi canusu,

0:19:02.680 --> 0:19:04.080
<v Speaker 3>meaning sneak thieves.

0:19:04.640 --> 0:19:06.760
<v Speaker 2>This reminds me of something we talked about in the

0:19:06.840 --> 0:19:12.040
<v Speaker 2>last episode, the idea that you have less historical accounts

0:19:12.600 --> 0:19:17.600
<v Speaker 2>of shanobi in part because you wanted your stories to

0:19:17.680 --> 0:19:22.240
<v Speaker 2>be about the aristocratic samurai, the brave exploits of the samurai,

0:19:22.359 --> 0:19:26.640
<v Speaker 2>not in the upper class samurai, as opposed to the

0:19:27.000 --> 0:19:33.280
<v Speaker 2>potentially shameful but necessary activities of essentially sneak thieves, as

0:19:33.280 --> 0:19:36.040
<v Speaker 2>we're saying here, bandits and pirates exactly.

0:19:36.119 --> 0:19:37.840
<v Speaker 3>And this could also give rise to the idea of

0:19:37.920 --> 0:19:39.919
<v Speaker 3>ninja as a kind of super samurai.

0:19:41.040 --> 0:19:44.680
<v Speaker 2>You know. Having mentioned piracy now in that quote you read,

0:19:45.240 --> 0:19:47.879
<v Speaker 2>this does make me see some strong similarities to what

0:19:47.920 --> 0:19:51.000
<v Speaker 2>has occurred with pirates as well in popular culture. Like

0:19:51.080 --> 0:19:55.080
<v Speaker 2>the modern pop culture idea of a pirate is rather

0:19:55.119 --> 0:19:57.920
<v Speaker 2>far removed from the reality of the pirate in many ways.

0:19:58.200 --> 0:20:02.160
<v Speaker 2>It is a romantic size them to a degree that

0:20:02.520 --> 0:20:05.720
<v Speaker 2>would not have matched up with the reality of living

0:20:05.840 --> 0:20:06.720
<v Speaker 2>during their heyday.

0:20:07.160 --> 0:20:10.080
<v Speaker 3>Oh yeah, certainly. But then I want to raise a question,

0:20:10.320 --> 0:20:15.040
<v Speaker 3>because this applies somewhat to piracy as well. What is

0:20:15.080 --> 0:20:19.879
<v Speaker 3>the difference between a pirate or a privateer and a

0:20:20.000 --> 0:20:25.000
<v Speaker 3>naval vessel that seizes other ships from an enemy country

0:20:25.080 --> 0:20:28.080
<v Speaker 3>and takes on their goods and takes prisoners and so forth.

0:20:29.280 --> 0:20:32.280
<v Speaker 3>Sometimes these boundaries might be a little blurrier than you

0:20:32.320 --> 0:20:36.920
<v Speaker 3>would think, And the same applies here. So in contemporary records,

0:20:36.960 --> 0:20:39.080
<v Speaker 3>these groups that I was just talking about in that

0:20:39.119 --> 0:20:42.600
<v Speaker 3>passage I read a second ago, they are referred to

0:20:42.680 --> 0:20:46.240
<v Speaker 3>with terms meaning thieves or bandits. You know, they're disreputable,

0:20:46.240 --> 0:20:49.840
<v Speaker 3>they're sneak thieves. But twenty years after the passage I

0:20:49.960 --> 0:20:53.840
<v Speaker 3>just read, Turnbull says that these gangs are described quite

0:20:53.840 --> 0:20:59.200
<v Speaker 3>differently as horsemen, wearing finely decorated armor and weapons inlaid

0:20:59.200 --> 0:21:02.359
<v Speaker 3>with gold or silk, organized and loyal to their leader.

0:21:03.040 --> 0:21:05.840
<v Speaker 3>So sounds a lot more like the way that local

0:21:05.880 --> 0:21:09.240
<v Speaker 3>warriors who are simply in rebellion against a distant feudal

0:21:09.280 --> 0:21:13.119
<v Speaker 3>authority would be described let more like warriors and an

0:21:13.240 --> 0:21:16.919
<v Speaker 3>organized political authority, and less just like a criminal gang.

0:21:18.000 --> 0:21:21.560
<v Speaker 3>And so Turnbull concludes that there is some blurring of

0:21:21.600 --> 0:21:25.080
<v Speaker 3>the lines between warriors and criminals depending on who is

0:21:25.119 --> 0:21:29.440
<v Speaker 3>writing the account. Higher class authors would look down on

0:21:29.640 --> 0:21:34.360
<v Speaker 3>warriors of a lower level local uprising and classify them

0:21:34.400 --> 0:21:37.399
<v Speaker 3>not as worthy warriors. You know, this is not a

0:21:37.400 --> 0:21:41.840
<v Speaker 3>political conflict. These are bandits or pirates, and so a

0:21:41.880 --> 0:21:44.720
<v Speaker 3>similar thing could be going on with later records from

0:21:44.840 --> 0:21:48.760
<v Speaker 3>the Singoku period, which sometimes refer to people who by

0:21:48.840 --> 0:21:52.880
<v Speaker 3>description are functioning as spies and secret agents, but are

0:21:52.920 --> 0:21:57.959
<v Speaker 3>referred to as thieves or criminals. So it's possible that

0:21:58.000 --> 0:22:01.920
<v Speaker 3>in some cases Shenoby warriors were perceived or described as

0:22:02.200 --> 0:22:06.960
<v Speaker 3>bandits by a contemptuous higher class authority. However, it's also

0:22:07.000 --> 0:22:10.840
<v Speaker 3>possible that in many cases actual bandits were recruited to

0:22:10.920 --> 0:22:15.560
<v Speaker 3>warfare and served as shnobi. So This also brings up

0:22:15.560 --> 0:22:20.720
<v Speaker 3>the question of shinobi as mercenaries. So a mercenary is

0:22:20.920 --> 0:22:24.200
<v Speaker 3>generally understood as a soldier who is hired to fight

0:22:24.280 --> 0:22:28.320
<v Speaker 3>for a land that is not their own, and records

0:22:28.320 --> 0:22:31.000
<v Speaker 3>of the use of mercenaries in this sense in the

0:22:31.080 --> 0:22:36.439
<v Speaker 3>Sengoku warfare are mostly limited to shnobi type activities. We

0:22:36.480 --> 0:22:40.280
<v Speaker 3>don't really read of hired mercenaries doing the work of

0:22:40.320 --> 0:22:44.600
<v Speaker 3>the samurai, you know, like supposedly honorable face to face warfare,

0:22:44.720 --> 0:22:48.439
<v Speaker 3>leading cavalry charges and so forth. Instead, it seems that

0:22:49.040 --> 0:22:53.159
<v Speaker 3>mercenaries were used for sneak attacks and dirty tricks. So

0:22:53.359 --> 0:22:55.800
<v Speaker 3>you might have a daimyo who has his own regular

0:22:55.840 --> 0:22:59.760
<v Speaker 3>soldiers that are fighting on the battlefield and defending fortresses,

0:23:00.280 --> 0:23:04.000
<v Speaker 3>but in addition to that, the daimyo might pay local

0:23:04.160 --> 0:23:09.640
<v Speaker 3>criminals to do high risk activities, including shnobi activities like spying,

0:23:09.920 --> 0:23:14.160
<v Speaker 3>sneak attacks, false flags, and psychological warfare, as well as

0:23:14.520 --> 0:23:18.800
<v Speaker 3>less shnoby coated high risk maneuvers like covering the retreat

0:23:18.880 --> 0:23:23.680
<v Speaker 3>of regular troops and Turnbull suggests that this also militates

0:23:23.720 --> 0:23:28.679
<v Speaker 3>against the super samurai interpretation of ninja, since records indicate

0:23:28.760 --> 0:23:32.400
<v Speaker 3>that these warriors were often seen as crude, low class,

0:23:32.440 --> 0:23:36.880
<v Speaker 3>and expendable, and these warriors were also implicated in very

0:23:36.960 --> 0:23:41.119
<v Speaker 3>sordid types of activities like slave harvesting, raiding villages, and

0:23:41.200 --> 0:23:45.680
<v Speaker 3>kidnapping people into slavery. And so from all this Turnbull

0:23:45.720 --> 0:23:50.080
<v Speaker 3>concludes that the sort of super samurai hereditary elite interpretation

0:23:50.160 --> 0:23:53.160
<v Speaker 3>of ninja's is not based in history. That they were

0:23:53.240 --> 0:23:56.440
<v Speaker 3>not from a social elite to the extent that they existed,

0:23:57.000 --> 0:24:01.000
<v Speaker 3>but there clearly were people carrying out these activities at

0:24:01.040 --> 0:24:04.240
<v Speaker 3>the time, and that if we're trying to figure out

0:24:04.280 --> 0:24:06.840
<v Speaker 3>what their identity was, it may very well be that

0:24:06.880 --> 0:24:11.480
<v Speaker 3>there was significant overlap with crime, or at least that

0:24:11.680 --> 0:24:15.399
<v Speaker 3>many of them were lower class warriors who were looked

0:24:15.440 --> 0:24:18.680
<v Speaker 3>down upon by the social elites and in some cases

0:24:18.760 --> 0:24:22.359
<v Speaker 3>had some criminal experience or criminal skills such as piracy

0:24:22.480 --> 0:24:26.800
<v Speaker 3>or burglary or banditry. Now another important note on the

0:24:26.960 --> 0:24:32.399
<v Speaker 3>changing meaning of shinobi after the Singoku period. Again, remember

0:24:32.560 --> 0:24:35.399
<v Speaker 3>so after this you get the Unification period under the

0:24:35.480 --> 0:24:38.159
<v Speaker 3>Tokugawa Shogunate. This is also known as the Edo period.

0:24:39.119 --> 0:24:43.840
<v Speaker 3>During this time, there are lots of references to contemporary

0:24:43.880 --> 0:24:47.800
<v Speaker 3>people called shinobi, but in this time period they are

0:24:47.840 --> 0:24:49.800
<v Speaker 3>not at all the ninja you have in mind, and

0:24:49.800 --> 0:24:52.240
<v Speaker 3>they're also not the ninja we were just thinking we

0:24:52.240 --> 0:24:56.760
<v Speaker 3>were just talking about that are engaging in secrecy during warfare. Instead,

0:24:57.040 --> 0:25:01.120
<v Speaker 3>the shanobi of the Tokugawa period were a official agents

0:25:01.280 --> 0:25:05.480
<v Speaker 3>of the central government, which ruled the country by martial law,

0:25:05.600 --> 0:25:08.800
<v Speaker 3>and the duties of these agents included rooting out dissent

0:25:08.960 --> 0:25:12.880
<v Speaker 3>and disloyalty among the people. So in reality, their function

0:25:13.080 --> 0:25:16.600
<v Speaker 3>at this time was more like a secret police than

0:25:16.600 --> 0:25:20.120
<v Speaker 3>a class of secret agents turnbull rights quote. They were

0:25:20.160 --> 0:25:24.160
<v Speaker 3>engaged instead in sordid tasks such as listening to gossip

0:25:24.200 --> 0:25:27.520
<v Speaker 3>through keyholes, ready to denounce their victims and give them

0:25:27.560 --> 0:25:32.120
<v Speaker 3>over to torture and confession. So that's a very different

0:25:32.280 --> 0:25:35.119
<v Speaker 3>take on the idea of shenoby that the same term

0:25:35.240 --> 0:25:38.719
<v Speaker 3>is being used here to describe this very different orientation.

0:25:39.560 --> 0:25:44.720
<v Speaker 3>But strangely, this is also when this subsequent literature mythologizing

0:25:44.760 --> 0:25:47.320
<v Speaker 3>the ninja from the earlier period.

0:25:46.960 --> 0:25:52.160
<v Speaker 2>Sort of emerges fascinating and this ties into I mentioned

0:25:52.200 --> 0:25:55.040
<v Speaker 2>in the last episode that when I recently traveled to Japan,

0:25:55.119 --> 0:25:59.000
<v Speaker 2>I got to see some historic sites associated with the

0:25:59.040 --> 0:26:03.399
<v Speaker 2>shanobi with Ani, and one of them bears mentioned right

0:26:03.440 --> 0:26:07.280
<v Speaker 2>here because when I was visiting the grounds of the

0:26:07.320 --> 0:26:12.040
<v Speaker 2>Imperial Palace in Tokyo, there is a place known as

0:26:12.119 --> 0:26:16.119
<v Speaker 2>the hyakunen Bansho Guard House. It's located in the East

0:26:16.119 --> 0:26:19.960
<v Speaker 2>gardens and it was the headquarters of the Hyakun and

0:26:20.000 --> 0:26:24.440
<v Speaker 2>Gumi teams that protected Edo. This would have housed samurai

0:26:24.520 --> 0:26:27.560
<v Speaker 2>but also ninja and it served as a checkpoint in

0:26:27.640 --> 0:26:32.440
<v Speaker 2>guard house. So the historical situation here is that in

0:26:32.720 --> 0:26:38.359
<v Speaker 2>fifteen ninety, when the warlord Tokugawa Ayasu began fortifying the

0:26:38.400 --> 0:26:42.639
<v Speaker 2>fishing village that would become Edo modern day Tokyo, he

0:26:42.760 --> 0:26:48.320
<v Speaker 2>had already integrated shanobi into his personal army, allegedly in

0:26:48.480 --> 0:26:53.760
<v Speaker 2>special forces roles, and we had the caveat there based

0:26:53.800 --> 0:26:57.240
<v Speaker 2>on everything we've been discussing here. But then during the

0:26:57.400 --> 0:27:00.640
<v Speaker 2>Edo period they took on new roles, so he formed

0:27:00.640 --> 0:27:04.480
<v Speaker 2>them into one hundred man platoons or Hayakun and gumi

0:27:04.880 --> 0:27:07.479
<v Speaker 2>and charge they were charged not with espionage, not with

0:27:07.760 --> 0:27:09.800
<v Speaker 2>again what we would think of is ninja activities or

0:27:09.800 --> 0:27:13.439
<v Speaker 2>even these more like sort of criminal mercenary activities. Uh,

0:27:13.520 --> 0:27:17.000
<v Speaker 2>but they were discharged with roles involved in protecting the

0:27:17.040 --> 0:27:22.239
<v Speaker 2>city using modern flintlock rifles and using them potentially at

0:27:22.240 --> 0:27:25.639
<v Speaker 2>fortified positions. So Yoda and all compare them to like

0:27:25.680 --> 0:27:28.800
<v Speaker 2>a kind of like homeland Security and Secret Service rolled

0:27:28.800 --> 0:27:31.720
<v Speaker 2>into one. So, like you said earlier, kind of like

0:27:32.000 --> 0:27:36.560
<v Speaker 2>a secret police manning checkpoints, checking papers, and you know,

0:27:36.600 --> 0:27:40.720
<v Speaker 2>also keeping keeping an ear open for anything they need

0:27:40.760 --> 0:27:41.760
<v Speaker 2>to pass up the chain.

0:27:51.400 --> 0:27:54.680
<v Speaker 3>So it's interesting to uh to really trace the evolution

0:27:54.760 --> 0:27:57.400
<v Speaker 3>of the concept here and to dig through these sources

0:27:57.440 --> 0:28:00.320
<v Speaker 3>to try to find the foundation of it in real history.

0:28:00.680 --> 0:28:03.359
<v Speaker 3>But despite all of these caveats about like what the

0:28:03.400 --> 0:28:06.160
<v Speaker 3>real ninja were to the extent that they really existed,

0:28:06.240 --> 0:28:10.560
<v Speaker 3>and where these stories come from, I think we would

0:28:10.600 --> 0:28:14.439
<v Speaker 3>really be remiss if we denied ourselves just delving headfirst

0:28:14.480 --> 0:28:19.320
<v Speaker 3>into the ninja legend and just exploring some of the anecdotes,

0:28:19.359 --> 0:28:21.200
<v Speaker 3>whatever their basis in real history.

0:28:21.560 --> 0:28:25.560
<v Speaker 2>Yeah. Yeah, so we should probably begin with the what

0:28:25.680 --> 0:28:30.720
<v Speaker 2>is in some accounts, the first ninja of Japanese traditions. Again,

0:28:30.760 --> 0:28:36.480
<v Speaker 2>this is impossible to define from a realistic standpoint, Like again,

0:28:36.720 --> 0:28:42.240
<v Speaker 2>like nobody invented espionage, per se, no one invented assassination

0:28:42.440 --> 0:28:46.240
<v Speaker 2>and so forth. But according to Japanese traditions. There was

0:28:46.240 --> 0:28:50.600
<v Speaker 2>an individual named a Tomo who would have served the

0:28:50.640 --> 0:28:55.720
<v Speaker 2>semi legendary regent by the name of Prince Shotaku, who

0:28:55.760 --> 0:28:57.640
<v Speaker 2>was also known by various other names, and he would

0:28:57.640 --> 0:29:02.040
<v Speaker 2>have lived five seventy four through six two. See he now,

0:29:02.080 --> 0:29:06.360
<v Speaker 2>given his era and his status, he's attributed with a

0:29:06.440 --> 0:29:09.680
<v Speaker 2>vast number of things. We've encountered situations like this before

0:29:10.200 --> 0:29:13.240
<v Speaker 2>in various cultures where you have a significantly old and

0:29:13.280 --> 0:29:16.880
<v Speaker 2>semi legendary leader, they're going to be associated with various

0:29:17.080 --> 0:29:19.400
<v Speaker 2>you know, it can be things even straight up magical

0:29:19.440 --> 0:29:23.480
<v Speaker 2>and mythological acts or culture bearing acts, or you get

0:29:23.480 --> 0:29:25.680
<v Speaker 2>the idea in many cases where it's like somebody who

0:29:25.680 --> 0:29:28.600
<v Speaker 2>worked for them invented something or something was invented in

0:29:28.640 --> 0:29:32.680
<v Speaker 2>their era, and therefore they are now the inventor. Ah yes,

0:29:33.360 --> 0:29:38.880
<v Speaker 2>and so Shataku is. He's been attributed as promoting the

0:29:38.920 --> 0:29:41.640
<v Speaker 2>spread of Buddhism. Okay, fair enough, It'd said that he

0:29:41.680 --> 0:29:45.880
<v Speaker 2>was an excellent multitasker, which I've read nobody is maybe,

0:29:46.480 --> 0:29:49.880
<v Speaker 2>I mean, I guess maybe maybe he was an okay multitasker.

0:29:49.920 --> 0:29:51.360
<v Speaker 2>But I've also read that it might have to do

0:29:51.440 --> 0:29:54.480
<v Speaker 2>with like, just like how many different streams of information

0:29:54.560 --> 0:29:57.720
<v Speaker 2>were coming to him or something. But also the idea

0:29:57.760 --> 0:30:00.280
<v Speaker 2>that he invented sushi coo, which I I think is

0:30:00.360 --> 0:30:05.920
<v Speaker 2>quite questionable. I how many culinary inventions can truly be

0:30:06.000 --> 0:30:10.360
<v Speaker 2>attributed to rulers, you know, in kings and emperors and

0:30:10.440 --> 0:30:14.120
<v Speaker 2>so forth. Generally it's more of a bottom up sort

0:30:14.120 --> 0:30:20.560
<v Speaker 2>of situation with culinary invention. Yeah, but anyway, a Tomo

0:30:21.160 --> 0:30:26.040
<v Speaker 2>was a regent, He served Empress Suiko, and he was

0:30:26.040 --> 0:30:29.320
<v Speaker 2>an early Japanese proponent of Sun Zu's The Art of War,

0:30:29.760 --> 0:30:31.960
<v Speaker 2>which we know we've been talking about as being a

0:30:32.080 --> 0:30:37.560
<v Speaker 2>text that definitely values and quantifies the and defines the

0:30:37.600 --> 0:30:41.160
<v Speaker 2>different forms of espionage that are important for any kind

0:30:41.200 --> 0:30:42.360
<v Speaker 2>of like military operation.

0:30:42.720 --> 0:30:46.400
<v Speaker 3>Yeah, and places a lot of importance on spies. Doesn't

0:30:46.440 --> 0:30:48.280
<v Speaker 3>just say like, here are the types of spies to use,

0:30:48.360 --> 0:30:50.920
<v Speaker 3>but it's like, make sure you use your spies. You

0:30:50.920 --> 0:30:54.960
<v Speaker 3>should never fight a battle until you have adequately discovered

0:30:55.000 --> 0:30:56.360
<v Speaker 3>all of your enemy's secrets.

0:30:56.560 --> 0:30:59.560
<v Speaker 2>Yeah yeah, yeah. Again, it's like, you know, you may

0:30:59.560 --> 0:31:01.680
<v Speaker 2>not like thieves, but you need thieves. You know, you're

0:31:01.720 --> 0:31:05.400
<v Speaker 2>not going to win this battle or this war via

0:31:05.560 --> 0:31:10.200
<v Speaker 2>bravery and nobility alone. So Prince Chautaku is said to

0:31:10.200 --> 0:31:14.520
<v Speaker 2>have dubbed O Tomo, this shnobi individual as Shenobi along

0:31:14.560 --> 0:31:18.280
<v Speaker 2>with his operatives, and they aided him in surviving against

0:31:18.280 --> 0:31:22.680
<v Speaker 2>a vast enemy army that outnumbered them seemingly via some

0:31:23.000 --> 0:31:25.880
<v Speaker 2>specific shanobi tricks. I don't know that we really have

0:31:25.920 --> 0:31:28.720
<v Speaker 2>an idea what those tricks were, but Yoda and all

0:31:28.760 --> 0:31:31.440
<v Speaker 2>point out that their suspicion that they might have involved

0:31:31.680 --> 0:31:34.840
<v Speaker 2>tricking the enemy into thinking their forces were more numerous

0:31:34.960 --> 0:31:38.800
<v Speaker 2>than they actually were. Like, they point to some other

0:31:39.240 --> 0:31:42.719
<v Speaker 2>examples of this that may be connected, such as dressing

0:31:42.760 --> 0:31:45.520
<v Speaker 2>civilians up in armor or making them look more or

0:31:45.600 --> 0:31:49.360
<v Speaker 2>less like soldiers, sort of putting extras in place so

0:31:49.400 --> 0:31:52.400
<v Speaker 2>that your forces look greater than they are. So yeah,

0:31:52.440 --> 0:31:56.360
<v Speaker 2>total Shanobi move, and so in ninja traditions. In ninja

0:31:56.400 --> 0:31:59.080
<v Speaker 2>culture and pop culture, a tomo would come to be

0:31:59.120 --> 0:32:02.800
<v Speaker 2>described as the first ninja. The info maybe scant, but

0:32:02.920 --> 0:32:05.400
<v Speaker 2>yet it sounds like a tomo was more in line

0:32:06.120 --> 0:32:07.560
<v Speaker 2>with what we think of is kind of like a

0:32:07.560 --> 0:32:13.000
<v Speaker 2>master of spies, a misinformation manager, and so forth. I

0:32:13.040 --> 0:32:15.880
<v Speaker 2>should also point out that a Tomo is apparently also

0:32:15.920 --> 0:32:19.040
<v Speaker 2>the name of one of the android ninjas in RoboCop three,

0:32:21.240 --> 0:32:24.360
<v Speaker 2>Ninja culture, you know, spreads far and wide. It's irresistible.

0:32:24.800 --> 0:32:27.400
<v Speaker 3>Did these ninjas have rocket boots or something? Were they

0:32:27.480 --> 0:32:28.240
<v Speaker 3>rocket ninjas?

0:32:29.080 --> 0:32:31.800
<v Speaker 2>I don't know. They had swords? I think they you know,

0:32:31.880 --> 0:32:34.440
<v Speaker 2>it's been a very long time since I watched RoboCop three.

0:32:34.960 --> 0:32:38.080
<v Speaker 2>I think maybe RoboCop had rocket boots or some sort

0:32:38.120 --> 0:32:40.080
<v Speaker 2>of rocket system that he used to fly.

0:32:40.520 --> 0:32:42.960
<v Speaker 3>Oh no, do we have to watch RoboCop three for

0:32:43.040 --> 0:32:47.960
<v Speaker 3>weird house? I don't know, investigations for another time.

0:32:48.240 --> 0:32:50.960
<v Speaker 2>Yeah. So in this book, Ninja Attack True Tales of

0:32:51.000 --> 0:32:54.600
<v Speaker 2>assassin Samurai Outlaws. As the title suggests, it's not all

0:32:54.880 --> 0:32:58.480
<v Speaker 2>just about ninjas. It kind of spreads out to ninja

0:32:58.520 --> 0:33:04.920
<v Speaker 2>adjacent characters and roles. So it looks at historical and

0:33:05.000 --> 0:33:08.280
<v Speaker 2>legendary figures that have, through one way or another, become

0:33:08.320 --> 0:33:13.240
<v Speaker 2>associated with ninja tradition. Many of them are only vaguely shinobi,

0:33:13.840 --> 0:33:16.920
<v Speaker 2>and they may fit the mold of the latter day

0:33:17.000 --> 0:33:19.680
<v Speaker 2>met ninja myth one way or the other, but not directly. So,

0:33:19.760 --> 0:33:21.240
<v Speaker 2>you know, you have some characters in there that are

0:33:21.240 --> 0:33:24.840
<v Speaker 2>just great warriors. You have some that are definite assassins

0:33:25.000 --> 0:33:31.160
<v Speaker 2>or would be assassins. Spymasters and also wizards and magic users.

0:33:32.400 --> 0:33:34.640
<v Speaker 3>Oh and I don't recall if we've brought this up

0:33:34.720 --> 0:33:37.360
<v Speaker 3>yet in the series or not, but one thing to

0:33:37.600 --> 0:33:42.320
<v Speaker 3>absolutely understand is that a lot of early ninja legend

0:33:42.840 --> 0:33:47.960
<v Speaker 3>and references to ninjutsu the practice of a ninja are

0:33:48.080 --> 0:33:49.520
<v Speaker 3>clearly magical in nature.

0:33:49.960 --> 0:33:53.280
<v Speaker 2>Yes, And one of the best examples of that is

0:33:53.640 --> 0:33:56.160
<v Speaker 2>the fictional character who had go on to become just

0:33:56.360 --> 0:33:59.840
<v Speaker 2>a staple of ninja pop culture, especially in Japan, is Jerai.

0:34:00.720 --> 0:34:03.480
<v Speaker 2>So Juriah was the protagonist of an eighteen oh six

0:34:03.560 --> 0:34:10.840
<v Speaker 2>book by kanwate Onataki. But modern ninja fans probably wouldn't

0:34:10.840 --> 0:34:15.160
<v Speaker 2>have even recognized Jeria as a ninja because, on one hand,

0:34:15.160 --> 0:34:17.960
<v Speaker 2>the all black ninja garb had not been invented yet,

0:34:18.000 --> 0:34:21.520
<v Speaker 2>that wasn't a part of the of the genre yet.

0:34:21.880 --> 0:34:24.279
<v Speaker 2>And at this point in Ninja Lord, they were, as

0:34:24.280 --> 0:34:27.480
<v Speaker 2>we've been discussing, far more associated with dark magic. They

0:34:27.520 --> 0:34:29.600
<v Speaker 2>were more likely to use some sort of a spell

0:34:29.680 --> 0:34:32.160
<v Speaker 2>against you than to bust out, you know, some sort

0:34:32.160 --> 0:34:37.920
<v Speaker 2>of martial arts attack. And so Juriah was a just

0:34:37.960 --> 0:34:40.440
<v Speaker 2>a kimono wearing like he's just describes wearing kimono's just

0:34:40.440 --> 0:34:44.400
<v Speaker 2>wearing like regular clothes. Robin hood like character. He was

0:34:44.440 --> 0:34:47.840
<v Speaker 2>a robber with a heart of gold and the magical

0:34:47.880 --> 0:34:52.120
<v Speaker 2>ability to summon a giant, mighty phantom toad that served

0:34:52.160 --> 0:34:52.840
<v Speaker 2>as his steed.

0:34:53.560 --> 0:34:56.400
<v Speaker 3>That is so much cooler than the now cliche idea

0:34:56.400 --> 0:34:59.040
<v Speaker 3>of someone riding a dragon, writing a dragon. I've seen

0:34:59.080 --> 0:35:01.640
<v Speaker 3>it a million times. Dragon's already sort of like a

0:35:01.680 --> 0:35:03.600
<v Speaker 3>horse anyway. I don't know why, don't ask me why.

0:35:03.640 --> 0:35:06.080
<v Speaker 3>It just is dragon's kind of like a horse riding

0:35:06.120 --> 0:35:07.480
<v Speaker 3>a toad. That's different.

0:35:08.520 --> 0:35:12.400
<v Speaker 2>Yeah, not only this, he had a sidekick who was

0:35:12.440 --> 0:35:16.160
<v Speaker 2>a female master of slug magic, and they battled an

0:35:16.160 --> 0:35:19.040
<v Speaker 2>evil master of snake magic and so Yoda an alt

0:35:19.040 --> 0:35:21.360
<v Speaker 2>stress that there's kind of like a rock paper scissors

0:35:21.400 --> 0:35:25.279
<v Speaker 2>scenario here in this magic system. Brandon Sanderson may get

0:35:25.280 --> 0:35:27.960
<v Speaker 2>a lot of credit for his complex magical systems and

0:35:28.000 --> 0:35:33.320
<v Speaker 2>his novels, but does he have snake toad slug level

0:35:33.320 --> 0:35:35.719
<v Speaker 2>of magic here? Because basically the way it works is

0:35:35.800 --> 0:35:41.080
<v Speaker 2>that snakes beat toads, Slugs beat snakes, and toads beat slugs,

0:35:41.520 --> 0:35:43.160
<v Speaker 2>and that's the way the magic system works.

0:35:43.520 --> 0:35:47.960
<v Speaker 3>What yeah, how do the slugs beat snakes?

0:35:48.360 --> 0:35:50.239
<v Speaker 2>They just do Okay, they just do. It's just it's

0:35:50.320 --> 0:35:53.560
<v Speaker 2>just how reality works. I don't know, that's just science.

0:35:54.400 --> 0:35:59.320
<v Speaker 2>But Juriah has remained a strong part of Japanese pop culture,

0:36:00.080 --> 0:36:04.760
<v Speaker 2>enjoying multiple retellings and apparently factors into the popular anime Naruto,

0:36:05.320 --> 0:36:08.239
<v Speaker 2>which I think I've only watched one episode of, so

0:36:08.280 --> 0:36:10.400
<v Speaker 2>I didn't get in deep enough to see all of

0:36:10.440 --> 0:36:13.320
<v Speaker 2>the threads. But so many of these characters in Japanese

0:36:13.400 --> 0:36:17.240
<v Speaker 2>ninja pop culture, they end up emerging and re emerging,

0:36:17.280 --> 0:36:20.200
<v Speaker 2>you know, people keep diving back in and re exploring

0:36:20.200 --> 0:36:25.160
<v Speaker 2>them and reinventing them. But yeah, Jiiah seems to have

0:36:25.239 --> 0:36:30.520
<v Speaker 2>been a very pivotal figure in ninja fiction, igniting a

0:36:30.640 --> 0:36:34.879
<v Speaker 2>huge ninja fad around eighteen thirty nine. This is when

0:36:34.920 --> 0:36:38.000
<v Speaker 2>an illustrated publication of the text in question came out,

0:36:38.600 --> 0:36:41.240
<v Speaker 2>and you ended up with like thirty years of sequels

0:36:41.280 --> 0:36:46.359
<v Speaker 2>following that, along with various imitators, theater adaptations, and there

0:36:46.400 --> 0:36:50.560
<v Speaker 2>was eventually a nineteen twenty one film version. A film

0:36:50.560 --> 0:36:54.520
<v Speaker 2>adaptation of this story called Juria the Hero sometimes cited

0:36:54.640 --> 0:36:58.120
<v Speaker 2>is the first tokusatsu or special effects movie, and Joe

0:36:58.239 --> 0:37:00.279
<v Speaker 2>I have not seen it myself, but I include a

0:37:00.360 --> 0:37:02.920
<v Speaker 2>still from it here where you can see a giant

0:37:02.960 --> 0:37:04.920
<v Speaker 2>phantom toe jumping into battle.

0:37:04.960 --> 0:37:08.239
<v Speaker 3>I believe, my god, that's so good. And I just

0:37:08.280 --> 0:37:10.120
<v Speaker 3>looked at it. I think I have found a stream

0:37:10.200 --> 0:37:12.680
<v Speaker 3>of this online, so we could watch it. We could

0:37:12.680 --> 0:37:13.720
<v Speaker 3>watch it for Weird House.

0:37:13.880 --> 0:37:16.960
<v Speaker 2>Yeah, I believe it's a twenty one minute film. So yeah,

0:37:16.960 --> 0:37:18.360
<v Speaker 2>it looks like there are some streams.

0:37:19.840 --> 0:37:21.520
<v Speaker 3>Okay, that's that's going on the list.

0:37:21.960 --> 0:37:23.799
<v Speaker 2>They mentioned that they so the book goes into a

0:37:23.800 --> 0:37:28.040
<v Speaker 2>lot of the other ways that the fictional world of

0:37:28.080 --> 0:37:30.640
<v Speaker 2>the ninja grew and spread. You know, later on during

0:37:30.640 --> 0:37:34.920
<v Speaker 2>the early nineteen tens, the novel Sorrow Toobe Saske was

0:37:34.920 --> 0:37:37.880
<v Speaker 2>a big ninja hit, still leaning more heavily on the

0:37:37.920 --> 0:37:40.600
<v Speaker 2>magical aspects of the ninja, and then you would just

0:37:40.600 --> 0:37:44.279
<v Speaker 2>get an additional ninja revivals that would occur in like

0:37:44.360 --> 0:37:48.520
<v Speaker 2>the fifties and sixties. And I think those those waves

0:37:48.680 --> 0:37:51.319
<v Speaker 2>will continue and you still see it continuing today. Like

0:37:51.719 --> 0:37:54.640
<v Speaker 2>ninjas have not gone away. It's not like everyone's like, hey,

0:37:54.680 --> 0:37:57.080
<v Speaker 2>do you remember ninja movies? Like, no, they're still around.

0:37:57.160 --> 0:37:59.719
<v Speaker 2>This ninja video game is still around, but they'll still

0:37:59.760 --> 0:38:02.880
<v Speaker 2>be an occasional like big hit that comes out and

0:38:02.920 --> 0:38:06.880
<v Speaker 2>it reminds everyone just how awesome ninja fiction really is.

0:38:07.480 --> 0:38:11.319
<v Speaker 3>So the way I understand it, it's this revival of

0:38:11.400 --> 0:38:14.320
<v Speaker 3>interest in the ninja through these like novels and stories

0:38:14.320 --> 0:38:17.640
<v Speaker 3>and movies in roughly the fifties and the sixties that

0:38:17.920 --> 0:38:22.120
<v Speaker 3>give way to the international, especially in English speaking markets,

0:38:22.120 --> 0:38:23.520
<v Speaker 3>obsession with the ninja.

0:38:23.680 --> 0:38:27.280
<v Speaker 2>Yeah, it does make me wonder, like, outside of Japan

0:38:27.480 --> 0:38:31.200
<v Speaker 2>an international level, what would happen if you had like

0:38:31.280 --> 0:38:36.720
<v Speaker 2>a true, like sort of revitalization of the black magic

0:38:36.800 --> 0:38:40.600
<v Speaker 2>aspect of ninja. You know, that might be interesting, But again,

0:38:40.960 --> 0:38:44.560
<v Speaker 2>that seems to have never completely gone away in Japanese

0:38:44.600 --> 0:38:45.360
<v Speaker 2>media itself.

0:38:45.640 --> 0:38:48.640
<v Speaker 3>I think it's halfway there in some American ninja media,

0:38:48.800 --> 0:38:52.200
<v Speaker 3>Like it's not fully the case that we're seeing ninja

0:38:52.239 --> 0:38:55.960
<v Speaker 3>as like sorcerers doing spells and writing spectral toads, but

0:38:56.080 --> 0:38:59.920
<v Speaker 3>there's more a kind of vague mysticism to them, you know,

0:39:00.200 --> 0:39:03.080
<v Speaker 3>like that they're portrayed in a way where you wonder

0:39:03.239 --> 0:39:05.040
<v Speaker 3>if they are capable of magic.

0:39:05.480 --> 0:39:08.000
<v Speaker 2>Yeah. Yeah, And I guess one has to acknowledge Mortal

0:39:08.080 --> 0:39:11.640
<v Speaker 2>Kombat ninjas, though I think in some cases I'm always

0:39:11.680 --> 0:39:14.719
<v Speaker 2>a little foggy on how everything works in Mortal k

0:39:14.880 --> 0:39:16.200
<v Speaker 2>I think some of those characters are supposed to be

0:39:16.280 --> 0:39:20.879
<v Speaker 2>Chinese as opposed to Japanese, but then they're clearly embracing

0:39:21.200 --> 0:39:25.920
<v Speaker 2>like Japanese ninja pop culture. But yeah, you have characters

0:39:25.920 --> 0:39:28.400
<v Speaker 2>that are clearly ninjas that are also doing things like

0:39:28.440 --> 0:39:32.400
<v Speaker 2>throwing fireballs or freeze balls or whatever the heck.

0:39:32.560 --> 0:39:36.080
<v Speaker 3>Are like Scorpion and sub Zero interpreted. I never even

0:39:36.120 --> 0:39:39.680
<v Speaker 3>thought about the nationality of those characters. Are they implied

0:39:39.680 --> 0:39:43.000
<v Speaker 3>to be Japanese? I thought it was like Lu Kang

0:39:43.120 --> 0:39:45.399
<v Speaker 3>is a Shalan warrior, isn't he right?

0:39:45.640 --> 0:39:49.880
<v Speaker 2>Right? And I believe at least originally sub Zero was

0:39:49.880 --> 0:39:52.680
<v Speaker 2>supposed to be Chinese. But this is Mortal Kombat. It

0:39:53.000 --> 0:39:57.719
<v Speaker 2>plays very fast and loose with its source materials here

0:39:57.719 --> 0:40:01.480
<v Speaker 2>to create its own strange universe, which I love. But again,

0:40:02.640 --> 0:40:04.319
<v Speaker 2>you have to sort of take everything with a grain

0:40:04.320 --> 0:40:07.239
<v Speaker 2>of salt and follow it through to, like, you know,

0:40:07.280 --> 0:40:10.680
<v Speaker 2>the the the original inspirations to get maybe an idea

0:40:10.680 --> 0:40:12.600
<v Speaker 2>of where things come from. And even then there's a

0:40:12.600 --> 0:40:13.360
<v Speaker 2>lot of overlap.

0:40:13.680 --> 0:40:18.160
<v Speaker 3>Johnny Cage is American, Sonia Blade is American, right, I

0:40:18.200 --> 0:40:18.480
<v Speaker 3>think so?

0:40:19.080 --> 0:40:23.560
<v Speaker 2>Yeah? American Duell until he was played by an Australian man.

0:40:23.680 --> 0:40:26.480
<v Speaker 2>In the in the the Mortal Kombat movie in the

0:40:26.560 --> 0:40:29.440
<v Speaker 2>nineties and after that, and part of it I believe

0:40:29.520 --> 0:40:32.520
<v Speaker 2>is like a dedication to him because he died young.

0:40:33.400 --> 0:40:35.719
<v Speaker 2>They were like, Okay, Kano is Australian from now on,

0:40:36.280 --> 0:40:37.920
<v Speaker 2>so you know, you have changes like that that.

0:40:37.920 --> 0:40:40.200
<v Speaker 3>Occur raidings from out world.

0:40:40.920 --> 0:40:47.799
<v Speaker 2>Yeah, so he's generally maybe French gentleman depicted as French. Yeah,

0:40:47.880 --> 0:40:50.920
<v Speaker 2>he's French scorpion. On the other hand, I think has

0:40:50.960 --> 0:40:54.799
<v Speaker 2>always been depicted as Japanese. But I'm not one sure

0:40:54.840 --> 0:40:55.359
<v Speaker 2>on that either.

0:40:56.040 --> 0:40:58.920
<v Speaker 3>Okay, all right, well, I think maybe we're out of

0:40:58.960 --> 0:41:01.640
<v Speaker 3>time for today's episode, but next time we will be

0:41:01.719 --> 0:41:06.200
<v Speaker 3>back with more stories of ninjas throughout history, legendary ninjas,

0:41:06.320 --> 0:41:10.799
<v Speaker 3>ninja anecdotes and techniques and technologies and just we're going

0:41:10.840 --> 0:41:13.160
<v Speaker 3>to find a lot of little corners to look into.

0:41:13.600 --> 0:41:15.640
<v Speaker 2>Yeah, and there will be a little bit of ninja

0:41:15.640 --> 0:41:18.400
<v Speaker 2>science in there. I can't promise lots of ninja science,

0:41:18.440 --> 0:41:20.680
<v Speaker 2>but I know there will be at least a little bit.

0:41:20.840 --> 0:41:22.200
<v Speaker 3>The physics of toad riding.

0:41:22.680 --> 0:41:26.200
<v Speaker 2>Yes, all right, we're going to go and close it

0:41:26.239 --> 0:41:29.799
<v Speaker 2>out there, but let's see what to mention here. Hey,

0:41:29.800 --> 0:41:32.319
<v Speaker 2>I'll just give throughout this once more, if you were

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<v Speaker 2>on Instagram, why don't you follow the Stuff to Blow

0:41:35.600 --> 0:41:39.440
<v Speaker 2>your Mind Instagram account. It is STBYM podcast. That's our handle.

0:41:40.239 --> 0:41:42.759
<v Speaker 2>We had to reset it a while back because we

0:41:42.880 --> 0:41:44.799
<v Speaker 2>lost access to the old one and then we were

0:41:44.800 --> 0:41:48.120
<v Speaker 2>eventually able to send in some shinobi to destroy the

0:41:48.200 --> 0:41:51.759
<v Speaker 2>old one from the inside. But we need to get

0:41:51.760 --> 0:41:54.080
<v Speaker 2>the followers up on that Instagram. So if you use Instagram,

0:41:54.120 --> 0:41:58.200
<v Speaker 2>follow us there. I can promise you it won't be

0:41:58.600 --> 0:42:01.040
<v Speaker 2>completely boring. It'll be some you'll get an update on

0:42:01.040 --> 0:42:03.600
<v Speaker 2>what we're talking about sometimes some fun videos in there.

0:42:03.680 --> 0:42:08.240
<v Speaker 2>So give us a follow. STBYM Podcast reminder that Stuff

0:42:08.239 --> 0:42:10.160
<v Speaker 2>to Blow Your Mind is primarily a science and culture

0:42:10.160 --> 0:42:13.160
<v Speaker 2>podcast with core episodes on Tuesdays and Thursdays. On Wednesdays,

0:42:13.200 --> 0:42:15.120
<v Speaker 2>we do a short form episode. On Fridays, we set

0:42:15.160 --> 0:42:17.120
<v Speaker 2>aside most serious concerns, all just talk about a weird

0:42:17.120 --> 0:42:19.640
<v Speaker 2>film on Weird House Cinema, and then we have some

0:42:20.120 --> 0:42:23.120
<v Speaker 2>vault episodes that occur. We have a vault episode of

0:42:23.200 --> 0:42:26.360
<v Speaker 2>our core episodes on Saturdays and on Mondays. Our current

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<v Speaker 2>format is to do a Weird House rewind that's a

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<v Speaker 2>vault episode, a rerun of a past Weird House Cinema.

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<v Speaker 3>Episode, Huge Things. As always to our excellent audio producer

0:42:36.600 --> 0:42:38.919
<v Speaker 3>JJ Posway. If you would like to get in touch

0:42:38.920 --> 0:42:41.000
<v Speaker 3>with us with feedback on this episode or any other,

0:42:41.160 --> 0:42:43.319
<v Speaker 3>to suggest a topic for the future, or just to

0:42:43.320 --> 0:42:46.200
<v Speaker 3>say hello, you can email us at contact stuff to

0:42:46.239 --> 0:42:54.960
<v Speaker 3>Blow your Mind dot com.

0:42:55.080 --> 0:42:58.000
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:42:58.080 --> 0:43:01.960
<v Speaker 1>more podcasts from my heart Radio, the iHeartRadio app, Apple Podcasts,

0:43:02.000 --> 0:43:22.279
<v Speaker 1>or wherever you're listening to your favorite shows. M