WEBVTT - Goodbye Dolly

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<v Speaker 2>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; Assemble. Welcome back.

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<v Speaker 4>Joshua Gonzalez. He's a married man.

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<v Speaker 1>If you're not on the Patreon, Joshua just went into

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<v Speaker 1>full detail on his wedding. If you want to listen

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<v Speaker 1>to that, join the Patreon.

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<v Speaker 5>Maybe we'll make it available for everybody one day.

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<v Speaker 4>Maybe not.

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<v Speaker 1>We do these kind of things all the time. So

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<v Speaker 1>now we're angel church announcements.

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<v Speaker 2>You know I can't remember nothing. I need to write

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<v Speaker 2>it down.

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<v Speaker 1>Okay.

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<v Speaker 3>Okay.

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<v Speaker 4>Right now, I'm still on tour. Grief sucks.

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<v Speaker 2>Congratulations, friends.

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<v Speaker 4>Thank you.

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<v Speaker 3>We live tonight? We live tonight.

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<v Speaker 4>We live tonight.

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<v Speaker 2>Ooh, you just got back.

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<v Speaker 4>Yes.

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<v Speaker 2>Oh, yeah.

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<v Speaker 1>When this airs, there's Boston. It's the only city that

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<v Speaker 1>we have available this weekend that has tickets. Phoenix, San Diego,

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<v Speaker 1>San Francisco, and Ontario, all coming up. Tickets available for

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<v Speaker 1>all of those cities. KevinMosage.com or link in the bio.

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<v Speaker 1>Dolly Parton.

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<v Speaker 4>Gone, y'all.

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<v Speaker 1>We going to listen to her version of I Will

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<v Speaker 1>Always Love You and then reminisce on our girl Dolly P.

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<v Speaker 2>Come on. She went.

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<v Speaker 4>She went. She knows, Angel.

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<v Speaker 5>Was you think of me, Dolly?

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<v Speaker 2>You be float up there, girl.

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<v Speaker 4>Get up there, Dolly.

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<v Speaker 6>Love it.

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<v Speaker 2>She sound like a butterfly, the way that voice quivers.

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<v Speaker 2>Come on, girl. That is all. That's all you can

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<v Speaker 2>take up here.

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<v Speaker 6>Please.

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<v Speaker 2>Come on. Please. Don't cry.

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<v Speaker 5>Come on.

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<v Speaker 2>We both know. I'm not what you need. You need.

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<v Speaker 7>I'm not.

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<v Speaker 6>What you need.

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<v Speaker 4>Oh, Dolly. Oh, Dolly girl.

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<v Speaker 2>Come on, little voice. Talk to us, Dolly. Love and happiness.

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<v Speaker 2>You should write the perfect funeral song.

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<v Speaker 5>But above all this, I wish. Come back in, darling. Everybody, everybody. Darling!

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<v Speaker 2>Get up there!

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<v Speaker 4>Go ahead, Angel.

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<v Speaker 1>We found out Dolly Parton passed on set shooting ourselves

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<v Speaker 1>on the internet. It was the blackest thing ever in retrospect.

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<v Speaker 1>We were... streaming live to Patreon, Angel, Liz, me, Jamila,

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<v Speaker 1>Mel Mitchell combined, and everybody there did all the black stuff.

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<v Speaker 1>Angel said she done went on to be with him.

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<v Speaker 1>Somebody said she was sick. Listen, they did say she

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<v Speaker 1>was sick. Somebody said they should have took Jolene. I screamed, no!

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<v Speaker 2>I mean, so loud.

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<v Speaker 5>Kel, stop lying! Stop lying!

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<v Speaker 2>Because all you said was, No. We were like, what?

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<v Speaker 2>You said Dolly Parton. You didn't even say.

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<v Speaker 5>Y'all know what I said when I said her name.

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<v Speaker 5>If I'm screaming, go Dolly Parton.

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<v Speaker 4>You know what it mean now.

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<v Speaker 2>I was like, no, something else happened. She robbed a bank.

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<v Speaker 6>Something.

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<v Speaker 2>It was so sad. And then our poor first AD

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<v Speaker 2>bust into tears.

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<v Speaker 4>We were all confused. It was so intense.

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<v Speaker 2>I was like, what is happening? What is going on?

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<v Speaker 2>And then I asked him later, because I'm too nosy

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<v Speaker 2>to just let a man cry, and I find out

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<v Speaker 2>what's going on. And he had worked with her.

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<v Speaker 4>He worked with her.

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<v Speaker 2>I said, well, I can understand your crying. You don't

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<v Speaker 2>seem as weird as you did when you did it,

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<v Speaker 2>and we didn't know what was going on.

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<v Speaker 4>We had a moment of silence for Dolly.

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<v Speaker 1>We did. The black people went up for Dolly Parton.

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<v Speaker 2>She was just so unproblematic.

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<v Speaker 1>But I won't even say it's just that, Angel. Unproblematic

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<v Speaker 1>is I don't say nothing, I don't do nothing. Dolly

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<v Speaker 1>stood up for black people.

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<v Speaker 2>Well, that's unproblematic for white folk. For black folk, you

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<v Speaker 2>got to... To be with us, you got to be problematic.

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<v Speaker 2>You got to be problematic to white folks.

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<v Speaker 4>To white folks.

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<v Speaker 2>She was unproblematic for us.

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<v Speaker 1>She took a stand for us on multiple occasions. She also,

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<v Speaker 1>with her wealth... And I ain't going to hold you.

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<v Speaker 1>I thought I knew a lot about Dolly Parton. I

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<v Speaker 1>didn't know nearly enough that could have been known. Yeah.

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<v Speaker 4>I didn't know about the Imagination Library.

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<v Speaker 3>I didn't either.

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<v Speaker 1>Donated millions of dollars to make sure kids got free

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<v Speaker 1>books up until they were five, paid for countless colleges,

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<v Speaker 1>would have been a billionaire if not for her philanthropic efforts.

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<v Speaker 1>I've seen so many videos of her that I hadn't

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<v Speaker 1>seen before she passed. She said when she heard Whitney

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<v Speaker 1>Houston's version of her song, she pulled over. She said

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<v Speaker 1>she was so emotional. She was like, I can't even

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<v Speaker 1>imagine that you.

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<v Speaker 4>Could do that with what I wrote.

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<v Speaker 1>She was like, She wrote a letter to 3-6 Mafia

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<v Speaker 1>when they won the Oscar. They were nominated for Oscar

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<v Speaker 1>the same category the same year. And they won. And

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<v Speaker 1>she was like, I'm just happy I came home to Tennessee.

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<v Speaker 1>Set up for gay rights. Set up for trans rights.

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<v Speaker 1>Set up for Black Lives Matter. Philanthropic efforts. Apparently she's

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<v Speaker 1>written a song where she says her best song, it's

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<v Speaker 1>locked up in Dollywood until 2045. So yeah, black people just...

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<v Speaker 1>We loved her.

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<v Speaker 5>I'm wearing my shirt for my girl, and I already

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<v Speaker 5>had this shirt.

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<v Speaker 2>And she was fine. She was a baddie. She was

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<v Speaker 2>doing the body contouring, you know, all these girls going

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<v Speaker 2>down to the Dominican Republic. She been on that.

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<v Speaker 4>Been on that.

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<v Speaker 2>She said, snatch waist, big titties.

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<v Speaker 1>She wrote a song called Dumb Blonde. People were like,

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<v Speaker 1>why'd you write that? She said, because I'm not dumb

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<v Speaker 1>and I'm not blonde.

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<v Speaker 2>Somebody said, what's the thing that people would be surprised

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<v Speaker 2>to know about you? She said, I got a great ass, too.

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<v Speaker 5>I didn't know.

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<v Speaker 4>I knew she was funny, but there was stuff I

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<v Speaker 4>hadn't known.

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<v Speaker 1>She said she burned her bra and it took the

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<v Speaker 1>fire department four days to put it out.

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<v Speaker 2>She was in on the joke. She was like, you

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<v Speaker 2>can try to say whatever you want about me. I

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<v Speaker 2>know who I really am. I'll beat you to the joke.

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<v Speaker 4>Absolutely.

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<v Speaker 1>Married to Carl Dean for 60 years. They had an understanding.

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<v Speaker 1>Ain't nobody seen what Carl looked like in 50 years.

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<v Speaker 5>Yeah.

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<v Speaker 1>The only pictures you ever seen of them are when

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<v Speaker 1>they were young and apparently when she went out As

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<v Speaker 1>not Dolly Parton, she had brunette hair.

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<v Speaker 4>There was one where she.

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<v Speaker 1>Had tattoos all over her body. I don't know if

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<v Speaker 1>that's just true or a wife's tale. But her and

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<v Speaker 1>Carl seemed to have an understanding. He allowed her to

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<v Speaker 1>be her. Didn't stop her. She was always working and

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<v Speaker 1>he understood.

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<v Speaker 2>He was like, I married Dolly Parton.

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<v Speaker 5>Hey, brother, y'all trying to make it bad when it's good.

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<v Speaker 1>Right.

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<v Speaker 4>I don't care if I get to see her three

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<v Speaker 4>weeks out of the year. That three weeks, she's still

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<v Speaker 4>Dolly Parton.

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<v Speaker 2>She's still mine.

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<v Speaker 5>I didn't know Dolly was her birth given name.

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<v Speaker 2>Her parents did a good job. They said, we know

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<v Speaker 2>who you're going to be.

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<v Speaker 4>We know.

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<v Speaker 2>We know who you're going to be. This name is fitting.

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<v Speaker 1>That baby's name was Dolly Rebecca Parton.

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<v Speaker 5>I said, your mama knew.

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<v Speaker 1>When she gave birth to you, you were going to

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<v Speaker 1>be a Dolly.

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<v Speaker 2>Yeah.

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<v Speaker 1>I saw this video where she was like, I wanted

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<v Speaker 1>to grow up to be the town hustler. There was

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<v Speaker 1>a lady who just dressed so amazing. Her mom said, oh,

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<v Speaker 1>she's trash. She said, Dolly said, I want to be trash.

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<v Speaker 2>I like the trash.

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<v Speaker 4>She said, I'm Oscar the Grouch if that's what it takes.

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<v Speaker 4>But yeah, she.

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<v Speaker 4>She went on to be with him.

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<v Speaker 1>I went to like, you know, check out her music again.

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<v Speaker 5>Uh, I said, let me see what's on the essential

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<v Speaker 5>Dolly Parton.

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<v Speaker 6>55 songs.

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<v Speaker 5>55 songs.

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<v Speaker 4>What's your favorite Dolly Parton song, Angel?

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<v Speaker 2>Um, I think it's a lot of people's favorite song

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<v Speaker 2>because it's got that oomph, oomph.

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<v Speaker 6>Oomph, oomph.

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<v Speaker 2>Working 9 to 5. I'm going to play that.

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<v Speaker 1>My favorite is Jolene. We're going to play it back

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<v Speaker 1>to back.

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<v Speaker 5>Yes.

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<v Speaker 3>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

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<v Speaker 2>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;

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<v Speaker 2>Come on. She starts in the basement.

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<v Speaker 5>Listen.

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<v Speaker 2>And she could write some songs, too. She was an

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<v Speaker 2>amazing writer, actually. And she died on 9-25.

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<v Speaker 6>Hey, hey. Get up there, darling.

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<v Speaker 2>Yeah, great.

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<v Speaker 5>Yeah.

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<v Speaker 1>Play the guitar with acrylic nails. She has no idea

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<v Speaker 1>how she... You played her nails, too!

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<v Speaker 5>Sing, darling!

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<v Speaker 4>Oh, I'm sorry. 8 to 5.

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<v Speaker 5>825.

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<v Speaker 1>That's my bad, y'all. They were saying they should make

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<v Speaker 1>925 per day.

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<v Speaker 4>That's what they said. My bad, y'all.

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<v Speaker 5>My bad!

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<v Speaker 3>My bad!

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<v Speaker 2>Okay, play Jolene.

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<v Speaker 5>Jolene!

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<v Speaker 1>This is my song. Because she's so vulnerable. She was like,

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<v Speaker 1>come on, Jolene, stall me out.

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<v Speaker 5>Stall me out. Girl, I know you can take my man.

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<v Speaker 5>Don't do it, Jolene. Jolene, Jolene, Jolene.

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<v Speaker 4>I'm begging of you, please.

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<v Speaker 5>Take my man.

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<v Speaker 2>Jolene, Jolene, Jolene, Jolene.

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<v Speaker 4>This is such a vulnerable song.

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<v Speaker 1>Dolly was like, hey.

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<v Speaker 5>Girl, you have all the stuff. I can't get them

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<v Speaker 5>like that.

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<v Speaker 2>She's like, come on, girl. Come on.

0:11:34.090 --> 0:11:34.540
<v Speaker 6>Shit.

0:11:35.390 --> 0:11:37.970
<v Speaker 2>I just finished working 9 to 5.

0:11:37.970 --> 0:11:41.130
<v Speaker 5>Come on. You trying to take my man just because

0:11:41.170 --> 0:11:41.650
<v Speaker 5>you can?

0:11:49.620 --> 0:11:50.790
<v Speaker 4>And it's on the same album.

0:11:51.510 --> 0:11:51.770
<v Speaker 6>Yeah.

0:11:53.910 --> 0:11:54.750
<v Speaker 5>Jolene.

0:12:02.270 --> 0:12:03.890
<v Speaker 2>I don't know what he means to.

0:12:10.380 --> 0:12:11.340
<v Speaker 1>Me, Jolene.

0:12:11.559 --> 0:12:13.839
<v Speaker 8>Jolene, Jolene, Jolene, Jolene.

0:12:14.059 --> 0:12:24.740
<v Speaker 7>I'm begging of you, please don't take my hand. Jolene, Jolene, Jolene, Jolene.

0:12:24.780 --> 0:12:25.980
<v Speaker 7>Please don't take it.

0:12:28.809 --> 0:12:30.660
<v Speaker 4>So we got to say rest in peace to Dolly.

0:12:30.700 --> 0:12:31.760
<v Speaker 4>We love you, girl.

0:12:32.559 --> 0:12:34.820
<v Speaker 1>You in the big Dollywood in the sky now. You

0:12:34.840 --> 0:12:38.140
<v Speaker 1>made 80. You made 80. And we love that. A

0:12:38.140 --> 0:12:40.699
<v Speaker 1>lot of people was passing away since we last shot.

0:12:41.059 --> 0:12:41.990
<v Speaker 2>Tim Curry.

0:12:42.160 --> 0:12:43.210
<v Speaker 3>Optimus Prime gone.

0:12:43.230 --> 0:12:44.310
<v Speaker 2>That pissed me off.

0:12:44.450 --> 0:12:45.750
<v Speaker 4>Tim Curry gone.

0:12:46.330 --> 0:12:47.990
<v Speaker 3>Autobots rolled out one last time.

0:12:48.010 --> 0:12:48.470
<v Speaker 4>Hayden.

0:12:48.490 --> 0:12:51.069
<v Speaker 2>Oh, we are talking about Hayden. We're talking about Hayden.

0:12:51.770 --> 0:12:54.339
<v Speaker 2>Tim Curry is from all the movies.

0:12:54.480 --> 0:12:54.880
<v Speaker 4>Yes.

0:12:55.020 --> 0:12:55.540
<v Speaker 5>Clue.

0:12:56.620 --> 0:12:57.020
<v Speaker 2>Oh, go ahead.

0:12:57.080 --> 0:12:57.320
<v Speaker 7>No, no.

0:12:57.340 --> 0:12:58.140
<v Speaker 4>I was going to say Home Alone 2.

0:12:58.120 --> 0:12:59.340
<v Speaker 1>I was going to say Home Alone 2 next.

0:12:59.360 --> 0:12:59.920
<v Speaker 2>Home Alone 2, man.

0:12:59.940 --> 0:13:02.880
<v Speaker 1>A lot of voice work as well. Edward Cullen died

0:13:02.920 --> 0:13:07.380
<v Speaker 1>off of his prime. But the black community lost somebody

0:13:07.400 --> 0:13:10.210
<v Speaker 1>special to us. Michael Wright. Yep.

0:13:10.250 --> 0:13:11.670
<v Speaker 4>Who played Eddie King.

0:13:12.110 --> 0:13:12.430
<v Speaker 2>Mm-hmm.

0:13:12.730 --> 0:13:14.530
<v Speaker 1>It's so funny. People was like, I thought it was

0:13:14.610 --> 0:13:17.969
<v Speaker 1>Eddie Kane. It's Eddie King. But the way black people

0:13:17.990 --> 0:13:20.930
<v Speaker 1>pronounce King, it sound like we would say Eddie Kane.

0:13:21.210 --> 0:13:22.450
<v Speaker 4>His name was Eddie King.

0:13:22.670 --> 0:13:24.280
<v Speaker 2>We lost somebody else too. Another black one.

0:13:24.290 --> 0:13:24.690
<v Speaker 1>Who is it?

0:13:25.280 --> 0:13:27.500
<v Speaker 4>You got to play this to honor Michael Wright.

0:13:27.950 --> 0:13:30.370
<v Speaker 2>Play Michael Wright and I'll get to the other person.

0:13:30.550 --> 0:13:44.740
<v Speaker 4>That's none of my music. It's from Five Heartbeats. Samuel

0:13:44.780 --> 0:13:45.559
<v Speaker 4>Monroe Jr.

0:13:46.900 --> 0:13:49.060
<v Speaker 2>Do play to all the gangsters. Yes.

0:13:51.360 --> 0:13:56.580
<v Speaker 7>Let's go back and give it to them.

0:14:20.450 --> 0:14:21.830
<v Speaker 2>Is there a heart?

0:14:56.310 --> 0:15:00.270
<v Speaker 1>Boy, this is a real groove, Angel. Five Harpies is

0:15:00.310 --> 0:15:01.250
<v Speaker 1>a documentary.

0:15:01.270 --> 0:15:03.090
<v Speaker 4>Love.

0:15:03.110 --> 0:15:12.950
<v Speaker 2>It is love. Oh, love.

0:15:22.540 --> 0:15:25.020
<v Speaker 4>I'm sorry, y'all. I said Edward Cullen died. It was

0:15:25.100 --> 0:15:25.800
<v Speaker 4>Peter Cullen.

0:15:25.820 --> 0:15:28.590
<v Speaker 1>Peter Cullen, Optimus Prime.

0:15:29.910 --> 0:15:33.330
<v Speaker 4>Edward Cullen is that vampire. He's a vampire.

0:15:33.350 --> 0:15:33.830
<v Speaker 3>He can't die.

0:15:33.850 --> 0:15:37.510
<v Speaker 1>Peter Cullen one time.

0:15:43.540 --> 0:15:44.950
<v Speaker 2>These people's getting up out of here.

0:15:45.140 --> 0:15:57.910
<v Speaker 1>Man. Samuel Monroe Jr. who played, I mean, yeah, Monroe Jr.

0:15:57.970 --> 0:16:02.350
<v Speaker 1>played Jr. from Players Club. He was also in Menace

0:16:02.370 --> 0:16:06.670
<v Speaker 1>to Society. He's a dude who ran funny. I just

0:16:06.710 --> 0:16:07.610
<v Speaker 1>posted that video.

0:16:10.050 --> 0:16:14.340
<v Speaker 4>So yeah, people was dying. Who's dying this week?

0:16:14.720 --> 0:16:15.660
<v Speaker 3>They've never died before.

0:16:15.960 --> 0:16:19.850
<v Speaker 1>Never died before. So love on your loved ones, man.

0:16:20.610 --> 0:16:23.310
<v Speaker 1>Show them you love them because you don't know when

0:16:23.330 --> 0:16:24.310
<v Speaker 1>you're going.

0:16:24.030 --> 0:16:24.670
<v Speaker 4>To be with them.

0:16:25.030 --> 0:16:25.750
<v Speaker 2>Yeah.

0:16:26.170 --> 0:16:26.590
<v Speaker 6>Yeah.

0:16:26.870 --> 0:16:29.950
<v Speaker 2>It's so sad. Mel was talking about when we were

0:16:30.010 --> 0:16:32.520
<v Speaker 2>shooting the show, she was like, you know, death always

0:16:32.580 --> 0:16:37.360
<v Speaker 2>comes in threes. And we had just lost Hayden and

0:16:37.380 --> 0:16:39.960
<v Speaker 2>we had lost somebody else, White. I can't remember who

0:16:40.000 --> 0:16:43.400
<v Speaker 2>she said. And then when Dolly died, she did pull

0:16:43.440 --> 0:16:46.560
<v Speaker 2>some old white women from long ago that didn't pay.

0:16:46.620 --> 0:16:49.400
<v Speaker 2>I said, girl, no. We just had two that just passed.

0:16:49.420 --> 0:16:50.420
<v Speaker 4>It's been more than three.

0:16:50.920 --> 0:16:51.660
<v Speaker 2>It's been a lot.

0:16:51.680 --> 0:16:52.520
<v Speaker 4>It's been a lot.

0:16:52.540 --> 0:16:54.700
<v Speaker 2>They doing multiples of three now, and I don't like it.

0:16:55.620 --> 0:16:58.270
<v Speaker 2>Stay alive. Take your vitamins. Drive with caution.

0:16:58.990 --> 0:17:01.310
<v Speaker 4>Seriously, we need y'all alive and safe.

0:17:01.670 --> 0:17:02.110
<v Speaker 1>Yeah.

0:17:02.390 --> 0:17:05.050
<v Speaker 2>Yeah, but rest in peace, Dolly and everybody else. Dolly

0:17:05.090 --> 0:17:06.490
<v Speaker 2>was one of a kind for sure.

0:17:06.510 --> 0:17:07.130
<v Speaker 4>She was.

0:17:07.430 --> 0:17:07.950
<v Speaker 2>For sure.

0:17:07.970 --> 0:17:09.010
<v Speaker 4>She was one of a kind.

0:17:09.310 --> 0:17:09.730
<v Speaker 2>All right.

0:17:11.500 --> 0:17:18.490
<v Speaker 4>Make sure I got the right thing.

0:17:20.060 --> 0:17:20.500
<v Speaker 1>You all right?

0:17:20.700 --> 0:17:29.250
<v Speaker 2>I'm just making sounds. I am so tired. Y'all, we

0:17:29.310 --> 0:17:31.370
<v Speaker 2>worked two 12-hour days.

0:17:31.510 --> 0:17:32.390
<v Speaker 4>Listen, man.

0:17:32.430 --> 0:17:35.410
<v Speaker 2>When I saw this on the internet.

0:17:35.830 --> 0:17:38.710
<v Speaker 3>Quit booking TV stuff when I'm gone. That's a lot.

0:17:38.790 --> 0:17:40.030
<v Speaker 3>Last time was the hospital.

0:17:40.630 --> 0:17:42.760
<v Speaker 2>Oh, were you not? Oh, well, I wasn't there either.

0:17:42.950 --> 0:17:44.879
<v Speaker 2>So neither one of us was at the hospital.

0:17:44.940 --> 0:17:45.790
<v Speaker 5>My God, man.

0:17:45.859 --> 0:17:50.219
<v Speaker 4>Sorry, y'all. I am tired.

0:17:50.300 --> 0:17:51.359
<v Speaker 2>I'm very tired.

0:17:52.300 --> 0:17:54.840
<v Speaker 4>I was drinking so much coffee and.

0:17:55.240 --> 0:17:55.780
<v Speaker 1>Oh, God.

0:17:56.600 --> 0:17:56.980
<v Speaker 6>Tea.

0:17:57.460 --> 0:17:58.540
<v Speaker 4>I consider cocaine.

0:17:59.300 --> 0:17:59.700
<v Speaker 1>Listen.

0:17:59.740 --> 0:18:00.520
<v Speaker 4>Yeah, I did.

0:18:00.560 --> 0:18:01.350
<v Speaker 3>Don't put that out.

0:18:01.600 --> 0:18:04.120
<v Speaker 5>I said, what?

0:18:05.920 --> 0:18:08.739
<v Speaker 4>There was like a more, have you heard of that

0:18:08.810 --> 0:18:09.460
<v Speaker 4>brain gum?

0:18:10.030 --> 0:18:10.410
<v Speaker 6>Yeah.

0:18:10.550 --> 0:18:15.070
<v Speaker 2>It's not what it is. Nerium.

0:18:15.230 --> 0:18:17.150
<v Speaker 1>I want to get that. I've never seen it in store.

0:18:17.190 --> 0:18:18.550
<v Speaker 1>I saw it on Shark Tank, and I was like.

0:18:18.590 --> 0:18:20.620
<v Speaker 2>Same. I didn't see so many TikTok things about.

0:18:20.540 --> 0:18:20.980
<v Speaker 4>It being on Shark Tank.

0:18:21.000 --> 0:18:22.500
<v Speaker 5>Yeah, I'm like, is that really real?

0:18:22.560 --> 0:18:23.540
<v Speaker 2>Get it for us, Kevin.

0:18:23.740 --> 0:18:25.040
<v Speaker 4>Because, man, let me tell you what.

0:18:25.080 --> 0:18:26.860
<v Speaker 1>Working with my friends is good.

0:18:27.550 --> 0:18:29.050
<v Speaker 4>Chasing your dreams is good.

0:18:29.070 --> 0:18:29.810
<v Speaker 3>Imagine if you weren't.

0:18:30.450 --> 0:18:31.030
<v Speaker 4>Oh, my God.

0:18:31.710 --> 0:18:34.580
<v Speaker 1>But no matter what, shooting that same thing over and

0:18:34.660 --> 0:18:38.080
<v Speaker 1>over and using creative energy, especially improv energy, that actually

0:18:38.100 --> 0:18:38.480
<v Speaker 1>doesn't matter.

0:18:38.780 --> 0:18:40.740
<v Speaker 4>Whether I do scripted stuff or improv.

0:18:40.960 --> 0:18:45.850
<v Speaker 1>And then when you shoot, honestly, traditional Hollywood stuff, there's

0:18:45.869 --> 0:18:46.409
<v Speaker 1>more breaks.

0:18:46.950 --> 0:18:47.490
<v Speaker 5>Oh, yeah.

0:18:47.550 --> 0:18:53.530
<v Speaker 1>When you shoot Kev on stage, take, take, go, Tim, go, rager, rager, rager.

0:18:53.670 --> 0:18:54.910
<v Speaker 2>It's so much.

0:18:54.930 --> 0:18:57.190
<v Speaker 1>So, yeah, I'm like, you know, when I did Friday

0:18:57.210 --> 0:19:01.360
<v Speaker 1>Night Vibes, we did maybe two episodes in a 12-hour day.

0:19:02.020 --> 0:19:04.720
<v Speaker 1>Fully have a 45-minute break for them to take the

0:19:04.740 --> 0:19:06.200
<v Speaker 1>cameras down and all that type of stuff.

0:19:06.660 --> 0:19:08.139
<v Speaker 4>We don't have the budget for those things.

0:19:08.380 --> 0:19:09.139
<v Speaker 2>No, we got it in.

0:19:09.160 --> 0:19:09.980
<v Speaker 3>Tyler Perry budget.

0:19:10.220 --> 0:19:14.220
<v Speaker 4>Listen, so we got to get three episodes a day.

0:19:14.640 --> 0:19:17.030
<v Speaker 2>Then I did a press junket where I was the

0:19:17.210 --> 0:19:19.590
<v Speaker 2>guest the next day for a Hulu show.

0:19:19.609 --> 0:19:20.149
<v Speaker 5>Yesterday?

0:19:20.410 --> 0:19:20.730
<v Speaker 1>Yes.

0:19:22.030 --> 0:19:22.609
<v Speaker 2>I am tired.

0:19:22.630 --> 0:19:24.230
<v Speaker 5>You did a press junket yesterday?

0:19:24.490 --> 0:19:25.190
<v Speaker 4>I did.

0:19:25.210 --> 0:19:26.770
<v Speaker 3>I did.

0:19:26.790 --> 0:19:29.410
<v Speaker 2>And I said multiple times, y'all know I'm not a journalist,

0:19:29.430 --> 0:19:31.550
<v Speaker 2>so I'm about to be on here acting stupid. And

0:19:31.590 --> 0:19:34.030
<v Speaker 2>I did. What show is it for, you said? It's for.

0:19:34.050 --> 0:19:34.710
<v Speaker 4>Can you say it?

0:19:34.710 --> 0:19:34.949
<v Speaker 1>I don't know.

0:19:34.970 --> 0:19:35.730
<v Speaker 2>I don't think I can.

0:19:35.830 --> 0:19:36.530
<v Speaker 4>Okay.

0:19:36.670 --> 0:19:38.300
<v Speaker 2>But it's for a black show. And it was so

0:19:38.340 --> 0:19:40.260
<v Speaker 2>funny because they thought I was going to be off camera.

0:19:40.280 --> 0:19:42.100
<v Speaker 2>You know how I'm the press junkets a lot of times.

0:19:42.359 --> 0:19:44.600
<v Speaker 2>You just hear the questions. I said, set up another seat.

0:19:44.940 --> 0:19:49.270
<v Speaker 2>Put me beside the people. I'm so serious. I said,

0:19:49.550 --> 0:19:51.520
<v Speaker 2>I have to... be in the content that I'm shooting

0:19:51.540 --> 0:19:56.270
<v Speaker 2>or who cares so I had that as well yesterday

0:19:56.310 --> 0:20:00.169
<v Speaker 2>and I'm just it's I am I feel like I've

0:20:00.210 --> 0:20:03.970
<v Speaker 2>been crying all day because crying make me tired too

0:20:04.010 --> 0:20:05.370
<v Speaker 2>that's why I don't be crying.

0:20:05.130 --> 0:20:07.530
<v Speaker 1>Listen I've been on this grief sucks tour I meant

0:20:07.550 --> 0:20:09.619
<v Speaker 1>to tell you Joshie We might not be on our

0:20:09.660 --> 0:20:11.760
<v Speaker 1>same wavelength this time.

0:20:11.820 --> 0:20:12.340
<v Speaker 3>I need sleep.

0:20:12.800 --> 0:20:16.940
<v Speaker 1>I have been finishing these shows. Greg was like, Kev,

0:20:17.800 --> 0:20:20.480
<v Speaker 1>if you got to go to bed, don't feel no way. Josh,

0:20:20.520 --> 0:20:21.980
<v Speaker 1>when I tell you, I have been going back to

0:20:22.030 --> 0:20:22.510
<v Speaker 1>this room.

0:20:22.680 --> 0:20:24.920
<v Speaker 3>And you haven't even done the two-in-one night, have you?

0:20:24.940 --> 0:20:28.649
<v Speaker 1>I did. I did two-in-one night in Raleigh. And I

0:20:28.730 --> 0:20:32.030
<v Speaker 1>was like, I have never felt. It takes way more

0:20:32.109 --> 0:20:34.230
<v Speaker 1>out of me to do this show than any show.

0:20:34.350 --> 0:20:37.080
<v Speaker 1>I was like, man. I told Tony, I was like, listen,

0:20:37.119 --> 0:20:39.860
<v Speaker 1>I ain't building this tour. I said, it takes, I've been,

0:20:40.460 --> 0:20:42.919
<v Speaker 1>I would sleep because we had, this past weekend, we

0:20:42.960 --> 0:20:45.429
<v Speaker 1>had 11 a.m. lobby calls, which might as well be

0:20:45.430 --> 0:20:48.350
<v Speaker 1>4 p.m. in the afternoon. Josh, I got up, walked

0:20:48.390 --> 0:20:51.949
<v Speaker 1>my five miles twice in two cities, went back, took

0:20:51.990 --> 0:20:53.880
<v Speaker 1>a shower, packed my stuff up, got something to eat,

0:20:54.280 --> 0:20:56.000
<v Speaker 1>got in that car for that three-hour drive, and was

0:20:56.040 --> 0:20:58.359
<v Speaker 1>sleeping 15 minutes. Greg said he was talking, I was

0:20:58.400 --> 0:21:01.660
<v Speaker 1>talking to him, and I stopped talking. He was like, oh,

0:21:01.960 --> 0:21:03.300
<v Speaker 1>it's my turn. He said he looked over and I

0:21:03.540 --> 0:21:07.639
<v Speaker 1>was asleep mid-sentence. Fell asleep in the car, went to

0:21:07.660 --> 0:21:11.510
<v Speaker 1>the hotel, got something to eat, took another pre-show nap.

0:21:11.520 --> 0:21:12.719
<v Speaker 4>Oh, you're cooked, man.

0:21:12.840 --> 0:21:13.439
<v Speaker 2>Joshy.

0:21:13.580 --> 0:21:15.500
<v Speaker 3>And this is the first week.

0:21:15.820 --> 0:21:18.340
<v Speaker 4>Yes, first two weeks. I've been like this. I was

0:21:18.359 --> 0:21:20.180
<v Speaker 4>telling Liz.

0:21:20.260 --> 0:21:21.700
<v Speaker 1>She was like, Cam, I'm trying to tell you this

0:21:21.760 --> 0:21:24.300
<v Speaker 1>ain't like your other things. Because when we just did

0:21:24.359 --> 0:21:26.600
<v Speaker 1>last one, not the Bob Brothers, but part of that

0:21:26.640 --> 0:21:30.220
<v Speaker 1>with me, you, and Tam, that was the lightest work ever.

0:21:30.220 --> 0:21:31.700
<v Speaker 1>315 minutes.

0:21:31.720 --> 0:21:33.720
<v Speaker 3>You were getting there five minutes before the show started.

0:21:33.740 --> 0:21:38.240
<v Speaker 1>Josh, light work, no prep. I mean, just easy work.

0:21:38.260 --> 0:21:42.359
<v Speaker 1>We was going out after every show. But yeah, the

0:21:42.460 --> 0:21:47.020
<v Speaker 1>audience has been great. So yeah, just don't take it personal, Josh.

0:21:47.040 --> 0:21:48.200
<v Speaker 1>You've been on the road with me a long time.

0:21:48.940 --> 0:21:50.520
<v Speaker 4>All right, next story.

0:21:51.300 --> 0:21:51.720
<v Speaker 5>Dr.

0:21:51.800 --> 0:21:55.800
<v Speaker 1>Dre officially confirms he's using AI to make music.

0:21:55.940 --> 0:21:58.400
<v Speaker 4>And I quote, I think the only.

0:22:00.100 --> 0:22:01.800
<v Speaker 1>People that see it as a threat are the people

0:22:01.859 --> 0:22:05.000
<v Speaker 1>who have trouble creating. It's a new tool for creativity.

0:22:05.040 --> 0:22:07.480
<v Speaker 1>Some people are afraid of learning new things. Angel, as

0:22:07.520 --> 0:22:10.859
<v Speaker 1>a musician who's charted on the billboard and has plaques

0:22:10.900 --> 0:22:14.420
<v Speaker 1>from Spotify, over 20, 30 million albums sold, or streams,

0:22:15.000 --> 0:22:17.010
<v Speaker 1>what are your thoughts on what Dr.

0:22:17.030 --> 0:22:17.550
<v Speaker 4>Drayson said?

0:22:18.390 --> 0:22:23.020
<v Speaker 2>You know, he's getting old, so I can imagine him

0:22:23.060 --> 0:22:26.399
<v Speaker 2>being like, what y'all not going to do is have me,

0:22:26.480 --> 0:22:29.760
<v Speaker 2>who might be thinking slower, fall behind. So what are

0:22:29.780 --> 0:22:32.290
<v Speaker 2>the tools that I can use? I'm sure there are

0:22:32.330 --> 0:22:34.070
<v Speaker 2>more and more people who just aren't saying it that

0:22:34.109 --> 0:22:38.510
<v Speaker 2>are using AI. As far as the other people who

0:22:39.150 --> 0:22:41.530
<v Speaker 2>are afraid of it or don't want to use it

0:22:41.550 --> 0:22:44.030
<v Speaker 2>or have a problem creating it, I don't think that's accurate.

0:22:44.109 --> 0:22:47.369
<v Speaker 2>I think there are people who just really, truly, justly

0:22:47.750 --> 0:22:50.689
<v Speaker 2>do not feel like AI should be included in the

0:22:50.750 --> 0:22:55.310
<v Speaker 2>creative process. I am not putting any judgment on him

0:22:55.390 --> 0:23:00.040
<v Speaker 2>for deciding to use it because I feel like I

0:23:00.080 --> 0:23:02.159
<v Speaker 2>don't know what the line is going to be. I

0:23:02.180 --> 0:23:03.740
<v Speaker 2>don't know if the line is going to fully be

0:23:03.800 --> 0:23:07.139
<v Speaker 2>if you use AI, you're not a real creative, or

0:23:07.340 --> 0:23:08.740
<v Speaker 2>if the line is going to be if you're not

0:23:08.840 --> 0:23:11.680
<v Speaker 2>using AI, you're not being efficient enough and you will

0:23:11.720 --> 0:23:12.380
<v Speaker 2>not make money.

0:23:12.760 --> 0:23:12.960
<v Speaker 3>Yeah.

0:23:14.100 --> 0:23:18.540
<v Speaker 1>I wonder if it's like, you know, back in the

0:23:18.880 --> 0:23:21.170
<v Speaker 1>pre-Computer Day music, I remember I've watched a lot of

0:23:21.210 --> 0:23:24.410
<v Speaker 1>music documentaries. And one thing is consistent. They were like,

0:23:25.650 --> 0:23:29.119
<v Speaker 1>in the, not all, but a lot of them, in

0:23:29.130 --> 0:23:32.270
<v Speaker 1>the rise of rap music. a lot of musicians were like,

0:23:32.369 --> 0:23:36.010
<v Speaker 1>y'all are not real. Stop calling yourself producers. If you

0:23:36.030 --> 0:23:39.250
<v Speaker 1>don't play an instrument, actually, like to a producer to

0:23:39.290 --> 0:23:40.470
<v Speaker 1>them is like Quincy Jones.

0:23:40.650 --> 0:23:40.870
<v Speaker 6>Right.

0:23:41.010 --> 0:23:42.389
<v Speaker 4>He is literally producing.

0:23:42.470 --> 0:23:45.780
<v Speaker 1>He's calling the artists in as well as the musicians

0:23:46.190 --> 0:23:49.860
<v Speaker 1>playing the music, arranging stuff. They were like, you just

0:23:49.940 --> 0:23:53.240
<v Speaker 1>pulling beats from, you know, drum machines or sampling stuff.

0:23:53.660 --> 0:23:56.020
<v Speaker 1>You don't, you don't, you're not a real producer. People

0:23:56.080 --> 0:23:58.080
<v Speaker 1>who were doing that were like, I don't have to

0:23:58.100 --> 0:24:00.340
<v Speaker 1>know how to play an instrument to make music.

0:24:00.619 --> 0:24:00.820
<v Speaker 4>Right.

0:24:02.150 --> 0:24:07.710
<v Speaker 1>There's people who can, I've seen like drum, there's apps

0:24:07.730 --> 0:24:10.390
<v Speaker 1>where you like have drums on the computer. People play

0:24:10.430 --> 0:24:13.709
<v Speaker 1>drums like, you know what I mean? And sometimes they

0:24:13.750 --> 0:24:15.760
<v Speaker 1>can't actually play the drums, but they can play the

0:24:15.800 --> 0:24:18.710
<v Speaker 1>electronic drums. Then it's the whole argument of pulling sounds

0:24:19.190 --> 0:24:21.149
<v Speaker 1>and all that stuff. There was an argument, same kind

0:24:21.190 --> 0:24:25.459
<v Speaker 1>of argument for auto-tune. Most of us considered auto-tune what

0:24:25.500 --> 0:24:28.199
<v Speaker 1>T-Pain does or Zap and Roger. Zap and Roger is

0:24:28.260 --> 0:24:33.120
<v Speaker 1>actually a talk box. T-Pain is using auto-tune as a tool.

0:24:33.580 --> 0:24:36.940
<v Speaker 1>The original use for auto-tune was the pitch-correcting version of

0:24:36.980 --> 0:24:40.480
<v Speaker 1>auto-tune where if a singer's in a booth and they

0:24:40.500 --> 0:24:43.270
<v Speaker 1>miss a key or a note or in the wrong key,

0:24:43.480 --> 0:24:45.729
<v Speaker 1>you can electronically.

0:24:46.869 --> 0:24:47.550
<v Speaker 4>Tune them in.

0:24:48.210 --> 0:24:53.770
<v Speaker 1>So I think there's always been conversations about what is real.

0:24:54.550 --> 0:24:59.310
<v Speaker 1>To me, I think prompting is very different than pulling

0:24:59.369 --> 0:25:00.830
<v Speaker 1>samples or using a drum machine.

0:25:00.930 --> 0:25:01.150
<v Speaker 6>Yeah.

0:25:01.369 --> 0:25:01.850
<v Speaker 4>Being like.

0:25:02.130 --> 0:25:03.830
<v Speaker 1>And then also the thing, I think a lot of

0:25:03.850 --> 0:25:09.230
<v Speaker 1>people's valid complaint is AI was trained on artists against

0:25:09.290 --> 0:25:10.490
<v Speaker 1>those artists' will.

0:25:10.630 --> 0:25:11.990
<v Speaker 4>SZA speaks about this a lot.

0:25:12.930 --> 0:25:14.780
<v Speaker 1>And a lot of times, them artists end up spitting

0:25:14.950 --> 0:25:18.960
<v Speaker 1>out music that sounds like a computer version of black artists.

0:25:19.220 --> 0:25:21.500
<v Speaker 5>But then there's things that we just are okay with. Like,

0:25:21.740 --> 0:25:22.940
<v Speaker 5>King Wallonia's made.

0:25:22.980 --> 0:25:25.440
<v Speaker 4>B.B.L. Drizzy was an AI song that.

0:25:27.260 --> 0:25:30.300
<v Speaker 1>That, oh, it was going viral. Another Drake song just

0:25:30.320 --> 0:25:35.719
<v Speaker 1>was going viral. The whimsical version of Manish on the beat, shebang.

0:25:35.800 --> 0:25:38.260
<v Speaker 5>Oh, shebang. All of my hops, they dead.

0:25:38.760 --> 0:25:40.119
<v Speaker 4>That is an AI song.

0:25:40.580 --> 0:25:43.000
<v Speaker 1>So I think sometimes when it's made comedically, we don't,

0:25:44.400 --> 0:25:46.139
<v Speaker 1>I don't know, we don't seem to have the same

0:25:46.440 --> 0:25:49.689
<v Speaker 1>anger as if it's made like, or to me when

0:25:49.730 --> 0:25:56.490
<v Speaker 1>we make fun of that- I.

0:25:56.450 --> 0:25:58.590
<v Speaker 2>Think we're hypocrites is what it really boils down to.

0:26:00.510 --> 0:26:00.950
<v Speaker 7>I do.

0:26:01.170 --> 0:26:03.390
<v Speaker 2>I think, I think we're hypocrites in the fact that

0:26:03.470 --> 0:26:06.230
<v Speaker 2>when we look at AI, not just from a creative place,

0:26:06.250 --> 0:26:09.469
<v Speaker 2>but an ethical place, we be hypocrites because we be,

0:26:09.869 --> 0:26:12.930
<v Speaker 2>I'm a phenomenal. And we're just like, and it's funny.

0:26:12.970 --> 0:26:14.639
<v Speaker 1>And we laugh and we laugh.

0:26:14.420 --> 0:26:16.300
<v Speaker 2>In the, but then the water still getting used up

0:26:16.500 --> 0:26:20.920
<v Speaker 2>and we still, we're laughing. But I think we're hypocrites

0:26:20.980 --> 0:26:23.940
<v Speaker 2>with most things, especially when the line is starting to get...

0:26:23.740 --> 0:26:26.650
<v Speaker 2>I mean, there is no line when it comes to

0:26:26.710 --> 0:26:27.929
<v Speaker 2>people losing resources.

0:26:27.950 --> 0:26:28.250
<v Speaker 1>Yes.

0:26:28.490 --> 0:26:33.130
<v Speaker 2>But the line is getting blurry of when it should

0:26:33.170 --> 0:26:35.570
<v Speaker 2>be used and when it should not be.

0:26:35.609 --> 0:26:36.190
<v Speaker 3>Used, right?

0:26:36.210 --> 0:26:40.000
<v Speaker 2>And I do believe that, yes, when things are more

0:26:40.080 --> 0:26:45.720
<v Speaker 2>comedic and we are not taking it as serious as like, oh,

0:26:45.760 --> 0:26:48.220
<v Speaker 2>you're trying to build a career off of this, we...

0:26:48.910 --> 0:26:53.159
<v Speaker 2>feel less like about it. But at the same time,

0:26:53.300 --> 0:26:58.140
<v Speaker 2>it's all, it's all feeding into the beast of, because

0:26:58.180 --> 0:27:02.230
<v Speaker 2>when people hear those type of songs go viral, they're like, okay,

0:27:02.950 --> 0:27:08.149
<v Speaker 2>So what can I use AI for? So at the

0:27:08.170 --> 0:27:10.739
<v Speaker 2>end of the day, we hypocrites and people are going

0:27:10.760 --> 0:27:13.940
<v Speaker 2>to keep using AI because some people don't see anything

0:27:13.980 --> 0:27:14.460
<v Speaker 2>wrong with it.

0:27:14.480 --> 0:27:14.740
<v Speaker 1>Dr.

0:27:14.760 --> 0:27:17.140
<v Speaker 2>Dre don't see nothing wrong with it. He feels like

0:27:17.180 --> 0:27:20.280
<v Speaker 2>he's shown who he is as a music producer for

0:27:20.340 --> 0:27:23.970
<v Speaker 2>enough years that if he chooses to use AI, you

0:27:23.990 --> 0:27:26.030
<v Speaker 2>still shouldn't question whether or not he has talent.

0:27:26.990 --> 0:27:27.930
<v Speaker 5>Also not a real doctor.

0:27:27.950 --> 0:27:29.630
<v Speaker 3>You guys talked about the Tyga album?

0:27:30.530 --> 0:27:30.929
<v Speaker 6>Yeah, we did.

0:27:32.480 --> 0:27:33.760
<v Speaker 3>I didn't know this was a continuation of that.

0:27:33.800 --> 0:27:35.120
<v Speaker 4>No, we talked about that.

0:27:35.200 --> 0:27:36.830
<v Speaker 1>That was also just a bad.

0:27:36.850 --> 0:27:38.610
<v Speaker 3>Yeah, no, absolutely.

0:27:38.650 --> 0:27:43.050
<v Speaker 4>That was just bad music. We talked about... Oh, what's

0:27:43.070 --> 0:27:45.170
<v Speaker 4>that boy's name? Nah, Angel, you know we getting older.

0:27:45.210 --> 0:27:45.649
<v Speaker 3>What does he sing?

0:27:46.310 --> 0:27:48.590
<v Speaker 2>People are always asking me how I do it all.

0:27:48.710 --> 0:27:51.830
<v Speaker 2>It's because I prepare to do it all, okay? I'm

0:27:51.850 --> 0:27:54.110
<v Speaker 2>telling you, when I'm in the shower, I'm thinking about

0:27:54.170 --> 0:27:57.050
<v Speaker 2>what outfit I'm going to put on. When I'm at breakfast,

0:27:57.109 --> 0:27:59.830
<v Speaker 2>I'm thinking about what am I going to cook for

0:27:59.890 --> 0:28:01.909
<v Speaker 2>dinner so that when it comes, I'm not having to

0:28:01.990 --> 0:28:04.490
<v Speaker 2>worry about it. There are so many things you can

0:28:04.850 --> 0:28:08.129
<v Speaker 2>do to prepare for your future. And one thing for sure,

0:28:08.570 --> 0:28:11.100
<v Speaker 2>getting policy genius is one of the best ways you

0:28:11.140 --> 0:28:14.340
<v Speaker 2>can set yourself up. Listen, a quick act of preparation

0:28:14.380 --> 0:28:19.139
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0:28:19.160 --> 0:28:22.350
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0:28:22.550 --> 0:28:25.130
<v Speaker 2>make us be pulled in so many different areas of life,

0:28:25.510 --> 0:28:30.150
<v Speaker 2>check off one of the to-do list pieces that can

0:28:30.190 --> 0:28:35.240
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0:28:40.160 --> 0:28:43.890
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0:28:44.990 --> 0:28:45.530
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0:28:45.570 --> 0:28:45.790
<v Speaker 3>Okay.

0:28:45.810 --> 0:28:48.350
<v Speaker 2>Y'all heard that when we talked about it many, many

0:28:48.370 --> 0:28:48.970
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0:28:49.390 --> 0:28:49.670
<v Speaker 6>Okay.

0:28:49.690 --> 0:28:52.410
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0:28:52.470 --> 0:28:55.430
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0:28:58.660 --> 0:29:00.420
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0:29:08.020 --> 0:29:10.280
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<v Speaker 1>Rubbers, I think it was.

0:30:33.020 --> 0:30:33.990
<v Speaker 5>Yeah. Phoenix.

0:30:34.380 --> 0:30:34.560
<v Speaker 6>Yeah.

0:30:34.580 --> 0:30:35.340
<v Speaker 4>Phoenix something. Phoenix.

0:30:35.360 --> 0:30:35.600
<v Speaker 1>Uh-huh.

0:30:35.620 --> 0:30:37.320
<v Speaker 2>And that song was trash.

0:30:37.340 --> 0:30:39.360
<v Speaker 1>That song was like, if you use AI, brother.

0:30:42.190 --> 0:30:43.110
<v Speaker 4>Have you heard this, Joshy?

0:30:43.470 --> 0:30:44.750
<v Speaker 3>Oh, the Instagram song?

0:30:45.470 --> 0:30:48.750
<v Speaker 2>No. He has a whole music video. It's terrible.

0:30:49.310 --> 0:30:50.060
<v Speaker 3>I think I like it.

0:30:50.070 --> 0:30:51.110
<v Speaker 4>Hold on, Joshy.

0:30:52.070 --> 0:30:53.130
<v Speaker 3>Tyga has a version of it.

0:30:53.690 --> 0:30:55.530
<v Speaker 4>Phoenix Fleckin. I love this song, guys.

0:30:55.770 --> 0:30:56.470
<v Speaker 5>Joshy!

0:30:56.590 --> 0:30:57.510
<v Speaker 4>I love this song.

0:30:57.590 --> 0:30:58.690
<v Speaker 3>What do you mean?

0:30:59.110 --> 0:31:01.850
<v Speaker 1>It sounds like some weird GTA radio song.

0:31:01.910 --> 0:31:02.530
<v Speaker 5>Come on, man.

0:31:02.630 --> 0:31:03.120
<v Speaker 6>It's fun.

0:31:13.730 --> 0:31:15.720
<v Speaker 2>When did we get to the hook?

0:31:28.000 --> 0:31:30.090
<v Speaker 4>I don't know what genre of music this is.

0:31:30.140 --> 0:31:31.480
<v Speaker 5>Doesn't matter, man.

0:31:31.940 --> 0:31:32.900
<v Speaker 2>The kids are on coke.

0:31:32.960 --> 0:31:33.010
<v Speaker 7>80s.

0:31:36.120 --> 0:31:40.790
<v Speaker 2>This could be in the soundtrack of 16 Candles.

0:31:41.010 --> 0:31:42.610
<v Speaker 4>Absolutely, John Hughes.

0:31:42.670 --> 0:31:44.950
<v Speaker 2>Yeah, this is very giving 80s, big time.

0:31:44.970 --> 0:31:50.140
<v Speaker 5>I knew exactly what song you were talking about.

0:31:51.240 --> 0:31:54.120
<v Speaker 4>Apparently there's AI gospel music.

0:31:54.520 --> 0:31:55.020
<v Speaker 5>Of course.

0:31:55.080 --> 0:31:58.480
<v Speaker 2>There's a lot of AI gospel music. I'm trying to

0:31:58.500 --> 0:32:00.600
<v Speaker 2>figure out this one girl who looked like, did she

0:32:00.640 --> 0:32:02.940
<v Speaker 2>look white or biracial that got a song that feels

0:32:02.980 --> 0:32:05.570
<v Speaker 2>like it's R &amp; B slash gospel? And I was like, wait,

0:32:05.650 --> 0:32:06.890
<v Speaker 2>is she real or is she AI?

0:32:07.390 --> 0:32:08.050
<v Speaker 4>Ooh, what's her name?

0:32:08.950 --> 0:32:10.390
<v Speaker 2>Nigga, you think I know her name?

0:32:11.470 --> 0:32:16.210
<v Speaker 1>This is Zania Monet. This is apparently a gospel song.

0:32:16.230 --> 0:32:18.250
<v Speaker 1>This song has 13 million views.

0:32:19.070 --> 0:32:21.410
<v Speaker 2>I think this is the one. Is it? I think so.

0:32:21.590 --> 0:32:22.970
<v Speaker 2>Hold on, I'm about to find out. I think so.

0:32:25.890 --> 0:32:26.060
<v Speaker 7>Yep.

0:32:26.060 --> 0:32:30.480
<v Speaker 5>13 million views?

0:32:30.920 --> 0:32:31.220
<v Speaker 2>Mm-hmm.

0:32:31.460 --> 0:32:33.240
<v Speaker 4>Somebody on Patreon said this is on the charts.

0:32:33.420 --> 0:32:33.700
<v Speaker 5>Yeah.

0:32:36.830 --> 0:32:37.010
<v Speaker 3>Yep.

0:32:40.010 --> 0:32:41.770
<v Speaker 2>I'm trying to, I feel like my friend sent it

0:32:41.810 --> 0:32:42.150
<v Speaker 2>to me.

0:32:43.990 --> 0:32:44.150
<v Speaker 8>Oh.

0:32:46.200 --> 0:32:47.380
<v Speaker 2>Is she an AI artist?

0:32:47.660 --> 0:32:50.920
<v Speaker 1>She is an AI artist. This girl was going viral

0:32:50.960 --> 0:32:54.060
<v Speaker 1>who made this song. The lady who makes Zany and

0:32:54.080 --> 0:32:54.740
<v Speaker 1>Monet or whatever.

0:33:00.670 --> 0:33:02.470
<v Speaker 4>Somebody on Patreon said, this is my song.

0:33:08.250 --> 0:33:15.729
<v Speaker 8>Let me tell you what I'm going to know, and

0:33:15.750 --> 0:33:18.490
<v Speaker 8>I got to play a regular gospel song to clear

0:33:18.510 --> 0:33:19.110
<v Speaker 8>my palate.

0:33:20.070 --> 0:33:22.810
<v Speaker 1>They're going to merge because what's been happening is they

0:33:22.830 --> 0:33:24.390
<v Speaker 1>got the A.I. song go viral, then they get a

0:33:24.410 --> 0:33:27.490
<v Speaker 1>real artist come cover that. Then I don't know what's

0:33:27.570 --> 0:33:29.670
<v Speaker 1>what no more. But this is If you're going to

0:33:29.690 --> 0:33:31.170
<v Speaker 1>play Let Go and Let God, you're going to play

0:33:31.190 --> 0:33:33.580
<v Speaker 1>that song from PJ Morton wrote in that Dwayne Woods.

0:33:33.930 --> 0:33:35.300
<v Speaker 1>And you're going to play that song that got me

0:33:35.320 --> 0:33:36.760
<v Speaker 1>through that period of time when I knew I was

0:33:36.800 --> 0:33:39.100
<v Speaker 1>going to get fired from the bank down at Key Bank.

0:33:39.640 --> 0:33:41.880
<v Speaker 1>And I read the book of James every day at work,

0:33:42.080 --> 0:33:43.820
<v Speaker 1>which is hilarious. Knowing I was getting fired, I was like,

0:33:43.840 --> 0:33:45.220
<v Speaker 1>let me just go to read the Bible at work.

0:33:45.280 --> 0:33:46.400
<v Speaker 1>Y'all going to let me go and nothing I can

0:33:46.420 --> 0:33:48.440
<v Speaker 1>do about it. But this song.

0:33:48.460 --> 0:33:53.960
<v Speaker 2>Come on, let it speak to you.

0:33:54.800 --> 0:34:04.740
<v Speaker 1>Dwayne Woods. How a computer gonna tell you.

0:34:04.700 --> 0:34:07.620
<v Speaker 2>About worshiping the Lord? No, I was... I'm talking about...

0:34:07.420 --> 0:34:09.299
<v Speaker 2>The song, I was talking about somebody different. I'm gonna

0:34:09.320 --> 0:34:09.779
<v Speaker 2>find out if she.

0:34:09.719 --> 0:34:09.980
<v Speaker 1>Real, though.

0:34:10.000 --> 0:34:10.880
<v Speaker 4>I'm gonna go to the end, because I know we

0:34:10.920 --> 0:34:15.140
<v Speaker 4>don't have all day, Lizzy. This song is four minutes long. Sing, PJ.

0:34:20.290 --> 0:34:28.810
<v Speaker 2>Soon as I stop worrying... Let me tell you, I

0:34:28.850 --> 0:34:31.690
<v Speaker 2>just found out that he was in Maroon 5 when

0:34:31.730 --> 0:34:32.509
<v Speaker 2>he posted about it.

0:34:33.090 --> 0:34:33.670
<v Speaker 5>How?

0:34:33.989 --> 0:34:37.130
<v Speaker 2>I said, PJ, I said, nobody told me, PJ. He said, Angel,

0:34:37.230 --> 0:34:38.149
<v Speaker 2>how did you not know?

0:34:38.170 --> 0:34:41.980
<v Speaker 5>PJ been in Maroon 5 for so long.

0:34:42.000 --> 0:34:44.239
<v Speaker 2>They need to pull him up front. All I see

0:34:44.320 --> 0:34:45.800
<v Speaker 2>is Adam Levine.

0:34:45.820 --> 0:34:47.279
<v Speaker 4>Now, I ain't going to hold you.

0:34:47.400 --> 0:34:51.459
<v Speaker 1>I couldn't name another nigga besides Adam and PJ. Ever.

0:34:52.510 --> 0:34:54.989
<v Speaker 4>I know the long-haired guitar boy.

0:34:56.070 --> 0:34:57.230
<v Speaker 5>Let go.

0:34:57.310 --> 0:34:57.850
<v Speaker 4>Boy, I'm out.

0:34:57.890 --> 0:34:59.270
<v Speaker 2>Let go.

0:34:59.310 --> 0:35:02.250
<v Speaker 1>He just said black people find out he's in Maroon

0:35:02.250 --> 0:35:02.890
<v Speaker 1>5 every year.

0:35:02.910 --> 0:35:04.790
<v Speaker 4>It's been over 10.

0:35:04.570 --> 0:35:05.810
<v Speaker 3>Years, right?

0:35:05.810 --> 0:35:06.250
<v Speaker 7>16.

0:35:06.250 --> 0:35:08.470
<v Speaker 2>I thought, did he say 10? It was something long.

0:35:08.489 --> 0:35:08.910
<v Speaker 5>It's long.

0:35:08.950 --> 0:35:10.230
<v Speaker 7>Let go.

0:35:10.270 --> 0:35:11.350
<v Speaker 2>Let go.

0:35:11.550 --> 0:35:12.190
<v Speaker 4>Let me see you.

0:35:12.290 --> 0:35:13.530
<v Speaker 2>Let go.

0:35:13.550 --> 0:35:14.509
<v Speaker 4>Sing, Angel.

0:35:14.530 --> 0:35:15.340
<v Speaker 2>Let go.

0:35:15.840 --> 0:35:17.540
<v Speaker 5>My sister, let go.

0:35:17.540 --> 0:35:21.360
<v Speaker 1>16 years. He joined as a touring keyboardist in 2010,

0:35:21.340 --> 0:35:28.339
<v Speaker 1>became official... Remember in 2012. So where do you draw

0:35:28.360 --> 0:35:30.950
<v Speaker 1>the line, Angel? Or do you draw the line? Or

0:35:30.969 --> 0:35:32.050
<v Speaker 1>do you think the line is changing?

0:35:32.430 --> 0:35:34.669
<v Speaker 2>Sorry, I did. The person I was talking, it wasn't

0:35:34.690 --> 0:35:36.330
<v Speaker 2>that gospel song that I was thinking of. And this

0:35:36.390 --> 0:35:38.609
<v Speaker 2>woman is real. Her name is Noah Rue, is who

0:35:38.650 --> 0:35:41.069
<v Speaker 2>I was trying to figure out. I was like, wait

0:35:41.090 --> 0:35:45.649
<v Speaker 2>a minute, this is a different person. I prefer not

0:35:45.770 --> 0:35:53.580
<v Speaker 2>to engage in a way that allows AI music to

0:35:53.660 --> 0:35:57.200
<v Speaker 2>make money. I prefer not to engage. And I say

0:35:57.219 --> 0:36:02.110
<v Speaker 2>this as Suno then took money because I forgot to unsubscribe.

0:36:02.610 --> 0:36:07.370
<v Speaker 2>They took money out of my account today. Out of

0:36:07.430 --> 0:36:11.550
<v Speaker 2>a love for artists who really have to take time,

0:36:11.590 --> 0:36:17.569
<v Speaker 2>creative energy, sacrifice money to actually create music. I prefer

0:36:18.150 --> 0:36:27.470
<v Speaker 2>not to patronize anything that is so blatantly AI, because

0:36:27.790 --> 0:36:31.150
<v Speaker 2>I know there is at least one human who is

0:36:31.210 --> 0:36:36.610
<v Speaker 2>more than likely benefiting, but art is a collaborative medium.

0:36:37.230 --> 0:36:41.190
<v Speaker 2>And when I feel like we remove all of the collaboration,

0:36:41.270 --> 0:36:45.469
<v Speaker 2>it takes some of the beauty of it out. So

0:36:45.800 --> 0:36:48.100
<v Speaker 2>that is my preference. I would not go to see

0:36:48.120 --> 0:36:51.980
<v Speaker 2>an AI artist. I'm not about to knowingly add an

0:36:52.040 --> 0:36:54.460
<v Speaker 2>AI song to any type of playlist of mine.

0:36:54.480 --> 0:36:55.020
<v Speaker 1>That's the key.

0:36:55.640 --> 0:36:56.220
<v Speaker 2>It's the knowing.

0:36:56.460 --> 0:36:58.620
<v Speaker 4>I'm going to tell you what the key is.

0:36:58.780 --> 0:37:03.669
<v Speaker 1>It's the knowing because I think because I discover so

0:37:03.710 --> 0:37:07.969
<v Speaker 1>much music via TikTok and Instagram now, and it goes

0:37:08.010 --> 0:37:10.890
<v Speaker 1>like Angel makes a funny video to a song and

0:37:10.930 --> 0:37:14.870
<v Speaker 1>then it becomes a trend. Tracking down who the original

0:37:14.910 --> 0:37:17.370
<v Speaker 1>artist is is not always easy. Mm-hmm.

0:37:17.989 --> 0:37:20.160
<v Speaker 4>Who they are, like, oh, God, I can't think of

0:37:20.180 --> 0:37:27.129
<v Speaker 4>this girl's name. Trim, maybe? Anyway, she's popular. I don't

0:37:27.170 --> 0:37:27.750
<v Speaker 4>do the digging.

0:37:28.350 --> 0:37:29.450
<v Speaker 1>I just be like, oh, I know that song, I

0:37:29.469 --> 0:37:32.620
<v Speaker 1>know that song, I know that song. And I don't

0:37:32.660 --> 0:37:35.440
<v Speaker 1>know how to find out their AI. I do think

0:37:35.540 --> 0:37:37.319
<v Speaker 1>PJ is in my room five.

0:37:37.450 --> 0:37:38.430
<v Speaker 2>He is Mrs.

0:37:38.800 --> 0:37:39.840
<v Speaker 3>Spence.

0:37:39.860 --> 0:37:40.920
<v Speaker 5>Yes, he is.

0:37:40.969 --> 0:37:41.120
<v Speaker 7>Or Mr.

0:37:41.170 --> 0:37:44.570
<v Speaker 2>Spence. I don't know if it's Mrs. Spence or Mr. Spence.

0:37:44.630 --> 0:37:44.860
<v Speaker 4>Or Mrs.

0:37:44.870 --> 0:37:45.290
<v Speaker 1>Spence.

0:37:45.410 --> 0:37:46.069
<v Speaker 5>It could be either.

0:37:46.090 --> 0:37:48.589
<v Speaker 2>It could be either one, but you're wrong regardless. He's

0:37:48.670 --> 0:37:49.350
<v Speaker 2>in my room five.

0:37:49.390 --> 0:37:49.489
<v Speaker 7>Mrs.

0:37:49.530 --> 0:37:49.870
<v Speaker 6>Spence?

0:37:50.450 --> 0:37:52.070
<v Speaker 4>It could be Mrs. Spence, but not that Mrs. Spence.

0:37:52.110 --> 0:37:54.930
<v Speaker 4>I doubt she watching the pod. We don't know. But

0:37:54.969 --> 0:37:59.770
<v Speaker 4>I think this is my honest opinion. I think it's

0:38:00.390 --> 0:38:02.470
<v Speaker 4>I think as humans, it's going to wane.

0:38:03.989 --> 0:38:04.550
<v Speaker 2>Us caring?

0:38:04.630 --> 0:38:07.510
<v Speaker 4>Our angst against it, I believe, is going to wane.

0:38:08.030 --> 0:38:11.410
<v Speaker 1>I think it's going to wane because as you fight

0:38:11.469 --> 0:38:12.790
<v Speaker 1>against it, it gets better and better.

0:38:12.810 --> 0:38:14.890
<v Speaker 4>I'm not even saying I think it should wane.

0:38:15.130 --> 0:38:16.270
<v Speaker 5>I just think it's going to.

0:38:16.730 --> 0:38:18.029
<v Speaker 1>You're going to fight against it. It's going to get

0:38:18.090 --> 0:38:18.689
<v Speaker 1>better and better.

0:38:18.730 --> 0:38:19.170
<v Speaker 4>Okay, go ahead.

0:38:19.330 --> 0:38:19.690
<v Speaker 5>Oh, no, no, no, no.

0:38:19.690 --> 0:38:20.410
<v Speaker 2>You had a whole thought.

0:38:20.430 --> 0:38:21.550
<v Speaker 1>I was going to say it's going to be harder

0:38:21.570 --> 0:38:24.610
<v Speaker 1>and harder to determine because right now people, especially artists,

0:38:24.630 --> 0:38:27.350
<v Speaker 1>are like, I can hear a thing. It tricked me

0:38:27.390 --> 0:38:30.510
<v Speaker 1>all the time. And I don't do a lot of diligence.

0:38:30.890 --> 0:38:33.000
<v Speaker 1>And I think it's going to be better and better.

0:38:33.800 --> 0:38:38.560
<v Speaker 1>Our care is going to be less and less until... Actually,

0:38:38.580 --> 0:38:40.160
<v Speaker 1>what I think, you're going to have to be like,

0:38:40.239 --> 0:38:41.940
<v Speaker 1>I'm going to go out of my way to make

0:38:42.040 --> 0:38:44.200
<v Speaker 1>sure before I listen to this, this is a real person.

0:38:44.770 --> 0:38:46.370
<v Speaker 4>You're going to have to do that. And if people

0:38:46.670 --> 0:38:48.930
<v Speaker 4>aren't willing to do that, then it's going to wane.

0:38:49.130 --> 0:38:51.030
<v Speaker 2>I don't think it's going to wane. I think we're

0:38:51.050 --> 0:38:52.790
<v Speaker 2>going to be dead. And what I mean by that,

0:38:52.850 --> 0:38:56.300
<v Speaker 2>the people who care are going to be dying.

0:38:56.320 --> 0:38:57.420
<v Speaker 4>Oh, our generation.

0:38:57.500 --> 0:38:59.379
<v Speaker 2>Yes, that's what I really.

0:38:59.400 --> 0:39:01.280
<v Speaker 1>You think Micaiah and Amar are going to be like,

0:39:01.300 --> 0:39:02.560
<v Speaker 1>this AI is not going to support it?

0:39:02.739 --> 0:39:04.420
<v Speaker 2>No, I don't think they are. I think they're going

0:39:04.440 --> 0:39:06.300
<v Speaker 2>to be like, this is just the way life has been.

0:39:06.739 --> 0:39:10.620
<v Speaker 2>Why does anybody care? Versus us who have grown up

0:39:10.760 --> 0:39:14.560
<v Speaker 2>in a place, in a time, where everybody used to

0:39:14.620 --> 0:39:20.860
<v Speaker 2>play the instrument. Like, we remember the Stevie Wonders of

0:39:20.900 --> 0:39:25.210
<v Speaker 2>the world. We remember all of these people, so... And

0:39:25.390 --> 0:39:28.710
<v Speaker 2>like the amazing songwriters, we know the baby faces of

0:39:28.750 --> 0:39:29.130
<v Speaker 2>the world.

0:39:29.150 --> 0:39:29.969
<v Speaker 4>We know that baby face.

0:39:30.300 --> 0:39:34.620
<v Speaker 2>So where Amar, he don't, what? He don't know none

0:39:34.640 --> 0:39:37.490
<v Speaker 2>of these people like at all. So I feel like

0:39:38.030 --> 0:39:38.609
<v Speaker 2>we gonna die.

0:39:38.870 --> 0:39:40.830
<v Speaker 4>I think that it's good for our business.

0:39:41.270 --> 0:39:43.069
<v Speaker 1>The people are like, so anti, they're like, I want

0:39:43.090 --> 0:39:43.970
<v Speaker 1>to go.

0:39:44.010 --> 0:39:45.710
<v Speaker 4>I could never say the things angels does.

0:39:46.010 --> 0:39:46.250
<v Speaker 2>Yeah.

0:39:46.530 --> 0:39:48.840
<v Speaker 4>That computer gonna get there and be like, Short circuit.

0:39:48.860 --> 0:39:49.980
<v Speaker 5>Short circuit.

0:39:50.200 --> 0:39:51.820
<v Speaker 1>How do I love God, take care of my children,

0:39:51.880 --> 0:39:55.540
<v Speaker 1>and then say the funniest thing ever, and then turn

0:39:55.560 --> 0:39:58.900
<v Speaker 1>around and say the most prominent, prophetic, not prophetic, but

0:39:58.920 --> 0:40:01.839
<v Speaker 1>like pertinent thing, the computer going to be tricked out.

0:40:01.900 --> 0:40:04.760
<v Speaker 2>Well, I will say this. I feel like Marcus' generation cares.

0:40:05.280 --> 0:40:09.569
<v Speaker 2>Amar's generation, no. Like, Marcus is very anti-AI, and I'll

0:40:09.590 --> 0:40:10.890
<v Speaker 2>be trying to get him to use it. I'll be like, boy,

0:40:10.910 --> 0:40:12.589
<v Speaker 2>if you don't go on AI and figure that out,

0:40:12.930 --> 0:40:14.489
<v Speaker 2>he'll be like, no. And I'll be like, that's why

0:40:14.510 --> 0:40:17.660
<v Speaker 2>you're over here struggling. That's why you over here. When

0:40:17.680 --> 0:40:22.160
<v Speaker 2>we did his campaign poster, I just needed for AI

0:40:22.260 --> 0:40:25.259
<v Speaker 2>to make his face a little more cartoonish. Or I

0:40:25.280 --> 0:40:27.120
<v Speaker 2>wanted to look techie. And I was like, I can't

0:40:27.340 --> 0:40:30.069
<v Speaker 2>do it. And we ain't got that much money that

0:40:30.090 --> 0:40:34.549
<v Speaker 2>we can use. And I helped him design it. And

0:40:34.610 --> 0:40:36.350
<v Speaker 2>he looked at it. He said, I like everything but

0:40:36.410 --> 0:40:40.930
<v Speaker 2>the AI photo. And sure enough, when he was doing

0:40:40.969 --> 0:40:44.330
<v Speaker 2>his campaign, that was the one critique he got. Really?

0:40:44.510 --> 0:40:48.160
<v Speaker 2>They were like, this is cool, but the use of

0:40:48.219 --> 0:40:49.100
<v Speaker 2>AI on your photo.

0:40:49.120 --> 0:40:49.700
<v Speaker 4>He told you.

0:40:50.380 --> 0:40:55.379
<v Speaker 2>And I was like, you kids really care. Meanwhile, all

0:40:55.400 --> 0:40:57.739
<v Speaker 2>the old people are like, put it in the AI.

0:40:57.760 --> 0:41:01.589
<v Speaker 2>You ain't got to use Microsoft Word no more. Put

0:41:01.650 --> 0:41:04.830
<v Speaker 2>it in the AI and have the bird flying from

0:41:04.870 --> 0:41:08.830
<v Speaker 2>your back and let them know revival is this coming week.

0:41:08.850 --> 0:41:12.189
<v Speaker 1>All right, moving on. This thing I saw on the internet,

0:41:12.210 --> 0:41:16.640
<v Speaker 1>therefore it's true. The caption says, y'all, why this girl

0:41:16.660 --> 0:41:17.960
<v Speaker 1>thought I was coming to her as a woman about

0:41:17.980 --> 0:41:19.120
<v Speaker 1>my baby daddy. No, boo.

0:41:19.180 --> 0:41:20.680
<v Speaker 4>I was letting you know he passed away.

0:41:20.700 --> 0:41:23.629
<v Speaker 2>It's so good. Let me read it.

0:41:23.650 --> 0:41:24.410
<v Speaker 4>Okay, go ahead.

0:41:24.450 --> 0:41:25.140
<v Speaker 3>Let me read it.

0:41:25.150 --> 0:41:25.890
<v Speaker 4>You want me to be both?

0:41:25.910 --> 0:41:26.210
<v Speaker 1>Be both.

0:41:26.489 --> 0:41:28.250
<v Speaker 4>Because it's so funny. It's too funny.

0:41:28.350 --> 0:41:30.649
<v Speaker 2>It is so good. Okay, I'm making it big so

0:41:30.690 --> 0:41:36.530
<v Speaker 2>it's easier for me to read. She goes, it goes, hey,

0:41:38.030 --> 0:41:39.760
<v Speaker 2>you fucking with my baby daddy?

0:41:39.780 --> 0:41:39.850
<v Speaker 7>Hey.

0:41:43.700 --> 0:41:50.580
<v Speaker 2>You fuck with my baby daddy, Chris. Hey, yeah, I do.

0:41:51.160 --> 0:41:55.000
<v Speaker 2>And I'm three months pregnant by him. Love everything about

0:41:55.120 --> 0:42:00.450
<v Speaker 2>that man. And he be letting me drive your car.

0:42:01.250 --> 0:42:07.839
<v Speaker 2>Laugh my fucking ass off. What's up? Okay, I was

0:42:07.920 --> 0:42:10.480
<v Speaker 2>just going to ask you why you didn't come to

0:42:10.520 --> 0:42:17.890
<v Speaker 2>his funeral Saturday. Have fun raising your baby, boo. Insert

0:42:17.950 --> 0:42:24.190
<v Speaker 2>picture of the funeral program. Then other girl, huh? Call

0:42:24.210 --> 0:42:29.650
<v Speaker 2>me now, please. Call the grave, babe. Be blessed.

0:42:30.770 --> 0:42:34.930
<v Speaker 5>Call the grave. It's outrageous.

0:42:35.150 --> 0:42:39.230
<v Speaker 2>When I tell you that was the... Somebody say, this

0:42:39.290 --> 0:42:40.069
<v Speaker 2>is probably AI2 chat.

0:42:40.200 --> 0:42:40.980
<v Speaker 6>It ain't.

0:42:41.100 --> 0:42:42.200
<v Speaker 5>It's real to me.

0:42:43.180 --> 0:42:44.720
<v Speaker 4>Call the grave is real.

0:42:44.940 --> 0:42:47.760
<v Speaker 2>I said, I want to be that type of petty

0:42:48.060 --> 0:42:49.500
<v Speaker 2>in life at all times.

0:42:49.739 --> 0:42:51.680
<v Speaker 4>Because she went, oh, yeah, I'll be driving your car.

0:42:51.719 --> 0:42:52.359
<v Speaker 4>What's up?

0:42:52.800 --> 0:42:55.109
<v Speaker 1>What's up?

0:42:55.320 --> 0:42:56.210
<v Speaker 4>The nigga dead.

0:42:56.250 --> 0:43:03.359
<v Speaker 1>Can you imagine finding out that type of thing Like that?

0:43:03.830 --> 0:43:07.270
<v Speaker 2>Like that. I would be, I'd be like, oh my God.

0:43:07.390 --> 0:43:08.469
<v Speaker 1>You thought you had the one up.

0:43:09.010 --> 0:43:09.310
<v Speaker 2>Mm-hmm.

0:43:09.469 --> 0:43:10.420
<v Speaker 4>And they had the one up.

0:43:10.890 --> 0:43:12.750
<v Speaker 2>And now you can't go get that baby up out

0:43:12.770 --> 0:43:14.910
<v Speaker 2>of you. You, you, you with that baby.

0:43:14.930 --> 0:43:16.089
<v Speaker 5>Imagine being pregnant by.

0:43:16.110 --> 0:43:17.200
<v Speaker 2>A dead nigga?

0:43:17.280 --> 0:43:18.960
<v Speaker 1>A dead nigga who, and you, and you didn't even

0:43:18.980 --> 0:43:20.240
<v Speaker 1>get invited to that nigga feud.

0:43:20.620 --> 0:43:24.580
<v Speaker 2>Mm-mm. I'd be so pissed off. But that's what you

0:43:24.600 --> 0:43:26.739
<v Speaker 2>get for being a side hoe. You could have been

0:43:26.760 --> 0:43:28.319
<v Speaker 2>a main one, but you decided to be a side

0:43:28.400 --> 0:43:30.030
<v Speaker 2>one to this nigga and he can't even be healthy.

0:43:33.050 --> 0:43:35.250
<v Speaker 2>I don't know why he died, but he ain't not

0:43:35.310 --> 0:43:38.190
<v Speaker 2>even healthy. And he done died.

0:43:38.969 --> 0:43:40.189
<v Speaker 5>Oh, my God.

0:43:40.830 --> 0:43:43.470
<v Speaker 2>Somebody said the obituary did look like it's AI.

0:43:44.150 --> 0:43:48.740
<v Speaker 5>Can we let us have our fun and just say

0:43:48.780 --> 0:43:51.680
<v Speaker 5>call the grave? Be blessed.

0:43:52.080 --> 0:43:53.399
<v Speaker 2>Let me tell you, I got to have a petty

0:43:53.420 --> 0:43:56.759
<v Speaker 2>moment yesterday. I was seeing how our episode, and I

0:43:56.780 --> 0:43:58.239
<v Speaker 2>haven't done in a while, I was seeing how our

0:43:58.320 --> 0:44:02.540
<v Speaker 2>episodes were doing on YouTube. And I went into the comments.

0:44:02.680 --> 0:44:06.160
<v Speaker 2>The two that we did when you were in whatever

0:44:06.200 --> 0:44:08.020
<v Speaker 2>city you were in and we had bad internet and

0:44:08.060 --> 0:44:10.600
<v Speaker 2>I was at home. And we were talking about the

0:44:10.640 --> 0:44:13.100
<v Speaker 2>blackout drunk thing because I don't believe people get blacked

0:44:13.160 --> 0:44:15.760
<v Speaker 2>out drunk. I know they're like, it's science. It happens.

0:44:16.000 --> 0:44:20.310
<v Speaker 2>I don't believe it. Anyway, there's somebody who loves to

0:44:20.430 --> 0:44:21.969
<v Speaker 2>talk so bad about me.

0:44:21.989 --> 0:44:23.330
<v Speaker 4>Oh, consistently?

0:44:23.489 --> 0:44:23.969
<v Speaker 6>Yes.

0:44:24.710 --> 0:44:27.910
<v Speaker 4>Oh, I didn't know that he ever said anything before.

0:44:27.930 --> 0:44:31.400
<v Speaker 2>I did not realize he had somebody said you. We

0:44:31.440 --> 0:44:35.790
<v Speaker 2>commented negative stuff on every single thing. And I was

0:44:35.830 --> 0:44:39.730
<v Speaker 2>just like, you know what? Today, let's be petty. And

0:44:39.750 --> 0:44:42.950
<v Speaker 2>I was like, clickety, clickety, click, click, clickety, click. And

0:44:43.010 --> 0:44:45.150
<v Speaker 2>Josh caught it fast and above.

0:44:45.230 --> 0:44:48.980
<v Speaker 3>Well, because I get the notifications from YouTube Studio on

0:44:49.000 --> 0:44:49.359
<v Speaker 3>my phone.

0:44:50.000 --> 0:44:52.460
<v Speaker 2>And I don't ever comment. I haven't commented since like

0:44:52.480 --> 0:44:53.660
<v Speaker 2>year one. And I was like.

0:44:53.680 --> 0:44:56.440
<v Speaker 4>Today you had time?

0:44:56.520 --> 0:44:58.799
<v Speaker 2>And I was going between because he was like. Because

0:44:58.840 --> 0:45:01.759
<v Speaker 2>he insulted me in somewhat. And actually, I think it

0:45:01.780 --> 0:45:05.690
<v Speaker 2>more so irritated me because he insulted somebody commenting. He's like,

0:45:06.090 --> 0:45:11.370
<v Speaker 2>you dumb and Angel dumb. And I was about to

0:45:11.410 --> 0:45:14.910
<v Speaker 2>be like, your mother dumb. And she probably did. That's

0:45:14.930 --> 0:45:16.020
<v Speaker 2>what I wanted to say.

0:45:16.050 --> 0:45:16.509
<v Speaker 4>Oh, my God.

0:45:16.550 --> 0:45:17.520
<v Speaker 2>But I said, let me.

0:45:17.540 --> 0:45:19.040
<v Speaker 4>You put it back?

0:45:19.360 --> 0:45:21.900
<v Speaker 2>I said, I may be dumb, but at least I'm

0:45:21.980 --> 0:45:27.470
<v Speaker 2>not an alcoholic like yourself. Then I saw another comment

0:45:27.489 --> 0:45:28.690
<v Speaker 2>of his, and I wanted to be like, let me

0:45:28.730 --> 0:45:30.810
<v Speaker 2>give you the attention you want. And I said, no,

0:45:30.850 --> 0:45:31.610
<v Speaker 2>let me, I got other shit to do.

0:45:31.610 --> 0:45:32.410
<v Speaker 4>Trying to get up out of there.

0:45:32.430 --> 0:45:34.410
<v Speaker 2>I said, I got other stuff to do. But sometimes,

0:45:34.850 --> 0:45:37.470
<v Speaker 2>you know, sometimes it's nice just to be as petty

0:45:37.610 --> 0:45:38.529
<v Speaker 2>as other people are.

0:45:38.650 --> 0:45:40.290
<v Speaker 4>Sometimes it's nice.

0:45:40.390 --> 0:45:42.930
<v Speaker 1>I see other content creators cussing people out and stuff,

0:45:42.969 --> 0:45:44.129
<v Speaker 1>and I just be like.

0:45:44.310 --> 0:45:44.610
<v Speaker 5>Do it.

0:45:46.210 --> 0:45:47.290
<v Speaker 2>It don't sound good?

0:45:47.390 --> 0:45:48.649
<v Speaker 4>I wonder what it's like over there.

0:45:48.910 --> 0:45:49.400
<v Speaker 2>You can do it.

0:45:50.850 --> 0:45:53.570
<v Speaker 1>Let me, let's cover this story before we got to

0:45:53.610 --> 0:45:54.450
<v Speaker 1>get up out of here, because I got to go

0:45:54.469 --> 0:45:55.299
<v Speaker 1>take my son to college.

0:45:56.480 --> 0:45:57.960
<v Speaker 2>Wait a minute, he moving today?

0:45:58.140 --> 0:45:59.839
<v Speaker 4>Yes, I'm leaving from here and taking him.

0:45:59.880 --> 0:46:00.360
<v Speaker 5>Kevin.

0:46:00.900 --> 0:46:01.970
<v Speaker 4>I'm leaving from here and taking him.

0:46:01.980 --> 0:46:05.299
<v Speaker 2>He might not ever move back into the house. This

0:46:05.340 --> 0:46:05.660
<v Speaker 2>could be it.

0:46:05.660 --> 0:46:07.100
<v Speaker 4>I don't know why you guys think this is funny.

0:46:07.300 --> 0:46:07.819
<v Speaker 2>It's not funny.

0:46:07.840 --> 0:46:11.120
<v Speaker 3>It's not funny. I'm dead serious. That's why we're saying

0:46:11.160 --> 0:46:14.219
<v Speaker 3>go visit him when he's 30 minutes away because- It's

0:46:14.300 --> 0:46:16.080
<v Speaker 3>more than 30 minutes.

0:46:16.080 --> 0:46:17.100
<v Speaker 1>33.

0:46:17.100 --> 0:46:19.859
<v Speaker 2>Because he might not ever, like, no, for real. He

0:46:19.900 --> 0:46:21.859
<v Speaker 2>might not ever move back into your house. That was

0:46:21.900 --> 0:46:23.980
<v Speaker 2>your baby with the big cheeks and a little afro

0:46:24.450 --> 0:46:25.120
<v Speaker 2>that did not want kisses.

0:46:25.180 --> 0:46:25.990
<v Speaker 3>On the roller coaster.

0:46:27.110 --> 0:46:32.430
<v Speaker 5>Not cool, boo-boo. Not cool.

0:46:33.210 --> 0:46:36.150
<v Speaker 1>That man said, I hate this, and I'm not laughing.

0:46:36.270 --> 0:46:38.210
<v Speaker 1>I hate this so much, I'm actually not even scared.

0:46:38.790 --> 0:46:43.700
<v Speaker 1>That's the most JoJo thing. I'm more pissed off than

0:46:43.739 --> 0:46:47.560
<v Speaker 1>I am scared. And the ride's still going. Goofy something

0:46:47.580 --> 0:46:50.980
<v Speaker 1>adventures at Disneyland. He was like, no, and don't talk

0:46:51.020 --> 0:46:55.689
<v Speaker 1>to me. Fear has left me. I hate this so much,

0:46:55.730 --> 0:46:56.390
<v Speaker 1>I feel nothing.

0:46:56.840 --> 0:46:58.860
<v Speaker 2>Did I tell you my husband put my damn baby

0:46:59.080 --> 0:47:02.020
<v Speaker 2>on the longest wooden roller coaster in the world called

0:47:02.040 --> 0:47:04.680
<v Speaker 2>the Beast in, or in the U.S., called the Beast

0:47:04.860 --> 0:47:06.440
<v Speaker 2>in Cincinnati?

0:47:06.719 --> 0:47:07.180
<v Speaker 3>No.

0:47:08.219 --> 0:47:08.950
<v Speaker 4>What's Cincinnati?

0:47:09.770 --> 0:47:13.210
<v Speaker 2>Kings Island is the park. And it is one of the, like,

0:47:13.270 --> 0:47:16.049
<v Speaker 2>it's a difficult, he put my, at that time, six-year-old

0:47:16.670 --> 0:47:19.730
<v Speaker 2>on that roller coaster. And Amar stopped talking to him

0:47:19.750 --> 0:47:25.350
<v Speaker 2>for a little bit of time. Oh, go ahead. So sorry.

0:47:25.690 --> 0:47:28.710
<v Speaker 1>49ers owner Jed York responded to an ad on a

0:47:28.770 --> 0:47:34.149
<v Speaker 1>prostitution website and arranged a $ 140 sexual encounter before being

0:47:34.190 --> 0:47:38.160
<v Speaker 1>arrested upon arriving at a mobile home park in East Palestine, Ohio,

0:47:39.030 --> 0:47:42.480
<v Speaker 1>as part of a human trafficking sting operation. York, who

0:47:42.520 --> 0:47:44.540
<v Speaker 1>grew up 20 miles away, filed for divorce from his

0:47:44.580 --> 0:47:47.940
<v Speaker 1>wife for more than 15 years in May. Let me

0:47:47.960 --> 0:47:48.500
<v Speaker 1>tell you what.

0:47:48.540 --> 0:47:49.560
<v Speaker 3>That's a bad bang-bang.

0:47:52.290 --> 0:47:55.970
<v Speaker 1>The thing is, let me look up Jed York's net worth.

0:47:56.370 --> 0:47:58.790
<v Speaker 2>I'm also glad somebody put it. How much sex go for?

0:47:59.550 --> 0:48:02.799
<v Speaker 1>I thought coochie cost way more than that.

0:48:02.800 --> 0:48:03.430
<v Speaker 3>$ 140 is crazy.

0:48:03.510 --> 0:48:06.440
<v Speaker 2>I'm like, what? But it's just a sexual encounter. So

0:48:06.719 --> 0:48:09.600
<v Speaker 2>what is the encounter? Is they just showing titties and

0:48:09.620 --> 0:48:13.040
<v Speaker 2>then walking out? Because that do seem like.

0:48:14.640 --> 0:48:16.419
<v Speaker 4>His net worth.

0:48:16.260 --> 0:48:19.880
<v Speaker 1>Is north of $ 500 million, the Akron Beacon Journal.

0:48:21.440 --> 0:48:22.080
<v Speaker 2>Upwards of what?

0:48:22.080 --> 0:48:25.259
<v Speaker 5>$ 500 million.

0:48:25.280 --> 0:48:29.200
<v Speaker 1>His family's net worth, according to Yahoo, because I was like,

0:48:29.200 --> 0:48:35.500
<v Speaker 1>$ 500 million, don't get you no NFL team. Family net worth, $ 8.

0:48:33.340 --> 0:48:35.260
<v Speaker 4>5 billion.

0:48:35.660 --> 0:48:38.919
<v Speaker 2>So that wasn't even a penny of his money.

0:48:38.940 --> 0:48:41.620
<v Speaker 4>That was, oh, I found 23 cents on the ground.

0:48:42.739 --> 0:48:43.489
<v Speaker 4>Some coochie, please.

0:48:43.590 --> 0:48:47.630
<v Speaker 2>No, that wasn't even 23 cents. That was a penny

0:48:47.670 --> 0:48:50.710
<v Speaker 2>that had been cut by a cut coat knife. A

0:48:50.770 --> 0:48:52.509
<v Speaker 2>penny that had been cut in half and just the

0:48:52.570 --> 0:48:53.730
<v Speaker 2>half part is on the ground.

0:48:54.730 --> 0:48:58.510
<v Speaker 1>That's the problem. This is a capitalism problem. You're worth

0:48:58.550 --> 0:49:01.600
<v Speaker 1>maybe $ 500 million. Family worth $ 8. 5 billion. You don't even

0:49:01.620 --> 0:49:04.879
<v Speaker 1>want to pay for the good, expensive, quiet coochie. You're

0:49:04.900 --> 0:49:08.219
<v Speaker 1>going down to the trailer parks for $ 120.

0:49:07.920 --> 0:49:09.980
<v Speaker 5>They don't know they're in a sting operation. They're just

0:49:10.020 --> 0:49:10.640
<v Speaker 5>going to work.

0:49:11.000 --> 0:49:12.090
<v Speaker 2>In a trailer park?

0:49:12.200 --> 0:49:12.430
<v Speaker 1>Jesus.

0:49:12.450 --> 0:49:13.710
<v Speaker 3>It's like a midweek rate, too.

0:49:13.870 --> 0:49:15.069
<v Speaker 1>Midweek during the day.

0:49:15.590 --> 0:49:16.469
<v Speaker 4>I saw the body cam.

0:49:16.489 --> 0:49:17.009
<v Speaker 3>Matinee?

0:49:17.230 --> 0:49:17.870
<v Speaker 6>Matinee.

0:49:17.969 --> 0:49:18.930
<v Speaker 4>Sun was shining.

0:49:18.989 --> 0:49:19.790
<v Speaker 5>He got arrested.

0:49:19.830 --> 0:49:19.960
<v Speaker 1>He was.

0:49:20.260 --> 0:49:23.379
<v Speaker 4>a car, went down there worth $ 500 million. He said,

0:49:23.420 --> 0:49:26.950
<v Speaker 4>I got to go to the source. I'm going right

0:49:27.050 --> 0:49:27.910
<v Speaker 4>down to the girl.

0:49:27.930 --> 0:49:30.450
<v Speaker 5>That's the equivalent of selling plates out of your house before.

0:49:30.310 --> 0:49:32.859
<v Speaker 4>You get your restaurant going. I'm going to the source.

0:49:32.900 --> 0:49:34.939
<v Speaker 4>I'm getting me trailer park coochie for 120.

0:49:34.940 --> 0:49:37.520
<v Speaker 2>He went to the sewer, not the source.

0:49:37.560 --> 0:49:38.899
<v Speaker 5>That is just, why 140?

0:49:38.900 --> 0:49:44.450
<v Speaker 2>What's he doing in Ohio? That can't be real coochie.

0:49:44.630 --> 0:49:46.190
<v Speaker 2>That could not have been. That had to have been

0:49:46.230 --> 0:49:47.310
<v Speaker 2>one of them pocket coochies.

0:49:47.800 --> 0:49:50.620
<v Speaker 4>Yeah, any sex workers in the Patreon? Pocket Coochie is hilarious.

0:49:50.660 --> 0:49:51.799
<v Speaker 5>You ain't never heard of Pocket Coochie?

0:49:51.820 --> 0:49:52.100
<v Speaker 6>Yeah, I have.

0:49:52.120 --> 0:49:53.120
<v Speaker 5>That's why I thought it was funny.

0:49:53.140 --> 0:49:54.860
<v Speaker 2>Yeah, it got to be a Pocket Coochie that the

0:49:54.900 --> 0:49:56.080
<v Speaker 2>girl just holding for him.

0:49:56.360 --> 0:49:59.239
<v Speaker 4>Okay, so here, AI overview, because I searched it.

0:49:59.239 --> 0:50:00.620
<v Speaker 2>Impossible Coochie.

0:50:00.800 --> 0:50:04.759
<v Speaker 1>In-person sex work costs anywhere from $ 20 to over $ 1, 500

0:50:04.660 --> 0:50:08.230
<v Speaker 1>per hour. $ 20? Heavily depending on the setting, location, and

0:50:08.270 --> 0:50:11.330
<v Speaker 1>type of service. Online sex work, by contrast, operates completely different,

0:50:11.370 --> 0:50:14.430
<v Speaker 1>lower cost pricing structures.

0:50:14.750 --> 0:50:15.330
<v Speaker 4>Street level.

0:50:15.330 --> 0:50:20.030
<v Speaker 1>$ 20 to $ 100. Independent escorts and agencies, $ 300 to $ 600.

0:50:19.950 --> 0:50:24.069
<v Speaker 1>High-end or luxury providers, $ 1, 000 to $ 1, 500. Then you got

0:50:24.110 --> 0:50:25.149
<v Speaker 1>legal brothels and the like.

0:50:25.469 --> 0:50:27.930
<v Speaker 2>So they're saying like if she's a meth head, it

0:50:27.950 --> 0:50:29.650
<v Speaker 2>needs a fix. You could probably get it for $ 20.

0:50:29.590 --> 0:50:33.230
<v Speaker 4>The less teeth you have, the cheaper the coochie is.

0:50:33.330 --> 0:50:36.180
<v Speaker 2>Yeah, well, because you got two coochies now. If you

0:50:36.219 --> 0:50:39.500
<v Speaker 2>ain't got no teeth, that's a coochie. If you ain't

0:50:39.520 --> 0:50:44.980
<v Speaker 2>got no front teeth, you back in the coochie. That's that.

0:50:46.550 --> 0:50:47.830
<v Speaker 2>they should be in charge of the.

0:50:50.290 --> 0:50:50.550
<v Speaker 5>Work.

0:50:50.630 --> 0:50:53.779
<v Speaker 2>That's another coach. If you don't have to have the

0:50:53.880 --> 0:50:57.800
<v Speaker 2>fear of teeth grazing anything, that's another coochie.

0:50:58.560 --> 0:50:59.899
<v Speaker 3>That's got to be an upcharge then.

0:51:00.420 --> 0:51:01.540
<v Speaker 2>That's what I would think.

0:51:01.620 --> 0:51:02.719
<v Speaker 4>Oh my God.

0:51:02.760 --> 0:51:04.880
<v Speaker 2>That is what I would think. But, you know, no

0:51:04.920 --> 0:51:07.940
<v Speaker 2>telling about cleanliness, so maybe that's what drives it back down.

0:51:08.140 --> 0:51:08.580
<v Speaker 2>I don't know.

0:51:09.960 --> 0:51:10.439
<v Speaker 5>I don't know.

0:51:10.620 --> 0:51:13.950
<v Speaker 2>I don't really know much about sex work. I have

0:51:13.989 --> 0:51:18.350
<v Speaker 2>been I have been mistaken for a prostitute in that score,

0:51:18.390 --> 0:51:22.200
<v Speaker 2>but I have not. What happened? This is when I was,

0:51:22.890 --> 0:51:24.820
<v Speaker 2>I lost a lot of weight after having little Marcus.

0:51:24.860 --> 0:51:27.600
<v Speaker 2>I was like a size six and I was in

0:51:27.640 --> 0:51:31.920
<v Speaker 2>Vegas for a wedding, like a vow renewal, 10 year

0:51:31.940 --> 0:51:34.879
<v Speaker 2>vow renewal. And so all the women went to one club,

0:51:34.920 --> 0:51:36.560
<v Speaker 2>all the men went to another club. So Marcus was

0:51:36.600 --> 0:51:38.799
<v Speaker 2>with the groom and I had on this tight dress.

0:51:38.820 --> 0:51:40.359
<v Speaker 2>I was looking cute. And I had on this big

0:51:40.400 --> 0:51:44.520
<v Speaker 2>curly wig. Well, apparently the high rollers in Vegas really love,

0:51:45.640 --> 0:51:47.989
<v Speaker 2>a black woman with a curly wig that's small. And

0:51:48.030 --> 0:51:50.750
<v Speaker 2>so I was getting to go into everybody's VIP section

0:51:50.790 --> 0:51:52.810
<v Speaker 2>and get free drinks. And I was so proud of myself.

0:51:52.870 --> 0:51:55.670
<v Speaker 2>I was like, I ain't spending no money. So I'm

0:51:55.710 --> 0:51:59.690
<v Speaker 2>hopping from VIP section. The men are like, Ooh, come here. Right.

0:52:00.070 --> 0:52:01.830
<v Speaker 2>And they would have conversation. I'll be like, can you

0:52:01.850 --> 0:52:04.009
<v Speaker 2>put a sign in the drink? And I would hand

0:52:04.070 --> 0:52:05.009
<v Speaker 2>it to my girlfriends.

0:52:06.190 --> 0:52:08.299
<v Speaker 5>So then I, yeah.

0:52:08.360 --> 0:52:11.839
<v Speaker 2>So I finally got down to this one and this

0:52:11.940 --> 0:52:15.180
<v Speaker 2>man is there. He got one arm. Okay. That's what

0:52:15.219 --> 0:52:18.200
<v Speaker 2>I do remember. And I'm down there dancing. I'm like, yeah.

0:52:18.300 --> 0:52:19.000
<v Speaker 3>He has one arm?

0:52:19.360 --> 0:52:19.680
<v Speaker 8>One arm.

0:52:20.239 --> 0:52:22.759
<v Speaker 2>This ain't a whole arm. This is a whole arm.

0:52:23.160 --> 0:52:24.140
<v Speaker 2>I'm down there dancing.

0:52:24.660 --> 0:52:25.259
<v Speaker 7>Yeah.

0:52:25.610 --> 0:52:27.770
<v Speaker 2>Big wig going. How you doing, guys? And then he

0:52:27.810 --> 0:52:32.150
<v Speaker 2>leans over. He said, so are you going to fuck

0:52:32.190 --> 0:52:39.250
<v Speaker 2>my son or what? I said, I swear to God.

0:52:40.210 --> 0:52:41.250
<v Speaker 3>That's racketeering.

0:52:41.390 --> 0:52:41.690
<v Speaker 6>Yeah.

0:52:42.370 --> 0:52:45.090
<v Speaker 2>And I was like, that's when I realized. Oh, that's

0:52:45.750 --> 0:52:49.590
<v Speaker 2>what everybody has been thinking. Because one man asked me

0:52:49.630 --> 0:52:51.270
<v Speaker 2>to go back to his place. He was like, I'll

0:52:51.310 --> 0:52:55.299
<v Speaker 2>fix you steak, potatoes, vegetables. I said, I don't eat steak.

0:52:55.340 --> 0:52:57.700
<v Speaker 5>I don't eat red meat. He was like, what about lobster?

0:52:57.719 --> 0:52:59.820
<v Speaker 2>I was like, no.

0:52:59.840 --> 0:53:01.100
<v Speaker 5>I'm not hungry anymore.

0:53:01.120 --> 0:53:04.780
<v Speaker 2>Can you pour me another drink? But that man, I said,

0:53:05.700 --> 0:53:07.100
<v Speaker 2>but he was like, are you going to fuck myself up?

0:53:07.360 --> 0:53:08.940
<v Speaker 2>And I was like, no.

0:53:10.360 --> 0:53:10.860
<v Speaker 3>Mm-mm.

0:53:10.940 --> 0:53:11.520
<v Speaker 7>Mm-mm.

0:53:13.200 --> 0:53:13.299
<v Speaker 6>Mm-mm.

0:53:13.620 --> 0:53:16.560
<v Speaker 2>I didn't even get offended. I was just like, oh.

0:53:16.580 --> 0:53:18.280
<v Speaker 5>You just answered no? Yeah.

0:53:18.550 --> 0:53:21.930
<v Speaker 2>I was like, no. No.

0:53:22.330 --> 0:53:22.690
<v Speaker 6>No.

0:53:23.270 --> 0:53:26.209
<v Speaker 2>I'm not. And I told Marcus, I said, they thought

0:53:26.270 --> 0:53:29.149
<v Speaker 2>I was an escort, babe. I said, and I probably

0:53:29.190 --> 0:53:31.279
<v Speaker 2>got like 10 free drinks. I passed them around. I

0:53:31.320 --> 0:53:34.040
<v Speaker 2>had about three of my own. But yeah, security was

0:53:34.100 --> 0:53:37.180
<v Speaker 2>even protecting me by that time. I'm dead serious.

0:53:37.260 --> 0:53:38.819
<v Speaker 3>Oh, they thought you were one drink away from getting

0:53:38.860 --> 0:53:39.380
<v Speaker 3>snatched up.

0:53:39.520 --> 0:53:40.000
<v Speaker 6>Oh, yeah.

0:53:40.239 --> 0:53:40.739
<v Speaker 5>Like, for real.

0:53:40.760 --> 0:53:42.810
<v Speaker 2>Because one dude was like, oh, my God, you're so pretty.

0:53:42.950 --> 0:53:45.149
<v Speaker 2>And the security guard was like, keep it moving. Keep

0:53:45.230 --> 0:53:49.589
<v Speaker 2>it moving. I was like, who am I tonight? Like,

0:53:49.650 --> 0:53:51.450
<v Speaker 2>who the fuck am I?

0:53:52.450 --> 0:53:53.250
<v Speaker 3>That girl?

0:53:54.050 --> 0:53:57.200
<v Speaker 2>Shoot. This was how many years ago? This was like

0:53:57.200 --> 0:54:00.560
<v Speaker 2>10 plus. Yeah, it was 12 years ago. Right before

0:54:00.580 --> 0:54:02.759
<v Speaker 2>I had the twins. But I was fit, baby. That

0:54:02.800 --> 0:54:04.080
<v Speaker 2>body was doing everything.

0:54:04.180 --> 0:54:04.980
<v Speaker 4>Oh, my God.

0:54:05.739 --> 0:54:08.160
<v Speaker 2>But I should have asked if for the purposes of this,

0:54:08.219 --> 0:54:09.729
<v Speaker 2>I should have asked how much he would have paid

0:54:09.770 --> 0:54:10.790
<v Speaker 2>me before I said no.

0:54:12.950 --> 0:54:15.230
<v Speaker 5>What's that movie where that person pays the lady?

0:54:15.750 --> 0:54:17.930
<v Speaker 4>She's married. Is it Fatal Attraction?

0:54:18.750 --> 0:54:19.209
<v Speaker 1>She's married.

0:54:19.230 --> 0:54:20.850
<v Speaker 4>It's like the guy's like, I just want one night

0:54:20.890 --> 0:54:21.310
<v Speaker 4>with you.

0:54:21.370 --> 0:54:24.390
<v Speaker 2>Oh, yeah, yeah, yeah, yeah, yeah, yeah. It could be.

0:54:24.410 --> 0:54:24.850
<v Speaker 4>I think so.

0:54:24.890 --> 0:54:26.509
<v Speaker 2>You know, I don't remember names, but I should have

0:54:26.710 --> 0:54:28.630
<v Speaker 2>asked for how much.

0:54:29.350 --> 0:54:30.950
<v Speaker 1>You wasn't going to do it, Angel.

0:54:31.010 --> 0:54:32.969
<v Speaker 2>I know, but I want to know how much my

0:54:33.110 --> 0:54:33.710
<v Speaker 2>rate would be.

0:54:33.730 --> 0:54:34.569
<v Speaker 4>No, not going.

0:54:34.610 --> 0:54:35.819
<v Speaker 5>She was like, 120.

0:54:35.820 --> 0:54:38.299
<v Speaker 2>For me, I've been like, nigga, this golden pussy, what

0:54:38.380 --> 0:54:41.680
<v Speaker 2>are you talking about? Do you see this?

0:54:41.780 --> 0:54:44.940
<v Speaker 3>She's got a golden coochie. If you're paying 120, he's

0:54:45.020 --> 0:54:45.719
<v Speaker 3>a billionaire.

0:54:46.580 --> 0:54:47.680
<v Speaker 2>Indecent proposal.

0:54:48.030 --> 0:54:48.260
<v Speaker 6>What?

0:54:50.140 --> 0:54:53.640
<v Speaker 5>You got to go with the Gucci. And we are back.

0:54:53.700 --> 0:54:56.100
<v Speaker 5>We are back. We are getting Doug back.

0:54:56.460 --> 0:54:57.560
<v Speaker 4>It was a decent proposal.

0:54:58.140 --> 0:54:58.700
<v Speaker 5>All right, y'all.

0:54:58.719 --> 0:55:00.040
<v Speaker 4>We got to go. I got to take my son

0:55:00.060 --> 0:55:01.640
<v Speaker 4>to college right now.

0:55:01.660 --> 0:55:01.890
<v Speaker 6>Wow.

0:55:01.910 --> 0:55:07.750
<v Speaker 4>Pray my strength in the Lord. I'm not crying no more, though.

0:55:08.050 --> 0:55:08.270
<v Speaker 3>You are.

0:55:08.290 --> 0:55:09.050
<v Speaker 2>I think you'll cry.

0:55:09.550 --> 0:55:11.190
<v Speaker 3>I think when you drive up, you're going to cry.

0:55:11.230 --> 0:55:12.540
<v Speaker 3>I don't think you're going to cry.

0:55:13.350 --> 0:55:17.840
<v Speaker 2>When he weighs by, Kevin, why don't you want to cry?

0:55:17.860 --> 0:55:18.700
<v Speaker 7>I can't.

0:55:19.230 --> 0:55:21.969
<v Speaker 2>You don't got no more teeth. Strong of what?

0:55:22.010 --> 0:55:24.740
<v Speaker 4>For him, like, son. I'm going to shake his hand, boy.

0:55:24.770 --> 0:55:26.730
<v Speaker 2>What if he gets... Oh, my God.

0:55:26.790 --> 0:55:27.330
<v Speaker 4>If he.

0:55:28.890 --> 0:55:33.879
<v Speaker 1>Even blinks slow, I am done. I'm talking about he

0:55:33.900 --> 0:55:36.940
<v Speaker 1>got to be razor sharp.

0:55:37.640 --> 0:55:41.580
<v Speaker 2>If he is like, bye. I'll be like.

0:55:43.760 --> 0:55:45.509
<v Speaker 2>You gonna pick him up home like a baby.

0:55:45.530 --> 0:55:48.590
<v Speaker 5>No, no, no, no way. I go to school here now.

0:55:48.969 --> 0:55:50.690
<v Speaker 2>I'm your roommate. Get out, kid.

0:55:50.710 --> 0:55:53.850
<v Speaker 5>Get out, random child. I've been rolling getting a dual bachelor.

0:55:54.570 --> 0:55:55.810
<v Speaker 2>Oh, my God.

0:55:56.830 --> 0:55:59.450
<v Speaker 1>Oh, people be like, empty nest, empty nest. Empty nest

0:55:59.469 --> 0:56:01.569
<v Speaker 1>don't work if you don't want empty nest. That only

0:56:01.590 --> 0:56:03.820
<v Speaker 1>works if you're looking forward to it. I'm not looking

0:56:03.860 --> 0:56:04.380
<v Speaker 1>forward to it.

0:56:04.489 --> 0:56:06.500
<v Speaker 2>I think people end up enjoying empty nest are not

0:56:06.540 --> 0:56:09.640
<v Speaker 2>necessarily people who look forward to it. They realize, oh, shit.

0:56:10.580 --> 0:56:12.540
<v Speaker 2>This is nice.

0:56:12.640 --> 0:56:15.580
<v Speaker 1>No disrespect to them. That's great for you guys. Love

0:56:15.600 --> 0:56:16.080
<v Speaker 1>that for you.

0:56:16.360 --> 0:56:17.380
<v Speaker 2>He said, we'll never enjoy it.

0:56:17.380 --> 0:56:18.700
<v Speaker 1>I love going to his room and talking. He was

0:56:18.719 --> 0:56:20.420
<v Speaker 1>in there packing them suitcases.

0:56:21.800 --> 0:56:22.540
<v Speaker 4>And then I got a show.

0:56:22.580 --> 0:56:23.180
<v Speaker 1>I got to leave.

0:56:23.280 --> 0:56:25.320
<v Speaker 4>So I'm dropping him off and then leaving.

0:56:25.500 --> 0:56:26.840
<v Speaker 2>So you left him first, to be honest.

0:56:27.160 --> 0:56:29.120
<v Speaker 4>No, he left me first. You broke my heart, right?

0:56:29.219 --> 0:56:31.990
<v Speaker 4>He moved out. All right, we love you guys. Patreon,

0:56:32.010 --> 0:56:33.930
<v Speaker 4>we'll be back next week. God bless you. God keep you.

0:56:33.969 --> 0:56:34.730
<v Speaker 4>Thank you for supporting.

0:56:34.750 --> 0:56:34.820
<v Speaker 3>Bye.

0:56:34.870 --> 0:56:35.089
<v Speaker 1>Bye.

0:56:35.110 --> 0:56:35.350
<v Speaker 3>Bye.

0:56:35.370 --> 0:56:41.040
<v Speaker 7>Bye. Here's another banger for you.

0:56:41.140 --> 0:56:43.739
<v Speaker 5>Here's another one. Here's another banger for you.

0:56:43.760 --> 0:56:45.140
<v Speaker 3>Here's another one.

0:56:45.180 --> 0:56:47.160
<v Speaker 2>Here's another one.

0:56:47.260 --> 0:56:48.839
<v Speaker 5>Here's another banger for you.

0:56:48.860 --> 0:56:50.620
<v Speaker 6>Here's another banger for you.

0:56:50.760 --> 0:56:53.280
<v Speaker 2>Here's another banger for you.

0:56:53.360 --> 0:56:54.359
<v Speaker 5>Here's another thing.

0:57:06.260 --> 0:57:09.730
<v Speaker 2>And that chick angel.