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Speaker 1: But Kiss is right. Joe, can you listen for three seconds?

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Speaker 2: This is the most... Three seconds. Give me three seconds

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Speaker 2: to listen. The most entertaining, the most dangerous podcast.

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Speaker 1: Give me three seconds. Can you listen for three seconds?

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Speaker 1: This is incredible. Yeah, yeah, what up, y'all? This is

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Speaker 1: Joe Crack the Don.

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Speaker 3: You know who it is, your boy Jada. You know

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Speaker 3: what it is, the Joe and Jada show. Every show legendary.

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Speaker 3: Every show iconic. Somehow, someway, we just can't stop.

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Speaker 4: Squeeze the muffler on these dudes right here. Grenade them, huh?

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Speaker 1: These guys... How you doing, man? How you feeling? You

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Speaker 1: turned these other podcasters to the old folks, huh? Ooh. Dinosaurs.

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Speaker 4: Flabby is sick, man. I need those glasses, Lord.

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Speaker 1: How did you... You have the glasses on.

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Speaker 4: What are you doing? No, but I need them green chromes, man.

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Speaker 4: I need them.

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Speaker 1: These Cardis, I need the emerald green chromes. Treat me

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Speaker 1: like Mary J.

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Speaker 3: man. But yeah, you know, every show legendary, every show iconic,

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Speaker 3: and we just keep amplifying the meaning of of those

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Speaker 3: two words.

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Speaker 1: What they say in gambling, like you keep doubling down

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Speaker 1: on it.

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Speaker 4: Yeah, press your bets.

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Speaker 1: You know what I mean? We pressing out guests.

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Speaker 2: Ooh.

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Speaker 3: It's like the casino where guests just keep.

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Speaker 4: Getting better and better and better. That's right.

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Speaker 3: When you think of today's guests, you think of a visionary,

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Speaker 3: a hit maker, somebody who believed in himself before Hollywood

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Speaker 3: knew his name. It made sure our stories, our humor,

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Speaker 3: our culture had a place on the big screen. From

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Speaker 3: Stomp the Yard to Think Like a Man, Ride Along,

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Speaker 3: Girls Trip. These movies bought in over a billion dollars.

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Speaker 3: Let me repeat that. Over a billion dollars.

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Speaker 1: Mm-hmm.

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Speaker 3: Now he's a New York Times bestselling author. He's bringing

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Speaker 3: black love to television. And he's part of the Atlanta

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Speaker 3: Falcons ownership group. Me and Joe call that doing shit.

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Speaker 4: That's called doing shit, right?

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Speaker 1: You know what I mean? Hold on, Joe. Hold on, Joe.

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Speaker 1: Hold on. All right, all right, all right. I ain't

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Speaker 1: know you all.

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Speaker 3: He doesn't just talk about dreaming big. He shows you

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Speaker 3: what it looks like. And he's got one question for

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Speaker 3: anybody wondering.

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Speaker 4: Whether they belong.

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Speaker 1: Who better than you? Joe, we got a real boss

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Speaker 1: in the building.

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Speaker 4: Our brother.

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Speaker 1: Ladies and gentlemen, make some noise for Will Packer!

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Speaker 4: Ah! Ah!

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Speaker 1: Yo. That introduction was real as shit, my brother. That's...

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Speaker 1: I like it.

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Speaker 4: I can read.

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Speaker 5: Because rappers can't read. Joey's talking about it, but you can.

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Speaker 5: It's no question.

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Speaker 1: Flawless.

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Speaker 5: 10 out of 10, no notes. Think rappers can't read.

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Speaker 5: My guy went through all them lines. That was no

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Speaker 5: big words in it.

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Speaker 4: No, no, no.

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Speaker 1: I mean, I'm just.

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Speaker 4: But.

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Speaker 1: I don't doubt that you could do it. Here's the

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Speaker 1: thing we're talking about. I feel like.

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Speaker 3: But I just can't say, this is such and such

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Speaker 3: at 107W, such and such. We'll pack it in. Joey Trapp.

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Speaker 1: That is true. Your average rapper cannot do that. Hour 45,

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Speaker 1: you line up all the rappers.

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Speaker 4: Can we?

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Speaker 5: I'm trying to line up some voice work with my guy.

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Speaker 5: I would be honored to produce something. I can see

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Speaker 5: a cool, dope-ass, animated, like, anime.

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Speaker 1: You got the voice for it. There's no question. Who

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Speaker 1: better than you, Will Packer? What's up, baby? You betting

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Speaker 1: on yourself, huh? Always, brother.

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Speaker 4: Always.

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Speaker 1: Thank you for having me. For real. I appreciate it.

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Speaker 4: We appreciate this.

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Speaker 1: I love the energy, too. Y'all said, fuck the other podcast.

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Speaker 1: That's like, you know, it's aggressive. We've been shitting on

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Speaker 1: them since day one. Brother came out the gate.

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Speaker 4: Couple of glizzy.

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Speaker 1: By the way. By the way, what?

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Speaker 4: There's a glizzy alert. The other night when we did

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Speaker 4: the casino. Yo. Glizzy alert. Yo.

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Speaker 1: You got slags.

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Speaker 4: I got slags. I got them.

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Speaker 1: I was saving them. Glizzy alert.

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Speaker 5: Let me hear.

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Speaker 1: I wanted to hear that. Hot dog alert.

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Speaker 4: Ew.

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Speaker 1: For years, hot dog. Yeah, that might be worse, brother.

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Speaker 1: Hot dog glizzy alert. Let me hear this.

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Speaker 4: This better be worse.

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Speaker 1: I feel like you need to get to the.

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Speaker 4: The other night, room service was over after our thing,

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Speaker 4: so I had to.

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Speaker 3: After a rat pack night, you ordered glizzy for late night?

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Speaker 1: I had nothing else.

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Speaker 4: But what I'm trying to tell you is, Johnny Rockets

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Speaker 4: was open. I never ate there in my life. They

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Speaker 4: brought them glizzies over. Legendary. Johnny Rockets.

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Speaker 3: Hotel Casino Glizzy.

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Speaker 1: Johnny Rockets.

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Speaker 4: For all glizzy lovers out there, run to your nearest One,

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Speaker 4: let me tell you something.

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Speaker 1: They can't give me enough. It's a lot happening. It's

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Speaker 1: a lot.

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Speaker 4: It's a lot happening right now.

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Speaker 1: It's a lot. It's a lot.

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Speaker 3: Yo, Will, we had a legendary time for the standout

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Speaker 3: moment to be Johnny Rockets.

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Speaker 1: Glizzy.

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Speaker 5: Sound like the legend happened after, the after party with Joe.

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Speaker 1: That was something else.

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Speaker 4: Let me tell you something. I need clarification.

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Speaker 1: You got some eyes wide shut.

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Speaker 4: I'm old enough to not be the only guy in

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Speaker 4: my crew that'll eat a hot dog.

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Speaker 1: I sent them a bag. What was that cookout?

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Speaker 4: And the next morning, my man Serge, DJ Serge. He

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Speaker 4: went back? He said, yo. You ate that glizzy. I said, yo,

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Speaker 4: this shit was great. I'm like, that's it. That's all I.

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Speaker 4: You have glizzy camaraderie.

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Speaker 1: I have to say it. It's crazy. The glizzy diaries.

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Speaker 1: The camaraderie of glizzy. Best in the game right now. Because,

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Speaker 1: you know, they've been falling off.

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Speaker 4: You see what I got to do?

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Speaker 1: What has happened?

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Speaker 5: What?

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Speaker 1: I just had to say it. Ten minutes on the glizzy.

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Speaker 1: Because I've been on weather shit. We didn't say nothing

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Speaker 1: about the show.

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Speaker 4: My suit. Straight Johnny Rockets glasses. If we here for him,

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Speaker 4: we don't want to.

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Speaker 5: Then why'd you go with the Johnny Rockets glasses?

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Speaker 4: There's a large community of gentlemen and females who like

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Speaker 4: a hot dog.

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Speaker 1: And I'm telling them, listen, that Johnny Rockets shit, I.

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Speaker 4: That's all I'm going to say. Thank God room service

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Speaker 4: was out for the night.

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Speaker 1: Point taken. I can't take this.

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Speaker 4: Well, you got to stop. Why don't you send me

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Speaker 4: to a dentist in Atlanta when I did night school

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Speaker 4: and thank you for putting me in night school. Is

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Speaker 4: that a toothache? Something happened, but Will took me to

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Speaker 4: a dentist. They had massage. It wasn't like happy ending.

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Speaker 4: They had massage. I'm just saying the way people be thinking, right?

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Speaker 4: Took you to a good dentist? They would give you

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Speaker 4: a massage.

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Speaker 1: This is high end.

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Speaker 5: Like when you come out, y'all. Anything you need in Atlanta,

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Speaker 5: you know I got you. No, he's got it, got it.

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Speaker 5: Call me.

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Speaker 4: I got you. It's the first dentist I ever went to.

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Speaker 4: I ain't feel no pain. And I'm being with Dr. Fashem.

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Speaker 1: She's my number one. I'm loyal to her.

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Speaker 4: I had an emergency break. No, the fentanyl, different type

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Speaker 4: of touch. You get that Fenty well on that shit. Yo, boy,

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Speaker 4: let me tell you something.

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Speaker 5: Bro, what is happening? The glizzy and the fentanyl, you

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Speaker 5: doing fentanyl intentionally?

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Speaker 1: No.

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Speaker 4: What happened was, you know, I did my teeth over

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Speaker 4: and I had good teeth.

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Speaker 1: They ghastly, but it's all right.

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Speaker 4: Right? So, uh, I did it over, but I went

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Speaker 4: under anesthesia. So the man tells me, this guy's a

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Speaker 4: fucking piece of shit, man. This guy's come to anesthesiologists, right?

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Speaker 4: And they bill it's real.

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Speaker 5: Yeah.

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Speaker 4: Right? He comes, he goes, yo, I know you ain't

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Speaker 4: just come. Do something with it. I'm like, what the.

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Speaker 1: Fuck is that?

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Speaker 4: It's almost like a shade from the window just comes

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Speaker 4: down like that. I felt like they could throw a

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Speaker 4: bomb outside and I wouldn't even know.

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Speaker 1: I was like, So I go to sleep. When I

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Speaker 1: wake up, he says, you know what I gave you

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Speaker 1: before I put you to sleep?

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Speaker 4: I said, what?

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Speaker 1: He said, fentanyl. That's why you, all that. I said,

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Speaker 1: this motherfucker.

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Speaker 4: Didn't even tell you. I thought about that bitch for

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Speaker 4: two weeks and I don't get hot. Smoke cigarettes, don't

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Speaker 4: smoke weed, don't drink nothing. For two weeks, I was like,

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Speaker 4: If I argued with anybody.

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Speaker 1: I said, man, maybe I should just get some fentanyl.

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Speaker 1: That's how they do it. That's how they get you, right?

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Speaker 1: That's how they get you, dog.

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Speaker 4: Two weeks after, clean, cold turkey. The next time I

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Speaker 4: went back to do the second part, I said, nah, nah.

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Speaker 4: You keep that motherfucker out of here. I'm going raw back.

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Speaker 1: To be clear, that was not the dentist that I

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Speaker 1: sent you to in Atlanta. The dentist you sent me

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Speaker 1: to Had beautiful music.

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Speaker 4: Yes. Shit was like a mansion or something in Atlanta. Yes.

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Speaker 4: They had a female massaging me while they was doing my... Man,

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Speaker 4: I ain't feel shit.

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Speaker 1: It's high. I was like, this is a fucking incredible...

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Speaker 1: It's what you deserve. You were in Atlanta.

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Speaker 5: You were shooting with me. You had a dental situation.

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Speaker 4: Yes.

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Speaker 1: I'm going to take care of you.

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Speaker 5: No, no.

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Speaker 1: I got you. Shout out to ACCD. We got to

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Speaker 1: give it to.

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Speaker 5: That's his name? Atlanta Cosmetic... Atlanta Center for Cosmetic Dentistry.

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Speaker 4: Dr. King. Yo, you... Like, this is.

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Speaker 1: Where rich people go.

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Speaker 4: Well, no, no.

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Speaker 5: A lot of your folks that come to Atlanta, that's

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Speaker 5: that's who we we take care of when I could,

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Speaker 5: you know, I shoot in Atlanta all the time.

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Speaker 4: Right.

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Speaker 1: So when I have actors come and they the stuff happens, right.

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Speaker 1: Stuff happens.

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Speaker 5: You need to get something done on the road. You

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Speaker 5: got to have a certain level of discount.

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Speaker 4: For Atlanta? Because I see Dollar Perry built his own

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Speaker 4: studio there. Is there like a discount for filming something

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Speaker 4: in Atlanta?

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Speaker 1: You know, we have a tax credit. Yeah. So the

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Speaker 1: studio build is different. He did that on an army base.

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Speaker 5: So he definitely got an amazing deal because the Army

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Speaker 5: base was about to be converted into something else.

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Speaker 1: He cut a deal with the city to get that.

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Speaker 4: I'm just saying, if I want to shoot a movie,

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Speaker 4: is it much more expensive in New York than it

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Speaker 4: is in Atlanta? Yes, it is.

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Speaker 1: Because Georgia has a tax credit.

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Speaker 5: However, I will say now Jersey has a very competitive

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Speaker 5: tax credit as well. Shot in Jersey last year. Yeah,

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Speaker 5: a lot of stuff happening in Jersey. Netflix building big

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Speaker 5: stages up here.

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Speaker 4: So.

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Speaker 5: You know, we got a lot happening in Georgia. The

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Speaker 5: tax credit is there. Like Tyler, myself, some other folks.

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Speaker 5: Lionsgate building. Lionsgate has studios.

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Speaker 4: They got one. Tracy Morgan said he shoots shit.

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Speaker 1: Lionsgate bought a home. Block and Young.

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Speaker 4: Man, it'd be nice for you to get a TV

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Speaker 4: show where you can just go down the block and

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Speaker 4: get that. Check it, check it out. You know, these guys, man,

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Speaker 4: these guys get to sleep down the block, shoot a movie,

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Speaker 4: come home, watch Jeopardy and shit, Wheel of Fortune, and

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Speaker 4: fucking make.

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Speaker 5: His money out there. Like, I don't know how... That's

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Speaker 5: how it used to be in L.A. Like, everybody moved

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Speaker 5: to L.A. because all the production was happening in L.A.?

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Speaker 5: Not anymore. So much of it now is happening everywhere else.

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Speaker 5: Atlanta definitely took a lot of it. Now, New York,

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Speaker 5: New Jersey is coming up in a real way. But

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Speaker 5: what you just said, actors want to stay home. Everybody

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Speaker 5: moves to L.A. because that's where Hollywood is. Now, the

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Speaker 5: machinery is in L.A., right? So, like, studios that finance

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Speaker 5: the projects, but most of the stuff that's being shot.

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Speaker 1: It's everywhere else. It's all around the world now. London

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Speaker 1: is crazy. Canada is big too, right?

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Speaker 5: Canada is huge because of their tax credit and because

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Speaker 5: of the exchange rate.

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Speaker 1: I remember it was a rush.

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Speaker 4: I remember everything was being shot in Toronto at one time.

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Speaker 1: Because you could double Toronto for New York. They felt

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Speaker 1: like you could.

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Speaker 4: Oh, it looked the same. Oh, right.

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Speaker 1: Because of the empire.

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Speaker 4: Not when they did that Rumble in the Bronx shit

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Speaker 4: with Jackie Chan and all that shit.

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Speaker 6: They looked like the Bronx was shit. They had the

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Speaker 6: same fire escape in the fucking... And every fighting scene

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Speaker 6: had the same fire escape in that motherfucking Rumble in

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Speaker 6: the Bronx.

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Speaker 1: Now, you went to FAMU for electrical engineering.

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Speaker 4: Yeah. What made you say, screw all that, I'm doing move?

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Speaker 1: You know what?

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Speaker 3: What did your family think when you told them, I'm

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Speaker 3: not doing that, I'm doing.

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Speaker 5: Mom's was like, Please don't let yourself starve. Because, you know,

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Speaker 5: I was, I'm my oldest, I'm the oldest sibling. I

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Speaker 5: was the first one out. So I got an engineering degree,

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Speaker 5: electrical engineer. And I've always been somebody that, like, took

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Speaker 5: school serious. You know, I went in, studied, the whole nine.

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Speaker 5: So I got an engineering degree. Moms was happy.

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Speaker 1: Pops was happy. They were like, okay, good.

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Speaker 5: He can feed himself. He can go out. That's what

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Speaker 5: you want for your kids. You just want to be self-sufficient.

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Speaker 1: Yep.

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Speaker 5: And then I told him I was about to go

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Speaker 5: chase this movie dream. I shot a tiny movie when

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Speaker 5: I was at FAMU.

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Speaker 1: Shout out to FAMU.

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Speaker 5: Shout out to all HBCUs. To the best one, the rallies.

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Speaker 5: So I was at FAMU, shot a small movie.

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Speaker 1: Don't do that.

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Speaker 4: They always start that shit.

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Speaker 1: Don't do that. Everybody shot their college out. They fuck

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Speaker 1: everybody else.

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Speaker 5: But only if it's true. In HBCU world, it's true.

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Speaker 5: Because FAMU is like here forever. And it's everybody else.

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Speaker 1: You see this?

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Speaker 4: No. Like, where's Howard in the conversation? That's everybody else.

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Speaker 4: I said, fam, you see this bullshit? And then everybody else.

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Speaker 4: You know what I'm saying? No, you can't throw the flag.

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Speaker 4: You can't throw the flag. I'm glad my son ain't

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Speaker 4: on that shit. He would have been going crazy.

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Speaker 1: He would have been going crazy. Everybody think they spotted.

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Speaker 4: My son, he went to Clark.

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Speaker 1: He went to Clark, Atlanta?

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Speaker 4: He down there now.

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Speaker 1: He probably couldn't get in the family. We don't shout

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Speaker 1: out J. Wayne. His son just dropped a podcast today

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Speaker 1: with C.J.

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Speaker 4: Wallace.

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Speaker 1: Congratulations.

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Speaker 4: Small son. I'm proud of him. There we go.

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Speaker 1: That's what I'm talking about. You want your kids to know.

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Speaker 5: And then I told my parents I was going to

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Speaker 5: do this crazy pivot and not use my engineering degree.

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Speaker 5: And I was going to go into movies. We didn't

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Speaker 5: know anybody in Hollywood. I didn't have any connections. When

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Speaker 5: I was an undergrad, we shot a tiny movie called

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Speaker 5: Chocolate City. That movie showed for me. Because sometimes you

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Speaker 5: just need to know that you can do something.

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Speaker 4: Proof of concept.

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Speaker 1: Proof of concept and proof.

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Speaker 5: Because a lot of times, you don't know.

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Speaker 1: You have a dream of doing something. You're like, am

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Speaker 1: I really good at it? Can I do it? Can

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Speaker 1: I feed myself doing it?

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Speaker 4: And.

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Speaker 5: Even though that movie wasn't the one that made enough

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Speaker 5: money for me to go off and live a life,

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Speaker 5: it proved that we could do something. Myself, my guy

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Speaker 5: Rob Hardy, my partners there at FAMU, we made this

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Speaker 5: tiny little movie and then we hustled it on our own.

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Speaker 1: Nobody in Hollywood gave a shit.

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Speaker 5: They didn't care at all about our movie, but at

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Speaker 5: FAMU and our little demographic, they loved it. They would

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Speaker 5: go see it over and over again at the movie theater.

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Speaker 5: They would buy the t-shirts and the hats. And so

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Speaker 5: I leaned into that audience. One of the biggest lessons

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00:14:59,650 --> 00:15:01,890
Speaker 5: that I ever learned when I was introduced in that

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00:15:01,930 --> 00:15:03,930
Speaker 5: movie at the premiere, I had invited all of Hollywood

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Speaker 5: and nobody from Hollywood showed up, not a single person, but,

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00:15:07,930 --> 00:15:09,730
Speaker 5: and I had saved the first two rows. And so

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Speaker 5: they were empty and I thought my premiere was going

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Speaker 5: to be a disaster because But every other row, every

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Speaker 5: other seat was packed.

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Speaker 1: People trying to get in.

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Speaker 5: And I said, I'm not making my movies for the

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Speaker 5: front row.

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Speaker 1: I'm making them for people that actually care about it.

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Speaker 4: You know, I'm sure no matter what project you drop now,

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Speaker 4: you always think of that audience. Yes. Right?

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Speaker 1: You put them in the pie.

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Speaker 4: Yeah. You don't overlook them for nothing and bunch them

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Speaker 4: in with another audience. You're like, yo, I got to

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Speaker 4: talk to them.

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Speaker 5: I got to talk to them. You never forget. My

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Speaker 5: core audience that had me from day one.

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Speaker 4: Got to stick with it. Absolutely.

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Speaker 1: Even when I'm making big movies, you know, I want

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Speaker 1: to have a big global success. You make huge movies.

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00:15:49,150 --> 00:15:51,290
Speaker 5: You make, but you always got to stay true to

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Speaker 5: your core, right? No matter what it is you're doing.

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Speaker 5: What's your biggest performing movie?

370
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Speaker 4: What's it about?

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00:15:56,160 --> 00:15:58,020
Speaker 1: What's it about?

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Speaker 5: A movie is either Compton.

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Speaker 1: Or Ride Along. I had to go look.

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Speaker 4: Compton.

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00:16:04,460 --> 00:16:05,600
Speaker 1: Yeah, straight out of Compton.

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00:16:05,620 --> 00:16:08,160
Speaker 5: I was blessed to be executive producer on that with

377
00:16:08,200 --> 00:16:10,720
Speaker 5: Cube and The OG brought me in to help get

378
00:16:10,760 --> 00:16:11,470
Speaker 5: that over the hump.

379
00:16:11,490 --> 00:16:14,130
Speaker 4: Shout out to him, FK, Gray, everybody.

380
00:16:14,370 --> 00:16:17,510
Speaker 5: And then Ride Along. We opened as the biggest to

381
00:16:17,530 --> 00:16:20,320
Speaker 5: join with Kev and Cube. The biggest opening ever on

382
00:16:20,390 --> 00:16:25,220
Speaker 5: MLK Weekend. And so that did numbers as well. Girls trips,

383
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Speaker 5: the numbers.

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Speaker 1: We've been blessed.

385
00:16:27,940 --> 00:16:28,160
Speaker 4: Yes.

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00:16:29,780 --> 00:16:31,420
Speaker 1: It was in there, right? I thought Night School was

387
00:16:31,440 --> 00:16:32,100
Speaker 1: bigger than that.

388
00:16:32,140 --> 00:16:32,760
Speaker 4: No, no.

389
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Speaker 7: I thought Night School was the biggest. By the way, Joe,

390
00:16:35,290 --> 00:16:39,050
Speaker 7: not the biggest. I always think we the biggest. However,

391
00:16:39,150 --> 00:16:42,850
Speaker 7: Night School is mad underrated. If you ain't seen Night

392
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Speaker 7: School yet, that joint is good.

393
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Speaker 1: That's a great movie.

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Speaker 5: And by the way, it was the number one comedy

395
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Speaker 5: of the year.

396
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Speaker 1: Wow, I didn't know that. I can talk that shit.

397
00:16:51,140 --> 00:16:51,700
Speaker 4: Absolutely.

398
00:16:51,720 --> 00:16:53,160
Speaker 1: I can talk that shit. I'm going to add it

399
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Speaker 1: to my resume.

400
00:16:54,040 --> 00:16:57,340
Speaker 5: Joe starred in the number one comedy.

401
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Speaker 1: Of the year.

402
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Speaker 3: Woo-woo!

403
00:16:59,940 --> 00:17:01,560
Speaker 1: Yes. You see that shit?

404
00:17:01,900 --> 00:17:05,629
Speaker 4: That shit, brother. That shit, my brother. Oh, the girl's trip.

405
00:17:05,930 --> 00:17:06,170
Speaker 3: Yeah.

406
00:17:06,630 --> 00:17:07,310
Speaker 4: Go ahead.

407
00:17:07,369 --> 00:17:09,550
Speaker 1: No, no, look like you want to ask. No, no, no, no.

408
00:17:09,650 --> 00:17:10,350
Speaker 1: I just want to ask.

409
00:17:10,369 --> 00:17:12,469
Speaker 4: Sound like you want to ask a question.

410
00:17:12,570 --> 00:17:16,850
Speaker 3: Is there ever a movie that you believed in solely,

411
00:17:17,030 --> 00:17:20,630
Speaker 3: took it to the big guys, and they didn't see

412
00:17:20,650 --> 00:17:23,210
Speaker 3: your vision, but you were still able to get it

413
00:17:23,280 --> 00:17:26,820
Speaker 3: done and then be like, you see, I told y'all.

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Speaker 1: 100%. I had a movie. So I went to black college.

415
00:17:33,170 --> 00:17:33,600
Speaker 4: Loved it.

416
00:17:33,950 --> 00:17:36,050
Speaker 5: I wanted to make a movie about the black college experience.

417
00:17:36,810 --> 00:17:38,330
Speaker 5: I went to Hollywood. I said, I want to make

418
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Speaker 5: a movie at HBCU. I'm going to show fraternities, sororities,

419
00:17:40,690 --> 00:17:43,050
Speaker 5: the whole thing. Hollywood was not checking for it at all.

420
00:17:43,090 --> 00:17:45,469
Speaker 5: It was like, what's a black college? Why are they

421
00:17:45,510 --> 00:17:46,090
Speaker 5: black college?

422
00:17:46,150 --> 00:17:46,650
Speaker 4: Crazy.

423
00:17:46,710 --> 00:17:47,869
Speaker 1: What is this movie?

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00:17:48,250 --> 00:17:48,490
Speaker 4: Right?

425
00:17:48,710 --> 00:17:51,429
Speaker 5: I could not get it greenlit anywhere. I went to

426
00:17:51,580 --> 00:17:55,140
Speaker 5: every studio in Hollywood. Everybody told me no. You never

427
00:17:55,180 --> 00:17:55,520
Speaker 5: give up.

428
00:17:55,740 --> 00:17:55,900
Speaker 4: Ever.

429
00:17:56,240 --> 00:17:58,100
Speaker 5: I mean, no, you get your only one. Yes, y'all

430
00:17:58,119 --> 00:18:01,090
Speaker 5: know that. I went back to the same people, right?

431
00:18:02,060 --> 00:18:02,820
Speaker 5: Went back in.

432
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Speaker 1: Pitched them.

433
00:18:04,400 --> 00:18:06,040
Speaker 5: They said, weren't you the one that just came in

434
00:18:06,100 --> 00:18:08,690
Speaker 5: here a month ago? We told you no last time.

435
00:18:08,730 --> 00:18:11,710
Speaker 5: The answer is still no. I went to Sony Pictures.

436
00:18:12,050 --> 00:18:14,950
Speaker 5: They had a movie called You Got Served. Remember You

437
00:18:14,970 --> 00:18:17,390
Speaker 5: Got Served back in the day? It was a group, B2K.

438
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Speaker 1: They had a movie.

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00:18:18,570 --> 00:18:20,830
Speaker 5: It was a dance movie and it was one of

440
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Speaker 5: their highest performing movies for the year. So I went

441
00:18:23,840 --> 00:18:26,480
Speaker 5: in and I said, okay, I'm not selling you pitching

442
00:18:26,500 --> 00:18:28,860
Speaker 5: you that same movie. I'm pitching you a sequel to

443
00:18:28,880 --> 00:18:31,219
Speaker 5: You Got Served. But this time, we're going to have

444
00:18:31,260 --> 00:18:32,919
Speaker 5: a kid who was in the L.A. crew and he

445
00:18:32,940 --> 00:18:35,180
Speaker 5: goes and meets up with another dance crew in another

446
00:18:35,200 --> 00:18:37,660
Speaker 5: part of the country and then together they combine their

447
00:18:37,680 --> 00:18:40,459
Speaker 5: styles of dance and that's going to be our new

448
00:18:40,500 --> 00:18:41,520
Speaker 5: movie and it can be a sequel.

449
00:18:41,540 --> 00:18:43,700
Speaker 1: Sony was like, we got it. We love it. That's

450
00:18:43,780 --> 00:18:45,760
Speaker 1: so much better than that bullshit you were trying to

451
00:18:45,800 --> 00:18:49,200
Speaker 1: sell us. Once they gave me the door. Joe, once

452
00:18:49,220 --> 00:18:50,590
Speaker 1: they cracked the door....

453
00:18:51,690 --> 00:18:54,690
Speaker 5: The guy who was coming from the L.A. scene was

454
00:18:54,750 --> 00:18:57,560
Speaker 5: Columbus Short. The new dance scene he was coming to

455
00:18:57,600 --> 00:18:59,520
Speaker 5: was a black college, Truth.

456
00:18:59,340 --> 00:19:00,340
Speaker 1: University, right?

457
00:19:00,580 --> 00:19:02,920
Speaker 5: We put Chris Brown in it. We did a dance movie.

458
00:19:02,960 --> 00:19:04,859
Speaker 5: It was the number one movie in the country. When

459
00:19:04,900 --> 00:19:08,020
Speaker 5: that movie came out, every last studio that I had

460
00:19:08,080 --> 00:19:10,280
Speaker 5: pitched and had turned me down said, yo, why you

461
00:19:10,300 --> 00:19:11,700
Speaker 5: didn't bring us that movie?

462
00:19:11,720 --> 00:19:13,950
Speaker 4: Let me ask you a question. Do they still sleep

463
00:19:14,070 --> 00:19:17,830
Speaker 4: on you? Like, Will Packer comes... Yo, we got a

464
00:19:17,869 --> 00:19:20,010
Speaker 4: meeting with Will Packer today. Right?

465
00:19:20,230 --> 00:19:24,190
Speaker 1: And we all know everybody got ego. Everybody think they somebody.

466
00:19:24,290 --> 00:19:26,750
Speaker 4: Yeah. Do they still sleep on you? If you come

467
00:19:26,770 --> 00:19:28,310
Speaker 4: in there with a movie and you like, yo, I

468
00:19:28,359 --> 00:19:29,950
Speaker 4: got this new idea. Yeah.

469
00:19:30,260 --> 00:19:32,260
Speaker 1: Or is it automatic? Like this is a go.

470
00:19:32,619 --> 00:19:35,419
Speaker 5: I don't get slept on, but it's not automatic. So

471
00:19:35,859 --> 00:19:38,000
Speaker 5: I can get, you know, I get my calls returned.

472
00:19:38,400 --> 00:19:38,700
Speaker 1: Right.

473
00:19:38,980 --> 00:19:42,679
Speaker 5: My track record is too strong for cast to overlook.

474
00:19:43,220 --> 00:19:46,320
Speaker 5: So whoever it is in Hollywood, They definitely taking the

475
00:19:46,359 --> 00:19:48,360
Speaker 5: will packer move they want to hear the pitch they

476
00:19:48,480 --> 00:19:51,200
Speaker 5: absolutely want to come in and be a part of

477
00:19:51,260 --> 00:19:53,760
Speaker 5: whatever it is i'm bringing however it doesn't mean i

478
00:19:53,780 --> 00:19:56,200
Speaker 5: always get the budget that i want to get it

479
00:19:56,220 --> 00:19:58,090
Speaker 5: doesn't mean that i always get the green light in

480
00:19:58,109 --> 00:20:00,490
Speaker 5: the time that i want it right i still gotta

481
00:20:00,550 --> 00:20:03,629
Speaker 5: go and sell it i still gotta go and say

482
00:20:03,690 --> 00:20:06,689
Speaker 5: because remember hollywood is a business everybody forgets that When

483
00:20:06,770 --> 00:20:09,320
Speaker 5: I go in, people think I'm saying, yo, I got

484
00:20:09,380 --> 00:20:12,300
Speaker 5: this great actor, this great idea, come greenlight my movie.

485
00:20:12,359 --> 00:20:15,080
Speaker 5: That's not what I'm doing. I'm saying, got this great actor,

486
00:20:15,100 --> 00:20:16,980
Speaker 5: this great idea, but I'm going to make it for this,

487
00:20:17,260 --> 00:20:20,940
Speaker 5: and it's going to make this. That's when they start saying, oh, okay.

488
00:20:21,140 --> 00:20:21,480
Speaker 4: I see.

489
00:20:21,700 --> 00:20:21,889
Speaker 5: All right.

490
00:20:22,210 --> 00:20:22,730
Speaker 1: Talk to us.

491
00:20:23,270 --> 00:20:26,530
Speaker 4: Obviously, you've been super successful, but one thing you're breaking

492
00:20:26,570 --> 00:20:30,669
Speaker 4: down to me is that you understand the audience, how

493
00:20:30,730 --> 00:20:33,570
Speaker 4: it's going to perform. You know, people go out there

494
00:20:33,650 --> 00:20:37,710
Speaker 4: with passionate projects thinking it's the arts and they.

495
00:20:37,570 --> 00:20:38,670
Speaker 1: Don't get the art.

496
00:20:38,869 --> 00:20:41,570
Speaker 4: No, if them asses don't go to that movie theater

497
00:20:41,670 --> 00:20:45,040
Speaker 4: or book that bitch on Netflix, you ain't never getting

498
00:20:45,100 --> 00:20:48,860
Speaker 4: another chance. And so I think people don't understand that.

499
00:20:48,960 --> 00:20:51,159
Speaker 4: You know, some people, they look at you, it's the

500
00:20:51,220 --> 00:20:53,080
Speaker 4: same thing in hip hop. They look at you and

501
00:20:53,100 --> 00:20:56,189
Speaker 4: they think like, Yo, why is this guy bigger than me?

502
00:20:56,230 --> 00:20:58,910
Speaker 4: I'm a million times more talented. I'm this. But you're

503
00:20:58,970 --> 00:21:03,520
Speaker 4: not targeting the audience that's ready to spend a dollar. Yeah.

504
00:21:03,600 --> 00:21:06,820
Speaker 4: And that's what gets lost in the shuffle. Me, I

505
00:21:06,840 --> 00:21:09,660
Speaker 4: want to be Steve Harvey. At the end of the day,

506
00:21:09,700 --> 00:21:14,000
Speaker 4: I want to just pull out Wheel of Fortune, Family Feud,

507
00:21:14,700 --> 00:21:15,060
Speaker 4: you know.

508
00:21:16,690 --> 00:21:18,270
Speaker 1: I'm not in your way. I don't want to be

509
00:21:18,310 --> 00:21:18,850
Speaker 1: in your way.

510
00:21:19,619 --> 00:21:19,879
Speaker 4: Huh?

511
00:21:20,200 --> 00:21:22,419
Speaker 1: I want to be Snoop Dogg mixed with LL. That

512
00:21:22,440 --> 00:21:25,020
Speaker 1: way you can smoke some shit everywhere you go, huh?

513
00:21:26,340 --> 00:21:30,070
Speaker 1: I'm not sure. I don't think that's what he was saying. Yeah,

514
00:21:30,090 --> 00:21:31,649
Speaker 1: that's what he's saying. I don't know what he, I

515
00:21:31,670 --> 00:21:32,730
Speaker 1: don't know. I took that stuff from me.

516
00:21:32,730 --> 00:21:33,810
Speaker 4: Well, that's what he's saying.

517
00:21:33,950 --> 00:21:34,690
Speaker 1: Thank you, Will.

518
00:21:34,850 --> 00:21:35,450
Speaker 4: Is that?

519
00:21:35,750 --> 00:21:40,300
Speaker 1: I took it like entrepreneurial, acting. Exactly.

520
00:21:40,340 --> 00:21:40,820
Speaker 5: Business.

521
00:21:40,859 --> 00:21:41,619
Speaker 1: Longevity.

522
00:21:41,660 --> 00:21:41,780
Speaker 3: Yeah.

523
00:21:46,290 --> 00:21:47,430
Speaker 1: You know what I've learned?

524
00:21:47,609 --> 00:21:51,510
Speaker 4: The things that really matter, you can't rush them. Facts.

525
00:21:52,090 --> 00:21:55,130
Speaker 3: You can't rush the sauce. You can't rush the music.

526
00:21:55,290 --> 00:21:59,830
Speaker 3: You can't rush relationships. And you definitely can't rush great tequila.

527
00:22:00,030 --> 00:22:03,649
Speaker 4: That's why 1800 Tequila stands out. The name goes all

528
00:22:03,670 --> 00:22:07,300
Speaker 4: the way back to the 1800s when the Beckman family

529
00:22:07,359 --> 00:22:11,699
Speaker 4: started making tequila. And that patience, that attention to the

530
00:22:11,780 --> 00:22:15,080
Speaker 4: craft has been passed down through more than 11 generations.

531
00:22:16,580 --> 00:22:17,340
Speaker 1: That's legacy.

532
00:22:17,720 --> 00:22:20,920
Speaker 3: Sometimes you just got to let something cook. Juan Beckman

533
00:22:20,980 --> 00:22:25,690
Speaker 3: Vidal aged 1,800 aneo longer than he even had to

534
00:22:25,810 --> 00:22:27,350
Speaker 3: because he knew it wasn't ready yet.

535
00:22:27,510 --> 00:22:28,250
Speaker 1: I respect that.

536
00:22:28,350 --> 00:22:30,909
Speaker 4: Don't put it out just because you can put it out.

537
00:22:31,130 --> 00:22:33,850
Speaker 4: Put it out when it's right. That applies to a record,

538
00:22:33,890 --> 00:22:38,030
Speaker 4: a conversation, a move, a making, and clearly a bottle

539
00:22:38,109 --> 00:22:41,010
Speaker 4: of tequila. Once you get it right, you share it

540
00:22:41,050 --> 00:22:43,830
Speaker 4: with your people. That's always been part of the story.

541
00:22:43,930 --> 00:22:47,619
Speaker 3: Good tequila, good conversation, and the people around you really

542
00:22:47,670 --> 00:22:48,680
Speaker 3: appreciate both.

543
00:22:48,960 --> 00:22:53,240
Speaker 4: Passion, hard work, honesty. Those words are written on every

544
00:22:53,400 --> 00:22:58,300
Speaker 4: bottle of 1800. And honestly, that's the foundation for anything

545
00:22:58,420 --> 00:22:59,199
Speaker 4: built to last.

546
00:22:59,440 --> 00:23:01,780
Speaker 3: So take your time with what you're creating, and when

547
00:23:01,820 --> 00:23:03,340
Speaker 3: the moment is right, share it.

548
00:23:03,280 --> 00:23:04,420
Speaker 4: With your people.

549
00:23:04,420 --> 00:23:08,800
Speaker 1: 1800 tequila. Good stuff takes time. And the best stuff's

550
00:23:08,920 --> 00:23:10,660
Speaker 1: meant to be shared with your people.

551
00:23:14,260 --> 00:23:17,280
Speaker 4: We just did a concert that would probably go down

552
00:23:17,340 --> 00:23:22,070
Speaker 4: as the best concert in hip-hop history. Wow.

553
00:23:22,230 --> 00:23:24,350
Speaker 1: It really was like that. You know what I mean?

554
00:23:24,369 --> 00:23:27,650
Speaker 4: We did a residency in Vegas with DJ Cassidy, and

555
00:23:28,190 --> 00:23:35,410
Speaker 4: he put together Nelly, Busta Rhymes, Spliff, Jada, myself. Who

556
00:23:35,430 --> 00:23:37,340
Speaker 4: am I missing? It wasn't in Las Vegas. It was

557
00:23:37,380 --> 00:23:37,959
Speaker 4: Mohegan Sun.

558
00:23:37,980 --> 00:23:38,980
Speaker 1: I know, but I'm just going to.

559
00:23:39,320 --> 00:23:40,420
Speaker 4: Well, I did mine.

560
00:23:41,020 --> 00:23:42,720
Speaker 1: We did a residency in Vegas.

561
00:23:43,280 --> 00:23:45,859
Speaker 4: Now, it was incredible in Vegas, but I knew on

562
00:23:45,960 --> 00:23:49,950
Speaker 4: this side of things, New York, Connecticut, they never see

563
00:23:49,970 --> 00:23:50,730
Speaker 4: no shit like that.

564
00:23:51,050 --> 00:23:52,430
Speaker 1: They confront all they want.

565
00:23:53,869 --> 00:23:56,030
Speaker 4: So when I look at the comments, everything is like, yo,

566
00:23:56,050 --> 00:23:57,790
Speaker 4: it's the best show I ever seen in my life.

567
00:23:57,850 --> 00:24:00,000
Speaker 4: The best show. But I'm missing somebody.

568
00:24:00,480 --> 00:24:01,379
Speaker 1: It's me, you.

569
00:24:01,800 --> 00:24:02,440
Speaker 4: Ja Rule.

570
00:24:02,760 --> 00:24:06,909
Speaker 1: Ja Rule. I'm sorry to miss Ja Rule. But It

571
00:24:06,970 --> 00:24:08,070
Speaker 1: was so amazing.

572
00:24:08,630 --> 00:24:11,230
Speaker 4: And, you know, all these big rappers and you think rap,

573
00:24:11,410 --> 00:24:13,990
Speaker 4: you know, you know, we own a dispensary, you know,

574
00:24:14,150 --> 00:24:16,430
Speaker 4: a dynasty commodity in Harlem.

575
00:24:16,550 --> 00:24:19,149
Speaker 1: And the only guy smoking weed was this guy. I

576
00:24:19,190 --> 00:24:19,890
Speaker 1: smelled the shit.

577
00:24:19,930 --> 00:24:21,970
Speaker 4: I went all the way into the back of the room,

578
00:24:22,010 --> 00:24:23,810
Speaker 4: the back of the gym, the back of the shit.

579
00:24:23,970 --> 00:24:24,910
Speaker 1: Are we there yet?

580
00:24:25,690 --> 00:24:29,290
Speaker 4: Jadakiss and his crew smoking the shit. Then your man,

581
00:24:30,010 --> 00:24:31,770
Speaker 4: not Kate, your man.

582
00:24:31,950 --> 00:24:33,330
Speaker 1: Yo, they were the only ones. Yo, let me tell

583
00:24:33,350 --> 00:24:35,570
Speaker 1: you something. He just named 20 rap ones.

584
00:24:35,590 --> 00:24:38,590
Speaker 4: The only ones? I'm telling you the truth. What, you

585
00:24:38,609 --> 00:24:41,010
Speaker 4: want me to lie to you? That's why I put

586
00:24:41,030 --> 00:24:43,590
Speaker 4: two and two together, Snoop. Dog, he wants to be

587
00:24:43,609 --> 00:24:45,770
Speaker 4: like Snoop. Hold on, let me tell you something, Kate.

588
00:24:45,910 --> 00:24:50,399
Speaker 1: You got a point. Jadakiss, time to go. Where's the flag?

589
00:24:50,460 --> 00:24:54,340
Speaker 1: I'm trying to say something. Don't let him get delusional.

590
00:24:54,380 --> 00:24:57,560
Speaker 1: Don't let him make you delusional, Will. I'm on King.

591
00:24:57,300 --> 00:25:02,080
Speaker 5: Glizzy's side right now, bro.

592
00:25:02,119 --> 00:25:04,980
Speaker 1: Mind you, there were 80-year-old white men.

593
00:25:05,000 --> 00:25:08,060
Speaker 4: I don't know. We would have got fucked up if

594
00:25:08,100 --> 00:25:11,350
Speaker 4: somebody would have tried to... He had 80-year-old guys in

595
00:25:11,380 --> 00:25:13,590
Speaker 4: security over there. Yeah, my guy was talking to him

596
00:25:13,609 --> 00:25:14,830
Speaker 4: about this football game.

597
00:25:14,910 --> 00:25:16,770
Speaker 1: I don't even know what they was doing standing up

598
00:25:16,850 --> 00:25:19,410
Speaker 1: at 12 midnight. I was like, yo, guys, it's almost over.

599
00:25:19,770 --> 00:25:20,670
Speaker 4: Guys, it's almost.

600
00:25:20,730 --> 00:25:24,080
Speaker 1: I was really worried. It was ushers, Joe. That wasn't security.

601
00:25:24,190 --> 00:25:27,260
Speaker 1: They smelled that shit, by the way. And so your man.

602
00:25:27,280 --> 00:25:28,899
Speaker 4: Slipstar, come up in there.

603
00:25:28,940 --> 00:25:30,080
Speaker 1: Yo, what's wrong with this guy?

604
00:25:30,100 --> 00:25:30,940
Speaker 4: Slipstar, you know.

605
00:25:31,200 --> 00:25:33,520
Speaker 1: Slipstar come up in his room and says, I smell

606
00:25:33,560 --> 00:25:34,200
Speaker 1: the veggies.

607
00:25:34,600 --> 00:25:36,770
Speaker 4: I smell... Your man got a blunt in his head

608
00:25:36,790 --> 00:25:41,590
Speaker 4: this long. And Slip is like... man, you think I

609
00:25:41,609 --> 00:25:42,660
Speaker 4: can get in on that?

610
00:25:42,770 --> 00:25:44,490
Speaker 1: This, this, that, this, this, that.

611
00:25:44,510 --> 00:25:46,670
Speaker 4: Your man's just looking at him with the shirt. I said, yo,

612
00:25:46,710 --> 00:25:50,190
Speaker 4: my man, give him some fucking weed. Man, how much

613
00:25:50,250 --> 00:25:52,710
Speaker 4: more you want him to beg you for a puff? Like,

614
00:25:52,730 --> 00:25:55,810
Speaker 4: give him a fucking, he got some shit like a bazooka.

615
00:25:55,850 --> 00:25:58,770
Speaker 4: He ain't want to give him shit. I'm like, yo,

616
00:25:58,790 --> 00:26:04,340
Speaker 4: that's why, that's why I never get high. But ladies

617
00:26:04,390 --> 00:26:05,899
Speaker 4: and gentlemen, it was a nice show.

618
00:26:06,160 --> 00:26:09,500
Speaker 3: Everything went smooth.

619
00:26:10,230 --> 00:26:13,330
Speaker 1: It was very, my mom and dad was happy. Like

620
00:26:13,350 --> 00:26:15,580
Speaker 1: you said, they were going to be happy.

621
00:26:15,630 --> 00:26:16,500
Speaker 4: I'm proud of me.

622
00:26:16,780 --> 00:26:19,640
Speaker 1: I told you, right? I did a whole residency. So

623
00:26:19,680 --> 00:26:23,280
Speaker 1: I know what to expect. He's like, oh, the gizzards.

624
00:26:23,840 --> 00:26:25,500
Speaker 1: This guy's making me work.

625
00:26:25,859 --> 00:26:28,200
Speaker 4: Yo, this, this, this. I'm just chilling. I said like this.

626
00:26:28,520 --> 00:26:33,730
Speaker 4: So I grabbed him. A moment of, of, no, no,

627
00:26:33,750 --> 00:26:36,510
Speaker 4: not just clarity. What you call like mentorship. Cause I

628
00:26:36,510 --> 00:26:38,130
Speaker 4: dealt with this shit. Yeah. Right.

629
00:26:38,210 --> 00:26:41,240
Speaker 1: I see your kiss. You said your mother and father

630
00:26:41,300 --> 00:26:42,200
Speaker 1: came tonight, right?

631
00:26:42,240 --> 00:26:44,980
Speaker 4: He said, yes. I said, think of it this way.

632
00:26:45,060 --> 00:26:48,100
Speaker 4: No matter all the asshole shit we dealing with this guy,

633
00:26:48,160 --> 00:26:50,459
Speaker 4: at the end of the night, your moms and your

634
00:26:50,500 --> 00:26:52,300
Speaker 4: pops going to come up to you and tell you

635
00:26:52,340 --> 00:26:56,020
Speaker 4: how proud they are. Because the man, though, the DJ Kaz,

636
00:26:56,240 --> 00:26:58,900
Speaker 4: you can say whatever the fuck you want. His shit

637
00:26:59,200 --> 00:27:00,379
Speaker 4: ain't one.

638
00:27:00,619 --> 00:27:02,670
Speaker 1: Like, it's going to come out pristine.

639
00:27:02,750 --> 00:27:07,310
Speaker 4: And all that practice turns into, you know, beautiful art.

640
00:27:07,330 --> 00:27:09,649
Speaker 4: So your parents came over and said they loved it?

641
00:27:10,440 --> 00:27:13,340
Speaker 4: I told your mom I want my cornbread. Plenty cornbread.

642
00:27:13,359 --> 00:27:16,679
Speaker 4: She got you. She got you. Plenty cornbread. She got you.

643
00:27:17,980 --> 00:27:20,600
Speaker 4: I need plenty cornbread. He said his mom's got the

644
00:27:20,640 --> 00:27:24,200
Speaker 4: best cornbread in the world. Come on now.

645
00:27:24,640 --> 00:27:26,810
Speaker 1: Let's keep it 1800.

646
00:27:26,810 --> 00:27:29,670
Speaker 3: When you're putting the cast together, what makes you know

647
00:27:29,710 --> 00:27:31,250
Speaker 3: that the chemistry is going to work?

648
00:27:32,250 --> 00:27:35,310
Speaker 5: Yo, especially when you're doing an ensemble, that is the

649
00:27:35,390 --> 00:27:37,630
Speaker 5: key factor, right?

650
00:27:38,670 --> 00:27:41,960
Speaker 1: People can tell. You ever seen a movie and you

651
00:27:42,080 --> 00:27:45,140
Speaker 1: know that the cast didn't really fuck with each other

652
00:27:45,180 --> 00:27:45,580
Speaker 1: like that?

653
00:27:46,480 --> 00:27:52,100
Speaker 5: Like, it shows. You can't hide them. Especially with an ensemble. Well,

654
00:27:52,119 --> 00:27:54,300
Speaker 5: I gotta stop you before you finish this story.

655
00:27:54,380 --> 00:27:54,620
Speaker 4: Yeah.

656
00:27:56,020 --> 00:28:00,020
Speaker 3: Jimmy Walker said he didn't have a relationship with Florida

657
00:28:00,080 --> 00:28:00,660
Speaker 3: and James.

658
00:28:00,680 --> 00:28:01,720
Speaker 1: That's nuts.

659
00:28:02,320 --> 00:28:05,109
Speaker 4: I would... J.J. Walker? Yeah, he said he never.

660
00:28:05,330 --> 00:28:06,119
Speaker 1: He's from the Bronx.

661
00:28:06,140 --> 00:28:06,850
Speaker 4: Forget it.

662
00:28:06,869 --> 00:28:08,960
Speaker 1: That's huge. He said him.

663
00:28:10,140 --> 00:28:12,770
Speaker 4: and his monster pops off good times. The guy was

664
00:28:12,830 --> 00:28:15,810
Speaker 4: fucking the Brady Bunch, the mother. The son was fucking

665
00:28:15,830 --> 00:28:17,890
Speaker 4: the mother in Brady Bunch. What?

666
00:28:18,230 --> 00:28:20,560
Speaker 1: Well, I don't know why you turned to me off

667
00:28:20,619 --> 00:28:23,600
Speaker 1: of that, because I didn't. I hadn't. No, I'm trying

668
00:28:23,640 --> 00:28:25,000
Speaker 1: to see if you understand.

669
00:28:25,020 --> 00:28:28,600
Speaker 4: Jimmy Walker wasn't talking to them, but in the Brady Bunch,

670
00:28:28,660 --> 00:28:30,160
Speaker 4: the mother was dating the son.

671
00:28:31,160 --> 00:28:32,459
Speaker 1: Bobby Brady, you're one of them.

672
00:28:32,859 --> 00:28:34,480
Speaker 4: Anyways. Yes. I don't.

673
00:28:36,420 --> 00:28:37,859
Speaker 1: It's a fact. Google it.

674
00:28:37,900 --> 00:28:38,880
Speaker 4: You should throw.

675
00:28:39,220 --> 00:28:42,630
Speaker 1: God, I'm sorry, but God. No, listen. You know, Hollywood

676
00:28:42,650 --> 00:28:45,690
Speaker 1: can be a weird place. First of all, that's why.

677
00:28:46,150 --> 00:28:49,890
Speaker 1: That's nuts. Because how many years? Well, not the.

678
00:28:49,990 --> 00:28:52,130
Speaker 4: I would have thought they was like a real family.

679
00:28:52,330 --> 00:28:53,190
Speaker 1: Me too. Yeah.

680
00:28:53,470 --> 00:28:54,170
Speaker 4: That's, you know.

681
00:28:54,350 --> 00:28:57,830
Speaker 1: So, listen. I think that it is. They're fortunate they

682
00:28:57,850 --> 00:28:58,730
Speaker 1: were able to go that long.

683
00:28:59,400 --> 00:29:00,780
Speaker 5: Now that you know it, I bet if you go

684
00:29:00,840 --> 00:29:03,400
Speaker 5: back and look at it, you can see some cracks,

685
00:29:03,440 --> 00:29:05,190
Speaker 5: some interactions, right?

686
00:29:05,250 --> 00:29:06,510
Speaker 1: These days, here's what I would say.

687
00:29:06,630 --> 00:29:11,090
Speaker 5: Audiences are a lot less forgiving now because people want authenticity.

688
00:29:11,870 --> 00:29:15,350
Speaker 5: And because we have such an insight into people's lives

689
00:29:15,530 --> 00:29:18,340
Speaker 5: as not just actors and the characters, but who they

690
00:29:18,400 --> 00:29:23,620
Speaker 5: are individually, you can tell now more so than you could.

691
00:29:24,060 --> 00:29:27,739
Speaker 5: If somebody is just an ass, right? You think they

692
00:29:27,800 --> 00:29:30,800
Speaker 5: an ass. in real life social media interviews every time

693
00:29:30,840 --> 00:29:33,120
Speaker 5: you see them becomes very difficult for.

694
00:29:33,040 --> 00:29:35,480
Speaker 1: Them you to take the journey and then love them.

695
00:29:35,420 --> 00:29:37,230
Speaker 5: As a character or invest in them in a character

696
00:29:37,250 --> 00:29:40,690
Speaker 5: in a movie or TV show. But to answer the question,

697
00:29:40,730 --> 00:29:42,790
Speaker 5: for me, it's like I got to line it up,

698
00:29:42,970 --> 00:29:45,210
Speaker 5: and it's just like a basketball team.

699
00:29:45,430 --> 00:29:47,070
Speaker 1: You know what I mean? I got to have my point,

700
00:29:47,130 --> 00:29:49,500
Speaker 1: my shooting. I got to have my power, my center.

701
00:29:49,760 --> 00:29:53,100
Speaker 4: That's exactly what you're describing when you talk about a cast.

702
00:29:53,160 --> 00:29:55,440
Speaker 1: Everybody's got a different skill set. It feels like sports.

703
00:29:55,680 --> 00:29:59,360
Speaker 1: You can't have people that do the same thing. It's

704
00:29:59,380 --> 00:29:59,920
Speaker 1: like sports.

705
00:30:00,120 --> 00:30:03,650
Speaker 4: Well, are you allowed, the infamous Will Packer, to call

706
00:30:03,910 --> 00:30:06,810
Speaker 4: Lawrence Fishberg Larry or Lawrence?

707
00:30:07,850 --> 00:30:13,670
Speaker 1: I call him Fish. You call him Fish? Fish. Yeah.

708
00:30:13,930 --> 00:30:16,050
Speaker 1: That was one of my favorite movies ever. The Fish

709
00:30:16,090 --> 00:30:19,810
Speaker 1: to Save Pittsburgh. You remember that? Whoa, whoa, yeah. It's

710
00:30:19,830 --> 00:30:23,950
Speaker 1: the Fish to Save Pittsburgh. Don't know about that shit.

711
00:30:24,030 --> 00:30:25,270
Speaker 4: Yo. Yo.

712
00:30:25,410 --> 00:30:28,270
Speaker 1: Joe got a repertoire. You a student of the game

713
00:30:28,310 --> 00:30:30,950
Speaker 1: and the culture. I love it. Like movies, specifically.

714
00:30:31,290 --> 00:30:33,360
Speaker 4: Cinephile. I love movies.

715
00:30:33,490 --> 00:30:36,680
Speaker 1: I wouldn't have known that, Joe, because when we did

716
00:30:36,700 --> 00:30:41,140
Speaker 1: Night School... You complained a lot, brother. I'm going to

717
00:30:41,640 --> 00:30:43,460
Speaker 1: be honest with you. Damn, I didn't know that. I

718
00:30:43,480 --> 00:30:44,500
Speaker 1: need to hear the melody.

719
00:30:44,540 --> 00:30:47,400
Speaker 3: You automatically put that on me when I came in

720
00:30:47,420 --> 00:30:49,260
Speaker 3: the room from his complaining.

721
00:30:49,280 --> 00:30:50,400
Speaker 4: No, I really wanted to hear that.

722
00:30:50,420 --> 00:30:51,080
Speaker 1: I didn't know that.

723
00:30:51,100 --> 00:30:53,360
Speaker 4: Sometimes you got to look at yourself. I'm over there

724
00:30:53,400 --> 00:30:55,900
Speaker 4: saying he's complaining. No, I want to know.

725
00:30:55,920 --> 00:30:59,100
Speaker 1: You was complaining. When you just said you love movies.

726
00:30:59,120 --> 00:31:01,040
Speaker 4: I want to know. Okay?

727
00:31:01,100 --> 00:31:04,790
Speaker 1: When you said it, right, I remember. And by the way,

728
00:31:04,850 --> 00:31:09,250
Speaker 1: I wasn't complaining. No, no, you weren't. No. I wasn't complaining.

729
00:31:09,590 --> 00:31:11,710
Speaker 1: I was just saying, you got the gizzards out of me.

730
00:31:11,730 --> 00:31:14,130
Speaker 4: There's a lot of fucking slaps on this one. Like,

731
00:31:14,170 --> 00:31:17,980
Speaker 4: you got to stop. So I was complaining.

732
00:31:18,180 --> 00:31:19,040
Speaker 1: It just, the movie.

733
00:31:19,930 --> 00:31:23,230
Speaker 5: energy was a lot slower than what you were used to.

734
00:31:23,410 --> 00:31:26,050
Speaker 5: Do you recall that, like, you felt like it was

735
00:31:26,110 --> 00:31:30,270
Speaker 5: a lot of sitting around, waiting, you know, and I

736
00:31:30,310 --> 00:31:31,010
Speaker 5: was saying.

737
00:31:31,030 --> 00:31:33,050
Speaker 1: Man, I didn't know why. Let me ask you a question.

738
00:31:33,110 --> 00:31:34,010
Speaker 1: Let me ask you a question.

739
00:31:34,090 --> 00:31:34,670
Speaker 4: It was about the time.

740
00:31:34,730 --> 00:31:36,590
Speaker 1: Why if you know... No, no, no, no, no.

741
00:31:36,610 --> 00:31:39,350
Speaker 4: Because he opened the Pandora's box.

742
00:31:39,390 --> 00:31:39,830
Speaker 1: Here we go.

743
00:31:39,910 --> 00:31:42,730
Speaker 4: Why if you know you're going to use the actor

744
00:31:42,990 --> 00:31:47,270
Speaker 4: at 10 p.m., you wake him up at 6 a.m.

745
00:31:47,630 --> 00:31:49,850
Speaker 1: To be on set All day.

746
00:31:49,870 --> 00:31:50,310
Speaker 4: Makeup.

747
00:31:50,330 --> 00:31:52,430
Speaker 1: Till 10 p.m. We're telling you to get makeup.

748
00:31:53,150 --> 00:31:54,180
Speaker 4: Early, when you.

749
00:31:54,130 --> 00:31:58,020
Speaker 1: Go there, I had a fake beard. Your movie got

750
00:31:58,060 --> 00:31:58,540
Speaker 1: the beard.

751
00:31:58,800 --> 00:31:59,580
Speaker 4: Come on now.

752
00:32:00,400 --> 00:32:02,880
Speaker 1: Before that, I had a goatee like you.

753
00:32:02,900 --> 00:32:04,940
Speaker 4: When you did that, I said, damn, I look good

754
00:32:05,020 --> 00:32:05,460
Speaker 4: in the beard.

755
00:32:05,580 --> 00:32:08,160
Speaker 1: Let me keep the beard. I swear to God. You're welcome.

756
00:32:08,240 --> 00:32:09,600
Speaker 4: I had the fake beard.

757
00:32:09,620 --> 00:32:13,030
Speaker 5: Kiss the beard, the smile.

758
00:32:13,050 --> 00:32:13,719
Speaker 4: You're welcome.

759
00:32:13,980 --> 00:32:15,670
Speaker 1: All of that is work. You went to Atlanta, got

760
00:32:15,710 --> 00:32:16,630
Speaker 1: the smile tight.

761
00:32:16,670 --> 00:32:17,350
Speaker 4: You got the beard.

762
00:32:17,390 --> 00:32:18,230
Speaker 1: Two in the morning.

763
00:32:18,330 --> 00:32:19,520
Speaker 4: I love Atlanta, by the way.

764
00:32:19,940 --> 00:32:21,780
Speaker 1: Two in the morning, right?

765
00:32:22,680 --> 00:32:25,400
Speaker 4: You get in the hotel, you come, you take a shower,

766
00:32:25,460 --> 00:32:27,590
Speaker 4: six in the morning, you're waking up, you're getting in

767
00:32:27,610 --> 00:32:30,530
Speaker 4: the van, and then you sit there all day eating

768
00:32:30,590 --> 00:32:34,270
Speaker 4: beef jerky until fucking 10 at night, and then you

769
00:32:34,310 --> 00:32:37,410
Speaker 4: get in the cage, you know, every three hours, Kevin

770
00:32:37,450 --> 00:32:39,970
Speaker 4: Hart fucking with you, talking about, yo, this ain't the studio,

771
00:32:39,990 --> 00:32:41,540
Speaker 4: wake the fuck up, motherfucker.

772
00:32:42,410 --> 00:32:43,300
Speaker 1: This is acting.

773
00:32:43,460 --> 00:32:46,960
Speaker 4: I'm like, yo, they was busting my chops on that

774
00:32:47,020 --> 00:32:49,940
Speaker 4: set right there, but I had to, I learned so

775
00:32:50,000 --> 00:32:55,320
Speaker 4: much from that opportunity. Just that I never knew, so

776
00:32:55,360 --> 00:32:57,540
Speaker 4: you know how you freestyle or Jay-Z or do a

777
00:32:57,580 --> 00:33:02,300
Speaker 4: whole song off the tape. I'm watching Tiffany Haddish. She's

778
00:33:02,400 --> 00:33:05,880
Speaker 4: at her prime right there. She's smoking, piping hot. You

779
00:33:05,900 --> 00:33:08,140
Speaker 4: got Kevin Hart, Yeah.

780
00:33:08,310 --> 00:33:10,330
Speaker 1: Romany Malco. You got the white dude.

781
00:33:10,470 --> 00:33:11,010
Speaker 4: Yeah.

782
00:33:11,170 --> 00:33:12,150
Speaker 1: Rob Riggle.

783
00:33:12,230 --> 00:33:13,090
Speaker 4: Man.

784
00:33:13,150 --> 00:33:14,610
Speaker 1: What's the Spanish doing?

785
00:33:14,650 --> 00:33:16,490
Speaker 4: What's the Spanish dude up? Oh, yeah.

786
00:33:16,560 --> 00:33:17,220
Speaker 1: My guy.

787
00:33:17,240 --> 00:33:18,100
Speaker 4: Yeah, yeah, yeah.

788
00:33:18,120 --> 00:33:18,960
Speaker 1: Your guy, right?

789
00:33:19,120 --> 00:33:22,400
Speaker 4: Yeah. So the man, they going at it. And I'm

790
00:33:22,420 --> 00:33:24,380
Speaker 4: just a fly on the wall. I'm just like, yo,

791
00:33:24,460 --> 00:33:26,090
Speaker 4: I didn't know they could do that. And they keep...

792
00:33:26,930 --> 00:33:30,090
Speaker 4: improvising and switching up the script, saying funny shit and shit.

793
00:33:30,110 --> 00:33:31,150
Speaker 4: And I'm just like, wow.

794
00:33:31,270 --> 00:33:33,550
Speaker 5: Shout out to Malcolm Lee that allowed that to happen.

795
00:33:33,610 --> 00:33:35,620
Speaker 5: But here's the thing though, Joe, you held your own.

796
00:33:36,040 --> 00:33:38,960
Speaker 5: Everybody on that set was a fan of Joe. Real talk,

797
00:33:38,980 --> 00:33:42,739
Speaker 5: no bullshit. Because you were on time, you were professional,

798
00:33:42,760 --> 00:33:45,660
Speaker 5: you knew your shit. But then also, you had some

799
00:33:45,700 --> 00:33:48,300
Speaker 5: improv moments too. Like, you weren't just, you know what

800
00:33:48,320 --> 00:33:51,310
Speaker 5: I mean, stuck. Like, when Malcolm was letting you go,

801
00:33:51,420 --> 00:33:52,250
Speaker 5: you did your thing.

802
00:33:52,470 --> 00:33:54,290
Speaker 4: Yo, I had the flu. That might have been the

803
00:33:54,350 --> 00:33:59,000
Speaker 4: original COVID. This shit was so crazy, I'm in the trailer.

804
00:34:00,640 --> 00:34:02,300
Speaker 4: Let me tell you where I did fuck up at.

805
00:34:02,500 --> 00:34:04,500
Speaker 4: You want to know where I fucked up at? Let

806
00:34:04,540 --> 00:34:09,960
Speaker 4: me tell you something. They gave strict instructions, right? They said, yo. Nah, nah,

807
00:34:10,000 --> 00:34:13,930
Speaker 4: I fucked up. Like, I really replayed myself. Y'all didn't

808
00:34:13,969 --> 00:34:19,009
Speaker 4: catch it, though. Y'all said, no one leave Atlanta. We

809
00:34:19,070 --> 00:34:21,770
Speaker 4: are starting on Monday about five in the morning. We

810
00:34:21,810 --> 00:34:22,549
Speaker 4: got to be here.

811
00:34:22,830 --> 00:34:24,010
Speaker 1: I think it was like Saturday.

812
00:34:25,350 --> 00:34:28,610
Speaker 4: And somebody came with that bag, that private bag up

813
00:34:28,690 --> 00:34:31,930
Speaker 4: in New York. And I flew out for that bag.

814
00:34:32,880 --> 00:34:36,939
Speaker 4: When I tell you, the next day on Sunday, me

815
00:34:37,000 --> 00:34:41,560
Speaker 4: and Rich was in that airport from 6 a.m. Finally,

816
00:34:42,080 --> 00:34:44,969
Speaker 4: a plane opened up like 10.30 at night because the

817
00:34:45,030 --> 00:34:46,170
Speaker 4: weather was just like.

818
00:34:47,700 --> 00:34:52,700
Speaker 1: When we got on that plane, that shit was like, whoa, whoa.

819
00:34:52,719 --> 00:34:54,800
Speaker 1: That shit was doing hula hoops.

820
00:34:54,920 --> 00:34:57,509
Speaker 4: I was like, oh, my God. Yo, when you talk

821
00:34:57,530 --> 00:35:01,330
Speaker 4: about learn your lesson, stay in Atlanta and don't get

822
00:35:01,390 --> 00:35:05,650
Speaker 4: the bag. But I played myself. I was this close

823
00:35:05,690 --> 00:35:07,670
Speaker 4: to y'all saying, fuck Fat Joe.

824
00:35:08,010 --> 00:35:11,049
Speaker 1: He didn't fuck. Because it was strict rules, right?

825
00:35:11,150 --> 00:35:13,609
Speaker 4: It was the only strict rule you ever did was like,

826
00:35:14,430 --> 00:35:18,370
Speaker 4: No one can leave. Stay focused. Stay there. We are

827
00:35:18,410 --> 00:35:20,670
Speaker 4: starting first thing in the morning. And of course, I

828
00:35:20,710 --> 00:35:21,900
Speaker 4: went to New York. Come on.

829
00:35:21,969 --> 00:35:23,950
Speaker 1: And the fucking plane doing all this shit.

830
00:35:24,410 --> 00:35:27,930
Speaker 4: This, this, this, this, this. Backwards, up, down, falling, this, this.

831
00:35:27,969 --> 00:35:31,240
Speaker 4: When I landed in Atlanta, I was so happy I landed.

832
00:35:32,400 --> 00:35:35,719
Speaker 1: But it was just like, wow. This is the kind

833
00:35:35,780 --> 00:35:39,660
Speaker 1: of shit that makes producers crazy. This is why my

834
00:35:39,700 --> 00:35:40,460
Speaker 1: job is so hard.

835
00:35:40,640 --> 00:35:41,160
Speaker 4: Oh, yeah.

836
00:35:41,780 --> 00:35:43,400
Speaker 1: It's so hard. Kevin Hart is the worst.

837
00:35:43,500 --> 00:35:44,000
Speaker 4: By the way.

838
00:35:44,080 --> 00:35:48,589
Speaker 5: Yeah, he always seems so professional. He is professional to

839
00:35:48,670 --> 00:35:52,130
Speaker 5: a degree. He will go chase a bag, too, right?

840
00:35:52,190 --> 00:35:52,870
Speaker 4: He will go.

841
00:35:53,350 --> 00:35:55,109
Speaker 1: It's not even chasing a bag with him.

842
00:35:55,430 --> 00:35:58,310
Speaker 5: He just triple and quadruple books his books with.

843
00:35:58,330 --> 00:35:59,150
Speaker 4: This guy.

844
00:35:59,810 --> 00:36:04,370
Speaker 5: And, you know, I've worked with artists, music folks, you

845
00:36:04,390 --> 00:36:04,990
Speaker 5: know what I mean?

846
00:36:05,010 --> 00:36:05,589
Speaker 7: A lot.

847
00:36:06,469 --> 00:36:10,469
Speaker 5: And the thing is, it's always tricky trying to get

848
00:36:11,590 --> 00:36:14,620
Speaker 5: people that are not mainly in the movie business to

849
00:36:14,680 --> 00:36:18,600
Speaker 5: lock into our schedules, to lock into how important it is.

850
00:36:19,020 --> 00:36:22,360
Speaker 1: Like, I get you waiting around a lot. Well, I

851
00:36:22,410 --> 00:36:23,570
Speaker 1: never did a movie again.

852
00:36:23,750 --> 00:36:25,730
Speaker 4: And I really want you to know that I am

853
00:36:25,950 --> 00:36:30,759
Speaker 4: honored I swear, in the most humble way, the opportunity

854
00:36:30,800 --> 00:36:33,339
Speaker 4: you guys gave me, I got to walk the red

855
00:36:33,460 --> 00:36:37,700
Speaker 4: carpet at Hollywood. We did an early screening in the

856
00:36:37,800 --> 00:36:39,940
Speaker 4: South Bronx. I was in the crowd.

857
00:36:39,980 --> 00:36:42,509
Speaker 1: They didn't know. Then I popped out. Y'all was good.

858
00:36:43,410 --> 00:36:45,930
Speaker 1: I lived the dream. You killed it. But that was

859
00:36:46,050 --> 00:36:48,129
Speaker 1: one thing I said, I'm not doing this shit again.

860
00:36:48,390 --> 00:36:51,710
Speaker 1: We killed it for you? No, no, y'all killed it. No, no,

861
00:36:51,730 --> 00:36:52,890
Speaker 1: you ain't killing it for me.

862
00:36:52,910 --> 00:36:56,870
Speaker 4: For me, man. We run this shit. Yo, where you

863
00:36:56,910 --> 00:36:59,870
Speaker 4: see we come in and crank the shit up. Let's go.

864
00:36:59,910 --> 00:37:02,430
Speaker 4: We calling the shots. Yeah, it's a little different. You

865
00:37:02,510 --> 00:37:06,589
Speaker 4: understand what I'm saying? It's a lot different than 10 p.m. Now,

866
00:37:06,630 --> 00:37:08,950
Speaker 4: maybe if somebody got me in a movie where they

867
00:37:08,989 --> 00:37:12,029
Speaker 4: were like, all right, you guaranteed to shoot your scene

868
00:37:12,090 --> 00:37:15,440
Speaker 4: by 4 p.m., then I would know I, you know.

869
00:37:15,460 --> 00:37:18,080
Speaker 4: But that 10 p.m. shit, that shit was fucking me up.

870
00:37:18,100 --> 00:37:20,359
Speaker 4: My diabetes was going through the roof, man.

871
00:37:20,719 --> 00:37:23,020
Speaker 1: It's hard. Because the only way to stay up is

872
00:37:23,040 --> 00:37:24,299
Speaker 1: the candy in there.

873
00:37:24,760 --> 00:37:24,980
Speaker 4: Right?

874
00:37:25,000 --> 00:37:26,939
Speaker 1: Y'all got a lot of candy in them.

875
00:37:27,180 --> 00:37:28,819
Speaker 3: We got everything you want.

876
00:37:29,390 --> 00:37:30,629
Speaker 4: On the set.

877
00:37:30,890 --> 00:37:33,969
Speaker 1: Just to keep you up. Sugar. We got the sugar.

878
00:37:33,989 --> 00:37:35,950
Speaker 4: What? Because we got to do it. We shoot nights

879
00:37:36,070 --> 00:37:38,850
Speaker 4: as long as we need. You got sugar in that motherfucker.

880
00:37:38,870 --> 00:37:43,020
Speaker 4: My diabetes was like 10,000, man. That shit was on fire.

881
00:37:43,340 --> 00:37:46,140
Speaker 4: It was like, all right, have a jellyfish. All right,

882
00:37:46,200 --> 00:37:49,730
Speaker 4: have a... I mean, this is what they do. The

883
00:37:49,770 --> 00:37:52,009
Speaker 4: man come around with food. One thing y'all don't lack

884
00:37:52,070 --> 00:37:56,049
Speaker 4: is food. Motherfuckers come around all the time with little sandwiches,

885
00:37:56,070 --> 00:37:59,750
Speaker 4: little something. Yeah, they coming every minute of the day.

886
00:37:59,770 --> 00:38:01,070
Speaker 1: Hey, we got soups, guys.

887
00:38:01,770 --> 00:38:03,080
Speaker 4: And the shit.

888
00:38:02,910 --> 00:38:04,800
Speaker 1: Just keep coming. You got to feed your crew.

889
00:38:04,840 --> 00:38:07,660
Speaker 5: That's the signature of a Will Packer set. I'm always

890
00:38:07,700 --> 00:38:10,040
Speaker 5: going to make sure everybody is fed.

891
00:38:10,440 --> 00:38:13,440
Speaker 1: Oh, you are feeding everybody. I'm going to make sure 100%.

892
00:38:13,440 --> 00:38:14,779
Speaker 1: I got to keep them up, I got to keep

893
00:38:14,800 --> 00:38:17,029
Speaker 1: them motivated, and I got to make them feel appreciated.

894
00:38:17,290 --> 00:38:17,969
Speaker 4: Yeah.

895
00:38:18,030 --> 00:38:21,810
Speaker 1: I think we was all, who's the football player? Is

896
00:38:21,870 --> 00:38:24,989
Speaker 1: it Cam Newton? It was in it? No, no, no, no.

897
00:38:25,050 --> 00:38:27,160
Speaker 1: Who's from Atlanta? Cam's from there, hey?

898
00:38:27,450 --> 00:38:30,610
Speaker 4: But that area we was in was Cam Newton Town.

899
00:38:30,750 --> 00:38:32,390
Speaker 1: It's actually named after him.

900
00:38:32,430 --> 00:38:33,489
Speaker 4: You heard him, kid?

901
00:38:33,530 --> 00:38:36,710
Speaker 1: Well, there's a Newton, Georgia, but... That motherfucker got his

902
00:38:36,870 --> 00:38:38,390
Speaker 1: own town over there.

903
00:38:38,730 --> 00:38:42,009
Speaker 4: Every block was Cam Newton. It wasn't one block. Like,

904
00:38:42,030 --> 00:38:45,850
Speaker 4: they give you a block in Yonkers. Everywhere was Cam Newton.

905
00:38:45,890 --> 00:38:51,520
Speaker 1: You telling me you got mad blocks called... It's cause delusion. Yo,

906
00:38:51,820 --> 00:38:53,140
Speaker 1: no better storyteller.

907
00:38:53,200 --> 00:38:57,490
Speaker 4: Yo, it was Cam Newton. I respected a master that way.

908
00:38:57,530 --> 00:39:00,410
Speaker 4: He got over near his high school. Yeah.

909
00:39:00,450 --> 00:39:01,529
Speaker 1: That's what it was.

910
00:39:01,610 --> 00:39:04,830
Speaker 5: There is also a Newton, Georgia that's not named after Cam.

911
00:39:04,850 --> 00:39:07,390
Speaker 1: It's a separate thing, but we did shoot. So those

912
00:39:07,469 --> 00:39:09,129
Speaker 1: stories might be You.

913
00:39:09,030 --> 00:39:09,670
Speaker 4: Know, I went to.

914
00:39:09,790 --> 00:39:10,470
Speaker 1: It's all right.

915
00:39:10,550 --> 00:39:13,910
Speaker 4: You know, I went to Augusta, Georgia for, rest in peace,

916
00:39:13,969 --> 00:39:18,180
Speaker 4: Kim Porter's funeral. Yeah. And I had an amazing time,

917
00:39:18,260 --> 00:39:20,660
Speaker 4: even though it was for a sad event. And I

918
00:39:20,780 --> 00:39:25,580
Speaker 4: always said, man, this Augusta, Georgia is beautiful, man. And

919
00:39:25,900 --> 00:39:30,680
Speaker 4: you know, the thing about Georgia, man, is you could trace, right?

920
00:39:30,739 --> 00:39:33,880
Speaker 4: So they'll be like, yo, his grandfather was a pastor.

921
00:39:34,000 --> 00:39:38,710
Speaker 4: His father's father was a pastor. You could trace everything back.

922
00:39:39,230 --> 00:39:40,210
Speaker 4: In Georgia, y'all like.

923
00:39:40,230 --> 00:39:42,070
Speaker 1: Because so many people are still there.

924
00:39:42,130 --> 00:39:44,390
Speaker 5: Like the descendants of the family, because you got a

925
00:39:44,430 --> 00:39:48,299
Speaker 5: lot of small towns, they're still there. So, you know,

926
00:39:48,320 --> 00:39:49,700
Speaker 5: a lot of places it's.

927
00:39:49,500 --> 00:39:50,419
Speaker 1: Hard to do that.

928
00:39:50,520 --> 00:39:54,839
Speaker 5: You aren't in the same house that the great-grandfather, you know,

929
00:39:54,980 --> 00:39:56,380
Speaker 5: went and built by his hands.

930
00:39:56,480 --> 00:39:58,279
Speaker 1: But that's true in the South.

931
00:39:58,719 --> 00:39:59,280
Speaker 4: That's true.

932
00:39:59,530 --> 00:39:59,810
Speaker 1: Yeah.

933
00:40:00,330 --> 00:40:03,170
Speaker 4: Who better than you? I believe in that myself. I'm

934
00:40:03,230 --> 00:40:05,790
Speaker 4: still doing that now. I'm an independent artist. I just

935
00:40:05,830 --> 00:40:09,149
Speaker 4: put out an album. I'm kissing the Grammy's ass. I'm

936
00:40:09,170 --> 00:40:11,150
Speaker 4: about to go to L.A. and do some shit for

937
00:40:11,170 --> 00:40:13,029
Speaker 4: the Grammy's. The album is banging, by the way.

938
00:40:13,850 --> 00:40:14,930
Speaker 1: Love it. It's real.

939
00:40:14,969 --> 00:40:15,140
Speaker 4: Yeah.

940
00:40:15,430 --> 00:40:19,380
Speaker 1: It's real. And somebody else said it to me. You know,

941
00:40:19,400 --> 00:40:21,140
Speaker 1: that's the best word of mouth. I mean, you know

942
00:40:21,180 --> 00:40:21,660
Speaker 1: what I mean?

943
00:40:21,680 --> 00:40:23,880
Speaker 4: Somebody told you, yo, you heard that fat Joe?

944
00:40:23,920 --> 00:40:27,840
Speaker 5: Listen, my guy, my driver in, I had just landed

945
00:40:27,900 --> 00:40:30,340
Speaker 5: in Florida and my driver picked me up.

946
00:40:30,400 --> 00:40:33,030
Speaker 1: Didn't know, like, he knows obviously what I do. He's like, yo,

947
00:40:33,070 --> 00:40:34,529
Speaker 1: you heard that new fat Joe album?

948
00:40:35,250 --> 00:40:36,870
Speaker 5: I was like, yo, I got to get up on, man.

949
00:40:37,489 --> 00:40:40,790
Speaker 5: I say, play it right now. He started playing. I said, okay.

950
00:40:40,930 --> 00:40:43,430
Speaker 5: Shout out to Sean, my driver down in Florida.

951
00:40:43,450 --> 00:40:46,730
Speaker 1: He absolutely made it happen. listen oh is.

952
00:40:46,710 --> 00:40:48,330
Speaker 5: It time for a toast yo i brought y'all some

953
00:40:48,350 --> 00:40:51,509
Speaker 5: books man thank you especially because i know my man

954
00:40:51,550 --> 00:40:53,469
Speaker 5: jayden reads there's a couple of big words in.

955
00:40:53,410 --> 00:40:56,330
Speaker 4: That you know i don't really read but i do

956
00:40:56,350 --> 00:40:58,279
Speaker 4: the did you do the audio i did the audio

957
00:40:58,300 --> 00:41:00,470
Speaker 4: you know what joe i won an award.

958
00:41:00,080 --> 00:41:02,759
Speaker 1: For the audio book for this yeah real story i.

959
00:41:02,700 --> 00:41:05,759
Speaker 5: Got on the audio book i got kev kev is

960
00:41:05,820 --> 00:41:07,640
Speaker 5: in there steve harvey uh.

961
00:41:09,219 --> 00:41:12,879
Speaker 1: Mello is in there. Audio. Yo, but wait. How can

962
00:41:13,040 --> 00:41:15,480
Speaker 1: I get money like Steve Harvey, man?

963
00:41:15,620 --> 00:41:15,779
Speaker 3: Yeah.

964
00:41:16,260 --> 00:41:19,350
Speaker 4: You know, I went to L.A. Every studio, whatever it is.

965
00:41:19,670 --> 00:41:23,770
Speaker 4: What are the studios in L.A.? Paramount, Sony, Universal. Every

966
00:41:23,790 --> 00:41:26,910
Speaker 4: studio I went to, the man had a reserve parking.

967
00:41:26,969 --> 00:41:30,779
Speaker 4: They'd be like, Steve Harvey, reserve for Steve... Steve, I

968
00:41:30,800 --> 00:41:33,600
Speaker 4: see this motherfucker getting all the money. I go to

969
00:41:33,800 --> 00:41:36,780
Speaker 4: Abu Dhabi, they're like, Steve Harvey living down the block.

970
00:41:37,230 --> 00:41:39,310
Speaker 1: Steve, I see, yo, this man can't.

971
00:41:39,810 --> 00:41:43,219
Speaker 4: He won't stop. With the word arrogance would help you.

972
00:41:44,310 --> 00:41:45,470
Speaker 4: Arrogant disunity.

973
00:41:45,510 --> 00:41:47,779
Speaker 1: Let's do the tour. Y'all gave me the strong shit.

974
00:41:47,900 --> 00:41:48,940
Speaker 4: I smell it from here.

975
00:41:49,060 --> 00:41:52,180
Speaker 1: Toast it to the New York Times bestseller. No, no,

976
00:41:52,219 --> 00:41:53,200
Speaker 1: they gave me the Budo.

977
00:41:54,000 --> 00:41:54,839
Speaker 4: No, no, no.

978
00:41:55,020 --> 00:41:57,759
Speaker 1: Yeah, yeah, yeah. I didn't need the Añejo.

979
00:41:58,060 --> 00:42:00,239
Speaker 4: I didn't need the tree bark from the Añejo.

980
00:42:00,430 --> 00:42:04,489
Speaker 1: New York Times bestseller. I appreciate that.

981
00:42:04,630 --> 00:42:05,170
Speaker 4: For me.

982
00:42:05,330 --> 00:42:07,510
Speaker 1: For me, Joe. I appreciate you. Thank you, kids.

983
00:42:08,870 --> 00:42:09,290
Speaker 4: Give it up.

984
00:42:09,350 --> 00:42:09,760
Speaker 1: Give it up.

985
00:42:09,890 --> 00:42:13,560
Speaker 4: Give it up. Woo!

986
00:42:13,580 --> 00:42:15,259
Speaker 1: Let me tell you something.

987
00:42:15,280 --> 00:42:18,010
Speaker 4: That was three old dudes taking a shot at the couch.

988
00:42:19,110 --> 00:42:21,390
Speaker 1: That was three old cats.

989
00:42:21,510 --> 00:42:24,850
Speaker 4: This would have went different in our 20s. You know,

990
00:42:24,870 --> 00:42:25,610
Speaker 4: I wasn't a cat.

991
00:42:25,670 --> 00:42:27,710
Speaker 1: You throw your finger in the socket and your head

992
00:42:27,750 --> 00:42:28,200
Speaker 1: look like a cat.

993
00:42:28,270 --> 00:42:34,040
Speaker 4: That shit like, that shit hit every endorphin. Y'all three

994
00:42:34,140 --> 00:42:36,819
Speaker 4: grown ass men doing some shit.

995
00:42:36,860 --> 00:42:40,060
Speaker 1: They don't have no business doing it. Who better than you?

996
00:42:40,440 --> 00:42:41,040
Speaker 4: Yes, sir.

997
00:42:41,260 --> 00:42:43,620
Speaker 1: Healthy Arrogance. Yeah, yeah, yeah.

998
00:42:43,680 --> 00:42:46,020
Speaker 4: I mean, you know, I see Busta Rhymes talk about

999
00:42:46,060 --> 00:42:49,860
Speaker 4: that a lot. You know, we got special friends. Yeah, absolutely.

1000
00:42:50,120 --> 00:42:50,830
Speaker 1: The best friends.

1001
00:42:51,170 --> 00:42:51,830
Speaker 4: No doubt.

1002
00:42:53,070 --> 00:42:54,910
Speaker 1: Everybody creative is special.

1003
00:42:55,650 --> 00:42:58,569
Speaker 4: And Busta Rhymes, I seen the interview, I think with

1004
00:42:58,670 --> 00:43:00,989
Speaker 4: Angie Martinez, where he was talking about, you know, you

1005
00:43:01,010 --> 00:43:06,330
Speaker 4: got to be arrogant to a point. Break that down

1006
00:43:06,390 --> 00:43:08,730
Speaker 4: for us. The art of healthy arrogance is.

1007
00:43:12,800 --> 00:43:16,130
Speaker 1: Shouldn't have gave me the 1,800. I'm off the 18

1008
00:43:16,130 --> 00:43:17,050
Speaker 1: right now.

1009
00:43:17,150 --> 00:43:21,950
Speaker 4: I ain't off the 12,000. I'm off the 18. Healthy

1010
00:43:22,070 --> 00:43:24,170
Speaker 4: arrogance is different than toxic arrogance.

1011
00:43:24,190 --> 00:43:25,710
Speaker 1: You got to remember that. It's very important.

1012
00:43:26,090 --> 00:43:27,910
Speaker 5: You can't just walk into a room saying you're better

1013
00:43:27,930 --> 00:43:30,360
Speaker 5: than everybody in that room. That's not the point, right?

1014
00:43:30,570 --> 00:43:33,239
Speaker 5: Even if you are, that is not sustainable. That is

1015
00:43:33,300 --> 00:43:34,720
Speaker 5: not something that's going to drive.

1016
00:43:34,520 --> 00:43:35,240
Speaker 1: You to success.

1017
00:43:35,640 --> 00:43:38,279
Speaker 5: But you do walk into a room feeling like I

1018
00:43:38,320 --> 00:43:40,700
Speaker 5: belong in this room. There's nobody in this room that's

1019
00:43:40,739 --> 00:43:43,839
Speaker 5: more deserving of being in this room and more deserving

1020
00:43:43,880 --> 00:43:46,900
Speaker 5: of being successful than me. I, like y'all, have been

1021
00:43:46,920 --> 00:43:49,120
Speaker 5: in some crazy rooms with some of the most powerful

1022
00:43:49,160 --> 00:43:51,739
Speaker 5: people in the world. And the difference between the people

1023
00:43:51,760 --> 00:43:53,560
Speaker 5: in those rooms and those that aren't in the rooms

1024
00:43:53,739 --> 00:43:58,140
Speaker 5: is not always talent. It's not always the most talented people,

1025
00:43:58,460 --> 00:44:00,580
Speaker 5: the people that can do things the best.

1026
00:44:01,180 --> 00:44:04,000
Speaker 1: It's people who feel like I deserve to be there.

1027
00:44:04,520 --> 00:44:06,400
Speaker 5: Healthy arrogance says I deserve to be in this room

1028
00:44:06,440 --> 00:44:07,900
Speaker 5: and I'm going to make the room better because I'm

1029
00:44:07,980 --> 00:44:10,549
Speaker 5: in it. Toxic arrogance says I'm better than everybody. I'm

1030
00:44:10,590 --> 00:44:14,029
Speaker 5: shitting on everybody. That's not fuck everybody. That's not going

1031
00:44:14,050 --> 00:44:14,310
Speaker 5: to last.

1032
00:44:14,590 --> 00:44:14,810
Speaker 4: Right.

1033
00:44:15,110 --> 00:44:17,169
Speaker 1: That's going to get you. You feel good if you go.

1034
00:44:17,090 --> 00:44:18,730
Speaker 5: In there and make that announcement and you kick out

1035
00:44:18,770 --> 00:44:20,910
Speaker 5: the room and then they do real business without you.

1036
00:44:21,410 --> 00:44:24,590
Speaker 5: You want to be the person that business is done

1037
00:44:24,830 --> 00:44:27,150
Speaker 5: because you're in it and the business is better because

1038
00:44:27,170 --> 00:44:27,509
Speaker 5: you're in it.

1039
00:44:27,750 --> 00:44:28,589
Speaker 1: That's healthy arrogance.

1040
00:44:29,110 --> 00:44:31,290
Speaker 5: A lot of times people feel like I don't know

1041
00:44:31,370 --> 00:44:33,290
Speaker 5: if I deserve to be.

1042
00:44:33,330 --> 00:44:36,150
Speaker 1: Look at everybody here. Look at the legends that are

1043
00:44:36,210 --> 00:44:36,790
Speaker 1: in the room.

1044
00:44:37,230 --> 00:44:38,930
Speaker 5: What you got to remember is that it's something that

1045
00:44:38,950 --> 00:44:41,850
Speaker 5: you got that nobody else has. You remember that and

1046
00:44:41,890 --> 00:44:44,390
Speaker 5: let that drive you. Tell yourself that every day.

1047
00:44:44,680 --> 00:44:45,180
Speaker 1: And I mean it.

1048
00:44:45,600 --> 00:44:48,439
Speaker 5: I literally look in the mirror every day and give

1049
00:44:48,500 --> 00:44:51,620
Speaker 5: myself my own pep talk. Tell myself how I got

1050
00:44:51,660 --> 00:44:53,220
Speaker 5: what it takes to be successful today.

1051
00:44:53,489 --> 00:44:56,569
Speaker 1: I got the skill set. I got the preparation. I'm ready.

1052
00:44:56,670 --> 00:44:59,710
Speaker 1: I tell myself that every day. That's real.

1053
00:44:59,750 --> 00:45:02,830
Speaker 5: Because oftentimes that's the last time I'm going to hear it.

1054
00:45:02,989 --> 00:45:05,600
Speaker 5: I'm not walking out and everybody's going, hey, yeah.

1055
00:45:05,700 --> 00:45:06,350
Speaker 1: You can do it.

1056
00:45:06,620 --> 00:45:09,180
Speaker 4: This is going to be a great deal for you.

1057
00:45:09,280 --> 00:45:11,480
Speaker 5: And by the way, kids, it's the most important voice.

1058
00:45:12,120 --> 00:45:14,120
Speaker 5: Every other voice that you hear that day is less

1059
00:45:14,200 --> 00:45:16,980
Speaker 5: important than yours. So if the most important voice you

1060
00:45:17,020 --> 00:45:19,529
Speaker 5: hear is not telling you how you are ready and

1061
00:45:19,570 --> 00:45:22,310
Speaker 5: prepared to conquer whatever the challenges are for the day,

1062
00:45:22,330 --> 00:45:23,370
Speaker 5: then you're not.

1063
00:45:23,290 --> 00:45:24,070
Speaker 1: Going to be ready for it.

1064
00:45:24,370 --> 00:45:26,930
Speaker 5: That's part of the mental game that I talk about

1065
00:45:26,989 --> 00:45:27,850
Speaker 5: honestly in the book.

1066
00:45:28,410 --> 00:45:31,230
Speaker 1: Building that muscle. Confidence is a muscle. You build it

1067
00:45:31,250 --> 00:45:32,069
Speaker 1: like any other muscle.

1068
00:45:35,900 --> 00:45:41,820
Speaker 3: JoeAndJayTheShow.com. We got new merch fresh off the presses. Go

1069
00:45:41,940 --> 00:45:42,259
Speaker 3: get it.

1070
00:45:42,520 --> 00:45:47,750
Speaker 1: Big out of big. JoeAndJayTheShow.com.

1071
00:45:47,790 --> 00:45:48,650
Speaker 4: You can get these.

1072
00:45:48,670 --> 00:45:51,570
Speaker 1: A little cold for a t-shirt with a hoodie.

1073
00:45:51,930 --> 00:45:56,129
Speaker 4: It's my favorite right there. I need an extra large. JoeAndJayTheShow.com.

1074
00:45:56,170 --> 00:46:06,680
Speaker 4: Go there and get it. I don't care if it's

1075
00:46:06,719 --> 00:46:11,860
Speaker 4: with a homeless man on the street or it's a

1076
00:46:11,960 --> 00:46:16,230
Speaker 4: super billionaire, right? Fat Joe gonna be Fat Joe. I

1077
00:46:16,270 --> 00:46:18,070
Speaker 4: never change the tone of my voice.

1078
00:46:18,150 --> 00:46:20,210
Speaker 1: I never change how I talk.

1079
00:46:20,910 --> 00:46:23,930
Speaker 4: I never, because I see people get around certain crowds

1080
00:46:24,150 --> 00:46:27,560
Speaker 4: and they just start Like, Sherri, you definitely seen some

1081
00:46:27,600 --> 00:46:31,080
Speaker 4: girlfriends get around different crowds and change how they talk

1082
00:46:31,140 --> 00:46:32,200
Speaker 4: and shit like that.

1083
00:46:32,860 --> 00:46:33,819
Speaker 1: And I just won't do it.

1084
00:46:33,840 --> 00:46:34,200
Speaker 4: Code switching.

1085
00:46:34,320 --> 00:46:38,739
Speaker 1: Assimilating. It's called what? Code switching and assimilation.

1086
00:46:39,400 --> 00:46:42,690
Speaker 5: Code switch is you try to switch to talk like

1087
00:46:43,010 --> 00:46:45,030
Speaker 5: whatever the majority culture is that you're.

1088
00:46:44,870 --> 00:46:45,630
Speaker 1: Around at the time.

1089
00:46:45,730 --> 00:46:49,010
Speaker 5: Assimilation is you come in and try to make yourself.

1090
00:46:49,230 --> 00:46:51,370
Speaker 4: I'm only guilty of that in Jamaica.

1091
00:46:52,820 --> 00:46:53,799
Speaker 1: Oh, yeah, yeah, yeah, yeah.

1092
00:46:54,300 --> 00:46:54,960
Speaker 4: No, I'm guilty of that, too.

1093
00:46:54,980 --> 00:46:57,520
Speaker 1: You're guilty of that in Dubai. I got to work.

1094
00:46:57,580 --> 00:47:00,520
Speaker 4: No, no, no. What's your name in Dubai? In Dubai,

1095
00:47:00,580 --> 00:47:01,380
Speaker 4: I'm Ali Kishan.

1096
00:47:01,900 --> 00:47:02,960
Speaker 1: Alhamdulillah.

1097
00:47:03,060 --> 00:47:05,200
Speaker 4: Assimilation. Assimilation.

1098
00:47:05,260 --> 00:47:08,340
Speaker 1: You assimilate to the culture. So I'm jacking the culture

1099
00:47:08,390 --> 00:47:11,250
Speaker 1: out there? Assimilation is not jacking. I wouldn't know if

1100
00:47:11,330 --> 00:47:14,469
Speaker 1: I'm jacking the culture. Can I say something else, though?

1101
00:47:14,930 --> 00:47:16,930
Speaker 5: It's not always a bad thing, because you got a

1102
00:47:16,930 --> 00:47:19,529
Speaker 5: lot of people watching the podcast right now going, yeah,

1103
00:47:19,570 --> 00:47:20,390
Speaker 5: but you fat joke.

1104
00:47:20,910 --> 00:47:21,630
Speaker 1: You're Jadakiss.

1105
00:47:21,670 --> 00:47:23,810
Speaker 5: Of course, y'all can walk into a room and be

1106
00:47:24,110 --> 00:47:26,670
Speaker 5: how you are because everybody is going to respect that

1107
00:47:26,730 --> 00:47:28,089
Speaker 5: and change to you.

1108
00:47:28,290 --> 00:47:28,529
Speaker 3: Right.

1109
00:47:28,870 --> 00:47:32,029
Speaker 5: Some people out there are trying to figure out how

1110
00:47:32,070 --> 00:47:34,370
Speaker 5: do I make it work at my job in a

1111
00:47:34,430 --> 00:47:35,670
Speaker 5: corporate culture?

1112
00:47:35,710 --> 00:47:36,390
Speaker 1: You know what I mean?

1113
00:47:36,489 --> 00:47:36,989
Speaker 4: I'm over here.

1114
00:47:37,010 --> 00:47:39,280
Speaker 1: I'm trying to pitch an investor to get money.

1115
00:47:39,550 --> 00:47:42,740
Speaker 5: Sometimes it is necessary to understand the culture you're going into.

1116
00:47:43,000 --> 00:47:45,440
Speaker 1: You don't change who you are. Let me be very clear.

1117
00:47:45,739 --> 00:47:47,360
Speaker 1: You never change who you are.

1118
00:47:48,330 --> 00:47:52,190
Speaker 5: It is important, though, to make people understand, especially if

1119
00:47:52,230 --> 00:47:54,390
Speaker 5: you're trying to be a part of their world, that

1120
00:47:54,469 --> 00:47:57,480
Speaker 5: you're going to fit and add value by being who

1121
00:47:57,520 --> 00:48:00,279
Speaker 5: you are in their world. So it's two different things.

1122
00:48:00,360 --> 00:48:02,279
Speaker 5: I just want to point that out. It's not about

1123
00:48:02,320 --> 00:48:03,080
Speaker 5: not being who you are.

1124
00:48:03,120 --> 00:48:03,859
Speaker 1: Be who you are.

1125
00:48:04,200 --> 00:48:07,420
Speaker 5: But you might sit around the house and curse and

1126
00:48:07,460 --> 00:48:10,200
Speaker 5: say the N-word and just be wild. You don't necessarily

1127
00:48:10,260 --> 00:48:12,890
Speaker 5: have to do that in every environment. I don't want

1128
00:48:12,950 --> 00:48:14,969
Speaker 5: people to hear Joe and think, oh, fuck it, I

1129
00:48:14,989 --> 00:48:15,649
Speaker 5: can just be me.

1130
00:48:15,670 --> 00:48:17,630
Speaker 1: Well, relax. Nah, y'all gotta relax.

1131
00:48:17,670 --> 00:48:19,670
Speaker 5: Where are you going into? What is the culture of

1132
00:48:19,730 --> 00:48:21,969
Speaker 5: that place? What is it that you want from them?

1133
00:48:22,270 --> 00:48:25,109
Speaker 5: How can you present yourself as somebody that can give

1134
00:48:25,210 --> 00:48:27,770
Speaker 5: them something they don't have, still be true to you,

1135
00:48:28,010 --> 00:48:29,790
Speaker 5: but also fit in with the culture of that place?

1136
00:48:29,810 --> 00:48:31,049
Speaker 4: You know what's crazy, man?

1137
00:48:31,690 --> 00:48:32,870
Speaker 1: It's all about adding value.

1138
00:48:32,930 --> 00:48:35,950
Speaker 4: I see my mans that earn your leisure. Somebody made

1139
00:48:36,010 --> 00:48:38,359
Speaker 4: a cartoon about it. They told a story. We went

1140
00:48:38,380 --> 00:48:39,739
Speaker 4: to Kamala Harris' house.

1141
00:48:40,880 --> 00:48:43,020
Speaker 1: Was you there that night? I was there. You was

1142
00:48:43,180 --> 00:48:44,240
Speaker 1: fucking there!

1143
00:48:44,260 --> 00:48:44,660
Speaker 4: I was there.

1144
00:48:45,440 --> 00:48:47,400
Speaker 1: I wanted to see where the story went first.

1145
00:48:47,440 --> 00:48:49,080
Speaker 4: No, you was dead. No, the story.

1146
00:48:49,100 --> 00:48:50,540
Speaker 1: The story, I'm not even.

1147
00:48:50,560 --> 00:48:53,380
Speaker 4: We had an amazing time. I'm not even talking about.

1148
00:48:53,400 --> 00:48:54,160
Speaker 1: We had a good time.

1149
00:48:54,430 --> 00:48:55,110
Speaker 4: What they said.

1150
00:48:55,340 --> 00:48:57,130
Speaker 1: He was at the black man's dinner.

1151
00:48:57,190 --> 00:48:57,610
Speaker 4: Yes.

1152
00:48:57,910 --> 00:49:01,570
Speaker 1: Kamala Harris. Kamala Harris at her house had some very important.

1153
00:49:01,610 --> 00:49:03,990
Speaker 4: Very important. Spike Lee, everybody.

1154
00:49:04,050 --> 00:49:06,510
Speaker 1: Yo, original black man from Asia.

1155
00:49:06,670 --> 00:49:08,010
Speaker 4: Absolutely. I'm in the building.

1156
00:49:09,040 --> 00:49:13,020
Speaker 1: I didn't go to the Ricky Martin joint. No, what

1157
00:49:13,080 --> 00:49:14,420
Speaker 1: I'm saying, it was a big moment.

1158
00:49:14,460 --> 00:49:16,529
Speaker 4: It was a big moment. Why was it talk about that? Well,

1159
00:49:16,570 --> 00:49:18,689
Speaker 4: he did say the funniest part of the shit. He's

1160
00:49:18,710 --> 00:49:23,009
Speaker 4: a black bear from ages. The original. God crack him.

1161
00:49:23,030 --> 00:49:25,489
Speaker 4: Great God Allah. But let me explain something to you.

1162
00:49:25,510 --> 00:49:26,480
Speaker 4: From Asia.

1163
00:49:26,500 --> 00:49:28,620
Speaker 1: I didn't go to the Ricky Martin one. They didn't

1164
00:49:28,680 --> 00:49:29,160
Speaker 1: invite me.

1165
00:49:29,620 --> 00:49:31,480
Speaker 4: They invited you to the original black man. They invited

1166
00:49:31,500 --> 00:49:34,940
Speaker 4: me to the original black man dinner, but that's irrelevant, right?

1167
00:49:35,560 --> 00:49:37,880
Speaker 1: What I am saying... They invite me to the Ricky Martin.

1168
00:49:37,900 --> 00:49:39,070
Speaker 4: So I feel a little.

1169
00:49:39,090 --> 00:49:41,149
Speaker 1: Let me tell you something.

1170
00:49:41,290 --> 00:49:42,470
Speaker 4: Anyway, man, you fucking.

1171
00:49:42,489 --> 00:49:44,770
Speaker 1: We got you invited next time, kid. What I'm saying is...

1172
00:49:44,730 --> 00:49:47,570
Speaker 1: If we there, we bringing you. We were extra thirsty.

1173
00:49:48,489 --> 00:49:50,630
Speaker 1: They were taking their time to bring out waters.

1174
00:49:51,770 --> 00:49:54,650
Speaker 4: And he tells a story that I get up And

1175
00:49:54,710 --> 00:49:57,250
Speaker 4: I go in the kitchen and the Secret Service everywhere.

1176
00:49:57,310 --> 00:49:58,450
Speaker 1: It's really her house.

1177
00:49:58,930 --> 00:49:59,730
Speaker 4: Yeah. Correct?

1178
00:49:59,770 --> 00:50:01,810
Speaker 1: And everybody got white glasses. It's the vice president's house.

1179
00:50:01,830 --> 00:50:04,950
Speaker 1: Some vice president's house. Walking around Kamala's house. What's wrong

1180
00:50:04,969 --> 00:50:05,180
Speaker 1: with you?

1181
00:50:05,430 --> 00:50:08,310
Speaker 4: The guard needed the water. And you know, I'm going

1182
00:50:08,330 --> 00:50:11,790
Speaker 4: to go get to it. And everybody, he said, everybody

1183
00:50:11,810 --> 00:50:15,839
Speaker 4: took like a breath. They're like, like Joe walked in

1184
00:50:15,880 --> 00:50:19,819
Speaker 4: the kitchen, grabbed the fucking Aquapana, came out like, yo,

1185
00:50:19,860 --> 00:50:23,020
Speaker 4: what's up, man? Yo, they taking too long. He said,

1186
00:50:23,040 --> 00:50:27,620
Speaker 4: motherfucker was like, Nah, it's just, anyway, but that's what

1187
00:50:27,680 --> 00:50:28,040
Speaker 4: I mean.

1188
00:50:28,080 --> 00:50:30,560
Speaker 1: I'm going to be me. Joe going to be Joe.

1189
00:50:30,580 --> 00:50:32,819
Speaker 1: You've earned that. You had a certain love, right? You

1190
00:50:32,940 --> 00:50:35,200
Speaker 1: and him were walking around the vice president's house.

1191
00:50:35,260 --> 00:50:36,399
Speaker 4: He was there. I was there.

1192
00:50:36,480 --> 00:50:41,070
Speaker 1: He was there. It 100% happened and Kiss is right.

1193
00:50:41,340 --> 00:50:42,820
Speaker 4: You was definitely wild.

1194
00:50:42,940 --> 00:50:43,820
Speaker 1: I was out of pocket.

1195
00:50:43,840 --> 00:50:47,760
Speaker 5: He was fucking walking around the vice presidential residence just wild.

1196
00:50:48,260 --> 00:50:50,590
Speaker 1: Just secret service, everything.

1197
00:50:50,910 --> 00:50:53,110
Speaker 5: Like the rest of us, we were trying to like

1198
00:50:53,150 --> 00:50:53,950
Speaker 5: sit in the right seat.

1199
00:50:54,070 --> 00:50:57,230
Speaker 1: You know, this is, I don't want to talk politics, right? But,

1200
00:50:58,460 --> 00:50:59,460
Speaker 1: You know, Trump could.

1201
00:50:59,320 --> 00:51:02,140
Speaker 4: Take a $ 400 million plane. I remember I was giving

1202
00:51:02,160 --> 00:51:04,160
Speaker 4: them my Terror Squad Air Force that was coming out

1203
00:51:04,180 --> 00:51:06,260
Speaker 4: at the time. I was giving it to the vice president.

1204
00:51:06,340 --> 00:51:09,640
Speaker 4: And they took a gift over $ 60?

1205
00:51:09,140 --> 00:51:09,719
Speaker 1: Yeah.

1206
00:51:10,500 --> 00:51:12,420
Speaker 4: It's like, you got to sign forms and all. So

1207
00:51:12,480 --> 00:51:13,930
Speaker 4: I'm trying to give it a sneak of the Secret

1208
00:51:13,969 --> 00:51:16,190
Speaker 4: Service pushing it back to me. I'm trying to give

1209
00:51:16,230 --> 00:51:18,350
Speaker 4: it a sneak of the Secret Service pushing it back.

1210
00:51:18,650 --> 00:51:20,890
Speaker 1: It was like a tug of war. I was like, yo, man,

1211
00:51:20,910 --> 00:51:21,590
Speaker 1: the president.

1212
00:51:21,630 --> 00:51:21,770
Speaker 4: Yeah.

1213
00:51:22,070 --> 00:51:22,910
Speaker 1: These are for you.

1214
00:51:22,930 --> 00:51:26,910
Speaker 4: She was like, Joe, thank you. Like, literally, the Secret

1215
00:51:26,930 --> 00:51:28,840
Speaker 4: Service was fighting me to give her a pair of

1216
00:51:28,930 --> 00:51:29,879
Speaker 4: Air Force Ones.

1217
00:51:29,910 --> 00:51:31,860
Speaker 1: Like, over the budget.

1218
00:51:31,880 --> 00:51:33,020
Speaker 4: Yeah, yeah.

1219
00:51:33,239 --> 00:51:33,960
Speaker 1: Over the budget.

1220
00:51:34,020 --> 00:51:34,720
Speaker 4: I'm like, yo.

1221
00:51:35,440 --> 00:51:37,439
Speaker 1: His stories is crazy. But he's right.

1222
00:51:37,460 --> 00:51:37,980
Speaker 4: Let me say something.

1223
00:51:38,000 --> 00:51:40,779
Speaker 1: That's crazy. We're not talking politics, but Joe. Unless you

1224
00:51:40,820 --> 00:51:43,770
Speaker 1: give it to him. No, no, I gave it to her.

1225
00:51:43,810 --> 00:51:44,890
Speaker 1: You had to call her.

1226
00:51:45,030 --> 00:51:47,310
Speaker 4: You know I'm going to get the job done by

1227
00:51:47,330 --> 00:51:48,950
Speaker 4: you talking to the wrong guy.

1228
00:51:48,969 --> 00:51:51,830
Speaker 1: She wanted to take it. But here's what I would say.

1229
00:51:51,910 --> 00:51:56,470
Speaker 5: Her team had to be extra careful, just like Barack's team, right?

1230
00:51:56,890 --> 00:52:01,790
Speaker 1: She is the first female black vice president, right? There

1231
00:52:01,830 --> 00:52:02,029
Speaker 1: is a.

1232
00:52:02,070 --> 00:52:04,640
Speaker 5: Level of scrutiny that she had that other people just

1233
00:52:04,700 --> 00:52:07,819
Speaker 5: don't have. So you can't compare her to the cat

1234
00:52:07,840 --> 00:52:10,339
Speaker 5: that's in the White House right now that just does things.

1235
00:52:10,360 --> 00:52:13,150
Speaker 4: Yeah, I wasn't even comparing her. I was comparing the

1236
00:52:13,210 --> 00:52:16,790
Speaker 4: Secret Service for not letting me give her, gift her

1237
00:52:16,810 --> 00:52:17,989
Speaker 4: a pair of Air Force Ones.

1238
00:52:18,010 --> 00:52:19,739
Speaker 5: But Joe, but do you understand what I'm saying? It's

1239
00:52:19,760 --> 00:52:22,740
Speaker 5: not a regular thing for the Facebook. of scrutiny, right?

1240
00:52:22,820 --> 00:52:26,219
Speaker 5: Because they would have reamed her. They would have come

1241
00:52:26,380 --> 00:52:29,290
Speaker 5: after her for accepting an improper gift.

1242
00:52:29,710 --> 00:52:31,810
Speaker 1: You were doing the right thing, but so were they.

1243
00:52:32,050 --> 00:52:32,609
Speaker 1: You know what I mean?

1244
00:52:32,670 --> 00:52:35,310
Speaker 5: And my point is that there's a level of entitlement

1245
00:52:35,350 --> 00:52:37,839
Speaker 5: that she didn't have, that Barack didn't have. They were

1246
00:52:37,880 --> 00:52:40,360
Speaker 5: trying to make sure they did everything by the book

1247
00:52:40,420 --> 00:52:44,540
Speaker 5: because they knew the second they deviated at all... Motherfuckers

1248
00:52:44,560 --> 00:52:44,939
Speaker 5: was going.

1249
00:52:44,840 --> 00:52:46,960
Speaker 1: To be like, I think the next black president got

1250
00:52:46,980 --> 00:52:48,970
Speaker 1: to deviate. What do you mean the next? I think

1251
00:52:48,989 --> 00:52:51,450
Speaker 1: they can't go by the book. They got to go

1252
00:52:51,489 --> 00:52:55,170
Speaker 1: in and go Donald Trump-ish on that motherfucker. Who's the next?

1253
00:52:55,210 --> 00:52:56,549
Speaker 4: You got to. Who's the next?

1254
00:52:56,630 --> 00:53:00,030
Speaker 1: Because you can't play it safe like this. Who's next?

1255
00:53:00,070 --> 00:53:04,629
Speaker 1: You can't go up and be like, who's next? Black president.

1256
00:53:05,110 --> 00:53:05,870
Speaker 4: Jadakiss.

1257
00:53:06,070 --> 00:53:08,109
Speaker 1: I know. I vote for you.

1258
00:53:08,140 --> 00:53:11,980
Speaker 4: I voted for you. I'm not voting for you. Ain't

1259
00:53:12,020 --> 00:53:14,060
Speaker 4: no going to Yonkers to one of them booths to

1260
00:53:14,100 --> 00:53:16,899
Speaker 4: be like, yo, my man. I'm like, I don't know

1261
00:53:16,920 --> 00:53:18,820
Speaker 4: who the fuck is the next black president.

1262
00:53:18,880 --> 00:53:23,580
Speaker 1: There's not one. There's never. That's the bullshit. That's bullshit.

1263
00:53:23,640 --> 00:53:27,379
Speaker 4: My brother Tupac Shakur said there'll never be a black

1264
00:53:27,440 --> 00:53:28,600
Speaker 4: president and we seen two.

1265
00:53:29,310 --> 00:53:31,950
Speaker 1: That's not true, brother. Well, we've seen one.

1266
00:53:32,510 --> 00:53:34,010
Speaker 4: Well, we've seen the vice president.

1267
00:53:34,030 --> 00:53:36,500
Speaker 1: It's a fucking president. Well. Oh, it's not. It's a

1268
00:53:36,500 --> 00:53:36,919
Speaker 1: vice president.

1269
00:53:36,940 --> 00:53:38,900
Speaker 4: Like, is a correctional officer.

1270
00:53:38,580 --> 00:53:39,280
Speaker 1: Not a cop?

1271
00:53:39,520 --> 00:53:42,439
Speaker 4: No. No, that's not the same. What? You can't do that. No.

1272
00:53:42,600 --> 00:53:43,279
Speaker 4: That's not the same.

1273
00:53:43,440 --> 00:53:46,459
Speaker 1: You got to go to the correctional officer. You're not.

1274
00:53:46,500 --> 00:53:48,970
Speaker 4: You got to stand at the. Okay, yo.

1275
00:53:49,070 --> 00:53:50,590
Speaker 1: Can you help me out? My guy's wild.

1276
00:53:50,610 --> 00:53:52,209
Speaker 4: Will, can you help me out? Will.

1277
00:53:53,070 --> 00:53:57,210
Speaker 5: James, let Will help. Is the correction officer tough? That's

1278
00:53:57,230 --> 00:54:00,190
Speaker 5: not that. You are talking about levels of power, okay?

1279
00:54:00,710 --> 00:54:03,049
Speaker 5: You have a president, vice president, as you know. You

1280
00:54:03,110 --> 00:54:05,710
Speaker 5: cannot say we've had two black presidents. Now, you can

1281
00:54:05,770 --> 00:54:09,709
Speaker 5: say we've had two people in the Oval Office, right?

1282
00:54:09,810 --> 00:54:12,720
Speaker 5: Because that is a part of that. And so Kamala,

1283
00:54:12,950 --> 00:54:13,719
Speaker 5: everything she did.

1284
00:54:13,760 --> 00:54:15,510
Speaker 4: Don't let me be Kamala because I would have been

1285
00:54:15,530 --> 00:54:17,240
Speaker 4: the next... Can I say something?

1286
00:54:17,420 --> 00:54:19,879
Speaker 5: When you say the next and Kiss goes, we'll never

1287
00:54:19,920 --> 00:54:25,000
Speaker 5: have a next, here's why. Unless Kamala follows every fucking rule,

1288
00:54:25,280 --> 00:54:27,719
Speaker 5: there won't be a next because they will use her.

1289
00:54:27,739 --> 00:54:30,440
Speaker 1: Because we don't have every president. We up to 47, right?

1290
00:54:30,440 --> 00:54:35,180
Speaker 1: 46 have been white men. Only one.

1291
00:54:35,680 --> 00:54:38,580
Speaker 5: If that one fucks it up, now he is the

1292
00:54:38,640 --> 00:54:39,839
Speaker 5: example for everybody else.

1293
00:54:40,110 --> 00:54:42,670
Speaker 1: We done had a lot of fuck-ups in the other 46.

1294
00:54:42,670 --> 00:54:46,970
Speaker 5: But the way that America looks at it is like

1295
00:54:47,110 --> 00:54:50,489
Speaker 5: if Barack or Kamala accepts your gift, which is improper.

1296
00:54:50,489 --> 00:54:50,620
Speaker 4: $ 60.

1297
00:54:50,550 --> 00:54:52,690
Speaker 1: Hey, don't, but I'm saying.

1298
00:54:52,690 --> 00:54:52,930
Speaker 4: $ 60.

1299
00:54:52,810 --> 00:54:55,130
Speaker 1: I'm with you. I'm with you. I was there. I

1300
00:54:55,150 --> 00:54:55,890
Speaker 1: was at the table.

1301
00:54:55,950 --> 00:54:58,819
Speaker 4: Fat Joe, listen, guy, everyone from President, vote for me

1302
00:54:58,840 --> 00:55:00,600
Speaker 4: because we're going to fuck the whole shit up.

1303
00:55:00,719 --> 00:55:03,719
Speaker 1: Well, see, that's why you're not going to win. We're just,

1304
00:55:04,100 --> 00:55:05,660
Speaker 1: You just canceled yourself.

1305
00:55:05,860 --> 00:55:09,950
Speaker 4: I was going to vote for you. I was going

1306
00:55:09,989 --> 00:55:11,930
Speaker 4: to vote for you to tell that.

1307
00:55:11,969 --> 00:55:12,830
Speaker 1: I can't even.

1308
00:55:12,650 --> 00:55:15,489
Speaker 4: Vote for you. Little cannabis on the yard.

1309
00:55:15,630 --> 00:55:21,410
Speaker 1: Let's get this shit. I'm talking to the camera. As

1310
00:55:21,450 --> 00:55:24,560
Speaker 1: Joe's campaign manager, he does not mean no statement.

1311
00:55:24,600 --> 00:55:28,180
Speaker 3: It took the gold. The gold's gone. It took the

1312
00:55:28,219 --> 00:55:31,200
Speaker 3: last of the gold. There'll be no more black president.

1313
00:55:32,060 --> 00:55:32,940
Speaker 3: Take my word on that.

1314
00:55:33,820 --> 00:55:34,640
Speaker 4: No, I don't think that.

1315
00:55:35,020 --> 00:55:36,820
Speaker 1: Anything is possible. I will say that a lot of

1316
00:55:36,840 --> 00:55:38,160
Speaker 1: people said that before, Barack.

1317
00:55:38,340 --> 00:55:38,939
Speaker 4: You know what I mean?

1318
00:55:39,100 --> 00:55:41,279
Speaker 1: No, I don't believe that. They give us one, Will.

1319
00:55:41,320 --> 00:55:43,680
Speaker 1: I'm with you. I hear you. They gotta give you shit.

1320
00:55:43,700 --> 00:55:44,520
Speaker 4: No, no, no, no, no, no.

1321
00:55:44,780 --> 00:55:45,500
Speaker 1: I take that back.

1322
00:55:45,540 --> 00:55:45,980
Speaker 4: Sonography.

1323
00:55:47,560 --> 00:55:48,779
Speaker 1: There might be another one.

1324
00:55:49,739 --> 00:55:52,440
Speaker 4: We won't see him or her. Not true. Okay.

1325
00:55:52,460 --> 00:55:56,140
Speaker 1: All right. That's not true. Can I add something to that?

1326
00:55:56,680 --> 00:55:56,919
Speaker 4: Sure.

1327
00:55:56,940 --> 00:55:59,629
Speaker 1: We will determine If it happens.

1328
00:55:59,690 --> 00:56:02,290
Speaker 5: And by we, I mean the people being active in

1329
00:56:02,310 --> 00:56:03,330
Speaker 5: the voting process.

1330
00:56:03,850 --> 00:56:07,810
Speaker 1: It is up to us. It's not up to everybody

1331
00:56:07,870 --> 00:56:10,549
Speaker 1: else in the power structure. Let me finish the thought. Guys,

1332
00:56:10,610 --> 00:56:11,759
Speaker 1: we need more flags.

1333
00:56:11,780 --> 00:56:15,819
Speaker 4: Joe, give me this. We give too much credence.

1334
00:56:23,130 --> 00:56:26,970
Speaker 5: To the power structure, thinking it doesn't matter what we do.

1335
00:56:27,300 --> 00:56:29,140
Speaker 5: The same thing is true in the movie business. People

1336
00:56:29,180 --> 00:56:30,899
Speaker 5: tell me all the time, like, why they don't make

1337
00:56:30,940 --> 00:56:33,279
Speaker 5: movies about blah, blah, blah? I say, because you aren't

1338
00:56:33,320 --> 00:56:37,820
Speaker 5: going to see them. Hollywood will make movies about this flag.

1339
00:56:37,940 --> 00:56:41,120
Speaker 5: If everybody say, yo, the flag movie coming out this Friday, I.

1340
00:56:41,020 --> 00:56:41,790
Speaker 1: Got to go see it.

1341
00:56:42,000 --> 00:56:46,000
Speaker 5: You would have 10 movies about the fucking flag. We

1342
00:56:46,080 --> 00:56:49,219
Speaker 5: have power that we don't understand and don't realize. And

1343
00:56:49,239 --> 00:56:52,410
Speaker 5: the same is true when it comes to politics and voting.

1344
00:56:52,890 --> 00:56:57,109
Speaker 5: So there will be another black president if we say, yo,

1345
00:56:57,590 --> 00:56:59,390
Speaker 5: we're going to go out and we're going to vote

1346
00:56:59,430 --> 00:57:01,330
Speaker 5: and we're going to make sure that our voices is heard.

1347
00:57:01,469 --> 00:57:02,010
Speaker 1: I'm just saying.

1348
00:57:02,350 --> 00:57:04,690
Speaker 5: So at the end of the day, we have power

1349
00:57:04,710 --> 00:57:06,570
Speaker 5: that we don't recognize and don't realize.

1350
00:57:06,590 --> 00:57:07,910
Speaker 1: That's all I'm saying. I just wanted to say that.

1351
00:57:08,710 --> 00:57:18,470
Speaker 1: You see, I have the power to listen more than him. Unquestionable.

1352
00:57:19,030 --> 00:57:20,470
Speaker 1: Come Atlanta politics.

1353
00:57:20,970 --> 00:57:21,209
Speaker 5: Yeah.

1354
00:57:21,230 --> 00:57:22,950
Speaker 4: That shit's a real shit show.

1355
00:57:23,330 --> 00:57:26,330
Speaker 1: Why you keep talking about politics?

1356
00:57:26,470 --> 00:57:29,660
Speaker 4: No, because I'm just saying, I was there when my man,

1357
00:57:29,700 --> 00:57:32,630
Speaker 4: the football player, was running. Herschel Walker.

1358
00:57:32,830 --> 00:57:35,189
Speaker 1: Herschel Walker was his name, y'all.

1359
00:57:35,410 --> 00:57:36,330
Speaker 4: Herschel Walker was the worst.

1360
00:57:36,350 --> 00:57:37,570
Speaker 1: Herschel Walker was his name, y'all.

1361
00:57:37,610 --> 00:57:40,870
Speaker 4: Herschel Walker said some wild things. I love Herschel Walker.

1362
00:57:40,950 --> 00:57:43,930
Speaker 3: I think he's one of the strongest individuals in the world.

1363
00:57:44,290 --> 00:57:47,610
Speaker 3: But he said, was you listening? He was saying some

1364
00:57:47,730 --> 00:57:50,930
Speaker 3: crazy things. I'm in Atlanta at the Ritz-Carlton. I turned

1365
00:57:51,030 --> 00:57:54,990
Speaker 3: on the news, and it's like, Herschel Walker. Next thing

1366
00:57:55,030 --> 00:57:55,660
Speaker 3: you go, shh.

1367
00:57:56,010 --> 00:57:56,470
Speaker 1: His wife.

1368
00:57:56,880 --> 00:57:58,720
Speaker 7: He stuck a gun in my mouth and told me

1369
00:57:58,740 --> 00:58:02,340
Speaker 7: he'll blow my brains out after I think he asked CT.

1370
00:58:03,260 --> 00:58:07,660
Speaker 1: Hershey Walker. I'm his illegitimate son.

1371
00:58:07,700 --> 00:58:10,230
Speaker 4: He never like, this shit was like, yo, how the.

1372
00:58:10,340 --> 00:58:14,570
Speaker 1: Fuck this guy was running for anything out there? Yo,

1373
00:58:14,590 --> 00:58:16,950
Speaker 1: I couldn't believe. He's one of the worst candidates in

1374
00:58:16,970 --> 00:58:17,790
Speaker 1: the history of Kansas.

1375
00:58:18,210 --> 00:58:18,870
Speaker 2: Ever!

1376
00:58:18,890 --> 00:58:20,980
Speaker 1: But, Ever!

1377
00:58:21,260 --> 00:58:23,930
Speaker 5: They tried to say because he was black that black

1378
00:58:23,970 --> 00:58:25,850
Speaker 5: people were going to vote for him. And black people

1379
00:58:25,890 --> 00:58:28,450
Speaker 5: did not. And this is not a political podcast. I'm

1380
00:58:28,490 --> 00:58:30,110
Speaker 5: with Kiss, but I'm just going to say.

1381
00:58:30,210 --> 00:58:35,390
Speaker 1: I'm trying to get in the movie. Ultimately, we have

1382
00:58:35,410 --> 00:58:36,530
Speaker 1: the power. We got to decide.

1383
00:58:36,570 --> 00:58:38,420
Speaker 5: And it's not about skin tone. Shout out to Keisha

1384
00:58:38,440 --> 00:58:41,220
Speaker 5: Lance Bottoms. Sister, mayor of Atlanta, running for governor of

1385
00:58:41,240 --> 00:58:44,620
Speaker 5: Georgia right now. Shout out to Dave Jolly, the white

1386
00:58:44,660 --> 00:58:48,120
Speaker 5: guy running against a black candidate in.

1387
00:58:48,220 --> 00:58:50,660
Speaker 1: Florida for governor. Shout out to Dave Jolly.

1388
00:58:50,920 --> 00:58:53,720
Speaker 5: We not voting for Byron Dobbs, even though he's black

1389
00:58:53,820 --> 00:58:56,810
Speaker 5: because he is heavy on the Trump train. He is

1390
00:58:56,850 --> 00:58:59,770
Speaker 5: somebody that is just rubber stamping everything Trump said.

1391
00:58:59,810 --> 00:59:00,830
Speaker 4: Why you pointing at me?

1392
00:59:01,150 --> 00:59:03,010
Speaker 1: I ain't on no fucking Trump train.

1393
00:59:03,410 --> 00:59:06,530
Speaker 4: We know. I went out there to Florida on one

1394
00:59:06,590 --> 00:59:08,750
Speaker 4: time and all of us went out there.

1395
00:59:09,530 --> 00:59:09,910
Speaker 1: So money.

1396
00:59:10,010 --> 00:59:14,080
Speaker 4: Called me with the party. For me? No, for me.

1397
00:59:14,400 --> 00:59:15,320
Speaker 1: Does Joe need a party?

1398
00:59:15,360 --> 00:59:15,870
Speaker 4: I don't need it.

1399
00:59:15,880 --> 00:59:19,900
Speaker 1: I need a party. Listen, they called me with some business.

1400
00:59:20,100 --> 00:59:20,460
Speaker 4: Mr.

1401
00:59:20,500 --> 00:59:21,680
Speaker 1: Meek.

1402
00:59:21,720 --> 00:59:25,220
Speaker 3: I got anonymous texts about that kind of thing.

1403
00:59:26,280 --> 00:59:27,200
Speaker 1: But I don't need it.

1404
00:59:28,320 --> 00:59:29,760
Speaker 4: I got a clean ride.

1405
00:59:29,780 --> 00:59:31,280
Speaker 1: I don't need a party.

1406
00:59:31,400 --> 00:59:31,840
Speaker 4: I need it.

1407
00:59:32,300 --> 00:59:35,760
Speaker 1: Pardon me. What's the guy who went to Florida, he's

1408
00:59:35,800 --> 00:59:37,880
Speaker 1: smoking crack and shit like that now?

1409
00:59:37,900 --> 00:59:39,340
Speaker 4: The guy that's a politician.

1410
00:59:39,520 --> 00:59:42,020
Speaker 1: I gave you flags. I gave you more flags.

1411
00:59:42,080 --> 00:59:44,120
Speaker 4: Yo, come back, Joe. Come back.

1412
00:59:44,470 --> 00:59:46,730
Speaker 1: Come back. We went to Florida for this guy campaign

1413
00:59:46,770 --> 00:59:49,170
Speaker 1: for a night. You can't say that kind of stuff.

1414
00:59:49,290 --> 00:59:50,070
Speaker 4: Oh, relax.

1415
00:59:50,210 --> 00:59:53,870
Speaker 5: You're talking about my guy, Andrew Gillum. Addiction is tough.

1416
00:59:54,110 --> 00:59:55,270
Speaker 5: I know Zach, he.

1417
00:59:55,030 --> 00:59:57,140
Speaker 1: Went to FAMU. He's never going to be in politics.

1418
00:59:57,180 --> 01:00:01,800
Speaker 4: He wanted perhaps something for the nose. I went over there, yo,

1419
01:00:01,840 --> 01:00:04,060
Speaker 4: my man's going to be the next. He said, perhaps

1420
01:00:04,120 --> 01:00:05,250
Speaker 4: something for the nose.

1421
01:00:06,830 --> 01:00:08,370
Speaker 1: Yo, this guy's pretty.

1422
01:00:08,470 --> 01:00:09,790
Speaker 4: Kiss. How you doing?

1423
01:00:09,910 --> 01:00:10,770
Speaker 1: How are you, FAMU?

1424
01:00:11,720 --> 01:00:15,260
Speaker 5: I so appreciate you having me on the podcast.

1425
01:00:14,800 --> 01:00:15,660
Speaker 1: For having me.

1426
01:00:15,700 --> 01:00:17,510
Speaker 5: We've been able to talk about some good things.

1427
01:00:17,530 --> 01:00:19,330
Speaker 1: We've been able to talk about some good things. I

1428
01:00:19,350 --> 01:00:20,850
Speaker 1: got the book here on Time's Best Seller.

1429
01:00:20,890 --> 01:00:21,870
Speaker 4: How's the wife?

1430
01:00:22,090 --> 01:00:22,950
Speaker 1: Wife is amazing.

1431
01:00:22,990 --> 01:00:24,070
Speaker 4: Wife is beautiful.

1432
01:00:24,090 --> 01:00:26,650
Speaker 1: Let me tell you something. I know both of y'all

1433
01:00:26,690 --> 01:00:29,750
Speaker 1: know this. You're nothing without that right hand. You're nothing

1434
01:00:29,770 --> 01:00:30,790
Speaker 1: without somebody.

1435
01:00:30,810 --> 01:00:31,570
Speaker 4: What's the fact?

1436
01:00:31,770 --> 01:00:35,130
Speaker 5: I tell people all the time, it's the most amazing

1437
01:00:35,290 --> 01:00:37,030
Speaker 5: business decision you'll ever make.

1438
01:00:37,330 --> 01:00:38,830
Speaker 1: People look at it like it's separate. I got my

1439
01:00:38,850 --> 01:00:39,750
Speaker 1: personal life. I got my business.

1440
01:00:39,890 --> 01:00:42,950
Speaker 5: Absolutely not. You are going to be better at business

1441
01:00:42,990 --> 01:00:44,370
Speaker 5: with somebody who every.

1442
01:00:44,180 --> 01:00:44,720
Speaker 1: Day is telling you.

1443
01:00:44,720 --> 01:00:45,220
Speaker 4: One mortgage.

1444
01:00:45,570 --> 01:00:47,760
Speaker 1: Go out. One credit card. That is true as well.

1445
01:00:48,020 --> 01:00:48,860
Speaker 4: One everything.

1446
01:00:48,900 --> 01:00:51,180
Speaker 5: Go out and slay the wolves, slay the dragons. Go

1447
01:00:51,280 --> 01:00:53,200
Speaker 5: out and kill it, King. Like, somebody telling you that.

1448
01:00:53,220 --> 01:00:53,920
Speaker 1: Shake the kingdom.

1449
01:00:54,000 --> 01:00:55,780
Speaker 4: When I'm sitting across, let's talk about it in the book.

1450
01:00:55,860 --> 01:00:58,000
Speaker 4: My wife did for C. Columbus, she said, go kill

1451
01:00:58,040 --> 01:00:59,680
Speaker 4: that nigga over there. Well.

1452
01:00:59,700 --> 01:01:01,840
Speaker 1: My wife be like, he did what? But she's on

1453
01:01:01,860 --> 01:01:05,460
Speaker 1: your side. It's Columbia, we'll hang him. Go get him!

1454
01:01:05,580 --> 01:01:07,460
Speaker 4: I'm like, yo, mom, what's wrong with you? Do you

1455
01:01:07,500 --> 01:01:11,030
Speaker 4: like the Birkins? I'm going to jail. Like, what's wrong

1456
01:01:11,050 --> 01:01:11,240
Speaker 4: with you?

1457
01:01:11,250 --> 01:01:12,910
Speaker 1: Yo, why don't we put in Joe's drink?

1458
01:01:13,170 --> 01:01:15,790
Speaker 5: That's a real, like, was it the same thing that

1459
01:01:15,810 --> 01:01:17,010
Speaker 5: Megan's kids had?

1460
01:01:17,210 --> 01:01:19,500
Speaker 1: Yo, listen to what I'm saying to your will. I

1461
01:01:19,500 --> 01:01:22,160
Speaker 1: got a violent... She'll set me on a mission.

1462
01:01:22,580 --> 01:01:24,680
Speaker 4: But she rides for you.

1463
01:01:24,700 --> 01:01:27,140
Speaker 1: She is yours. No, they're going to ride or die.

1464
01:01:27,220 --> 01:01:29,940
Speaker 1: They need you there to buy more Birkins. They don't

1465
01:01:29,960 --> 01:01:30,320
Speaker 1: want you.

1466
01:01:30,440 --> 01:01:31,560
Speaker 4: That's what I'm saying.

1467
01:01:31,660 --> 01:01:34,360
Speaker 5: Listen, when you go out every day, it's a battle.

1468
01:01:34,500 --> 01:01:37,340
Speaker 5: And you're going out and you're going against people. And

1469
01:01:37,460 --> 01:01:39,980
Speaker 5: when I say that, I mean literally, like when you're negotiating,

1470
01:01:40,020 --> 01:01:42,090
Speaker 5: trying to do a deal, trying to start your own podcast,

1471
01:01:42,110 --> 01:01:44,790
Speaker 5: whatever it is, you're going against people. And if somebody

1472
01:01:44,990 --> 01:01:48,170
Speaker 5: that you have to negotiate against go against, is.

1473
01:01:48,750 --> 01:01:50,910
Speaker 1: Have somebody at the house that's telling them, you know

1474
01:01:50,950 --> 01:01:53,960
Speaker 1: you ain't shit. Right? Before you go out there, I'm

1475
01:01:54,000 --> 01:01:55,160
Speaker 1: just letting you know you ain't.

1476
01:01:55,040 --> 01:01:57,700
Speaker 5: Take out the trash, you fucked up the making up

1477
01:01:57,740 --> 01:01:58,300
Speaker 5: the bed.

1478
01:01:58,340 --> 01:01:59,900
Speaker 1: Just letting you know you ain't shit.

1479
01:01:59,980 --> 01:02:01,820
Speaker 5: And I can't wait for you to come home because

1480
01:02:01,860 --> 01:02:03,730
Speaker 5: I need to finish telling you why you ain't shit.

1481
01:02:03,970 --> 01:02:05,550
Speaker 1: And then they leave the house. That's the balance.

1482
01:02:05,570 --> 01:02:05,670
Speaker 5: Right?

1483
01:02:06,230 --> 01:02:09,490
Speaker 1: That's that balance that you need. Well, well, you don't

1484
01:02:09,550 --> 01:02:12,090
Speaker 1: need that. You need that. Well, no, not somebody telling

1485
01:02:12,140 --> 01:02:12,780
Speaker 1: you that shit.

1486
01:02:12,860 --> 01:02:15,920
Speaker 5: I was saying that you need somebody telling you. You

1487
01:02:15,940 --> 01:02:18,939
Speaker 5: know you are shit. Well, what if somebody was telling

1488
01:02:18,960 --> 01:02:20,810
Speaker 5: you that you are? My point was that you need

1489
01:02:20,850 --> 01:02:22,690
Speaker 5: somebody encouraging you.

1490
01:02:23,110 --> 01:02:25,710
Speaker 4: I saw your wife at the concert the other night.

1491
01:02:25,750 --> 01:02:28,689
Speaker 4: She was so proud of you. She was proud of you.

1492
01:02:28,830 --> 01:02:31,530
Speaker 4: I definitely heard that. She was proud of you. She

1493
01:02:31,570 --> 01:02:34,910
Speaker 4: had a twinkle in her eye. She's bringing the cousins in.

1494
01:02:34,950 --> 01:02:38,560
Speaker 4: She's like greeting everybody. She was fucking happy, bro.

1495
01:02:38,620 --> 01:02:41,000
Speaker 5: Yo, I feel like, Kiss, this might be a cry

1496
01:02:41,020 --> 01:02:43,640
Speaker 5: for help. You're not listening to your brother. I feel

1497
01:02:43,660 --> 01:02:46,420
Speaker 5: like he's trying to say something. I got a Dave Chappelle.

1498
01:02:46,480 --> 01:02:48,080
Speaker 4: What was you? No, no, no.

1499
01:02:48,200 --> 01:02:49,300
Speaker 1: I'm good. All right.

1500
01:02:49,640 --> 01:02:49,900
Speaker 4: Okay.

1501
01:02:49,940 --> 01:02:51,040
Speaker 1: Great speech. All right.

1502
01:02:51,940 --> 01:02:54,200
Speaker 4: I want to shout out, before we leave Cameron Hall,

1503
01:02:54,240 --> 01:02:57,600
Speaker 4: my daughter was just on there today. Thank you.

1504
01:02:57,620 --> 01:02:59,460
Speaker 1: I almost cried. I'm in the audience.

1505
01:02:59,760 --> 01:03:01,140
Speaker 4: That's amazing.

1506
01:03:01,160 --> 01:03:03,380
Speaker 1: Keep up the great work, Azzy. We love you.

1507
01:03:04,200 --> 01:03:06,620
Speaker 4: Hello. If they would have threw that camera in my

1508
01:03:06,710 --> 01:03:09,030
Speaker 4: face one second, I would have cried in front of

1509
01:03:09,050 --> 01:03:12,350
Speaker 4: this shit, man. I said, yo, man, this shit was emotional.

1510
01:03:12,810 --> 01:03:17,090
Speaker 4: It's nothing like seeing your kids prosper. And thank you, Cameron,

1511
01:03:17,110 --> 01:03:23,340
Speaker 4: for seeing that come up. How come in Hollywood everything

1512
01:03:23,440 --> 01:03:26,610
Speaker 4: takes long And there's like this structure to where you

1513
01:03:26,650 --> 01:03:27,730
Speaker 4: got to ask them for this.

1514
01:03:28,310 --> 01:03:31,950
Speaker 1: Have you ever... Can I please say something? Can I

1515
01:03:31,970 --> 01:03:35,780
Speaker 1: please say something? Why they send three people to tell

1516
01:03:35,800 --> 01:03:38,760
Speaker 1: you you got to be ready. They send somebody, then

1517
01:03:38,800 --> 01:03:41,480
Speaker 1: they send somebody. I'm not talking about that. I'm not

1518
01:03:41,520 --> 01:03:43,620
Speaker 1: talking about the PA be chasing you.

1519
01:03:43,800 --> 01:03:45,020
Speaker 4: Exhibit A is here.

1520
01:03:45,060 --> 01:03:46,800
Speaker 1: No, I'm not saying that. Can I ask you a question?

1521
01:03:46,860 --> 01:03:48,800
Speaker 1: Is there any way for you to get with.

1522
01:03:53,480 --> 01:03:57,060
Speaker 4: A billionaire that's just going to fund whatever project you do,

1523
01:03:57,100 --> 01:03:59,040
Speaker 4: believes in you, and then you ain't got to go

1524
01:03:59,440 --> 01:04:02,600
Speaker 4: to Hollywood and ask, do we have the budget?

1525
01:04:02,640 --> 01:04:05,010
Speaker 1: Has anybody ever thought of that?

1526
01:04:05,350 --> 01:04:05,890
Speaker 4: Absolutely.

1527
01:04:06,250 --> 01:04:09,150
Speaker 1: Has anybody ever said, let me get a money.

1528
01:04:08,930 --> 01:04:12,090
Speaker 4: Guy that believes in me, who's willing to blow the bag,

1529
01:04:12,190 --> 01:04:13,990
Speaker 4: and I don't got to come and be.

1530
01:04:14,030 --> 01:04:17,310
Speaker 3: The point is, we've seen our peak. Do you know

1531
01:04:18,590 --> 01:04:21,940
Speaker 3: it's the secret society of other people that run shit?

1532
01:04:22,610 --> 01:04:26,590
Speaker 3: when you break the infrastructure of something that been there before.

1533
01:04:26,610 --> 01:04:29,950
Speaker 1: Is that correct? What is the secret society? We talking

1534
01:04:29,970 --> 01:04:32,800
Speaker 1: about the Illuminati? No, no, no, no, no, no. I'm

1535
01:04:32,820 --> 01:04:35,920
Speaker 1: just saying. Full of shit. If something as powerful as Hollywood.

1536
01:04:35,940 --> 01:04:39,280
Speaker 4: Yeah. Well, I know everything. You've seen me in the

1537
01:04:39,340 --> 01:04:40,220
Speaker 4: president's house.

1538
01:04:40,380 --> 01:04:40,660
Speaker 2: I have.

1539
01:04:40,700 --> 01:04:43,260
Speaker 1: Did he bop and roll and do this? I know everything.

1540
01:04:43,300 --> 01:04:44,180
Speaker 1: The vice president.

1541
01:04:44,530 --> 01:04:45,240
Speaker 4: I know everything.

1542
01:04:45,280 --> 01:04:47,810
Speaker 1: Vice president. He knows everything.

1543
01:04:48,130 --> 01:04:54,570
Speaker 4: If there was a Illuminati president Fat Joseph Cartagena would

1544
01:04:54,610 --> 01:04:56,690
Speaker 4: have met him. I swear to God.

1545
01:04:56,710 --> 01:05:00,510
Speaker 1: There's definitely no Illuminati. No, I'm telling you. I met

1546
01:05:00,530 --> 01:05:01,710
Speaker 1: the algorithm. But Kiss is right.

1547
01:05:01,930 --> 01:05:04,910
Speaker 3: Joe, can you listen for three seconds?

1548
01:05:04,930 --> 01:05:07,550
Speaker 2: This is the most... Three seconds. Give me three seconds

1549
01:05:07,570 --> 01:05:08,050
Speaker 2: to listen.

1550
01:05:08,070 --> 01:05:11,189
Speaker 1: The most entertaining, the most dangerous podcast. Give me three seconds.

1551
01:05:11,670 --> 01:05:13,150
Speaker 1: Can you listen for three seconds?

1552
01:05:13,170 --> 01:05:16,370
Speaker 2: This is incredible. I'm a fan. I'm sitting up here

1553
01:05:16,390 --> 01:05:17,050
Speaker 2: and y'all catch.

1554
01:05:17,070 --> 01:05:19,270
Speaker 1: This is incredible. I was going to say is that,

1555
01:05:19,290 --> 01:05:20,290
Speaker 1: of course, there are.

1556
01:05:21,180 --> 01:05:24,960
Speaker 5: Power structures and people that have, they have cliques and

1557
01:05:24,980 --> 01:05:28,540
Speaker 5: relationships and there are cultures that if you're not in it,

1558
01:05:28,960 --> 01:05:31,120
Speaker 5: then you are always on the outside. And when the

1559
01:05:31,160 --> 01:05:34,100
Speaker 5: big money conversations happen, if you're not somebody that is

1560
01:05:34,260 --> 01:05:36,680
Speaker 5: one of them, you can absolutely be left out. That's not,

1561
01:05:36,740 --> 01:05:39,510
Speaker 5: people like to say, oh, Illuminati and control. No, it's

1562
01:05:39,570 --> 01:05:42,470
Speaker 5: not that. But it's like anything. It's relationships.

1563
01:05:43,290 --> 01:05:45,210
Speaker 4: Would they throw a red flag at you if you

1564
01:05:45,250 --> 01:05:49,950
Speaker 4: came and said, I got John Witherspoon III worth 70

1565
01:05:49,950 --> 01:05:52,570
Speaker 4: billion and he's going to fund whatever I put out.

1566
01:05:53,050 --> 01:05:56,260
Speaker 4: Would you get some type of like infrastructure looking at

1567
01:05:56,320 --> 01:05:58,080
Speaker 4: you like, yo, what's up? What you trying to do?

1568
01:05:58,200 --> 01:06:01,720
Speaker 5: No, no, because you still got to figure out distribution.

1569
01:06:01,740 --> 01:06:04,390
Speaker 5: Like I've had those conversations. It's a little more complex

1570
01:06:04,430 --> 01:06:07,250
Speaker 5: than that. So the barrier for somebody like me is

1571
01:06:07,310 --> 01:06:10,670
Speaker 5: not always the money. to make it right you want

1572
01:06:10,690 --> 01:06:13,490
Speaker 5: to make it you need your distribution you need marketing

1573
01:06:13,530 --> 01:06:16,570
Speaker 5: there are various levels to it there are people within

1574
01:06:16,590 --> 01:06:19,610
Speaker 5: the industry that are backed by outside backers right the

1575
01:06:19,640 --> 01:06:22,620
Speaker 5: reality is that when you think about it somebody you

1576
01:06:22,640 --> 01:06:24,680
Speaker 5: ever seen a movie that somebody tells you they did

1577
01:06:24,720 --> 01:06:26,720
Speaker 5: they shot it independently it came out and you're like

1578
01:06:26,780 --> 01:06:28,120
Speaker 5: oh I never heard of it I don't know anything

1579
01:06:28,140 --> 01:06:29,900
Speaker 5: about it because it wasn't in the system yeah A

1580
01:06:29,900 --> 01:06:32,600
Speaker 5: lot of times the system is what props it up, right?

1581
01:06:32,820 --> 01:06:35,130
Speaker 5: You went to go see, you know, Girl Strip and

1582
01:06:35,150 --> 01:06:37,530
Speaker 5: you saw a trailer for Night School and that made

1583
01:06:37,550 --> 01:06:38,770
Speaker 5: you go, oh, okay, I'm into it.

1584
01:06:38,770 --> 01:06:41,470
Speaker 1: You saw the marketing and billboards, et cetera, for Night School.

1585
01:06:41,530 --> 01:06:44,740
Speaker 5: It's in the distribution, the AMC and Lowe's and, you know,

1586
01:06:44,820 --> 01:06:46,180
Speaker 5: Carmike and Regal.

1587
01:06:45,900 --> 01:06:47,320
Speaker 1: Cinemas, they're putting it in there.

1588
01:06:47,780 --> 01:06:51,620
Speaker 5: In a particular location because it came from a certain distributor.

1589
01:06:51,720 --> 01:06:54,820
Speaker 5: Those are the things that, it's not Illuminati, but it

1590
01:06:54,940 --> 01:06:55,660
Speaker 5: is about a network.

1591
01:06:55,680 --> 01:06:58,060
Speaker 1: They're backing from the other, outside of the system.

1592
01:06:58,320 --> 01:07:01,340
Speaker 3: I got to go watch a movie on Fordham Road

1593
01:07:01,400 --> 01:07:04,180
Speaker 3: and the Grand Concourse on the side block.

1594
01:07:04,280 --> 01:07:05,010
Speaker 1: It's not wrong.

1595
01:07:05,130 --> 01:07:07,430
Speaker 4: Let me tell you something. I know for a fact,

1596
01:07:07,750 --> 01:07:09,669
Speaker 4: and I'm going to leave it at that. If there

1597
01:07:09,790 --> 01:07:12,510
Speaker 4: was an Illuminati.

1598
01:07:13,380 --> 01:07:14,960
Speaker 1: You met the algorithm. I would have met him. You

1599
01:07:14,980 --> 01:07:15,680
Speaker 1: met the algorithm.

1600
01:07:15,960 --> 01:07:18,800
Speaker 4: I would have met him. Tell him you met the algorithm.

1601
01:07:19,040 --> 01:07:20,840
Speaker 1: You know what happens? I met the algorithm.

1602
01:07:20,920 --> 01:07:22,860
Speaker 4: I'm out. All right.

1603
01:07:22,900 --> 01:07:26,700
Speaker 1: Yo. He met the algorithm. This ain't that. That ain't this.

1604
01:07:27,140 --> 01:07:29,610
Speaker 3: It's crack and kiss, God damn it. Make some noise

1605
01:07:29,650 --> 01:07:31,870
Speaker 3: for Will Packer, man. Make sure you get the book.

1606
01:07:32,110 --> 01:07:32,870
Speaker 4: He better you.

1607
01:07:32,890 --> 01:07:36,590
Speaker 1: My guy. Who's better than you? My God. Yo, Will,

1608
01:07:37,070 --> 01:07:39,890
Speaker 1: because of you, I'm still family with Shayla. Yes.

1609
01:07:40,010 --> 01:07:42,800
Speaker 4: I'm still family with the ladies that was putting the

1610
01:07:42,890 --> 01:07:43,950
Speaker 4: makeup on me.

1611
01:07:44,010 --> 01:07:44,460
Speaker 1: Yeah.

1612
01:07:44,940 --> 01:07:48,880
Speaker 4: I want to be family. I want the makeup.

1613
01:07:48,920 --> 01:07:51,240
Speaker 1: I'm going to put this guy in a Teddy Ruxpin movie.

1614
01:07:51,380 --> 01:07:52,360
Speaker 4: I want to see the trailer.

1615
01:07:52,380 --> 01:07:54,160
Speaker 1: Yo, we're going to make you the next one. I

1616
01:07:54,160 --> 01:07:57,260
Speaker 1: don't mind late night shoots. My kind of actor. I

1617
01:07:57,260 --> 01:08:00,330
Speaker 1: don't mind being in the acting world. My kind of guy.

1618
01:08:00,570 --> 01:08:03,190
Speaker 1: Call me. I'm on it, kids. We'll be spelling shit.