WEBVTT - Hour 3 - Judd Apatow (06-12-20)

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<v Speaker 1>You are listening to the Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio Final Hour on this Meat Friday. Oh man,

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<v Speaker 1>it looks good out there. We cooked chili on the

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<v Speaker 1>Tregger and we have chili dogs coming up in about

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<v Speaker 1>forty minutes or so. I've already said I got two.

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<v Speaker 1>I'm taking two chili dogs today. I'm gonna splurge a

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<v Speaker 1>little bit. Just saw this from Carl Ravage from the

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<v Speaker 1>mother Ships Sources. Tell me baseball counter proposal today. We'll

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<v Speaker 1>move towards a season of roughly seventy plus games with

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<v Speaker 1>a salary percentage on the eighty to eighty five percent

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<v Speaker 1>of pro rate playoff pool bonus. My concerns are recent

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<v Speaker 1>spikes in COVID nineteen. Worst case scenario will be a

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<v Speaker 1>start stop. Will players move? So that's Karl Ravage from

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<v Speaker 1>the ESPN. All right, great, I mean, I don't know

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<v Speaker 1>what I keep telling you these proposals, but that's all

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<v Speaker 1>they are. Their proposals. Seventy seventy five, eighty five. Just play.

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<v Speaker 1>How about we just get back and play. Come on,

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<v Speaker 1>let's go, and then we can figure this out. Because

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<v Speaker 1>if you're going to force these players to come back

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<v Speaker 1>that next negotiating session with the owners and the players

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<v Speaker 1>after next season is not going to be pretty Yes,

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<v Speaker 1>don you come back with eighty games? What's the next move? Well,

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<v Speaker 1>it doesn't feel like it feels like, well, they gave

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<v Speaker 1>us a proposal, counter proposal. Now we have to counter

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<v Speaker 1>their counter proposal with our counter counter proposal. And then

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<v Speaker 1>here we go back and forth. Here we playing a

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<v Speaker 1>game of negotiating ping pong. Yes, we love it. We're

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<v Speaker 1>thrown around the word pro rata like we know what

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<v Speaker 1>it means, by the way, said pro rate? I did.

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<v Speaker 1>I thought Carl maybe had a misspelled pro rate. No,

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<v Speaker 1>it's in all the stories and it's like handicap like

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<v Speaker 1>we're about earlier. It's one of those words you use.

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<v Speaker 1>It sort of sounds like something I guess it means

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<v Speaker 1>like get yeah, pro rated? Oh is that okay? It's

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<v Speaker 1>like a noun I had not sure pro rated. Why

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<v Speaker 1>don't they just spell it pro p r o r

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<v Speaker 1>at ed pro rated? This says, this says pro rata

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<v Speaker 1>share is the amount due to each shareholder, calculated by

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<v Speaker 1>simply dividing the ownership of each person by the total

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<v Speaker 1>number of shares and then multiplying it, resulting fraction and

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<v Speaker 1>the total amount of the dividend payment. What excuse doesn't

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<v Speaker 1>this sum up baseball right now? It's just they're speaking

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<v Speaker 1>a language that we, the fans, cannot understand. We can't

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<v Speaker 1>a couple of phone calls in here, the very popular,

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<v Speaker 1>talented Judd Apatow will join us. He gave us Bridesmaids.

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<v Speaker 1>I watched Bridesmaids again last night, a little bit of it.

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<v Speaker 1>That some funny stuff in there, funny stuff, and Judd

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<v Speaker 1>did that forty year old virgin. I want to know

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<v Speaker 1>if that was the only take they did. Was Steve

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<v Speaker 1>Carell when he gets his chest waxed. I was told

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<v Speaker 1>that he that was a one and done for Steve Carrell,

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<v Speaker 1>and he basically wanted to give you the honest reaction

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<v Speaker 1>to having his chest waxed. Has anybody had their chest

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<v Speaker 1>waxed before in this room, Paulie, I have not, But

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<v Speaker 1>I worked with NASCAR driver Tony Stewart and we did

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<v Speaker 1>a charity thing on his old radio show and it

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<v Speaker 1>came off as like a joke quin time. And then

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<v Speaker 1>I think maybe Kevin Harvick called in said I'll give

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<v Speaker 1>ten grand a charity if Tony Harvick waxes his chest

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<v Speaker 1>and back and he was Harry, like Robin Williams Harry,

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<v Speaker 1>and he did it on a national radio show. I

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<v Speaker 1>think we raised one hundred and twenty thousand dollars in

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<v Speaker 1>one night, and it was unbelievable. Tony was like, he

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<v Speaker 1>looked like he's going to pass out. Fritzie. When you

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<v Speaker 1>were bodybuilding, to do wax, I did it. I would

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<v Speaker 1>shave a little bit with like a regular razor. I

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<v Speaker 1>didn't go to a place or do a whole shave.

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<v Speaker 1>I would shave like my arms and chest once in

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<v Speaker 1>a while if it started getting a little too fluffy,

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<v Speaker 1>and I liked the way it looked, obviously, when I

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<v Speaker 1>actually had some muccio structure to me to get some

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<v Speaker 1>of the hair off. Nick Levin, I haven't waxed up there.

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<v Speaker 1>Oh your eyebrows, you mean, yeah, you know that's on me.

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<v Speaker 1>That blame it on me, because I should have just

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<v Speaker 1>mentioned that and then moved on with it. Didn't need

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<v Speaker 1>to open it up to the group. Pete Carroll said

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<v Speaker 1>yesterday at a press conference that he regrets not signing

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<v Speaker 1>Colin Kaepernick years ago. And I have a couple of

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<v Speaker 1>questions here. I don't know why I don't know if

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<v Speaker 1>he really gave a reason why he didn't sign Colin Kaepernick.

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<v Speaker 1>Colin Kaepernick, I don't even think worked out, like physically

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<v Speaker 1>did a workout for the Seahawks when he went there.

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<v Speaker 1>But Pete Carroll said yesterday in NFL, I believe coach

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<v Speaker 1>called him about Colin Kaepernick. And I started to think,

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<v Speaker 1>why would a coach call Pete Carroll Colin Kaepernick? Because

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<v Speaker 1>if he didn't work out, he didn't do a pro

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<v Speaker 1>day for you, and he wasn't there he was there

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<v Speaker 1>half a day, why would I talk Why would I

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<v Speaker 1>call Pete Carroll and not Jim Harball. Feels like that

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<v Speaker 1>would be the first place I'd go if I want

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<v Speaker 1>to find out about Colin Kaepernick. How about I talk

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<v Speaker 1>to Jim Harball, not Pete Carroll. I don't know what

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<v Speaker 1>Pete knows about Colin Kaepernick other than they didn't bring

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<v Speaker 1>him in. But Pete Carroll said that he regrets not

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<v Speaker 1>bringing in Colin Kaepernick. I don't know. If he gets

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<v Speaker 1>a job, he should get a job. If he can

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<v Speaker 1>improve your team, if it's a football move, then he

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<v Speaker 1>should get a job, or at least the opportunity. I

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<v Speaker 1>don't want him brought in because we feel like, hey,

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<v Speaker 1>let's play nice, or that makes something go away, or

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<v Speaker 1>whatever it is. But I do think that if he

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<v Speaker 1>gets an opportunity in today's NFL with his style, he

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<v Speaker 1>was ahead of his time that he could be I'd

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<v Speaker 1>bring him in as a backup. And if I'm Colin Kaepernick,

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<v Speaker 1>I would want to be a backup if I have to.

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<v Speaker 1>If I get back into the league, I can be

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<v Speaker 1>a backup. Now I can prove to people, hey, I'm

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<v Speaker 1>a professional. I'm going to go out there. All anybody's

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<v Speaker 1>going to care about with Colin Kaepernick is as a backup.

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<v Speaker 1>Are you going to protest? How are you going to protest?

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<v Speaker 1>Is this going to be every press conference, every every

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<v Speaker 1>city you go into. Do you do a conference call?

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<v Speaker 1>You don't want your backup quarterback to be the most

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<v Speaker 1>talked about player on your team. You're trying to manage

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<v Speaker 1>this because you have to run a business. Tim Tebow

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<v Speaker 1>is not in the league, and part of that is

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<v Speaker 1>he was a very popular backup quarterback and overcovered. Now

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<v Speaker 1>maybe if he's a tight end or an h back,

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<v Speaker 1>then maybe he would he'd still be in the NFL.

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<v Speaker 1>But you can't have your quarterback. It's like Johnny Manziel.

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<v Speaker 1>Johnny Manziel would never be a backup quarterback. Couldn't have

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<v Speaker 1>him as a backup quarterback. Not possible. Certain personalities. Cam Newton,

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<v Speaker 1>I don't see his a backup quarterback. And Colin Kaepernick,

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<v Speaker 1>I can see him saying, all show you I can

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<v Speaker 1>be a backup quarterback. I can do all the things

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<v Speaker 1>you want to backup quarterback to do. I can get

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<v Speaker 1>the starter ready and it gives you one year in

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<v Speaker 1>the league, and then teams will look at this and say, hey,

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<v Speaker 1>we know he can play. If we take away the

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<v Speaker 1>political aspect of this, then we can bring him in.

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<v Speaker 1>But that's why these owners aren't saying anything about a

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<v Speaker 1>lot of this. They're nervous. They care about the fans

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<v Speaker 1>more than they do their own players. Because players come

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<v Speaker 1>and go. The fans they stay with you for generations.

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<v Speaker 1>And that's why you have some of these owners. Jerry

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<v Speaker 1>Jones hasn't even done his radio show in months. He

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<v Speaker 1>always has something to say about everything, even if it's

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<v Speaker 1>not his team. He hadn't said anything. A lot of

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<v Speaker 1>these owners haven't said much because they don't know what

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<v Speaker 1>the political landscape is going to be in September. That's

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<v Speaker 1>why I brought it up last hour. Will we get

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<v Speaker 1>to a point where the players who have been at

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<v Speaker 1>the forefront of this say, now we have a new stage.

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<v Speaker 1>Now we take this to a different level. Now we

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<v Speaker 1>do something different when it comes to the game itself.

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<v Speaker 1>Maybe we don't kneel because that was just back in

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<v Speaker 1>twenty sixteen to bring the cause to light. Now the

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<v Speaker 1>cause is in the bright lights. And that's what I

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<v Speaker 1>wonder about three months from now, where are we with this?

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<v Speaker 1>Where players are with their activism, Where are we with

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<v Speaker 1>the owners, Where are we with fans? Where are we

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<v Speaker 1>with Colin Kaepernick? Three months is an eternity right now

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<v Speaker 1>when you think about where we were three months ago

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<v Speaker 1>with the pandemic and where we are right now. All right,

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<v Speaker 1>we'll get to phone calls here. Jut up Apataw will

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<v Speaker 1>join us, coming up a little bit. Chris mad Dog

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<v Speaker 1>Russo joined us in the first hours. It was great

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<v Speaker 1>to talk to Chris. He's a legend in the business.

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<v Speaker 1>And when you think of sports talk radio, they did

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<v Speaker 1>a thirty for thirty on Mike and the Mad Dog.

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<v Speaker 1>That's how big these guys were. For a few decades

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<v Speaker 1>in New York City, so it was nice to have

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<v Speaker 1>Chris in. They sort of invented the whole concept of

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<v Speaker 1>sports talk radio when you have a tandem there, and

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<v Speaker 1>those guys did it at a very high level for

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<v Speaker 1>a long time. Patrick and Denver joins us Hi. Patrick,

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<v Speaker 1>what do you have for me today? Hey? Dan? First,

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<v Speaker 1>I wan to thank you for your comments on the

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<v Speaker 1>Confederate flag and the kneeling protest this week. But this

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<v Speaker 1>week a sports analyst said that it's possible there's zero

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<v Speaker 1>racism in sports today. Yesterday he said Colin Kaepernick hasn't

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<v Speaker 1>been in the NFL due to a lack of talent.

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<v Speaker 1>Last year, he said Colin Kaepernick wasn't in the NFL

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<v Speaker 1>because he doesn't understand XS and o's. If you don't

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<v Speaker 1>know how I'm talking about by now, I'm talking about

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<v Speaker 1>Doug Gottlieb. He also has controversial stances on praising Donald

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<v Speaker 1>Trump during the anthem protest to begin with Vic Fangio,

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<v Speaker 1>Adrian Beltre, the Rich Paul Rule, Drew Breeses comment, Lamar

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<v Speaker 1>Jackson's draft profile, true bisky over Watson and Mahomes. When

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<v Speaker 1>talking about George Floyd this week, he made it sound

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<v Speaker 1>like a rogue incident, citing the offers officers filed complaints.

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<v Speaker 1>He has no journalistic integrity or it's something worse. He

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<v Speaker 1>doesn't deserve to be a guest on your show with

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<v Speaker 1>true integrity, to be along with you and the Danets.

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<v Speaker 1>But I do have a follow up question. You mentioned

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<v Speaker 1>during the Doug Williams interview about how racism in the

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<v Speaker 1>NFL today it's more covert. Do you mean that's like

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<v Speaker 1>more like a top down effect from the owner or

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<v Speaker 1>decision to organizationally a piece of fans. Thanks well, thank you, Patrick.

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<v Speaker 1>And look, I'm not here to you know, promote Doug

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<v Speaker 1>or defend Doug. I'd have to hear the concept. And

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<v Speaker 1>you know what called Doug show. Those are those are

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<v Speaker 1>his opinions, then those you know, those are opinions I

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<v Speaker 1>don't agree with, but those are his opinions. I mean,

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<v Speaker 1>I'd have to hear it in Contextum, what's the other

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<v Speaker 1>part of this, Oh, the covert part of this? You know,

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<v Speaker 1>I just think that these businessmen are running a business here,

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<v Speaker 1>and I think that when you look at the covert

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<v Speaker 1>racism that's there, you start with the assistant coaches, how

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<v Speaker 1>many get to become a head coach. How many get

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<v Speaker 1>to become a GM a league that's over sixty percent

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<v Speaker 1>African American, But how many jobs do we have for

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<v Speaker 1>African Americans in coaching and being a head coach? So

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<v Speaker 1>it feels like it's a little bit more covert. Doug Williams.

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<v Speaker 1>We had him on and Doug was talking about it

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<v Speaker 1>was overt, like had people that somebody sent him a

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<v Speaker 1>piece of watermelon in a box. People were sending him letters.

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<v Speaker 1>He said. A woman was holding a stuffed animal on

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<v Speaker 1>a string as if to hang Doug Williams. This is

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<v Speaker 1>a guy who led Tampa Bay to the playoffs and

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<v Speaker 1>they went to the NFC title game. An awful franchise.

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<v Speaker 1>The laughing stock of the NFL was the Tampa Bay Buccaneers.

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<v Speaker 1>And here's Doug Williams. And you know, these fans didn't

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<v Speaker 1>want a black head coach or black quarterback, and now

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<v Speaker 1>we have. When I was growing up, it was, you know,

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<v Speaker 1>blacks aren't smart enough to be the head coach or

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<v Speaker 1>the quarterback. That was that was what people would say.

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<v Speaker 1>They were overt about it. They didn't hide it. They

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<v Speaker 1>just didn't think they had the mental capacity to play

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<v Speaker 1>quarterback in the NFL. And that's why you had a

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<v Speaker 1>lot of these quarterbacks who were great in college went

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<v Speaker 1>to the CFL because they got a chance, or the AFL,

0:12:31.600 --> 0:12:35.520
<v Speaker 1>or they changed positions. It was more overt back then.

0:12:36.520 --> 0:12:39.840
<v Speaker 1>Now it's more covert. But I don't speak on Doug

0:12:39.880 --> 0:12:45.680
<v Speaker 1>Gottlieb's behalf his beliefs, whatever his takes are, that's not

0:12:45.760 --> 0:12:51.080
<v Speaker 1>part of my job. Ted and Tampa joins us. Hey, Ted, Yeah,

0:12:51.080 --> 0:12:53.720
<v Speaker 1>he Dan. I got two points again. It's all about

0:12:53.720 --> 0:12:58.800
<v Speaker 1>the old line. Doug Williams, Trid Dilfert, terrible, terrible old

0:12:58.840 --> 0:13:01.760
<v Speaker 1>lines here in Tampa went to other teams at all

0:13:01.760 --> 0:13:05.200
<v Speaker 1>won Super bowls. Second point is you got to buy

0:13:05.240 --> 0:13:09.560
<v Speaker 1>the book No Ordinary Dog. It's about the Beltian Melanoi

0:13:09.640 --> 0:13:12.760
<v Speaker 1>that went in on the Bin Library and you'll absolutely

0:13:12.760 --> 0:13:16.079
<v Speaker 1>love it. It's a tremendous book written by a Navy seal. Awesome. Well,

0:13:16.080 --> 0:13:18.520
<v Speaker 1>thank you, Ted. We got to get an offensive line.

0:13:18.720 --> 0:13:20.960
<v Speaker 1>If Tampa has a good offensive line, I won't hear

0:13:21.040 --> 0:13:23.120
<v Speaker 1>from Ted this year. But if they have a bad

0:13:23.280 --> 0:13:26.080
<v Speaker 1>offensive line, I'm going to hear from Ted probably weekend

0:13:26.080 --> 0:13:28.360
<v Speaker 1>and week out. Yes, mcvin, did you see there was

0:13:28.440 --> 0:13:31.760
<v Speaker 1>helicopter footage. I mean, it's amazing, Brady. Yeah they got

0:13:31.760 --> 0:13:35.440
<v Speaker 1>aw he's whipping that team in this shape. Yeah, he

0:13:35.480 --> 0:13:37.600
<v Speaker 1>has a workout. And this is when remember when Farv

0:13:37.679 --> 0:13:42.080
<v Speaker 1>went to Minnesota and you had the helicopter the suv.

0:13:43.960 --> 0:13:46.840
<v Speaker 1>It was it was right out of a movie. Well

0:13:48.160 --> 0:13:50.680
<v Speaker 1>I think Morgan Freeman started in that movie or something.

0:13:50.920 --> 0:13:54.560
<v Speaker 1>But it always here's all that, like seven SUVs, helicopters

0:13:54.600 --> 0:13:57.840
<v Speaker 1>coming by, And that was for far of when he

0:13:57.840 --> 0:13:59.960
<v Speaker 1>went to Minnesota. But yeah, Brady, they had a helicopter

0:14:00.120 --> 0:14:04.560
<v Speaker 1>flying over while he's doing his workouts. There. Live sports

0:14:04.600 --> 0:14:09.720
<v Speaker 1>this weekend had golf, yesterday we got soccer boxing, Like

0:14:10.120 --> 0:14:13.720
<v Speaker 1>all right, I'm good. You know, we keep talking about

0:14:13.760 --> 0:14:18.440
<v Speaker 1>the new normal if this is now normal, Like we

0:14:18.559 --> 0:14:20.600
<v Speaker 1>keep talking all now it's the new normal and what

0:14:20.640 --> 0:14:23.040
<v Speaker 1>we were going through. When do we get to what

0:14:23.200 --> 0:14:27.280
<v Speaker 1>is normal? And I don't know if it's sort of

0:14:27.280 --> 0:14:30.240
<v Speaker 1>a hybrid here, and maybe I'm asking too much to say, well,

0:14:30.320 --> 0:14:32.200
<v Speaker 1>is this what it's going to be like or what's

0:14:32.240 --> 0:14:34.320
<v Speaker 1>three months down the road going to be like? And

0:14:34.400 --> 0:14:37.760
<v Speaker 1>I brought this up in the first hour because I

0:14:37.840 --> 0:14:41.640
<v Speaker 1>think the NBA, while they mean well, to get everybody

0:14:41.640 --> 0:14:44.800
<v Speaker 1>in Orlando in three months from now, two and a

0:14:44.840 --> 0:14:48.320
<v Speaker 1>half months from now, could we have the Eastern Conference

0:14:48.360 --> 0:14:51.800
<v Speaker 1>in Western Conference finals, in those two cities, in the

0:14:51.840 --> 0:14:55.400
<v Speaker 1>Eastern Conference and in the Western Conference, Because I don't

0:14:55.440 --> 0:14:58.640
<v Speaker 1>need to have everybody under a bubble for three months there.

0:14:58.960 --> 0:15:00.920
<v Speaker 1>I don't know if you're safe in the bubble or

0:15:01.000 --> 0:15:04.800
<v Speaker 1>outside the bubble. But let's say the Bucks played Toronto

0:15:04.840 --> 0:15:08.200
<v Speaker 1>in the Eastern Conference Finals. You go Toronto to Milwaukee,

0:15:08.680 --> 0:15:13.000
<v Speaker 1>you get quarantined, and you're on a private plane. And

0:15:13.160 --> 0:15:16.400
<v Speaker 1>let's say it's the Lakers against the Rockets, back and forth,

0:15:16.480 --> 0:15:22.040
<v Speaker 1>private plane, quarantine, and it feels like then you're acknowledging

0:15:22.320 --> 0:15:25.080
<v Speaker 1>and rewarding the teams with a home court advantage, a

0:15:25.160 --> 0:15:27.960
<v Speaker 1>true home court advantage, because I think we're gonna be

0:15:28.680 --> 0:15:34.120
<v Speaker 1>looking and feeling different in about two months here. And

0:15:34.240 --> 0:15:36.480
<v Speaker 1>that's why I don't need all the games in Orlando.

0:15:36.560 --> 0:15:38.560
<v Speaker 1>I don't need all those teams there. I like how

0:15:38.560 --> 0:15:42.360
<v Speaker 1>they're practicing safety, But then why don't we send six

0:15:42.440 --> 0:15:47.720
<v Speaker 1>more teams to Orlando. That doesn't make any sense. They're

0:15:47.760 --> 0:15:49.880
<v Speaker 1>trying to make up the money, is what they're trying

0:15:49.880 --> 0:15:55.160
<v Speaker 1>to do. I said, let's have ten five ten teams,

0:15:55.200 --> 0:15:59.480
<v Speaker 1>five in each You know you want to have sixteen, okay,

0:15:59.520 --> 0:16:01.480
<v Speaker 1>but you can't tell me you're worried about safety when

0:16:01.520 --> 0:16:05.000
<v Speaker 1>we invite six more teams. I know they're not there

0:16:05.000 --> 0:16:07.400
<v Speaker 1>for the long haul. But then if you got a

0:16:07.520 --> 0:16:13.600
<v Speaker 1>play in, remember there's the possibility of playing games. I'm

0:16:13.640 --> 0:16:17.200
<v Speaker 1>just one little voice here, one little voice. All right,

0:16:17.480 --> 0:16:20.520
<v Speaker 1>more phone calls coming up. What's pull question, McLevin? All right?

0:16:20.560 --> 0:16:23.840
<v Speaker 1>Went would you rather win five non majors or one major?

0:16:23.880 --> 0:16:26.400
<v Speaker 1>At a runaway? It's eighty three percent say the major.

0:16:26.480 --> 0:16:30.640
<v Speaker 1>Now I'm being reminded that remember after the Eagles signed

0:16:30.680 --> 0:16:34.040
<v Speaker 1>Michael Vick, he was the backup for Donovan McNabb. The

0:16:34.040 --> 0:16:38.800
<v Speaker 1>Eagles traded away McNabb and then they had Kevin Cobb

0:16:38.840 --> 0:16:41.960
<v Speaker 1>as the starter. Vic again as the backup. Cobb got hurt.

0:16:42.000 --> 0:16:46.480
<v Speaker 1>That was Week one and too soon, Sorry about that.

0:16:46.720 --> 0:16:50.160
<v Speaker 1>Vic became the starter, had a great season. He needed

0:16:50.200 --> 0:16:53.360
<v Speaker 1>a couple ways to break in as the starter. You know,

0:16:53.440 --> 0:16:56.120
<v Speaker 1>even when McNabb went, Cobb got the job, Then Cobb

0:16:56.160 --> 0:16:58.600
<v Speaker 1>got hurt, then Michael Vick got a chance. Maybe that's

0:16:58.600 --> 0:17:01.600
<v Speaker 1>what you know, Colin Kaepernick, we'll have to deal with

0:17:01.640 --> 0:17:04.280
<v Speaker 1>that will be pretty much this scenario, somebody who have

0:17:04.280 --> 0:17:06.000
<v Speaker 1>to get hurt for him to get an opportunity to

0:17:06.000 --> 0:17:08.680
<v Speaker 1>plug if he's brought in. All right, we'll take a break.

0:17:08.760 --> 0:17:11.439
<v Speaker 1>Jod Appatow is a new movie. It's based off of

0:17:11.440 --> 0:17:15.520
<v Speaker 1>Pete davidson Saturday Night Live stand up comedian and it's

0:17:15.560 --> 0:17:17.960
<v Speaker 1>called The King of Staten Island. We'll talk to Judd

0:17:18.000 --> 0:17:20.719
<v Speaker 1>about that, but also some of the great movies that

0:17:20.840 --> 0:17:24.639
<v Speaker 1>he is written for, produced, directed, and more of your

0:17:24.640 --> 0:17:26.880
<v Speaker 1>phone calls as well. Back after this and The Dan

0:17:26.960 --> 0:17:30.320
<v Speaker 1>Patrick Show. Thanks for listening to The Dan Patrick Show podcast.

0:17:30.400 --> 0:17:33.280
<v Speaker 1>Be sure to catch us live every weekday morning nine

0:17:33.320 --> 0:17:36.040
<v Speaker 1>to noon Eastern or six to nine Pacific on Fox

0:17:36.080 --> 0:17:38.960
<v Speaker 1>Sports Radio. Find your local station for The Dan Patrick

0:17:39.000 --> 0:17:41.879
<v Speaker 1>Show at Fox Sports Radio dot com, or stream us

0:17:41.920 --> 0:17:45.399
<v Speaker 1>live every day on the iHeartRadio app by searching f

0:17:45.920 --> 0:17:48.680
<v Speaker 1>s R. Dan Patrick Show. Brought to you by Mercedes

0:17:48.720 --> 0:17:51.000
<v Speaker 1>AMGB Prepared for whatever comes your way of the all

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0:17:53.520 --> 0:17:55.719
<v Speaker 1>us your local dealership for a test drive today. If

0:17:55.760 --> 0:17:58.080
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0:17:58.240 --> 0:18:01.480
<v Speaker 1>Man Cave, go to The Dit Patrick Show app watch

0:18:01.520 --> 0:18:05.399
<v Speaker 1>and listen inside the Mercedes AMG Man came Mercedes Amge

0:18:05.920 --> 0:18:09.360
<v Speaker 1>Driving Performance. Got a chance to speak to Judd Appetl.

0:18:09.440 --> 0:18:11.800
<v Speaker 1>This was Wednesday, after the show, we taped an interview.

0:18:11.800 --> 0:18:15.560
<v Speaker 1>He's got a new movie. It's on demand starting today

0:18:15.760 --> 0:18:18.880
<v Speaker 1>and it starts Pete Davidson, Maurissa Toomai and the great

0:18:18.880 --> 0:18:22.440
<v Speaker 1>comedian Bill Burr. It's called The King of Staten Island.

0:18:22.920 --> 0:18:26.480
<v Speaker 1>And here is Judd Appetl, the writer, director, producer of

0:18:26.520 --> 0:18:31.040
<v Speaker 1>the movie. Hello, how are you? I'm well, how are you, sir?

0:18:31.800 --> 0:18:34.680
<v Speaker 1>Look at that hair here? Oh my god? Yeah yeah,

0:18:34.760 --> 0:18:38.840
<v Speaker 1>look at you. Yeah, let yourself go. I thought I

0:18:38.960 --> 0:18:44.199
<v Speaker 1>let beautiful direction there. If they knew castaway too. I

0:18:44.240 --> 0:18:48.879
<v Speaker 1>think you're ready wet, all dressed up for this? Okay, yeah,

0:18:48.880 --> 0:18:50.919
<v Speaker 1>hey you can show some cleavage. I'm all right then,

0:18:51.080 --> 0:18:55.160
<v Speaker 1>come on, it's good. I'm taping it, so I'm ready.

0:18:55.160 --> 0:18:58.640
<v Speaker 1>If you are somethings hanging, I gotta make sure. Come on, look,

0:18:58.680 --> 0:19:01.440
<v Speaker 1>what's let me let's see I do okay, I mean

0:19:01.480 --> 0:19:05.920
<v Speaker 1>you have daughters, your wife. Didn't anybody help you today?

0:19:06.160 --> 0:19:08.040
<v Speaker 1>No one helps me, No one cares. How I looked

0:19:08.040 --> 0:19:15.159
<v Speaker 1>at it. I was wondering about this. Comedian started, Yeah, yeah, yeah, yes,

0:19:15.520 --> 0:19:22.639
<v Speaker 1>you're ready to start in three and three two writer, Producer, director, comedian.

0:19:23.000 --> 0:19:25.760
<v Speaker 1>If I said you can only have one title, yes,

0:19:25.960 --> 0:19:30.000
<v Speaker 1>which one? I guess writer, I guess it all starts there.

0:19:30.040 --> 0:19:35.080
<v Speaker 1>I'll say that, wait, why not? Comedian? Comedian is close

0:19:35.119 --> 0:19:37.920
<v Speaker 1>as well. But with comedian, you know, I get comedian.

0:19:37.960 --> 0:19:40.960
<v Speaker 1>But with writer, it's connected to a bunch of other things.

0:19:41.440 --> 0:19:45.320
<v Speaker 1>Is it's comedian comedian, let's switch it. How often do

0:19:45.359 --> 0:19:47.520
<v Speaker 1>you get a neighbor who wants to pitch something to

0:19:47.640 --> 0:19:51.480
<v Speaker 1>you or try to be funny to you. It's pretty

0:19:51.600 --> 0:19:53.960
<v Speaker 1>rare because I think it takes some courage to pitch

0:19:54.080 --> 0:19:59.120
<v Speaker 1>a funny joke or movie idea, and usually when somebody does,

0:19:59.440 --> 0:20:01.920
<v Speaker 1>it doesn't go well. I used to do this thing

0:20:01.960 --> 0:20:03.600
<v Speaker 1>on stage where I would say to the crowd, I

0:20:03.600 --> 0:20:05.880
<v Speaker 1>will listen to your pitches for movies, and I would

0:20:05.880 --> 0:20:08.600
<v Speaker 1>bring three people on stage. I would say, pitch me

0:20:08.640 --> 0:20:13.600
<v Speaker 1>your movie ideas, and they were always insane. No, we've

0:20:13.640 --> 0:20:16.159
<v Speaker 1>ever had a good one. They were all crazy. But

0:20:16.280 --> 0:20:19.040
<v Speaker 1>that would be That would be a great show. I

0:20:19.040 --> 0:20:21.880
<v Speaker 1>would love to see you on stage with people doing

0:20:21.920 --> 0:20:26.000
<v Speaker 1>their pitches. I think we just made a show. I

0:20:26.040 --> 0:20:29.000
<v Speaker 1>think we did right. I think, did I just pitch

0:20:29.040 --> 0:20:31.960
<v Speaker 1>you a show that got green light? I think it's

0:20:31.960 --> 0:20:36.240
<v Speaker 1>as greenlit as that mint sweat figure. It's not a sweatsuit,

0:20:36.400 --> 0:20:38.480
<v Speaker 1>it's just a top. I don't have pants to go

0:20:38.520 --> 0:20:42.000
<v Speaker 1>along with it. I think this is why comedians hang

0:20:42.040 --> 0:20:45.680
<v Speaker 1>out with comedians Judd, because you want to. You don't

0:20:45.720 --> 0:20:48.400
<v Speaker 1>want to hear other people try to be funny. Yes,

0:20:48.640 --> 0:20:51.119
<v Speaker 1>like non funny people. Comedians like to hang out with

0:20:51.160 --> 0:20:54.000
<v Speaker 1>funny people. Do you think that's that's fair. I think

0:20:54.000 --> 0:20:56.840
<v Speaker 1>that's true. It's rare that a good comedian wants to

0:20:56.840 --> 0:21:01.560
<v Speaker 1>hang out with a terrible, unfunny comedian. That's why you

0:21:01.600 --> 0:21:04.639
<v Speaker 1>see like groups of comedians who hang out together because

0:21:04.680 --> 0:21:07.840
<v Speaker 1>they so enjoy a good joke that if someone's really

0:21:08.000 --> 0:21:12.400
<v Speaker 1>not good at hanging and being funny, they really exclude them.

0:21:12.520 --> 0:21:17.040
<v Speaker 1>It's brutal. Sandler is really good at that. It's kind

0:21:17.040 --> 0:21:20.800
<v Speaker 1>of a generous laugh. Like I don't know if it's real,

0:21:21.280 --> 0:21:23.760
<v Speaker 1>but when he hangs with us, he's really good at

0:21:23.840 --> 0:21:27.679
<v Speaker 1>just sort of a fake laughter. I would say this,

0:21:28.520 --> 0:21:31.600
<v Speaker 1>he must find you funny, he wants you around. I

0:21:31.640 --> 0:21:35.440
<v Speaker 1>think that's real laughter. I think that's due to sports,

0:21:35.600 --> 0:21:39.439
<v Speaker 1>jud not comedy. Oh, you think he like he tolerates

0:21:39.480 --> 0:21:41.680
<v Speaker 1>you trying to be funny, to have fun sports talk

0:21:41.720 --> 0:21:46.280
<v Speaker 1>with you. Yeah, this is possible. This you may you

0:21:46.359 --> 0:21:49.080
<v Speaker 1>may have figured something out right there. Yeah, unfortunately. Yeah,

0:21:49.560 --> 0:21:51.840
<v Speaker 1>all right. How long does it take before you have

0:21:51.920 --> 0:21:55.280
<v Speaker 1>the idea of this movie The King of Staten Island,

0:21:55.400 --> 0:21:59.600
<v Speaker 1>before you actually start writing a script? Well, Pete Davidson

0:21:59.600 --> 0:22:01.440
<v Speaker 1>and I met when we were doing train Wreck. He

0:22:01.480 --> 0:22:04.239
<v Speaker 1>did a cameo, and after his cameo, Bill Hayter liked

0:22:04.320 --> 0:22:06.639
<v Speaker 1>him so much he recommended him to Lauren Michaels and

0:22:06.680 --> 0:22:09.800
<v Speaker 1>he got Saturday Night Live. This is in two thousand

0:22:09.840 --> 0:22:12.760
<v Speaker 1>and fourteen, six years ago, so we've been working on

0:22:12.840 --> 0:22:15.080
<v Speaker 1>it since then. We worked on a different movie. I

0:22:15.119 --> 0:22:17.399
<v Speaker 1>gave him an idea for a movie to write that

0:22:17.480 --> 0:22:19.919
<v Speaker 1>turned out to be a terrible idea and he probably

0:22:19.960 --> 0:22:24.160
<v Speaker 1>wasted two years on a bad goofy idea. And then

0:22:24.200 --> 0:22:25.720
<v Speaker 1>we were like, I guess we should think of a

0:22:26.119 --> 0:22:30.159
<v Speaker 1>better idea. And then slowly we started talking about doing

0:22:30.200 --> 0:22:33.360
<v Speaker 1>something much more personal that came from his life. Yeah,

0:22:33.400 --> 0:22:36.240
<v Speaker 1>because it's not loosely based on his life. It's based

0:22:36.280 --> 0:22:39.439
<v Speaker 1>on his life from what I've read about Pete. Well,

0:22:39.840 --> 0:22:44.360
<v Speaker 1>Pete his father was a firefighter who died on nine

0:22:44.359 --> 0:22:47.280
<v Speaker 1>to eleven and that was very traumatic. He was seven

0:22:47.320 --> 0:22:51.119
<v Speaker 1>years old when that happened, and we talked about creating

0:22:51.119 --> 0:22:53.639
<v Speaker 1>a fictional story that could get to all the real

0:22:54.119 --> 0:22:57.520
<v Speaker 1>emotions and how it affected his family. So, you know,

0:22:57.560 --> 0:23:00.719
<v Speaker 1>in the movie he plays a slacker, pothead going nowhere

0:23:00.760 --> 0:23:03.080
<v Speaker 1>in life and in real life, you know, pizza guy

0:23:03.080 --> 0:23:04.679
<v Speaker 1>who was on Saturday Night Live by the time he

0:23:04.760 --> 0:23:08.000
<v Speaker 1>was twenty, So there are big differences. But within the

0:23:08.040 --> 0:23:12.320
<v Speaker 1>story you get to a lot of deep emotional stuff. Yeah,

0:23:12.320 --> 0:23:15.000
<v Speaker 1>and you get that dead father joke out of the

0:23:15.040 --> 0:23:18.439
<v Speaker 1>way or early in the in the movie. But was

0:23:18.440 --> 0:23:20.840
<v Speaker 1>that by design, like let's let's take it out of

0:23:20.880 --> 0:23:25.080
<v Speaker 1>the room here. I think that it happened instinctually. Ricky Villez,

0:23:25.080 --> 0:23:27.920
<v Speaker 1>who's a great comedian who is a friend of Pete's,

0:23:28.480 --> 0:23:32.280
<v Speaker 1>was in a scene early in the movie, and we

0:23:32.359 --> 0:23:35.080
<v Speaker 1>knew we wanted to show that his friends think it's

0:23:35.080 --> 0:23:37.800
<v Speaker 1>okay to joke about the fact that his dad is dead,

0:23:39.200 --> 0:23:43.239
<v Speaker 1>because obviously Pete's character is lying. He isn't over it,

0:23:43.280 --> 0:23:46.800
<v Speaker 1>but he tells them he's over it, and then Ricky improvised,

0:23:47.280 --> 0:23:52.520
<v Speaker 1>you know, knock knock, who's there not your dad. But

0:23:52.960 --> 0:23:57.040
<v Speaker 1>I also think he only had the courage that improvise

0:23:57.160 --> 0:23:59.720
<v Speaker 1>that joke because he's one of Pete's best friends, and

0:23:59.760 --> 0:24:02.359
<v Speaker 1>he knew that that is the kind of joke that

0:24:02.480 --> 0:24:05.440
<v Speaker 1>they would tell with each other, because only your closest

0:24:05.440 --> 0:24:09.600
<v Speaker 1>friends would go that dark. The movie is The King

0:24:09.640 --> 0:24:13.600
<v Speaker 1>of Staten Island. We're talking to a Judd Apataal, the producer, writer, director,

0:24:13.640 --> 0:24:17.320
<v Speaker 1>comedian who joins us on the program. I found it

0:24:17.359 --> 0:24:21.119
<v Speaker 1>interesting the reaction to Bill Burr, who plays Marissa toomay

0:24:21.160 --> 0:24:24.359
<v Speaker 1>Mirsatoma is Pete Davidson's mom and Bill Burr is a

0:24:24.400 --> 0:24:28.160
<v Speaker 1>firefighter who starts dating her. And then people's reaction was, God,

0:24:28.240 --> 0:24:31.120
<v Speaker 1>Bill Burr's good at being serious. And I said, well,

0:24:31.160 --> 0:24:33.440
<v Speaker 1>if you think about the premise of stand up comedy,

0:24:34.000 --> 0:24:37.359
<v Speaker 1>it is really based on drama in a comedian's life

0:24:37.400 --> 0:24:40.919
<v Speaker 1>and darkness. They just have the ability. Comedians have the

0:24:40.920 --> 0:24:44.240
<v Speaker 1>ability to make it funny. So why wouldn't you know

0:24:44.359 --> 0:24:47.639
<v Speaker 1>Sandler in Uncut Gems people are like, I didn't know

0:24:47.720 --> 0:24:51.440
<v Speaker 1>he could be Robin Williams. The same way that ability

0:24:51.520 --> 0:24:54.919
<v Speaker 1>to we they deal with drama, they just make their

0:24:55.040 --> 0:24:57.960
<v Speaker 1>drama funny for us. I thought Burr was really, really,

0:24:58.000 --> 0:25:03.360
<v Speaker 1>really good. Yeah, he is a great actor and a

0:25:03.359 --> 0:25:06.480
<v Speaker 1>big hearted guy. So you know someone like that who's

0:25:06.480 --> 0:25:09.639
<v Speaker 1>opinionated and has that bluster, and then when you slowly

0:25:09.680 --> 0:25:11.480
<v Speaker 1>see his heart and you see how much he cares

0:25:11.480 --> 0:25:14.440
<v Speaker 1>about Pete, it's very moving and we were all blown

0:25:14.440 --> 0:25:17.720
<v Speaker 1>away by his performance. And at the same time, you know,

0:25:17.840 --> 0:25:21.200
<v Speaker 1>we love his stand up. He's like a fierce, ridiculously

0:25:21.320 --> 0:25:25.199
<v Speaker 1>legendary comedian. Which the movie you wish people ask you

0:25:25.280 --> 0:25:31.880
<v Speaker 1>more about. I'm always about walk Hard. I love walk

0:25:31.960 --> 0:25:34.920
<v Speaker 1>Hard John c Riley. It was a parody of Walk

0:25:34.960 --> 0:25:38.119
<v Speaker 1>the Line and Ray and music biopics. And what's funny

0:25:38.200 --> 0:25:40.520
<v Speaker 1>is after the movie about Queen came out, there were

0:25:40.520 --> 0:25:42.920
<v Speaker 1>a lot of articles about walk Hard that basically said,

0:25:43.000 --> 0:25:45.879
<v Speaker 1>this movie is doing all the tropes that were in

0:25:46.040 --> 0:25:49.199
<v Speaker 1>Walk Hard, And suddenly all these articles like, wait a second,

0:25:49.320 --> 0:25:52.560
<v Speaker 1>I think walk Hard might be great. It's that just

0:25:52.720 --> 0:25:56.439
<v Speaker 1>silly movie. It really makes me laugh. It's just I

0:25:56.480 --> 0:25:59.560
<v Speaker 1>don't do that many movies that are just like airplane

0:25:59.560 --> 0:26:03.240
<v Speaker 1>type joke fests. And every time it's on, it's the

0:26:03.320 --> 0:26:04.840
<v Speaker 1>only one of the movies I've worked on that I

0:26:04.920 --> 0:26:07.760
<v Speaker 1>won't watch a lot of it because there's a lot

0:26:07.800 --> 0:26:10.040
<v Speaker 1>of little jokes that make me laugh a lot. And

0:26:10.080 --> 0:26:12.520
<v Speaker 1>then there's people like Eddie Vetter and Jack White and

0:26:12.600 --> 0:26:16.159
<v Speaker 1>Jackson Brown and go Face Hilla and I love movies

0:26:16.160 --> 0:26:18.359
<v Speaker 1>with a lot of candidos like that. But when you

0:26:18.520 --> 0:26:22.160
<v Speaker 1>know you have something special, how deep into the process.

0:26:23.040 --> 0:26:25.760
<v Speaker 1>Sometimes when you're shooting, you feel like I think it's happening.

0:26:25.800 --> 0:26:28.280
<v Speaker 1>I feel I feel like this is coming together. But

0:26:28.520 --> 0:26:32.800
<v Speaker 1>when you really know is I asked the editors every

0:26:32.880 --> 0:26:35.680
<v Speaker 1>day to send me the cuts of what they edited

0:26:35.760 --> 0:26:38.800
<v Speaker 1>that day, So while I'm shooting, I get links to

0:26:39.080 --> 0:26:42.119
<v Speaker 1>the scenes from earlier in the week, and usually you

0:26:42.119 --> 0:26:45.520
<v Speaker 1>could just tell if there's chemistry between all of the

0:26:45.560 --> 0:26:47.960
<v Speaker 1>actors and actresses and if and sometimes some of the

0:26:48.040 --> 0:26:49.800
<v Speaker 1>scenes are great and you're like, oh my god, I

0:26:49.840 --> 0:26:54.520
<v Speaker 1>think you know, Correll getting his chess wax is really funny,

0:26:54.680 --> 0:26:57.720
<v Speaker 1>because you don't know if you cut it together if

0:26:57.720 --> 0:27:01.080
<v Speaker 1>by being crazy funny and you get very excited. Is

0:27:01.119 --> 0:27:05.399
<v Speaker 1>that improved in any way? When Karel gets waxed in

0:27:05.480 --> 0:27:09.000
<v Speaker 1>forty year Virgin, I mean it's all improvised. We put

0:27:09.000 --> 0:27:11.199
<v Speaker 1>four cameras on him and we just waxed him, and

0:27:11.240 --> 0:27:13.520
<v Speaker 1>the funny thing is we looked for an actress who

0:27:13.600 --> 0:27:17.280
<v Speaker 1>also was a professional hair waxer. So we hired this

0:27:17.359 --> 0:27:20.080
<v Speaker 1>woman to do it, and I think she lied and

0:27:20.280 --> 0:27:23.080
<v Speaker 1>was not a professional hair waxer because she put some

0:27:23.119 --> 0:27:25.679
<v Speaker 1>of the wax over his nipple and I think she

0:27:25.720 --> 0:27:28.639
<v Speaker 1>came like that close to tearing off his nipple. I

0:27:28.680 --> 0:27:32.880
<v Speaker 1>mean he was covered in blood by But you had

0:27:32.920 --> 0:27:36.199
<v Speaker 1>all of those comedians with cameos. Like bringing all of

0:27:36.240 --> 0:27:40.040
<v Speaker 1>those people together and making them shine has to I

0:27:40.080 --> 0:27:44.360
<v Speaker 1>don't know the challenge of doing that. You know, it's

0:27:44.440 --> 0:27:47.840
<v Speaker 1>less challenging when they're great. There's always people that you

0:27:48.000 --> 0:27:52.440
<v Speaker 1>love who haven't had giant opportunities yet. You know. At

0:27:52.440 --> 0:27:55.840
<v Speaker 1>that time, you know, we knew Jane Lynch from Best

0:27:55.880 --> 0:27:59.199
<v Speaker 1>in Show and we thought, well, she's as funny as

0:27:59.480 --> 0:28:02.600
<v Speaker 1>human being get And Craig Robinson just started on the

0:28:02.640 --> 0:28:06.760
<v Speaker 1>Office only I think maybe six episodes that aired at

0:28:06.760 --> 0:28:09.440
<v Speaker 1>that point. Mindy Kaling was on the Office as well,

0:28:09.920 --> 0:28:13.399
<v Speaker 1>and you know, Kevin Hart did a small part in

0:28:13.400 --> 0:28:17.200
<v Speaker 1>The forty Old Virgin Romney Malco is a big Jonah Hill.

0:28:17.800 --> 0:28:20.760
<v Speaker 1>Jonah Hill has a little part. So we just pick

0:28:20.840 --> 0:28:23.320
<v Speaker 1>people that crack us up and that we love and

0:28:23.359 --> 0:28:26.639
<v Speaker 1>then we hope they have a great moment, and in

0:28:26.680 --> 0:28:29.359
<v Speaker 1>that movie, weirdly so many of them really grabbed them

0:28:29.480 --> 0:28:33.080
<v Speaker 1>their moment. But can you write around And I don't

0:28:33.080 --> 0:28:35.919
<v Speaker 1>know the process, so if I sound ignorant, then correct me.

0:28:35.960 --> 0:28:39.760
<v Speaker 1>But can you write around four or five really great

0:28:39.840 --> 0:28:43.200
<v Speaker 1>moments like Bridesmaids when you have Maya out there with

0:28:43.240 --> 0:28:45.480
<v Speaker 1>their wedding dress and she's you know, has to use

0:28:45.520 --> 0:28:48.760
<v Speaker 1>the bathroom? Like, can you write around that? And then

0:28:48.800 --> 0:28:50.960
<v Speaker 1>you find another scene that you write around like three

0:28:51.040 --> 0:28:52.760
<v Speaker 1>or four of those and you can make a movie

0:28:52.760 --> 0:28:55.160
<v Speaker 1>out of that Or is that maybe stripping this down

0:28:55.200 --> 0:28:57.680
<v Speaker 1>too much? Well, I'd like to look at it like

0:28:57.720 --> 0:29:00.520
<v Speaker 1>I'm trying to make a great dramatic movie. If if

0:29:00.640 --> 0:29:03.120
<v Speaker 1>I can get the drama to work, then I can

0:29:03.200 --> 0:29:05.080
<v Speaker 1>find a way to make it funny. I think if

0:29:05.120 --> 0:29:07.120
<v Speaker 1>you start with the funny stuff, it's usually bad and

0:29:07.200 --> 0:29:10.200
<v Speaker 1>you can feel the story and the emotions just jammed

0:29:10.240 --> 0:29:13.400
<v Speaker 1>in later. We've all seen those movies where people are

0:29:13.400 --> 0:29:15.480
<v Speaker 1>just going nuts and there's not much of a story,

0:29:16.000 --> 0:29:18.960
<v Speaker 1>and I think those are much harder to get to

0:29:19.120 --> 0:29:23.520
<v Speaker 1>work than if you're really emotionally invested in something. Favorite

0:29:23.520 --> 0:29:27.360
<v Speaker 1>comedy that you watched Growing Up. Well, when I was

0:29:27.400 --> 0:29:31.800
<v Speaker 1>growing up, I love The Jerks as a kid, but

0:29:31.880 --> 0:29:35.719
<v Speaker 1>you ilie Steve Martin, right, Yes, I mean I talked

0:29:35.760 --> 0:29:38.840
<v Speaker 1>like him for years as a child, and The Jerk

0:29:39.040 --> 0:29:40.760
<v Speaker 1>was like my dream because I was a big fan

0:29:40.800 --> 0:29:42.960
<v Speaker 1>of his and then suddenly they're like, oh, he's gonna

0:29:42.960 --> 0:29:45.120
<v Speaker 1>make a movie, and then to me, The Jerk was

0:29:45.200 --> 0:29:48.920
<v Speaker 1>my dream of what that movie could possibly be. So

0:29:48.960 --> 0:29:50.680
<v Speaker 1>that was a big movie for me when I was

0:29:50.680 --> 0:29:52.920
<v Speaker 1>a kid, and then I think as a kid, Fast

0:29:52.960 --> 0:29:56.200
<v Speaker 1>Times a Ridgemond High was very inspirational because it was

0:29:56.240 --> 0:30:00.560
<v Speaker 1>both really funny but had a lot of grounded elements

0:30:00.600 --> 0:30:02.960
<v Speaker 1>in it. There's a lot of credibility to it as well.

0:30:03.600 --> 0:30:06.040
<v Speaker 1>Yeah you're trying to And it's weird how those things

0:30:06.400 --> 0:30:10.160
<v Speaker 1>kind of form what you think humor is. Because when

0:30:10.160 --> 0:30:12.680
<v Speaker 1>I was growing up, I always thought, well, Bill Murray

0:30:12.760 --> 0:30:16.080
<v Speaker 1>is funny, and so I gravitated towards that sense of humor.

0:30:16.160 --> 0:30:17.960
<v Speaker 1>And then Robin Williams came along and I went, no,

0:30:18.000 --> 0:30:20.080
<v Speaker 1>he's too over the top. He's got to be like

0:30:20.160 --> 0:30:23.440
<v Speaker 1>Bill Murray. And I don't know if you approach things

0:30:23.440 --> 0:30:26.200
<v Speaker 1>in a well Steve Martin was a cerebral way of

0:30:26.240 --> 0:30:29.480
<v Speaker 1>looking at comedy. Well, there were people that I thought

0:30:29.480 --> 0:30:32.560
<v Speaker 1>were funny that I thought I don't know how to

0:30:32.600 --> 0:30:35.520
<v Speaker 1>be funny like that. So I would see people like

0:30:35.560 --> 0:30:38.040
<v Speaker 1>Paul Reiser and Jerry Seinfeld and Jay Leno and think,

0:30:38.120 --> 0:30:40.000
<v Speaker 1>I guess I'm kind of like those guys. I'm from

0:30:40.120 --> 0:30:43.080
<v Speaker 1>Long Island. I could relate. And then there were people

0:30:43.120 --> 0:30:46.080
<v Speaker 1>I really worship. You'd like all the Monty Python people

0:30:46.120 --> 0:30:49.520
<v Speaker 1>and Steve Martin or John Belushi, and I would think, well,

0:30:49.520 --> 0:30:52.080
<v Speaker 1>they're great, but I don't think I'm funny in the

0:30:52.120 --> 0:30:55.440
<v Speaker 1>way that they're funny. I'm different. I couldn't pull that off.

0:30:55.720 --> 0:30:58.880
<v Speaker 1>You always do cameos, or at least there's always small cameos.

0:30:58.920 --> 0:31:04.200
<v Speaker 1>There is this year Alfred Hitchcock approach where you're going

0:31:04.240 --> 0:31:05.800
<v Speaker 1>to be in there and we have to spot you

0:31:05.920 --> 0:31:08.640
<v Speaker 1>a cab driver or whatever it might be. I haven't

0:31:08.680 --> 0:31:10.920
<v Speaker 1>done that, you know. I was in the Disaster Artist.

0:31:12.240 --> 0:31:18.160
<v Speaker 1>They asked me to play like a like a nasty

0:31:18.200 --> 0:31:23.000
<v Speaker 1>producer who yelled at James Franco in the movie. And

0:31:23.400 --> 0:31:25.040
<v Speaker 1>I was like, okay, I could do that, like jerk

0:31:25.080 --> 0:31:27.760
<v Speaker 1>Hollywood producer. And I did the scene and then I

0:31:27.760 --> 0:31:29.840
<v Speaker 1>saw the movie and in the credits it said Judd

0:31:29.880 --> 0:31:38.920
<v Speaker 1>Apatow as himself, when you were first pitched Lebron, M

0:31:39.960 --> 0:31:43.280
<v Speaker 1>what was your reaction to? How do I make this work?

0:31:43.280 --> 0:31:46.920
<v Speaker 1>How do I make him look good? When we were

0:31:47.400 --> 0:31:50.840
<v Speaker 1>forty working on the draft, you know, Amy, you know,

0:31:50.960 --> 0:31:55.600
<v Speaker 1>was riding Bill Hayter as a sports medicine doctor, and

0:31:55.640 --> 0:31:59.040
<v Speaker 1>then the idea came up, what if his best friend

0:31:59.200 --> 0:32:05.720
<v Speaker 1>is a gig antic star athlete, And immediately Lebron's name

0:32:05.760 --> 0:32:08.560
<v Speaker 1>came up, with no thought that that was possible. Usually

0:32:08.600 --> 0:32:11.440
<v Speaker 1>you start with Lebron and then you just keep, you know,

0:32:11.600 --> 0:32:13.440
<v Speaker 1>going down and down. You go to like eighty people

0:32:13.440 --> 0:32:16.400
<v Speaker 1>to get to whatever you can get. Bill said, he

0:32:16.520 --> 0:32:18.560
<v Speaker 1>just did SNL and I think he had a really

0:32:18.600 --> 0:32:21.520
<v Speaker 1>good time. Let's ask him. And we went to a

0:32:21.600 --> 0:32:24.000
<v Speaker 1>Laker game Bill and I and then we said hi

0:32:24.080 --> 0:32:25.600
<v Speaker 1>to him afterwards, and the next day we went to

0:32:25.720 --> 0:32:28.880
<v Speaker 1>lunch with him, and I always remember how exhausted he

0:32:29.000 --> 0:32:33.200
<v Speaker 1>seemed after the game. It's the next day and I thought, wowy,

0:32:33.280 --> 0:32:35.840
<v Speaker 1>they really leave it all on the floor. And then

0:32:35.880 --> 0:32:38.000
<v Speaker 1>his teammates kept walking up and saying hello at the

0:32:38.040 --> 0:32:43.720
<v Speaker 1>restaurant in the hotel, and they all seemed exhausted, and

0:32:43.920 --> 0:32:46.640
<v Speaker 1>I thought, man, it's a hard job. You know, they're

0:32:46.680 --> 0:32:49.560
<v Speaker 1>they're recovering right now. And then we told him the

0:32:49.640 --> 0:32:52.120
<v Speaker 1>joke like you're the Bruno Kirby and when Harry met

0:32:52.160 --> 0:32:56.200
<v Speaker 1>Sale and he just thought that was hysterical. But he's

0:32:56.240 --> 0:32:58.280
<v Speaker 1>the best friend, and the joke is that he cares

0:32:58.560 --> 0:33:02.840
<v Speaker 1>and he's really tracking the really and really cares, and

0:33:03.120 --> 0:33:06.240
<v Speaker 1>he was hysterical. I mean, he's a very talented actor

0:33:06.280 --> 0:33:08.040
<v Speaker 1>and he has got a great sense of humor. That

0:33:08.120 --> 0:33:11.360
<v Speaker 1>wasn't like me spoon feeding anything. That was genuinely him

0:33:11.400 --> 0:33:15.560
<v Speaker 1>being riotously funny. The movie is The King of Staten Island,

0:33:15.560 --> 0:33:18.239
<v Speaker 1>starring Pete Davidson. It will be available on demand. By

0:33:18.240 --> 0:33:24.240
<v Speaker 1>the way, Marissa Toomay spectacular, nice casting. There always always great.

0:33:24.240 --> 0:33:25.840
<v Speaker 1>You can't go wrong there, no, you can hear her.

0:33:26.160 --> 0:33:30.400
<v Speaker 1>Then people think you're a good director, but it's just her. Friday,

0:33:30.720 --> 0:33:33.800
<v Speaker 1>June twelfth, it will be available. It's the King of

0:33:33.800 --> 0:33:36.640
<v Speaker 1>Staten Island. Good luck with a movie, Jutt. It's always

0:33:36.680 --> 0:33:38.720
<v Speaker 1>great to talk to you, and I just want to

0:33:38.760 --> 0:33:41.520
<v Speaker 1>let you know that I do see other directors and

0:33:41.600 --> 0:33:45.280
<v Speaker 1>producers behind Sandler's back, so I don't need to be

0:33:45.360 --> 0:33:49.240
<v Speaker 1>tied to the Sandler franchise. I'm just saying. I mean,

0:33:49.240 --> 0:33:51.720
<v Speaker 1>this isn't an offer. This is just an announcement, that's all.

0:33:51.800 --> 0:33:54.600
<v Speaker 1>This is. Jut that just that's one of those stars

0:33:54.880 --> 0:33:58.600
<v Speaker 1>you know when like you know, Paramount would lend out

0:33:59.080 --> 0:34:01.760
<v Speaker 1>ye out of their contract. I'm gonna have to talk

0:34:01.800 --> 0:34:04.200
<v Speaker 1>to Saidler and borrow you. Well, I did ask Sadler

0:34:04.280 --> 0:34:06.880
<v Speaker 1>when I die. Do you think at the Academy Awards,

0:34:06.960 --> 0:34:10.040
<v Speaker 1>I get up there on the immemorium. I think you're

0:34:10.040 --> 0:34:13.480
<v Speaker 1>an actor. You should be well, I'm in eighteen movies

0:34:13.520 --> 0:34:17.120
<v Speaker 1>so far. Like, what is the cutoff point for in Memoriam?

0:34:17.760 --> 0:34:22.080
<v Speaker 1>I think eight. James Dean was in three. Judd, that's it.

0:34:22.680 --> 0:34:24.759
<v Speaker 1>I think you should tell them now. I expect that

0:34:25.800 --> 0:34:27.880
<v Speaker 1>make it clear. I'm going to send him a good

0:34:27.960 --> 0:34:31.319
<v Speaker 1>picture of me right now, just so they can use that. Hey,

0:34:31.760 --> 0:34:33.719
<v Speaker 1>I love the movie. I thought it was wonderful. A

0:34:33.719 --> 0:34:36.040
<v Speaker 1>lot of laugh out loud moments and thank you and

0:34:36.200 --> 0:34:40.319
<v Speaker 1>Maud did great, Yes, your daughter did great? Yes, yeah

0:34:40.320 --> 0:34:42.799
<v Speaker 1>it should be thank you Judd, all right, take care

0:34:43.000 --> 0:34:47.080
<v Speaker 1>see dad, that's Judd Apotel. It's the King of Staten Island.

0:34:47.200 --> 0:34:50.319
<v Speaker 1>My wife's so excited to watch this because she's from

0:34:50.320 --> 0:34:53.040
<v Speaker 1>Staten Island, grow up on Staten Island. Born in Brooklyn,

0:34:53.080 --> 0:34:55.319
<v Speaker 1>but grew up on Staten Island. So she's like, she

0:34:55.400 --> 0:34:57.880
<v Speaker 1>thinks it's going to be the showcase of Staten Island.

0:34:58.360 --> 0:35:01.160
<v Speaker 1>And I got a chance to watch the movie, and

0:35:02.200 --> 0:35:04.160
<v Speaker 1>so I said, you know, it comes out on Friday,

0:35:04.400 --> 0:35:06.200
<v Speaker 1>and if you want to get it on demand, and

0:35:06.280 --> 0:35:08.640
<v Speaker 1>she goes, I'm going to I'm going. She hasn't gotten

0:35:08.640 --> 0:35:11.960
<v Speaker 1>through the Sandler movie Uncut Gems. She had to take

0:35:11.960 --> 0:35:15.640
<v Speaker 1>a break because she said, I was holding my breath

0:35:16.480 --> 0:35:21.000
<v Speaker 1>because it's so intense. She stopped halfway through it. Yeah, Poy.

0:35:21.320 --> 0:35:23.760
<v Speaker 1>I know two people who watched Uncut Gems the Sandler movie.

0:35:23.840 --> 0:35:25.560
<v Speaker 1>One of them said, it's awesome. I didn't know. I

0:35:25.560 --> 0:35:27.160
<v Speaker 1>did not see that coming. The other person said the

0:35:27.160 --> 0:35:30.920
<v Speaker 1>same thing. It's too anxiety. It exacerbates that our anxiety.

0:35:30.960 --> 0:35:33.000
<v Speaker 1>And it was uncomfortable to watch, but not in a

0:35:33.040 --> 0:35:36.879
<v Speaker 1>bad way, more like an intense experience way. You're exhausted

0:35:37.719 --> 0:35:40.000
<v Speaker 1>and you don't realize that you're holding your breath with

0:35:40.120 --> 0:35:43.919
<v Speaker 1>Sandler and what he's doing in this role. But Pete

0:35:44.000 --> 0:35:46.719
<v Speaker 1>Davidson Merrissa Toomay as soon as I saw her, like,

0:35:46.760 --> 0:35:48.440
<v Speaker 1>I had to smile on my face because you think

0:35:48.440 --> 0:35:51.640
<v Speaker 1>of my cousin Vinny like Marissa Toomay, and she wanted

0:35:51.640 --> 0:35:56.560
<v Speaker 1>an Academy Award for that role. I believe my cousin Vinny.

0:35:57.000 --> 0:35:59.319
<v Speaker 1>I don't know I was best supporting actress, but she

0:35:59.480 --> 0:36:02.200
<v Speaker 1>was wonder She's great in this movie. Bill Burr is too.

0:36:02.400 --> 0:36:05.480
<v Speaker 1>Bill Burr's really good. Take a break, last call for

0:36:05.560 --> 0:36:08.760
<v Speaker 1>phone calls, What we learned, what's in store for Monday?

0:36:08.840 --> 0:36:11.000
<v Speaker 1>All of that coming up here. Dan Patrick Show. Thanks

0:36:11.000 --> 0:36:13.480
<v Speaker 1>for listening to The Dan Patrick Show podcast. Be sure

0:36:13.480 --> 0:36:16.080
<v Speaker 1>to catch us live every weekday morning nine until noon

0:36:16.200 --> 0:36:19.239
<v Speaker 1>eastern six to nine Pacific on Fox Sports Radio, and

0:36:19.320 --> 0:36:22.759
<v Speaker 1>you can find us on the iHeartRadio app at FSR

0:36:23.120 --> 0:36:25.840
<v Speaker 1>or stream us live every day at YouTube dot com

0:36:25.840 --> 0:36:29.560
<v Speaker 1>slash The Dan Patrick Show. The Tregger Father's Day Sale

0:36:29.640 --> 0:36:32.920
<v Speaker 1>is going on June twelfth through the twenty first. To

0:36:33.040 --> 0:36:35.719
<v Speaker 1>get one hundred dollars off select wood fired grills during

0:36:35.760 --> 0:36:38.919
<v Speaker 1>Tregger's biggest sale of the year. Contact your local dealer

0:36:39.000 --> 0:36:43.840
<v Speaker 1>or visit Tregger Girls dot com slash DP show. Kelvin

0:36:43.880 --> 0:36:45.880
<v Speaker 1>in California joins us, Hey, Kelvin, what do you have

0:36:45.920 --> 0:36:50.680
<v Speaker 1>for me today, mister Dan Patrick Dan, I'm a first

0:36:50.680 --> 0:36:54.120
<v Speaker 1>time caller. Love your show, listen every day. Thank you,

0:36:54.200 --> 0:36:57.400
<v Speaker 1>kem hey Hey've been a Ritskin fan since I was five.

0:36:57.480 --> 0:37:01.400
<v Speaker 1>I'm now sixty. Thank thank you for having Doug Williams on.

0:37:01.520 --> 0:37:05.520
<v Speaker 1>He's a class, class act of a man. I've enjoyed

0:37:05.520 --> 0:37:07.960
<v Speaker 1>a good relationship with him for a long time and

0:37:08.920 --> 0:37:11.359
<v Speaker 1>I thought he would be interesting for people to hear.

0:37:11.880 --> 0:37:14.960
<v Speaker 1>You might remember the name. You might have seen him

0:37:14.960 --> 0:37:17.840
<v Speaker 1>in the Super Bowl, maybe as a Grambling head coach

0:37:18.120 --> 0:37:20.360
<v Speaker 1>or back in the day when he was a quarterback.

0:37:20.400 --> 0:37:22.560
<v Speaker 1>But he certainly has his story to tell and now

0:37:22.560 --> 0:37:25.240
<v Speaker 1>they're going to make a movie. He's written a book

0:37:25.680 --> 0:37:30.000
<v Speaker 1>called quarter Black and quite a journey for him. But

0:37:30.239 --> 0:37:32.759
<v Speaker 1>thank you, Kelvin eight seven seven three d P show

0:37:32.760 --> 0:37:36.000
<v Speaker 1>email address Dpat dan Patrick dot com. John in New

0:37:36.080 --> 0:37:41.799
<v Speaker 1>Zealand is back, Hi, John, Good Dan, Dane. Shout out

0:37:41.840 --> 0:37:44.759
<v Speaker 1>to the gods at the Beck, Ellen and Maria and

0:37:45.239 --> 0:37:49.839
<v Speaker 1>all the gods. Dan. Just some good news and then

0:37:49.880 --> 0:37:52.480
<v Speaker 1>a query. So New Zealand the last few day has

0:37:52.520 --> 0:37:58.200
<v Speaker 1>been declared COVID nineteen three. Rugby is back this weekend.

0:37:58.440 --> 0:38:02.840
<v Speaker 1>And with and we've been stopped he had no right before,

0:38:03.560 --> 0:38:06.160
<v Speaker 1>you know, for months and months, so that it's going

0:38:06.239 --> 0:38:09.880
<v Speaker 1>to be pretty pecked. And I wondered, if you watch

0:38:10.640 --> 0:38:15.880
<v Speaker 1>the Bundesliga, then what shansimat a little drop by aotroa,

0:38:16.080 --> 0:38:20.200
<v Speaker 1>which is the Maori word from New Zealand. I was

0:38:20.239 --> 0:38:23.080
<v Speaker 1>watching rugby this morning. I don't know what I was watching,

0:38:23.440 --> 0:38:27.480
<v Speaker 1>but I was watching rugby and uh, yeah, I've been

0:38:27.480 --> 0:38:31.600
<v Speaker 1>watching the Bundesliga. Uh did you see was it La

0:38:31.680 --> 0:38:35.440
<v Speaker 1>Liga that put in digital fans? It looks like a

0:38:35.560 --> 0:38:38.480
<v Speaker 1>video gang. I don't need that now I do. I

0:38:38.480 --> 0:38:40.160
<v Speaker 1>don't know if it's true or not. I have to

0:38:40.160 --> 0:38:42.160
<v Speaker 1>get confirmation on it. I think we're going to see

0:38:42.200 --> 0:38:46.719
<v Speaker 1>some pretty interesting special effects with the NBA when it

0:38:46.719 --> 0:38:52.400
<v Speaker 1>comes back, and how things are presented, I can't. I'm

0:38:52.440 --> 0:38:54.359
<v Speaker 1>getting over my skis a little bit here. But I'm

0:38:54.360 --> 0:38:57.879
<v Speaker 1>told that they're going to dress this up and it's

0:38:57.880 --> 0:38:59.239
<v Speaker 1>not going to be it's not gonna look like a

0:38:59.280 --> 0:39:01.879
<v Speaker 1>Summer League game, that they're going to do some things

0:39:01.880 --> 0:39:05.759
<v Speaker 1>to make it more presentable in a little flash year,

0:39:06.200 --> 0:39:09.400
<v Speaker 1>but I don't know exactly what that means. That's what

0:39:09.440 --> 0:39:12.879
<v Speaker 1>happens when you have somebody who knows and then they

0:39:12.920 --> 0:39:15.439
<v Speaker 1>sort of tell you. And then when I pressed them,

0:39:15.520 --> 0:39:17.160
<v Speaker 1>like wait, wait, wait, what do you mean by that?

0:39:17.280 --> 0:39:19.239
<v Speaker 1>I can't tell you when they don't tell me the

0:39:19.239 --> 0:39:23.080
<v Speaker 1>other stuff, because then I want to know, all right,

0:39:23.239 --> 0:39:26.759
<v Speaker 1>don't mean to yell here this day in sports history Pole,

0:39:26.800 --> 0:39:28.480
<v Speaker 1>He had a bunch of them. The Baseball Hall of

0:39:28.480 --> 0:39:31.520
<v Speaker 1>Fame and Museum was dedicated in Cooperstown, New York nineteen

0:39:31.560 --> 0:39:34.279
<v Speaker 1>thirty nine. Nineteen eighty one, the Major League Baseball player

0:39:34.280 --> 0:39:36.440
<v Speaker 1>strike began. It was a forty nine day strike. It

0:39:36.520 --> 0:39:40.880
<v Speaker 1>was free agency composition compensation. Nineteen ninety one, Descrugo Bulls

0:39:40.880 --> 0:39:43.520
<v Speaker 1>won their first NBA title, beating the Lakers four games

0:39:43.520 --> 0:39:46.040
<v Speaker 1>to one. Nineteen ninety four and Nicole Brown Simpson round

0:39:46.080 --> 0:39:48.800
<v Speaker 1>Goldman were murdered outside her home in Los Angeles. O. J.

0:39:48.920 --> 0:39:51.720
<v Speaker 1>Simpson was later acquitted at the killings, but found guilty

0:39:51.719 --> 0:39:55.680
<v Speaker 1>in a civil suit. Ninety seven, interleague play began in baseball,

0:39:55.840 --> 0:39:58.040
<v Speaker 1>ending one hundred and twenty six year traditions separating the

0:39:58.080 --> 0:40:00.960
<v Speaker 1>major leagues, and in two thous Dan Steve Young of

0:40:01.000 --> 0:40:05.800
<v Speaker 1>the Niners retired from the NFL. Being sure of your microphone.

0:40:06.040 --> 0:40:07.839
<v Speaker 1>I was putting a bow on it. Oh, that's the

0:40:07.840 --> 0:40:11.920
<v Speaker 1>bail out. Mark Stein of the New York Times tweeted

0:40:11.920 --> 0:40:15.280
<v Speaker 1>this out August thirtieth. First a family and friends would

0:40:15.280 --> 0:40:19.000
<v Speaker 1>be allowed onto the NBA campus. NBA teams have been

0:40:19.040 --> 0:40:21.480
<v Speaker 1>notified that they will be allowed to play three scrimmages

0:40:21.520 --> 0:40:25.120
<v Speaker 1>in Walt Disney World between July ninth through the twenty ninth,

0:40:25.440 --> 0:40:31.839
<v Speaker 1>before the scheduled resumption of the season July thirtieth. Yeah,

0:40:31.880 --> 0:40:34.319
<v Speaker 1>you still got forty or fifty players, reported Lee, who

0:40:34.360 --> 0:40:37.600
<v Speaker 1>aren't quite sure if they're willing to do this. It

0:40:37.719 --> 0:40:40.600
<v Speaker 1>sounded like felt like the NBA was all buttoned up, Todd,

0:40:40.640 --> 0:40:42.759
<v Speaker 1>What did you learn? On today's award winning program? With

0:40:42.760 --> 0:40:44.680
<v Speaker 1>twenty eight NFL teams at the time, Doug Williams was

0:40:44.680 --> 0:40:47.040
<v Speaker 1>the fifty fourth highest paid QB while playing for the Bucks,

0:40:47.040 --> 0:40:51.000
<v Speaker 1>making less than his own backup. Yeah, it's embarrassing, McLevin.

0:40:51.200 --> 0:40:54.200
<v Speaker 1>Chris Russo's first concert was ad Lagons and Messina. I

0:40:54.200 --> 0:40:57.960
<v Speaker 1>ownA college in nineteen seventy one, Seaton, What did you learn,

0:40:58.280 --> 0:41:04.880
<v Speaker 1>Christopher Man? Doug Russo A big concert you today? Hey, buddy,

0:41:04.880 --> 0:41:07.319
<v Speaker 1>good boy, Danny Chris Russo can call you Danny better

0:41:07.320 --> 0:41:09.960
<v Speaker 1>than anybody else. I think Chris and my mom are

0:41:09.960 --> 0:41:12.200
<v Speaker 1>the only ones that ever called me Danny. What we

0:41:12.280 --> 0:41:14.600
<v Speaker 1>learned brought to you by legal Zoom. Legal Zoom has

0:41:14.600 --> 0:41:16.239
<v Speaker 1>made it easy to set up the right estate plan

0:41:16.320 --> 0:41:18.439
<v Speaker 1>without leaving your home. Take care of your family today

0:41:18.440 --> 0:41:21.360
<v Speaker 1>at the right estate Plan at LegalZoom dot com. Thanks

0:41:21.400 --> 0:41:24.120
<v Speaker 1>for joining us, Thanks again to all of our sponsors

0:41:24.120 --> 0:41:27.400
<v Speaker 1>who have stayed with us throughout this pandemic. Have a

0:41:27.440 --> 0:41:30.320
<v Speaker 1>great weekend, safe weekend. We'll do it again on Monday.

0:41:30.760 --> 0:41:31.600
<v Speaker 1>Dan Patrick Show