WEBVTT - DJ Chubby Chub | ROC Solid w/ Memphis Bleek

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<v Speaker 1>Yeah, y'all, you already know what it is.

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<v Speaker 2>Yours truly back with another exclusive rock solid podcast here

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<v Speaker 2>with a legend, legendary DJ, personal friend of mine, somebody

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<v Speaker 2>who played a pivotal part in my life. You know

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<v Speaker 2>when I first got on. It's one of the first

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<v Speaker 2>DJs I ever met in my life. I want you

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<v Speaker 2>to help me welcome my brother, DJ Chubby Chubb. But

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<v Speaker 2>we call them DJ.

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<v Speaker 1>Dizel these days.

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<v Speaker 2>You know what I mean, Yo, listen. They might not know,

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<v Speaker 2>but I want them to know. I met this guy

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<v Speaker 2>back in Original Flavor days. He was Original Flavors DJ.

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<v Speaker 2>Dame Dash was the manager and Jay was just a

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<v Speaker 2>featured artist on one of the bangers they dropped first

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<v Speaker 2>Bangle word up man, Like, take us back then, Like

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<v Speaker 2>how you even get started? Like what was the inspiration

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<v Speaker 2>even jumping to the DJ world?

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<v Speaker 3>I mean, DJing was you know, something I came up

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<v Speaker 3>to seeing in the Bronx. It was like being in

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<v Speaker 3>the Bronx. It was something that I wanted to see.

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<v Speaker 3>And then being in the era that I was at,

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<v Speaker 3>you know, I got to see, like hear the music

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<v Speaker 3>of Cold Crush live outside park jams and things like that,

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<v Speaker 3>and you know, being Puerto Rican. It was kind of

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<v Speaker 3>tough because I grew up in the home it was

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<v Speaker 3>all Spanishes, so I didn't really get the understanding of

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<v Speaker 3>the hip hop.

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<v Speaker 1>Damn. I didn't know you was Puerto Rican.

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<v Speaker 3>My jail the wonder when I go out there, they

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<v Speaker 3>be looking at me like k Lo Caane, like yo

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<v Speaker 3>oh right, they think I'm down. I'm down now, Yeah,

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<v Speaker 3>Puerto Rican, damn.

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<v Speaker 1>That's what's up. I ain't know that or something every

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<v Speaker 1>day on Rock Solid.

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<v Speaker 3>So the influence of you know, hearing the music is

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<v Speaker 3>what grasped me, like hearing breakbeats and seeing the actual

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<v Speaker 3>DJ's DJing, and from there I started picking it up.

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<v Speaker 1>That's what's up.

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<v Speaker 4>You know.

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<v Speaker 3>I got to meet Clark, Rest of Peace, Clark Legend, Legend,

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<v Speaker 3>Clark is forever my brother, someone that inspired me, someone

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<v Speaker 3>that showed me so much to understanding. And then you

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<v Speaker 3>know Cacobpried and the Brucey Bead. Yeah you know what

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<v Speaker 3>I mean. Well, Clark was the first person to ever

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<v Speaker 3>put me under his wing where I opened up for

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<v Speaker 3>him and he gave me. He was at that time

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<v Speaker 3>he was getting like ten fifteen thousand a party.

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<v Speaker 2>Damn, and back then was that shit that's like getting

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<v Speaker 2>thirty forty today.

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<v Speaker 3>Used to get ten fifteen and he used to give

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<v Speaker 3>me fifteen hundred just to open up.

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<v Speaker 2>Damn as nice. That's nice, Yo, So did that? So

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<v Speaker 2>the connection with Clark, how did that happen between JA?

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<v Speaker 2>Did that come from y'all?

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<v Speaker 1>It's Clark?

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<v Speaker 2>Oh ship, so you bridge, let me get this CLA.

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<v Speaker 2>I'm trying to let's let's be all the way clear.

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<v Speaker 2>So J met Clock through you. Nah, Clark knew J

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<v Speaker 2>all right. I met JA through Clock. So Clock was

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<v Speaker 2>fucking with y'all. Edge Damn Clock was that he was

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<v Speaker 2>the glory.

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<v Speaker 3>He had J Like he would tell you like I

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<v Speaker 3>got a boy in Brooklyn, Like he would always say that, right,

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<v Speaker 3>And I used to be like, all right, when we're

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<v Speaker 3>gonna hear the music, Yeah, we're gonna Oh he's just

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<v Speaker 3>unloaded mad demos and he had J had mad music,

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<v Speaker 3>and we was I was just like, Yo, let me

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<v Speaker 3>get them joints.

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<v Speaker 1>That's right, that's right.

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<v Speaker 3>And I'm the first person ever played Jay's joints on mixtape.

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<v Speaker 2>I was just about to say that, man, he was

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<v Speaker 2>the first mix tape that Jay had a feature on.

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<v Speaker 2>Like how was the studio session for that Original Flavor

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<v Speaker 2>record that Kingle.

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<v Speaker 3>Was dope because it was in Powerhouse, and you know,

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<v Speaker 3>that's when the reels was.

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<v Speaker 1>To try to tell them you had to know your

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<v Speaker 1>verse wasn't no going back.

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<v Speaker 3>And even like the first time I went to the

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<v Speaker 3>session when I met Dane, that's when I met you know,

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<v Speaker 3>because all right, so I'm gonna tell you about about

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<v Speaker 3>Original Flavor.

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<v Speaker 1>So Tone is.

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<v Speaker 3>From my block in the Bronx. Yes, Ski was in Greensboro,

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<v Speaker 3>but he lived in the Bronx. Okay, but he used

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<v Speaker 3>to stay at clog House too. Yes, yes, I remember

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<v Speaker 3>that show. Tone was like, Yo, we were about to

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<v Speaker 3>do this album and we're gonna do Ariginal put Original

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<v Speaker 3>Flavor because they got rid of the other cat that

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<v Speaker 3>they had the first album Original Flavor was the Kid Suave.

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<v Speaker 1>Yeah it wasn't Tone right, Yes.

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<v Speaker 3>Became a new Original Flavor. So Tone put me down.

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<v Speaker 3>But it so happens already New Clawk. And then Clark

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<v Speaker 3>got us the deal too at Atlantic. Oh okay, damn

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<v Speaker 3>moving so and then Future forg out, he's got Future sound.

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<v Speaker 3>I think they was down with us to Dame's cousin

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<v Speaker 3>was managing the future so called bob Step.

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<v Speaker 1>I don't remember them.

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<v Speaker 2>Yeah, it was a whole dash like Darian, I remember that. Yeah,

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<v Speaker 2>they had to dash entertainment and something right.

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<v Speaker 3>Up so and then so Clark I got a sign

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<v Speaker 3>to Atlantic and then like, yeah, do that and then

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<v Speaker 3>I said all right, and then in that same time

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<v Speaker 3>we did can I get open? And Jay was recording

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<v Speaker 3>I can't get with that. I can't get it with that,

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<v Speaker 3>a guy that he shot at during Mars.

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<v Speaker 2>Yo, if people don't even know you was the first

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<v Speaker 2>DJ on the road with us for yeah DJ and

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<v Speaker 2>for us playing all those records. Cannot get open. Fucking

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<v Speaker 2>I can't get with that in my lifetime.

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<v Speaker 1>One and the remakeer top Yo.

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<v Speaker 2>Like people thinking, that's why I'm glad you hear, bro,

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<v Speaker 2>because you were really part of the beginning the strip,

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<v Speaker 2>the Denile days when they was like nah, y'all not

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<v Speaker 2>them niggas.

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<v Speaker 3>I was a believer from the beginning when I heard

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<v Speaker 3>Jake and and then like in that instant I met

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<v Speaker 3>Sauce and jazz Man and they was known as the

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<v Speaker 3>hard Path Yo.

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<v Speaker 2>I always that to me is the biggest what if

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<v Speaker 2>in hip hop to because as a kid from Marcie.

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<v Speaker 2>Looking at all three of them, knowing them and knowing

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<v Speaker 2>how deadly they were. They were spitting Like I always

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<v Speaker 2>as to what if, Like what if they really put

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<v Speaker 2>it down together and stayed together and made it happen because.

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<v Speaker 3>Bro I had loved the chemistry definitely between Jay and Saul.

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<v Speaker 3>What but they got this joint. I got the demos

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<v Speaker 3>called get off my dick.

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<v Speaker 1>I remember that. I remember that joint.

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<v Speaker 3>Yo, you got classics right now. I remember that joint.

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<v Speaker 3>And then like you know, to hit them two together

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<v Speaker 3>and they was going back and forth and it was

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<v Speaker 3>just ball for ball, but sarcasm was through the roof.

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<v Speaker 2>His Sauce was the king of it. He knew how

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<v Speaker 2>to disrespect you. He was on that type of time

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<v Speaker 2>and like that's one thing I wish Sauce with a

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<v Speaker 2>guy his his respect and he's just doing the game

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<v Speaker 2>because he one of the top spinners.

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<v Speaker 3>Like nah, he definitely had wordplay that was with man

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<v Speaker 3>sawcasm and and and then then with Jay's coolness of sarcasm.

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<v Speaker 3>It was just like that contrast was crazy like when

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<v Speaker 3>you heard pregame, when you heard wanted dead or alive?

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<v Speaker 3>You see what I'm saying, like, there's so many songs

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<v Speaker 3>that you'll be like, yo.

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<v Speaker 1>What the fuck? The Niggas was on some shit.

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<v Speaker 2>So like even back then before I came, I remember,

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<v Speaker 2>like you these the Christian days, they had some girl

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<v Speaker 2>Nate Roughness.

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<v Speaker 3>I had Roughness. They had the girl Michelle that was singing.

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<v Speaker 1>I never met her.

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<v Speaker 3>Yeah, Michelle sang on our song called On. You think

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<v Speaker 3>you all at no way? Oh that's how on?

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<v Speaker 2>Like that's what I mean, bro, People don't understand y'all

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<v Speaker 2>was doing this ship out your pocket, like no, what's

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<v Speaker 2>no label budget, was no head label rep. They was

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<v Speaker 2>literally records in the trunk, filling both lexes up and

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<v Speaker 2>we hit.

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<v Speaker 1>The road and moved.

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<v Speaker 3>It was in the pathfindal before that, yea, the Pathfinder

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<v Speaker 3>right before the Lexus.

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<v Speaker 1>He had the Rare Act yo yo, cheer out yo chair.

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<v Speaker 1>I forgot about the red before before the gs.

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<v Speaker 2>Then they had the Champagne Act, the two door joint

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<v Speaker 2>they remember. I had the fucking for the funck was

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<v Speaker 2>that car? I had the Q forty five Christy Yo.

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<v Speaker 2>Niggas was all some ship. Them boys was moving back

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<v Speaker 2>there with that ship like so how was like what

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<v Speaker 2>you think happened between the original flavor thing that didn't

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<v Speaker 2>have them go as far as you think they should have, because.

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<v Speaker 3>I just feel that they was ahead of their time

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<v Speaker 3>for at the time that they was doing it. I

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<v Speaker 3>think there was really ahead of their tongue, like because

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<v Speaker 3>Tone and Ski had they both with different type rappers

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<v Speaker 3>and they just was they just can float. They they

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<v Speaker 3>they were rhyms that was dope. Like even like on

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<v Speaker 3>a song that we have on an album, it's called

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<v Speaker 3>many Styles.

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<v Speaker 1>That's my ship man.

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<v Speaker 3>They had the kid Freshco remember Fresh Goal, Yeah, rap

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<v Speaker 3>so and then Jay had the Aless line on it,

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<v Speaker 3>the joint wage.

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<v Speaker 1>Remember he was like, it's like picks Picks.

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<v Speaker 3>Remember on TV used to come Home after three o'clock

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<v Speaker 3>and it was picks. That record is crazy off that album.

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<v Speaker 3>On that album, but there's a lot of joints on

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<v Speaker 3>that album that were dope, even like we had skits.

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<v Speaker 1>Nigga cold like.

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<v Speaker 3>The making that album was was all real hip hop.

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<v Speaker 3>That's a fact.

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<v Speaker 2>How was the connection with Dane Because Dame is a

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<v Speaker 2>Dame today, I want people to get a real Understandingame

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<v Speaker 2>today is not Dame of then.

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<v Speaker 3>Dame back then was very straightforward, right, to it business

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<v Speaker 3>all day and straightforward to it like it was.

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<v Speaker 1>Listen.

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<v Speaker 3>The first time I met Dane, right, we was in

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<v Speaker 3>the studio. We was doing We was just doing Ski

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<v Speaker 3>was just doing the beat. The cannot get open. And

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<v Speaker 3>that was the first time I met Dan. I was

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<v Speaker 3>already in the studio. It was already been working. We

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<v Speaker 3>ain't never meet Dan. I ain't ever mean Dane. I

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<v Speaker 3>was wearing all red, I know. He went, yeah, when

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<v Speaker 3>I tell you I was wearing all red cross color,

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<v Speaker 3>It's like is yr DJ? He said, He's like, this

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<v Speaker 3>is your DJ. He was like, nigga looked like Santa

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<v Speaker 3>Claus yo.

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<v Speaker 1>Ya straight out the gate. He was just cutting like

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<v Speaker 1>I didn't even know the nigga like that.

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<v Speaker 3>He was just going right and then he was like, yo,

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<v Speaker 3>he looked like a red tomato Yo. Then he was

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<v Speaker 3>then he was like nah. He said, Yo, only colors

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<v Speaker 3>you're gonna wear is blue and black.

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<v Speaker 1>Yo, chill. That was it. After that, all war job

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<v Speaker 1>was blueing black. Yo.

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<v Speaker 2>Dame was a bastard for that because I never forgive

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<v Speaker 2>me wearing the white Army fatigues to him. J and

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<v Speaker 2>fucking Biggs caught me, what are you the nurse for

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<v Speaker 2>the army.

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<v Speaker 1>What's wrong with you? You out here looking like the

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<v Speaker 1>snowman for the army. Yeah. Yo, these niggas they would

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<v Speaker 1>cut you off. You couldn't wear around them.

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<v Speaker 3>And on top of that, we was wearing tims without

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<v Speaker 3>the double soul y.

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<v Speaker 2>Oh yeah, that was the generic v i AM joints.

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<v Speaker 1>That was the VEMS joints. We was buying off of

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<v Speaker 1>p diem. That's a fact. That was the joints.

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<v Speaker 2>But I remember one day coming uptown when the Vasquatz

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<v Speaker 2>boots first came.

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<v Speaker 1>Oh yeah, And I.

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<v Speaker 2>Remember y'all all winning the store. You Jay dang ski

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<v Speaker 2>Ski wasn't even there.

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<v Speaker 1>It was just you and yah. Niggas boil all of them,

0:13:06.240 --> 0:13:09.280
<v Speaker 1>every color georts.

0:13:09.320 --> 0:13:12.960
<v Speaker 2>I remember being a shorty like I can't wait to

0:13:13.080 --> 0:13:18.199
<v Speaker 2>get my bag. I'm gonna be doing shit just like that.

0:13:18.200 --> 0:13:21.280
<v Speaker 1>That was a time. And then you know after that,

0:13:21.760 --> 0:13:26.960
<v Speaker 1>niggas used to eat Wendyes yeap, yo, you ain't lying,

0:13:27.080 --> 0:13:27.600
<v Speaker 1>that's the thing.

0:13:28.000 --> 0:13:30.520
<v Speaker 3>Oh boys, flowers now I'll be telling you they can

0:13:30.600 --> 0:13:32.199
<v Speaker 3>take it back to the projects doing.

0:13:32.280 --> 0:13:33.880
<v Speaker 1>We don't eat flowers, yo.

0:13:34.160 --> 0:13:36.760
<v Speaker 3>Going to dinner with them niggas, you feel like you

0:13:36.840 --> 0:13:39.600
<v Speaker 3>ain't eat they don't eat what we eat no more

0:13:39.760 --> 0:13:40.920
<v Speaker 3>Like I remember Whole.

0:13:40.880 --> 0:13:43.840
<v Speaker 2>Ordered some pizza. We was doing the studio session of UH.

0:13:44.160 --> 0:13:47.200
<v Speaker 2>We had like a rehearsal and he ordered some pizza.

0:13:47.600 --> 0:13:49.760
<v Speaker 2>So you know, like you think that they're gonna order

0:13:49.800 --> 0:13:52.040
<v Speaker 2>pizza for the dogs to be like four or five

0:13:52.160 --> 0:13:54.960
<v Speaker 2>pis yo, bro, it was like thirty boxes.

0:13:55.440 --> 0:13:59.160
<v Speaker 1>So I'm like, why does nigga order all his pizza?

0:13:59.280 --> 0:13:59.319
<v Speaker 3>Like?

0:13:59.400 --> 0:14:00.360
<v Speaker 1>What the fuck? These?

0:14:00.440 --> 0:14:03.280
<v Speaker 2>I opened the box, my nigga, that ship was like

0:14:03.360 --> 0:14:07.000
<v Speaker 2>a napkin pizza. That's how thinn the pizza was like,

0:14:07.080 --> 0:14:09.520
<v Speaker 2>I literally rolled the ship up, took two of them.

0:14:09.800 --> 0:14:12.040
<v Speaker 2>This is why you order thirty You need a whole one?

0:14:12.200 --> 0:14:14.439
<v Speaker 2>Do long word like yo?

0:14:14.559 --> 0:14:17.520
<v Speaker 1>It was bad light. Yo. They don't play they on

0:14:17.640 --> 0:14:21.720
<v Speaker 1>their ship. So speak to the people about the transformation.

0:14:21.840 --> 0:14:25.240
<v Speaker 2>Because what you did by g going from DJ chabb

0:14:25.520 --> 0:14:29.000
<v Speaker 2>child the DJDS who I choke you with one hand?

0:14:29.120 --> 0:14:32.840
<v Speaker 1>Now that like did you did you document your journey?

0:14:33.120 --> 0:14:33.280
<v Speaker 4>Nah?

0:14:33.400 --> 0:14:35.880
<v Speaker 3>You know having I ain't even plan it, no way.

0:14:36.800 --> 0:14:40.160
<v Speaker 3>It was so happening. Was pre pandemic, and I was

0:14:40.240 --> 0:14:43.760
<v Speaker 3>on Twitch and I used to when we ain't have

0:14:43.920 --> 0:14:47.560
<v Speaker 3>no work, we had all idea was through Twitch and

0:14:48.000 --> 0:14:51.800
<v Speaker 3>and that instant. I was on Twitch six days a

0:14:51.880 --> 0:14:55.200
<v Speaker 3>week for like five six hours. But I had to

0:14:55.480 --> 0:14:59.080
<v Speaker 3>entertain the people, yes, right, so I had to visually

0:14:59.160 --> 0:15:02.480
<v Speaker 3>they watching you. So you're trying to get people to

0:15:02.560 --> 0:15:06.120
<v Speaker 3>stay there and stay yeah, to be you know, in

0:15:06.240 --> 0:15:06.720
<v Speaker 3>tune to you.

0:15:06.880 --> 0:15:07.080
<v Speaker 1>Yes.

0:15:07.920 --> 0:15:10.520
<v Speaker 3>The more I was doing that, I was losing weight.

0:15:11.840 --> 0:15:14.520
<v Speaker 3>That's crazy, right. So and then I said, I was

0:15:14.560 --> 0:15:16.600
<v Speaker 3>wearing like a five X hoodie and the hoodie was

0:15:16.720 --> 0:15:20.160
<v Speaker 3>super big, and I was like, yo, this doing is big.

0:15:20.560 --> 0:15:23.840
<v Speaker 1>So I went and I was wearing champion. You know, Champion,

0:15:23.960 --> 0:15:24.960
<v Speaker 1>run big. That's right.

0:15:25.200 --> 0:15:27.200
<v Speaker 3>So I went and got a three X. I was like,

0:15:28.080 --> 0:15:34.280
<v Speaker 3>still still fit, big, but I felt way better. So

0:15:34.360 --> 0:15:36.640
<v Speaker 3>and then I said, you know what, the next day

0:15:36.640 --> 0:15:40.040
<v Speaker 3>I went and got a trainer. Oh shit, the next

0:15:40.160 --> 0:15:41.120
<v Speaker 3>day I got a trainer.

0:15:41.560 --> 0:15:41.960
<v Speaker 1>That was it.

0:15:42.440 --> 0:15:47.160
<v Speaker 3>It's been five years. June ninth just made five years

0:15:47.200 --> 0:15:50.480
<v Speaker 3>that I've been consistent. I had four hundred pounds to

0:15:50.600 --> 0:15:51.960
<v Speaker 3>two hundred and thirty pounds.

0:15:52.320 --> 0:15:56.320
<v Speaker 2>Damn God, bless my. That's just all work, That's what

0:15:56.400 --> 0:15:59.160
<v Speaker 2>I'm saying. Like, and you ain't like that's inspiration. I

0:15:59.280 --> 0:16:01.000
<v Speaker 2>hope you dot him in there to do the ground

0:16:01.000 --> 0:16:02.720
<v Speaker 2>because I see you every day in the gym, putting

0:16:02.800 --> 0:16:05.840
<v Speaker 2>it work. And that's why I'm like, somebody out there

0:16:06.120 --> 0:16:08.560
<v Speaker 2>needs that inspiration, because you did it just with a trainer.

0:16:08.640 --> 0:16:09.440
<v Speaker 2>You didn't go getting on.

0:16:09.560 --> 0:16:12.480
<v Speaker 3>You ain't gonta range surgery, you ain't gotta do. You

0:16:12.560 --> 0:16:15.800
<v Speaker 3>ain't gotta do the glp ones. You ain't gotta do

0:16:15.920 --> 0:16:19.120
<v Speaker 3>a xampic. You put in the work, you get the results.

0:16:19.120 --> 0:16:22.160
<v Speaker 3>That's right, And that's exactly I lost man weight. I

0:16:22.160 --> 0:16:25.280
<v Speaker 3>don't got no loose skin on my body. So I'm

0:16:25.360 --> 0:16:27.400
<v Speaker 3>talking about and I'm fifty six years old.

0:16:27.800 --> 0:16:30.520
<v Speaker 2>God bless my g Look at that fifty six still

0:16:30.560 --> 0:16:33.680
<v Speaker 2>out here push it looking healthier than us, all of us,

0:16:33.760 --> 0:16:37.440
<v Speaker 2>because I know I ain't. I shit, you flabby down there.

0:16:37.560 --> 0:16:40.560
<v Speaker 2>Cut I get that trainer then.

0:16:40.520 --> 0:16:43.240
<v Speaker 3>Like so that's what happened. I ended up getting a trainer.

0:16:43.320 --> 0:16:46.720
<v Speaker 3>The young kid was twenty seven at the time, Colombia,

0:16:47.320 --> 0:16:49.040
<v Speaker 3>and he just pushed me.

0:16:49.800 --> 0:16:50.800
<v Speaker 1>That's what now I got.

0:16:51.160 --> 0:16:53.960
<v Speaker 3>So now my next thing is where I'm cutting now,

0:16:54.320 --> 0:16:57.440
<v Speaker 3>is to step on a different stage, on bodybuilding stage.

0:16:57.520 --> 0:17:00.880
<v Speaker 1>Next shit, Oh you want to compete, Yeah, compete fifty

0:17:00.920 --> 0:17:04.440
<v Speaker 1>and older. You ain't fucking around. Yeah, I'm gonna I'm

0:17:04.480 --> 0:17:06.440
<v Speaker 1>gonna go for it. Like my trainers, it's like you

0:17:06.560 --> 0:17:08.480
<v Speaker 1>gotta try fuck it? Why not?

0:17:08.720 --> 0:17:11.800
<v Speaker 3>Right? I mean, you know it's a plan, that's right man,

0:17:11.920 --> 0:17:16.000
<v Speaker 3>Like see how we do through this this winter and

0:17:16.119 --> 0:17:19.000
<v Speaker 3>how everything cuts out, and they'll see what that what

0:17:19.160 --> 0:17:20.920
<v Speaker 3>that June look like next exactly.

0:17:21.080 --> 0:17:21.800
<v Speaker 1>Now that's dope.

0:17:22.000 --> 0:17:24.600
<v Speaker 2>So yeah, man, you stepping in the competition on that,

0:17:24.880 --> 0:17:27.960
<v Speaker 2>Like what's your take on hip hop today? Like what

0:17:28.080 --> 0:17:30.440
<v Speaker 2>do you think about him from from the golden era

0:17:30.600 --> 0:17:32.959
<v Speaker 2>we came up in to where it's at today.

0:17:34.400 --> 0:17:37.040
<v Speaker 3>It's never gonna be the same, it's always gonna be different.

0:17:37.640 --> 0:17:40.560
<v Speaker 3>And then it's more, it's more for the youth. It's

0:17:40.640 --> 0:17:43.359
<v Speaker 3>not about what you came up on. It's not what

0:17:43.520 --> 0:17:46.760
<v Speaker 3>I came up on. Facts, it's not. It's gonna it's

0:17:46.800 --> 0:17:51.320
<v Speaker 3>gonna transcend to what these kids like, just like they

0:17:51.440 --> 0:17:55.760
<v Speaker 3>gonna gravitate to whatever drops Friday until Monday. Then from

0:17:55.800 --> 0:17:59.960
<v Speaker 3>Monday they on to somebody else. Because nobody's really stick.

0:18:00.359 --> 0:18:02.400
<v Speaker 3>You know what I'm saying, that there's nobody that's really

0:18:02.480 --> 0:18:05.880
<v Speaker 3>getting you music that lasts longer than than the weekend.

0:18:06.200 --> 0:18:08.760
<v Speaker 1>I think, because do you think?

0:18:09.160 --> 0:18:14.119
<v Speaker 2>I think because it's no movement it's nothing to associate

0:18:14.240 --> 0:18:17.720
<v Speaker 2>yourself with, like like I'm part of your Yeah, Like

0:18:18.480 --> 0:18:20.879
<v Speaker 2>back then, like you know, you knew you had your

0:18:21.000 --> 0:18:23.600
<v Speaker 2>cash money Riders, you had your rough Riders, you had

0:18:23.640 --> 0:18:27.680
<v Speaker 2>your Murder Inc. You had your g Unit, your Rockefeller representatives.

0:18:28.119 --> 0:18:30.000
<v Speaker 2>Like even back in the day, you had people that

0:18:30.119 --> 0:18:32.360
<v Speaker 2>represent Kane and people that represented rock Cam.

0:18:32.880 --> 0:18:34.680
<v Speaker 1>Like it wasn't just all one.

0:18:35.359 --> 0:18:37.840
<v Speaker 2>Today is just just a melting pot of fans and

0:18:37.920 --> 0:18:40.320
<v Speaker 2>they just digest everything every day and.

0:18:40.359 --> 0:18:43.760
<v Speaker 3>Goes through streaming and YouTube, you know what I mean.

0:18:43.880 --> 0:18:46.520
<v Speaker 3>So they don't have a they can they can scroll

0:18:46.640 --> 0:18:50.920
<v Speaker 3>and find somebody today that's good for the weekend, and

0:18:51.040 --> 0:18:53.320
<v Speaker 3>then they'll come back and scroll another day.

0:18:53.200 --> 0:18:55.520
<v Speaker 1>And find somebody else that's a fact, and then and

0:18:55.560 --> 0:18:56.560
<v Speaker 1>they'll move on to that.

0:18:57.200 --> 0:19:00.159
<v Speaker 2>What you feel about the DJ, I feel like me

0:19:00.280 --> 0:19:02.960
<v Speaker 2>and my aspect, I think the DJ has become bigger

0:19:03.119 --> 0:19:03.840
<v Speaker 2>than the artists.

0:19:04.080 --> 0:19:07.520
<v Speaker 3>A lot of DJs have a lot of DJs definitely

0:19:07.640 --> 0:19:12.040
<v Speaker 3>have bigger brands and bigger reasons to do things. But

0:19:12.320 --> 0:19:16.879
<v Speaker 3>I feel also when it comes to radio, your handcuff,

0:19:17.720 --> 0:19:17.879
<v Speaker 3>you know.

0:19:17.880 --> 0:19:20.080
<v Speaker 1>What I mean. Fact, Like you're not able to say

0:19:20.880 --> 0:19:23.560
<v Speaker 1>I got a new artist and I can just pray this. Yes,

0:19:23.680 --> 0:19:24.160
<v Speaker 1>you know what I mean.

0:19:24.280 --> 0:19:27.639
<v Speaker 3>Like at the time when I was doing like New Radio,

0:19:28.200 --> 0:19:29.040
<v Speaker 3>I was able.

0:19:28.880 --> 0:19:29.440
<v Speaker 1>To break off.

0:19:30.440 --> 0:19:34.920
<v Speaker 3>Today you handcuffed the hit that like, not even able

0:19:34.960 --> 0:19:37.159
<v Speaker 3>to say I could break this artist and do that

0:19:37.440 --> 0:19:40.560
<v Speaker 3>and not even a serious like them. DJs is even

0:19:40.600 --> 0:19:43.800
<v Speaker 3>handcuffed now. I remember when Sirius played everything. Now would

0:19:43.840 --> 0:19:46.760
<v Speaker 3>sounds like it's just becoming the same thing that you

0:19:46.840 --> 0:19:49.639
<v Speaker 3>know they get. They get a little leeway on certain

0:19:49.680 --> 0:19:52.600
<v Speaker 3>state on shape for five, they didn't get more leeway,

0:19:52.680 --> 0:19:53.840
<v Speaker 3>but you.

0:19:53.880 --> 0:19:56.679
<v Speaker 1>Know it's it's tough. And also.

0:19:58.080 --> 0:20:00.680
<v Speaker 3>DJs, the things that I really you don't like is

0:20:00.720 --> 0:20:05.120
<v Speaker 3>that DJs don't even take chances in club. No talk

0:20:05.200 --> 0:20:09.000
<v Speaker 3>about it club all right, let's say we don't all

0:20:09.080 --> 0:20:11.960
<v Speaker 3>do radio. Let's say we don't all have the opportunity.

0:20:12.760 --> 0:20:16.480
<v Speaker 3>I feel that a DJ can still break an artist

0:20:16.640 --> 0:20:19.119
<v Speaker 3>in the club on the street. That's a fact. They

0:20:19.160 --> 0:20:21.960
<v Speaker 3>ain't handcuffing. You believe in the artist, You could still

0:20:22.040 --> 0:20:25.720
<v Speaker 3>play that artist, that's right. It's your call to make

0:20:25.840 --> 0:20:29.480
<v Speaker 3>that artist hot. Yep, that's a fact. And I know

0:20:29.600 --> 0:20:33.320
<v Speaker 3>I could still do that. Yeah, man, that's crazy now

0:20:33.359 --> 0:20:35.120
<v Speaker 3>that you put it that way. I never thought about

0:20:35.160 --> 0:20:37.800
<v Speaker 3>it that way. But yeah, like DJs that go from

0:20:37.840 --> 0:20:40.160
<v Speaker 3>the radio and still wear the handcuffs to the club

0:20:40.280 --> 0:20:43.240
<v Speaker 3>is insane. I broke a lot of artists, like I'm

0:20:43.320 --> 0:20:45.399
<v Speaker 3>just saying, I came from New York to go to

0:20:45.520 --> 0:20:46.600
<v Speaker 3>Boston to do radio.

0:20:47.160 --> 0:20:52.520
<v Speaker 1>I remember you was doing radio. Boss was out there.

0:20:53.040 --> 0:20:58.840
<v Speaker 3>I was breaking man artists, Hell yeah, artists and and

0:20:59.080 --> 0:21:01.720
<v Speaker 3>and I didn't have a problem playing songs that I

0:21:01.800 --> 0:21:05.879
<v Speaker 3>knew that I believed in. And I just feel cats

0:21:05.960 --> 0:21:07.120
<v Speaker 3>don't have that no more.

0:21:07.520 --> 0:21:07.800
<v Speaker 1>Nope.

0:21:07.880 --> 0:21:10.879
<v Speaker 2>And that's why confident on certain records. And that's why

0:21:10.920 --> 0:21:13.760
<v Speaker 2>I think a lot of DJ's pivoted to EDM. Is

0:21:13.840 --> 0:21:16.640
<v Speaker 2>them bags that they getting them DM DJs just don't

0:21:16.680 --> 0:21:20.119
<v Speaker 2>make no sense. These niggas is getting football contract numbers.

0:21:20.840 --> 0:21:24.200
<v Speaker 2>What's my man named danger Mouse. I'm about to put

0:21:24.240 --> 0:21:27.159
<v Speaker 2>on a helmet too, Like I'm about to put on

0:21:27.280 --> 0:21:29.520
<v Speaker 2>a mask and hit the road and be like fuck it,

0:21:29.680 --> 0:21:35.040
<v Speaker 2>push the button, let's go. Because these niggas doing one

0:21:35.119 --> 0:21:39.679
<v Speaker 2>hundred and fifty thousand cedars festivals and getting two hundred

0:21:39.760 --> 0:21:43.359
<v Speaker 2>my geeta spend for an hour two hours a rapper

0:21:43.359 --> 0:21:47.359
<v Speaker 2>ain't never getting unless you hold Drake fucking snoop.

0:21:48.520 --> 0:21:50.639
<v Speaker 3>I don't think Snoop getting two honey. I love Snoop.

0:21:50.640 --> 0:21:51.840
<v Speaker 3>Snoop might be getting a buck.

0:21:52.000 --> 0:21:59.159
<v Speaker 2>A buck fifty two hundred might only beyond say Snoop

0:21:59.160 --> 0:22:03.919
<v Speaker 2>getting two honey. See, put some respect on Snoop. They

0:22:03.960 --> 0:22:06.600
<v Speaker 2>said Snoop in two honey, Snoop. I owe you out

0:22:06.720 --> 0:22:08.520
<v Speaker 2>for that, my bad fucked up.

0:22:08.680 --> 0:22:09.399
<v Speaker 1>I owe you a ze.

0:22:09.760 --> 0:22:13.639
<v Speaker 3>I'm telling you can still that the cast, that that

0:22:13.840 --> 0:22:18.879
<v Speaker 3>still makes sense. Luda Luda fifty cent, fifty.

0:22:20.640 --> 0:22:22.800
<v Speaker 1>Ken Drake Drake Cole. Nah.

0:22:22.960 --> 0:22:26.480
<v Speaker 3>Not worldwide though you don't think they They ain't world wide,

0:22:27.359 --> 0:22:31.960
<v Speaker 3>not in in certain place. I'm telling you what I've noticed,

0:22:32.160 --> 0:22:36.800
<v Speaker 3>and I'm telling you Luda Snoop fifty cent. And if

0:22:36.840 --> 0:22:40.000
<v Speaker 3>he decided to come outside, yep, if he decided to

0:22:40.040 --> 0:22:42.320
<v Speaker 3>go out, you know what I mean.

0:22:42.480 --> 0:22:46.359
<v Speaker 1>I'm gonna go to the moonless artist that is definitely

0:22:46.480 --> 0:22:47.840
<v Speaker 1>going into countries.

0:22:49.400 --> 0:22:52.520
<v Speaker 2>You know who are sleeper nigga doing countries too. I'm

0:22:52.520 --> 0:22:55.480
<v Speaker 2>gonna put two sleepers that's out there doing countries. That's

0:22:55.640 --> 0:23:00.280
<v Speaker 2>like under the radar, number one Tiger. Yeah, I can

0:23:00.400 --> 0:23:02.680
<v Speaker 2>be fucking everywhere. You will look up and be like,

0:23:02.760 --> 0:23:06.560
<v Speaker 2>where the fuck is this? Things in India? How and Jairou.

0:23:07.320 --> 0:23:11.160
<v Speaker 2>Oh yeah, jall be everywhere too much like they be out.

0:23:14.080 --> 0:23:16.320
<v Speaker 2>I don't really do this too much, but you are pioneer,

0:23:16.480 --> 0:23:20.000
<v Speaker 2>so I gotta ask you. We're gonna go top five

0:23:20.240 --> 0:23:25.119
<v Speaker 2>DJs and top five rappers and not. They don't gotta

0:23:25.160 --> 0:23:27.320
<v Speaker 2>be East Coast, they don't gotta be all New Yorker.

0:23:27.400 --> 0:23:30.399
<v Speaker 2>Be whatever you feel. But you being a pioneer and

0:23:30.520 --> 0:23:34.920
<v Speaker 2>seeing where the games came. We celebrated thirty thirty years.

0:23:34.960 --> 0:23:36.160
<v Speaker 1>Bro, do you fu? People?

0:23:36.320 --> 0:23:39.720
<v Speaker 3>People are gonna be like, I'm very biased, but that's cool.

0:23:40.280 --> 0:23:43.359
<v Speaker 3>That's all good for me. I'm gonna go with the

0:23:43.480 --> 0:23:48.000
<v Speaker 3>rappers first. Jay Z is definitely my number one rapper.

0:23:48.040 --> 0:23:51.000
<v Speaker 3>I don't I don't care what anybody say because I've

0:23:51.000 --> 0:23:53.760
<v Speaker 3>seen it from from the beginning. Yeah you saw you

0:23:53.960 --> 0:23:58.120
<v Speaker 3>was sure from where it started to where it's at.

0:23:58.720 --> 0:24:01.760
<v Speaker 3>The demos that I've heard and I believed in them

0:24:01.800 --> 0:24:05.320
<v Speaker 3>when people were saying, nah, that's right, you don't see

0:24:05.320 --> 0:24:08.960
<v Speaker 3>what I'm saying. And to this day, number one rapp

0:24:09.680 --> 0:24:11.920
<v Speaker 3>hands down. I agree, and that I'm gonna go with

0:24:12.119 --> 0:24:16.680
<v Speaker 3>rock Kim af did that. I'm going with Kine after,

0:24:16.840 --> 0:24:21.960
<v Speaker 3>I'm gonna go with Slick Rick and then after that,

0:24:22.320 --> 0:24:25.960
<v Speaker 3>I'm gonna have to say fifty cent. Oh you put

0:24:26.000 --> 0:24:28.680
<v Speaker 3>fifty on the top just because the mixtapes up about

0:24:28.840 --> 0:24:31.080
<v Speaker 3>circus how he built his ship.

0:24:31.240 --> 0:24:33.200
<v Speaker 2>Yeah, yeah, I'm not mad. He went from the ground

0:24:33.320 --> 0:24:35.080
<v Speaker 2>up too. I'm not mad, but a lot I never

0:24:35.119 --> 0:24:36.720
<v Speaker 2>you know, a lot of people never put fifth on

0:24:36.840 --> 0:24:37.320
<v Speaker 2>the top five.

0:24:37.480 --> 0:24:38.520
<v Speaker 1>I get it for what they do.

0:24:38.680 --> 0:24:40.920
<v Speaker 3>They look at certain balls and stuff, but I look

0:24:40.960 --> 0:24:44.720
<v Speaker 3>at the work ethics, okay, and how you got there.

0:24:45.359 --> 0:24:51.120
<v Speaker 2>That's dope about how hole, rock Kim, King, Slick Rick

0:24:51.240 --> 0:24:54.960
<v Speaker 2>and fifty that's a solid five. That's a solid five

0:24:55.040 --> 0:24:58.600
<v Speaker 2>because Caine and Rock Kim. I feel like people tried

0:24:58.640 --> 0:25:00.800
<v Speaker 2>to do to them what they did to Lulu, Wayne

0:25:00.880 --> 0:25:03.120
<v Speaker 2>and t I like which one you fuck with? Where

0:25:03.160 --> 0:25:05.280
<v Speaker 2>they both as great at what they do, but they

0:25:05.359 --> 0:25:07.880
<v Speaker 2>tried to make you choose which one. And I feel

0:25:07.960 --> 0:25:10.480
<v Speaker 2>like they they did that with Kane and rock Him.

0:25:10.760 --> 0:25:13.159
<v Speaker 2>But they man ship all right.

0:25:13.280 --> 0:25:13.399
<v Speaker 1>Now.

0:25:13.600 --> 0:25:19.359
<v Speaker 3>DJ Now DJing is gonna be another bias situation because

0:25:19.400 --> 0:25:22.919
<v Speaker 3>Claude Cane is number y fall one of the greatest

0:25:23.000 --> 0:25:24.400
<v Speaker 3>DJs I've met.

0:25:24.720 --> 0:25:25.959
<v Speaker 1>That's right, you know what I mean?

0:25:26.920 --> 0:25:30.120
<v Speaker 3>Then people that influenced me and got me into where

0:25:30.119 --> 0:25:32.440
<v Speaker 3>I wanted to be Charlie Chase.

0:25:33.359 --> 0:25:35.520
<v Speaker 1>Oh, I ain't heard that name, and a man that

0:25:35.600 --> 0:25:36.439
<v Speaker 1>was a cold crush.

0:25:37.400 --> 0:25:40.840
<v Speaker 3>Then there's Kid Capri, Kid Capri, that's my dog, Kick

0:25:40.920 --> 0:25:44.200
<v Speaker 3>Capri rapping now you know, got rapping bepping.

0:25:45.359 --> 0:25:46.320
<v Speaker 1>I ain't know that back.

0:25:46.880 --> 0:25:49.240
<v Speaker 2>Yeah, just coming to the stude dropping off beat to

0:25:49.400 --> 0:25:52.560
<v Speaker 2>Jack or his tour bus. They drove that tour bus

0:25:52.640 --> 0:25:53.720
<v Speaker 2>more than John Madden.

0:25:56.119 --> 0:26:00.920
<v Speaker 3>So Kid is a major influence. Yes, Bruceie be super

0:26:01.080 --> 0:26:03.800
<v Speaker 3>influenced because of his voice. So my boys, Lucy b

0:26:04.240 --> 0:26:05.800
<v Speaker 3>was you know, built off that.

0:26:06.160 --> 0:26:06.360
<v Speaker 1>Yeah.

0:26:06.760 --> 0:26:08.879
<v Speaker 3>And then after that, I'm gonna say my young boy

0:26:08.920 --> 0:26:12.000
<v Speaker 3>because I met him at sixteen to two technician of DJ.

0:26:12.280 --> 0:26:14.639
<v Speaker 1>Ooh, shout out tech the DJ and the building.

0:26:14.760 --> 0:26:14.920
<v Speaker 3>Yeah.

0:26:15.080 --> 0:26:17.399
<v Speaker 2>Man, he said he met me as a shorty too.

0:26:17.480 --> 0:26:19.920
<v Speaker 2>He said way back, he said, when the office ain't

0:26:19.920 --> 0:26:22.280
<v Speaker 2>have no furniture on Jason Street.

0:26:22.400 --> 0:26:22.520
<v Speaker 4>Yo.

0:26:23.080 --> 0:26:26.200
<v Speaker 3>That's how I know I was definitely in the teens

0:26:26.280 --> 0:26:29.159
<v Speaker 3>back then. By g fat No, I remember when I

0:26:29.240 --> 0:26:32.960
<v Speaker 3>met you and you we went to Marsy and I

0:26:33.119 --> 0:26:35.160
<v Speaker 3>met you no way, that's what we met.

0:26:35.280 --> 0:26:35.560
<v Speaker 1>Martin.

0:26:36.000 --> 0:26:38.840
<v Speaker 2>He was in Marson and that's ill I seen niggas

0:26:38.840 --> 0:26:41.320
<v Speaker 2>try out front Blizz was outside, started playing with him.

0:26:41.920 --> 0:26:44.440
<v Speaker 1>And Jay was like, no one, young boy. He got

0:26:44.560 --> 0:26:47.400
<v Speaker 1>some shit and I was like all right, waiting, yeah

0:26:48.040 --> 0:26:48.800
<v Speaker 1>yeah yo.

0:26:49.000 --> 0:26:51.000
<v Speaker 2>And that's another thing that have you right here. We

0:26:51.160 --> 0:26:54.000
<v Speaker 2>just celebrated thirty years of Reasonable Doubt?

0:26:54.080 --> 0:26:54.280
<v Speaker 3>Man?

0:26:54.640 --> 0:26:57.320
<v Speaker 1>How that feel to you to witness it from the beginning?

0:26:57.800 --> 0:27:00.840
<v Speaker 1>You know? Reasonable?

0:27:00.920 --> 0:27:05.040
<v Speaker 3>That was forever my classic album, right because And another

0:27:05.119 --> 0:27:07.560
<v Speaker 3>thing is you know the song can I Live?

0:27:07.840 --> 0:27:10.679
<v Speaker 1>Yes, you hear the ad libs when Jay is talking

0:27:10.760 --> 0:27:13.399
<v Speaker 1>and go live nigga and all that. That's tone.

0:27:14.480 --> 0:27:14.680
<v Speaker 4>You know.

0:27:15.119 --> 0:27:17.840
<v Speaker 1>I heard the rumor that Tone was supposed to spit

0:27:17.960 --> 0:27:20.840
<v Speaker 1>the second verse. I ain't know about that, but I

0:27:21.000 --> 0:27:23.960
<v Speaker 1>was going to do those libs. You lie. I did

0:27:24.040 --> 0:27:26.480
<v Speaker 1>the ad libs. I went in the studio. Niggas kicked me.

0:27:26.520 --> 0:27:31.879
<v Speaker 3>Out, Jill, Why didn't kick you out the stud bro

0:27:32.520 --> 0:27:36.440
<v Speaker 3>kicked me out the boom because I had it flow

0:27:37.320 --> 0:27:39.760
<v Speaker 3>because I didn't catch the flow. The rhythm wasn't what

0:27:39.920 --> 0:27:43.280
<v Speaker 3>I was. What I was talking was was like mixtape. Yes, yeah,

0:27:43.320 --> 0:27:48.720
<v Speaker 3>he wanted more subtle, so Tone caught that. That's tone

0:27:48.760 --> 0:27:52.800
<v Speaker 3>hooker strong. I said it first, and then he took

0:27:52.880 --> 0:27:53.160
<v Speaker 3>me out.

0:27:55.640 --> 0:27:55.720
<v Speaker 4>Yo.

0:27:55.880 --> 0:27:59.000
<v Speaker 2>That's crazy, yo. You remember and see yeam. I could

0:27:59.040 --> 0:28:01.200
<v Speaker 2>bring up stories like this, but we ain't gonna say

0:28:01.200 --> 0:28:04.520
<v Speaker 2>who did it to him? Remember DJ rad Handy, Yeah

0:28:05.240 --> 0:28:06.479
<v Speaker 2>you still you still see him?

0:28:06.520 --> 0:28:09.000
<v Speaker 3>I never seen I haven't seen him, but I spoken

0:28:09.080 --> 0:28:09.840
<v Speaker 3>to him, Yo.

0:28:09.800 --> 0:28:12.760
<v Speaker 1>I never seen him again. Man like that nigga leaked something.

0:28:13.400 --> 0:28:16.480
<v Speaker 3>They got him and called J. I'm gonna tell you

0:28:16.560 --> 0:28:19.840
<v Speaker 3>what Jay told me. So he was like, yo, call

0:28:19.960 --> 0:28:22.919
<v Speaker 3>J tell him bring the stuff whatever, right, and then

0:28:23.040 --> 0:28:25.880
<v Speaker 3>Jay said stay out of each other. And I said,

0:28:25.880 --> 0:28:26.960
<v Speaker 3>all right, I told you later.

0:28:27.160 --> 0:28:31.359
<v Speaker 1>Yo, listen, listen just how it really was, so yo.

0:28:31.920 --> 0:28:35.119
<v Speaker 3>One thing Hove didn't play about is his music and

0:28:35.240 --> 0:28:36.560
<v Speaker 3>a lot of niggas know that.

0:28:37.320 --> 0:28:40.160
<v Speaker 2>But this DJ, for some reason, this sigga had the

0:28:40.360 --> 0:28:44.080
<v Speaker 2>braids down. I ain't gonna say who did it, but

0:28:44.320 --> 0:28:48.320
<v Speaker 2>just know but it was pushed and niggas got him

0:28:48.760 --> 0:28:52.160
<v Speaker 2>and hit him with the clipper right down the middle,

0:28:52.280 --> 0:28:57.160
<v Speaker 2>cut off one bread bald for leaking the record off.

0:28:57.240 --> 0:29:02.800
<v Speaker 1>Reasonable. That's tough, jud see, I.

0:29:02.880 --> 0:29:06.400
<v Speaker 3>Forgot about that, but here I don't even remember that.

0:29:06.920 --> 0:29:09.320
<v Speaker 3>Yeah tried, but he's like, yo, stay out of it,

0:29:09.480 --> 0:29:12.920
<v Speaker 3>ch other. I'll never forget that. He's like, you stay

0:29:12.960 --> 0:29:13.280
<v Speaker 3>out of it.

0:29:13.400 --> 0:29:17.240
<v Speaker 1>Other. I was like all right, no doubt, man, you

0:29:17.320 --> 0:29:19.160
<v Speaker 1>know that's crazy.

0:29:19.200 --> 0:29:22.520
<v Speaker 2>And then another thing, I feel like as a producer,

0:29:23.320 --> 0:29:26.320
<v Speaker 2>they don't give Skis prips of course, not like I

0:29:26.360 --> 0:29:28.640
<v Speaker 2>feel like Ski should go down as one of the

0:29:28.760 --> 0:29:32.880
<v Speaker 2>top pioneers and music because the sound he created back then,

0:29:32.960 --> 0:29:34.840
<v Speaker 2>it's still being duplicated to this day.

0:29:35.160 --> 0:29:38.040
<v Speaker 1>I had no idea. He produced Cannot Get Open, that

0:29:38.240 --> 0:29:39.440
<v Speaker 1>beat his classic.

0:29:39.560 --> 0:29:44.560
<v Speaker 3>He produced the whole album. We didn't have nobody side

0:29:44.640 --> 0:29:48.480
<v Speaker 3>besides Clark, the Clark joint that Clark did, but everything

0:29:48.520 --> 0:29:55.400
<v Speaker 3>else was Ski. Damn, that's crazy Ski for Jay that

0:29:55.520 --> 0:29:59.320
<v Speaker 3>he did for j and then they just erased those beats.

0:29:59.440 --> 0:30:00.760
<v Speaker 3>I know ever used them.

0:30:01.200 --> 0:30:04.160
<v Speaker 2>They got like four albums of demos that they never

0:30:04.320 --> 0:30:09.680
<v Speaker 2>put out, the top nine, all of that ship.

0:30:09.800 --> 0:30:09.880
<v Speaker 1>Yo.

0:30:10.000 --> 0:30:11.600
<v Speaker 2>Back then, I used to be like, yo, ho, let

0:30:11.640 --> 0:30:14.120
<v Speaker 2>me let me get these balls like you not using them,

0:30:14.280 --> 0:30:14.640
<v Speaker 2>Let me.

0:30:14.760 --> 0:30:17.479
<v Speaker 3>Get these well you know, almost killed ja yo.

0:30:18.440 --> 0:30:22.920
<v Speaker 1>Yo. You said that, you said going on to the studio. Yeah,

0:30:22.960 --> 0:30:24.280
<v Speaker 1>we was going to d C.

0:30:25.040 --> 0:30:32.600
<v Speaker 3>Was when Rap City was in d Cmber I did everything, yo.

0:30:32.720 --> 0:30:37.800
<v Speaker 1>You bringing up all yo, Prince Day's your it's crazy.

0:30:38.240 --> 0:30:40.800
<v Speaker 3>That's the episode we did and that's where I almost

0:30:40.880 --> 0:30:41.720
<v Speaker 3>killed everybody.

0:30:42.080 --> 0:30:42.200
<v Speaker 1>Yo.

0:30:42.960 --> 0:30:45.040
<v Speaker 3>And it wasn't my fourth though we had. I had

0:30:45.080 --> 0:30:49.560
<v Speaker 3>to party the night before we hit the road. I

0:30:49.640 --> 0:30:52.040
<v Speaker 3>got out the club, I took all my records upstairs

0:30:52.400 --> 0:30:56.720
<v Speaker 3>in my projects and it was like, Yo, you gotta drive.

0:30:56.800 --> 0:30:59.920
<v Speaker 1>I was like, how can I drive? I just finished word.

0:31:00.400 --> 0:31:03.360
<v Speaker 3>I just broke five crates of records upstairs to the

0:31:03.480 --> 0:31:07.040
<v Speaker 3>ninth floor in my building, and I gotta drive that.

0:31:07.120 --> 0:31:08.120
<v Speaker 1>Do you want me to drive?

0:31:08.200 --> 0:31:12.040
<v Speaker 3>I was like, let's Ski drive. Nah, Ski can't drive.

0:31:12.800 --> 0:31:16.240
<v Speaker 3>Ski had a license, Dame had a license, j got

0:31:16.280 --> 0:31:19.280
<v Speaker 3>a license. I was like, let one of them drive.

0:31:19.960 --> 0:31:24.200
<v Speaker 3>It's like, nah, you gotta drive. I was like, it's crazy.

0:31:24.360 --> 0:31:25.080
<v Speaker 3>I'm tired.

0:31:25.280 --> 0:31:29.719
<v Speaker 1>Bro, Yo, you left tied. That's so that's crazy.

0:31:29.800 --> 0:31:34.680
<v Speaker 3>Jason in the front, Dan Tune, and Ski in the

0:31:34.760 --> 0:31:37.880
<v Speaker 3>back were driving. Bro.

0:31:38.000 --> 0:31:39.640
<v Speaker 1>We ain't get past Delaware.

0:31:39.800 --> 0:31:45.560
<v Speaker 3>Broh, we didn't get past Delaware. When I tell you,

0:31:46.760 --> 0:31:51.240
<v Speaker 3>the car starts swerving in all kinds of parts of

0:31:51.320 --> 0:31:56.760
<v Speaker 3>the of the road. Bro. When I get under the

0:31:57.240 --> 0:32:00.600
<v Speaker 3>it was like a bridge. Under the bridge. That joint

0:32:00.640 --> 0:32:04.480
<v Speaker 3>on was smacked right into that joint. I caught it, yo, chill.

0:32:04.960 --> 0:32:07.240
<v Speaker 1>I caught the whole truck to the side and it

0:32:07.400 --> 0:32:15.200
<v Speaker 1>just stopped. So oh yeah, damn you fat fuck your

0:32:15.400 --> 0:32:19.480
<v Speaker 1>fucking almost killed this. Niggas is just talking crazy. James.

0:32:19.600 --> 0:32:22.720
<v Speaker 1>Jay was sleep. Jy woke up. You know I used

0:32:22.720 --> 0:32:25.760
<v Speaker 1>to carry gum I got I got meant though, so

0:32:26.680 --> 0:32:31.520
<v Speaker 1>he was like, he went, piz um you piece of gup.

0:32:32.480 --> 0:32:34.640
<v Speaker 3>Yeah, I wish I had this on video.

0:32:36.480 --> 0:32:40.400
<v Speaker 1>Jay got up with the gun in mom like you

0:32:40.480 --> 0:32:45.400
<v Speaker 1>said out to see. Nigga said straight out to sea

0:32:45.480 --> 0:32:49.080
<v Speaker 1>home and you you know, no more word up. So

0:32:49.200 --> 0:32:52.200
<v Speaker 1>I go to I go out to go sleep to

0:32:52.320 --> 0:32:52.680
<v Speaker 1>get out.

0:32:53.680 --> 0:32:56.120
<v Speaker 3>I thought Dame was gonna, I mean, Dame diss it

0:32:56.200 --> 0:32:57.840
<v Speaker 3>in the front, so I thought I sit in the

0:32:57.920 --> 0:33:04.920
<v Speaker 3>back with Dame. Was that Nigga said, Niggas with the luggage.

0:33:04.680 --> 0:33:11.880
<v Speaker 1>Yo yo yo, And they was on that type of

0:33:12.000 --> 0:33:14.120
<v Speaker 1>time back then niggas bags.

0:33:15.120 --> 0:33:17.840
<v Speaker 3>When I won't cuse like niggas even dropped.

0:33:17.880 --> 0:33:19.080
<v Speaker 1>Now niggas yo.

0:33:20.640 --> 0:33:20.760
<v Speaker 3>Yo.

0:33:21.560 --> 0:33:23.680
<v Speaker 2>That's why I be trying to tell niggas, damon them,

0:33:23.720 --> 0:33:26.560
<v Speaker 2>what's so foul on funk up? They putting you on

0:33:26.840 --> 0:33:30.959
<v Speaker 2>one street chewing like yo, you not out of here?

0:33:31.080 --> 0:33:33.520
<v Speaker 2>Back in the prig like niggas left me. They went

0:33:33.600 --> 0:33:36.080
<v Speaker 2>on that tour with Big in them because I missed

0:33:36.160 --> 0:33:40.200
<v Speaker 2>one studio session to say you're done no tour, missed

0:33:40.200 --> 0:33:44.440
<v Speaker 2>the whole bad Boy run all that ship for one session.

0:33:45.800 --> 0:33:48.440
<v Speaker 2>I never missed another session again. Gee, I ain't missing

0:33:48.600 --> 0:33:51.840
<v Speaker 2>nothing kidding me. I missed that tour was the idly

0:33:51.920 --> 0:33:54.960
<v Speaker 2>shit ever, yo, So what's next?

0:33:55.080 --> 0:33:56.640
<v Speaker 1>Man? For you? What you guys like? You want to

0:33:56.680 --> 0:33:57.760
<v Speaker 1>promote to the people, let them know.

0:33:57.880 --> 0:33:59.640
<v Speaker 3>I mean you know right now, on Tuesdays, I'll do

0:33:59.760 --> 0:34:03.720
<v Speaker 3>nine for seven of blocks A throwbacks, right, I love it.

0:34:04.080 --> 0:34:04.520
<v Speaker 1>I do that.

0:34:05.640 --> 0:34:09.719
<v Speaker 3>I just did a tribute to the thirty. Then on Tuesday,

0:34:11.400 --> 0:34:14.279
<v Speaker 3>I played Coming of Age. No I to play on

0:34:14.480 --> 0:34:15.520
<v Speaker 3>Crewe Love, Crew.

0:34:15.480 --> 0:34:19.320
<v Speaker 2>Love, Let's Go Crue Love Yo. Jav's Yo, he should

0:34:19.360 --> 0:34:21.520
<v Speaker 2>have gave me more time. Dog, even though that one

0:34:21.640 --> 0:34:24.280
<v Speaker 2>song I take it. I take it to change my life.

0:34:24.840 --> 0:34:27.879
<v Speaker 2>But we're supposed to be rocking joints like that. Yeah,

0:34:27.960 --> 0:34:32.080
<v Speaker 2>But that that Coming of Age was was always my handless.

0:34:32.239 --> 0:34:34.640
<v Speaker 2>My G is timeless, O G. I'll brother with you

0:34:34.800 --> 0:34:35.279
<v Speaker 2>for free.

0:34:35.400 --> 0:34:37.640
<v Speaker 3>That nigga put it down my G with that joint.

0:34:37.719 --> 0:34:39.200
<v Speaker 3>And you know, people look at me and be like, yo,

0:34:39.239 --> 0:34:40.640
<v Speaker 3>you ain't right there, and be like fuck.

0:34:40.760 --> 0:34:43.880
<v Speaker 2>No, I was fourteen sixteen when I draw when it

0:34:44.000 --> 0:34:47.279
<v Speaker 2>came out, I don't even know what equilibrium meant back then.

0:34:50.080 --> 0:34:52.440
<v Speaker 1>Fact, it wasn't until it came out doing I'm like, oh,

0:34:52.640 --> 0:34:53.960
<v Speaker 1>that's what I'm talking about.

0:34:54.480 --> 0:34:58.279
<v Speaker 3>Cool, that's a that's a classic song. Bade that that

0:34:58.960 --> 0:35:02.399
<v Speaker 3>on that album is for me and seeing how young

0:35:02.480 --> 0:35:05.440
<v Speaker 3>you were and then you start hearing like mine, right,

0:35:06.800 --> 0:35:08.080
<v Speaker 3>that's what I appreciate you.

0:35:08.480 --> 0:35:11.840
<v Speaker 2>That was like the tunnel that was with them days,

0:35:12.560 --> 0:35:14.439
<v Speaker 2>that's when New York was New York. And I feel

0:35:14.520 --> 0:35:17.120
<v Speaker 2>like we got that energy back in New York. I

0:35:17.160 --> 0:35:20.000
<v Speaker 2>feel like that energy right there is back, Like the

0:35:20.080 --> 0:35:23.640
<v Speaker 2>Knicks won the Chip, Jason just shut down Yankee Stadium

0:35:23.719 --> 0:35:26.360
<v Speaker 2>for the whole weekend, and the city just has a

0:35:26.560 --> 0:35:29.319
<v Speaker 2>vibe that I haven't felt in New York City, bro

0:35:29.480 --> 0:35:33.080
<v Speaker 2>since probably like late two thousand and two, two thousand

0:35:33.080 --> 0:35:33.399
<v Speaker 2>and three.

0:35:34.040 --> 0:35:35.080
<v Speaker 1>No, it's definitely a lot.

0:35:35.320 --> 0:35:38.400
<v Speaker 3>I'm more music going around, and it's just people just

0:35:38.480 --> 0:35:40.720
<v Speaker 3>gotta get right to it. That's right, man, Just gotta

0:35:40.719 --> 0:35:43.160
<v Speaker 3>get right to it. They just gotta Yeah, that's what

0:35:43.239 --> 0:35:45.200
<v Speaker 3>it is. You gotta you gotta feel to the people.

0:35:45.320 --> 0:35:47.520
<v Speaker 3>You just gotta get out there and feel what's going

0:35:47.600 --> 0:35:51.359
<v Speaker 3>on and create that vibe again because because people are afraid. Man,

0:35:51.480 --> 0:35:53.640
<v Speaker 3>they are a lot of people afraid to make music

0:35:53.760 --> 0:35:56.960
<v Speaker 3>that makes sense, that's right, and be theirself. They just

0:35:57.080 --> 0:36:01.200
<v Speaker 3>following the trend. They scared, like people to use the drums,

0:36:01.239 --> 0:36:03.480
<v Speaker 3>you want to use the lupe, use the loop exactly.

0:36:03.640 --> 0:36:04.000
<v Speaker 3>But just.

0:36:05.640 --> 0:36:07.880
<v Speaker 1>Just have fun. Man, Let's make music great again. You

0:36:07.960 --> 0:36:11.840
<v Speaker 1>know what I mean? We hear legendary DJ Chubby chubbing

0:36:11.920 --> 0:36:16.840
<v Speaker 1>the motherfucking building a ka DJ competition because I'm dieseling,

0:36:16.960 --> 0:36:20.040
<v Speaker 1>We're coming for the title right here on rock Solid

0:36:20.360 --> 0:36:24.520
<v Speaker 1>and he fit the name literally rock Solid Year.

0:36:28.280 --> 0:36:33.520
<v Speaker 4>For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,

0:36:33.600 --> 0:36:36.000
<v Speaker 4>or wherever you listen to your favorite shows at and

0:36:36.120 --> 0:36:39.200
<v Speaker 4>you can follow me on any social media platform under

0:36:39.239 --> 0:36:40.360
<v Speaker 4>the name Memphis Bleach.

0:36:40.520 --> 0:36:42.640
<v Speaker 1>You see anybody fraud in flagging