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We have you going out 27 00:01:21,400 --> 00:01:26,039 Speaker 1: to runway four one niner and you're gonna be taking 28 00:01:26,080 --> 00:01:27,760 Speaker 1: off and you can be shooting out through the west 29 00:01:28,240 --> 00:01:30,960 Speaker 1: heading on up to the moon and enjoy your flight. 30 00:01:31,160 --> 00:01:35,560 Speaker 1: All good there, z one Fox. This is the one 31 00:01:35,600 --> 00:01:40,520 Speaker 1: foxnotch Houston. We roger that copy and we are ready 32 00:01:40,520 --> 00:01:46,759 Speaker 1: to coach to the moon. Over are we recording? Oh 33 00:01:46,760 --> 00:01:50,640 Speaker 1: we are or live? Okay? All right, ladies and gentlemen, 34 00:01:50,880 --> 00:01:54,520 Speaker 1: it's me Greg T again and Garrett. I love how 35 00:01:54,560 --> 00:01:56,840 Speaker 1: you said. And Garrett right, this is what we do. 36 00:01:56,880 --> 00:02:00,480 Speaker 1: We have fun with the microphones. And now we're ready 37 00:02:00,520 --> 00:02:02,720 Speaker 1: to hit the button. Which button, the green button? And 38 00:02:03,160 --> 00:02:05,800 Speaker 1: now that one, that one right and after I hit 39 00:02:05,800 --> 00:02:08,799 Speaker 1: this one, just like last time, Uh, you never know 40 00:02:09,400 --> 00:02:11,760 Speaker 1: what's gonna happen after I hit the button. Here we 41 00:02:11,840 --> 00:02:18,160 Speaker 1: go aga, No, stop hitting the button long button, use 42 00:02:19,040 --> 00:02:24,359 Speaker 1: use the use the mouse, use the mouse, use the mouse? 43 00:02:24,440 --> 00:02:26,400 Speaker 1: And which one do I hook up with? I don't 44 00:02:26,440 --> 00:02:30,560 Speaker 1: understand the one that says fifteen minute morning show. None 45 00:02:30,560 --> 00:02:32,840 Speaker 1: of them are here. None of them say fifteen minute 46 00:02:32,840 --> 00:02:36,560 Speaker 1: morning show. Not one of them, not one. Oh that one, yeah, 47 00:02:36,600 --> 00:02:38,400 Speaker 1: that one does. It clearly says I was looking you 48 00:02:38,400 --> 00:02:40,040 Speaker 1: know what, I was looking for the number fifteen, not 49 00:02:40,120 --> 00:02:45,080 Speaker 1: the word FA. Okay, right, what would you talk about 50 00:02:45,120 --> 00:02:56,040 Speaker 1: on your on your podcast? I don't know morning show? 51 00:02:56,760 --> 00:02:59,919 Speaker 1: And I am Greg T and that's Karen over there. 52 00:03:00,080 --> 00:03:01,800 Speaker 1: I love how we're gonna act like none of that 53 00:03:01,919 --> 00:03:04,679 Speaker 1: happened right before we hit the play button. Well, don't 54 00:03:04,760 --> 00:03:06,400 Speaker 1: you like edit that out so they don't hear those 55 00:03:06,440 --> 00:03:09,040 Speaker 1: now that stays in? Why why would you call that? 56 00:03:09,080 --> 00:03:11,160 Speaker 1: It's like a cold open on SNL. I know. But 57 00:03:11,200 --> 00:03:12,919 Speaker 1: what you're supposed to do is you're supposed to go 58 00:03:12,960 --> 00:03:16,000 Speaker 1: back and re edit that so that the audience doesn't 59 00:03:16,080 --> 00:03:18,919 Speaker 1: see that many things behind the curtains. But I think 60 00:03:19,240 --> 00:03:21,400 Speaker 1: the audience loves to look behind the curtain from time 61 00:03:21,400 --> 00:03:23,560 Speaker 1: to time, just like they like to go backstage at 62 00:03:23,600 --> 00:03:26,160 Speaker 1: our concerts. Oh, they love to see what we do 63 00:03:26,240 --> 00:03:28,239 Speaker 1: before we hit go. You know what I like, I 64 00:03:28,320 --> 00:03:31,880 Speaker 1: leave to crack up the music. We can come up 65 00:03:31,880 --> 00:03:35,720 Speaker 1: with a rap the fifteen minute Morning fifteen minutes, or 66 00:03:35,840 --> 00:03:39,000 Speaker 1: leave the rapping to the professional. Why this is if 67 00:03:39,000 --> 00:03:40,960 Speaker 1: you were to try to wrap Greig Tea and I 68 00:03:40,960 --> 00:03:45,080 Speaker 1: think you have not exactly so why Yes, it could 69 00:03:45,120 --> 00:03:48,240 Speaker 1: be funny, but I don't you would take it seriously. 70 00:03:48,600 --> 00:03:50,080 Speaker 1: I would take it as a joke, but then you 71 00:03:50,120 --> 00:03:52,920 Speaker 1: would be offended that I'm not taking a seriously. I'm offended. 72 00:03:53,080 --> 00:03:56,040 Speaker 1: Let's try it again. It fades down, by the way. 73 00:03:56,080 --> 00:03:58,680 Speaker 1: Oh it's totally gone. Yes, Oh, yoh, that's not fun. 74 00:03:59,480 --> 00:04:01,680 Speaker 1: Oh I really wanted to do that one more time. See, 75 00:04:01,720 --> 00:04:03,840 Speaker 1: I don't know, I don't know. See that's the perfect 76 00:04:03,840 --> 00:04:05,600 Speaker 1: out for you to go. Oh, man, I wish I 77 00:04:05,640 --> 00:04:08,840 Speaker 1: could rap because the music's gone. Fiven minute Morning Show. 78 00:04:09,040 --> 00:04:13,000 Speaker 1: I'm Greg Tea. We got Garrett over there. We are 79 00:04:13,600 --> 00:04:16,840 Speaker 1: in jeopardy because I say, we don't know what to 80 00:04:16,880 --> 00:04:19,040 Speaker 1: talk about. What do we want to talk? Come about? 81 00:04:19,200 --> 00:04:23,080 Speaker 1: So here's what's happening again again the Elvis Durand Morning Show. 82 00:04:23,120 --> 00:04:25,520 Speaker 1: All the important people of the show need to be 83 00:04:25,520 --> 00:04:27,600 Speaker 1: in another studio and they need to be taking care 84 00:04:27,600 --> 00:04:30,800 Speaker 1: of some business while the two of us are expendable. 85 00:04:31,120 --> 00:04:34,800 Speaker 1: So basically that's what it is. You know, our executive 86 00:04:34,800 --> 00:04:37,440 Speaker 1: producers streaking in is like you two go, this could 87 00:04:37,440 --> 00:04:40,719 Speaker 1: be interesting. Where would you put yourself and I or 88 00:04:40,800 --> 00:04:45,440 Speaker 1: me expendable on the totem pole. It's hard to say 89 00:04:45,480 --> 00:04:47,680 Speaker 1: because we both do different things. Of course, there's too 90 00:04:47,720 --> 00:04:49,960 Speaker 1: many There's different things that are needed and asked of 91 00:04:50,040 --> 00:04:52,680 Speaker 1: both of us at different times. So I don't know 92 00:04:52,800 --> 00:04:54,760 Speaker 1: really where we put each other. I think I think 93 00:04:54,800 --> 00:04:57,160 Speaker 1: Mount Rushmore on the show. You're on the show, really 94 00:04:57,360 --> 00:05:00,440 Speaker 1: Mount Rushmore. I'm up there. My face is there four 95 00:05:00,480 --> 00:05:03,640 Speaker 1: on the show? Elvis, Danielle. You I don't know the 96 00:05:03,760 --> 00:05:06,560 Speaker 1: last person on Mount Rushmore of the show is you know. 97 00:05:06,680 --> 00:05:10,360 Speaker 1: It's it's almost you need an interchangeable face. Really. See. 98 00:05:10,480 --> 00:05:13,200 Speaker 1: You can argue scary because he's been here though the longest. 99 00:05:13,560 --> 00:05:16,279 Speaker 1: Well he's only been here longer than me by a 100 00:05:16,360 --> 00:05:19,120 Speaker 1: month and a half. I don't think he's been there, Okay, 101 00:05:19,160 --> 00:05:22,160 Speaker 1: so yeah, technically he's been there. That aside. You gotta 102 00:05:22,240 --> 00:05:24,560 Speaker 1: you gotta figure who would be the Mount Rushmore of 103 00:05:24,640 --> 00:05:29,120 Speaker 1: the show. Obviously Elvis being Elvis, Danielle just being right 104 00:05:29,200 --> 00:05:32,839 Speaker 1: alongside right you doing what you've done in your career 105 00:05:32,880 --> 00:05:35,920 Speaker 1: on this show. I'm riding on the heels of my legacy. 106 00:05:36,120 --> 00:05:39,159 Speaker 1: I think I think it's a variable fourth face on 107 00:05:39,200 --> 00:05:41,880 Speaker 1: the Mount Rushmore of the show. Well, you know, it's interesting. 108 00:05:42,080 --> 00:05:45,240 Speaker 1: Just the other day, I mean, Gandhi, you would think 109 00:05:45,279 --> 00:05:48,400 Speaker 1: Gandhi would be the fourth face Mount Rushmore. You can't 110 00:05:48,400 --> 00:05:51,360 Speaker 1: throw on Mount Rushmore day three yet day three, but 111 00:05:51,400 --> 00:05:53,680 Speaker 1: you would think that there would be a placeholder that 112 00:05:53,760 --> 00:05:57,200 Speaker 1: says Gandhi on Mount Rushmore of the show. So just 113 00:05:57,240 --> 00:05:59,960 Speaker 1: the other day, I was having a meeting with Coast 114 00:06:00,080 --> 00:06:03,240 Speaker 1: with Josh Yes and we were talking about, you know, 115 00:06:03,680 --> 00:06:07,240 Speaker 1: what some of us have done here with our careers, 116 00:06:07,240 --> 00:06:09,599 Speaker 1: you know, with the morning show and uh and and 117 00:06:09,680 --> 00:06:12,760 Speaker 1: I said, I said, dude, I've done nothing. I've earned 118 00:06:13,120 --> 00:06:16,080 Speaker 1: no stripes. And then he and he started laughing, and 119 00:06:16,120 --> 00:06:18,040 Speaker 1: I said, what are you laughing at? And he said, 120 00:06:18,080 --> 00:06:20,760 Speaker 1: I'm not going to sit here and tell you everything 121 00:06:20,800 --> 00:06:22,520 Speaker 1: that you've accomplished, and I'm not going to go down 122 00:06:22,560 --> 00:06:25,280 Speaker 1: that road with you. And I said what road? Yeah, 123 00:06:25,279 --> 00:06:27,479 Speaker 1: it is is pretty much like a pity party because 124 00:06:27,520 --> 00:06:31,120 Speaker 1: like you you want me to tell you t like no, 125 00:06:31,279 --> 00:06:34,320 Speaker 1: remember the time you got arrested at Martha Stewart, I 126 00:06:34,400 --> 00:06:37,480 Speaker 1: guess and you know you did it. Well, here's the thing, Okay, 127 00:06:37,640 --> 00:06:40,239 Speaker 1: let's let's talk about it like with with athletes, for instance, 128 00:06:40,760 --> 00:06:44,200 Speaker 1: like Wayne Gretzky. We all know Wayne Gretzky, right, he's 129 00:06:44,240 --> 00:06:46,920 Speaker 1: a household name. Right, he doesn't play anymore, is retired, 130 00:06:47,080 --> 00:06:49,400 Speaker 1: but still everybody knows the name Wayne gretz of course. 131 00:06:49,680 --> 00:06:53,320 Speaker 1: So when Wayne Gretzky was playing, do you think that 132 00:06:53,520 --> 00:06:57,240 Speaker 1: he looked at himself as Wow, I'm Wayne Gretzky at 133 00:06:57,240 --> 00:06:59,400 Speaker 1: the time, the way the fans looked at him and 134 00:06:59,680 --> 00:07:01,839 Speaker 1: was like, oh my god, that's Wayne Gretzky. I don't 135 00:07:01,839 --> 00:07:04,279 Speaker 1: think he does. Like you know, today we had Josh 136 00:07:04,320 --> 00:07:06,560 Speaker 1: Grobin on the show, right, and we can all agree 137 00:07:06,680 --> 00:07:10,600 Speaker 1: Josh Grobin is his voice is so voice of an angel, 138 00:07:10,720 --> 00:07:14,400 Speaker 1: voice of an angel. Right. He is such a a 139 00:07:14,680 --> 00:07:21,160 Speaker 1: list personality character. He's he's a super celebs, he's an 140 00:07:21,200 --> 00:07:25,040 Speaker 1: amazing is iconic. Right, he is a legend, He's a 141 00:07:25,080 --> 00:07:27,880 Speaker 1: living legend. Right, you would say, I would say he 142 00:07:28,280 --> 00:07:31,120 Speaker 1: is up there in the voices. Right. So's if there 143 00:07:31,160 --> 00:07:34,640 Speaker 1: was ever this this grand Hall of Fame one day, 144 00:07:35,040 --> 00:07:38,920 Speaker 1: Josh Grobin, his path is already paved right. So do 145 00:07:38,920 --> 00:07:42,200 Speaker 1: you think that he walks around and says, I'm Josh Grobin, 146 00:07:42,280 --> 00:07:45,200 Speaker 1: like I know what I've accomplished. I don't think he does. 147 00:07:45,320 --> 00:07:47,520 Speaker 1: I think he knows what he's accomplished. I mean, he 148 00:07:47,600 --> 00:07:51,080 Speaker 1: said this morning that it's been about twenty years. He's 149 00:07:51,120 --> 00:07:54,600 Speaker 1: busted his butt right now he can pretty much, you know, yeah, 150 00:07:54,640 --> 00:07:56,480 Speaker 1: But does he realize that people look at him like 151 00:07:56,600 --> 00:07:58,480 Speaker 1: he's a legend? That a legend. I don't think you 152 00:07:58,560 --> 00:08:00,600 Speaker 1: look at it, but you know you're a complishments when 153 00:08:00,640 --> 00:08:03,120 Speaker 1: you get to that level. Just like Lebron James knows 154 00:08:03,200 --> 00:08:06,280 Speaker 1: he's he's a very good basketball player. Does he realize 155 00:08:06,280 --> 00:08:09,080 Speaker 1: but he's Lebron James a living legend. He he knows 156 00:08:09,120 --> 00:08:12,080 Speaker 1: he's a very good basketball player. Michael Jordan's at the time, 157 00:08:12,120 --> 00:08:13,880 Speaker 1: Did Michael Jordan know that he was a living legend? 158 00:08:13,960 --> 00:08:16,680 Speaker 1: Josh Grobin and Josh Game an artist, they pretty much 159 00:08:16,720 --> 00:08:19,640 Speaker 1: they know that they've accomplished a lot for their success 160 00:08:19,640 --> 00:08:21,960 Speaker 1: that they've received from the things that they've done to 161 00:08:22,000 --> 00:08:23,800 Speaker 1: get to the point in their career. With jay Z, 162 00:08:24,200 --> 00:08:26,400 Speaker 1: does jay Z realize like when he wakes up in 163 00:08:26,400 --> 00:08:28,360 Speaker 1: the morning, is he just a normal person? Or does 164 00:08:28,400 --> 00:08:30,800 Speaker 1: he realize he goes, Wow, I'm jay Z, I'm a 165 00:08:30,800 --> 00:08:33,640 Speaker 1: living legend. I don't think like if you think that way, 166 00:08:33,720 --> 00:08:37,280 Speaker 1: it kind of makes you conceded. But you do realize 167 00:08:37,280 --> 00:08:40,760 Speaker 1: your accomplishments of your career. I mean, and I'm not 168 00:08:40,800 --> 00:08:42,439 Speaker 1: saying that I'm a living legend. I'm that so what 169 00:08:42,520 --> 00:08:45,200 Speaker 1: I'm saying. But like, you know, this is what Josh, 170 00:08:45,360 --> 00:08:47,280 Speaker 1: this is what coast Woo Josh and I were talking about. 171 00:08:47,360 --> 00:08:49,439 Speaker 1: It's what you kind of started to allude to with 172 00:08:49,720 --> 00:08:51,840 Speaker 1: the Mount Rushmore kind of thing of the Morning Show. Now, 173 00:08:52,520 --> 00:08:54,360 Speaker 1: I don't see it like that. I don't feel it 174 00:08:54,400 --> 00:08:56,560 Speaker 1: that way. But you don't feel it because you're so 175 00:08:56,840 --> 00:08:59,560 Speaker 1: invested in the product itself. Now, if you and I 176 00:08:59,640 --> 00:09:03,200 Speaker 1: went on the street and started talking to people just 177 00:09:03,200 --> 00:09:06,280 Speaker 1: having downstairs, I was in Starbucks. I literally went downstairs. 178 00:09:06,440 --> 00:09:08,480 Speaker 1: I went to go get an egg sandwich and I 179 00:09:08,520 --> 00:09:11,319 Speaker 1: was waiting there behind the counter and the guy that 180 00:09:11,480 --> 00:09:13,760 Speaker 1: was Starbucks. We have so many great delis that get 181 00:09:13,960 --> 00:09:16,760 Speaker 1: nobody was right downstairs and good egg sandwiches, and you'll 182 00:09:16,800 --> 00:09:18,600 Speaker 1: go to Starbucks. I just wanted to run. You know, 183 00:09:18,679 --> 00:09:20,560 Speaker 1: you're living legend, and when you can afford an egg 184 00:09:20,600 --> 00:09:23,600 Speaker 1: sandwich at Starbucks. Listen, if it was if it was Harry's, 185 00:09:23,640 --> 00:09:25,600 Speaker 1: I would have went there. It didn't matter what it was. 186 00:09:25,640 --> 00:09:27,640 Speaker 1: I would have just I wanted to go quickly. Well 187 00:09:27,679 --> 00:09:29,920 Speaker 1: you're a namehoor too. You love names. It has to 188 00:09:29,960 --> 00:09:31,719 Speaker 1: have a name attached to it for you in order 189 00:09:31,920 --> 00:09:33,559 Speaker 1: for you to eat it. I do like, what kind 190 00:09:33,559 --> 00:09:36,400 Speaker 1: of blowpop do you have? Like listen, I'm just saying. So. 191 00:09:36,440 --> 00:09:38,160 Speaker 1: When I was down there, the guy behind the counter goes, 192 00:09:38,280 --> 00:09:40,600 Speaker 1: he goes, yo, are you Greg Tea? And I go yeah, 193 00:09:40,679 --> 00:09:42,440 Speaker 1: and he goes go, man, I love that show. And 194 00:09:42,480 --> 00:09:44,960 Speaker 1: I'm like, well, thank you. Then I turned around and 195 00:09:45,000 --> 00:09:47,200 Speaker 1: then I was leaving and a girl overheard him say it. 196 00:09:47,400 --> 00:09:48,839 Speaker 1: So then she came up to me and she says, 197 00:09:48,960 --> 00:09:51,040 Speaker 1: Greg Ta, I'm sorry. I just heard him say your name. 198 00:09:51,240 --> 00:09:52,640 Speaker 1: And I was wondering if I can get a picture 199 00:09:52,679 --> 00:09:54,800 Speaker 1: with you. So I'm like, yeah, sure, no problem. It 200 00:09:54,840 --> 00:09:56,640 Speaker 1: wasn't a big deal. Like and to me, I'm like, 201 00:09:56,679 --> 00:09:58,640 Speaker 1: I better hurry up and get upstairs or else Elvis 202 00:09:58,720 --> 00:09:59,760 Speaker 1: is gonna get mad that we don't. We're not in 203 00:09:59,800 --> 00:10:02,319 Speaker 1: the me. So I was like, So I didn't think 204 00:10:02,320 --> 00:10:04,560 Speaker 1: of myself as like wow, that just happened. So you 205 00:10:04,600 --> 00:10:06,360 Speaker 1: played it off. You played it off like you were 206 00:10:06,360 --> 00:10:08,480 Speaker 1: you're doing something the business. You were getting an egg sandwich. 207 00:10:08,520 --> 00:10:10,120 Speaker 1: Why would you just say, I'm sorry, I was getting 208 00:10:10,120 --> 00:10:13,280 Speaker 1: a next sandwich. But see right there, that's what I'm 209 00:10:13,280 --> 00:10:15,480 Speaker 1: talking about, where you we can get out of this 210 00:10:15,559 --> 00:10:19,000 Speaker 1: bubble of the radio station and you could personally see 211 00:10:19,000 --> 00:10:23,120 Speaker 1: that you have affected positive or negative, depending on how 212 00:10:23,160 --> 00:10:25,360 Speaker 1: you want to look at it. People's lives. There's got 213 00:10:25,360 --> 00:10:29,720 Speaker 1: to be other people outside of the entertainment business that 214 00:10:29,840 --> 00:10:33,200 Speaker 1: are their own, you know, I guess, living legends of 215 00:10:33,240 --> 00:10:36,679 Speaker 1: their industry. Whether you're a doctor, I'm sure in if 216 00:10:36,679 --> 00:10:39,680 Speaker 1: you're I love how you're having this conversation about living legends. 217 00:10:39,760 --> 00:10:41,839 Speaker 1: But you want to preface I'm not talking about myself. 218 00:10:41,880 --> 00:10:43,760 Speaker 1: I'm not talking about me, but I'm not. But then 219 00:10:43,880 --> 00:10:46,439 Speaker 1: how I get what you're saying. But you're also trying 220 00:10:46,440 --> 00:10:49,600 Speaker 1: to include yourself into this conversation. We were talking about you. 221 00:10:49,600 --> 00:10:52,040 Speaker 1: You not realizing I try to get out of it 222 00:10:52,120 --> 00:10:53,559 Speaker 1: when it's all about me. I try to get out 223 00:10:53,559 --> 00:10:56,640 Speaker 1: as fast as I possibly can. Why though that, I mean, 224 00:10:56,679 --> 00:11:00,880 Speaker 1: the conversation is we're talking about the mountain USh Moore, which, yes, 225 00:11:00,960 --> 00:11:03,439 Speaker 1: I haven't heard if you agree or disagree, or if 226 00:11:03,440 --> 00:11:05,600 Speaker 1: you have a fourth face on that. I want to agree. 227 00:11:05,679 --> 00:11:07,760 Speaker 1: I don't want to disagree. I I you would. So 228 00:11:08,080 --> 00:11:11,800 Speaker 1: I feel very uncomfortable about myself in this situation, Like 229 00:11:11,840 --> 00:11:13,480 Speaker 1: we're not talking about yourself, we're talking about the show 230 00:11:13,520 --> 00:11:17,640 Speaker 1: in general. So iHeart iHeart media, iHeart radio. Comes to 231 00:11:17,720 --> 00:11:19,920 Speaker 1: the show and says, hey, we've we've we We're gonna 232 00:11:19,920 --> 00:11:21,720 Speaker 1: put up a billboard. No no, no, no no, We're gonna 233 00:11:21,720 --> 00:11:24,360 Speaker 1: stick to Mount Rushmore, Mount Rushmore. Yeah, we're gonna put 234 00:11:24,360 --> 00:11:27,160 Speaker 1: a Mount Rushmore up of the morning show. Yeah, okay, 235 00:11:27,640 --> 00:11:30,280 Speaker 1: we need everyone's opinion, right, Okay, obviously we're going to 236 00:11:30,360 --> 00:11:34,120 Speaker 1: include Elvis and Danielle. I want to everybody, but no, 237 00:11:34,200 --> 00:11:36,720 Speaker 1: you only have four faces. I like that everybody can 238 00:11:36,720 --> 00:11:39,040 Speaker 1: get a rack Mount Rushmore. I will. Yes, that's a 239 00:11:39,040 --> 00:11:42,560 Speaker 1: whole other topic that you love to give everyone something? Yeah? 240 00:11:42,120 --> 00:11:44,520 Speaker 1: Uh but who what are the other two? Then? If 241 00:11:44,520 --> 00:11:46,880 Speaker 1: you're not going to include yourself, you said you want 242 00:11:46,880 --> 00:11:48,679 Speaker 1: to take yourself out, who would you put on if 243 00:11:48,679 --> 00:11:51,840 Speaker 1: I'm not including myself? Well, no, you can whatever. I 244 00:11:51,880 --> 00:11:54,280 Speaker 1: don't know, man, why wouldn't you put yourself a part 245 00:11:54,320 --> 00:11:56,320 Speaker 1: of it? You are a part of this show. You 246 00:11:56,320 --> 00:11:58,200 Speaker 1: you've been a part of it since day one. But 247 00:11:58,240 --> 00:12:01,440 Speaker 1: I bet you that there are I bet you Elvis 248 00:12:01,520 --> 00:12:04,880 Speaker 1: Duran listeners that would disagree and they would say, you 249 00:12:04,880 --> 00:12:06,760 Speaker 1: know what, Greg T, Well, those are the ones not 250 00:12:06,920 --> 00:12:09,480 Speaker 1: good enough. I bet you, like you can cough on 251 00:12:09,520 --> 00:12:11,679 Speaker 1: air and people will hate you for that. We've come 252 00:12:11,679 --> 00:12:14,640 Speaker 1: to realize, right, That's that's what I'm saying. Specifically, you 253 00:12:14,679 --> 00:12:16,840 Speaker 1: are a hit or missed type of person. That's why 254 00:12:16,880 --> 00:12:19,920 Speaker 1: I realize. And that's why, Garrett, that's why I take 255 00:12:19,960 --> 00:12:22,880 Speaker 1: myself out so fast, because I keep a level head. 256 00:12:23,000 --> 00:12:25,680 Speaker 1: I know that there are people listening to this podcast 257 00:12:25,800 --> 00:12:27,680 Speaker 1: that have already turned it off and said, I can't 258 00:12:27,679 --> 00:12:29,640 Speaker 1: stand Greg T. I gotta get out of here. I 259 00:12:29,640 --> 00:12:30,719 Speaker 1: don't want to listen to I want the rest of 260 00:12:30,760 --> 00:12:32,880 Speaker 1: the morning show here. I know that they're they're not 261 00:12:32,920 --> 00:12:35,440 Speaker 1: getting it. I can tell you that spoiler. But I 262 00:12:35,520 --> 00:12:37,320 Speaker 1: but I know that there are people that that don't 263 00:12:37,440 --> 00:12:40,000 Speaker 1: like me on the radio. They don't let don't enjoy 264 00:12:40,160 --> 00:12:42,840 Speaker 1: it happens. But you tend to go to this negative, 265 00:12:43,040 --> 00:12:46,760 Speaker 1: not negative route. But you find the negativeness in a situation. 266 00:12:46,880 --> 00:12:49,600 Speaker 1: You find the negatives in this situation where what I 267 00:12:49,640 --> 00:12:52,600 Speaker 1: think that keeps you level headed when you find the 268 00:12:52,640 --> 00:12:54,840 Speaker 1: negatives if you don't feel that you're negative. But if 269 00:12:54,840 --> 00:12:57,320 Speaker 1: you don't enjoy the accomplishments, what's the point of enjoying 270 00:12:57,320 --> 00:12:59,640 Speaker 1: the accomplishments when you spend all day looking for the 271 00:12:59,640 --> 00:13:03,880 Speaker 1: negative in a situation? Wow, that's really good. I gotta 272 00:13:03,920 --> 00:13:07,120 Speaker 1: tell you I have, and Elvis will vouch because I've 273 00:13:07,120 --> 00:13:10,520 Speaker 1: had many of quiet conversations with him. I have not 274 00:13:10,800 --> 00:13:18,120 Speaker 1: enjoyed look the private moment. I have not enjoyed anything 275 00:13:18,200 --> 00:13:20,640 Speaker 1: any of the accolades that have really, But you know, 276 00:13:20,800 --> 00:13:24,200 Speaker 1: you'll come along with this and I've earned I haven't enjoyed. 277 00:13:24,240 --> 00:13:26,720 Speaker 1: But what you have is you've put on a soapbox 278 00:13:26,760 --> 00:13:29,760 Speaker 1: at times, more of the negativeness of a text message 279 00:13:29,840 --> 00:13:33,000 Speaker 1: or a tweet. I have. That's right, right, So so 280 00:13:33,120 --> 00:13:35,760 Speaker 1: take that time. I mean, I think we've all said it. 281 00:13:36,000 --> 00:13:37,800 Speaker 1: Elvis says it to me a lot. He always says, Tea, 282 00:13:38,240 --> 00:13:42,760 Speaker 1: let yourself off the hook and enjoy the successes of 283 00:13:42,800 --> 00:13:45,360 Speaker 1: the show and yourself. And I have yet to ever 284 00:13:45,480 --> 00:13:47,559 Speaker 1: really do that. I just I have think how much 285 00:13:47,559 --> 00:13:50,800 Speaker 1: you would be enjoying the situation at times and not 286 00:13:50,840 --> 00:13:54,400 Speaker 1: looking forward to you know what someone's going to think, Garrett, 287 00:13:54,400 --> 00:13:57,400 Speaker 1: You're absolutely correct. I'm not kidding. I'm not looking appreciate it, 288 00:13:57,400 --> 00:13:59,520 Speaker 1: but I'm just saying you're right. I'm not going to stop. 289 00:13:59,559 --> 00:14:02,920 Speaker 1: And I think know too. Everybody has an opinion. Obviously 290 00:14:03,440 --> 00:14:07,360 Speaker 1: they're They're like a holes. Everyone has one, and you 291 00:14:07,480 --> 00:14:10,160 Speaker 1: just can't let those affect you as much as it does. 292 00:14:10,400 --> 00:14:12,920 Speaker 1: So I ask you again, thinking about it, you have 293 00:14:13,040 --> 00:14:16,440 Speaker 1: Danielle Elvis on Mount Rushmore. Ye, do you put yourself 294 00:14:16,440 --> 00:14:19,240 Speaker 1: on there? I would put you on there. I would 295 00:14:19,240 --> 00:14:22,200 Speaker 1: put Scary there. I guess that's three faces. So you're 296 00:14:22,200 --> 00:14:25,440 Speaker 1: telling me you're gonna put Brody over you? There's well, 297 00:14:25,480 --> 00:14:27,560 Speaker 1: I mean, Brody's he's been there a long time, he's 298 00:14:27,560 --> 00:14:29,600 Speaker 1: been a big song. Brody's going to get the face 299 00:14:29,640 --> 00:14:31,680 Speaker 1: on Mount Rushmore and you are not. You don't think 300 00:14:31,720 --> 00:14:34,400 Speaker 1: that people realize how much Brody does. Brody is he does. 301 00:14:34,680 --> 00:14:38,200 Speaker 1: And I'm not knocking that, but I'm talking. You know 302 00:14:38,240 --> 00:14:40,920 Speaker 1: how many people were there when they were assigning the constitution. Yeah, 303 00:14:40,920 --> 00:14:43,240 Speaker 1: but just because we're the faces doesn't mean that we 304 00:14:43,280 --> 00:14:45,560 Speaker 1: are the most creative. It takes a lot of us 305 00:14:45,640 --> 00:14:48,040 Speaker 1: to make the show creative and I'm getting so successful. 306 00:14:48,080 --> 00:14:52,120 Speaker 1: I get that, but you're killing this the argument by saying, well, everyone, 307 00:14:52,160 --> 00:14:53,960 Speaker 1: you do a lot on the show, of course, but 308 00:14:54,080 --> 00:14:55,720 Speaker 1: the audience doesn't know half the things that you do 309 00:14:55,760 --> 00:14:58,160 Speaker 1: behind the scenes. But that's the thing. The masses are 310 00:14:58,160 --> 00:15:02,080 Speaker 1: not going to say. When they walk by the statues, 311 00:15:02,120 --> 00:15:05,080 Speaker 1: the faces, They're gonna be like, oh, that's that's Garrett whatever. 312 00:15:05,240 --> 00:15:08,720 Speaker 1: What about Nate? Nate's are an executive senior producer. Again, 313 00:15:08,840 --> 00:15:10,720 Speaker 1: I tell you, I ask you this. So you're gonna 314 00:15:10,760 --> 00:15:12,800 Speaker 1: go for cult man, so you're not gonna put yourself 315 00:15:12,800 --> 00:15:15,600 Speaker 1: on it. What did we just talk about? I guess, Okay, 316 00:15:15,680 --> 00:15:21,320 Speaker 1: I guess listen, Oh my gosh, I guess if it 317 00:15:21,400 --> 00:15:25,680 Speaker 1: came down to it, there's Elvis, of course. And I mean, yes, 318 00:15:25,840 --> 00:15:28,880 Speaker 1: me and Danielle and Scary. We are the the ogs 319 00:15:28,920 --> 00:15:31,200 Speaker 1: of the group. We're the originals, right, Okay, we were 320 00:15:31,200 --> 00:15:33,440 Speaker 1: here Sree day one that we turned the show on 321 00:15:33,640 --> 00:15:35,600 Speaker 1: day one. That only took ten minutes to figure the 322 00:15:35,720 --> 00:15:37,400 Speaker 1: four of us have been day one, all right. So 323 00:15:37,520 --> 00:15:41,040 Speaker 1: I guess if you had to look at the show 324 00:15:41,120 --> 00:15:45,320 Speaker 1: like that, I guess you would say the original four 325 00:15:46,320 --> 00:15:48,600 Speaker 1: would have to be there. I guess I don't even know, 326 00:15:48,680 --> 00:15:51,160 Speaker 1: and I'm not playing that sure, then I think a placeholder. 327 00:15:51,280 --> 00:15:53,040 Speaker 1: I would be fine. I'd be fine. If they said 328 00:15:53,040 --> 00:15:54,960 Speaker 1: you're not on there, I'd be I'd be like, all right, fine, 329 00:15:55,120 --> 00:15:58,600 Speaker 1: So then I've upset. When I retired, the rest of history, yes, 330 00:15:58,920 --> 00:16:01,320 Speaker 1: would would just totally go out the window. Like people 331 00:16:01,360 --> 00:16:03,440 Speaker 1: would would not know you, they would know they would 332 00:16:03,480 --> 00:16:05,920 Speaker 1: know someone else who your face should be there. But 333 00:16:06,440 --> 00:16:10,040 Speaker 1: I often think that when I am, when I'm gone, 334 00:16:10,600 --> 00:16:13,480 Speaker 1: that from the show, not on earth either way. When 335 00:16:13,480 --> 00:16:16,200 Speaker 1: I'm gone, I just hope that I have made a 336 00:16:16,320 --> 00:16:19,840 Speaker 1: lasting impression on everybody good enough that people will speak 337 00:16:19,920 --> 00:16:22,160 Speaker 1: highly of me when I'm gone, and that they will 338 00:16:22,200 --> 00:16:26,120 Speaker 1: say that, you know what there was. He wasn't just funny, right, 339 00:16:26,120 --> 00:16:29,360 Speaker 1: He wasn't just a funny dude. But I actually got him. 340 00:16:29,520 --> 00:16:32,120 Speaker 1: I think about it now, and I get what he 341 00:16:32,160 --> 00:16:33,880 Speaker 1: was trying to do. I get what he was trying 342 00:16:33,920 --> 00:16:36,200 Speaker 1: to say. That's real, That's what I think. Would I 343 00:16:36,200 --> 00:16:37,560 Speaker 1: would like that at the end of the day. This 344 00:16:37,600 --> 00:16:39,360 Speaker 1: is kind of creepy, knowing the fact that you're scared 345 00:16:39,400 --> 00:16:41,760 Speaker 1: going into lightbo tomorrow. That's right. If something happened, oh 346 00:16:41,800 --> 00:16:43,440 Speaker 1: that's why why you have to ask you one thing. 347 00:16:43,840 --> 00:16:46,200 Speaker 1: God forbid, something should happen to me while I'm going 348 00:16:46,240 --> 00:16:48,360 Speaker 1: to get this lightboat done, which nothing's gonna happen, but 349 00:16:48,360 --> 00:16:52,760 Speaker 1: God forbid. So my anniversary, my real wedding anniversary, talk quick, 350 00:16:52,800 --> 00:16:55,520 Speaker 1: is almost done here. My real wedding anniversary is Friday. Right, 351 00:16:55,840 --> 00:16:58,840 Speaker 1: So if I'm not around on the twenty first of 352 00:16:58,880 --> 00:17:03,080 Speaker 1: September next year, can you please get a dozen cow 353 00:17:03,200 --> 00:17:05,680 Speaker 1: lilies to deliver the trish and just tell her I 354 00:17:05,680 --> 00:17:07,920 Speaker 1: would have given it to her anyway, well, because I 355 00:17:09,240 --> 00:17:12,159 Speaker 1: always say yes the order so that they're coming already Friday, 356 00:17:12,320 --> 00:17:14,719 Speaker 1: I will say yes, but I so just one more 357 00:17:14,760 --> 00:17:17,160 Speaker 1: time would be good. Yes, I will never. I hope 358 00:17:17,160 --> 00:17:19,399 Speaker 1: I never have to come to that. I try. What 359 00:17:19,440 --> 00:17:21,000 Speaker 1: I do is I try to get her the flower 360 00:17:21,040 --> 00:17:22,919 Speaker 1: that she held on the day that we got married, 361 00:17:23,119 --> 00:17:25,919 Speaker 1: and that was Those were cal lilies, So every universe 362 00:17:26,040 --> 00:17:27,960 Speaker 1: regular cal lilies to hold on to. All right, listen, 363 00:17:28,000 --> 00:17:30,840 Speaker 1: I'm gonna quote this sandlot for you. Remember, kid, there's 364 00:17:30,880 --> 00:17:33,040 Speaker 1: heroes and there are the legends. Heroes get remembered, but 365 00:17:33,119 --> 00:17:35,640 Speaker 1: legends never die. Follow your hard, kid, and you'll never 366 00:17:35,720 --> 00:17:39,080 Speaker 1: go wrong. That's nice. Man, that's nice. Love please everybody. 367 00:17:39,560 --> 00:17:41,280 Speaker 1: The fifteen minute Morning Show