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Speaker 1: So it's me, it's Marco Rubio and Ricky Rubio and

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Speaker 1: we're backstage and we're getting ready to go out, and

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Speaker 1: I say, let's do some vocal warm ups, you know

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Speaker 1: the classics. I slit a sheet his sheet. I slit

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Speaker 1: upon a slitched sheet. I sit, I slit a sheet,

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Speaker 1: I slit a sheet A sheet, I slit upon a

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Speaker 1: slitched sheet.

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Speaker 2: I sit.

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Speaker 1: Yeah, sliitter sheet shit, Yes, let us you know, and

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Speaker 1: we're doing it, and Ricky Ruy is going, oh no,

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Speaker 1: I'm not gonna I know, I won't do that. I

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Speaker 1: won't do You're not gonna make me say ship. And

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Speaker 1: I go, Ricky, you just did. Yeah, he was he

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Speaker 1: got I've got him good. And then what was the

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Speaker 1: one you went to do? You went to do one?

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Speaker 1: To sit in solemn size, to sit in solemn silent

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Speaker 1: and adult dark, to sit in solemn silence, an adult dark, prison,

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Speaker 1: prison with waiting. It's it's a. It's a that's one

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Speaker 1: of the ones you did in high school. And so

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Speaker 1: my guest went to high school. And that's all I'm

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Speaker 1: going to tell you about him. And that's about all

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Speaker 1: he's done. He's some nobody jerk off Jack shit, bullshit motherfucker.

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Speaker 1: And and I'll take it from you and the show

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Speaker 1: and shut up for a second. And the show primarily

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Speaker 1: is about helping people, and we've gotten away from that.

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Speaker 1: First off, let me say the name of the show.

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Speaker 1: The show is called Hollywood Handbook. Is an inside his

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Speaker 1: guy to kicking by the dropping names of the red

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Speaker 1: cover backline a slit shoot. I said, it's almost a

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Speaker 1: tug twister to say the no, but Hollywood Handbook and

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Speaker 1: inside he's got kick him a dropping name of the

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Speaker 1: red cover line like I always the industry coach and

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Speaker 1: and and I'm not gonna say what up? What Up?

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Speaker 1: And I won't say what help? What up? Today because

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Speaker 1: Hayes was nasty about me saying that on an episode.

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Speaker 1: And I don't know if you heard that one. How

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Speaker 1: did you hear it? He was nasty about it on

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Speaker 1: the episode with Tom Sharp. And I don't know if

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Speaker 1: he thought I wouldn't be able to hear it because

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Speaker 1: I wasn't there, but I listened. And the thing he

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Speaker 1: usually says is the title I just did, which I

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Speaker 1: came up with, right, And he's taking credit for what up?

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Speaker 1: What Up? Like that's this great? You know? He could

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Speaker 1: say it too. You seem really angry I say it,

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Speaker 1: you know, and he's mad that I say it. It's like,

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Speaker 1: well then you say it. We'll see who says it better. Sure,

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Speaker 1: I got an inkling who it would be. Okay, he's

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Speaker 1: not here. He's not here. He's in another one of

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Speaker 1: his pickles. You know, he gets into these jams where

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Speaker 1: he just gets in over his head. He thought he

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Speaker 1: would be able to ski out of a plane and

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Speaker 1: he got stuck into one.

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Speaker 3: Of the trees out of a plane.

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Speaker 1: Yes, he jumped out of a plane with the skis

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Speaker 1: and he's sticking in the tree and the top part

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Speaker 1: of it, and he's fighting with a bird.

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Speaker 3: And he's just up there. Yes, and you know where

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Speaker 3: he is, but he's there's no way to get him.

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Speaker 1: Well, I mean, it's no easy way because number one,

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Speaker 1: don't have a plane. Number two, I'm afraid if I

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Speaker 1: jump out. First of all, I'm going to at least

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Speaker 1: try to ski, because I'm up there already. It's a

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Speaker 1: good spot.

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Speaker 3: Thewders deep.

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Speaker 1: Yeah, Oh gosh, it's so fresh. It's like, you know,

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Speaker 1: it's like powder. I guess it's a powdery, but you know,

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Speaker 1: it looks so nice, and so you know I'm gonna

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Speaker 1: I guess I could try to grab him on my

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Speaker 1: way down to the mountain, but then I don't want

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Speaker 1: to get tangled up and tumbled.

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Speaker 3: You don't want to be stuck in the tree with

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Speaker 3: that bird.

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Speaker 1: And I don't want to deal with that bird. The

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Speaker 1: thing is like a like an owl, okay, like a

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Speaker 1: strong one. Oh m hm.

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Speaker 3: Well how do you I'm curious as to how you

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Speaker 3: know so much about the bird in the tree and

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Speaker 3: exactly where he is.

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Speaker 1: He has reception. Yeah, he's able to take and receive calls,

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Speaker 1: but he is not able to get out of the tree. Okay.

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Speaker 1: You know normally you send a fireman up there, even

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Speaker 1: on a ski resort. Well, you know you've found the

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Speaker 1: reason we haven't. Ah, They firemen aren't around ski resorts

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Speaker 1: because everything there, right, it's snow, puts it out. Yeah, yeah,

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Speaker 1: it's the opposite of fire. It's snow. Anyway, we got

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Speaker 1: this guest here, he's a guy, and we what we're

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Speaker 1: gonna do is try to help him. He's just the

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Speaker 1: kind of audience you know we're always trying to reach

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Speaker 1: out to, is just some dumb fuck half wit who

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Speaker 1: wants to do something they probably can't even do.

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Speaker 3: That's fair, and.

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Speaker 1: It's and the and speaking of the snow and the weather,

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Speaker 1: it's al Nino here in La You probably heard that

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Speaker 1: the drought is is stopped. The stream in my backyard's

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Speaker 1: finally running first time in years, snow caps on the

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Speaker 1: mountains and we fixed it, and it's there's been rain,

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Speaker 1: and so you'd think in that weather, oh wow, I

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Speaker 1: probably want to stay warm, Is that right? Yeah, I've

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Speaker 1: been trying to stay warm, just the opposite, Devin, Devin,

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Speaker 1: it's the opposite. His name's Devin. I guess you should

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Speaker 1: know that it is time to get even colder. And

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Speaker 1: what we're gonna do is sort of throw Devon here

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Speaker 1: into the deep end for swimming. Because one thing that

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Speaker 1: I love to do on the show that Hayes can't

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Speaker 1: take away from me doing is this, even though he's

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Speaker 1: stuck in that nasty tree, is that we we love

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Speaker 1: to do is get inside a very cold box, you

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Speaker 1: know what I'm talking about. And it's a box where

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Speaker 1: there's things that live there that are entertainment commercials, and

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Speaker 1: it's the box is so cold you might even say

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Speaker 1: that it's freezing. Devin, like it's a freezer, and get

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Speaker 1: ahead of me. We don't say the name of it

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Speaker 1: until we but and the entertainment commercials are sort of

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Speaker 1: teasing you with what might be the beauty. Well, don't

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Speaker 1: fucking do that, and we'll cut around it. But it's

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Speaker 1: a teasing element that's in a freezing thing, and it's

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Speaker 1: a teezer freezer. And now you could have said it

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Speaker 1: and that would have been okay. Well I didn't know,

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Speaker 1: so I've never done this without Hayes. But apparently my

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Speaker 1: little cousin Sam has hooked up all the sound and

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Speaker 1: he's gonna sort of find some of these for us. Sam,

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Speaker 1: is it all good? Yeah, we're all set, and you'll

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Speaker 1: just pick out one of these teasers and show it

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Speaker 1: to us.

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Speaker 2: Yeah, I have some top trailers for you.

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Speaker 1: Okay, And so let's just watch this and we'll just

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Speaker 1: do like we always do where we sort of we

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Speaker 1: can bust on it, crack up, busting it. We can

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Speaker 1: be stoked on it, pumped and saying how it's good

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Speaker 1: teaching people. Uh, we can be just watching it and reacting,

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Speaker 1: and we have a lot of options of what can

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Speaker 1: do and make it play.

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Speaker 3: Sam, Okay, it's playing.

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Speaker 1: Okay, he's a mask comics book. Good. Why, Well, that's

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Speaker 1: because it's Christmas Day open and I'm after someone on

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Speaker 1: my naughty listens. Okay, and his mouth is you can't

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Speaker 1: see it.

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Speaker 3: He's talking.

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Speaker 1: That guy in the suit just turned that other guy

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Speaker 1: into a hang on. Okay, this is a different kind

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Speaker 1: of superhero story, right, we got to take you back

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Speaker 1: before I shown a spot.

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Speaker 3: Close up on his butt. Mister Wilson, you've recently been

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Speaker 3: diagnosed with terminal cancer.

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Speaker 1: And now it's sad doctor and give you abilities most

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Speaker 1: men only dream. So, Devin, how would you say this

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Speaker 1: is going so far? The teaser freezer that we're doing.

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Speaker 1: I don't know.

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Speaker 3: I'm just sort of sucked in to what I'm.

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Speaker 1: Yeah, I found myself just watching it, you know.

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Speaker 3: And I know when you were talking about busting on

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Speaker 3: it or telling people learning about it. Me, I'm just

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Speaker 3: seeing it.

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Speaker 1: I'm just watching it, and I'm more going, when can

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Speaker 1: I see this thing?

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Speaker 3: Right?

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Speaker 4: You know?

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Speaker 3: Because like early on, he's like, this is a different

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Speaker 3: kind of superhero movie, and to me, I hear that,

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Speaker 3: I go, finally.

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Speaker 1: I'm ready for that. Yeah, at last, I'm ready for

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Speaker 1: something like that, because let's face it, I love superhero.

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Speaker 1: Of course, comic books for me were in a lot

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Speaker 1: of ways my only friends other than all the girlfriends

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Speaker 1: I was having sex with. But that was sort of

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Speaker 1: a window into a world where I could almost imagine

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Speaker 1: myself totally because it's that looked like my muscles and

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Speaker 1: it fell like my feelings of wanting to kick butt. Yeah,

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Speaker 1: so it was always constructive for me. And and so

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Speaker 1: I was excited that all my superhero movies get made. Yeah,

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Speaker 1: but Devon, they're all the same, Devon, is there any difference?

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Speaker 1: And literally tell me if you could think of one

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Speaker 1: difference between Thor and uh, Wolverine Weapon X. Can you

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Speaker 1: come up with anything.

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Speaker 3: Both muscle guys?

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Speaker 1: Yeah, yeah, I can only think of what's the same.

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Speaker 1: And so for me, I'm going, can somebody make one

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Speaker 1: that's different?

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Speaker 3: Right, because it's because you see so many and it's

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Speaker 3: kind of like, did I see am I watching Thor?

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Speaker 3: Or am I watching Wolverine Weapon X? You don't know?

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Speaker 1: Well, I never can tell.

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Speaker 3: And so then you end up buying the wrong ticket.

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Speaker 1: Well you wind up looking like a real dickhead. Uh.

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Speaker 1: You know, when your wife's new kid walks in and

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Speaker 1: he's going, what are you watching? And you go like, oh,

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Speaker 1: it's wolving him up an X and he goes. And

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Speaker 1: then later on somebody calls the guy for or low

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Speaker 1: key and you're going, oh great now, my freaking wife's

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Speaker 1: kid thinks I'm anna do fist and you got to

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Speaker 1: show him up. You gotta beat him at something.

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Speaker 3: What do you beat him at? Do you beat him

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Speaker 3: in a game or something?

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Speaker 1: Mm hmm, there's anything with strategy? Yeah, they can't really

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Speaker 1: think think ahead.

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Speaker 3: That's exactly what I do, is I introduce a game. Well,

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Speaker 3: that's what you have to do. And maybe if they

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Speaker 3: mean superhero movies.

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Speaker 1: Different, well, if it's a different one, then I actually

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Speaker 1: don't even have to bother getting the game ouse yeah, exactly,

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Speaker 1: or the puzzle.

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Speaker 3: So so that's why in terms of your question of

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Speaker 3: like how is this going, uh huh compared to like

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Speaker 3: the other teaser freezers I've heard where there's more sort

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Speaker 3: of knowledge being tossed around, Yeah, busting on. Uh, it's

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Speaker 3: going poorly. That's what I'm feeling happening.

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Speaker 1: That's what I'm feeling is I'm going Hayes normally drives

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Speaker 1: the bus with a lot of this thing. I'm realizing

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Speaker 1: how much he does with the teaser freezers, he stops it.

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Speaker 1: He brings up why he's stopping it, and I'm kind

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Speaker 1: of just reacting a lot of the time, and I'm

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Speaker 1: no bus driver. Yeah, yeah, that's what we're finding out.

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Speaker 3: Yeah, I guess, sorry, that's.

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Speaker 1: What we're finding out. Do we want to watch any

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Speaker 1: more of this? I mean it's called deadpool? Yeah yeah

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Speaker 1: I do.

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Speaker 3: Yes, not a good one like slap Chop or shake

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Speaker 3: wady o.

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Speaker 2: Yes, when I'm finished, I commutates itself. Well, heal anything,

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Speaker 2: wo Spike, we're making you see this thing?

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Speaker 1: Oh man, that babe. You just know she's in the

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Speaker 1: white stuff? He said, No, indestructible, but my face now

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Speaker 1: look at me? Whoa look at it? And I don't

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Speaker 1: want some really cool This is just one of the

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Speaker 1: sloppy guys from the sun.

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Speaker 4: Yeah.

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Speaker 1: So when you find out your worst enemy is after

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Speaker 1: your best girl, the time has come to be a superhero. Okay,

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Speaker 1: the music, This really has a different superhero movie.

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Speaker 5: He literally said, cue the music, and then they started

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Speaker 5: playing DM.

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Speaker 1: It's like he's friends with me. This is how I

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Speaker 1: used to feel when I read comics. Right, my fault.

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Speaker 1: He's being funny. Okay, And so this is almost like

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Speaker 1: if I was a superhero, because the guy's a little twisted,

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Speaker 1: a little messed up, and I'm always going, why aren't

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Speaker 1: they having more fun with these powers and being a

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Speaker 1: little bit more snarky, because that's what you would do.

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Speaker 1: I would like if I wouldn't be so concerned with

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Speaker 1: being likable.

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Speaker 3: No, you'd be busting out, you'd be making jerk off,

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Speaker 3: just gestures talking about shake.

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Speaker 1: Way showing it. Yeah, remember the workout thing that made

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Speaker 1: it look like jerking off?

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Speaker 3: Yeah, of course I remember.

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Speaker 1: Yeah, Well, is there any reason not to bring that up? No? Yeah,

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Speaker 1: how'd that be a central joke?

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Speaker 5: I'm watching Captain America and he never once talks about

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Speaker 5: a funny infomercially scene.

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Speaker 3: He's just saying, oh, I gotta defend America.

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Speaker 1: No. No, he doesn't talk about the freaking the good

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Speaker 1: that they use like cock. He doesn't talk about any

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Speaker 1: of the scrub stuff, none of the infomercials, the sham wow,

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Speaker 1: thank you. He's not doing that.

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Speaker 3: And so lating his own trail, and it's sick of hell.

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Speaker 6: So this.

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Speaker 1: Hilarious bad boy actually appeals to me in a way

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Speaker 1: I don't know if anything ever has so, I'd say

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Speaker 1: this is an unsuccessful teaser freezer. I feel that, And

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Speaker 1: so let's just jump in and see if a different movie.

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Speaker 1: And Sam, do you have that pulled up?

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Speaker 2: Yeah, we're all good.

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Speaker 1: Okay, what are we gonna watch now?

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Speaker 2: I think it's one of the more serious ones.

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Speaker 1: Okay, okay, okay, Well that might be good because we

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Speaker 1: really couldn't get into the other one was so much fun.

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Speaker 1: I think that we didn't really know.

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Speaker 2: I haven't laughed that hard at a superhero.

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Speaker 5: Yeah right, yeah, yeah, it's damn you're right, yeah, Deadpool.

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Speaker 1: Mark your calendars. Well that looks really good. Okay, okay,

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Speaker 1: I'll try to This will have something on.

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Speaker 5: It, Okay, most compositions.

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Speaker 4: She seems socialist, you'd like anything on that.

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Speaker 3: Maybe he's hooping it up when he made this.

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Speaker 1: Oay, it's like stream strings like hellow music.

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Speaker 7: Jesus, British people look sad.

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Speaker 3: You.

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Speaker 1: I gotta say, dev this is a very different movie.

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Speaker 1: I'm just as in Trance. I'm sucked right goddamn in

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Speaker 1: this totally different way. Though. The Danish girl is the

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Speaker 1: name of this is it? And I'm looking at it

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Speaker 1: and I'm thinking when does this fucking thing come out?

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Speaker 1: Because I'm wondering if I could do a double feature

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Speaker 1: deadpooling Danish Girl. Yeah, because I'm really liking this. You

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Speaker 1: were saying the British people look sad.

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Speaker 5: I said, the British people look sad to me, and

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Speaker 5: that kind of draws me right in because.

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Speaker 1: Like, well, what are they sad about? Seem like they

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Speaker 1: have a secret because she said something about knowing everything

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Speaker 1: about him and just from having seen movies and secret

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Speaker 1: and yeah, and having never had anyone really say that

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Speaker 1: to me, because no one in my life has ever

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Speaker 1: been trying to set up a secret that's gonna be

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Speaker 1: revealed soon. Yeah, I'm thinking that this might actually have a.

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Speaker 6: Twist on it.

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Speaker 1: I'm gonna play a little bit more. But you're sure

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Speaker 1: this isn't like dead weight for the show, because I

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Speaker 1: feel like we're not just watching the Teezer with the

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Speaker 1: sort of dry British dialog scenes. You can't see it

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Speaker 1: at home. You don't think people are gonna get much

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Speaker 1: from listening.

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Speaker 3: Just I'm just trying to help you out. I'm I'm

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Speaker 3: a guest here.

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Speaker 1: I'm just why don't you let me be in charge

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Speaker 1: of that Okay, okay, I want to sketch you. Okay,

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Speaker 1: whoa he's putting on makeup? Dude, chickspreaking hooters were showing

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Speaker 1: in that painting I saw. This movie's got something for everybody.

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Speaker 1: That's the guy, No you're dying, No you're not. That

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Speaker 1: can't be. The girl is the Devin, Oh my god,

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Speaker 1: the Danish girls.

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Speaker 6: It was another when I wasn't made.

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Speaker 3: That doesn't make sense. That doesn't make any sense, Sean,

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Speaker 3: that can't be. What's happening.

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Speaker 1: This guy's acting crazy, he's good and good look good? Okay, okay, Well,

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Speaker 1: let's I feel First of all, I don't want to

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Speaker 1: go too far in to talk about anything about this

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Speaker 1: because it seems like a minefield to me.

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Speaker 3: It's a hot button issue.

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Speaker 1: Seems and I'll say this, and I think I should

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Speaker 1: be allowed to say this. Whatever I'm seeing looks good

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Speaker 1: to me. And I hope this comes out of February twelfth,

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Speaker 1: because I don't want to be one day late for

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Speaker 1: either movie, and I don't want to drive to the

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Speaker 1: movies twice. And I do want to see if the

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Speaker 1: timing is such, depending on the movie length and the

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Speaker 1: screen times, that I can kind of buy one ticket

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Speaker 1: and Devin, I go in. And even if I like

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Speaker 1: you miss the first like eight minutes or whatever of Deadpool,

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Speaker 1: as long as I'm not missing any other Danish girl,

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Speaker 1: I feel like I'm okay.

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Speaker 3: You mean, like you buy one ticket, you see two movies.

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Speaker 1: Well shut I mean, don't like sorry, spell it out

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Speaker 1: in a way where we can actually get arrested legally.

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Speaker 3: But I don't know, I don't know that sounds how

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Speaker 3: would you even do that?

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Speaker 1: Well, one way you don't do is you don't freak

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Speaker 1: out about it because he has to be chill man,

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Speaker 1: be just getting back to the show. So he's a freezer,

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Speaker 1: has never gone this badly.

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Speaker 3: And that's why I wanted to ask, because it's like,

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Speaker 3: first it was like a guy who wasn't a normal superhero.

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Speaker 3: Then it's like a guy who wasn't a normal guy.

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Speaker 1: Well all on, there's so nothing normal. I mean, you

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Speaker 1: know I feel that guys whatever they like and want

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Speaker 1: to do, I love it. Yeah, me too. I think

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Speaker 1: it's hilarious and I think it's great, and it's and

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Speaker 1: you know we're talking about seeing so Deadpool interesting. I

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Speaker 1: never seen a superhero be so funny. I usually see

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Speaker 1: them be so brave. Yeah.

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Speaker 3: Sure, this guy.

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Speaker 1: Ish not a superhero also being you know, very brave

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Speaker 1: and kind of funny.

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Speaker 3: Yeah, so I want to apologize again for ruining it.

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Speaker 5: Yeah, I'll take I'll take responsibility for ruining it.

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Speaker 1: And the only thing I can think is, so I

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Speaker 1: know that I've been part of a couple of teaser

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Speaker 1: fusion that they've been really really good.

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Speaker 3: Yeah I know.

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00:19:23,600 --> 00:19:28,280
Speaker 1: Yeah, I know that you were never involved with one

360
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Speaker 1: of those.

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Speaker 3: I never did.

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Speaker 1: So that element from just a science point, if you

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Speaker 1: read those kind of books, is telling me that the

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Speaker 1: experiment is you're you are bad.

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Speaker 3: I'm the variable that they ruining the Petri dish. Yeah,

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Speaker 3: it's the Yeah, the paper turned different color than it

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Speaker 3: normally does. Yeah.

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Speaker 1: Well, you know the guy knows is science, and I'll

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00:20:00,359 --> 00:20:04,000
Speaker 1: say that I don't know myself about trailers. But the

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00:20:04,040 --> 00:20:08,960
Speaker 1: only thing I could think about teaser freezer. Yeah, there's

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Speaker 1: a lot of time when the good one happened. Hayes

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Speaker 1: is here, so maybe we can call him and just

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Speaker 1: see if he can figure out why this one didn't go.

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Speaker 3: I would love to just ask for some pointers on

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Speaker 3: how to how to sort of bust.

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Speaker 1: Maybe what you could have done, and I would have

377
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Speaker 1: loved to bust on some of the yeah, exactly. And

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Speaker 1: I never felt safe.

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Speaker 3: Because it doesn't it doesn't feel okay to bust on

380
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Speaker 3: something like a Danish girl. He's a guy that's a girl,

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Speaker 3: and it's like you can't even say, like, give me

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Speaker 3: a minute.

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Speaker 1: He's obviously conflicted because you know, societally that's not every

384
00:20:42,960 --> 00:20:47,320
Speaker 1: right to do it. Of course, of course, uh cause

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Speaker 1: it's Sam. Will you please call Hayes for us?

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Speaker 2: Absolutely all right, I'll call him now, please, Yes.

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00:20:55,320 --> 00:20:56,920
Speaker 3: I hope he can kind of dig me out of

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Speaker 3: the hole I've been digging for myself.

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00:21:00,160 --> 00:21:03,720
Speaker 1: I hope that for you too. I'm actually doing I'm

390
00:21:03,720 --> 00:21:06,159
Speaker 1: doing something good. It doesn't really matter what happens on

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00:21:06,200 --> 00:21:13,400
Speaker 1: the call for me, Okay, you actually it rings when

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00:21:13,920 --> 00:21:19,119
Speaker 1: you call. He has a sweet so sweety where it

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00:21:19,200 --> 00:21:27,560
Speaker 1: rings at the telling Please you may hang up or

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00:21:27,720 --> 00:21:31,520
Speaker 1: press one for more options. Hi. Hey, Hi, Hey Hayes.

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Speaker 5: Hi.

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00:21:32,280 --> 00:21:34,679
Speaker 1: It's Sean and Devin.

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Speaker 4: Hey.

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Speaker 1: Hi, we're wondering if there's any kind of trick to

399
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Speaker 1: doing the teaser freezer that we're trying to do it

400
00:21:41,720 --> 00:21:44,000
Speaker 1: here and it's no good man. Maybe there's something that

401
00:21:44,040 --> 00:21:47,879
Speaker 1: you could have told Sam to set it up or something.

402
00:21:47,920 --> 00:21:51,280
Speaker 1: Because we're trying and we're not really finding a way in.

403
00:21:51,640 --> 00:21:54,360
Speaker 1: We wind up just getting really engrossed in the teaser.

404
00:21:54,480 --> 00:21:58,120
Speaker 1: Have you seen the teaser for the Danish Girl? Uh? Well,

405
00:21:59,119 --> 00:22:02,040
Speaker 1: he can't ring it, but we're But what we want

406
00:22:02,160 --> 00:22:04,199
Speaker 1: is callback tell us if you've seen a trailer for

407
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Speaker 1: a Danish girl, and if you've got a way into

408
00:22:06,760 --> 00:22:09,960
Speaker 1: sort of busting on it, that would be great for us.

409
00:22:10,359 --> 00:22:13,400
Speaker 1: It's so so cold in here inside the teaser freezer

410
00:22:13,440 --> 00:22:17,159
Speaker 1: and we really can't get out because we haven't really

411
00:22:17,240 --> 00:22:19,800
Speaker 1: done any freezing of the teaser. It's my first time

412
00:22:19,800 --> 00:22:22,359
Speaker 1: in the freezer, and I feel just lost. We're watching

413
00:22:22,440 --> 00:22:25,600
Speaker 1: him right through and we're just uh uh. And if

414
00:22:25,640 --> 00:22:29,159
Speaker 1: you haven't seen the teaser for Deadpool, also, it looks

415
00:22:29,480 --> 00:22:30,639
Speaker 1: really funny.

416
00:22:30,720 --> 00:22:34,200
Speaker 5: Like it looks like fucked up, but like it's twisted dude,

417
00:22:34,560 --> 00:22:36,240
Speaker 5: Like whoever came up with that shit?

418
00:22:36,520 --> 00:22:40,040
Speaker 1: Like his head's like a bad neighborhood brother. You don't

419
00:22:40,040 --> 00:22:41,480
Speaker 1: want to be in there alone at night.

420
00:22:41,640 --> 00:22:47,280
Speaker 3: Okay, Shaw's making me crack up, But seriously, Deadpool, he's

421
00:22:47,320 --> 00:22:48,480
Speaker 3: not your normal superhero.

422
00:22:48,560 --> 00:22:53,040
Speaker 1: No, it's different. It calls back he in the tree

423
00:22:53,160 --> 00:22:56,200
Speaker 1: I guess has like a noise ordinance thing or the owl.

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00:22:55,960 --> 00:22:57,880
Speaker 3: Doesn't let him, probably for avalanche.

425
00:22:58,359 --> 00:23:01,119
Speaker 1: Well I don't know, but that doesn't allow him to

426
00:23:01,119 --> 00:23:03,439
Speaker 1: take funk because it's given him his phone before. But

427
00:23:03,520 --> 00:23:06,000
Speaker 1: because of the time difference, I wasn't even thinking. I

428
00:23:06,040 --> 00:23:10,199
Speaker 1: believe he's not allowed to answer his phone near the

429
00:23:10,200 --> 00:23:12,359
Speaker 1: owl after a certain time.

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00:23:12,400 --> 00:23:16,960
Speaker 3: I hope we didn't get him hurt by the owl. Yes,

431
00:23:17,040 --> 00:23:19,280
Speaker 3: I mean he said it was a strong owl. Houls

432
00:23:19,320 --> 00:23:23,239
Speaker 3: have talents. He's in a tree with it. It's in

433
00:23:23,359 --> 00:23:23,960
Speaker 3: charge of him.

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00:23:24,000 --> 00:23:26,080
Speaker 1: And the second you take your eyes off the talent.

435
00:23:28,080 --> 00:23:33,119
Speaker 3: To check out the beak, Yeah, natural progression of events.

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00:23:33,600 --> 00:23:36,720
Speaker 1: Yeah, that's when that's when you get clocked with a wing.

437
00:23:37,560 --> 00:23:41,480
Speaker 1: And all the owl pieces we're mentioning are so dangerous,

438
00:23:43,040 --> 00:23:46,960
Speaker 1: so please do be careful out there. Kids. Anyway, let's

439
00:23:46,960 --> 00:23:50,399
Speaker 1: get out of the teaser freezer back into al Nino, please,

440
00:23:50,680 --> 00:23:54,159
Speaker 1: and then we'll get more into sort of hopefully. This

441
00:23:54,320 --> 00:23:58,720
Speaker 1: was a good example of just what a true fuck

442
00:23:58,800 --> 00:24:02,120
Speaker 1: up you are and how much you do need my help, Devin.

443
00:24:02,240 --> 00:24:04,639
Speaker 1: I felt so in the second half of the show,

444
00:24:05,640 --> 00:24:07,960
Speaker 1: when we come back after what's sure to be a

445
00:24:08,119 --> 00:24:14,120
Speaker 1: very funny commercial. They are we will get So that's

446
00:24:14,280 --> 00:24:19,000
Speaker 1: nice and I'm not immune to flattery again. Way, well,

447
00:24:19,640 --> 00:24:23,240
Speaker 1: but don't be a sorry fuck dickhead about it. But

448
00:24:23,480 --> 00:24:26,240
Speaker 1: like we'll get, uh because at a certain point it

449
00:24:26,240 --> 00:24:27,360
Speaker 1: starts to feel like it's bullshit.

450
00:24:27,400 --> 00:24:29,720
Speaker 3: You know what I mean, it's not bullshit. Let me

451
00:24:29,720 --> 00:24:31,680
Speaker 3: promise to you that none of it is bullshit.

452
00:24:33,320 --> 00:24:39,720
Speaker 1: Anyway. Uh uh, We'll be back with Devon Field. Not

453
00:24:39,800 --> 00:24:42,239
Speaker 1: that there's any reason those name, but Devin Field and

454
00:24:42,280 --> 00:24:54,240
Speaker 1: a little more Hollywood handbook. Whoa Hollywood handbook? So I'm

455
00:24:54,240 --> 00:24:58,920
Speaker 1: horsing around with Paul Ogan, Okay, crook it out d

456
00:25:00,560 --> 00:25:08,119
Speaker 1: a Dundee too for that now, yeah, yeah, and Willy Wonka.

457
00:25:08,359 --> 00:25:11,520
Speaker 1: Now Paul goes to do a big shove on me.

458
00:25:11,600 --> 00:25:14,960
Speaker 1: Of course he doesn't realize I got learning fast reflexes

459
00:25:15,000 --> 00:25:15,919
Speaker 1: and I basically got eyes in.

460
00:25:15,920 --> 00:25:16,920
Speaker 3: The back of my head.

461
00:25:17,040 --> 00:25:20,560
Speaker 1: So I wound up inadvertently doing a pretty vicious judo

462
00:25:20,680 --> 00:25:25,520
Speaker 1: throw that lands him in the Chocolate river. Sure as expected,

463
00:25:25,880 --> 00:25:29,000
Speaker 1: Well yeah, I mean he should have expected it's coming

464
00:25:29,040 --> 00:25:29,320
Speaker 1: at you.

465
00:25:29,440 --> 00:25:31,320
Speaker 3: He's going to get tossing the chocolate river.

466
00:25:31,720 --> 00:25:36,959
Speaker 1: But I turned to Willy Wonka and I say Willie,

467
00:25:37,480 --> 00:25:39,720
Speaker 1: can you help Paul out of the chocolate river? And

468
00:25:39,760 --> 00:25:43,280
Speaker 1: he says, I'm sorry. Rules are rules. You know, you

469
00:25:43,480 --> 00:25:47,880
Speaker 1: have to sort of die in his factory for any transgressions.

470
00:25:49,040 --> 00:25:51,320
Speaker 3: He's been really clear about that since like day wants.

471
00:25:51,760 --> 00:25:55,120
Speaker 1: Yeah, well he has, but I thought he'd make an exception.

472
00:25:57,359 --> 00:25:59,000
Speaker 1: I wind up feeling like a little bit the blood

473
00:25:59,080 --> 00:26:01,399
Speaker 1: is on my hands or you know, there's no blood,

474
00:26:01,480 --> 00:26:05,040
Speaker 1: it's just drowning and chocolate. Yeah, but I wound up

475
00:26:05,040 --> 00:26:07,720
Speaker 1: feeling a little bit responsible, and you know, I know

476
00:26:07,840 --> 00:26:10,280
Speaker 1: that also the only way for the Opa Lumpas to

477
00:26:10,320 --> 00:26:12,240
Speaker 1: live is that they do have to feast on the

478
00:26:12,280 --> 00:26:16,840
Speaker 1: bones of murdered man. Yeah, Augusta's gloop or TV Mike

479
00:26:16,960 --> 00:26:22,760
Speaker 1: or whatever, the rugassault, it doesn't matter. Uh, Violet Beauregard.

480
00:26:23,440 --> 00:26:25,840
Speaker 1: Oh good, Engineer Sam left.

481
00:26:26,359 --> 00:26:27,400
Speaker 3: You can talk about this.

482
00:26:27,400 --> 00:26:29,760
Speaker 1: And finally talk about engineer Sam.

483
00:26:29,800 --> 00:26:31,520
Speaker 3: He seems nice.

484
00:26:32,320 --> 00:26:38,840
Speaker 1: Yeah he actually oh shit, he's back. Uh. Anyway, what

485
00:26:39,000 --> 00:26:47,320
Speaker 1: I was saying, uh the uh Wonka factory. Yes, so.

486
00:26:48,840 --> 00:26:49,280
Speaker 4: Uh.

487
00:26:49,359 --> 00:26:51,840
Speaker 1: I guess what I want to know is do you

488
00:26:51,840 --> 00:26:55,000
Speaker 1: think I have to go do confession with a priest?

489
00:26:56,800 --> 00:27:00,000
Speaker 1: Well you didn't. All you did was the Judah throw, right,

490
00:27:00,080 --> 00:27:02,639
Speaker 1: which is just a natural reaction that you have my

491
00:27:02,760 --> 00:27:03,800
Speaker 1: kind of training.

492
00:27:04,040 --> 00:27:08,480
Speaker 8: That's almost it's the responsibility more of the training I received,

493
00:27:08,480 --> 00:27:10,240
Speaker 8: because it's a I guess it's a question of whether

494
00:27:10,320 --> 00:27:13,440
Speaker 8: or not, like your body is a deadly weapon because

495
00:27:13,440 --> 00:27:14,800
Speaker 8: of the training you've received.

496
00:27:14,960 --> 00:27:16,040
Speaker 3: Well you know what I'm saying.

497
00:27:16,960 --> 00:27:20,439
Speaker 1: So the answer to that would be obviously it's hell, yeah,

498
00:27:20,480 --> 00:27:23,400
Speaker 1: that's an affirmative. And then and the training was somewhat military,

499
00:27:23,480 --> 00:27:25,840
Speaker 1: is why I use that terminology.

500
00:27:25,920 --> 00:27:31,640
Speaker 3: Right, Yeah, So like in my mind, that's that's Wonka's house,

501
00:27:31,680 --> 00:27:34,119
Speaker 3: Wonka's rules. And you don't have to share that with

502
00:27:34,320 --> 00:27:35,000
Speaker 3: your God.

503
00:27:34,920 --> 00:27:36,560
Speaker 1: Because I would have liked it if you helped him.

504
00:27:36,640 --> 00:27:39,320
Speaker 3: Yes, and I know, yes, So I think you're I

505
00:27:39,320 --> 00:27:40,080
Speaker 3: think you're in the clear.

506
00:27:40,160 --> 00:27:42,919
Speaker 1: Man, does it go straight to God? Like for me,

507
00:27:43,000 --> 00:27:44,600
Speaker 1: it's just about talking to a priest.

508
00:27:45,240 --> 00:27:47,080
Speaker 3: Oh, I was in the impression that you talked to

509
00:27:47,160 --> 00:27:51,879
Speaker 3: a priest. He tells God hotly ship and then and

510
00:27:51,880 --> 00:27:54,720
Speaker 3: then God decides, okay, I'll tell.

511
00:27:54,560 --> 00:27:56,680
Speaker 1: You if God's hair wasn't already white, I probably turned

512
00:27:56,680 --> 00:27:57,440
Speaker 1: away some of the stuff.

513
00:27:57,920 --> 00:28:01,560
Speaker 3: I bet you'd probably say crazy ship.

514
00:28:01,440 --> 00:28:04,040
Speaker 1: To paths, I get messed up, I get like Deadpool.

515
00:28:04,080 --> 00:28:05,359
Speaker 1: Style twisted in there.

516
00:28:05,520 --> 00:28:08,880
Speaker 5: Can you like freaking imagine if Deadpool was in a confessional,

517
00:28:09,240 --> 00:28:10,720
Speaker 5: Oh god, it's.

518
00:28:10,600 --> 00:28:13,399
Speaker 1: Like all right, he'd be like be like, guy, I

519
00:28:13,440 --> 00:28:17,320
Speaker 1: get a bathroom break? Yeah check please? Yeah?

520
00:28:17,520 --> 00:28:17,920
Speaker 6: Yeah?

521
00:28:18,000 --> 00:28:22,440
Speaker 1: Yeah, yeah exactly, yeah yeah yeah check please. Yeah, he goes,

522
00:28:22,880 --> 00:28:25,600
Speaker 1: I hope I heard that wrong, right right, like like

523
00:28:25,880 --> 00:28:28,560
Speaker 1: I hope I heard that wrong. Yeah, okay, okay, yeah,

524
00:28:28,640 --> 00:28:32,480
Speaker 1: careful you say that around Deadpool? Yeah? Check please? Yeah?

525
00:28:32,520 --> 00:28:34,399
Speaker 1: Can I get the check? I think I've done with

526
00:28:34,440 --> 00:28:37,480
Speaker 1: my meal? Yes, no, it's true. And can I get

527
00:28:37,480 --> 00:28:39,440
Speaker 1: a get a water.

528
00:28:39,720 --> 00:28:42,000
Speaker 3: And and also the check please?

529
00:28:42,200 --> 00:28:45,600
Speaker 1: Yeah, two things, Yeah, refill my water and then I

530
00:28:45,600 --> 00:28:47,360
Speaker 1: think we'll just take the check. I think we're done'

531
00:28:47,680 --> 00:28:51,400
Speaker 1: that's crazy, been there forever and yeah got it. He's

532
00:28:51,440 --> 00:28:56,280
Speaker 1: probably got to take a deuce. So from the length

533
00:28:56,320 --> 00:28:59,040
Speaker 1: of time of the yes, because he's in this so much.

534
00:28:59,120 --> 00:29:02,440
Speaker 1: So Yeah, dude, dead Pull in a confession that could

535
00:29:02,480 --> 00:29:05,000
Speaker 1: be a really big on like one of these college

536
00:29:05,280 --> 00:29:12,720
Speaker 1: funny sites or whatever college funny. Yeah. So so you're

537
00:29:12,720 --> 00:29:15,720
Speaker 1: a fucking loser, straight up. And I say this because

538
00:29:15,720 --> 00:29:18,080
Speaker 1: I care about you, So, Devin Field for people.

539
00:29:17,840 --> 00:29:20,240
Speaker 3: Who don't know, which is everyone, I think.

540
00:29:20,880 --> 00:29:24,840
Speaker 1: Yeah, Okay, yeah, and that's being generous, right, is maybe

541
00:29:24,920 --> 00:29:28,920
Speaker 1: one of the is maybe potentially could be in ten

542
00:29:29,000 --> 00:29:33,280
Speaker 1: fifteen years, the kind of guy who's doing a stand

543
00:29:33,360 --> 00:29:35,920
Speaker 1: up album for go Jura Records, me and Hayes' record

544
00:29:36,120 --> 00:29:37,640
Speaker 1: as audio company.

545
00:29:37,720 --> 00:29:38,680
Speaker 3: I would love that.

546
00:29:38,880 --> 00:29:40,320
Speaker 1: It's not anywhere near happening.

547
00:29:40,360 --> 00:29:42,040
Speaker 3: I didn't say it was. I just want to say

548
00:29:42,160 --> 00:29:44,520
Speaker 3: out loud to you, I would love that.

549
00:29:45,080 --> 00:29:47,640
Speaker 1: And you look at him, and he's got every advantage.

550
00:29:47,800 --> 00:29:52,640
Speaker 1: He's a white SiZ male. Yeah, and he and he's

551
00:29:52,760 --> 00:29:57,280
Speaker 1: quite frankly and easy on the eyes. So you're going,

552
00:29:57,720 --> 00:30:02,120
Speaker 1: you're going, well, why isn't this guy? You know, why

553
00:30:02,160 --> 00:30:04,640
Speaker 1: is it? He the sloppy guy in Silicon Valley for instance,

554
00:30:04,640 --> 00:30:06,600
Speaker 1: who we saw pop up in the dead Pulture, which

555
00:30:06,640 --> 00:30:07,959
Speaker 1: is just another reason to see it.

556
00:30:08,560 --> 00:30:10,120
Speaker 3: It's probably the main reason.

557
00:30:10,320 --> 00:30:15,240
Speaker 1: Well, no, Deadpool is the main reason. But why and

558
00:30:15,240 --> 00:30:17,160
Speaker 1: in fact that even the secondary reason. It's finally a

559
00:30:17,160 --> 00:30:19,720
Speaker 1: different kind of superhero movie. But that's not important now

560
00:30:19,840 --> 00:30:22,680
Speaker 1: because it's let's stop dealing with the failed teaser freezer

561
00:30:22,720 --> 00:30:26,200
Speaker 1: and start dealing with the failed actor slash comedian in

562
00:30:26,200 --> 00:30:32,240
Speaker 1: front of me. Wow, so you should be kicking butt

563
00:30:32,520 --> 00:30:35,400
Speaker 1: and dropping names in the red carpet lineback hallways of

564
00:30:35,480 --> 00:30:38,120
Speaker 1: this industry we call showbiz. Which is the part I

565
00:30:38,200 --> 00:30:38,800
Speaker 1: came up with.

566
00:30:39,520 --> 00:30:40,960
Speaker 3: It's good. It's a good part.

567
00:30:42,360 --> 00:30:44,600
Speaker 1: Yeah, some would say the difficulty factor in coming up

568
00:30:44,600 --> 00:30:46,520
Speaker 1: with that rather than just repeating the word what up

569
00:30:46,520 --> 00:30:53,040
Speaker 1: to it? Anyway? So the reason I think.

570
00:30:52,760 --> 00:30:53,880
Speaker 3: Yeah, what am I doing wrong?

571
00:30:54,000 --> 00:30:58,640
Speaker 1: You don't know what you're doing? And I know when

572
00:30:58,680 --> 00:31:02,720
Speaker 1: I look at people who have been successful, they are

573
00:31:02,760 --> 00:31:07,880
Speaker 1: getting interviewed, okay for being famous and doing good stuff.

574
00:31:08,040 --> 00:31:10,440
Speaker 3: Yeah they're sitting on a late night couch shooting the

575
00:31:10,480 --> 00:31:12,320
Speaker 3: ship with a Kimmel.

576
00:31:12,240 --> 00:31:17,120
Speaker 1: Or they're or they're in Bust magazine. Whoa or they're

577
00:31:17,120 --> 00:31:18,160
Speaker 1: in Uh.

578
00:31:18,320 --> 00:31:21,640
Speaker 3: You bought a Bust magazine. I thought that was a magazine.

579
00:31:22,360 --> 00:31:24,840
Speaker 3: I didn't think. I didn't think people could just buy

580
00:31:24,920 --> 00:31:29,400
Speaker 3: that magazine. What do you mean, Well, it's just it's

581
00:31:30,320 --> 00:31:33,160
Speaker 3: the way the way the cover is. It's just got pictures.

582
00:31:33,280 --> 00:31:36,320
Speaker 3: It says Bust and just got pictures of the ladies.

583
00:31:40,840 --> 00:31:45,239
Speaker 1: Like be more specific, devid, what are you driving? Well?

584
00:31:45,320 --> 00:31:48,040
Speaker 3: Am I am I wrong? I thought it was I

585
00:31:48,040 --> 00:31:53,600
Speaker 3: thought it was a gentleman's magazine, for.

586
00:31:54,480 --> 00:31:56,560
Speaker 1: I'm a gentleman and I've read the magazine or.

587
00:31:56,640 --> 00:31:59,200
Speaker 3: Like like you know in the teether went dead Bull,

588
00:31:59,400 --> 00:32:01,800
Speaker 3: it said chicken, and then he moved his hand up

589
00:32:01,840 --> 00:32:02,200
Speaker 3: and down.

590
00:32:02,360 --> 00:32:09,800
Speaker 1: Okay, Devin, I'm apparently you're okay. So he's got an obsession. Sorry,

591
00:32:11,440 --> 00:32:14,360
Speaker 1: with big honk in front of Torpedo. I just saw.

592
00:32:14,560 --> 00:32:17,480
Speaker 5: I just saw the name of the magazine. I didn't

593
00:32:17,480 --> 00:32:18,560
Speaker 5: know that was a magazine that celebrity.

594
00:32:18,600 --> 00:32:22,440
Speaker 1: Well then then think of Fast Company if you must. Okay,

595
00:32:22,680 --> 00:32:26,840
Speaker 1: but any of the huge magazines that define our culture, Buster,

596
00:32:27,000 --> 00:32:31,040
Speaker 1: fast Company, Yes, either one, take your pick. I gave

597
00:32:31,120 --> 00:32:33,840
Speaker 1: you two. All right, Well you're gonna need to use

598
00:32:33,920 --> 00:32:35,960
Speaker 1: that one. Ok And really, if you want to go

599
00:32:36,400 --> 00:32:38,800
Speaker 1: just by title fast Company, that makes me think of

600
00:32:38,880 --> 00:32:40,959
Speaker 1: probably a chicken, a Ferrari who's willing to go all

601
00:32:41,000 --> 00:32:43,120
Speaker 1: the way. Well, now I don't know what.

602
00:32:44,080 --> 00:32:45,400
Speaker 3: Now, I don't know what magazine.

603
00:32:45,640 --> 00:32:47,880
Speaker 1: Please don't shake weight in front of me as you

604
00:32:47,960 --> 00:32:53,719
Speaker 1: so put it, Christ Almighty. Maybe this vulgarity is part

605
00:32:53,760 --> 00:32:56,960
Speaker 1: of your problem. It's funny when Deadpool does it because

606
00:32:57,000 --> 00:32:58,280
Speaker 1: he has a sad history.

607
00:32:58,400 --> 00:33:02,320
Speaker 3: He walks that line so well and I'm just tripping

608
00:33:02,360 --> 00:33:02,760
Speaker 3: all over it.

609
00:33:03,160 --> 00:33:08,360
Speaker 1: But in the interviews, I find these themes and if

610
00:33:08,400 --> 00:33:12,320
Speaker 1: you're sort of a student of the human experience as

611
00:33:12,440 --> 00:33:17,440
Speaker 1: I am. You will identify patterns in your life and

612
00:33:17,720 --> 00:33:21,120
Speaker 1: you will be able to sort of create a hypothesis

613
00:33:21,200 --> 00:33:25,040
Speaker 1: from that. Is who is going to you know, be big? Oh,

614
00:33:25,120 --> 00:33:27,760
Speaker 1: it's someone who has sort of these things that people

615
00:33:28,080 --> 00:33:32,360
Speaker 1: have going on. So let's pretend that you're being interviewed,

616
00:33:32,400 --> 00:33:35,400
Speaker 1: and what's a magazine that doesn't bone you out? Devin,

617
00:33:35,520 --> 00:33:38,240
Speaker 1: and just and just pick a magazine because I'm afraid

618
00:33:38,520 --> 00:33:41,080
Speaker 1: just name one now, Okay, okay, just want someone that

619
00:33:41,200 --> 00:33:47,800
Speaker 1: you know won't bone you out. GQ ladies sometimes, GQ

620
00:33:48,080 --> 00:33:58,080
Speaker 1: sometimes does. Okay, do you do a Harper's Harper is bizarre?

621
00:34:00,400 --> 00:34:03,840
Speaker 1: All right? So for now we're gonna work out.

622
00:34:04,000 --> 00:34:05,480
Speaker 3: It was the only magazine that I could think of

623
00:34:05,560 --> 00:34:06,600
Speaker 3: that I've never seen a picture of.

624
00:34:06,600 --> 00:34:09,640
Speaker 1: A that hasn't gotten you boned out. Sure, And we

625
00:34:09,719 --> 00:34:12,120
Speaker 1: don't need you rocking a bone for this. What we

626
00:34:12,280 --> 00:34:14,320
Speaker 1: need is for you to have your head on straight.

627
00:34:15,320 --> 00:34:18,759
Speaker 1: So what I'm gonna do right now is kind of

628
00:34:18,760 --> 00:34:21,360
Speaker 1: an experiment, and you're sort of standing in for a

629
00:34:21,440 --> 00:34:25,600
Speaker 1: lot of our audience who just sort of pathetic and sucks.

630
00:34:28,080 --> 00:34:31,640
Speaker 1: You will be doing an interview with me, and I

631
00:34:31,760 --> 00:34:36,400
Speaker 1: will use some of my crazy acting ability of becoming

632
00:34:36,480 --> 00:34:40,120
Speaker 1: all different characters. I have the one character who is

633
00:34:40,200 --> 00:34:42,719
Speaker 1: a seal who has an itch so bad, make him

634
00:34:42,719 --> 00:34:46,960
Speaker 1: act like Stevie wonder you ever see because they don't

635
00:34:46,960 --> 00:34:49,680
Speaker 1: really have hands, so they sort of would do that.

636
00:34:49,800 --> 00:34:52,560
Speaker 1: They're like, they got an itch so bad, right, and

637
00:34:52,640 --> 00:34:59,719
Speaker 1: they're like, uh, you know, mass sham and they're moving

638
00:34:59,760 --> 00:35:01,840
Speaker 1: around because they we could distract their edge. What they

639
00:35:01,880 --> 00:35:03,759
Speaker 1: have to do is whip their head all the way

640
00:35:03,800 --> 00:35:08,799
Speaker 1: around and roll on the you know. Yeah, and that's something. Yeah,

641
00:35:09,719 --> 00:35:15,960
Speaker 1: that man, holy shit? That that uh in front. So

642
00:35:16,480 --> 00:35:20,600
Speaker 1: I'm going to be using my character chameleon ability to

643
00:35:22,560 --> 00:35:25,800
Speaker 1: become the interviewer for the purposes of Harper's Bazaar. And

644
00:35:25,880 --> 00:35:29,360
Speaker 1: I hope this doesn't bone you out, but pose hart bizarre.

645
00:35:29,719 --> 00:35:33,880
Speaker 1: I will be playing Maria Manatos, who is someone who

646
00:35:33,960 --> 00:35:37,160
Speaker 1: has done this kind of interview before. So I will

647
00:35:37,200 --> 00:35:42,040
Speaker 1: be Marie Maneo's that's fine. Uh does her last name

648
00:35:42,080 --> 00:35:43,880
Speaker 1: sound like Donano? Yes? Is that a part of the

649
00:35:43,920 --> 00:35:46,719
Speaker 1: female out of me where a boned out man might

650
00:35:47,600 --> 00:35:48,319
Speaker 1: direct his bone?

651
00:35:48,560 --> 00:35:50,840
Speaker 3: Yes, that's not going to be a problem. I can

652
00:35:50,920 --> 00:35:52,400
Speaker 3: handle that. I can handle it.

653
00:35:53,280 --> 00:35:53,360
Speaker 4: Uh.

654
00:35:53,680 --> 00:35:56,520
Speaker 1: Now when I'm being Maria, I'll ask you an interview

655
00:35:56,600 --> 00:36:01,040
Speaker 1: question and then I will seamlessly transitioned into being just

656
00:36:01,239 --> 00:36:04,080
Speaker 1: the dog. It's just the friendly, clem dog. This deal,

657
00:36:04,120 --> 00:36:06,319
Speaker 1: what the edge might come back. You never know when

658
00:36:06,360 --> 00:36:08,279
Speaker 1: he's gonna come up. That's part of what makes him

659
00:36:08,400 --> 00:36:11,799
Speaker 1: so fun. I'm Buggy Irawama.

660
00:36:14,160 --> 00:36:15,879
Speaker 3: Classes just for that one line.

661
00:36:17,120 --> 00:36:21,399
Speaker 1: Fucking crushed it. So uh, I was seamlessly transitioned back

662
00:36:21,400 --> 00:36:23,320
Speaker 1: into being the clem dog. Okay, and we'll talk a

663
00:36:23,360 --> 00:36:26,160
Speaker 1: little bit about the interview question and the answer and

664
00:36:26,400 --> 00:36:28,000
Speaker 1: what we could do to sort of get you where

665
00:36:28,080 --> 00:36:28,640
Speaker 1: we need you to be.

666
00:36:28,880 --> 00:36:31,560
Speaker 3: This is great. This is so great because, like I know,

667
00:36:31,680 --> 00:36:35,000
Speaker 3: you say, I'm kind of pathetic or whatever, but I

668
00:36:35,160 --> 00:36:36,680
Speaker 3: try to think of it. What I wrote on the

669
00:36:36,719 --> 00:36:38,239
Speaker 3: post it note that's on my mirror is that I'm

670
00:36:38,280 --> 00:36:41,200
Speaker 3: on the cusp and that and then each day is

671
00:36:41,239 --> 00:36:43,960
Speaker 3: a new step. He stays a new step closer, and

672
00:36:44,120 --> 00:36:46,920
Speaker 3: so this feels like this feels like five steps or

673
00:36:47,040 --> 00:36:47,719
Speaker 3: something like.

674
00:36:48,800 --> 00:36:55,120
Speaker 1: So then totally follow that. So, uh, when I'm being Maria,

675
00:36:55,600 --> 00:37:04,200
Speaker 1: I'll put this cup my head and that'll just help

676
00:37:04,239 --> 00:37:08,160
Speaker 1: you do I that'll help me out a lot. Uh,

677
00:37:08,360 --> 00:37:10,960
Speaker 1: And maybe I'll talk into a cup as well, like

678
00:37:11,040 --> 00:37:11,760
Speaker 1: that's a microphone.

679
00:37:11,800 --> 00:37:16,240
Speaker 3: Oh okay, yeah, this is really so Devin.

680
00:37:18,719 --> 00:37:20,319
Speaker 6: So where did you grow up? Where are you from?

681
00:37:21,280 --> 00:37:24,200
Speaker 3: I'm from Seattle, Washington. Originally I grew up in Seattle.

682
00:37:24,400 --> 00:37:28,080
Speaker 1: Okay, stop and the cup came off my head because

683
00:37:28,080 --> 00:37:34,560
Speaker 1: I'm no longer being Maria. Now that's wrong. How you're

684
00:37:34,560 --> 00:37:40,400
Speaker 1: not from Seattle? I am Seattle is Fraser, it's Niles,

685
00:37:41,280 --> 00:37:46,680
Speaker 1: it's Ra's, it's Daphney Moon. Hell yeah, it's the Dad

686
00:37:46,760 --> 00:37:47,880
Speaker 1: Martin Crane bulldog.

687
00:37:49,360 --> 00:37:52,600
Speaker 6: Yeah yeah, and it's Eddie too.

688
00:37:53,760 --> 00:38:00,160
Speaker 1: So in the space, you know, it's coffee. When I

689
00:38:00,280 --> 00:38:04,080
Speaker 1: think of that, I don't want you to succeed. Yeah, okay,

690
00:38:04,160 --> 00:38:06,840
Speaker 1: because first of all, I already have a lot of

691
00:38:06,920 --> 00:38:10,040
Speaker 1: friends from there, as I've named. Do you really Frasier? Oh?

692
00:38:10,800 --> 00:38:11,880
Speaker 3: No, friends we all have.

693
00:38:12,520 --> 00:38:17,240
Speaker 1: Yeah. What I want to know is what's the nearest

694
00:38:17,560 --> 00:38:21,279
Speaker 1: shitty neighborhood You can say that you're from where you

695
00:38:21,280 --> 00:38:23,600
Speaker 1: would still kind of know the landmarks of the stuff.

696
00:38:25,320 --> 00:38:27,200
Speaker 1: I just don't know how comfortable I feel lying about

697
00:38:27,239 --> 00:38:28,920
Speaker 1: what But just what's what is it? What would it be?

698
00:38:29,120 --> 00:38:29,600
Speaker 1: What is it?

699
00:38:29,800 --> 00:38:31,520
Speaker 3: I mean? I guess if I guess if I were

700
00:38:31,520 --> 00:38:34,239
Speaker 3: pushing it, I would say, like like South Seattle, like

701
00:38:34,360 --> 00:38:35,800
Speaker 3: Rainier Beach is maybe.

702
00:38:35,640 --> 00:38:37,320
Speaker 1: A slightly rougher Rainier Beach.

703
00:38:37,480 --> 00:38:39,479
Speaker 3: Yeah, it's a little bit of a rougher party.

704
00:38:39,520 --> 00:38:41,319
Speaker 1: Fucked up there, like it's fucked up to be there.

705
00:38:41,480 --> 00:38:44,520
Speaker 3: Well kind of, it's historically it's just been sort of

706
00:38:44,600 --> 00:38:46,520
Speaker 3: segregated to be kind of a lesser.

707
00:38:47,760 --> 00:38:50,520
Speaker 1: Sort of a more impoverty it's associated with. Yeah, crime,

708
00:38:51,239 --> 00:38:55,640
Speaker 1: probably it's not all white people. No, okay, great, So

709
00:38:56,040 --> 00:38:58,480
Speaker 1: now you're from Rainier Beach, say I'm from there, and

710
00:38:58,640 --> 00:39:01,759
Speaker 1: now I'm rooting for this guy. Okay. Yeah, I'm gonna

711
00:39:01,840 --> 00:39:05,080
Speaker 1: need you to okay, because think about it, man. Yeah,

712
00:39:06,200 --> 00:39:10,640
Speaker 1: if I say I'm from fucking uh well, take me

713
00:39:10,760 --> 00:39:16,279
Speaker 1: for example, if I say I'm just from like some

714
00:39:16,440 --> 00:39:21,080
Speaker 1: fucking middle suburb you know in Connecticut, I group it's

715
00:39:21,080 --> 00:39:25,040
Speaker 1: actually pretty nice. Yeah, nob he gives a ship. Well okay,

716
00:39:25,440 --> 00:39:27,120
Speaker 1: and they don't know the name of the town. Yeah.

717
00:39:28,040 --> 00:39:36,480
Speaker 1: But if I say I'm from the Bronx, Okay, now

718
00:39:37,000 --> 00:39:39,240
Speaker 1: all of a sudden, I'm Jenny from the block.

719
00:39:40,000 --> 00:39:44,600
Speaker 3: It took you saying Bronx kind of tilting your head

720
00:39:44,680 --> 00:39:47,960
Speaker 3: with a certain attitude for me to really see what you're.

721
00:39:47,840 --> 00:39:49,879
Speaker 1: And you probably thought that head tilt was going to bring,

722
00:39:50,080 --> 00:39:51,839
Speaker 1: you know, go right into an old friend of ours,

723
00:39:52,040 --> 00:39:54,760
Speaker 1: that maybe someone was going to jump up from the ocean.

724
00:39:54,920 --> 00:39:59,279
Speaker 1: Oh yeah, no, yes, Well, but knowing when to do

725
00:39:59,440 --> 00:40:02,719
Speaker 1: it as part. But I can't wait. Yeah, but you

726
00:40:02,800 --> 00:40:07,920
Speaker 1: have to know when. So okay, So Maria is going

727
00:40:07,960 --> 00:40:10,600
Speaker 1: to ask you where you're from and your beach. Yep,

728
00:40:12,040 --> 00:40:12,680
Speaker 1: the cups are back.

729
00:40:13,080 --> 00:40:15,960
Speaker 6: So, uh, Devin, which grew up? Where are you from?

730
00:40:17,440 --> 00:40:21,279
Speaker 3: Well, I'm from near Seattle, South Seattle. Actually it's called

731
00:40:21,400 --> 00:40:27,839
Speaker 3: Rainier Beach. It's yeah, it's kind of on the wrong

732
00:40:27,920 --> 00:40:33,560
Speaker 3: side of the Yeah, historically it's it's slightly harder than

733
00:40:33,920 --> 00:40:34,600
Speaker 3: North Seattle.

734
00:40:34,760 --> 00:40:36,960
Speaker 6: You must have really pulled yourself up by your bootstraps.

735
00:40:37,120 --> 00:40:38,080
Speaker 1: Yeah I did.

736
00:40:38,160 --> 00:40:42,080
Speaker 3: I really had to make myself there on the mean streets.

737
00:40:42,560 --> 00:40:45,160
Speaker 6: Like, tell me about your parents. What's your relationship with them?

738
00:40:46,400 --> 00:40:47,040
Speaker 1: Really solid?

739
00:40:47,400 --> 00:40:49,479
Speaker 3: My father worked for Microsoft for fifteen years.

740
00:40:50,560 --> 00:40:51,920
Speaker 1: Stop stop, don't stop.

741
00:40:53,200 --> 00:40:53,839
Speaker 3: Microsoft.

742
00:40:54,360 --> 00:40:57,440
Speaker 1: Yeah, that's a lot of money. No, the Devin from

743
00:40:57,520 --> 00:40:59,600
Speaker 1: Rainier Beach and you know, have a data work for

744
00:40:59,680 --> 00:41:02,480
Speaker 1: microf So you've got a couple options with your parents,

745
00:41:02,520 --> 00:41:07,040
Speaker 1: which is good news. Okay, they can be salt of

746
00:41:07,080 --> 00:41:10,319
Speaker 1: the earth. Yeah, great guy, love them, God bless him.

747
00:41:10,400 --> 00:41:13,040
Speaker 1: And and you know it's like you get along great

748
00:41:13,080 --> 00:41:15,879
Speaker 1: with your dad. If that's what you want, you can't

749
00:41:15,960 --> 00:41:19,640
Speaker 1: be like you can't have a solid relationship with them.

750
00:41:20,000 --> 00:41:23,120
Speaker 1: You can either be that's my best friend, they did

751
00:41:23,200 --> 00:41:27,520
Speaker 1: nothing but sacrifice for me, or they could be a

752
00:41:27,600 --> 00:41:29,840
Speaker 1: real piece of shit and your whole life is about

753
00:41:29,880 --> 00:41:34,959
Speaker 1: proving them wrong. What if, like they didn't support.

754
00:41:34,719 --> 00:41:35,920
Speaker 2: You, you know, yeah, what is this?

755
00:41:36,000 --> 00:41:38,040
Speaker 3: What if my mom or my dad is watching with

756
00:41:38,719 --> 00:41:42,480
Speaker 3: Maria No, no, no, and it's saying, hey, that's that's

757
00:41:42,600 --> 00:41:43,320
Speaker 3: not what happened.

758
00:41:43,320 --> 00:41:45,480
Speaker 1: That's not our real relationship. That's not how close we

759
00:41:45,520 --> 00:41:48,239
Speaker 1: actually are. Well, they know that it's entertainment and that

760
00:41:48,360 --> 00:41:54,160
Speaker 1: Maria Minuno has a certain amount of responsibility to entertain people,

761
00:41:55,400 --> 00:41:58,880
Speaker 1: and that she can't just hear that you've got a

762
00:41:59,000 --> 00:42:03,279
Speaker 1: solid relationship. Your dad worked for Microsoft, worked for Microsoft Press.

763
00:42:03,360 --> 00:42:06,680
Speaker 1: That's dork ship, brother, and and and now there's a

764
00:42:06,719 --> 00:42:09,400
Speaker 1: distrat nerd ship and dork ship you talked about that.

765
00:42:09,560 --> 00:42:12,160
Speaker 1: I know, I know dorks may be next, but right

766
00:42:12,200 --> 00:42:15,440
Speaker 1: now that's the nerds hour in the sun. Well, it's cool,

767
00:42:15,480 --> 00:42:17,359
Speaker 1: and I think if you even saw Star Wars.

768
00:42:17,440 --> 00:42:18,160
Speaker 3: You might know that.

769
00:42:20,000 --> 00:42:25,280
Speaker 1: And have you seen it? No, Well, that's not the answer,

770
00:42:25,320 --> 00:42:26,520
Speaker 1: and Marie is not going to want to hear that.

771
00:42:26,600 --> 00:42:28,400
Speaker 1: What Marie is going I hear is it's you and

772
00:42:28,480 --> 00:42:34,439
Speaker 1: your friend's thing and that you have always loved it. Yeah,

773
00:42:34,560 --> 00:42:36,520
Speaker 1: and then maybe that you even know the name of

774
00:42:36,600 --> 00:42:42,960
Speaker 1: some of the lesser creatures, a silacious crumb, like say

775
00:42:43,000 --> 00:42:47,000
Speaker 1: it with me, salacious crumb, okay, solatious crumb, or what

776
00:42:47,239 --> 00:42:47,520
Speaker 1: I heard?

777
00:42:48,040 --> 00:42:49,480
Speaker 3: I heard a Boba Fett.

778
00:42:50,800 --> 00:42:56,960
Speaker 1: That one is really good, that one is great. A

779
00:42:57,080 --> 00:43:00,680
Speaker 1: lot of people wouldn't notice him in the movie because

780
00:43:00,719 --> 00:43:04,840
Speaker 1: he's actually one of the more minor characters, but he

781
00:43:05,600 --> 00:43:08,320
Speaker 1: brings it and is such a cool part of it,

782
00:43:08,400 --> 00:43:11,480
Speaker 1: and it's just a cool character. And they actually had

783
00:43:11,560 --> 00:43:18,040
Speaker 1: these things call e wak. Let me write this down,

784
00:43:18,400 --> 00:43:26,759
Speaker 1: and these guys it's scary. No, but they is like

785
00:43:27,160 --> 00:43:30,520
Speaker 1: bears or something. But that you're friends with.

786
00:43:30,840 --> 00:43:33,560
Speaker 3: Okay, I gotta see the movie.

787
00:43:34,360 --> 00:43:39,320
Speaker 1: Yeah yeah, no, me too. But what I'm saying is

788
00:43:39,920 --> 00:43:45,400
Speaker 1: say you've seen it. Okay, No, don't me, Mariamn.

789
00:43:46,480 --> 00:43:49,200
Speaker 6: I gotta tell you you w you grow up in

790
00:43:49,280 --> 00:43:51,920
Speaker 6: that bad neighborhood, and now tell me about your parents.

791
00:43:52,960 --> 00:43:57,200
Speaker 3: Uh, my parents and I have a really difficult relationship.

792
00:43:57,680 --> 00:44:00,880
Speaker 3: Oh no, they were always kind of stabbing me in

793
00:44:00,920 --> 00:44:03,080
Speaker 3: the back anytime I was trying to get up at

794
00:44:03,080 --> 00:44:05,200
Speaker 3: any other Rainier beach stand up clubs.

795
00:44:05,320 --> 00:44:07,239
Speaker 6: Oh shit, So you did it all on your own

796
00:44:07,280 --> 00:44:09,440
Speaker 6: and didn't have any support, And that is even more

797
00:44:09,480 --> 00:44:10,760
Speaker 6: impressive what you've achieved.

798
00:44:11,120 --> 00:44:14,480
Speaker 3: Yeah, that's exactly true, Maria, and I blew my fucking

799
00:44:14,560 --> 00:44:16,800
Speaker 3: parents away and I didn't need their help for a second.

800
00:44:16,960 --> 00:44:19,000
Speaker 3: And they're in the rearview as far as I'm concerned.

801
00:44:19,320 --> 00:44:21,239
Speaker 6: Oh yeah, or maybe you can't even find them in

802
00:44:21,280 --> 00:44:21,799
Speaker 6: the rear view.

803
00:44:22,040 --> 00:44:24,239
Speaker 3: Yeah, I don't even know. They're probably.

804
00:44:25,480 --> 00:44:31,360
Speaker 1: Dead. That is really good. And are you feeling famous

805
00:44:31,440 --> 00:44:32,440
Speaker 1: now and successful?

806
00:44:32,719 --> 00:44:36,080
Speaker 3: I felt a confidence and a power unlike any i'd

807
00:44:36,120 --> 00:44:36,560
Speaker 3: ever known.

808
00:44:36,719 --> 00:44:39,839
Speaker 1: There's no such thing as a famous, successful person who

809
00:44:39,960 --> 00:44:43,000
Speaker 1: had help or had any kind of advantage. Now here's

810
00:44:43,120 --> 00:44:45,719
Speaker 1: something else I want to say. You do need your

811
00:44:45,760 --> 00:44:48,880
Speaker 1: parents to have worked at Microsoft. You do need that

812
00:44:49,120 --> 00:44:52,120
Speaker 1: kind of thing where basically you're gonna be sort of

813
00:44:52,160 --> 00:44:54,719
Speaker 1: fucking off for a while. And just like, even if

814
00:44:54,760 --> 00:44:58,200
Speaker 1: you're really good, there's a period where, quite frankly, unless

815
00:44:58,239 --> 00:45:02,040
Speaker 1: you have some kind of financial advantage. You just can't

816
00:45:02,640 --> 00:45:03,160
Speaker 1: pursue this.

817
00:45:03,440 --> 00:45:04,600
Speaker 3: Well I'm glad I did that.

818
00:45:05,040 --> 00:45:07,759
Speaker 1: Yeah you did, and that's great. So you do need

819
00:45:07,840 --> 00:45:10,160
Speaker 1: to have that. But then you need to say you

820
00:45:10,400 --> 00:45:14,200
Speaker 1: did not have that. That is so important, Devin, I

821
00:45:14,360 --> 00:45:14,680
Speaker 1: got it.

822
00:45:15,320 --> 00:45:17,200
Speaker 3: Just you can't, you know, I won't.

823
00:45:17,960 --> 00:45:20,839
Speaker 1: Okay, I just want to really drive that home. Now

824
00:45:23,800 --> 00:45:25,000
Speaker 1: you don't stand up comedy?

825
00:45:25,320 --> 00:45:25,920
Speaker 3: Yeah that's right.

826
00:45:26,280 --> 00:45:29,680
Speaker 1: What's an area of a kind of joke you might tell?

827
00:45:29,840 --> 00:45:31,520
Speaker 1: Do you can? You? You do mind doing a little

828
00:45:31,520 --> 00:45:33,400
Speaker 1: bit of like a bit. I know it's you know,

829
00:45:33,440 --> 00:45:37,080
Speaker 1: a lot of pressure. Ye, I mean, this is twelve

830
00:45:37,080 --> 00:45:39,880
Speaker 1: thousand people listen to the show, So are you serious?

831
00:45:40,600 --> 00:45:44,319
Speaker 1: Well that's the total total of the entire lifetime over

832
00:45:44,400 --> 00:45:46,120
Speaker 1: the show. Yeah, we've made a few of them, so

833
00:45:46,960 --> 00:45:50,279
Speaker 1: uh but yeah, go ahead, So just just any bit

834
00:45:51,360 --> 00:45:54,560
Speaker 1: that's wolf Den numbers, you know, Yeah, it ahead, give

835
00:45:54,640 --> 00:45:54,919
Speaker 1: or take.

836
00:45:56,600 --> 00:46:00,560
Speaker 3: Okay, Uh well I'll just uh, I'll just get into it. Yeah,

837
00:46:00,680 --> 00:46:05,520
Speaker 3: done a little about by myself. Well, I sort of

838
00:46:05,560 --> 00:46:10,640
Speaker 3: have this this joke about how, you know, living in

839
00:46:10,680 --> 00:46:13,200
Speaker 3: Los Angeles you're surrounded by actors, you know, which which

840
00:46:13,239 --> 00:46:17,640
Speaker 3: I think is wrong and right? And people usually laugh

841
00:46:17,680 --> 00:46:19,120
Speaker 3: at that part because it's a funny part.

842
00:46:19,040 --> 00:46:21,799
Speaker 1: Of them set up. So I say, you know, if

843
00:46:21,840 --> 00:46:22,399
Speaker 1: people think.

844
00:46:22,400 --> 00:46:25,239
Speaker 3: That's being around actors is wrong. Recently, I was at

845
00:46:25,280 --> 00:46:28,720
Speaker 3: a coffee shop and I was working and an actor

846
00:46:28,840 --> 00:46:30,040
Speaker 3: was sitting next to me, and I know he was

847
00:46:30,080 --> 00:46:31,719
Speaker 3: an actor because he turned to me and he asked, Hey,

848
00:46:31,719 --> 00:46:34,880
Speaker 3: how do you spell starring as in starring in a film?

849
00:46:36,360 --> 00:46:36,560
Speaker 1: Right?

850
00:46:37,440 --> 00:46:43,120
Speaker 3: And I feel like I keep going okay, and so

851
00:46:43,200 --> 00:46:46,880
Speaker 3: I thought, you know, that's that's the weirdest brag ever, right,

852
00:46:48,800 --> 00:46:51,680
Speaker 3: because it's like, yeah, I'm illiterate, but things are going

853
00:46:51,800 --> 00:46:55,000
Speaker 3: pretty good. I'm staring at the fact.

854
00:46:55,000 --> 00:46:56,080
Speaker 6: I'll tell you what I'm feeling.

855
00:46:56,400 --> 00:47:02,279
Speaker 1: Yeah, I'm feeling you like try and be funny. I'm

856
00:47:02,280 --> 00:47:05,239
Speaker 1: feeling you try like I'm picturing you, like thinking of

857
00:47:05,320 --> 00:47:08,720
Speaker 1: an idea you think is funny or a funny story

858
00:47:09,239 --> 00:47:12,160
Speaker 1: and then trying to do that, like perform that. Well,

859
00:47:12,320 --> 00:47:14,120
Speaker 1: that's I feel like that's what you asked me to do.

860
00:47:14,239 --> 00:47:15,560
Speaker 1: So I'm trying to just give you what you have.

861
00:47:16,040 --> 00:47:18,200
Speaker 5: Difference, ask me to do a bit, and it's uncomfortable

862
00:47:18,239 --> 00:47:20,400
Speaker 5: for me to do a bit here in this context

863
00:47:20,440 --> 00:47:21,880
Speaker 5: when I'm not even on a stage.

864
00:47:21,920 --> 00:47:25,200
Speaker 1: I'm not even on a and I'm sorry I had

865
00:47:25,239 --> 00:47:31,320
Speaker 1: to become Maria for a moment. Stupid put yourself together. Okay,

866
00:47:32,360 --> 00:47:34,920
Speaker 1: now I'm gonna stop being Maria just to talk about

867
00:47:35,440 --> 00:47:38,480
Speaker 1: That's just what I'm feeling. Is I'm feeling you trying

868
00:47:38,600 --> 00:47:42,399
Speaker 1: to kind of be funny. Huh, yeah I was. Yeah,

869
00:47:42,760 --> 00:47:46,880
Speaker 1: And that is not really what is successful stand up.

870
00:47:47,960 --> 00:47:50,200
Speaker 6: So here's more.

871
00:47:50,320 --> 00:47:52,320
Speaker 1: What I'm looking for when I ask give me some

872
00:47:52,440 --> 00:47:57,200
Speaker 1: of your stand up, okay, is for you to have

873
00:47:57,400 --> 00:48:03,560
Speaker 1: some kind of problem or traumatic periods, something wrong with you. Okay,

874
00:48:04,120 --> 00:48:06,560
Speaker 1: you know, can you think of anything that's bad, that's

875
00:48:06,600 --> 00:48:06,960
Speaker 1: wrong with.

876
00:48:07,040 --> 00:48:09,000
Speaker 3: You, that's bad, that's wrong with me?

877
00:48:09,239 --> 00:48:09,640
Speaker 4: Mm hmm.

878
00:48:13,480 --> 00:48:17,840
Speaker 3: Some sometimes I I'm really afraid of home invasion. Sometimes

879
00:48:17,840 --> 00:48:19,800
Speaker 3: I'm really afraid someone's got to go into my apartment

880
00:48:19,840 --> 00:48:22,400
Speaker 3: in the middle of the night and stab me. Okay,

881
00:48:22,520 --> 00:48:23,840
Speaker 3: I don't know if that's something that's wrong with me.

882
00:48:24,040 --> 00:48:26,680
Speaker 1: That's kind of just a mental weakness.

883
00:48:27,239 --> 00:48:29,520
Speaker 3: One time, if in fifth grade at sleep away camp,

884
00:48:29,600 --> 00:48:32,080
Speaker 3: I got so scared after one of the chef berones

885
00:48:32,080 --> 00:48:33,799
Speaker 3: read a scary story that I stayed at my bunk

886
00:48:33,800 --> 00:48:34,880
Speaker 3: all night and pissed.

887
00:48:34,719 --> 00:48:38,400
Speaker 1: And pissed your pissed yourself. Great so you're that's not

888
00:48:38,520 --> 00:48:41,440
Speaker 1: something that's kiss because I don't still do that. That

889
00:48:41,600 --> 00:48:44,120
Speaker 1: was one time that I haven't listen to me. You

890
00:48:44,400 --> 00:48:48,319
Speaker 1: piss yourself and this is perfect. So what I need

891
00:48:48,400 --> 00:48:50,960
Speaker 1: you to do is this didn't happen at sleep away

892
00:48:51,000 --> 00:48:55,520
Speaker 1: camp when you were younger. This is a time, Devin.

893
00:48:55,960 --> 00:48:58,239
Speaker 1: Do you want to be a famous superstar and do

894
00:48:58,280 --> 00:49:00,360
Speaker 1: you want to have people like you? And when you

895
00:49:00,440 --> 00:49:02,120
Speaker 1: walk in a room, they already think you're cool, and

896
00:49:02,200 --> 00:49:04,880
Speaker 1: your ego gets satisfied for a couple of years, and

897
00:49:04,960 --> 00:49:07,760
Speaker 1: then it sort of fades away inevitably as all people

898
00:49:08,120 --> 00:49:10,560
Speaker 1: who are trying to do this wind up experiencing, and

899
00:49:10,680 --> 00:49:12,839
Speaker 1: then you sort of don't have anything to fill the hole,

900
00:49:12,920 --> 00:49:16,239
Speaker 1: which is the only thing you ever actually took satisfaction

901
00:49:16,360 --> 00:49:18,960
Speaker 1: out of, and now you have just nothing. Yes, yes,

902
00:49:19,040 --> 00:49:22,279
Speaker 1: a thousand times, yes you want that, So then listen

903
00:49:22,320 --> 00:49:29,600
Speaker 1: to what I'm saying. Okay, you pissed yourself last night,

904
00:49:30,320 --> 00:49:32,640
Speaker 1: and what you do is he come out on stage

905
00:49:34,000 --> 00:49:34,400
Speaker 1: and you go.

906
00:49:36,880 --> 00:49:37,719
Speaker 3: It's hard for me to do.

907
00:49:38,840 --> 00:49:40,960
Speaker 1: I planned on coming out here and telling you guys jokes,

908
00:49:41,000 --> 00:49:45,400
Speaker 1: but oh my god, I actually just want to be

909
00:49:45,480 --> 00:49:47,360
Speaker 1: honest with you guys about something which is that I

910
00:49:48,440 --> 00:49:51,960
Speaker 1: pissed myself last night and I think I might be

911
00:49:52,040 --> 00:49:58,920
Speaker 1: really sick or something or just mentally disabled, but something's

912
00:49:58,960 --> 00:50:04,080
Speaker 1: wrong and it's really wrong. And then what this is

913
00:50:04,239 --> 00:50:07,719
Speaker 1: key when you've got and when you've got them and

914
00:50:07,800 --> 00:50:08,880
Speaker 1: they're listening.

915
00:50:09,200 --> 00:50:11,040
Speaker 6: You just you don't need a joke.

916
00:50:11,120 --> 00:50:13,000
Speaker 1: You just change your tone of voice to show that

917
00:50:13,120 --> 00:50:15,480
Speaker 1: you're okay with it, that you might be okay joking

918
00:50:15,520 --> 00:50:19,400
Speaker 1: around with it. It's like and I was just covered

919
00:50:19,440 --> 00:50:22,719
Speaker 1: in piss and I had to get rubber sheets for

920
00:50:22,800 --> 00:50:30,720
Speaker 1: my bed and that made for an interesting Thanksgiving. Holy

921
00:50:31,560 --> 00:50:34,880
Speaker 1: you know. And so it's like you've overcome it, you know,

922
00:50:35,160 --> 00:50:37,759
Speaker 1: you're you're dealing with it in a way, and now

923
00:50:37,840 --> 00:50:40,439
Speaker 1: all of a sudden, hey am I rooting for this guy?

924
00:50:41,040 --> 00:50:41,560
Speaker 6: I think?

925
00:50:41,719 --> 00:50:44,799
Speaker 3: So okay, yeah, great, So.

926
00:50:46,320 --> 00:50:47,279
Speaker 1: Devin, do you want to.

927
00:50:47,280 --> 00:50:51,359
Speaker 6: Talk to me Maria about pissing yourself? And how brave

928
00:50:51,440 --> 00:50:52,880
Speaker 6: it was to say that.

929
00:50:53,320 --> 00:50:54,279
Speaker 1: I do it all the time.

930
00:50:56,800 --> 00:51:01,239
Speaker 5: That's so good, and that to me was it felt

931
00:51:01,280 --> 00:51:03,920
Speaker 5: a little unnatural, but also felt like I was slipping

932
00:51:03,920 --> 00:51:06,719
Speaker 5: into a groove that was like it's my new home.

933
00:51:06,719 --> 00:51:08,359
Speaker 1: In a way. What's so great for me is you've

934
00:51:08,400 --> 00:51:10,640
Speaker 1: really got two things wrong with you. One you can't

935
00:51:10,640 --> 00:51:13,840
Speaker 1: stop pissing yourself, and two you want to tell people

936
00:51:13,920 --> 00:51:18,040
Speaker 1: about it. So I really am going, well, anything I

937
00:51:18,080 --> 00:51:20,160
Speaker 1: could do for this guy to support him, whether it's

938
00:51:20,680 --> 00:51:25,000
Speaker 1: you know, downloading his next stand up album from Gojio Records, yeah,

939
00:51:25,360 --> 00:51:27,800
Speaker 1: you know, which really just has sort of stories about

940
00:51:27,880 --> 00:51:33,800
Speaker 1: him struggling or going to see a movie of the

941
00:51:33,880 --> 00:51:38,800
Speaker 1: Cineplex Deadpool style shoot him up. Maybe he's playing, you know,

942
00:51:39,520 --> 00:51:44,359
Speaker 1: like fucking dude god yeah deadpooled.

943
00:51:44,920 --> 00:51:48,680
Speaker 3: Yeah, yeah, okay, great, Okay, So I'm from Reiner Beach.

944
00:51:49,239 --> 00:51:51,200
Speaker 3: My mom and my dad could be fucking dead as

945
00:51:51,239 --> 00:51:55,040
Speaker 3: far as i'm concert, I pissed myself constantly, and I

946
00:51:55,080 --> 00:51:57,200
Speaker 3: talk about it even more. Yeah.

947
00:51:57,400 --> 00:51:57,600
Speaker 6: Yeah.

948
00:51:57,680 --> 00:51:59,440
Speaker 1: The only thing you do more than piss yourself is

949
00:51:59,520 --> 00:52:00,480
Speaker 1: tell people about it.

950
00:52:01,440 --> 00:52:04,160
Speaker 6: Okay, And boy, Devin, this is where interview was really

951
00:52:04,239 --> 00:52:05,920
Speaker 6: good and we're going to print it right up here

952
00:52:05,960 --> 00:52:09,680
Speaker 6: in Harprist Bazaar, and so thanks.

953
00:52:09,680 --> 00:52:14,040
Speaker 1: You're welcome, Maria, And hey, I hope I didn't get

954
00:52:14,080 --> 00:52:18,400
Speaker 1: too boned out and she has a laugh like that,

955
00:52:18,640 --> 00:52:23,040
Speaker 1: does she? Okay? And that was see and didn't that

956
00:52:23,120 --> 00:52:24,839
Speaker 1: feel like a great interview? And it felt good.

957
00:52:24,880 --> 00:52:26,919
Speaker 3: It feels like a web of lies that I'm sort

958
00:52:26,960 --> 00:52:29,480
Speaker 3: of concerned about keeping up long term and sort of

959
00:52:29,560 --> 00:52:32,080
Speaker 3: juggling with, like the people who are in my personal life.

960
00:52:33,239 --> 00:52:35,480
Speaker 3: I'm sort of wondering how to debut this new persona

961
00:52:35,600 --> 00:52:35,960
Speaker 3: to them.

962
00:52:36,920 --> 00:52:39,959
Speaker 1: They just read about it, just like everybody else. Okay,

963
00:52:40,520 --> 00:52:42,359
Speaker 1: you know, and you sort of like, it's like, oh, well,

964
00:52:42,400 --> 00:52:44,080
Speaker 1: I fudged it. I guess, you know, or they took

965
00:52:44,160 --> 00:52:46,000
Speaker 1: my words out of context. But I guess I got

966
00:52:46,080 --> 00:52:48,720
Speaker 1: a roll with it now. I mean, you blame me, Noda.

967
00:52:49,440 --> 00:52:52,239
Speaker 1: And then when the next thing comes around, you go like, well,

968
00:52:52,239 --> 00:52:54,120
Speaker 1: I had to back up Manono's story because she big

969
00:52:54,200 --> 00:52:57,880
Speaker 1: deal got it. And so in that way you can

970
00:52:57,960 --> 00:52:59,480
Speaker 1: kind of get into it, and who knows, maybe you

971
00:52:59,520 --> 00:53:01,560
Speaker 1: end up on the league for a little while or anything.

972
00:53:01,920 --> 00:53:04,319
Speaker 1: You could actually get something really good out of something

973
00:53:04,400 --> 00:53:04,560
Speaker 1: like this.

974
00:53:05,040 --> 00:53:09,600
Speaker 5: Okay, this has been such an eye opening, like just

975
00:53:09,719 --> 00:53:12,040
Speaker 5: to know that this is an avenue and I can I.

976
00:53:12,080 --> 00:53:14,279
Speaker 1: Talk to youngest firing comedians for a second.

977
00:53:14,800 --> 00:53:18,440
Speaker 5: Just to know that this is available to me, that

978
00:53:18,600 --> 00:53:20,520
Speaker 5: this is something I can do, that I can watch

979
00:53:20,600 --> 00:53:23,800
Speaker 5: the news and I can, you know, watch something like

980
00:53:23,960 --> 00:53:26,440
Speaker 5: a mass shooting and go I was probably there.

981
00:53:26,680 --> 00:53:28,960
Speaker 1: Well, yeah, connect yourself to it in some way, right,

982
00:53:29,239 --> 00:53:32,440
Speaker 1: if not you a relative, or maybe you were just

983
00:53:32,560 --> 00:53:33,839
Speaker 1: there the day before.

984
00:53:33,840 --> 00:53:36,480
Speaker 3: Right, maybe because visiting my fucking dead bee dad in

985
00:53:36,560 --> 00:53:40,360
Speaker 3: a goddamn hospital where he's dying of booze.

986
00:53:40,520 --> 00:53:42,400
Speaker 1: And Devin, now we're getting somewhere, and I'm thinking, what

987
00:53:42,520 --> 00:53:45,960
Speaker 1: a funny comedian and and now I'll go see this

988
00:53:46,080 --> 00:53:49,040
Speaker 1: guy's movies because you know, honestly, he did it all

989
00:53:49,080 --> 00:53:51,080
Speaker 1: on his own, and he overcame so much.

990
00:53:51,200 --> 00:53:53,040
Speaker 3: I'm fucking on one right now, Like I feel like

991
00:53:53,080 --> 00:53:54,640
Speaker 3: I could just tear down fucking everybody.

992
00:53:54,719 --> 00:53:58,000
Speaker 1: Holy shit, this motherfucker is on one, and I've never

993
00:53:58,080 --> 00:54:01,440
Speaker 1: seen someone so on one. Ye. Well I'm on a

994
00:54:01,520 --> 00:54:02,280
Speaker 1: fucking rampage.

995
00:54:02,360 --> 00:54:02,719
Speaker 3: Let me tell you.

996
00:54:02,880 --> 00:54:06,600
Speaker 1: I feel like I'm talking to Deadpool over here. Okay, Yeah,

997
00:54:07,360 --> 00:54:10,880
Speaker 1: it's true, Devin. And that's not who walked in the.

998
00:54:10,920 --> 00:54:14,160
Speaker 3: Door, you know, some fucking nobody.

999
00:54:14,320 --> 00:54:17,759
Speaker 1: Yeah, the guy who walked in the door was Greg

1000
00:54:17,840 --> 00:54:21,080
Speaker 1: the Bunny or something, some character that also was sarcastic

1001
00:54:21,200 --> 00:54:25,399
Speaker 1: but just never took off. Greg the Bunny, oh, Seth

1002
00:54:25,480 --> 00:54:30,279
Speaker 1: Green something. And so to me, for you to go

1003
00:54:30,480 --> 00:54:35,360
Speaker 1: from Greg the Bunny, yeah to Deadpool in what forty

1004
00:54:35,400 --> 00:54:40,360
Speaker 1: eight minutes or something. Hopefully that's pretty good. And so

1005
00:54:40,560 --> 00:54:44,080
Speaker 1: I'm thinking this guy is really doing well. And I

1006
00:54:44,360 --> 00:54:50,000
Speaker 1: just hate the idea of someone trying to be judged

1007
00:54:50,040 --> 00:54:53,279
Speaker 1: on just their work and things they came up with

1008
00:54:53,800 --> 00:54:57,400
Speaker 1: and then just answering questions honestly and not creating a

1009
00:54:57,480 --> 00:55:02,960
Speaker 1: mythology around themselves, because to me, that's not really showbiz,

1010
00:55:03,320 --> 00:55:03,480
Speaker 1: is it.

1011
00:55:03,680 --> 00:55:08,600
Speaker 3: Mister, No, it's not. It's it's it's artsy bullshit. Yeah,

1012
00:55:08,719 --> 00:55:11,080
Speaker 3: and I'll tear down those alt comics.

1013
00:55:11,400 --> 00:55:14,920
Speaker 1: It's fake, pretentious bullshit. Yeah, alt yeah, an alternative to

1014
00:55:15,440 --> 00:55:20,000
Speaker 1: uh laughter. Yeah, thanks, I wasn't gonna get there, so,

1015
00:55:20,480 --> 00:55:23,360
Speaker 1: uh can I just lay on you? I know you

1016
00:55:23,480 --> 00:55:25,880
Speaker 1: probably got to run now because you're so fired up.

1017
00:55:26,400 --> 00:55:28,240
Speaker 3: Honestly, I want to find a mic in a stage

1018
00:55:28,280 --> 00:55:30,279
Speaker 3: and just tell people what for, you know, just want

1019
00:55:30,320 --> 00:55:33,600
Speaker 3: to mash the point to some fucking jamoke in the

1020
00:55:33,640 --> 00:55:35,480
Speaker 3: front row and go, what the fuck do you do?

1021
00:55:35,600 --> 00:55:36,000
Speaker 1: Asshole?

1022
00:55:36,160 --> 00:55:36,319
Speaker 4: Yeah?

1023
00:55:36,360 --> 00:55:39,480
Speaker 1: Or maybe he's a JABBRONI even yeah, maybe, but what

1024
00:55:39,560 --> 00:55:43,120
Speaker 1: does he say? He does? Oh he's like, uh software

1025
00:55:43,440 --> 00:55:45,200
Speaker 1: oh no, like you're dead, And that.

1026
00:55:45,320 --> 00:55:47,239
Speaker 3: Just makes my eyes go fucking red and I just

1027
00:55:47,320 --> 00:55:49,480
Speaker 3: tear it him, like you son up a bit. Yeah,

1028
00:55:49,560 --> 00:55:52,080
Speaker 3: you come to this place, you buy your two drinks,

1029
00:55:52,120 --> 00:55:53,040
Speaker 3: you look at me, you.

1030
00:55:53,080 --> 00:55:55,239
Speaker 5: Look at me, you look at me in the ice,

1031
00:55:55,480 --> 00:55:57,800
Speaker 5: and you say to me, I do software. But you

1032
00:55:57,880 --> 00:55:59,719
Speaker 5: get the fuck out of here. You get Gibbroni before

1033
00:55:59,760 --> 00:56:00,600
Speaker 5: I rop kick you.

1034
00:56:00,719 --> 00:56:03,640
Speaker 1: Okay, Yeah, maybe the only thing softer than his wear

1035
00:56:03,840 --> 00:56:06,960
Speaker 1: is his candy ass. And and I'll whip it and

1036
00:56:07,080 --> 00:56:10,640
Speaker 1: make him and and tell him it doesn't matter what

1037
00:56:10,719 --> 00:56:15,279
Speaker 1: his name is as well. So, uh we got we

1038
00:56:15,440 --> 00:56:18,200
Speaker 1: got a couple of questions from the popcorn gallery. Want

1039
00:56:18,239 --> 00:56:20,120
Speaker 1: to juice through any of these and they may not

1040
00:56:20,200 --> 00:56:25,320
Speaker 1: even apply anymore? Yeah, big deal? Okay, so uh so

1041
00:56:25,440 --> 00:56:29,000
Speaker 1: these questions are for Devin Field and it says, uh hi,

1042
00:56:29,120 --> 00:56:33,320
Speaker 1: nobody who hasn't done jack shit, fuck you piece of garbage.

1043
00:56:33,400 --> 00:56:35,359
Speaker 1: And that's from no horse man. And he says, any

1044
00:56:35,400 --> 00:56:39,040
Speaker 1: productivity tips, Yeah, I got a productivity tip for you.

1045
00:56:39,800 --> 00:56:44,160
Speaker 5: Get off your no horse and and and quit jerking

1046
00:56:44,200 --> 00:56:47,960
Speaker 5: it and telling me how to live you you you pimply.

1047
00:56:48,160 --> 00:56:48,399
Speaker 3: Fuck.

1048
00:56:49,000 --> 00:56:51,000
Speaker 1: This is what's wrong with this fucking generation.

1049
00:56:51,200 --> 00:56:51,359
Speaker 4: Man.

1050
00:56:51,480 --> 00:56:54,320
Speaker 5: They're on their fucking phones. Why don't you go go

1051
00:56:54,520 --> 00:56:55,320
Speaker 5: tweet about it?

1052
00:56:55,440 --> 00:57:00,440
Speaker 1: You got put your phone down and and I've now

1053
00:57:00,680 --> 00:57:05,000
Speaker 1: know how doctor Frankinstein actually was feeling because I have

1054
00:57:05,239 --> 00:57:07,080
Speaker 1: created some sort of monster.

1055
00:57:07,000 --> 00:57:10,800
Speaker 3: Yeah, fucking stage monster and put another one in my sights.

1056
00:57:12,360 --> 00:57:18,600
Speaker 1: Okay, uh, what's a good soft drink that you like?

1057
00:57:18,760 --> 00:57:19,560
Speaker 1: That's from Ashley?

1058
00:57:19,920 --> 00:57:23,080
Speaker 5: Oh, Ashley, Ashley wants to know what's a good fucking

1059
00:57:23,200 --> 00:57:23,760
Speaker 5: soft drink?

1060
00:57:23,920 --> 00:57:25,880
Speaker 1: I got an idea, Ashley, how do you put?

1061
00:57:26,080 --> 00:57:28,840
Speaker 5: How about you put down the soda and quit drinking

1062
00:57:28,920 --> 00:57:31,200
Speaker 5: it because that's what's making everyone in this country a

1063
00:57:31,280 --> 00:57:32,600
Speaker 5: fucking obese cow.

1064
00:57:32,880 --> 00:57:37,280
Speaker 1: Go outside? The fuck outside? You bish? Okay?

1065
00:57:37,440 --> 00:57:38,240
Speaker 6: And that was good?

1066
00:57:40,160 --> 00:57:42,480
Speaker 1: Who and you are on one?

1067
00:57:42,560 --> 00:57:43,720
Speaker 3: I'm on one?

1068
00:57:44,680 --> 00:57:46,920
Speaker 1: Do you see how bright red my face is? This

1069
00:57:47,200 --> 00:57:50,880
Speaker 1: is good? Should I gel my hair? This feels like

1070
00:57:50,920 --> 00:57:53,160
Speaker 1: a voice that needs me to gel my hair when

1071
00:57:53,160 --> 00:57:56,080
Speaker 1: I hit that stage? Just might Yeah, that might complete

1072
00:57:56,120 --> 00:58:03,000
Speaker 1: the effect. Yeah? Uh so, Jeffrey party strikes back and

1073
00:58:03,160 --> 00:58:09,640
Speaker 1: that's Star Wars stuff, is it? He said? He said?

1074
00:58:09,880 --> 00:58:13,520
Speaker 1: Flaming hot cheetos are andy caps hot fries and why.

1075
00:58:14,840 --> 00:58:19,120
Speaker 5: Everyone with these fucking snacks, everyone with these fucking snacks

1076
00:58:19,200 --> 00:58:22,840
Speaker 5: and sodas, Hey hot cheetos.

1077
00:58:22,520 --> 00:58:24,280
Speaker 1: Or you to put maybe you ought to put them

1078
00:58:24,320 --> 00:58:29,560
Speaker 1: both down and go outside don't think funk outside you, dude,

1079
00:58:29,680 --> 00:58:31,400
Speaker 1: this is good. What do you think of that as

1080
00:58:31,400 --> 00:58:31,960
Speaker 1: a catch raiser?

1081
00:58:32,000 --> 00:58:32,160
Speaker 5: Sort?

1082
00:58:32,440 --> 00:58:35,480
Speaker 1: But go outside you. But I feel like all this

1083
00:58:36,040 --> 00:58:40,680
Speaker 1: aggressive energy is also maybe masking a little vulnerability that

1084
00:58:40,800 --> 00:58:43,760
Speaker 1: could come out as well. And I did forget to say,

1085
00:58:43,800 --> 00:58:52,640
Speaker 1: we're in the popcorn gallery the time, you know what

1086
00:58:52,840 --> 00:58:54,840
Speaker 1: sword that popcorn gallery?

1087
00:58:55,000 --> 00:58:56,320
Speaker 3: Like I need to eat more than.

1088
00:58:56,200 --> 00:59:00,520
Speaker 1: There's some things that we don't necessarily want to go out. Okay,

1089
00:59:00,880 --> 00:59:07,440
Speaker 1: there's something they're just like, yeah, I mean it's just

1090
00:59:07,840 --> 00:59:11,320
Speaker 1: you know, in bad taste at a certain suit from that. Yeah,

1091
00:59:11,840 --> 00:59:14,600
Speaker 1: all right, so let me explore a vulnerability. Oh just

1092
00:59:14,800 --> 00:59:16,800
Speaker 1: another thing you maybe could have brought up to Maria

1093
00:59:17,240 --> 00:59:23,520
Speaker 1: Minno is like maybe you find just the most obscure

1094
00:59:24,040 --> 00:59:27,400
Speaker 1: David Bowie picture imaginable, and it just seems like I

1095
00:59:27,520 --> 00:59:29,880
Speaker 1: just found this fucked up picture. But then you draw

1096
00:59:30,000 --> 00:59:32,600
Speaker 1: a really personal connection to you know what I mean?

1097
00:59:32,760 --> 00:59:34,479
Speaker 1: Right right right, So it's like, yeah, it's a picture,

1098
00:59:34,520 --> 00:59:36,240
Speaker 1: Like having the picture is one thing. Anybody can find

1099
00:59:36,240 --> 00:59:38,800
Speaker 1: a picture, and that's what you're gonna do. But then

1100
00:59:38,920 --> 00:59:42,720
Speaker 1: somehow the picture is like either you were you took it,

1101
00:59:43,520 --> 00:59:47,080
Speaker 1: or it's like him with Muhammad ali or something. Yeah,

1102
00:59:47,280 --> 00:59:51,280
Speaker 1: you saw it the night that you know you're my

1103
00:59:51,400 --> 00:59:53,959
Speaker 1: fucking da dad exploded yeaheah.

1104
00:59:53,800 --> 00:59:55,840
Speaker 3: These liver exploded because he drank all day.

1105
00:59:56,120 --> 01:00:00,360
Speaker 1: Yeah one perfect? Yeah, dude, you ever like that? I'm

1106
01:00:00,440 --> 01:00:01,720
Speaker 1: fired freaking.

1107
01:00:03,040 --> 01:00:04,520
Speaker 3: Only when my dad was spinning it out of his

1108
01:00:04,760 --> 01:00:05,680
Speaker 3: drunk ass mouth.

1109
01:00:05,960 --> 01:00:09,880
Speaker 1: Oh okay, yeah, and this year embracing this. Yeah.

1110
01:00:10,080 --> 01:00:11,760
Speaker 3: So, but I want to go vulnerable and I want

1111
01:00:11,800 --> 01:00:12,720
Speaker 3: to be I want to hit that.

1112
01:00:12,840 --> 01:00:15,760
Speaker 1: So I got one more question for you, which is

1113
01:00:17,080 --> 01:00:20,040
Speaker 1: how fast can you do that Anna Kendrick Cups song?

1114
01:00:23,280 --> 01:00:26,600
Speaker 3: Well, actually that's sort of a personal story when that

1115
01:00:27,600 --> 01:00:32,280
Speaker 3: movie came out, and that's the jar who asked that. Please.

1116
01:00:34,440 --> 01:00:37,680
Speaker 3: When that movie came out and everyone was doing the cups,

1117
01:00:38,040 --> 01:00:41,160
Speaker 3: I stayed up all night trying to learn the come song.

1118
01:00:41,800 --> 01:00:46,160
Speaker 3: And as I was learning it, I was sort of

1119
01:00:46,520 --> 01:00:48,000
Speaker 3: focused only on that and.

1120
01:00:48,240 --> 01:00:53,440
Speaker 1: Devin, your nose is bleeding and just let me get

1121
01:00:53,440 --> 01:00:53,680
Speaker 1: through this.

1122
01:00:54,040 --> 01:00:59,320
Speaker 3: And I was focused on only the cups and long

1123
01:01:00,080 --> 01:01:04,200
Speaker 3: and just just cups. And before I knew it, I

1124
01:01:04,320 --> 01:01:07,360
Speaker 3: looked down and I had pissed myself.

1125
01:01:09,480 --> 01:01:13,840
Speaker 1: Wow, and how this guy really seemed like he's funny

1126
01:01:13,920 --> 01:01:18,560
Speaker 1: to me. Let's just say that made for quite a

1127
01:01:18,600 --> 01:01:23,680
Speaker 1: clean up in Aisle three, change in the tone of voice.

1128
01:01:25,080 --> 01:01:27,800
Speaker 1: So this is the new big stand up Devin Field,

1129
01:01:27,960 --> 01:01:30,320
Speaker 1: and it was really great having him on the show.

1130
01:01:30,880 --> 01:01:33,320
Speaker 1: And I wish that you would just like us on

1131
01:01:33,480 --> 01:01:36,640
Speaker 1: Facebook and go review us on iTunes or not, or

1132
01:01:36,720 --> 01:01:40,560
Speaker 1: go outside you go fuck yourself and the and please

1133
01:01:40,840 --> 01:01:44,080
Speaker 1: uh do get the So the pro version, I guess

1134
01:01:44,200 --> 01:01:45,880
Speaker 1: is gonna be Devin is going to light up one

1135
01:01:46,000 --> 01:01:46,400
Speaker 1: more of you.

1136
01:01:47,240 --> 01:01:49,680
Speaker 3: Get ready, strap yourselves in, man.

1137
01:01:49,640 --> 01:01:54,160
Speaker 1: And it's gonna be Uh, I guess Thundercock sixty nine

1138
01:01:54,360 --> 01:01:56,680
Speaker 1: is gonna get just lit up by you right now.

1139
01:01:57,360 --> 01:02:04,760
Speaker 1: And how I just go, Well, so he wasn't, so

1140
01:02:05,240 --> 01:02:10,680
Speaker 1: he weren't. Yeah, we weren't able to use Devin's lighting

1141
01:02:10,800 --> 01:02:14,040
Speaker 1: up a Thundercock sixty nine. No, let me do it,

1142
01:02:14,120 --> 01:02:15,440
Speaker 1: let me you want to do it? Yeah, I want

1143
01:02:15,480 --> 01:02:16,000
Speaker 1: to light them up?

1144
01:02:16,520 --> 01:02:23,080
Speaker 5: Okay, okay, Thundercock sixty nine. Hey, here's an idea. How

1145
01:02:23,120 --> 01:02:27,560
Speaker 5: about you, Thundercock eighty six yourself out of this goddamn

1146
01:02:27,680 --> 01:02:31,560
Speaker 5: comment thread, go outside, go join my dad in a

1147
01:02:31,640 --> 01:02:33,480
Speaker 5: fucking grave somewhere.

1148
01:02:33,200 --> 01:02:37,200
Speaker 1: Dude, So the eighty six yourself like that's like diner speak, right, Yeah, yeah, yeah,

1149
01:02:37,200 --> 01:02:39,200
Speaker 1: so maybe you were like a busboy at a diner

1150
01:02:39,360 --> 01:02:41,400
Speaker 1: or something like, because you had to work your way

1151
01:02:41,440 --> 01:02:42,200
Speaker 1: through whatever.

1152
01:02:42,960 --> 01:02:46,600
Speaker 5: Let me tell you some When I was running dishes

1153
01:02:46,880 --> 01:02:50,080
Speaker 5: at the Rainier Beach Cafe, you know, just slang and

1154
01:02:50,160 --> 01:02:53,200
Speaker 5: hash browns, I didn't have anyone give me any fucking handouts,

1155
01:02:53,240 --> 01:02:55,600
Speaker 5: letting me write any bullshit on any goddamn forums.

1156
01:02:55,640 --> 01:02:57,880
Speaker 1: Oh, I want to say something else to So, even

1157
01:02:57,920 --> 01:03:00,600
Speaker 1: though you did so, your story is that you worked

1158
01:03:00,600 --> 01:03:02,520
Speaker 1: at a diner, what you actually need to be doing

1159
01:03:02,600 --> 01:03:05,280
Speaker 1: during that time is probably some kind of unpaid internship,

1160
01:03:05,720 --> 01:03:09,240
Speaker 1: like either in like in at a comedy theater or

1161
01:03:10,040 --> 01:03:13,080
Speaker 1: or something, yeah, media combination anything, yeah, or for a show.

1162
01:03:13,160 --> 01:03:14,600
Speaker 3: That's what I did. Actually, it was an intern for

1163
01:03:14,680 --> 01:03:17,880
Speaker 3: the Tonight Show when O'Brien was perfect. Yeah, that's exactly. Yes,

1164
01:03:18,040 --> 01:03:18,760
Speaker 3: that's exactly the.

1165
01:03:18,800 --> 01:03:19,200
Speaker 1: Kind of thing.

1166
01:03:19,360 --> 01:03:20,840
Speaker 3: Yeah, good, that's cool.

1167
01:03:21,160 --> 01:03:23,760
Speaker 1: But the point is, get the fuck out of here

1168
01:03:23,840 --> 01:03:36,400
Speaker 1: with your bullshit. Whoa bye. This has been an Earwolf

1169
01:03:36,440 --> 01:03:40,560
Speaker 1: production executive produced by Scott Ackerman, Adam Sachs, and Chris Bannett.

1170
01:03:40,720 --> 01:03:43,600
Speaker 1: For more information and content, visit earwolf dot com