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Speaker 1: What's up, everybody? Welcome to Wednesday Show Morning Studio.

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Speaker 2: There's this place.

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Speaker 1: They make the best soup, but every time we order it,

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Speaker 1: the waiter has his or her thumb in our soup.

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Speaker 1: That's how they carry it, right, you don't carry It's bizarre.

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Speaker 1: They have excellent soup. Soup makes you go. And we've

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Speaker 1: been to get the soup four times and eat the soup.

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Speaker 1: There we go and got the suit the first time

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Speaker 1: and they were it's not on a plate, they carry

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Speaker 1: it in the bowl and their thumb was just right

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Speaker 1: over and the tip of their thumb was in my soup.

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Speaker 1: So gross, And I go, you know what, I don't

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Speaker 1: like that, but I waited tables forever and it's not

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Speaker 1: even that.

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Speaker 2: I like.

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Speaker 1: Feel for the waiter because they're doing something wrong, but

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Speaker 1: I don't want.

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Speaker 2: To go, broh, your fingers in my soup.

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Speaker 1: Take it back, because you know what they're gonna They're

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Speaker 1: gona put the winner in my soup next time. I

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Speaker 1: know how this works, and so I let him sit

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Speaker 1: the soup down. I tell my wife, I'm grossed out.

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Speaker 1: Their fingers been in my soup. She saw it too,

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Speaker 1: So I go up. I take the soup up, and

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Speaker 1: I'm like, hey, and I'm gonna be honest. I lied,

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Speaker 1: So I'm about to tell Lie what I'm about to

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Speaker 1: tell Lie about what I said. I said, Hey, something

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Speaker 1: like things came out of the ceiling like a little

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Speaker 1: like part of the dry wall and like fell on

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Speaker 1: my soup.

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Speaker 2: Can I get another soup? Because I feel like I

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Speaker 2: really lied hard? You got creative? Yeah, yeah, yeah, it's

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Speaker 2: kind of my job.

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Speaker 3: Sir, But what else was I gonna say?

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Speaker 1: What would you have said? Exactly? Nobody gets hurt in

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Speaker 1: this situation, so that always like, oh, sorry about that,

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Speaker 1: because they're doing some construction too.

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Speaker 2: To part, I don't want to say too much. I

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Speaker 2: understand what it is.

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Speaker 1: You think I know what it is that I.

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Speaker 4: Already knew because of the soup. It's so good.

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Speaker 1: Oh then, yeah, the soup is so good. So they

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Speaker 1: bring it back again. This thumbs in it again because

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Speaker 1: you didn't tell them the problem.

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Speaker 4: Stay up there and be like, oh wait, y'all pour

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Speaker 4: the soup and then.

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Speaker 1: Handed no, because the soup doesn't come from a place

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Speaker 1: where you see it. So they bring the soup his thumb,

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Speaker 1: the tent of his thumbs in it again because the bullets.

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Speaker 5: So you gotta ri mandate more drywall.

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Speaker 1: And so what I do is I kind of section

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Speaker 1: off that part of the soup. So I take a

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Speaker 1: piece of bread and I build a little section to

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Speaker 1: not touch. Well, no, because the thumb is just there

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Speaker 1: and I don't think it traveled all the way to

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Speaker 1: the soup. So I build like a bread barrier, and

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Speaker 1: the bread barrier in the soup. Make sure none of

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Speaker 1: the gross soup can get over to my soup. So

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Speaker 1: I scoop some of the side out and I put

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Speaker 1: it on the plate kind of and I eat that soup.

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Speaker 5: So the soup is thick enough for you to do that,

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Speaker 5: so it's not watery soup. Yeah, hey, is good, right, awesome.

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Speaker 1: So we go back again and I'm like, I sure

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Speaker 1: would like some soup this time less finger, and so

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Speaker 1: we go and it's a different way to it. It's

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Speaker 1: a woman and she brings it up and her thumb

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Speaker 1: is in the soup, except for it's not fully in

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Speaker 1: the soup, in the ball. It's like pushed up against

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Speaker 1: the side of the ball, and she leaves a thumb

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Speaker 1: print in the on the side of the ball of

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Speaker 1: the soup. I took a picture, put it on my TikTok,

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Speaker 1: and so it's the thumb print on the side of

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Speaker 1: my soup. We've been four times, well we've been three times,

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Speaker 1: but one doubled up, double up U. The thing is,

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Speaker 1: every time there's thumb in the soup, they should just

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Speaker 1: call it thumb soup and embrace it because they're not

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Speaker 1: able to bring it out with that thumb in it.

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Speaker 4: Oh, they need a new way to carry it.

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Speaker 1: If I say they need to just put it on

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Speaker 1: their thumbs, I would agree. And it's probably hot though,

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Speaker 1: and the ball they use there's probably hot too.

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Speaker 2: They need a better bowl or like you said, the

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Speaker 2: plate underneath the bowl plate. The plate works.

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Speaker 1: Bring that, yes, So like, what would you do if

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Speaker 1: you or me and you love the soup but every

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Speaker 1: time there's a little thumb in it, but you really

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Speaker 1: don't want to give up on the soup, but you

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Speaker 1: don't like the thumb.

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Speaker 2: What would you do?

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Speaker 4: I just have to ignore that the thumb was there.

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Speaker 1: Walk it out. You got you gotta say, you gotta

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Speaker 1: like build a barrier with at least scoop it out.

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Speaker 4: Can you not build a barrier and just take your

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Speaker 4: spoon and skin I'm.

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Speaker 2: Much like an engineer.

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Speaker 1: When I built the barrier to keep it away, I

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Speaker 1: was kind of proud of my engineering skills.

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Speaker 4: Okay, yeah, so I would scoop ab out that section

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Speaker 4: and then pretend to.

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Speaker 1: The thumb and then give yourself the men. I'm like, yes,

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Speaker 1: I have.

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Speaker 5: An idea, Eddie, this is for the greater good. You're

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Speaker 5: gonna have to tell him at some point that you

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Speaker 5: cannot put your thumb in the soup. It's not good

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Speaker 5: for the restaurant, right, it's not good for you.

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Speaker 1: Can I say something and I don't want this to

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Speaker 1: come off in any way other than what it is.

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Speaker 1: If I tell somebody something like that, do you know

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Speaker 1: what that ends up being. Bobby Bones is a jerk.

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Speaker 1: And he came in and he said, the soup is bad. Correct,

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Speaker 1: And this is why I have a solution. Go ahead,

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Speaker 1: you take me.

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Speaker 5: I try the soup, and I tell him your thumb

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Speaker 5: was in the soup.

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Speaker 2: I don't go to the restaurant.

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Speaker 5: And that way, you're like, dude, you're sitting with Oh dude,

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Speaker 5: You're like, you throw me into the bath, and.

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Speaker 2: I'm like, I can't eat this. Your thumb was in

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Speaker 2: the soup. Like this and then I get in a

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Speaker 2: fight with you. Correct, get out of my favorite restaurant.

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Speaker 4: But it's multiple people with the thumb soup, so like

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Speaker 4: it needs to be more of like a run the

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Speaker 4: top down, like they need to say he wants.

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Speaker 2: To speak to the manager.

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Speaker 1: And then I'm like, Eddie, no, no, no, no, no no,

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Speaker 1: I gotta do this, Bobby, And you don't.

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Speaker 2: Know right now, I just want to eat my food.

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Speaker 2: You're embarrassing me. This is my favorite place. No, this

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Speaker 2: is disgusting. Let me talk to the manage.

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Speaker 1: Oh no, okay, oh yo yo, this is our problem.

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Speaker 2: Man, and he's alone, Bobby, Please let me get this like. Look,

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Speaker 2: look you put your soup and you put your thumb

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Speaker 2: in my.

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Speaker 1: And your tone.

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Speaker 2: He's just managed a restaurant. He didn't even know. Look, man,

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Speaker 2: I don't.

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Speaker 4: No, man, no, can't say man.

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Speaker 2: You need you need him to be aggressive.

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Speaker 1: Cook man seems I'm the straight I'm the straight guy. Yeah, yeah,

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Speaker 1: go ahead, Look man, I just know that doesn't mean

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Speaker 1: you're gay. It means I'm the guy that's like straight.

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Speaker 1: Oh okay, okay, okay, got it. Look, look I don't

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Speaker 1: like thumbs in my soup. Okay, that's got to stop. Wow, man,

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Speaker 1: and I want a free soup, And then what do

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Speaker 1: you say, I'd like a free soup too.

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Speaker 3: You see, you gotta stay no, Eddie, we don't deserve

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Speaker 3: a free soup. That's when you gotta and then do

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Speaker 3: when all this is I feel like too much.

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Speaker 1: Where I can be honest with you, I appreciate it,

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Speaker 1: but that's a lot of work, and I don't want

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Speaker 1: to be video there's gonna be a big fight now

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Speaker 1: i'd be.

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Speaker 2: Videoed on it.

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Speaker 4: Okay. Is there a way though, to just be honest,

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Speaker 4: like without being a jerk and like you're not mad? Like, hey,

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Speaker 4: can I talk to the manager? Okay, not Bobby, Somebody

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Speaker 4: just say hey, so I've come here multiple times. I

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Speaker 4: love this soup. You'all have great soup, excellent service, blah

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Speaker 4: blah blah. But every time they seem to carry it

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Speaker 4: out the way they hold the bowl, the tip of

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Speaker 4: their thumb is in the soup.

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Speaker 1: So like, too risky, too risky, being mature lunchbox.

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Speaker 3: Okay, it's easy, man. You just gotta Bobby. I know

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Speaker 3: you say, Oh, Bobby's a jerk. It doesn't matter. Sometimes

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Speaker 3: you got to be a jerk. In life, and people

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Speaker 3: are gonna understand if you if you get put online

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Speaker 3: for saying, hey, someone's thumb is in my soup. No

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Speaker 3: one wants thumb in the soup. Nobody, So there all

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Speaker 3: going to be on your side. I call it, or

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Speaker 3: Bobby when when they're you video the waiters as they're

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Speaker 3: bringing you.

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Speaker 1: I would never do that, would never shame a waiter.

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Speaker 2: I did.

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Speaker 1: I did post a picture on I didn't want to

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Speaker 1: show the restaurant though.

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Speaker 2: I would never do that. Yeah. The worse you gave

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Speaker 2: a thumbprint out. I mean I they can find exactly

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Speaker 2: who that is. So this is what I think I

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Speaker 2: should do. I should call up and be like, oh

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Speaker 2: use the voice terain.

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Speaker 1: Yeah yeah, yeah, no, no, just my voice changing.

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Speaker 2: Your waiters keep putting their thumb in my soup.

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Speaker 4: That could work.

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Speaker 2: They look at caller ID Bobby a Burner email you

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Speaker 2: like Burner emails.

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Speaker 1: Burner email them, although I don't know the email address.

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Speaker 4: Do they have a suggestion box?

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Speaker 2: I don't know. I don't look for that stuff. I

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Speaker 2: don't know.

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Speaker 4: Maybe because you could fill out.

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Speaker 1: They could also just call it thop, which I thought

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Speaker 1: was a great idea. Yes, uh, but that's that's what

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Speaker 1: we've been dealing with. We can have like I love

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Speaker 1: the soup.

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Speaker 4: So much, though, what if they are like, oh, yeah,

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Speaker 4: that's part of our thing. They stick their thumb in

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Speaker 4: a little seasoning and then they carry it.

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Speaker 2: At least I wish I wouldn't have like put the

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Speaker 2: barrier up and just enjoyed it.

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Speaker 4: Their thumb is flavored.

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Speaker 1: Somebody's got to tell them it ain't gonna be me.

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Speaker 1: I think I'm just gonna not do the soup.

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Speaker 4: For a while, maybe get the soup to go.

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Speaker 1: Well, then they prop their knuckles in it.

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Speaker 4: But it's it's I've gotten it to go. They put

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Speaker 4: a lid.

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Speaker 1: Yeah, you just have no idea what they're doing to

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Speaker 1: that soup.

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Speaker 4: Then I just feel like that's such a clean place.

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Speaker 4: I'm sure their hands.

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Speaker 2: Are clean, you think you think?

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Speaker 1: In the podcast yesterday, Edie told us about a place

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Speaker 1: that the inspector when in nobody's hands were clean. You

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Speaker 1: can check it out on my TikTok, and I guess

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Speaker 1: I put on Instagram to But as I tell the story,

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Speaker 1: you can see the thumb print on the bowl.

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Speaker 2: That's all. That's all I'll say.

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Speaker 6: Thanks, there's a question to be.

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Speaker 1: So this one is so much an email I got

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Speaker 1: from listeners. But Mike d who goes to the mailbag

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Speaker 1: every day, we get thousands of emails a day. He

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Speaker 1: has made me a list and these are the top

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Speaker 1: three things that people complain about in the mailbag. At

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Speaker 1: number three, playing hip hop and the dance party, we

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Speaker 1: get emails saying quit playing rap on my country station.

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Speaker 1: Number two, when we bring up things saying we can't

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Speaker 1: talk about that, and then we leave listeners in the dark.

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Speaker 1: People write in asking if we can email them what

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Speaker 1: we can't say on the air.

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Speaker 2: We cannot.

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Speaker 1: Usually that comes up, not on purpose, but it's like

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Speaker 1: we're just talking just like we do off the air,

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Speaker 1: and it's like, oh, I can't say that I will

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Speaker 1: get sued. It's mostly that type of thing, or if

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Speaker 1: it's a surprise that's coming for somebody, or if it's

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Speaker 1: a bit we're gonna do, I don't want someone to

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Speaker 1: know what. It's never the Brett Lee. Let's talk up

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Speaker 1: to something and stop talking about it. But it does

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Speaker 1: happen sometimes because we don't have a script in any

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Speaker 1: way whatsoever.

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Speaker 2: There is no script.

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Speaker 1: I know it. Basically, what we're going to talk about

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Speaker 1: the rest of the show doesn't and then we go

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Speaker 1: and at times it gets to the point where it's like, oh,

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Speaker 1: we probably shouldn't talk about that right now, So.

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Speaker 2: I will apologize for that.

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Speaker 1: I won't to apologize for the hip hop and the

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Speaker 1: dance party, but I will apologize that. Sometimes that does happen,

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Speaker 1: where we get to something we're like, oh, we can't

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Speaker 1: talk about that now, or I can't say that because

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Speaker 1: I might get sued.

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Speaker 2: That's on me.

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Speaker 1: I'll try to do better, but I won't do fully good.

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Speaker 1: Number one as a whole, Lunchbox gets the most complaints daily,

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Speaker 1: particularly anytime he complains about other people getting opportunities that

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Speaker 1: he thinks he deserves, most recently him hating on Morgan

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Speaker 1: for going on television. We get a ton of emails

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Speaker 1: talking about how much of a baby he is. Emails

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Speaker 1: mostly calling him an idiot, some wanting him to apologize,

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Speaker 1: and then some wanting me to fire him. But in

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Speaker 1: that order, most are heyes, an idiot, like he needs

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Speaker 1: to apologize because people are really upset, and then a

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Speaker 1: fewer are like, you should fire him.

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Speaker 2: He makes the show worse.

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Speaker 3: Yeah, I don't know why how I'd make the show

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Speaker 3: worse and what I'd apologize for, and people that email

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Speaker 3: it call me an idiot, I mean someone peeding your cheerios.

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Speaker 3: I'm sorry that you don't have a sense of humor

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Speaker 3: or you don't like what I say, but you're probably

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Speaker 3: a loser.

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Speaker 1: Top three requests we get because people also use this

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Speaker 1: to ask for things that's not what it's for, but

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Speaker 1: they do. Number three I'm not kidding. Can we get

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Speaker 1: rid of lunchbox? Oh my goodness, it is the biggest

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Speaker 1: change that people want to see on the show. Is

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Speaker 1: us getting rid of lunchbox?

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Speaker 2: I mean we kind of give the people what they want.

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Speaker 2: We don't. We don't know, We really don't.

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Speaker 1: My theory has always been if I do exactly what

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Speaker 1: the people want, I'll end up being one of the

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Speaker 1: people that just listen to shows and not do a show.

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Speaker 2: Just think about it.

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Speaker 1: Number two, can you play my cousin or son's song?

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Speaker 1: And they send a YouTube link? And the number one

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Speaker 1: request I get in the mailbag, which, by the way,

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Speaker 1: the mailbag is not used for this, So don't you

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Speaker 1: hear me say this and start sending these because we

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Speaker 1: don't do Number one. Bobby, I know you're friends with

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Speaker 1: X artist, Can you give me tickets to their show

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Speaker 1: and meet and greet, or I'm trying to get your

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Speaker 1: friend X artists to come to our wedding or that.

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Speaker 2: Type of thing.

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Speaker 1: Yeah, I don't even see those. Mike keeps us from me,

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Speaker 1: so I don't even see those. So those are things

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Speaker 1: that aren't mail baggy that end up in the mail bag. Now,

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Speaker 1: if you have a question, you want advice, unbiased advice,

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Speaker 1: because we don't have to live with you, so we'll

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Speaker 1: just tell you how we feel about it. You can

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Speaker 1: email us Morgan. If people were to email in, what's

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Speaker 1: the address they use nail.

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Speaker 4: Bag at Bobby bones dot com.

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Speaker 2: There you go.

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Speaker 1: Okay, Eddie needs parenting help, and what a better team

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Speaker 1: than all of us to give him parenting help.

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Speaker 5: I think you guys can actually help me with us,

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Speaker 5: because I don't want to be the dad that's like,

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Speaker 5: I don't like this, so I'm taking it away. But

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Speaker 5: I'm tired of talking to myself. My oldest son, he's

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Speaker 5: seventeen years old, walks around the house all day with

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Speaker 5: AirPods on, and he's always listening to music. And I'm

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Speaker 5: talking to myself half the time, and I'm like, hey, yo,

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Speaker 5: are you take those off? I can't tell him anything

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Speaker 5: because he's there hanging on the kitchen listen to music

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Speaker 5: and can't hear any of us.

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Speaker 2: So we're like tired of it. What do we do?

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Speaker 2: Do we take him away? Do we tell him why

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Speaker 2: you're in the house with us? You can't wear those

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Speaker 2: and listen to music. It's getting frustrating.

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Speaker 4: Amy, you want to help, Yeah, I mean I would

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Speaker 4: just say it's okay for you to enforce some boundaries

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Speaker 4: of when he can wear him when he can't. Like,

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Speaker 4: I think it's great that he wants to listen to music,

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Speaker 4: but you can certainly come up with a rule of

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Speaker 4: like if we're all in the kitchen together, headphones are out,

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Speaker 4: and then you can put them back in when you.

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Speaker 5: Go do this, Like yeah, okay, but see I did

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Speaker 5: say that, and he's like, A, right, I'll just go

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Speaker 5: to my room then, gotcha?

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Speaker 1: Hey, and do you use the rules to his advantage?

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Speaker 6: Right?

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Speaker 2: I don't want him to be stuck in his room

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Speaker 2: all day?

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Speaker 4: Why don't you just like instead of making it more

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Speaker 4: of a demand, like just having an honest conversation with

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Speaker 4: him of like, hey, but like respectfully I would love

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Speaker 4: to be able to talk to you or I guess

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Speaker 4: cause I say but, or buddy to my kid or

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Speaker 4: my son. But I would just be like, look, we

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Speaker 4: need you present during some of this. I love that

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Speaker 4: you love to listen to music. I'm so glad that

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Speaker 4: you've found something you really enjoy and I want you

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Speaker 4: to enjoy it. But there's also going to be times

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Speaker 4: where I need you to be engaged with the family.

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Speaker 2: Here's the problem. You love music.

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Speaker 1: You play music all the freaking time. Yeah, and so

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Speaker 1: now you're like, you can't be what I've been the

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Speaker 1: whole life to us. Well, and he's going to be like,

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Speaker 1: well you dad, you play music all the time, and

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Speaker 1: all of a sudden, I listen to it a different way,

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Speaker 1: and you're going to say that's I don't get to

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Speaker 1: do that like the culture raised me.

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Speaker 2: It is not the culture that you're expecting of me.

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Speaker 4: He does get to do it at other times you're

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Speaker 4: not taking it away.

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Speaker 1: I mean, he's just listening to music. Who cares that

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Speaker 1: doing He's doing nothing wrong. He's actually being good and

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Speaker 1: he's there. I would just say if we say, hey, ed,

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Speaker 1: phone's out, like give us fifteen pull him out fifteen

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Speaker 1: minutes and you put them back in hanging out with

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Speaker 1: us for a little bit. Yeah, say anytime it's like hey,

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Speaker 1: fifteen minutes. But he's just going to stay away. If

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Speaker 1: you're like, hey, you can't listen to your music, he's

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Speaker 1: going to stay away more. At least you have him there.

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Speaker 1: But I've even told him too, like you can listen.

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Speaker 1: We can all listen to your music if you want. Oh,

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Speaker 1: that's terrible, and you're all not gonna want to listen

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Speaker 1: to his music.

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Speaker 2: He does listen to some hardcore hip hop.

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Speaker 1: Yeah, you were the same way when you were a kid.

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Speaker 5: I was identical, identical and I love road trips in

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Speaker 5: the backseat with my headphones on listen to music.

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Speaker 2: It's just frustrating for the parent.

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Speaker 5: And I didn't realize this then, that when you're trying

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Speaker 5: to talk to your kid and you don't know if

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Speaker 5: they're listening or not. And sometimes I'll have a whole conversation,

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Speaker 5: Oh dude, the game last night was crazy? Did you

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Speaker 5: see shake Gill Alexander and that shot? And I get no, respond,

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Speaker 5: like he's got headphones?

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Speaker 2: Is that on? You though? To look and see if

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Speaker 2: he has headphones here? Sometimes the music's on. Sometimes it's not.

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Speaker 2: He always has them in.

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Speaker 1: I think he can be doing worse things to listen

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Speaker 1: to music right now. You're right, You're right.

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Speaker 4: Oh, I totally agree. But I also am in agreement

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Speaker 4: with you, Bobby, that there can be a boundary like

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Speaker 4: there has said it, like Bobby gave more of a

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Speaker 4: specific time limit. But you need engagement somehow.

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Speaker 1: If you say, if you're wearing these in the house,

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Speaker 1: you only get he's not gonna be in the house anymore.

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Speaker 1: We don't want to taste him away. Yeah, he's just

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Speaker 1: listening to music. He's not shooting crack cocaine that I.

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Speaker 2: Know of, so correct now, he's not. You don't want

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Speaker 2: you know that because you see him. He's in front

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Speaker 2: of you. Listen. Yeah, no, I hear what you're saying.

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Speaker 2: And you're right.

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Speaker 1: He's a good kid and he found something he loves.

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Speaker 2: I know.

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Speaker 5: It's just a little frustrating for me and Mom when

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Speaker 5: we're trying to talk to him and it's like, take

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Speaker 5: your headphones out.

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Speaker 2: Could be video games in another room. True. No, I

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Speaker 2: appreciate you guys. You're right. Maybe I'll do something kind

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Speaker 2: of like.

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Speaker 5: You can be with us and then you have fifteen

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Speaker 5: minutes to be without your air pods. But then you

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Speaker 5: let us know when they're on, and that's your time

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Speaker 5: and we won't bug you.

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Speaker 1: Give us thirty minutes a night. We will never tell

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Speaker 1: you you can't listen to music other than thirty minutes

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Speaker 1: a night.

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Speaker 5: Okay, guarantee you people are listening to being like man

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Speaker 5: I deal with his crap all the time.

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Speaker 1: Yeah, but they also probably just like that when they

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Speaker 1: were kids. Let's watch what you suggest, Eddie.

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Speaker 3: You are such a loser, like you don't want him

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Speaker 3: to go to a concert by himself. You don't want

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Speaker 3: him to listen to music in the house by myself.

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Speaker 1: Dude, he said, kind of, but kind that's what he's

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Speaker 1: gonna feel.

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Speaker 3: Like, what if he wanted What if he wanted to

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Speaker 3: go outside and shoot baskets by himself and not be bothered?

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Speaker 2: Would that be okay? All the time? He never came.

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Speaker 1: He's outside though, but he's okay with that because he's family.

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Speaker 1: You can't talk, Yeah, you can't talk with him.

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Speaker 5: What's It's the same thing though, if he's inside the

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Speaker 5: house with headphones on, not even listening to us.

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Speaker 2: And we can't even engage with you.

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Speaker 1: Can't you wave about him? Take your headphones It gets

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Speaker 1: annoying after a while.

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Speaker 5: Hey, headphones off, I'm talking to being a teenager definitely,

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Speaker 5: it's definitely part of being a teenager.

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Speaker 1: But I like Lunchbox this theory of you're a loser.

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Speaker 2: One tough man. Has he taken the Act? No? Not yet?

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Speaker 4: Did your daughter take a Yeah, she's about to, Like

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Speaker 4: we just got everything, so she's about to take the Act.

436
00:17:50,720 --> 00:17:53,840
Speaker 4: So we had to go through some extra steps though,

437
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Speaker 4: because she the school tested her for dyslexia and she

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Speaker 4: has it. I mean, she's working the last year getting

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Speaker 4: tutoring for it, and well, I know she's not biologically not.

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Speaker 2: Nurture.

441
00:18:11,200 --> 00:18:15,040
Speaker 4: Yeah yeah, So now her teachers are working with her

442
00:18:15,080 --> 00:18:18,160
Speaker 4: on that, and then she's that's she's going to actually

443
00:18:18,240 --> 00:18:21,760
Speaker 4: get or take the Act in a different way because

444
00:18:21,800 --> 00:18:23,960
Speaker 4: of it. And I'm like, oh, wow, that's going to

445
00:18:24,000 --> 00:18:27,199
Speaker 4: be so great and so helpful. Like I wish I

446
00:18:27,280 --> 00:18:30,919
Speaker 4: had been diagnosed with ADHD. I didn't get diagnosed in college,

447
00:18:30,920 --> 00:18:33,520
Speaker 4: so I went all through high school without any type

448
00:18:33,520 --> 00:18:36,679
Speaker 4: of extra support from my school or teachers or my

449
00:18:36,760 --> 00:18:39,119
Speaker 4: parents for that matter. So I'm just thankful that we

450
00:18:39,160 --> 00:18:42,280
Speaker 4: can give her this support because it's going to impact

451
00:18:42,320 --> 00:18:44,240
Speaker 4: her grade significantly, and I think it would have helped

452
00:18:44,280 --> 00:18:46,040
Speaker 4: me as well because of the type of test taker

453
00:18:46,080 --> 00:18:46,400
Speaker 4: I am.

454
00:18:46,640 --> 00:18:48,200
Speaker 2: Any advice to kids, I about take the act.

455
00:18:48,359 --> 00:18:53,400
Speaker 1: Go around the room, everybody say something act or sat Amy,

456
00:18:53,760 --> 00:18:58,760
Speaker 1: good luck.

457
00:18:59,119 --> 00:19:00,920
Speaker 3: I just don't go out the night before. It's rough

458
00:19:00,960 --> 00:19:01,639
Speaker 3: taking it the next day.

459
00:19:01,640 --> 00:19:03,399
Speaker 5: If you go out the night before, Eddy, if you

460
00:19:03,400 --> 00:19:05,840
Speaker 5: don't know the answer, just circle C. Usually that's the

461
00:19:05,960 --> 00:19:08,280
Speaker 5: average of the right answer.

462
00:19:08,920 --> 00:19:12,160
Speaker 1: I would say, take practice tests, well.

463
00:19:13,119 --> 00:19:15,919
Speaker 2: Mini over and over and over again. It's muscle memory.

464
00:19:16,119 --> 00:19:19,920
Speaker 1: Take practice tests because those tests don't quiz you and

465
00:19:20,920 --> 00:19:22,600
Speaker 1: test you on what you've learned. They test you on

466
00:19:22,640 --> 00:19:24,639
Speaker 1: how good you are taking the test, So you just

467
00:19:24,640 --> 00:19:26,480
Speaker 1: get better at taking the test. You don't have to

468
00:19:26,520 --> 00:19:28,480
Speaker 1: learn all that crap. I didn't learn it. I crushed

469
00:19:28,480 --> 00:19:30,879
Speaker 1: that test. I didn't learn all that stuff because we

470
00:19:30,920 --> 00:19:32,520
Speaker 1: had it. I went to a bad school, like as

471
00:19:32,560 --> 00:19:34,440
Speaker 1: far as education goes, I learned how to take the test.

472
00:19:34,960 --> 00:19:36,560
Speaker 1: So it takes a little more than a couple of weeks.

473
00:19:36,600 --> 00:19:38,800
Speaker 1: But if you're a few months out, just get online

474
00:19:38,800 --> 00:19:40,480
Speaker 1: and take the practice test over and over and over again.

475
00:19:40,600 --> 00:19:43,840
Speaker 1: You will nail that thing and don't go out and

476
00:19:43,880 --> 00:19:46,800
Speaker 1: then do see and then what you say, hold on tight,

477
00:19:49,440 --> 00:19:56,240
Speaker 1: It's time for the good news. Bobby some in high

478
00:19:56,240 --> 00:20:00,480
Speaker 1: school Mansfield textas the principal, Jason Mutterer was to term

479
00:20:00,520 --> 00:20:03,160
Speaker 1: to make sure that all four hundred and forty three

480
00:20:03,200 --> 00:20:06,240
Speaker 1: students felt the love. So what he did is he

481
00:20:06,240 --> 00:20:08,679
Speaker 1: wrote a handwritten letter to each graduating senior and put

482
00:20:08,720 --> 00:20:11,679
Speaker 1: a single dollar bill in each envelope, so they call

483
00:20:11,760 --> 00:20:15,399
Speaker 1: him Coach mutt And they presented him every student with

484
00:20:15,440 --> 00:20:18,560
Speaker 1: a letter as they graduated, and again every letter said

485
00:20:18,560 --> 00:20:19,199
Speaker 1: something different.

486
00:20:19,800 --> 00:20:20,760
Speaker 2: He said. It took him over.

487
00:20:20,680 --> 00:20:23,080
Speaker 1: Twenty four hours in all to write all the letters,

488
00:20:23,359 --> 00:20:26,120
Speaker 1: and then he put a dollar in there as hey,

489
00:20:26,800 --> 00:20:31,360
Speaker 1: do something small, kind gesture, and this dollar will make

490
00:20:31,359 --> 00:20:33,479
Speaker 1: you feel more than what a dollar would normally make

491
00:20:33,480 --> 00:20:33,879
Speaker 1: you feel.

492
00:20:34,119 --> 00:20:37,600
Speaker 2: That's a lot of writing. That's a lot I'm thinking about,

493
00:20:37,600 --> 00:20:38,920
Speaker 2: like what to write about everyone?

494
00:20:39,040 --> 00:20:41,560
Speaker 1: Yeah, because you don't know Everyboddy. Let's be honest, Hey,

495
00:20:41,960 --> 00:20:50,200
Speaker 1: glad you were here. Some of them signed your track. Yeah, yeah, probably.

496
00:20:50,800 --> 00:20:52,680
Speaker 1: It's like whenever we got married and you had to

497
00:20:52,680 --> 00:20:54,560
Speaker 1: write all the wedding cards. I didn't know some of

498
00:20:54,560 --> 00:20:56,920
Speaker 1: the people that came from her side and they'd pop

499
00:20:57,000 --> 00:20:58,720
Speaker 1: up and we just kind of split them up and

500
00:20:58,720 --> 00:21:03,040
Speaker 1: I'd be like, uh, it's Chris Johnston and she's like,

501
00:21:03,680 --> 00:21:04,879
Speaker 1: I don't know, science teacher.

502
00:21:05,080 --> 00:21:06,000
Speaker 2: There was no science teacher.

503
00:21:06,520 --> 00:21:10,680
Speaker 1: Chris keep science and you demand.

504
00:21:13,320 --> 00:21:14,800
Speaker 2: All right, that's it. I like it.

505
00:21:14,800 --> 00:21:17,199
Speaker 1: That's a really cool story. Coach, shout out to you.

506
00:21:17,320 --> 00:21:20,320
Speaker 1: That's what it's all about. That was telling me something good.

507
00:21:22,320 --> 00:21:22,840
Speaker 2: I have a clip.

508
00:21:22,880 --> 00:21:25,439
Speaker 1: I'm gonna talk about the Breaking bad House. It's in

509
00:21:25,480 --> 00:21:28,600
Speaker 1: New Mexico. And the owner of the Breaking bad House

510
00:21:29,200 --> 00:21:33,840
Speaker 1: sprays fans with water, not in a fun way, but

511
00:21:33,920 --> 00:21:35,400
Speaker 1: just demanding they get off their property.

512
00:21:35,840 --> 00:21:39,920
Speaker 2: Here's a clip. Yeah, get them.

513
00:21:42,400 --> 00:21:45,000
Speaker 5: Have you seen anything else but breaking bad stuff since

514
00:21:45,000 --> 00:21:45,560
Speaker 5: you've been here.

515
00:21:45,640 --> 00:21:47,159
Speaker 2: You can take a picture from that corner.

516
00:21:47,200 --> 00:21:50,240
Speaker 5: Do not get close and no typod no, no, nothing

517
00:21:50,240 --> 00:21:53,159
Speaker 5: to just click snapped one picture then you go.

518
00:21:55,760 --> 00:21:57,600
Speaker 7: Dude, back up.

519
00:21:57,800 --> 00:22:02,240
Speaker 2: Cowboy No no, no, cowboy. Yeah, you are across the street.

520
00:22:02,800 --> 00:22:06,320
Speaker 1: You don't my house. When you buy the Breaking bad House,

521
00:22:06,960 --> 00:22:08,760
Speaker 1: what do you expect is gonna happen? And people are

522
00:22:08,760 --> 00:22:10,600
Speaker 1: going to come up to it, like, don't buy the

523
00:22:10,640 --> 00:22:12,560
Speaker 1: Breaking Bad House. That's like buying a lighthouse of being

524
00:22:12,560 --> 00:22:13,800
Speaker 1: Like why the boats keep coming.

525
00:22:18,320 --> 00:22:19,320
Speaker 2: Exactly, So it.

526
00:22:19,280 --> 00:22:20,560
Speaker 1: Is it's like you buy a light house, You're like,

527
00:22:20,560 --> 00:22:21,920
Speaker 1: why do the boats keep going up my life?

528
00:22:21,920 --> 00:22:24,200
Speaker 4: If that's the only house available in that neighborhood and

529
00:22:24,240 --> 00:22:25,440
Speaker 4: you really want to live in that neighborhood.

530
00:22:25,680 --> 00:22:27,280
Speaker 1: But if you buy the breaking bad house, you know,

531
00:22:27,280 --> 00:22:29,159
Speaker 1: people are always going to be showing up to the

532
00:22:29,160 --> 00:22:34,040
Speaker 1: breaking bad house. So I you don't want people there,

533
00:22:34,080 --> 00:22:36,240
Speaker 1: but you have to also understand that they're always going

534
00:22:36,280 --> 00:22:39,080
Speaker 1: to be there for the history of the next twenty

535
00:22:39,080 --> 00:22:42,320
Speaker 1: five years. Yeah, people are just going to show up.

536
00:22:43,000 --> 00:22:46,760
Speaker 1: It's like, Hey, this is my wife, Kim Kardashian. But

537
00:22:46,760 --> 00:22:48,639
Speaker 1: I'm so mad that the paparazzi chases is everywhere. I

538
00:22:48,640 --> 00:22:50,960
Speaker 1: had no idea you can't. There are certain things that

539
00:22:51,000 --> 00:22:53,960
Speaker 1: come with certain things, so a little bit they're annoying.

540
00:22:54,560 --> 00:22:57,720
Speaker 5: Yeah, is that that is that house more expensive to

541
00:22:57,760 --> 00:23:01,160
Speaker 5: buy because it is the breaking bad house?

542
00:23:01,359 --> 00:23:04,280
Speaker 1: I think at first, probably, But if no one wants

543
00:23:04,320 --> 00:23:06,280
Speaker 1: to buy it because it's a breaking bad house, it

544
00:23:06,320 --> 00:23:09,840
Speaker 1: probably gets you know, normalizes a bit. But like those

545
00:23:09,880 --> 00:23:13,880
Speaker 1: houses they sell abate easier because they make national news,

546
00:23:13,920 --> 00:23:16,439
Speaker 1: the Brady Bunch House, the full House House. Imagine that

547
00:23:16,840 --> 00:23:18,480
Speaker 1: I buy the full house house and you're mad. People

548
00:23:18,560 --> 00:23:20,320
Speaker 1: keep coming up and taking a picture on the step,

549
00:23:20,359 --> 00:23:22,560
Speaker 1: sing theme song. Right, that's just what happens when you

550
00:23:22,560 --> 00:23:26,040
Speaker 1: buy that stupid thing. So I'd like to send her

551
00:23:26,040 --> 00:23:30,520
Speaker 1: a message ocase she's listening, chill out. Was that too rough?

552
00:23:31,160 --> 00:23:32,840
Speaker 2: I me that was pretty good. Yeah, yeah, I don't

553
00:23:32,840 --> 00:23:36,760
Speaker 2: want to be too rough. Oh cowboy, that's random.

554
00:23:36,440 --> 00:23:37,240
Speaker 1: Of the water hose.

555
00:23:37,359 --> 00:23:38,720
Speaker 2: It's funny aim of your thoughts.

556
00:23:39,040 --> 00:23:41,600
Speaker 4: Yeah, you have to know what you're getting into. I

557
00:23:41,640 --> 00:23:43,560
Speaker 4: just think if you buy that, you need to be

558
00:23:43,720 --> 00:23:47,119
Speaker 4: prepared and have just used to be incredibly patient with

559
00:23:47,240 --> 00:23:48,640
Speaker 4: all the people that are going to come.

560
00:23:48,960 --> 00:23:51,879
Speaker 1: The Breaking Badhouse, famously known as Walter White's Residence, was

561
00:23:51,920 --> 00:23:54,680
Speaker 1: bought by fran and Lewis Paddia in nineteen seventy three.

562
00:23:54,840 --> 00:23:58,359
Speaker 1: Their daughter Joe Ann and her family then got the

563
00:23:58,359 --> 00:24:00,240
Speaker 1: house later, but they knew it was used for the

564
00:24:00,280 --> 00:24:00,560
Speaker 1: whole time.

565
00:24:00,600 --> 00:24:01,560
Speaker 2: What do you think is going to happen?

566
00:24:01,640 --> 00:24:03,560
Speaker 4: Yeah, they inherited it.

567
00:24:03,840 --> 00:24:06,600
Speaker 1: Yeah, but again, then sell it. If you get annoying

568
00:24:06,600 --> 00:24:08,240
Speaker 1: people always coming up on your yard, sell the house,

569
00:24:08,400 --> 00:24:09,880
Speaker 1: move next door, move three houses down.

570
00:24:09,840 --> 00:24:11,600
Speaker 3: Yeah, or sit in the backyard. I mean they're sitting

571
00:24:11,600 --> 00:24:12,880
Speaker 3: out there in launch chairs on.

572
00:24:12,800 --> 00:24:14,240
Speaker 2: The front yard with the water.

573
00:24:14,080 --> 00:24:16,400
Speaker 3: Hose ready to spray people. If you don't want people

574
00:24:16,440 --> 00:24:17,960
Speaker 3: bothering you, go in the backyard.

575
00:24:18,560 --> 00:24:20,640
Speaker 1: The family that's owned the breaking Bat House for fifty

576
00:24:20,720 --> 00:24:22,960
Speaker 1: years wants to sell it for four million dollars. Oh

577
00:24:23,600 --> 00:24:26,000
Speaker 1: more than eleven times it's market value if you could

578
00:24:26,040 --> 00:24:28,200
Speaker 1: have any house from any TV show. I just thought

579
00:24:28,200 --> 00:24:29,840
Speaker 1: of this, So I didn't have time to prepare any

580
00:24:29,880 --> 00:24:32,720
Speaker 1: thoughts would you have? Because I have something that comes

581
00:24:32,720 --> 00:24:35,600
Speaker 1: to mind. Everybody has ten seconds to think about an answer.

582
00:24:35,920 --> 00:24:37,880
Speaker 1: Ten seconds starts now.

583
00:24:44,359 --> 00:24:45,600
Speaker 4: Okay, I can't with that.

584
00:24:45,760 --> 00:24:46,600
Speaker 2: Oh yeah, I got mine.

585
00:24:46,640 --> 00:24:48,919
Speaker 1: That's running it for you. That's what ruins is that

586
00:24:52,920 --> 00:24:58,520
Speaker 1: answers the lunchbox, fresh Print's house. I went went there. Awesome,

587
00:24:59,119 --> 00:25:00,600
Speaker 1: give me that Amy.

588
00:25:00,720 --> 00:25:03,159
Speaker 4: Yeah. So I was thinking of whatever the house is

589
00:25:03,160 --> 00:25:08,679
Speaker 4: in succession, like oh like in New York, like they

590
00:25:08,680 --> 00:25:12,359
Speaker 4: have a surehouse, just going with the penthouse.

591
00:25:12,480 --> 00:25:21,880
Speaker 1: You don't know what specifically, but whose penthouse? Which person ships? Okay, yeah,

592
00:25:21,920 --> 00:25:26,359
Speaker 1: I was their shared phouse, Yeah, Eddie. I went to

593
00:25:26,400 --> 00:25:29,000
Speaker 1: Fresh Prince of bell Are, big mansion in California.

594
00:25:29,080 --> 00:25:29,600
Speaker 2: I like it.

595
00:25:29,840 --> 00:25:33,959
Speaker 1: I went to the Jetsons because it's in and they

596
00:25:33,960 --> 00:25:38,920
Speaker 1: have that thing that brushes your teeth and it.

597
00:25:38,960 --> 00:25:40,679
Speaker 3: And at first I went a real world house, but

598
00:25:40,720 --> 00:25:43,520
Speaker 3: then I thought those are just converted. There's always inb

599
00:25:43,600 --> 00:25:45,760
Speaker 3: space with cameras behind them, Like I mean, they're not

600
00:25:45,800 --> 00:25:46,840
Speaker 3: really that well put together.

601
00:25:46,880 --> 00:25:48,879
Speaker 2: So I had to go with fresh Prince. You have

602
00:25:48,960 --> 00:25:50,119
Speaker 2: said smart house.

603
00:25:51,560 --> 00:25:52,440
Speaker 4: You guys don't know that.

604
00:25:52,680 --> 00:25:53,080
Speaker 2: What is it?

605
00:25:53,359 --> 00:25:56,000
Speaker 4: Smart house was? It was a Disney movie and it

606
00:25:56,119 --> 00:25:57,800
Speaker 4: was the whole house was.

607
00:25:57,800 --> 00:25:59,920
Speaker 1: A smart house, and it like like the Jetsons.

608
00:26:00,400 --> 00:26:02,480
Speaker 4: Yeah, but it's like way better.

609
00:26:02,480 --> 00:26:05,959
Speaker 1: Don't say better because that floating cars.

610
00:26:06,000 --> 00:26:11,119
Speaker 4: You had a whole robot, that robot and made robot.

611
00:26:11,280 --> 00:26:13,280
Speaker 4: It's kind of like that. Oh that makes me think

612
00:26:13,280 --> 00:26:15,400
Speaker 4: of clueless because her closet was awesome.

613
00:26:16,200 --> 00:26:19,040
Speaker 2: That's cool too. Remember already pictures.

614
00:26:19,160 --> 00:26:22,280
Speaker 1: You already lived in New York Hey City slicker, you're

615
00:26:22,320 --> 00:26:23,800
Speaker 1: up in New York City Rise.

616
00:26:23,960 --> 00:26:28,760
Speaker 2: Okay, gotchaang you know no, I should have taken the

617
00:26:28,800 --> 00:26:35,120
Speaker 2: Dutton Ranch. Yeah, I know. That's number two.

618
00:26:35,520 --> 00:26:36,879
Speaker 4: That is clutch.

619
00:26:38,480 --> 00:26:40,160
Speaker 2: We're gonna play a game ray.

620
00:26:40,240 --> 00:26:44,840
Speaker 8: The game is What Country Lyrics Games Summer Edition. I'm

621
00:26:44,840 --> 00:26:47,119
Speaker 8: gonna give you a question about the lyrics to a

622
00:26:47,160 --> 00:26:48,280
Speaker 8: famous country song.

623
00:26:48,680 --> 00:26:51,440
Speaker 1: You answer the question. Okay, I get to play. I've

624
00:26:51,480 --> 00:26:54,520
Speaker 1: not seen the game. That's why Ray is hosting. Now

625
00:26:54,560 --> 00:26:56,560
Speaker 1: do we want to all just play our natural habitats

626
00:26:57,240 --> 00:26:58,840
Speaker 1: or do you get any game uplay against me?

627
00:26:59,800 --> 00:27:01,560
Speaker 2: I knew like all of us versus you?

628
00:27:02,840 --> 00:27:06,080
Speaker 1: Well sure, I mean three on one that could be fun.

629
00:27:06,160 --> 00:27:09,240
Speaker 2: Okay, we can. We can have a chance and we

630
00:27:09,320 --> 00:27:09,560
Speaker 2: do that.

631
00:27:09,600 --> 00:27:13,560
Speaker 8: Okay, go ahead, Ray, example or straight to it. Example

632
00:27:15,119 --> 00:27:18,400
Speaker 8: in pond tune by Little Big Town, what do they

633
00:27:18,400 --> 00:27:19,480
Speaker 8: back up into the water?

634
00:27:21,680 --> 00:27:22,199
Speaker 2: I got it?

635
00:27:23,960 --> 00:27:27,760
Speaker 4: Back back your butt up.

636
00:27:27,080 --> 00:27:28,919
Speaker 2: Amy quiet, You're gonna get bout of the answer.

637
00:27:29,560 --> 00:27:30,120
Speaker 4: You know it.

638
00:27:31,000 --> 00:27:33,480
Speaker 1: So I should write my answer down and then you

639
00:27:33,520 --> 00:27:36,240
Speaker 1: guys can talk it out. So, but for this one, though,

640
00:27:36,600 --> 00:27:39,440
Speaker 1: the original lyric was actually not what's used here. The

641
00:27:39,480 --> 00:27:43,000
Speaker 1: original lyric was back this, ye into but it's hitch.

642
00:27:43,000 --> 00:27:44,760
Speaker 2: They ended up going hitch, But the original lyric was

643
00:27:44,760 --> 00:27:50,960
Speaker 2: the B word. Really yeah yeah, back this yeah, back

644
00:27:51,040 --> 00:27:56,240
Speaker 2: this awesome? Yeah, but it's hitch.

645
00:27:56,320 --> 00:27:57,440
Speaker 1: That's what you would have had.

646
00:27:57,800 --> 00:27:59,480
Speaker 2: Yeah, okay, So how.

647
00:27:59,400 --> 00:28:01,399
Speaker 1: This works my answer down, then you guys can talk

648
00:28:01,400 --> 00:28:03,080
Speaker 1: about it that way. I'm not stealing anything from you,

649
00:28:03,160 --> 00:28:04,560
Speaker 1: not that I ever would in a million years.

650
00:28:04,560 --> 00:28:05,440
Speaker 2: This is gonna start a fight.

651
00:28:05,640 --> 00:28:08,920
Speaker 1: Okay, okay, Raymond, how many things we have?

652
00:28:09,119 --> 00:28:09,320
Speaker 6: Ten?

653
00:28:09,840 --> 00:28:12,360
Speaker 2: Oh, it's a long bit. Let's do.

654
00:28:14,720 --> 00:28:16,920
Speaker 1: Let's do five and if we tie breakers, we will

655
00:28:17,480 --> 00:28:17,800
Speaker 1: all right.

656
00:28:17,880 --> 00:28:20,760
Speaker 8: Number one in Beaching by Jacob when the female in

657
00:28:20,800 --> 00:28:23,000
Speaker 8: the song is dropping what in her corona?

658
00:28:23,119 --> 00:28:26,800
Speaker 2: I got it? I got it, got it, lunchbox? Yeah,

659
00:28:26,800 --> 00:28:28,399
Speaker 2: I got it. But you guys can talk about it.

660
00:28:28,760 --> 00:28:33,360
Speaker 2: I got it. You can let him write it down.

661
00:28:33,400 --> 00:28:33,960
Speaker 1: I can.

662
00:28:34,000 --> 00:28:38,880
Speaker 8: I say it's plural. She's dropping multiple lines. That would

663
00:28:38,880 --> 00:28:41,640
Speaker 8: be more correct. I think they both were. Okay, thank you,

664
00:28:42,040 --> 00:28:44,920
Speaker 8: laid back in a thrift store beach chair dropping limes

665
00:28:44,960 --> 00:28:45,840
Speaker 8: in her corona?

666
00:28:46,000 --> 00:28:49,360
Speaker 2: Got it? Oh? Back?

667
00:28:49,360 --> 00:28:49,640
Speaker 1: All right?

668
00:28:49,760 --> 00:28:52,520
Speaker 2: Next up? Do you want to see mine? We believe

669
00:28:52,520 --> 00:28:54,520
Speaker 2: I marked it out, but it said ls. Okay, go ahead.

670
00:28:54,880 --> 00:28:58,160
Speaker 8: In Summertime by Kenny Chesney, there were two bare feet

671
00:28:58,200 --> 00:29:01,600
Speaker 8: on the dashboard of what make a car?

672
00:29:02,800 --> 00:29:04,880
Speaker 2: Okay, guys, don't say anthing till Bobby writes his down.

673
00:29:06,280 --> 00:29:13,480
Speaker 5: I mean, all right, he's in un board and a yeah.

674
00:29:12,760 --> 00:29:17,680
Speaker 2: Yeah, but what car? Two fair feet on the dashboard

675
00:29:17,760 --> 00:29:22,760
Speaker 2: of a certain car, Chevy? What's your good, Chevy Man?

676
00:29:23,440 --> 00:29:25,840
Speaker 2: But I'm not you have no idea?

677
00:29:25,960 --> 00:29:29,680
Speaker 4: Okay, well, what's a yeahoo, it's a drink.

678
00:29:30,080 --> 00:29:30,680
Speaker 2: You were saying.

679
00:29:30,720 --> 00:29:32,680
Speaker 1: You guys are gonna plus yourself in the throats when

680
00:29:32,680 --> 00:29:33,400
Speaker 1: you missed this one.

681
00:29:33,480 --> 00:29:35,920
Speaker 4: Okay, hold on, hold on, hold on, Uns, say the

682
00:29:35,960 --> 00:29:41,400
Speaker 4: same of the song again, summertime, summertime, yeah in it.

683
00:29:41,600 --> 00:29:45,080
Speaker 2: Two feet on dashboard.

684
00:29:44,000 --> 00:29:44,160
Speaker 1: You.

685
00:29:46,000 --> 00:29:50,480
Speaker 9: Eddie again the sweet summertime to feet on the dashboard.

686
00:29:51,440 --> 00:29:57,920
Speaker 5: Stop super nova Chevy. So that's a Chevy super nova.

687
00:30:00,080 --> 00:30:00,960
Speaker 5: You guys think it's Chevy.

688
00:30:01,040 --> 00:30:01,720
Speaker 2: Let's go Chevy.

689
00:30:02,800 --> 00:30:04,480
Speaker 4: I can't get it.

690
00:30:04,880 --> 00:30:08,200
Speaker 2: What's your answer? We'll go Chevy. Hey, dude, rhyme it

691
00:30:08,240 --> 00:30:17,080
Speaker 2: out dashboard. It's a idiots out, guys. We gotta rhyme

692
00:30:17,080 --> 00:30:17,600
Speaker 2: it outright.

693
00:30:18,920 --> 00:30:22,040
Speaker 8: Shoe bare feet on the dashboard, young love and an

694
00:30:22,040 --> 00:30:22,400
Speaker 8: old for.

695
00:30:23,960 --> 00:30:27,640
Speaker 2: You get the I did, but you told me to stop.

696
00:30:28,600 --> 00:30:29,400
Speaker 2: Do you want to see my answer?

697
00:30:29,480 --> 00:30:29,719
Speaker 1: And down?

698
00:30:31,680 --> 00:30:32,240
Speaker 2: Go ahead?

699
00:30:32,600 --> 00:30:35,800
Speaker 8: In toes by Zach brown Man, he says audios and

700
00:30:36,000 --> 00:30:39,400
Speaker 8: via coneos as he's leaving, what US state?

701
00:30:40,120 --> 00:30:41,520
Speaker 2: Oh US state?

702
00:30:41,840 --> 00:30:45,800
Speaker 4: Bobby? Have you written it down so fast?

703
00:30:45,800 --> 00:30:48,760
Speaker 1: I knew it immediately, guys.

704
00:30:46,920 --> 00:30:53,040
Speaker 5: I feel like Zach brown always left Georgia like it

705
00:30:53,040 --> 00:30:54,400
Speaker 5: didn't matter where he was going.

706
00:30:54,440 --> 00:30:55,760
Speaker 2: It was like leaving Georgia.

707
00:30:56,400 --> 00:30:58,760
Speaker 4: Mm hmm, sing it, sing it rhyme.

708
00:30:59,280 --> 00:30:59,959
Speaker 2: I can't sing it.

709
00:31:00,520 --> 00:31:06,280
Speaker 5: He exactly right, every exact Brown, every exact Brouwnd song.

710
00:31:06,320 --> 00:31:07,760
Speaker 2: He's leaving Georgia, Georgia.

711
00:31:08,040 --> 00:31:10,400
Speaker 1: I'll say this, I don't think the name Georgia is

712
00:31:10,400 --> 00:31:13,480
Speaker 1: in that song anywhere. Now I'm getting cocky, but I

713
00:31:13,560 --> 00:31:15,160
Speaker 1: like he never says the word Georgia.

714
00:31:16,560 --> 00:31:18,480
Speaker 2: Got in the water.

715
00:31:25,480 --> 00:31:25,800
Speaker 6: Is good.

716
00:31:26,400 --> 00:31:30,560
Speaker 1: Pretty cocky right now there at the end, never says

717
00:31:30,560 --> 00:31:33,400
Speaker 1: the word Georgia.

718
00:31:33,440 --> 00:31:37,200
Speaker 5: By condos, I'm leaving g A got it.

719
00:31:38,200 --> 00:31:42,520
Speaker 2: He lives Georgia, He leaves Georgia. All I said was

720
00:31:42,560 --> 00:31:46,200
Speaker 2: he never says Georgia. Here's my answer. It is Georgia.

721
00:31:46,600 --> 00:31:47,560
Speaker 2: But he never says Georgia.

722
00:31:47,600 --> 00:31:47,960
Speaker 1: Says g.

723
00:31:49,400 --> 00:31:52,480
Speaker 2: Okay, good. It takes too long. He has to get

724
00:31:52,480 --> 00:31:54,080
Speaker 2: there perfect all right.

725
00:31:54,400 --> 00:31:57,440
Speaker 8: Next one in Shatahoochie by Alan Jackson. What is the

726
00:31:57,520 --> 00:32:01,400
Speaker 8: make of the car that they fogged the windows of Chevy?

727
00:32:01,560 --> 00:32:08,560
Speaker 1: That's easy old rhymes with chattahoo cheese. He was willing,

728
00:32:08,720 --> 00:32:10,280
Speaker 1: but she wasn't ready.

729
00:32:10,320 --> 00:32:12,160
Speaker 2: In the Chevy. Good for him, so they settled for

730
00:32:12,640 --> 00:32:13,600
Speaker 2: grape snow cone.

731
00:32:14,160 --> 00:32:16,120
Speaker 3: Grape snow cone before.

732
00:32:17,480 --> 00:32:20,080
Speaker 4: Settle for a cheeseburger.

733
00:32:20,520 --> 00:32:23,959
Speaker 2: Settled for a barker and a grape snow cone. I

734
00:32:24,000 --> 00:32:25,720
Speaker 2: was like, I don't know, I said grape snow cone.

735
00:32:25,720 --> 00:32:27,920
Speaker 1: I don't know what the last one. You guys need

736
00:32:27,920 --> 00:32:29,840
Speaker 1: me to miss this and you have to get it. Okay,

737
00:32:30,200 --> 00:32:32,480
Speaker 1: go ahead in strawberry wine.

738
00:32:32,720 --> 00:32:36,440
Speaker 8: The hot moon that saw everything was from what month

739
00:32:36,520 --> 00:32:36,960
Speaker 8: of the year?

740
00:32:37,120 --> 00:32:42,800
Speaker 5: I mean, already lunch walking just one co what is

741
00:32:42,800 --> 00:32:44,240
Speaker 5: the lunch on hot July moon?

742
00:32:45,120 --> 00:32:50,040
Speaker 2: Good job, dude, you got it, and my answer July.

743
00:32:50,240 --> 00:32:51,920
Speaker 2: Let's go one more. Let's go one. I've already won.

744
00:32:52,520 --> 00:32:54,760
Speaker 3: At the time, we really screwed up on that Chevy.

745
00:32:54,800 --> 00:32:57,200
Speaker 3: You messed this up on I had for you said.

746
00:32:57,040 --> 00:32:59,880
Speaker 1: You want a different you did not have ford. Nobody

747
00:33:00,040 --> 00:33:00,520
Speaker 1: said for it.

748
00:33:00,720 --> 00:33:00,840
Speaker 2: I know.

749
00:33:00,880 --> 00:33:02,719
Speaker 1: I always thinking what they haven't rhymed anything. If they

750
00:33:02,800 --> 00:33:04,760
Speaker 1: rhyme it, they'll get it. I'll put my belt up

751
00:33:04,800 --> 00:33:05,760
Speaker 1: next segment, I'll do it again.

752
00:33:06,120 --> 00:33:07,400
Speaker 2: Yes, do one more time.

753
00:33:07,440 --> 00:33:09,960
Speaker 1: But if I win, then what I should get something and.

754
00:33:10,120 --> 00:33:12,560
Speaker 2: He'll pay you five bucks. No, I'm not.

755
00:33:12,600 --> 00:33:14,239
Speaker 5: I'm not putting my money up there. We can all

756
00:33:14,240 --> 00:33:16,360
Speaker 5: put money in thereby put up one dollar.

757
00:33:18,040 --> 00:33:19,920
Speaker 1: You guys are you guys are going to bet a

758
00:33:19,960 --> 00:33:24,320
Speaker 1: dollar against me. Yes, Yes, I'm the greatest. It does

759
00:33:24,360 --> 00:33:28,960
Speaker 1: game only. Okay, we'll see about that. Okay, let's go

760
00:33:29,000 --> 00:33:31,400
Speaker 1: country music lyrics. Ray give us a question.

761
00:33:31,600 --> 00:33:34,960
Speaker 8: In All Summer Long by Kid Rock, what year does

762
00:33:34,960 --> 00:33:37,680
Speaker 8: the song take place in All Summer Long?

763
00:33:37,960 --> 00:33:42,160
Speaker 2: Oh boy, it was. Oh that's where it is. Thank you.

764
00:33:42,240 --> 00:33:47,640
Speaker 2: I don't think I had that. Hey, guys, Amy, hold on,

765
00:33:47,720 --> 00:33:49,680
Speaker 2: he's writing. I wouldn't have got it had you not

766
00:33:49,720 --> 00:33:51,040
Speaker 2: sang that first part for me. Thank you.

767
00:33:51,160 --> 00:34:00,280
Speaker 7: Eddie keep singing, Come on, Amy, it will was.

768
00:34:02,200 --> 00:34:05,280
Speaker 2: I need more that kind of sounds right.

769
00:34:05,560 --> 00:34:06,440
Speaker 4: Nineteen eighty two.

770
00:34:06,720 --> 00:34:09,960
Speaker 2: That's too far back. I don't think that sounds ninety two,

771
00:34:10,800 --> 00:34:11,879
Speaker 2: nineteen eighty five.

772
00:34:13,120 --> 00:34:14,120
Speaker 4: Can we sing more of it?

773
00:34:14,200 --> 00:34:14,480
Speaker 8: Please?

774
00:34:14,560 --> 00:34:15,360
Speaker 2: I'll give you the music.

775
00:34:15,480 --> 00:34:20,000
Speaker 5: Dun Dum Duane of London.

776
00:34:22,400 --> 00:34:25,160
Speaker 2: It was nothing. It was nineteen ninety something.

777
00:34:25,840 --> 00:34:27,279
Speaker 3: It was just.

778
00:34:29,000 --> 00:34:34,400
Speaker 4: Was just weird up again. We were lying in different things.

779
00:34:34,719 --> 00:34:38,640
Speaker 7: We were smoking funny smoking funny things.

780
00:34:38,840 --> 00:34:41,839
Speaker 4: I mean, for a minute we mim though.

781
00:34:42,080 --> 00:34:44,040
Speaker 2: I think it's something two three seconds.

782
00:34:44,160 --> 00:34:44,760
Speaker 4: I don't know.

783
00:34:46,920 --> 00:34:50,799
Speaker 2: Eighteen eighty it's not eighty two, ninety two. I would

784
00:34:50,800 --> 00:34:53,640
Speaker 2: miss we missed it. Nineteen ninety two, Okay.

785
00:34:53,680 --> 00:34:55,399
Speaker 1: I singing how you're singing it was.

786
00:34:55,400 --> 00:34:57,840
Speaker 2: Nineteen ninety two. Oh, it's wrong, and even.

787
00:34:58,200 --> 00:35:02,080
Speaker 4: Nineteen ninety nine.

788
00:35:02,320 --> 00:35:05,520
Speaker 1: You almost have it. It was nineteen eighty nine. No,

789
00:35:05,760 --> 00:35:11,239
Speaker 1: it was Jeaves was long. I would not have known

790
00:35:11,239 --> 00:35:13,239
Speaker 1: where to place that number had you not saying it, though,

791
00:35:13,280 --> 00:35:18,160
Speaker 1: So thank you. No, you didn't anything. He didn't know

792
00:35:18,200 --> 00:35:19,759
Speaker 1: he did had eighty two. He didn't have it, but

793
00:35:19,840 --> 00:35:22,000
Speaker 1: I have the eighties. Okay, all right, go ahead.

794
00:35:22,000 --> 00:35:22,280
Speaker 2: Next?

795
00:35:22,480 --> 00:35:25,920
Speaker 8: And watermelon Crawl by Tracy Bird? What elected official gives

796
00:35:25,960 --> 00:35:29,920
Speaker 8: you advice if you drink, don't drive, do the watermelon crawl?

797
00:35:30,239 --> 00:35:32,880
Speaker 2: If you drink, I don't say anything, say wait till

798
00:35:32,880 --> 00:35:37,200
Speaker 2: he reads the answer. Done, then we can discuss. We

799
00:35:37,280 --> 00:35:38,160
Speaker 2: asked a question again.

800
00:35:38,480 --> 00:35:41,719
Speaker 8: And watermelon crawl by Tracy Bird. What elected official gives

801
00:35:41,719 --> 00:35:45,200
Speaker 8: the advice if you drink, don't drive, do the watermelon crawl?

802
00:35:48,239 --> 00:35:51,840
Speaker 5: I heard, Well he does ano this one.

803
00:35:53,040 --> 00:35:55,600
Speaker 2: Do you know it? No? Not yet, my team, we

804
00:35:55,640 --> 00:35:56,359
Speaker 2: haven't talked yet.

805
00:35:58,400 --> 00:36:01,239
Speaker 1: Okay, I'm only going to go back off in the context.

806
00:36:03,360 --> 00:36:06,319
Speaker 2: Okay, I'm in. I writ it down.

807
00:36:06,960 --> 00:36:10,240
Speaker 4: If you drink, don't do the water mill and cross.

808
00:36:10,360 --> 00:36:11,279
Speaker 1: I don't know this.

809
00:36:11,560 --> 00:36:12,960
Speaker 4: It's gotta be like a mayor.

810
00:36:12,760 --> 00:36:15,680
Speaker 2: By singing the mayor wouldn't really do the tell you

811
00:36:15,719 --> 00:36:16,759
Speaker 2: that the mayor?

812
00:36:17,560 --> 00:36:21,680
Speaker 4: Oh, the sheriff, right this sheriff rhyme elected official.

813
00:36:21,920 --> 00:36:23,280
Speaker 2: Yeah, you elect the sheriff.

814
00:36:23,280 --> 00:36:27,840
Speaker 1: You do elect to share or constable district attorney, dog

815
00:36:27,960 --> 00:36:31,839
Speaker 1: catcher the d A.

816
00:36:33,120 --> 00:36:37,279
Speaker 4: If you drink the mayor, don.

817
00:36:37,280 --> 00:36:44,000
Speaker 2: You sing the song? Eddie can sing? I don't know.

818
00:36:44,520 --> 00:36:47,520
Speaker 4: Sheriff sounds like that could be it, but that's.

819
00:36:47,320 --> 00:36:50,480
Speaker 1: It, definitely could be. I don't know this answer. Are

820
00:36:50,520 --> 00:36:52,200
Speaker 1: you guys in town.

821
00:36:52,320 --> 00:37:01,000
Speaker 4: Town controller, the treasurer?

822
00:37:01,760 --> 00:37:01,880
Speaker 1: Uh?

823
00:37:03,520 --> 00:37:07,959
Speaker 2: What do you you guys? If you're gonna drink, don't drive?

824
00:37:09,239 --> 00:37:11,040
Speaker 2: Deputy is not elected. I like sheriff.

825
00:37:12,360 --> 00:37:16,239
Speaker 1: Let's go sheriff. I don't know the answer, but I went.

826
00:37:16,480 --> 00:37:20,080
Speaker 1: I went with Amy's and steaks of mayor. Yeah, ray, can.

827
00:37:19,960 --> 00:37:22,680
Speaker 2: You can you sing it? Yeah? Good luck with this one.

828
00:37:23,160 --> 00:37:26,160
Speaker 8: I heard a welcome speech from a small town mayor.

829
00:37:26,480 --> 00:37:28,719
Speaker 8: He said, we got a hundred gallons of sweet red

830
00:37:28,760 --> 00:37:31,040
Speaker 8: wine made from the biggest watermelons on the vine.

831
00:37:31,080 --> 00:37:33,440
Speaker 2: Can you help yourself to some? But'll give it to me.

832
00:37:33,520 --> 00:37:35,200
Speaker 2: But I had the same instinct you had. I didn't

833
00:37:35,239 --> 00:37:37,560
Speaker 2: know that was it? Okay, how are you supposed to

834
00:37:37,600 --> 00:37:38,279
Speaker 2: hear that in the song.

835
00:37:38,760 --> 00:37:41,520
Speaker 4: Well, clearly I did at some point, mayor.

836
00:37:41,760 --> 00:37:43,600
Speaker 1: I did not know it from the song just small

837
00:37:43,640 --> 00:37:44,839
Speaker 1: town all right?

838
00:37:44,840 --> 00:37:50,000
Speaker 8: Next and Cruise by Florida Georgia Line, What artist was

839
00:37:50,080 --> 00:37:52,560
Speaker 8: she singing in the Sweetheart of Summer?

840
00:37:52,920 --> 00:37:57,720
Speaker 2: What the baby? What I feel like? That's a different song?

841
00:37:58,040 --> 00:37:59,000
Speaker 2: Will you do it again?

842
00:37:59,760 --> 00:38:02,840
Speaker 8: In Cruise by Florida Georgia Line, what artist was she

843
00:38:03,000 --> 00:38:04,760
Speaker 8: singing in the Sweetheart of Summer?

844
00:38:05,120 --> 00:38:05,279
Speaker 1: Oh?

845
00:38:08,400 --> 00:38:09,240
Speaker 4: Sing it to yourself?

846
00:38:09,280 --> 00:38:12,800
Speaker 2: Your goodness, how long we've been doing this? I'm gonna

847
00:38:12,840 --> 00:38:18,040
Speaker 2: go with I don't know. I mean how he's singing

848
00:38:18,080 --> 00:38:19,239
Speaker 2: Man in the.

849
00:38:19,200 --> 00:38:25,040
Speaker 5: Summer Sound Mountain, Oh my baby, You're a song.

850
00:38:25,200 --> 00:38:27,720
Speaker 4: You make me want to roll my windows down.

851
00:38:28,120 --> 00:38:37,320
Speaker 5: Cuise The choruses, I know it's gonna be during the verse.

852
00:38:35,600 --> 00:38:41,160
Speaker 2: Bay my guitar, So no song, no right, so my licks.

853
00:38:41,320 --> 00:38:45,160
Speaker 2: Now mind the summer? Oh that's the part right there.

854
00:38:46,360 --> 00:38:51,719
Speaker 4: I don't remember the I don't remember the one more time?

855
00:38:53,080 --> 00:38:55,799
Speaker 8: And Cruise by Florida Georgia Line, What artist was she

856
00:38:56,000 --> 00:38:57,640
Speaker 8: singing in the Sweetheart of Summer?

857
00:38:57,960 --> 00:39:00,239
Speaker 2: Oh? She was singing Marshal Marcia.

858
00:39:00,040 --> 00:39:05,239
Speaker 4: Tucker in Sweetheart. Yes, this is familiar, But who's that's

859
00:39:05,239 --> 00:39:08,600
Speaker 4: a band. It is Marshall Tucker band.

860
00:39:08,719 --> 00:39:14,520
Speaker 5: I like that, Marshall Tucker's sweetheart.

861
00:39:14,640 --> 00:39:17,120
Speaker 2: Yeah, alright, what.

862
00:39:17,040 --> 00:39:18,640
Speaker 1: Do you have? I had no idea, so I wrote

863
00:39:18,640 --> 00:39:20,000
Speaker 1: my new favorite was Caitlin Butts.

864
00:39:20,800 --> 00:39:21,279
Speaker 2: Definitely not.

865
00:39:22,719 --> 00:39:23,600
Speaker 4: Is it Marshall Tucker.

866
00:39:24,960 --> 00:39:28,120
Speaker 8: She was sitting on Southern and singing, Marshall Tucker, we

867
00:39:28,160 --> 00:39:30,960
Speaker 8: will falling in rats sweet summer.

868
00:39:31,640 --> 00:39:35,640
Speaker 1: Because here's I didn't know that one.

869
00:39:35,680 --> 00:39:37,800
Speaker 2: Because we're on the board. Good job, guys. What's the score?

870
00:39:38,760 --> 00:39:40,439
Speaker 2: Bobby two, BBS team one?

871
00:39:40,560 --> 00:39:45,000
Speaker 1: Okay, boy, yes, I like you ain't got me?

872
00:39:46,239 --> 00:39:50,040
Speaker 8: I got in Barefoot, Blue g Night by Jacoben. What

873
00:39:50,080 --> 00:39:53,160
Speaker 8: was the name of his buddy who has had his

874
00:39:53,320 --> 00:39:54,359
Speaker 8: dad hook him up again?

875
00:39:55,000 --> 00:39:55,399
Speaker 1: Got him?

876
00:39:55,520 --> 00:39:58,240
Speaker 2: Yeah? Okay?

877
00:39:58,360 --> 00:40:02,799
Speaker 4: One, two, three? Frank you Frankie, that's you.

878
00:40:02,800 --> 00:40:03,560
Speaker 1: You can't yell at late.

879
00:40:03,960 --> 00:40:05,000
Speaker 2: You knew it, You had no idea.

880
00:40:06,320 --> 00:40:08,560
Speaker 1: You need me to miss this one. You need to

881
00:40:08,560 --> 00:40:09,040
Speaker 1: miss this one.

882
00:40:09,040 --> 00:40:10,560
Speaker 2: You have to get it. So can you miss this one?

883
00:40:10,920 --> 00:40:13,360
Speaker 1: I don't know, We'll see I didn't know Marshall Tucker.

884
00:40:13,800 --> 00:40:17,400
Speaker 8: Go ahead in good directions by Billy Currington. What is

885
00:40:17,480 --> 00:40:19,600
Speaker 8: the name of the woman that you have to ask for?

886
00:40:20,040 --> 00:40:20,640
Speaker 2: Sweet tea?

887
00:40:24,800 --> 00:40:29,560
Speaker 1: A minute wait a minute, let me think on this one.

888
00:40:29,760 --> 00:40:32,560
Speaker 2: This is all damn dudes in the stage.

889
00:40:32,640 --> 00:40:37,680
Speaker 1: She got it, so dude, break you know got I

890
00:40:37,880 --> 00:40:38,440
Speaker 1: said for.

891
00:40:38,600 --> 00:40:50,480
Speaker 9: The sweet tea and ask it's his mom?

892
00:40:51,160 --> 00:40:53,640
Speaker 2: Well she's drinking.

893
00:40:53,520 --> 00:41:01,200
Speaker 4: You nna anna.

894
00:41:00,840 --> 00:41:04,000
Speaker 7: Hey, let us know when you're in man chop shop

895
00:41:07,800 --> 00:41:11,000
Speaker 7: time song five seconds?

896
00:41:12,040 --> 00:41:14,879
Speaker 4: Okay, all right, great?

897
00:41:14,920 --> 00:41:15,799
Speaker 2: Can you the question?

898
00:41:15,840 --> 00:41:19,080
Speaker 8: Blease and good directions by Billy Currington. What is the

899
00:41:19,200 --> 00:41:20,920
Speaker 8: name of the woman that you have to ask for

900
00:41:20,960 --> 00:41:21,680
Speaker 8: her sweet tea?

901
00:41:21,840 --> 00:41:24,080
Speaker 5: Guys, you gotta ask miss Bell.

902
00:41:24,080 --> 00:41:26,880
Speaker 3: That's a miss Bell. You're right, he has it. Here

903
00:41:26,920 --> 00:41:29,400
Speaker 3: are here already smiling. He's smiling.

904
00:41:33,960 --> 00:41:35,799
Speaker 2: And you knew the whole time, didn't you know? I

905
00:41:35,800 --> 00:41:39,040
Speaker 2: had to get there one day. We're gonna be too. Uh.

906
00:41:39,640 --> 00:41:43,319
Speaker 1: I didn't know, Marshall talktor. I think I blocked out

907
00:41:43,320 --> 00:41:46,359
Speaker 1: all that Flora George Lines stuff. That's what happened, I think.

908
00:41:46,480 --> 00:41:50,399
Speaker 1: So I think I just have not Okay, feels pretty good.

909
00:41:50,640 --> 00:41:52,880
Speaker 1: Can I play my Kaylan Butt song? Yeah, all right,

910
00:41:52,880 --> 00:41:55,279
Speaker 1: here's that Kaylon Butts. You ain't got to die to

911
00:41:55,280 --> 00:41:55,759
Speaker 1: be dead to me?

912
00:41:56,440 --> 00:42:02,040
Speaker 3: Thank you, Ray, Ray, It's time for the good news.

913
00:42:05,360 --> 00:42:08,640
Speaker 3: Megan All is a pharmacist at Kroger and Dayton, Ohio.

914
00:42:08,719 --> 00:42:11,040
Speaker 2: She's working her shift. Someone's in the drive through.

915
00:42:11,400 --> 00:42:15,360
Speaker 3: They're there for an epipin because they had some allergic contact,

916
00:42:15,480 --> 00:42:17,520
Speaker 3: you know, and all of a sudden they have convulsions

917
00:42:17,560 --> 00:42:20,520
Speaker 3: in the drive through. She runs out the emergency exit,

918
00:42:20,880 --> 00:42:24,720
Speaker 3: grabs that epipin and who sticks them with it? Saves

919
00:42:24,760 --> 00:42:27,680
Speaker 3: their life. Oh what a hero, you think? The days

920
00:42:27,719 --> 00:42:30,200
Speaker 3: over a few hours later, the security guard comes over

921
00:42:30,239 --> 00:42:33,160
Speaker 3: and says, hey, there's someone unconscious in the bathroom. She

922
00:42:33,239 --> 00:42:36,799
Speaker 3: grabs Narkin, runs in the bathroom, bam, hits them with

923
00:42:36,840 --> 00:42:38,560
Speaker 3: the Narkin brings them back to life.

924
00:42:38,640 --> 00:42:44,319
Speaker 2: Two saves one day. What up, Megan? What a day?

925
00:42:44,480 --> 00:42:45,399
Speaker 1: I mean you think that?

926
00:42:45,920 --> 00:42:49,040
Speaker 2: I mean that's crazy. A pharmacist saving lives two in

927
00:42:49,040 --> 00:42:50,360
Speaker 2: one day. That's unheard of.

928
00:42:51,640 --> 00:42:53,799
Speaker 4: And Narkin just sounds illegal to me.

929
00:42:53,880 --> 00:42:55,160
Speaker 1: But I think it's hard.

930
00:42:56,840 --> 00:43:00,160
Speaker 4: Oh no, I don't know. It feels druggy, like I

931
00:43:00,160 --> 00:43:01,920
Speaker 4: get that it's a drop obviously, I know, like a

932
00:43:03,200 --> 00:43:05,560
Speaker 4: sound like an illegal.

933
00:43:05,200 --> 00:43:10,879
Speaker 1: At dark on Yeah, narkon. Well where I come from

934
00:43:11,120 --> 00:43:14,440
Speaker 1: that this stuff has to be used. That's why I

935
00:43:14,560 --> 00:43:17,839
Speaker 1: kind of know the name of it. Yeah, yeah, yeah,

936
00:43:17,960 --> 00:43:20,480
Speaker 1: So people need it sometimes when they've I don't know.

937
00:43:20,600 --> 00:43:22,640
Speaker 1: I don't know her case, but yeah, when they've overdosed

938
00:43:22,640 --> 00:43:23,359
Speaker 1: on stuff.

939
00:43:23,080 --> 00:43:25,400
Speaker 5: Gutsy of the pharmacists though to like know what the

940
00:43:25,440 --> 00:43:26,279
Speaker 5: convulsions were.

941
00:43:26,360 --> 00:43:27,960
Speaker 1: And dude, it's like kicking the door of the house

942
00:43:28,040 --> 00:43:30,160
Speaker 1: is on fire. If there's just smoke coming out, like

943
00:43:30,239 --> 00:43:33,840
Speaker 1: you're committing when you're pinning somebody, They're like, oh, I

944
00:43:33,840 --> 00:43:37,840
Speaker 1: don't need it's you know, there's smoke come out of

945
00:43:37,840 --> 00:43:39,360
Speaker 1: a house. You're like, I don't know. No one's answering

946
00:43:39,400 --> 00:43:41,200
Speaker 1: do I kick the door in and go? So you

947
00:43:41,320 --> 00:43:43,080
Speaker 1: kick the door and all of a sudden they're just barbecuing,

948
00:43:43,040 --> 00:43:45,320
Speaker 1: and you're like, oh, no, you happy to pin somebody.

949
00:43:45,360 --> 00:43:47,760
Speaker 1: But they were just itching. They got a bug bite.

950
00:43:48,600 --> 00:43:52,359
Speaker 1: I'm glad it happened in the right way. Yeah all right, hey,

951
00:43:52,360 --> 00:43:54,200
Speaker 1: good job. She probably knows though, because she's around this

952
00:43:54,200 --> 00:43:54,400
Speaker 1: a lot.

953
00:43:54,480 --> 00:43:57,359
Speaker 2: Yeah yeah, Megan, all I mean she's certified a hero.

954
00:43:57,520 --> 00:44:00,080
Speaker 1: Now, oh you can be certified in that right. You

955
00:44:00,080 --> 00:44:02,200
Speaker 1: would have to say where did you go to get started? Right?

956
00:44:02,480 --> 00:44:05,120
Speaker 2: She went to Cedarville University. Hey, I know they had

957
00:44:05,120 --> 00:44:07,160
Speaker 2: that as a major. All right, thank you, lunchbox. That's

958
00:44:07,160 --> 00:44:10,040
Speaker 2: what it's all about. That was telling me something good.

959
00:44:12,000 --> 00:44:14,319
Speaker 1: And now time for Amy yells a joke.

960
00:44:14,840 --> 00:44:19,239
Speaker 10: Amy yells a joke. Amy yells a joke. Amy has

961
00:44:19,280 --> 00:44:20,920
Speaker 10: a joke to yell to you.

962
00:44:24,120 --> 00:44:25,680
Speaker 4: Why are fish so smart?

963
00:44:26,120 --> 00:44:29,719
Speaker 1: Why are fish so smarting schools?

964
00:44:29,840 --> 00:44:34,359
Speaker 10: Okay, okay, Amy yells a joke. Amy yells at joke.

965
00:44:35,360 --> 00:44:37,600
Speaker 10: Amy has a joke to yell to you.

966
00:44:40,440 --> 00:44:43,840
Speaker 1: Thank you, Amy, And now lunchbox presents.

967
00:44:44,000 --> 00:44:45,040
Speaker 2: Women are crazy.

968
00:44:45,200 --> 00:44:48,960
Speaker 3: Okay, you're up two young girls three and six years

969
00:44:48,960 --> 00:44:51,759
Speaker 3: old and enjoying their summertime. And what are they like

970
00:44:51,800 --> 00:44:52,520
Speaker 3: doing in the summertime.

971
00:44:52,560 --> 00:44:55,640
Speaker 2: They're out there yard doing bubbles, big old bubbles. Who

972
00:44:55,719 --> 00:44:56,840
Speaker 2: do up bubbles?

973
00:44:57,560 --> 00:45:02,120
Speaker 3: Well, eighty year old woman door doesn't like the bubbles,

974
00:45:02,520 --> 00:45:06,000
Speaker 3: comes out, starts yelling at him quit doing the bubbles.

975
00:45:06,280 --> 00:45:07,480
Speaker 2: You think it just ends there?

976
00:45:08,080 --> 00:45:11,560
Speaker 3: She pulls out her pepper spray and shoots the kids

977
00:45:11,600 --> 00:45:15,720
Speaker 3: with the pepper spray because she doesn't like bubbles. Couldn't

978
00:45:15,719 --> 00:45:21,720
Speaker 3: this be old? People are crazy? Eighty one year old woman.

979
00:45:21,960 --> 00:45:25,640
Speaker 3: It doesn't say man, it says woman. She got mad

980
00:45:25,680 --> 00:45:29,400
Speaker 3: because they were doing bubbles. I mean, guys, that's pretty crazy.

981
00:45:29,520 --> 00:45:31,160
Speaker 2: That's women are crazy.

982
00:45:32,120 --> 00:45:36,480
Speaker 1: I don't think this is a woman thing. No, no, it's

983
00:45:36,520 --> 00:45:38,600
Speaker 1: not even a good old person thing. I don't think

984
00:45:38,600 --> 00:45:40,320
Speaker 1: it's an old person thing. I think it's just a

985
00:45:40,440 --> 00:45:41,080
Speaker 1: crazy person.

986
00:45:41,360 --> 00:45:43,120
Speaker 4: For women are crazy. That needs to be like an

987
00:45:43,120 --> 00:45:43,960
Speaker 4: age cap.

988
00:45:44,480 --> 00:45:46,319
Speaker 3: What do you mean is she still a woman? Does

989
00:45:46,320 --> 00:45:48,000
Speaker 3: she lose her womanhood at a certain age?

990
00:45:48,960 --> 00:45:51,080
Speaker 2: We don't do women women are I mean.

991
00:45:51,040 --> 00:45:54,040
Speaker 4: Yeah, it's not my favorite segment, but you know, sometimes

992
00:45:54,040 --> 00:45:55,040
Speaker 4: they are a little crazy.

993
00:45:55,440 --> 00:45:59,480
Speaker 3: But men women are crazy. And this proves it. I mean,

994
00:45:59,520 --> 00:46:02,320
Speaker 3: there's this doesn't prove it. It's literally just a story.

995
00:46:03,760 --> 00:46:03,960
Speaker 10: Yeah.

996
00:46:04,440 --> 00:46:06,200
Speaker 3: I mean it's just two girls trying to enjoy their

997
00:46:06,239 --> 00:46:10,120
Speaker 3: summer doing bubbles and every kid loves bubbles, and I

998
00:46:10,160 --> 00:46:12,640
Speaker 3: guess women don't like bubbles when you become a woman.

999
00:46:12,680 --> 00:46:14,640
Speaker 2: That's not true. I mean weird twist.

1000
00:46:15,080 --> 00:46:17,040
Speaker 4: I mean no, I mean it's like, gosh, she's made

1001
00:46:17,040 --> 00:46:21,799
Speaker 4: it eighty years and hasn't developed skills to like, you know, communicate, No,

1002
00:46:22,080 --> 00:46:24,320
Speaker 4: or she's just old and cranky and she spread the

1003
00:46:24,400 --> 00:46:25,400
Speaker 4: kids with pepper spray.

1004
00:46:25,480 --> 00:46:28,719
Speaker 2: That's right, that's pretty crazy. Women are crazy. No, I don't.

1005
00:46:28,800 --> 00:46:32,560
Speaker 2: I'm like, but you got to agree. No, we don't

1006
00:46:32,600 --> 00:46:34,960
Speaker 2: have to. I mean that's pretty crazy.

1007
00:46:34,960 --> 00:46:36,839
Speaker 5: And she is a woman, I guess it falls into

1008
00:46:36,840 --> 00:46:38,680
Speaker 5: the category of women are crazy.

1009
00:46:40,000 --> 00:46:43,399
Speaker 1: This is stupid. Okay, that's lunchbox per cents.

1010
00:46:43,600 --> 00:46:45,319
Speaker 2: Women are crazy.

1011
00:46:45,800 --> 00:46:47,880
Speaker 4: I think are like elderly person.

1012
00:46:49,840 --> 00:46:53,319
Speaker 2: Yes, yes, that's exactly it.

1013
00:46:55,200 --> 00:47:02,320
Speaker 9: Wake up, wake up, turn the radio and the Dodgers

1014
00:47:02,480 --> 00:47:03,480
Speaker 9: keeps on time.

1015
00:47:05,719 --> 00:47:07,239
Speaker 2: Already in his lunchbox.

1016
00:47:07,320 --> 00:47:09,960
Speaker 1: More game two cool Steeve Bred and it's trying to

1017
00:47:10,000 --> 00:47:11,680
Speaker 1: put you through bogs.

1018
00:47:11,719 --> 00:47:13,600
Speaker 2: He's running this week's next bit.

1019
00:47:13,920 --> 00:47:15,080
Speaker 1: The Bobby's on the box.

1020
00:47:15,160 --> 00:47:16,040
Speaker 3: So you know what this.

1021
00:47:21,360 --> 00:47:21,400
Speaker 6: Is?

1022
00:47:21,560 --> 00:47:22,359
Speaker 2: The Bobby ball.

1023
00:47:22,719 --> 00:47:27,200
Speaker 1: So the temperature that makes most couples the happiest, dammy.

1024
00:47:27,560 --> 00:47:34,680
Speaker 4: Ooh, I'm sixty, don't say it? Eight good.

1025
00:47:37,239 --> 00:47:39,960
Speaker 1: The study found that the perfect temperature is, or rather

1026
00:47:40,000 --> 00:47:43,360
Speaker 1: the one that keeps arguing at bay the most in

1027
00:47:43,480 --> 00:47:47,239
Speaker 1: the house is Eddie seventy two launch.

1028
00:47:47,280 --> 00:47:48,239
Speaker 2: I you said I.

1029
00:47:48,239 --> 00:47:53,279
Speaker 3: Couldn't say it, so I will say seventy fours hot.

1030
00:47:54,400 --> 00:47:56,400
Speaker 1: Are you one of the families where you don't turn

1031
00:47:56,440 --> 00:47:58,000
Speaker 1: your air on until way later in the summer.

1032
00:47:59,400 --> 00:48:01,360
Speaker 3: I will turn on at night when we're going to sleep,

1033
00:48:01,400 --> 00:48:03,000
Speaker 3: but during the day I try to keep it off

1034
00:48:03,360 --> 00:48:04,759
Speaker 3: and just leave the doors open.

1035
00:48:05,360 --> 00:48:06,760
Speaker 4: Yeah, I was picturing bedtime.

1036
00:48:07,080 --> 00:48:09,239
Speaker 1: I would imagine your dad did that. Then if you're

1037
00:48:09,280 --> 00:48:09,520
Speaker 1: doing that.

1038
00:48:09,760 --> 00:48:11,880
Speaker 3: My dad he would leave at seven o'clock in the

1039
00:48:11,960 --> 00:48:14,480
Speaker 3: morning and he would turn their conditioning off and then

1040
00:48:14,480 --> 00:48:16,120
Speaker 3: he would turn it back on. And like when you

1041
00:48:16,200 --> 00:48:18,080
Speaker 3: go visit them, they don't have the AC on. They

1042
00:48:18,200 --> 00:48:19,759
Speaker 3: just open all the windows and they turn the fans on.

1043
00:48:19,800 --> 00:48:21,600
Speaker 3: They don't think it's hot. So like during the day

1044
00:48:21,640 --> 00:48:24,440
Speaker 3: when it's really hot, the ace's not running. No at

1045
00:48:24,480 --> 00:48:28,080
Speaker 3: your house, right, I mean it said it like, you know,

1046
00:48:28,200 --> 00:48:29,920
Speaker 3: seventy six, seventy seven, so you haven't.

1047
00:48:29,760 --> 00:48:31,120
Speaker 4: Actually, so then when you turn it down to night,

1048
00:48:31,160 --> 00:48:31,960
Speaker 4: it's having to work.

1049
00:48:31,880 --> 00:48:35,840
Speaker 2: Real hard, right, Yeah, but you save money from I.

1050
00:48:35,840 --> 00:48:38,160
Speaker 1: Don't know that you do, because they has to work

1051
00:48:38,280 --> 00:48:40,279
Speaker 1: really hard to then pump out all that right there

1052
00:48:40,360 --> 00:48:42,320
Speaker 1: to get I don't know either way, but all my

1053
00:48:42,440 --> 00:48:44,839
Speaker 1: point was it's an inherited trait. Yeah, because his dad

1054
00:48:44,880 --> 00:48:46,319
Speaker 1: did it, so he must do it as well.

1055
00:48:46,880 --> 00:48:47,080
Speaker 2: Yeah.

1056
00:48:48,200 --> 00:48:51,400
Speaker 1: The answer seventy one, okay, okay, yeah.

1057
00:48:51,600 --> 00:48:53,600
Speaker 4: That sounds right to me. I was trying to guess

1058
00:48:53,640 --> 00:48:56,040
Speaker 4: for most people, I'm not. I'm in a I'm a

1059
00:48:56,160 --> 00:49:01,319
Speaker 4: seventy seventy one person, and that would cause issues.

1060
00:49:01,440 --> 00:49:05,960
Speaker 1: When we sleep at sixty three in our that's ridiculous insane.

1061
00:49:06,440 --> 00:49:09,200
Speaker 2: That's ridiculous, dude. Does anybody else think that's not insane?

1062
00:49:09,280 --> 00:49:11,360
Speaker 2: Am I the only one that that that's normal to?

1063
00:49:11,719 --> 00:49:11,759
Speaker 1: Like?

1064
00:49:11,880 --> 00:49:12,840
Speaker 2: What is insane?

1065
00:49:13,200 --> 00:49:15,160
Speaker 11: Fact that you found a wife to agree with that?

1066
00:49:15,480 --> 00:49:17,440
Speaker 11: I found out puts on more covers, like we got

1067
00:49:17,520 --> 00:49:21,000
Speaker 11: like like the covers. Uh yeah, we go to sleep

1068
00:49:21,040 --> 00:49:25,520
Speaker 11: on sixty three. Now, oh yeah, that's not normal for anybody.

1069
00:49:25,600 --> 00:49:29,759
Speaker 4: No, no, no, my my thermostad has never been to

1070
00:49:29,960 --> 00:49:31,080
Speaker 4: sixty No.

1071
00:49:31,239 --> 00:49:34,200
Speaker 2: That mine hasn't either. I like, I built a rocket

1072
00:49:34,239 --> 00:49:36,279
Speaker 2: ship and I'm like exploring space. How do you get

1073
00:49:36,320 --> 00:49:38,120
Speaker 2: out of bed? Like it's so cold you wouldn't want

1074
00:49:38,120 --> 00:49:38,680
Speaker 2: to get out of bed.

1075
00:49:38,960 --> 00:49:40,480
Speaker 1: So it annoys her when she has to get out

1076
00:49:40,480 --> 00:49:42,279
Speaker 1: of bed and get into bed. And if I turn

1077
00:49:42,360 --> 00:49:43,759
Speaker 1: it down way early because I like to get a

1078
00:49:43,800 --> 00:49:45,960
Speaker 1: prime before I go to bed, I'll go in there

1079
00:49:45,960 --> 00:49:48,200
Speaker 1: and crank it down. And so she's like you already

1080
00:49:48,200 --> 00:49:50,640
Speaker 1: turned the air on. It's freezing in here, and I'm like,

1081
00:49:50,719 --> 00:49:53,880
Speaker 1: well get into bed. Yeah, that's and we have a

1082
00:49:53,880 --> 00:49:55,319
Speaker 1: sleep number that warms up her side.

1083
00:49:55,520 --> 00:49:59,239
Speaker 5: Okay, so that works. What's your daytime temperature? Sixty eight?

1084
00:50:00,360 --> 00:50:02,319
Speaker 5: Wal it's crazy.

1085
00:50:02,120 --> 00:50:05,680
Speaker 4: During the day you're happy, honest crazy, I'd.

1086
00:50:05,480 --> 00:50:08,920
Speaker 1: Say, you're go ahead, y, yeah, your dad didn't do that.

1087
00:50:09,719 --> 00:50:12,560
Speaker 1: I didn't have a dad, did it.

1088
00:50:12,760 --> 00:50:15,399
Speaker 2: But well you said that with lunchbox and I thought,

1089
00:50:15,480 --> 00:50:18,160
Speaker 2: yeah maybe no, yeah, mine hair?

1090
00:50:18,719 --> 00:50:19,239
Speaker 4: What is the.

1091
00:50:20,760 --> 00:50:22,080
Speaker 2: What's what's the reason behind that?

1092
00:50:22,200 --> 00:50:22,239
Speaker 8: Like?

1093
00:50:22,280 --> 00:50:24,840
Speaker 2: Why do you want it so cold now? Because I

1094
00:50:24,880 --> 00:50:29,719
Speaker 2: couldn't control it? No, I don't think that's colder. There's

1095
00:50:29,760 --> 00:50:31,440
Speaker 2: something there. No, there's not.

1096
00:50:31,719 --> 00:50:34,040
Speaker 1: Everything doesn't have to be psychological because I didn't have

1097
00:50:34,080 --> 00:50:34,359
Speaker 1: a dad.

1098
00:50:34,560 --> 00:50:37,000
Speaker 4: But you do want it really really really really really

1099
00:50:37,080 --> 00:50:37,680
Speaker 4: cold in here?

1100
00:50:37,880 --> 00:50:40,759
Speaker 2: Yeah, you think better. There's no scientific proof on this,

1101
00:50:40,880 --> 00:50:41,279
Speaker 2: Yes there is.

1102
00:50:42,320 --> 00:50:44,560
Speaker 4: I want to sleep, like maybe if you warmed it

1103
00:50:44,640 --> 00:50:45,759
Speaker 4: up a little, you'd sleep better.

1104
00:50:46,080 --> 00:50:47,839
Speaker 2: I mean I guess you could.

1105
00:50:48,160 --> 00:50:50,279
Speaker 4: I know they say to sleep in a cooler room,

1106
00:50:50,560 --> 00:50:54,640
Speaker 4: but I don't know about the working in the cold

1107
00:50:54,760 --> 00:50:56,920
Speaker 4: environment because we're.

1108
00:50:56,840 --> 00:50:59,839
Speaker 1: Just all cold all the time. No, you guys were

1109
00:51:00,239 --> 00:51:03,960
Speaker 1: have hoodies on and July works correct, even July. Yet

1110
00:51:03,960 --> 00:51:08,600
Speaker 1: it's June right now. People their brains perform better in

1111
00:51:08,680 --> 00:51:14,520
Speaker 1: cooler environments. Cognitive performance peaks between sixty eight and seventy degrees. Okay,

1112
00:51:14,760 --> 00:51:18,319
Speaker 1: and that what research Warm is bad because you become

1113
00:51:18,400 --> 00:51:21,839
Speaker 1: sleepier and more distracted. Reaction time and working memory slows down,

1114
00:51:22,080 --> 00:51:25,239
Speaker 1: and you're more likely to make small mistakes. Cooler temperatures

1115
00:51:25,280 --> 00:51:29,400
Speaker 1: help keeps your brain alert and engaged. Slight cold triggers

1116
00:51:29,480 --> 00:51:33,320
Speaker 1: mild stress response, which sharpens focus. Less chance of overheating,

1117
00:51:33,440 --> 00:51:35,279
Speaker 1: especially with screen time or studio lights too.

1118
00:51:35,320 --> 00:51:37,200
Speaker 4: We keep this room cold, give it, you said sixty

1119
00:51:37,239 --> 00:51:39,440
Speaker 4: eight to seventy? You keep it below that?

1120
00:51:39,640 --> 00:51:40,200
Speaker 2: What's it now?

1121
00:51:40,239 --> 00:51:41,800
Speaker 1: But I don't wear blankets when I'm in here. I

1122
00:51:41,800 --> 00:51:42,480
Speaker 1: don't need it a lot.

1123
00:51:42,560 --> 00:51:44,920
Speaker 4: You said peak? You peak it between sixty eight months.

1124
00:51:44,960 --> 00:51:46,080
Speaker 2: I'm not trying to think on a sleep.

1125
00:51:46,880 --> 00:51:48,160
Speaker 4: That's that you were talking about in here?

1126
00:51:48,360 --> 00:51:48,480
Speaker 3: Oh?

1127
00:51:48,520 --> 00:51:48,759
Speaker 6: And here?

1128
00:51:48,960 --> 00:51:49,600
Speaker 2: What's it? What's it on?

1129
00:51:49,840 --> 00:51:52,359
Speaker 4: It's on sixty seven? Yeah, but that's because they put

1130
00:51:52,360 --> 00:51:53,319
Speaker 4: a governor on it extra.

1131
00:51:53,480 --> 00:51:55,840
Speaker 1: I keep going to turn it down, and Morgan's like,

1132
00:51:55,840 --> 00:51:57,479
Speaker 1: they won't let us anymore. Yeah.

1133
00:51:57,719 --> 00:52:00,040
Speaker 4: Have you ever considered that the reason you potentially we

1134
00:52:00,040 --> 00:52:02,319
Speaker 4: aren't sleeping super well is because it is so cold?

1135
00:52:02,480 --> 00:52:04,359
Speaker 2: No, because I know that's not true.

1136
00:52:05,400 --> 00:52:08,080
Speaker 4: Because they're sleeping cool helps, But does it have to

1137
00:52:08,120 --> 00:52:08,840
Speaker 4: be that cool?

1138
00:52:09,360 --> 00:52:12,720
Speaker 1: Yes, that's my prefer I guess I've experimented with the striver.

1139
00:52:13,040 --> 00:52:14,520
Speaker 3: I'm so cold that you have to get up in

1140
00:52:14,560 --> 00:52:16,759
Speaker 3: pe three times because your body is working.

1141
00:52:16,920 --> 00:52:19,160
Speaker 1: I'm undercover, have to do it being coold. I'm under

1142
00:52:19,200 --> 00:52:22,640
Speaker 1: multiple blankets. When you're cold, you pee more. I'm not

1143
00:52:22,719 --> 00:52:24,480
Speaker 1: cold when I sleep, I'm perfect. How do you know

1144
00:52:24,600 --> 00:52:26,200
Speaker 1: that my body's warm. The only thing that gets a

1145
00:52:26,200 --> 00:52:28,880
Speaker 1: little colds my forehead because it's sticking out. Yeah, the

1146
00:52:28,920 --> 00:52:30,800
Speaker 1: rest of me. I sleep with my head under a

1147
00:52:30,880 --> 00:52:33,640
Speaker 1: pillow on the flatbed eighty percent.

1148
00:52:33,440 --> 00:52:33,799
Speaker 2: Of the time.

1149
00:52:35,239 --> 00:52:37,359
Speaker 4: If the pillows on top of your face, the top

1150
00:52:37,400 --> 00:52:42,040
Speaker 4: of my head, how do you breathe now, machine?

1151
00:52:42,080 --> 00:52:44,319
Speaker 1: Now this is psychological. I want to tell you why. Yeah.

1152
00:52:44,520 --> 00:52:46,080
Speaker 1: Growing up, I never had a bedroom, so I put

1153
00:52:46,080 --> 00:52:47,360
Speaker 1: a pillow over my head, so I felt like I

1154
00:52:47,480 --> 00:52:49,520
Speaker 1: had some sort of privacy.

1155
00:52:49,840 --> 00:52:52,200
Speaker 4: Yeah, you're like blocking out the light, yep, So.

1156
00:52:52,480 --> 00:52:54,440
Speaker 2: I would, well, not just the light, but also just

1157
00:52:54,480 --> 00:52:55,720
Speaker 2: like it felt like I had walls.

1158
00:52:56,160 --> 00:52:57,759
Speaker 1: And so I would always either see with my face

1159
00:52:57,840 --> 00:52:59,200
Speaker 1: right up against the back of the couch because I

1160
00:52:59,239 --> 00:53:01,920
Speaker 1: never had a bedroom, and I'd put a pillow on

1161
00:53:02,000 --> 00:53:03,520
Speaker 1: my head. So I still do that now. I lay

1162
00:53:03,600 --> 00:53:05,560
Speaker 1: down and I put a pillow over my head. And

1163
00:53:06,760 --> 00:53:08,960
Speaker 1: that's what might be comfortable growing up. What about now

1164
00:53:09,040 --> 00:53:10,479
Speaker 1: that you have a room, you don't need the pillo

1165
00:53:10,520 --> 00:53:10,920
Speaker 1: over your head.

1166
00:53:10,920 --> 00:53:11,279
Speaker 2: I hear you.

1167
00:53:11,400 --> 00:53:12,560
Speaker 1: But we have a lot of things that we still

1168
00:53:12,560 --> 00:53:14,680
Speaker 1: hold on to, trauma or trauma based. And I enjoy

1169
00:53:14,760 --> 00:53:15,160
Speaker 1: my trauma.

1170
00:53:16,160 --> 00:53:17,080
Speaker 2: You don't enjoy it.

1171
00:53:19,040 --> 00:53:20,759
Speaker 1: I didn't realize it does gonna be a big talking point.

1172
00:53:21,400 --> 00:53:23,200
Speaker 2: I sleep on sixty three. It's so, I mean, yeah,

1173
00:53:23,520 --> 00:53:24,719
Speaker 2: I don't think anyone else does that.

1174
00:53:25,080 --> 00:53:27,080
Speaker 4: Yeah, I don't know anybody, nobody.

1175
00:53:28,160 --> 00:53:28,399
Speaker 11: Nope.

1176
00:53:30,280 --> 00:53:32,960
Speaker 2: Do we need an intervention? Pretty unique? No, I don't know.

1177
00:53:33,120 --> 00:53:34,680
Speaker 1: You guys have tried to intervene in this studio and

1178
00:53:35,480 --> 00:53:37,040
Speaker 1: it's not even cold enough in here right now for me.

1179
00:53:37,080 --> 00:53:40,680
Speaker 1: I'm already a little sweaty Okay, I'm done with this segment. Peter, Peter, Peter,

1180
00:53:42,040 --> 00:53:43,759
Speaker 1: All right, let's talk about what cell phones due to

1181
00:53:43,840 --> 00:53:47,399
Speaker 1: our brain. Now this is digital detox where they didn't

1182
00:53:47,480 --> 00:53:48,680
Speaker 1: use their phone. So what's the story.

1183
00:53:49,239 --> 00:53:51,520
Speaker 4: So it all started with the softball team that needed

1184
00:53:51,600 --> 00:53:54,040
Speaker 4: new lights, and they came up with this idea of

1185
00:53:54,200 --> 00:53:56,799
Speaker 4: if all twenty seven girls on the team put their

1186
00:53:56,840 --> 00:53:58,839
Speaker 4: smartphones in a box for a month and they all

1187
00:53:58,920 --> 00:54:01,680
Speaker 4: get flip phones, we'll get attention and then maybe we

1188
00:54:01,800 --> 00:54:04,480
Speaker 4: could fundraise for some lights. And that part worked because

1189
00:54:04,520 --> 00:54:07,439
Speaker 4: the San Francisco Giants heard about this and they ended

1190
00:54:07,520 --> 00:54:11,000
Speaker 4: up donating signed gear to auction off to raise money. Well,

1191
00:54:11,040 --> 00:54:12,600
Speaker 4: one of the girls on the team, she got hooked

1192
00:54:12,680 --> 00:54:16,560
Speaker 4: up with a free brain scan before the detox started

1193
00:54:16,680 --> 00:54:19,480
Speaker 4: and then after, and it was crazy to see the scans,

1194
00:54:19,520 --> 00:54:22,759
Speaker 4: like different parts of her brain were you know, lit

1195
00:54:22,880 --> 00:54:25,400
Speaker 4: up on the scans from before and after, and so

1196
00:54:25,520 --> 00:54:28,640
Speaker 4: the detox was really really good for her brain, and

1197
00:54:28,680 --> 00:54:30,200
Speaker 4: so it was interesting to see. I wish they could

1198
00:54:30,200 --> 00:54:32,600
Speaker 4: have scanned the entire team because while it was really

1199
00:54:32,640 --> 00:54:34,839
Speaker 4: good for her, her other teammates they were like, yeah,

1200
00:54:34,880 --> 00:54:37,840
Speaker 4: we're experiencing a lot of anxiety. Like we did not

1201
00:54:38,040 --> 00:54:42,120
Speaker 4: like it so during during the whole thing. But then

1202
00:54:42,200 --> 00:54:44,520
Speaker 4: that the brain scan guy he talked during the interview

1203
00:54:44,520 --> 00:54:45,919
Speaker 4: when I watched it, and he was like, well, yeah,

1204
00:54:45,920 --> 00:54:48,040
Speaker 4: if we were to scan their brains, we'd likely see

1205
00:54:48,120 --> 00:54:51,239
Speaker 4: like that's they're freaking out because their brain is missing something.

1206
00:54:51,320 --> 00:54:57,040
Speaker 1: It's abdicaus about this, I just hearing about them.

1207
00:54:57,320 --> 00:55:00,640
Speaker 4: Yeah, Like in her brain the girl the got scanned,

1208
00:55:00,640 --> 00:55:03,440
Speaker 4: they saw improvements in her focus and even her impulse

1209
00:55:03,520 --> 00:55:06,520
Speaker 4: control and stuff like that. I just got me curious

1210
00:55:06,520 --> 00:55:08,640
Speaker 4: about your brain and like if you were to do

1211
00:55:08,719 --> 00:55:11,279
Speaker 4: a detox and we got talks, but what if we

1212
00:55:11,320 --> 00:55:13,120
Speaker 4: scanned your brain before and after? I bet it would

1213
00:55:13,120 --> 00:55:14,320
Speaker 4: be lightening up? Like crazy.

1214
00:55:14,400 --> 00:55:15,560
Speaker 2: You did a detox with your phone?

1215
00:55:15,960 --> 00:55:18,719
Speaker 1: Yeah, when I went like check myself into like a

1216
00:55:19,320 --> 00:55:22,080
Speaker 1: camp place for a week and to take my phone, okay, yeah, yeah,

1217
00:55:22,120 --> 00:55:23,320
Speaker 1: but I want to see you when you don't have

1218
00:55:23,400 --> 00:55:24,440
Speaker 1: your phone, like I want.

1219
00:55:24,280 --> 00:55:25,960
Speaker 4: To be like, we want to see your brain, Like,

1220
00:55:26,160 --> 00:55:27,600
Speaker 4: was your brain probably freaking out?

1221
00:55:27,640 --> 00:55:29,600
Speaker 2: That's my time. My brain.

1222
00:55:30,040 --> 00:55:31,400
Speaker 1: My brain woke me up one night and I was

1223
00:55:31,400 --> 00:55:34,439
Speaker 1: like I don't like this, and I was like, what's wrong.

1224
00:55:34,480 --> 00:55:36,239
Speaker 1: It's like I'm scared, and like, don't be scared of

1225
00:55:36,239 --> 00:55:38,920
Speaker 1: little buddy. We'll get it back one day soon. H

1226
00:55:39,200 --> 00:55:42,040
Speaker 1: I'm not addicted to my phone, I know, but I

1227
00:55:42,080 --> 00:55:44,719
Speaker 1: think your brain is. I'm not addicted to that's your

1228
00:55:44,800 --> 00:55:46,560
Speaker 1: brain talking. Where's your phone right now?

1229
00:55:48,000 --> 00:55:48,160
Speaker 8: Well?

1230
00:55:48,200 --> 00:55:51,160
Speaker 2: I use it as a tool during this show. Did

1231
00:55:51,200 --> 00:55:53,799
Speaker 2: you act like you couldn't find it? Like he didn't

1232
00:55:53,840 --> 00:55:56,080
Speaker 2: know he's my elbow.

1233
00:55:56,239 --> 00:55:58,600
Speaker 4: But I'm fine with no phone, I did say a

1234
00:55:58,640 --> 00:56:00,719
Speaker 4: lot of the girls they felt anxious as that their phone. Again,

1235
00:56:00,800 --> 00:56:02,840
Speaker 4: that's likely because they're addicted to some of the apps

1236
00:56:02,840 --> 00:56:06,960
Speaker 4: on there and whatnot. But overall, the girls felt more

1237
00:56:07,080 --> 00:56:09,960
Speaker 4: connected as a team, and we're connected to their family,

1238
00:56:10,040 --> 00:56:10,720
Speaker 4: to their friends.

1239
00:56:10,800 --> 00:56:12,000
Speaker 1: I would like to be a girl that she's a

1240
00:56:12,000 --> 00:56:14,880
Speaker 1: little more connected. If I'm being honest, I don't know.

1241
00:56:15,000 --> 00:56:17,120
Speaker 4: Just got me curious about your brain. We should definitely

1242
00:56:17,400 --> 00:56:20,600
Speaker 4: scan your brain, take away your phone first amount of time,

1243
00:56:20,800 --> 00:56:23,040
Speaker 4: and then scan your brains later. See what happens.

1244
00:56:23,280 --> 00:56:25,120
Speaker 1: See, And I think my wife could be putting you

1245
00:56:25,160 --> 00:56:26,759
Speaker 1: guys up to this where the break that the brain

1246
00:56:26,840 --> 00:56:29,480
Speaker 1: scan would be fake and it wouldn't be real, and

1247
00:56:29,560 --> 00:56:31,120
Speaker 1: then she just wants my phone to be taken away

1248
00:56:31,440 --> 00:56:33,600
Speaker 1: and then the post brain scan will be fake as well.

1249
00:56:33,680 --> 00:56:35,240
Speaker 4: So let me ask you, why is the one person

1250
00:56:35,280 --> 00:56:37,319
Speaker 4: that is the closest to you out of anybody, why

1251
00:56:37,360 --> 00:56:38,200
Speaker 4: does she want your phone?

1252
00:56:38,239 --> 00:56:40,400
Speaker 1: I'm glad you asked to have a simple answer. She's jealous,

1253
00:56:41,280 --> 00:56:41,759
Speaker 1: Is that right?

1254
00:56:41,920 --> 00:56:44,880
Speaker 2: Because you spend so much time with her with the phone.

1255
00:56:45,280 --> 00:56:49,800
Speaker 4: Yeah, which would I love her, which would equal a

1256
00:56:49,920 --> 00:56:54,280
Speaker 4: mild form of I love her so much your phone?

1257
00:56:54,440 --> 00:56:59,120
Speaker 2: Or you're talking about her? Who knows? Who knows?

1258
00:56:59,400 --> 00:57:02,640
Speaker 4: Hey, I just it's a genius idea in other schools,

1259
00:57:02,680 --> 00:57:04,920
Speaker 4: maybe just you know, thinking outside the box when it

1260
00:57:04,960 --> 00:57:06,920
Speaker 4: comes to fundraising for stuff that you need too. So

1261
00:57:07,120 --> 00:57:07,520
Speaker 4: I loved it.

1262
00:57:07,760 --> 00:57:11,279
Speaker 1: Not for me, but interesting. At some point it'll be

1263
00:57:11,360 --> 00:57:14,000
Speaker 1: for me, like do my brain, and then when I

1264
00:57:14,120 --> 00:57:16,080
Speaker 1: die check it out.

1265
00:57:16,600 --> 00:57:17,320
Speaker 2: It'll be too late.

1266
00:57:17,360 --> 00:57:20,120
Speaker 1: By then it won't be on the phone. Sure he

1267
00:57:21,200 --> 00:57:21,640
Speaker 1: thought about that.

1268
00:57:22,200 --> 00:57:24,160
Speaker 2: Yep, Bobby Bone show.

1269
00:57:25,040 --> 00:57:26,000
Speaker 6: Sorry up today.

1270
00:57:26,640 --> 00:57:30,320
Speaker 3: This story comes up from Salt Lake City, Utah. Two

1271
00:57:30,440 --> 00:57:33,800
Speaker 3: roommates are at home on a Thursday evening and one's like, hey,

1272
00:57:34,320 --> 00:57:36,280
Speaker 3: you need to wash your dishes that are in the sink.

1273
00:57:36,800 --> 00:57:37,280
Speaker 2: No, I'm good.

1274
00:57:37,320 --> 00:57:39,320
Speaker 3: I think I'm gonna go to bed right now. You

1275
00:57:39,480 --> 00:57:41,600
Speaker 3: need to wash your dishes that are in the sink.

1276
00:57:42,040 --> 00:57:43,880
Speaker 3: I'll get them in the morning. Goes in a room,

1277
00:57:44,000 --> 00:57:44,520
Speaker 3: closes the.

1278
00:57:44,560 --> 00:57:46,800
Speaker 1: Door, say her, yeah, this is a her.

1279
00:57:47,600 --> 00:57:47,920
Speaker 2: Okay.

1280
00:57:48,480 --> 00:57:50,880
Speaker 3: Twenty three year old roommate followers in there, gets her

1281
00:57:50,960 --> 00:57:52,520
Speaker 3: on the bed, starts choking her.

1282
00:57:52,680 --> 00:57:54,240
Speaker 1: Don't you wish you would another her?

1283
00:57:54,640 --> 00:57:57,200
Speaker 3: Yeah to hers, Wow, don't you wish you would have

1284
00:57:57,200 --> 00:58:01,360
Speaker 3: done your dishes? Now go do the dishes so that

1285
00:58:01,520 --> 00:58:02,200
Speaker 3: she called the police.

1286
00:58:02,760 --> 00:58:03,320
Speaker 2: Yeah, I would.

1287
00:58:03,520 --> 00:58:07,919
Speaker 1: I just I'm not my brain won't comprehend. It's to hers. Yeah,

1288
00:58:08,040 --> 00:58:11,760
Speaker 1: this is like idiot dude stuff, unless the person just

1289
00:58:11,880 --> 00:58:14,560
Speaker 1: really loves their dishes, like it's like really nice dish.

1290
00:58:14,920 --> 00:58:17,760
Speaker 1: But this not a that's weird. What was really on something?

1291
00:58:18,360 --> 00:58:21,160
Speaker 3: No, they probably had some previous tension about dishes not

1292
00:58:21,360 --> 00:58:22,000
Speaker 3: being done, and.

1293
00:58:22,080 --> 00:58:25,240
Speaker 1: They would imagine I think, yeah, now they said they

1294
00:58:25,240 --> 00:58:27,920
Speaker 1: were sober. They checked your bat salts.

1295
00:58:28,200 --> 00:58:29,080
Speaker 4: Do we know their age?

1296
00:58:29,400 --> 00:58:29,960
Speaker 2: Twenty three?

1297
00:58:30,160 --> 00:58:31,640
Speaker 4: Oh okay, so it's not pyramidal. Pause.

1298
00:58:34,440 --> 00:58:38,000
Speaker 1: It could have been time of the month. Yeah, crimonal.

1299
00:58:38,280 --> 00:58:40,400
Speaker 1: But guys are idiots. Guys, it's always a guy's time

1300
00:58:40,440 --> 00:58:42,920
Speaker 1: in the month. That was always stupid. Yeah, yeah, I

1301
00:58:43,000 --> 00:58:45,280
Speaker 1: think that's what people. Guys are like, Oh, we were

1302
00:58:45,320 --> 00:58:46,920
Speaker 1: telling me the month. The thing is you got you

1303
00:58:47,280 --> 00:58:49,560
Speaker 1: women have like you know, your four or five days

1304
00:58:49,680 --> 00:58:51,720
Speaker 1: or however long. We have like thirty one of those.

1305
00:58:51,800 --> 00:58:53,560
Speaker 1: We're just idiots all the time, so you don't look

1306
00:58:53,560 --> 00:58:54,120
Speaker 1: at it the same.

1307
00:58:54,720 --> 00:58:54,880
Speaker 2: Yeah.

1308
00:58:55,040 --> 00:58:59,440
Speaker 1: True, it's always the month for us because we're stupid international,

1309
00:59:00,080 --> 00:59:04,640
Speaker 1: so go easy on us. Yeah yeah, yeah, I think

1310
00:59:04,640 --> 00:59:05,280
Speaker 1: I would have got there.

1311
00:59:05,280 --> 00:59:05,560
Speaker 2: Please.

1312
00:59:05,720 --> 00:59:06,800
Speaker 1: Okay, I'm lunchbox.

1313
00:59:06,880 --> 00:59:08,280
Speaker 3: That's your bonehead story of the day.

1314
00:59:09,800 --> 00:59:12,080
Speaker 1: Here's a voicemail from yesterday more than.

1315
00:59:12,120 --> 00:59:15,800
Speaker 12: The studio morn involving I just wanted to know, man,

1316
00:59:16,120 --> 00:59:19,000
Speaker 12: I just watched probably not watch for the eight times

1317
00:59:19,080 --> 00:59:22,000
Speaker 12: and I ain't still seeing Lunchbox. I guess he wasn't

1318
00:59:22,040 --> 00:59:24,120
Speaker 12: that big of a knacker because I ain't never seen

1319
00:59:24,240 --> 00:59:27,000
Speaker 12: him in there eight times. Love the show. I just

1320
00:59:27,080 --> 00:59:34,160
Speaker 12: wanted to say, Hey, everybody love Abby you, Gogurt Googert Lunchbox.

1321
00:59:34,200 --> 00:59:36,560
Speaker 1: He's watched a full series eight times and hasn't seen you.

1322
00:59:36,920 --> 00:59:39,320
Speaker 3: Sure sounds like he's watching the movie then, because obviously

1323
00:59:39,400 --> 00:59:42,000
Speaker 3: he's not watching the series. If you are watching the series,

1324
00:59:42,040 --> 00:59:44,720
Speaker 3: you can't miss me. I am the coach on the

1325
00:59:44,760 --> 00:59:45,880
Speaker 3: opposing sideline.

1326
00:59:45,880 --> 00:59:48,720
Speaker 1: I'm like, come on, you aren't like come on no,

1327
00:59:48,840 --> 00:59:51,480
Speaker 1: I was now No, but on the show, you weren't.

1328
00:59:51,680 --> 00:59:52,680
Speaker 3: You see my mouth do it?

1329
00:59:53,080 --> 00:59:55,000
Speaker 1: Yeah? They dubbed over a different voice because they felt

1330
00:59:55,040 --> 00:59:56,120
Speaker 1: yours was a masculine enough.

1331
00:59:57,480 --> 00:59:59,600
Speaker 3: No, I don't know why they dubbed it. I still

1332
00:59:59,600 --> 01:00:01,520
Speaker 3: don't have answers on why they dubbed over it. Probably

1333
01:00:01,520 --> 01:00:03,640
Speaker 3: because they didn't want to pay me right as a

1334
01:00:03,760 --> 01:00:04,400
Speaker 3: talking actor.

1335
01:00:04,560 --> 01:00:05,840
Speaker 1: No, because I had to pay somebody.

1336
01:00:07,040 --> 01:00:08,760
Speaker 3: But maybe that's someone that was already on the show

1337
01:00:08,760 --> 01:00:11,280
Speaker 3: and they don't have to get residuals Amy.

1338
01:00:11,320 --> 01:00:13,560
Speaker 1: Why wasn't Lunchbox able to be seen by this guy?

1339
01:00:14,360 --> 01:00:18,480
Speaker 4: Oh, because he got totally cut out.

1340
01:00:18,760 --> 01:00:20,360
Speaker 1: Yeah, it was like point three seconds.

1341
01:00:20,760 --> 01:00:21,000
Speaker 2: Small.

1342
01:00:21,080 --> 01:00:23,120
Speaker 4: It's like so small, like you blink, you miss it.

1343
01:00:23,400 --> 01:00:26,480
Speaker 1: There's not actually a role. It's like a guy that's

1344
01:00:26,520 --> 01:00:29,920
Speaker 1: standing across the field. But then there's lots of yeah,

1345
01:00:30,080 --> 01:00:32,520
Speaker 1: and then he's just like going and that's it.

1346
01:00:32,720 --> 01:00:33,200
Speaker 2: It's awful.

1347
01:00:33,280 --> 01:00:35,840
Speaker 4: If they would have used Lunchbox's voice, you would one

1348
01:00:35,960 --> 01:00:38,040
Speaker 4: hundred percent like your eyes would be like, oh, there

1349
01:00:38,040 --> 01:00:39,880
Speaker 4: he is, because his voice is so distinct. But for

1350
01:00:39,960 --> 01:00:43,080
Speaker 4: whatever reason, even with a distinct voice, they were.

1351
01:00:43,520 --> 01:00:45,240
Speaker 2: Not good enough for it.

1352
01:00:45,920 --> 01:00:47,320
Speaker 1: How long do you think he's on camera?

1353
01:00:47,440 --> 01:00:47,720
Speaker 2: Total?

1354
01:00:49,200 --> 01:00:52,720
Speaker 4: Gosh, I don't even remember, but I feel like it's.

1355
01:00:52,600 --> 01:00:54,040
Speaker 1: Like less than two seconds.

1356
01:00:54,280 --> 01:00:54,880
Speaker 4: How long is that?

1357
01:00:55,120 --> 01:00:57,520
Speaker 1: Yeah, less than two seconds. So that's why. Man, if

1358
01:00:57,520 --> 01:00:59,520
Speaker 1: you blinked, here's the thing, if you blink at the

1359
01:00:59,560 --> 01:01:02,919
Speaker 1: same time every episode, you're gonna miss it. He wasn't

1360
01:01:02,960 --> 01:01:06,320
Speaker 1: He wasn't a credited actor or anything. He's extra. Yeah.

1361
01:01:06,400 --> 01:01:07,880
Speaker 2: Oh you didn't get paid for that, launch Box?

1362
01:01:08,000 --> 01:01:12,160
Speaker 1: No, I got paid he did, Okay, do you get residuals.

1363
01:01:12,360 --> 01:01:13,600
Speaker 2: No, yeah he didn't.

1364
01:01:13,920 --> 01:01:15,919
Speaker 1: He got paid the extra fee, which is like seventy

1365
01:01:15,960 --> 01:01:16,320
Speaker 1: five bucks.

1366
01:01:16,680 --> 01:01:18,120
Speaker 3: I got paid like one check.

1367
01:01:18,280 --> 01:01:19,959
Speaker 1: Yeah, the extra feed.

1368
01:01:20,720 --> 01:01:21,400
Speaker 2: Yeah yeah.

1369
01:01:21,480 --> 01:01:22,920
Speaker 1: Anyway, Hey, thanks man, thanks for that boy.

1370
01:01:23,000 --> 01:01:24,280
Speaker 4: It is cool though that you got to go have

1371
01:01:24,400 --> 01:01:25,080
Speaker 4: that experience.

1372
01:01:25,280 --> 01:01:28,160
Speaker 1: Had a girl amy talking up that can feel good. Well,

1373
01:01:28,720 --> 01:01:29,320
Speaker 1: nurture him.

1374
01:01:29,800 --> 01:01:33,280
Speaker 5: You should put that in your imdburt he was an extra.

1375
01:01:33,400 --> 01:01:37,160
Speaker 1: You can't really IMDb. Sorry, but then they gave him

1376
01:01:37,240 --> 01:01:40,560
Speaker 1: like a yelling line from Afar that they cut that hurt.

1377
01:01:40,680 --> 01:01:42,640
Speaker 3: Like when the show came out. The episode came out

1378
01:01:42,640 --> 01:01:44,640
Speaker 3: and I was like, this is me and they went

1379
01:01:44,720 --> 01:01:45,160
Speaker 3: to that part.

1380
01:01:45,240 --> 01:01:49,280
Speaker 1: I was like, oh, question, he had his line cut

1381
01:01:49,320 --> 01:01:51,800
Speaker 1: from Friday Night Lights. He had his line cut from

1382
01:01:51,840 --> 01:01:52,600
Speaker 1: that play.

1383
01:01:52,800 --> 01:01:53,600
Speaker 2: About out of Hell?

1384
01:01:53,880 --> 01:01:54,240
Speaker 10: Oh no?

1385
01:01:54,960 --> 01:01:56,840
Speaker 1: Does he get there and people are like, he can't

1386
01:01:56,880 --> 01:02:00,120
Speaker 1: handle it because this has been a common thing, like

1387
01:02:00,160 --> 01:02:01,400
Speaker 1: let's give him a line. And then he gets there

1388
01:02:01,400 --> 01:02:02,320
Speaker 1: and they're like, we cannot give.

1389
01:02:02,240 --> 01:02:02,840
Speaker 2: This guy a line.

1390
01:02:04,480 --> 01:02:06,720
Speaker 1: What do you think, Lunchbox, Well, I think bat out

1391
01:02:06,760 --> 01:02:07,040
Speaker 1: of Hell?

1392
01:02:07,280 --> 01:02:09,640
Speaker 3: That was just a that was a train wreck from

1393
01:02:09,680 --> 01:02:12,600
Speaker 3: the beginning because they cut half the play like they

1394
01:02:12,720 --> 01:02:15,320
Speaker 3: cut out like it started like way like they had

1395
01:02:15,360 --> 01:02:16,600
Speaker 3: done this whole thing and they're like, you know, we

1396
01:02:16,680 --> 01:02:18,400
Speaker 3: need to cut half the play, so they didn't have

1397
01:02:18,480 --> 01:02:20,200
Speaker 3: time for me to do my line.

1398
01:02:20,360 --> 01:02:22,840
Speaker 1: It was one line though, I know, but you still

1399
01:02:22,880 --> 01:02:25,360
Speaker 1: did everything in the same amount of time. He still

1400
01:02:25,440 --> 01:02:26,440
Speaker 1: drove out and waved.

1401
01:02:26,560 --> 01:02:27,880
Speaker 3: Yeah, I did still ride out on the.

1402
01:02:29,800 --> 01:02:32,240
Speaker 1: Who knows, maybe he just hasn't been discovered yet everything

1403
01:02:32,280 --> 01:02:36,080
Speaker 1: about that. No, it could be okay, running out of time.

1404
01:02:36,320 --> 01:02:39,840
Speaker 1: I'm watching it. One was that the whole thing. Mike,

1405
01:02:40,800 --> 01:02:43,280
Speaker 1: let me time it go back please, Okay, I'm gonna

1406
01:02:43,320 --> 01:02:47,480
Speaker 1: time lunchboxes full Friday. That lines here we go one Mississippi,

1407
01:02:48,440 --> 01:02:51,120
Speaker 1: not two seconds, so one and a half, like I said,

1408
01:02:51,240 --> 01:02:52,640
Speaker 1: one point three seconds.

1409
01:02:53,880 --> 01:02:54,720
Speaker 4: A blink, a snap.

1410
01:02:54,920 --> 01:02:58,360
Speaker 1: Okay, this is how fast it is. Okay, that's the

1411
01:02:58,400 --> 01:03:00,320
Speaker 1: whole appearance because he clasped his hands as soon as

1412
01:03:00,320 --> 01:03:02,400
Speaker 1: he's on he does this and he's off camera.

1413
01:03:02,520 --> 01:03:03,280
Speaker 2: Oh he's clapping.

1414
01:03:03,440 --> 01:03:05,720
Speaker 1: Yes, he's on the head coach and we finally score. Man,

1415
01:03:05,960 --> 01:03:07,480
Speaker 1: you can't tell you that, head coach. It looks like

1416
01:03:07,520 --> 01:03:08,880
Speaker 1: you stole a headset and you're on the other side

1417
01:03:08,880 --> 01:03:11,960
Speaker 1: of the field. Oh yeah, anyway, thank you for the voicemail.

1418
01:03:12,040 --> 01:03:14,920
Speaker 1: Leave us a voicemail eight seven, seven seventy seven Bobby

1419
01:03:14,960 --> 01:03:19,720
Speaker 1: We'll see Tomorrow by Everybody, Bobby Bones Bone Show, The

1420
01:03:19,840 --> 01:03:23,720
Speaker 1: Bobby Bones Show theme song, written, produced and sang by

1421
01:03:24,240 --> 01:03:28,880
Speaker 1: read Yarberry. You can find his instagram at red Yarberry,

1422
01:03:29,200 --> 01:03:33,560
Speaker 1: Scuba Steve Executive producer, Ray Mundo, Head of Production. I'm

1423
01:03:33,600 --> 01:03:36,920
Speaker 1: Bobby Bones. My instagram is mister Bobby Bones. Thank you

1424
01:03:37,080 --> 01:03:38,200
Speaker 1: for listening to the podcast.