1 00:00:01,120 --> 00:00:06,400 Speaker 1: Hey, welcome to episode one. It's their Grammy recap with 2 00:00:06,600 --> 00:00:09,239 Speaker 1: Eddie and myself and this will only be good for 3 00:00:09,240 --> 00:00:12,880 Speaker 1: about a couple of days. Yeah, because it's timely, very timely. Yeah, 4 00:00:12,920 --> 00:00:14,400 Speaker 1: so we can roll through some of the awards and 5 00:00:14,440 --> 00:00:15,920 Speaker 1: some of the stuff that we saw. The weird thing 6 00:00:15,920 --> 00:00:20,279 Speaker 1: about the Grammys, though, is people see the Grammys and 7 00:00:20,280 --> 00:00:25,360 Speaker 1: this happens every year where somebody new wins, like Best 8 00:00:25,400 --> 00:00:27,040 Speaker 1: New Arts, which wasn't the case last night because do 9 00:00:27,080 --> 00:00:28,880 Speaker 1: a leap at one and she has big hits like 10 00:00:28,920 --> 00:00:33,440 Speaker 1: she has account But the Grammys, it's such a small 11 00:00:33,520 --> 00:00:36,400 Speaker 1: voting group of people that are kind of cool in history. 12 00:00:36,760 --> 00:00:39,519 Speaker 1: It doesn't represent America. Can you explain that? So I'm 13 00:00:39,520 --> 00:00:42,280 Speaker 1: a voting member, you have to be. You have to 14 00:00:42,320 --> 00:00:44,280 Speaker 1: have some sort of credential to vote for the Grammys. 15 00:00:44,520 --> 00:00:46,640 Speaker 1: You and I are because of our band, The Reging Idiots. 16 00:00:46,680 --> 00:00:49,120 Speaker 1: It's not the radio shows not Because we had a 17 00:00:49,159 --> 00:00:52,160 Speaker 1: record that sold a certain amount, we were then given 18 00:00:52,200 --> 00:00:54,320 Speaker 1: access to vote in the Grammys. So you have to 19 00:00:54,360 --> 00:00:56,680 Speaker 1: be super musical. So what happens why some of these 20 00:00:56,720 --> 00:00:58,320 Speaker 1: people win awards that are super cool and people have 21 00:00:58,360 --> 00:01:02,000 Speaker 1: never heard of because the voters are super cool. It's 22 00:01:02,040 --> 00:01:06,440 Speaker 1: not a representation of America. It's a representation of music snobs. 23 00:01:06,480 --> 00:01:09,160 Speaker 1: I think most people don't know that, and they shouldn't, 24 00:01:09,520 --> 00:01:10,560 Speaker 1: but I mean they don't want people to know that. 25 00:01:10,600 --> 00:01:12,640 Speaker 1: They wanted to seem like it's a representation of America. 26 00:01:12,760 --> 00:01:15,600 Speaker 1: It's not. So when someone wins and you go, oh, 27 00:01:15,600 --> 00:01:18,199 Speaker 1: how is this person not bigger, it's because this person 28 00:01:18,480 --> 00:01:20,640 Speaker 1: maybe doesn't appeal to all of America. Because there there 29 00:01:20,640 --> 00:01:22,200 Speaker 1: have been people in the Best New Artists category they 30 00:01:22,200 --> 00:01:24,440 Speaker 1: have won, even last night there I've never heard of, 31 00:01:25,040 --> 00:01:28,560 Speaker 1: and not they shouldn't win, But who's voting are the 32 00:01:28,600 --> 00:01:33,000 Speaker 1: real cool, super knowledgeable people inside the industry people. It's 33 00:01:33,040 --> 00:01:36,080 Speaker 1: why the Avengers don't win Best Picture. Oh. The same 34 00:01:36,120 --> 00:01:38,880 Speaker 1: thing with that would be the Academy saying it's like 35 00:01:38,959 --> 00:01:41,679 Speaker 1: the Academy in the I didn't even put tune two together, 36 00:01:41,800 --> 00:01:43,480 Speaker 1: And you go, well, why do all the movies we 37 00:01:43,600 --> 00:01:46,559 Speaker 1: never heard of win? Because that's people that are inside 38 00:01:46,600 --> 00:01:50,480 Speaker 1: the industry that want cool things to win. It's it's 39 00:01:50,520 --> 00:01:53,480 Speaker 1: a big award, but awards mean less and less um. 40 00:01:53,520 --> 00:01:56,680 Speaker 1: But that being said, that's the deal with the Grammys. 41 00:01:56,800 --> 00:01:59,520 Speaker 1: But what's cool about that, I think is that the 42 00:01:59,600 --> 00:02:03,360 Speaker 1: Grammy people know like they listened to everything like they're 43 00:02:03,360 --> 00:02:05,600 Speaker 1: supposed to. I don't, And I voted but like even as, yeah, 44 00:02:05,640 --> 00:02:07,120 Speaker 1: you do, you listen to a lot of stuff like you. 45 00:02:07,200 --> 00:02:11,959 Speaker 1: But I'm talking about the categories, well, right, Eddie, I 46 00:02:12,120 --> 00:02:13,639 Speaker 1: voted the categories that I don't picked a song with 47 00:02:13,720 --> 00:02:17,079 Speaker 1: the person I knew. Correct, I get that. But these 48 00:02:17,120 --> 00:02:20,320 Speaker 1: are knowledgeable inside people that really do listen to music 49 00:02:20,360 --> 00:02:22,840 Speaker 1: a certain way and can see stuff that most people 50 00:02:22,960 --> 00:02:26,359 Speaker 1: don't really notice. Maybe, but they're also don't have ears 51 00:02:26,639 --> 00:02:28,880 Speaker 1: for like mass consumption for the public. That's true, and 52 00:02:28,919 --> 00:02:31,120 Speaker 1: that's why and it's also why the big movies don't 53 00:02:31,160 --> 00:02:34,200 Speaker 1: win either, and why we get awards for music that 54 00:02:34,200 --> 00:02:36,200 Speaker 1: we don't even know. As long as people know that, 55 00:02:36,800 --> 00:02:39,280 Speaker 1: I think you watch it a bit different. You know, 56 00:02:39,320 --> 00:02:41,600 Speaker 1: you watched last night. St Vincent is playing and she's awesome, 57 00:02:42,080 --> 00:02:43,680 Speaker 1: and I like Saint Vincent, but I'm kind of a 58 00:02:43,720 --> 00:02:46,919 Speaker 1: music nerd in music snob, and I don't think a 59 00:02:46,919 --> 00:02:49,000 Speaker 1: lot of people know her. Most people would be like, like, 60 00:02:49,040 --> 00:02:51,079 Speaker 1: I don't, why is she on this ship? We talked 61 00:02:51,080 --> 00:02:53,640 Speaker 1: about Brandy Carlisle. Most people were like, Oh, who's this 62 00:02:53,680 --> 00:02:56,560 Speaker 1: new artist? Only been around for forty years. And here's 63 00:02:56,560 --> 00:03:00,400 Speaker 1: the thing about Brandy Carlyle, is that, yeah, Brandy car again. 64 00:03:01,680 --> 00:03:05,680 Speaker 1: I say this because I love Americana. I think Americana 65 00:03:05,800 --> 00:03:10,520 Speaker 1: is what old country used to be. So it's it's 66 00:03:10,520 --> 00:03:13,760 Speaker 1: your singer songwriter. It's like it's kind of what Nashville 67 00:03:13,840 --> 00:03:16,440 Speaker 1: is in a weird way, like it's acoustic guitar and 68 00:03:16,520 --> 00:03:19,240 Speaker 1: you're and your singer with a lot of heart. So 69 00:03:19,560 --> 00:03:21,360 Speaker 1: I have a lot of friends that were on last night, 70 00:03:21,360 --> 00:03:23,080 Speaker 1: even people that I just know that aren't friends. After 71 00:03:23,120 --> 00:03:25,400 Speaker 1: she was on and performed that, They're like, I'm the 72 00:03:25,480 --> 00:03:27,760 Speaker 1: biggest Brandy car I've known you for ten years. You've 73 00:03:27,760 --> 00:03:31,280 Speaker 1: never once mentioned you like Brandy Carlia. And she is good. 74 00:03:32,320 --> 00:03:35,880 Speaker 1: She's been awesome. But again, he didn't see me screaming 75 00:03:35,880 --> 00:03:37,160 Speaker 1: it last night even though she was awesome, because I 76 00:03:37,200 --> 00:03:40,720 Speaker 1: felt like a poser because you've never really talked about you. 77 00:03:40,920 --> 00:03:43,000 Speaker 1: You've known who she is, We've talked about her in 78 00:03:43,040 --> 00:03:45,880 Speaker 1: the past many times, but now you would totally look 79 00:03:45,920 --> 00:03:51,280 Speaker 1: like a poser. You're just like a strange at the 80 00:03:51,320 --> 00:03:54,000 Speaker 1: same time to yeah, he plays with the same twins. 81 00:03:54,040 --> 00:03:55,840 Speaker 1: She's had the same twins forever. Let's he lives on 82 00:03:55,840 --> 00:03:58,320 Speaker 1: a compound like I actually, and we have like the 83 00:03:58,440 --> 00:04:02,120 Speaker 1: same management. Really, yes, but again, I would see a 84 00:04:02,120 --> 00:04:03,720 Speaker 1: lot of a lot of people going, I'm the biggest. 85 00:04:04,040 --> 00:04:05,880 Speaker 1: Even with the Casey stuff. I would see other radio 86 00:04:05,880 --> 00:04:08,480 Speaker 1: people goes like, play Casey mostgrads radio. I'm like, you, guys, 87 00:04:08,520 --> 00:04:10,840 Speaker 1: didn't shut up just because she's winning. Now all that, 88 00:04:11,120 --> 00:04:13,840 Speaker 1: and I'm glad it's happening because it always takes a 89 00:04:13,960 --> 00:04:18,320 Speaker 1: thump to make it go forward. Um, on this show, 90 00:04:18,760 --> 00:04:21,520 Speaker 1: I don't program music. I just will spike songs and 91 00:04:21,640 --> 00:04:23,159 Speaker 1: be like, I like this song, let me play it, 92 00:04:23,240 --> 00:04:24,919 Speaker 1: and then I'll yell at programmers from not playing it. 93 00:04:25,480 --> 00:04:27,760 Speaker 1: And the cases stuff I've been doing for a year easily, 94 00:04:28,200 --> 00:04:30,039 Speaker 1: But then I stopped. You heard, I don't do that 95 00:04:30,040 --> 00:04:32,040 Speaker 1: anymore because now I just feel like opposer if I'm 96 00:04:32,080 --> 00:04:35,760 Speaker 1: on that team of Hey, how about those all those grammys? 97 00:04:35,920 --> 00:04:38,400 Speaker 1: I put congratulations to her last night and that was it. 98 00:04:38,600 --> 00:04:40,440 Speaker 1: Do you talk about how it works on your show 99 00:04:40,440 --> 00:04:43,240 Speaker 1: where you have your little block of time that you 100 00:04:43,279 --> 00:04:45,440 Speaker 1: can kind of do whatever you want and then the 101 00:04:45,480 --> 00:04:50,039 Speaker 1: rest is program Again, I feel like sometimes it's two 102 00:04:50,040 --> 00:04:53,360 Speaker 1: in the weeds, especially on the radio show. But here's 103 00:04:53,360 --> 00:04:57,400 Speaker 1: how it works. We have a program director that programs 104 00:04:57,400 --> 00:05:00,719 Speaker 1: the music based on research. Right. I don't get into research. 105 00:05:00,760 --> 00:05:04,360 Speaker 1: I don't program music at all. But what I do 106 00:05:04,400 --> 00:05:06,159 Speaker 1: because I do, I can do whatever I want in 107 00:05:06,200 --> 00:05:08,640 Speaker 1: my stuff. And so if I feel like playing a song, 108 00:05:08,680 --> 00:05:10,120 Speaker 1: I just play a song. Yeah, it's your block of 109 00:05:10,160 --> 00:05:12,479 Speaker 1: time which we can talk about whatever we want, or 110 00:05:12,520 --> 00:05:14,679 Speaker 1: you can play a song. Yeah, I'm free to do whatever. 111 00:05:14,800 --> 00:05:17,679 Speaker 1: And that those are the places where you you've really 112 00:05:17,680 --> 00:05:21,880 Speaker 1: showcase Casey's music. Yes, in my spots, I've taken them. 113 00:05:21,880 --> 00:05:22,960 Speaker 1: Be like, you know what, I'm not gonna talk for 114 00:05:23,000 --> 00:05:26,159 Speaker 1: three minutes. Let me play slow Burn or let me 115 00:05:26,200 --> 00:05:30,120 Speaker 1: play used Him the dance Party. And I don't feel 116 00:05:30,120 --> 00:05:31,640 Speaker 1: like opposed or saying it now because if you listen 117 00:05:31,640 --> 00:05:33,320 Speaker 1: to this, probably know that much about me is that 118 00:05:33,320 --> 00:05:35,520 Speaker 1: that was my favorite record. I mean that that came 119 00:05:35,520 --> 00:05:36,920 Speaker 1: out what months, I mean, it came out a long 120 00:05:36,960 --> 00:05:39,880 Speaker 1: time ago, and you here whatever, yeah, something like that, 121 00:05:39,920 --> 00:05:41,600 Speaker 1: and you're not even gonna say that. I'm just here 122 00:05:41,600 --> 00:05:43,039 Speaker 1: to say I was watching all the radio people that 123 00:05:43,160 --> 00:05:46,400 Speaker 1: aren't now like yeah, come on, and I'm glad they are. 124 00:05:46,560 --> 00:05:48,440 Speaker 1: And that's my point. Like my wife, we were watching 125 00:05:48,480 --> 00:05:50,120 Speaker 1: it last night. She's just like, but I've never heard 126 00:05:50,120 --> 00:05:51,719 Speaker 1: any of these songs on the radio. It's like because 127 00:05:51,760 --> 00:05:54,000 Speaker 1: they don't come on the radio. Yeah, And I don't 128 00:05:54,000 --> 00:05:56,080 Speaker 1: even know that they ever pitched a real single to 129 00:05:56,240 --> 00:05:59,760 Speaker 1: radio until now, which they are with her song that 130 00:05:59,839 --> 00:06:02,920 Speaker 1: she played last night, which, by the way, Richard Rainbow, 131 00:06:02,920 --> 00:06:06,760 Speaker 1: which is this guy, this is Mike. To be fair, 132 00:06:07,160 --> 00:06:11,600 Speaker 1: this is my kind of music, Lights Down Candle, her 133 00:06:11,640 --> 00:06:13,480 Speaker 1: first records on my favorite records ever. I'm just a 134 00:06:13,520 --> 00:06:17,279 Speaker 1: big fan generally yea. But good for her because maybe 135 00:06:17,279 --> 00:06:20,680 Speaker 1: that's the kick in the pants people needed. My assumption 136 00:06:20,760 --> 00:06:25,440 Speaker 1: is it won't be just that because the Grammys come 137 00:06:25,480 --> 00:06:26,640 Speaker 1: and people stay on it for a couple of a 138 00:06:26,640 --> 00:06:30,080 Speaker 1: few weeks, and then if it's researching, well, and I 139 00:06:30,120 --> 00:06:32,520 Speaker 1: don't know how that works, fully, I don't get into 140 00:06:32,560 --> 00:06:35,800 Speaker 1: that because then I know too much. I want plausible, 141 00:06:35,920 --> 00:06:39,800 Speaker 1: my ability explain what that means. If I do, I 142 00:06:39,839 --> 00:06:42,240 Speaker 1: don't know how it works. I can't go, well, this 143 00:06:42,320 --> 00:06:44,320 Speaker 1: is what's happening. I don't know how it works. I 144 00:06:44,320 --> 00:06:47,279 Speaker 1: get out of the research stuff like walking backwards. Don't know. 145 00:06:47,800 --> 00:06:49,559 Speaker 1: You can't blame me for it. Don't know how songs 146 00:06:49,560 --> 00:06:52,919 Speaker 1: are researched. Um. Sometimes I'll see scores, research scores, but 147 00:06:52,960 --> 00:06:55,640 Speaker 1: other than that, I don't do the research. Explain something 148 00:06:55,640 --> 00:06:58,680 Speaker 1: because you know Casey better than I do. I don't 149 00:06:58,720 --> 00:07:02,680 Speaker 1: really know I we like we see. I don't know 150 00:07:02,720 --> 00:07:05,520 Speaker 1: that I know her know her. But I saw her 151 00:07:05,520 --> 00:07:06,800 Speaker 1: after the CMA to talk to her for a bit 152 00:07:06,839 --> 00:07:10,040 Speaker 1: and was like, hey, it's really cool and um, like 153 00:07:10,080 --> 00:07:12,000 Speaker 1: on insta story, we'll back and forth a little bit, 154 00:07:12,640 --> 00:07:15,400 Speaker 1: like the crew she runs with. I don't know where 155 00:07:15,440 --> 00:07:19,040 Speaker 1: that was, but like the dudes, the producers or whoever, 156 00:07:19,360 --> 00:07:21,680 Speaker 1: like part of her crew walking up there, like guy 157 00:07:21,760 --> 00:07:24,760 Speaker 1: dressed like Darth Vader, Like it's very interesting, Like you 158 00:07:24,760 --> 00:07:26,240 Speaker 1: wouldn't see I don't know how to say this that 159 00:07:26,280 --> 00:07:29,040 Speaker 1: you wouldn't see like Luke Combs or Cookcine Brown because 160 00:07:29,040 --> 00:07:31,040 Speaker 1: they were there. That's what's awesome about her, though right 161 00:07:31,200 --> 00:07:33,640 Speaker 1: does not give a f like these dudes show up 162 00:07:33,640 --> 00:07:36,240 Speaker 1: looking like the Stormtroopers and Darth Vader together and you're 163 00:07:36,240 --> 00:07:39,240 Speaker 1: just like, this is You're not this is not your 164 00:07:39,240 --> 00:07:42,880 Speaker 1: everyday like artist. The thing that's refreshing about Casey is 165 00:07:43,840 --> 00:07:46,000 Speaker 1: the things that have also made a lot of people 166 00:07:46,040 --> 00:07:47,600 Speaker 1: go like what's up with her? Is that she just 167 00:07:47,640 --> 00:07:55,320 Speaker 1: doesn't care like f off and off. Okay, sure, so 168 00:07:56,240 --> 00:08:00,480 Speaker 1: I just genuinely love her music. Even when her and 169 00:08:00,520 --> 00:08:02,760 Speaker 1: I weren't good because I was an idiot, I still 170 00:08:02,920 --> 00:08:04,760 Speaker 1: was playing her music like crazy. I was playing follow 171 00:08:04,920 --> 00:08:07,720 Speaker 1: Arrow more than anybody was. But that being said, this 172 00:08:07,720 --> 00:08:09,400 Speaker 1: isn't this is even a me segment. I'm just saying 173 00:08:09,760 --> 00:08:11,840 Speaker 1: that good for her, and I hope that people now 174 00:08:12,240 --> 00:08:14,240 Speaker 1: even if they're posing it great, it doesn't matter how 175 00:08:14,240 --> 00:08:16,800 Speaker 1: it happens. I would compare it to people that have 176 00:08:16,880 --> 00:08:19,120 Speaker 1: charitable foundations and they're only doing it for tax benefits. 177 00:08:19,600 --> 00:08:21,800 Speaker 1: As long as charity is happening, who cares a lot 178 00:08:21,840 --> 00:08:24,680 Speaker 1: of people do, yeah, but if you're helping out kids 179 00:08:24,760 --> 00:08:26,960 Speaker 1: or sick people, I don't care really why you're doing. 180 00:08:26,960 --> 00:08:30,040 Speaker 1: The end result is good, that's all that matters. So 181 00:08:30,080 --> 00:08:32,679 Speaker 1: if all these radio people and pds want to be 182 00:08:32,760 --> 00:08:35,560 Speaker 1: like well, and they weren't talking about it or or 183 00:08:35,640 --> 00:08:38,240 Speaker 1: fighting for it or okay, who cares to do it now? 184 00:08:38,360 --> 00:08:40,439 Speaker 1: But what did you think about her taking album of 185 00:08:40,520 --> 00:08:42,720 Speaker 1: the year like the biggest that is like your your 186 00:08:42,760 --> 00:08:45,040 Speaker 1: best picture, that's your big one of the night. And 187 00:08:45,120 --> 00:08:47,800 Speaker 1: she's up against like I thought she was I thought 188 00:08:47,840 --> 00:08:49,040 Speaker 1: she was in a good place to do it. And 189 00:08:49,040 --> 00:08:51,960 Speaker 1: here's why. She was going to take that country niche 190 00:08:52,040 --> 00:08:53,280 Speaker 1: for the most part. You may give me all the 191 00:08:54,000 --> 00:08:56,000 Speaker 1: do you know who's up for all those I'd like 192 00:08:56,040 --> 00:08:59,079 Speaker 1: to look at it again, But she was going to 193 00:08:59,160 --> 00:09:02,000 Speaker 1: take the country vote block, and she was going to 194 00:09:02,120 --> 00:09:06,800 Speaker 1: take the cool kind of hipster voting block. She also 195 00:09:06,920 --> 00:09:08,640 Speaker 1: was going to get a lot of the people, not 196 00:09:08,760 --> 00:09:11,600 Speaker 1: just females, with people that was also going, hey, if 197 00:09:11,600 --> 00:09:14,400 Speaker 1: I'm torn like females making screwed over for so long 198 00:09:15,040 --> 00:09:17,319 Speaker 1: that no, let's give the benefit of the doubt. If 199 00:09:17,360 --> 00:09:19,079 Speaker 1: that was a case. And I think you saw that 200 00:09:19,160 --> 00:09:20,320 Speaker 1: last night at the beginning of the show, they put 201 00:09:20,360 --> 00:09:22,080 Speaker 1: a bunch of female artists. At first, it was awesome 202 00:09:23,240 --> 00:09:25,080 Speaker 1: because of what the guy said last year where he 203 00:09:25,120 --> 00:09:26,920 Speaker 1: was like, females got to step up. No, they've been 204 00:09:26,920 --> 00:09:29,600 Speaker 1: stepping up, you douche. How about we have these dudes 205 00:09:29,600 --> 00:09:32,880 Speaker 1: with the daylings. Stop. So I think that she was 206 00:09:32,920 --> 00:09:36,880 Speaker 1: in a good place. Um, okay, with Cardi B, which 207 00:09:36,920 --> 00:09:39,680 Speaker 1: I thought was the biggest competitor for her, huge Cardi 208 00:09:39,679 --> 00:09:43,600 Speaker 1: B Cardi b Um, Brandy Carlisle was up. I thought 209 00:09:43,600 --> 00:09:48,680 Speaker 1: she was a bit too Niche Drake Drake huge. Yeah, 210 00:09:48,679 --> 00:09:51,760 Speaker 1: I just to pop though for the Grammys to win 211 00:09:51,840 --> 00:09:54,240 Speaker 1: big album in my opinion, because you have a bunch 212 00:09:54,240 --> 00:09:58,800 Speaker 1: of cool people voting her too cool, too new. No, 213 00:09:59,000 --> 00:10:05,320 Speaker 1: because she won, like she win R and B album, 214 00:10:05,400 --> 00:10:08,320 Speaker 1: Oh the Last Night, Yeah, she also won. I think 215 00:10:08,480 --> 00:10:10,160 Speaker 1: you are one of the big albums because then she 216 00:10:10,160 --> 00:10:11,880 Speaker 1: gets up there and goes it wasn't even an album, 217 00:10:14,679 --> 00:10:16,360 Speaker 1: which I don't even know if people, and I wouldn't 218 00:10:16,360 --> 00:10:17,800 Speaker 1: know what if I wasn't working in music. An EPs 219 00:10:17,880 --> 00:10:20,640 Speaker 1: just a shorter version. It's we always compare it to 220 00:10:20,679 --> 00:10:22,600 Speaker 1: like when we're growing up, the singles. You know, we're 221 00:10:22,640 --> 00:10:25,559 Speaker 1: like an artist would release a single album and it 222 00:10:25,600 --> 00:10:27,440 Speaker 1: would just be the hit with like two or three 223 00:10:27,480 --> 00:10:31,079 Speaker 1: B sides with two sucky songs, that exactly. And now 224 00:10:31,120 --> 00:10:34,320 Speaker 1: the EPs just you think, I'm gonna put this out 225 00:10:34,320 --> 00:10:35,520 Speaker 1: and see how it goes, and if you love it, 226 00:10:35,520 --> 00:10:37,760 Speaker 1: we're gonna do a whole record. I would never put 227 00:10:37,800 --> 00:10:42,360 Speaker 1: out a full album now for me, why would you? Well, labels, Okay, 228 00:10:42,360 --> 00:10:43,800 Speaker 1: if you're gonna deal with the label and they want 229 00:10:43,800 --> 00:10:45,960 Speaker 1: to full album, they can sell with hard like acture. 230 00:10:46,120 --> 00:10:48,840 Speaker 1: You don't sell EPs and stores. EPs are only there 231 00:10:48,880 --> 00:10:52,440 Speaker 1: for streaming. So if you're still trying to sell hard music, 232 00:10:53,040 --> 00:10:56,000 Speaker 1: you make an album seeking CDs for consumers. I mean, 233 00:10:56,040 --> 00:10:59,640 Speaker 1: there's a handful of people left that buy hard CDs. 234 00:10:59,720 --> 00:11:03,719 Speaker 1: Six Yeah, it's still sixty. It's maybe more than that, 235 00:11:03,800 --> 00:11:06,920 Speaker 1: but that thirty five to forty has grown a lot, 236 00:11:06,960 --> 00:11:09,160 Speaker 1: and that's a significant number of people who don't buy albums. 237 00:11:09,160 --> 00:11:11,200 Speaker 1: Like take me back to the day where we go 238 00:11:11,240 --> 00:11:16,560 Speaker 1: to best Buy and like like and everyone. You go 239 00:11:16,600 --> 00:11:19,360 Speaker 1: to Walmart Target, now there's no one in the CD section. 240 00:11:19,679 --> 00:11:22,600 Speaker 1: Dirty Computer from genomene a Golden Arrow, Casey Black Panther 241 00:11:22,640 --> 00:11:24,839 Speaker 1: at the album. Yeah, I thought Casey was in a 242 00:11:24,880 --> 00:11:28,480 Speaker 1: good spot where against all the other artists to have 243 00:11:28,520 --> 00:11:30,640 Speaker 1: a shot. I didn't know that she would win. I 244 00:11:30,720 --> 00:11:32,240 Speaker 1: knew I felt she was gonna win Country Album of 245 00:11:32,240 --> 00:11:33,840 Speaker 1: the Year. I said that on the show, like she had. 246 00:11:33,920 --> 00:11:35,640 Speaker 1: I feel like she had the best shot with Stableton 247 00:11:35,720 --> 00:11:39,800 Speaker 1: second Um and Brothers Osborne third. I believe too, she 248 00:11:39,880 --> 00:11:41,959 Speaker 1: genuinely did not think she was gonna win that. I mean, 249 00:11:41,960 --> 00:11:43,400 Speaker 1: do you I wonder if anyone thinks they're gonna win, 250 00:11:43,400 --> 00:11:45,880 Speaker 1: you're going up against the heaviest of heavyweight. But that 251 00:11:45,920 --> 00:11:47,520 Speaker 1: was also the album that I listened to the most, 252 00:11:48,160 --> 00:11:50,000 Speaker 1: and it's my favorite album for the past year and 253 00:11:50,000 --> 00:11:52,200 Speaker 1: a half or so a year right March came out 254 00:11:52,200 --> 00:11:56,840 Speaker 1: in March, so I was happy selfishly, but also like 255 00:11:56,960 --> 00:12:00,320 Speaker 1: limited my told you so's it's pretty cool though, I 256 00:12:00,360 --> 00:12:02,840 Speaker 1: mean really like you genuinely, and I'm not talking to 257 00:12:02,880 --> 00:12:06,800 Speaker 1: just you because whatever, Like you genuinely liked that album 258 00:12:06,800 --> 00:12:08,600 Speaker 1: and you talked about it for a little bit, but 259 00:12:08,920 --> 00:12:10,720 Speaker 1: I knew you were listening to it over and over. 260 00:12:10,880 --> 00:12:13,440 Speaker 1: When we kept putting in our our female show. We 261 00:12:13,480 --> 00:12:15,320 Speaker 1: didn't know what song could put because it wasn't there 262 00:12:15,360 --> 00:12:17,160 Speaker 1: wasn't a single, so we just put all the songs. So, dude, 263 00:12:17,160 --> 00:12:19,600 Speaker 1: that is cool to like be on something that's like, oh, 264 00:12:19,640 --> 00:12:24,000 Speaker 1: eventually people know what's good and now everyone today probably 265 00:12:24,880 --> 00:12:27,440 Speaker 1: album sold like crazy, like crazy, right, that's a game 266 00:12:27,480 --> 00:12:29,959 Speaker 1: changer when you win something like that. Oh you're four 267 00:12:30,080 --> 00:12:36,760 Speaker 1: or four Grammys? Yeah, so now just good. Um, we 268 00:12:37,200 --> 00:12:39,320 Speaker 1: run through some of the stuff anyway, Congratulations to Casey 269 00:12:39,400 --> 00:12:44,280 Speaker 1: must I'm a massive fan. Um. So to say that 270 00:12:44,320 --> 00:12:45,960 Speaker 1: on the front and then also to say that the 271 00:12:45,960 --> 00:12:49,000 Speaker 1: Grammys are just generally they're not vote they are not 272 00:12:49,080 --> 00:12:52,679 Speaker 1: voted on by the people. That really doesn't if by 273 00:12:52,679 --> 00:12:55,000 Speaker 1: the way, that can't happen almost because if it gets 274 00:12:55,040 --> 00:12:57,200 Speaker 1: voted on by the people, you have boy bands winning 275 00:12:57,200 --> 00:12:59,640 Speaker 1: every time, And not that boy bands don't deserve to win, 276 00:12:59,840 --> 00:13:03,320 Speaker 1: but those are people who vote, teenagers who get online 277 00:13:03,480 --> 00:13:06,640 Speaker 1: and hammer that South Korean. There's just not an accurate 278 00:13:06,679 --> 00:13:10,160 Speaker 1: representation BTS right, It's hard to have an accurate representation. 279 00:13:10,600 --> 00:13:12,560 Speaker 1: But the grammars are so prestigious because of people voting 280 00:13:12,559 --> 00:13:14,199 Speaker 1: are so prestigious. But you also got to know that 281 00:13:14,559 --> 00:13:16,520 Speaker 1: the normal stuff doesn't win a whole lot because the 282 00:13:16,520 --> 00:13:19,079 Speaker 1: people voting feel like they're a sellout if they vote 283 00:13:19,720 --> 00:13:21,680 Speaker 1: for Album of the Year, they vote for Drake. Drake 284 00:13:21,720 --> 00:13:26,920 Speaker 1: did win like that. So that's roll through some of these. 285 00:13:28,200 --> 00:13:32,280 Speaker 1: You want to find the difference in record and album definition. 286 00:13:32,800 --> 00:13:37,600 Speaker 1: From what I noticed, records a song, songwriters um, and 287 00:13:37,640 --> 00:13:42,040 Speaker 1: then album is the company. What do you know that 288 00:13:42,160 --> 00:13:44,800 Speaker 1: answer to this? I believe the song is the artist, 289 00:13:46,040 --> 00:13:50,800 Speaker 1: the record is the songwriters, and album is literally the album, 290 00:13:50,880 --> 00:13:53,400 Speaker 1: the whole album. Record is probably not also just songwriters, 291 00:13:53,400 --> 00:13:57,240 Speaker 1: but also producers to the people that worked on the album, 292 00:13:57,320 --> 00:13:59,959 Speaker 1: because they they often say who the sound people are 293 00:14:00,080 --> 00:14:06,480 Speaker 1: good clarification. Um, But it's still confusing because when they 294 00:14:06,520 --> 00:14:08,520 Speaker 1: said record, I thought like, Okay, this is the record. 295 00:14:08,520 --> 00:14:10,199 Speaker 1: Then they would name the songs or whatever, and I 296 00:14:10,280 --> 00:14:12,400 Speaker 1: was like, oh, I don't really get it. Record of 297 00:14:12,400 --> 00:14:17,240 Speaker 1: the year all those include in making this song. So producer, engineer, 298 00:14:17,679 --> 00:14:20,680 Speaker 1: the mixer, person who performed it, all that song of 299 00:14:20,680 --> 00:14:22,040 Speaker 1: the year, the were ghost person who wrote the song. 300 00:14:22,080 --> 00:14:23,960 Speaker 1: Bruno Mars may have song a song, but he wouldn't 301 00:14:23,960 --> 00:14:26,280 Speaker 1: win it. The person who wrote it would. So which 302 00:14:26,280 --> 00:14:30,440 Speaker 1: one did Childish Gambino win? Because that was funny record. 303 00:14:31,520 --> 00:14:33,600 Speaker 1: He formed it and everybody the producer, of the engineer, 304 00:14:33,840 --> 00:14:37,160 Speaker 1: all the people, the nineties seven people. That was funny 305 00:14:37,200 --> 00:14:40,560 Speaker 1: to me because just the producers or whoever, the guys 306 00:14:40,600 --> 00:14:43,720 Speaker 1: that worked on it went up and like literally hadn't 307 00:14:43,720 --> 00:14:45,760 Speaker 1: They're like, well, I really wish Donald was here. Yeah, 308 00:14:45,800 --> 00:14:47,520 Speaker 1: he said he wasn't going. He was like, I'm not 309 00:14:47,520 --> 00:14:49,040 Speaker 1: going to the ground and he kind of left him 310 00:14:49,120 --> 00:14:50,640 Speaker 1: up there, kind of just like all right, well this 311 00:14:50,680 --> 00:14:52,400 Speaker 1: is our moment. Nobody knows who we are. Let's just 312 00:14:52,440 --> 00:14:57,760 Speaker 1: talk Ariana Grande one and she wasn't there. Who else 313 00:14:57,800 --> 00:14:59,160 Speaker 1: was there last night? There are a few people to 314 00:14:59,200 --> 00:15:02,440 Speaker 1: backed out, so we were I see I thought Drake 315 00:15:02,480 --> 00:15:04,120 Speaker 1: wasn't going, and then I saw him good up there 316 00:15:04,280 --> 00:15:07,600 Speaker 1: and he and Drake said something like the award related 317 00:15:07,640 --> 00:15:09,480 Speaker 1: at me and anything. It's about it. You know, if 318 00:15:09,520 --> 00:15:10,960 Speaker 1: you get to make songs go to people in your hometown, 319 00:15:10,960 --> 00:15:14,480 Speaker 1: I think you're a hero. So I thought that Alicia 320 00:15:14,520 --> 00:15:17,080 Speaker 1: Keys was awesome as a host because she wasn't trying 321 00:15:17,080 --> 00:15:19,360 Speaker 1: to give me a laugh and I knew that, and 322 00:15:19,440 --> 00:15:21,720 Speaker 1: she just seemed like real. We talked about it before. 323 00:15:21,760 --> 00:15:23,560 Speaker 1: I was like, I wonder how Alicia Key's gonna do, 324 00:15:23,600 --> 00:15:25,200 Speaker 1: and you're like, they wouldn't put her in a place 325 00:15:25,200 --> 00:15:28,000 Speaker 1: where she can fail. Her thing isn't too entertain or 326 00:15:28,480 --> 00:15:32,080 Speaker 1: make you laugh, kind of like like Conan's hosting. Yeah, 327 00:15:32,120 --> 00:15:34,600 Speaker 1: Kevin Hart would make you laugh. Like they're not gonna 328 00:15:34,640 --> 00:15:36,200 Speaker 1: make her do that, and you're a spot on. It 329 00:15:36,240 --> 00:15:38,800 Speaker 1: wasn't about her. Yeah, they had her do what she does, 330 00:15:39,440 --> 00:15:47,080 Speaker 1: which is talk genuinely and um intelligently about music. And 331 00:15:47,120 --> 00:15:49,480 Speaker 1: also she looked really nice and cool at times. And 332 00:15:49,480 --> 00:15:50,600 Speaker 1: then we come back to her. She didn't know she 333 00:15:50,640 --> 00:15:52,560 Speaker 1: was like camera and she was like talking to the crowd. 334 00:15:52,600 --> 00:15:55,040 Speaker 1: They look, we love get it's a good look and 335 00:15:55,080 --> 00:15:59,160 Speaker 1: she's just beautiful. Yeah, she's just gorgeous. Child just can't 336 00:15:59,160 --> 00:16:00,440 Speaker 1: be in the one Record of the Year and Song 337 00:16:00,520 --> 00:16:04,200 Speaker 1: of the Year both all categories. Right, So he had 338 00:16:04,200 --> 00:16:07,000 Speaker 1: a big night. I like it music video because it 339 00:16:07,040 --> 00:16:09,120 Speaker 1: didn't make me feel weird for being like not super 340 00:16:09,200 --> 00:16:11,640 Speaker 1: ripped up because Donald Loover is not. He's not. And 341 00:16:11,680 --> 00:16:13,920 Speaker 1: he has no problem tagging his shirt off and moving 342 00:16:13,960 --> 00:16:16,680 Speaker 1: his body the way bodies normally don't move. I like that. 343 00:16:17,040 --> 00:16:18,760 Speaker 1: And he's super talented, nothing like me, but still I 344 00:16:18,800 --> 00:16:20,000 Speaker 1: feel like he's like me. Do you ever try to 345 00:16:20,080 --> 00:16:26,880 Speaker 1: dance like him? No? Yea best new artists want to 346 00:16:26,880 --> 00:16:30,720 Speaker 1: do alipa. I was glad to see Dan and Sha 347 00:16:30,800 --> 00:16:35,960 Speaker 1: win a Grammy when they got shut out. They wont 348 00:16:36,000 --> 00:16:39,440 Speaker 1: Best Performance by a Duo Regroup. Who else the group category? 349 00:16:39,440 --> 00:16:44,040 Speaker 1: I remember, and they performed last night and I gets 350 00:16:44,040 --> 00:16:45,280 Speaker 1: I don't know what you do, but I get all 351 00:16:45,280 --> 00:16:48,480 Speaker 1: the feelings when like some kind of Nashville song like 352 00:16:48,520 --> 00:16:50,920 Speaker 1: this makes it to that level yeah, where you're just 353 00:16:50,960 --> 00:16:54,600 Speaker 1: because you know, we had Nicole Galleant songwriter on here 354 00:16:54,640 --> 00:16:56,880 Speaker 1: about talking about this song and Dan, you know, his 355 00:16:56,960 --> 00:16:59,320 Speaker 1: friend of ours, like were they It's like they're at 356 00:16:59,320 --> 00:17:02,240 Speaker 1: the Grammys in this song and now everyone is listening. 357 00:17:02,400 --> 00:17:06,119 Speaker 1: It's a huge hit smash and they're they're just doing it, 358 00:17:06,160 --> 00:17:08,160 Speaker 1: and we're like, that just makes it makes I don't 359 00:17:08,160 --> 00:17:09,520 Speaker 1: know about how it makes you feel, but it's just like, 360 00:17:09,600 --> 00:17:11,639 Speaker 1: dang man, it's like right here in our backyard and 361 00:17:11,680 --> 00:17:13,600 Speaker 1: now everyone knows about it. Just shows you can do 362 00:17:13,680 --> 00:17:16,280 Speaker 1: it because they just sat there with an idea and 363 00:17:16,320 --> 00:17:19,160 Speaker 1: turned it into a thing. Here. That was Brothers Osborne 364 00:17:19,160 --> 00:17:22,720 Speaker 1: shoot me straight, uh, Tequila, Dan and Shay when someone 365 00:17:22,760 --> 00:17:24,560 Speaker 1: stops loving you a little big town dear hate Marion 366 00:17:24,600 --> 00:17:26,879 Speaker 1: Morris to Vince Gill and meant to be Bbrex of 367 00:17:26,920 --> 00:17:30,359 Speaker 1: Florida Georgia line, which was huge, which right which I 368 00:17:30,359 --> 00:17:33,080 Speaker 1: would say that Tequila did to Florida Georgia line what 369 00:17:33,119 --> 00:17:35,840 Speaker 1: Brothers Osborne did to Dan and Shay at the CMA. 370 00:17:36,040 --> 00:17:37,720 Speaker 1: It goes on and on, it goes on and on. 371 00:17:38,280 --> 00:17:39,919 Speaker 1: I feel bad for those guys. No, you know what, 372 00:17:40,000 --> 00:17:43,520 Speaker 1: I don't. I don't because they get again, they're so 373 00:17:43,600 --> 00:17:48,720 Speaker 1: big that and they do things with pop artists that 374 00:17:48,840 --> 00:17:51,080 Speaker 1: the country voters go, yeah, we don't want to get 375 00:17:51,080 --> 00:17:53,840 Speaker 1: more votes, and they get dicked out of stuff and 376 00:17:53,880 --> 00:17:56,480 Speaker 1: then I feel like they you know, if they had 377 00:17:56,520 --> 00:17:57,880 Speaker 1: one last night would have been like that makes sense 378 00:17:57,880 --> 00:17:59,840 Speaker 1: Florida Georgie only I should have won. But they're good. 379 00:18:00,000 --> 00:18:02,080 Speaker 1: I think they're good. My point is there. So again, 380 00:18:02,119 --> 00:18:03,840 Speaker 1: you're so rich and you're famous, you're killing it. You 381 00:18:03,880 --> 00:18:09,560 Speaker 1: still want that sort of validation like they went. They've 382 00:18:09,600 --> 00:18:12,639 Speaker 1: gotten it though through you still want it from your peers. 383 00:18:13,880 --> 00:18:15,360 Speaker 1: You can have everything in the world, you still want 384 00:18:15,359 --> 00:18:17,720 Speaker 1: it from your peers. Well, can we tell them like, 385 00:18:17,760 --> 00:18:19,680 Speaker 1: I haven't forgot I don't. I still think they're good. 386 00:18:19,800 --> 00:18:21,520 Speaker 1: But you're not of Graham. You know you're gonna give 387 00:18:21,520 --> 00:18:23,439 Speaker 1: a trophy. Man, I'm a voter. You're gonna give him 388 00:18:23,440 --> 00:18:26,560 Speaker 1: the eddie. Yeah, your head on a taco show. Still 389 00:18:27,520 --> 00:18:32,000 Speaker 1: we we validate you? Yeah? Uh, let me pause one second. 390 00:18:32,040 --> 00:18:34,800 Speaker 1: Let's talk about the Grammys and to this commercial. For me, 391 00:18:34,880 --> 00:18:37,000 Speaker 1: sleep is so important when I do this show. I'm 392 00:18:37,040 --> 00:18:40,399 Speaker 1: sure whatever you're doing today, sleep is so important. But 393 00:18:40,440 --> 00:18:43,000 Speaker 1: you feel like maybe you can't get quality sleep because 394 00:18:43,000 --> 00:18:45,919 Speaker 1: you're so busy. We're all busy. We need to have 395 00:18:45,960 --> 00:18:48,400 Speaker 1: the perfect conditions to get that good rest. And let 396 00:18:48,440 --> 00:18:51,960 Speaker 1: me suggest to you a sleep number. Bed. My sleep 397 00:18:52,040 --> 00:18:56,119 Speaker 1: number is third, I love mine. There has never been 398 00:18:56,160 --> 00:18:59,680 Speaker 1: a better time to save unproven quality sleep Now during 399 00:18:59,720 --> 00:19:02,359 Speaker 1: the command Sleep Number event a Queen three sixty smart 400 00:19:02,359 --> 00:19:06,000 Speaker 1: bed starts at only eight. If you're a couple that 401 00:19:06,080 --> 00:19:10,160 Speaker 1: disagrees on mattress firmness, well fear no more. 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They've 431 00:20:31,520 --> 00:20:34,639 Speaker 1: helped me so many times. Life flock dot Com Best 432 00:20:34,640 --> 00:20:43,920 Speaker 1: Solo Performance Kasy Musgraves Butterflies Now Best Country Songs, Space 433 00:20:43,960 --> 00:20:55,320 Speaker 1: Cowboy Kasy Musgraves ca Yeah for her Man, who did 434 00:20:55,320 --> 00:20:58,720 Speaker 1: you see last night on the show And you went, oh, 435 00:20:58,840 --> 00:21:02,600 Speaker 1: holy crap, Yeah that her girl? Oh you thought she was? 436 00:21:02,760 --> 00:21:06,120 Speaker 1: I did, Okay, I don't know who she is. I've 437 00:21:06,119 --> 00:21:08,600 Speaker 1: never heard of her. And she came out with a 438 00:21:08,640 --> 00:21:11,800 Speaker 1: crystal clear guitar like starts, and she didn't shred it 439 00:21:11,880 --> 00:21:14,960 Speaker 1: or anything like nothing crazy, but she held her own. 440 00:21:15,119 --> 00:21:17,600 Speaker 1: She did cool little like little leads and sounded good 441 00:21:17,640 --> 00:21:21,399 Speaker 1: and she's just pure entertainer like she just she owned 442 00:21:21,400 --> 00:21:24,440 Speaker 1: that stage and owned the Grammys for that four minutes. 443 00:21:24,480 --> 00:21:27,360 Speaker 1: Here are you? Are you sure? I think you're talking 444 00:21:27,359 --> 00:21:29,720 Speaker 1: about Janelle? Janelle mo? No, no, no, the one little 445 00:21:29,800 --> 00:21:33,480 Speaker 1: little class. You know what? She did have a clear guitar. Yeah, 446 00:21:33,520 --> 00:21:35,040 Speaker 1: That's what I'm talking about. She was She had like 447 00:21:35,040 --> 00:21:37,320 Speaker 1: a clear strat and it eventually became a big thing. 448 00:21:37,359 --> 00:21:39,320 Speaker 1: Like it slowly it was just her and then became 449 00:21:39,320 --> 00:21:41,879 Speaker 1: a big thing. Didjenelle Monet performance with my favorite? I 450 00:21:41,920 --> 00:21:43,479 Speaker 1: didn't know she was a musician and she went out 451 00:21:43,480 --> 00:21:48,919 Speaker 1: with the guitar and she was doing dancing with the guelle. 452 00:21:53,720 --> 00:21:55,520 Speaker 1: It felt like a prince. So I felt like like 453 00:21:55,600 --> 00:21:58,720 Speaker 1: princes back in her box. That was good. I thought 454 00:21:58,720 --> 00:22:01,240 Speaker 1: the Dolly tribute was really good. I thought not so 455 00:22:01,400 --> 00:22:03,200 Speaker 1: much that I thought it won the night, but it 456 00:22:03,280 --> 00:22:07,200 Speaker 1: was cool for people to see what we see. That's 457 00:22:08,119 --> 00:22:12,520 Speaker 1: so And Miley Sorus is freaking amazing. Did she People 458 00:22:12,560 --> 00:22:15,000 Speaker 1: need to know how talented she is and what kind 459 00:22:15,000 --> 00:22:18,120 Speaker 1: of voice she has so powerful and so good. This 460 00:22:18,200 --> 00:22:27,680 Speaker 1: is them doing Joline, Yes, and Miley is Dollar, Dottie's daughter, 461 00:22:27,880 --> 00:22:38,200 Speaker 1: Dolly's grant god god mother. Yes, Dolly godmother. And then 462 00:22:38,240 --> 00:22:40,119 Speaker 1: everyone got on stage and saying nine to five. It 463 00:22:40,200 --> 00:22:44,760 Speaker 1: was Marin Miley, a little big town, Katie Perry, um 464 00:22:44,800 --> 00:22:57,200 Speaker 1: also Casey. You know, I was surprised that Kelsey wasn't 465 00:22:57,240 --> 00:22:59,160 Speaker 1: a part of that. She was the female country artist 466 00:22:59,280 --> 00:23:01,640 Speaker 1: that wasn't up there. They didn't give her a spot bones. 467 00:23:01,640 --> 00:23:03,440 Speaker 1: I didn't even think about that because she was there, 468 00:23:04,680 --> 00:23:06,720 Speaker 1: Yes she was, because she presented later in the night. 469 00:23:08,359 --> 00:23:11,440 Speaker 1: Maybe she wasn't physically there. I don't know. Wow, I 470 00:23:11,480 --> 00:23:13,000 Speaker 1: don't know. I don't know the story behind that. But 471 00:23:13,040 --> 00:23:14,520 Speaker 1: I was like, oh, do what Kelsey's not up there 472 00:23:15,680 --> 00:23:18,879 Speaker 1: because all the other female mainstream country artists would have 473 00:23:18,920 --> 00:23:21,600 Speaker 1: thought I would have replaced Katie Perry was too big 474 00:23:21,640 --> 00:23:25,160 Speaker 1: of a star. Really yeah, but the only non country artist. Yeah, 475 00:23:25,320 --> 00:23:28,040 Speaker 1: she could have been up there, or maybe not. Maybe 476 00:23:28,040 --> 00:23:30,359 Speaker 1: there wasn't. Maybe I don't know, but I didn't like 477 00:23:30,440 --> 00:23:34,040 Speaker 1: catch wonder where Kelsey is, Miley Cyrus and Seawan Mendez 478 00:23:34,080 --> 00:23:40,320 Speaker 1: It in my blood piano and I don't really like 479 00:23:40,359 --> 00:23:41,760 Speaker 1: that song until you played on piano and I was 480 00:23:41,800 --> 00:23:45,280 Speaker 1: like talking about it's a pop song. It just sounds 481 00:23:45,320 --> 00:23:47,560 Speaker 1: like a pop song, right, um, But when he played 482 00:23:47,560 --> 00:23:49,280 Speaker 1: on piano, was like, oh, stripped down. It's like a real, 483 00:23:49,520 --> 00:23:51,960 Speaker 1: really cool Bobby kind of song. I saw it for 484 00:23:52,000 --> 00:23:54,840 Speaker 1: the first time at our I Heart Um festival in 485 00:23:54,920 --> 00:23:56,800 Speaker 1: Las Vegas, and he sang it and it's just like, 486 00:23:57,240 --> 00:23:59,040 Speaker 1: that's the first time I got to see him in person. 487 00:23:59,080 --> 00:24:01,920 Speaker 1: Shawn Mendez. It's like, you know, whatever, pop mus That's 488 00:24:01,920 --> 00:24:05,160 Speaker 1: what I'm saying now about my kids. Whatever. God, he's 489 00:24:05,200 --> 00:24:07,919 Speaker 1: so good, So like those songs are so good, and 490 00:24:07,920 --> 00:24:11,360 Speaker 1: he's like super tall and super good looking and super talented. 491 00:24:11,480 --> 00:24:13,920 Speaker 1: And he's getting older because he's still went like ninety 492 00:24:16,040 --> 00:24:17,879 Speaker 1: is he older than that? I still think he's like 493 00:24:18,280 --> 00:24:20,560 Speaker 1: really young. He was a Vine kid. They're kind of 494 00:24:20,560 --> 00:24:22,639 Speaker 1: on Vine when Vine was the thing. He's putting up 495 00:24:22,640 --> 00:24:25,760 Speaker 1: six second videos, so if he twenty, so if he's 496 00:24:25,800 --> 00:24:28,679 Speaker 1: that talented now, dude, forget about it. She's which thing 497 00:24:28,720 --> 00:24:34,840 Speaker 1: about Lady Gaga. Here's my thing. Go back in the 498 00:24:34,920 --> 00:24:37,080 Speaker 1: day when people acted like that. And I want to 499 00:24:37,080 --> 00:24:38,960 Speaker 1: sound old by saying that, but people acted like that 500 00:24:39,040 --> 00:24:42,640 Speaker 1: because they were wasted, like they were gone when Jim 501 00:24:42,640 --> 00:24:45,359 Speaker 1: Morrison acted like that because he took a lot of drugs. 502 00:24:45,400 --> 00:24:48,080 Speaker 1: She's just acting to me, and I guess as I 503 00:24:48,119 --> 00:24:50,080 Speaker 1: see it, it's just like, oh my gosh, how do 504 00:24:50,080 --> 00:24:52,399 Speaker 1: you know she's not on drugs? Because she's not she 505 00:24:52,440 --> 00:24:55,720 Speaker 1: because she talks normal when she's presenting, like she would 506 00:24:55,720 --> 00:25:02,160 Speaker 1: be like hey, but so so to me, it's just like, okay, 507 00:25:02,240 --> 00:25:05,000 Speaker 1: you're you're an entertainer. I get it. But that's like 508 00:25:05,520 --> 00:25:08,720 Speaker 1: it almost felt like she was singing and acting to 509 00:25:08,920 --> 00:25:11,520 Speaker 1: the wrong song. Like if you turned the volume down, 510 00:25:11,560 --> 00:25:13,399 Speaker 1: you would have thought like, oh man, that's a jam 511 00:25:13,400 --> 00:25:17,320 Speaker 1: in rock, but then you turn the volume up and 512 00:25:17,359 --> 00:25:19,280 Speaker 1: it's like, oh, it's a song from that movie. Okay, 513 00:25:19,520 --> 00:25:22,159 Speaker 1: I liked it. I'm into her being weird and different 514 00:25:22,240 --> 00:25:26,320 Speaker 1: because it stands out in the land of where nothing 515 00:25:26,359 --> 00:25:28,560 Speaker 1: stands out, if you can stand out, I'm into it 516 00:25:28,600 --> 00:25:31,000 Speaker 1: because we're talking about it. She's always stood out. Though 517 00:25:31,160 --> 00:25:34,440 Speaker 1: she wore the meat dress, she's always done those. And 518 00:25:34,480 --> 00:25:36,680 Speaker 1: then she went back to being classic. She did Tony 519 00:25:36,680 --> 00:25:39,200 Speaker 1: Bennett stuff, and she took some time, and but I'm 520 00:25:39,280 --> 00:25:42,760 Speaker 1: up for her being nutty because we wouldn't talk about 521 00:25:42,800 --> 00:25:45,919 Speaker 1: her if she if she wasn't nutty, this would not 522 00:25:45,960 --> 00:25:47,920 Speaker 1: even be mentioned because it was just a song from 523 00:25:49,200 --> 00:25:52,199 Speaker 1: whatever the movie. Think about that. If she just went 524 00:25:52,240 --> 00:25:53,479 Speaker 1: up there and nailed the singing part, do you think 525 00:25:53,520 --> 00:25:55,600 Speaker 1: we talked about it right now? It would just be like, okay, cool, 526 00:25:55,640 --> 00:25:58,119 Speaker 1: we expect that from Lady Gaga. So what do you know? 527 00:25:58,359 --> 00:26:01,720 Speaker 1: The backstory behind Bradley Cooper? Was there just here's the Baptist, 528 00:26:02,040 --> 00:26:04,320 Speaker 1: which is kind of big movie awards for the UK. 529 00:26:04,600 --> 00:26:07,760 Speaker 1: I believe that's right because that to me, just automatically, 530 00:26:07,760 --> 00:26:09,719 Speaker 1: without knowing that, I thought were like, well, why wouldn't 531 00:26:09,720 --> 00:26:12,280 Speaker 1: they just tell him both? And they tried, and at 532 00:26:12,280 --> 00:26:13,880 Speaker 1: first I thought he would come out as a surprise, 533 00:26:13,920 --> 00:26:16,840 Speaker 1: but I googled during the show Bradley Cooper's Baptist speech 534 00:26:16,880 --> 00:26:18,359 Speaker 1: and it was two hours prior and there's no way 535 00:26:18,400 --> 00:26:21,880 Speaker 1: he could get from the UK to because I would 536 00:26:21,920 --> 00:26:24,160 Speaker 1: have loved to seeing him sing it live, just because 537 00:26:24,200 --> 00:26:26,040 Speaker 1: he's an actor that, yeah, you come out in the 538 00:26:26,040 --> 00:26:27,879 Speaker 1: gear like I'd love to see it, Like as the 539 00:26:28,119 --> 00:26:30,080 Speaker 1: do you like the movie? I haven't seen it? Dude, 540 00:26:30,560 --> 00:26:33,280 Speaker 1: you're doing all this talk and you haven't seen the movie. No, Well, 541 00:26:33,320 --> 00:26:35,520 Speaker 1: what have I said about the movie that you want 542 00:26:35,560 --> 00:26:38,439 Speaker 1: to see the movie? I want to see him sing. 543 00:26:38,480 --> 00:26:41,439 Speaker 1: You should watch the movie. Think it comes out this 544 00:26:41,520 --> 00:26:44,160 Speaker 1: weekend digitally, like we download it. How do you say 545 00:26:44,200 --> 00:26:48,000 Speaker 1: that it's downloadable? I say digitally digitally? Yeah, I know 546 00:26:48,119 --> 00:26:50,359 Speaker 1: I will now that it's available. But I missed the 547 00:26:50,359 --> 00:26:52,240 Speaker 1: theater time because remember I told you I was driving 548 00:26:52,280 --> 00:26:54,840 Speaker 1: to and I got in a car accident. Yeah it's good, 549 00:26:55,440 --> 00:26:57,359 Speaker 1: So we never got to see it, but I'll watch it. 550 00:26:57,480 --> 00:26:59,720 Speaker 1: Post Maolon got up with the guitar and did stay 551 00:27:00,680 --> 00:27:14,760 Speaker 1: but so at it's up shapen waiting on, which probably 552 00:27:14,760 --> 00:27:17,040 Speaker 1: opened a lot of people's eyes to that. Post Malone's 553 00:27:17,080 --> 00:27:20,160 Speaker 1: also a musician because Mike do you see to play 554 00:27:20,160 --> 00:27:22,040 Speaker 1: a bunch of and he plays guitar a lot. He 555 00:27:22,119 --> 00:27:24,359 Speaker 1: does everything he'll do like a hard rock song and 556 00:27:24,400 --> 00:27:26,520 Speaker 1: then bust out the acoustic do it a country song? 557 00:27:26,600 --> 00:27:29,560 Speaker 1: It does it all. When Miley performed last night, I said, hey, 558 00:27:29,600 --> 00:27:33,600 Speaker 1: I fully endorsing Miley stars country record or song. And 559 00:27:33,600 --> 00:27:35,480 Speaker 1: like all the old school country guys that follow me 560 00:27:35,520 --> 00:27:36,760 Speaker 1: and just like they hate everything I do, were like, 561 00:27:36,920 --> 00:27:39,159 Speaker 1: that's what's wrong with country music? And I think I 562 00:27:39,240 --> 00:27:43,400 Speaker 1: replied to one of those douches and I was like, hey, um, 563 00:27:43,440 --> 00:27:45,520 Speaker 1: I think of something like hey, you know, good luck 564 00:27:45,600 --> 00:27:48,600 Speaker 1: champ or something. I was kind of condescended, that's all 565 00:27:48,600 --> 00:27:50,359 Speaker 1: you came up with. Well, I just I didn't want 566 00:27:50,359 --> 00:27:52,760 Speaker 1: to give him too much of my time give. I 567 00:27:52,800 --> 00:27:56,119 Speaker 1: don't like to give people my brain space, right, especially 568 00:27:56,160 --> 00:27:57,800 Speaker 1: when they say something like that you gotta pay rent 569 00:27:57,840 --> 00:27:59,560 Speaker 1: to be living up there. In my head, right, I 570 00:27:59,600 --> 00:28:01,240 Speaker 1: don't even way up there for free. That I don't 571 00:28:01,280 --> 00:28:04,960 Speaker 1: like charge high rise rent. And so I was like, yeah, whatever, 572 00:28:05,200 --> 00:28:07,080 Speaker 1: He's like, dude, what's wrong with it? But I was 573 00:28:07,119 --> 00:28:09,200 Speaker 1: just again, I was thinking about it this morning listening 574 00:28:09,200 --> 00:28:11,920 Speaker 1: to the clips. Like Miley from Nashville, his dad is 575 00:28:11,920 --> 00:28:15,399 Speaker 1: a country star. Sounds like everything about her country except 576 00:28:15,400 --> 00:28:19,200 Speaker 1: she went to l A to act early Dolly Partons, 577 00:28:19,200 --> 00:28:23,600 Speaker 1: her godmother. Everything about her his country except when she 578 00:28:23,640 --> 00:28:25,600 Speaker 1: was kids she moved over to It's like all these 579 00:28:25,720 --> 00:28:28,159 Speaker 1: there are, all of our roots are country, like we 580 00:28:28,480 --> 00:28:31,280 Speaker 1: live in America, you know, this is the way it is. 581 00:28:31,359 --> 00:28:33,760 Speaker 1: Like like Darius, he was a rock he was a 582 00:28:33,840 --> 00:28:36,920 Speaker 1: rock guy, you know, and he's a country artist. Billy 583 00:28:37,040 --> 00:28:40,920 Speaker 1: Ray Cyrus, let's be getting more country like as Billy's Daughter. 584 00:28:42,480 --> 00:28:44,440 Speaker 1: That's just ridiculous to me that somebody would say that. 585 00:28:44,680 --> 00:28:47,080 Speaker 1: I thought when post Malone performed the Chili Peppers that sucked. 586 00:28:47,600 --> 00:28:49,440 Speaker 1: Why and I love the Chili Peppers. Nobody dow the 587 00:28:49,480 --> 00:28:53,600 Speaker 1: song like you play when I watched an Awards show 588 00:28:53,600 --> 00:28:55,080 Speaker 1: and I'm giving you my time where I could be 589 00:28:55,120 --> 00:28:57,280 Speaker 1: watching something on Netflix. You better give me stuff that 590 00:28:57,320 --> 00:28:58,760 Speaker 1: I know and really love or blow me away with 591 00:28:58,760 --> 00:29:01,400 Speaker 1: stuff I don't but cool to see the Chili Peppers 592 00:29:01,400 --> 00:29:03,040 Speaker 1: on the stage. They need to play with. If post 593 00:29:03,040 --> 00:29:04,280 Speaker 1: Malone's a new one, they need to be the old 594 00:29:04,280 --> 00:29:06,480 Speaker 1: one that plays an old song. He's playing new hits. 595 00:29:06,480 --> 00:29:08,160 Speaker 1: Bring out the Chili Peppers and they need to give 596 00:29:08,160 --> 00:29:10,920 Speaker 1: it away. Do under the bridge of post Malone. They 597 00:29:10,920 --> 00:29:13,480 Speaker 1: need to do something big again. It's hard to keep 598 00:29:13,480 --> 00:29:16,360 Speaker 1: people's attentions for any space at all. I bet you 599 00:29:16,360 --> 00:29:18,880 Speaker 1: people change it like crazy during the Chili Peppers because 600 00:29:18,880 --> 00:29:21,360 Speaker 1: I was like, what freak song is this? Yeah, and 601 00:29:21,440 --> 00:29:24,480 Speaker 1: I love the Chili Peppers. I probably seen him couts 602 00:29:24,480 --> 00:29:26,920 Speaker 1: are nine times. I wonder if post Malone wanted to 603 00:29:26,960 --> 00:29:30,240 Speaker 1: do that or how that happens. No, he doesn't dictate 604 00:29:30,280 --> 00:29:32,920 Speaker 1: their song, so just kind of like guitar. They're like, hey, 605 00:29:32,920 --> 00:29:35,000 Speaker 1: we can smash you guys together. He's probably like cool, 606 00:29:35,360 --> 00:29:36,880 Speaker 1: he played guitar. He didn't even sing their song. He 607 00:29:36,920 --> 00:29:39,360 Speaker 1: just played guitar. I mean, he didn't look like he 608 00:29:39,400 --> 00:29:41,320 Speaker 1: was having fun, kind of looking at when you get 609 00:29:41,360 --> 00:29:43,560 Speaker 1: to do a side, you know, play guitar. But that 610 00:29:43,640 --> 00:29:45,880 Speaker 1: was really cool about Post Malone's playing the acoustic, Like 611 00:29:45,920 --> 00:29:48,120 Speaker 1: I would never have thought of him as someone they 612 00:29:48,160 --> 00:29:50,120 Speaker 1: can do that, So that is cool that you get 613 00:29:50,120 --> 00:29:52,280 Speaker 1: to see another side of an artist that. But notice 614 00:29:52,320 --> 00:29:54,480 Speaker 1: he also didn't do a full song, right. He did 615 00:29:54,480 --> 00:30:00,520 Speaker 1: his piece and then he went back. Um, I thought 616 00:30:01,000 --> 00:30:02,920 Speaker 1: it looked like he got lost for a second. Did 617 00:30:02,960 --> 00:30:07,320 Speaker 1: you guys see that? He goes hey, he uh, he 618 00:30:07,360 --> 00:30:08,840 Speaker 1: has the microphone and he goes back and they cut 619 00:30:08,840 --> 00:30:10,440 Speaker 1: away and he's back under the bleachers coming out with 620 00:30:10,480 --> 00:30:13,960 Speaker 1: the red It looks at the camera like I supposed to. 621 00:30:14,280 --> 00:30:23,160 Speaker 1: It's like, I'm that was cool, Alicia Keys, I did 622 00:30:23,200 --> 00:30:27,640 Speaker 1: not see this. I was you didn't see dude? Amazing, 623 00:30:27,920 --> 00:30:30,960 Speaker 1: wasn't you think about Musically? You think about it like, oh, 624 00:30:31,040 --> 00:30:33,520 Speaker 1: how cool she's playing two pianos, But really, your left 625 00:30:33,560 --> 00:30:36,080 Speaker 1: hand when you play piano does opposite of your right hand, 626 00:30:36,240 --> 00:30:38,640 Speaker 1: so it's possible. It's not like, oh wow, she can 627 00:30:38,680 --> 00:30:41,720 Speaker 1: play two po That to me wasn't surprising. It was 628 00:30:42,240 --> 00:30:45,480 Speaker 1: the knowledge of music and the songs she picked like 629 00:30:45,680 --> 00:30:55,120 Speaker 1: all over the map. But she was like singing with 630 00:30:55,120 --> 00:30:56,720 Speaker 1: Smokey Robinson and they were just up there doing that, 631 00:30:57,280 --> 00:31:01,240 Speaker 1: um the tracks of My Tears and Attracts some and 632 00:31:01,280 --> 00:31:02,680 Speaker 1: she was just hitting those harmonies with him. They were 633 00:31:02,680 --> 00:31:04,520 Speaker 1: just I was like, God, they're both so good. Man 634 00:31:04,800 --> 00:31:08,440 Speaker 1: smokes like seventy something. Diana Ross was awesome. She can 635 00:31:08,480 --> 00:31:11,520 Speaker 1: still sing. She's seventy five. That's crazy, and she was 636 00:31:11,560 --> 00:31:14,800 Speaker 1: singing big. That's that was cool to all these legends 637 00:31:14,880 --> 00:31:19,120 Speaker 1: that can still do it, Dolly, Diana Ross, Smokey Like 638 00:31:19,600 --> 00:31:21,680 Speaker 1: we we would think of all these old legends like, okay, 639 00:31:21,680 --> 00:31:23,120 Speaker 1: cool that they were cool back in the day, but 640 00:31:23,160 --> 00:31:27,600 Speaker 1: they still got it. The biggest snubs Z the Middle 641 00:31:27,600 --> 00:31:37,400 Speaker 1: with Mary Morris up for five awards, one zero snub. 642 00:31:38,160 --> 00:31:39,920 Speaker 1: I don't think it was a snub up for five 643 00:31:40,400 --> 00:31:42,200 Speaker 1: point is it was up for five dn't win any Yeah, 644 00:31:42,320 --> 00:31:44,120 Speaker 1: Like it's the most amount that didn't win any I 645 00:31:44,200 --> 00:31:47,040 Speaker 1: just feel like that that song was awesome. For Marin 646 00:31:47,080 --> 00:31:50,000 Speaker 1: and we were like, oh yeah, we knew Marion before 647 00:31:50,000 --> 00:31:52,000 Speaker 1: all that, and that really helped her and it was cool. 648 00:31:52,080 --> 00:31:54,920 Speaker 1: But in the pop category, it was a tard commercial 649 00:31:54,960 --> 00:31:58,160 Speaker 1: to me. To me, it's a hard commercial. To me, 650 00:31:59,040 --> 00:32:00,959 Speaker 1: that's not to me, that's fine, but that's how we 651 00:32:00,960 --> 00:32:03,400 Speaker 1: were introduced to it. Maybe the Grammy's last year is 652 00:32:03,440 --> 00:32:06,520 Speaker 1: that where that song came out. I thought it was 653 00:32:06,520 --> 00:32:09,400 Speaker 1: super bold. I think I was told it, well whatever, 654 00:32:09,960 --> 00:32:14,000 Speaker 1: I'm wrong, but it's an awesome song. Yeah. Also post 655 00:32:14,040 --> 00:32:17,480 Speaker 1: Malone up for four one none the popping, popping man. 656 00:32:17,520 --> 00:32:20,440 Speaker 1: I feel just let a rock star crazy to me? 657 00:32:20,800 --> 00:32:23,800 Speaker 1: What that he didn't win any Again, it comes out 658 00:32:23,840 --> 00:32:26,040 Speaker 1: of what category you're in, who you're against, what they've done. 659 00:32:26,760 --> 00:32:32,520 Speaker 1: The voting all right, postponed a couple of times. Did 660 00:32:32,560 --> 00:32:39,920 Speaker 1: you vote? I did vote? Show cut down your one 661 00:32:39,920 --> 00:32:44,280 Speaker 1: favorite moment last night? One favorite moment um, I guess, 662 00:32:44,360 --> 00:32:47,800 Speaker 1: Dolly to me, Oh no, I'll say Dan and Shade. 663 00:32:48,000 --> 00:32:50,680 Speaker 1: I'll say Dan and Shade because again we root hard 664 00:32:50,720 --> 00:32:52,360 Speaker 1: for them and just to see him up there. Although 665 00:32:52,400 --> 00:32:56,120 Speaker 1: I think Dan's fly was down, either it was down 666 00:32:56,200 --> 00:32:58,280 Speaker 1: or his pants are made funny. Yeah, something something, something 667 00:32:58,360 --> 00:33:00,720 Speaker 1: was up, which who cares like that's awesome. I wish 668 00:33:00,760 --> 00:33:02,680 Speaker 1: like more people were just like it make the internet 669 00:33:02,760 --> 00:33:05,960 Speaker 1: go crazy, But it's not because it was really cool 670 00:33:06,000 --> 00:33:10,320 Speaker 1: to watch him strip that song down piano one against Say, 671 00:33:10,360 --> 00:33:13,360 Speaker 1: I didn't know he can play piano. That's awesome. And 672 00:33:13,400 --> 00:33:16,000 Speaker 1: then Dan, of course, he's just great in his background 673 00:33:16,040 --> 00:33:18,720 Speaker 1: vocals and guitar. Everything sounded awesome. But then at the 674 00:33:18,880 --> 00:33:22,040 Speaker 1: very end, Shaye holds that note for like thirty seconds 675 00:33:22,040 --> 00:33:25,200 Speaker 1: and just kills the auditorium and then probably kills the 676 00:33:25,200 --> 00:33:28,440 Speaker 1: whole world watching like so so so good. And I 677 00:33:28,480 --> 00:33:31,640 Speaker 1: just couldn't be happier for those guys. They wrote Speechless together. 678 00:33:32,720 --> 00:33:34,040 Speaker 1: Dan was the only one of the three that wrote 679 00:33:34,040 --> 00:33:37,040 Speaker 1: Tequila because I think, like, if I remember right, she 680 00:33:37,200 --> 00:33:39,960 Speaker 1: was like I'm just skipped this right or something. No, 681 00:33:40,120 --> 00:33:46,120 Speaker 1: And SHA's probably like I'm just gonna sleep in. That's 682 00:33:46,120 --> 00:33:51,000 Speaker 1: always gonna be a weird, weird deal. Yeah, but say, 683 00:33:51,840 --> 00:33:54,240 Speaker 1: I just don't know if that kind of stuff bothers him. Well, listen, 684 00:33:54,280 --> 00:33:55,680 Speaker 1: you're not getting paid out if it bothers you, we 685 00:33:55,760 --> 00:33:58,680 Speaker 1: kind of probably wish paychecks writer paychecks there do I 686 00:33:58,760 --> 00:34:01,200 Speaker 1: just fine, though, don't get me wrong. Uh, let's see 687 00:34:01,520 --> 00:34:04,480 Speaker 1: what was your favorite. My favorite performance and I wasn't 688 00:34:04,480 --> 00:34:07,120 Speaker 1: expecting again was the Janelle Monet because she came out 689 00:34:07,160 --> 00:34:10,600 Speaker 1: with the bamp bound and then they started dancing. I 690 00:34:10,600 --> 00:34:12,120 Speaker 1: would really like the beginning. I didn't think I was 691 00:34:12,120 --> 00:34:13,640 Speaker 1: gonna like to come in like a Beao performance. I 692 00:34:13,640 --> 00:34:15,640 Speaker 1: was like, oh, But then when they started dancing to 693 00:34:15,680 --> 00:34:17,279 Speaker 1: all the salts and stuff, I was like, this is 694 00:34:17,320 --> 00:34:20,840 Speaker 1: freaking cool. The Ricky Martin came out, Um, who's the rapper? 695 00:34:21,160 --> 00:34:25,560 Speaker 1: They said on the bench, or is the singer? Is she? 696 00:34:25,760 --> 00:34:27,799 Speaker 1: What is she? Puerto Rican? Are they all Puerto Rican? 697 00:34:28,480 --> 00:34:30,440 Speaker 1: Is that like Ricky Martin? I don't know. Is she 698 00:34:30,520 --> 00:34:35,640 Speaker 1: from Cuba because Havana. Of course she's Cuban, but that 699 00:34:35,719 --> 00:34:37,920 Speaker 1: song is Havana the capital like Cuba. I love that 700 00:34:37,960 --> 00:34:40,439 Speaker 1: style of music, man, Like that's not me. I didn't 701 00:34:40,440 --> 00:34:43,000 Speaker 1: grow up with that, but like I love that that 702 00:34:43,000 --> 00:34:47,480 Speaker 1: that Cuban Puerto Rican Dominicans not sound like so good. 703 00:34:47,520 --> 00:34:48,880 Speaker 1: When they were doing all the dancing, I thought it 704 00:34:48,920 --> 00:34:53,600 Speaker 1: was pretty freaking cool. Where is the caminic abao From's Cuban? 705 00:34:53,719 --> 00:34:56,640 Speaker 1: She's Cuban, havan not not not not? And so Ricky 706 00:34:56,719 --> 00:34:59,120 Speaker 1: did he have a mustache? I can remember him and 707 00:34:59,200 --> 00:35:02,520 Speaker 1: Dave Girl are not. But Anthony Keats so is that 708 00:35:02,800 --> 00:35:06,680 Speaker 1: is that something you would ever want? Okay, I'm good. 709 00:35:06,719 --> 00:35:08,759 Speaker 1: You shut that down quick. I'm all caught up on 710 00:35:08,800 --> 00:35:11,799 Speaker 1: my stage. Hey, Ricky Martin's got one. The Niketas has one, 711 00:35:12,520 --> 00:35:17,080 Speaker 1: My dad has one. Young thug was the rapper. He 712 00:35:17,239 --> 00:35:18,959 Speaker 1: started it. But who was the guy in the bench 713 00:35:19,000 --> 00:35:21,560 Speaker 1: though they had the newspaper? Oh yeah, I know you're 714 00:35:21,560 --> 00:35:24,640 Speaker 1: talking about Bill Bridges, not Walls in the newspapers making 715 00:35:24,640 --> 00:35:26,720 Speaker 1: his political statement and then he got up and either 716 00:35:26,800 --> 00:35:29,440 Speaker 1: sang or wrapped or something. You'll see him down there. 717 00:35:29,480 --> 00:35:31,799 Speaker 1: We're scrolling through it on YouTube right now. Uh. There 718 00:35:31,840 --> 00:35:33,080 Speaker 1: he is right there. Do you know who that is? 719 00:35:34,280 --> 00:35:36,000 Speaker 1: It looks like my jumpsuit for the reveging idiots when 720 00:35:36,040 --> 00:35:42,960 Speaker 1: we used to wear those. Huh, that's all right, j Balvin, 721 00:35:44,000 --> 00:35:46,080 Speaker 1: that's whose name is? How come I never heard of him? 722 00:35:46,080 --> 00:35:50,719 Speaker 1: I don't know who that guy is. Okay. Columbian caught 723 00:35:50,800 --> 00:35:54,279 Speaker 1: up on the Columbian Pod. We're gonna wrap it up. 724 00:35:54,400 --> 00:35:57,480 Speaker 1: That's the Grammy podcast. Edie. Appreciate you being here. Yeah, man, 725 00:35:57,480 --> 00:35:59,239 Speaker 1: thanks for having me. Do you know one thing real quick? 726 00:35:59,480 --> 00:36:02,200 Speaker 1: I noticed like it made me a little sad to 727 00:36:02,200 --> 00:36:04,719 Speaker 1: see Backstreet Boys kind of tucked away in the audience. 728 00:36:04,920 --> 00:36:08,000 Speaker 1: I didn't see them like they were Maybe who's the 729 00:36:08,280 --> 00:36:11,040 Speaker 1: Kevin Is that one of the guys? I saw him 730 00:36:11,120 --> 00:36:12,840 Speaker 1: kind of back then, like man, that that's gotta be 731 00:36:13,080 --> 00:36:16,160 Speaker 1: nuts too, like one at some point I was writing 732 00:36:16,160 --> 00:36:19,040 Speaker 1: them and they were right in the front like all 733 00:36:19,040 --> 00:36:21,080 Speaker 1: of us, and then slowly just get a move back 734 00:36:21,120 --> 00:36:22,960 Speaker 1: and then you think you, oh, I think I see 735 00:36:23,000 --> 00:36:27,040 Speaker 1: one back there, like dang, man, that's just man. We 736 00:36:27,080 --> 00:36:28,839 Speaker 1: still get to go to Grammys. People think we're cool, 737 00:36:29,320 --> 00:36:32,200 Speaker 1: but I mean, if anyone want to go to the Grammys, 738 00:36:32,239 --> 00:36:33,600 Speaker 1: like from back in the day, can't they just go, 739 00:36:33,680 --> 00:36:35,359 Speaker 1: like Clint Black, can you just show up? I don't 740 00:36:35,400 --> 00:36:42,239 Speaker 1: know they were okay. I thought of you, like, want 741 00:36:42,239 --> 00:36:43,560 Speaker 1: a Grammy at some point in your life, you can 742 00:36:43,560 --> 00:36:44,600 Speaker 1: just call him up and be like, hey, can I 743 00:36:44,640 --> 00:36:47,680 Speaker 1: go to the Grammys? What did grettive? Didn't work that way? 744 00:36:47,800 --> 00:36:49,920 Speaker 1: Maybe it's like the Masters, you win it, you can 745 00:36:49,920 --> 00:36:52,279 Speaker 1: always plan it. Of course, what did Greta Van Fleet 746 00:36:52,320 --> 00:36:55,880 Speaker 1: win a rock album? These guys played I heeart, They 747 00:36:55,960 --> 00:36:58,200 Speaker 1: played around for us, they played before us, and they 748 00:36:58,239 --> 00:36:59,600 Speaker 1: were all too good and we were like, oh crap, 749 00:37:07,560 --> 00:37:08,759 Speaker 1: I hope you watch it, hope you liked to our 750 00:37:08,760 --> 00:37:10,920 Speaker 1: conversation that happens. There's a lot, don't it. Yeah, we 751 00:37:10,960 --> 00:37:12,759 Speaker 1: get can get to people playing in front of us 752 00:37:13,360 --> 00:37:16,000 Speaker 1: because they become because we sell a bunch of tickets 753 00:37:16,040 --> 00:37:17,200 Speaker 1: that you put us at the end and we're like 754 00:37:17,200 --> 00:37:20,200 Speaker 1: guys that we do like an entertaining show. But some 755 00:37:20,239 --> 00:37:22,480 Speaker 1: of these people are really good. Like christianson's open for us. 756 00:37:22,960 --> 00:37:24,799 Speaker 1: He blows people away and we come on. It's still 757 00:37:25,000 --> 00:37:30,000 Speaker 1: do good old Dominion, old Dominion Land. Come on, we could, 758 00:37:30,120 --> 00:37:31,840 Speaker 1: we could run through this people open us. And now 759 00:37:31,920 --> 00:37:34,359 Speaker 1: these guys Greta van Fleet put them on the list. 760 00:37:35,239 --> 00:37:39,520 Speaker 1: Good God. Congratulations really to our people, Casey Dan and 761 00:37:39,560 --> 00:37:45,840 Speaker 1: shape Um anybody else country wise it I mean nominated 762 00:37:45,880 --> 00:37:48,520 Speaker 1: brothers Osborne. Yeah, they're the only country ones at one. 763 00:37:49,160 --> 00:37:51,759 Speaker 1: Good shot, good performance. Thank you very much. We'll see 764 00:37:51,760 --> 00:37:53,560 Speaker 1: you see you next time. Check out Eddie's podcast, the 765 00:37:53,560 --> 00:37:56,279 Speaker 1: sports show. It's called The Sore Losers. I'm gonna do 766 00:37:56,320 --> 00:37:59,479 Speaker 1: that right after this. You're talking about today's sports. Also, 767 00:37:59,480 --> 00:38:02,400 Speaker 1: there's a new I'll be cast up with Emma and Sasha. 768 00:38:02,480 --> 00:38:04,680 Speaker 1: The dance pros were dancing with the stars. Uh, they 769 00:38:04,680 --> 00:38:07,120 Speaker 1: were came to the house. We did a podcast and 770 00:38:07,640 --> 00:38:10,040 Speaker 1: I really liked them, so not a lot of music talk, 771 00:38:10,120 --> 00:38:12,680 Speaker 1: but about their life and dancing with the stars a 772 00:38:12,719 --> 00:38:14,960 Speaker 1: little bit. And no, no no, it's pretty good. Her mom 773 00:38:15,040 --> 00:38:17,239 Speaker 1: mused up a detective and her dad was too like 774 00:38:17,520 --> 00:38:20,840 Speaker 1: n C i S type crawd. Yeah. Wow, thank you 775 00:38:20,920 --> 00:38:24,040 Speaker 1: very much, We'll see you next time. Bye, everybody.