1 00:00:00,240 --> 00:00:02,680 Speaker 1: Hello, and welcome back to movie Mike's Movie Podcast. I 2 00:00:02,720 --> 00:00:05,080 Speaker 1: am your host, Movie Mike, joined by my wife and 3 00:00:05,080 --> 00:00:05,760 Speaker 1: co host Kelsey. 4 00:00:05,800 --> 00:00:06,720 Speaker 2: How are you great? 5 00:00:06,880 --> 00:00:09,399 Speaker 1: Today, we're gonna be talking about the top ten best 6 00:00:09,400 --> 00:00:12,560 Speaker 1: selling DVDs of all time in the movie review. That 7 00:00:12,640 --> 00:00:14,280 Speaker 1: is why Kelsey is here. Because we're talking about a 8 00:00:14,280 --> 00:00:17,000 Speaker 1: new comedy called Babes, and in the trailer park the 9 00:00:17,040 --> 00:00:20,960 Speaker 1: new Francis Ford Coppola movie Megalopolis. So thank you for 10 00:00:21,000 --> 00:00:23,360 Speaker 1: being here, Thank you for being subscribed. Shout out to 11 00:00:23,400 --> 00:00:26,720 Speaker 1: the Monday Morning movie crew. Now let's talk movies. 12 00:00:26,960 --> 00:00:30,160 Speaker 3: In a world where everyone and their mother has a podcast, 13 00:00:30,680 --> 00:00:34,559 Speaker 3: one man stands to infiltrate the ears of listeners like 14 00:00:34,640 --> 00:00:38,600 Speaker 3: never before in a movie podcast, a man with so 15 00:00:38,760 --> 00:00:44,239 Speaker 3: much movie knowledge, he's basically like a walking IMDb with glasses. 16 00:00:44,560 --> 00:00:46,400 Speaker 1: From the Nashville Podcast. 17 00:00:45,960 --> 00:00:49,920 Speaker 3: Network, This is Movie Mike's Movie Podcast. 18 00:00:50,320 --> 00:00:52,639 Speaker 1: We are here to talk about the new movie Babes, 19 00:00:53,200 --> 00:00:54,960 Speaker 1: but I thought it would be also great to have 20 00:00:55,040 --> 00:00:58,440 Speaker 1: you on this topic because it is a look at 21 00:00:58,520 --> 00:01:02,520 Speaker 1: movies essentially from the two thousands, my favorite era, back 22 00:01:02,560 --> 00:01:06,520 Speaker 1: when DVD sales ran rampant and they were the king 23 00:01:06,720 --> 00:01:08,000 Speaker 1: of all media. 24 00:01:08,280 --> 00:01:12,479 Speaker 2: I loved a DVD. I loved the bonus features. 25 00:01:12,040 --> 00:01:14,679 Speaker 1: The menu. You remember the DVD menus. 26 00:01:14,560 --> 00:01:16,240 Speaker 2: And then you would wake up at a sleepover and 27 00:01:16,280 --> 00:01:18,000 Speaker 2: the movie was over and you're back to the menu, 28 00:01:18,160 --> 00:01:20,480 Speaker 2: and it just like man, kids these days don't know. 29 00:01:20,840 --> 00:01:24,640 Speaker 1: Uh yeah, for those who never had a DVD, you 30 00:01:24,760 --> 00:01:27,720 Speaker 1: throw it on. Just the artwork too, on not just 31 00:01:27,760 --> 00:01:31,240 Speaker 1: the case of the DVD, but on the actual disc. 32 00:01:31,680 --> 00:01:33,320 Speaker 1: I love it when they would like play off of 33 00:01:33,640 --> 00:01:37,160 Speaker 1: the movie and maybe make some circular object like that 34 00:01:37,240 --> 00:01:39,679 Speaker 1: would go along with the disc. But throwing a DVD 35 00:01:39,840 --> 00:01:42,440 Speaker 1: on seeing that interactive menu. Some of them would have 36 00:01:42,480 --> 00:01:43,480 Speaker 1: games on them. 37 00:01:43,480 --> 00:01:45,720 Speaker 4: Like the Shrek. Yeah was it Shrek too that had 38 00:01:45,760 --> 00:01:49,440 Speaker 4: like the carry Out probably had the best DVD Shrek idol. 39 00:01:49,520 --> 00:01:51,800 Speaker 2: It's like American idol, but Shrek. That's what it was. 40 00:01:52,040 --> 00:01:57,200 Speaker 1: So many great things that studios and movies would just 41 00:01:57,280 --> 00:02:00,560 Speaker 1: have an emphasis on making a great DVD, which was 42 00:02:00,560 --> 00:02:03,680 Speaker 1: a second part of a movie, in a second life 43 00:02:03,720 --> 00:02:06,000 Speaker 1: of it, which now we just have nothing like that. 44 00:02:06,040 --> 00:02:08,000 Speaker 1: It's all just I guess on social media. 45 00:02:07,880 --> 00:02:11,040 Speaker 2: Bloopers, deleted scenes. The only thing that was bad is 46 00:02:11,080 --> 00:02:13,919 Speaker 2: if you couldn't find the remote to your DVD player 47 00:02:13,960 --> 00:02:16,600 Speaker 2: and you couldn't because you could also do chapter select. 48 00:02:16,600 --> 00:02:17,560 Speaker 1: That's all I was gonna say. 49 00:02:17,720 --> 00:02:20,679 Speaker 2: You could if that was so revolutionary. If you had 50 00:02:20,720 --> 00:02:22,960 Speaker 2: the remote, you could go and you could select like 51 00:02:23,000 --> 00:02:25,040 Speaker 2: the chapter you were at. But if you couldn't find 52 00:02:25,040 --> 00:02:26,760 Speaker 2: the remote, you just had to play from the beginning, 53 00:02:27,080 --> 00:02:30,000 Speaker 2: which essentially is like a BHS, which was I. 54 00:02:30,000 --> 00:02:32,360 Speaker 1: Just remember having my mind blown on that because the 55 00:02:32,360 --> 00:02:36,200 Speaker 1: thing about VHS that was so just painful is if 56 00:02:36,200 --> 00:02:38,880 Speaker 1: it wasn't rewound, you'd have to wait to rewind it. 57 00:02:38,919 --> 00:02:41,440 Speaker 1: But also just finding where you left off if somebody 58 00:02:41,480 --> 00:02:43,920 Speaker 1: else watched it was so hard to do. And I 59 00:02:44,000 --> 00:02:46,680 Speaker 1: just remember that was the biggest selling point to me 60 00:02:46,720 --> 00:02:48,519 Speaker 1: as a kid. You know, I had a high standard 61 00:02:48,560 --> 00:02:50,440 Speaker 1: for how I would watch a movie. You mean, you 62 00:02:50,440 --> 00:02:52,840 Speaker 1: can go to any part of the movie at any time. 63 00:02:53,320 --> 00:02:54,560 Speaker 1: That changed my life. 64 00:02:55,040 --> 00:02:56,440 Speaker 2: DVD players and cars. 65 00:02:56,760 --> 00:02:58,880 Speaker 1: I think at one point I had the portable one. 66 00:02:59,520 --> 00:03:03,080 Speaker 1: Loved the it was like an off brand Walmart oney 67 00:03:03,320 --> 00:03:06,800 Speaker 1: It worked that it at times it did, But I 68 00:03:06,880 --> 00:03:11,640 Speaker 1: just remember DVD's being so cool, and now DVDs aren't 69 00:03:11,639 --> 00:03:13,560 Speaker 1: really a thing. Blu rays are still a thing. I 70 00:03:13,560 --> 00:03:16,000 Speaker 1: think the last Blu ray I bought was probably No. 71 00:03:16,080 --> 00:03:18,480 Speaker 1: Way home because that felt like something I needed to own. 72 00:03:19,040 --> 00:03:22,480 Speaker 1: But DVDs are long and gone. I think before we 73 00:03:22,480 --> 00:03:24,959 Speaker 1: get into this list, I'll share what my favorite DVD 74 00:03:25,320 --> 00:03:27,480 Speaker 1: was of all time if you have one too, But 75 00:03:27,560 --> 00:03:30,480 Speaker 1: it was Max Keeble. I love that movie, Max Keeble's 76 00:03:30,480 --> 00:03:30,920 Speaker 1: Big Move. 77 00:03:31,200 --> 00:03:32,320 Speaker 2: You still love that movie? 78 00:03:32,400 --> 00:03:35,480 Speaker 1: I did. I rewatched it last year and doesn't really 79 00:03:35,520 --> 00:03:38,000 Speaker 1: hold up. I wanted my childhood to come back and think, oh, 80 00:03:38,080 --> 00:03:40,200 Speaker 1: that was still a great movie. Now I'm watching that 81 00:03:40,240 --> 00:03:42,800 Speaker 1: movie back, I realized that's not the best movie. That's 82 00:03:42,840 --> 00:03:45,480 Speaker 1: why I didn't do so well. But I remember getting 83 00:03:45,520 --> 00:03:48,640 Speaker 1: that DVD. And I would always get DVD's at the 84 00:03:48,640 --> 00:03:52,040 Speaker 1: flea market, so it was never right when they came out. 85 00:03:52,200 --> 00:03:55,760 Speaker 1: It was on the resale market. There was always people 86 00:03:55,840 --> 00:03:58,200 Speaker 1: set up that would just have all these DVDs, and I. 87 00:03:58,160 --> 00:03:59,760 Speaker 2: Remember five dollars Walmart. 88 00:03:59,840 --> 00:04:02,800 Speaker 1: Yeah yeah, and I would get them pretty cheap. And 89 00:04:03,000 --> 00:04:06,920 Speaker 1: this was around the time that I didn't really have 90 00:04:07,680 --> 00:04:09,920 Speaker 1: money to go to the movie theater. I think my 91 00:04:10,000 --> 00:04:12,880 Speaker 1: parents made it a point to probably take me when 92 00:04:12,920 --> 00:04:16,080 Speaker 1: I was younger, just because I would enjoy it more. 93 00:04:16,080 --> 00:04:17,719 Speaker 1: But there was this period in my life where we 94 00:04:17,760 --> 00:04:20,640 Speaker 1: didn't really go to the movies. Instead, we would just 95 00:04:20,680 --> 00:04:24,599 Speaker 1: buy cheap DVDs because not only could you watch it once, 96 00:04:24,600 --> 00:04:26,960 Speaker 1: you could watch it over and over again. You have 97 00:04:27,080 --> 00:04:29,320 Speaker 1: a little more bang for your buck. So I remember 98 00:04:29,360 --> 00:04:32,960 Speaker 1: getting the Max Keyboard DVD and watching it so many times. 99 00:04:33,360 --> 00:04:36,560 Speaker 1: Also had a great menu with games, and the soundtrack 100 00:04:36,600 --> 00:04:39,880 Speaker 1: on that movie was very much a representation of what 101 00:04:39,920 --> 00:04:42,080 Speaker 1: I listened to growing up. Newfound Glory was on it. 102 00:04:42,240 --> 00:04:45,880 Speaker 1: That pop punk era was all over this soundtrack. But 103 00:04:46,000 --> 00:04:48,200 Speaker 1: I can't tell you how many times I watched this 104 00:04:48,279 --> 00:04:51,480 Speaker 1: DVD and went through every part of every single menu. 105 00:04:52,080 --> 00:04:54,160 Speaker 1: Do you have a favorite DVD you watch growing up? 106 00:04:54,200 --> 00:04:57,760 Speaker 2: I have a combination of two. One would be Bridesmaids 107 00:04:57,800 --> 00:05:01,320 Speaker 2: because there's deleted scenes on it and it's like the 108 00:05:01,440 --> 00:05:04,640 Speaker 2: unrated version, it's even funnier. But if I had to 109 00:05:04,640 --> 00:05:07,400 Speaker 2: pick one that I watched endlessly, I've talked about this before, 110 00:05:07,400 --> 00:05:08,520 Speaker 2: it would probably be Step Up. 111 00:05:08,800 --> 00:05:10,080 Speaker 1: Oh yeah, you love that DVD. 112 00:05:10,240 --> 00:05:13,000 Speaker 2: There was a period of time where I watched it 113 00:05:13,080 --> 00:05:15,200 Speaker 2: every day for a month, and I would alternate between 114 00:05:15,240 --> 00:05:18,120 Speaker 2: the movie and the director's commentary every other day. I 115 00:05:18,200 --> 00:05:19,920 Speaker 2: watched it twenty eight days in a row. I don't 116 00:05:19,920 --> 00:05:22,360 Speaker 2: know how, but I do love that movie equally love 117 00:05:22,440 --> 00:05:24,839 Speaker 2: the soundtrack, So that would be that'd be the one. 118 00:05:25,040 --> 00:05:28,440 Speaker 1: Yeah. That was the other aspect of them, the director's commentary. 119 00:05:28,640 --> 00:05:31,719 Speaker 1: I feel like movie studios are missing out not releasing 120 00:05:31,760 --> 00:05:34,039 Speaker 1: director's commentary as a podcast series. 121 00:05:34,120 --> 00:05:36,479 Speaker 2: Could you imagine Zack Snyder's commentary? 122 00:05:36,600 --> 00:05:38,560 Speaker 1: Oh my gosh, it would be eight hours long. 123 00:05:39,600 --> 00:05:41,559 Speaker 2: That's why they're not releasing them as fun. 124 00:05:41,600 --> 00:05:45,640 Speaker 1: But I yeah, I think every studio, Marvel, DC, even Amazon, 125 00:05:45,720 --> 00:05:49,760 Speaker 1: all those studios should have a podcast company and put 126 00:05:49,800 --> 00:05:52,640 Speaker 1: out podcasts with director's commentary. 127 00:05:52,200 --> 00:05:54,000 Speaker 2: And they would be giving them this idea for free. 128 00:05:54,200 --> 00:05:57,280 Speaker 1: M Maybe we'll do it on our network. I think 129 00:05:57,320 --> 00:05:59,600 Speaker 1: it's a great idea because I do miss that aspect 130 00:05:59,640 --> 00:06:01,880 Speaker 1: of it. I know they do interviews, but I think 131 00:06:01,920 --> 00:06:04,680 Speaker 1: it's more personal when they get to talk about it. 132 00:06:04,800 --> 00:06:08,599 Speaker 1: Just and hear the conversation, watch the movie, record the audio. 133 00:06:08,640 --> 00:06:09,479 Speaker 1: It's an easy thing to do. 134 00:06:09,560 --> 00:06:11,560 Speaker 2: Yeah, it's like the rewatch podcasts. Yeah, but I just 135 00:06:11,640 --> 00:06:13,280 Speaker 2: want you to watch a movie and tell me your 136 00:06:13,279 --> 00:06:14,120 Speaker 2: thoughts that you were making. 137 00:06:14,160 --> 00:06:16,080 Speaker 1: Now, that would be great promotion. But anyway, we just 138 00:06:16,120 --> 00:06:18,159 Speaker 1: give away ideas for free, hit us up. We're going 139 00:06:18,240 --> 00:06:20,320 Speaker 1: to get into the top ten. You'll let me know 140 00:06:20,400 --> 00:06:23,040 Speaker 1: if you've seen the movie or not, and whether or 141 00:06:23,120 --> 00:06:25,800 Speaker 1: not you think it warrants this many copies sold at 142 00:06:25,880 --> 00:06:29,440 Speaker 1: number ten from two thousand and four, The Incredibles, which 143 00:06:29,480 --> 00:06:32,479 Speaker 1: sold fifteen point six million copies. 144 00:06:32,160 --> 00:06:35,080 Speaker 2: Absolutely warrants it. There's a reason that people were so 145 00:06:35,240 --> 00:06:39,000 Speaker 2: excited sixteen seventeen years later to see The Incredibles two 146 00:06:39,000 --> 00:06:41,560 Speaker 2: when it came out, because this movie is one of 147 00:06:41,600 --> 00:06:45,520 Speaker 2: the best animated films of all time. It absolutely should 148 00:06:45,560 --> 00:06:46,599 Speaker 2: have sold that many copies. 149 00:06:46,640 --> 00:06:49,120 Speaker 1: We're going to see a trend here of during this 150 00:06:49,240 --> 00:06:52,680 Speaker 1: time in the two thousands. These are all movies at 151 00:06:52,760 --> 00:06:55,719 Speaker 1: least I would see so much in school because that 152 00:06:55,839 --> 00:06:57,760 Speaker 1: was also at a time where all the schools were 153 00:06:57,760 --> 00:07:00,560 Speaker 1: getting DVDs, and whenever movie they rolled over, it would 154 00:07:00,560 --> 00:07:03,520 Speaker 1: always be a Pixar movie usually or Disney movie Day. 155 00:07:03,480 --> 00:07:06,440 Speaker 2: Was so glorious. Now kids just like don't have school, Yeah, 156 00:07:06,440 --> 00:07:08,120 Speaker 2: they just don't have a lot of like holidays and 157 00:07:08,200 --> 00:07:10,600 Speaker 2: random days off. But back then we had a movie days, 158 00:07:10,600 --> 00:07:12,560 Speaker 2: and honestly, I think a movie day was even better 159 00:07:12,720 --> 00:07:15,440 Speaker 2: because you were expecting to do work and they just 160 00:07:15,440 --> 00:07:18,320 Speaker 2: like turned off the lights. And now we've moved past 161 00:07:18,360 --> 00:07:19,960 Speaker 2: role in the VCR and now they'd pull down the 162 00:07:19,960 --> 00:07:22,080 Speaker 2: projector screen and you were like, yes. 163 00:07:22,480 --> 00:07:25,000 Speaker 1: But I agree, The Incredibles is a top tier Pixar movie. 164 00:07:25,000 --> 00:07:28,280 Speaker 1: At number nine. Pirates of the Caribbean dead Man's Chest, 165 00:07:28,280 --> 00:07:31,200 Speaker 1: which came out in two thousand and six, sold sixteen 166 00:07:31,240 --> 00:07:33,240 Speaker 1: point five million copies. 167 00:07:33,520 --> 00:07:36,920 Speaker 2: I don't actually think I've ever watched the full Pirates 168 00:07:36,960 --> 00:07:39,440 Speaker 2: of the Caribbean movie all the way through. And I'm 169 00:07:39,480 --> 00:07:41,320 Speaker 2: not saying that to be one of those people that 170 00:07:41,440 --> 00:07:43,600 Speaker 2: like hasn't seen something and says it to be cool. 171 00:07:43,760 --> 00:07:47,400 Speaker 2: I just wasn't into pirate culture or Johnny Depp. 172 00:07:47,560 --> 00:07:50,880 Speaker 1: I was huge into pirate culture. My first ever band 173 00:07:50,960 --> 00:07:53,720 Speaker 1: that I wanted to start was called the Apple Pirates 174 00:07:54,240 --> 00:07:57,520 Speaker 1: and our logo was like a skull on an apple 175 00:07:57,880 --> 00:08:00,640 Speaker 1: with like two swords. So I was like full into 176 00:08:01,040 --> 00:08:02,960 Speaker 1: I don't even know why this was so popular in 177 00:08:03,000 --> 00:08:05,440 Speaker 1: the two thousands, but I love pirate culture and I 178 00:08:05,480 --> 00:08:07,400 Speaker 1: also love big adventure movies. 179 00:08:07,560 --> 00:08:09,480 Speaker 2: I think now I would have enjoyed it more because 180 00:08:09,480 --> 00:08:12,440 Speaker 2: now I'll see anything that's like a franchise. Back then, 181 00:08:12,480 --> 00:08:15,040 Speaker 2: it just wasn't. It wasn't for me. 182 00:08:15,120 --> 00:08:16,640 Speaker 1: Yeah, I mean I could see you at that age 183 00:08:16,720 --> 00:08:19,800 Speaker 1: not wanting to see a movie about sweaty pirates on. 184 00:08:19,840 --> 00:08:22,679 Speaker 2: This more of a Harry Potter girl, and all. 185 00:08:22,560 --> 00:08:25,800 Speaker 1: These movies kind of get confused in my mind of 186 00:08:25,800 --> 00:08:29,160 Speaker 1: what happens in one because I didn't watch them all 187 00:08:29,200 --> 00:08:31,320 Speaker 1: in theaters. My cousin would have the DVDs and we 188 00:08:31,360 --> 00:08:33,079 Speaker 1: would go over and watch them, So I feel like 189 00:08:33,160 --> 00:08:36,120 Speaker 1: I watched them all in batches, and I think I 190 00:08:36,160 --> 00:08:38,360 Speaker 1: remember having like a marathon where we just watched a 191 00:08:38,360 --> 00:08:41,000 Speaker 1: bunch of Pirates of the Caribbean movies, so I kind 192 00:08:41,000 --> 00:08:42,800 Speaker 1: of forget what happens in what movie. 193 00:08:42,920 --> 00:08:44,400 Speaker 2: The ride is cool at Disney World. 194 00:08:44,400 --> 00:08:47,200 Speaker 1: I've done that, never been to Disney World. I know 195 00:08:47,559 --> 00:08:50,920 Speaker 1: we'll go eventually, but at the time I didn't know 196 00:08:51,000 --> 00:08:54,520 Speaker 1: that this was a ride, and Disney is famous for 197 00:08:54,640 --> 00:08:57,959 Speaker 1: making movies about their rides. At number eight is another 198 00:08:58,000 --> 00:09:00,680 Speaker 1: Pirates of the Caribbean movie, Curse of the Black Pearl 199 00:09:01,160 --> 00:09:03,720 Speaker 1: sixteen point six million dollars. This one came out in 200 00:09:03,720 --> 00:09:08,040 Speaker 1: two thousand and three. I mean, these movies were really successful. 201 00:09:08,559 --> 00:09:10,600 Speaker 1: I just if I were to go back and watch 202 00:09:10,640 --> 00:09:13,920 Speaker 1: Disney movies now, I don't even think I would itch 203 00:09:14,000 --> 00:09:16,520 Speaker 1: to watch another Pirates of the Caribbean movie, and there 204 00:09:16,520 --> 00:09:18,640 Speaker 1: towards the end of the franchise, I did go see 205 00:09:18,720 --> 00:09:20,600 Speaker 1: I think the last one that came out in theaters, 206 00:09:20,720 --> 00:09:22,160 Speaker 1: and that one was kind of boring, but it was 207 00:09:22,240 --> 00:09:24,720 Speaker 1: kind of like, this is Johnny Depp's probably the last 208 00:09:24,720 --> 00:09:26,880 Speaker 1: time that he's going to play this character, which I 209 00:09:26,960 --> 00:09:29,559 Speaker 1: think he played it really well. When you look at 210 00:09:29,880 --> 00:09:32,520 Speaker 1: roles that you associate with one actor and can only 211 00:09:32,559 --> 00:09:36,200 Speaker 1: see that person doing it, him as Captain Jack Sparrow 212 00:09:36,880 --> 00:09:39,440 Speaker 1: is one of those roles. He is one of those actors, 213 00:09:39,679 --> 00:09:41,840 Speaker 1: but overall it's not one I really want to revisit. 214 00:09:41,960 --> 00:09:45,240 Speaker 1: So I guess for the time they came out, it 215 00:09:45,320 --> 00:09:48,760 Speaker 1: was probably right place, right time. If they made these 216 00:09:48,800 --> 00:09:51,400 Speaker 1: movies now, I don't know that they would be as successful, 217 00:09:51,480 --> 00:09:54,600 Speaker 1: selling sixteen point six million copies. But at number seven 218 00:09:54,640 --> 00:09:59,200 Speaker 1: from two thousand and seven is Transformers selling seventeen million copies. 219 00:09:59,280 --> 00:10:00,959 Speaker 1: Have you seen the transf with the originals. 220 00:10:01,120 --> 00:10:03,199 Speaker 2: I've seen all of the Transformers films. 221 00:10:03,280 --> 00:10:05,640 Speaker 1: I love the Transformers movies. At the time when this 222 00:10:05,679 --> 00:10:07,680 Speaker 1: one came out, I didn't have it on DVD, but 223 00:10:07,760 --> 00:10:10,679 Speaker 1: I had it on bootleg DVD, which was a whole 224 00:10:10,720 --> 00:10:13,240 Speaker 1: other market that happened in the two thousands of I 225 00:10:13,240 --> 00:10:17,040 Speaker 1: would say the internet was prevalent, but it isn't the 226 00:10:17,040 --> 00:10:20,559 Speaker 1: Internet that we know now. And for somebody to go online, 227 00:10:21,200 --> 00:10:25,880 Speaker 1: find a file from some weird torrent website, take that, 228 00:10:26,040 --> 00:10:29,040 Speaker 1: download it onto their computer at risk of destroying their 229 00:10:29,160 --> 00:10:31,520 Speaker 1: entire computer, of getting a virus, and then burning it 230 00:10:31,600 --> 00:10:34,360 Speaker 1: onto DVD. What a time to be alive to get 231 00:10:34,400 --> 00:10:35,080 Speaker 1: a burn DVD. 232 00:10:35,480 --> 00:10:37,600 Speaker 2: I think the only website that ever gave my computer 233 00:10:37,679 --> 00:10:41,200 Speaker 2: a virus was remember that website f my Life, where 234 00:10:41,200 --> 00:10:43,080 Speaker 2: people would just write about like terrible things that had 235 00:10:43,080 --> 00:10:44,040 Speaker 2: happened in their days. 236 00:10:44,559 --> 00:10:46,880 Speaker 1: I guess I didn't realize it was a website, only 237 00:10:46,920 --> 00:10:50,640 Speaker 1: remember seeing like screenshots from it, so yes and no. 238 00:10:50,920 --> 00:10:53,080 Speaker 2: I would read it every day after school, and my 239 00:10:53,120 --> 00:10:54,960 Speaker 2: computer got a virus. And imagine I mean to tell 240 00:10:55,000 --> 00:10:57,559 Speaker 2: my parents I got a virus from a website called 241 00:10:57,600 --> 00:10:58,319 Speaker 2: off my Life. 242 00:10:58,720 --> 00:11:02,240 Speaker 1: Oh awkward. I think our computer got a virus because 243 00:11:02,320 --> 00:11:05,040 Speaker 1: of downloading music. That was absolutely I think that was 244 00:11:05,080 --> 00:11:08,320 Speaker 1: everybody everybody wanting free music, not wanting to pay for it. 245 00:11:08,520 --> 00:11:11,559 Speaker 1: But we lived out in the country after moving out 246 00:11:11,600 --> 00:11:13,520 Speaker 1: of the trailer park and moving into a house. When 247 00:11:13,559 --> 00:11:15,080 Speaker 1: we got our first computer. 248 00:11:15,040 --> 00:11:17,120 Speaker 2: I'm shocked y'all had the internet to download music because 249 00:11:17,160 --> 00:11:19,640 Speaker 2: we go out there now and I can't even get say. 250 00:11:19,640 --> 00:11:21,839 Speaker 1: We had net zero, which is no longer a thing. 251 00:11:21,880 --> 00:11:24,960 Speaker 1: I think it went under maybe twenty nineteen, twenty twenty, 252 00:11:25,280 --> 00:11:28,600 Speaker 1: and the Internet was so slow, and we even had 253 00:11:28,600 --> 00:11:31,640 Speaker 1: like the quote unquote faster version where it wouldn't load 254 00:11:31,840 --> 00:11:35,120 Speaker 1: pictures in full quality in order to load a page faster. 255 00:11:35,280 --> 00:11:36,560 Speaker 1: It would load them like blurry. 256 00:11:37,000 --> 00:11:40,040 Speaker 2: We like can't even download the Dominoes app to order 257 00:11:40,040 --> 00:11:40,840 Speaker 2: pizza at your parents. 258 00:11:41,080 --> 00:11:43,920 Speaker 1: Yeah, if you got music, So it took us forever 259 00:11:44,120 --> 00:11:47,280 Speaker 1: just to download one song. It would basically be you 260 00:11:47,320 --> 00:11:49,800 Speaker 1: would download it at night and then maybe in the 261 00:11:49,840 --> 00:11:52,240 Speaker 1: morning it would be done. But I remember that being 262 00:11:52,280 --> 00:11:53,839 Speaker 1: a thing of like trying to download a file and 263 00:11:53,840 --> 00:11:56,400 Speaker 1: it'd be like one day you're like, oh my gosh. 264 00:11:56,600 --> 00:11:59,920 Speaker 1: And this was like two thousand ands you yeah too, 265 00:12:00,000 --> 00:12:02,440 Speaker 1: thousand and seven, two thousand and eight. So people had 266 00:12:02,520 --> 00:12:06,200 Speaker 1: faster internet, but where we lived there was no fast internet. 267 00:12:06,280 --> 00:12:08,240 Speaker 2: And now you run like daily speed checks on our 268 00:12:08,240 --> 00:12:09,760 Speaker 2: internet and you're obsessed with oh. 269 00:12:09,720 --> 00:12:11,960 Speaker 1: Yeah we have When we got Google Fiver, I was like, 270 00:12:12,080 --> 00:12:13,840 Speaker 1: this is the best thing ever. Look at all this 271 00:12:14,240 --> 00:12:17,480 Speaker 1: up and down data transfer. I love it. I can't 272 00:12:17,480 --> 00:12:20,200 Speaker 1: live without it now, there's no going back. At number 273 00:12:20,280 --> 00:12:24,520 Speaker 1: six is Shrek two selling eight point two million copies. 274 00:12:24,559 --> 00:12:26,839 Speaker 1: Came out back in two thousand and four. Just celebrated 275 00:12:27,000 --> 00:12:30,199 Speaker 1: it's twentieth anniversary and they re released that thing in theaters. 276 00:12:30,320 --> 00:12:31,199 Speaker 1: A great DVD. 277 00:12:31,440 --> 00:12:33,480 Speaker 2: I just talked about it having Shrek Eye also, you know, 278 00:12:33,559 --> 00:12:34,160 Speaker 2: I owned it. 279 00:12:34,320 --> 00:12:37,640 Speaker 1: I would say, of all the DVD actually, Shrek doesn't 280 00:12:37,720 --> 00:12:38,400 Speaker 1: make the list. 281 00:12:38,559 --> 00:12:40,280 Speaker 2: That came out a few years earlier. So I feel 282 00:12:40,320 --> 00:12:42,719 Speaker 2: like that was probably still on VHS because I think 283 00:12:42,760 --> 00:12:45,000 Speaker 2: even like the first Harry Potter movie I ever had 284 00:12:45,040 --> 00:12:47,360 Speaker 2: was on VHS and that was like two thousand and one. Yeah, 285 00:12:47,360 --> 00:12:49,199 Speaker 2: so I don't think the switch really came unto like 286 00:12:49,280 --> 00:12:54,000 Speaker 2: late two thousand and two lines up. So yeah, Shrek 287 00:12:54,000 --> 00:12:56,360 Speaker 2: two would have been the one that was bigger. 288 00:12:56,360 --> 00:12:59,120 Speaker 1: And I feel like people like Shrek two more than 289 00:12:59,160 --> 00:13:01,200 Speaker 1: Part one. I'm more of a Part one. 290 00:13:01,280 --> 00:13:02,559 Speaker 2: Shrek was the revolutionary. 291 00:13:02,720 --> 00:13:05,320 Speaker 1: It was so huge at the time it came out. 292 00:13:05,640 --> 00:13:08,360 Speaker 2: Please stay off of the grass, shine your shoes, wipe 293 00:13:08,400 --> 00:13:09,600 Speaker 2: your face. 294 00:13:09,480 --> 00:13:11,880 Speaker 1: All of the adult jokes like that one. The other 295 00:13:11,920 --> 00:13:14,600 Speaker 1: one I didn't realize people didn't pick up on was 296 00:13:14,679 --> 00:13:17,720 Speaker 1: the fact that Lord Farquaad killed one of the parents 297 00:13:17,760 --> 00:13:19,920 Speaker 1: of the bears. Like at one point you see the 298 00:13:19,960 --> 00:13:22,800 Speaker 1: family of bears and you see them missing the mom bear, 299 00:13:23,200 --> 00:13:25,200 Speaker 1: and then later you see him and he has like 300 00:13:25,240 --> 00:13:28,319 Speaker 1: this rug that is a bear. So it was all 301 00:13:28,320 --> 00:13:30,800 Speaker 1: these things happening. Also in the background is like these 302 00:13:30,840 --> 00:13:33,880 Speaker 1: second subplot jokes. That was kind of next level for 303 00:13:33,960 --> 00:13:34,360 Speaker 1: that time. 304 00:13:34,400 --> 00:13:36,439 Speaker 2: I think that's the only reason, like my parents enjoyed 305 00:13:36,480 --> 00:13:38,199 Speaker 2: taking me to kids movies because there were jokes on 306 00:13:38,240 --> 00:13:39,800 Speaker 2: wone over my head that they would laugh at. 307 00:13:40,000 --> 00:13:42,440 Speaker 1: That's what started that, And now is the thing of 308 00:13:42,840 --> 00:13:45,439 Speaker 1: putting in jokes for the parents so that they can 309 00:13:45,520 --> 00:13:49,400 Speaker 1: enjoy them too. That's got started with Shrek. So they 310 00:13:49,440 --> 00:13:51,319 Speaker 1: are going to make another one. I don't know when 311 00:13:51,360 --> 00:13:53,800 Speaker 1: it's coming out exactly, but I don't think we're in 312 00:13:53,840 --> 00:13:56,800 Speaker 1: the right time now to make another Shrek movie. It's 313 00:13:56,800 --> 00:13:57,920 Speaker 1: not gonna hit the same. 314 00:13:57,800 --> 00:14:00,000 Speaker 2: I mean, I'll see it, Oh yeah, we'll go watch. 315 00:14:00,520 --> 00:14:02,480 Speaker 1: The thing I talked about that you didn't get to 316 00:14:02,480 --> 00:14:04,600 Speaker 1: comment on is whenever we went to go see Migration 317 00:14:05,320 --> 00:14:07,800 Speaker 1: and then saw another couple there who was there with 318 00:14:07,840 --> 00:14:09,320 Speaker 1: their kids, and then we roll in. 319 00:14:09,240 --> 00:14:12,200 Speaker 2: Without kids, the couple that we knew. Yes, Yeah, it 320 00:14:12,320 --> 00:14:15,040 Speaker 2: was an awkward It's one of those for you like 321 00:14:15,360 --> 00:14:17,120 Speaker 2: look at someone and like I think I know you, 322 00:14:17,320 --> 00:14:19,480 Speaker 2: and then you realize too, like you do know them, 323 00:14:19,520 --> 00:14:21,280 Speaker 2: and you just kind of have to be like hey, 324 00:14:21,440 --> 00:14:23,200 Speaker 2: and they're there with like their three children and we 325 00:14:23,320 --> 00:14:24,120 Speaker 2: just sit down. 326 00:14:24,160 --> 00:14:26,400 Speaker 1: When we sit down in two empty seats with like 327 00:14:26,800 --> 00:14:27,920 Speaker 1: there's no other kid with them. 328 00:14:28,520 --> 00:14:31,480 Speaker 2: Listen, you're the kid at heart. I'm taking you. I'm 329 00:14:31,520 --> 00:14:34,000 Speaker 2: taking I'm taking this guy, kid at. 330 00:14:33,800 --> 00:14:36,920 Speaker 1: Heart getting into the top five now from two thousand 331 00:14:36,960 --> 00:14:40,840 Speaker 1: and nine, Avatar selling nineteen million copies. I feel like 332 00:14:40,880 --> 00:14:44,240 Speaker 1: at two thousand and nine, DVD sales were starting to 333 00:14:44,360 --> 00:14:47,560 Speaker 1: dip a little bit because you had HD DVD, you 334 00:14:47,600 --> 00:14:50,000 Speaker 1: had Blu rays starting to become a little bit more prevalent. 335 00:14:50,360 --> 00:14:53,400 Speaker 1: So I'm surprised it's this high on the list, but 336 00:14:53,520 --> 00:14:57,240 Speaker 1: also makes sense just because how big Avatar was, how 337 00:14:57,280 --> 00:15:01,080 Speaker 1: it crushed crazy box office numbers, so I feel like 338 00:15:01,160 --> 00:15:05,200 Speaker 1: that probably translated into a lot of DVD sales. But 339 00:15:05,280 --> 00:15:09,160 Speaker 1: I didn't really see this movie making the top five. 340 00:15:09,200 --> 00:15:12,080 Speaker 2: If I never saw Avatar get in my life. 341 00:15:11,800 --> 00:15:14,200 Speaker 1: The original or any of them, because they original, they 342 00:15:14,240 --> 00:15:16,760 Speaker 1: have three, four or five coming out more. 343 00:15:16,720 --> 00:15:18,920 Speaker 2: The original, I didn't really I would be fine. 344 00:15:19,000 --> 00:15:21,120 Speaker 1: I didn't really understand it at the time. I thought 345 00:15:21,160 --> 00:15:23,600 Speaker 1: it was way over hyped. And it wasn't until The 346 00:15:23,640 --> 00:15:26,080 Speaker 1: Way of Water came out that I went back rewatched 347 00:15:26,080 --> 00:15:28,360 Speaker 1: that one and I kind of got it again, and 348 00:15:28,400 --> 00:15:30,080 Speaker 1: I enjoyed The Way of Water in theaters. 349 00:15:30,160 --> 00:15:30,960 Speaker 2: I enjoyed it. 350 00:15:30,960 --> 00:15:34,080 Speaker 1: It is very long, there's a lot going on, but 351 00:15:34,160 --> 00:15:38,280 Speaker 1: I can also respect the big action adventure like I 352 00:15:38,280 --> 00:15:41,040 Speaker 1: was talking about in Pirates of the Caribbean, Avatar goes 353 00:15:41,120 --> 00:15:41,720 Speaker 1: next level. 354 00:15:42,240 --> 00:15:46,400 Speaker 2: Now in my head, I'm confusing Avatar two and Black 355 00:15:46,440 --> 00:15:49,400 Speaker 2: Panther sequel because they both had people in the water. 356 00:15:49,720 --> 00:15:51,720 Speaker 1: Yeah, movies have been doing that a lot recently. 357 00:15:52,000 --> 00:15:54,840 Speaker 2: Which one had like the sound paralysis? 358 00:15:55,040 --> 00:15:58,720 Speaker 1: That was Black Panther two? Okay, yeah, Well, I mean 359 00:15:58,760 --> 00:16:01,520 Speaker 1: we also had three monkey movies this year a monkey 360 00:16:01,520 --> 00:16:04,040 Speaker 1: Whenever a trend starts, it just keeps going. We had 361 00:16:04,080 --> 00:16:07,880 Speaker 1: Monkey Man Kong and Godzilla, and then we had Planet 362 00:16:07,920 --> 00:16:10,160 Speaker 1: of the Apes. A lot of monkey movies. At number 363 00:16:10,160 --> 00:16:12,520 Speaker 1: four from two thousand and eight is The Dark Night, 364 00:16:12,640 --> 00:16:17,280 Speaker 1: selling nineteen point two million copies. I remember getting a 365 00:16:17,320 --> 00:16:20,680 Speaker 1: copy of this on Black Friday. My mom and I 366 00:16:20,800 --> 00:16:24,160 Speaker 1: used to always go to Walmart and Target, and the 367 00:16:24,200 --> 00:16:27,400 Speaker 1: only thing I would seek out was cheap DVDs. 368 00:16:27,920 --> 00:16:31,920 Speaker 2: I bought a couple sets of Gilmore Girls on DVD 369 00:16:32,000 --> 00:16:33,880 Speaker 2: on Black Friday. But my mom and I had this 370 00:16:33,880 --> 00:16:35,920 Speaker 2: thing where we'd go to Target and we'd find ourselves 371 00:16:35,960 --> 00:16:37,360 Speaker 2: just like grocery shopping. 372 00:16:37,000 --> 00:16:38,720 Speaker 1: On accident during Black Friday. 373 00:16:38,800 --> 00:16:41,600 Speaker 2: Yeah, we'd end up with like popcorn and toilet paper 374 00:16:41,600 --> 00:16:43,200 Speaker 2: in the basket, and the people like, you know, these 375 00:16:43,240 --> 00:16:44,920 Speaker 2: aren't on Salem. We're like, no, we know, we just 376 00:16:44,920 --> 00:16:45,640 Speaker 2: were already here. 377 00:16:45,800 --> 00:16:47,000 Speaker 1: We're just looking around. 378 00:16:48,120 --> 00:16:49,640 Speaker 2: Yeah, it's not really a thing anymore. 379 00:16:49,840 --> 00:16:52,520 Speaker 1: It used to be fun to go and aside from 380 00:16:52,520 --> 00:16:55,080 Speaker 1: finding movies. I remember getting The Dark Knight and it 381 00:16:55,200 --> 00:16:57,600 Speaker 1: was the Batman head where it was just in the 382 00:16:57,640 --> 00:17:00,280 Speaker 1: shape of the Batman mask and you'd open it up 383 00:17:00,280 --> 00:17:01,720 Speaker 1: and have a DVD on either side. 384 00:17:01,800 --> 00:17:03,000 Speaker 2: Kind of price. You don't still on that. 385 00:17:04,000 --> 00:17:08,119 Speaker 1: I think somewhere in all the moves in Austin it 386 00:17:08,200 --> 00:17:10,880 Speaker 1: got lost, or maybe we sold it at some point 387 00:17:10,920 --> 00:17:13,199 Speaker 1: when we sold a bunch of our DVDs. There was 388 00:17:13,240 --> 00:17:16,159 Speaker 1: a time when my brother and I kind of separated 389 00:17:16,200 --> 00:17:18,000 Speaker 1: all of our collections, so maybe he kept it. He 390 00:17:18,040 --> 00:17:20,240 Speaker 1: probably still has it. But that was always my mission 391 00:17:20,280 --> 00:17:23,200 Speaker 1: going to Black Friday is finding the cheap DVDs because 392 00:17:23,200 --> 00:17:26,600 Speaker 1: you could find him for like sixty seventy percent off. 393 00:17:26,480 --> 00:17:29,000 Speaker 2: And they would put out the like circular and they 394 00:17:29,000 --> 00:17:31,399 Speaker 2: would tell you which DVDs were going to be cheap. 395 00:17:31,240 --> 00:17:33,040 Speaker 1: And they would just have them in Like the big 396 00:17:33,480 --> 00:17:33,720 Speaker 1: was a. 397 00:17:33,800 --> 00:17:36,800 Speaker 2: Good old thing. Now Black Friday sales started on like 398 00:17:36,960 --> 00:17:38,119 Speaker 2: October first. 399 00:17:37,880 --> 00:17:39,800 Speaker 1: And it's not the same at all. Online. You don't 400 00:17:39,800 --> 00:17:41,720 Speaker 1: have that interaction with people. You don't have people well, 401 00:17:41,760 --> 00:17:43,639 Speaker 1: I guess you don't have people hurting each other anymore 402 00:17:43,640 --> 00:17:44,800 Speaker 1: as much, which is probably good. 403 00:17:44,920 --> 00:17:47,480 Speaker 2: That was the thing too, Yeah, the craze. 404 00:17:47,840 --> 00:17:50,480 Speaker 1: But aside from movies, I would always get the Simpsons 405 00:17:50,560 --> 00:17:54,400 Speaker 1: box sets, which are normally were like thirty forty bucks. 406 00:17:54,440 --> 00:17:56,439 Speaker 1: You could get him for like ten bucks. And I 407 00:17:56,520 --> 00:18:00,399 Speaker 1: had from season one all the way through probably fourteen 408 00:18:00,480 --> 00:18:02,479 Speaker 1: or fifteen all on box set because I could get 409 00:18:02,480 --> 00:18:03,120 Speaker 1: it for so cheap. 410 00:18:03,280 --> 00:18:04,600 Speaker 2: I'm glad you don't steal on this. 411 00:18:04,920 --> 00:18:07,480 Speaker 1: I think Rudy still has my brother keep those Rudy 412 00:18:07,600 --> 00:18:11,360 Speaker 1: Classic collection. At number three from two thousand and two 413 00:18:11,560 --> 00:18:15,760 Speaker 1: is Spider Man selling nineteen point five million copies. This 414 00:18:15,840 --> 00:18:18,520 Speaker 1: was another one I didn't actually own, but I had 415 00:18:18,800 --> 00:18:21,360 Speaker 1: a bootleg copy of it. It was Part one and 416 00:18:21,440 --> 00:18:24,480 Speaker 1: part two. Part one I got a bootleg copy in America, 417 00:18:24,560 --> 00:18:27,080 Speaker 1: but Part two I got a bootleg copy in Mexico. 418 00:18:27,359 --> 00:18:28,320 Speaker 2: Was it in Spanish? 419 00:18:28,400 --> 00:18:29,920 Speaker 1: It was in Spanish. 420 00:18:29,960 --> 00:18:31,680 Speaker 2: I'm sad you don't know that. I mean, it probably 421 00:18:31,680 --> 00:18:33,520 Speaker 2: has computer viruses and we don't have anything to watch 422 00:18:33,560 --> 00:18:36,040 Speaker 2: it with. But I would watch a bootleg version of 423 00:18:36,240 --> 00:18:37,880 Speaker 2: Spider Man in Espanol. 424 00:18:38,040 --> 00:18:40,480 Speaker 1: There were a lot of movies I got as bootleg 425 00:18:40,480 --> 00:18:44,159 Speaker 1: copies in Mexico, and for the most part it was 426 00:18:44,160 --> 00:18:46,800 Speaker 1: people sneaking in a video camera into the theater and 427 00:18:46,840 --> 00:18:49,119 Speaker 1: recording it. That was one of those. So every now 428 00:18:49,119 --> 00:18:51,000 Speaker 1: and then it would shake or you hear somebody car. 429 00:18:51,040 --> 00:18:53,520 Speaker 2: When they'd have the anti pirraating lot at the beginning. 430 00:18:53,320 --> 00:18:55,959 Speaker 1: It was so hardcore you wouldn't steal a car, but 431 00:18:56,080 --> 00:18:57,360 Speaker 1: why would you steal a DVD? 432 00:18:57,920 --> 00:19:00,240 Speaker 2: This is unlocking so many memories. 433 00:19:00,520 --> 00:19:03,680 Speaker 1: But I remember getting the Spider Man two in Spanish, 434 00:19:04,040 --> 00:19:07,240 Speaker 1: Passion to the Christ in Spanish. Probably shouldn't have got 435 00:19:07,280 --> 00:19:09,120 Speaker 1: a bootleg copy of that. Looking back on that, there's 436 00:19:09,160 --> 00:19:13,919 Speaker 1: probably some weird association with getting a bootleg copy of 437 00:19:14,000 --> 00:19:17,840 Speaker 1: Past to the Christ. In that one, I also got Gothica, 438 00:19:17,880 --> 00:19:20,960 Speaker 1: which was a horror movie with Halle Berry. And then 439 00:19:21,280 --> 00:19:24,960 Speaker 1: I got a documentary, probably Michael Moore documentary. Oh no, 440 00:19:25,200 --> 00:19:27,919 Speaker 1: not Michael Moore. It was The Supersize Me. 441 00:19:27,960 --> 00:19:30,639 Speaker 2: It was just funny, say Supersized Me. 442 00:19:31,400 --> 00:19:34,840 Speaker 1: It was great. So all those movies I experienced for 443 00:19:34,840 --> 00:19:37,280 Speaker 1: the first time, watching them on my portable DVD player 444 00:19:37,400 --> 00:19:39,919 Speaker 1: in Mexico with all my Mexican cousins hanging around. 445 00:19:40,200 --> 00:19:42,919 Speaker 2: The Passion of the Christ is still really staid to me. 446 00:19:43,040 --> 00:19:45,879 Speaker 1: My mom could not watch that movie that it was 447 00:19:45,920 --> 00:19:46,800 Speaker 1: hard for her to watch. 448 00:19:46,920 --> 00:19:48,920 Speaker 2: It's just just the fact that it was bootleg. 449 00:19:48,880 --> 00:19:51,440 Speaker 1: Span Maybe that's why she did enjoyed it. She's like me, oh, 450 00:19:51,480 --> 00:19:55,760 Speaker 1: this isn't right. At number two from two thousand and six, 451 00:19:55,840 --> 00:19:58,640 Speaker 1: selling twenty three point one million copies. 452 00:19:58,600 --> 00:20:01,200 Speaker 2: Cars Love It a Highway? 453 00:20:01,960 --> 00:20:05,240 Speaker 1: Were you a Car's kid? No, I never really got 454 00:20:05,320 --> 00:20:05,679 Speaker 1: into them. 455 00:20:05,720 --> 00:20:08,160 Speaker 4: I was twelve by then, so I mean in two 456 00:20:08,280 --> 00:20:10,879 Speaker 4: thousand and six, I was fifteen, So I guess I 457 00:20:11,040 --> 00:20:14,360 Speaker 4: was in that age that I didn't really seek out 458 00:20:14,440 --> 00:20:19,280 Speaker 4: Pixar movies because I didn't really enjoy one was okay, 459 00:20:19,480 --> 00:20:22,640 Speaker 4: but the entire trilogy of Cars not that a big 460 00:20:22,760 --> 00:20:23,080 Speaker 4: fan of. 461 00:20:23,440 --> 00:20:28,520 Speaker 2: I think I skipped two thousand and six to two 462 00:20:28,560 --> 00:20:31,680 Speaker 2: thousand and seven because my younger brothers were born in 463 00:20:31,720 --> 00:20:34,800 Speaker 2: two thousand and six in twenty ten, so from there 464 00:20:34,880 --> 00:20:37,119 Speaker 2: on I saw all of them. But I think, like 465 00:20:37,320 --> 00:20:39,800 Speaker 2: two thousand and six, two thousand and seven, until my 466 00:20:39,920 --> 00:20:42,160 Speaker 2: younger brother was like two, we didn't see a bunch 467 00:20:42,160 --> 00:20:44,159 Speaker 2: of movies. But then I went back to seeing all 468 00:20:44,160 --> 00:20:46,080 Speaker 2: the animated ones. But I think I just skipped those 469 00:20:46,119 --> 00:20:46,680 Speaker 2: couple of years. 470 00:20:46,960 --> 00:20:49,240 Speaker 1: Yeah, I feel like a lot of people love Cars. 471 00:20:50,000 --> 00:20:52,160 Speaker 1: I just don't. I don't really associate it with any 472 00:20:52,200 --> 00:20:54,440 Speaker 1: part of my childhood, probably because I was already a teenager, 473 00:20:54,720 --> 00:20:58,119 Speaker 1: and of all the movies that have trilogies and Pixar, 474 00:20:58,440 --> 00:21:00,760 Speaker 1: I think it is the weakest. So that number one 475 00:21:00,840 --> 00:21:03,000 Speaker 1: from two thousand and three, this one deserves to be 476 00:21:03,119 --> 00:21:06,320 Speaker 1: number one, selling thirty eight point eight million copies. 477 00:21:06,359 --> 00:21:08,080 Speaker 2: You think you can guess it two thousand and three. 478 00:21:08,640 --> 00:21:11,560 Speaker 1: Think of the trend that we've had of all these movies, 479 00:21:12,440 --> 00:21:15,960 Speaker 1: huge movie. I feel this one still holds up still 480 00:21:16,000 --> 00:21:16,920 Speaker 1: one of my favorites. 481 00:21:17,280 --> 00:21:20,240 Speaker 2: Was it one of the Spider man's No, is it 482 00:21:20,280 --> 00:21:21,440 Speaker 2: a franchise. 483 00:21:21,440 --> 00:21:28,359 Speaker 1: They've made another one in the story a sequel, not 484 00:21:28,520 --> 00:21:31,840 Speaker 1: a direct sequel, but inside of this world with one 485 00:21:31,880 --> 00:21:35,919 Speaker 1: of the characters I had nothing. It has two words 486 00:21:35,960 --> 00:21:38,520 Speaker 1: in the title. You say a quote from this all 487 00:21:38,920 --> 00:21:39,320 Speaker 1: the time. 488 00:21:39,800 --> 00:21:40,840 Speaker 2: I say a lot of quotes. 489 00:21:40,920 --> 00:21:45,480 Speaker 4: I say a lot of things animated Pixar finding Nemo. Yes, 490 00:21:46,000 --> 00:21:47,960 Speaker 4: And the quote is touch the butt. 491 00:21:48,359 --> 00:21:49,320 Speaker 2: No, you say that. 492 00:21:49,560 --> 00:21:50,560 Speaker 1: Oh you say that too. 493 00:21:50,840 --> 00:21:51,440 Speaker 2: No, I don't. 494 00:21:51,760 --> 00:21:53,880 Speaker 1: I think we both say I forget keep swimming. 495 00:21:54,640 --> 00:21:57,480 Speaker 2: I say, I quote a lot of things. No, I say, 496 00:21:57,520 --> 00:21:58,520 Speaker 2: you made me ink myself. 497 00:21:58,640 --> 00:22:01,160 Speaker 1: That's the one. I guess I they touched a butt. 498 00:22:01,600 --> 00:22:03,680 Speaker 1: But this one deserves to be number one. It is 499 00:22:03,800 --> 00:22:07,720 Speaker 1: one that I remember watching so much in school, primarily 500 00:22:07,800 --> 00:22:10,800 Speaker 1: in Spanish class because we would watch it in Spanish 501 00:22:11,040 --> 00:22:13,160 Speaker 1: to learn about Spanish. But really it was just like, yeah, 502 00:22:13,160 --> 00:22:14,480 Speaker 1: we're gonna throw a movie on, but make it an. 503 00:22:14,400 --> 00:22:15,800 Speaker 2: Excasional in Spanish. 504 00:22:16,160 --> 00:22:19,760 Speaker 1: I've probably seen this movie the most out of anyone. Well, 505 00:22:19,800 --> 00:22:21,320 Speaker 1: I guess I've seen The Dark Knight a lot, because 506 00:22:21,320 --> 00:22:24,399 Speaker 1: I rewatch it at least once a year. As far 507 00:22:24,480 --> 00:22:26,760 Speaker 1: as the Pixar movies, I've probably seen this one of 508 00:22:26,760 --> 00:22:28,880 Speaker 1: the most, just because we watched it at least three 509 00:22:28,960 --> 00:22:31,160 Speaker 1: or four times in school, like every year. 510 00:22:31,440 --> 00:22:33,200 Speaker 2: It was such a novel movie. 511 00:22:33,480 --> 00:22:36,919 Speaker 1: Toy Story definitely put Pixar on the map as far 512 00:22:37,000 --> 00:22:39,800 Speaker 1: as that being their first big movie, but without Finding 513 00:22:39,840 --> 00:22:41,800 Speaker 1: Nemo in two thousand and three, they would not have 514 00:22:41,880 --> 00:22:44,080 Speaker 1: had that run in the two thousands where they crushed it. 515 00:22:44,440 --> 00:22:47,160 Speaker 2: I also send the gift often of the little girl, 516 00:22:47,400 --> 00:22:50,280 Speaker 2: oh yeah, knocking on the glass when she's like trying 517 00:22:50,280 --> 00:22:51,720 Speaker 2: to get Nemo awake up in the fish tank. I 518 00:22:51,800 --> 00:22:54,040 Speaker 2: send that to people if they don't answer me, like 519 00:22:54,119 --> 00:22:55,560 Speaker 2: if they're not awake in the morning, I send that 520 00:22:55,640 --> 00:22:57,240 Speaker 2: as if I'm like, hello, it's. 521 00:22:57,160 --> 00:23:00,280 Speaker 1: A great movie. And it's weird that Cars came out 522 00:23:00,720 --> 00:23:03,359 Speaker 1: just three years later, but how much I changed and 523 00:23:03,480 --> 00:23:06,359 Speaker 1: didn't care about Pixar movies from that time. But then 524 00:23:06,400 --> 00:23:08,159 Speaker 1: I guess it kind of came back around in like 525 00:23:08,320 --> 00:23:10,600 Speaker 1: two thousand and nine whenever Up came out. 526 00:23:10,760 --> 00:23:12,320 Speaker 2: Your Son Chico Nemo. 527 00:23:13,160 --> 00:23:15,920 Speaker 1: But this movie's great. I feel like it deserves to 528 00:23:16,000 --> 00:23:20,280 Speaker 1: be number one. I enjoyed Finding Dory at the time, 529 00:23:20,440 --> 00:23:23,679 Speaker 1: but it's not really one I've revisited. Didn't really hit 530 00:23:23,720 --> 00:23:26,200 Speaker 1: the same way that Finding Nemo did Finding Nemo just 531 00:23:26,320 --> 00:23:30,200 Speaker 1: hits it's good. Out of all these top ten, which 532 00:23:30,240 --> 00:23:33,000 Speaker 1: one would you be more inclined to watch right now? Yeah, 533 00:23:33,080 --> 00:23:35,600 Speaker 1: Finding Nemo at one, cars it to Spider Man, The 534 00:23:35,720 --> 00:23:40,359 Speaker 1: Dark Night at four, Avatar, Shrek to Transformers, Curse of 535 00:23:40,400 --> 00:23:42,880 Speaker 1: the Black Pearl, dead Man's Chest, and The Incredibles. 536 00:23:43,200 --> 00:23:44,000 Speaker 2: Probably Spider Man. 537 00:23:44,440 --> 00:23:45,639 Speaker 1: I did want to go see them when they re 538 00:23:45,720 --> 00:23:48,760 Speaker 1: released them in theaters. Obviously, Spider Man my favorite superhero 539 00:23:49,200 --> 00:23:51,199 Speaker 1: if I were to sit down right now, But that. 540 00:23:51,240 --> 00:23:53,360 Speaker 2: Could be because you just watched Spider Man like a month. 541 00:23:53,640 --> 00:23:56,400 Speaker 1: Yeah, I did just rewatch all them. I'm talking every 542 00:23:56,440 --> 00:23:58,200 Speaker 1: single one of them. So right now I would go 543 00:23:58,440 --> 00:23:59,200 Speaker 1: The Dark Night. 544 00:24:00,000 --> 00:24:01,920 Speaker 2: I go The Dark Knight always. You would watch The 545 00:24:02,000 --> 00:24:02,880 Speaker 2: Dark Knight every day? 546 00:24:03,160 --> 00:24:04,240 Speaker 1: Yeah, it's easily. 547 00:24:04,440 --> 00:24:05,680 Speaker 2: So I don't know why you even had to think 548 00:24:05,680 --> 00:24:06,000 Speaker 2: about that. 549 00:24:06,280 --> 00:24:09,639 Speaker 1: Well, because I haven't seen Finding Nemo in a while, 550 00:24:10,359 --> 00:24:12,240 Speaker 1: and I'm kind of at a time where I'm still 551 00:24:12,280 --> 00:24:15,119 Speaker 1: looking for nostalgic things as comfort, so I feel like 552 00:24:15,200 --> 00:24:17,000 Speaker 1: I would want to lean towards that one. But you 553 00:24:17,119 --> 00:24:18,800 Speaker 1: put on The Dark Knight and I just watch it 554 00:24:18,840 --> 00:24:19,560 Speaker 1: from beginning to end. 555 00:24:19,560 --> 00:24:22,040 Speaker 2: No matter what, you do, love a lot of nostalgic comfort. 556 00:24:22,200 --> 00:24:23,879 Speaker 1: Mm hmm, I'm way into it right now. 557 00:24:24,440 --> 00:24:26,359 Speaker 2: See I am too, But my nostalgic comfort is like 558 00:24:26,400 --> 00:24:27,520 Speaker 2: fifteen seasons of ER. 559 00:24:28,160 --> 00:24:29,120 Speaker 1: That's a lot of seasons. 560 00:24:29,520 --> 00:24:30,160 Speaker 2: It's a great show. 561 00:24:30,240 --> 00:24:32,080 Speaker 1: You how many times are watching that show? 562 00:24:32,200 --> 00:24:35,720 Speaker 2: I think this is only my second all the way through, 563 00:24:36,080 --> 00:24:40,920 Speaker 2: because it wasn't on streaming until like twenty nineteen, I think, 564 00:24:41,600 --> 00:24:43,840 Speaker 2: and you had to get like the DVD box sets. 565 00:24:43,840 --> 00:24:45,640 Speaker 2: I had a couple, or you had to rent them 566 00:24:45,680 --> 00:24:48,119 Speaker 2: on like Netflix, but it wasn't on streaming until it 567 00:24:48,160 --> 00:24:50,639 Speaker 2: came to Hulu, and it took me like, oh, I 568 00:24:50,720 --> 00:24:52,399 Speaker 2: was in grad school and working when we were in 569 00:24:52,440 --> 00:24:54,360 Speaker 2: a long distance relationship, so it took me like over 570 00:24:54,440 --> 00:24:57,320 Speaker 2: a year. Yeah, that's that's my favorite show right there. 571 00:24:57,520 --> 00:25:02,359 Speaker 1: My current kind of nostalgic way rewatch is I'm seeking 572 00:25:02,440 --> 00:25:06,119 Speaker 1: out dragon Ball, which I remember watching dragon Ball Z 573 00:25:06,280 --> 00:25:08,840 Speaker 1: again in Spanish with all my Mexican cousins. Dragon Ball 574 00:25:08,960 --> 00:25:12,840 Speaker 1: Z was huge in Mexico. It did really well internationally 575 00:25:13,440 --> 00:25:16,840 Speaker 1: and I watched so many seasons of that show in Spanish, 576 00:25:17,240 --> 00:25:19,720 Speaker 1: but the only one that's available on Hulu to watch 577 00:25:19,760 --> 00:25:23,720 Speaker 1: from the very beginning is dragon Ball Super, which I 578 00:25:23,800 --> 00:25:26,520 Speaker 1: never watched, but it kind of feels nostalgic of watching 579 00:25:26,600 --> 00:25:28,600 Speaker 1: something that I at least in the same franchise that 580 00:25:28,640 --> 00:25:30,320 Speaker 1: I watched as a kid, even though I didn't watch 581 00:25:30,359 --> 00:25:33,600 Speaker 1: these specific episodes. But like er, there's like one hundred 582 00:25:33,640 --> 00:25:35,840 Speaker 1: and fifty episodes, so it's a hard animated just to 583 00:25:35,920 --> 00:25:36,400 Speaker 1: jump into. 584 00:25:36,960 --> 00:25:39,040 Speaker 2: Oh, there's like three hundred episodes of VR. 585 00:25:39,720 --> 00:25:40,520 Speaker 1: Oh it's way more. 586 00:25:40,880 --> 00:25:43,720 Speaker 2: Yeah, they were fifteen seasons of like twenty two episode 587 00:25:43,720 --> 00:25:45,720 Speaker 2: seasons because it was on network. 588 00:25:46,280 --> 00:25:48,400 Speaker 1: Yeah, that's a lot of episodes. You have me beat there. 589 00:25:48,840 --> 00:25:51,280 Speaker 2: Yeah, just don't watch dragon Ball on my profile, please. 590 00:25:51,480 --> 00:25:53,800 Speaker 2: Sometimes you watch things on mine and then it starts 591 00:25:53,840 --> 00:25:55,720 Speaker 2: suggesting things and I'm like, no, no, that's not me. 592 00:25:56,040 --> 00:25:57,600 Speaker 1: You're like, oh no, it thinks I'm a nerd. I 593 00:25:57,600 --> 00:25:59,960 Speaker 1: think whenever I watch one piece on your Netflix profile. 594 00:26:00,200 --> 00:26:02,359 Speaker 1: And then it was like you may also like Cowboy Bebop, 595 00:26:03,720 --> 00:26:06,360 Speaker 1: and I was like, no, I don't like this. All right, 596 00:26:06,440 --> 00:26:09,080 Speaker 1: We'll come back and talk about Babes in the movie. 597 00:26:08,920 --> 00:26:11,359 Speaker 2: Review and this is not a sequel to Babe the 598 00:26:11,400 --> 00:26:11,960 Speaker 2: Pig Movie. 599 00:26:12,240 --> 00:26:14,720 Speaker 1: Well, whenever you google it, the Pig Movie does come up. 600 00:26:14,960 --> 00:26:16,800 Speaker 2: It was a sad movie that'll do pig. 601 00:26:17,200 --> 00:26:17,600 Speaker 1: That'll do. 602 00:26:18,000 --> 00:26:21,640 Speaker 2: There's so many like sad animal related films for our childhood. Yeah, 603 00:26:21,640 --> 00:26:23,840 Speaker 2: I'm glad to fly Away Home the Woman Jeff Daniels 604 00:26:23,880 --> 00:26:25,639 Speaker 2: and a pequin where she had like the geese. 605 00:26:25,840 --> 00:26:28,240 Speaker 1: It is a sad one. Homeward Bound was sad at times. 606 00:26:28,640 --> 00:26:31,800 Speaker 2: Homeward Bound was so sad. It was just these like 607 00:26:32,200 --> 00:26:35,720 Speaker 2: dogs and cat on their own, poor little guy. I 608 00:26:35,840 --> 00:26:39,520 Speaker 2: mean there was Bambi. Oh gosh, Charlotte's Web. 609 00:26:40,320 --> 00:26:42,480 Speaker 1: Why are all these sad? Marley and me? 610 00:26:43,280 --> 00:26:45,240 Speaker 2: I can't ever rewatch that film. 611 00:26:46,440 --> 00:26:49,119 Speaker 1: Beetelvine was good, there was no Well maybe there's the end. 612 00:26:49,760 --> 00:26:52,440 Speaker 2: Air Bud. That's a dog I can get behind. 613 00:26:52,560 --> 00:26:53,840 Speaker 1: All right, let's go watch Aeroboid. 614 00:26:54,280 --> 00:26:56,280 Speaker 2: Don't tempt me. Can we watch air Buddies. 615 00:26:56,440 --> 00:26:57,960 Speaker 1: I don't remember that one. I don't think I saw 616 00:26:58,040 --> 00:26:58,320 Speaker 1: that one. 617 00:26:58,520 --> 00:26:59,840 Speaker 2: That's when Airbud had puppies. 618 00:27:00,200 --> 00:27:03,680 Speaker 1: Of course he did, they did, she did. Airbud was 619 00:27:03,720 --> 00:27:04,040 Speaker 1: a girl. 620 00:27:04,480 --> 00:27:07,520 Speaker 2: No airbudd and another dog. Oh, okay, takes two to ten, 621 00:27:07,600 --> 00:27:08,600 Speaker 2: go buddy, all right. 622 00:27:08,720 --> 00:27:09,560 Speaker 1: Oh that's how it works. 623 00:27:10,359 --> 00:27:13,119 Speaker 4: The birds and the bees talk before we talk about babes. Okay, 624 00:27:16,000 --> 00:27:19,040 Speaker 4: let's get into it now. A spoiler free movie review 625 00:27:19,280 --> 00:27:23,240 Speaker 4: of Babes. One of the funniest movies I've seen in theaters. Oh, 626 00:27:23,320 --> 00:27:24,879 Speaker 4: I can't even remember the last time we saw a 627 00:27:24,920 --> 00:27:26,359 Speaker 4: really funny movie in theaters. 628 00:27:26,560 --> 00:27:29,280 Speaker 2: I laughed so hard. I did, like my annoying laugh, 629 00:27:29,520 --> 00:27:33,560 Speaker 2: Like it's not a barking laugh. But when I find 630 00:27:33,640 --> 00:27:36,440 Speaker 2: something so funny, I just have a really loud laugh. 631 00:27:36,800 --> 00:27:39,040 Speaker 1: It's like a sharp ha and then it comes down 632 00:27:39,040 --> 00:27:39,439 Speaker 1: a little bit. 633 00:27:40,080 --> 00:27:41,040 Speaker 2: That's what it sounds. 634 00:27:41,160 --> 00:27:42,359 Speaker 1: Yeah, that's what you're talking about. 635 00:27:43,600 --> 00:27:44,560 Speaker 2: So what I sound like? 636 00:27:45,040 --> 00:27:47,040 Speaker 1: What the movie is about. It's about this girl who 637 00:27:47,119 --> 00:27:49,200 Speaker 1: gets pregnant from a one night stand and then has 638 00:27:49,280 --> 00:27:53,160 Speaker 1: to tackle single motherhood. And she has this best friend 639 00:27:53,240 --> 00:27:56,639 Speaker 1: that they've been friends since childhood yep, and now she 640 00:27:56,840 --> 00:28:00,399 Speaker 1: is kind of looking to her for advice because she 641 00:28:00,640 --> 00:28:03,520 Speaker 1: is a mom of a three year old and she 642 00:28:03,720 --> 00:28:05,560 Speaker 1: just had a newborn baby. And that's kind of where 643 00:28:05,600 --> 00:28:06,840 Speaker 1: the movie kicks off. 644 00:28:07,040 --> 00:28:09,520 Speaker 2: In one of the greatest secenons of all time. 645 00:28:09,560 --> 00:28:12,000 Speaker 1: Which a great comedy, I feel has to have a 646 00:28:12,280 --> 00:28:16,160 Speaker 1: big opening to really hook you in, and this movie 647 00:28:16,320 --> 00:28:18,560 Speaker 1: really wasted no time in getting right to the action 648 00:28:18,760 --> 00:28:20,600 Speaker 1: and right to the laughs, which I think is what 649 00:28:20,720 --> 00:28:23,560 Speaker 1: I ended up really enjoying about this movie is there 650 00:28:23,600 --> 00:28:26,440 Speaker 1: are so many comedic things all the way throughout the movie. 651 00:28:27,080 --> 00:28:29,680 Speaker 1: It doesn't really let up in its ninety minute runtime. 652 00:28:30,000 --> 00:28:33,000 Speaker 1: And the fact that the cast is primarily all women 653 00:28:33,400 --> 00:28:36,360 Speaker 1: telling a story that I feel really hasn't been told 654 00:28:36,400 --> 00:28:40,680 Speaker 1: this way because there have been pregnancy movies unexpected Up 655 00:28:41,240 --> 00:28:45,040 Speaker 1: there's your yetes Junos. I have an entire list of 656 00:28:45,080 --> 00:28:49,280 Speaker 1: my favorite movies about unexpected pregnancies. It has now entered 657 00:28:49,320 --> 00:28:52,960 Speaker 1: my top five in that list. So we'll get into 658 00:28:53,000 --> 00:28:55,200 Speaker 1: that later. But what was What did you love about 659 00:28:55,240 --> 00:28:55,560 Speaker 1: the movie? 660 00:28:55,760 --> 00:28:59,200 Speaker 2: Five out of five, all the stars, no notes. It 661 00:28:59,400 --> 00:29:03,000 Speaker 2: was so fun and we when we saw it, there 662 00:29:03,120 --> 00:29:07,000 Speaker 2: was like a before the film screening streamed from New 663 00:29:07,080 --> 00:29:12,239 Speaker 2: York with the main leads and the director, hosted by 664 00:29:12,400 --> 00:29:17,040 Speaker 2: Julia Luis Dreyfus, and the director Pamela Adlin was talking 665 00:29:17,080 --> 00:29:20,240 Speaker 2: about how people have called it like a raunchy comedy, 666 00:29:20,320 --> 00:29:23,480 Speaker 2: and she was like, I don't see it as raun 667 00:29:23,600 --> 00:29:27,080 Speaker 2: cheek comedy, Like it's about being pregnant and giving birth 668 00:29:27,160 --> 00:29:30,360 Speaker 2: and like things women go through. And it was not raunchy, 669 00:29:30,560 --> 00:29:33,800 Speaker 2: like there's some scenes, but it's not graphic. It's literally 670 00:29:33,960 --> 00:29:35,680 Speaker 2: just like I don't know how to describe other than 671 00:29:36,080 --> 00:29:38,240 Speaker 2: giving birth is not like it's just what happened. It's 672 00:29:38,320 --> 00:29:39,840 Speaker 2: just what happens, and it's what women do. 673 00:29:40,120 --> 00:29:42,720 Speaker 1: I found it interesting, yes, that it's probably put in 674 00:29:42,760 --> 00:29:46,680 Speaker 1: that category of raunchy comedy. It is rated are probably 675 00:29:46,800 --> 00:29:49,880 Speaker 1: more due to the fact of the language. Obviously when 676 00:29:49,920 --> 00:29:51,920 Speaker 1: making a baby, there's some things that go into making 677 00:29:51,960 --> 00:29:54,680 Speaker 1: a baby that tend to be more on the adult 678 00:29:54,800 --> 00:29:57,000 Speaker 1: side as far as the rating, So that's why it 679 00:29:57,120 --> 00:29:58,080 Speaker 1: has that our rating. 680 00:29:58,240 --> 00:29:59,360 Speaker 2: But they didn't even really show that. 681 00:30:00,000 --> 00:30:00,600 Speaker 1: No, they did it. 682 00:30:00,720 --> 00:30:03,400 Speaker 4: They didn't like, there's no nudity in this movie. Yeah, 683 00:30:03,520 --> 00:30:05,560 Speaker 4: it's implied, but it's not even shown. 684 00:30:05,760 --> 00:30:08,320 Speaker 1: I honestly think it's more because of the language. 685 00:30:08,880 --> 00:30:10,480 Speaker 2: No, I love a foul mouse, you do. 686 00:30:10,840 --> 00:30:12,560 Speaker 1: But I think it's interesting to put it in that 687 00:30:12,720 --> 00:30:15,800 Speaker 1: category of raunchy comedy when it isn't that. It's telling 688 00:30:15,840 --> 00:30:18,640 Speaker 1: the story of pregnancy and what happens in that just 689 00:30:19,080 --> 00:30:21,720 Speaker 1: happens to fall when you would categorize it an R 690 00:30:21,800 --> 00:30:24,080 Speaker 1: rated movie, which I think is weird. I think unfairly 691 00:30:24,160 --> 00:30:27,520 Speaker 1: rated are if that is why they are calling it raunchy. 692 00:30:28,200 --> 00:30:30,880 Speaker 1: Language is a different thing, but I think it is 693 00:30:31,040 --> 00:30:33,680 Speaker 1: used so well in this movie, because I think you 694 00:30:33,760 --> 00:30:36,240 Speaker 1: can make a comedy that leans a lot on curse 695 00:30:36,320 --> 00:30:38,160 Speaker 1: words to make it funny and make it the punch 696 00:30:38,240 --> 00:30:41,400 Speaker 1: line of the joke. But I feel like overall it 697 00:30:41,560 --> 00:30:45,760 Speaker 1: is used to show how close they are and is 698 00:30:45,840 --> 00:30:49,600 Speaker 1: one of my favorite representations of a long standing friendship. 699 00:30:50,080 --> 00:30:53,719 Speaker 2: I loved their relationship as best friends because there were 700 00:30:53,880 --> 00:30:56,000 Speaker 2: just like they would talk to each other about everything. 701 00:30:56,280 --> 00:30:59,040 Speaker 2: They were like we're family. I loved that, like it 702 00:30:59,160 --> 00:31:01,680 Speaker 2: reminded me I call my best friend for the most 703 00:31:01,760 --> 00:31:04,240 Speaker 2: random things. I had an eye doctor appointment and I 704 00:31:04,600 --> 00:31:06,600 Speaker 2: couldn't decide what pair of glasses I want, so I 705 00:31:06,680 --> 00:31:09,040 Speaker 2: called my best friend to decide for me. Last year, 706 00:31:09,080 --> 00:31:11,720 Speaker 2: when our air conditioning went out, I was standing on 707 00:31:11,760 --> 00:31:13,920 Speaker 2: the aisle of Target crying because I couldn't pick out 708 00:31:13,920 --> 00:31:15,240 Speaker 2: a box van and I just called her and I 709 00:31:15,320 --> 00:31:17,680 Speaker 2: was like, pick what out for me? And I just 710 00:31:17,880 --> 00:31:22,120 Speaker 2: loved this like female friendship and the bond that they 711 00:31:22,240 --> 00:31:25,680 Speaker 2: had and the things they'd been through and just that 712 00:31:25,760 --> 00:31:29,240 Speaker 2: they supported each other through that. I yeah, it was 713 00:31:29,280 --> 00:31:32,520 Speaker 2: more a story of like female friendship and going through 714 00:31:33,160 --> 00:31:36,880 Speaker 2: pregnancy and birth together. And I loved it and it 715 00:31:37,600 --> 00:31:38,600 Speaker 2: was just so funny. 716 00:31:38,800 --> 00:31:41,480 Speaker 1: It does show the closeness of their relationship, and I 717 00:31:41,520 --> 00:31:43,440 Speaker 1: guess another thing that landed on the raunchy side. They 718 00:31:43,440 --> 00:31:45,840 Speaker 1: don't even show, but they talk about taking a picture 719 00:31:45,880 --> 00:31:48,240 Speaker 1: of their movements and sending it to each other. That's 720 00:31:48,240 --> 00:31:49,560 Speaker 1: how close they are in this movie. 721 00:31:50,280 --> 00:31:54,000 Speaker 2: Yes, they did talk about that. They also talked about like, well, 722 00:31:54,040 --> 00:31:57,520 Speaker 2: they did examine each other to measure the other's cerfixes 723 00:31:57,640 --> 00:31:59,600 Speaker 2: to see how far along they were. But again, none 724 00:31:59,600 --> 00:32:02,880 Speaker 2: of that's showed. And I don't think that's raunchy. That's 725 00:32:03,080 --> 00:32:06,800 Speaker 2: literally just laburn childbirth. And I feel like, what's funny, 726 00:32:07,280 --> 00:32:09,240 Speaker 2: And I'm probably opening a can of worms here, But 727 00:32:09,320 --> 00:32:13,360 Speaker 2: I feel like men would consider that raunchy. And it's like, yeah, 728 00:32:13,360 --> 00:32:15,640 Speaker 2: because you don't have to go through it, Like that's 729 00:32:15,760 --> 00:32:18,080 Speaker 2: just a part of life for women, and like men 730 00:32:18,160 --> 00:32:20,160 Speaker 2: are so privileged to not have to do that. 731 00:32:20,440 --> 00:32:22,560 Speaker 1: It'd be like if you're talking about your period and 732 00:32:22,640 --> 00:32:26,920 Speaker 1: a guy gets uncomfortable just because that's like makes him uncomfortable, 733 00:32:26,920 --> 00:32:29,200 Speaker 1: it would fall into the runchy category. It's just that's 734 00:32:29,240 --> 00:32:30,160 Speaker 1: what you guys deal with. 735 00:32:30,480 --> 00:32:32,800 Speaker 2: I did make you buy tampons early on in our 736 00:32:32,840 --> 00:32:34,800 Speaker 2: relationship because I just like needed to know you were 737 00:32:34,880 --> 00:32:35,280 Speaker 2: chill with that. 738 00:32:35,600 --> 00:32:37,960 Speaker 1: It's no problem. It's something you buy the story, you 739 00:32:37,960 --> 00:32:39,080 Speaker 1: shouldn't feel weird about it. 740 00:32:39,240 --> 00:32:41,360 Speaker 2: You also once went above and beyond and asked a 741 00:32:41,400 --> 00:32:43,040 Speaker 2: girl in the aisle if you were buying the right ones, 742 00:32:43,080 --> 00:32:44,760 Speaker 2: and I was like, damn, I gotta marry this guy. 743 00:32:45,040 --> 00:32:48,320 Speaker 1: Yeah, it's never been weird for me. And I didn't 744 00:32:48,360 --> 00:32:50,160 Speaker 1: even grow up. I mean, I had a sister and 745 00:32:50,240 --> 00:32:53,960 Speaker 1: a mom, but it wasn't like so talked about that. 746 00:32:54,160 --> 00:32:56,719 Speaker 1: I would feel like there was something I was exposed 747 00:32:56,760 --> 00:32:58,400 Speaker 1: to early on that made me feel comfortable with it. 748 00:32:58,400 --> 00:33:00,280 Speaker 1: It was just like, it's you, like I'm going to 749 00:33:00,320 --> 00:33:03,080 Speaker 1: do anything you need is just buying something at the store. 750 00:33:03,120 --> 00:33:04,880 Speaker 1: I don't know why some guys just make a big 751 00:33:04,960 --> 00:33:05,960 Speaker 1: deal about it. It's really not. 752 00:33:06,240 --> 00:33:08,520 Speaker 2: You're literally just buying it. You're not using it. 753 00:33:09,640 --> 00:33:11,200 Speaker 1: Hey, if I needed it for a nosebleade, I would 754 00:33:11,280 --> 00:33:15,200 Speaker 1: use it. But The movie stars Alana Glazer, who I 755 00:33:15,400 --> 00:33:18,800 Speaker 1: knew primarily from Broad City, one of the best Comedy 756 00:33:18,960 --> 00:33:21,840 Speaker 1: Central shows that I watched in the twenty tens. It 757 00:33:21,960 --> 00:33:25,640 Speaker 1: also stars Michelle Buteau as her best friend in the movie, 758 00:33:25,840 --> 00:33:27,200 Speaker 1: and hassamanaj who. 759 00:33:27,480 --> 00:33:29,200 Speaker 2: Was born to wear a sweater vest in the film. 760 00:33:29,320 --> 00:33:30,400 Speaker 1: It looks great in techwear. 761 00:33:30,600 --> 00:33:31,000 Speaker 2: It does. 762 00:33:31,320 --> 00:33:33,600 Speaker 1: And this is the first time I've seen him have 763 00:33:33,720 --> 00:33:36,200 Speaker 1: a significant role in a movie. He's been a lot 764 00:33:36,280 --> 00:33:38,400 Speaker 1: of different side characters in different movies. He was in 765 00:33:38,440 --> 00:33:41,640 Speaker 1: the Jennifer Lawrence movie No Hard Feelings, But this was 766 00:33:41,720 --> 00:33:44,880 Speaker 1: my first time really get to see him as an actor, 767 00:33:44,960 --> 00:33:47,520 Speaker 1: because I know him more as a comedian. Overall, what 768 00:33:47,640 --> 00:33:50,120 Speaker 1: I loved about his character was him just being a 769 00:33:50,240 --> 00:33:51,440 Speaker 1: genuinely good dude. 770 00:33:51,640 --> 00:33:52,080 Speaker 4: He was. 771 00:33:52,320 --> 00:33:54,320 Speaker 2: He's such a nice husband and dad. 772 00:33:54,480 --> 00:33:57,000 Speaker 1: He was so sweet, and I just love their relationship 773 00:33:57,160 --> 00:34:00,520 Speaker 1: of her struggling with motherhood, how how hard it is 774 00:34:00,640 --> 00:34:04,800 Speaker 1: to have two kids, a newborn also going back to work, 775 00:34:05,120 --> 00:34:08,400 Speaker 1: and then him also having a career, them trying to 776 00:34:08,480 --> 00:34:11,440 Speaker 1: find childcare. But at the core of it, they were 777 00:34:11,640 --> 00:34:14,560 Speaker 1: just so in love with each other and respected each 778 00:34:14,560 --> 00:34:17,759 Speaker 1: other so much, and also could identify that they were 779 00:34:17,800 --> 00:34:21,280 Speaker 1: both having a really hard time navigating all those feelings. 780 00:34:21,680 --> 00:34:24,319 Speaker 1: There was a scene of them together kind of having 781 00:34:24,400 --> 00:34:27,759 Speaker 1: this what are we doing moment? And this is so hard, 782 00:34:27,840 --> 00:34:29,040 Speaker 1: But at the core of it, it was just that 783 00:34:29,120 --> 00:34:31,359 Speaker 1: they loved each other, and I think I just really 784 00:34:31,440 --> 00:34:33,120 Speaker 1: loved that relationship. 785 00:34:32,760 --> 00:34:36,160 Speaker 2: I did too. It was honestly so nice to see 786 00:34:36,440 --> 00:34:41,680 Speaker 2: a film portray parenthood, not just motherhood, parenthood and like 787 00:34:41,840 --> 00:34:45,440 Speaker 2: them as a team. And there's obviously things that he 788 00:34:45,640 --> 00:34:48,080 Speaker 2: couldn't do, but he was stepping up in the places 789 00:34:48,120 --> 00:34:50,680 Speaker 2: he could, and like he knew her career was important 790 00:34:50,719 --> 00:34:52,839 Speaker 2: to her, and she was like, I need to get 791 00:34:52,880 --> 00:34:54,160 Speaker 2: out of the house and I need to work and 792 00:34:54,239 --> 00:34:57,680 Speaker 2: do these things. And he respected that. And I hope 793 00:34:57,800 --> 00:35:01,600 Speaker 2: that's the storyline that movies can tenu to portray and 794 00:35:01,719 --> 00:35:04,600 Speaker 2: not just the trope of like, wife has baby, wife 795 00:35:04,680 --> 00:35:07,560 Speaker 2: quit's job. Like I just think that's so important to 796 00:35:07,680 --> 00:35:09,719 Speaker 2: show that, Like it is a struggle. It is very 797 00:35:09,840 --> 00:35:11,719 Speaker 2: much a struggle. We talk about that all the time, 798 00:35:11,800 --> 00:35:14,120 Speaker 2: but when the day comes of when we have kids, like, 799 00:35:14,800 --> 00:35:16,160 Speaker 2: how are we going to make that work? And I 800 00:35:16,239 --> 00:35:18,120 Speaker 2: think the thing is, you do make it work. But like, 801 00:35:18,200 --> 00:35:20,480 Speaker 2: it is a struggle. And I loved seeing it portrayed 802 00:35:21,160 --> 00:35:24,400 Speaker 2: in such a healthy way in a comedy, because they 803 00:35:24,400 --> 00:35:26,080 Speaker 2: could have gone the opposite way, Like the movie was 804 00:35:26,160 --> 00:35:29,160 Speaker 2: meant to be funny, but I think choosing to portray 805 00:35:29,280 --> 00:35:33,280 Speaker 2: that healthy relationship really set a good tone. And Alana 806 00:35:33,320 --> 00:35:36,680 Speaker 2: Glazer's character is kind of the opposite of that she's 807 00:35:37,360 --> 00:35:41,000 Speaker 2: navigating an unplanned pregnancy. And I think they were like 808 00:35:41,080 --> 00:35:43,279 Speaker 2: two sides of the coin, but they really showed up 809 00:35:43,320 --> 00:35:45,799 Speaker 2: for each other in ways, and it's it wasn't without 810 00:35:45,840 --> 00:35:48,440 Speaker 2: its moments of like, this is hard to be your 811 00:35:48,480 --> 00:35:50,640 Speaker 2: friend and a mom and a wife, but I think 812 00:35:50,800 --> 00:35:53,000 Speaker 2: they really like valued their friendship so much that it 813 00:35:53,120 --> 00:35:54,480 Speaker 2: was worth it to work on it. 814 00:35:54,880 --> 00:35:58,320 Speaker 1: And I like how her character changed through the course 815 00:35:58,360 --> 00:36:01,640 Speaker 1: of the movie, and how she goes from maybe being 816 00:36:01,719 --> 00:36:04,040 Speaker 1: a little naive and thinking it's good to be easy, 817 00:36:04,160 --> 00:36:07,200 Speaker 1: to realizing, oh, this is a real serious thing, and 818 00:36:07,280 --> 00:36:09,880 Speaker 1: then also realizing at times she's leaning a little bit 819 00:36:09,920 --> 00:36:13,440 Speaker 1: too much on her friend. And I just thought that 820 00:36:13,600 --> 00:36:17,279 Speaker 1: from beginning to end, I saw so much development that 821 00:36:17,840 --> 00:36:20,640 Speaker 1: while I was laughing at all the things happening, which 822 00:36:20,719 --> 00:36:22,120 Speaker 1: they were turned up to ten a lot of the 823 00:36:22,200 --> 00:36:25,719 Speaker 1: times in the ridiculousness, you also have that emotional level 824 00:36:25,800 --> 00:36:27,840 Speaker 1: of growing with this person. So that is something I 825 00:36:27,920 --> 00:36:30,279 Speaker 1: haven't really seen in a movie like this about an 826 00:36:30,360 --> 00:36:34,600 Speaker 1: unplanned pregnancy, where maybe like a knocked up head mostly comedy, 827 00:36:34,680 --> 00:36:36,960 Speaker 1: but it's also from the guy's point of view, And 828 00:36:37,239 --> 00:36:39,919 Speaker 1: in that movie, the female character is kind of seen 829 00:36:39,960 --> 00:36:41,960 Speaker 1: as a drag because she doesn't want to let the 830 00:36:42,000 --> 00:36:44,960 Speaker 1: guy grow up, and she's the one taking it more seriously. 831 00:36:45,280 --> 00:36:47,680 Speaker 2: That was also the era of just like portraying Catherine 832 00:36:47,680 --> 00:36:49,120 Speaker 2: Heigel as the worst in every movie. 833 00:36:49,200 --> 00:36:50,840 Speaker 1: Yeah, I feel like she got the raw end of 834 00:36:50,880 --> 00:36:53,040 Speaker 1: the deal in that movie, just on the way her 835 00:36:53,120 --> 00:36:55,680 Speaker 1: character was portrayed. But in this one, just showing her 836 00:36:55,880 --> 00:36:58,759 Speaker 1: character a little bit more three dimensional I thought was 837 00:36:58,800 --> 00:37:01,239 Speaker 1: the perfect way to approach it. It is directed by 838 00:37:01,360 --> 00:37:05,640 Speaker 1: Pamela Adalon, who I knew primarily from Louie. She also 839 00:37:05,719 --> 00:37:08,440 Speaker 1: did a TV show called Better Things. But I think 840 00:37:08,520 --> 00:37:10,520 Speaker 1: what other people might not realize is she's the voice 841 00:37:10,560 --> 00:37:11,120 Speaker 1: of Bobby Hill. 842 00:37:11,440 --> 00:37:13,279 Speaker 2: I will not be watching Better Things apparently. It's a 843 00:37:13,320 --> 00:37:14,600 Speaker 2: great show. I'd never heard of it. 844 00:37:14,880 --> 00:37:17,000 Speaker 1: I want to go back and watch seasons of King 845 00:37:17,080 --> 00:37:19,000 Speaker 1: of the Hill, which is one of my favorite shows 846 00:37:19,040 --> 00:37:22,360 Speaker 1: growing up. It's just always funny that whenever there's a 847 00:37:22,440 --> 00:37:25,880 Speaker 1: young kid boy in an animated show, it's usually a 848 00:37:25,960 --> 00:37:29,239 Speaker 1: female voice. But it's crazy to see her just jump 849 00:37:29,320 --> 00:37:33,440 Speaker 1: into that voice. So overall, what would you give? You 850 00:37:33,520 --> 00:37:34,399 Speaker 1: give it a five out of five. 851 00:37:34,480 --> 00:37:37,000 Speaker 2: No notes five out of five no notes five out 852 00:37:37,040 --> 00:37:40,799 Speaker 2: of five expensive sushi rolls. I would like to say, 853 00:37:41,560 --> 00:37:44,200 Speaker 2: as much as I sometimes romanticize living in New York, 854 00:37:45,280 --> 00:37:46,600 Speaker 2: I don't think I could be pregnant and live in 855 00:37:46,640 --> 00:37:48,440 Speaker 2: New York. There's a scene this is not a spoiler, 856 00:37:48,480 --> 00:37:50,440 Speaker 2: where she's walking up like four flights of stairs in 857 00:37:50,520 --> 00:37:53,279 Speaker 2: her building, like eight months pregnant, carrying groceries, and I'm like, 858 00:37:53,360 --> 00:37:54,000 Speaker 2: that looks brutal. 859 00:37:54,360 --> 00:37:56,799 Speaker 1: It does seem really hard to be pregnant. No hard, 860 00:37:57,280 --> 00:37:59,480 Speaker 1: And we go to New York and love it, but 861 00:37:59,560 --> 00:38:02,200 Speaker 1: where they for a short amount of time, we haven't 862 00:38:02,239 --> 00:38:03,200 Speaker 1: experience what it's like. 863 00:38:03,280 --> 00:38:06,080 Speaker 2: To We don't have strollers, we don't have kids on 864 00:38:06,160 --> 00:38:06,880 Speaker 2: a subway, or. 865 00:38:06,920 --> 00:38:09,440 Speaker 1: Even just the other things of living somewhere, of like 866 00:38:09,560 --> 00:38:11,439 Speaker 1: buying groceries and hauling those home. 867 00:38:12,040 --> 00:38:14,040 Speaker 2: Also the scene of her trying to take her baby 868 00:38:14,080 --> 00:38:14,680 Speaker 2: home in a cab. 869 00:38:15,120 --> 00:38:18,440 Speaker 1: Oh yeah, I think about that too. Of like that 870 00:38:18,640 --> 00:38:21,520 Speaker 1: drive from the hospital home I forget. I think it's 871 00:38:21,760 --> 00:38:23,520 Speaker 1: it isn't knocked up whenever they go home from the 872 00:38:23,560 --> 00:38:26,479 Speaker 1: hospital and he's like driving five miles an hour because 873 00:38:26,480 --> 00:38:28,880 Speaker 1: he's like, no, I'm taking it easy. I think I 874 00:38:28,920 --> 00:38:32,759 Speaker 1: would give it what I find when recommending comedies, if 875 00:38:32,800 --> 00:38:35,879 Speaker 1: I go too high. People are gonna expect the most 876 00:38:36,000 --> 00:38:38,960 Speaker 1: hilarious movie ever, and this is a movie that I 877 00:38:39,239 --> 00:38:42,520 Speaker 1: laughed at. But just to manage expectations, I'll give it 878 00:38:42,560 --> 00:38:46,440 Speaker 1: a four point five out of five car seats because 879 00:38:46,480 --> 00:38:49,359 Speaker 1: I think it's one that probably isn't going to get 880 00:38:49,400 --> 00:38:52,600 Speaker 1: the attention it deserves. And I also feel that it's 881 00:38:52,680 --> 00:38:55,719 Speaker 1: one that when people are always wanting to see an 882 00:38:55,760 --> 00:38:58,239 Speaker 1: original movie, especially comedies. People have been saying there's no 883 00:38:58,320 --> 00:39:01,359 Speaker 1: good comedies anymore out there. You just have to look 884 00:39:01,440 --> 00:39:03,879 Speaker 1: for them. And they might not be in the same 885 00:39:03,960 --> 00:39:06,600 Speaker 1: formula that they were back in the two thousands when 886 00:39:06,600 --> 00:39:09,280 Speaker 1: we all thought, well, a certain type of joke was funny, 887 00:39:09,760 --> 00:39:12,600 Speaker 1: they have evolved, and I think this is a really 888 00:39:12,840 --> 00:39:16,279 Speaker 1: great step in the right direction of making comedies that 889 00:39:16,480 --> 00:39:20,200 Speaker 1: everybody can watch and enjoy and laugh at. And I 890 00:39:20,400 --> 00:39:23,520 Speaker 1: feel that even if it doesn't do so well in theaters, 891 00:39:23,560 --> 00:39:25,640 Speaker 1: once this movie goes to streaming, it's gonna crush. 892 00:39:25,800 --> 00:39:27,239 Speaker 2: I already want to watch it again, and. 893 00:39:27,320 --> 00:39:29,480 Speaker 1: That's a sign of a good movie. And it's also 894 00:39:29,600 --> 00:39:32,640 Speaker 1: a sign that seeing everybody else in the theater just 895 00:39:32,760 --> 00:39:35,960 Speaker 1: kind of makes it funnier too, because when you go 896 00:39:36,040 --> 00:39:37,880 Speaker 1: watch a movie and there are other people laughing. It 897 00:39:37,960 --> 00:39:40,279 Speaker 1: makes you want to laugh more. So I feel like 898 00:39:40,360 --> 00:39:42,600 Speaker 1: we also had the best experience of seeing it in 899 00:39:42,680 --> 00:39:43,399 Speaker 1: a crowded theater. 900 00:39:43,840 --> 00:39:47,040 Speaker 2: And I will say, if anyone's listening to this podcast 901 00:39:47,080 --> 00:39:50,040 Speaker 2: and you find yourself wondering when we are going to 902 00:39:50,080 --> 00:39:53,279 Speaker 2: have children, not anytime soon, from watching that film, oh. 903 00:39:53,200 --> 00:39:54,400 Speaker 1: Yeah, that will plund the comments. 904 00:39:54,640 --> 00:39:55,160 Speaker 2: Oh that did. 905 00:39:55,320 --> 00:39:55,520 Speaker 4: Yeah. 906 00:39:56,239 --> 00:39:59,920 Speaker 1: It shows you how hard it is, not just the pregnancy, 907 00:40:00,280 --> 00:40:03,720 Speaker 1: but even just having kids. Yeah, and finding them somebody 908 00:40:03,800 --> 00:40:06,520 Speaker 1: to take care of them, childcare, Oh my gosh, well 909 00:40:06,560 --> 00:40:08,879 Speaker 1: it yeah, that's a whole other thing in this movie. 910 00:40:08,920 --> 00:40:11,120 Speaker 1: I would love to spoil a scene, but you gotta 911 00:40:11,160 --> 00:40:11,680 Speaker 1: experience it. 912 00:40:11,760 --> 00:40:17,399 Speaker 2: You do have to experience it. It's time to head 913 00:40:17,480 --> 00:40:19,880 Speaker 2: down to movie Mike trailor pau. 914 00:40:20,840 --> 00:40:24,200 Speaker 1: Francis Ford Coppola's new movie could be the most bizarre 915 00:40:25,160 --> 00:40:28,680 Speaker 1: film of twenty twenty four. It's a movie he has 916 00:40:28,800 --> 00:40:32,800 Speaker 1: self financed for one hundred and twenty million dollars, and 917 00:40:32,920 --> 00:40:36,080 Speaker 1: there have been a lot of speculations about his onset 918 00:40:36,200 --> 00:40:40,920 Speaker 1: behavior while directing this movie, that he came up with 919 00:40:41,040 --> 00:40:44,360 Speaker 1: this idea back in the seventies. There's so many bizarre 920 00:40:44,520 --> 00:40:47,359 Speaker 1: things surrounding this movie that took forty years to come 921 00:40:47,400 --> 00:40:51,200 Speaker 1: to fruition, And it's a trailer that I watched with 922 00:40:51,320 --> 00:40:55,080 Speaker 1: an open mind, but afterwards found myself saying, hell is that? 923 00:40:55,640 --> 00:40:58,479 Speaker 1: And we're gonna break down exactly what this movie is about. 924 00:40:58,520 --> 00:41:00,000 Speaker 1: I'm just gonna have to go and read the play, 925 00:41:00,680 --> 00:41:04,920 Speaker 1: because even after taking in this trailer a few times, 926 00:41:05,040 --> 00:41:09,120 Speaker 1: it is so abstract that I still don't fully get 927 00:41:09,920 --> 00:41:12,120 Speaker 1: what this movie is going to be about, given that 928 00:41:12,200 --> 00:41:14,440 Speaker 1: this is a first teaser, and I actually enjoy when 929 00:41:14,480 --> 00:41:17,040 Speaker 1: a trailer doesn't give you the full story, it really 930 00:41:17,280 --> 00:41:19,000 Speaker 1: gives you the tone of what the movie is going 931 00:41:19,040 --> 00:41:22,600 Speaker 1: to be. And for as legendary as a director that 932 00:41:22,680 --> 00:41:25,480 Speaker 1: Francis Ford Coppola is, I mean, do I have to 933 00:41:25,560 --> 00:41:29,000 Speaker 1: mention his classics like The Godfather, Apocalypse, now The Conversation. 934 00:41:29,560 --> 00:41:33,080 Speaker 1: He is somebody that now can do whatever he wants, 935 00:41:33,360 --> 00:41:36,960 Speaker 1: and by self financing this film, this was him telling 936 00:41:37,080 --> 00:41:39,680 Speaker 1: all of the studios, you guys don't want this, all right, 937 00:41:39,760 --> 00:41:42,600 Speaker 1: I will do it myself. So I think that is 938 00:41:42,800 --> 00:41:45,920 Speaker 1: some of the reason why some stories have come out 939 00:41:45,960 --> 00:41:49,279 Speaker 1: about him that we'll get into, and why it is 940 00:41:49,440 --> 00:41:53,560 Speaker 1: polarizing on the ratings, so far, it's debut at the 941 00:41:53,600 --> 00:41:57,279 Speaker 1: cann Film Festival, and you have people wanting to give 942 00:41:57,320 --> 00:41:59,839 Speaker 1: it a seven minute standing ovation and you have people 943 00:42:00,200 --> 00:42:02,480 Speaker 1: booing at the same time. And at the time of 944 00:42:02,560 --> 00:42:04,719 Speaker 1: recording this, it's sitting at a thirty eight percent on 945 00:42:04,920 --> 00:42:07,800 Speaker 1: Rotten Tomatoes. So before I get into more about what 946 00:42:08,000 --> 00:42:11,759 Speaker 1: this movie is, why people are upset about it, and 947 00:42:11,920 --> 00:42:15,279 Speaker 1: why it could be that he's ruffling feathers in the 948 00:42:15,360 --> 00:42:18,800 Speaker 1: movie industry, here's just a little bit of Megalopolis coming 949 00:42:18,840 --> 00:42:19,759 Speaker 1: out later this year. 950 00:42:20,320 --> 00:42:25,919 Speaker 2: When does an Empire die? Does it collapse in one 951 00:42:26,200 --> 00:42:34,200 Speaker 2: terrible moment? No? No, But there comes a time when 952 00:42:34,239 --> 00:42:36,120 Speaker 2: it's people no longer believe in it. 953 00:42:37,320 --> 00:42:40,800 Speaker 4: Don't let them out, destroyed the forever. 954 00:42:43,320 --> 00:42:46,840 Speaker 1: So let's get into some of the facts about this film. 955 00:42:46,920 --> 00:42:49,200 Speaker 1: Like I mentioned earlier, it costs one hundred and twenty 956 00:42:49,280 --> 00:42:53,120 Speaker 1: million dollars to make, all financed by Francis Ford Coppola. 957 00:42:53,600 --> 00:42:55,680 Speaker 1: So what he did back in two thousand and eight 958 00:42:55,880 --> 00:42:57,880 Speaker 1: is he got a loan for twenty million dollars to 959 00:42:58,239 --> 00:43:00,800 Speaker 1: make his own winery. And it was the winery that 960 00:43:01,360 --> 00:43:04,640 Speaker 1: he had this new idea that he wanted to incorporate 961 00:43:04,800 --> 00:43:08,800 Speaker 1: where it also has things available for kids, so parents, 962 00:43:08,960 --> 00:43:11,759 Speaker 1: grandparents come and they're able to spend the whole day 963 00:43:11,800 --> 00:43:14,719 Speaker 1: there because there are also activities for the kids to do. 964 00:43:14,920 --> 00:43:17,960 Speaker 1: And now he says that everybody has emulated what he 965 00:43:18,080 --> 00:43:20,360 Speaker 1: did back in two thousand and eight. And here is 966 00:43:20,440 --> 00:43:23,200 Speaker 1: him talking about starting that vineyard, and also if he 967 00:43:23,280 --> 00:43:25,640 Speaker 1: regrets selling it in order to finance this film, I 968 00:43:25,760 --> 00:43:26,160 Speaker 1: don't care. 969 00:43:26,239 --> 00:43:29,920 Speaker 5: I never cared about you know. One of the reasons 970 00:43:30,000 --> 00:43:32,160 Speaker 5: why I had the line of credit that I did 971 00:43:32,280 --> 00:43:34,080 Speaker 5: to be able to do this is because in two 972 00:43:34,160 --> 00:43:37,440 Speaker 5: thousand and eight I borrowed in those days, twenty million 973 00:43:37,560 --> 00:43:41,040 Speaker 5: dollars to take a winery and build a winery that 974 00:43:41,280 --> 00:43:44,560 Speaker 5: children could do something when their parents were drinking the wine. 975 00:43:44,640 --> 00:43:47,239 Speaker 5: And so I just took the money from that that 976 00:43:47,360 --> 00:43:49,560 Speaker 5: I wouldn't have had at i'd not taken the risk, 977 00:43:49,680 --> 00:43:52,080 Speaker 5: and I put the risk in the movie. So I 978 00:43:52,200 --> 00:43:56,919 Speaker 5: have no problems with the financial The money doesn't matter. 979 00:43:57,040 --> 00:44:00,640 Speaker 5: What's important our friends, because a friend will never let 980 00:44:00,719 --> 00:44:02,640 Speaker 5: you down. Money made evaporate. 981 00:44:03,120 --> 00:44:05,880 Speaker 1: So this movie is being put out by his production 982 00:44:06,000 --> 00:44:08,640 Speaker 1: company that he founded with George Lucas. There is no 983 00:44:08,920 --> 00:44:12,320 Speaker 1: major studio attached to it. There's not even an official 984 00:44:12,480 --> 00:44:14,719 Speaker 1: release date yet. At the end of the trailer, it 985 00:44:14,760 --> 00:44:17,440 Speaker 1: says coming to theaters in twenty twenty four, but as 986 00:44:17,520 --> 00:44:20,600 Speaker 1: of now, there isn't a full on American release date. 987 00:44:20,960 --> 00:44:25,600 Speaker 1: According to Deadline, Coppola has secured some Imax theaters to 988 00:44:25,640 --> 00:44:28,480 Speaker 1: show this movie in about twenty cities in late September, 989 00:44:28,920 --> 00:44:31,439 Speaker 1: but that's not an official date yet. So it's one 990 00:44:31,960 --> 00:44:35,360 Speaker 1: that not only do I not exactly understand what the 991 00:44:35,440 --> 00:44:37,440 Speaker 1: movie is about, but also when is it going to 992 00:44:37,520 --> 00:44:40,200 Speaker 1: come out in theaters is also up in question. But 993 00:44:40,840 --> 00:44:45,120 Speaker 1: here is the overall premise for Megalopolipse. An accident destroys 994 00:44:45,200 --> 00:44:50,000 Speaker 1: a decaying metropolis called New Rome. Caesar Catalina, an idealist 995 00:44:50,160 --> 00:44:53,000 Speaker 1: architect with the power to control time, aims to rebuild 996 00:44:53,080 --> 00:44:56,840 Speaker 1: it as a sustainable utopia, while his opposition, corrupt Mayor 997 00:44:57,000 --> 00:45:01,520 Speaker 1: Franklin Cicero, remains committed to a regrets status quo. Torn 998 00:45:01,600 --> 00:45:04,640 Speaker 1: between them is Franklin's daughter Julia, who is tired of 999 00:45:04,719 --> 00:45:08,840 Speaker 1: the influence she inherited, so she searches for her live's meeting. 1000 00:45:09,120 --> 00:45:12,360 Speaker 1: So I would say this is still a pretty abstract premise. 1001 00:45:12,640 --> 00:45:15,680 Speaker 1: So whenever, for me, a director has a passion project, 1002 00:45:15,760 --> 00:45:18,800 Speaker 1: something they've been working on forever, that even though nobody 1003 00:45:18,840 --> 00:45:21,440 Speaker 1: else sees their vision, are still going to commit to 1004 00:45:21,920 --> 00:45:23,960 Speaker 1: putting this movie out and having it see the light 1005 00:45:24,000 --> 00:45:26,560 Speaker 1: of day. That excites me. But right now, as a 1006 00:45:26,640 --> 00:45:29,799 Speaker 1: movie fan, as a movie reviewer, I can't exactly cash 1007 00:45:29,840 --> 00:45:31,480 Speaker 1: in on the fact that this movie is going to 1008 00:45:31,600 --> 00:45:36,080 Speaker 1: be great. And sometimes with these very historic directors that 1009 00:45:36,160 --> 00:45:38,879 Speaker 1: have been around for a long time and that their 1010 00:45:39,000 --> 00:45:42,399 Speaker 1: body of work speaks for itself, I find myself being 1011 00:45:42,440 --> 00:45:44,719 Speaker 1: able to cash in on whatever they're going to put 1012 00:45:44,760 --> 00:45:47,799 Speaker 1: out next. I'm putting this in the category of the Tarantinos, 1013 00:45:47,800 --> 00:45:50,960 Speaker 1: the Christopher Nolan's. I've put new directors in this category 1014 00:45:51,040 --> 00:45:54,600 Speaker 1: like Jordan Peele and Greta Gerwig. But right now there 1015 00:45:54,680 --> 00:45:57,640 Speaker 1: are some red flags around this movie, given the fact 1016 00:45:57,680 --> 00:46:01,120 Speaker 1: that it does have a pretty big ensemble cast. And 1017 00:46:01,280 --> 00:46:04,040 Speaker 1: in the last year I've been burned by movies that 1018 00:46:04,280 --> 00:46:07,480 Speaker 1: boast a big ensemble cast. I'm talking movies like Babylon 1019 00:46:07,840 --> 00:46:10,800 Speaker 1: and movies like Amsterdam, which both had that big poster 1020 00:46:10,960 --> 00:46:14,239 Speaker 1: with every single actor listed on the front, and both, 1021 00:46:14,320 --> 00:46:17,480 Speaker 1: in my opinion, were terrible movies, both of which I 1022 00:46:17,600 --> 00:46:19,840 Speaker 1: walk out of, And this one just so happens to 1023 00:46:19,960 --> 00:46:23,160 Speaker 1: have a one word title based on a city, and 1024 00:46:23,280 --> 00:46:25,520 Speaker 1: looking at this cast, it looks pretty unique. You have 1025 00:46:25,600 --> 00:46:29,719 Speaker 1: Adam Driver as Caesar Catalina. You have Aubrey Plaza in there. 1026 00:46:30,239 --> 00:46:33,359 Speaker 1: Shia Abuff is the actor in this movie that I'm 1027 00:46:33,480 --> 00:46:36,520 Speaker 1: most curious to see because I haven't been the biggest 1028 00:46:36,560 --> 00:46:40,000 Speaker 1: fan of his last couple movies, and for a brief 1029 00:46:40,120 --> 00:46:42,840 Speaker 1: period there in the late twenty tens, he was my 1030 00:46:43,040 --> 00:46:45,239 Speaker 1: go to actor. I know he went through a lot 1031 00:46:45,280 --> 00:46:48,000 Speaker 1: of things personally, I feel like he's had a big 1032 00:46:48,120 --> 00:46:51,880 Speaker 1: shift in his career in the last five years, so 1033 00:46:52,320 --> 00:46:54,840 Speaker 1: I don't know if this is going to be his 1034 00:46:55,080 --> 00:46:57,799 Speaker 1: big I'm Back movie, but it is nice to see 1035 00:46:57,880 --> 00:47:00,879 Speaker 1: him in a movie of this caliber. I just hope 1036 00:47:00,920 --> 00:47:03,759 Speaker 1: it doesn't turn out to be a bomb and put 1037 00:47:03,840 --> 00:47:07,360 Speaker 1: his career on a downward trajectory. And going back to 1038 00:47:07,520 --> 00:47:09,880 Speaker 1: the lead in this movie, Adam Driver, he is very 1039 00:47:09,960 --> 00:47:11,680 Speaker 1: hit or missed for me now, even though I think 1040 00:47:11,719 --> 00:47:14,960 Speaker 1: he is a great actor at his core, just sometimes 1041 00:47:15,000 --> 00:47:17,719 Speaker 1: when it comes to the projects that he picks, I 1042 00:47:17,920 --> 00:47:20,920 Speaker 1: don't have my full confidence in him to say anything 1043 00:47:20,960 --> 00:47:23,160 Speaker 1: Adam Driver is in is going to be great. You 1044 00:47:23,200 --> 00:47:26,800 Speaker 1: also have John Voight, Jason Schwartzman, Laurence Fishburne, who you 1045 00:47:26,920 --> 00:47:29,800 Speaker 1: heard there in the trailer, Dustin Hoffman, and really the 1046 00:47:29,880 --> 00:47:32,400 Speaker 1: list goes on and on of big A and B 1047 00:47:32,600 --> 00:47:34,680 Speaker 1: list names in this movie. You would think that this 1048 00:47:34,840 --> 00:47:37,279 Speaker 1: movie would be a critics darling, that people would just 1049 00:47:37,320 --> 00:47:39,920 Speaker 1: be eating up to give great reviews, but it's really not. 1050 00:47:40,080 --> 00:47:42,800 Speaker 1: People are torn on it. When it debuted, there was 1051 00:47:42,920 --> 00:47:46,560 Speaker 1: a seven minute standing ovation, which at the can Film Festival. 1052 00:47:46,760 --> 00:47:49,000 Speaker 1: I feel like any movie could get an ovation. 1053 00:47:49,239 --> 00:47:50,040 Speaker 4: That is just what you do. 1054 00:47:50,200 --> 00:47:52,920 Speaker 1: Because the director is there, the cast is there. You're 1055 00:47:53,000 --> 00:47:55,520 Speaker 1: going to react to that movie in a different way 1056 00:47:55,600 --> 00:47:57,439 Speaker 1: than if you watched it just at a normal theater 1057 00:47:57,520 --> 00:48:01,080 Speaker 1: without any influence around. So I always feel like that 1058 00:48:01,239 --> 00:48:03,160 Speaker 1: audience is a little biased. If I was there, I 1059 00:48:03,200 --> 00:48:06,279 Speaker 1: would do the same. So I take that with a 1060 00:48:06,320 --> 00:48:08,239 Speaker 1: grain of salt. But the fact that it was also 1061 00:48:08,400 --> 00:48:11,640 Speaker 1: met with booze is really interesting to me because that 1062 00:48:11,840 --> 00:48:14,320 Speaker 1: has to mean that this is going to be a 1063 00:48:14,440 --> 00:48:17,080 Speaker 1: movie you're either going to love or hate, and to 1064 00:48:17,320 --> 00:48:20,520 Speaker 1: be able to bullet something knowing that these people are 1065 00:48:20,600 --> 00:48:24,360 Speaker 1: in the room is really bold. So I think that 1066 00:48:24,600 --> 00:48:27,400 Speaker 1: is my first red flag. But also the fact there 1067 00:48:27,440 --> 00:48:30,960 Speaker 1: have been some really weird stories come out very early 1068 00:48:31,160 --> 00:48:34,920 Speaker 1: on with the debut of this film. One about Francis 1069 00:48:34,960 --> 00:48:38,160 Speaker 1: Ford Coppola sitting in his trailer for hours and delaying 1070 00:48:38,200 --> 00:48:41,800 Speaker 1: production because he was sitting around smoking weed, which that 1071 00:48:41,960 --> 00:48:44,719 Speaker 1: really hasn't been confirmed. It was really more of an allegation. 1072 00:48:45,520 --> 00:48:47,960 Speaker 1: And the only reason I find that hard to believe 1073 00:48:48,160 --> 00:48:50,800 Speaker 1: is because for somebody to put up one hundred and 1074 00:48:50,880 --> 00:48:54,600 Speaker 1: twenty million dollars of their own money to waste it 1075 00:48:55,160 --> 00:48:58,960 Speaker 1: by sitting in their trailer and smoking weed, that feels 1076 00:48:59,000 --> 00:49:00,759 Speaker 1: a little bit weird to me. Whenever you put up 1077 00:49:00,800 --> 00:49:04,160 Speaker 1: your own money for anything that was normally funded, you're 1078 00:49:04,239 --> 00:49:06,200 Speaker 1: going to have a different opinion on that. You're gonna 1079 00:49:06,200 --> 00:49:08,960 Speaker 1: make sure everything is running in tip top shape, unless 1080 00:49:09,000 --> 00:49:11,840 Speaker 1: he really didn't care, or unless that is just his 1081 00:49:12,040 --> 00:49:15,360 Speaker 1: process of how he directs the movie. The other weird 1082 00:49:15,440 --> 00:49:19,000 Speaker 1: story that came out was he allegedly tried to kiss 1083 00:49:19,120 --> 00:49:21,759 Speaker 1: some of the topless female extras on the set to 1084 00:49:21,880 --> 00:49:24,200 Speaker 1: get them in the mood. And this was another allegation 1085 00:49:24,400 --> 00:49:28,320 Speaker 1: that was denied by the film's executive producer, Darren Dimitri, 1086 00:49:28,600 --> 00:49:31,880 Speaker 1: who said he was never aware of any complaints harassment 1087 00:49:32,040 --> 00:49:35,080 Speaker 1: or ill behavior during the course of this project. So 1088 00:49:35,239 --> 00:49:39,120 Speaker 1: it seems like maybe these stories are being planted to 1089 00:49:39,280 --> 00:49:42,080 Speaker 1: paint this movie in a bad light, and you think, 1090 00:49:42,680 --> 00:49:45,480 Speaker 1: why exactly would that be? Why would people want to 1091 00:49:45,520 --> 00:49:48,520 Speaker 1: see this movie fail? And I did some research and 1092 00:49:48,920 --> 00:49:51,839 Speaker 1: there's an account on Twitter or x I follow called 1093 00:49:51,920 --> 00:49:55,680 Speaker 1: cinema Tweets, and they had this big, long dissertation why 1094 00:49:55,760 --> 00:49:58,840 Speaker 1: they think that it's getting review bombed right now? And 1095 00:49:58,960 --> 00:50:01,640 Speaker 1: their theory is, which I could kind of get behind, 1096 00:50:01,920 --> 00:50:05,040 Speaker 1: is that maybe some of the shakers and movers in 1097 00:50:05,280 --> 00:50:08,800 Speaker 1: Hollywood are worried that if this movie does well, it 1098 00:50:08,960 --> 00:50:12,640 Speaker 1: is going to change the way things happen in their industry. 1099 00:50:12,680 --> 00:50:16,120 Speaker 1: Because if Francis Ford Coppola is able to self finance 1100 00:50:16,160 --> 00:50:18,920 Speaker 1: a movie and then reach a level of success without 1101 00:50:19,000 --> 00:50:23,160 Speaker 1: a studio backing it, without the traditional forms of distribution, 1102 00:50:23,880 --> 00:50:27,680 Speaker 1: that could really change the way that other directors approach 1103 00:50:27,719 --> 00:50:32,480 Speaker 1: their movies. So you have other big directors like del Nivilneuve, Tarantino, 1104 00:50:32,760 --> 00:50:36,279 Speaker 1: Christopher Nolan, why wouldn't they do the same and take 1105 00:50:36,360 --> 00:50:39,439 Speaker 1: this path now with all their success and being able 1106 00:50:39,520 --> 00:50:43,000 Speaker 1: to put up their own money, but also probably raise 1107 00:50:43,080 --> 00:50:47,480 Speaker 1: money themselves and have full creative control, which That is 1108 00:50:47,560 --> 00:50:49,359 Speaker 1: what it comes down to. If you put up your 1109 00:50:49,400 --> 00:50:52,680 Speaker 1: own money, you don't have anybody telling you what to do. 1110 00:50:53,640 --> 00:50:57,040 Speaker 1: You don't have studio heads giving you notes on what 1111 00:50:57,239 --> 00:50:59,279 Speaker 1: to take out, what to put in. It needs more 1112 00:50:59,320 --> 00:51:01,600 Speaker 1: of this. The trailer needs to look this way. You 1113 00:51:01,719 --> 00:51:04,680 Speaker 1: are able to use your voice and your creative vision 1114 00:51:05,160 --> 00:51:07,560 Speaker 1: to make your movie exactly what you want it to be. 1115 00:51:07,920 --> 00:51:11,160 Speaker 1: And I think that sounds great to an artist trying 1116 00:51:11,239 --> 00:51:13,920 Speaker 1: to make their film. And I don't really want to 1117 00:51:13,960 --> 00:51:16,960 Speaker 1: get on the side of the studio execs and the 1118 00:51:17,040 --> 00:51:19,880 Speaker 1: quote unquote man in the situation, but I do think 1119 00:51:19,960 --> 00:51:21,800 Speaker 1: there needs to be a little bit of checks and 1120 00:51:21,920 --> 00:51:25,440 Speaker 1: balances when it comes down to the creative process. But 1121 00:51:25,520 --> 00:51:28,799 Speaker 1: what I like directors to have more creative control. Yes, 1122 00:51:28,960 --> 00:51:32,320 Speaker 1: I think that would actually lead to a lot less bombs, 1123 00:51:32,400 --> 00:51:35,280 Speaker 1: because I think a lot of those notes that studio 1124 00:51:35,400 --> 00:51:38,440 Speaker 1: execs give end up biting them in the butt and 1125 00:51:38,600 --> 00:51:41,040 Speaker 1: end up making the things that we hate about movies. 1126 00:51:41,400 --> 00:51:44,080 Speaker 1: Sometimes they can restrict on a director wanting to go 1127 00:51:44,239 --> 00:51:47,239 Speaker 1: all in because the studio head is probably thinking, well, 1128 00:51:47,280 --> 00:51:48,920 Speaker 1: we need to think about the sequel, we need to 1129 00:51:49,000 --> 00:51:51,839 Speaker 1: think about making this into a brand. So I think 1130 00:51:52,400 --> 00:51:55,400 Speaker 1: maybe some people are worried. If this movie has success 1131 00:51:55,920 --> 00:51:58,600 Speaker 1: without a studio attached to it, then it's going to 1132 00:51:58,640 --> 00:52:01,800 Speaker 1: be big news moving along in the movie industry. But 1133 00:52:01,880 --> 00:52:03,680 Speaker 1: I also love the fact that this movie is not 1134 00:52:03,800 --> 00:52:06,320 Speaker 1: attached to a franchise. It's not a remake, it's not 1135 00:52:06,400 --> 00:52:10,000 Speaker 1: a sequel, it's not a prequel, it's not based on anything. 1136 00:52:10,520 --> 00:52:14,359 Speaker 1: It is just a unique, standalone movie playing by its 1137 00:52:14,360 --> 00:52:17,080 Speaker 1: own rules. So even if I don't entirely love it 1138 00:52:17,160 --> 00:52:18,719 Speaker 1: by the time it comes out in theaters and I 1139 00:52:18,840 --> 00:52:22,440 Speaker 1: see it, I still stand by the decision to make 1140 00:52:22,520 --> 00:52:25,480 Speaker 1: something you've been working on for forty years. So again, 1141 00:52:25,920 --> 00:52:30,320 Speaker 1: Megalopolis is coming out sometime later this year, maybe in September. 1142 00:52:30,840 --> 00:52:33,920 Speaker 1: Head that for us this week's edition of movie by 1143 00:52:34,520 --> 00:52:36,600 Speaker 1: Framer Bar and that is going to do it for 1144 00:52:36,680 --> 00:52:39,320 Speaker 1: another episode here of the podcast. But before I go, 1145 00:52:39,480 --> 00:52:41,600 Speaker 1: I gotta give my listeners shout out of the week. 1146 00:52:42,040 --> 00:52:43,640 Speaker 1: You can always do this by hitting me up on 1147 00:52:43,719 --> 00:52:46,080 Speaker 1: social media. You can find all the links in the 1148 00:52:46,239 --> 00:52:50,080 Speaker 1: episode notes. And this week I'm going over to the 1149 00:52:50,200 --> 00:52:53,759 Speaker 1: review section on Apple Podcasts, so if you are subscribed there, 1150 00:52:54,160 --> 00:52:56,640 Speaker 1: you can scroll down, leave it five stars, write a 1151 00:52:56,719 --> 00:52:59,480 Speaker 1: quick little review because it helps me compete in the 1152 00:52:59,560 --> 00:53:04,439 Speaker 1: movie review podcast category, and this five star review comes 1153 00:53:04,520 --> 00:53:07,239 Speaker 1: to us from Stephie twenty four, who wrote new to 1154 00:53:07,360 --> 00:53:09,759 Speaker 1: the podcast. I watched the Bobby Bone Show, so I 1155 00:53:09,840 --> 00:53:12,440 Speaker 1: know Mike from it. Really enjoyed the show. Mike is 1156 00:53:12,520 --> 00:53:15,560 Speaker 1: so passionate about movies, and I love the laugh. We'll 1157 00:53:15,640 --> 00:53:18,640 Speaker 1: keep listening. So appreciate that, Stephie. That has a reference 1158 00:53:18,680 --> 00:53:21,440 Speaker 1: to something I talked about recently. One of the first 1159 00:53:21,920 --> 00:53:24,239 Speaker 1: one star reviews, maybe the only one star review I 1160 00:53:24,280 --> 00:53:27,040 Speaker 1: ever got for the podcast, is because somebody hated the 1161 00:53:27,080 --> 00:53:30,600 Speaker 1: fact that I laughed while talking about things. And after 1162 00:53:30,719 --> 00:53:33,359 Speaker 1: talking about that, a lot of people have come back 1163 00:53:33,400 --> 00:53:35,320 Speaker 1: and given me the feedback that they actually enjoy that, 1164 00:53:35,400 --> 00:53:38,279 Speaker 1: including you here, Stephie twenty four. So I appreciate that. 1165 00:53:38,440 --> 00:53:40,480 Speaker 1: I'm not doing it on purpose, just sometimes when I 1166 00:53:40,520 --> 00:53:42,879 Speaker 1: sit here doing this podcast, it just comes out. Also, 1167 00:53:42,960 --> 00:53:45,680 Speaker 1: later this week on Wednesday, I'll have a bonus episode 1168 00:53:45,760 --> 00:53:48,920 Speaker 1: up with the director and star of the first Omen 1169 00:53:49,320 --> 00:53:51,560 Speaker 1: Mail Tiger Free, who plays Margaret, who is the lead 1170 00:53:51,640 --> 00:53:54,600 Speaker 1: in that movie, and director Akashia Stevenson. We're gonna be 1171 00:53:54,640 --> 00:53:57,480 Speaker 1: talking about the behind the scenes how that movie was made, 1172 00:53:57,840 --> 00:53:59,640 Speaker 1: and I'll give you my full thoughts on the first 1173 00:53:59,719 --> 00:54:01,760 Speaker 1: oh in and how it gets into the women franchise, 1174 00:54:02,000 --> 00:54:04,280 Speaker 1: so be on the lookout for that episode on Wednesday. 1175 00:54:04,600 --> 00:54:07,320 Speaker 1: Thank you for listening, thank you for being subscribed, and 1176 00:54:07,440 --> 00:54:10,400 Speaker 1: until next week, go out and watch good movies and 1177 00:54:10,520 --> 00:54:12,279 Speaker 1: I will talk to you later