WEBVTT - Shawn Colvin

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<v Speaker 1>I've tried not to prepare really so we'll see.

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<v Speaker 2>Yeah, it's funny.

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<v Speaker 3>It goes one of two ways. People either really think

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<v Speaker 3>about it or they don't.

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<v Speaker 1>I've gone like care from her.

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<v Speaker 3>I think it's fine because I think it's all sort

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<v Speaker 3>of a trigger anyway, you know, for a larger conversation

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<v Speaker 3>about yeah, life and being here.

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<v Speaker 1>I think that's exactly right. It made me think a lot.

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<v Speaker 4>Hello, I'm mini driver. I've always loved Preust's questionnaire. It

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<v Speaker 4>was originally in nineteenth century parlor game where players would

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<v Speaker 4>ask each other thirty five questions aimed at revealing.

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<v Speaker 2>The other player's true nature.

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<v Speaker 4>In asking different people the same set of questions, you

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<v Speaker 4>can make observations about which truths appear to be universal.

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<v Speaker 4>And it made me wonder, what if these questions were

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<v Speaker 4>just a jumping off point, what greater depths would be

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<v Speaker 4>revealed if I asked these questions as conversation starters.

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<v Speaker 2>So I adapted Prus's.

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<v Speaker 4>Questionnaire and I wrote my own seven questions that I

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<v Speaker 4>personally think are pertinent to a person's story. They are

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<v Speaker 4>when and where were you happiest? What is the quality

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<v Speaker 4>you like least about yourself? What relationship real or fictionalized

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<v Speaker 4>defines love for you? What question would you most like answered,

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<v Speaker 4>What person, place, or experience has shaped you the most?

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<v Speaker 4>What would be your last meal? And can you tell

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<v Speaker 4>me something in your life that's grown out of a

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<v Speaker 4>personal disaster? And I've gathered a group of really remarkable people,

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<v Speaker 4>ones that I am honored and humbled to have had

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<v Speaker 4>the chance to engage with. You may not hear their

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<v Speaker 4>answers to all seven of these questions. We've whittled it

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<v Speaker 4>down to which questions felt closest to their experience, or

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<v Speaker 4>the most surprising, or created the most fertile ground to connect.

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<v Speaker 5>My guest today is the multiple Grammy Award winning musician

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<v Speaker 5>and songwriter Sean Colvin. I feel like Sean's song Sonny

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<v Speaker 5>Came Home, which came out in nineteen ninety six, was

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<v Speaker 5>the soundtrack to one of the most poignant parts of

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<v Speaker 5>my life, and so it was probably poignant in yours too.

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<v Speaker 5>I still find that song to be both beautiful and

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<v Speaker 5>haunting for all kinds of reasons. She writes what I

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<v Speaker 5>consider to be pure folk music and has a voice

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<v Speaker 5>that is both transporting and full of wisdom. Rather like

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<v Speaker 5>Sean herself, we had such a wonderful conversation bonding about

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<v Speaker 5>swimming in great, big bodies of water and a shared

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<v Speaker 5>love of Barton Springs, which is this amazing natural pool

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<v Speaker 5>in Austin, Texas, where Sean lives.

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<v Speaker 2>A few years ago she published.

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<v Speaker 5>A really lovely memoir called Diamond in the Rath, and

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<v Speaker 5>this year she is touring with Kebmo and her tour

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<v Speaker 5>dates are available at Seancolvin music dot com.

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<v Speaker 2>It's so funny.

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<v Speaker 3>I've been doing pressed or something, and lots of these

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<v Speaker 3>journalists have asked me, you know, I'd like to ask

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<v Speaker 3>you my favorite question of your questions, and I have

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<v Speaker 3>given the most useless answers. It really on the spot,

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<v Speaker 3>like really not great answers.

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<v Speaker 1>I don't believe you all.

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<v Speaker 2>It really wasn't.

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<v Speaker 3>I really regretted one of them. They asked me what relationship,

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<v Speaker 3>real or fictionalized, defined love for me, and I said

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<v Speaker 3>that it was I used to stand in the rain

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<v Speaker 3>and watch Daniel da Lewis play soccer because he went

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<v Speaker 3>to my school and he was older than me, much

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<v Speaker 3>older than me. He used to come back and play

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<v Speaker 3>in these old boy football matches, and I loved him

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<v Speaker 3>so much, and he was related to my uncle who

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<v Speaker 3>married my aunt, and so I felt like he was family.

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<v Speaker 3>And what I really wanted to say was not Daniel

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<v Speaker 3>da Lewis necessarily defines love for me, but the generosity

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<v Speaker 3>and the kindness.

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<v Speaker 2>That he showed me.

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<v Speaker 3>He would always walk back to the changing rooms slowly,

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<v Speaker 3>even if it was pounding rain. He would answer all

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<v Speaker 3>of my questions. He had patience, he had kindness, had

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<v Speaker 3>incredible energy and focus, and I felt like all those

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<v Speaker 3>things are real definers of love and I've never forgotten it.

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<v Speaker 3>But obviously the journalist is only going to write about

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<v Speaker 3>I love Daniel Davis.

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<v Speaker 2>Yeah, I know.

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<v Speaker 1>It will be good publicity.

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<v Speaker 2>You know what you do.

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<v Speaker 3>Yeah, there you're going, Okay, Well, I'm going to ask

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<v Speaker 3>you my first question, which is when and why were

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<v Speaker 3>you happiest.

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<v Speaker 6>I looked up the definition of the word happiness. I

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<v Speaker 6>wanted kind of a prompt, and that helped me think

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<v Speaker 6>about it more.

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<v Speaker 1>I think safety is a big part of it.

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<v Speaker 6>To feel safe is the very happy place, and to me,

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<v Speaker 6>it comes down to music, playing music, writing music, hearing music,

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<v Speaker 6>and water bodies of water. I grew up in South

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<v Speaker 6>Dakota and my father, who was the most fun loving

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<v Speaker 6>prankster ish, cool, goofy guy loved the water. And we

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<v Speaker 6>had a late close to us called Lewis and Clark

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<v Speaker 6>Lake in Yanked in South Dakota. And things weren't always

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<v Speaker 6>great at home, but being in that lake, by that lake,

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<v Speaker 6>on the boat, everything was okay. I felt a sense

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<v Speaker 6>of contentment, belonging, happiness, joy and safety. And we slept

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<v Speaker 6>all in this camper, all of us together, and there

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<v Speaker 6>was a closeness and a safety there.

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<v Speaker 5>You know.

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<v Speaker 6>I was a kid who didn't like having the door

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<v Speaker 6>shut to my room and darkness and being alone there,

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<v Speaker 6>So that was wonderful too.

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<v Speaker 2>And body's of water. Just do it for me?

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<v Speaker 1>Swimming does it?

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<v Speaker 6>Immersing myself in them, It's very important, not just looking

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<v Speaker 6>at them. There's a beach in Positano, Italy that some

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<v Speaker 6>of my ashes are going there, okay. And there's a

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<v Speaker 6>naturally fed springs pool here in Austin, Texas.

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<v Speaker 3>I know it bought in springs that is where Texas

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<v Speaker 3>breeds through Boughton Springs.

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<v Speaker 2>It seems to me it is.

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<v Speaker 6>It's a miracle. It's a wonder of nature. I don't

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<v Speaker 6>know any place like it that's in the middle of

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<v Speaker 6>a city. I go there every morning. I go there

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<v Speaker 6>every single morning. That's how I start my day.

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<v Speaker 2>And I'm having.

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<v Speaker 6>Ashes spread there too, but that's a secret because I'm

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<v Speaker 6>sure it's against the law.

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<v Speaker 3>Shania during the recent eclipse, my best friend in the world,

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<v Speaker 3>Alexandra Valenti and Avid listener.

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<v Speaker 2>Of this podcast. She'll be listening now, the photographer.

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<v Speaker 1>Yes, she's taken my picture many.

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<v Speaker 6>Okay, Yeah, she's wonderful.

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<v Speaker 2>She used to live there. Okay, she does, she still

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<v Speaker 2>lives still.

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<v Speaker 3>We went out, we were in we were in the

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<v Speaker 3>water up you know, there's that jetty where boats can

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<v Speaker 3>refuel and there's a great kind of general store. We

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<v Speaker 3>were past there and just between these two bridges and

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<v Speaker 3>we were in the water with our glasses on for

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<v Speaker 3>the eclipse.

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<v Speaker 2>And it was.

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<v Speaker 3>Honestly one of the most incredible moments of my life.

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<v Speaker 2>I think I have it on my Instagram.

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<v Speaker 3>I have the video which is just a lot of

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<v Speaker 3>screaming as it goes to pitch black.

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<v Speaker 2>Where you Well, I was here? Were you near the water?

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<v Speaker 2>Will you?

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<v Speaker 6>I was not. I was in my home. I was

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<v Speaker 6>in my home and I just was sitting around, going, well,

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<v Speaker 6>we'll see. I thought, well, it's going to be crowded

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<v Speaker 6>out there, and I couldn't wait for it, but I

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<v Speaker 6>didn't make a big social thing out of it.

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<v Speaker 1>And it got a little dark and I was like, yeah,

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<v Speaker 1>all right, and then it's got pitch black and the screaming.

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<v Speaker 2>I ran outside. The screaming started.

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<v Speaker 6>All the street lights came on, and one of the

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<v Speaker 6>I looked up. What happened to animals in the zoos

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<v Speaker 6>when the eclipse happened. A lot of them herded together,

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<v Speaker 6>which was interesting. But what I like the most was

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<v Speaker 6>the ones who were nocturnal came out.

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<v Speaker 2>Okay, time to get up, and the ones that.

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<v Speaker 1>You know usually went to bed at night just started

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<v Speaker 1>going to their beds.

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<v Speaker 2>Gosh, I mean, that makes a lot of sense.

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<v Speaker 3>There was a huge amount of bird and butterfly activity

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<v Speaker 3>out on the water.

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<v Speaker 1>It was what happened.

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<v Speaker 3>First of all, everything cleared, all of the birds and

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<v Speaker 3>all of the butterflies. They all came sort of swarming

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<v Speaker 3>across the water, and then they just disappeared into the

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<v Speaker 3>trees and under the bridges. And then as the light

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<v Speaker 3>was coming back, I assume in their beings they were

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<v Speaker 3>thinking it was dawn, and so they were swooping and

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<v Speaker 3>one of the guys on the boat. He was like,

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<v Speaker 3>I think it's because this is what they do in

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<v Speaker 3>the morning. They sort of swooped back was and forwards

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<v Speaker 3>from underneath the bridges and out of the trees, like

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<v Speaker 3>away from their nest and out into the day, and

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<v Speaker 3>again the butterflies kind of swarmed back the other way.

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<v Speaker 2>It was truly spiritual.

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<v Speaker 1>Yea, what it's going to happen in another four hundred

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<v Speaker 1>years or something?

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<v Speaker 2>Is that the k is a long time?

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<v Speaker 6>Were they singing like morning birds? Were they tweeting a lot?

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<v Speaker 2>Yeah? They were.

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<v Speaker 3>They absolutely were making a lot of noise. It was

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<v Speaker 3>really magical, truly truly amazing. That makes a lot of

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<v Speaker 3>sense if I lived in Arson and I would go

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<v Speaker 3>to Barton Springs every single morning and swim, It's fantastic.

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<v Speaker 3>What person place or experience most ultitude life.

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<v Speaker 6>I really have to say the experience of getting so

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<v Speaker 6>I was twenty seven, so I was very lucky, but

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<v Speaker 6>I was miserable. As I like to say, I had

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<v Speaker 6>my share. I mean, it's just that was my timeline.

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<v Speaker 6>I didn't have to go till I was however old.

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<v Speaker 6>I bottomed out and in New York City, and you know,

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<v Speaker 6>you know, lecture everyone about addiction and alcoholism, but it's

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<v Speaker 6>a disease, and I was very sick, and it's a

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<v Speaker 6>very tough.

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<v Speaker 2>Disease, you know.

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<v Speaker 6>It's a disease of denial, and addiction is a rough one.

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<v Speaker 6>It's an obsession of the mind, the craving of the body.

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<v Speaker 6>I mean, it's fierce, and not everybody makes it. And

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<v Speaker 6>for me, it was more than mornings after where I

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<v Speaker 6>just felt suicidally depressed. And I remember one of the

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<v Speaker 6>thoughts I had that really kind of made a difference

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<v Speaker 6>in me having a revelatory moment that this had to stop.

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<v Speaker 2>And it was ego driven.

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<v Speaker 6>I thought to myself, you know, because in high school

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<v Speaker 6>I was in all the musicals and debate team and

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<v Speaker 6>speech team and duet acting.

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<v Speaker 1>I had a lot of friends.

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<v Speaker 6>I was the girl guitar, seemed to have a lot

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<v Speaker 6>of potential, right and there was in New York. Yeah,

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<v Speaker 6>I was doing music and suddenly I thought all my

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<v Speaker 6>friends in high school are going to find out I'm

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<v Speaker 6>a drunk.

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<v Speaker 1>And that really got me. I really remember that.

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<v Speaker 6>It was just kind of a come to Jesus about

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<v Speaker 6>this is this is real?

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<v Speaker 1>This is what's going on with you.

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<v Speaker 6>So I got help, and I was so blessed and

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<v Speaker 6>lucky because it took, and it doesn't with everyone. I

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<v Speaker 6>just feel like I was really blessed with that. So

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<v Speaker 6>it transformed my life. Was in a program that really

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<v Speaker 6>kind of taught me how to live and introduced a

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<v Speaker 6>spiritual overview to living. All the things that have happened

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<v Speaker 6>to me since then, my dreams have come true. And

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<v Speaker 6>I firmly believe that would not have happened had I

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<v Speaker 6>not had a combination of some light shining on me

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<v Speaker 6>and just the epiphany that just couldn't go on, and

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<v Speaker 6>then I've found somewhere to take it.

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<v Speaker 3>Have you found what you found through the program all

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<v Speaker 3>through the people that you met or through that experience.

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<v Speaker 3>Have you sort of handed that on to someone else?

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<v Speaker 3>Like have you kind of continued that chain and like

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<v Speaker 3>what you were given. Have you had the opportunity to

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<v Speaker 3>kind of.

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<v Speaker 2>Have that on?

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<v Speaker 6>I mean, I've tried, and I've found that there's not

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<v Speaker 6>much you can say true. All I can hope for

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<v Speaker 6>is and I know this because of people that talk

0:12:01.600 --> 0:12:03.720
<v Speaker 6>to me, because they know me, because of what I do.

0:12:04.320 --> 0:12:10.199
<v Speaker 6>The other person, you're setting an example, not encouraging it,

0:12:10.440 --> 0:12:13.720
<v Speaker 6>proselytizing you know what I'm saying.

0:12:14.120 --> 0:12:15.360
<v Speaker 2>I do. Yeah.

0:12:15.400 --> 0:12:17.920
<v Speaker 1>I think it's just through my actions effected.

0:12:17.640 --> 0:12:18.320
<v Speaker 2>People the most.

0:12:18.400 --> 0:12:21.080
<v Speaker 6>Yeah, it's doing it because I remember once I was

0:12:21.720 --> 0:12:24.200
<v Speaker 6>sober for a year or two, had a great friend

0:12:24.240 --> 0:12:30.120
<v Speaker 6>who was a drummer, sweetest guy, great guy, terrible alcoholic,

0:12:30.640 --> 0:12:33.640
<v Speaker 6>and I told him what had happened to me and

0:12:34.320 --> 0:12:36.240
<v Speaker 6>he was like, oh man, I got to do that,

0:12:36.559 --> 0:12:37.280
<v Speaker 6>I got to do that.

0:12:37.480 --> 0:12:40.839
<v Speaker 2>And I'm like, yeah, yeah.

0:12:39.880 --> 0:12:43.320
<v Speaker 1>I was just so happy. I'm like, yay, he's going

0:12:43.400 --> 0:12:43.800
<v Speaker 1>to come in.

0:12:43.960 --> 0:12:44.480
<v Speaker 2>He died.

0:12:45.840 --> 0:12:49.200
<v Speaker 6>He died before he came in. And that taught me

0:12:49.600 --> 0:12:52.240
<v Speaker 6>a lot. It kind of taught me a lot, like

0:12:52.320 --> 0:12:56.600
<v Speaker 6>you can't convince somebody except through your own experience and

0:12:56.720 --> 0:13:02.280
<v Speaker 6>through their willingness to want to change, yeah and recover. Yeah,

0:13:03.480 --> 0:13:06.360
<v Speaker 6>so that's the defining experience for sure. I don't know

0:13:06.440 --> 0:13:10.160
<v Speaker 6>what i'd be doing right now. How old were you

0:13:10.160 --> 0:13:11.079
<v Speaker 6>when you had your daughter?

0:13:12.320 --> 0:13:13.040
<v Speaker 1>Forty two?

0:13:13.840 --> 0:13:16.480
<v Speaker 2>Nice? Nice?

0:13:17.320 --> 0:13:17.400
<v Speaker 5>No?

0:13:17.920 --> 0:13:23.240
<v Speaker 2>How about you? I was thirty eight? Yeah?

0:13:23.400 --> 0:13:25.960
<v Speaker 3>Yeah, I mean you know, they called it a geriatric pregnancy,

0:13:26.000 --> 0:13:28.120
<v Speaker 3>which I thought was so unnecessary.

0:13:28.280 --> 0:13:35.720
<v Speaker 2>They did. They did so sad like these labels. But yeah,

0:13:35.880 --> 0:13:36.880
<v Speaker 2>he's magic.

0:13:36.880 --> 0:13:39.760
<v Speaker 6>Yeah, they are magic. Does he have a good sense

0:13:39.760 --> 0:13:42.199
<v Speaker 6>of humor? That's what he thinks. I loved the most

0:13:42.200 --> 0:13:46.080
<v Speaker 6>about my kid. She's hysterical. Isn't that very absolutely?

0:13:46.240 --> 0:13:46.520
<v Speaker 2>Yes?

0:13:46.679 --> 0:13:50.200
<v Speaker 3>Because I think kind, funny, clever. Those were sort of

0:13:50.200 --> 0:13:54.720
<v Speaker 3>my benchmarks of what I sort of loving a person.

0:13:55.640 --> 0:13:57.920
<v Speaker 3>I've always thrown that around and thought that everything can

0:13:57.960 --> 0:14:00.000
<v Speaker 3>actually be distilled into those things.

0:14:00.240 --> 0:14:01.760
<v Speaker 1>That makes a lot of sense to me.

0:14:17.679 --> 0:14:20.800
<v Speaker 3>Can you tell me about something that has grown out

0:14:20.840 --> 0:14:22.040
<v Speaker 3>of the personal disaster?

0:14:23.840 --> 0:14:31.880
<v Speaker 2>Gray Heir? That is the truth, That is the literal truth.

0:14:32.200 --> 0:14:37.360
<v Speaker 6>When I saw the word grown, I was like, oh, yeah, that.

0:14:37.840 --> 0:14:39.640
<v Speaker 1>I'm trying to think of something else.

0:14:39.720 --> 0:14:44.640
<v Speaker 6>Besides the kind of pivotal thing about giving up alcohol.

0:14:44.520 --> 0:14:46.040
<v Speaker 2>Being a single mom?

0:14:46.520 --> 0:14:49.440
<v Speaker 3>Was that difficult in the beginning because I was also

0:14:49.520 --> 0:14:53.080
<v Speaker 3>a single mom, And while it was heavenly in a

0:14:53.080 --> 0:14:55.720
<v Speaker 3>lot of respects, I love not having anybody telling me

0:14:56.320 --> 0:14:57.200
<v Speaker 3>what to do.

0:14:57.280 --> 0:15:01.160
<v Speaker 2>With vapor misers. No, no, no, no no no, I didn't.

0:15:01.240 --> 0:15:04.800
<v Speaker 3>But there were definitely moments where I was like, holy cow,

0:15:05.480 --> 0:15:09.520
<v Speaker 3>I am so alone in this. Yeah, she's meaning this

0:15:09.600 --> 0:15:11.760
<v Speaker 3>little tiny baby he can't speak to me, And I

0:15:11.760 --> 0:15:15.520
<v Speaker 3>remember thinking we were both growing out of this, not

0:15:15.600 --> 0:15:16.600
<v Speaker 3>disastrous situation.

0:15:16.640 --> 0:15:17.760
<v Speaker 2>But it was suddeny not easy.

0:15:18.360 --> 0:15:23.800
<v Speaker 6>Yes, that's really applicable here. Yeah, single parenthood and realizing

0:15:24.840 --> 0:15:27.440
<v Speaker 6>you're making all the decisions and a lot of them

0:15:27.440 --> 0:15:31.600
<v Speaker 6>are fucking hard. You're responsible, and Calli's had her share

0:15:31.640 --> 0:15:34.840
<v Speaker 6>of difficulties. You know, she wouldn't mind my saying that.

0:15:35.200 --> 0:15:38.760
<v Speaker 6>And I had to make decisions. She can now, and

0:15:39.280 --> 0:15:44.320
<v Speaker 6>thank god she's twenty six and she launched. But yeah,

0:15:44.360 --> 0:15:48.960
<v Speaker 6>to be alone making every decision. And I feel like,

0:15:50.120 --> 0:15:53.560
<v Speaker 6>as far as growing from that sort of disaster or

0:15:53.680 --> 0:15:58.520
<v Speaker 6>very uncomfortable, challenging thing, I think the most creative job

0:15:58.520 --> 0:16:02.440
<v Speaker 6>in the world is being a mother. Yeah, and anybody

0:16:02.440 --> 0:16:04.080
<v Speaker 6>who's the mother, I.

0:16:04.040 --> 0:16:05.960
<v Speaker 2>Wish I could sing like you. I wish I could

0:16:06.000 --> 0:16:06.280
<v Speaker 2>be it.

0:16:07.360 --> 0:16:08.680
<v Speaker 1>You're being creative, honey.

0:16:08.960 --> 0:16:11.000
<v Speaker 2>Was it hard being on the road with a little child.

0:16:11.200 --> 0:16:14.240
<v Speaker 6>Well, she came along for a while, and then when

0:16:14.240 --> 0:16:18.480
<v Speaker 6>she started school, she stayed back with her dad and

0:16:18.480 --> 0:16:19.560
<v Speaker 6>it just sucked, you.

0:16:19.520 --> 0:16:22.040
<v Speaker 2>Know, for me to be away like that. Yeah, that

0:16:22.120 --> 0:16:23.120
<v Speaker 2>must have been very hot.

0:16:23.520 --> 0:16:26.680
<v Speaker 1>It was very hard, but I took a couple of

0:16:26.760 --> 0:16:27.200
<v Speaker 1>years off.

0:16:27.320 --> 0:16:28.440
<v Speaker 2>Yeah, it was very hard.

0:16:28.480 --> 0:16:32.880
<v Speaker 6>But she's amazing and our bond is ironclad, and it

0:16:32.920 --> 0:16:33.440
<v Speaker 6>worked out.

0:16:34.320 --> 0:16:36.200
<v Speaker 2>Oh, old Henry, he's fifteen.

0:16:36.800 --> 0:16:39.520
<v Speaker 1>Oh yeah, has he gone into his cave yet?

0:16:40.920 --> 0:16:43.560
<v Speaker 2>You know what, I think he's in the cave, and

0:16:43.680 --> 0:16:46.320
<v Speaker 2>he's in the cave. He is, he in the cave.

0:16:46.640 --> 0:16:49.520
<v Speaker 3>He's fighting the bar right now. He's fighting the bat

0:16:49.640 --> 0:16:54.440
<v Speaker 3>in the cave. And I just keep handing him supplies.

0:16:55.000 --> 0:16:56.360
<v Speaker 3>I heard they go into a cave.

0:16:57.120 --> 0:16:57.720
<v Speaker 2>They really do.

0:16:57.760 --> 0:17:01.360
<v Speaker 3>And I think it's really that initiation and that journey.

0:17:01.440 --> 0:17:03.360
<v Speaker 3>It's very hard to sit by and watch and not

0:17:03.400 --> 0:17:05.639
<v Speaker 3>want to make it easier. I got to say, I

0:17:05.680 --> 0:17:08.840
<v Speaker 3>don't do a great job not interfering. I really tried.

0:17:08.880 --> 0:17:12.439
<v Speaker 3>But it's agony watching someone being born into adulthood.

0:17:13.160 --> 0:17:13.560
<v Speaker 1>It is.

0:17:13.600 --> 0:17:19.560
<v Speaker 6>And you know, your instincts to try to avoid controlling and.

0:17:19.480 --> 0:17:25.280
<v Speaker 1>Advising and you know, like babying them through it are

0:17:25.320 --> 0:17:25.840
<v Speaker 1>really good.

0:17:25.840 --> 0:17:25.960
<v Speaker 5>You know.

0:17:26.000 --> 0:17:28.240
<v Speaker 6>I wish I could say my instincts had been better

0:17:28.400 --> 0:17:29.560
<v Speaker 6>as far as that went.

0:17:29.800 --> 0:17:31.400
<v Speaker 2>I came from a place.

0:17:31.119 --> 0:17:34.720
<v Speaker 6>Where I was going to outdo my parents, you know

0:17:35.240 --> 0:17:38.280
<v Speaker 6>the things that I didn't get. Man, she was going

0:17:38.359 --> 0:17:40.840
<v Speaker 6>to get it in spades, and I overdid it. There's

0:17:40.880 --> 0:17:41.680
<v Speaker 6>somebody told.

0:17:41.480 --> 0:17:43.960
<v Speaker 1>Me the other day our generation overcorrected.

0:17:44.560 --> 0:17:45.560
<v Speaker 2>Huh.

0:17:45.720 --> 0:17:48.480
<v Speaker 3>That's interesting. I actually think that's really true. I think

0:17:48.560 --> 0:17:51.640
<v Speaker 3>that they were so hands off. Yeah, I think I definitely,

0:17:51.840 --> 0:17:57.680
<v Speaker 3>to his detriment, sometimes been super prescriptive, like too prescriptive.

0:17:57.720 --> 0:17:59.159
<v Speaker 3>But I don't know what we were talking about this

0:17:59.240 --> 0:18:01.720
<v Speaker 3>last night, my sister and some friends. Oh you can

0:18:01.880 --> 0:18:04.480
<v Speaker 3>just it's just the best you can do, right. Oh yeah,

0:18:04.600 --> 0:18:08.160
<v Speaker 3>And there's no handbook, you have no idea. You often

0:18:08.200 --> 0:18:10.360
<v Speaker 3>don't realize the things you've handed on to your kids

0:18:10.440 --> 0:18:12.560
<v Speaker 3>until they've been handed on.

0:18:13.000 --> 0:18:15.520
<v Speaker 2>So all you can do is just keep talking about it.

0:18:15.560 --> 0:18:16.719
<v Speaker 2>And I don't know.

0:18:17.400 --> 0:18:19.520
<v Speaker 1>All you can do is keep talking about it, and

0:18:19.640 --> 0:18:23.040
<v Speaker 1>it's hard to watch them struggle, and then you reach

0:18:23.080 --> 0:18:26.120
<v Speaker 1>a point where you are over correcting. And somebody said,

0:18:26.119 --> 0:18:29.440
<v Speaker 1>you've got to give them the dignity of learning.

0:18:30.280 --> 0:18:32.200
<v Speaker 2>Oh that's good. I like that a lot.

0:18:33.160 --> 0:18:36.000
<v Speaker 6>I do too, and my folks were on the other

0:18:36.040 --> 0:18:39.120
<v Speaker 6>side of the spectrum. But I figured it out. Yeah,

0:18:39.200 --> 0:18:40.320
<v Speaker 6>we all figured it out.

0:18:44.840 --> 0:18:49.120
<v Speaker 2>So what is the quality that you like least about yourself?

0:18:49.960 --> 0:18:52.560
<v Speaker 1>A few, but I'll try to focus on one.

0:18:52.800 --> 0:18:57.679
<v Speaker 6>I did kind of an inventory of the things that

0:18:57.760 --> 0:19:00.840
<v Speaker 6>I do that I really wasn't aware that I was doing,

0:19:01.400 --> 0:19:02.480
<v Speaker 6>just to cope in life.

0:19:02.560 --> 0:19:04.200
<v Speaker 1>I think we all have these things, and I gave

0:19:04.240 --> 0:19:04.960
<v Speaker 1>them names.

0:19:05.320 --> 0:19:07.040
<v Speaker 6>What I was going to say was the quality I

0:19:07.080 --> 0:19:11.479
<v Speaker 6>like least in myself is I isolate. I enjoy time alone,

0:19:11.960 --> 0:19:14.920
<v Speaker 6>but I isolate too much. I just do, and I'm

0:19:14.960 --> 0:19:18.600
<v Speaker 6>trying to work on that. I'm just kind of a recluse,

0:19:18.680 --> 0:19:22.560
<v Speaker 6>I guess. And I love texting with people and talking

0:19:22.600 --> 0:19:23.119
<v Speaker 6>on the phone.

0:19:23.119 --> 0:19:24.840
<v Speaker 2>But I just kind of stood put.

0:19:25.359 --> 0:19:28.600
<v Speaker 1>But this other thing I was telling you about where

0:19:28.600 --> 0:19:32.280
<v Speaker 1>I started to make a list of my coping mechanisms

0:19:32.359 --> 0:19:36.080
<v Speaker 1>that aren't healthy, and I gave them names. And one

0:19:36.119 --> 0:19:41.320
<v Speaker 1>was the contractor. So you know, you meet people.

0:19:41.200 --> 0:19:44.280
<v Speaker 6>You fall in love, you have certain friends, whatever shaped

0:19:44.320 --> 0:19:49.040
<v Speaker 6>you in your childhood, you make unconscious contracts with people you.

0:19:49.000 --> 0:19:51.000
<v Speaker 2>Know you do, or at least I do.

0:19:51.240 --> 0:19:56.879
<v Speaker 6>If you do do do, then you will get Weah.

0:19:57.040 --> 0:19:59.399
<v Speaker 6>I just realized how full of manipulation I was, and

0:19:59.440 --> 0:20:02.879
<v Speaker 6>how I would make these contracts rather than accepting the

0:20:02.920 --> 0:20:07.920
<v Speaker 6>situation just as it is. Another one was the pontificator.

0:20:08.640 --> 0:20:13.640
<v Speaker 6>I think I'm an expert in so many areas, and

0:20:14.480 --> 0:20:18.119
<v Speaker 6>I give tons of advice. I just think I know it.

0:20:18.520 --> 0:20:23.480
<v Speaker 6>You know, you asked me about mental health, music, fashion,

0:20:24.320 --> 0:20:27.560
<v Speaker 6>you know, bring it up. So those are just two

0:20:27.560 --> 0:20:30.120
<v Speaker 6>and the isolation. But you know, there's so many things

0:20:30.160 --> 0:20:33.119
<v Speaker 6>to improve in myself is just becoming aware of what

0:20:33.200 --> 0:20:35.600
<v Speaker 6>they are, which comes to you whenever it comes to you.

0:20:36.000 --> 0:20:38.679
<v Speaker 3>What do you get out of isolating? Like, what are

0:20:38.720 --> 0:20:40.080
<v Speaker 3>the benefits of it?

0:20:40.400 --> 0:20:43.800
<v Speaker 6>That's a really good question. I guess I have social anxiety.

0:20:44.800 --> 0:20:48.479
<v Speaker 6>I guess that's kind of that's really kind of it.

0:20:48.040 --> 0:20:49.680
<v Speaker 2>Just more comfortable being by yourself.

0:20:50.720 --> 0:20:54.320
<v Speaker 1>I like being by myself, but I can lonely with

0:20:54.520 --> 0:20:59.239
<v Speaker 1>that in that isolation. So it's kind of a you know,

0:21:00.280 --> 0:21:02.639
<v Speaker 1>edged sword, because for example, when I get up to

0:21:02.640 --> 0:21:06.040
<v Speaker 1>go to the pool, I get up when it's very dark,

0:21:06.840 --> 0:21:09.560
<v Speaker 1>and I get in the car and listen to the

0:21:09.640 --> 0:21:12.479
<v Speaker 1>music I love and get a cup of coffee and

0:21:12.520 --> 0:21:15.040
<v Speaker 1>sit in the parking lot in my car at the

0:21:15.040 --> 0:21:18.320
<v Speaker 1>pool in the dark, and it's my favorite time.

0:21:18.359 --> 0:21:18.720
<v Speaker 6>It's day.

0:21:19.520 --> 0:21:22.520
<v Speaker 1>And then the dawn starts to break, and I wandered.

0:21:22.480 --> 0:21:23.200
<v Speaker 2>That's beautiful.

0:21:23.440 --> 0:21:26.600
<v Speaker 6>Well, it's great, but then you know, the day goes

0:21:26.640 --> 0:21:31.040
<v Speaker 6>on and I live alone. So I've realized that in

0:21:31.119 --> 0:21:36.080
<v Speaker 6>my isolation there's something to do with pleasing people.

0:21:36.240 --> 0:21:39.080
<v Speaker 1>I don't know. I drift away from.

0:21:38.960 --> 0:21:42.119
<v Speaker 6>People that are very important to me, that I may

0:21:42.119 --> 0:21:44.400
<v Speaker 6>have known from the past or worked with, but don't

0:21:44.400 --> 0:21:47.320
<v Speaker 6>work with anymore. I tend to drift away from the

0:21:47.720 --> 0:21:51.400
<v Speaker 6>people that understand me the most. It's something I'm looking at.

0:21:52.000 --> 0:21:54.760
<v Speaker 6>So this isolation is some kind of protection in some way,

0:21:54.800 --> 0:21:58.000
<v Speaker 6>and I think it's just perhaps some to some degree

0:21:58.400 --> 0:22:01.520
<v Speaker 6>kind of low self esteem of being closed intimacy.

0:22:01.880 --> 0:22:03.159
<v Speaker 2>Mm hmm, I don't know.

0:22:03.240 --> 0:22:06.000
<v Speaker 3>I think it's really interesting to not just fill a

0:22:06.080 --> 0:22:10.880
<v Speaker 3>space because it's empty, or maybe to reframe the notion

0:22:10.920 --> 0:22:14.520
<v Speaker 3>of emptiness with space. I started doing that with things

0:22:14.560 --> 0:22:18.520
<v Speaker 3>that were I guess problematic, and that was one of

0:22:18.560 --> 0:22:22.760
<v Speaker 3>the words I would supplant. So emptiness, this feeling of emptiness,

0:22:22.880 --> 0:22:25.080
<v Speaker 3>I have it a lot around my son being at

0:22:25.160 --> 0:22:27.920
<v Speaker 3>boarding school and I don't get to see him every

0:22:28.320 --> 0:22:31.679
<v Speaker 3>single day, and he is truly the great love of

0:22:31.840 --> 0:22:34.240
<v Speaker 3>my life. And I started playing around with when I

0:22:34.280 --> 0:22:36.800
<v Speaker 3>say empty, how that makes me feel. But if I

0:22:36.880 --> 0:22:41.879
<v Speaker 3>say space, which feels something that I can share with

0:22:42.200 --> 0:22:44.320
<v Speaker 3>someone else, something I could share with even him at a

0:22:44.440 --> 0:22:49.240
<v Speaker 3>later day, or it's like it took my foot off

0:22:49.240 --> 0:22:51.600
<v Speaker 3>the pedal of slamming into that wall.

0:22:51.600 --> 0:22:55.920
<v Speaker 2>That just felt one way. Yeah, you reframed, Yeah.

0:22:55.640 --> 0:22:58.199
<v Speaker 3>I mean I wonder if like there's I feel like

0:22:58.240 --> 0:23:00.600
<v Speaker 3>all this. Huxley talked a bit about it, wow, which

0:23:00.680 --> 0:23:05.600
<v Speaker 3>is I'm totally paraphrasing this idea of if we don't

0:23:05.640 --> 0:23:09.520
<v Speaker 3>follow along with social norms, that it's somehow wrong and

0:23:09.760 --> 0:23:12.639
<v Speaker 3>that it's only not beneficial if we actively feel it

0:23:12.720 --> 0:23:15.080
<v Speaker 3>hurting ourselves. But if it's just something that's different from

0:23:15.080 --> 0:23:17.040
<v Speaker 3>the norm, maybe so be it.

0:23:17.119 --> 0:23:17.680
<v Speaker 2>And there's an.

0:23:17.600 --> 0:23:20.359
<v Speaker 3>Exploration of what that is that is pertinent to the

0:23:20.440 --> 0:23:21.440
<v Speaker 3>human is doing it.

0:23:21.640 --> 0:23:25.119
<v Speaker 6>Yeah, there are expectations and rules as we grow up

0:23:25.200 --> 0:23:26.000
<v Speaker 6>and we get kind.

0:23:25.840 --> 0:23:26.760
<v Speaker 2>Of trapped by those.

0:23:27.080 --> 0:23:29.000
<v Speaker 1>Yeah, I understand what you're meaning.

0:23:29.040 --> 0:23:32.400
<v Speaker 6>With my daughter being gone, I felt an emptiness And

0:23:32.960 --> 0:23:37.080
<v Speaker 6>for me, filling up the space has been well the

0:23:37.160 --> 0:23:42.120
<v Speaker 6>opportunity to kind of soul search and realize the things

0:23:42.160 --> 0:23:44.560
<v Speaker 6>I've been sort of pushing under because I was so

0:23:44.640 --> 0:23:47.480
<v Speaker 6>busy raising my daughter and how do I get to

0:23:47.520 --> 0:23:50.840
<v Speaker 6>focus on myself now? You know, it's a great opportunity

0:23:50.880 --> 0:23:58.400
<v Speaker 6>for me to look inward and reclaim hobbies, interests, more travel.

0:23:59.359 --> 0:24:01.560
<v Speaker 1>So I'm trying to kind of turn it on its.

0:24:01.400 --> 0:24:05.960
<v Speaker 6>Ear, and, like you said, instead of feeling empty, recreating

0:24:06.000 --> 0:24:10.639
<v Speaker 6>it into an idea of space where I get to thrive.

0:24:11.280 --> 0:24:12.399
<v Speaker 2>Yeah.

0:24:12.480 --> 0:24:15.720
<v Speaker 3>I started doing the things that felt good more than

0:24:15.720 --> 0:24:17.879
<v Speaker 3>once a day. Do you know how you kind of

0:24:18.040 --> 0:24:21.159
<v Speaker 3>feel if you have like an itinerary in your day,

0:24:21.200 --> 0:24:23.080
<v Speaker 3>and it's like, well, you know, so I wake up

0:24:23.119 --> 0:24:25.000
<v Speaker 3>and I get my coffee, and I go for a swim,

0:24:25.000 --> 0:24:27.440
<v Speaker 3>and then I do this, and I do all these

0:24:27.840 --> 0:24:33.080
<v Speaker 3>these things just singularly, right, And I started going, I'm

0:24:33.119 --> 0:24:34.440
<v Speaker 3>going to swim three times a day.

0:24:34.800 --> 0:24:36.520
<v Speaker 2>I'm going to go down to the beach and I'm

0:24:37.080 --> 0:24:39.200
<v Speaker 2>swim oh yeah, oh yeah.

0:24:39.200 --> 0:24:40.320
<v Speaker 1>But are you in London.

0:24:40.640 --> 0:24:42.560
<v Speaker 3>I am, and I go and swim, and we have

0:24:42.680 --> 0:24:45.960
<v Speaker 3>these lighters, so we have these amazing ponds all over London.

0:24:46.000 --> 0:24:47.200
<v Speaker 2>I work you did.

0:24:47.359 --> 0:24:49.960
<v Speaker 1>I went to the Ladies pond last time I was

0:24:50.040 --> 0:24:50.480
<v Speaker 1>in London.

0:24:50.600 --> 0:24:50.800
<v Speaker 2>Yeah.

0:24:50.840 --> 0:24:52.760
<v Speaker 1>I gotta find that water wherever I go.

0:24:52.920 --> 0:24:55.240
<v Speaker 3>One hundred percent. But it was interesting because I used

0:24:55.240 --> 0:24:57.040
<v Speaker 3>to feel really sad. I come in from my surf

0:24:57.119 --> 0:24:59.600
<v Speaker 3>or my swim in the morning, and these are in night,

0:25:00.280 --> 0:25:03.840
<v Speaker 3>you know, moments that were difficult or hard. And I

0:25:03.880 --> 0:25:07.840
<v Speaker 3>said that, going, God, you know, my happiest moment has happened.

0:25:08.320 --> 0:25:10.120
<v Speaker 3>And I've just got the rest of the days stretching out.

0:25:10.119 --> 0:25:13.119
<v Speaker 3>And eventually I went, well, fuck that, I'm going to

0:25:13.160 --> 0:25:14.959
<v Speaker 3>go and do it again. I'm going to sit here

0:25:15.000 --> 0:25:17.160
<v Speaker 3>and I don't know, I'll write or talk to someone,

0:25:17.280 --> 0:25:18.840
<v Speaker 3>or I'll play some music, or i'll make some food

0:25:18.880 --> 0:25:20.560
<v Speaker 3>or I'll do whatever, and then I'm going to go again.

0:25:20.680 --> 0:25:25.960
<v Speaker 3>And I kept doing it until once was again enough.

0:25:26.800 --> 0:25:29.439
<v Speaker 3>And I really liked that idea of the things that

0:25:29.480 --> 0:25:32.320
<v Speaker 3>make us feel good doing it more than once.

0:25:32.760 --> 0:25:35.360
<v Speaker 1>Yeah, you know, I totally relate to that.

0:25:35.440 --> 0:25:37.800
<v Speaker 6>I even wrote something about it once, but I had

0:25:37.840 --> 0:25:41.440
<v Speaker 6>to do with Texas Monthly and Austin and I talked

0:25:41.480 --> 0:25:44.680
<v Speaker 6>about the ritual that I do in the morning, about

0:25:44.680 --> 0:25:46.879
<v Speaker 6>going to the springs, get up, have the coffee at

0:25:46.880 --> 0:25:49.879
<v Speaker 6>the dark, the music, and then on the way home

0:25:50.880 --> 0:25:54.920
<v Speaker 6>stopping at juice Land and getting my favorite smoothie and

0:25:55.640 --> 0:25:58.840
<v Speaker 6>talking to somebody on the phone and then and then

0:25:58.880 --> 0:26:03.439
<v Speaker 6>the best part of my day. So, and you're right,

0:26:03.560 --> 0:26:07.000
<v Speaker 6>and people have so just go swimming again. You know,

0:26:07.200 --> 0:26:09.040
<v Speaker 6>that's that's a great song.

0:26:09.160 --> 0:26:30.800
<v Speaker 3>Actually, that's a beautiful song, Go swimming again. What relationship,

0:26:30.960 --> 0:26:33.280
<v Speaker 3>real or fictionalized, defines lovely?

0:26:34.440 --> 0:26:37.439
<v Speaker 6>Well, it has to be my kid. Yeah, I know

0:26:37.520 --> 0:26:39.960
<v Speaker 6>what you were saying about Daniel Day Lewis and the

0:26:43.119 --> 0:26:49.240
<v Speaker 6>selfless and dear actions of another person and the gift

0:26:49.320 --> 0:26:53.359
<v Speaker 6>of not being judged by someone and the gift of

0:26:53.400 --> 0:26:56.800
<v Speaker 6>being accepted and understood.

0:26:56.800 --> 0:26:57.720
<v Speaker 1>And treated well.

0:26:58.920 --> 0:27:03.560
<v Speaker 6>But being a parent, first of all, you're responsible, you know,

0:27:03.680 --> 0:27:09.520
<v Speaker 6>from our one And that was totally intimidating to me.

0:27:09.600 --> 0:27:12.240
<v Speaker 6>I was like, someone's how have I taken on this job?

0:27:13.040 --> 0:27:14.560
<v Speaker 2>And I think the.

0:27:14.440 --> 0:27:18.919
<v Speaker 6>Only thing that keeps you going on some level is

0:27:19.000 --> 0:27:22.320
<v Speaker 6>this bond that's kind of inexplicable. I mean, it's been

0:27:22.320 --> 0:27:24.879
<v Speaker 6>a hard job, you know, it's not been easy, but

0:27:24.920 --> 0:27:27.280
<v Speaker 6>it's she's the love of my life. It's been the

0:27:27.280 --> 0:27:32.400
<v Speaker 6>most fulfilling job and it'll never be over. And I'm

0:27:32.400 --> 0:27:36.560
<v Speaker 6>sure it's a very common answer, so it's hard to describe.

0:27:36.680 --> 0:27:38.840
<v Speaker 3>Well, it's a hard one to look away from because

0:27:38.840 --> 0:27:42.480
<v Speaker 3>it is like for me, it's the most defining relationship

0:27:42.520 --> 0:27:44.680
<v Speaker 3>of my life, like without a shadow of a doubt,

0:27:44.760 --> 0:27:46.640
<v Speaker 3>Like I can think of other ones, Like I said,

0:27:46.640 --> 0:27:49.359
<v Speaker 3>I talked about Daniel da Liz, particularly because I rather

0:27:49.440 --> 0:27:51.880
<v Speaker 3>talk about Henry all the time. And I was like, oh,

0:27:51.960 --> 0:27:54.280
<v Speaker 3>let me, I'll talk about something else for a minute.

0:27:54.800 --> 0:28:01.600
<v Speaker 3>But it is magical and is my greatest proof that

0:28:01.640 --> 0:28:06.439
<v Speaker 3>there is something other than what we see here. The

0:28:06.480 --> 0:28:09.040
<v Speaker 3>way that I feel about Henry and the connection that

0:28:09.800 --> 0:28:13.320
<v Speaker 3>we have reminds me of this other place or this

0:28:13.440 --> 0:28:15.879
<v Speaker 3>other time. But it's not like because I don't consciously

0:28:16.040 --> 0:28:20.040
<v Speaker 3>remember it. But the feeling of connection to something out

0:28:20.040 --> 0:28:24.200
<v Speaker 3>of this time and place is how I feel about him.

0:28:24.400 --> 0:28:27.920
<v Speaker 2>And it's hard to put into words. It really is.

0:28:28.359 --> 0:28:29.080
<v Speaker 1>It's deep.

0:28:29.640 --> 0:28:31.720
<v Speaker 3>It is deep, and it makes me think about It's

0:28:31.760 --> 0:28:34.600
<v Speaker 3>funny you said you were talking about the contractor and

0:28:34.760 --> 0:28:38.840
<v Speaker 3>like these contracts, I wonder about those, the idea of

0:28:38.920 --> 0:28:44.360
<v Speaker 3>soul contracts, and whether we are playing out these relationships

0:28:44.360 --> 0:28:47.840
<v Speaker 3>in different forms because I don't know the feeling of

0:28:47.840 --> 0:28:50.840
<v Speaker 3>connectivity it feels like it goes so much further than

0:28:51.320 --> 0:28:54.920
<v Speaker 3>even beyond the extraordinary act of giving birth, which, as

0:28:54.960 --> 0:28:55.880
<v Speaker 3>you'll know, is.

0:28:57.440 --> 0:28:59.160
<v Speaker 2>You know, it's otherworldly.

0:28:59.400 --> 0:29:00.000
<v Speaker 1>It really is.

0:29:00.520 --> 0:29:02.800
<v Speaker 2>It really is. I mean, just did you have music playing?

0:29:02.840 --> 0:29:05.720
<v Speaker 3>Oh my gosh, did I have music playing? I sure did.

0:29:05.800 --> 0:29:08.880
<v Speaker 3>I did have an amazing playlist, I really did. And

0:29:08.920 --> 0:29:15.160
<v Speaker 3>there's this really beautiful devotional that rummed us sang. It

0:29:15.280 --> 0:29:17.400
<v Speaker 3>was a live recording and it was on the playlist,

0:29:17.440 --> 0:29:20.760
<v Speaker 3>and that happened to be as Henry was being born,

0:29:21.000 --> 0:29:24.000
<v Speaker 3>but I didn't know that Henry was a boy. I'd

0:29:24.000 --> 0:29:26.360
<v Speaker 3>been told I was having a girl, even though I

0:29:26.360 --> 0:29:28.800
<v Speaker 3>didn't want to know. So when he came out, and

0:29:28.840 --> 0:29:31.320
<v Speaker 3>I wanted love to be the first word that he heard.

0:29:31.440 --> 0:29:33.960
<v Speaker 3>So as I'm listening to like Ram dass Is in

0:29:34.040 --> 0:29:39.040
<v Speaker 3>Turning Love Lover, I'm like pushing h And then the

0:29:39.080 --> 0:29:41.200
<v Speaker 3>baby comes out and my mom goes, oh my god,

0:29:41.200 --> 0:29:42.480
<v Speaker 3>it's a boy, and I went.

0:29:42.360 --> 0:29:42.920
<v Speaker 1>What the fuck?

0:29:43.480 --> 0:29:44.960
<v Speaker 2>So the whole deeply.

0:29:44.680 --> 0:29:47.280
<v Speaker 3>Spiritual entry from my kid was a bit it went

0:29:47.320 --> 0:29:48.240
<v Speaker 3>a bit sideways, but.

0:29:48.960 --> 0:29:54.160
<v Speaker 6>Well, yeah, but it's sounds like really great. Well hopefully

0:29:54.160 --> 0:29:56.440
<v Speaker 6>not when you give birth exactly, hopefully. That's just you know,

0:29:57.080 --> 0:29:58.760
<v Speaker 6>did you have a playlist going?

0:29:58.800 --> 0:29:58.880
<v Speaker 5>Like?

0:29:58.920 --> 0:30:01.080
<v Speaker 2>Did you have music? I did? I have a playlist.

0:30:01.200 --> 0:30:05.760
<v Speaker 1>I had one song that I wanted played when it

0:30:05.840 --> 0:30:09.800
<v Speaker 1>was imminent. Oh wow, yeah, I don't know why.

0:30:09.880 --> 0:30:10.280
<v Speaker 2>I know.

0:30:10.440 --> 0:30:13.720
<v Speaker 6>I was just concentrating on what needed to be done, and.

0:30:14.520 --> 0:30:17.080
<v Speaker 2>I would you mind sharing? Would you do?

0:30:17.280 --> 0:30:17.520
<v Speaker 1>Is that?

0:30:17.560 --> 0:30:17.800
<v Speaker 4>Oh?

0:30:17.880 --> 0:30:19.160
<v Speaker 2>No? And it's the song is.

0:30:19.320 --> 0:30:21.920
<v Speaker 1>No, I don't mind sharing at all. And it's a little.

0:30:21.640 --> 0:30:26.400
<v Speaker 6>Strange, but to me, it's a very transcendent spiritual song.

0:30:26.520 --> 0:30:31.040
<v Speaker 6>It certainly is not necessarily positive and it's a little abstract,

0:30:31.720 --> 0:30:34.200
<v Speaker 6>but it's proco hair and whiter shade of pale.

0:30:35.040 --> 0:30:40.680
<v Speaker 2>No way, way. I was just just oh wow. Yeah.

0:30:41.240 --> 0:30:44.640
<v Speaker 3>For me instantly, it's the movie with Nil and I,

0:30:44.800 --> 0:30:47.000
<v Speaker 3>which is my son and my favorite movie.

0:30:47.400 --> 0:30:48.480
<v Speaker 1>I love that movie.

0:30:48.560 --> 0:30:51.880
<v Speaker 3>I'm not thinking of it in I'm not thinking of

0:30:51.960 --> 0:30:54.600
<v Speaker 3>it in terms of somebody being born into this world,

0:30:54.600 --> 0:30:57.520
<v Speaker 3>and like hearing that it is it's transcendent.

0:30:57.600 --> 0:31:00.920
<v Speaker 2>It has transcendence in it that song, for sure, it does.

0:31:00.960 --> 0:31:03.360
<v Speaker 6>And if you look at it lyrically, it's not necessarily

0:31:03.400 --> 0:31:06.800
<v Speaker 6>the ideal thing for someone to be born to. But

0:31:06.840 --> 0:31:10.560
<v Speaker 6>that's the thing. That's the thing about music. It transcends

0:31:10.600 --> 0:31:12.480
<v Speaker 6>a lot of things. The words don't even have to

0:31:13.280 --> 0:31:15.400
<v Speaker 6>necessarily make sense, you know.

0:31:15.880 --> 0:31:17.200
<v Speaker 2>I mean, it's a stream of.

0:31:17.120 --> 0:31:20.400
<v Speaker 1>Consciousness, bizarre, bizarre.

0:31:20.080 --> 0:31:24.880
<v Speaker 6>Song, but it's just steep, and that's why it feels

0:31:24.880 --> 0:31:25.480
<v Speaker 6>holy to me.

0:31:25.840 --> 0:31:27.800
<v Speaker 2>You know, it just feelt holy to me. So yeah,

0:31:27.840 --> 0:31:28.440
<v Speaker 2>that's what I did.

0:31:28.800 --> 0:31:31.280
<v Speaker 3>I think that's also really beautiful to pay attention to

0:31:31.320 --> 0:31:33.440
<v Speaker 3>the things that feel holy to us, Like I don't

0:31:33.480 --> 0:31:36.160
<v Speaker 3>think we I think it's really cool to consciously do

0:31:36.240 --> 0:31:38.960
<v Speaker 3>that and go whatever that is, whatever that sounds like

0:31:39.080 --> 0:31:41.680
<v Speaker 3>or looks like this feels holy to me.

0:31:42.200 --> 0:31:42.840
<v Speaker 2>That's really wild.

0:31:42.880 --> 0:31:46.280
<v Speaker 3>I'm just thinking about as a kid listening to The

0:31:46.320 --> 0:31:49.160
<v Speaker 3>Cocktail Twins, and you know, for the first like struggling

0:31:49.320 --> 0:31:52.680
<v Speaker 3>for those first few months of listening, going why why

0:31:52.680 --> 0:31:55.560
<v Speaker 3>don't I understand what she's saying? Like I can't what

0:31:55.760 --> 0:31:58.600
<v Speaker 3>is she saying? And then my mom, rather casual, went,

0:31:58.760 --> 0:32:01.280
<v Speaker 3>she's not saying anything. She's just making amazing sounds and

0:32:01.320 --> 0:32:04.200
<v Speaker 3>she's intoning like it is whatever you want it to be.

0:32:04.240 --> 0:32:06.800
<v Speaker 2>And I was like, ah, what do you mean? What

0:32:06.840 --> 0:32:07.400
<v Speaker 2>does it mean?

0:32:07.880 --> 0:32:10.640
<v Speaker 3>And she, my mother said a much more caustic version

0:32:10.640 --> 0:32:13.200
<v Speaker 3>of like, stop looking for meaning in everything and just

0:32:13.320 --> 0:32:17.520
<v Speaker 3>enjoy the way that it feels slash sounds. And I

0:32:17.560 --> 0:32:19.520
<v Speaker 3>always think that way about music, particularly if there are

0:32:19.600 --> 0:32:23.200
<v Speaker 3>lyrics that I don't particularly love, Like there's a there's

0:32:23.200 --> 0:32:27.000
<v Speaker 3>a songwriter whose lyrics I don't love at all, but

0:32:27.720 --> 0:32:31.720
<v Speaker 3>I love the music. I love the music so much.

0:32:32.280 --> 0:32:35.000
<v Speaker 3>And my son and I genuinely have like changed the

0:32:35.120 --> 0:32:38.080
<v Speaker 3>lyrics about four of this song. And do you like

0:32:38.120 --> 0:32:41.959
<v Speaker 3>his singing? I love his voice, I love his music,

0:32:42.280 --> 0:32:45.600
<v Speaker 3>and his lyrics are just they're just not good. They're

0:32:45.640 --> 0:32:49.000
<v Speaker 3>just not good to me, and they invoke images that

0:32:49.040 --> 0:32:54.720
<v Speaker 3>are like, really really rubbish. There's one about like, I'm

0:32:54.720 --> 0:32:58.440
<v Speaker 3>not kidding, it's like a comestain on sheets in the

0:32:58.440 --> 0:33:01.520
<v Speaker 3>middle of this beautiful song that's where he's referencing. And

0:33:01.920 --> 0:33:03.960
<v Speaker 3>I was so horrified by this whole thing that I've

0:33:04.000 --> 0:33:06.720
<v Speaker 3>had to like rewrite it. Like when we play that song,

0:33:06.800 --> 0:33:08.400
<v Speaker 3>which may sound terrible, book.

0:33:08.280 --> 0:33:09.320
<v Speaker 1>No, it doesn't sound fair.

0:33:09.400 --> 0:33:10.480
<v Speaker 2>That's great to rewrite the.

0:33:10.480 --> 0:33:12.560
<v Speaker 1>Lyrics and instead of just turn off the music. If

0:33:12.600 --> 0:33:15.080
<v Speaker 1>you love the voice and you love the music itself.

0:33:14.840 --> 0:33:17.040
<v Speaker 3>I know, and I think that sometimes there's a whole

0:33:17.040 --> 0:33:20.560
<v Speaker 3>bigger feeling at play than what somebody meant in there.

0:33:20.800 --> 0:33:23.480
<v Speaker 6>Yeah, but you're reminded me of a funny story, if

0:33:23.520 --> 0:33:24.600
<v Speaker 6>I may tell me.

0:33:24.680 --> 0:33:27.120
<v Speaker 1>Well, I was dating this guy once who was an actor.

0:33:27.320 --> 0:33:28.600
<v Speaker 2>Oh god, pol you.

0:33:29.000 --> 0:33:32.040
<v Speaker 6>This was in New York and he hadn't reached any

0:33:32.080 --> 0:33:35.040
<v Speaker 6>big success. He was a sweet guy, but yeah, maybe

0:33:35.120 --> 0:33:39.960
<v Speaker 6>a little narcissist. But of course, like any actor wants

0:33:40.000 --> 0:33:43.200
<v Speaker 6>to be a musician, and like any musician wants to

0:33:43.200 --> 0:33:45.800
<v Speaker 6>be an actor, right, so here, this guy's really good

0:33:45.840 --> 0:33:47.160
<v Speaker 6>actor and getting.

0:33:46.840 --> 0:33:47.720
<v Speaker 1>Somewhere and doing well.

0:33:47.760 --> 0:33:48.920
<v Speaker 2>But he's a songwriter too.

0:33:48.960 --> 0:33:52.520
<v Speaker 6>He said, Oh, no, so he wanted me to listen

0:33:53.360 --> 0:33:54.680
<v Speaker 6>to his cassette tape.

0:33:54.680 --> 0:33:57.680
<v Speaker 1>That's how long ago it was. And I'm like, okay,

0:33:57.880 --> 0:34:01.160
<v Speaker 1>you know, tell him what I thought so bad?

0:34:01.840 --> 0:34:06.000
<v Speaker 6>And my favorite lyric that he had was he rhymed

0:34:06.600 --> 0:34:10.240
<v Speaker 6>apocalypse with Picasso lips.

0:34:11.320 --> 0:34:12.120
<v Speaker 2>Across?

0:34:13.440 --> 0:34:17.120
<v Speaker 3>Is that not a horrible apocalypse with Picasso lips?

0:34:17.200 --> 0:34:21.120
<v Speaker 6>Picasso lips? And my best friend, who's a writer.

0:34:21.640 --> 0:34:24.959
<v Speaker 2>I said, what do I do? What do I say?

0:34:25.200 --> 0:34:25.600
<v Speaker 2>You run?

0:34:26.120 --> 0:34:29.279
<v Speaker 6>Well, you just find something that you do like, you know,

0:34:29.600 --> 0:34:31.399
<v Speaker 6>and you just kind of go with that. And I said,

0:34:31.440 --> 0:34:35.560
<v Speaker 6>he rhymed apocalypse with Picasso lips And my friend goes,

0:34:35.680 --> 0:34:41.960
<v Speaker 6>what are you gonna do? So I don't know, but

0:34:42.560 --> 0:34:44.719
<v Speaker 6>I think that's cool. You rewrote the lyrics because you

0:34:44.800 --> 0:34:46.160
<v Speaker 6>love the old parts so much.

0:34:46.400 --> 0:34:49.160
<v Speaker 3>The cool progression is so beautiful, The melody top line

0:34:49.200 --> 0:34:50.520
<v Speaker 3>is beautiful, The whole thing's beautiful.

0:34:50.520 --> 0:34:52.680
<v Speaker 2>It's just this really, it's like.

0:34:52.719 --> 0:34:54.880
<v Speaker 3>Very young when he wrote these lyrics, like they feel

0:34:54.880 --> 0:34:58.000
<v Speaker 3>like a sort of fifteen year old boy fantasy of

0:34:58.680 --> 0:35:00.800
<v Speaker 3>that means judge, but obviously will.

0:35:00.800 --> 0:35:01.960
<v Speaker 1>You get to like you?

0:35:02.680 --> 0:35:05.680
<v Speaker 3>I think that's exactly right. Yeah, Oh, Sean, thank you

0:35:05.760 --> 0:35:07.880
<v Speaker 3>so much, Thanks, thank you.

0:35:08.000 --> 0:35:12.160
<v Speaker 2>That's it. That's my seventh Questions. I've made it. You

0:35:12.200 --> 0:35:14.920
<v Speaker 2>did you made it? Thank you? Oh, thank you, Minnie.

0:35:15.000 --> 0:35:18.080
<v Speaker 2>It was a pleasure. Great, It's a real pleasure. Thank

0:35:18.120 --> 0:35:18.719
<v Speaker 2>you so much.

0:35:21.080 --> 0:35:24.319
<v Speaker 4>Mini Questions is hosted and written by Me Mini Driver,

0:35:25.200 --> 0:35:29.360
<v Speaker 4>Executive produced by Me and Aaron Kaufman, with production support

0:35:29.440 --> 0:35:32.840
<v Speaker 4>from Jennifer Bassett, Zoe Denkler, and Ali Perry.

0:35:33.400 --> 0:35:37.240
<v Speaker 2>The theme music is also by Me and additional music

0:35:37.640 --> 0:35:38.600
<v Speaker 2>by Aaron Kaufman.

0:35:39.239 --> 0:35:44.840
<v Speaker 5>Special thanks to Jim Nikolay Addison, O'Day, Henry Driver, Lisa Castella,

0:35:45.160 --> 0:35:49.600
<v Speaker 5>Anick oppenheim, A, Nick Muller and Annette wolf A w kPr,

0:35:49.880 --> 0:35:55.440
<v Speaker 5>Will Pearson, Nicki Etoor, Morgan Levoy and mangesh Had tigg Adore.