WEBVTT - One on One: Janet Hubert

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<v Speaker 1>I Am all In more, I Am all In with

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<v Speaker 1>Scott Patterson and I Heart Radio Podcast. All right, everybody,

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<v Speaker 1>we're back with a mini sould with Janet Hubert, who

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<v Speaker 1>plays Gizelle's mom. Back in the saddle again. I'm Scott Patterson.

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<v Speaker 1>This as I Am All In Podcast I Heart Radio,

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<v Speaker 1>one of leven productions. It's a pleasure having you on. Janet. Hello,

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<v Speaker 1>how are you hi? Hi? We're doing great. Listen. I

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<v Speaker 1>want to get into a little bit of your bio here. Uh.

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<v Speaker 1>You were the O G and Viv from Fresh Prince

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<v Speaker 1>season the original series season one to three, and yet

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<v Speaker 1>recurring in two television series Love Life on HBO, Max

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<v Speaker 1>in the Last O G on TBS. What a fun show. Uh.

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<v Speaker 1>She's also working on an animated series that has been

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<v Speaker 1>created specifically geared towards young black men, called uh j

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<v Speaker 1>G and the BC Kids. And isn't that fun? So

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<v Speaker 1>here we go. You're here, You're on the hot seat.

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<v Speaker 1>Tell us from the beginning. How did you get into acting? Janet? Okay? So,

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<v Speaker 1>my foray into acting was because there was nothing. I

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<v Speaker 1>grew up in a small town called Moments, Illinois, population

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<v Speaker 1>people including pigs and cows and horses, and so there

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<v Speaker 1>was now much to do. UM. Girls didn't have many sports.

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<v Speaker 1>I was the only girl on the boys track team,

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<v Speaker 1>and so I got on the voice track team, and

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<v Speaker 1>then I was a cheerleader. And then there was nothing

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<v Speaker 1>left except the theater, and so I went to a theater.

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<v Speaker 1>We didn't even have a curtain. We had about four

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<v Speaker 1>lights in the auditorium. There were only fifty kids in

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<v Speaker 1>my graduating class. And so, uh, I just got a

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<v Speaker 1>bug by. My first play was called The Wingless Victory UM,

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<v Speaker 1>and so I had this wonderful acting teacher. His name

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<v Speaker 1>was Mr Thackeray. Mr Thackery was sort of my mentor

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<v Speaker 1>back in high school school, and he saw that I

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<v Speaker 1>had something and so he sort of put me under

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<v Speaker 1>his wing and we went to state competitions and we

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<v Speaker 1>started winning state competitions, and then we did eighty four

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<v Speaker 1>where I played O'Brien um in and it ended up

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<v Speaker 1>being that I won for best State, Best Actress in

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<v Speaker 1>the state, but the play didn't. So then I went

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<v Speaker 1>and did a summer theater and I think it was

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<v Speaker 1>the same in the Muni Theater St. Louis Muni Theater

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<v Speaker 1>or something like that. Uh. With a woman named Carol Brandt,

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<v Speaker 1>and she told me about Juilliard. She goes, you're really good,

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<v Speaker 1>and I said really, And I said, what's Juilliard? And

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<v Speaker 1>you talk about dumb about how you know? How would

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<v Speaker 1>you know, I mean from a small time. I don't know.

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<v Speaker 1>I don't know from a small town. I had no

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<v Speaker 1>idea what Juilliard was. And so she said you should

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<v Speaker 1>go and apply. So I applied to Juilliard and I

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<v Speaker 1>had an audition and I did the completely wrong audition.

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<v Speaker 1>I they said, okay, you have to play four or

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<v Speaker 1>more characters. A play with four or more characters. I

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<v Speaker 1>thought I was supposed to play four or more characters,

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<v Speaker 1>so that meant I had to be four different people.

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<v Speaker 1>So I chose Mrs Trata m h. I had never

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<v Speaker 1>done classical theater ever in my life. Mrs Trata Aristophanes

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<v Speaker 1>and I played all the women in the Acropolis trying

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<v Speaker 1>to get out of the acropolis because they refused to

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<v Speaker 1>have sex with her husbands because they're waging war, and

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<v Speaker 1>so the women on the of the Greek town decide,

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<v Speaker 1>no more saxon until you stopped having more. Well, I

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<v Speaker 1>played all four characters of the women, and they thought

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<v Speaker 1>I was nuts and they love that UM. And so

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<v Speaker 1>when I got in I got I said, wow, I

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<v Speaker 1>got a scholarship because at that time, Julia, it was

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<v Speaker 1>about the thousand dollars a year and they had no dormitories.

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<v Speaker 1>So it was moved to New York City at the

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<v Speaker 1>age of eighteen by myself with no family, no friends,

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<v Speaker 1>no nobody. UM. My brother had a friend Jane, who

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<v Speaker 1>was at Columbia University who just graduated. She was just

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<v Speaker 1>getting settled. So I stayed at the Swiss House for Women.

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<v Speaker 1>I had a harpist as a roommate. Let to get

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<v Speaker 1>her name. The name was Helen Latner and she played

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<v Speaker 1>ragtime on the harp. These ladies gave us a bowl

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<v Speaker 1>of old meal and a damn bawl the a for

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<v Speaker 1>breakfast every morning, and I was like, I'm hungry. I

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<v Speaker 1>was hungry, hungry, hungry all the time. So you're a

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<v Speaker 1>Juilliard um. And for those of you who don't know,

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<v Speaker 1>Juilliard is one of the more prestigious um acting schools

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<v Speaker 1>or acting colleges in the world. Very very very very

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<v Speaker 1>difficult to get into UM. And some students right and

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<v Speaker 1>and and you know, you'll a lot of big stars

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<v Speaker 1>came out of Juilliard. I mean I think Robin Williams

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<v Speaker 1>came out of there. Robin Williams was in the class

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<v Speaker 1>above me. Yeah, he was a lot of very notable

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<v Speaker 1>actors came out at Juilliard. Uh them right, well, Bill hurry, yep, yep, yeah,

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<v Speaker 1>they all came out of that program. Very very intense, Uh,

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<v Speaker 1>very good program, but so um, absolutely fascinating. I could talk.

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<v Speaker 1>I could do a whole episode just you in Juilliard.

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<v Speaker 1>But let's let's do some Gilmore stuff. Um, do you

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<v Speaker 1>remember what do you? I mean, what do you remember

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<v Speaker 1>from that episode? I had to tell you I don't

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<v Speaker 1>remember very much about it because it was so long ago,

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<v Speaker 1>and I was I was. I only did one episode

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<v Speaker 1>where I played Giselle. Giselle um, a French mother overly

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<v Speaker 1>well she was busy. UM. I remember talking so fast.

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<v Speaker 1>I've never talked that. That's in my name. And I

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<v Speaker 1>remember saying to the star of the show, what is her? Lauren? Lauren? Lauren?

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<v Speaker 1>I said, how in the hell do you do this

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<v Speaker 1>and talk as fast as you possibly can make your

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<v Speaker 1>mouth move? You know, It's it's interesting what you can

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<v Speaker 1>do when you're thrown into a situation where you have

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<v Speaker 1>to survive. You know, yeah, you know what you know.

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<v Speaker 1>I I always had a good work ethic, and I

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<v Speaker 1>think obviously she came from that same discipline. So that's

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<v Speaker 1>how you survive it. You just you rehearse the crap

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<v Speaker 1>out of it. You know. Well, that's also the theater.

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<v Speaker 1>The theater is a work ethic. Collingwood does not understand

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<v Speaker 1>that kind of work ethic. Um, the theater, the theater

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<v Speaker 1>instills a work ethic. And you like nothing else, nothing

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<v Speaker 1>and dance and Dan. So you were Michelle's mom, Um,

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<v Speaker 1>what do you remember about you unique? Um? I remember

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<v Speaker 1>that he was very lovely, very lovely young man, very handsome. Um.

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<v Speaker 1>I said, oh, I have such a hands on ned

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<v Speaker 1>and so I had to do this frantic simp you know.

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<v Speaker 1>So it was, it was, it was. It was something

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<v Speaker 1>that we learned to do with the odd and so

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<v Speaker 1>I was. I have a knack for accent. I remember

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<v Speaker 1>the set being very well run, very professional. Um, But

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<v Speaker 1>I don't remember much about it, to take the truth.

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<v Speaker 1>I remember the discussions that we remember the wig, I

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<v Speaker 1>remember the hair. I remember the look, um. I was

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<v Speaker 1>trying to find it on Hulu, But I was going,

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<v Speaker 1>where is it when you do one episode? And I

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<v Speaker 1>saw where somebody wrote Janet Hubert was a queen of

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<v Speaker 1>one episodes. I was hoping that they would bring her back.

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<v Speaker 1>You know, I know that she didn't know enough about

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<v Speaker 1>her son as much as she thought she did, or

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<v Speaker 1>she wasn't as attentive as a mother as she should be,

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<v Speaker 1>which my son accuses me of all the time. So

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<v Speaker 1>I'm like, okay, whatever, Yeah, you know, we we spoke

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<v Speaker 1>with David Gruber Allen, who was the second Troupertoor and

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<v Speaker 1>he he did four episodes and you only did one,

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<v Speaker 1>and they were so enjoyable and so memorable. I don't

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<v Speaker 1>understand why they didn't bring him back more, bring you

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<v Speaker 1>back more. But I guess that's just the way it is.

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<v Speaker 1>That happens a lot where the writers just don't know

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<v Speaker 1>where they want to go with the character. So you know,

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<v Speaker 1>you just sort of you're sort of and Tyler Perry

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<v Speaker 1>does it a lot. You'll do four or five episodes

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<v Speaker 1>or seven with Tyler and he'll never bring you back.

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<v Speaker 1>So I did seven episodes. He hasn't even given me

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<v Speaker 1>one episode, So I don't know what that I'd love

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<v Speaker 1>to work with him. Do you remember what you enjoyed

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<v Speaker 1>most about your time with Gilmore Girls? Was it just

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<v Speaker 1>working with unique? Was it just the general atmosphere? What

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<v Speaker 1>was it was? It was? It was the kindness of

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<v Speaker 1>the cast. Nobody had a diva attitude. It was early

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<v Speaker 1>in my career, very early in my career. Um so

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<v Speaker 1>that working on a set that was that was fun,

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<v Speaker 1>that was professionally run. But also when you do film

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<v Speaker 1>show versus a sitcom, there is a structure there. You

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<v Speaker 1>do what, you hit it, you quit it, and you're out.

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<v Speaker 1>I like, I love the format, but you don't get

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<v Speaker 1>a chance to really know people. Because I did one episode,

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<v Speaker 1>I didn't get a chance to really know anybody. Yeah. Yeah,

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<v Speaker 1>so I have to admit to you that you know

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<v Speaker 1>Rory and Um I remember some of the characters, but

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<v Speaker 1>I just remember very little about it because it was

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<v Speaker 1>so fast and proved. Right. Well, Um, you're busy with

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<v Speaker 1>other projects and so many What keeps you motivate? How

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<v Speaker 1>can you do so many? Listen, I am out of

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<v Speaker 1>my mind this this this afternoon, I am out of

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<v Speaker 1>my mind. We're on a deadline to get j G

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<v Speaker 1>and gets done. I've been doing the casting. I've been

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<v Speaker 1>doing the writing. I've been doing the choreography for this,

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<v Speaker 1>for this children's project, it's taking me twenty three years

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<v Speaker 1>to get it done. I am exhausted. I just got

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<v Speaker 1>back from doing a show in Atlanta and then I'm

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<v Speaker 1>on New Amsterdam tonight. Um the Last o G Love Life.

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<v Speaker 1>It's been ever since Jesus be gave Judas. We're all

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<v Speaker 1>you know. People have been coming with offers, with wonderful offers,

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<v Speaker 1>and I really am enjoying my time. But this is

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<v Speaker 1>my baby, j G NUBII Kids. It's massive. We're at

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<v Speaker 1>a million, seven thousand dollars of a budget. Animation ain't

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<v Speaker 1>cheap and it's not easy, right. So I was in

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<v Speaker 1>the studio on Zoom with Raven good One yesterday trying

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<v Speaker 1>to finish up her pickups, trying to finish up all

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<v Speaker 1>the pickups for the children with COVID, trying to cast

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<v Speaker 1>it all with COVID during COVID last March, and we

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<v Speaker 1>did not get a chance to have a radio play.

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<v Speaker 1>They have the whole cast together. It is I'm losing hair, okay,

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<v Speaker 1>and it's going great quick. Yeah, But it's my baby,

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<v Speaker 1>it's my projects so I know, I know how that

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<v Speaker 1>feels like. I had one of those projects, of one

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<v Speaker 1>of those kind of passion projects, and then it blew

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<v Speaker 1>up in four days before we're just start shooting where

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<v Speaker 1>where we're done next? Yeah, we didn't. I didn't even

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<v Speaker 1>get to the starting line, you know. Yeah, yeah, Yeah,

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<v Speaker 1>that's the risk you take. You know. That's it's it's

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<v Speaker 1>hard getting these things, hard, getting financing, it's hard, getting

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<v Speaker 1>actors committed. It's it's just difficult, right, the whole thing.

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<v Speaker 1>It's such heavy lifting. And then I have to tell

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<v Speaker 1>you though, Um, sometimes when you lose one thing in

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<v Speaker 1>your life, you realize that you've gained another skill that

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<v Speaker 1>you didn't even know you had. And mine is writing.

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<v Speaker 1>And I went back, came back here and started doing

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<v Speaker 1>voiceovers and getting back my voiceover career because I was

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<v Speaker 1>doing voiceover this before I even left for Hollywood and

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<v Speaker 1>quite quite quite successful at it, you know, and then

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<v Speaker 1>doing Broadway and theater. You gotta do it all to

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<v Speaker 1>survive and dancing on top of it. So I'm at

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<v Speaker 1>the age where I don't want to do squad. I

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<v Speaker 1>want to I want to wear no makeup. COVID has

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<v Speaker 1>been wonderful mask is like a joy because nobody knows

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<v Speaker 1>who you are. See. That brings us to our next question.

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<v Speaker 1>When you walk down the street before pre covid, before

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<v Speaker 1>the mask, who who do you? Who are you most

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<v Speaker 1>recognized as? Which? Care? Vivian? Vivian? Then who else? Okay,

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<v Speaker 1>forever and ever. When you do a sitcom and you

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<v Speaker 1>do a role such as as mine, why, um, you

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<v Speaker 1>are very identified as that character? Um. And that's okay

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<v Speaker 1>because that's television is free. You know what I mean?

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<v Speaker 1>You come into people's homes for free. It's been the

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<v Speaker 1>gift that's kept on giving for thirty years. We're still

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<v Speaker 1>on the air. So I hold absolutely no ill will

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<v Speaker 1>towards the role, the wonderful role. Wonderful role. That's fantastic. Well,

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<v Speaker 1>this brings us to a segment called rapid Fire. Are

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<v Speaker 1>you ready? H you don't know rapid fire. I'm just

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<v Speaker 1>gonna start how you Let's see how you do s?

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<v Speaker 1>I can't remember yesterday? Wre we go? Here we go?

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<v Speaker 1>How many cups of coffee did you have? Do you

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<v Speaker 1>have a day? Oh? My god? I half a cop.

0:14:47.680 --> 0:14:53.760
<v Speaker 1>Who's your favorite Gilmore Girl's character? Lauren? Yeah, I'll give

0:14:53.760 --> 0:14:58.360
<v Speaker 1>you a chance. To answer that question again? Is it Laura?

0:15:00.360 --> 0:15:11.240
<v Speaker 1>It was Lauren? You correct answer? What would you? What

0:15:11.360 --> 0:15:14.120
<v Speaker 1>would you? You You gotta be careful with me. What would

0:15:14.120 --> 0:15:21.560
<v Speaker 1>your order? It looks diner, looks dinner probably eggs on

0:15:21.600 --> 0:15:25.480
<v Speaker 1>special for seventy five. You get tomatoes and Swiss cheese.

0:15:25.640 --> 0:15:28.920
<v Speaker 1>You can't an egg now, you can't do it. Would

0:15:28.920 --> 0:15:31.400
<v Speaker 1>you rather go on a road trip with Taylor or Michelle?

0:15:32.480 --> 0:15:38.280
<v Speaker 1>Mm hmmm mm hmmm. I don't know, I'd say to Taylor,

0:15:38.800 --> 0:15:44.800
<v Speaker 1>really you wouldn't want to go with your own son? Michelle? Okay, first,

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<v Speaker 1>finish the lyric. Finish this lyric ready, and where you lead,

0:15:49.880 --> 0:15:58.080
<v Speaker 1>I will follow where you go. I will what you need. Okay,

0:15:58.080 --> 0:16:02.760
<v Speaker 1>finish the lyrics. I will all easy you need to

0:16:02.880 --> 0:16:08.320
<v Speaker 1>be with That's pretty good? All right? Jackson's Vegetables or

0:16:08.400 --> 0:16:12.960
<v Speaker 1>Suki's baked goods? No, come on, staff, make good? Thank you?

0:16:13.400 --> 0:16:16.960
<v Speaker 1>Correct answer? Would you actually know Jackson's Vegetables is a

0:16:16.960 --> 0:16:21.160
<v Speaker 1>correct answer. Would you would you? There's no right or wrong,

0:16:21.200 --> 0:16:23.960
<v Speaker 1>It's just I'm just pulling your life. Would you rather

0:16:24.040 --> 0:16:26.840
<v Speaker 1>listen to? Would you rather? Would you? Would you rather

0:16:26.880 --> 0:16:33.800
<v Speaker 1>listen to Drella's Harp or The Trooper Doors cover songs, Children,

0:16:33.880 --> 0:16:40.160
<v Speaker 1>Prepper Stars, Hollow High, Children Prep any anything but the

0:16:40.200 --> 0:16:42.800
<v Speaker 1>word prep in it. No, that's Rory's. That's the private

0:16:42.840 --> 0:16:49.920
<v Speaker 1>school Rory's going to. Okay, favorite Gilmore Girl's memory. Oh,

0:16:50.720 --> 0:16:57.280
<v Speaker 1>craft Services excellent. It has been a pleasure to speaking

0:16:57.320 --> 0:17:00.840
<v Speaker 1>with you. It was a lot of fun. I did

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<v Speaker 1>not know you went to Juilliard. We're gonna have to

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<v Speaker 1>have you back and talk about that a little bit

0:17:05.119 --> 0:17:10.040
<v Speaker 1>for God. But yeah, thank you so much for coming on.

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<v Speaker 1>We've really enjoyed it. Sweet and I'm so glad I

0:17:13.400 --> 0:17:15.919
<v Speaker 1>went into the car to talk to you. I'm in

0:17:15.960 --> 0:17:18.080
<v Speaker 1>the car and the driveway. You're in the car. You're

0:17:18.119 --> 0:17:20.240
<v Speaker 1>in the car. All right, John, You take care of

0:17:20.320 --> 0:17:25.159
<v Speaker 1>yourself and good luck with all of your many projects.

0:17:24.160 --> 0:17:27.720
<v Speaker 1>Thank you. I hope you take care, take as and

0:17:27.800 --> 0:18:01.200
<v Speaker 1>take names. Baby, you got it. Okay. But well, hey everybody,

0:18:01.200 --> 0:18:04.480
<v Speaker 1>and don't forget Follow us on Instagram at I Am

0:18:04.560 --> 0:18:08.560
<v Speaker 1>All In podcast and email us at Gilmore at I

0:18:08.760 --> 0:18:12.080
<v Speaker 1>heart radio dot com. Oh you Gilmore fans. If you're

0:18:12.119 --> 0:18:13.960
<v Speaker 1>looking for the best cup of coffee in the world,

0:18:14.000 --> 0:18:17.920
<v Speaker 1>go to my website for my company scott ep dot com,

0:18:18.040 --> 0:18:20.200
<v Speaker 1>s C O T T Y P dot com scott

0:18:20.200 --> 0:18:31.160
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.