1 00:00:00,760 --> 00:00:18,000 Speaker 1: I Am all In more, I Am all In with 2 00:00:18,120 --> 00:00:21,920 Speaker 1: Scott Patterson and I Heart Radio Podcast. All right, everybody, 3 00:00:21,920 --> 00:00:25,040 Speaker 1: we're back with a mini sould with Janet Hubert, who 4 00:00:25,040 --> 00:00:28,560 Speaker 1: plays Gizelle's mom. Back in the saddle again. I'm Scott Patterson. 5 00:00:28,560 --> 00:00:30,640 Speaker 1: This as I Am All In Podcast I Heart Radio, 6 00:00:30,720 --> 00:00:35,200 Speaker 1: one of leven productions. It's a pleasure having you on. Janet. Hello, 7 00:00:35,320 --> 00:00:39,400 Speaker 1: how are you hi? Hi? We're doing great. Listen. I 8 00:00:39,400 --> 00:00:42,640 Speaker 1: want to get into a little bit of your bio here. Uh. 9 00:00:42,760 --> 00:00:45,960 Speaker 1: You were the O G and Viv from Fresh Prince 10 00:00:46,000 --> 00:00:49,480 Speaker 1: season the original series season one to three, and yet 11 00:00:49,960 --> 00:00:53,520 Speaker 1: recurring in two television series Love Life on HBO, Max 12 00:00:53,560 --> 00:00:56,920 Speaker 1: in the Last O G on TBS. What a fun show. Uh. 13 00:00:56,920 --> 00:00:59,520 Speaker 1: She's also working on an animated series that has been 14 00:00:59,520 --> 00:01:04,280 Speaker 1: created specifically geared towards young black men, called uh j 15 00:01:04,480 --> 00:01:09,199 Speaker 1: G and the BC Kids. And isn't that fun? So 16 00:01:09,760 --> 00:01:12,680 Speaker 1: here we go. You're here, You're on the hot seat. 17 00:01:12,720 --> 00:01:18,080 Speaker 1: Tell us from the beginning. How did you get into acting? Janet? Okay? So, 18 00:01:19,040 --> 00:01:22,720 Speaker 1: my foray into acting was because there was nothing. I 19 00:01:22,760 --> 00:01:26,040 Speaker 1: grew up in a small town called Moments, Illinois, population 20 00:01:26,840 --> 00:01:31,280 Speaker 1: people including pigs and cows and horses, and so there 21 00:01:31,319 --> 00:01:35,240 Speaker 1: was now much to do. UM. Girls didn't have many sports. 22 00:01:35,280 --> 00:01:36,920 Speaker 1: I was the only girl on the boys track team, 23 00:01:37,880 --> 00:01:41,080 Speaker 1: and so I got on the voice track team, and 24 00:01:41,120 --> 00:01:44,560 Speaker 1: then I was a cheerleader. And then there was nothing 25 00:01:44,720 --> 00:01:48,720 Speaker 1: left except the theater, and so I went to a theater. 26 00:01:49,520 --> 00:01:51,640 Speaker 1: We didn't even have a curtain. We had about four 27 00:01:51,840 --> 00:01:55,240 Speaker 1: lights in the auditorium. There were only fifty kids in 28 00:01:55,240 --> 00:02:00,120 Speaker 1: my graduating class. And so, uh, I just got a 29 00:02:00,200 --> 00:02:06,760 Speaker 1: bug by. My first play was called The Wingless Victory UM, 30 00:02:06,840 --> 00:02:10,160 Speaker 1: and so I had this wonderful acting teacher. His name 31 00:02:10,280 --> 00:02:14,680 Speaker 1: was Mr Thackeray. Mr Thackery was sort of my mentor 32 00:02:15,240 --> 00:02:17,960 Speaker 1: back in high school school, and he saw that I 33 00:02:18,040 --> 00:02:21,119 Speaker 1: had something and so he sort of put me under 34 00:02:21,120 --> 00:02:23,120 Speaker 1: his wing and we went to state competitions and we 35 00:02:23,120 --> 00:02:27,760 Speaker 1: started winning state competitions, and then we did eighty four 36 00:02:28,000 --> 00:02:33,560 Speaker 1: where I played O'Brien um in and it ended up 37 00:02:33,560 --> 00:02:36,519 Speaker 1: being that I won for best State, Best Actress in 38 00:02:36,560 --> 00:02:41,440 Speaker 1: the state, but the play didn't. So then I went 39 00:02:41,480 --> 00:02:44,720 Speaker 1: and did a summer theater and I think it was 40 00:02:44,760 --> 00:02:47,360 Speaker 1: the same in the Muni Theater St. Louis Muni Theater 41 00:02:47,440 --> 00:02:50,440 Speaker 1: or something like that. Uh. With a woman named Carol Brandt, 42 00:02:51,040 --> 00:02:54,960 Speaker 1: and she told me about Juilliard. She goes, you're really good, 43 00:02:55,280 --> 00:02:59,400 Speaker 1: and I said really, And I said, what's Juilliard? And 44 00:03:02,200 --> 00:03:06,079 Speaker 1: you talk about dumb about how you know? How would 45 00:03:06,120 --> 00:03:08,200 Speaker 1: you know, I mean from a small time. I don't know. 46 00:03:08,240 --> 00:03:10,359 Speaker 1: I don't know from a small town. I had no 47 00:03:10,400 --> 00:03:14,560 Speaker 1: idea what Juilliard was. And so she said you should 48 00:03:14,639 --> 00:03:18,920 Speaker 1: go and apply. So I applied to Juilliard and I 49 00:03:19,000 --> 00:03:22,840 Speaker 1: had an audition and I did the completely wrong audition. 50 00:03:24,919 --> 00:03:28,160 Speaker 1: I they said, okay, you have to play four or 51 00:03:28,240 --> 00:03:32,440 Speaker 1: more characters. A play with four or more characters. I 52 00:03:32,440 --> 00:03:36,200 Speaker 1: thought I was supposed to play four or more characters, 53 00:03:37,360 --> 00:03:40,080 Speaker 1: so that meant I had to be four different people. 54 00:03:40,640 --> 00:03:45,120 Speaker 1: So I chose Mrs Trata m h. I had never 55 00:03:45,240 --> 00:03:49,760 Speaker 1: done classical theater ever in my life. Mrs Trata Aristophanes 56 00:03:50,600 --> 00:03:53,800 Speaker 1: and I played all the women in the Acropolis trying 57 00:03:53,840 --> 00:03:55,680 Speaker 1: to get out of the acropolis because they refused to 58 00:03:55,680 --> 00:03:58,560 Speaker 1: have sex with her husbands because they're waging war, and 59 00:03:58,640 --> 00:04:01,480 Speaker 1: so the women on the of the Greek town decide, 60 00:04:01,880 --> 00:04:06,200 Speaker 1: no more saxon until you stopped having more. Well, I 61 00:04:06,280 --> 00:04:09,440 Speaker 1: played all four characters of the women, and they thought 62 00:04:09,480 --> 00:04:13,720 Speaker 1: I was nuts and they love that UM. And so 63 00:04:13,800 --> 00:04:17,080 Speaker 1: when I got in I got I said, wow, I 64 00:04:17,120 --> 00:04:19,960 Speaker 1: got a scholarship because at that time, Julia, it was 65 00:04:19,960 --> 00:04:23,720 Speaker 1: about the thousand dollars a year and they had no dormitories. 66 00:04:24,720 --> 00:04:27,280 Speaker 1: So it was moved to New York City at the 67 00:04:27,279 --> 00:04:32,400 Speaker 1: age of eighteen by myself with no family, no friends, 68 00:04:32,480 --> 00:04:36,120 Speaker 1: no nobody. UM. My brother had a friend Jane, who 69 00:04:36,200 --> 00:04:39,240 Speaker 1: was at Columbia University who just graduated. She was just 70 00:04:39,279 --> 00:04:43,080 Speaker 1: getting settled. So I stayed at the Swiss House for Women. 71 00:04:43,880 --> 00:04:47,280 Speaker 1: I had a harpist as a roommate. Let to get 72 00:04:47,279 --> 00:04:49,880 Speaker 1: her name. The name was Helen Latner and she played 73 00:04:49,960 --> 00:04:53,560 Speaker 1: ragtime on the harp. These ladies gave us a bowl 74 00:04:53,560 --> 00:04:55,120 Speaker 1: of old meal and a damn bawl the a for 75 00:04:55,120 --> 00:04:58,760 Speaker 1: breakfast every morning, and I was like, I'm hungry. I 76 00:04:58,839 --> 00:05:01,599 Speaker 1: was hungry, hungry, hungry all the time. So you're a 77 00:05:01,720 --> 00:05:05,640 Speaker 1: Juilliard um. And for those of you who don't know, 78 00:05:05,839 --> 00:05:11,719 Speaker 1: Juilliard is one of the more prestigious um acting schools 79 00:05:11,839 --> 00:05:16,800 Speaker 1: or acting colleges in the world. Very very very very 80 00:05:16,800 --> 00:05:22,920 Speaker 1: difficult to get into UM. And some students right and 81 00:05:22,920 --> 00:05:26,799 Speaker 1: and and you know, you'll a lot of big stars 82 00:05:27,040 --> 00:05:29,760 Speaker 1: came out of Juilliard. I mean I think Robin Williams 83 00:05:29,800 --> 00:05:32,839 Speaker 1: came out of there. Robin Williams was in the class 84 00:05:32,839 --> 00:05:36,640 Speaker 1: above me. Yeah, he was a lot of very notable 85 00:05:36,680 --> 00:05:44,000 Speaker 1: actors came out at Juilliard. Uh them right, well, Bill hurry, yep, yep, yeah, 86 00:05:44,080 --> 00:05:47,640 Speaker 1: they all came out of that program. Very very intense, Uh, 87 00:05:48,520 --> 00:05:53,400 Speaker 1: very good program, but so um, absolutely fascinating. I could talk. 88 00:05:53,839 --> 00:05:56,599 Speaker 1: I could do a whole episode just you in Juilliard. 89 00:05:56,600 --> 00:06:01,000 Speaker 1: But let's let's do some Gilmore stuff. Um, do you 90 00:06:01,040 --> 00:06:05,159 Speaker 1: remember what do you? I mean, what do you remember 91 00:06:05,200 --> 00:06:08,520 Speaker 1: from that episode? I had to tell you I don't 92 00:06:08,560 --> 00:06:11,680 Speaker 1: remember very much about it because it was so long ago, 93 00:06:11,960 --> 00:06:14,960 Speaker 1: and I was I was. I only did one episode 94 00:06:14,960 --> 00:06:23,360 Speaker 1: where I played Giselle. Giselle um, a French mother overly 95 00:06:23,680 --> 00:06:28,000 Speaker 1: well she was busy. UM. I remember talking so fast. 96 00:06:28,040 --> 00:06:31,800 Speaker 1: I've never talked that. That's in my name. And I 97 00:06:31,839 --> 00:06:37,279 Speaker 1: remember saying to the star of the show, what is her? Lauren? Lauren? Lauren? 98 00:06:37,440 --> 00:06:40,240 Speaker 1: I said, how in the hell do you do this 99 00:06:41,680 --> 00:06:45,240 Speaker 1: and talk as fast as you possibly can make your 100 00:06:45,279 --> 00:06:48,560 Speaker 1: mouth move? You know, It's it's interesting what you can 101 00:06:48,600 --> 00:06:51,400 Speaker 1: do when you're thrown into a situation where you have 102 00:06:51,560 --> 00:06:58,159 Speaker 1: to survive. You know, yeah, you know what you know. 103 00:06:58,320 --> 00:07:00,839 Speaker 1: I I always had a good work ethic, and I 104 00:07:00,880 --> 00:07:05,400 Speaker 1: think obviously she came from that same discipline. So that's 105 00:07:05,440 --> 00:07:07,960 Speaker 1: how you survive it. You just you rehearse the crap 106 00:07:07,960 --> 00:07:10,559 Speaker 1: out of it. You know. Well, that's also the theater. 107 00:07:10,760 --> 00:07:15,080 Speaker 1: The theater is a work ethic. Collingwood does not understand 108 00:07:15,120 --> 00:07:18,400 Speaker 1: that kind of work ethic. Um, the theater, the theater 109 00:07:18,520 --> 00:07:21,480 Speaker 1: instills a work ethic. And you like nothing else, nothing 110 00:07:21,720 --> 00:07:27,160 Speaker 1: and dance and Dan. So you were Michelle's mom, Um, 111 00:07:27,200 --> 00:07:31,320 Speaker 1: what do you remember about you unique? Um? I remember 112 00:07:31,360 --> 00:07:36,239 Speaker 1: that he was very lovely, very lovely young man, very handsome. Um. 113 00:07:36,280 --> 00:07:38,400 Speaker 1: I said, oh, I have such a hands on ned 114 00:07:38,720 --> 00:07:41,160 Speaker 1: and so I had to do this frantic simp you know. 115 00:07:41,720 --> 00:07:46,239 Speaker 1: So it was, it was, it was. It was something 116 00:07:46,240 --> 00:07:49,400 Speaker 1: that we learned to do with the odd and so 117 00:07:50,160 --> 00:07:54,560 Speaker 1: I was. I have a knack for accent. I remember 118 00:07:55,480 --> 00:08:00,960 Speaker 1: the set being very well run, very professional. Um, But 119 00:08:01,080 --> 00:08:03,600 Speaker 1: I don't remember much about it, to take the truth. 120 00:08:04,760 --> 00:08:07,160 Speaker 1: I remember the discussions that we remember the wig, I 121 00:08:07,240 --> 00:08:10,600 Speaker 1: remember the hair. I remember the look, um. I was 122 00:08:10,640 --> 00:08:13,720 Speaker 1: trying to find it on Hulu, But I was going, 123 00:08:13,880 --> 00:08:18,760 Speaker 1: where is it when you do one episode? And I 124 00:08:18,800 --> 00:08:21,400 Speaker 1: saw where somebody wrote Janet Hubert was a queen of 125 00:08:21,400 --> 00:08:27,080 Speaker 1: one episodes. I was hoping that they would bring her back. 126 00:08:28,200 --> 00:08:31,080 Speaker 1: You know, I know that she didn't know enough about 127 00:08:31,080 --> 00:08:34,320 Speaker 1: her son as much as she thought she did, or 128 00:08:34,360 --> 00:08:38,080 Speaker 1: she wasn't as attentive as a mother as she should be, 129 00:08:38,720 --> 00:08:41,240 Speaker 1: which my son accuses me of all the time. So 130 00:08:41,280 --> 00:08:46,200 Speaker 1: I'm like, okay, whatever, Yeah, you know, we we spoke 131 00:08:46,240 --> 00:08:49,440 Speaker 1: with David Gruber Allen, who was the second Troupertoor and 132 00:08:49,480 --> 00:08:52,840 Speaker 1: he he did four episodes and you only did one, 133 00:08:53,480 --> 00:08:56,440 Speaker 1: and they were so enjoyable and so memorable. I don't 134 00:08:56,520 --> 00:08:58,960 Speaker 1: understand why they didn't bring him back more, bring you 135 00:08:59,040 --> 00:09:01,600 Speaker 1: back more. But I guess that's just the way it is. 136 00:09:02,120 --> 00:09:05,520 Speaker 1: That happens a lot where the writers just don't know 137 00:09:05,559 --> 00:09:08,760 Speaker 1: where they want to go with the character. So you know, 138 00:09:08,960 --> 00:09:12,040 Speaker 1: you just sort of you're sort of and Tyler Perry 139 00:09:12,120 --> 00:09:15,760 Speaker 1: does it a lot. You'll do four or five episodes 140 00:09:15,840 --> 00:09:17,840 Speaker 1: or seven with Tyler and he'll never bring you back. 141 00:09:17,880 --> 00:09:23,400 Speaker 1: So I did seven episodes. He hasn't even given me 142 00:09:23,440 --> 00:09:27,160 Speaker 1: one episode, So I don't know what that I'd love 143 00:09:27,200 --> 00:09:33,880 Speaker 1: to work with him. Do you remember what you enjoyed 144 00:09:34,000 --> 00:09:36,880 Speaker 1: most about your time with Gilmore Girls? Was it just 145 00:09:36,920 --> 00:09:39,720 Speaker 1: working with unique? Was it just the general atmosphere? What 146 00:09:39,880 --> 00:09:42,280 Speaker 1: was it was? It was? It was the kindness of 147 00:09:42,720 --> 00:09:47,720 Speaker 1: the cast. Nobody had a diva attitude. It was early 148 00:09:47,800 --> 00:09:52,680 Speaker 1: in my career, very early in my career. Um so 149 00:09:52,880 --> 00:09:57,000 Speaker 1: that working on a set that was that was fun, 150 00:09:57,080 --> 00:10:00,400 Speaker 1: that was professionally run. But also when you do film 151 00:10:00,480 --> 00:10:04,800 Speaker 1: show versus a sitcom, there is a structure there. You 152 00:10:04,920 --> 00:10:08,240 Speaker 1: do what, you hit it, you quit it, and you're out. 153 00:10:09,559 --> 00:10:13,160 Speaker 1: I like, I love the format, but you don't get 154 00:10:13,200 --> 00:10:16,240 Speaker 1: a chance to really know people. Because I did one episode, 155 00:10:16,280 --> 00:10:22,280 Speaker 1: I didn't get a chance to really know anybody. Yeah. Yeah, 156 00:10:22,960 --> 00:10:27,240 Speaker 1: so I have to admit to you that you know 157 00:10:28,040 --> 00:10:31,400 Speaker 1: Rory and Um I remember some of the characters, but 158 00:10:31,480 --> 00:10:34,640 Speaker 1: I just remember very little about it because it was 159 00:10:34,679 --> 00:10:39,920 Speaker 1: so fast and proved. Right. Well, Um, you're busy with 160 00:10:39,920 --> 00:10:44,400 Speaker 1: other projects and so many What keeps you motivate? How 161 00:10:44,400 --> 00:10:46,840 Speaker 1: can you do so many? Listen, I am out of 162 00:10:46,840 --> 00:10:50,160 Speaker 1: my mind this this this afternoon, I am out of 163 00:10:50,200 --> 00:10:52,640 Speaker 1: my mind. We're on a deadline to get j G 164 00:10:52,720 --> 00:10:56,319 Speaker 1: and gets done. I've been doing the casting. I've been 165 00:10:56,320 --> 00:10:59,240 Speaker 1: doing the writing. I've been doing the choreography for this, 166 00:10:59,679 --> 00:11:02,160 Speaker 1: for this children's project, it's taking me twenty three years 167 00:11:02,160 --> 00:11:05,240 Speaker 1: to get it done. I am exhausted. I just got 168 00:11:05,280 --> 00:11:08,360 Speaker 1: back from doing a show in Atlanta and then I'm 169 00:11:08,400 --> 00:11:13,600 Speaker 1: on New Amsterdam tonight. Um the Last o G Love Life. 170 00:11:13,800 --> 00:11:16,800 Speaker 1: It's been ever since Jesus be gave Judas. We're all 171 00:11:16,880 --> 00:11:25,200 Speaker 1: you know. People have been coming with offers, with wonderful offers, 172 00:11:25,559 --> 00:11:28,960 Speaker 1: and I really am enjoying my time. But this is 173 00:11:29,000 --> 00:11:33,000 Speaker 1: my baby, j G NUBII Kids. It's massive. We're at 174 00:11:33,000 --> 00:11:38,679 Speaker 1: a million, seven thousand dollars of a budget. Animation ain't 175 00:11:38,760 --> 00:11:44,120 Speaker 1: cheap and it's not easy, right. So I was in 176 00:11:44,200 --> 00:11:47,840 Speaker 1: the studio on Zoom with Raven good One yesterday trying 177 00:11:47,880 --> 00:11:50,400 Speaker 1: to finish up her pickups, trying to finish up all 178 00:11:50,400 --> 00:11:53,960 Speaker 1: the pickups for the children with COVID, trying to cast 179 00:11:54,040 --> 00:11:58,720 Speaker 1: it all with COVID during COVID last March, and we 180 00:11:58,760 --> 00:12:00,640 Speaker 1: did not get a chance to have a radio play. 181 00:12:00,679 --> 00:12:06,760 Speaker 1: They have the whole cast together. It is I'm losing hair, okay, 182 00:12:06,920 --> 00:12:11,520 Speaker 1: and it's going great quick. Yeah, But it's my baby, 183 00:12:11,600 --> 00:12:14,080 Speaker 1: it's my projects so I know, I know how that 184 00:12:14,200 --> 00:12:17,160 Speaker 1: feels like. I had one of those projects, of one 185 00:12:17,200 --> 00:12:20,560 Speaker 1: of those kind of passion projects, and then it blew 186 00:12:20,640 --> 00:12:25,400 Speaker 1: up in four days before we're just start shooting where 187 00:12:25,400 --> 00:12:28,719 Speaker 1: where we're done next? Yeah, we didn't. I didn't even 188 00:12:28,760 --> 00:12:33,360 Speaker 1: get to the starting line, you know. Yeah, yeah, Yeah, 189 00:12:35,360 --> 00:12:38,520 Speaker 1: that's the risk you take. You know. That's it's it's 190 00:12:38,559 --> 00:12:41,400 Speaker 1: hard getting these things, hard, getting financing, it's hard, getting 191 00:12:41,720 --> 00:12:44,520 Speaker 1: actors committed. It's it's just difficult, right, the whole thing. 192 00:12:44,559 --> 00:12:46,839 Speaker 1: It's such heavy lifting. And then I have to tell 193 00:12:46,880 --> 00:12:50,440 Speaker 1: you though, Um, sometimes when you lose one thing in 194 00:12:50,480 --> 00:12:52,960 Speaker 1: your life, you realize that you've gained another skill that 195 00:12:53,000 --> 00:12:55,840 Speaker 1: you didn't even know you had. And mine is writing. 196 00:12:56,400 --> 00:12:58,520 Speaker 1: And I went back, came back here and started doing 197 00:12:58,600 --> 00:13:02,400 Speaker 1: voiceovers and getting back my voiceover career because I was 198 00:13:02,440 --> 00:13:05,480 Speaker 1: doing voiceover this before I even left for Hollywood and 199 00:13:05,600 --> 00:13:08,839 Speaker 1: quite quite quite successful at it, you know, and then 200 00:13:08,920 --> 00:13:13,520 Speaker 1: doing Broadway and theater. You gotta do it all to 201 00:13:13,600 --> 00:13:20,480 Speaker 1: survive and dancing on top of it. So I'm at 202 00:13:20,480 --> 00:13:24,000 Speaker 1: the age where I don't want to do squad. I 203 00:13:24,040 --> 00:13:27,120 Speaker 1: want to I want to wear no makeup. COVID has 204 00:13:27,160 --> 00:13:32,240 Speaker 1: been wonderful mask is like a joy because nobody knows 205 00:13:32,240 --> 00:13:35,840 Speaker 1: who you are. See. That brings us to our next question. 206 00:13:35,880 --> 00:13:38,600 Speaker 1: When you walk down the street before pre covid, before 207 00:13:38,600 --> 00:13:40,200 Speaker 1: the mask, who who do you? Who are you most 208 00:13:40,280 --> 00:13:47,720 Speaker 1: recognized as? Which? Care? Vivian? Vivian? Then who else? Okay, 209 00:13:47,760 --> 00:13:51,160 Speaker 1: forever and ever. When you do a sitcom and you 210 00:13:51,240 --> 00:13:55,640 Speaker 1: do a role such as as mine, why, um, you 211 00:13:55,720 --> 00:14:00,640 Speaker 1: are very identified as that character? Um. And that's okay 212 00:14:00,679 --> 00:14:05,680 Speaker 1: because that's television is free. You know what I mean? 213 00:14:06,120 --> 00:14:09,800 Speaker 1: You come into people's homes for free. It's been the 214 00:14:09,840 --> 00:14:12,920 Speaker 1: gift that's kept on giving for thirty years. We're still 215 00:14:12,960 --> 00:14:17,760 Speaker 1: on the air. So I hold absolutely no ill will 216 00:14:17,920 --> 00:14:24,680 Speaker 1: towards the role, the wonderful role. Wonderful role. That's fantastic. Well, 217 00:14:25,920 --> 00:14:30,640 Speaker 1: this brings us to a segment called rapid Fire. Are 218 00:14:30,680 --> 00:14:36,040 Speaker 1: you ready? H you don't know rapid fire. I'm just 219 00:14:36,040 --> 00:14:40,320 Speaker 1: gonna start how you Let's see how you do s? 220 00:14:40,480 --> 00:14:42,480 Speaker 1: I can't remember yesterday? Wre we go? Here we go? 221 00:14:42,520 --> 00:14:44,600 Speaker 1: How many cups of coffee did you have? Do you 222 00:14:44,640 --> 00:14:46,880 Speaker 1: have a day? Oh? My god? I half a cop. 223 00:14:47,680 --> 00:14:53,760 Speaker 1: Who's your favorite Gilmore Girl's character? Lauren? Yeah, I'll give 224 00:14:53,760 --> 00:14:58,360 Speaker 1: you a chance. To answer that question again? Is it Laura? 225 00:15:00,360 --> 00:15:11,240 Speaker 1: It was Lauren? You correct answer? What would you? What 226 00:15:11,360 --> 00:15:14,120 Speaker 1: would you? You You gotta be careful with me. What would 227 00:15:14,120 --> 00:15:21,560 Speaker 1: your order? It looks diner, looks dinner probably eggs on 228 00:15:21,600 --> 00:15:25,480 Speaker 1: special for seventy five. You get tomatoes and Swiss cheese. 229 00:15:25,640 --> 00:15:28,920 Speaker 1: You can't an egg now, you can't do it. Would 230 00:15:28,920 --> 00:15:31,400 Speaker 1: you rather go on a road trip with Taylor or Michelle? 231 00:15:32,480 --> 00:15:38,280 Speaker 1: Mm hmmm mm hmmm. I don't know, I'd say to Taylor, 232 00:15:38,800 --> 00:15:44,800 Speaker 1: really you wouldn't want to go with your own son? Michelle? Okay, first, 233 00:15:45,120 --> 00:15:49,560 Speaker 1: finish the lyric. Finish this lyric ready, and where you lead, 234 00:15:49,880 --> 00:15:58,080 Speaker 1: I will follow where you go. I will what you need. Okay, 235 00:15:58,080 --> 00:16:02,760 Speaker 1: finish the lyrics. I will all easy you need to 236 00:16:02,880 --> 00:16:08,320 Speaker 1: be with That's pretty good? All right? Jackson's Vegetables or 237 00:16:08,400 --> 00:16:12,960 Speaker 1: Suki's baked goods? No, come on, staff, make good? Thank you? 238 00:16:13,400 --> 00:16:16,960 Speaker 1: Correct answer? Would you actually know Jackson's Vegetables is a 239 00:16:16,960 --> 00:16:21,160 Speaker 1: correct answer. Would you would you? There's no right or wrong, 240 00:16:21,200 --> 00:16:23,960 Speaker 1: It's just I'm just pulling your life. Would you rather 241 00:16:24,040 --> 00:16:26,840 Speaker 1: listen to? Would you rather? Would you? Would you rather 242 00:16:26,880 --> 00:16:33,800 Speaker 1: listen to Drella's Harp or The Trooper Doors cover songs, Children, 243 00:16:33,880 --> 00:16:40,160 Speaker 1: Prepper Stars, Hollow High, Children Prep any anything but the 244 00:16:40,200 --> 00:16:42,800 Speaker 1: word prep in it. No, that's Rory's. That's the private 245 00:16:42,840 --> 00:16:49,920 Speaker 1: school Rory's going to. Okay, favorite Gilmore Girl's memory. Oh, 246 00:16:50,720 --> 00:16:57,280 Speaker 1: craft Services excellent. It has been a pleasure to speaking 247 00:16:57,320 --> 00:17:00,840 Speaker 1: with you. It was a lot of fun. I did 248 00:17:00,840 --> 00:17:03,200 Speaker 1: not know you went to Juilliard. We're gonna have to 249 00:17:03,200 --> 00:17:05,080 Speaker 1: have you back and talk about that a little bit 250 00:17:05,119 --> 00:17:10,040 Speaker 1: for God. But yeah, thank you so much for coming on. 251 00:17:10,160 --> 00:17:13,320 Speaker 1: We've really enjoyed it. Sweet and I'm so glad I 252 00:17:13,400 --> 00:17:15,919 Speaker 1: went into the car to talk to you. I'm in 253 00:17:15,960 --> 00:17:18,080 Speaker 1: the car and the driveway. You're in the car. You're 254 00:17:18,119 --> 00:17:20,240 Speaker 1: in the car. All right, John, You take care of 255 00:17:20,320 --> 00:17:25,159 Speaker 1: yourself and good luck with all of your many projects. 256 00:17:24,160 --> 00:17:27,720 Speaker 1: Thank you. I hope you take care, take as and 257 00:17:27,800 --> 00:18:01,200 Speaker 1: take names. Baby, you got it. Okay. But well, hey everybody, 258 00:18:01,200 --> 00:18:04,480 Speaker 1: and don't forget Follow us on Instagram at I Am 259 00:18:04,560 --> 00:18:08,560 Speaker 1: All In podcast and email us at Gilmore at I 260 00:18:08,760 --> 00:18:12,080 Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're 261 00:18:12,119 --> 00:18:13,960 Speaker 1: looking for the best cup of coffee in the world, 262 00:18:14,000 --> 00:18:17,920 Speaker 1: go to my website for my company scott ep dot com, 263 00:18:18,040 --> 00:18:20,200 Speaker 1: s C O T T Y P dot com scott 264 00:18:20,200 --> 00:18:31,160 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.