1 00:00:03,920 --> 00:00:07,600 Speaker 1: From Futuro Media. It's Latino Usa. I'm Maria no Josa 2 00:00:07,920 --> 00:00:10,360 Speaker 1: today one of our How I Made It segments with 3 00:00:10,600 --> 00:00:22,439 Speaker 1: the band from Uruguay, Notusta. Now you might not have 4 00:00:22,560 --> 00:00:26,279 Speaker 1: heard of them in the United States, but not is 5 00:00:26,320 --> 00:00:30,720 Speaker 1: an Uruguayan band that has been around for over twenty five. 6 00:00:30,560 --> 00:00:34,040 Speaker 2: Years, eleanor drac Rosa. 7 00:00:35,280 --> 00:00:38,519 Speaker 1: To mark their twenty fifth anniversary, the band released a 8 00:00:38,640 --> 00:00:42,800 Speaker 1: special album, Otras Canciones. The album is a compilation of 9 00:00:42,840 --> 00:00:46,800 Speaker 1: some of their most popular songs, and it includes collaborations 10 00:00:46,880 --> 00:00:51,240 Speaker 1: with guests like drac Rosa, Las. 11 00:00:55,960 --> 00:01:11,760 Speaker 2: Julietas, Estas Loss Mirandola Porte, Drexler, Lena La Siri, Belpor, 12 00:01:14,040 --> 00:01:21,280 Speaker 2: Lena Las and Flori de Toloacela. 13 00:01:20,760 --> 00:01:32,759 Speaker 1: Came Notevagustad, which started as a trio in nineteen ninety four, 14 00:01:33,160 --> 00:01:36,680 Speaker 1: now has nine members in its lineup. It's primarily a 15 00:01:36,880 --> 00:01:41,440 Speaker 1: rock band, but they're also influenced by other styles like reggae, salsa, 16 00:01:41,840 --> 00:01:46,120 Speaker 1: and ska. Three members of Notevagustad join us to talk 17 00:01:46,160 --> 00:01:49,880 Speaker 1: about their music, touring, and what it means to be 18 00:01:49,960 --> 00:01:54,480 Speaker 1: together for twenty five years. Here are Diego Gartaburu, Martin Hill, 19 00:01:54,880 --> 00:01:56,240 Speaker 1: and Francisco Naseer. 20 00:01:57,440 --> 00:01:57,680 Speaker 3: Hello. 21 00:01:57,920 --> 00:02:02,280 Speaker 4: I am Diego Batavoo drummer for not Autar. 22 00:02:03,200 --> 00:02:03,320 Speaker 1: Hi. 23 00:02:03,520 --> 00:02:06,120 Speaker 3: My name is Martin and I played trumpet and I 24 00:02:06,200 --> 00:02:08,120 Speaker 3: also sing a little Hi. 25 00:02:08,360 --> 00:02:11,919 Speaker 5: My name is Francy Connasseer and the keyboard players not 26 00:02:12,040 --> 00:02:12,760 Speaker 5: About Start. 27 00:02:14,160 --> 00:02:16,919 Speaker 6: The Sky Lesson. 28 00:02:19,240 --> 00:02:23,240 Speaker 5: Solo as Rado Get the. 29 00:02:26,520 --> 00:02:26,720 Speaker 4: Well. 30 00:02:26,760 --> 00:02:31,000 Speaker 3: Not At is a Uayan band. It started playing at 31 00:02:31,160 --> 00:02:34,680 Speaker 3: nineteen ninety four. It started just like a power trio 32 00:02:35,280 --> 00:02:38,840 Speaker 3: and we have nine musicians. At this time, we have 33 00:02:39,120 --> 00:02:44,200 Speaker 3: nine albums released at this moment studio albums and nowadays 34 00:02:44,280 --> 00:02:48,799 Speaker 3: we just have visited more than twenty countries and we've 35 00:02:48,880 --> 00:02:53,880 Speaker 3: been playing for for more than one hundred concerts aer Rea. 36 00:02:54,080 --> 00:02:58,720 Speaker 3: So so it changed a lot our lives. We we 37 00:02:58,960 --> 00:03:04,200 Speaker 3: grew in here and we became fathers most of us, 38 00:03:04,919 --> 00:03:09,160 Speaker 3: and so it's been almost behalf of our lives. 39 00:03:11,240 --> 00:03:11,560 Speaker 2: Okay. 40 00:03:12,280 --> 00:03:15,720 Speaker 3: Our first album is called Solo Logy. It was released 41 00:03:15,760 --> 00:03:19,880 Speaker 3: at nineteen ninety nine, and I would like to let 42 00:03:19,960 --> 00:03:25,000 Speaker 3: you hear Nedracerto, which became an emblematic song for us 43 00:03:25,080 --> 00:03:29,639 Speaker 3: and for people that like our music, so we hope 44 00:03:29,680 --> 00:03:30,000 Speaker 3: you like it. 45 00:03:31,560 --> 00:03:44,160 Speaker 6: Owre to Casa Quan, Lookias sam Preti, Space on a Center, 46 00:03:48,960 --> 00:03:59,360 Speaker 6: boos Kandoadmo extraito. 47 00:04:00,440 --> 00:04:06,000 Speaker 5: The we are like an I don't know the word 48 00:04:06,120 --> 00:04:11,000 Speaker 5: eclectic band. We've got so many influences. We are nine 49 00:04:11,480 --> 00:04:15,400 Speaker 5: musicians with everyone has his own. 50 00:04:18,320 --> 00:04:20,080 Speaker 4: Sexier schools. 51 00:04:25,000 --> 00:04:27,880 Speaker 3: Shalluci another. 52 00:04:29,800 --> 00:04:33,520 Speaker 4: Yeah, maybe you can listen from influence from reggae reggae 53 00:04:33,520 --> 00:04:42,000 Speaker 4: bands or traditional Mexican music, or rye music or rock. Yeah, 54 00:04:42,400 --> 00:04:42,960 Speaker 4: rock bands. 55 00:04:44,040 --> 00:04:47,680 Speaker 7: We have to mix rhythms. We have to to do 56 00:04:47,800 --> 00:04:50,839 Speaker 7: whatever the song tells you to do. Anything that happening. 57 00:04:51,080 --> 00:04:54,280 Speaker 7: That's the thing about not about that that it's not 58 00:04:54,480 --> 00:04:57,240 Speaker 7: like a rock and roll band. We can play a 59 00:04:57,360 --> 00:05:00,640 Speaker 7: pop pop song or more folk song, or reggae song 60 00:05:01,400 --> 00:05:03,159 Speaker 7: or more hard rock songs. 61 00:05:04,440 --> 00:05:09,720 Speaker 4: That's special about this man. It has not doesn't concentrate 62 00:05:09,800 --> 00:05:16,320 Speaker 4: on one style. We play a lot of styles. Okay, 63 00:05:16,520 --> 00:05:21,480 Speaker 4: This next song is called Chao. It's about basically the 64 00:05:21,600 --> 00:05:25,400 Speaker 4: girl broke up with the guy and then several years 65 00:05:25,480 --> 00:05:29,919 Speaker 4: later she came back, but he no longer went away 66 00:05:29,920 --> 00:05:30,200 Speaker 4: with her. 67 00:05:32,240 --> 00:05:41,880 Speaker 6: Let's have our most close doom Smith and Dormola. 68 00:05:47,600 --> 00:05:48,000 Speaker 4: Broken. 69 00:05:48,160 --> 00:05:59,960 Speaker 3: No. Well, Simplia talks about the life of her first 70 00:06:00,160 --> 00:06:04,320 Speaker 3: that reaches eighty years and and he just see that 71 00:06:04,800 --> 00:06:08,320 Speaker 3: has nothing to left. He's not concerned what with with 72 00:06:08,560 --> 00:06:11,880 Speaker 3: what is happening around and with people that were near him, 73 00:06:12,000 --> 00:06:15,960 Speaker 3: so so he can't feel that he's going to die, 74 00:06:16,040 --> 00:06:18,400 Speaker 3: and he will do that without glory and no one 75 00:06:18,480 --> 00:06:26,799 Speaker 3: will cry for him. He said, for yet, for that yet. 76 00:06:29,920 --> 00:06:36,920 Speaker 6: Me SERVANASI means Salban or Supprian. He should have. 77 00:06:37,160 --> 00:06:40,960 Speaker 4: I mean he didn't do like anything evil, but also 78 00:06:41,440 --> 00:06:45,200 Speaker 4: anything good. You know, he feels like he awaited his life. 79 00:06:45,240 --> 00:06:52,120 Speaker 2: Yeah, yea, than. 80 00:06:55,360 --> 00:06:57,160 Speaker 6: Sings. 81 00:07:00,120 --> 00:07:03,240 Speaker 5: Every country is so different. You can play in the 82 00:07:03,320 --> 00:07:06,800 Speaker 5: whise our country is like playing for the family and 83 00:07:06,960 --> 00:07:11,120 Speaker 5: the friends and people you know, and the fans. It's 84 00:07:11,200 --> 00:07:15,560 Speaker 5: so But in Argentina is another study. It's a very 85 00:07:15,640 --> 00:07:18,240 Speaker 5: warm audience. They sing a lot. 86 00:07:18,720 --> 00:07:20,360 Speaker 4: They are part of the show, you know, they like 87 00:07:20,480 --> 00:07:23,880 Speaker 4: to be a part of the show, so they sing along. 88 00:07:31,760 --> 00:07:41,960 Speaker 4: Looks well. Not playing live, Yeah, yeah, I mean I 89 00:07:42,000 --> 00:07:45,360 Speaker 4: think we're pretty good playing playing live, you know, since 90 00:07:45,400 --> 00:07:47,800 Speaker 4: we go to the studio like every two or three years, 91 00:07:48,000 --> 00:07:50,120 Speaker 4: like you have to get used to it every time. 92 00:07:51,240 --> 00:07:53,720 Speaker 4: You have to play in a different way that you 93 00:07:53,840 --> 00:07:54,320 Speaker 4: play live. 94 00:07:54,680 --> 00:07:59,400 Speaker 5: But the band has a special special energy on stage. 95 00:07:59,520 --> 00:08:01,880 Speaker 5: So I think we really love that. 96 00:08:10,440 --> 00:08:14,000 Speaker 4: You guys know what means if you don't the name 97 00:08:14,120 --> 00:08:17,200 Speaker 4: means you're not gonna like it. That's what the name 98 00:08:17,240 --> 00:08:17,640 Speaker 4: of the song. 99 00:08:18,880 --> 00:08:27,400 Speaker 3: But be patient, be patient, coo. 100 00:08:31,560 --> 00:08:36,520 Speaker 1: The members of the Uruaiian bands, which means you're not 101 00:08:36,640 --> 00:08:39,040 Speaker 1: gonna like it. Legend has it that the name of 102 00:08:39,080 --> 00:08:42,280 Speaker 1: the band was picked accidentally when two of the original 103 00:08:42,360 --> 00:08:44,800 Speaker 1: band members told the third we have a name for 104 00:08:44,880 --> 00:08:48,040 Speaker 1: our band. You're not gonna like it. The third member said, 105 00:08:48,559 --> 00:08:50,160 Speaker 1: not Gusta, that's a. 106 00:08:50,200 --> 00:09:05,760 Speaker 8: Great names sises Ma. 107 00:09:15,240 --> 00:09:18,360 Speaker 1: This episode was produced by Miel Masiez and edited by 108 00:09:18,440 --> 00:09:23,360 Speaker 1: Sophia Plisaka. The Latino USA team includes Andrea Lopez Crusalo, 109 00:09:23,600 --> 00:09:29,440 Speaker 1: Marta Martinez, Julieta Martinelli Monto, Alejandra slasad Rinaldo, Leanos Junior, 110 00:09:29,559 --> 00:09:32,720 Speaker 1: and Julia Rocha, with help from Rau Perez. Our engineers 111 00:09:32,720 --> 00:09:36,320 Speaker 1: are Stephanie Lebou, Julia Caruso, and Liah Shaw. Our digital 112 00:09:36,480 --> 00:09:39,600 Speaker 1: editor is Lise Luna. Our New York Women's Foundation Ignite 113 00:09:39,679 --> 00:09:43,080 Speaker 1: fellow is Maries Vinca. Our intern is Oscar de Leon. 114 00:09:43,440 --> 00:09:46,480 Speaker 1: Our theme music was composed by Saniel Roubinos. If you 115 00:09:46,600 --> 00:09:49,080 Speaker 1: like the music you heard on this episode, dot by 116 00:09:49,200 --> 00:09:53,280 Speaker 1: Latino Usa dot org and check out our weekly Spotify playlist. 117 00:09:53,640 --> 00:09:56,559 Speaker 1: I'm your host and executive producer Marieojosa join us again 118 00:09:56,600 --> 00:09:59,160 Speaker 1: on our next episode, and in the meantime, I'll see 119 00:09:59,200 --> 00:10:00,520 Speaker 1: you on social media. 120 00:10:00,880 --> 00:10:01,520 Speaker 4: Hi los Mao. 121 00:10:01,840 --> 00:10:09,280 Speaker 9: Hi. Latino USA is made possible in part by the 122 00:10:09,400 --> 00:10:15,800 Speaker 9: Heising Simons Foundation, unlocking knowledge, opportunity and possibilities. More at 123 00:10:16,040 --> 00:10:22,240 Speaker 9: hsfoundation dot org, wk Kellogg Foundation, a partner with Communities 124 00:10:22,559 --> 00:10:26,640 Speaker 9: where Children Come First, and the wind Coat Foundation. 125 00:10:31,080 --> 00:10:32,880 Speaker 4: Well that's it. That was fun. 126 00:10:32,960 --> 00:10:35,120 Speaker 1: I'm gonna go eat some lunch, all right, sweetie, take care. 127 00:10:36,559 --> 00:10:40,840 Speaker 1: I'm Maria Noojosa. Next time on Latino USA. Part two 128 00:10:41,360 --> 00:10:45,400 Speaker 1: of The Wrongful Conviction of Joseph Webster will follow Joseph 129 00:10:45,840 --> 00:10:48,199 Speaker 1: as he takes on the fight of his life and 130 00:10:48,559 --> 00:10:51,959 Speaker 1: we look at the long term effects of wrongful convictions. 131 00:10:52,559 --> 00:10:54,600 Speaker 1: That's next time on Latino USA.