1 00:00:00,200 --> 00:00:03,560 Speaker 1: Hello the Internet, and welcome to this episode of the 2 00:00:03,720 --> 00:00:09,240 Speaker 1: Board or Blackout Raid Gal trend Um, which I'm told 3 00:00:09,680 --> 00:00:13,040 Speaker 1: that I am late too by super producer Rebecca. I'm 4 00:00:13,200 --> 00:00:16,599 Speaker 1: Jack O'Brien. I'm thrilled to be joined by super producer 5 00:00:16,800 --> 00:00:23,080 Speaker 1: Justin Connor. I'm back here. We are. Listen to those teeth. 6 00:00:23,520 --> 00:00:28,280 Speaker 1: Listen to them straight and perfect they are. That is 7 00:00:28,320 --> 00:00:32,480 Speaker 1: just such a weird thing that somebody said about you 8 00:00:32,479 --> 00:00:35,920 Speaker 1: your appearance last time, was that for some reason, you 9 00:00:35,960 --> 00:00:38,840 Speaker 1: gave them the impression that you have perfect teeth. Yeah. 10 00:00:38,920 --> 00:00:41,680 Speaker 1: I like it though, Yeah, I mean elva comments have 11 00:00:41,800 --> 00:00:44,920 Speaker 1: been weird, but like like they've been uplifting weirdly. I 12 00:00:44,920 --> 00:00:48,240 Speaker 1: mean even being called a stone middle schooler, like I felt, 13 00:00:48,360 --> 00:00:50,479 Speaker 1: you know that that's a fun vibe. I think that's 14 00:00:50,520 --> 00:00:53,280 Speaker 1: a full vibe. Yeah, yeah, that's great man. So that's 15 00:00:53,280 --> 00:00:56,040 Speaker 1: a career right there. Yeah, I who comes off as 16 00:00:56,160 --> 00:00:59,360 Speaker 1: stoned middle schooler and truly I mean yeah, I have 17 00:00:59,360 --> 00:01:04,759 Speaker 1: a niche from my Hey. Uh, speaking of stoned young people, Uh, 18 00:01:04,920 --> 00:01:08,840 Speaker 1: they've come up. They've done it again, folks. Is stoned something? 19 00:01:08,880 --> 00:01:11,480 Speaker 1: I feel like I heard somebody refer to being stoned 20 00:01:11,480 --> 00:01:14,959 Speaker 1: as being drunk in the seventies. Yeah, I think it's 21 00:01:15,080 --> 00:01:18,440 Speaker 1: changed over time. Let's have a drink and be stoned. 22 00:01:19,600 --> 00:01:24,520 Speaker 1: What Yeah, it's it's all cypical, jack. I. I mean 23 00:01:24,560 --> 00:01:28,800 Speaker 1: even speaking of this blackout Rage gallon things like you know, 24 00:01:28,920 --> 00:01:31,200 Speaker 1: we were talking about it a little bit before the record, 25 00:01:31,240 --> 00:01:34,280 Speaker 1: it does feel a little bit like for Loco because 26 00:01:34,280 --> 00:01:37,520 Speaker 1: I came up and in like that was my early 27 00:01:37,600 --> 00:01:40,520 Speaker 1: college experience was for Loco was going crazy in the 28 00:01:40,560 --> 00:01:45,360 Speaker 1: streets and uh, this being caffeinated, it's it scares me. 29 00:01:45,480 --> 00:01:49,120 Speaker 1: I I yeah, I mean it can be well, I 30 00:01:49,200 --> 00:01:51,040 Speaker 1: mean that's what I'm saying. It's I feel like they're 31 00:01:51,080 --> 00:01:53,760 Speaker 1: going extra hard with it because of the name, like 32 00:01:53,800 --> 00:01:56,720 Speaker 1: the blackout Rage then you have like a whole title 33 00:01:56,720 --> 00:01:59,600 Speaker 1: to live up to. And uh it sounds like safe 34 00:01:59,720 --> 00:02:02,360 Speaker 1: but also sounds like a good dangerous for same time 35 00:02:02,440 --> 00:02:08,560 Speaker 1: blackout Rage Gallon. The pitch is that are you tired 36 00:02:08,560 --> 00:02:11,600 Speaker 1: of like going to parties and having to drink out 37 00:02:11,600 --> 00:02:15,919 Speaker 1: of their dirty glasses, risk frat boy, date, rapist putting 38 00:02:15,960 --> 00:02:19,200 Speaker 1: something in your drink? Well now you no longer have 39 00:02:19,240 --> 00:02:23,480 Speaker 1: to worry about that thanks to milk gallons. Just like 40 00:02:23,520 --> 00:02:27,680 Speaker 1: the thing that you used to buy milk in people 41 00:02:27,760 --> 00:02:32,120 Speaker 1: still do that, right, Like that's what milk still comes in. Um. Well, 42 00:02:32,160 --> 00:02:36,800 Speaker 1: now you put half water half vodka. I would recommend 43 00:02:37,080 --> 00:02:41,680 Speaker 1: more water than vodka. Even if I had to give 44 00:02:41,720 --> 00:02:45,680 Speaker 1: you a recommendation, folks, um and then a mixer of 45 00:02:45,680 --> 00:02:49,239 Speaker 1: your choice, like you know a little that. I think 46 00:02:49,280 --> 00:02:53,600 Speaker 1: people were recommending some electro lights so that you're avoiding 47 00:02:53,639 --> 00:02:58,520 Speaker 1: a hangover. Yeah, how how what's the time management on 48 00:02:58,560 --> 00:03:01,600 Speaker 1: this thing? Are we try to drink this all the 49 00:03:01,639 --> 00:03:04,920 Speaker 1: one go? Like I don't is this happening? This is 50 00:03:05,000 --> 00:03:08,240 Speaker 1: all you're drinking all night and you're carrying it around 51 00:03:08,720 --> 00:03:12,919 Speaker 1: like as a yeah, like it's your purse for the night. Yeah, 52 00:03:13,280 --> 00:03:15,519 Speaker 1: I have this in hand. It's not like in the 53 00:03:15,600 --> 00:03:18,880 Speaker 1: kucha mon to more like drinks that you are partaking it. 54 00:03:18,919 --> 00:03:21,360 Speaker 1: I hope not. I think you know. The way that 55 00:03:21,480 --> 00:03:24,440 Speaker 1: I drank it would have been and I would have 56 00:03:24,880 --> 00:03:28,920 Speaker 1: ended up waking up in backyards of various That was 57 00:03:29,360 --> 00:03:31,200 Speaker 1: that was the problem with for Local. I swear to 58 00:03:31,240 --> 00:03:35,040 Speaker 1: got like my first time drinking for Local, I wound 59 00:03:35,120 --> 00:03:37,720 Speaker 1: up in a backyard of a pool of someone I 60 00:03:37,760 --> 00:03:40,040 Speaker 1: didn't know. I was just punching the side of their 61 00:03:40,080 --> 00:03:43,720 Speaker 1: pool and someone had to wrangle me away from that ship, like, yeah, 62 00:03:43,800 --> 00:03:49,720 Speaker 1: that's you're inside a pool. There was water, so that 63 00:03:49,760 --> 00:03:51,800 Speaker 1: it was an empty pool. Yes, it was an empty pool. 64 00:03:52,320 --> 00:03:57,200 Speaker 1: Nice um. Yeah, so I don't know, uh. Been drinking 65 00:03:57,560 --> 00:04:01,040 Speaker 1: is obviously very popular in college. I wish I had 66 00:04:01,080 --> 00:04:05,440 Speaker 1: done less of it in my college days, but this 67 00:04:05,600 --> 00:04:09,200 Speaker 1: seems like a practical way to go about doing it. 68 00:04:09,480 --> 00:04:13,480 Speaker 1: I just feel like black outrage was not the thing 69 00:04:13,560 --> 00:04:16,200 Speaker 1: I was chasing when I was drinking. I was hoping 70 00:04:16,240 --> 00:04:19,840 Speaker 1: to have more of a a mellow time. But right, 71 00:04:19,960 --> 00:04:22,960 Speaker 1: so like people who are like black outrage gallon that 72 00:04:23,120 --> 00:04:26,320 Speaker 1: just like even when I was a mess, that was 73 00:04:26,400 --> 00:04:29,120 Speaker 1: not the type of mess that I was seeking. You know, 74 00:04:29,480 --> 00:04:32,240 Speaker 1: I wasn't proud to be punching a pool like that. 75 00:04:32,360 --> 00:04:36,120 Speaker 1: Wasn't That wasn't my best hour. So I don't think, 76 00:04:36,880 --> 00:04:39,080 Speaker 1: just be careful out their kids if you're if you're 77 00:04:39,120 --> 00:04:41,680 Speaker 1: trying this, you know, I understand some of this comes 78 00:04:41,680 --> 00:04:43,840 Speaker 1: from a place to safety of you know, just not 79 00:04:44,120 --> 00:04:48,200 Speaker 1: having anyone drug you with any substances. That's I'm all 80 00:04:48,240 --> 00:04:49,839 Speaker 1: here for that. But you can do that with like 81 00:04:49,880 --> 00:04:51,719 Speaker 1: a little with a water bottle. You don't need a 82 00:04:51,720 --> 00:04:55,080 Speaker 1: whole gallon, you know. I don't know. Yeah, you could, exactly, 83 00:04:55,160 --> 00:04:58,520 Speaker 1: you could. You could just have a Poland Springs bottle 84 00:04:58,839 --> 00:05:03,360 Speaker 1: with like a splash of vodka, pour some salt in there, 85 00:05:03,440 --> 00:05:07,120 Speaker 1: since that's basically what electro lights are, and have yourself 86 00:05:07,160 --> 00:05:09,400 Speaker 1: a night where you go pee a lot. We would 87 00:05:09,400 --> 00:05:11,400 Speaker 1: just go to seven eleven and gets, you know, the 88 00:05:11,880 --> 00:05:14,520 Speaker 1: slurpies and then just those some vodka in that and 89 00:05:15,520 --> 00:05:19,320 Speaker 1: you can do that. Um. The AVY Club is counting 90 00:05:19,320 --> 00:05:24,839 Speaker 1: down posthumous performances of of late movie stars in honor 91 00:05:24,880 --> 00:05:28,840 Speaker 1: of ray Leota's final performance or I don't know if 92 00:05:28,880 --> 00:05:33,080 Speaker 1: it's necessarily his final final, but ray Leota does play 93 00:05:33,360 --> 00:05:39,640 Speaker 1: a kingpin boss crime boss in Cocaine Bear, and he 94 00:05:39,720 --> 00:05:42,520 Speaker 1: did pass away at the really young age of sixty 95 00:05:42,560 --> 00:05:46,960 Speaker 1: seven with him last year. Tragic, very tragic. The AV 96 00:05:47,160 --> 00:05:50,360 Speaker 1: Club article is suggesting to me that the AV Club 97 00:05:50,760 --> 00:05:55,200 Speaker 1: has started writing their articles with chat GPT because it's 98 00:05:56,040 --> 00:05:59,120 Speaker 1: is not great, man, it is a bad They have 99 00:05:59,240 --> 00:06:02,960 Speaker 1: done a bad I was assuming they would have. Did 100 00:06:03,040 --> 00:06:06,440 Speaker 1: you see Triangle of Sadness? I haven't. I was fascinated 101 00:06:06,480 --> 00:06:09,080 Speaker 1: by the trailer and the message is trying to say, 102 00:06:09,120 --> 00:06:11,800 Speaker 1: and that'd time to see it. Yet the lead actors 103 00:06:11,800 --> 00:06:14,560 Speaker 1: in that who like plays a young influencer and she 104 00:06:15,560 --> 00:06:17,880 Speaker 1: was playing younger than she is. She was thirty two, 105 00:06:17,920 --> 00:06:20,080 Speaker 1: but she died in the last year after Triangle of 106 00:06:20,120 --> 00:06:23,159 Speaker 1: Sadness came out, which is wild. They don't mention that. 107 00:06:23,360 --> 00:06:27,920 Speaker 1: They just mentioned like very cursory, like if you just 108 00:06:28,040 --> 00:06:32,440 Speaker 1: did a Google search, like and only wrote down the 109 00:06:32,560 --> 00:06:35,160 Speaker 1: names you had heard of that that seems to be 110 00:06:35,160 --> 00:06:37,760 Speaker 1: what they've done, Like to the point that I went 111 00:06:37,880 --> 00:06:39,800 Speaker 1: to the comment section of The A B Club and 112 00:06:39,839 --> 00:06:42,960 Speaker 1: I was like, are people saying something about this? In 113 00:06:42,960 --> 00:06:44,960 Speaker 1: the very first comment was like, so, like where did 114 00:06:44,960 --> 00:06:47,600 Speaker 1: people go after they left the A B Club? This 115 00:06:47,720 --> 00:06:50,920 Speaker 1: is bad? Right, Like everyone was like, yeah, yeah, it's 116 00:06:50,960 --> 00:06:55,360 Speaker 1: really bad. Vulture is still doing it and yeah, so 117 00:06:55,480 --> 00:06:58,760 Speaker 1: I don't know, but I mean the Onions still has 118 00:06:58,800 --> 00:07:02,800 Speaker 1: their hits, so yeah, I think there's just a different Okay, 119 00:07:02,880 --> 00:07:05,720 Speaker 1: fired a bunch of people and it's not good. Yeah, 120 00:07:05,720 --> 00:07:07,839 Speaker 1: this article isn't well you can tell this was written 121 00:07:07,880 --> 00:07:11,160 Speaker 1: by AI because this article isn't for anyone. Like you're 122 00:07:11,400 --> 00:07:14,240 Speaker 1: reading this, you're not gonna get anything. You're like, huh, 123 00:07:14,240 --> 00:07:17,240 Speaker 1: I'm glad I read this and it was worth my time. 124 00:07:17,320 --> 00:07:21,440 Speaker 1: It's literally just dry facts of people you mostly some 125 00:07:21,520 --> 00:07:24,840 Speaker 1: you've heard of, some you might recognize a face. It's 126 00:07:24,880 --> 00:07:28,920 Speaker 1: not a compelling thing to read, No, no, who it 127 00:07:29,040 --> 00:07:33,840 Speaker 1: is not, But um, people seem to be fucking with cocaine. Bear. 128 00:07:34,080 --> 00:07:38,960 Speaker 1: It dropped, I believe last night Midnight previews and uh, 129 00:07:39,760 --> 00:07:42,480 Speaker 1: so far I've heard I've heard good things from a 130 00:07:42,520 --> 00:07:45,120 Speaker 1: couple of people I know who've seen it. Um, the 131 00:07:45,400 --> 00:07:47,960 Speaker 1: reviews are not good, which I think I would have 132 00:07:48,000 --> 00:07:50,800 Speaker 1: been a little concerned if they were. It seems like 133 00:07:50,880 --> 00:07:54,360 Speaker 1: it is as advertised, which is just a fun time 134 00:07:54,520 --> 00:07:58,960 Speaker 1: and the fun be movie, hyper violent shit show. Yeah. Yeah, 135 00:07:59,080 --> 00:08:04,200 Speaker 1: Succession is in after this season, which not great news. 136 00:08:05,400 --> 00:08:08,280 Speaker 1: Our thoughts are with superproducer on a hosnia in this 137 00:08:08,360 --> 00:08:12,400 Speaker 1: difficult time in your thoughts and prayers. The session is 138 00:08:13,240 --> 00:08:17,960 Speaker 1: just devastating her at this moment. It's yeah, the interview 139 00:08:18,120 --> 00:08:22,560 Speaker 1: is like with the guys like we've known and just 140 00:08:22,640 --> 00:08:24,840 Speaker 1: feels good to get it out there and let everybody 141 00:08:24,920 --> 00:08:28,120 Speaker 1: know that it's happening. Um. He's like, we could have 142 00:08:28,160 --> 00:08:31,920 Speaker 1: taken it in like a fun, weird direction, or we 143 00:08:32,000 --> 00:08:34,319 Speaker 1: could have given it a good ending, and we've decided 144 00:08:34,360 --> 00:08:37,080 Speaker 1: to give it a good ending. Well, weirdly enough, I 145 00:08:37,080 --> 00:08:39,040 Speaker 1: think that might compel me to watch it. I have 146 00:08:39,120 --> 00:08:44,720 Speaker 1: not seen this show yet. I guess I hadn't hadn't 147 00:08:44,720 --> 00:08:46,880 Speaker 1: necessarily like been off put by it. I just hadn't 148 00:08:46,880 --> 00:08:49,720 Speaker 1: put it into my plans as a priority necessarily. But 149 00:08:49,880 --> 00:08:52,440 Speaker 1: now that I know, like I can catch up to 150 00:08:52,640 --> 00:08:55,600 Speaker 1: the ending pretty quickly. It's like a consumable thing, I 151 00:08:55,720 --> 00:08:58,400 Speaker 1: might compel me to watch it a little bit more. Um. 152 00:08:58,760 --> 00:09:02,160 Speaker 1: I like a tight story. But I also am a 153 00:09:02,200 --> 00:09:05,280 Speaker 1: person who, like I, will hang onto a fandom and 154 00:09:05,360 --> 00:09:08,000 Speaker 1: continue to like watch something well past the point that 155 00:09:08,040 --> 00:09:11,720 Speaker 1: it's still good and still cape for it. So I 156 00:09:11,720 --> 00:09:14,839 Speaker 1: can understand the especially with when you have a cast 157 00:09:14,920 --> 00:09:17,760 Speaker 1: that works this well together. Like again, I haven't seen 158 00:09:17,760 --> 00:09:20,160 Speaker 1: the show, but I've seen it weirdly enough, like plenty 159 00:09:20,200 --> 00:09:24,400 Speaker 1: of interviews with the cast. They're fantastic together. They're so funny, 160 00:09:24,600 --> 00:09:26,400 Speaker 1: and I might want to check this out now that 161 00:09:26,520 --> 00:09:29,640 Speaker 1: I know, I can you know, go down in four seasons. Yeah, 162 00:09:29,760 --> 00:09:33,440 Speaker 1: as far as show is about rich whites, it's a 163 00:09:33,440 --> 00:09:36,600 Speaker 1: pretty good one. I will say the finale of the 164 00:09:36,720 --> 00:09:40,160 Speaker 1: last season was the point at which I had the thought, oh, 165 00:09:40,200 --> 00:09:42,559 Speaker 1: this show needs to end that it seems like it's 166 00:09:42,679 --> 00:09:46,480 Speaker 1: hitting a similar rhythm over and over every time. So 167 00:09:46,760 --> 00:09:48,920 Speaker 1: it feels like this is the right decision. So shout 168 00:09:48,920 --> 00:09:51,360 Speaker 1: out to them for making it. Let's take a quick 169 00:09:51,400 --> 00:09:55,040 Speaker 1: break and we'll come back and talk about Deborah Ali Williams, 170 00:09:55,240 --> 00:09:58,320 Speaker 1: the All People's Funeral Home director you may have seen 171 00:09:58,360 --> 00:10:12,719 Speaker 1: on TikTok and we're back, and super producer on a 172 00:10:12,800 --> 00:10:17,000 Speaker 1: Hosnier brought to our attention a viral TikTok star Deborah 173 00:10:17,000 --> 00:10:21,520 Speaker 1: Ali Williams, the president at All People's Funeral Home. And 174 00:10:22,320 --> 00:10:25,400 Speaker 1: the thing that she does that she's like kind of 175 00:10:25,400 --> 00:10:29,640 Speaker 1: going viral for is like doing things without doing anything. 176 00:10:30,040 --> 00:10:32,480 Speaker 1: Seems to be like the thing like if you if 177 00:10:32,480 --> 00:10:35,920 Speaker 1: you've ever if somebody's like just look busy at your 178 00:10:36,000 --> 00:10:39,599 Speaker 1: desk without doing anything, like it seems to be. I 179 00:10:40,040 --> 00:10:44,040 Speaker 1: came up in restaurants in my early college trying to 180 00:10:44,080 --> 00:10:47,240 Speaker 1: make some extra money situation, and like if you got 181 00:10:47,240 --> 00:10:51,199 Speaker 1: time to lean, you got time to clean, like mentality 182 00:10:51,520 --> 00:10:54,120 Speaker 1: that kind of just forced you to do busy work 183 00:10:54,360 --> 00:10:57,360 Speaker 1: but not actually be busy. And I think I get it, 184 00:10:57,400 --> 00:11:00,560 Speaker 1: Like this is like a visual asma are in the 185 00:11:00,640 --> 00:11:04,040 Speaker 1: sense that you're someone is clearly doing this with intent 186 00:11:04,679 --> 00:11:07,840 Speaker 1: but there's nothing actually happening, which is like a fascinating 187 00:11:08,400 --> 00:11:11,560 Speaker 1: like you know, you can break that down for years. 188 00:11:11,600 --> 00:11:13,840 Speaker 1: I think you're trying to understand why something like this 189 00:11:13,960 --> 00:11:17,960 Speaker 1: is so yeah viral right now. Yeah, there's like a 190 00:11:17,960 --> 00:11:22,160 Speaker 1: a falseness to it, a self consciousness to it, where 191 00:11:22,160 --> 00:11:24,920 Speaker 1: it's like you know you're being watched, and so you're 192 00:11:25,040 --> 00:11:28,800 Speaker 1: doing the gesture of busyness and doing things. So like 193 00:11:28,800 --> 00:11:31,840 Speaker 1: what one of the videos, she's going around like preparing 194 00:11:32,040 --> 00:11:37,240 Speaker 1: for preparing a funeral for people to enter, and like 195 00:11:37,480 --> 00:11:43,360 Speaker 1: she picks up and puts down a drape like a draping, 196 00:11:43,480 --> 00:11:46,640 Speaker 1: like a blue velvety draping thing that is on the 197 00:11:46,640 --> 00:11:48,959 Speaker 1: ground and like doesn't move it at all, like doesn't 198 00:11:49,040 --> 00:11:53,120 Speaker 1: change anything about it. But she does like she was 199 00:11:53,160 --> 00:11:56,000 Speaker 1: like a giant like lamp literally like half an inch 200 00:11:56,120 --> 00:12:00,000 Speaker 1: over just to make it perfect. I love it. Yeah, 201 00:11:59,880 --> 00:12:03,480 Speaker 1: I do too. It's great. It reminds me of did 202 00:12:03,520 --> 00:12:07,480 Speaker 1: you watch the rehearsal the Nathan Fielders, Yes, yes, I did. 203 00:12:07,559 --> 00:12:11,640 Speaker 1: So there's one part where they have people like actors 204 00:12:11,960 --> 00:12:17,120 Speaker 1: studying people with boring jobs and like trying to recreate them, 205 00:12:17,480 --> 00:12:20,800 Speaker 1: and so like there's like an actor doing the work 206 00:12:21,000 --> 00:12:25,080 Speaker 1: of working at a Delhi and there's like real basic 207 00:12:25,559 --> 00:12:29,320 Speaker 1: gestures and everyone's like, yeah, it kind of feels like 208 00:12:29,360 --> 00:12:33,240 Speaker 1: that where it's like just putting on the performance of 209 00:12:33,280 --> 00:12:36,440 Speaker 1: a job that really doesn't need to be done, or 210 00:12:36,480 --> 00:12:39,880 Speaker 1: like that you don't fully understand what's happening. Yeah, I 211 00:12:39,920 --> 00:12:42,079 Speaker 1: think there's an appeal to that. Like again, the idea 212 00:12:42,080 --> 00:12:44,280 Speaker 1: of that humor and comedy. It kind of shifted when 213 00:12:44,320 --> 00:12:46,600 Speaker 1: I was you know, especially in the Internet age when 214 00:12:46,600 --> 00:12:49,040 Speaker 1: like YouTube videos and vines and stuff were coming out, 215 00:12:49,040 --> 00:12:52,640 Speaker 1: and just the idea of random I guess as like 216 00:12:52,720 --> 00:12:57,440 Speaker 1: as a point of hilarity became I think more president 217 00:12:57,520 --> 00:13:00,200 Speaker 1: in the social consciousness and it's kind of this this 218 00:13:00,240 --> 00:13:03,559 Speaker 1: is so it is very random, but I understand it, 219 00:13:03,600 --> 00:13:05,320 Speaker 1: Like I mean a real you know, shout out to 220 00:13:05,360 --> 00:13:09,560 Speaker 1: the camera person just being there and filming all of 221 00:13:09,600 --> 00:13:13,720 Speaker 1: this stuff for I mean give a point. Apparently ours 222 00:13:13,800 --> 00:13:19,920 Speaker 1: the artist is who is like this shit is fascinating. Yeah, 223 00:13:19,559 --> 00:13:22,440 Speaker 1: you kind of get that with the intention of the 224 00:13:22,559 --> 00:13:25,040 Speaker 1: of the camera angles. Like I truly think if if 225 00:13:25,080 --> 00:13:29,320 Speaker 1: a film teacher wanted to bring this into their class 226 00:13:29,320 --> 00:13:31,640 Speaker 1: and be like why is this so popular, Like let's 227 00:13:31,640 --> 00:13:34,120 Speaker 1: break this down, let's truly understand why this is happening. 228 00:13:34,160 --> 00:13:36,880 Speaker 1: I think it'd be fascinating. Yeah, superdition prun so she 229 00:13:36,920 --> 00:13:40,640 Speaker 1: has background actor energy like just when Yeah, they're like 230 00:13:40,640 --> 00:13:44,000 Speaker 1: all right, so like look busy like you you are 231 00:13:44,520 --> 00:13:49,120 Speaker 1: at the table the other booth in the diner from Seinfeld, 232 00:13:49,400 --> 00:13:52,480 Speaker 1: like do do the act of sitting at a diner? 233 00:13:52,800 --> 00:13:56,319 Speaker 1: Very interesting? Anyways, the funeral home is in Houston. If 234 00:13:56,320 --> 00:14:02,280 Speaker 1: you want to go watch a live performance of this, no, yeah, 235 00:14:02,280 --> 00:14:07,400 Speaker 1: I actually don't. Don't recommend that anyways, um cree three 236 00:14:08,240 --> 00:14:11,640 Speaker 1: dropping soon the critical embargo is over. This is just 237 00:14:11,720 --> 00:14:15,079 Speaker 1: a sad thing about me, is I get excited when 238 00:14:15,080 --> 00:14:17,240 Speaker 1: a critical embargo is over and we start to see 239 00:14:17,240 --> 00:14:20,400 Speaker 1: what the critics are saying about a film. And you'd 240 00:14:20,480 --> 00:14:22,880 Speaker 1: rather see the box office than than the critics. I 241 00:14:23,000 --> 00:14:24,640 Speaker 1: like to see the box office. I like to see 242 00:14:24,640 --> 00:14:26,960 Speaker 1: the critics. I like to see everything about the movie, 243 00:14:27,400 --> 00:14:30,560 Speaker 1: the trailer except the movie. I mean, I also like 244 00:14:30,600 --> 00:14:33,480 Speaker 1: to see the movie, but I will be satisfied by 245 00:14:33,520 --> 00:14:38,080 Speaker 1: watching the other things happen around the movie. Yeah, the discourse. Yeah, yeah, 246 00:14:38,080 --> 00:14:40,880 Speaker 1: but this is exciting. Michael B. Jordan's I don't know 247 00:14:40,880 --> 00:14:43,960 Speaker 1: if it's his directorial debut, but it's certainly like the 248 00:14:44,000 --> 00:14:47,440 Speaker 1: biggest movie that he's directed, and people seem to think 249 00:14:47,480 --> 00:14:50,840 Speaker 1: he's he's got it, the kids got it. It's interesting, 250 00:14:50,880 --> 00:14:54,000 Speaker 1: like he's a very good actor, but he's like very 251 00:14:54,080 --> 00:14:57,560 Speaker 1: much like leading man handsome. It's always interesting to me 252 00:14:57,760 --> 00:15:02,720 Speaker 1: which actors make good directors, you know, yeah, yeah, it 253 00:15:02,800 --> 00:15:07,600 Speaker 1: takes a tremendous amount of ego but also a tremendous 254 00:15:07,640 --> 00:15:12,120 Speaker 1: amount of collaboration and having those things at the forefront 255 00:15:12,160 --> 00:15:13,720 Speaker 1: of your mind at the same time, it's hard to 256 00:15:13,720 --> 00:15:16,400 Speaker 1: embody that in one person. So you know, whoever you 257 00:15:16,440 --> 00:15:19,400 Speaker 1: can pull that off, congrats, I'm excited to see this movie. 258 00:15:19,680 --> 00:15:22,120 Speaker 1: It looks good. I didn't see the second Creed. I 259 00:15:22,200 --> 00:15:25,000 Speaker 1: don't think I'm going to. I don't think anybody has. 260 00:15:25,120 --> 00:15:28,640 Speaker 1: I think, yeah, nobody thought. No. I've definitely heard from 261 00:15:28,680 --> 00:15:31,160 Speaker 1: people who are like, ah, you'll love it, but it's 262 00:15:31,200 --> 00:15:35,600 Speaker 1: more like sports jockey people tend to like it. Yeah, 263 00:15:35,600 --> 00:15:38,280 Speaker 1: the type of people who might like the new Transformers movie. 264 00:15:38,360 --> 00:15:41,560 Speaker 1: You know. Yeah, you were saying that it's corrected by 265 00:15:41,560 --> 00:15:44,640 Speaker 1: the Creed two, directed by the person who directs the 266 00:15:44,920 --> 00:15:49,600 Speaker 1: New Transformers movie. Gorilla Robots. See if they had put 267 00:15:49,600 --> 00:15:51,800 Speaker 1: a guerrilla Robot in Creed two. I might have checked 268 00:15:51,800 --> 00:15:53,560 Speaker 1: it out, but yeah, that's who he should have been 269 00:15:53,600 --> 00:15:58,160 Speaker 1: fighting and Sourvivan Drago. So yeah, and there's also a 270 00:15:58,160 --> 00:16:01,560 Speaker 1: new Robert de Niro movie about my father. I would 271 00:16:01,600 --> 00:16:06,200 Speaker 1: say that this is actually pitched as a Sebastian Maniscalco movie, 272 00:16:06,360 --> 00:16:09,240 Speaker 1: but it does seem to be. I think this is 273 00:16:09,240 --> 00:16:14,360 Speaker 1: going to be the Sebastian Maniscalco star making film where 274 00:16:14,400 --> 00:16:18,000 Speaker 1: it's like Italians, Am I right? That seems to be 275 00:16:18,720 --> 00:16:23,200 Speaker 1: I think that is the tagline about my father Colan Italians, 276 00:16:23,200 --> 00:16:28,880 Speaker 1: Am I right? I'm not familiar with Sebastian's work, so 277 00:16:29,000 --> 00:16:32,200 Speaker 1: what was the end? He's a stand up comedian. He 278 00:16:33,120 --> 00:16:39,560 Speaker 1: posted the VMA's One Time, which is very strange because 279 00:16:39,560 --> 00:16:42,000 Speaker 1: he's like, he's a guy who like makes jokes about 280 00:16:42,040 --> 00:16:48,040 Speaker 1: his mom's fried zucchini and his like wife doing shopping 281 00:16:48,080 --> 00:16:52,440 Speaker 1: and stuff like that, like just like real sounds charming. Yeah, yeah, 282 00:16:52,480 --> 00:16:58,040 Speaker 1: like Italian American Tim Allen type vibes without the like 283 00:16:58,160 --> 00:17:02,080 Speaker 1: right wingedness. But they put it on the VMA's One Time, 284 00:17:02,120 --> 00:17:06,480 Speaker 1: which is just one of the strangest miscastings of a 285 00:17:06,600 --> 00:17:08,520 Speaker 1: of a host of all time. What year did you 286 00:17:08,560 --> 00:17:12,280 Speaker 1: do that? It's like five years ago. Yeah, I five 287 00:17:12,359 --> 00:17:16,520 Speaker 1: years ago. Yeah. Yeah. He opens his hosting thing coming out, 288 00:17:16,560 --> 00:17:19,040 Speaker 1: there's like a bunch of smoke because that's just like 289 00:17:19,160 --> 00:17:22,040 Speaker 1: an effect, a stage effect, and he said, whoa was 290 00:17:22,119 --> 00:17:28,760 Speaker 1: my mom burning her fried zucchini backstage? And they're just quiet. 291 00:17:30,240 --> 00:17:33,600 Speaker 1: What the confusion? I love the room. I love it. 292 00:17:33,880 --> 00:17:37,320 Speaker 1: Just yeah, yeah, that's not the right energy, but I 293 00:17:37,359 --> 00:17:42,479 Speaker 1: don't think that's I enjoy Yeah, I like the If 294 00:17:42,520 --> 00:17:45,240 Speaker 1: they're not gonna hire because award shows are never funny, 295 00:17:45,240 --> 00:17:48,080 Speaker 1: you should hire someone who doesn't fit. And I'm actually 296 00:17:48,080 --> 00:17:51,720 Speaker 1: probably gonna watch it more. Yeah, definitely. All right, Well, 297 00:17:51,760 --> 00:17:54,239 Speaker 1: justin Wmorra, can people find you? Follow you? You can 298 00:17:54,280 --> 00:17:57,880 Speaker 1: find me at Jacon the Smith on Instagram and Instagram only. 299 00:17:57,960 --> 00:18:00,520 Speaker 1: That's at j C O N T A E S 300 00:18:00,640 --> 00:18:03,040 Speaker 1: M I T H. Yeah. He doesn't exist anywhere else 301 00:18:03,119 --> 00:18:09,479 Speaker 1: in the Instagram Artificial intelligence chat GPT amalgamation only resisting 302 00:18:09,520 --> 00:18:13,800 Speaker 1: on Instagram. All right, Well, that's gonna do it until 303 00:18:14,200 --> 00:18:17,080 Speaker 1: Monday morning when we're back with the whole last episode 304 00:18:17,080 --> 00:18:19,080 Speaker 1: of the show. Until then, be kind to each other, 305 00:18:19,160 --> 00:18:22,040 Speaker 1: be kind to yourselves, get the vaccine, don't do nothing 306 00:18:22,040 --> 00:18:25,960 Speaker 1: about white supremacy and we will fuck yell on Monday. 307 00:18:25,960 --> 00:18:26,800 Speaker 1: Bye bye