1 00:00:00,240 --> 00:00:09,119 Speaker 1: The quest Love Show is a production of iHeartRadio. What's Up, 2 00:00:09,119 --> 00:00:11,639 Speaker 1: Good people? This is quest Love. In addition to our 3 00:00:11,680 --> 00:00:14,440 Speaker 1: weekly interviews of The Quest Love Show, I'm going to 4 00:00:14,520 --> 00:00:17,480 Speaker 1: be doing some things periodically where I'll tell you a 5 00:00:17,520 --> 00:00:19,920 Speaker 1: little bit more about a guest or what's going on 6 00:00:20,000 --> 00:00:23,360 Speaker 1: in my life. I think they call this musings. You know. 7 00:00:23,440 --> 00:00:26,720 Speaker 1: Another thing we want to do is take your feedback, 8 00:00:26,880 --> 00:00:30,200 Speaker 1: take your questions, and I will answer them to the 9 00:00:30,200 --> 00:00:33,440 Speaker 1: best of my ability. So I'm giving you the listeners 10 00:00:33,440 --> 00:00:35,680 Speaker 1: a chance to engage with me. You could DM me 11 00:00:36,520 --> 00:00:40,240 Speaker 1: to either the QLs account. Matter of fact, only dm 12 00:00:40,479 --> 00:00:43,640 Speaker 1: the QLs account. Don't DM my account because I barely 13 00:00:43,720 --> 00:00:48,159 Speaker 1: check my own account. Okay, follow QLs on ig or 14 00:00:48,280 --> 00:00:51,680 Speaker 1: go through Questlove Supreme dot com. And you know, we'll 15 00:00:51,680 --> 00:00:54,760 Speaker 1: be recording these a few times a month where i'll basically, 16 00:00:55,200 --> 00:00:59,920 Speaker 1: you know, answer letters. Today we're talking about this week's 17 00:01:00,280 --> 00:01:03,319 Speaker 1: open Mic Eagle episode. All right. So when I did 18 00:01:03,360 --> 00:01:06,760 Speaker 1: the Open Mic Eagle episode, I think I discovered him 19 00:01:06,880 --> 00:01:10,839 Speaker 1: by accident. This was a period in which you could 20 00:01:10,880 --> 00:01:15,000 Speaker 1: not find day Lost Soul streaming. So for some reason 21 00:01:16,240 --> 00:01:18,480 Speaker 1: I went to the NEXTPEX thing which I was listening 22 00:01:18,480 --> 00:01:21,520 Speaker 1: to a bunch of Prince Paul stuff, and the next 23 00:01:21,520 --> 00:01:24,840 Speaker 1: thing I know, I saw what had happened was with 24 00:01:24,920 --> 00:01:27,479 Speaker 1: Prince Paul, and I decided, Okay, I'm gonna listen to it. 25 00:01:27,760 --> 00:01:33,160 Speaker 1: Mind you, this is also during the pandemic, and it's 26 00:01:33,200 --> 00:01:36,640 Speaker 1: in the pandemic in which I'm doing things on the 27 00:01:36,720 --> 00:01:42,600 Speaker 1: daily like walking three miles in the countryside, or sometimes 28 00:01:42,680 --> 00:01:46,880 Speaker 1: I'll just drive three to four hours upstate for no 29 00:01:46,959 --> 00:01:51,320 Speaker 1: reason at all. Like you remember how isolated and bare 30 00:01:51,400 --> 00:01:54,240 Speaker 1: bones it was, So that's kind of where I did 31 00:01:54,280 --> 00:01:57,360 Speaker 1: a lot of ketchup on podcasts I would otherwise not 32 00:01:57,480 --> 00:02:01,520 Speaker 1: have been privy to. So when I listened to the 33 00:02:01,680 --> 00:02:08,120 Speaker 1: entire Prince Paul episode of what had happened was dude, 34 00:02:08,200 --> 00:02:11,720 Speaker 1: I was just so mind blown. Of course, shortly after 35 00:02:11,760 --> 00:02:17,480 Speaker 1: that came the LP episodes and the Dante Ross episodes 36 00:02:17,520 --> 00:02:20,760 Speaker 1: as well. I don't know, I became instantly obsessed, and 37 00:02:21,240 --> 00:02:23,720 Speaker 1: I was hesitant to reach out to him because I 38 00:02:23,720 --> 00:02:26,840 Speaker 1: don't feel like I'm overexposed. But I almost feel as though, 39 00:02:27,360 --> 00:02:30,680 Speaker 1: because of the Okay Player website, that everyone knows everything 40 00:02:30,720 --> 00:02:34,679 Speaker 1: there is to know about me, Like what more could 41 00:02:34,720 --> 00:02:39,360 Speaker 1: I tell or share? But Mike actually got some crazy 42 00:02:39,400 --> 00:02:43,680 Speaker 1: stories for me to hear Mike say it. After the 43 00:02:44,040 --> 00:02:49,119 Speaker 1: third or fourth episode, he realized that he's only been 44 00:02:49,200 --> 00:02:53,359 Speaker 1: asking me maybe two or three questions of the twenty 45 00:02:53,440 --> 00:02:56,520 Speaker 1: questions he has prepared for me, because if you talk 46 00:02:56,560 --> 00:02:59,200 Speaker 1: to me, I'm gonna lead you down a rabbit hole, 47 00:03:00,080 --> 00:03:05,160 Speaker 1: which some say could be beneficial or detrimental to my career, 48 00:03:05,240 --> 00:03:09,919 Speaker 1: depending on what my publicist thinks. But pretty much at 49 00:03:09,919 --> 00:03:14,800 Speaker 1: that point, the reason why I was so open with 50 00:03:14,919 --> 00:03:20,480 Speaker 1: him literally about every step of those four albums, Organics, 51 00:03:20,520 --> 00:03:24,440 Speaker 1: all the way, do Things Fall Apart, was that at 52 00:03:24,440 --> 00:03:26,960 Speaker 1: the time I happened to be working on the Slide 53 00:03:27,000 --> 00:03:30,520 Speaker 1: doc the Slide in the Family Stone documentary, you know, 54 00:03:31,520 --> 00:03:33,639 Speaker 1: being as though at that time it was my second 55 00:03:33,680 --> 00:03:37,400 Speaker 1: film I was working on. I noticed that north of 56 00:03:37,520 --> 00:03:44,640 Speaker 1: sixty people start to forget things, and I didn't want 57 00:03:44,640 --> 00:03:48,119 Speaker 1: that to happen to me. So I never officially went 58 00:03:48,160 --> 00:03:53,240 Speaker 1: on record about what Mike himself says is the greatest 59 00:03:53,560 --> 00:03:56,000 Speaker 1: story in the history of that podcast, when I told 60 00:03:56,040 --> 00:04:02,920 Speaker 1: the infamous most death shown on d d Combe's Showdown story. Yeah, 61 00:04:02,960 --> 00:04:05,160 Speaker 1: those are the things that, like I think, with time, 62 00:04:05,240 --> 00:04:09,280 Speaker 1: I would have forgotten. So that podcast was probably the 63 00:04:09,320 --> 00:04:13,800 Speaker 1: perfect destination for all just the small detail things that 64 00:04:13,920 --> 00:04:21,320 Speaker 1: otherwise probably would not make a documentary or some sort 65 00:04:21,360 --> 00:04:24,440 Speaker 1: of memoir or whatever. So I mean, I think he 66 00:04:24,480 --> 00:04:28,000 Speaker 1: should be doctor Mike Eagle, like he should be hip 67 00:04:28,040 --> 00:04:34,000 Speaker 1: hop's official therapists. I think I've I've mentioned this on 68 00:04:34,160 --> 00:04:38,800 Speaker 1: previous QLs tapings, but you know, I've found out sort 69 00:04:38,839 --> 00:04:43,680 Speaker 1: of in retrospect that I would occasionally freak people out 70 00:04:43,839 --> 00:04:48,120 Speaker 1: because I don't ask casual questions like people will say, 71 00:04:49,400 --> 00:04:52,520 Speaker 1: you know, q tip will call me to ask a 72 00:04:52,560 --> 00:04:57,360 Speaker 1: casual question like yo, man, let's go get dinner, and 73 00:04:57,680 --> 00:05:01,480 Speaker 1: I will be like, hey, what was the two snares 74 00:05:01,520 --> 00:05:04,400 Speaker 1: that you used on Clap your Hands Back at Midnight Maradas? 75 00:05:04,400 --> 00:05:07,560 Speaker 1: Like things that he's not thinking about. And because I'm 76 00:05:07,640 --> 00:05:14,240 Speaker 1: such a technical sponge for information and uh park Griot, 77 00:05:14,320 --> 00:05:17,840 Speaker 1: I guess storing that information. I figured this was the 78 00:05:18,000 --> 00:05:23,359 Speaker 1: safest way for me to bond with my peers in 79 00:05:23,400 --> 00:05:28,279 Speaker 1: a professional setting, because everything that you've heard on QLs 80 00:05:28,320 --> 00:05:32,000 Speaker 1: like I would probably do in real life. Like basically, 81 00:05:32,680 --> 00:05:35,080 Speaker 1: as much as I talk about the Jimmy Jam episode, 82 00:05:35,640 --> 00:05:39,240 Speaker 1: I will say once a week I've added five additional 83 00:05:39,320 --> 00:05:42,679 Speaker 1: questions to Jimmy Jam and now I'm to the point 84 00:05:42,680 --> 00:05:46,880 Speaker 1: where Jimmy Jam and I are on like one am status, 85 00:05:46,960 --> 00:05:51,280 Speaker 1: Like I won't hesitate at all to text him at 86 00:05:51,560 --> 00:05:55,400 Speaker 1: two am to ask about how come whenever you write 87 00:05:55,440 --> 00:05:58,440 Speaker 1: a rap for Janet Jackson and never rhymes or just 88 00:05:58,520 --> 00:06:02,520 Speaker 1: like things I soon be asking on a podcast. So 89 00:06:03,160 --> 00:06:07,039 Speaker 1: that's just the nature. I'm a curious cat. I would 90 00:06:07,040 --> 00:06:11,560 Speaker 1: definitely like to go further into our cannon. You know, 91 00:06:11,680 --> 00:06:14,919 Speaker 1: The Roots Come Alive. Oh god, there's I probably have 92 00:06:15,160 --> 00:06:20,360 Speaker 1: more stories behind The Roots Come Alive the first round 93 00:06:21,000 --> 00:06:24,039 Speaker 1: than I do and with any Roots album whatsoever, only 94 00:06:24,080 --> 00:06:29,440 Speaker 1: because like I specifically remember certain things happening, like, for instance, 95 00:06:29,800 --> 00:06:33,160 Speaker 1: I think I warn't havoc about this on social media. 96 00:06:33,320 --> 00:06:37,960 Speaker 1: I used to pack in my suitcase doctor Bonner's peppermint 97 00:06:38,040 --> 00:06:41,000 Speaker 1: soap like the gallon, the big gallon thing, and I'm 98 00:06:41,040 --> 00:06:43,480 Speaker 1: not thinking about the fact that when it gets in 99 00:06:43,520 --> 00:06:47,279 Speaker 1: an airplane, the air pressure will cause that thing to explode. 100 00:06:47,279 --> 00:06:50,120 Speaker 1: And of course three of those songs on The Roots 101 00:06:50,160 --> 00:06:53,719 Speaker 1: Come Alive were actually it at at least a momont 102 00:06:53,880 --> 00:06:56,400 Speaker 1: in Paris that Dareique Brahm's about and you got me. 103 00:06:57,000 --> 00:06:59,799 Speaker 1: So the thing is is that with maybe two hours 104 00:06:59,880 --> 00:07:02,120 Speaker 1: on the clock before we hit the stage. I had 105 00:07:02,480 --> 00:07:05,000 Speaker 1: quick decisions to make and there was no laundry met 106 00:07:05,120 --> 00:07:07,280 Speaker 1: so I was like, okay, let me just take my boxers, 107 00:07:07,360 --> 00:07:10,320 Speaker 1: which is all drenched with peppermint soap. Let me hang 108 00:07:10,360 --> 00:07:12,800 Speaker 1: it out on the balcony of my hotel and of 109 00:07:12,840 --> 00:07:15,760 Speaker 1: course on there for two hours or whatever. It was dry, 110 00:07:16,160 --> 00:07:19,960 Speaker 1: right wrong. So we get to hot ass Elisi Moman 111 00:07:20,080 --> 00:07:25,280 Speaker 1: the summertime and buy song too, a sweat conversation like 112 00:07:25,400 --> 00:07:28,760 Speaker 1: has now gotten to my boxers? And when I tell 113 00:07:28,840 --> 00:07:36,120 Speaker 1: you you've not, it's basically like putting ghost pepper on your genitals. 114 00:07:36,400 --> 00:07:39,800 Speaker 1: To this day, the roots say the best drum solo 115 00:07:39,920 --> 00:07:43,360 Speaker 1: I ever done in life was at that show. And 116 00:07:43,400 --> 00:07:46,160 Speaker 1: that wasn't because of skill, It's because the pain I 117 00:07:46,240 --> 00:07:53,600 Speaker 1: was in getting stung by peppermint soap. So stories like that, man, 118 00:07:53,840 --> 00:07:58,200 Speaker 1: One of the biggest shakras of this year, a pleasant shaker, 119 00:07:59,640 --> 00:08:03,440 Speaker 1: was seeing might get an eight point five and pitchfork. 120 00:08:04,080 --> 00:08:06,440 Speaker 1: I know, and I'm a man of my word, like 121 00:08:06,560 --> 00:08:11,560 Speaker 1: when I tell you that after creating Summer of Soul, 122 00:08:11,800 --> 00:08:19,360 Speaker 1: I've decided to stop my obsession with any critical algorithm. 123 00:08:19,600 --> 00:08:23,200 Speaker 1: I mean, I've joked, not joked very truthful that I 124 00:08:23,280 --> 00:08:27,760 Speaker 1: used to almost not hourly, but least daily look up 125 00:08:27,760 --> 00:08:32,960 Speaker 1: our Metacritic score, metacritics like the rotten Tomatoes of music, 126 00:08:33,000 --> 00:08:37,840 Speaker 1: and you know, like there's a as far as I'm concerned, 127 00:08:37,840 --> 00:08:40,040 Speaker 1: as long as the roots are above and eighty, that's 128 00:08:40,200 --> 00:08:43,240 Speaker 1: like straight a's especially for a group with seventeen records, 129 00:08:43,280 --> 00:08:46,280 Speaker 1: like most people have like six really good records and 130 00:08:46,320 --> 00:08:52,200 Speaker 1: the rest is just like whatever. But I realized that 131 00:08:52,440 --> 00:08:59,679 Speaker 1: my obsession with looking at our critical analysis from music 132 00:08:59,720 --> 00:09:04,720 Speaker 1: periododicles and and online really just dealt with the fact 133 00:09:04,760 --> 00:09:09,480 Speaker 1: that we only had the record deal to depend on, 134 00:09:10,160 --> 00:09:16,959 Speaker 1: and you know, our survival really depends on us having 135 00:09:17,040 --> 00:09:19,680 Speaker 1: a record deal. Well that is not the case now, 136 00:09:20,120 --> 00:09:23,920 Speaker 1: you know, if anything, making records is now just a 137 00:09:24,000 --> 00:09:28,160 Speaker 1: luxury to me. And so while I'm in that state 138 00:09:29,280 --> 00:09:35,480 Speaker 1: of luxury, I've not read as much reviews as I 139 00:09:35,640 --> 00:09:39,480 Speaker 1: normally used to. But I got admit that I had to. Look. 140 00:09:39,520 --> 00:09:43,200 Speaker 1: I saw someone congratulate Mike forgetting an eight point five, 141 00:09:43,240 --> 00:09:46,080 Speaker 1: and I was like what, and I read it, and 142 00:09:46,360 --> 00:09:49,560 Speaker 1: I don't know, man, I'm just so like I was 143 00:09:49,600 --> 00:09:53,000 Speaker 1: happy the way that de Niro was happy that Joe 144 00:09:53,080 --> 00:09:57,280 Speaker 1: PESHI was getting made in Goodfellas, you know, one of 145 00:09:57,360 --> 00:10:02,000 Speaker 1: us made it. It's just important because, especially from that 146 00:10:02,120 --> 00:10:09,400 Speaker 1: particular digital publication. You know, true art isn't for the 147 00:10:09,559 --> 00:10:15,800 Speaker 1: critical gaze, and some of the most critically claimed people 148 00:10:15,840 --> 00:10:19,640 Speaker 1: I know never read their reviews. They you know, like 149 00:10:19,760 --> 00:10:24,040 Speaker 1: purely create it. But for me, just to see somebody 150 00:10:25,200 --> 00:10:28,640 Speaker 1: get over the very hard to police hump of that 151 00:10:28,800 --> 00:10:32,040 Speaker 1: digital publication meant a lot to me. Like so, I 152 00:10:32,080 --> 00:10:36,480 Speaker 1: think maybe vicariously I read it, as you know, that's 153 00:10:36,480 --> 00:10:38,360 Speaker 1: how I used to look at reviews, like read the 154 00:10:38,360 --> 00:10:42,440 Speaker 1: review first and look at the number. Okay, got another chance, 155 00:10:42,760 --> 00:10:46,560 Speaker 1: you know, well, you know, until then, this is Quest 156 00:10:46,559 --> 00:10:49,280 Speaker 1: Love and I'll catch you next on the Quest Love Show, 157 00:10:49,480 --> 00:10:55,000 Speaker 1: all right,