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Speaker 1: Blood on the Tracks is the production of I Heart

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Speaker 1: Radio and Double Elvis. Phil Spector was a musical genius,

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Speaker 1: one of the most successful record producers of all time.

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Speaker 1: He's now sitting behind bars, serving a nineteen years to

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Speaker 1: life sentence for murder. This is his story told by

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Speaker 1: his so called friends. This is Special Agent Paul Ramone

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Speaker 1: with the Federal Bureau of Investigation work in case number

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Speaker 1: double oh four Dash ten Dash seven one nine case

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Speaker 1: subject to Specter Philip Harvey. This information pertains to appear

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Speaker 1: at ending February two thousand nine. Interview subject to Specter

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Speaker 1: phil Interview number six Dash six six dash oh four

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Speaker 1: one dash three zero nine Recall number ten March first,

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Speaker 1: two thousand nine. What I want to know is, how

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Speaker 1: can somebody who gave his whole life to music, who

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Speaker 1: made such fucking great records, and you know I did,

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Speaker 1: You've admitted I did. How could they have hated me?

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Speaker 1: How could they still hate me? They don't understand me?

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Speaker 1: How could they have hated me? How could they hate

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Speaker 1: somebody whose records are filled with so much love and

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Speaker 1: not only love, but honesty and so much pure fucking talent,

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Speaker 1: But nobody wants to talk about any of that when

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Speaker 1: they talk about me. The only thing anyone thinks of

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Speaker 1: when they think about me is the blood on the tracks. Yeah.

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Speaker 1: Chapter ten, Phil Specter and Phil Specter. I think rage

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Speaker 1: is what comes out when you're disrespected, and rage is

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Speaker 1: what makes you better. I wasn't respected like Gershwin or Berlin,

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Speaker 1: and that lack of respect just build up the anger

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Speaker 1: and rage inside of me made me do better. It's

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Speaker 1: what made Miles Davis do better. Miles Davis, Charlie Parker,

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Speaker 1: Duke Ellington, all those people did better because they were disrespected.

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Speaker 1: They took that disrespect and they put it direct lee

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Speaker 1: into their music, into their art. That's what makes their

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Speaker 1: music art. Look at Tony Bennett. Tony Bennett was the

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Speaker 1: biggest cocaine addict in the nineteen sixties. Tony Bennett and

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Speaker 1: cocaine were like peanut butter and jelly in the nineteen sixties.

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Speaker 1: And then years later he cleans up his act and

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Speaker 1: nobody talks about his past drug addictions. Nobody treats him

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Speaker 1: with disrespect. But anytime someone talks about Miles Davis, they

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Speaker 1: talk about the drug problems, even if the drug problems

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Speaker 1: were long behind him. Look at Woody Allen. Woody Allen

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Speaker 1: will always be a pervert, no matter what else he's done.

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Speaker 1: He'll always be scarred because he married his daughter, even

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Speaker 1: though she's not his daughter, she's his adopted daughter. But

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Speaker 1: that's always on the public's mind because the public doesn't

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Speaker 1: like him, and the public doesn't like me. If they

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Speaker 1: like you, they won't talk about those things. It's just

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Speaker 1: the way it goes. If they don't like you, if

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Speaker 1: they think we've done something wrong, they'll screw you. The media,

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Speaker 1: the police. That's how the media works, that's how the

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Speaker 1: police work. It's a mob mentality, and you gotta put

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Speaker 1: energy into living it down. Look at the Beatles tapes,

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Speaker 1: the Let It Be tapes. They weren't cared for, they

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Speaker 1: were not guarded. I found them like someone finds trash

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Speaker 1: in a dumpster, and I made something out of those tapes.

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Speaker 1: I turned that pile of trash into a commercial success.

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Speaker 1: They went straight to number one. But look how they

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Speaker 1: treat me, how they talk about me, like I was

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Speaker 1: the one who sucked it all up. Now did George

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Speaker 1: Martin touch those tapes? He didn't have anything to do

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Speaker 1: with those tapes. He wanted to be as far from

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Speaker 1: them as possible. But look how they treat George Martin.

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Speaker 1: He was made as Sir. Paul McCartney. He was made

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Speaker 1: as Sir. Elton John was made to serve. Bob Dylan

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Speaker 1: got an honorary degree from a college. Buddy Holly was

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Speaker 1: given a stamp. Now, I love Buddy Holly, but he

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Speaker 1: only lived three years in rock and roll. I've been

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Speaker 1: around a lot longer than that, and I've made more

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Speaker 1: of an impact. You've got to have some perspective, But

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Speaker 1: who has time for perspective when it's so much easier

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Speaker 1: to jump to a predetermined conclusion. A conclusion where Buddy

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Speaker 1: Holly is a saint and Phil Specter is a problem.

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Speaker 1: Buddy Holly was no saint. I can tell you that

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Speaker 1: Elton John was no saint. I don't need a stamp necessarily,

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Speaker 1: but a little respect would go a long way. I've

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Speaker 1: done more for music than any of those people. I've

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Speaker 1: at least done as much as they have his whole life.

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Speaker 1: But see, that's what I'm talking about. And it's not

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Speaker 1: just disrespect either. It's misunderstanding. It's the plight of the

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Speaker 1: miss understood, the misseen. I've always been misunderstood from a

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Speaker 1: very early age. I realized early on that I was

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Speaker 1: a loner in school. I was different. We were poor.

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Speaker 1: Everyone else was middle or upper class. I wasn't popular,

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Speaker 1: wasn't part of any clique. I took that lack of respect,

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Speaker 1: that lack of respect that I felt from a very

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Speaker 1: young age, and I made myself better. I don't understand.

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Speaker 1: I helped the football players with their homework so that

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Speaker 1: they could pass their classes and stay on the team,

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Speaker 1: and in return, they offered me protection. I've always found

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Speaker 1: that protection comforting but also necessary, necessary because I would

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Speaker 1: continue to be misunderstood throughout my life, and it helped

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Speaker 1: me keep those who wanted to disrespect or mistreat me

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Speaker 1: at arm's length. Having bodyguards follow your around as a statement,

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Speaker 1: it's a statement that says I would like to be

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Speaker 1: left alone. Everyone else in school were a bunch of

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Speaker 1: losers anyway. None of them challenged society or dared to

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Speaker 1: be different. I was the only one who was different,

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Speaker 1: and I had to protect that. French When I first

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Speaker 1: broke into show business with the Teddy Bears in I

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Speaker 1: was still misunderstood. I should have seen it coming as

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Speaker 1: early as that first saw to know him is to

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Speaker 1: love him. I should have seen the writing on the wall,

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Speaker 1: because no one knew what it was about. Everyone just

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Speaker 1: thought it was some gooey love song, some puppy dog

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Speaker 1: love song that Annette sang. Of course they did. The

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Speaker 1: whole world was just like my high school class losers.

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Speaker 1: Nobody's they didn't get it. They don't understand. Nobody knew

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Speaker 1: that that song was about my father, that it was

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Speaker 1: about death, that it was a love song to someone

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Speaker 1: in the Great yawned. That kind of tragedy leaves a scar.

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Speaker 1: When your father blows his head open, that's not funny.

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Speaker 1: I was just nine when he took his own life.

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Speaker 1: He sat in the front seat of his car back

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Speaker 1: in Brooklyn, connected a tube to the exhaust, put the

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Speaker 1: tube in the window, and just swam in it. And

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Speaker 1: that's what was on his tombstone. To know him is

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Speaker 1: to love him. The pain is always there. It's a constant.

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Speaker 1: To hurt is a natural phenomenon, especially for an artist.

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Speaker 1: Da Vinci felt pain. Wagner felt pain. I feel pain,

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Speaker 1: but I don't get depressed. I don't allow myself to

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Speaker 1: get depressed. It's a waste of emotion. I envy the

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Speaker 1: little old lady who sits in front of the TV

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Speaker 1: set and believes who praise and believe She'll go to

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Speaker 1: he event and says, Amen, just believes it all. I'd

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Speaker 1: like to believe I resent her and I'm jealous of her.

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Speaker 1: I wish I believed the way that George Harrison believed.

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Speaker 1: I recorded My Sweet Lord with him, and I convinced

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Speaker 1: myself in that moment that I believed you have to

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Speaker 1: you have to to make it authentic. That's why I

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Speaker 1: was different from other producers special Most producers just interpret.

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Speaker 1: I would create. It was like what Da Vinci did

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Speaker 1: when he approached a canvas, he would turn himself over

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Speaker 1: to it. Now on the flip side, I also recorded

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Speaker 1: God with John Lennon, which was about not believing, not

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Speaker 1: believing in anything other than yourself. You see, it was

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Speaker 1: the complete opposite of George's record, and I approached that

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Speaker 1: the same way I approached My Sweet Lord. I was

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Speaker 1: there to create, to make something that people would be

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Speaker 1: in awe for years to come, and it didn't matter

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Speaker 1: what I believe. I wish I believe that God would

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Speaker 1: look after me the way I've been disrespected misunderstood in

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Speaker 1: my life. I think it's obvious that if there is

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Speaker 1: a God, he's not looking out for me at all.

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Speaker 1: And like John, I only believe in myself. That doesn't

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Speaker 1: bring me much comfort. In fact, it scares me to death.

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Speaker 1: It scares me to death because I may not believe

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Speaker 1: in God, but I know there's a devil. You want

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Speaker 1: to talk about lack of respect, Let's talk about the police.

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Speaker 1: Let's talk about the Los Angeles Police Department, the Alhambra

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Speaker 1: Police Department. I said it before with Lenny Bruce, and

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Speaker 1: I'll say it again with me. The police are too

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Speaker 1: much an overdose of police. They walk the s S walk.

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Speaker 1: They rule with an iron fucking fist. That's how they

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Speaker 1: treat people like me and people like Lenny, people who

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Speaker 1: are different, people who stand up and say what they

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Speaker 1: think and what they believe. They take it too far.

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Speaker 1: They take it too far with people who have never

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Speaker 1: given any indication that they believe themselves to be above

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Speaker 1: the law, people who put their money where their mouth is.

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Speaker 1: The last time I checked, this was a free country,

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Speaker 1: is it not. I can say what I want and

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Speaker 1: print what I want. I'm not breaking the laws. I

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Speaker 1: didn't make any friends with the police over the years,

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Speaker 1: going back all the way to when Lenny died and

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Speaker 1: I paid for all those full page ads in Billboard

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Speaker 1: and cash box, and then I had a few run

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Speaker 1: ins with them over the years, the Beverly Hills Hotel

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Speaker 1: and the Daisy Club and all that, all misunderstandings again,

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Speaker 1: and I had a license to carry the gun. But see,

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Speaker 1: that's how they decide, How they preemptively decide that they

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Speaker 1: don't like you, that you are one of the bad ones,

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Speaker 1: and then they disrespect you. They beat Miles Davis in

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Speaker 1: the head until he bled while he was smoking a

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Speaker 1: cigarette outside bird Land between sets at his own gig.

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Speaker 1: They had already decided that they didn't like him because

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Speaker 1: he was black, because he was a musician, because he

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Speaker 1: was in their way on the sidewalk, just smoking a cigarette.

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Speaker 1: The cops who came to my home would as a castle.

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Speaker 1: By the way, the cops who came to my home

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Speaker 1: on the morning of February third, two thousand three, were

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Speaker 1: the same way. Sixteen cops, sixteen al Hambra cops showed

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Speaker 1: up on my doorstep. We had called for a paramedic.

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Speaker 1: We had a lady who was injured in the foyer

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Speaker 1: of my home and needed a paramedic. But did they

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Speaker 1: send a paramedic. No, they sent sixteen cops who wanted

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Speaker 1: to interrogate me on the stairs outside my home. And meanwhile,

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Speaker 1: this girl has slumped lifeless across the chair and my foyer.

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Speaker 1: Was she alive? Was she dead? I didn't know, and

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Speaker 1: they didn't know either, because they were wasting time arguing

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Speaker 1: with me outside. I'm not a paramedic. They argued with

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Speaker 1: me for forty five minutes before they came inside. And

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Speaker 1: when they did come inside, they came inside like animals.

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Speaker 1: They were drunken animals. How do I know that they

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Speaker 1: weren't drunk? No, I never read the cops the Riot

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Speaker 1: Act that day the way they read it to me.

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Speaker 1: They came in barnstorming. There were stormtroopers. They were fucking gestapo.

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Speaker 1: I'm five ft five, barely forty pounds. They knocked me down,

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Speaker 1: They broke my nose, they gave me two black eyes,

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Speaker 1: they cracked my spine, and then they tasered me with

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Speaker 1: fifty volts of electricity. They knocked me down on the

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Speaker 1: floor of my own home, and we were still waiting

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Speaker 1: for the paramedics. They could have saved her, obviously, a

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Speaker 1: terrible mistakes, but it's not terribly supposing that he could

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Speaker 1: make such a mistake. Mist And what about her. I

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Speaker 1: had just met her that night. She didn't even know

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Speaker 1: who I was. At first. I barely knew anything about her.

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Speaker 1: All I knew was what she had told me during

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Speaker 1: the few hours we were together that night. I knew

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Speaker 1: she was an actress, though I don't think I had

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Speaker 1: ever seen any of her movies. But I don't know

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Speaker 1: if she was depressed. Like I said before, I don't

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Speaker 1: let myself get depressed, so I don't know that I

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Speaker 1: would know if I saw it. And again, to hurt

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Speaker 1: is a natural phenomenon, so maybe she was hurting in

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Speaker 1: that moment. I don't know if she meant to take

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Speaker 1: her own life or if it was an accident. She

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Speaker 1: was intoxicated when I first met her. She took an

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Speaker 1: open bottle of tequila with her from the House of

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Speaker 1: Blues to the car. She was taking vicodin. She must

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Speaker 1: have hurt. I know her. People have said the opposite

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Speaker 1: about me, that I don't have any sympathy or empathy.

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Speaker 1: They've said horrible things about me about how I treated them,

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Speaker 1: How did I treat Ronnie so poorly. I loved Ronnie.

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Speaker 1: I gave her everything away. I welcomed these people into

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Speaker 1: my house. Debbie Harry, Leonard Cohne, the Ramons, Tina Turner.

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Speaker 1: I had them all to the Big House on La Collina,

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Speaker 1: Mikasa Sukasa. I saved the Beatles. I got John and

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Speaker 1: George back on their feet when the Beatles broke up.

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Speaker 1: You're just shooting talking. How could they have hated me?

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Speaker 1: How can they still hate me? How could they hate

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Speaker 1: somebody whose records were filled with so much love before?

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Speaker 1: All these people were confused. I think Adriana was confused

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Speaker 1: that morning, the morning of February three, I think he

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Speaker 1: was confused, and he was in shock. It's hard to

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Speaker 1: understand what he says half the time. The kids from Brazil,

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Speaker 1: you know, and he still has a ways to go

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Speaker 1: before he masters the English language. He saw me come

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Speaker 1: out of the house and I was visibly upset. Sure

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Speaker 1: I was holding the revolver. There was blood. There had

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Speaker 1: been a terrible accident. We were in the foyer, me

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Speaker 1: and Lana. I held the gun, she held the gun.

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Speaker 1: At some point the gun went off. What else is

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Speaker 1: there to tell you? I'm sure I wasn't making any sense.

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Speaker 1: When I walked outside to talk to Adriano. The regular

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Speaker 1: guy Dylan. Now, maybe he would have understood what I

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Speaker 1: was saying better if he had been there, Maybe he

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Speaker 1: would have told the cops something different than all of

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Speaker 1: this would have been different. But whatever I said to Adriana,

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Speaker 1: I can't even remember what I said. I think he

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Speaker 1: just misheard what I said and had a hard time

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Speaker 1: communicating that to the authorities. You just aren't in your

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Speaker 1: right mind in that kind of situation. None of us are.

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Speaker 1: It's a shock to the system. You can't think straight.

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Speaker 1: I can't talk straight. It was my word against everyone

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Speaker 1: else's words. It had always been my word against everyone else's.

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Speaker 1: Maybe that's where the word genius comes from, the gene

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Speaker 1: in us. What can I say? I wasn't like everybody else.

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Speaker 1: We'll be right back after this word word word. You

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Speaker 1: know somebody wants. Asked me a question. I said, Philip,

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Speaker 1: aren't you lonely in this big house? All those rooms

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Speaker 1: to roam around in? Damn must be lonely. And you

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Speaker 1: know what I said, I said, you ever live in

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Speaker 1: one room very lonely? Just you in the bathroom, man,

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Speaker 1: you in the sink you in the toilet. Loneliness is

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Speaker 1: a state of mind. You know what's lonely? Feeling like

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Speaker 1: you're the only one on your side. Lonely is having

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Speaker 1: no control over your fate. My fate is in the

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Speaker 1: hands of twelve people who voted for George Bush. What

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Speaker 1: kind of justice is that the jurors filled out this

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Speaker 1: questionnaire of them said I was guilty from the get go,

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Speaker 1: from said I'm insane, and the judge hates me. How

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Speaker 1: is that justice? It's rigged. The whole system is rigged.

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Speaker 1: The cops had their mind made up before they even

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Speaker 1: walked into my house the castle that morning. The jury

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Speaker 1: had their minds it up, the judge, the press, the media.

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Speaker 1: How could they hate somebody whose records are filled so

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Speaker 1: much love and so much pure fucking talent. You probably

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Speaker 1: have your mind made up, but you don't even know.

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Speaker 1: You haven't even tried to know. They don't understand. I

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Speaker 1: lost my father when I was nine, man, I learned

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Speaker 1: about true loneliness before anyone should. I lost my father,

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Speaker 1: I lost Philip Jr. Wife after wife left me, I

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Speaker 1: lost John to that lunatic. What about my loss? Doesn't

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Speaker 1: that count for something? And the friends that I thought

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Speaker 1: I had, were they even friends to begin with? I

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Speaker 1: mean ship Man, When I Turner was down on his luck,

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Speaker 1: when they put him in prison in Coke, who visited

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Speaker 1: him in prison? Who did? I did? Motherfucker shore? And

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Speaker 1: when he got out, who helped him get on his

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Speaker 1: feet financially? And he's going to talk about me not

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Speaker 1: paying for his cab to come to a party. When

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Speaker 1: Darlene Love was cleaning houses and trying to make ends meet,

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Speaker 1: when she was desperate and had no one to go to,

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Speaker 1: no one to help, who helped her? Who helped her

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Speaker 1: pay her rent for a year? Man? That was me?

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Speaker 1: That was me? And now this poor woman's life has

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Speaker 1: ended accidentally or on purpose, we'll never know. It ended

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Speaker 1: in the foyer of my castle. And all the fingers

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Speaker 1: of all these people, these people that I helped, your Lord,

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Speaker 1: all these fingers are pointed at me. It's convenient for

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Speaker 1: them to forget about everything else. They all need someone

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Speaker 1: to be the pats here. I'm there, Patsy. Apparently I'm

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Speaker 1: the guide. And so they spread these rumors, and that's

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Speaker 1: what they are. Rumors, Rumors about my character, rumors about

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Speaker 1: my actions and my impulses. They spread these rumors to

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Speaker 1: make themselves feel better and to drag my name through

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Speaker 1: the mud. They're all rewriting history, that's what they're doing.

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Speaker 1: They're rewriting history so that years down the road, when

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Speaker 1: people talk about Phil Specter, people are only going to

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Speaker 1: talk about this awful thing that happened in my home,

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Speaker 1: about how I'm a bully. How can somebody whose records

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Speaker 1: are so They aren't going to talk about you've lost

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Speaker 1: that love and feeling, or imagine, or about he's a rebel.

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Speaker 1: They're not honesty. They're not going to talk about how

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Speaker 1: I pioneered a revolution in pop music. I was the

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Speaker 1: bridge between Elvis and the beatles Man. That's what John said.

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Speaker 1: Pure talent. I was twenty when I made my first

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Speaker 1: number one record. I created a new sound, a new

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Speaker 1: way to make records. That kind of person doesn't just

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Speaker 1: come along every day because they don't know that kind

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Speaker 1: of person. You see the police, the district attorney, the judge,

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Speaker 1: even the jury man. They've never been around that kind

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Speaker 1: of person before. They wouldn't know a musical genius from Adam.

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Speaker 1: They don't understand. Most of them are so young that

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Speaker 1: the whole era is lost on them. They don't recognize

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Speaker 1: the songs. But you know what kind of person these

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Speaker 1: people all know, an evil person, murderers, the eves, monsters,

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Speaker 1: the district attorney and the judge and the police. They're

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Speaker 1: all around those kinds of people all day, every day.

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Speaker 1: So that's all they see. If they look at a person,

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Speaker 1: and it doesn't matter how many hit records he has,

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Speaker 1: or how many mansions he's owned, how many beatles he

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Speaker 1: has in his rolodex. They look at a person and

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Speaker 1: they see the worst. That's what they're paid to do.

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Speaker 1: And then the jurors, they're on a steady diet of

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Speaker 1: law and order, judge, judy or whatever the cop or

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Speaker 1: courtroom TV show of the day is. They speak in

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Speaker 1: remedial legalise. They think they're all junior detectives, but they

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Speaker 1: don't know anything about it. They say, I was standing

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Speaker 1: close to her when the gun went off, but I

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Speaker 1: was only two feet away. That's what the forensics team said. Well,

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Speaker 1: what does the forensics team know about anything? They weren't there.

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Speaker 1: All they have is one piece of the puzzle, a

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Speaker 1: tiny little piece that they looked at under a microscope.

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Speaker 1: They aren't privy to the circumstances. They don't know who

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Speaker 1: was doing what or who was saying what. They don't

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Speaker 1: know anything about it, None of them do. I can't

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Speaker 1: really venture to guess some what he was thinking. They

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Speaker 1: all think they know me, but they've never tried to

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Speaker 1: know me, and they never will. M April two thousand nine,

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Speaker 1: Los Angeles, six years after the death of Lana Clarkson,

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Speaker 1: Bill Specter was found guilty of second degree murder. At

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Speaker 1: the time of his sentencing, he was sixty nine years old.

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Speaker 1: It was Specter's second murder trial in two years. The

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Speaker 1: first trial, in two thousand seven, was televised. Specter did

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Speaker 1: not testify. The jury deliberated for fifteen days, but couldn't

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Speaker 1: reach the necessary unanimous verdict. It ended in mistrial hung jury.

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Speaker 1: The second trial was the charm At the retrial, prosecutors

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Speaker 1: called Specter a very dangerous man in detail of his

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Speaker 1: history playing Russian Roulette with women. Specter's lawyers fought back

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Speaker 1: and went after Specter's own personal bad guys, the cops.

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Speaker 1: The judge noted that this was not an isolated incident,

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Speaker 1: the taking of innocent human life. He said, it doesn't

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Speaker 1: get any more serious than that. Specter's love of firearms,

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Speaker 1: his uncontrollable temper, and his violent and volatile history with

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Speaker 1: women came back to haunt him. Even his music, his

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Speaker 1: art came back to haunt him. One of the first

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Speaker 1: songs he recorded with the Crystals, he Hit Me and

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Speaker 1: It Felt Like a Kiss, certainly didn't do any favors

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Speaker 1: to his notorious reputation. After a five month trial, the

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Speaker 1: jury returned their unanimous verdict. Specter sat in the courtroom

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Speaker 1: stone faced as the judge read the verdicts nineteen years

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Speaker 1: to life. Specter stared straight ahead, stared out at his space.

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Speaker 1: He made no movement. All he did was blink his eyes.

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Speaker 1: He showed no emotion. He didn't indicate that he was

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Speaker 1: listening at all. In addition to the sentence, Specter was

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Speaker 1: ordered to write a check to the Clarkson family for

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Speaker 1: seventeen grand to cover funeral expenses. The judge denied Specter's

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Speaker 1: request for a third trial. Specter's lawyer promised to appeal,

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Speaker 1: and then man who once said I could strut sitting

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Speaker 1: down I was so brazen walked a far less confident

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Speaker 1: strut from the courtroom directly to jail. The bailiff shuffled

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Speaker 1: Specter out of the courtroom, out of his dark pinstriped

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Speaker 1: suit and red silk tie, and into his California Department

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Speaker 1: of Corrections issued costume. That moment of transition sealed the deal.

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Speaker 1: He was no longer Phil Specter the producer, or Phil

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Speaker 1: Specter the musical genius. He was no longer Phil Specter,

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Speaker 1: the supposed celebrity. He was now Phil Specter, the murderer,

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Speaker 1: Phil Specter the gun not Phil Specter the explosive, perfectionist.

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Speaker 1: Phil Specter the womanis or the boozer, the psycho loaner

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Speaker 1: up in the castle on the Hill who wore Batman

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Speaker 1: costumes and air conditioned darkness. Was back to being the

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Speaker 1: loner he was as a child, the one who was

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Speaker 1: different ostra size, misunderstood. He was no longer the bully.

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Speaker 1: He'd be bullied from now on, just like he'd been

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Speaker 1: bullied in school. Now eleven years later, Phil Specter is

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Speaker 1: eighty years old and spends his days at a prison

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Speaker 1: health care facility in Stockton, California, where he is ben

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Speaker 1: since October two thousand and thirteen. Is eligible for early parole.

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Speaker 1: In two thousand, Specter's musical productions remained some of the

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Speaker 1: greatest of the twentieth century. River Deep, Mountain High, You've

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Speaker 1: Lost that love and feeling in My Sweet Lord are

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Speaker 1: the songs of an autour, works of art made possible

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Speaker 1: by a process and a style that was as myopic

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Speaker 1: as it was universal. In later years, as musical and

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00:29:35,840 --> 00:29:40,240
Speaker 1: social trends continued to evolve, Specter became increasingly stubborn and

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Speaker 1: refused to evolve with everyone else. But even some of

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Speaker 1: his later productions albums by Leonard Cohen and Dion, though

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Speaker 1: initially panned upon their release, have risen in critical acclaim.

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Speaker 1: Phil Specters identifiable stamp, whether delivered as a wall of

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Speaker 1: sound or stripped down and raw, remains a stunning time

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Speaker 1: capsule in moments frozen in amber or at least pressed

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Speaker 1: into wax. For many, it's rapturous pop music that will

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Speaker 1: never be taught. For many others, it's hard to separate

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Speaker 1: the art from the artist, and the music filled with

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00:30:13,840 --> 00:30:17,080
Speaker 1: so much love was in fact the brainchild of a petty,

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Speaker 1: vindictive and abusive man. Because no matter how much love

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Speaker 1: is on the tracks, no matter how much honesty is

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Speaker 1: on the tracks, no matter how much pure fucking talent

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Speaker 1: is on the tracks. It's all tainted. All the love, honesty,

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Speaker 1: and talent are tainted by blood. It's all there, the

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Speaker 1: blood on the Tracks. This episode of Blood on the

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Speaker 1: Tracks is brought to you by seven Club, a podcast

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Speaker 1: that I host on musicians who died at the age

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Speaker 1: of seven. Season two, featuring Jim Morrison, is now available,

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Speaker 1: as is season one with twelve episodes featuring Jimmy Hendrix.

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Speaker 1: Subscribe to the twenty seven Club on Apple podcast, I

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00:31:10,560 --> 00:31:13,800
Speaker 1: Heeart Radio app or wherever you get your podcasts, and

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00:31:13,840 --> 00:31:16,160
Speaker 1: of course, this episode was also brought to you by

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00:31:16,240 --> 00:31:19,360
Speaker 1: Disgrace Land, the award winning music and true crime podcast

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00:31:19,480 --> 00:31:22,600
Speaker 1: also hosted by Yours Truly. Episodes on The Rolling Stones,

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Speaker 1: Jeremy Lewis, Cardi B, The Grateful Dead, Jay Z Prince,

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00:31:25,880 --> 00:31:28,560
Speaker 1: and many many more are all waiting for you right now.

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Speaker 1: Just search Disgrace Land on Apple podcast, the I Heart

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Speaker 1: Radio app or wherever you get your podcast all right.

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00:31:37,040 --> 00:31:38,959
Speaker 1: This episode of Blood on the Tracks was written by

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00:31:39,040 --> 00:31:42,320
Speaker 1: Zeth Lundie and scored in mixed by Matt Bowden, hosted

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00:31:42,320 --> 00:31:45,760
Speaker 1: by me Jake Brennan. Additional music and score elements by

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00:31:45,840 --> 00:31:49,960
Speaker 1: Ryan Spreaker and Henry Lunana. This episode featured Chris Anzelonius

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00:31:50,080 --> 00:31:53,520
Speaker 1: Phil Specter. Blood on the Tracks is produced by myself

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00:31:53,520 --> 00:31:57,320
Speaker 1: for Double Elvis and partnership with I Heart Radio. Sources

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00:31:57,360 --> 00:32:00,000
Speaker 1: for this episode are available at double Elvis dot com

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Speaker 1: m on the Blood on the Track series page. If

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Speaker 1: you like it here, please be sure to subscribe to

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Speaker 1: Blood on the Tracks on Apple podcast, I Heart Radio

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Speaker 1: app wherever you get your podcasts, and if you'd like

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Speaker 1: to win a free Blood on the Tracks poster designed

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Speaker 1: by Nike Gonzalez and leave a review for Blood on

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Speaker 1: the Tracks on Apple Podcast, you can hashtag Blood on

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Speaker 1: the Tracks on social media. Leave your review there. We'll

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Speaker 1: pick two winners each week and announce them on the

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Speaker 1: Double Elvis Instagram page that's at double Elvis. Go ahead

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00:32:27,520 --> 00:32:30,000
Speaker 1: and give that a followup alright. As always, you can

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00:32:30,000 --> 00:32:32,880
Speaker 1: find me blabbing about other crazy rock stars on disgrace

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00:32:32,960 --> 00:32:35,720
Speaker 1: Land and twenty seven Club, and you can talk to

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00:32:35,760 --> 00:32:39,720
Speaker 1: me per usual on Instagram and Twitter at disgrace Land

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Speaker 1: pod or Dad